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But father, if I'm to be married to an army officer.
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Then you've got to learn how to take orders.
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You've never seen men die in battle, Julia.
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And I hope you never do.
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I've already told you.
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I agree with your father.
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Army officers.
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I can see there's no point in arguing with you, too.
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But it seems we'll seem awfully dull and sailor.
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Buy a trussle.
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Preparing a wick.
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Don't.
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What kind of girl are you?
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Oh, you've got a lot to learn about me.
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I'm not sure.
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It's not an easy thing to raise a daughter.
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You've done a great job, sir.
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I admire a woman.
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In a way that is a good job.
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Who's the single, the first girl?
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You've got to learn to take a little bit of time.
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Who's the first girl to get?
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Oh, you've got a lot to learn about me.
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Let's hear it.
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I'll be riding into Salem within a month.
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Goodbye, darling.
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Veen through a lot together.
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As soon as our mother died.
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I don't know.
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to raise a daughter.
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You've done a first-rate job, sir.
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I admire a woman with spirit.
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Have you done a drink?
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Sir.
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You'll inform me as soon as the gallows are ready.
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Yes, sir.
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MUSIC
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Dambial boom, dambial boom.
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What a doer, what a dream comer, truer was he.
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From the coat skin cap on the top of old dand,
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to the heel of his claw, I'd chew.
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The red wettest, glorious, fightless man.
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The frontier ever knew.
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Oh, Daniel Boone was a man.
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Just a big man.
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With an eye like an eagle and as tall as a mountain was he.
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Oh, Daniel Boone was a man.
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Just a big man.
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And he fought for America to make all Americans free.
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Daniel Boone was a doer, what a dream comer, truer was he.
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Daniel Boone, dand, you'll boo.
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GUITAR CELEspeaking
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symptoms.
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SELE Ann Ladies and gentlemen,
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th mega Homeri and John
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Ah!
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And up.
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Wait outside.
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The gallows would be ready in a few minutes now, ball.
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I detest, waste.
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The idea of swinging at the end of the rope doesn't make me too happy either.
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But it doesn't have to happen.
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Why? Have you changed your conditions?
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No.
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Well then what are we talking about?
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And up.
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Everything is ready.
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I'm willing to drop the condition that you arrange a treaty between us and the Shawnee.
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You still expect me to tell my friends and neighbors that I was wrong when I advised them to fight for their rights?
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A public attraction of your treasonous statements against the Crown is essential.
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And impossible.
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Pop rope!
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Sculpt the prisoner to the gallows.
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The
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penalty by order of the commandant of this post is death.
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By hanging.
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Sergeant?
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Sergeant?
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Proceed to carry out the sentence.
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Yes sir.
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Junior!
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She might still be alive.
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They can't have gone far.
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Select your men.
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Corporal Tomkins.
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Former squad.
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Yes sir.
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Sergeant Reynolds?
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Sir.
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Take care of these men.
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Yes sir.
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Take care of these men.
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Yes sir.
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Colonel.
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You're doing a supply line with more targets than you send out.
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I'll end up just like those.
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Advice Boo from a traitor?
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I suppose you'd forget about that girl out there.
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I understand your concern for your daughter, Colonel, and I share it.
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But the lieutenant's way.
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And I doubt seriously if you'll ever see your daughter alive again.
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Squad's formed and ready for Mark, sir.
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Good luck.
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Clif tenants.
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Thank you sir.
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Right. Turn.
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Forward.
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Notch.
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The lieutenant's probably right about one time.
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It's my guess your daughter is still alive.
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What are Shawnee arrows?
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Shawnee!
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If you'd arrange that treaty.
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It'll make any difference at all, Colonel, one way or the other.
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But now you go.
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Never has, and never will sign a treaty with anyone.
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It's my guess he's holding your daughter prisoner.
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For bait.
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Bait.
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And bait for British scouts.
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The men you just saw.
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The men you'll send after them when they don't return.
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How many men do you think Panango has?
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Enough.
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It'll seem like hundreds to Drake.
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He doesn't know anything about fight in Indian style.
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He may not have to.
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I've never heard of an Indian yet.
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He couldn't be dealt with if he was given enough.
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Can you give him back his wife and two sons killed by the British at the Battle of Stone Creek?
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And you're not going to be a good friend.
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You're going to be the British at the Battle of Stone Creek.
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And you think you can do what a squad of British regulars can't?
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With their help as decoys, I think I can.
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Besides, uh, I have very little to lose.
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Sergeant Reynolds?
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Sir.
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Give Boone everything he needs.
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Rifle, shot, powder.
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Yes, sir.
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Sergeant?
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You'll go with him.
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Well, are you ready, Boone?
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I am, but you're not, Sergeant.
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You're going to have to get rid of that red coat.
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But that's against regulations.
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Besides, the credits came here live if I do.
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Well, Shawn E. will scallop you.
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I'm going to get rid of that red coat.
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Well, I'm going to get rid of that red coat.
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But that's against regulations.
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Besides, the credits came here live if I do.
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Well, Shawn E. will scallop you if you don't.
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Take your choice.
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When cool, draw Indians like flies to honey.
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Bye.
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Get me that old pair of buckskins over there that I scot once wore.
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That's a nice-looking pair of boots you got there.
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They tuck me about an hour to put that shine on them.
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No, not by boots.
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The woods are full of dead leaves and pine needles.
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The Indians have keen ears.
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If you wear those boots, you're going to sound like a couple of
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drizzles rastling in a dry bush.
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I put on something like this.
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Now, you're tight-good, kind of my uniform until I get back here.
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What's going on here, Boone?
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Sergeant Reynolds is a British soldier.
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That's right, Colonel.
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Penangos looking to kill British soldiers.
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Sergeant?
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Sure.
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If he only seems as if Boone is trying to escape.
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Shoot him.
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Shoot to kill.
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MUSIC
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Walk, woman.
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I will kill you here.
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Those men.
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You just murdered them.
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Murdered them.
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Yes.
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I murdered them.
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And I will murder them anymore.
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Now walk.
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MUSIC
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Oh, pumpkins.
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Sir, this is where they ambushed the carriage.
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I'll look for signs ahead, sir.
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You took me in, fan out.
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Look for signs of the train.
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MUSIC
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Here, sir.
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There's been a scuffle here, sir.
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All right, on the double.
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MUSIC
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MUSIC
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Now on, Sergeant, you better stay behind me.
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The brake-sangled trail make less noise that way.
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Remembering what your Colonel's orders were, my back will make you a nice big broad target.
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And out, Boone.
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General Braddock.
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General Braddock, how do you use the likes of you?
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You were with Braddock?
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I mean, left and worm.
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We were a thousand, but only a handful of us survived.
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The Indians outwitted us.
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We walked right into it.
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That's what your lieutenants trying to do.
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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Then you were no longer abused to me.
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I will have much pleasure killing you.
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We go!
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MUSIC
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MUSIC
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MUSIC
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Hold it.
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Rest a moment.
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MUSIC
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MUSIC
228
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Left edge.
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What?
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MUSIC
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00:14:06,000 --> 00:14:07,000
It's Julius.
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She's leaving a trail.
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Is he doing it?
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Heading east, sir.
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Cup will be alert for any other signs.
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Have the men proceed.
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All in then.
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MUSIC
239
00:14:23,000 --> 00:14:28,000
MUSIC
240
00:14:28,000 --> 00:14:31,000
MUSIC
241
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I can't.
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I can't go any further.
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Wigglings.
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Like all the women of the whites.
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Soft and useless.
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MUSIC
247
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Some more tears.
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Please.
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MUSIC
250
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MUSIC
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MUSIC
252
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Maybe when you learn to put your deer.
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Gather wood and look after Panengo's needs.
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I will let you be my squaw.
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MUSIC
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MUSIC
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00:15:18,000 --> 00:15:23,000
MUSIC
258
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Soon you will whimper like a child.
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MUSIC
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MUSIC
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MUSIC
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MUSIC
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Whether girl.
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She'll lead us right to those mangering sandwiches.
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Forward, straight ahead.
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MUSIC
267
00:16:09,000 --> 00:16:10,000
Look at him.
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He's walking right into that trap.
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Looks peaceful enough.
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You're not using your eyes, Sergeant.
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There's only one engine down there probably to close a trap from behind.
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MUSIC
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Or they better be buying.
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Not just yet.
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Panengo's using Julia's bait to trap Drake and Winnie.
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Drake is her own piece of cheese.
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Don't worry, Sergeant.
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We're going to leave the back door open for your men.
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We'll probably pick up something I'll need later.
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00:16:40,000 --> 00:16:41,000
Come on.
281
00:16:41,000 --> 00:16:44,000
MUSIC
282
00:17:08,000 --> 00:17:13,000
MUSIC
283
00:17:38,000 --> 00:17:43,000
MUSIC
284
00:17:43,000 --> 00:17:48,000
MUSIC
285
00:17:48,000 --> 00:17:53,000
MUSIC
286
00:17:53,000 --> 00:17:58,000
MUSIC
287
00:17:58,000 --> 00:18:03,000
MUSIC
288
00:18:03,000 --> 00:18:08,000
MUSIC
289
00:18:08,000 --> 00:18:13,000
MUSIC
290
00:18:13,000 --> 00:18:18,000
MUSIC
291
00:18:18,000 --> 00:18:23,000
MUSIC
292
00:18:23,000 --> 00:18:33,000
MUSIC
293
00:18:33,000 --> 00:18:38,000
MUSIC
294
00:18:38,000 --> 00:18:43,000
MUSIC
295
00:18:43,000 --> 00:18:53,000
MUSIC
296
00:18:53,000 --> 00:18:58,000
MUSIC
297
00:18:58,000 --> 00:19:03,000
MUSIC
298
00:19:03,000 --> 00:19:08,000
We do not want red coats to lose your trail.
299
00:19:08,000 --> 00:19:13,000
MUSIC
300
00:19:13,000 --> 00:19:18,000
MUSIC
301
00:19:18,000 --> 00:19:23,000
MUSIC
302
00:19:23,000 --> 00:19:28,000
MUSIC
303
00:19:28,000 --> 00:19:33,000
MUSIC
304
00:19:33,000 --> 00:19:43,000
MUSIC
305
00:19:43,000 --> 00:19:48,000
MUSIC
306
00:19:48,000 --> 00:19:53,000
MUSIC
307
00:19:53,000 --> 00:20:03,000
MUSIC
308
00:20:03,000 --> 00:20:05,000
Lieutenant, come in.
309
00:20:05,000 --> 00:20:08,000
Just like he was invited for tea.
310
00:20:08,000 --> 00:20:10,000
If this works, we'll get him out of our hair.
311
00:20:10,000 --> 00:20:12,000
I don't believe I understand.
312
00:20:12,000 --> 00:20:13,000
You will.
313
00:20:13,000 --> 00:20:16,000
You just keep an eye on Panengo's cat.
314
00:20:16,000 --> 00:20:19,000
They listen for sounds like that.
315
00:20:19,000 --> 00:20:39,000
MUSIC
316
00:20:39,000 --> 00:20:42,000
Let's duck over here and see if the lieutenant picks up the other trail.
317
00:20:42,000 --> 00:20:49,000
MUSIC
318
00:20:49,000 --> 00:20:54,000
MUSIC
319
00:20:54,000 --> 00:20:59,000
MUSIC
320
00:20:59,000 --> 00:21:04,000
MUSIC
321
00:21:04,000 --> 00:21:14,000
MUSIC
322
00:21:14,000 --> 00:21:19,000
MUSIC
323
00:21:19,000 --> 00:21:21,000
I sure thank you for that, Mr. Boone.
324
00:21:21,000 --> 00:21:23,000
Indeed, I too.
325
00:21:23,000 --> 00:21:29,000
MUSIC
326
00:21:29,000 --> 00:21:31,000
Be honest!
327
00:21:31,000 --> 00:21:39,000
MUSIC
328
00:21:39,000 --> 00:21:42,000
MUSIC
329
00:21:42,000 --> 00:21:45,000
You'll make a fine engine fire, Sergeant.
330
00:21:45,000 --> 00:21:51,000
MUSIC
331
00:21:51,000 --> 00:21:58,000
MUSIC
332
00:21:59,000 --> 00:22:01,000
She's still leaving a train.
333
00:22:01,000 --> 00:22:06,000
MUSIC
334
00:22:06,000 --> 00:22:08,000
Look, another sign.
335
00:22:08,000 --> 00:22:20,000
MUSIC
336
00:22:20,000 --> 00:22:23,000
MUSIC
337
00:22:23,000 --> 00:22:25,000
They seem to have changed directions, sir. To the north.
338
00:22:25,000 --> 00:22:27,000
That's strange.
339
00:22:27,000 --> 00:22:30,000
Very well, Tonkins. Have them in. Step up the march.
340
00:22:30,000 --> 00:22:32,000
Oh, what?
341
00:22:32,000 --> 00:22:40,000
MUSIC
342
00:22:40,000 --> 00:22:45,000
MUSIC
343
00:22:45,000 --> 00:22:52,000
MUSIC
344
00:22:53,000 --> 00:22:56,000
It worked. I...
345
00:22:56,000 --> 00:23:02,000
MUSIC
346
00:23:02,000 --> 00:23:07,000
MUSIC
347
00:23:07,000 --> 00:23:11,000
MUSIC
348
00:23:11,000 --> 00:23:13,000
Where are the records?
349
00:23:13,000 --> 00:23:15,000
Why do they not follow?
350
00:23:15,000 --> 00:23:18,000
Have they forgotten you so soon?
351
00:23:19,000 --> 00:23:23,000
MUSIC
352
00:23:23,000 --> 00:23:24,000
There she is.
353
00:23:24,000 --> 00:23:28,000
MUSIC
354
00:23:28,000 --> 00:23:30,000
The poor lads look like she's been through hell.
355
00:23:30,000 --> 00:23:32,000
I'm sure she has.
356
00:23:32,000 --> 00:23:35,000
It's going to take some doing to get her out of there.
357
00:23:35,000 --> 00:23:36,000
An angle.
358
00:23:36,000 --> 00:23:43,000
MUSIC
359
00:23:43,000 --> 00:23:48,000
MUSIC
360
00:23:48,000 --> 00:23:53,000
MUSIC
361
00:23:53,000 --> 00:23:56,000
Stupid records were lost.
362
00:23:56,000 --> 00:24:00,000
I had to send my braves to lead into my trap.
363
00:24:00,000 --> 00:24:04,000
Sergeant, we've got only one chance to try and save her.
364
00:24:04,000 --> 00:24:07,000
Under the circumstances, we better wait a night to do it.
365
00:24:07,000 --> 00:24:17,000
MUSIC
366
00:24:17,000 --> 00:24:22,000
MUSIC
367
00:24:22,000 --> 00:24:26,000
MUSIC
368
00:24:26,000 --> 00:24:29,000
MUSIC
369
00:24:29,000 --> 00:24:31,000
Coach, I'm going to finish.
370
00:24:31,000 --> 00:24:33,000
Hold on the double.
371
00:24:33,000 --> 00:24:41,000
MUSIC
372
00:24:41,000 --> 00:24:46,000
MUSIC
373
00:24:46,000 --> 00:24:51,000
MUSIC
374
00:24:51,000 --> 00:24:56,000
MUSIC
375
00:24:56,000 --> 00:25:01,000
MUSIC
376
00:25:01,000 --> 00:25:06,000
Oh!
377
00:25:06,000 --> 00:25:08,000
You see them, Tompkins.
378
00:25:08,000 --> 00:25:10,000
Completely lost.
379
00:25:10,000 --> 00:25:12,000
All right, have them in following and we'll proceed.
380
00:25:12,000 --> 00:25:13,000
Yes, sir.
381
00:25:13,000 --> 00:25:16,000
Morning, men.
382
00:25:16,000 --> 00:25:19,000
Oh, watch!
383
00:25:19,000 --> 00:25:22,000
MUSIC
384
00:25:22,000 --> 00:25:25,000
Well, there's less than an hour sunlight left.
385
00:25:25,000 --> 00:25:27,000
Better try to work our way up behind him.
386
00:25:27,000 --> 00:25:31,000
Boom! There's the lieutenant and he's headed right farther again.
387
00:25:31,000 --> 00:25:37,000
MUSIC
388
00:25:37,000 --> 00:25:39,000
Now we'll have to get closer.
389
00:25:39,000 --> 00:25:45,000
MUSIC
390
00:25:45,000 --> 00:25:51,000
MUSIC
391
00:25:51,000 --> 00:26:01,000
MUSIC
392
00:26:01,000 --> 00:26:06,000
MUSIC
393
00:26:06,000 --> 00:26:16,000
MUSIC
394
00:26:16,000 --> 00:26:21,000
MUSIC
395
00:26:21,000 --> 00:26:25,000
MUSIC
396
00:26:25,000 --> 00:26:45,000
MUSIC
397
00:26:45,000 --> 00:26:55,000
MUSIC
398
00:26:55,000 --> 00:27:00,000
MUSIC
399
00:27:00,000 --> 00:27:02,000
MUSIC
400
00:27:02,000 --> 00:27:04,000
Looking into the lion's mouth with her eyes wide open.
401
00:27:04,000 --> 00:27:06,000
Now they've got to be warned.
402
00:27:06,000 --> 00:27:08,000
It's just what I'm going to do, Sergeant.
403
00:27:08,000 --> 00:27:18,000
MUSIC
404
00:27:18,000 --> 00:27:20,000
Take cover.
405
00:27:20,000 --> 00:27:28,000
MUSIC
406
00:27:28,000 --> 00:27:35,000
MUSIC
407
00:27:36,000 --> 00:27:38,000
What's up, bloody? Boom!
408
00:27:38,000 --> 00:27:39,000
I suggest you lure your voice on it.
409
00:27:39,000 --> 00:27:41,000
What do you think you're doing?
410
00:27:41,000 --> 00:27:43,000
I'll tell you when we move your men out of here.
411
00:27:43,000 --> 00:27:45,000
I'll come up with places man and I, it's...
412
00:27:45,000 --> 00:27:47,000
They're in the Parliament of Tenet.
413
00:27:47,000 --> 00:27:50,000
But the Indians are reaching an ambush for you right over the Knoll.
414
00:27:50,000 --> 00:27:53,000
How did you get here, Sergeant?
415
00:27:53,000 --> 00:27:55,000
Why are you dressed like that?
416
00:27:55,000 --> 00:27:57,000
Please, sir, we're under orders from the colonel.
417
00:27:57,000 --> 00:27:59,000
And I suggest that you do what Mr. Boone says.
418
00:27:59,000 --> 00:28:01,000
I'll tell you when we move your men to safe recover.
419
00:28:01,000 --> 00:28:03,000
Squad quietly, Lieutenant.
420
00:28:03,000 --> 00:28:11,000
MUSIC
421
00:28:11,000 --> 00:28:16,000
MUSIC
422
00:28:16,000 --> 00:28:21,000
MUSIC
423
00:28:21,000 --> 00:28:28,000
MUSIC
424
00:28:29,000 --> 00:28:31,000
All right, hold it here.
425
00:28:31,000 --> 00:28:33,000
MUSIC
426
00:28:33,000 --> 00:28:35,000
Now I demand an explanation.
427
00:28:35,000 --> 00:28:37,000
Lieutenant, before you and I start talking,
428
00:28:37,000 --> 00:28:40,000
I suggest you send the couple of men out there in the trees.
429
00:28:40,000 --> 00:28:43,000
In case Penango saw her move.
430
00:28:43,000 --> 00:28:45,000
Tompkins?
431
00:28:45,000 --> 00:28:47,000
Sir, take Sims and Jennings.
432
00:28:47,000 --> 00:28:48,000
Yes, sir.
433
00:28:48,000 --> 00:28:49,000
Sir.
434
00:28:49,000 --> 00:28:51,000
MUSIC
435
00:28:51,000 --> 00:28:53,000
Mr. Boone, I had those Indians on the run.
436
00:28:53,000 --> 00:28:55,000
That's what they wanted you to think.
437
00:28:56,000 --> 00:28:59,000
You were walking into the parcel of errors, Lieutenant.
438
00:28:59,000 --> 00:29:00,000
A trap.
439
00:29:00,000 --> 00:29:02,000
You said something about orders, Sergeant.
440
00:29:02,000 --> 00:29:03,000
Yes, sir.
441
00:29:03,000 --> 00:29:10,000
MUSIC
442
00:29:10,000 --> 00:29:17,000
MUSIC
443
00:29:17,000 --> 00:29:19,000
I assume you're aware of what these say.
444
00:29:19,000 --> 00:29:22,000
MUSIC
445
00:29:23,000 --> 00:29:26,000
The way I read them this only delays your execution.
446
00:29:26,000 --> 00:29:27,000
That's right.
447
00:29:27,000 --> 00:29:30,000
Unless the Colonel's daughter is returned safely to the fort.
448
00:29:30,000 --> 00:29:33,000
Unless you are responsible for saving her life.
449
00:29:33,000 --> 00:29:36,000
When I expect the Colonel will take your word for that, Lieutenant,
450
00:29:36,000 --> 00:29:39,000
if we managed to rescue her.
451
00:29:39,000 --> 00:29:41,000
There's more in there than that.
452
00:29:41,000 --> 00:29:43,000
I can read, Mr. Boone.
453
00:29:43,000 --> 00:29:47,000
The Colonel clearly states that I and my men are to take orders from you.
454
00:29:47,000 --> 00:29:48,000
That's right.
455
00:29:48,000 --> 00:29:51,000
I figure if you and I fight Penango instead of each other,
456
00:29:51,000 --> 00:29:53,000
we might have a chance, might we?
457
00:29:53,000 --> 00:29:57,000
I already said I understood the orders, Mr. Boone.
458
00:29:57,000 --> 00:29:59,000
Good.
459
00:29:59,000 --> 00:30:03,000
I'd start by moving out of here, Penango will be wondering what happened to you.
460
00:30:03,000 --> 00:30:05,000
All right, men.
461
00:30:05,000 --> 00:30:07,000
Form up.
462
00:30:11,000 --> 00:30:13,000
Those red coats.
463
00:30:16,000 --> 00:30:18,000
You're gonna have a full moon tonight.
464
00:30:18,000 --> 00:30:23,000
MUSIC
465
00:30:48,000 --> 00:30:53,000
MUSIC
466
00:30:53,000 --> 00:30:58,000
MUSIC
467
00:30:58,000 --> 00:31:02,000
They are waiting for us.
468
00:31:02,000 --> 00:31:06,000
The kind of stupid cattle.
469
00:31:06,000 --> 00:31:10,000
MUSIC
470
00:31:10,000 --> 00:31:14,000
MUSIC
471
00:31:14,000 --> 00:31:19,000
MUSIC
472
00:31:19,000 --> 00:31:24,000
MUSIC
473
00:31:24,000 --> 00:31:29,000
MUSIC
474
00:31:29,000 --> 00:31:34,000
MUSIC
475
00:31:34,000 --> 00:31:39,000
MUSIC
476
00:31:39,000 --> 00:31:44,000
MUSIC
477
00:31:44,000 --> 00:31:49,000
MUSIC
478
00:31:49,000 --> 00:31:54,000
MUSIC
479
00:31:54,000 --> 00:32:04,000
MUSIC
480
00:32:04,000 --> 00:32:09,000
MUSIC
481
00:32:09,000 --> 00:32:13,000
MUSIC
482
00:32:13,000 --> 00:32:14,000
Look!
483
00:32:14,000 --> 00:32:16,000
See your red coat?
484
00:32:16,000 --> 00:32:21,000
After we kill him, I will let you see the taking of this couch.
485
00:32:22,000 --> 00:32:24,000
Then, doo!
486
00:32:24,000 --> 00:32:31,000
MUSIC
487
00:32:31,000 --> 00:32:36,000
MUSIC
488
00:32:36,000 --> 00:32:41,000
MUSIC
489
00:32:41,000 --> 00:32:46,000
MUSIC
490
00:32:46,000 --> 00:32:56,000
MUSIC
491
00:32:56,000 --> 00:33:01,000
MUSIC
492
00:33:01,000 --> 00:33:06,000
MUSIC
493
00:33:06,000 --> 00:33:11,000
MUSIC
494
00:33:11,000 --> 00:33:21,000
MUSIC
495
00:33:21,000 --> 00:33:26,000
MUSIC
496
00:33:26,000 --> 00:33:31,000
MUSIC
497
00:33:31,000 --> 00:33:35,000
MUSIC
498
00:33:35,000 --> 00:33:39,000
I suppose I should thank you for saving my life.
499
00:33:39,000 --> 00:33:41,000
It's not necessary, Lieutenant.
500
00:33:43,000 --> 00:33:45,000
Red coat!
501
00:33:45,000 --> 00:33:47,000
Lieutenant Joe!
502
00:33:49,000 --> 00:33:53,000
Your woman will make her squaw for Penango!
503
00:33:57,000 --> 00:33:59,000
Lieutenant!
504
00:33:59,000 --> 00:34:03,000
Come stay with your woman from Penango!
505
00:34:04,000 --> 00:34:06,000
They are waiting!
506
00:34:08,000 --> 00:34:10,000
It's Julia!
507
00:34:10,000 --> 00:34:12,000
Don't be a fool, Lieutenant. Come back!
508
00:34:12,000 --> 00:34:14,000
It's a trap, Lieutenant!
509
00:34:14,000 --> 00:34:18,000
MUSIC
510
00:34:18,000 --> 00:34:23,000
MUSIC
511
00:34:23,000 --> 00:34:28,000
MUSIC
512
00:34:28,000 --> 00:34:30,000
Lieutenant, you can't do that girl any good dad.
513
00:34:30,000 --> 00:34:33,000
Going after exactly what Penango wants you to do.
514
00:34:33,000 --> 00:34:37,000
I'll challenge him to open battle face to face. We beat them once.
515
00:34:37,000 --> 00:34:40,000
That's what he took you for fools. He won't be that careless again.
516
00:34:40,000 --> 00:34:44,000
I'll meet him under a flag of crux. Surely these savages must have some sense of honor.
517
00:34:44,000 --> 00:34:49,000
Well, some do these don't. All Penango's interested in his killing red coats. He doesn't care how.
518
00:34:49,000 --> 00:34:52,000
This is his country and he makes the rules.
519
00:34:52,000 --> 00:34:54,000
All right, Mr. Boone.
520
00:34:54,000 --> 00:34:58,000
We'll do it your way. The Colonel's orders don't give me any other choice.
521
00:34:58,000 --> 00:35:04,000
But if your way fails, I'll take great pleasure in saving the hangman the trouble of killing you.
522
00:35:04,000 --> 00:35:13,000
MUSIC
523
00:35:13,000 --> 00:35:23,000
MUSIC
524
00:35:23,000 --> 00:35:25,000
Good work, Colonel.
525
00:35:25,000 --> 00:35:30,000
Let's go to these.
526
00:35:30,000 --> 00:35:36,000
MUSIC
527
00:35:36,000 --> 00:35:41,000
That's fine. You worked.
528
00:35:41,000 --> 00:35:45,000
MUSIC
529
00:35:45,000 --> 00:35:48,000
MUSIC
530
00:35:48,000 --> 00:35:53,000
You're still shining in the dark, Lieutenant. Better help yourselves more this night.
531
00:35:53,000 --> 00:35:59,000
MUSIC
532
00:35:59,000 --> 00:36:05,000
Well, now don't be shy, Lieutenant. Here, let me help you.
533
00:36:05,000 --> 00:36:10,000
If they could see me now at the Royal Mementary College at High Wicom, I'd probably be shot.
534
00:36:10,000 --> 00:36:14,000
That's not exactly spitting polish.
535
00:36:14,000 --> 00:36:16,000
You're gonna take that pigstick of Lieutenant?
536
00:36:16,000 --> 00:36:17,000
Of course.
537
00:36:17,000 --> 00:36:21,000
Well, you're gonna be better calling to some underbrush. You may hang on something and rattle at the wrong time.
538
00:36:21,000 --> 00:36:29,000
Mr. Boone, this saber is a part of me as much as your rifle or that cap is a part of you.
539
00:36:29,000 --> 00:36:32,000
The Colonel's orders do not give you dominion over my weapons.
540
00:36:32,000 --> 00:36:38,000
Don't get tested, you tell. You can keep your saber, Mr. Boone. Let's move out.
541
00:36:38,000 --> 00:36:40,000
All right, let's move out.
542
00:36:40,000 --> 00:36:45,000
MUSIC
543
00:36:45,000 --> 00:36:48,000
I kept these things that you asked me to, and what would you have me do with them?
544
00:36:48,000 --> 00:36:50,000
Just hang on them to the loot, then I'll tell you later.
545
00:36:50,000 --> 00:36:56,000
I'm Mr. Boone. Take it easy on him. He's been trained for years to become an officer and a gentleman.
546
00:36:56,000 --> 00:36:59,000
And you can't change that honor one day.
547
00:36:59,000 --> 00:37:04,000
But I have to try, Sergeant. That rose lamp depends on it. And ours.
548
00:37:04,000 --> 00:37:10,000
MUSIC
549
00:37:10,000 --> 00:37:15,000
MUSIC
550
00:37:15,000 --> 00:37:20,000
MUSIC
551
00:37:20,000 --> 00:37:25,000
MUSIC
552
00:37:25,000 --> 00:37:28,000
MUSIC
553
00:37:28,000 --> 00:37:33,000
For hungry, and we'll die soon anyway.
554
00:37:33,000 --> 00:37:36,000
Go ahead. Kill me.
555
00:37:37,000 --> 00:37:40,000
We will wait for the British here.
556
00:37:40,000 --> 00:37:46,000
Build a fire. We draw the Redcoats to us.
557
00:37:46,000 --> 00:37:53,000
I will hunt the brother on the scene and face what the men die.
558
00:37:53,000 --> 00:37:57,000
We'll kill him, slowly.
559
00:37:57,000 --> 00:38:01,000
MUSIC
560
00:38:01,000 --> 00:38:05,000
MUSIC
561
00:38:05,000 --> 00:38:10,000
MUSIC
562
00:38:10,000 --> 00:38:13,000
MUSIC
563
00:38:13,000 --> 00:38:18,000
Tenet, I'll take them in forward and get them in position.
564
00:38:18,000 --> 00:38:22,000
I hope to be back before Penango finds out what we're doing.
565
00:38:22,000 --> 00:38:24,000
Now you stay here.
566
00:38:24,000 --> 00:38:26,000
Give me dogs.
567
00:38:26,000 --> 00:38:29,000
MUSIC
568
00:38:30,000 --> 00:38:34,000
Now don't worry Lieutenant. I'll get her back.
569
00:38:34,000 --> 00:38:39,000
MUSIC
570
00:38:59,000 --> 00:39:04,000
MUSIC
571
00:39:04,000 --> 00:39:09,000
MUSIC
572
00:39:09,000 --> 00:39:14,000
MUSIC
573
00:39:14,000 --> 00:39:19,000
MUSIC
574
00:39:19,000 --> 00:39:23,000
MUSIC
575
00:39:23,000 --> 00:39:27,000
What the devils happen to boom. It's been over ten minutes.
576
00:39:27,000 --> 00:39:30,000
He'll be back. As long as we don't hear anything.
577
00:39:30,000 --> 00:39:32,000
We've nothing to worry about Lieutenant.
578
00:39:32,000 --> 00:39:37,000
MUSIC
579
00:39:37,000 --> 00:39:42,000
MUSIC
580
00:39:42,000 --> 00:39:52,000
MUSIC
581
00:39:52,000 --> 00:39:57,000
MUSIC
582
00:39:57,000 --> 00:40:07,000
MUSIC
583
00:40:07,000 --> 00:40:17,000
MUSIC
584
00:40:17,000 --> 00:40:22,000
MUSIC
585
00:40:22,000 --> 00:40:27,000
MUSIC
586
00:40:27,000 --> 00:40:32,000
MUSIC
587
00:40:32,000 --> 00:40:34,000
Well, Lieutenant, you can stop, Fred. She's all right.
588
00:40:34,000 --> 00:40:36,000
You saw her?
589
00:40:36,000 --> 00:40:39,000
She's tied to a tree back there in the clearing.
590
00:40:39,000 --> 00:40:45,000
Now Penango was counting on your British children for you to come marching right in and freer.
591
00:40:45,000 --> 00:40:47,000
You know when you're there.
592
00:40:47,000 --> 00:40:51,000
That's exactly what he was. Just you and I are going to.
593
00:40:51,000 --> 00:40:55,000
Since you insisted on using yours as a club, this might come in handy.
594
00:40:55,000 --> 00:40:57,000
What will you do?
595
00:40:57,000 --> 00:41:01,000
Go on, Harold, suit my purpose. This doesn't make any noise.
596
00:41:02,000 --> 00:41:05,000
Big sticker yours might come in handy after all, Lieutenant.
597
00:41:05,000 --> 00:41:09,000
Sergeant, it's time for you to put on the uniform.
598
00:41:09,000 --> 00:41:12,000
Besides the cones, skin your lively saw you looking at play.
599
00:41:12,000 --> 00:41:16,000
MUSIC
600
00:41:16,000 --> 00:41:23,000
MUSIC
601
00:41:23,000 --> 00:41:29,000
MUSIC
602
00:41:29,000 --> 00:41:32,000
Penango. Raycoats make fire, Bill Camp.
603
00:41:32,000 --> 00:41:37,000
MUSIC
604
00:41:37,000 --> 00:41:39,000
Could be another British trick.
605
00:41:39,000 --> 00:41:44,000
MUSIC
606
00:41:44,000 --> 00:41:49,000
MUSIC
607
00:41:49,000 --> 00:41:56,000
MUSIC
608
00:41:56,000 --> 00:41:58,000
Stay with him.
609
00:41:58,000 --> 00:42:00,000
If it is a trick, kill him.
610
00:42:00,000 --> 00:42:03,000
MUSIC
611
00:42:03,000 --> 00:42:07,000
When we are close, I will go ahead to scout.
612
00:42:07,000 --> 00:42:10,000
British will not trick us again.
613
00:42:10,000 --> 00:42:13,000
MUSIC
614
00:42:13,000 --> 00:42:18,000
MUSIC
615
00:42:18,000 --> 00:42:23,000
MUSIC
616
00:42:23,000 --> 00:42:28,000
MUSIC
617
00:42:28,000 --> 00:42:33,000
MUSIC
618
00:42:33,000 --> 00:42:38,000
MUSIC
619
00:42:38,000 --> 00:42:43,000
MUSIC
620
00:42:43,000 --> 00:42:48,000
MUSIC
621
00:42:48,000 --> 00:42:53,000
MUSIC
622
00:42:53,000 --> 00:42:58,000
MUSIC
623
00:42:58,000 --> 00:43:03,000
MUSIC
624
00:43:03,000 --> 00:43:08,000
MUSIC
625
00:43:08,000 --> 00:43:13,000
MUSIC
626
00:43:13,000 --> 00:43:18,000
MUSIC
627
00:43:18,000 --> 00:43:23,000
MUSIC
628
00:43:23,000 --> 00:43:28,000
MUSIC
629
00:43:28,000 --> 00:43:33,000
MUSIC
630
00:43:33,000 --> 00:43:38,000
MUSIC
631
00:43:38,000 --> 00:43:43,000
MUSIC
632
00:43:43,000 --> 00:43:53,000
MUSIC
633
00:43:53,000 --> 00:44:03,000
MUSIC
634
00:44:03,000 --> 00:44:13,000
MUSIC
635
00:44:13,000 --> 00:44:18,000
MUSIC
636
00:44:18,000 --> 00:44:23,000
MUSIC
637
00:44:23,000 --> 00:44:38,000
MUSIC
638
00:44:38,000 --> 00:44:43,000
MUSIC
639
00:44:43,000 --> 00:44:49,000
MUSIC
640
00:44:49,000 --> 00:45:04,000
MUSIC
641
00:45:04,000 --> 00:45:19,000
MUSIC
642
00:45:19,000 --> 00:45:24,000
MUSIC
643
00:45:24,000 --> 00:45:39,000
MUSIC
644
00:45:39,000 --> 00:45:54,000
MUSIC
645
00:45:54,000 --> 00:46:09,000
MUSIC
646
00:46:09,000 --> 00:46:14,000
MUSIC
647
00:46:14,000 --> 00:46:29,000
MUSIC
648
00:46:29,000 --> 00:46:33,000
MUSIC
649
00:46:33,000 --> 00:46:34,000
MUSIC
650
00:46:34,000 --> 00:46:36,000
MUSIC
651
00:46:36,000 --> 00:46:40,000
MUSIC
652
00:46:40,000 --> 00:46:42,000
I want to apologize Mr. Boone.
653
00:46:42,000 --> 00:46:47,000
MUSIC
654
00:46:47,000 --> 00:46:50,000
Don't you think we are going to be getting back to the Fort Lute?
655
00:46:50,000 --> 00:46:52,000
That's your pleasure.
656
00:46:52,000 --> 00:46:53,000
Duncan's?
657
00:46:53,000 --> 00:46:56,000
Have them in, fall in. Yes sir.
658
00:46:56,000 --> 00:46:58,000
Later.
659
00:46:58,000 --> 00:47:03,000
MUSIC
660
00:47:03,000 --> 00:47:05,000
Pull up.
661
00:47:05,000 --> 00:47:06,000
Out.
662
00:47:06,000 --> 00:47:18,000
MUSIC
663
00:47:18,000 --> 00:47:23,000
MUSIC
664
00:47:23,000 --> 00:47:29,000
MUSIC
665
00:47:30,000 --> 00:47:32,000
Mighty Pleasant site there.
666
00:47:32,000 --> 00:47:33,000
Just mending the gallows.
667
00:47:33,000 --> 00:47:34,000
That's me too.
668
00:47:34,000 --> 00:47:36,000
I've never had to hang a man.
669
00:47:36,000 --> 00:47:38,000
I don't rush the idea.
670
00:47:38,000 --> 00:47:41,000
The way things are going Colonel, you might be a little premature.
671
00:47:41,000 --> 00:47:45,000
That is if you insist on hanging everybody who talks against your king.
672
00:47:45,000 --> 00:47:48,000
But he's your king too Boone.
673
00:47:48,000 --> 00:47:54,000
Well now that's what it's all about Colonel, but if you don't mind I'll just leave that argument for later.
674
00:47:54,000 --> 00:47:57,000
At least it doesn't prevent me for expressing my appreciation.
675
00:47:57,000 --> 00:48:00,000
I'm a very very grateful father Boone.
676
00:48:00,000 --> 00:48:01,000
Enter.
677
00:48:01,000 --> 00:48:03,000
Cottage is ready sir.
678
00:48:03,000 --> 00:48:05,000
Thanks Sergeant.
679
00:48:05,000 --> 00:48:06,000
Sergeant.
680
00:48:06,000 --> 00:48:07,000
Sergeant.
681
00:48:07,000 --> 00:48:09,000
Look at yourself.
682
00:48:09,000 --> 00:48:10,000
Sir.
683
00:48:10,000 --> 00:48:13,000
I can't rightly explain how that happens sir.
684
00:48:13,000 --> 00:48:17,000
Unless maybe it's because the boots are so much more comfortable than the.
685
00:48:41,000 --> 00:48:42,000
That's sorry.
686
00:48:42,000 --> 00:48:43,000
You eat you please sir.
687
00:48:49,000 --> 00:48:51,000
You're leaving none too soon Boone.
688
00:48:51,000 --> 00:48:56,000
Few more days and British military discipline in this fort would be a shambles.
689
00:48:59,000 --> 00:49:02,000
I might even be able to convince your men they're on the wrong side Colonel.
690
00:49:02,000 --> 00:49:06,000
You know, I like you Boone.
691
00:49:06,000 --> 00:49:08,000
I hope we never meet again.
692
00:49:38,000 --> 00:49:41,000
I'm going to be a very good friend.
693
00:49:41,000 --> 00:49:44,000
I'm going to be a very good friend.
694
00:49:44,000 --> 00:49:47,000
I'm going to be a very good friend.
695
00:49:47,000 --> 00:49:50,000
I'm going to be a very good friend.
696
00:49:50,000 --> 00:49:53,000
I'm going to be a very good friend.
697
00:49:53,000 --> 00:49:56,000
I'm going to be a very good friend.
698
00:49:56,000 --> 00:49:59,000
I'm going to be a very good friend.
699
00:49:59,000 --> 00:50:02,000
I'm going to be a very good friend.
700
00:50:02,000 --> 00:50:05,000
I'm going to be a very good friend.
701
00:50:05,000 --> 00:50:08,000
You're going to be a very good friend.
702
00:50:08,000 --> 00:50:10,000
I'm going to be a very good friend.
41760
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