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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 2 00:00:18,445 --> 00:00:21,165 Saira, we've talked it through. 3 00:00:21,204 --> 00:00:24,204 Let's talk about your song ideas. 4 00:00:24,244 --> 00:00:25,805 Yeah, we shut you down pretty hard. 5 00:00:25,844 --> 00:00:27,445 It wasn't nice of us. Sorry. 6 00:00:29,084 --> 00:00:30,084 Saira? 7 00:00:30,125 --> 00:00:31,404 We were ready 8 00:00:31,445 --> 00:00:32,965 to help Saira write a new song. 9 00:00:33,005 --> 00:00:35,005 Let her express what she needed. 10 00:00:35,044 --> 00:00:36,605 But then-- 11 00:00:36,645 --> 00:00:38,605 * Bashir with the good beard * 12 00:00:38,645 --> 00:00:40,684 * You're so pretty You're so pretty * 13 00:00:40,724 --> 00:00:41,925 * You're so pretty * 14 00:00:41,965 --> 00:00:43,885 * Bashir with the good beard * 15 00:00:43,925 --> 00:00:46,404 * You say you think I'm weird * 16 00:00:46,444 --> 00:00:47,364 Unh. 17 00:00:47,404 --> 00:00:49,364 * Bashir with the good beard * 18 00:00:49,404 --> 00:00:52,124 * Won't you love me? Won't you love me? * 19 00:00:52,164 --> 00:00:54,205 * Bashir with the good beard * 20 00:00:54,245 --> 00:00:56,525 * You've gone and disappeared * 21 00:00:56,565 --> 00:00:58,364 The label had listened to our tracks 22 00:00:58,404 --> 00:01:01,645 and they thought our music needed finessing. 23 00:01:01,684 --> 00:01:03,645 Beautiful. Beautiful. Yeah. Yeah. Yeah, great man. 24 00:01:03,684 --> 00:01:05,164 I like it. Let's go with it. 25 00:01:09,244 --> 00:01:11,405 * Why won't you love me? * 26 00:01:11,444 --> 00:01:15,005 * Why won't you text me back? * 27 00:01:15,045 --> 00:01:20,084 No, no, no! It's not a ballad. It don't need a piano. Saira. 28 00:01:20,125 --> 00:01:22,804 Chill, yeah? We're just spit-balling, 29 00:01:22,845 --> 00:01:23,964 musically speaking. 30 00:01:24,005 --> 00:01:25,364 Lucien. Hm? 31 00:01:25,405 --> 00:01:28,005 Yean, um, we like it like that. We want it like that. 32 00:01:28,045 --> 00:01:32,005 Just giving it a polish. No need to get upset. 34 00:01:36,444 --> 00:01:38,125 Freddie is just going to help you with ideas 35 00:01:38,164 --> 00:01:40,604 for your guitar solo, yeah? Make it stronger. 36 00:01:40,645 --> 00:01:42,164 Hello. Heh. Hi. 37 00:01:42,205 --> 00:01:43,925 Uh, listen, I like my guitar solo. 38 00:01:43,964 --> 00:01:45,084 I think it's strong as it is, 39 00:01:45,125 --> 00:01:46,964 so with all due respect, Freddie, 40 00:01:47,005 --> 00:01:48,164 I don't think your services will-- 41 00:01:48,205 --> 00:01:49,524 We know you like it, Amina, 42 00:01:49,565 --> 00:01:51,964 but we want our audience to like it too, right? 44 00:01:53,724 --> 00:01:58,604 Lucien, our A&R guy, was a wanker of the highest order. 45 00:01:58,645 --> 00:02:01,205 I thought Saira would be livid at the proceedings, 46 00:02:01,244 --> 00:02:03,364 but it was like she wasn't even there. 47 00:02:03,405 --> 00:02:05,285 Band meeting is now in session. 48 00:02:05,324 --> 00:02:08,604 Clarice, we need you to get Lucien out of our bums. 49 00:02:08,644 --> 00:02:10,565 Extraction team, pronto. 50 00:02:10,604 --> 00:02:12,484 He's really unpicking all our work, everything that we-- 51 00:02:12,525 --> 00:02:14,444 He's fucking with our sound! 52 00:02:14,484 --> 00:02:17,285 And you, All Quiet on the Western Front,what the fuck? 53 00:02:17,324 --> 00:02:19,125 Look, you-- You've just gotta play the game. 54 00:02:19,164 --> 00:02:20,444 Yeah, let him do his tweaks-- 55 00:02:20,484 --> 00:02:22,204 Yeah, should we tickle his balls as well? 56 00:02:22,245 --> 00:02:24,044 These are a bit more than tweaks, Clarice. 57 00:02:24,085 --> 00:02:25,604 Death by a thousand cuts. 58 00:02:25,644 --> 00:02:28,125 Death by a thousand cunts more like. 59 00:02:28,164 --> 00:02:30,405 Look, you-- Collaborate with them. 60 00:02:30,444 --> 00:02:32,604 It's still your songs, your sound. 61 00:02:32,644 --> 00:02:35,005 They just wanna do their pass, feel some ownership. 62 00:02:35,044 --> 00:02:37,884 Later on, when you've made a name for yourself, 63 00:02:37,924 --> 00:02:39,005 that's when you'll have the power 64 00:02:39,044 --> 00:02:40,204 to tell Lucien to go fuck himself. 65 00:02:40,245 --> 00:02:42,005 All right, cool, when will that be? 66 00:02:42,044 --> 00:02:43,005 The next album. 68 00:02:44,164 --> 00:02:46,044 We're just meant to sacrifice this one? 69 00:02:46,085 --> 00:02:47,405 Saira, are you hearing this? 70 00:02:47,444 --> 00:02:49,764 Clarice, we need you to get Lucien 71 00:02:49,805 --> 00:02:52,805 and his little merry band of floppy-haired twats 72 00:02:52,845 --> 00:02:55,204 to get their grubby hands off our music! 73 00:02:55,245 --> 00:02:58,365 I would love to, Ayesha, but like I told Saira, 74 00:02:58,405 --> 00:03:02,005 they own the rights to the album. Okay? 75 00:03:02,044 --> 00:03:04,365 So, they can sit on it if they want to, 76 00:03:04,405 --> 00:03:06,805 they cannot release it if they want to, for years, 77 00:03:06,845 --> 00:03:08,085 and I've seen it happen. 78 00:03:08,125 --> 00:03:09,845 Yeah, these label bros, they can be vindictive. 79 00:03:09,884 --> 00:03:13,484 So just-- Just get your heads down, yeah? 80 00:03:13,525 --> 00:03:18,044 Play nice and-- And j-- Get it done. 82 00:03:22,044 --> 00:03:25,884 Look, well, why don't you take the rest of the day off, yeah? 83 00:03:25,924 --> 00:03:27,204 Have a rest. 88 00:03:46,924 --> 00:03:48,685 Maybe we're just actually shit? 89 00:03:48,724 --> 00:03:51,204 Shut up, Amina, man. We're fucking great. 90 00:03:51,245 --> 00:03:53,204 We didn't pray this morning. Or yesterday. 91 00:03:53,245 --> 00:03:54,444 What has that got to do with anything? 92 00:03:54,484 --> 00:03:56,604 I don't know. Karma kicking our asses. 93 00:03:56,644 --> 00:04:01,405 It's just-- Does the label even like us? 94 00:04:01,444 --> 00:04:03,484 Or are we their novelty act or something? 95 00:04:03,525 --> 00:04:06,565 The token Black and browns. Amina, shut up, man. 96 00:04:06,604 --> 00:04:08,685 You're always putting us down! No, I'm not. 97 00:04:08,724 --> 00:04:10,125 Yeah, you are. Yeah, you are. 98 00:04:10,164 --> 00:04:11,484 When did I do that? Just now you did it. 99 00:04:11,525 --> 00:04:13,125 You do this all the time. Ask her. She's the one-- 100 00:04:13,164 --> 00:04:14,444 Ayesha, relax. 101 00:04:15,805 --> 00:04:19,404 Oh, fuck me. She speaks. 102 00:04:19,444 --> 00:04:21,685 Relax when you're relaxed enough for all of us. 103 00:04:21,725 --> 00:04:23,084 You don't even care. 104 00:04:26,245 --> 00:04:28,165 I don't care? 105 00:04:28,204 --> 00:04:30,565 You think I don't care? 106 00:04:32,404 --> 00:04:38,605 I-- I can't write what I want, 107 00:04:38,644 --> 00:04:41,165 and the songs we have written, well, they're-- 108 00:04:41,204 --> 00:04:46,404 It's like our house is on fire, and I-- 109 00:04:46,444 --> 00:04:49,884 I fired my best friend for this. 110 00:04:49,925 --> 00:04:55,365 I did that. I did that. Fuck! 113 00:05:06,444 --> 00:05:08,324 I am booked in for today 114 00:05:08,365 --> 00:05:11,045 if you want to lay anything down. 115 00:05:11,084 --> 00:05:13,605 Get some things off your chest. 116 00:05:13,644 --> 00:05:17,565 * "GLASS CEILING FEELING" LADY PARTS * 117 00:05:27,045 --> 00:05:29,404 * Maybe we're just Actually shit * 118 00:05:29,444 --> 00:05:31,565 * No, you know We're fucking great * 119 00:05:31,605 --> 00:05:34,125 * But we didn't pray This morning * 120 00:05:34,165 --> 00:05:36,365 * Or even yesterday * 121 00:05:36,404 --> 00:05:38,925 * Maybe we're a novelty act * 122 00:05:38,964 --> 00:05:41,125 * The token Black and browns * 123 00:05:41,165 --> 00:05:43,125 * Please shut up I've had enough * 124 00:05:43,165 --> 00:05:45,404 * Of you putting us down * 125 00:05:45,444 --> 00:05:50,125 * Supercalifragi- racist-sexist-xenophobic * 126 00:05:50,165 --> 00:05:54,725 * Is it us or is it them? Why are they trying to own us? * 127 00:05:54,764 --> 00:05:59,524 * Supercalifragi-losers Lonely, sad and broken * 128 00:05:59,565 --> 00:06:04,204 * Overwhelmed and numbing out Living in slow-motion * 129 00:06:04,245 --> 00:06:08,685 * Glass ceiling feeling * 130 00:06:09,644 --> 00:06:13,444 * Glass ceiling feeling * 131 00:06:13,485 --> 00:06:17,605 * Glass ceiling feeling * 132 00:06:18,524 --> 00:06:24,805 * Glass ceiling feeling * 133 00:06:32,725 --> 00:06:35,045 * White boys out here Selling sex * 134 00:06:35,084 --> 00:06:37,524 * We're ethnic selling rage * 135 00:06:37,565 --> 00:06:39,685 * That ain't What the people want * 136 00:06:39,725 --> 00:06:42,005 * That don't make The main stage * 137 00:06:42,045 --> 00:06:44,165 * Glass ceiling feeling * 138 00:06:44,204 --> 00:06:46,644 * Got me feeling like a fool * 139 00:06:46,685 --> 00:06:51,605 * Stuck in the master's house With the master's tools * 140 00:06:51,644 --> 00:06:55,964 * Supercalifragi- racist-sexist-xenophobic * 141 00:06:56,005 --> 00:07:00,925 * Is it us or is it them? Why are they trying to own us? * 142 00:07:00,964 --> 00:07:05,485 * Supercalifragi-losers Lonely, sad and broken * 143 00:07:05,524 --> 00:07:10,245 * Overwhelmed and numbing out Living in slow-motion * 144 00:07:10,284 --> 00:07:13,605 * Glass ceiling feeling * 145 00:07:15,204 --> 00:07:19,365 * Glass ceiling feeling * 146 00:07:19,404 --> 00:07:23,565 * Glass ceiling feeling * 147 00:07:24,485 --> 00:07:31,245 * Glass ceiling feeling * 148 00:07:39,925 --> 00:07:42,125 "Glass Ceiling Feeling," huh? 149 00:07:46,005 --> 00:07:47,685 I like it. It's catchy. It's good. 151 00:07:48,605 --> 00:07:50,005 Yeah. I-- No, I agree. I-- 152 00:07:50,045 --> 00:07:52,404 I just think it sort of rounds out the album perfectly. 153 00:07:52,444 --> 00:07:54,284 The cathartic release of writing 154 00:07:54,324 --> 00:07:56,444 "Glass Ceiling Feeling" was special. 155 00:07:56,485 --> 00:07:58,964 Maybe the label was on our side after all. 156 00:07:59,005 --> 00:08:00,444 Yeah. It's nice to feel your excitement. 157 00:08:00,485 --> 00:08:02,084 I'll share it with the team. 158 00:08:02,125 --> 00:08:05,204 So next week, album launch, bring on the tour. 159 00:08:05,245 --> 00:08:07,805 This should have been our moment of triumph. 160 00:08:07,844 --> 00:08:11,045 But Saira was struggling to enjoy it without Taz. 161 00:08:17,165 --> 00:08:22,324 * It's much easier to run Than it is to feel my pain * 162 00:08:22,365 --> 00:08:23,805 Many moons ago, 163 00:08:23,844 --> 00:08:26,005 Saira had promised Taifa a songwriting lesson. 164 00:08:26,045 --> 00:08:28,485 She agreed to it now, with the small hope 165 00:08:28,524 --> 00:08:31,005 that Taifa might have some intel on Taz. 166 00:08:31,045 --> 00:08:34,125 * I'm not scared I'm prepared * 167 00:08:34,164 --> 00:08:37,365 * To lose my feet To lose the ground * 168 00:08:37,404 --> 00:08:40,445 * 'Cause I've learned That where I stand * 169 00:08:40,485 --> 00:08:43,845 * Is just no real place To be found * 170 00:08:43,884 --> 00:08:50,005 * I don't belong here I don't belong here * 171 00:08:50,044 --> 00:08:52,485 * I don't belong here * 172 00:08:52,524 --> 00:08:55,644 * I don't belong here * 173 00:08:59,404 --> 00:09:02,845 Yeah. I think it's great. 174 00:09:02,884 --> 00:09:07,245 I just think your bridge is actually your chorus. The-- 175 00:09:07,284 --> 00:09:08,725 * I don't belong here * Uh-huh. 176 00:09:08,764 --> 00:09:10,924 * I don't belong here * Yeah. 177 00:09:10,965 --> 00:09:12,325 Yeah, that's your chorus. 178 00:09:12,365 --> 00:09:15,644 But, yeah, you've got a great song here. 179 00:09:15,684 --> 00:09:16,644 Really? 180 00:09:16,684 --> 00:09:17,644 Really. 182 00:09:20,684 --> 00:09:25,085 Um... so Taz got you any gigs or anything? 183 00:09:25,125 --> 00:09:26,365 Yeah, here. 184 00:09:27,325 --> 00:09:28,845 Here? 185 00:09:28,884 --> 00:09:30,524 They've basically given her a night every month, 186 00:09:30,564 --> 00:09:33,205 and in exchange, she does event stuff for them. 187 00:09:33,245 --> 00:09:34,445 Part of her whole thing 188 00:09:34,485 --> 00:09:36,485 is that her bands do community work, 189 00:09:36,524 --> 00:09:41,325 chip in and teach local kids instruments, dance, whatever. 191 00:10:17,524 --> 00:10:20,365 * Melodies, flows and rhythms Bars and codes and -isms * 192 00:10:20,404 --> 00:10:22,005 * Everything meaning That I must be dreaming * 193 00:10:22,044 --> 00:10:23,725 * And I must be sippin' on Everything written * 194 00:10:23,764 --> 00:10:25,804 * I become froze and what I flow like water * 195 00:10:25,845 --> 00:10:27,845 * I'm the daughter of Everything in between * 196 00:10:27,884 --> 00:10:29,404 * What do you mean And that means a ton * 197 00:10:29,445 --> 00:10:31,644 * The caution of Identities, abortion of * 198 00:10:31,684 --> 00:10:33,445 * Societal patterns I guess it just happens * 199 00:10:33,485 --> 00:10:34,725 * And you want to run For the foremen of * 200 00:10:34,764 --> 00:10:36,605 * Binary flows And linear codes * 201 00:10:36,644 --> 00:10:39,725 * I guess I'm personified By everything they try to hide * 202 00:10:39,764 --> 00:10:41,284 * Flowin' between And over their beats * 203 00:10:41,325 --> 00:10:42,884 * And under their beats And back in between * 204 00:10:42,924 --> 00:10:44,524 * And tickle your feet Till you giggle and scream * 205 00:10:44,564 --> 00:10:46,284 * Miss Melody Melody Gimme the remedy * 206 00:10:46,325 --> 00:10:47,725 * I cannot breathe When I'm rapping like this * 207 00:10:47,764 --> 00:10:49,445 * Miss Melody Melody Gimme the remedy * 208 00:10:49,485 --> 00:10:50,884 * I do not know Why I'm clapping like this * 209 00:10:50,924 --> 00:10:52,564 * The flow has Got inside my veins * 210 00:10:52,605 --> 00:10:54,245 * All made to feel like I'm insane * 211 00:10:54,284 --> 00:10:57,564 * I see melodies in my brain I see memories in my brain * 213 00:11:59,524 --> 00:12:01,404 Right, just remember, 6 p.m. sound check. 214 00:12:01,445 --> 00:12:03,005 Don't be late this time. All right. Yeah. Cool. 215 00:12:03,044 --> 00:12:04,284 All right. Thanks, Taz. 216 00:12:04,325 --> 00:12:06,284 Don't be late. You are! Yes, you are! 217 00:12:06,325 --> 00:12:08,485 I'm never late. Yes, you are. 218 00:12:11,725 --> 00:12:12,965 Taz? 219 00:12:13,005 --> 00:12:15,365 Saira! What--? 220 00:12:15,404 --> 00:12:18,044 Oh... 222 00:12:21,804 --> 00:12:24,725 Look at you. This is sick. 223 00:12:24,764 --> 00:12:28,365 Yeah. I mean, they've given me some desk space, 224 00:12:28,404 --> 00:12:30,205 gotta do some event stuff for them, 225 00:12:30,245 --> 00:12:33,605 but, yeah, they've let me do my thing. 226 00:12:33,644 --> 00:12:35,085 A monthly night, I hear? 227 00:12:35,125 --> 00:12:36,605 Yeah, it's pretty cool. 228 00:12:36,644 --> 00:12:39,085 I get to put on whatever bands I want. 229 00:12:40,445 --> 00:12:42,605 I'm-- I'm sorry, I haven't been in touch. 230 00:12:42,644 --> 00:12:46,804 It's just been kind of chaos, as you can see. 231 00:12:46,845 --> 00:12:49,684 God, I-- Ah. I saw that you guys are on the Glastonbury lineup. 232 00:12:49,725 --> 00:12:52,404 I mean, shit. Yeah, it's mad. 233 00:12:52,445 --> 00:12:54,325 It was your dream. 234 00:12:54,365 --> 00:12:56,205 It was our dream. 235 00:12:57,445 --> 00:12:58,404 Yeah. 236 00:13:00,845 --> 00:13:03,924 How's-- How's Molico? With Mahmood? Is it amazing? 237 00:13:03,965 --> 00:13:05,605 'Cause it better be amazing. 238 00:13:05,644 --> 00:13:08,325 Uh, yeah, I mean, Mahmood is incredible. 239 00:13:08,365 --> 00:13:11,924 Uh, but, yeah, it-- It's good. 240 00:13:11,965 --> 00:13:13,325 That's great. Hm. 241 00:13:15,684 --> 00:13:19,605 Well, if you guys aren't too busy, you should come along. 242 00:13:19,644 --> 00:13:21,325 My bands will lose their collective shit 243 00:13:21,365 --> 00:13:22,764 if you guys came to the showcase. 244 00:13:22,804 --> 00:13:25,365 Ach. This looks sick. We'd love to come. 245 00:13:25,404 --> 00:13:28,205 Uh, but our album launches on Friday. 246 00:13:28,245 --> 00:13:29,725 Shit, man! 247 00:13:31,044 --> 00:13:32,644 Well, I-- I'll get it all over my socials. 248 00:13:32,684 --> 00:13:35,085 I-- I'll my bands to post about it too. 249 00:13:36,245 --> 00:13:38,804 Shit, it's-- It's finally happening. 250 00:13:38,845 --> 00:13:40,164 Hm. 251 00:13:41,085 --> 00:13:43,164 It's fucking amazing. 252 00:13:43,205 --> 00:13:45,284 Thanks, Taz. 253 00:13:45,325 --> 00:13:48,684 But what you've created here... This is amazing. 254 00:13:50,205 --> 00:13:51,605 Thanks. 255 00:14:02,725 --> 00:14:04,725 With the album launch one day away, 256 00:14:04,764 --> 00:14:07,845 Ayesha was getting some last-minute practice in. 258 00:14:17,684 --> 00:14:20,764 But there was more on her mind than just the band. 259 00:14:22,404 --> 00:14:25,924 She was also planning on doing that which she feared most. 260 00:14:25,965 --> 00:14:29,804 Mama, baba, hi. You good? Good pilgrimage to the Holy See? 261 00:14:29,845 --> 00:14:34,325 Great, fantastic. Great news. Oh, guess what. 262 00:14:34,365 --> 00:14:36,085 Your only daughter 263 00:14:36,125 --> 00:14:37,404 and, let's face it, your favorite child, 264 00:14:37,445 --> 00:14:40,245 is a raging homosexual, and here's my girlfriend, 265 00:14:40,284 --> 00:14:41,485 but, ah, don't worry, 266 00:14:41,524 --> 00:14:42,924 you don't have to tell your friends about it. 267 00:14:42,965 --> 00:14:44,284 Fuck. 269 00:14:45,764 --> 00:14:46,725 Ayesha? 270 00:14:49,644 --> 00:14:53,445 Uh... Yo, bro. You good, yeah? 271 00:14:53,485 --> 00:14:54,725 What's the craic? 272 00:14:54,764 --> 00:14:57,644 Uh, yeah, just, uh, finger-- I cut my finger. 273 00:14:59,044 --> 00:15:00,605 So, you're a raging homosexual? 274 00:15:00,644 --> 00:15:01,564 No. 276 00:15:08,725 --> 00:15:12,445 Yeah. Yes, I am. 277 00:15:14,284 --> 00:15:15,644 Are-- Are you? 278 00:15:20,725 --> 00:15:22,804 So, basically she's given me an ultimatum: 279 00:15:22,845 --> 00:15:25,005 Come out to your parents, acknowledge me, 280 00:15:25,044 --> 00:15:26,325 or sayonara, it's done. 281 00:15:27,764 --> 00:15:29,644 Do you wanna come out to your parents? 282 00:15:29,684 --> 00:15:32,404 No. I just don't want to fuck with their shit. 283 00:15:32,445 --> 00:15:33,684 they've got their friends, 284 00:15:33,725 --> 00:15:35,445 I don't want to make it weird for them 285 00:15:35,485 --> 00:15:37,884 or like, have a big bust up, you know, like, or a row, or-- 286 00:15:37,924 --> 00:15:43,365 Or like, worse, you know, like, silence or distance 287 00:15:43,404 --> 00:15:47,164 or, you know, begrudging awkwardness. 288 00:15:49,404 --> 00:15:50,605 She's probably right. 289 00:15:50,644 --> 00:15:52,845 You know, they'll probably be chill... 290 00:15:54,164 --> 00:15:55,404 or something. 291 00:15:55,445 --> 00:15:57,325 Probably not, though. 292 00:15:58,924 --> 00:16:00,485 I should do it. 293 00:16:00,524 --> 00:16:03,445 I should do it. Like, I should be the change, 294 00:16:03,485 --> 00:16:06,804 you know, confront our Muslim parents, but I like them. 295 00:16:10,205 --> 00:16:12,725 And I like being close to them. 296 00:16:14,725 --> 00:16:16,644 And I don't want that-- 297 00:16:19,924 --> 00:16:21,965 People are so obsessed with coming out these days. 298 00:16:22,005 --> 00:16:25,684 It's like, "Whoo, look at me, I'm so sick, like, I'm out," 299 00:16:25,725 --> 00:16:29,684 but like, I think there's a lot to be said for staying in... 300 00:16:31,284 --> 00:16:32,725 where it's safe. 302 00:16:42,005 --> 00:16:43,524 I don't know what I'm saying. 304 00:16:48,284 --> 00:16:49,725 What do I do? 305 00:16:52,564 --> 00:16:54,725 What do youwant to do? 306 00:17:01,245 --> 00:17:02,845 Honestly... 307 00:17:04,124 --> 00:17:09,445 I want to not... do it. 308 00:17:13,925 --> 00:17:16,124 Then don't do it. 309 00:17:16,165 --> 00:17:18,524 But what about all the little gay girls? 310 00:17:18,564 --> 00:17:21,245 Shouldn't I be an example for them all? 311 00:17:21,284 --> 00:17:24,764 You should be an example for yourself. 312 00:17:24,804 --> 00:17:27,245 The little gay girls, they-- 313 00:17:27,284 --> 00:17:30,804 They need someone that does what's right for them, 314 00:17:30,844 --> 00:17:33,245 when it's right for them. 315 00:17:33,284 --> 00:17:36,844 And don't forget, the little gay girls... 316 00:17:38,124 --> 00:17:39,725 they have you already. 317 00:17:40,604 --> 00:17:42,725 You're an inspiration as it is. 318 00:17:55,245 --> 00:17:56,245 Oh, God. 319 00:17:56,284 --> 00:17:57,764 Ugh! Okay. 321 00:18:01,725 --> 00:18:04,364 Shit, sorry. I-- I thought you were the chicken, 322 00:18:04,405 --> 00:18:06,364 'cause we ordered chicken, so... Yeah. Um, sorry, yeah. 323 00:18:06,405 --> 00:18:07,804 Sorry, I'm not the chicken. Sorry. Yeah. 324 00:18:07,844 --> 00:18:10,885 Yeah, I can see that. Mm-hm. Laura. 325 00:18:12,124 --> 00:18:13,124 Ayesha. 326 00:18:13,165 --> 00:18:14,685 Laura, listen. 327 00:18:14,725 --> 00:18:16,284 I'm sorry. 328 00:18:18,044 --> 00:18:20,524 I've had a think about it, and... 329 00:18:20,564 --> 00:18:22,485 I don't want you to feel like I'm hiding you or-- 330 00:18:22,524 --> 00:18:24,685 Or I'm embarrassed. I'm not. 331 00:18:24,725 --> 00:18:25,885 I just-- 332 00:18:25,925 --> 00:18:28,844 I just can't come out to my parents right now. 333 00:18:30,645 --> 00:18:33,284 It's not because I don't love you, it-- 334 00:18:33,324 --> 00:18:35,405 It's just not where I'm at right now, and... 335 00:18:35,445 --> 00:18:37,005 I know it's not fair of me to expect you 336 00:18:37,044 --> 00:18:42,284 to have to like, stick around, so I get it, and I'm sorry. 337 00:18:42,324 --> 00:18:45,965 And I failed your ultimatum thing. 338 00:18:46,005 --> 00:18:47,645 You love me? 339 00:18:48,804 --> 00:18:51,165 Uh... yeah. 340 00:18:51,205 --> 00:18:52,524 So-- Sorry. Sorry, sorry. 341 00:18:52,564 --> 00:18:55,084 Sorry, uh, yeah. Uh... sorry. 342 00:18:55,124 --> 00:18:57,405 It's-- 343 00:18:59,844 --> 00:19:02,324 I've missed you so much. 344 00:19:02,364 --> 00:19:05,965 I missed you. I missed you. 346 00:19:15,405 --> 00:19:17,485 And there we have it, a whistle-stop tour 347 00:19:17,524 --> 00:19:20,005 of all the greatest folk stars of our times. 348 00:19:20,044 --> 00:19:23,205 The day of the album launch was finally upon us. 349 00:19:23,245 --> 00:19:24,965 Listening to Ahsan's dulcet tones 350 00:19:25,005 --> 00:19:27,965 was calming any nerves I had for our big day. 351 00:19:28,005 --> 00:19:30,645 I found myself rationing his mixtape 352 00:19:30,685 --> 00:19:33,685 so it wouldn't end... so I could be with him longer. 354 00:19:36,284 --> 00:19:37,925 I'm recording. 355 00:19:37,965 --> 00:19:39,564 Why would I take one of your earphones? 356 00:19:39,604 --> 00:19:41,124 Can you--? Get out! Just go. 357 00:19:41,165 --> 00:19:44,044 Sorry. Ahem. So, yes, there we have it. 358 00:19:44,084 --> 00:19:46,804 All the greatest folk stars of our times. 359 00:19:46,844 --> 00:19:50,685 Step aside, Bob Dylan, step aside, Paul Simon, 360 00:19:50,725 --> 00:19:53,165 it's time for Amina Hussein. 362 00:19:54,764 --> 00:19:57,364 This last song, well, it's my all-time favorite. 363 00:19:57,405 --> 00:19:59,084 Although Amina doesn't approve, 364 00:19:59,124 --> 00:20:02,364 she did have the good fortune of hearing my sultry rendition. 365 00:20:02,405 --> 00:20:04,364 Hm. Here it is again. 366 00:20:04,405 --> 00:20:07,564 Remember kids, keep strumming. 367 00:20:07,604 --> 00:20:10,205 * "THE REASON" HOOBASTANK * 368 00:20:16,205 --> 00:20:17,524 Finally! 369 00:20:17,564 --> 00:20:19,564 What are you going to do? Were you listening? 370 00:20:19,604 --> 00:20:21,564 Wha--? I've listened to it twice over already. 371 00:20:21,604 --> 00:20:23,764 Ma, that's a real invasion of-- Yeah, invasion of privacy. 372 00:20:23,804 --> 00:20:26,564 Yadda, yadda, yadda. Boring. What are you going to do? 373 00:20:28,445 --> 00:20:29,604 I don't know. 374 00:20:29,645 --> 00:20:32,284 I said some pretty mean things to him. 375 00:20:32,324 --> 00:20:33,604 But do you like him? 376 00:20:35,524 --> 00:20:36,844 I do. 377 00:20:36,885 --> 00:20:37,844 I think I do. 378 00:20:39,165 --> 00:20:42,685 Well, in that case, you're gonna have to ante-up. 379 00:20:44,205 --> 00:20:45,564 Ante up? 380 00:20:47,485 --> 00:20:48,844 I had to do something 381 00:20:48,885 --> 00:20:50,844 that would meet the lofty romantic heights 382 00:20:50,885 --> 00:20:54,885 of a throwback mixtape... but it had to wait. 383 00:20:57,965 --> 00:21:01,564 Ladies and gentlemen, thank you so much for being here. 384 00:21:01,604 --> 00:21:03,685 It means so much that you all came out. 385 00:21:03,725 --> 00:21:06,485 I cannot wait for you to hear this album. 386 00:21:06,524 --> 00:21:10,965 We believe in untold stories, unheard voices. 387 00:21:11,005 --> 00:21:15,084 Join me in raising a glass to Lady Parts. 388 00:21:15,124 --> 00:21:18,844 To Lady Parts! 389 00:21:18,885 --> 00:21:22,485 It's not been easy... but today is big. 390 00:21:22,524 --> 00:21:28,205 Our album, our music will belong to the world, finally. 391 00:21:28,245 --> 00:21:29,604 Hm. 392 00:21:29,645 --> 00:21:31,364 I love you all. 393 00:21:31,965 --> 00:21:33,725 Let's do this. 394 00:21:33,764 --> 00:21:36,364 You gotta sign these. Thanks. 395 00:21:37,405 --> 00:21:40,165 Here it was. Our album. 396 00:21:40,205 --> 00:21:44,925 Not exactly as we had imagined it, but it was ours. 397 00:21:44,965 --> 00:21:45,885 Vinyl. 398 00:21:48,165 --> 00:21:49,965 That's vinyl, all right. 399 00:21:50,005 --> 00:21:53,165 Vinyl. So cool. 400 00:21:53,205 --> 00:21:56,965 Saira had always dreamed of our music on vinyl. 402 00:21:59,245 --> 00:22:01,925 You're so soft. Shut up. 405 00:22:09,485 --> 00:22:12,324 No, wait, what? 406 00:22:16,485 --> 00:22:18,685 Whoa, whoa, whoa, whoa, whoa, whoa. Saira. Saira. 407 00:22:18,725 --> 00:22:19,725 What's going on? Hm? 408 00:22:19,764 --> 00:22:21,764 "Glass Ceiling Feeling." It's not there. 409 00:22:21,804 --> 00:22:23,405 Oh, uh, okay. When we signed off 410 00:22:23,445 --> 00:22:25,165 on the album proofs it was on there, now it's not. 411 00:22:25,205 --> 00:22:26,925 Yeah, calm down. Why isn't it on there? 412 00:22:26,965 --> 00:22:28,885 I-- It's not a big deal. Okay, they just felt 413 00:22:28,925 --> 00:22:31,604 that it was complete as it was. You know? 414 00:22:31,645 --> 00:22:33,564 You don't want your debut album being too long. 415 00:22:33,604 --> 00:22:35,725 What? That's bullshit. It's one of our best songs. 416 00:22:35,764 --> 00:22:37,205 Don't treat me like an idiot. 417 00:22:38,604 --> 00:22:40,685 Okay, well, the label felt that maybe it could be perceived 418 00:22:40,725 --> 00:22:42,685 as being, um-- Uh, being critical of them. 419 00:22:42,725 --> 00:22:45,564 Oh. You didn't think to tell us? It was a last-minute decision. 420 00:22:45,604 --> 00:22:47,445 They decided. It's above my pay grade. I just-- 421 00:22:47,485 --> 00:22:50,245 I just thought, you know, why upset you before your big day? 422 00:22:51,844 --> 00:22:53,044 Oh, okay, so... 423 00:22:53,084 --> 00:22:55,205 I understand I probably made the wrong choice, 424 00:22:55,245 --> 00:22:57,445 but it is gonna be on the next album. 425 00:22:57,485 --> 00:23:00,405 Ah. I promise. It'll be the single. Hm? 426 00:23:00,445 --> 00:23:03,364 Hm. So just forget about it. 427 00:23:03,405 --> 00:23:06,405 This is a big day. Everything you've worked for. 428 00:23:06,445 --> 00:23:09,485 Everything you wanted. Hey? Remember, hm? 429 00:23:09,524 --> 00:23:11,284 And listen to me... 430 00:23:11,324 --> 00:23:14,604 we start touring next week. 431 00:23:14,645 --> 00:23:17,965 Saira? So, remember, yeah? Glastonbury. 432 00:23:18,005 --> 00:23:20,245 Remember? Glastonbury. 433 00:23:22,044 --> 00:23:23,165 Fuck. 434 00:23:23,205 --> 00:23:24,485 There's nothing we can do. 435 00:23:24,524 --> 00:23:25,725 Nothing we can do. Last-minute decision. 436 00:23:25,764 --> 00:23:26,965 So, what are we gonna do about this? 438 00:23:29,084 --> 00:23:31,564 The next album? 439 00:23:31,604 --> 00:23:34,005 Just wanted to wish you ladies luck. 440 00:23:34,044 --> 00:23:35,205 You heard what happened? 441 00:23:35,245 --> 00:23:37,284 Yeah. I'm sorry. 442 00:23:45,364 --> 00:23:48,564 Good luck. It's been a pleasure. 443 00:23:52,084 --> 00:23:53,165 That was weird. 444 00:23:53,205 --> 00:23:54,165 Yeah. 447 00:24:07,205 --> 00:24:08,885 Oh. Yes, man. 448 00:24:08,925 --> 00:24:10,604 Sick. 449 00:24:10,645 --> 00:24:12,764 Are you guys thinking what I'm thinking? 450 00:24:12,804 --> 00:24:15,604 Speak, for your two lips are free. 451 00:24:15,645 --> 00:24:18,804 Your tongue is still your own. 453 00:24:30,005 --> 00:24:30,965 Hi, everyone. 454 00:24:31,005 --> 00:24:32,364 Guys. What? 455 00:24:32,405 --> 00:24:35,245 What? Guys. It's starting. Come on. 456 00:24:35,284 --> 00:24:37,965 Thank you for coming down for our album launch. 457 00:24:38,005 --> 00:24:41,284 We've always dreamed of recording at Molico Studios 458 00:24:41,324 --> 00:24:44,124 with Dirty Mahmood, and we did it. 459 00:24:44,165 --> 00:24:47,804 We are so excited for this day, 460 00:24:47,844 --> 00:24:51,165 to be finally getting to share our music. 461 00:24:51,205 --> 00:24:53,804 We did have a new song on the album, 462 00:24:53,844 --> 00:24:55,725 "Glass Ceiling Feeling." 463 00:24:55,764 --> 00:24:59,524 Unfortunately, it's been dropped off the album. 464 00:24:59,564 --> 00:25:02,405 Our label didn't like it, but we like it. 465 00:25:02,445 --> 00:25:06,965 So, we've gone ahead and uploaded it to our website. 466 00:25:07,005 --> 00:25:11,965 The whole album free to download with our original mixes. 467 00:25:12,005 --> 00:25:13,005 Share the link! 468 00:25:14,324 --> 00:25:16,165 We all need to share the link. 470 00:25:17,445 --> 00:25:19,284 Why is no one rehearsing? 471 00:25:19,324 --> 00:25:20,965 The showcase starts in a few hours-- 472 00:25:21,005 --> 00:25:23,925 Lady Parts' new album has been leaked. 473 00:25:23,965 --> 00:25:28,005 What? Wh-- Do they know? Wait-- Call Saira now. 474 00:25:28,044 --> 00:25:29,205 Saira leaked it. 475 00:25:30,564 --> 00:25:31,485 What? 476 00:25:34,205 --> 00:25:35,965 Alrighty, you've been an absolute joy, 477 00:25:36,005 --> 00:25:37,885 but we're going to have to run. 478 00:25:37,925 --> 00:25:40,604 Uh, big love! Stay hydrated. 479 00:25:45,804 --> 00:25:46,764 Get her. Hey! 482 00:26:28,165 --> 00:26:30,804 Buckle up. 483 00:26:35,804 --> 00:26:36,925 What did we just do? 484 00:26:36,965 --> 00:26:38,965 I don't know. I don't know, but it felt good. 485 00:26:39,005 --> 00:26:40,364 Oh, go straight here. 486 00:26:40,405 --> 00:26:42,084 Wait, where are we going? 489 00:26:53,124 --> 00:26:56,445 Okay, everyone, I know this is all very exciting, 490 00:26:56,485 --> 00:26:58,485 but we should probably do a bit of rehearsing. 491 00:26:58,524 --> 00:27:01,324 Yeah? It's-- Can we just--? Is anyone listening? 493 00:27:05,284 --> 00:27:06,364 What? 494 00:27:12,524 --> 00:27:14,205 Hey, Momtaz. 495 00:27:14,245 --> 00:27:18,685 Uh, we were wondering if you had space for another band? 496 00:27:21,645 --> 00:27:24,445 I mean, I don't know. My books are kind of full. 497 00:27:24,485 --> 00:27:26,485 You'll have to join the waiting list. 498 00:27:30,445 --> 00:27:31,725 Ah, is it? 501 00:27:45,764 --> 00:27:47,524 Since we got dropped by the label, 502 00:27:47,564 --> 00:27:50,844 Saira was crashing at Bisma's until she figured things out. 503 00:27:50,885 --> 00:27:53,725 And Ayesha was back to driving her limo. 504 00:27:53,764 --> 00:27:56,445 Sure, it was like we were in the before times, 505 00:27:56,485 --> 00:27:58,044 back in our old worlds, 506 00:27:58,084 --> 00:28:01,245 but as new women... mature women. 507 00:28:01,284 --> 00:28:02,245 Hey, everyone. 508 00:28:02,284 --> 00:28:04,324 Oi, you little villain. 509 00:28:04,364 --> 00:28:05,405 Taz. 511 00:28:08,084 --> 00:28:09,405 Nice drawing. 512 00:28:09,445 --> 00:28:10,485 Thanks. Thanks. 513 00:28:10,524 --> 00:28:11,844 We were back together. 514 00:28:11,885 --> 00:28:14,844 It felt great. Sisters united. 515 00:28:16,245 --> 00:28:20,284 Only one last piece of business needed attending to. 516 00:28:20,324 --> 00:28:22,245 My turn to ante-up. 517 00:28:22,284 --> 00:28:24,685 Whoa, whoa, whoa! Stop! Stop! 518 00:28:25,885 --> 00:28:27,445 Go for it, Amina! 519 00:28:27,485 --> 00:28:30,205 * "THE REASON" HOOBASTANK * 520 00:28:30,245 --> 00:28:35,645 * I'm not a perfect person * 521 00:28:35,685 --> 00:28:40,405 * There's many things I wish I didn't do * 522 00:28:41,725 --> 00:28:47,405 * But I continue learning * 523 00:28:47,445 --> 00:28:53,044 * I never meant to do Those things to you * 524 00:28:53,084 --> 00:28:57,604 * And so I have to say before I go * 525 00:28:59,485 --> 00:29:04,445 * That I just want you to know * 526 00:29:04,485 --> 00:29:09,965 * I've found a reason for me * 527 00:29:10,005 --> 00:29:14,405 * To change who I used to be * 528 00:29:15,685 --> 00:29:17,764 Fucking move! * A reason * 529 00:29:17,804 --> 00:29:20,044 * To start over new * Pipe down. 531 00:29:23,205 --> 00:29:26,685 * And the reason is you * 532 00:29:27,885 --> 00:29:33,564 * I'm sorry that I hurt you * 533 00:29:33,604 --> 00:29:39,524 * It's something I must live with everyday * 534 00:29:39,564 --> 00:29:44,685 * And all the pain I put you through * 535 00:29:44,725 --> 00:29:50,604 * I wish that I could Take it all away * 536 00:29:50,645 --> 00:29:56,324 * And be the one Who catches all your tears * 537 00:29:57,485 --> 00:30:02,284 * That's why I need you To hear * 538 00:30:02,324 --> 00:30:07,885 * I've found a reason for me * 539 00:30:07,925 --> 00:30:14,124 * To change who I used to be * 540 00:30:14,165 --> 00:30:19,564 * A reason to start over new * 541 00:30:21,084 --> 00:30:26,564 * And the reason is you * 542 00:30:26,604 --> 00:30:32,725 * And the reason is you * I'm gonna call the police. 543 00:30:32,764 --> 00:30:35,364 It'll be over soon. * And the reason is you * 544 00:30:35,405 --> 00:30:36,725 I have this song. 545 00:30:38,205 --> 00:30:44,445 That's a mid-2000s classic. * And the reason is you * 547 00:30:46,284 --> 00:30:48,044 Okay, okay we'll stop there. 548 00:30:50,685 --> 00:30:54,485 All right, band! Let's pack up! People, let's go! Let's go! 549 00:30:54,524 --> 00:30:55,645 I'm leaving them. Strap in. 550 00:30:55,685 --> 00:30:57,405 Right. Tuck in the back! 553 00:31:05,324 --> 00:31:08,645 That was pretty great, Amina Hussein. 554 00:31:08,685 --> 00:31:12,005 Pretty, pretty cringe... 555 00:31:12,044 --> 00:31:13,405 ...but great. 556 00:31:13,445 --> 00:31:15,725 Well, I had to ante-up, because... 557 00:31:16,485 --> 00:31:17,764 what beats a mixtape? 558 00:31:17,804 --> 00:31:22,245 Uh-- You heard it. Ah... Sorry. No, I-- It was-- 559 00:31:22,284 --> 00:31:24,645 No, no. It was perfect. I loved it. 560 00:31:24,685 --> 00:31:26,965 And I'm so sorry for what I said to you. 561 00:31:28,044 --> 00:31:29,645 You're not a basic bitch. 562 00:31:29,685 --> 00:31:36,084 It's fine. I forgive you, but I kind of am, so it's all good. 563 00:31:37,445 --> 00:31:39,124 And I like you, and not because Billy likes you, 564 00:31:39,165 --> 00:31:40,685 because I like you. 565 00:31:46,885 --> 00:31:48,725 Okay, yeah, so I did it. 566 00:31:48,764 --> 00:31:50,604 Gotta go. I had to. 567 00:31:50,645 --> 00:31:52,965 Hurry, man! Come on! 568 00:31:53,005 --> 00:31:54,485 Come on! Go! 569 00:31:54,524 --> 00:31:55,725 Amina! We've gotta go! 570 00:31:55,764 --> 00:31:57,405 Sure, we can quibble about 571 00:31:57,445 --> 00:32:00,005 whether or not my soul is destined for eternal damnation. 572 00:32:00,044 --> 00:32:03,324 I mean, I had joined a punk band to find a husband. 575 00:32:06,284 --> 00:32:08,725 But I had found so much more. 576 00:32:08,764 --> 00:32:10,804 * "I'M GONNA BE (500 MILES)" THE PROCLAIMERS * 577 00:32:10,844 --> 00:32:12,725 No. Come on. 578 00:32:12,764 --> 00:32:14,604 Are you serious? 579 00:32:14,645 --> 00:32:17,925 * When I wake up Well, I know I'm gonna be * 580 00:32:17,965 --> 00:32:21,524 * I'm gonna be the man Who wakes up next to you * 581 00:32:21,564 --> 00:32:25,084 * And when I go out Yeah, I know I'm gonna be * 582 00:32:25,124 --> 00:32:28,764 * I'm gonna be the man Who goes along with you * 583 00:32:31,084 --> 00:32:34,245 * But I would walk 500 miles * 584 00:32:34,284 --> 00:32:37,764 We still wanted to make music, but our way. 585 00:32:37,804 --> 00:32:41,844 We still wanted an audience, but on our terms. 586 00:32:41,885 --> 00:32:45,445 With Momtaz on Momtaz Records. 587 00:32:45,485 --> 00:32:47,685 We didn't want to be the token band, 588 00:32:47,725 --> 00:32:50,165 we wanted to be part of something bigger. 591 00:32:58,685 --> 00:33:00,445 We had been looking for success 592 00:33:00,485 --> 00:33:02,564 in record deals and stadium shows, 593 00:33:02,604 --> 00:33:04,445 but I guess we already had it, 594 00:33:04,485 --> 00:33:06,685 because we had each other. 595 00:33:06,725 --> 00:33:09,564 And because we are Lady Parts. 596 00:33:10,925 --> 00:33:14,284 * And I would walk 500 more * 597 00:33:14,324 --> 00:33:18,965 * Just to be the man Who walked a thousand miles * 598 00:33:19,005 --> 00:33:23,445 * To fall down at your door * 600 00:33:28,165 --> 00:33:29,324 Oh, shit! 601 00:33:29,364 --> 00:33:32,925 * But I would walk 500 miles * 602 00:33:32,965 --> 00:33:36,245 * And I would walk 500 more * 603 00:33:36,284 --> 00:33:41,205 * Just to be the man Who walked a thousand miles * 604 00:33:41,245 --> 00:33:44,044 * To fall down at your door * 38386

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