Original subtitles

(AIRCRAFT DRONING)

(SIREN WAILING)

(SHOUTING IN JAPANESE)

(PEOPLE CLAMORING)

(CONTINUES SHOUTING) (TOLLING)

(CLAMORING CONTINUES)

(GUARD SHOUTING)

(CAR ENGINE REVVING)

(SHOUTING IN JAPANESE)

(PANTING)

PRISONER 1 : Where are you going?

PRISONER 2: HeIp me!

PRISONER 3: Over here!

(PRISONERS CONTINUE SHOUTING)

(SHOUTING IN JAPANESE)

(GRUNTING)

Go!

That was a B-29, bub. There's no outrunning what's coming.

OFFICER: Yashida!

(SHOUTING IN JAPANESE)

You're better off down here.

(SPEAKING JAPANESE)

I'd hurry if I were you.

(BREATHING HEAVILY)

(BLADE UNSHEATHES)

(GROANS)

(BOTH GROANING)

(GASPS)

(HIGH-PITCHED WHINING)

Run. Now!

(YASHIDA SHOUTS)

Stay down !

(STRAINING)

(LOGAN GRUNTS)

(GASPING)

(WHEEZING)

(GRUNTING)

(GROANS LOUDLY)

No, wait! No, no. Wait.

No. It's not safe.

JEAN GREY: Wake up, wake up, wake up. Wake up. (PANTING)

Where were you?

Nagasaki.

That far back?

(KISSES)

You're here.

Of course.

Can you stay?

You know I can't.

Jean, I'm so sorry.

I know.

I'II never hurt you or anyone ever again.

I made a vow.

A soIemn vow?

You're making fun of me.

It's too Iate.

No! No, Jean !

No, no, no! PIease!

You can't hide.

No, no, no! PIease!

You can't hide!

No, Jean ! No!

No.

(GASPING)

(CLASSICAL MUSIC PLAYING ON RADIO)

(SIGHS)

(RADIO STATIC)

(GROWLING)

(SIX FEET UNDER PLAYING ON STEREO)

(MEN TALKING INDISTINCTLY)

Whack aII of that on store credit. Thanks, honey.

Got the arrows? Yeah.

(CAR HORN HONKING)

EDDIE: Remember the arrows?

Yeah, yeah, Eddie, we got them !

(SIX FEET UNDER CONTINUES PLAYING)

Yeah !

(MEN WHOOPING)

(GUNSHOT) (MAN 1 GROANS)

MAN 2: Hey!

What are you doing?

Man, you aImost bIew his foot off!

You're not a hunter, are you?

Not anymore.

(THUNDER RUMBLING)

(MAN SCREAMS)

(GUNSHOT) (MAN SCREAMS)

(DOG BARKING)

(BEAR GROWLING)

What the heII?

(ROARS)

(WHIMPERING)

Don't make me do this.

(ROARING)

(LOW PLAYING)

It must have been damn near 1 2 feet taII.

We didn't hear nothing except twigs.

Then it just came upon us.

It got RiIey, just gutted him. It got Eddie.

Ripped through the tent, knocked over the snowcat Iike it was a toy.

You the one was attacked by the grizzIy?

I'm the one that survived.

I'd Iike to buy this man a drink.

What's your name, mister?

(GROANS)

It's Logan.

And that's a poison broadhead, which, Iast I heard, was iIIegaI.

(GLASS SHATTERING)

(BREATHING HEAVILY)

(GROANING)

Go ahead, ask me where I found it.

(GROANING LOUDLY)

Ask me.

Where did you find it?

WeII, funny you shouId ask.

I puIIed it out of the back of a grizzIy.

Whoever shot it, didn't have the wind or the baIIs

to track the animaI properIy. . .

and put it out of its misery.

(GROANS)

Instead of dropping a IethaI dose of the poison. . .

it bIed into the bear, made him crazy, kiIIed five peopIe.

I don't know what you're taIking about.

Because I don't dip my arrows in anything.

In that case, you got nothing to worry about.

(GRUNTS)

Damn.

That hurt. (GLASS CLATTERS)

Sorry, Jean.

I wouIdn't bother with them.

Most of them wiII die soon anyway, without your heIp.

Three of them, a week from now in the same truck.

(GRUNTS)

(COUGHING)

This sword is hundreds of years oId. . .

and was named Danzan by the first samurai who used it.

Danzan means "separator" in Japanese.

The ideaI weapon for separating head and Iimb from body.

Whoa!

Like so.

(GLASS CLATTERING)

I'm parked in back.

Get in. (ENGINE STARTS)

(POLICE SIREN WAILING)

Sorry, it's a rentaI.

Who are you?

Me? I'm Yukio.

And?

I've been trying to find you for over a year.

Why?

To give you that.

My empIoyer wanted you to have it.

Who's your empIoyer?

Master Yashida.

He said it beIongs to you, and that he's paying aII debts.

Master Yashida is dying.

He wants to say thank you for saving his Iife aII those years ago.

He knows that you are a. . .

busy man.

But he very much wants to say his goodbye in person.

AII right, where is he?

Tokyo.

Wait-- I'm not going to Japan.

It wouId be dishonorabIe for you to refuse his request.

WeII, apoIogize to Mr. Yashida, I'm not going to Tokyo.

AII right? I've got things to do.

Do not apoIogize.

It's been an honor just to meet the WoIverine.

That's not who I am anymore, you understand?

Interesting.

Why did you go into that bar, if not to seek justice?

I don't know. You don't know.

No! I think you know.

PuII over. You are a soIdier.

No, I'm not. PuII over.

You are a soIdier.

PuII over, now!

Now.

(BRAKES SCREECH)

You are a soIdier, and you seek what aII soIdiers do.

And what's that?

An honorabIe death.

An end to your pain.

Who says I'm in pain?

A man who has nightmares every night of his Iife is in pain.

One day.

I say goodbye to Mr. Yashida and I come right back.

Okay.

Fifteen hours. Depending on the wind.

Fifteen hours?

You don't Iike to fIy?

I Iove it.

(EXHALES)

(SIGHS)

We are aImost there.

So, you can see the future?

I can read a map.

You said you knew the future of those asshoIes in the bar.

I know they are going to die.

We are aII going to die.

You said they wouId die in the same truck, in a week.

If you're right, that's quite a taIent.

We don't aII have cIaws.

(SIGHS)

So, do I die on this pIane?

No.

Not on this pIane.

(FEMALE ANNOUNCER SPEAKING JAPANESE ON SPEAKER)

Master Yashida is not weII tonight.

(RADIO CHATTER)

A Iot of guns.

There have been attacks.

Attempted kidnappings. Attempted assassinations.

By who?

The Japanese mob, the Yakuza.

They've grown strong as the government has grown weak.

(ALARM BEEPING) (ALL SPEAKING JAPANESE)

Hip repIacement.

(MEN GRUNTING)

Hey.

This way.

Who's that?

Shingen, Master Yashida's son.

He's good.

He's aII right.

(BOTH GREETING IN JAPANESE)

So, what happened to the badass in boots?

Master Yashida is traditionaI.

One eye on the past and the other on the future.

(DOOR LOCK BEEPS)

(YASHIDA SPEAKING SOFTLY IN JAPANESE)

(SPEAKING JAPANESE)

That's Mariko, his granddaughter.

(GLASS CLATTERING)

Mariko.

(SPEAKING JAPANESE)

What's wrong with you?

(SOBBING)

You haven't answered my emaiIs.

I can't teII you now.

Yes, you can.

Who is the caveman?

The man Grandfather wanted me to find.

You can't bring him in Iike that.

Shizu and Saki are going to disinfect you.

Give you a shave.

Like heII they are.

Get in the tub. (SIGHS)

Whoa.

Get in the tub.

ReaIIy?

(WOMEN SHOUTING IN JAPANESE)

AII right.

Okay. Okay.

AII right, aII right, aII right. I can do that bit.

(THUNDER RUMBLING)

What?

You Iook nice.

I feeI vioIated.

DR. GREEN: Prepare two more suppressors for Master Yashida.

And check his bIood pressure.

Yashida-sama.

(SPEAKING JAPANESE)

Oh. . .

Kuzuri.

You Iook the same.

But, then, that is no surprise.

Dr. Green.

Leave us, pIease.

Five minutes, no more.

My oncoIogist.

WeII done.

(GROANS SOFTLY)

(EXHALES)

YASHIDA: The painting is from the viIIage of my birth.

It depicts the bravery and skiII of the BIack CIan.

Ninja warriors.

They served my famiIy for seven centuries.

I didn't send for you onIy to thank you, Logan.

I wanted to repay you.

To offer you something no one eIse can.

A gift to equaI the Iife you gave to me.

I don't need anything.

Not a thing.

Eternity can be a curse.

It hasn't been easy for you, Iiving without time.

The Iosses you have had to suffer.

A man can run out of things to Iive for.

Lose his purpose.

Become a ronin.

A samurai without a master.

I can end your eternity.

Make you mortaI.

What they did to me, what I am, can't be undone.

Yashida Industries can do anything.

We have reason to beIieve your abiIity to heaI can be passed.

Passed?

From you to another.

(SIGHS)

You have struggIed Iong enough, Logan.

I'm confused.

I came here to say goodbye to a man I once knew.

I am the same man.

I was not ready to die then.

I am not ready to die now.

But you are. . .

aren't you?

Are you offering to kiII me? No.

Not right away.

You can Iive a Iong and ordinary Iife.

FaII in Iove, have a famiIy. . .

grow oId.

And one day, die an ordinary death.

It can be done.

Yeah, Iook, nice to see you again. Sorry you got sick.

PIease, Logan-san. I need you again.

I fear for my famiIy. (HEART MONITOR BEEPING RAPIDLY)

I fear for everything I have buiIt.

Enough. You shouId Ieave. PIease, Logan-san.

They're going to kiII her.

Who? Mariko, my granddaughter.

She is my treasure. She must be protected.

You don't want what I've got.

(MONITOR CONTINUES BEEPING RAPIDLY)

Kuzuri.

Kuzuri!

(YASHIDA COUGHS) DR. GREEN: He needs a sedative.

Breathe sIowIy and caIm yourseIf.

(SHINGEN AND MARIKO ARGUING IN JAPANESE)

(MEN SHOUTING IN JAPANESE)

(GASPING)

CarefuI, carefuI. It's sIippery out here.

Let go.

(PANTING)

You about done?

Let go of me.

(THUNDER RUMBLING)

He just wanted to say goodbye, huh?

You two grew up together.

Yes.

But you're not her sister.

No.

Master Yashida found me on a trip to the South.

He brought Mariko to see a factory he was buiIding.

I was digging through the garbage for something to eat.

So they just took you home with them?

It was aIways difficuIt for Mariko to make friends.

I'II see to it the pIane is ready in the morning.

SIeep here.

(BREATHING HEAVILY)

YASHIDA: Eternity can be a curse...

Kuzuri.

YOUNG YASHIDA: You have no pain, Kuzuri?

How oId are you?

JEAN GREY: Interesting offer.

What are you doing turning the oId man down?

I thought you wanted to be with me.

Come here.

(GRUNTS)

(GAGGING)

(GASPING)

(SHOUTS)

(BREATHING HEAVILY)

(WOMAN SOBBING) (FOOTSTEPS RETREATING)

(WOMAN SPEAKING INDISTINCTLY)

(MEN SPEAKING JAPANESE)

YUKIO: He's dead.

I didn't foresee it.

(CAMERAS CLICKING)

(BOTH SPEAKING JAPANESE)

(GUARDS CHATTERING INDISTINCTLY)

(ALL CHANTING)

Who's that? With Mariko.

His name is Noburo Mori.

Minister of Justice, a rising star.

He's Mariko's fiancé.

You need to bow.

(WHISPERS) Bow.

(CLEARS THROAT)

YUKIO: Lord Shingen, this is Mr. Logan.

I know who he is.

Your father was a good man.

(SCOFFS)

He wouId often say the same about you.

But then, he was aIways fascinated with your kind.

TeII me, why do you think he sent our IittIe Yukio to fetch you?

To say goodbye.

And now you have.

Time for you to go back to your cave.

(GONG BANGING)

Anyone eIse you want me to meet?

(SPEAKING JAPANESE)

I pIedge to you...

Master Yashida...

to be vigiIant...

and to dedicate my Iife...

to protect Mariko.

YUKIO: That armor beIonged to Shiruba-Samurai...

the SiIver Samurai.

It wiII stand watch over the oId man forever.

Logan?

Hey. Something's not right.

Let go.

(GUARD SPEAKING JAPANESE)

(SHOUTS IN JAPANESE)

(SHOUTING CONTINUES)

(YELLS)

(PEOPLE SCREAMING)

(EXHALES)

(YELLS)

Logan ! (GUNFIRE)

Logan ! (GROANING)

(YELLING)

(SPEAKING JAPANESE)

(GRUNTS)

(PEOPLE CONTINUE SCREAMING)

(GUNFIRE)

(GRUNTS)

Logan !

(GASPING)

(MAN SHOUTING IN JAPANESE)

(SCREAMS)

(GROANS)

(GRUNTS)

(SCREAMS)

(GUNFIRE)

(PANTING)

(SPEAKING JAPANESE) (GRUNTING)

(MEN SHOUTING IN JAPANESE)

(GROANS)

Kuzuri.

Let's go. Come on, Iet's go!

Yukio! Mariko!

(SPEAKS JAPANESE)

(GUNSHOTS)

(METAL CLANGING)

(GROANS)

Mariko!

(MEN SHOUTING)

(CAR HORN BLARING)

(WOMAN SCREAMS)

(MEN SHOUTING IN JAPANESE)

Come on. Let's go, Iet's go.

(GUNSHOTS) (WOMAN SCREAMS)

(GROANS)

(GUNFIRE CONTINUES)

Here, here! Here!

(LIVELY SLOT MACHINE MUSIC PLAYING)

(GROANS)

Move!

In here! Move! (GUNFIRE)

(MAN SHOUTING IN JAPANESE)

(BANGS) (GRUNTS)

(BOTH PANTING)

(CHOKING)

Keep moving, keep moving.

Move!

(PEOPLE CLAMORING)

(POLICE SIREN WAILING)

You're bIeeding. You need heIp.

Just keep moving.

(PANTING)

(WOMAN CHATTERING ON PA)

Thank you for what you did back there.

Those were Yakuza. I'm fine.

Why are they after you?

I'm fine. I can make my way from here.

You shouId go. Get yourseIf a doctor.

(MEN SPEAKING JAPANESE)

(BELL CHIMES)

(MAN CHATTERING ON PA)

(CLATTERS) Whoa!

(CHUCKLES)

That's nice.

This is one of those buIIet trains, right?

I toId you I don't need your heIp.

So what do they do, Iike, 300 miIes an hour?

(AMBULANCE SIREN WAILING)

(CAMERAS CLICKING) (REPORTERS CLAMORING)

(SPEAKING JAPANESE)

This cowardIy attack was...

the work of Yakuza thugs.

A vioIent response to my efforts...

to crack down on organized crime.

They exited the North Gate.

She was with the stranger --

Your gaijin friend, where is he?

Last I saw, he was protecting your daughter.

(SCOFFS)

You are a toy doII.

A companion for a chiId who has outgrown you.

Keep that in mind.

(SPEAKS JAPANESE)

So, where are we headed, Mariko?

Where are we going?

I'm going to the end of the Iine.

My famiIy has a home in the South.

That's stupid.

No offense, but they're gonna know to Iook for you there.

Not this pIace.

You want to be Ieft aIone. Yes.

I understand. Do you?

Oh, yeah. Trust me.

ProbIem is, if I do that. . .

I don't think you're gonna Iive to see the end of the day.

You can't pretend shit isn't happening when it is, princess.

UnIess you want to die. In that case, you're pIaying this perfectIy.

(GROANS)

(SIGHS)

Oh. . . What the heII?

(GROANS)

(BREATHING HEAVILY)

Oh. . .

What the heII is happening?

(MEN SPEAKING JAPANESE)

(YELLS)

(ALL GRUNTING)

(WIND HOWLING)

(SCREAMING)

(YELLS)

(YELLING)

(SCREAMS)

(GASPS)

(MUSIC PLAYING ON HEADPHONES)

(YELLING)

(SCREAMING)

(YELLING)

(WOMAN CHATTERING ON PA)

(PANTING)

What happened to you?

We get off here. Let's go.

Just Iisten to me, wiII you? We need to find somepIace safe.

I don't understand. How do you know they were Yakuza?

They were the same guys from the tempIe.

How do you know they were after me?

Look, we need to find somepIace safe.

We need to get off the streets.

I don't understand. Shut up! Listen.

Do you know this pIace? Where's downtown?

Straight ahead.

So, where's the nice part of town?

Another eight bIocks that way.

Good. We're staying here.

Let's go.

This is a Iove hoteI.

A what?

A Iove hoteI.

For coupIes, understand?

Uh. . . Right.

Hey.

Uh, two rooms. Adjoining rooms, on the same fIoor.

(SPEAKING JAPANESE) Right next to each other. Very cIose.

Same fIoor. Same fIoor.

(SIGHS)

(SPEAKING JAPANESE)

What did she say?

She has no rooms avaiIabIe next to each other.

She's asking if we prefer "the dungeon", "the nurse's office. . ."

or the "mission to Mars."

(WOMAN GIGGLING) (BED CREAKING)

This'II do.

MAN ON SPEAKERS: Liftoff! We have a Iiftoff!

Kind of homey, actuaIIy.

Where do you pIan on sIeeping?

I don't.

(BREATHING HEAVILY)

JEAN GREY: That's a Iot of bIood.

I thought you were done being the hero.

But these guys were. . . trying to kiII her.

Just Iet it go.

It's not hard to die.

Come to me.

(THUD)

(GOAT BLEATING)

(MACHINE WHIRRING)

(PEOPLE WHISPERING IN JAPANESE)

(MAN SHUSHING)

(BULLETS CLATTERING)

(SPEAKS JAPANESE)

(GRUNTS)

This is Mieko from the hoteI and her grandson, Hitoshi.

Is he a doctor?

In a manner of speaking, yes.

He's a veterinarian. . .

student.

Large animaI.

(BIRD CHIRPING)

Uh. . . Thanks. (GASPS)

(INSTRUMENTS CLATTERING) Whoa.

You may have cut him once or twice whiIe he was stitching you.

Okay, okay, okay.

(SPEAKING JAPANESE)

Hey.

Thank you.

I never needed this before.

What? HeIp?

That doctor, the one who heIped your grandfather, the bIonde.

Who is she?

He met her Iast year when he was in America for treatment.

Your grandfather toId me my heaIing couId be taken from me,

passed on.

I'm not getting better, not Iike before.

She did this to me.

MAN: BIondie!

(MAN SPEAKING JAPANESE)

BIondie!

How much? How much, yeah? How much?

(PEOPLE GASPING)

You kept me waiting two hours. You have no respect.

So you haven't found them?

Don't pIay with me, bitch. I couId kiII you.

If you couId make me feeI something, Harada, that wouId be subIime.

I can sIit your pretty mouth open,

before you open it to say one more stupid--

Ah. . .

I asked you to do one thing, IittIe man.

Bring me the mutant.

I don't work for you. I work for the House of--

(BLOWING AIR) (GASPING)

You work for Yashida, I get it.

Yet you cannot fuIfiII his dying wish.

My God, if you had any idea how much you have faiIed him.

Where is Logan? I am not done with him.

(GASPING)

The mutant has powers.

(GRUNTS)

He's just a man now. His fIesh is weak now.

I did that.

I suppressed his power so he couId be taken.

You see, it's me you shouId respect.

(GRUNTS)

Just find them, before the Yakuza.

(MUTTERING)

(GRUNTS)

We get off here.

Where are we?

Just outside Nagasaki.

This way.

This is the guy from the funeraI, the archer.

He was your boyfriend.

That's Harada.

We were viIIage champions that summer.

He with the bow and me with the knives.

Harada and I were pIanning to get married.

What stopped you?

Grandfather.

He said we had to wait untiI we were at Ieast 1 5.

From the mountain, from the sea.

(BOTH SPEAKING JAPANESE)

(SIGHS)

Chopsticks upright are a bad omen.

It resembIes incense at a funeraI.

Nothing is without meaning.

So, the other night at the house,

when you ran out in the rain. . .

what did that mean?

My grandfather was dying.

You knew he was gonna die.

He'd been sick for a Iong time.

It wasn't his death I feared.

So, what, then?

What did he teII you that night?

Mariko, why did your father hit you?

I was trying to warn him.

About what?

What did your grandfather teII you?

He toId me that. . .

in three days, when they read his wiII. . .

I wiII become the most powerfuI person in Japan.

He gave it aII to me.

The company?

I didn't want it.

He knew that.

I don't understand why he gave it to me.

It was aII my father dreamed of.

WeII, that's why.

What about this fiancé of yours? Nostromo.

Noburo.

Does he know about this?

No.

Why are you marrying him?

He seems Iike kind of an asshoIe.

My father arranged it Iast year.

What?

It gives him a better access to the poIiticaI theater.

To disobey my father wouId be to dishonor him.

I don't expect you to understand.

You're not Japanese.

(SHINGEN SPEAKING JAPANESE)

Our isIand is Iong and thin.

Trains onIy run in two directions.

I assure you Lord Shingen...

my officers are making every effort--

Then they're idiots.

You've wasted enough of my time.

I have my father's affairs to attend to.

Get out and find her!

TeII me you have more promising news from your contacts.

They open the wiII in three days.

We are running out of time.

Soon, I hope.

I'm sending men to the South.

That's where we found the bodies.

(YUKIO SPEAKING JAPANESE ON PHONE)

If the Yakuza got into the funeraI...

they had someone inside.

They'II never find me here.

You're not safe.

I'm coming down there.

They'II foIIow you.

PIease.

Wait a few days.

PIease. I'm fine.

Logan's here.

He's wounded, Mariko.

(WOMAN SPEAKING JAPANESE)

Someone's here.

LOGAN: Mariko?

I have to go.

Mariko?

(WOMAN SPEAKING JAPANESE)

A tree feII on the road.

The men couId use some heIp.

(ALL SPEAKING JAPANESE)

(GRUNTING)

(EXHALES)

Are you okay?

Tired.

Do you need something?

No.

(BOTH GREETING IN JAPANESE)

This wiII heIp.

(AIRPLANE APPROACHING)

It's time.

What?

PIease. Take it.

Thank you.

No.

Two hands.

Japanese sword require two hands.

Like that? That's it.

It's beautifuI, Yashida.

But I can't take it.

PIease.

Thank you.

Keep it safe.

Keep it safe for me.

Someday, I'II come get it.

It's time.

(GASPING)

(SOBBING)

I was here when it happened.

It's how I met your grandfather.

We hid in there.

I heard the stories.

My grandfather wouId say. . .

what happened here was proof that everything in the worId finds peace.

EventuaIIy.

That man can recover from anything.

Maybe you, too.

You don't sIeep very weII.

You caII out in the night.

Who's Jean?

We shouId go back. There's rain coming.

(THUNDER RUMBLING)

(SIGHS)

This isn't right.

You need this tied Iike a proper samurai.

Your grandfather caIIed me a ronin.

A samurai without a master.

He said I was destined to Iive forever. . .

with no reason to Iive.

Was he right?

Yes.

StiII?

Hey.

What are you doing?

This isn't going to end weII.

Everyone you Iove dies.

(BLADE UNSHEATHES) (GRUNTS)

(GASPS)

(PANTING)

(YELLS)

Kuzuri.

Do you know what that means?

An animaI.

A fierce creature with Iong cIaws and sharp teeth.

It fears nothing.

When I was a girI, I had nightmares.

I'd wake up and run to my parents.

My father wouId get angry.

(SPEAKING JAPANESE)

"Go back to sIeep. Face your fears."

My grandfather was different.

He toId me stories about Kuzuri, his friend.

Who he met at the bottom of a weII.

He said the Kuzuri was magicaI and saved his Iife.

He said Kuzuri wouId protect me, too, as I sIept in my bed.

(BREATHING HEAVILY)

Who's Jean?

Is she Iike you?

What happened to her?

She died.

I kiIIed her.

AIong with the Kuzuri.

Logan.

Mariko?

MARIKO: Logan !

(MAN SHOUTING) Logan !

Mariko?

Mariko!

MARIKO: No! Logan !

No!

Logan !

No!

(GRUNTS)

Mariko!

MARIKO: Logan !

No!

Logan !

Mariko! Mariko!

Logan !

(GRUNTING)

Where are they taking her?

Where, you piece of shit?

I no taIk, gaijin.

I never taIk.

(MAN GROANS)

Who hired you?

Uh-oh.

Take me to Noburo.

Logan. . . Take me to him.

I need to teII you something.

Do it. Now.

You wait in the car.

Logan. What?

I saw you die.

What?

I saw you die.

When? Just now?

A whiIe ago.

But it's not Iike I get a compIete picture.

More Iike Iooking through a keyhoIe.

But I'm aIways right.

AII I can see is one part of a person's Iife. . .

their death.

And I saw yours.

So, what did you see?

I see you on your back. There's bIood everywhere.

You're hoIding your own heart in your hand.

It's not beating.

I don't have time for this shit.

When I was five, I knew how my own parents wouId die.

Then I watched it happen from the back seat.

Look at me.

A Iot of peopIe have tried to kiII me, and I'm stiII here.

Yeah. . .

but you're different now, aren't you?

They can hurt you.

They can kiII you.

Just wait in the car.

I said, wait in the car. You need backup.

You're not safe, not in your condition.

Just think of me as your bodyguard.

(SIGHS)

(SLOW MUSIC PLAYING)

(NOBURO CHUCKLING)

WOMAN: Sexy. (NOBURO LAUGHS)

NOBURO: Come on ! WOMAN: I'm coming.

(SPEAKING JAPANESE)

(ALL LAUGHING)

WOMAN: Okay, round four. Here we go.

(NOBURO SPEAKING JAPANESE)

WOMAN: Drink for you, my Iady.

(BOTH SHRIEKING)

Get out.

(MUSIC STOPS)

Not you.

CaII me oId-fashioned. . .

but I thought being engaged meant

you were done with this kind of buIIshit.

I am the Minister of Justice.

Do you have any idea what I couId do to you?

ReaIIy? You're gonna try and taIk tough,

standing there in your red underwear?

You have ten words. . .

ten words. . .

to expIain to me why you, the Minister of Justice. . .

wouId want your fiancé kiIIed by the Yakuza.

If I don't Iike what you say,

you are going through that window.

You don't have the faintest idea what's going on--

(GROANS)

How many words was that? Nine.

Nine. You have one word Ieft.

ReaIIy? (GRUNTS)

Shingen. Shingen !

Keep going.

Since he got sick. . .

oId man Yashida spent biIIions on doctors, heaIers.

StockpiIing adamantium at his Iab in the North. . .

secretIy trying to proIong his Iife.

He brought the company to the edge of bankruptcy.

He was obsessed with you.

(SPEAKING JAPANESE)

(GROANS) EngIish !

Shingen Iied, protected the oId man. . .

conceaIed the debt from stockhoIders and the board.

He tried to be a good son and thought he'd be rewarded.

And then the oId man Ieft everything to his granddaughter.

If Mariko got aII that power, she wouId dump his ass.

It's true.

Mariko wouId have never gone through with the wedding. . .

not once the wiII was reveaIed.

She never took to me.

Oh, reaIIy? A cIass act Iike you.

Shingen promised me a fortune for my heIp.

So, you put a hit on his daughter. Is that it?

PoIiticaI careers don't Iast forever.

That's right.

Wait! Wait! No!

You wanted the truth. I toId you the truth !

I didn't Iike it.

Wow.

How did you know there's a pooI down there?

I didn't.

(SPEAKS JAPANESE)

Did you know I studied bioIogy in coIIege?

Genetics.

There are genes that skip generations.

Recessive genes.

Eyes.

Eyes. Hair.

TaIent.

Temperament.

Not every chiId gets the same.

My father saw IittIe of himseIf in me.

But in you...

he faced a mirror.

How did you convince my father...

to award you controI...

Of Asia's Iargest corporation?

You've gone insane.

I'm just waking up.

If you kiII me, you wiII Iose...

what IittIe honor you have Ieft.

Fear not Mariko.

I don't want to hurt you.

I want to heIp you.

HeIp you end your pain...

what that mutant stopped you...

from doing Iast week.

I never wanted to die, Father.

(GASPS)

(SPEAKING JAPANESE)

(HARADA SPEAKING JAPANESE)

It's aIright, Mariko.

(GASPING)

Come with me.

What is happening?!

More than you can imagine.

You.

Me.

Sorry to interrupt, but I need your daughter aIive.

What are you?

A chemist, a nihiIist. . .

a capitaIist, a mutation.

A viper.

(CHOKES)

(GROANS)

(YELLS)

Where is the security?

Shingen?

(BREATHING HEAVILY)

Logan.

This. This here.

Where is this?

Master Yashida's birthpIace.

The company buiIt a faciIity into the mountainside.

How far?

500 kiIometers from here.

(BEEPS)

(BREATHING HEAVILY)

(GRUNTS)

(ELECTRONIC WHIRRING)

I gotta get that thing out of me.

How?

No, stop, Logan.

I saw you die. I'm never wrong.

I'm never wrong. You're not aIways right.

You didn't know the oId man was gonna bite it.

I saw you die in a room Iike this with your heart in your hand.

I can't Ieave her with those freaks and kiIIers.

I'm the onIy chance she's got, but not with that thing inside me.

You're going to die, Logan.

Maybe that's okay. (GROANS)

No, Iisten to me, Logan !

No, stop. Logan !

You're not gonna want to watch this part. (GROANING)

No! Listen to me! PIease, no!

No, stop. Listen to me.

Logan !

(SNIGGERS)

Move! (YELLS)

Stay away from him.

(LOGAN SCREAMING)

He kiIIed your master.

Put hands on your sister.

And now you want him?

(ALARM BLARING)

Oh, no. I can't see.

You'II aIways be a beggar.

You're crazy.

LOGAN: Oh, no.

(BOTH GRUNT)

(GROANING)

(GASPING)

(GRUNTING)

(BEEPING)

Yukio.

(GROANING)

(EXHALES)

(HEART MONITOR FLATLINING)

Logan !

(YUKIO YELLING)

Logan ! Logan !

Logan !

Don't hit my friends.

Where's Mariko?

She's gone. That Viper bitch took her.

It was my father's obsession. . .

with mutation, with God's mistakes. . .

Iike you and her, that ruined this house.

(BOTH GRUNTING)

You tried to kiII your daughter.

Live with that.

(YELLING)

What kind of monster are you?

The WoIverine.

Hey, come here, come here. That's it.

I was wrong.

I toId you.

Let me have a Iook at you.

It's nothing.

Hey, thank you.

It's a trap, Logan.

(MARIKO SPEAKING JAPANESE)

Why have you brought me here?

What are you hiding?

You wiII soon find out.

WeIcome, Mariko.

It's aII right, Mariko. She aIso serves the House of Yashida.

MARIKO: She serves herseIf.

She infected Logan.

Hmm. . .

And what about Grandfather?

What did you infect him with?

I granted his dying wish.

I heIped him rest.

Now, it's your turn.

(GASPS)

(SPEAKING JAPANESE)

VIPER: Did you have a nice rest?

I don't know what you said or did

to deceive Harada or my grandfather--

Now, now, caIm down.

Your grandfather sought me out.

I am the head of this famiIy now.

And why do you suppose that is?

Why do you think the oId man chose you?

Because you are strong?

Or because you are weak?

I see you've come to fight.

It's pointIess.

You're weak. You're outnumbered.

The BIack CIan has protected the House of Yashida for 700 years.

Is that aII the men you brought?

I'm gonna get her.

We are gratefuI for your protection of Mariko.

But there is one more sacrifice you must make for her famiIy.

Go fuck yourseIf, pretty boy.

(BOTH GRUNTING)

(SHOUTING IN JAPANESE)

(MEN SHOUTING)

(SHOUTING IN JAPANESE)

(GROANING)

(MEN SHOUTING)

Logan.

(GROANING)

(GROANS)

KAYLA: Logan.

LOGAN: KayIa.

I Iove you. KayIa!

Logan. (LOGAN GROANS)

MARIKO: Logan! LOGAN: Mariko!

Jean.

JEAN GREY: Save me.

(BREATHING HEAVILY)

(GRUNTING)

(GRUNTS)

(PANTING)

Stand back. There is no need.

Where is she? Where's Mariko?

Where is she?

"Where is Mariko?"

StiII pining away?

That's so sweet.

Impressive, no?

He is made of adamantium, just Iike you.

(GRUNTS)

Oh, Logan, you know what, I get it. You're frustrated.

I know she's here. I want to see her.

You want answers.

Yes, I want answers!

I'm sorry, I wish I couId say more,

but I was hired in part for my discretion.

I'm sure you were.

That. . .

and a certain taIent for combining biochemistry and metaphysics.

High-grade toxins are my speciaIty.

It heIps to be geneticaIIy immune

to every poison known to man, as I am.

And immune to the toxin that is man himseIf. . .

as I am.

I'II teII you what, you twisted mutant bitch. . .

why don't you open these braceIets

and we'II see who's made of what?

(GRUNTING)

The cIaws. Now we can begin.

(GROANING)

(HARADA SPEAKING JAPANESE)

I know you care for him.

You need to Iet go of that.

You are a Yashida.

She betrayed my grandfather...

and so have you.

No Mariko.

We grew up together.

You need to trust me.

Let me go to him!

He saved my Iife!

Let him go, Mariko!

This isn't easy for me but...

I'm foIIowing Grandfather's wishes.

The suppressant bug you found inside of you was mine.

You took it out on your own.

I didn't see that coming.

The Viper woman is eviI...

we both know that.

But she's a means to an end...

LOGAN: (GRUNTS) Where is she?

an end your grandfather wanted.

VIPER: You are strong.

You have courage.

ReaI courage.

(BREATHING HEAVILY)

But that won't heIp much now.

What the--?

You need to trust me.

Is that hard?

We were meant to be together.

We stiII can be.

Perhaps.

(GROANING)

(PANTING)

MARIKO: Stop!

(BOTH GRUNTING)

This is madness.

Let's go.

Go!

Run !

(SNARLING)

(CHOKES)

Come on.

Mariko, come! Go! Run !

(GRUNTING)

(GROANING)

Mariko, get out!

(GRUNTING)

(SNARLS)

(GRUNTING)

(SCREAMING)

(GROANING)

(SCREAMS)

(BREATHING HEAVILY)

Ahhh !

(GROANS)

(PANTING)

(GROANING)

(YELLING)

(GROANS)

(HARADA SHOUTING)

Come on.

This is not the way.

(GASPING)

Two hands.

Master. . .

Hey! Bub!

(GRUNTS)

(SCREAMS)

(GRUNTING)

MARIKO: Harada.

(SPEAKING JAPANESE)

I'm sorry.

(GASPING)

(LOGAN GRUNTING)

(BREATHING HEAVILY)

(SCREAMING)

(YUKIO YELLING)

(BOTH PANTING)

Now, you die.

Today is not my day.

(CABLES WHIRRING)

(GROANING)

(YELLING)

(GRUNTING)

(GROANING)

Hey!

Logan-san.

Don't Iook so shocked.

With you at my side, I survived Nagasaki.

SureIy, I couId survive this.

It's aII right. It won't take Iong.

Dr. Green and I have been waiting. (GROANING LOUDLY)

It's onIy this armor that's kept me aIive.

We buiIt it to make me strong, so I can take what you wouId not give.

And transfer your unwanted heaIing. . .

to my body.

My Iegacy must be preserved.

Your mistake was to beIieve that a Iife without end. . .

can have no meaning.

It is the onIy Iife that can.

HoId on.

We are aImost there.

The peace, the peace you've wanted.

Your reward.

You know, I'm giving you the very death. . .

you Ionged for.

(CHUCKLES)

(INHALES)

This feeIing. . .

to be invincibIe. . .

Iike you.

(MARIKO GRUNTS) (GASPS)

(SPEAKING JAPANESE)

You are a monster.

Mariko.

It's me. Your grandfather.

I buried my grandfather.

(GROANS)

(PANTING)

(GRUNTING)

(ARMOR SHORT-CIRCUITING)

(YELLING)

(GROANS)

You asked me to come say goodbye.

Sayonara.

(SCREAMING)

(CRASHING)

(PANTING)

Are you aII right?

Logan.

JEAN GREY: (WHISPERING) Logan.

Logan.

You're here.

Of course.

Can you stay?

I can't.

Yes, you can.

This is what you wanted.

Not anymore.

I'm aII aIone here.

You put me here.

You were hurting peopIe, Jean.

I had to.

I Iove you, Jean.

I aIways wiII.

(SPEAKING JAPANESE)

You are my onIy famiIy.

Be weII, sister.

Am I wrong to think you might visit me soon?

Stay.

I can't, princess.

I'm a soIdier,

and I've been hiding too Iong.

MALE NEWS ANCHOR ON TV: In our business profiIe tonight, Mariko Yashida.

A two-generation passing of the torch in the Yashida famiIy...

as Mariko Yashida takes the heIm from her grandfather,

who buiIt this tech giant.

MARIKO ON TV: I know it wiII aIways be the purpose

for a corporation to make a profit. . .

but Yashida Industries beIieves we can aIso work with our community.

So, have you decided?

What?

Mariko says we can go wherever we want.

Just say where.

What are you doing?

I'm your bodyguard.

So, where do you want to go?

(SIGHS)

Uh. . .

Let's just start with up.

And then?

We'II see.

Interesting.

(EXHALES DEEPLY)

FEMALE ANNOUNCER ON TV: With cutting edge technoIogy,

and the worId's Ieading minds...

we are on the frontIines...

keeping you heaIthy, keeping you safe.

Trask Industries.

SoIving tomorrow's probIems, today.

I'II take the pat-down.

Opt out.

(METAL RATTLING)

(MACHINE BEEPING)

GUARD: You can go ahead, sir.

MAN: I'II wait.

(STRAINING)

What do you want?

There are dark forces, WoIverine.

Human forces buiIding a weapon. . .

that couId bring about the end of our kind.

What do I want? I want your heIp.

Why wouId I trust you?

You wouIdn't.

(GASPS)

(PANTING)

HeIIo, Logan.

How is this possibIe?

As I toId you a Iong time ago. . .

you are not the onIy one with gifts.

(SIGHS)