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my great-grandfather was the first he was michael manning a tenant farmer
who was dispossessed or gave up in the famine came to new york when michael manning landed at south
street in 1847 the first person who saw him was probably horrified i think with the
way he'd probably dressed and what he represented people weren't saying he's a
wonderful immigrant let's bring him in he's going to make the city better
probably the immediate thought was we wish he'd go home and then after that we'd wish he'd go
someplace else americans want to believe that it's a very natural thing for people to live
together and it's an aberration when they don't and actually if you look at human history
the exact opposite is true that it's very difficult to bring different cultures together
and have people live together in peace and learn to get along and new york is the great experiment
there one people piling on top of each other constantly and that brings tremendous conflict
i think it's the greatest source of strength of new york but it's also a source of conflict um
disunion um struggle
fewer than 170 000 people lived on the island of manhattan
in 1825 by any modern standard the largest city in america was still a
relatively peaceful place compact orderly and even rural
just two miles from where the dutch had landed two centuries before
the closely knit town tapered off into a wilderness of farms
country lanes and open fields george templeton strong a native new
yorker born as work on the erie canal began could easily walk from his father's
house down near the battery up to the old pear tree peter stuyvesant
had planted on the outskirts of town across the river in the village of brooklyn population
11 000 long island-born walt whitman loved to play baseball in the vacant
fields that surrounded the sleepy town
life in both cities was still strikingly simple
there was no regular police force no professional fire department
no public transportation only the most primitive water and sewage systems
and just a handful of public schools at night flickering gas lamps introduced
only two years before scarcely lit the poorly paved streets which after sundown
were nearly deserted
it was confined to extremely lower manhattan my great great grandfather who wrote a
memoir of his childhood in the first decade of the 19th century
remembered that all above grand street was country i mean city hall was his father actually my
four grandfather was a city alderman he was the one who found the compromise
to get city hall finished it had been under construction for 10 years and it
was lying there unfinished because it was so expensive he said let's finish the back of city
hall with brownstone instead of with marble because it's so far uptown nobody
will ever see the back of it anyway
never again would life in new york city be so simple or harmonious in the decades to come
forces that had been gathering for 200 years would converge on the island of manhattan
transforming every aspect of life in the city and bringing every possibility and every
problem of the modern age all american cities were experiencing
revolutionary change in terms of the way people lived but in new york it was on a more intense
level because the size of the city the narrowness of the geography
the intensity and extremeness of the growth was so much greater than other places
new york had only a hundred thousand people in eighteen hundred
by nineteen hundred it had fifty times as many people that's an incredible transformation
no city in america had ever grown so rapidly or so large no city on earth
had ever brought so many different kinds of people together in one place at one time
between 1825 and 1865 new yorkers would confront the most daunting question
of their entire history could they create a new kind of order on
the island of manhattan or would the city explode into chaos and violence
and subside into complete anarchy
we are rapidly becoming the london of america i myself am astonished and this city is
the wonder of every stranger john pintard
its advantages of position are perhaps
unequaled anywhere situated on an island
which i think it will one day cover it rises like venice from the sea
and like that fairest of cities in the days of her glory receives into its lap tribute
of all the riches of the earth francis
from the day it opened in october 1825 the erie canal sparked an economic
revolution that would transform forever life in new york city connecting the
great lakes to the hudson river and beyond it transformed new york almost overnight
into a gigantic funnel through which much of the wealth of the western world would now have to pass
by the erie canal new york effectively captured the economy of the middle east and it
began to grow so extraordinarily quickly it developed around 10 miles of street front per
year in the 1830s 40s and 50s it was just one gigantic construction zone
and once it starts it begins to snowball i mean it's like a planetesimals building up
into a planet once it gets enough gravity it sucks in everything else
and that's what happened in new york because new york was the largest city in the census
and then the larger it got the larger it tended to go on the canal changes everything after that
new york would be out in front and would never look back so in culture in the economy in
in spurring industrialization because now you've got a market for cast iron mass
manufactured goods because they can go out the ramifications are absolutely
total in in all areas by 1830 people were pouring into manhattan
to work in the new factories offices and workshops of the city
as commercial activity in lower manhattan exploded the narrow lanes of the old dutch
village were transformed into the first district in the world devoted exclusively to commerce
so in new york city almost for the first time in human history you get an area that's just business
and people don't live there you have to come there from somewhere else so it's a breaking up it's a
transformation of the historic city people with money begin to move away the
journey to work begins to increase we have a different kind of a place and
new york city is at the forefront of that we don't think about new york as an
industrial city really we think detroit we think chicago whatever but in fact
by the time of the civil war new york was the biggest industrial city in the united states
what we have in fact is a kind of a metropolitan industrialization it's
small scale there are little shops most factories so called are maybe 20 people
large and there's hundreds of them there's thousands of them and they're in incredible
intense competition with one another with astonishing speed the outlines of a
modern mass metropolis were beginning to appear on the island of manhattan
including the first slums and suburbs the first modern police force
the first public transit system the first department stores
and a vast new waterworks the massive croton aqueduct on the outskirts of town
by 1840 new york was moving into uncharted territory no longer merely a port but a giant
vortex drawing everything in america into its orbit goods money people
ideas and increasingly tensions
for better and for worse one man wrote new york is fast becoming
if she be not already america before some point i think my own sense
of it is that somewhere in the 1820s and 30s one could feel that they could grasp the
whole of new york after that point it became too complicated
for people to have that kind of confidence that's the difference between pre-modern
new york and modern new york
it is a place of multiple realities and partial comprehensions hopefully
enough comprehension so that one doesn't go around lost and disoriented all the time but i
think it would be a far less interesting experience if one thought
one really comprehended it
there is no great novel about new york there is no single novel there are a lot
of very good new york novels but there's no single all-encompassing novel the way
um you could look at any number of dickens books and say we know
london as a result of that i thought probably the best novel of new york was the newspaper
if you sat down and read the newspapers you'd get some gauge of what we'd gone through
and the reason is because it's dynamic the reason is because it's
of its dailiness there's a dailiness to life in the city a sense of
surprise it's a kind of a city that although it insists on routine from a
lot of its people um knows that routine is is
a utopian goal and that some other thing is going to happen between here and 57th
street you better be ready for it
the flight was a bold and perilous one but here i am in the great city of new york
safe and sound without loss of blood or bone
in less than a week after leaving baltimore i was walking amid the hurrying throng
and gazing upon the dazzling wonders of broadway the dreams of my childhood and the
purpose of my manhood were now fulfilled
a free state around me and a free earth under my feet
what a moment this was to me frederick
douglass april 1842 who does not know that our city is the great place of the
western continent the heart the brain the focus
the main spring the no more beyond
of the new world walt whitman
in the spring of 1841 22 year old walt whitman arrived in manhattan
looking for work as a newspaperman the son of a failed carpenter from
brooklyn whose own mother thought him a good boy but very strange he was one
of the tens of thousands of newcomers streaming in each year to find work in the city
the energy of the metropolis broke over him like a thunderstorm
this is the city he wrote ecstatically and i am one of its citizens
silence what can new york noisy roaring rumbling tumbling
bustling turbulent new york have to do with silence amid the universal clutter
the all-swallowing vortex of the great money whirlpool
who has any even distant idea
of the profound repose of silence walt whitman
he took to the city instantly and soon found work at a paper called the aurora
one of the dozens of new penny papers springing up all over the island
there had never been anything like them sold on the streets for a penny apiece
by gangs of ragged boys they were filled not with sober shipping reports but with
eye-catching stories of crime vice and sex often drawn from the streets of the city itself
of them all none was more popular than the new york herald
founded in 1835 by a bombastic scottish immigrant named james gordon bennett fond of
comparing himself in the pages of his own journal to julius caesar shakespeare and
alexander the great up until the 1830s newspapers
had very small circulation they were quite expensive and they were always
effectively owned by one political party it was james gordon bennett who changed all that
he put all the ideas together and came up with the new york herald which became
the most successful newspaper in the world it was very low priced it was politically independent
and it was written not with the idea of instructing the reader with what he
ought to know but with giving the reader what he wanted
to know modern journalism had begun
in its first two weeks alone the herald ran blood curdling accounts of three suicides three murders
a fire that killed five people and an accident in which a man had blown his own head off
monday february 1st 1841 there is a paper published in this city
i am not in the habit of quoting from it for i consider it a disgrace
nor would i do it now but to protest against the depraved and vitiated taste
of newspaper readers it is an undeniable fact that this filthy sheet
has a wider circulation than any other not only here but in other cities
philip hung
reporters like whitman went everywhere covering the spectacular fires that
broke out with increasing frequency now and the epidemics of cholera that
ravaged the increasingly congested slums from the imposing ramparts of the new
croton water works way out on 42nd street to the dizzying spire of newly rebuilt trinity church
the tallest structure in town
the vast and interminable city was spread out as upon a map before us there
beneath our feet and stretching far away in every direction lay one of the most
beautiful and exciting spectacles ever looked upon the new york morning news
by the 1830s and 1840s the city is so complicated the city has got so much
ethnic diversity economic differences social differences that people increasingly need a
newspaper to help them to decode the city to figure out what's going on
here's a place where every day i can get a handle on what's actually going on
and i can get some sense of order to what's becoming a very disorderly place
in less than a decade more than 20 dailies and dozens of weeklies had crowded into
a five-block stretch across from city hall called printing house row
along with samuel morse's new telegraph office and matthew brady's new photographic studio by 1841
the bustling district around city hall had become the center of news and information
for the entire nation remember at that period we're talking still about a kind of walking city
that is to say in a very very small area maybe a couple of miles
you could see the amazing contrasts that are growing up even with a few blocks
if you think about where city hall is the center of government
you think about where wall street is the center of commerce and then you think about the five
points the sort of worst slum of the era they're all pretty much when the stones
throw of each other and then if you include the emerging commercial entertainments like barnum's
museum and so on you can see that that really within a very very small area
you have all these amazing contrasts of wealth and poverty of high culture and low culture of
different ethnic and racial groups and all that stuff really in a fairly contained area
in the winter of 1841 an extraordinary establishment
called the american museum opened its doors for the first time
on the corner of broadway and printing house row at the very heart of the new metropolis
its proprietor was a 31 year old itinerant showman from connecticut named phineas t barnum an
ex-newspaperman with an uncanny instinct for the new mass culture beginning to emerge in new
york city barnum is a quintessential new yorker in part because he's not from new york
he has a sense of the times he has a sense of
the chaos of the times of the urban kind of familia there's lots of people
coming in and out of new york there's movement there's differences people are not quite sure
how to relate to each other they're not quite sure who to trust anymore
they're not quite sure if the person who appears to be a gentleman because he's
wearing good clothing and has a beautiful pocket watch is someone who really truly is a
gentleman or not eager to exploit the shifting interests and anxieties
of new york's increasingly diverse citizenry barnum programmed something
for everyone in the american museum including a scale model of dublin for
the growing number of irish immigrants and a 3 000 seat morrow lecture room for
new york's upright middle class establishment other popular attractions included a
mermaid from fiji a knitting machine operated by a dog
a bearded girl named annie jones a 25-inch named general tom thumb
a pair of chinese brothers named chang and eng the original siamese twins
and playing to the growing national obsession with the question of race and origins
an 18 year old microcephalic black man from georgia whom barnum presented simply as the what
is it march 2nd friday stopped at barnum's on my way downtown
to see the much advertised what is it some say it's an advanced chimpanzee
but it seems to me clearly an idiotic negro dwarf raised perhaps in alabama or virginia
his anatomical details are fifthly simian a great fact for darwin george templeton
strong barnum was the primal huckster he was
the adam and eve of huxterism but the idea was to draw a paying crowd no matter what
and he was a genius at it he changed his tricks on over and over again he had a
seemingly unending number of them now and then someone would cry out humbug and
charlatan but so much the better for me it helped to advertise me and i was
willing to bear the reputation i engaged queer curiosities and even monstrosities
simply to add notoriety to the museum pt barnum there's a game that's being
played here they enjoy the notion that they're being conned and
and he's almost inviting you to figure out how he's done it you know what's where's the humbug
in this and you know that you're being had but there's a pleasure
in the game of both being head knowing that you're being ahead trying to
decipher how he's doing you know how does the magician work work his tricks
so barnum is the spiritual grandfather of bali who of advertising of public relations
of a bold brassiness that's a critical component of the new york psyche
certainly from that point on from the day it opened the american
museum was a stunning success during its 27-year run barnum would sell
42 million tickets seven million more than the entire population of the united states
inside the enormous differences already dividing new yorkers dwindled for a moment against the
backdrop of the human extremes on display outside on the city streets however
those differences were becoming more and more troubling with each passing year
i think the fiction of new york history and new yorker self-perception is that
they were the most tolerant people in the world the cosmopolitan new yorker
able to accept anyone who came the reality of new york history reveals quite a bit
more tension and conflict in the actual day-to-day social relations of new yorkers
this was never said that welcomed immigrants if you if you read the history of new york
um whichever group was coming at the time everyone hated and then the group that got here five
minutes before them had someone to look down on and that's always been the case
june 2 1836 they arrived at this port during the month of may 15
825 passengers all europe is coming across the ocean
all that part at least who cannot make a living at home and what shall we do with them they
increase our taxes eat our bread and encumber our streets
and not one in twenty is competent to keep himself
philip home for years the number of immigrants coming into the city had been on the
rise as the demand for workers grew by 1840 more than 50 000 germans had pushed in
settling in an insulated neighborhood of their own called klein deutschland or little germany
an even greater number had emigrated from ireland impoverished farmers and unskilled day
laborers mainly most of whom quickly found work taking on the worst and toughest jobs in the city
digging sewers paving streets building houses or working as servants scholarly maids
and seamstresses 1842 nearly a hundred thousand irish immigrants had flooded into new york
city fueling waves of virulent anti-catholic bigotry and the bitter resentment of native-born
workers who feared for their jobs it's very hard for people nowadays to realize there was a white
christian english-speaking immigrant group that was essentially seen
as another race so far in that they could never be absorbed in the united states
their arrival really in the 1840s triggers the growth of the american
party as it's called the time or the know-nothing party which is essentially um
said we have to stop the immigration of these people to the country they're
gonna they're gonna destroy our identity they can never be loyal because of their
loyalty to the catholic church they don't want to work they're shiftless they're violent this was
the perception one of the most interesting thing about the irish is the
kind of discrimination that they fit that they faced when they came to new york
all of the cartoons of the period show them with huge brows show them drunk all the time show
them involved in fights and brawls the irish were called the blacks of the 19th century
they were not considered to be white ethnic conflict had already reached
alarming levels on the streets of the city when in the summer of 1845 a tragedy of
unimaginable proportions in the irish countryside sent a tidal wave of desperate people
streaming towards new york
in the years to come the influx of famine irish immigrants would overwhelm
the city's resources completely and change forever the social and political balance
of the metropolis
the great migration begins in 1845 between 1845 and 1855 you have a million
people die in ireland in the potato famine the great defining event of modern irish
history 2.1 million leave the 1.5 they come to the united states a million come across south street
in a 10-year period and it's an immigration very unlike the immigrations that follow
one because it's in sailing ships it's not in the steam ships that become the
regular vessel across the atlantic in seven days this is a 30-day passage
some of them will call coffin ships because there were more people dead on
them than alive when they landed and you have a million people one-eighth
of the irish nation comes across south street in a 10-year period there's
no other immigration from europe like that in the 19th century
hundreds of our people just cast on shore from the immigrant ships
parade daily the streets of new york as howling beggars they sleep
in droves in the station houses the commissioner's supplying them with bread
in the morning they wander over the city begging
no city on earth had ever had to contend with such an onslaught of humanity
in 1854 an old concert hall at the foot of manhattan called castle garden was pressed into
service to handle the flood tide of impoverished newcomers by then there were more irish in new
york city than any other place in the world except dublin and still they came on
pushing the congestion in the new slums to more than 300 people per acre
five times the density city fathers had anticipated
when laying out the street plan 50 years before
the huge famine irish immigration that hit in the 40s brought here
a rural people who had no urban skills many of them had no
english and and settled into pretty miserable conditions pretty fast
as thousands of irish immigrants pushed into the five points
one of the only areas in the city where african americans could afford to live
the two groups were thrown into increasingly bitter competition
for the worst dwellings and the lowest paying jobs
every hour sees us elbowed out of some employment to make room perhaps for some newly
arrived immigrants whose hunger and color are thought to give them title to a special favor
frederick douglass we'd like to think that segregation is a southern
phenomenon it's not a northern phenomenon and there are black burial grounds
and there are white burial grounds there are black sections in churches the pews up in the top
so racism is built into the very structure and culture of the city and
it's only exacerbated by the new arrivals profit-hungry new york businessmen only
made matters worse hiring irish laborers instead of blacks because they would work for even less
money then using blacks as strike breakers whenever the irish threatened to walk out
for better wages by 1855 the two groups with the most in common
in new york were locked in a life and death struggle on the lowest rung of the city's
economic ladder of the two groups that have come to new york there are striking similarities
between the irish and african americans the irish come from a rural culture in which they are
essentially dispossessed they're not connected to the government where they come from there are no
institutions that who reflect who they are their culture is in their
in two things really it's in their it's in their song and it's in their church
and those are the two things they take with them when they come out of this
culture where they've even lost their language they take on the language of the people
who've conquered them and they give new life to that language
few groups coming to new york would ever suffer the hardship and misery
experienced by the famine irish crowded into filthy vermin-infested
housing and brutally derided by their fellow citizens devastating outbreaks of cholera and
other diseases routinely swept through the wards they inhabited where the death rate was often
three times higher than the rest of the city
infants and children die in fearful ratios one worried observer noted
and yet even as the concern of middle class reformers mounted
most new yorkers blame the newcomers themselves for their condition
you have no idea what an immense vat of misery and crime
and filth this great city is i realize it more and more
think of ten thousand children growing up almost sure to be prostitutes
and rogues charles loring brace fearing for the future of the city
protestant missionaries invaded the slums hoping to assimilate the irish before it
was too late in 1853 an episcopal clergyman named
charles loring brace started the children's aid society for 17 cents a night
abandoned children could get a warm bed and bath a hot supper of pork and beans
and to the fury of irish catholic new yorkers protestant religious instruction often
administered by brace himself charles loring brace founded the
children's aid society he wrote a book called the dangerous classes of new york
and he pointed to the condition of the children living in those cellar holes without
parental supervision so often orphans often abandoned called the dangerous classes of new york
he said you see them now but wait in 20 years time they will have grown up and they will
vote and what will they vote themselves and we have to respond to them
you've got a city that is overrun with thousands of vagrant children
neighborhoods in which church life doesn't seem to really be that important
so from the perspective of people like a hoenn or brace or other middle class and
upper class reformers i think the 1850s really seems like a crisis moment precisely because
traditional sources of authority no longer seem to be able to to keep the city under control
the streets at night are infested with ruffians of all descriptions
they hang around corners they move about in gangs men and boys together abusing
and sometimes hitting the quiet passer by there is no security for life or limb in
the present disorderly state of things the new york times
violence of every kind now routinely erupted on the city streets
there were working-class riots against the upper class nativist riots against the foreign-born
anti-irish riots anti-english riots and anti-black
in the fifth ward and what was now called the bloody sixth
rival gangs of protestants and catholics vied for control of the streets
striking terror in the hearts of middle-class new yorkers like the conservative lawyer george
templeton strong who now retreated even farther up down
november 13 1854 met a prodigious no-nothing procession moving uptown
as i omnibus down broadway to the vestry meeting a most emphatic and truculent
demonstration they looked as if they might have designs on saint patrick's cathedral
and i think the celts of prince and martin streets would have found them ugly customers
we may well have the tremendous riot and carnage here
at any moment george templed and strong
by 1854 the chaos on the city streets had reached all the way to city hall
that fall to the horror of many upper-class new yorkers a slippery and corruptible one-time
liquor store owner named fernando wood swept into the mayor's office on a
tide of irish and german votes backed by a new force in city politics called tammany hall
the important point about wood is that he was really the first new york
politician to sort of nakedly mobilize the votes of these immigrants of the working classes
with the promise of of sort of paying them off with jobs with patronage with
favors and so on and so forth for the middle class and upper class
gentile elite of new york that seemed to be a very frightening thing indeed
because it really suggested that politics was now going to be
worked out in a very very different kind of way by 1857 new york was on the verge of what
george templeton strong called municipal civil war that spring woods republican opponents
determined to drive the democrat from office had the state legislature rewrite the
city charter stripping the mayor of most of his powers on june 17th two rival police
departments woods municipals and the state-run metropolitans
rioted on the steps of city hall in the heart of what the new york times called
the worst governed city in the world surveying the chaos the editor of harper's monthly
threw up his hands in despair nothing has gone as it was meant to go
he wrote nor is anything where according to map and calculation it should be
for many people around the country what's going on in new york may seem
frightening scary to many people in new york it seems frightening scary but i think
there's also a sense that that increasingly this is also going to be
the future this is what we're becoming this is where america is heading
and so we need to figure out what's going on in new york if we're going to figure out
the future of the republic
july 7 1857 yesterday morning i was spectator of a strange weird
painful scene the earth had caved in a few minutes before and crushed the breath out of a
pair of ill-starred celtic laborers around them were a few men blissless and inert
enough but not so the women i suppose they were
keening a wild unearthly cry half shriek and half song
now and then one of them would throw herself down on one of the corpses wipe some trace of
defilement from the face of the dead man with her apron slowly and carefully and then resume her
lament it was an uncanny sound to hear
quite new to me our celtic fellow citizens are almost as remote from us in temperament
and constitution as the chinese
george templeton strong
manahata how fit a name for america's great democratic
island city the word itself how beautiful how aboriginal
how it seems to rise with tall spires glistening in sunshine with such new
world atmosphere vista and action
you will hardly know who i am or what i mean but i shall be good health to you
nevertheless these heated torn distracted ages
are to be compacted and made whole
walt whitman
on july 5th 1855 a slim volume of poetry bound in green cloth and embossed in gold
went on sale in manhattan's bookstores though his name appeared nowhere on the
front cover the author was 36 year old walt whitman now living with his mother on ryerson
street in brooklyn doing odd jobs as a printer writer and builder
the book he said arose out of my life in brooklyn and new york
absorbing a million people for 15 years with an intimacy and eagerness and abandon
probably never equaled nothing like it had ever been written before in the english language
if you read 1855 leaves of grass there's not one archaic word in it it rings like so much
of it like it could have been written yesterday that um this man saw things he just had
this penetrating look into the new york soul which very few people have ever had but he had it
and he put it down on paper and it will always be there
the twelve poems it contained and the dozens more whitman added in the years to come
were composed during the most turbulent years in the life of new york
as the forces of growth and expansion threatened to pull the city apart
yet embracing the entire human landscape of new york whitman hoped to show his fellow
citizens what brought them together rather than what drove them apart
the job of the poet he wrote was to resolve all tongues into his own
the poet is the joiner he sees how they join
nested in nests of water bays superb rich
hemmed thick all round with sail ships and steamships an island
16 miles long solid founded
numberless crowded streets high growths of iron
slender strong light
splendidly uprising toward clear skies
the countless masts the white shore steamers
the lighters the fairy boats
the downtown streets the houses of business of the ship merchants and money brokers
the river streets
the poems are like streets you know he has this long line you know which is like walking the
street and then he comes to the end of it and he walks another street and each line is
another picture another person another encounter just the additive inventorying
cataloging nature of whitman is is obviously the first response
that one can have to a city like new york what am i supposed to
make of all this well let me list it let me start simply by listing it
he also describes the people of the city and the closeness of his sort of collective feelings
with them i think that there is no one else no other poet i think
a writer who has so literally absorbed the city what he did is he seemed to absorb it
and then refract it back on itself
immigrants arriving 15 or 20 000 a week the carts hauling goods
the manly race of drivers of horses
the brown-faced sailors
broadway the women the shops and shows
a million people manners free and superb
open voices hospitality the most courageous and friendly young
men city of hurried and sparkling waters
city of spires and masks city nested in bays
my city walt whitman
in whitman he's tremendously excited by the traffic by the noise
by the immigrants getting off the boat by the crowds by the stuff that everybody finds
on genteel and he's saying that in fact that that that that this is new york's real
contribution to the world that this kind of noise you know is the sound of the future
and that instead of that it doesn't drown us out you know that in fact it enables us to
talk to talk more to talk new ways to talk new languages if you read most
of the commentaries on immigration the 19th century they only see the dark side of this
immigration he saw the strength that these people had he heard their music he went in the
streets with them and he had the sense of the power of the city i think comes
out of these people that it's it's not just that one group represents a city it's this mix
and the energy that comes out of it and that this defines the soul of new york
and it's something to celebrate yes it brings problems yes it brings turmoil but i think the
whole power of whitman's poetry is in this celebration of out of this differences out of this
struggle something great is going to come and i think he's the only one in the
19th century at that particular time in new york history who understands it and sees it and
celebrates it where some saw an alien crowd of
strangers whitman saw a great democratic vista an endless river of people each pursuing
his or her own destiny where some saw the clash of races classes religions
and nationalities he saw a daily sharing and reveled in the dissonant chorus of
new yorkers calling it the glorious jam where some saw tumult and unrest he felt
the thrilling excitement of city life and the rising of a new kind of culture based on curiosity
fantasy and desire whitman wanted honesty candor
like inadvertent frankness directness and he wanted adhesiveness or affection
and there's an element of a wildness in it wild love wanted to be a city of orgies is one of
the names of his poems he'd like that element of the unexpected
the orgy astic the inadvertent meeting of eyes he
understood how sexuality was one of the keys to the excitement of a city
and one of the forces that held it together how the experience of fantasy itself was one of the
central experiences of city life that people could look at each other and
imagine sleeping with each other he went around and um looked at all the strangers
and and saw each one as a potential lover you know you felt that he was so filled with a kind of
undischarged erotic energy that even lampposts could have been lovers for him you know or
certainly ship masks you know and yet you know there's a sense in whitman's poems of
not of consummation so much as longing a longing that keeps going out from him
the proof of the poet whitman declared is that his country absorbs him
as affectionately as he has absorbed them to bolster sales he mailed in anonymous
reviews of his own work including one calling it the most glorious of triumphs
in the known history of literature but though he hoped his poems would take the country by storm
most readers were shocked by his unconventional style and by the frank sexuality of the poems the book did not sell well
yet even in the difficult times to come whitman would continue to hope
that his countrymen would make the immense democratic promise
he had once glimpsed on the streets of new york a concrete reality
it's overpowering sometimes whitman's poetry just going over the brooklyn
bridge and reading brooklyn ferry and hearing his voice talking to you i mean
i don't want to get sentimental but new yorkers aren't sentimental but it could make you cry
flood tied below me i see you face to face on the ferry boats the hundreds and
hundreds that cross returning home are more curious to me than you suppose
in you that shall cross from shorter shore years hence are more to me and more in my meditations
than you might suppose
it avails not time nor place distance avails not
i am with you you men and women of a generation
or ever so many generations hence just as you feel when you look on the
river in the sky so i felt
just as any of you is one of a living crowd i was one of a crowd
just as you are refreshed by the gladness of the river
and the bright flow i was refreshed
just as you stand and lean on the rail yet hurry with the swift current
i stood yet was hurry
just as you look on the numberless masts of ships in the thick stem
pipes of steamboats i looked
these and all else were to me
the same as they are to you walt whitman
in the summer of 1857 whitman's hopes for his democratic island city
were dealt a grievous blow
in the last weeks of august 20 years of frenzied speculation on wall street
came to a shocking end when panic swept through the financial district
precipitating the severest economic crisis in the nation's history
september 28 1857 panic is very dreadful in wall street
failures are multiplying and no one knows on whom we can depend or on what
october 10th we seem foundering affairs are worse than ever today and a
period of general insolvency seems close upon us people's faces in wall street look fearfully gaunt
and desperate november 10th this financial crisis has thrown thousands of the working class
out of employment and made it a difficult matter enough to maintain peace and order in the city
through the winter george templeton strong for the country's growing urban
population the panic was nothing less than a disaster walt whitman estimated
that in new york alone more than 25 000 people were soon out of work
and a hundred thousand more facing hardship and even starvation
hardest hit were those with the fewest resources the immigrant poor and the city's
beleaguered black population we're talking about a period where
there's no social security there's no unemployment relief there's no medicare or medicaid there is
not that social safety net yet that's that's erected in the 20th century
that helps to ease some of that and so when you're unemployed or when you're
widowed or your child is in trouble with the law you're hurt you're injured
life is very very tough for most people in the fall of 1857 as banks failed
and businesses closed and thousands of unemployed new yorkers wandered the city streets
homeless the state authorities now in control of new york embarked upon one of the greatest public
works projects ever undertaken in an american city it would be the most ambitious attempt yet
to make whitman's democratic island city
a concrete reality
circumambulate the city of a dreamy sabbath afternoon what do you see
posted like silent sentinels all around the town stand thousands upon thousands of mortal
men some leaning against the spirals
some seated in the pier heads some looking over the bulwarks of ships
these are all lands men and weekdays tied to counters nailed to benches
clinched to desks how then to are this
green fields gone him in melville there is no place within the city in
which it is pleasant to walk or ride no field for baseball
or cricket no pleasant garden where one can sit with and chat with a friend or listen to the
music of a good band clarence cook
of all the deficiencies of the 1811 grid plan none was more glaring by 1857 than the
failure to provide enough park space for new york's overworked and overcrowded citizens
half a century of explosive growth had transformed much of lower manhattan into
a congested wasteland of factories warehouses and tenements
for most new yorkers there was simply no escape what few backyard spaces remained had
been all but obliterated and access to the riverfront almost completely cut off
by a tangled belt of shipyards and docks
commerce is devouring inch by inch the coast of the island if we would rescue any part of it for
health and recreation it must be done now
william colin bryant remember in this day um people are packed pretty tight together
you've got roughly half a million people living south of 14th street
think about that and there are no buildings really that are taller than five or six stories high
people are packed in very tight
in 1857 as the city spiraled ever more deeply into economic bloom
new york undertook the greatest physical transformation of manhattan
since the grid that fall the city finished purchasing a vast tract of sparsely populated land
north of town then issued eviction notices to the 1600 mainly black and irish residents
living on it two weeks later mayor fernando wood announced a special design contest
for what was called simply the central park six months later the winner was
announced entry number 33 called green's word by calvert vox and
frederick law olmsted they were an unlikely choice for the job vox
a respected english architect had never designed a public park before
olmstead a frail and melancholy 35 year old writer had never designed anything at all
but both men were acutely aware what the driving commercial city was doing to its people
reading physical congestion social disorder and spiritual unrest
new yorkers display a remarkable quickness of apprehension along with a peculiarly hard sort of
selfishness every day of their lives they have seen thousands of their fellow men
have met them face to face have brushed against them and yet have had no experience of
anything in common with them there need to be places and times for reunions
where the rich and poor the cultivated and the self-made shall be attracted together and
encouraged to assimilate frederick law olmsted
the park olmsted and vox now proposed would be an entirely new kind of public space
a man-made nature that would provide relief from the unrelenting commercial intensity of the city
as new yorkers entered the park they would leave behind the constant reminders of their differences
and it was hoped rediscover a common humanity this was to be a symbol of american
metropolitan democracy and he proposed that all peoples would find a space in this park it
wasn't just a spot of greenery that looked nice in the middle of the city and
let the place breathe olmsted's vision was in part that the classes will mingle here
that the upper classes and the lower classes will see each other and that it will have a tremendous
civilizing effect on the city that mingling of people will have a civilizing effect
olmsted and vox set right to work translating democratic ideas
as vox himself put it into trees and dirt
by the spring of 1858 an army of city employees was hard at work
laboriously remodeling every feature of the natural landscape
there were german gardeners italian stone cutters and hundreds of masons blacksmiths and
carpenters
most of the men were unskilled irish day laborers often paid less than a dollar a day and drawn
olmsted said from the poorest most dangerous class of the great city's population
to prevent any trouble with the irish african americans had been excluded from the workforce
entirely
my office was regularly surrounded by an organized mob carrying a banner inscribed blood or bread
this mob sent in to me a list of ten thousand names of men alleged to have starving families
demanding that they should be immediately put to work frederick law olmsted
it was one of the great pieces of construction of its time and maybe even to this day and it was
man making nature for the benefit of the people of the city
which is already another aspect of the phenomenal self-confidence of new yorkers
didn't need to go out into the country we would bring the country back here we would
create an idealized version of the way manhattan was but in fact it's much nicer it was lousy
land they created a paradise on it june 11 1859
improve the day by leaving wall street early and set off to explore the central park
which will be a feature of the city within five years and a lovely place in ad 1900
when its trees will have acquired dignity and appreciable diameters
perhaps the city itself will perish before then by growing too big to live under faulty institutions
corruptly administered templeton strong
in the spring of 1859 an inventor named thaddeus lowe sailed high above the construction site
in his new hydrogen-filled balloon called the city of new york from which
he could see the first completed sections of the park
he was stunned by what he saw sprawling across 843 acres 80 times the size of the next
largest park in the city stretched an endless labyrinth of artfully composed vistas
and scenes it was one man later said 19th century america's greatest work of
art
these guys plan this the way a later generation would plan a movie
they think about it kinetically you move through this space and you have a series of composed views
they're constructing environments that are in the height of unnaturalness because they're man-made
environments but the point is that they feel like they're real unlike the artifice of
the city
you can't underestimate central park as a vision because it was not built in the
middle of what the city was it was built in the middle of what the city would become
central park instead of having these piddling squares as though new york was a collection of
kensington-like neighborhoods in london we would have one huge 840 acre no small
piece of land big pleasure ground for the city
the park would not be a landscaped formal thing in the french tradition
but would be a kind of piece of captured nature entering at fifth avenue and 59th street
visitors were led slowly out of the city along an elegant tree-lined mall
a street of nature skewed away from the city's rigid street plan
and penetrating ever deeper into the interior of the park
at the far northern end of the mall the scene suddenly widened
to reveal a breathtaking view stretching as far as the eye could see
the park gave the illusion that the open space went on perhaps forever an image of the
unspoiled continent america itself had once been now transformed into an urban paradise
and permanently preserved
on a bright moonlit night in the summer the scene to be witnessed on the lake is brilliant
the clear waters gleam like polished steel and are dotted in every direction with pleasure boats
no sight or sound of the great city is at hand to disturb you and you may lie back in your boat with
half shut eyes and think yourself in fairy land
james d mccabe jr
october 1st 1859 who is not proud then in a day of swindling in politics
and of cast iron in building such grand works can be achieved in rugged honesty
and solid stone it silences forever the clutter of skeptics of the
democratic principle as inimical to vast public works
harper's weekly
aesthetically central park was a triumph from the start but to vox and olmsted's disappointment
it proved more popular with wealthier new yorkers than with the city's working poor
who needed it most but found it hardest to reach
at this point in the late 50s the area that they've got picked out is
way to the north the regular city on the bus horse cars do run up there but it costs
at least a nickel and for working man's dollar a day wage a nickel
there and back and for your whole family it's you know they're gonna come but
it's it's gonna be basically a genteel province on sunday afternoons the long sweeping drives
streamed with elegant carriages fewer than 1 in 20 new yorkers could afford
while working-class vehicles were barred entirely the irish and german day laborers who
had built the park found themselves further discouraged
from using it by the long list of rules olmsted had drawn up for its use
there were signs posted everywhere prohibiting group picnics walking on the grass and strenuous
activity of any kind school boys were strictly forbidden from
playing baseball unless they had a note from their principal he made a place that was for everyone
but then he wrote so many complicated rules about how it was to be used clearly everyone had to to
conform to a code of behavior that he thought was appropriate for a democratic american society
you know it's a little bit like the melting pot everybody goes in from
everywhere and they all came out presbyterian fox and olmsted have parked police so that
they in fact decide that the kind of behaviors that are going to be permitted here are
not those of the rough and tumble bowery world but in essence broadway refinement
so that you can't have militia parades and you can't have sports and you can't have
vigorous deimos on unleashed you can't have this order in riots god knows in particular
by 1860 the main features of central park were nearing completion but olmsted and
vox's masterpiece had done little to ease the tensions dividing the troubled city
and by then few new yorkers and few americans were thinking about parks anyway
the unrest that had been building in the city for half a century
was about to be overtaken by the worst crisis in american history
in the conflict to come new york would play a role more eventful and strange than anyone
could have imagined
at 11 30 on the morning of saturday february 25th 1860 a tall gangling man in an
ill-fitting black coat and battered beaver skin hat stepped off the cortland street ferry
in manhattan a lawyer and next congressman little known outside his home state of illinois
he had come to new york hoping to bolster his slim chances of winning the republican presidential
nomination when no one met him at the dock on arrival abraham lincoln found his way alone
to the astor house hotel across from city hall on broadway lincoln comes to town 1860. what does he
do he goes to the astor hotel you know which is where the celebrities
stay they give the announcement to this to the local newspapers who are right across the street
and they write this up new york is already becoming an engine of celebrity creation on sunday
the candidate took the ferry to brooklyn to hear the reverend henry ward beecher
rail against slavery back in manhattan he attended a minstrel show on the
bowery roaring with delight at a new hit tomb written in manhattan the year before called
dixon
everything was riding on the speech lincoln was to give at the cooper institute on monday
that afternoon in a pouring rain he stopped by knox's hat store on broadway
and traded in his old beaver skin for a shiny silk top hat crossed over to matthew brady's
targaryen studio to sit for a formal portrait
as evening came and the rain turned to snow lincoln's worry about the turnout began to mount
but the new york press corps had done its work and by 7 30 more than 1500 people had filled the
great hall of cooper union to capacity to give the odd-looking westerner with
the high nasal voice a hearing
stifled laughter rippled through the hall as the candidate began to speak
but the crowd grew quiet as he warmed to his theme imploring his listeners with passionate
logic to restrict the spread of slavery pretty soon i forgot his clothes his
appearance and his peculiarities presently forgetting myself i was on my feet with
a rest yelling like a wild indian cheering this wonderful man
when i came out of the hall a friend with his eyes aglow asked me what i thought about abe
lincoln the rail splitter i said he's the greatest man since saint paul
and i think so yet
the next morning lincoln woke to find himself a national celebrity
no man horace greeley wrote in the new york tribune ever before made such an impression on
his first appeal to a new york audience his speech had been reprinted in full in the daily papers
and in pamphlets that were already making their way across the country
together with reproductions of matthew brady's photograph looking back lincoln never forgot what
his three-day sojourn in new york city had done for him matthew brady and the cooper institute
he said simply made me president
on november 15 1860 one week after lincoln's election a giant meteor could be seen
illuminating the skies above the city omens auguries and portents dire
the new york times declared
lincoln's startling rise confirmed the worst southern fears the north and its rapidly expanding
cities were going to destroy the southern way of life within days south carolina had called
for a special session of the state legislature to consider seceding from the union
in new york merchants and bankers with southern investments grew uneasy
new york was a southern city it was the southernmost city north of the mason-dixon line
because in fact its fate relied upon the slave system we carried southern goods we insured
southern goods we financed the purchase of slaves we were totally implicated
in the southern slave system this meant that with the approach of war
and the increasing north-south cultural hostilities new york was the most reluctant of any
place to come to some kind of break because they knew that they would have the most to lose
first of all they didn't want to break up what was a very prosperous trading situation with the
confederate states and secondly they knew full well that the estimated 40 million dollars
owed to them by southerners would likely not be paid in the event of hostilities
on january 21st 1861 fearing that war would interrupt the lucrative cotton trade
mayor fernando wood suggested that new york itself secede from the union and in fact they
passed a sort of non-binding agreement of secession or statement of
secession in which new york declared itself the empire city of the south
and dedicated therefore more to its commercial ties than its political ties with the union
in lincoln saturday april 13 1861
this morning's papers confirmed last night's news that the rebels opened fire at sumter
yesterday morning so civil war is inaugurated at last
god defend the right george templeton strong
when news reached the divided city that the confederates had fired on fort sumter
an immense tide of pro-union sentiment swept through new york
there was now no turning back
on april 20 1861 250 000 merchants clerks and working men jammed
union square for a rally in support of the northern cause
it was boris greeley said the greatest popular demonstration ever known in america
april 20th 1861 walked uptown at two broadway crowded
and more crowded as one approached union square large companies of recruits parading up and down
cheered and cheering every other man woman and child bearing a flag
or decorated with a cockade the city seems to have gone suddenly wild
and crazy george templeton strong
so the city and country went to war before it was over more than 150 000 new yorkers
including 50 000 irishmen tens of thousands of germans and 8 000 blacks would fight for the
union cause frederick law olmsted resigned from his posted central park
to help run the u.s sanitary commission he would soon be responsible for the health and well-being
of hundreds of thousands of union soldiers walt whitman would soon go south too as a volunteer
in the crowded washington hospitals george templeton strong too old at 41 for active duty
helped train a brigade of local sharpshooters called the new york rifles
the civil war was the first industrialized war ever and it produced
an industrial north to make it possible the machines the mills the factories roaring out
um and new york was the financial
capital of that new capitalist world it was in that white heat of the war
that in industrial america finally emerged the war was incredibly beneficial for new york city
the manufacturers of uniforms of saddles of leather goods guns you name
it in fact we're making money hand over fist
and yet while industrialist and war profiteers grew rich the conflict would bring hardship and
misery to tens of thousands of ordinary new yorkers as rents climbed inflation soared and
the casualties mounted it would also bring to a tragic climax
antagonisms that had been building for years between rich and poor native-born and immigrant
protestant and catholic white and black all those tensions would come to a head
in the long hot summer of 1863 and when the trouble came it would begin
with the most wretched and despised of the city's beleaguered citizens
resentment have been building for a very long time there are class animosities that have
driven the city the irish for instance have been proselytized and missionarized
and invaded by these protestant missionaries who have been out to reform them
who have decided that their subpar in some cases barely sub-human
certainly heathens are certainly the wrong religion these people are finding themselves many
of them with their wages in fact going steadily down the quality of their living
arrangements in fact going down but there's a lot of people who are getting
the short end of the stick and they find it now exacerbated by the wartime conditions
but the draft triggers it by 1863 opposition to the war had been
growing for more than a year especially amongst the irish as one union defeat followed another
and the horrifying casualty lists grew longer anger towards the government
intensified abraham lincoln's emancipation proclamation
which had taken effect on the first of the year and which asked whites to fight
and die for the freedom of blacks only made matters worse but it was the passage of the
conscription act in the spring of 1863 the first federal draft in american
history that aroused the most fury it authorized the government to draft
hundreds of thousands of men into the union army against their will anyone with 300
to spare meanwhile nearly a year's wages for most working men
could buy their way out for the irish it was the last straw the opinion among
the irish was that emancipation would result in hordes of blacks coming north
and working for less than they did and they were working for minimum wages as it was
but the reality was that the oldest ethnic group in new york next to the
dutch are african-americans and it was the irish immigrants who had
really driven african americans out of serving jobs and hauling waste and every menial job there
was the irish had taken those jobs they were making it harder in the 1860s for
african americans to get jobs but the irish fear was that emancipation
would result in blacks taking their jobs and the rich don't have to fight in this
war because they can pay 300 to get out it was a perceived injustice and in some
ways i think it was a real injustice in june 1863 the war moved closer to home
when confederate forces under robert e lee invaded the north spreading terror throughout the union
and threatening harrisburg philadelphia new york itself as the july date set for new york's
draft lottery approached fear and resentment amongst the city's
immigrant poor began to seethe out of control
in i think 5960 in the campaign that lincoln was elected in a southerner wrote a book which was a
science fiction scenario what would happen if and he spelled out a possibility that included
great riots breaking out in northern cities along class lines of the irish rising
armies being having to pull back to deal with him and the south
becoming triumphant and that scenario you know was arguably within an ace being played out
on the 4th of july word reached new york by telegraph that more than 50 000 men had fallen
outside a tiny town in pennsylvania only 150 miles away called gettysburg
one week later on saturday july 11 1863 drawings began at the uptown draft
office on third avenue near 46th street the first to be called was a man named
jones by six that night more than twelve hundred names had been pulled from the
drum july 12 1863
draft has begun here and was in progress in boston last week
we shall have trouble before we are through the critical time will be when defaulting conscripts
are hauled out of their houses as many will be
this draft will be the crucial experiment to decide whether we have a government
among us george templed him strong
sunday july 12 dawned sullen and hot without a breath of wind
with every shop and office closed until monday people began drifting out of the
stifling tenements and into taverns and began to drink and talk with almost
every able-bodied soldier in the area still at gettysburg the city's small police force had no
reinforcements
but there was still no cause for alarm
sometime after midnight the mood changed towards dawn disturbing reports began
filtering into police headquarters on mulberry street of gangs of angry drunken men roaming
the streets
not long after sunrise on monday july 13 1863 waves of angry irishmen began
spilling out of the lower east side moving west across broadway and heading
up town towards the draft office armed with iron bars brick bats and bludgeons
and growing all the time at 8 30 a.m an urgent dispatch went out
from police headquarters trouble brewing telegraph lines cut
rush large force
the mob was composed of the lowest and most degraded of the foreign population mainly irish
raked from the filthy cellars and dens of the city calling it places where large bodies of
men were at work and pressing them in their numbers rapidly increased
to thousands
it was a strangely weapon ragged coatless army as it heaved tumultuously toward third
avenue a telegraph operator named charles chapin remembered
by nine o'clock the mob had grown to five thousand by the time it reached the draft office
it had swelled to fifteen thousand and then the violence began
the enraged mob beat through the scandi police car smashed and burned the draft office then
turned their fury on a detachment of 32 militiamen beating and kicking one soldier to death
then turning on another
the mob grabbed him and taking him to the top of the rocks
stripped his uniform of him and after beating him almost to a jelly
threw him over a precipice some 20 feet high on the hard rocks beneath the new york
tribune
by 11 30 the federal draft had been officially suspended in new york and the city itself was in a
state of siege the scene on third avenue at this time
was appalling
it was now noon but the hot july sun was obscured by heavy clouds which cast
dark shadows over the city as one glanced among the dense mass of men and women
the eye rested upon huge columns of smoke rising from burning buildings
for the mob had now begun to plunder and burn giving a wild and terrifying aspect to
the scene charles chaplin they also they cut the telegraph bars like indians did out west
when they had to cut the communication system and the reason that this rising can take
place is because there's no army here the army has and in fact a good deal of
the local militia are off fighting gettysburg gettysburg is over but lee's army is
wounded and dangerous and in the area and and could in fact perhaps make an end run
and you know attack washington attack new york so they're kind of pinned down
there for a while so they have the opportunity of no military a a presence and um
and they explode onto the streets the draft riots who represent the closest that new york
city ever got to a revolution it was just a sort of explosion of blind rage
there's no doubt that the biggest most fundamental cause were you know massive masses of immigrants
any of them irish who'd come to united states with the promise of
leading kind of a good life and had found that promise vacated we're living in misery we're
living in shacks all day marauding mobs of infuriated immigrants
rampaged up and down the island at will destroying street cars and train tracks
looting and burning the armory on 21st street the harlem temperance world
the magdalen asylum for aged prostitutes and brooks brothers on fifth avenue as
well as the homes of police officials and prominent republicans and politicians of any kind
and the rich
the riot over the next three days it's the largest incident of civil disorder in the
history of the united states the crowds do a couple of things
one they go after those that they think are the agents of this war they go after
the new york times huge crowds surge down and try to attack the times building
and leonard jerome one of the owners is up on the roof with gatling guns
you know sort of trained on the crowd they you know head for wall street
although wall street is the most vigorously defended of all their naval
gun boats that are brought up to train on the crowd and hot oil is being prepared by you
know employees up on the roof but they go after individual rich people you know and
because class divisions are played out on the streets sartorially
they'll say there goes a 300 man and they'll mob them or they'll go to gramercy park and try
and sort of smash up the homes so they attack upwards and they also attack downwards
because on the one hand they hold blacks responsible in some sense for this because
you know if there hadn't been blacks and been slaves there wouldn't be any stuff
that's what it was about just pure racial hatred and fear and then
those who have kept people of african descent down for so long begin to believe the lies
that somehow we are different from the rest of humanity somehow we don't deserve
our equal rights somehow we deserve to be abused and mistreated
and then they act out on that in the most vicious and brutal of ways
at 2 30 a mob of immigrants screaming burned the nigger's nest surrounded the colored orphan asylum
at 5th avenue and 43rd street home to more than 200 african-american
children under the age of 12. all of the terrified children managed to escape out a back door
the older ones carrying the younger ones on their backs before the mob broke in hacked apart
furniture and toys with axes then set the building on fire
the ten-year-old girl was killed on the street outside when a dresser heaved from a window
struck her in the head well the extent to which the black population had become the symbols
of everyone's anger in this war is really seen in the destruction of the colored orphan asylum
this is probably the most offenseless group of people in the city at the time but a mob
walks up to the asylum torches it and is attempting to kill the inhabitants a police guard
has to escort the children with their little bags and satchels of clothes
tossed across their shoulders through the streets of manhattan
the police and the soldiers are carrying rifles with bayonets on them
to keep the crowds back they have to put these children on a barge and carry them
out to the middle of the east river where no one can get to them where they
remain for a day or two before they go on to long island to safety
july 13 1863 the colored half orphan asylum on fifth
avenue is burned tribune office to be burned tonight
if a quarter of what one hears be true this is an organized insurrection in the
interests of the rebellion and jefferson davis rules new york today
george templeton strong
by the end of the first day of rioting the wealthiest and most important
city in the nation lay in a state of anarchy all but complete
as darkness fell an infernal palm of smoke shrouded new york
towards midnight stabs of lightning and lashing sheets of rain broke over the town
if the devil would appear before me now if i could just stand for an hour
on the streets of new york during the draft riots and see what this was like that this
explosion which i think in to large measure would define the city for
for generations afterwards and would stay in the recesses of the memory
what did the city smell like and look like at that moment that's the moment i would like to see
stand on a rooftop and look down
no sleep the sultanus
pervades the air and binds the brain
a dense oppression all is hushed nearby
yet fit flea from fire breaks a mixed surf of muffled sound
the atheist roar of riot
the town is taken by its rats ship rats and rats of the wharves
and man rebounds whole eons back in nature
herman melville was watching this from a rooftop and he said the rats have taken the city
and to the degree that you're beginning to think about the dangerous classes
and now here it is judgment day has come and they've exploded
onto the streets the worst fantasies that you can imagine are actually being enacted you look at
the riots in los angeles or you look at the gordon riots in london in the 1780s
or you look at the paris commune there's only one mob in history
all mobs do the same things there's a reptilian brain buried in the human brain
and when people lose their individuality in mobs they do things like this
and the draft riot mobs were no different from any other monk they were capable of really
extraordinary hideous violence against people
on tuesday the atrocities against african americans grew worse on eighth avenue
a mob of five thousand men went house to house searching for black families and
interracial couples to hang and burn
on wednesday the hottest day of the year a black shoemaker named james costello was beaten kicked
stoned trampled and then hanged a few hours later a mob of irish
laborers pulled a crippled 22-year-old black coachman named abraham franklin from his lodging
house he was tortured lynched burned and mutilated
then dragged through the streets by his genitals his body parts are then fetished the
crowd begins to chop pieces of his body up and carry them about as souvenirs
and that's not necessarily the most extraordinarily violent episode
that happens in this week of violence blacks were chased to the docks thrown
into the river and drowned while some after being murdered were hung to
lampposts between 40 and 50 colored persons were killed
and nearly as many maimed for life
around ten o'clock on wednesday night after three full days of anarchy and violence
the first union reinforcements the 65th new york regiment finally began arriving by ferry from
gettysburg the seventh new york regiment arrived the next morning and the tide of battle
turned there are nothing less than pitched battles in the streets and
you know they attack the barricades their gatling guns set up all the
machinery of high-tech warfare that we associate with the civil war is being played out
here on the streets but once the military power was fully brought to bear
it took several days but in fact the resistance was crushed
we soon cleared the streets and then commenced searching the houses
killing those within that resisted and took the remainder prisoners
some of them fought like incarnate fiends and would not surrender all such were
shot on the spot the fight lasted about 40 minutes the mob
being entirely dispersed we returned to headquarters captain h.r putnam
like the police the exhausted sunburned troops were almost all local boys
many from irish and german families themselves with strict orders to disperse the immigrant mob
and if necessary to shoot to kill there was a question i think of the
loyalty of irish police what will they do with their own i think
that was a question in the minds of the upper classes can they be trusted to put these mobs
down and as it turned out it was the irish cop who did his job and fought the mobs
and some of them lost their lives doing it
by friday new york had been completely occupied by federal troops and calm had been restored
but the city lay shattered hundreds of buildings had been burned or demolished
and five million dollars in property had been destroyed
the loss of life had been appalling no one would ever know for sure
but at least 119 people had been killed in the draft riots including 18 african americans 16
soldiers and 85 rioters most of them irish the number of killed will never be known
because bodies were thrown in the river or buried in secret but we do have enough of the
crude outlines of that conflict to know that there's never been anything
like it in the history of the united states a gloom of infamy
and shame will hang over new york for centuries over 3 000 are today homeless and destitute
without means of support for their families it is truly a day of distress to our
race the irish have become so brutish that it is unsafe for families to live near them
and while i write there are many now in the stations and country hiding from violence
the christian recorder
nothing delights us more greatly as to hear of yankees burning destroying and killing
yankee buildings yankee property and yankee men
the charleston daily courier
i think one of the great comments on the draft rights comes oddly from walt whitman who during
the war is in the south in washington dc and who writes a letter back to his
mother saying that feelings are hot as fire against new york city right now because
the whole country is being tortured so how can new york express its problems
violently against the government and against the black population
when no one is doing well under these circumstances it had been walt woodman wrote the
devil's own work all through and in an anguished letter home he struggled to make sense of what had
happened to his city and his people
so the mob has arisen at last in new york it seems the passions of the people were only sleeping
and burst forth with a terrible fury i do not feel it in my heart to abuse the poor people
or call for ropes or bullets for them we are in the midst of strange and terrible times
one is pulled a dozen different ways in his mind and hardly knows what to think or do
walt whitman
it would take decades generations for americans to come to terms with what
had happened on the streets of new york in some ways it is a culmination of the
economic transformation of the city the foundations of the industrial new
york that would be the new york that would last into the 20th century
were being laid and i think that there was lots of tension and conflict in that so it's a
it's a political crisis it's a racial crisis it's a class crisis
it is a simple crisis of fairness and justice and you have this
conflict start which still continues in america between people coming to the cities from
from inside the country african americans and people coming from outside and
that there's this conflict there between african americans and immigrants which
will survive to this day who's going to be at the bottom in new
york and what america has always decided in the end is that race is more important than
anything else that's who will stay at the bottom
in the months to come some efforts were made to make restitution to the city's black population
but it was too little too late
august 24th 1863 relief and damage money is well enough
but it cannot atone fully for the evils done by riots
it cannot bring back our murder dead it cannot remove the insults we feel
and it gives us no proof that the people have really changed their minds for the better
towards us dr jwc pennington
in increasing numbers african americans left new york as late as 1900 fewer than sixty
thousand african americans made their home in manhattan out of a population of almost 2 million
if you want to date the metropolis of new york you can date it from the draft riots it
was a defining moment in the city it had a world-class riot it's a mark of
a world-class city i mean paris london have had tremendous social explosions and
new york became a world-class city with a world-class riot this was
in a way in an ironic way it was a mock of the city's arrival i think on
on the world stage that you could have violence on this scale i think that the draft riots really
provide a kind of wake-up call um for the elite middle class of new york
because it is a demonstration of in the phrase of the day the volcano into the city
it was a demonstration of the enormous number of poor desperate angry people
who were there and who represented a threat to the city the draft riots marked a crucial turning
point in the history of new york city in the decades to come new yorkers would
begin to enlarge their sense of what a city should be it was a struggle that would take
generations to achieve and never really end but it had begun
within months the first modern fire department had been organized and the
police department greatly expanded new forms of public transportation would
soon begin to ease the tremendous congestion in lower manhattan
and by 1866 a metropolitan board of health had been formed
the first of its kind in the country as doctors plunged into the slums
to assess the sanitary conditions of the poor their findings shocked new yorkers and
forced the city to pass the first laws regulating housing in the united states it is shameful
george templeton strong wrote that men women and children should be permitted to live in such holes
what's important about the 1867 law is that it establishes the principle for
really the first time in american history that government in general
has the right to establish some minimal standards of livability and safety
and quality and there were other consequences of the
riots even more momentous in 1863 the year of the uprising
an ex-fireman from the five points named william m tweed was named grand sacham of tammany
hall one of his first acts was to push through a special low-interest loan program
that enabled poor new yorkers as well as rich to buy their way out of the draft
in the decades to come new york's immigrant poor would begin to acquire a voice in urban politics
for the first time the draft riots which the irish were
fundamental players in
were horrible there was the behavior was unspeakable in some cases some parts of it
but when they were over people knew that there was no way to deal with political
power in new york city without finding out how to deal with the irish
and i'm not saying that violence is the way to get people to respect you
but by 1870 they ran tammany hall
at 7 30 on the morning of saturday april 1865 church bells began tolling all over brooklyn
and new york the morning papers carried staggering news president abraham lincoln had been
assassinated the night before on portland avenue in brooklyn walt whitman and his mother
silently passed the morning papers back and forth too stunned to eat or talk
late in the afternoon whitman took the ferry to manhattan and walked up broadway under a darkening
sky
the normally bustling thoroughfare was eerily quiet the storefronts shuttered and hung with
black here and there people huddled in
doorways to escape the steady rain
saturday april 15 1865
black clouds driving overhead
lincoln's death black
black black as you look toward the sky long
broad black like great serpents
undulating in every direction walt whitman
ten days later a funeral train brought lincoln's body to new york on its way home to illinois
hundreds of thousands of grieving new yorkers silently lined the streets of manhattan
as the president's body was born slowly down broadway toward city hall
african americans were barred from the ceremonies at first then at the last minute allowed to march
but only at the very end of the parade scalpers sold choice positions along the
route for eight dollars apiece from the second floor of his family's
house on east 28th street seven-year-old theodore roosevelt and his brother looked on
parties for the moment do not exist while all men of whatever religious faith
of whatever political creed are united perhaps for the first time in the
history of the republic in love for the departed in sympathy for
the bereaved touching evidence of the firm seat occupied in the popular heart by the
lamented president is the almost universal exhibition by the poor
the very poor people of this city and the adjoining city of brooklyn
the new york times lincoln's death brought new yorkers
together as nothing else had
but in the restless turbulent decades to come as the city led america into a new age
crucial questions remained would it be possible to bridge the enormous chasms
still dividing americans and make the union
an enduring reality
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