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1
00:00:02,434 --> 00:00:05,532
CAPTIONING MADE POSSIBLE BY
CAPITAL CITIESABC, INC.
2
00:01:17,867 --> 00:01:20,832
I ALREADY PAID
FOR 67 10' 2 x 4s.
3
00:01:20,867 --> 00:01:22,999
YOU SENT ME 42.
4
00:01:23,034 --> 00:01:24,999
OF COURSE
I COUNTED THEM.
5
00:01:25,034 --> 00:01:26,498
I'VE GOT
THE RECEIPT.
6
00:01:26,533 --> 00:01:28,498
THERE'S A JOB
TO FILL.
7
00:01:28,533 --> 00:01:30,999
I NEED
THOSE 2 x 4s.
8
00:01:31,034 --> 00:01:32,498
DARLENE,
GIVE IT HERE!
9
00:01:32,533 --> 00:01:34,232
GET OUT OF HERE!
10
00:01:34,267 --> 00:01:36,233
I WON'T BRING
THE RECEIPT.
11
00:01:36,268 --> 00:01:38,266
YOU'LL BRING
THE 2 x 4s.
12
00:01:38,301 --> 00:01:39,732
MOTHER!
13
00:01:39,767 --> 00:01:41,531
SHH! DAD'S
ON THE PHONE!
14
00:01:41,567 --> 00:01:43,066
BRING THE LUMBER.
15
00:01:43,101 --> 00:01:44,732
SHE STOLE
MY HAIRBRUSH.
16
00:01:44,767 --> 00:01:46,166
DAD'S ON THE PHONE!
17
00:01:46,201 --> 00:01:48,166
BUT SHE'S USING
MY HAIRBRUSH!
18
00:01:48,201 --> 00:01:50,999
I DON'T SEE
YOUR NAME ANYWHERE.
19
00:01:51,034 --> 00:01:52,999
LOOK, I'M A REGULAR
CUSTOMER.
20
00:01:53,034 --> 00:01:54,698
GIVE ME THAT BRUSH!
21
00:01:54,733 --> 00:01:57,665
I DON'T CARE WHOSE
HAIRBRUSH IT IS. SHH!
22
00:01:57,700 --> 00:01:59,665
ROSEANNE,
I'M ON THE PHONE.
23
00:01:59,700 --> 00:02:02,366
NOW YOU GOT ME
IN TROUBLE.
24
00:02:03,466 --> 00:02:06,099
DARLENE IS ALWAYS
TAKING MY STUFF.
25
00:02:06,134 --> 00:02:08,032
SHE TAKES MY STUFF, TOO.
26
00:02:08,067 --> 00:02:09,531
OH, YOU BE QUIET.
27
00:02:09,566 --> 00:02:11,531
YOU DON'T HAVE
ANY STUFF.
28
00:02:11,566 --> 00:02:14,531
BUT, MOM, YOU GOT ME
THIS HAIRBRUSH--
29
00:02:14,567 --> 00:02:17,032
THE NEXT PERSON
WHO SAYS "HAIRBRUSH"
30
00:02:17,068 --> 00:02:19,531
GETS THEIR HEAD
SHAVED OFF BALD.
31
00:02:19,567 --> 00:02:21,032
IT'S ALL YOUR FAULT.
32
00:02:21,068 --> 00:02:22,531
OH, BITE IT.
33
00:02:22,567 --> 00:02:25,532
I WANT TO SEE THAT
LUMBER FIRST THING TOMORROW.
34
00:02:25,567 --> 00:02:26,532
PERIOD.
35
00:02:26,567 --> 00:02:27,798
PERIOD.
36
00:02:27,833 --> 00:02:29,798
VRROOM!
37
00:02:29,833 --> 00:02:32,298
D.J., PLEASE DON'T
DRIVE YOUR TRUCK
38
00:02:32,333 --> 00:02:33,798
ON MY BLUEPRINTS.
39
00:02:33,833 --> 00:02:35,298
HA HA HA.
40
00:02:35,333 --> 00:02:36,298
VRROOM! VRROOM!
41
00:02:36,333 --> 00:02:38,898
VRROOM! VRROOM!
42
00:02:40,333 --> 00:02:42,765
THEY SHORTED ME
12 LUMBER PIECES.
43
00:02:42,800 --> 00:02:45,499
MAY THEY ROT IN HELL.
44
00:02:47,267 --> 00:02:50,298
I GOT THE RECEIPT.
45
00:02:50,333 --> 00:02:53,298
I GOT SOMETHING
THAT WILL
CHEER YOU UP.
46
00:02:53,333 --> 00:02:54,798
25 2 x 4s?
47
00:02:54,833 --> 00:02:56,798
YEAH, AND GUESS
WHAT ELSE.
48
00:02:56,833 --> 00:02:58,298
THIS OFFICIAL
ENTRY BLANK
49
00:02:58,333 --> 00:03:00,298
FOR THAT
COUNTRY-WESTERN
RADIO STATION
50
00:03:00,334 --> 00:03:01,298
SONGWRITING
CONTEST.
51
00:03:01,334 --> 00:03:03,932
SO? I AIN'T
ENTERING NO CONTEST.
52
00:03:03,967 --> 00:03:05,431
IT'D BE A HOOT.
53
00:03:05,466 --> 00:03:08,099
YOU'RE THE WRITER.
YOU DO IT.
54
00:03:08,134 --> 00:03:10,598
I DON'T GOT
NO MUSICAL TALENT.
55
00:03:10,633 --> 00:03:13,099
YOU'VE GOT
THE TRUNKFUL OF SONGS.
56
00:03:13,134 --> 00:03:15,598
I WROTE THAT STUFF
YEARS AGO.
57
00:03:15,633 --> 00:03:18,099
DIG ONE OUT.
SEND IT IT.
58
00:03:18,134 --> 00:03:19,099
NO WAY.
59
00:03:19,134 --> 00:03:22,032
COME ON.
YOU'RE REALLY
GOOD AT IT.
60
00:03:22,067 --> 00:03:24,665
NO. NO CONTEST
FOR THIS COWBOY.
61
00:03:29,901 --> 00:03:30,865
WHAT...
62
00:03:30,901 --> 00:03:32,498
WHAT COULD YOU WIN?
63
00:03:35,200 --> 00:03:37,165
WHAT DIFFERENCE
DOES IT MAKE?
64
00:03:37,200 --> 00:03:39,698
YOU'RE NOT GOING TO
ENTER IT ANYWAY.
65
00:03:39,733 --> 00:03:41,498
I'M JUST CURIOUS.
66
00:03:41,533 --> 00:03:42,999
FIRST PRIZE IS $100
67
00:03:43,034 --> 00:03:45,898
PLUS HEARING YOUR
SONG ON THE RADIO.
68
00:03:45,933 --> 00:03:48,398
AH, I AIN'T GOT
NO TALENT.
69
00:03:48,433 --> 00:03:51,465
COME ON. YOU KNOW
YOU WANT TO DO IT.
70
00:03:51,500 --> 00:03:53,965
IT WOULD BE
KIND OF NICE
71
00:03:54,000 --> 00:03:56,565
HEARING MY SONG
ON THE RADIO.
72
00:03:56,600 --> 00:03:59,498
YOU CAN NO LONGER
DEPRIVE THE WORLD
73
00:03:59,534 --> 00:04:01,199
OF YOUR
SPECIAL TALENT.
74
00:04:03,434 --> 00:04:04,965
MAYBE YOU'RE RIGHT.
75
00:04:06,633 --> 00:04:08,099
OF COURSE I'M RIGHT.
76
00:04:08,134 --> 00:04:10,598
YOU NEED
TO CUT IT LOOSE
77
00:04:10,633 --> 00:04:12,232
AND SET IT FREE.
78
00:04:14,201 --> 00:04:15,665
DO IT FOR HUMANITY!
79
00:04:15,700 --> 00:04:17,999
DO IT FOR THE CHILDREN!
80
00:04:18,034 --> 00:04:20,999
DO IT FOR THE STINKING
100 BUCKS.
81
00:04:21,034 --> 00:04:22,132
BINGO.
82
00:04:43,667 --> 00:04:45,132
WHAT ARE YOU DOING?
83
00:04:45,167 --> 00:04:46,298
GETTING
SOMETHING TO EAT.
84
00:04:46,333 --> 00:04:48,665
YOUR BREAK ISN'T
FOR TWO MINUTES.
85
00:04:48,700 --> 00:04:51,665
THEN I'LL GO BACK
TO WORK TWO MINUTES EARLY.
86
00:04:52,700 --> 00:04:54,565
SIT DOWN, HARRIS.
87
00:04:54,600 --> 00:04:56,032
SIT DOWN.
88
00:05:00,434 --> 00:05:04,032
YOU KNOW, YOU HAVE
AN ATTITUDE PROBLEM.
89
00:05:04,067 --> 00:05:05,665
I DO?
90
00:05:05,700 --> 00:05:06,665
OH, YEAH.
91
00:05:06,700 --> 00:05:08,166
MAYBE WE SHOULD, UH,
92
00:05:08,201 --> 00:05:11,832
WORK ON IT
SOMEPLACE OUTSIDE
OF THE WORKPLACE.
93
00:05:11,867 --> 00:05:13,331
WHERE WOULD
YOU SUGGEST?
94
00:05:13,366 --> 00:05:16,665
THE BACK SEAT
OF YOUR CAR?
95
00:05:16,700 --> 00:05:18,165
NO, I WAS THINKING
96
00:05:18,200 --> 00:05:21,732
MORE ALONG THE LINES
OF MY APARTMENT.
97
00:05:25,100 --> 00:05:26,565
THERE IS NO WAY
98
00:05:26,600 --> 00:05:30,965
THAT I'LL END UP
A NOTCH ON YOUR BEDPOST.
99
00:05:31,000 --> 00:05:31,965
[WHISTLE BLOWS]
100
00:05:32,000 --> 00:05:34,965
YOU THINK
I'M COMING ON TO YOU?
101
00:05:35,000 --> 00:05:37,166
IT CROSSED MY MIND.
102
00:05:37,201 --> 00:05:38,665
NO. NO, SEE, I'M--
103
00:05:38,700 --> 00:05:41,966
I'M JUST TRYING
TO IMPROVE...
104
00:05:42,001 --> 00:05:44,765
EMPLOYEE-MANAGEMENT
RELATIONS.
105
00:05:44,800 --> 00:05:47,065
NICE SAVE, BOOKER.
106
00:05:47,100 --> 00:05:48,065
WHAT'S THAT?
107
00:05:48,100 --> 00:05:50,699
IT LOOKS LIKE
A PHONE NUMBER.
108
00:05:53,934 --> 00:05:56,032
LET'S WORK
ON THAT ATTITUDE.
109
00:06:01,767 --> 00:06:05,432
ROSEANNE, WHAT KIND
OF SONG IS DAN ENTERING?
110
00:06:05,467 --> 00:06:07,331
HE HASN'T EVEN
DECIDED YET.
111
00:06:07,366 --> 00:06:09,065
I'LL BET IT'S ROMANTIC.
112
00:06:09,100 --> 00:06:12,066
YOU CAN'T GO WRONG
WITH A LOVE SONG.
113
00:06:12,100 --> 00:06:13,565
LOVE SONGS ARE HOKEY.
114
00:06:13,601 --> 00:06:16,032
WRITE SOMETHING
I CAN DANCE TO.
115
00:06:16,067 --> 00:06:17,665
GET DOWN, SYLVIA.
116
00:06:18,566 --> 00:06:20,532
IT'S A COUNTRY-WESTERN
STATION, RIGHT?
117
00:06:20,567 --> 00:06:23,598
THEN ALL THAT COUNTS
IS THE TITLE.
118
00:06:23,633 --> 00:06:26,565
I GUESS YOU'RE
AN EXPERT ON THAT, TOO.
119
00:06:26,600 --> 00:06:28,065
THAT HAPPENS TO BE TRUE.
120
00:06:28,100 --> 00:06:31,265
LOOK AT TAKE THIS JOB AND SHOVE IT.
121
00:06:31,300 --> 00:06:32,765
IT'S JUST THE TITLES.
122
00:06:32,800 --> 00:06:36,065
DAN SHOULD WRITE
A ROAD SONG.
123
00:06:36,100 --> 00:06:38,065
GOSH,
I LOVE ROAD SONGS
124
00:06:38,100 --> 00:06:39,565
WHEN THAT
WHISKEY-VOICED GUY
125
00:06:39,600 --> 00:06:41,565
SINGS ABOUT
HIGHWAYS AND BYWAYS.
126
00:06:41,600 --> 00:06:43,565
WHAT EXACTLY
IS THE DIFFERENCE
127
00:06:43,600 --> 00:06:47,065
BETWEEN A HIGHWAY
AND A BYWAY?
128
00:06:47,100 --> 00:06:50,065
OK, A HIGHWAY IS
THE MAIN ROAD.
129
00:06:50,100 --> 00:06:52,065
THE BYWAY
IS THE ROAD
130
00:06:52,100 --> 00:06:54,965
THAT RUNS RIGHT
ALONG BY IT.
131
00:06:55,000 --> 00:06:57,798
NO. NO. THAT'S
AN ACCESS ROAD.
132
00:06:57,834 --> 00:07:00,632
A BYWAY'S
A ROAD THAT GOES
AROUND SOMETHING.
133
00:07:00,667 --> 00:07:02,132
NO. THAT'S A BYPASS.
134
00:07:02,167 --> 00:07:03,632
THERE ARE
NO DIFFERENCES
135
00:07:03,667 --> 00:07:05,832
BETWEEN HIGHWAYS
AND BYWAYS, OK?
136
00:07:05,867 --> 00:07:07,832
I'M GLAD
YOU KNOW THAT.
137
00:07:07,867 --> 00:07:10,632
NOW WE'LL ALL
SLEEP TONIGHT.
138
00:07:11,534 --> 00:07:13,999
I'LL TELL YOU
WHAT PEOPLE LIKE--
139
00:07:14,034 --> 00:07:15,531
HARDSHIP SONGS.
140
00:07:15,566 --> 00:07:18,032
THERE'S NOTHING
LIKE A HARDSHIP SONG
141
00:07:18,067 --> 00:07:20,665
TO SET MY TOES
TO TAPPIN'.
142
00:07:22,466 --> 00:07:25,431
THAT'S WHAT
ALL THE BEST
SONGS ARE ABOUT--
143
00:07:25,466 --> 00:07:26,431
PAIN, MISERY...
144
00:07:26,466 --> 00:07:27,865
YOU KNOW, REAL LIFE.
145
00:07:27,901 --> 00:07:29,032
MY LIFE.
146
00:07:30,800 --> 00:07:33,698
MY PARENTS
KICKED ME OUT AT 16.
147
00:07:33,734 --> 00:07:36,999
MOVED IN WITH
CRAZY AUNT INA
AND HER CATS.
148
00:07:37,034 --> 00:07:40,365
MARRIED AT 17,
WIDOWED AT 18.
149
00:07:40,400 --> 00:07:43,431
TORNADO
CARRIED AWAY MY CAR.
150
00:07:43,467 --> 00:07:44,932
HOSPITALIZED
FOR PNEUMONIA.
151
00:07:44,967 --> 00:07:46,631
EVERYBODY SING!
152
00:08:00,934 --> 00:08:01,898
MOM.
153
00:08:01,934 --> 00:08:03,398
THE ONE AND ONLY.
154
00:08:03,434 --> 00:08:04,398
WHERE'S DAD?
155
00:08:04,434 --> 00:08:06,298
HE'S IN THE GARAGE,
HONEY,
156
00:08:06,333 --> 00:08:07,865
STRUGGLING
WITH THE MUSES.
157
00:08:07,900 --> 00:08:10,331
HE NEEDS
TO FIX MY TRUCK.
158
00:08:10,366 --> 00:08:11,598
WHAT HAPPENED TO IT?
159
00:08:11,633 --> 00:08:13,431
THE WHEEL FELL OFF.
160
00:08:13,466 --> 00:08:14,932
GIVE IT TO ME.
161
00:08:14,967 --> 00:08:16,431
YOU CAN'T FIX TRUCKS.
162
00:08:16,466 --> 00:08:18,431
YES, I CAN.
163
00:08:18,466 --> 00:08:20,431
I'M A MOM.
164
00:08:20,466 --> 00:08:22,665
DADS FIX TRUCKS.
165
00:08:22,700 --> 00:08:24,199
GIVE ME THAT.
166
00:08:24,234 --> 00:08:26,333
LET'S GO
SIT DOWN HERE.
167
00:08:28,234 --> 00:08:29,698
DON'T TOUCH THAT.
168
00:08:29,733 --> 00:08:31,199
I DIDN'T TOUCH IT!
169
00:08:31,234 --> 00:08:32,199
MOM.
170
00:08:32,234 --> 00:08:33,199
HUH?
171
00:08:33,234 --> 00:08:34,631
YOU HEAR THAT?
172
00:08:34,667 --> 00:08:36,999
BECKY AND DARLENE
ARE FIGHTING AGAIN.
173
00:08:37,034 --> 00:08:39,898
THEY'RE GIVING ME
A HEADACHE.
174
00:08:40,933 --> 00:08:42,965
ME, TOO.
175
00:08:43,000 --> 00:08:44,531
I'VE HAD IT.
176
00:08:44,566 --> 00:08:46,865
ME, TOO.
177
00:08:46,900 --> 00:08:49,865
THEY SAY
THEY'LL BE QUIET,
BUT NEVER ARE.
178
00:08:49,900 --> 00:08:51,832
YEAH, NEVER.
179
00:08:51,867 --> 00:08:53,498
NEVER.
180
00:08:53,533 --> 00:08:54,999
YOU KNOW WHAT ELSE?
181
00:08:55,034 --> 00:08:55,999
WHAT?
182
00:08:56,034 --> 00:08:58,133
THEY'RE ALWAYS
IN THE BATHROOM.
183
00:08:59,300 --> 00:09:00,832
THEY'RE HORRIBLE,
ROTTEN GIRLS.
184
00:09:00,867 --> 00:09:04,099
WHAT ARE WE GOING
TO DO WITH THEM?
185
00:09:04,134 --> 00:09:05,565
KILL THEM.
186
00:09:07,200 --> 00:09:10,665
NAH, THEN I'D JUST HAVE
TO CLEAN UP THE MESS.
187
00:09:10,701 --> 00:09:13,364
I GUESS WE'LL
HAVE TO LIVE WITH THEM
188
00:09:13,400 --> 00:09:14,865
TILL THEY MOVE OUT.
189
00:09:14,900 --> 00:09:16,398
YEAH.
190
00:09:16,433 --> 00:09:17,398
WELL...
191
00:09:17,433 --> 00:09:18,898
HERE YOU GO.
192
00:09:18,933 --> 00:09:21,065
ONE FIXED TRUCK.
193
00:09:21,100 --> 00:09:22,565
THANKS.
194
00:09:26,400 --> 00:09:27,531
VRROOM!
195
00:09:27,566 --> 00:09:29,531
VRROOM!
196
00:09:29,566 --> 00:09:31,065
JUST SHUT UP,
DARLENE!
197
00:09:31,100 --> 00:09:33,065
IT'S HALF
MY ROOM, TOO,
198
00:09:33,100 --> 00:09:36,065
YOU CAN HAVE
BOTH HALVES.
I DON'T CARE.
199
00:09:36,100 --> 00:09:37,565
WHAT IS
YOUR PROBLEM?
200
00:09:37,600 --> 00:09:39,065
YOU ARE, YOU SLOB.
201
00:09:39,100 --> 00:09:40,565
YOU USED TO BE
NORMAL.
202
00:09:40,600 --> 00:09:42,398
YEAH, UNTIL
YOU WERE BORN.
203
00:09:42,433 --> 00:09:43,798
KNOCK IT OFF.
204
00:09:43,833 --> 00:09:46,798
I WISH THEY'D LEFT YOU
AT THAT HOSPITAL.
205
00:09:46,833 --> 00:09:48,298
SHUT UP, BECKY!
206
00:09:48,333 --> 00:09:49,798
MOM!
207
00:09:49,833 --> 00:09:52,498
SHE'S NOT HERE.
208
00:09:52,534 --> 00:09:55,932
I CANNOT SHARE
THE SAME ROOM WITH HER.
209
00:09:55,967 --> 00:09:58,965
AND WHOM, PRAY TELL,
ARE WE TALKING ABOUT?
210
00:09:59,000 --> 00:10:01,898
MOTHER, PLEASE, YOU KNOW
WHO I'M TALKING ABOUT--
211
00:10:01,934 --> 00:10:04,099
THE PIG.
212
00:10:04,134 --> 00:10:06,898
HERE'S YOUR FILTHY,
DISGUSTING PILLOW.
213
00:10:06,933 --> 00:10:10,065
ALL YOU'VE BEEN DOING
THIS WEEK IS FIGHTING.
214
00:10:10,100 --> 00:10:11,099
STOP IT.
215
00:10:11,134 --> 00:10:13,099
DARLENE LEAVES
HER GRUNGY STUFF
216
00:10:13,134 --> 00:10:16,099
ALL OVER MY SIDE
OF THE ROOM.
217
00:10:16,134 --> 00:10:18,099
IF I LEAVE
ANYTHING ANYWHERE,
218
00:10:18,134 --> 00:10:19,898
SHE GOES
INTO CONVULSIONS.
219
00:10:19,933 --> 00:10:22,898
THERE'S ONLY ONE WAY
TO SOLVE THIS PROBLEM.
220
00:10:22,933 --> 00:10:24,398
GIVE ME THAT PILLOW.
221
00:10:24,433 --> 00:10:26,398
GIVE ME
THAT BLANKET, TOO.
222
00:10:26,433 --> 00:10:29,398
NOW, TURN AROUND
AND FACE EACH OTHER.
223
00:10:29,433 --> 00:10:33,398
NOW, I WANT YOU TWO
TO FIGHT TO THE DEATH.
224
00:10:33,433 --> 00:10:35,198
MOTHER.
225
00:10:35,233 --> 00:10:38,198
RIP EACH OTHER APART
LIMB FROM LIMB,
226
00:10:38,233 --> 00:10:39,698
AND WHOEVER'S
LEFT STANDING
227
00:10:39,733 --> 00:10:42,331
GETS TO KEEP
THE ROOM.
228
00:10:42,366 --> 00:10:44,498
YOU KNOW WHAT
SHE'S TRYING TO DO.
229
00:10:44,533 --> 00:10:46,298
I HAVE ANOTHER PLAN.
230
00:10:46,333 --> 00:10:48,565
I HATE
WHEN SHE DOES THIS.
231
00:10:48,600 --> 00:10:50,365
GET THE MASKING TAPE--
232
00:10:50,400 --> 00:10:52,865
PUT A LINE
DOWN THE CENTER.
233
00:10:52,900 --> 00:10:54,198
AND STAY SEPARATED.
234
00:10:54,234 --> 00:10:55,565
MOM, THAT NEVER WORKS.
235
00:10:55,600 --> 00:10:58,331
YOU MAKE IT WORK, GIRLS.
236
00:10:58,366 --> 00:11:00,331
FINE.
I'LL GET THE TAPE.
237
00:11:00,367 --> 00:11:01,831
I'LL GET THE TAPE.
238
00:11:01,867 --> 00:11:03,932
I'M GETTING THE TAPE!
239
00:11:03,967 --> 00:11:06,231
I'M GETTING MY TUBES TIED.
240
00:11:18,533 --> 00:11:19,999
LOOK WHAT I GOT.
241
00:11:20,034 --> 00:11:22,498
THANKS, BABY.
PUT IT DOWN HERE.
242
00:11:22,533 --> 00:11:25,498
THIS DRILL HASN'T WORKED
SINCE I BOUGHT IT.
243
00:11:25,533 --> 00:11:27,665
I THOUGHT
YOU WERE COMPOSING.
244
00:11:27,700 --> 00:11:29,665
I TRIED A FEW THINGS,
245
00:11:29,700 --> 00:11:32,999
BUT, I DON'T KNOW,
I JUST WASN'T INSPIRED.
246
00:11:33,034 --> 00:11:35,265
WELL, I'M HERE NOW.
247
00:11:36,167 --> 00:11:39,932
AND YET, SOMEHOW,
I'M STILL NOT INSPIRED.
248
00:11:39,967 --> 00:11:42,799
IF YOU'RE NOT GOING
TO WRITE NO SONGS,
249
00:11:42,834 --> 00:11:45,598
DIG OUT SOME
OF THESE TO SEND IN.
250
00:11:45,633 --> 00:11:48,365
BELIEVE ME,
THERE'S NOTHING
WORTH SENDING.
251
00:11:48,400 --> 00:11:49,865
DON'T GIVE ME THAT.
252
00:11:49,900 --> 00:11:52,698
THERE'S AN UNDISCOVERED
MASTERPIECE IN HERE.
253
00:11:52,733 --> 00:11:55,199
TRUST ME.
THEY ALL SUCK MUD.
254
00:11:55,234 --> 00:11:56,698
I'M A SMALL-TIME
CONTRACTOR,
255
00:11:56,733 --> 00:11:58,798
NOT A BIG-TIME COMPOSER.
256
00:11:58,833 --> 00:12:01,298
WELL, THIS IS NO
BIG-TIME CONTEST.
257
00:12:01,334 --> 00:12:02,798
WHAT IS THIS?
258
00:12:02,834 --> 00:12:05,798
"OOH, BABY, BABY,
GIVE IT TO ME.
259
00:12:05,834 --> 00:12:09,798
HEY, BABY, BABY,
GIVE IT TO ME."
260
00:12:09,833 --> 00:12:11,298
GIVE IT TO ME.
261
00:12:11,333 --> 00:12:12,798
HA HA HA.
262
00:12:12,833 --> 00:12:14,298
IT WAS, UH...
263
00:12:14,333 --> 00:12:16,298
IT WAS A DANCE HIT.
264
00:12:16,333 --> 00:12:18,298
IN THE SEVENTIES,
I GUESS.
265
00:12:18,333 --> 00:12:19,732
THE LYRICS
WEREN'T IMPORTANT.
266
00:12:19,767 --> 00:12:21,232
I WAS MOVED.
267
00:12:21,267 --> 00:12:24,331
I WAS READY
TO GIVE IT TO YOU.
268
00:12:24,366 --> 00:12:27,798
OH. YOU WANT TO HEAR
SOMETHING REALLY BAD?
269
00:12:27,833 --> 00:12:30,299
IS IT WORSE
THAN THAT ONE?
270
00:12:30,335 --> 00:12:31,765
MUCH WORSE.
ALMOST CRIMINAL.
271
00:12:31,800 --> 00:12:34,665
OOH, BABY, BABY,
GIVE IT TO ME.
272
00:12:34,700 --> 00:12:37,665
OH. I WROTE THIS
WHEN I WAS 19.
273
00:12:37,700 --> 00:12:38,665
LET'S SEE.
274
00:12:38,700 --> 00:12:41,765
"BLUEBERRY FANTASY,
TANGERINE DREAM...
275
00:12:41,801 --> 00:12:45,198
♪ LOVE IS A RAINBOW ♪
276
00:12:45,234 --> 00:12:49,798
OF INCENSE AND CREAM ♪
277
00:12:49,833 --> 00:12:51,298
OH, NOW I KNOW
278
00:12:51,333 --> 00:12:54,565
WHY YOU CAN'T REMEMBER
YOUR TEEN YEARS.
279
00:12:54,601 --> 00:12:57,632
IT MARKED THE END
OF MY PSYCHEDELIC PERIOD.
280
00:12:57,667 --> 00:13:00,065
THAT'S THE ONE.
SEND THAT IN.
281
00:13:00,101 --> 00:13:02,132
LET'S FORGET
ABOUT THE CONTEST
282
00:13:02,168 --> 00:13:03,565
AND CLEAN THIS UP.
283
00:13:03,600 --> 00:13:05,199
OK, YOU'RE THE BOSS.
284
00:13:06,600 --> 00:13:07,565
I'M SORRY.
285
00:13:07,600 --> 00:13:09,066
FOR A MINUTE THERE,
286
00:13:09,101 --> 00:13:12,199
I THOUGHT YOU SAID
I WAS THE BOSS.
287
00:13:16,633 --> 00:13:18,265
WHAT'S THAT?
288
00:13:18,300 --> 00:13:21,265
THAT'S NOTHING.
JUST SOMETHING
I WAS WORKING ON.
289
00:13:21,300 --> 00:13:23,565
HEY, LET ME HEAR IT.
290
00:13:23,600 --> 00:13:26,065
IT DOESN'T
HAVE A TUNE YET.
291
00:13:26,100 --> 00:13:28,565
SO? I WANT
TO HEAR IT ANYWAY.
292
00:13:28,600 --> 00:13:31,065
I'M KIND OF RUSTY.
LET'S SEE.
293
00:13:31,100 --> 00:13:32,231
♪ THERE'S A RIVER ♪
294
00:13:32,267 --> 00:13:34,698
♪ THERE'S A RIVER ♪
295
00:13:34,733 --> 00:13:37,066
♪ HIGH IN THE MOUNTAINS ♪
296
00:13:37,101 --> 00:13:40,565
♪ THAT'S BEEN FLOWIN'
SINCE WHO KNOWS WHEN ♪
297
00:13:40,600 --> 00:13:42,066
I LIKE IT!
298
00:13:42,101 --> 00:13:43,565
YOU DON'T
RECOGNIZE IT?
299
00:13:43,600 --> 00:13:44,565
UH-UH.
300
00:13:44,600 --> 00:13:48,898
♪ NO ONE'S SURE
JUST HOW IT STARTED ♪
301
00:13:48,934 --> 00:13:52,199
♪ BUT IT'S NEVER
GONNA END ♪
302
00:13:52,234 --> 00:13:54,333
IT'S ONE
OF YOUR POEMS.
303
00:13:56,101 --> 00:13:57,731
GOSH, THAT IS!
304
00:13:57,767 --> 00:13:59,464
YOU SAVED IT?
305
00:13:59,500 --> 00:14:02,066
I'VE SAVED EVERYTHING
YOU'VE WRITTEN,
306
00:14:02,101 --> 00:14:05,232
EXCEPT FOR SOME NOTES
ON THE REFRIGERATOR DOOR.
307
00:14:05,267 --> 00:14:07,865
THAT'S SO SWEET.
308
00:14:07,900 --> 00:14:09,365
YOU LIKE IT?
309
00:14:09,400 --> 00:14:10,565
YEAH!
310
00:14:10,601 --> 00:14:12,065
WELL, IT'S HALF YOURS.
311
00:14:12,101 --> 00:14:14,565
MAYBE IF
I GOOSE IT UP.
312
00:14:14,600 --> 00:14:18,898
♪ THERE'S A RIVER
HIGH IN THE MOUNTAINS ♪
313
00:14:18,934 --> 00:14:22,965
♪ THAT'S BEEN FLOWIN'
SINCE WHO KNOWS WHEN ♪
314
00:14:23,000 --> 00:14:27,032
♪ NO ONE'S SURE
JUST HOW IT STARTED ♪
315
00:14:27,067 --> 00:14:30,999
♪ BUT IT'S NEVER
GONNA END ♪
316
00:14:31,034 --> 00:14:35,233
♪ OUR LOVE IS LIKE
THAT RIVER ♪
317
00:14:35,267 --> 00:14:39,298
♪ FLOWIN'
THROUGH ALL TIME ♪
318
00:14:39,333 --> 00:14:41,698
♪ HEAVEN KNOWS
I'D NEED YOU ♪
319
00:14:41,733 --> 00:14:45,498
♪ AND I'LL NEVER
CHANGE MY MIND ♪
320
00:14:46,567 --> 00:14:49,266
♪ HEAVEN KNOWS
HOW I LOVE YOU ♪
321
00:14:49,301 --> 00:14:56,732
♪ AND I'LL NEVER
CHANGE MY MIND ♪
322
00:14:57,700 --> 00:14:58,665
OH, BEAUTIFUL!
323
00:14:58,700 --> 00:14:59,732
YEAH?
324
00:15:05,434 --> 00:15:07,198
YOU LIKE THAT?
325
00:15:07,234 --> 00:15:08,198
IT'S BEAUTIFUL!
326
00:15:08,234 --> 00:15:10,298
IT'S GOOD ENOUGH
TO ENTER?
327
00:15:10,333 --> 00:15:12,298
IT'S GOOD ENOUGH TO WIN.
328
00:15:12,333 --> 00:15:13,798
REALLY?
329
00:15:13,834 --> 00:15:15,298
I REALLY, REALLY DO!
330
00:15:15,333 --> 00:15:17,298
WHEN WE GO ON TOUR,
331
00:15:17,333 --> 00:15:19,298
THE KIDS
AIN'T COMING. RIGHT?
332
00:15:19,333 --> 00:15:20,598
RIGHT.
333
00:15:29,934 --> 00:15:33,998
SO YOU AND DAN
WILL BE COUNTRY AND
WESTERN SUPERSTARS?
334
00:15:34,034 --> 00:15:36,165
GO AWAY, PETE.
335
00:15:36,200 --> 00:15:38,865
YOU THINK YOU'LL WIN
THAT CONTEST?
336
00:15:38,900 --> 00:15:40,865
YES, WE'LL WIN
THAT CONTEST.
337
00:15:40,900 --> 00:15:43,365
THEN WE'LL SNAG
A RECORDING CONTRACT,
338
00:15:43,400 --> 00:15:46,365
PACK UP THE KIDS
AND MOVE TO NASHVILLE.
339
00:15:46,400 --> 00:15:47,365
HEE HAW!
340
00:15:47,400 --> 00:15:49,365
WE'LL BUY
PLATINUM BLONDE WIGS.
341
00:15:49,400 --> 00:15:52,365
I'LL CHANGE THE KIDS'
MIDDLE NAMES TO BOB.
342
00:15:52,400 --> 00:15:56,032
LIKE BECKY BOB,
DARLENE BOB, D.J. BOB.
343
00:15:56,067 --> 00:15:59,032
I'M GOING
TO BE LISTENING
TO MY RADIO TONIGHT.
344
00:15:59,067 --> 00:16:00,998
THAT SONG
BETTER BE GOOD.
345
00:16:01,034 --> 00:16:02,731
GO AWAY, PETE.
346
00:16:02,767 --> 00:16:04,698
CRYSTAL, HAND ME
THAT THING.
347
00:16:04,734 --> 00:16:05,698
AAH!
348
00:16:05,734 --> 00:16:06,699
WHAT'S WRONG?
349
00:16:06,734 --> 00:16:09,099
A COCKROACH!
THERE. KILL IT!
350
00:16:09,134 --> 00:16:12,032
YOU KILL IT.
IT'S ON YOUR SIDE.
351
00:16:12,067 --> 00:16:13,165
DO SOMETHING!
352
00:16:14,434 --> 00:16:16,399
THERE.
353
00:16:16,434 --> 00:16:19,532
CAN WE GO
BACK TO WORK NOW?
354
00:16:20,434 --> 00:16:22,165
BOOKER.
355
00:16:22,200 --> 00:16:23,665
I KILLED A COCKROACH.
356
00:16:23,701 --> 00:16:27,531
YOU BETTER TAKE HIM
OFF THE PAYROLL.
357
00:16:27,566 --> 00:16:29,398
DO SOMETHING
ABOUT THESE BUGS.
358
00:16:29,433 --> 00:16:30,732
I'LL CALL
AN EXTERMINATOR.
359
00:16:30,767 --> 00:16:31,732
WOO!
WOO!
360
00:16:31,767 --> 00:16:34,198
WOO WOO WOO!
361
00:16:34,234 --> 00:16:35,799
GET BACK TO WORK.
362
00:16:35,834 --> 00:16:36,999
OK.
363
00:16:37,901 --> 00:16:39,465
ALL RIGHT!
THAT'S ENOUGH!
364
00:16:39,500 --> 00:16:42,599
HARRIS, I WANT TO SEE
YOU IN MY OFFICE.
365
00:16:42,634 --> 00:16:43,598
NOW.
366
00:16:43,633 --> 00:16:45,598
OOH.
367
00:16:45,633 --> 00:16:47,865
SIS, TAKE THE WRENCH!
368
00:16:49,600 --> 00:16:50,565
LET'S GO.
369
00:16:50,600 --> 00:16:52,565
COME ON.
370
00:16:52,600 --> 00:16:55,066
WHAT DO YOU
THINK YOU'RE DOING?
371
00:16:55,101 --> 00:16:56,565
HAVING
A LITTLE FUN.
372
00:16:56,600 --> 00:16:58,066
FUN? THIS IS WORK.
373
00:16:58,101 --> 00:16:59,865
IT'S A SERIOUS MATTER!
374
00:16:59,900 --> 00:17:02,799
STUFF LIKE THAT LEADS
TO THE UNEMPLOYMENT LINE.
375
00:17:02,834 --> 00:17:06,199
YOU'D QUIT OVER THAT?
376
00:17:06,234 --> 00:17:07,899
NOT ME. YOU.
377
00:17:07,934 --> 00:17:09,699
WHAT'S THE REASON
FOR DISMISSAL?
378
00:17:09,734 --> 00:17:12,366
UNCONTROLLABLE LUST.
379
00:17:14,001 --> 00:17:16,065
BOOKER.
YOU'RE RIGHT.
380
00:17:16,101 --> 00:17:17,565
THE DAM
IS CRUMBLING.
381
00:17:17,601 --> 00:17:20,065
I CAN'T FIGHT IT
ANY LONGER.
382
00:17:20,101 --> 00:17:22,266
I'M A SPONTANEOUS
PERSON, BOOKER.
383
00:17:22,301 --> 00:17:23,766
I GET
THESE IMPULSES.
384
00:17:23,801 --> 00:17:26,266
BRING YOUR IMPULSES
TO MY APARTMENT.
385
00:17:26,301 --> 00:17:27,766
YOU'LL HAVE TO
CONTROL YOURSELF.
386
00:17:27,801 --> 00:17:29,266
I AM THE BOSS.
387
00:17:29,301 --> 00:17:30,766
AND I RESPECT THAT.
388
00:17:30,801 --> 00:17:32,266
IT SHOULDN'T
HAVE HAPPENED.
389
00:17:32,301 --> 00:17:36,065
I'M GLAD WE HAVE
THAT UNDERSTANDING.
390
00:17:38,034 --> 00:17:41,265
ROSEANNE,
BOOKER GAVE ME
HIS PHONE NUMBER!
391
00:17:56,200 --> 00:17:57,165
PROGRAM'S STARTING.
392
00:17:57,200 --> 00:17:59,165
I POPPED YOU
SOME CORN.
393
00:17:59,200 --> 00:18:01,231
GOOD. I'M NERVOUS,
AREN'T YOU?
394
00:18:01,266 --> 00:18:04,099
OH, MY SPURS
ARE SHAKING HERE.
395
00:18:04,134 --> 00:18:07,598
THIS CONTEST AIN'T
A BIG DEAL, BUT IT IS.
396
00:18:07,633 --> 00:18:09,099
AHH, MY LOVE,
397
00:18:09,134 --> 00:18:13,032
SOON OUR MUSIC CAREER
WILL SKYROCKET.
398
00:18:15,300 --> 00:18:17,765
I'LL HAVE TO
DIG UP MORE POEMS.
399
00:18:17,801 --> 00:18:18,765
WHAT FOR?
400
00:18:18,801 --> 00:18:20,798
SOMETHING
FOR THE FLIP SIDE.
401
00:18:20,833 --> 00:18:22,631
OH, YEAH.
402
00:18:22,667 --> 00:18:24,365
TELL HER TO MOVE.
403
00:18:24,400 --> 00:18:26,065
I WAS HERE FIRST.
404
00:18:26,100 --> 00:18:27,565
TELL HER SHE'S LYING.
405
00:18:27,600 --> 00:18:30,165
TELL YOUR
SISTERS
TO SHUT UP.
406
00:18:30,200 --> 00:18:31,932
SHUT UP.
407
00:18:33,433 --> 00:18:34,832
THANK YOU,
HONEY.
408
00:18:34,867 --> 00:18:36,198
EVENING, EVERYBODY.
409
00:18:36,233 --> 00:18:37,699
THIS IS PHIL...
410
00:18:37,734 --> 00:18:38,699
AND DAVE...
411
00:18:38,734 --> 00:18:41,198
ON THE PHIL AND DAVE SHOW.
412
00:18:41,233 --> 00:18:42,731
THIS IS IT.
413
00:18:42,767 --> 00:18:44,299
I WAS HERE FIRST.
414
00:18:44,334 --> 00:18:45,999
SHE WAS NOT.
415
00:18:46,034 --> 00:18:47,066
D.J.
416
00:18:47,101 --> 00:18:49,398
SHUT UP.
417
00:18:49,433 --> 00:18:51,931
BEFORE WE ANNOUNCE THE WINNER
418
00:18:51,967 --> 00:18:53,431
OF WLFD's SONGWRITING CONTEST,
419
00:18:53,467 --> 00:18:56,932
DAVE AND I WANT TO THANK EVERYONE WHO ENTERED.
420
00:18:56,967 --> 00:18:59,198
YEAH, THE RESPONSE WAS OVERWHELMING.
421
00:18:59,234 --> 00:19:01,498
WE NEVER EXPECTED ANYTHING LIKE THIS.
422
00:19:01,533 --> 00:19:04,732
WE HAD A GRAND TOTAL OF FOUR ENTRIES.
423
00:19:04,767 --> 00:19:05,731
FOUR?
424
00:19:05,767 --> 00:19:06,732
GOOD ODDS.
425
00:19:06,767 --> 00:19:07,732
YEAH.
426
00:19:07,767 --> 00:19:10,166
THAT SHOULD MAKE OUR JOB EASY.
427
00:19:10,201 --> 00:19:13,133
BUT WITH FOUR ENTRIES AND ONLY THREE PRIZES,
428
00:19:13,168 --> 00:19:14,598
IT WAS TOUGH.
429
00:19:14,634 --> 00:19:15,799
WHO WON?
430
00:19:15,834 --> 00:19:18,565
WELL, DAVE, LET'S ANNOUNCE THOSE WINNERS.
431
00:19:18,600 --> 00:19:19,899
YES.
432
00:19:19,934 --> 00:19:21,398
THE THIRD PLACE WINNER,
433
00:19:21,433 --> 00:19:22,899
WINNER OF TWO TICKETS
434
00:19:22,934 --> 00:19:25,999
TO LANDFORD'S ANNUAL TRACTOR PULL, IS...
435
00:19:26,034 --> 00:19:27,198
PRANCETON NEWHOUSE.
436
00:19:27,233 --> 00:19:28,199
HAA!
437
00:19:28,234 --> 00:19:29,631
ALL RIGHT.
438
00:19:29,667 --> 00:19:31,132
ONLY TWO TO GO.
439
00:19:31,167 --> 00:19:32,632
DID YOU WIN YET?
440
00:19:32,667 --> 00:19:33,632
NOT YET.
441
00:19:33,667 --> 00:19:34,632
SHH!
442
00:19:34,667 --> 00:19:36,132
THE SECOND PRIZE WINNER,
443
00:19:36,168 --> 00:19:38,465
WINNING AN EVENING AT LANDFORD INN...
444
00:19:38,500 --> 00:19:41,132
NOT ME, NOT ME,
NOT ME.
445
00:19:41,167 --> 00:19:42,265
JOYCE FISHER.
446
00:19:46,067 --> 00:19:47,765
THE GRAND PRIZE WINNER,
447
00:19:47,800 --> 00:19:50,765
WINNER OF ALL 100 OF THOSE DOLLARS, IS...
448
00:19:50,800 --> 00:19:52,765
A SONGWRITING TEAM FROM LANDFORD...
449
00:19:52,800 --> 00:19:55,198
A TEAM! AAH!
450
00:19:55,233 --> 00:19:57,598
FRANK DALE AND TOBY CUTLER.
451
00:19:57,633 --> 00:19:58,632
WHO?
452
00:19:58,667 --> 00:20:00,266
CONGRATULATIONS, FRANK AND TOBY,
453
00:20:00,301 --> 00:20:03,264
FOR THEIR SURE-TO-BE-A-CLASSIC TUNE,
454
00:20:03,300 --> 00:20:04,765
DAISIES IN THE WIND.
455
00:20:04,801 --> 00:20:06,765
I GUESS
THAT'S IT.
456
00:20:06,800 --> 00:20:08,765
WILL THEY
PLAY YOUR SONG?
457
00:20:08,801 --> 00:20:09,699
NO.
458
00:20:09,734 --> 00:20:11,865
THEY DON'T
LIKE OUR SONG.
459
00:20:11,900 --> 00:20:13,765
YOU DIDN'T WIN?
460
00:20:13,800 --> 00:20:15,398
AFRAID NOT, BUDDY.
461
00:20:16,834 --> 00:20:18,799
YOU GUYS
SHOULD HAVE WON.
462
00:20:18,834 --> 00:20:21,498
YOUR SONG
WAS THE BEST.
463
00:20:21,534 --> 00:20:22,498
THANKS.
464
00:20:22,533 --> 00:20:23,998
THOSE GUYS
ARE CREEPS.
465
00:20:24,034 --> 00:20:26,998
YEAH, LET'S GO DOWN
AND SOAP THEIR WINDOWS.
466
00:20:27,034 --> 00:20:29,998
WE'LL LET THE AIR
OUT OF THEIR TIRES.
467
00:20:30,034 --> 00:20:31,898
AND SET OFF
SMOKE BOMBS.
468
00:20:31,933 --> 00:20:33,899
YOU'D DO ME PROUD.
469
00:20:38,167 --> 00:20:40,231
HOW ARE YOU DOING,
PARTNER?
470
00:20:40,266 --> 00:20:41,231
FOURTH PLACE.
471
00:20:41,266 --> 00:20:43,531
NOTHING,
ZERO, ZIP.
472
00:20:43,567 --> 00:20:45,465
WE ARE PATHETIC.
473
00:20:45,500 --> 00:20:48,099
LET'S HANG
OUR HEADS IN SHAME.
474
00:20:49,167 --> 00:20:50,631
HOW DO YOU EXPLAIN
475
00:20:50,667 --> 00:20:53,132
THAT YOUR SONG
WASN'T GOOD ENOUGH
476
00:20:53,168 --> 00:20:56,166
TO WIN TICKETS
TO THE LANDFORD
TRACTOR PULL?
477
00:20:57,068 --> 00:21:00,032
YOU DON'T.
YOU MOVE OUT OF STATE.
478
00:21:00,068 --> 00:21:01,565
MONTANA'S NICE.
479
00:21:01,601 --> 00:21:04,799
THEY HAVE
VERY LITTLE RADIO THERE.
480
00:21:04,834 --> 00:21:07,731
MOM, DAD,
WE'RE SORRY YOU LOST.
481
00:21:07,767 --> 00:21:09,398
WE DIDN'T
REALLY LOSE.
482
00:21:09,434 --> 00:21:12,398
PEOPLE WHO LOSE
ARE PEOPLE
WHO NEVER TRY.
483
00:21:12,433 --> 00:21:14,098
AT LEAST WE TRIED.
484
00:21:14,133 --> 00:21:15,632
GOT CRUSHED.
485
00:21:16,601 --> 00:21:18,598
OH, STOP.
486
00:21:18,633 --> 00:21:20,099
WE NEVER HEARD IT.
487
00:21:20,134 --> 00:21:21,598
SING IT FOR US.
488
00:21:21,634 --> 00:21:23,032
DARE YOU?
489
00:21:23,067 --> 00:21:25,565
WELL,
SHUCKINS, KIDS.
490
00:21:25,601 --> 00:21:26,565
WHY NOT?
491
00:21:26,601 --> 00:21:28,066
GATHER 'ROUND,
YOUNG'UNS.
492
00:21:28,100 --> 00:21:31,198
PA'S GOING TO
SING US A DITTY.
493
00:21:32,133 --> 00:21:36,065
♪ THERE'S A RIVER
HIGH IN THE MOUNTAINS ♪
494
00:21:36,100 --> 00:21:39,799
♪ THAT'S BEEN FLOWIN'
SINCE WHO KNOWS WHEN ♪
495
00:21:39,834 --> 00:21:43,298
♪ NO ONE'S SURE
JUST HOW IT STARTED ♪
496
00:21:43,334 --> 00:21:47,399
♪ BUT IT'S
NEVER GONNA END ♪
497
00:21:47,434 --> 00:21:50,932
♪ OUR LOVE IS
LIKE THAT RIVER ♪
498
00:21:50,967 --> 00:21:54,598
♪ FLOWIN'
THROUGH ALL TIME
499
00:21:54,634 --> 00:21:57,465
♪ HEAVEN KNOWS
HOW I NEED YOU ♪
500
00:21:57,500 --> 00:22:01,899
♪ BUT I'LL NEVER
CHANGE MY MIND ♪
501
00:22:01,934 --> 00:22:04,532
♪ HEAVEN KNOWS
HOW I LOVE YOU ♪
502
00:22:04,567 --> 00:22:11,966
♪ AND I'LL NEVER
CHANGE MY MIND ♪
503
00:22:14,267 --> 00:22:15,866
WHOO!
504
00:22:21,634 --> 00:22:23,132
HERE'S MOM'S
OLD EARRING.
505
00:22:23,167 --> 00:22:25,732
OH, WOW! PEACE,
LOVE, AND SISTERHOOD.
506
00:22:25,767 --> 00:22:27,232
WHERE'S
THE OTHER ONE?
507
00:22:27,267 --> 00:22:30,332
I LOST IT
AT A PROTEST MARCH.
508
00:22:30,367 --> 00:22:32,499
YOU MARCHED
IN A PROTEST?
509
00:22:32,534 --> 00:22:35,498
YOUR MOTHER WAS AT
ALL THE PROTEST MARCHES.
510
00:22:35,534 --> 00:22:37,133
WHAT WERE YOU
PROTESTING?
511
00:22:37,168 --> 00:22:38,632
OH, THE USUAL--
512
00:22:38,667 --> 00:22:41,499
WAR, VIOLENCE,
MASS COMMUNICATIONS.
513
00:22:41,534 --> 00:22:43,099
THIS IS NEAT.
514
00:22:43,134 --> 00:22:45,166
I BOUGHT
THAT MOOD RING.
515
00:22:45,201 --> 00:22:48,198
BACK WHEN I WAS
IN A GOOD MOOD.
516
00:22:51,166 --> 00:22:52,632
CAN I HAVE IT?
517
00:22:52,667 --> 00:22:53,632
WELL...
518
00:22:53,667 --> 00:22:55,899
CAN I HAVE
THIS EARRING?
519
00:22:55,934 --> 00:22:58,331
WELL...SINCE YOU
HAVEN'T MAIMED, KILLED,
520
00:22:58,366 --> 00:23:01,898
OR ABUSED EACH OTHER
IN THE LAST 24 HOURS,
521
00:23:01,933 --> 00:23:04,398
I'LL BESTOW
THESE GIFTS ON YOU
522
00:23:04,433 --> 00:23:07,099
AS A TOKEN
OF MY GRATITUDE.
523
00:23:07,134 --> 00:23:08,199
THANKS, MOM.
524
00:23:08,234 --> 00:23:09,599
YEAH, THANKS.
525
00:23:10,700 --> 00:23:13,166
WHY DO WE
KEEP THIS JUNK?
526
00:23:13,201 --> 00:23:15,166
WE SHOULD
THROW IT OUT.
527
00:23:15,201 --> 00:23:18,199
YOU CAN'T.
THIS IS OUR LIFE.
528
00:23:18,234 --> 00:23:19,364
YEAH.
529
00:23:21,034 --> 00:23:23,498
I THINK
WE'RE IN BIG TROUBLE.
530
00:23:23,533 --> 00:23:25,531
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
531
00:23:25,633 --> 00:23:27,364
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION
OF NATIONAL CAPTIONING INSTITUTE
532
00:23:27,400 --> 00:23:30,498
CAPTIONS COPYRIGHT 1988
CARSEY-WERNER PRODUCTIONS
49520
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