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Original subtitles

[mysterious music]

[Beverly] Bongu, ladies and gentlemen.

This is Beverly, your cruise director, informing all guests

that the ship has now arrived in sunny Valletta.

I'd also like to remind you of our exclusive concert

coming up in the main theatre

by the legendary Vida Davine.

-[sombre pop music] -

[guests cheering]

[Guest] Life! Life! Life!

Excuse me, legend coming through.

That's close enough, thank you very much.

Out the way, thank you.

I wonder if she can sing tiesse di dj'va.

Tears of what?

Hurdy Gurdy. Mother wants it played at our wedding.

Only teasing.

Or tiessing, even.

Good one.

[sombre pop music continues]

A hearty Welcome, Ms. Davine.

It is an unprecedented pleasure to welcome you aboard.

Vida, please.

No need to stand on ceremony with me, darling.

Vida?

Melody Jones, A-Lister online.

[Beverly] Er, the press conference is 2:00 PM.

I've been doing some digging.

[Beverly] I said 2:00 PM, thank you.

This way.

You'll really wanna hear this.

Excuse me.

Yeah, I need to get to Vida's cabin.

I think you need to back off, don't you?

You know, I was gonna go easy on her.

But after this I might just go ahead and bury her.

[upbeat theme music]

the sun gonna shine

I'm sailing tonight

I've got all your albums.

Then I went and bought them all on CD.

Then I had someone download them for me.

[yawning] Really?

Oh, excuse me.

Is my little songbird tired?

Listen, we had a very early start.

Word is, Vida's as fragile as a Ming vase.

She's been cancelling concerts left, right, and centre.

[Vida] I'd like to see my cabin now, please.

Let me show you.

Vida? Over 'ere.

Oi!

[Mark] I can't believe it's her.

She's looking at me.

[chuckling] She's actually looking at me.

[palm slapping]

[Connor] So, er, rehearsals and soundcheck.

[Beverly] Mm-hm, 10:00 AM tomorrow.

Oh, and don't forget.

Captain's dinner tonight, 8:00 PM sharp.

Mm-hm.

Excuse me.

It's gonna be such an honour sharing a stage with you.

I don't mean to brag, but my intros are the stuff of legend.

Cheers, love.

Thanks.

[door clunking]

It's a bit early...

Even for you.

Yeah, well it helps with my nerves.

Look, I'm the one with nerves.

You are bleeding me dry.

This is business. Hm?

So just pull yourself together,

get out there and do your thing.

I'm done with you, Connor.

[Connor] Ah.

After this second rate gig is over,

I'm gonna be looking for a new manager.

[Connor laughs]

[newspaper thuds]

Do you really think somebody else

w-would have you, hm?

I'm all you've got left, sweetheart.

[knocking at door]

[door clunking]

[Jack] Hi, I'm Jack.

[Connor chuckles]

Mr. Grayling, it's fabulous to meet you.

I'm, er, I'm Connor Williams.

-I am- -[phone ringing]

Sorry.

What?

Yep, yeah, I'm coming down.

That's the, the local film crew, darling.

Oh.

Five minutes.

-Okay. -Mm.

I=I could always come back.

No, no, no, please.

Come and sit down, sweetie.

I always like to get to know who's opening for me.

Connor played me your demo.

Fabulous voice.

Ah.

[slow jazz piano plays]

[Vida] A sultan invited me

to his palace in the desert once.

No doubt you sang like a nightingale.

Oh, sadly not.

A sandstorm hit and then I turned into Bonnie Tyler.

[all chuckle]

I, er, didn't get a chance earlier.

Connor Williams.

Kate Woods, First Officer.

Oh, I think that makes you my first First Officer.

Kate,

Jack.

[Jennings] May I ask you all to raise your glasses

to our esteemed guest?

The voice that sings like no other.

Ms. Vida Davine.

[All] Vida.

[Mark] Look, it says right here,

prize includes an intimate evening

with superstar Vida Davine.

Intimate? We're not even sat at the same table.

When are you gonna stop whining

and start wining?

She hasn't looked over once.

[sighs] Screw this,

Courtney?

[Vida] Absolutely.

Budge up, Captain Birdseye.

Mark should be sitting there.

I beg your pardon.

He entered that competition a million times,

and where's he end up?

Barely in the same room.

Courtney, please.

Er, Mark, is it?

I think you should take your girlfriend back to her seat.

[Courtney scoffs]

Well, all I wanted was to meet Vida.

[Connor] Oh, look, I think there's been a mix up.

Vida's always happy to meet her fans.

[Courtney] You rotten old cow,

Courtney?

[Piers] I think that's enough.

Yeah, I think that's more than enough actually.

Back off, starch-pants.

Forget the old bag, she's a has been.

Let's go do the karaoke instead.

I really cannot apologise enough, Ms. Davine.

That was utterly uncalled for.

I'll take you back to your cabin.

[Connor] No, she's fine, aren't you, Vida?

[sombre piano plays]

[Vida coughs]

me back down

that went wrong

world I can do it

[Vida coughs]

[Vida] Oh no, I'm sorry.

I can't, I can't sing this song anymore.

-Sorry. -Life!

-Get a grip. -No no.

Th-this is the song they've all come to hear.

Yes.

Well, I'm exhausted and I don't think I can play tonight.

[Connor] Life, Life, honey, look.

This lifestyle does not come cheap, yeah?

And it won't come at all if you keep cancelling.

So come on, my little lush. [chuckles]

There's a Scotch in it if you sing.

How dare you?

You want to show some respect.

Do you wanna open tonight?

This is my ship, my world, my stage.

Come on, let's get out of here.

We? We?

[sombre pop music]

world I can do it

- -[Jack] Grazi. Cheers.

- -Cheers.

-[Jack laughs] -

I've not had this much fun in forever

A few hours in the company of Vida Davine.

Pleasure's all mine. [laughs]

Er, can I ask, why didn't you want to sing your song?

You wrote it.

You lived it

Because it's a lie, Jack.

All of it.

Everything I am, everything I became.

And that song,

that's the biggest lie of all.

Yeah, but that song made you.

It took you right to the top.

Yes, and I wanted it really badly.

Hit record, fame, money.

It comes at a cost.

You lose sight of who you were

and how hard it was to make it.

Okay, you become this star

and you know, that lasts for a while.

But Vida Davine,

she's a myth I created.

She's not real.

Hilda Plunkett is still in there.

And she wants to come back.

I need her to.

[phone chiming]

[Jack] Connor doesn't deserve you.

Yeah, well, he's the only man

who's ever looked out for me.

[Connor] Vida, it's me again, babe.

Listen, listen, I'm sorry that I lost it.

Look, let's meet at the Barakka Gardens, yeah?

I'm on my way there now.

We'll talk it through, yeah?

Just the two of us.

[pensive piano music]

[engine purring]

If you need back up, I'm here.

No, I can handle Connor.

Bottom line is, he knows he needs me.

Come and get me in a bit.

Mm-hm.

[door clunking]

[door slamming]

[distant foghorn sounding]

Connor?

[pensive music]

[door clunking]

[pensive music]

[sombre piano music]

Vida?

Vida?

No.

[suspenseful music]

[sombre piano music]

What was Vida doing here?

Connor wanted to meet her.

They had a few words in rehearsals.

Well then, I think we should go and find him.

Look, maybe we should split up.

He could be anywhere in the city.

Anyone would think that you were trying to avoid me.

Well, after what happened with Rebecca,

I wasn't sure what to think.

Look, Jack, this other life that you've got,

the real Jack Grayling.

It's not of my business.

No, you were right.

I shouldn't have closed it down.

Okay.

So is there something that you want to say to me?

Look, we-we're trying to solve a murder, Kate.

[Kate scoffs]

Kate?

Jack, it's fine.

Forget I mentioned it.

[sombre piano music]

[Jack sighs]

[Courtney] You could've waited for me.

Nearly broke my arms trying to carry this lot

back to the ship.

You were taking so long in the changing room.

You tried on everything in there.

Don't you want me to look my best?

You maxed out my credit card.

It's gonna take me months to clear all this.

Oh, just chillax, Mark.

We're supposed to be on holiday.

[Connor sighs]

Oh, good.

You can tell me how to get to Barakka Gardens.

Are you serious?

I've been wandering around in circles.

And Vida's not answering.

Probably steaming somewhere.

Connor.

Vida's dead.

[pensive music]

What?

I dropped her off in the Gardens

and someone was waiting for her.

N-no, no, no, I-I've got to see her, you know.

Say I'm sorry, put things right.

Look, someone's killed her.

And you're the only person, apart from me,

who knew where she was going to be.

[pensive music]

And you think I had something to do...?

Hey, hey, hey, hey.

No.

Oh. [chuckles]

I can't believe this is happening. [chuckles]

Vida. [whimpers]

She's gone.

[Connor groans and sobs]

[sombre piano music]

[door clunking]

The police have asked me

to look into any suspicious passengers.

Anyone jumping out?

Well, Connor was the only person

who knew where Vida was going to be.

Said he got lost, couldn't find the Barakka Gardens.

But he could have just stopped and asked anyone.

[Kate] What was the row at rehearsal about?

[Jack] Oh, he was furious

that she didn't wanna perform tonight.

I hate to say it, but killing her

would be a little bit counterproductive to that.

Yeah, so what else?

Random rubbery?

What, and then somebody strangles her

with her own rosary beads?

Yeah, but the rosary wasn't hers.

I was with her all morning.

She didn't have one.

This might not be much,

but the prizewinner and his girlfriend were in town

the exact same time Vida was killed.

The two that caused the big scene last night?

Mm.

So one of them kills her because of what exactly?

Because they didn't get to sit at the Captain's table.

Hm.

[Jack sighs]

She was a completely different woman this morning.

Different? In what way?

Oh, she wanted to give everything up.

The fame, the lifestyle.

Go back to being plain old Hilda Plunkett.

Plunkett?

[pensive piano music]

Just thought I recognised the name.

So something happened

between the Captain's dinner last night

and rehearsal this morning.

Something that's made her question everything.

Jamil, I need your master key.

[mysterious music]

I love this one.

[pages rustling]

[Jack] What's that?

[paper rustling]

Look at this, it's the lyrics to Vida's hit song.

[Jamil] Odd thing to use as a bookmark.

[paper rustling]

It's dated a whole year before the song was released.

[Jamil] You think it's the original?

[ominous music]

[Vida] It's a lie, Jack, all of it.

Everything I am, everything I became.

And that song.

That's the biggest lie of all.

[pensive music]

I don't think she wrote the song, Jamil.

Someone else did.

[paper rustling]

Where'd you get this?

Vida was using it as a bookmark.

[Connor laughs]

Very amusing.

She never read a book in her life.

[Jack] When we were out earlier,

Vida told me it was a lie, all of it.

So what was a lie, Connor?

Do you mind? I'm trying to drown my sorrows.

Because I loved that woman.

She was my shining star.

[Jack] She didn't write the song, did she?

So where did it come from?

A hit song doesn't just appear out of thin air.

Yeah, well that one did.

Well, it arrived in the post one morning.

I used to run a music publishing outfit.

I was a one man show with nothing to show for it. [chuckles]

Until that appeared.

And you stole it.

It wasn't copyrighted.

I just, I just put Vida's name on it.

And not yours?

[Connor laughs]

Everybody knew I couldn't pen a lyric to save my life.

[Jack] So Vida's entire career was built on a lie.

Your lie, Connor.

And worse than that, it might've got her killed.

Don't you be ridiculous.

Man, it happened years ago.

[Jack] Then tell me who actually wrote the song

and I can take care of the rest.

[Connor] Well, it was just

some two bit plugger doing the rounds.

I-I've, I've wiped it from my memory.

I'm sorry, I really am.

But I can't help you.

[glass thuds]

[Kate] Okay, we are looking for a thwarted songwriter.

Somebody with a grudge.

Plenty of those in showbiz.

[pen clattering]

[pensive music]

Where did you get this book?

Er, Vida's Cabin. Why?

There was this, er, pushy reporter

when Vida first got on board.

She was definitely carrying this book.

What, are you sure it's the same one?

Yeah.

Okay, two things.

She wanted to know where Vida's cabin was?

Second thing?

She told me she was gonna bury her.

[Jamil] You should speak to this reporter.

Thanks, Jamil.

I wouldn't have thought of that without you.

You're welcome.

[jaunty music]

[Jack] According to Yuval,

the reporter is one Melody Jones.

And she disembarked an hour ago.

Or maybe she packed up and left already.

And miss out on a story like this?

A live Vida Davine is big news.

But a dead one is huge.

You know what she looks like, right?

I'm good with faces, part of my skillset.

Kate?

Look, those things that we said to each other yesterday,

it all kind of came out wrong.

Well, you were upset about Vida.

[sighs] Okay.

You asked me if there was something I wanted to say to you.

Jack?

[distant mournful piano plays]

It's Vida's song.

It's coming from...

Over there.

[mournful piano plays]

me back down

train outta town

that went wrong

That's Melody.

Wow, she can certainly sing.

[mournful piano continues]

[Kate] We know you met up with Vida

the night before she died.

You gave her this book.

It had a hidden song in it.

The one you were just playing.

Is that what you'd found out?

That Vida hadn't written it?

Was that the big scoop that you were waiting for?

I think this conversation's over.

One thing that I don't get

is why you would leave it in there.

That the one bit of proof you had.

[Kate] I mean, that song made millions.

[Jack] Mm.

It was famous worldwide.

And whoever wrote it has missed out on all of that.

If it was me, I'd be furious.

Mm-hm.

It was mine.

Okay? She stole it from me.

[Kate] And then your magazine gave you an assignment,

and there it was.

The chance to confront Vida with the truth.

[Jack] That someone else took your song, your life.

How about spending the next 20 years

trying to write another hit?

Desperate to get the success that I was owed.

[sombre piano music]

I must have buried it so deep.

I had to, it would've sent me crazy otherwise.

I think you can file murder under crazy.

Melody?

What?

Where were you when Vida was killed?

It's none of your business.

We've got the book, we've got the song.

Vida said the one decent thing she could do for me

was let everyone know that I wrote that song,

so why on earth would I kill her?

We were gonna do a trade.

I ignore her past

and she gives me the future that I should have had in turn.

[Melody scoffs]

I hate to say it, she's got a point.

Someone else knew that Vida was in those gardens.

Well, they can't have done.

I was with her this morning when she got that call.

Maybe they were already in Valetta.

They could come across her by chance or followed her there.

You know what those crazed fans are like.

[distant church bells toll]

But why would they want Vida dead?

You do know that this isn't your fault, don't you?

I should have just gone with her, you know.

Jack, you couldn't have known her life was in danger.

You want to know the real Jack Grayling?

Why he quit the police force

to go and work on a cruise ship?

If he wants to tell me, yeah.

[pensive music]

[Jack sighs]

So I was working on this big case.

And there was this 17-year-old kid called Ben.

Great lad.

One of the bravest people I've ever met.

He was the sole witness to a murder.

And the one person who could send this dealer down.

Now, I was supposed to be looking after him,

but my daughter Mia, she just, she had some issues at home

and I...

You wanted to be there for her?

Yeah.

So I asked this colleague of mine on the case

to keep an eye on him,

even though I was the only person Ben trusted

and I promised he'd be safe.

Those were the last words I ever spoke to him.

[pensive music]

Turns out this colleague had been paid off.

He gave the heads-up to the dealer

and told him exactly where to find him.

Look, I couldn't stay after that, no way.

So I quit the force.

My marriage broke down. [sighs]

And I ran away to sea.

[pensive music]

It's a lot to take in.

[Jack] Bad judgement .

Bad policing. [scoffs]

Bad parenting.

[sombre piano music]

So that's me, Kate.

The real Jack.

So now, feel free to run for the hills. [laughs]

[sombre piano music]

It's good to finally meet him.

I just want some justice for Vida.

Well, I think we can safely rule Melody out.

Connor claims that he didn't even know

where the Gardens were, so.

Then why did he ask her to meet him there?

[phone ringing]

Connor?

Hi.

Okay.

Where are you now?

[suspenseful music]

[distant church bells toll]

Thought I'd feel close to her here.

Still can't believe she's gone.

Tell me about Melody.

Who the hell's Melody?

She's the person who wrote that hit song.

The one you en Vida made millions out of.

When did you find out

that Vida was going to tell the world you'd stolen it?

[chuckles] I'd love to know where you buy your baloney.

You would've been finished.

Reputation in ruins.

Having to pay every penny back.

I'm guessing you tried to talk Vida round.

I told you before,

I didn't even know where this place was.

Then why ask her to meet you here?

She took off with you.

I didn't know where she was, I just picked it out of a map.

Only man to ever look out for her.

That's what she told me.

Until you pushed her too far.

Jack, just tread carefully.

You're in danger of screwing everything up.

I'm sorry, you've lost me.

You think I came out here

to watch Vida cancel yet another gig? [laughs]

I came here for you.

I sent your demo out.

I've got contacts all over the world.

London, New York, Vegas.

Now ask me why I never met up with Vida.

Go on, ask me.

I was waiting to hear back from a booker.

Reception was bad, I was moving around town and I got lost.

Eventually they called back.

And do you know what, Jack?

They heard what I heard.

That's a golden voice you've got.

Think I'm gonna fall for that?

[Connor] Vida was finished.

I needed someone new, and you just fell on my desk.

Now you've lost your meal ticket, yeah.

I'm a pragmatist.

It's the only thing that's kept me going all these years.

That, and an eye for talent.

If I can make Hilda Plunkett into Vida,

just think what I can do for you.

Just stop with the lies.

[Connor] You're on a ship

jammed full of has-beens and never-weres.

If you wanna be a real star, then I can make it happen.

Just gimme the word, Jack.

[pensive piano music]

[Jack sighs]

[pensive piano music]

[door clunking]

Haven't seen Connor walking the plank yet.

[sighs] There's no proof he killed Vida.

Well, he stole that song.

And Vida was ready to let Melody tell the world.

[Jack sighs]

Connor says he can make me a star.

[Kate chuckles]

He what?

He even thinks I can crack Las Vegas.

He's got all the connections.

He loves my voice.

Jack, Connor's playing you.

In exactly the same way that he played Vida.

He knows that we're onto him.

[sighs] Well.

Two-bit cruise ship singer with ideas

-above his station. -No, no.

I didn't mean it like that.

There's nothing left for me on this ship, Kate.

Not anymore.

[melancholy piano music]

It's your life, Jack.

We all need to follow our dreams.

Yeah.

[melancholy piano music]

[footsteps receding]

[door clunking]

[melancholy piano music]

[Melody] We were gonna do a trade.

I ignore her past,

and she gives me the future that I should've had in turn,

[footsteps approaching]

Have you seen Jack?

He's meant to be rehearsing.

I think he's in his dressing room.

Hm.

Is everything okay with you two?

Yeah, fine.

Sorry Bev, er, I need to go and find Piers.

Kate?

Can I tell you something?

I've seen lots of newly-weds on cruises.

And almost half of them head straight to the karaoke

and sing love songs to each other.

It's almost a, well, a ritual for lovers.

Piers has, Piers has been texting me all day.

And they all have that same look in their eyes.

And it's a look that says

they're never gonna look away from each other.

Ever.

I don't, um, I don't understand where this is going.

Kate, it's a look you don't have.

In fact, you don't have anything those people have.

Not with Piers anyway.

[melancholy piano music]

[footsteps receding]

[Kate whimpers and sniffles]

[melancholy piano music]

[distant church bell tolls]

One last question.

My God, you never give up, do you?

You said you were going to trade your future

for Vida's past.

Let's just both leave her in peace.

I thought you were talking about your song.

But you weren't were you?

You already got what you wanted.

Vida was going to make sure everyone knew you'd written it.

So what was the trade, Melody?

What else was in Vida's past

that she didn't want you telling the world?

If I tell you will you go away?

Scout's honour.

I went all the way back

to when she was playing old Hilda Plunkett.

She was 19 when she got herself knocked up.

Vida Davine had a baby she abandoned.

[tense music]

Yuval, it's Jack.

Listen, do we have any passengers on the ship

with the surname Plunkett?

Okay, do we know where he is now?

Which cathedral?

[church bell sounding]

[sombre choral music]

I thought you'd be in confession.

[church bell sounding]

[Mark] I don't speak the language.

Then how about you confess to me, Mr. Plunkett.

When did you take your mother's name?

As soon as I found out who I really was.

I thought Vida would like that.

I mean, that's who she is underneath all the stardust.

A Plunkett.

[sombre choral music]

I can't stay out of churches. [chuckles]

Even now.

It's like I'm hoping she'll come back and find me.

The, the abice who took me in, she told me who I really was.

Just before she died.

[sombre choral music]

As a mother comforts her child, so will I comfort you.

[Mark whimpers]

I get it, Mark, I do.

I've got a daughter back home who needs me.

And I can see the pain in her eyes.

No matter how many times she tries to tell me she's fine.

You know.

You know, I really thought Vida would know who I was.

At the Captain's dinner, I mean.

I was, I was trembling inside,

hoping she'd recognise me.

[sombre choral music]

She just looked straight through me.

What happened in the gardens, Mark?

[ominous music]

[Mark] I wanted to tell her who I was.

I had the rosary to prove it.

Connor?

It's me, mum.

It's me, Mark.

Oh God.

It's okay.

I haven't come to, er, shout and and yell things.

I already feel so much better

now that we're both standing here.

How did you find me?

Sister Agnes gave me these just before she died.

She told me everything.

-[sombre music] -[Vida sobs]

I'm so sorry.

How can you ever forgive me?

I understand.

You were young, you had dreams. [chuckles]

Big dreams.

And I also had a baby.

It was either stay at home and regret everything, or...

You don't have to explain yourself.

I figured it all out, you see, from your song.

So, erm, "You sent me to the top,

now you're dragging me back down."

That was about me as a baby.

You were, you were writing about how I made you feel happy

and how I made you feel sad.

And I knew you were reaching out to me.

That's why I had to come and find you.

My darling baby boy.

I didn't write that song.

[sombre music]

Yes you did, yes you did, your name's on it.

They're not my words.

That was your apology.

I hate that song, I've always hated that song.

How could...?

How could you say that?!

You were singing to me, just me!

[Vida whimpers]

[rosary rattling]

I clung to every word!

Every single word.

[Mark sobs]

[melancholy piano music]

[jaunty music]

[knocking on door]

[door clunking]

Good, you got my text.

Sorry, um, I've been busy.

Er, yeah, but I'm here now so what's going on?

Er, it's my mother.

She's been speaking with caterers.

I told her, it's not really her department,

but she insisted and now I've a list of people to interview.

[both chuckle]

Frikandel, Bitterballen,

Kaasstengels, Flemish Hochepot.

The thing is, it's not really what mother wants.

It's all about you.

[sombre piano music]

And you can have anything.

I'll sip from a bowl of steam.

If that's what you decide, that that's what you'd like.

Because, well, because you're going to be

my beautiful bride.

So, I suppose the question I need to ask...

Perhaps the question we both need to ask is, well...

What is it you want, Kate?

[melancholy piano music]

I'll take my lead from you.

Let the monkey out of the sleeve, as we say

Piers.

[melancholy piano music]

I think you're amazing.

I think you're kind and funny and caring.

And I think that any girl would be lucky to have you.

[melancholy piano music]

But if there's one thing that I've learned recently,

it's that people have to be honest with themselves.

Because it is the only way that we can ever truly be happy.

And there I thought everything was perfect.

[Kate] It is.

It was.

[Kate sniffles]

[melancholy piano music]

Perfect, it's, um, it's not what I want.

[melancholy piano music]

I'm sorry.

-[Kate sobs] -[footsteps receding]

[door clunking]

[sombre piano music]

[phone chimes]

[sombre piano music]

[door clunking]

[Jamil] He's gone.

Didn't even say goodbye.

[melancholy piano music]

[Kate sobs]

[sombre piano music]

out of the sky for you

falling if you asked me to

your wish is my command

[Kate chuckles]

[Kate] Jamil said you'd left with Connor.

No, no, no, I was just waving him off.

You didn't seriously think I'd go with him?

I'm better than that, Kate.

Really?

You okay?

[Kate whimpers]

I broke up with Piers.

The wedding's off.

What happened to Vegas?

I decided it wasn't for me.

Look, this is where I'm meant to be, Kate.

A singer on a ship out at sea, wondering what comes next.

[upbeat love song plays]

The show's about to start

[audience applauds]

Go.

[Kate laughs]

[audience cheers]

out of the sky for you

falling if you asked me to

when your hand is in my hand

how much you mean to me

way to make you see

heart and soul

I'd gladly sacrifice

that I can sing

I'm just a clown

each time you're down

got the power, girl

the best of me

the rest of me

that I can sing

- -

I'm just a clown

each time you're down

love to build my hopes upon

got the power, girl

the best of me

the rest of me

song that I can sing

love to build my hopes upon

the best of me

the rest of me

[audience applauds and cheers]

[foghorn blares]

run away now

in your life

horizon in the sky

caught up with you

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