Original subtitles

-PREVIOUSLY, ONCEDAR COVE...-GUESS WHO'S MOVING BACK?

WHO?COLIN McFADDEN.

FROM NOW ON, I'M GIVING YOU

AUTHORITY TO SIGNCHECKS AND INVOICES.

WILL YOU DO ME THE HONOROF BECOMING MY WIFE?

[JUSTINE]:I LOVE SETH.

I CAN HANDLE IT--

THE JOB, JERI,ALL OF IT.

[♪]

IF YOU AND CLIFF AREN'TBUSY TOMORROW NIGHT,

WHY DON'TWE HAVE DINNER?

CAN'T. CLIFF HAS A DATEWITH "THE KILLJOY."

WHAT?

A 1,500-POUND BULL,FROM HIS P.B.R.A. DAYS--

PACIFIC BULL RIDINGASSOCIATION.

WOW!

SO HE'S GONNADO HIS BEST

TO TRY AND STAYON THE BACK

OF AN OBESE ANGRY BULL,

AND I'M GONNA TRY

TO AVOID STEAMINGPILES OF COW POOP.

WANNA COME?

UH... NO!

[LAUGHS]

AND I THOUGHT CLIFF RETIREDFROM THE RODEO CIRCUIT?

HE DID, BUT THISIS SOME KIND OF, I DON'T KNOW,

"CHAMPIONS" THING.

ISN'T BULL-RIDINGKIND OF DANGEROUS?

YEAH. AND STUPID.

BUT HE'S A GUY.

THE ONLY TIMETHEY'RE EVER HAVING FUN

IS WHEN THEIR LIFE IS AT RISK.

HELLO, MISS ALLISON.

I'LL SEE YOUIN A BIT.

THEN THERE'S GIRLS.

A NEW EMOTIONEVERY HOUR.

AH, THOSE TEENAGE YEARS.

DOESN'TSHE HAVE SCHOOL?

AH, IT'S A TEACHERWORKDAY.

ZACH'S OUT OF TOWN,ROSIE'S WORKING,

SO SHE'S GONNAHANG WITH ME TODAY.

GRACE...

I'M WORRIED ABOUT JACK.

WHY? WHAT'S WRONG?

WELL, IT'S HIS NEW JOBIN SEATTLE.

IS HE NOT LIKING IT?

HE LOVES IT.

HE'S WORKING ROUND THE CLOCK--WRITING, RESEARCHING.

I'VE NEVER SEEN HIM THIS--

HAPPY?

INTENSE.

THIS WORRIES YOU?

YEAH, IT DOES.

[♪]

[PHONE RINGS]

[SLAMS PHONE DOWN]

[♪]

YOU GOT THAT?

YEAH. YEAH, I'M GOOD. THANKS.

I CAN'T BELIEVEYOU'RE LEAVING.

YOU JUST GOT HERE.

I DON'T WANT TOMISS ANY CLASSES.

I DON'T THINKIT'S ABOUT THE CLASSES.

ERIC, PLEASE.

I'M SORRY ABOUT REBECCA.

[TROUBLED SIGH]

LOOK.

ADELE...

COMPLICATES US.

WHAT ARE YOU SAYING?

WE'LL ALWAYSBE ADELE'S PARENTS.

[♪]

GOOD DAY.

HEY! DEBBIE!WHAT ARE YOU DOING BACK HERE?

OH, MOON, YOU KNOW

I COULDN'T STAY AWAYFROM CEDAR COVE THAT LONG.

WELL, WELCOME HOME.

I'LL TALK TO YOU IN A BIT.

SORRY I'M LATE.

SO?

IT'S OFFICIAL.

YEAH?

DR. CARMEN JUST CONFIRMEDTHAT I'M PREGNANT.

WOW!

I USED ANOTHER WORD.

NOT A GOOD WORD.

WELL, WE SHOULD CELEBRATE.

I NEED A DRINK.

WELL, YOU CAN'T,AND WE'RE AT MOON'S.

CHOCOLATE CAKE?

HEY... THE WHOLE CAKE.

[♪]

OH! I HAD THE WORST NIGHT,BUT I'M HAVING THE BEST DAY.

HOW SO?

I COULDN'T WRITE,I COULDN'T SLEEP.

I WAS JUST STARING ATMY COMPUTER SCREEN UNTIL 2:00,

BUT THEN...

I COULDN'T STOP WRITING.

I COULD THINK OF

SO MANY MOREINTERESTING THINGS

FOR YOU TO DOAT 2:00 IN THE MORNING.

[CHUCKLES]I'LL BET YOU COULD.

[SIGHS WEARILY] OH...

JACK, IS THIS JOBTOO MUCH FOR YOU?

WRITING ALL NIGHT,WORKING ALL DAY?

THIS IS WHAT LOVING TO WRITELOOKS LIKE.

OLIVIA, I FEEL SO ALIVE AGAIN.

AS OPPOSED TO...?

I-I LIKE WORKINGFOR A BIG PAPER,

I LIKE THE BIG STORIES,I LIKE HAVING A BIG AUDIENCE.

OKAY.

HEY...

I LIKE THOSE THINGS,

BUT I LOVE YOU.

SO LUNCH?

[SIGHS]

I HAVE TO GO TO SEATTLE AGAIN.

AGAIN?

YEAH. I PITCHEDTHIS NEW SECTION

FOR THE SUNDAY EDITIONTO MY EDITOR

AND HE WANTS TO SIT DOWN WITH MERIGHT AWAY.

OKAY. DINNER?

SURE, YES, IF I'M BACK.

I WILL BE BACK.

[♪]

LOOK, PEGGY,

I WANT TO HELP YOU,

BUT IF YOU DON'T TELL METHE WHOLE STORY,

I DON'T KNOWWHAT ELSE I CAN DO.

THERE'S NOTHINGANYONE CAN DO.

PEGGY...

WHAT DID COLIN DO TO YOU?

[FRUSTRATED GRUNT]

FORGET I CALLED YOU.

FORGET THE WHOLE THING. OKAY?

[BOB, CHUCKLING]: OH...

HEY!

HEY. SOMEONE'SIN A GOOD MOOD.

WELL, I BLAME IT ALLON THE LOVE OF A GOOD WOMAN.

AND... THE RETURNOF AN OLD FRIEND.

-LOOK WHO'S BACK, HUH?-HEY THERE.

COLIN.

HOW LONG ARE YOU IN TOWN FOR?

DON'T KNOW.

WELL, IF I HAVE MY WAY,

HE'LL MAKETHIS VISIT PERMANENT.

I KEEP TELLING HIMCEDAR COVE MISSES HIM.

[BOTH CHUCKLING]

HEY. EXCUSE MEA MINUTE.

CONVINCE HIMTO STAY, HUH?

MAKE YOUR BEST ARGUMENT.

AS THE GREATWILLIAM SHAKESPEARE ONCE WROTE,

"WHAT IS PAST IS PROLOGUE."

OKAY...

PAST BEHAVIORPREDICTS FUTURE BEHAVIOR.

[CHUCKLES]

WHAT ARE YOU TRYING TO SAY?

OH, I THINKYOU KNOW.

AND YOU KNOWTHAT I KNOW.

SO WE BOTH KNOW.

LET'S TAKETHAT COFFEE TO GO, HUH?

THAT'SA GOOD CHOICE.

THERE SOMETHINGI DON'T KNOW HERE?

WELL, TO BE HONEST,IT'S ABOUT A WOMAN.

REALLY? WHO?

I NEVERKISS AND TELL.

[CHUCKLES]

HI, ALLISON.WHERE'S YOUR MOM?

OH, UM,SHE JUST DROPPED ME OFF.

IS THAT OKAY?

SURE.

[PHONE CHIMES]

SO? DO YOU WANTTO COME AND HELP?

UH, NO, THANKS.

YOU ALWAYS USED TO LOVETO HELP ME IN THE KITCHEN.

[PHONE CHIMES,ALLISON GRUMBLES]

OH. WANT TO BE WITHYOUR FRIENDS, HUH?

[TERSELY]: NO.

UH, I WANT TO BE HERE,

I JUST DON'T WANT TOHELP IN THE KITCHEN.

EVERYTHING OKAY?

YEAH, I'M FINE.

AHH, YOU SEE, I KNOWWHAT "FINE" MEANS.

"FINE" MEANS FINE.

HOW'S THAT BOY,THE ONE THAT LIKES YOU?

WHAT'S HIS NAME AGAIN?IS IT LIAM?

HE DOESN'TLIKE ME ANYMORE.

[♪]

I JUST FOUND OUT

THEY'RE MAKINGMY POSITION PERMANENT.

WELL, WE NEEDTO CELEBRATE.

ALTHOUGH, YOU DIDLOSE ME THE OFFICE POOL.

I HAD NEXT WEEK.

OH, WELL, SORRYTO DISAPPOINT.

JACK... YOU NEVERDISAPPOINT.

ALRIGHT, LET'S SEE.

UH, WE'LL JUST HAVE TWOOF WHATEVER YOU'VE GOT ON TAP.

UH, JACK,

YOU JUST ORDERED A BEER.

TWO, ACTUALLY.

TURNS OUT YOU WERE RIGHT.

I CAN HANDLEDRINKING IN MODERATION.

GOOD FOR YOU.

REALLY.

NO LECTURE?

ME? NOT MY STYLE.

SO...

I AM GOING TO HAVEMY OWN COLUMN

IN THE SUNDAY EDITION.

SO TELL ME, WHY DID I HELP YOUGET THIS JOB AGAIN?

[BOTH LAUGHING]

OH, SERIOUSLY--

CONGRATULATIONS, JACK.

IT'S NICE TO SEE YOUOUT AMONG THE LIVING AGAIN.

-TO YOU.-CHEERS.

[♪]

HEY! WHAT'S UP?

I GOTYOUR MESSAGE.

UH... THANKS.

I WAS LOOKINGFOR THAT.

BUT I DON'T THINKRETURNING THAT

CONSTITUTES AN "EMERGENCY."

SHELLY BROKE UP WITH ME.

OKAY.

BECAUSE OF US.

THERE IS NO "US."

THERE NEVER WAS AN US.

THEN WHYWAS THIS IN MY BED?

BECAUSE I WAS IN YOUR BED.

DID YOU LEAVE THATFOR SHELLY TO FIND?

OH...

I GET IT.

IT'S MY FAULT SHE DUMPED YOU?

YES!

SHE DUMPED YOU

BECAUSE SHE REALIZEDWHAT YOU REFUSE TO ACKNOWLEDGE.

WHICH IS?

THAT YOU AND SHELLY

HAVE NOTHING MORE IN COMMONTHAN ADELE.

IT'S TRUEAND YOU KNOW IT,

WHICH IS WHYYOU'RE SO ANGRY.

IF YOU FEEL GUILTY ABOUT THAT,

OR IF YOU FEEL GUILTYABOUT US,

THEN STOP BLAMINGEVERYONE ELSE,

BECAUSEYOU'RE THE ONE TO BLAME.

I THINK I'M SORRYI EVER MET YOU.

THAT'S THE ONLY TRUTHFULTHING YOU'VE SAID

SINCE YOU WALKEDTHROUGH THE DOOR.

GOODBYE, ERIC.

[♪]

-HEY!-HEY.

YOU ALL PACKED UPAND READY FOR THE KILLJOY?

YEP. MM.

WELL, AS SOON ASROSIE PICKS UP ALLISON,

I'LL HIT THE ROAD,

AND I'LL BE THEREIN TIME FOR DINNER.

OKAY. MAYBE WE COULDGO OUT WITH ALEX?

OH? ALEX IS COMING?

YEAH, SHE'S COMPETING.

AH.

AND SHE'S MEETING UPWITH HER BOYFRIEND.

HER BOYFRIEND?

I KNEW YOU'DLIKE THAT PART.

[LAUGHS]

I'LL SEE YOU SOON.

OKAY.

[DOOR SHUTS]

CAN I HELP YOU?

I'M LOOKING FOR WARREN.

UH, WELL,HE'S NOT HERE.

THANK YOU,CAPTAIN OBVIOUS.

YOU'RE DICK.

"MR. TURNBULL."

MR. SAGET'S PARTNER.

GEEZ.

WELL, WARREN'S NOT HERE,

BUT I'LL SEEWHAT I CAN DO.

YEAH. YOU DO THAT.

AND WHILE YOU'RE TRYING TOPROVE YOUR USEFULNESS--

DOUBLE-DOUBLE.

EXCUSE ME?

COFFEE. DOUBLE SUGAR.DOUBLE CREAM.

YEAH. I'M ONE OFWARREN'S ASSOCIATES.

[CHUCKLES DRYLY]

NOT IF YOU DON'TGET ME MY COFFEE.

NOT IF YOU DON'TGET ME MY COFFEE QUICKLY.

WARREN DOESN'T LIKE

PEOPLE IN HIS OFFICEWHEN HE'S NOT HERE.

YOU'RE FUNNY.

AND YOU'RE NOT MOVING.

COFFEE. NOW. CHOP-CHOP.

[DOOR THUDS]

[♪]

HEY.

HI!

THOUGHT YOU DIDN'TLIKE DOING THAT?

WANNA SEE WHATI'VE GOT SO FAR?

"I HATE THIS."

WHAT?

YOU KNOW THAT I LIKE YOU.

YEAH.

AND LAST NIGHT--

DON'T SMILE.

THIS IS HARDER WHEN YOU SMILE.

DESPITE WHAT MY LIPS DID,

ALL I HAVE TO OFFERIS FRIENDSHIP.

THIS ABOUT SETH?

YES, AND NO.

WHAT DOES THAT MEAN?

IT MEANS THATYOU'RE IN THE MIDDLE

OF SOME PRETTYINTENSIVE THERAPY,

AND I DON'T THINK

IT'S RIGHT OF METO BE MESSING WITH YOUR HEAD,

AND I THINKTHAT'S WHAT I'M DOING.

YOU'RE NOT.

I AM, AND IT'S WRONG.

I DON'T WANTALL OF YOUR HARD WORK

TO BE FOR NOTHING,

JUST BECAUSE I'M CONFUSED.

CONFUSED?

I HAVE SETH ON ONE SIDEAND YOU ON THE OTHER.

AND IN THE SUMMER WHERE I'MSUPPOSED TO BE FINDING MYSELF,

I'M MORE LOST THAN EVER.

SO I JUST GOT DUMPED BY SOMEONEWHO I WASN'T EVEN DATING

BECAUSE YOU THINKTHAT I'M...

MENTALLY UNBALANCED?

THIS ISN'T ABOUTYOU OR SETH--

IT'S ABOUT ME.

I CAN'T BELIEVE

YOU'RE HIDING BEHINDTHE P.T.S.D.

AS AN EXCUSETO STAY AWAY FROM ME.

I'M JUST TRYING TO DOWHAT'S RIGHT.

NOT ONLY FOR YOU,BUT FOR ME.

NO, JUSTINE.

YOU'RE TRYING TO DOWHAT'S EASY.

[♪]

-WILL YOU JUST BE REASONABLE?-THIS IS ME BEING REASONABLE.

I TOLD YOU!YOU DID NOT HAVE TO COME.

DICK, I'VE GOT EVERYTHINGUNDER CONTROL HERE.

THEN WHYARE ALL YOUR OTHER PARTNERS

GETTING PINCHED BY THE FBI?

I HAVE NO IDEA!

IT HAS NOTHING TO DO WITH ME.

SO YOU KEEP SAYING.

JUST CONSIDER THIS A...

FACT-FINDING TRIP.

AND WHAT FACTSARE YOU LOOKING FOR?

I'VE GOT A FRIENDIN THE BUREAU.

TELLS ME THERE'S SOMEONEON THE INSIDE

GIVING UP NAMES.

I RUN A TIGHT SHIP HERE.

YEAH.

WHO'S THE KID?

HO! COME ON. [CHUCKLES]

COME ON. ERIC IS NOTWORKING WITH THE FBI.

HIS FATHER IS A REPORTER.

SO WHAT? HE'SA WASHED-UP REPORTER.

STILL, I'VE GOT MY EYES ON YOUAND HIM,

AND IF IT TURNS OUT

THAT YOU'RE THE SOURCEOF THE LEAK,

WELL... [CHUCKLES]

YOU'RE IN CONSTRUCTION.

YOU KNOW WHAT WE DOWITH LEAKS, RIGHT?

[♪]

[RODEO ANNOUNCEMENTS CRACKLING]

HOW'S SHE DOING?

AW, HER LEG'S STILLBOTHERING HER.

GRACE HERE YET?

AH, TONIGHT.

I'M GLAD SHE'S NOT MISSINGYOUR DATE WITH DESTINY

AND "THE KILLJOY."

IT'S SILLY, ISN'T IT?

NO!

IT'S NOT THE BULL, REALLY,

AS MUCH AS BEING ABLE TO SHAREWHAT I LOVE WITH HER.

WELL, WHEN SHE SEESYOU DO YOUR THING,

I GUARANTEE

THE "HUNKY COWBOY" FACTORIS GONNA DOUBLE.

HUNKY, HUH?

WELL, I THINKWHEN YOUR BOYFRIEND

SEES YOU RACING AROUNDTHOSE BARRELS TOMORROW,

YOUR "HUNKY" FACTOR'SGONNA DOUBLE, TOO.

YEAH. I DON'T THINKIT'S GONNA HAPPEN.

SHE NEEDSTO REST HER LEG.

I THINKI'M GOING TO HAVE TO PULL OUT.

AW. I'M SORRY TO HEAR THAT.THAT'S TOO BAD, ALEX.

AH, IT'S OKAY.

I'LL BETHE CHEERING SECTION.

BUT FOR WHO?

AH. MY BOYFRIEND,THANK YOU VERY MUCH.

[BOTH CHUCKLING]

I REALLY ENJOY HAVINGYOU BACK IN MY LIFE.

I DIDN'T THINK WE COULDREALLY MAKE THIS WORK,

BUT WE ARE.

WELL, WE WERE FRIENDSBEFORE EVERYTHING ELSE.

[CHUCKLES] SO...

I'VE BEEN THINKING.

ABOUT?

GETTING A PLACEHERE IN SEATTLE.

WOW.

HMM.

WAIT. DID YOUAND OLIVIA BREAK UP?

NO! NO.

DOES SHE WANT TOMOVE TO SEATTLE?

IT'S NOT ABOUT HER OR US,IT'S MORE ABOUT ME.

HUH.

YEAH, I MEAN, IT'D BENICE IF I DIDN'T HAVE TO

RUN BACK AND FORTHALL THE TIME

WITH THE FERRIES,YOU KNOW?

YEAH. I GET THAT.

ARE YOU GONNA TELL HER?

YOU KNOW, FOR A MAN

WHO NEVER WANTEDTO GET MARRIED AGAIN,

YOU SEEM PRETTY MARRIED.

[LAUGHS] WHAT?

IT'S TRUE.

WHICH IS WHY I THINK

YOU DEFINITELY NEEDTO GET YOUR OWN PLACE.

PERSONALLY, I WOULDN'TTELL THE LITTLE LADY,

IF I WERE YOU.

[♪]

YOU HUNGRY?BROUGHT YOUR FAVORITE.

WHAT ARE YOU UP TO?

CAN'T A FRIENDJUST BRING YOU LUNCH?

ONLY IF THE FRIENDTELLS ME WHAT HIS ANGLE IS.

I NEED A FAVOR.

CLEARLY.

THEY LOST THE NIGHT COURT JUDGEIN COOPERTON.

THE GOVERNOR'S OFFICE CALLEDAND ASKED IF I KNEW ANYONE,

AND I WAS THINKINGYOU MIGHT WANT TO HELP ME OUT.

IT'S JUST ONE DAY A WEEK,ON THURSDAYS.

DEPENDS.

ON?

WHETHER IT'S TEMPORARYOR PERMANENT.

WHY?

OH...

I'M THINKING ABOUT SCALING BACK.

SPENDING MORE TIMEWITH JACK,

LESS TIME IN THE COURT.

YOU CAN'T BESERIOUS.

I AM.

IT LOOKS LIKE HE WANTS TOSPEND MORE TIME IN SEATTLE,

WITH HIS JOB.

AND SO?

WELL, THREE-DAY WEEKENDS IS NOTGONNA CUT IT WITH NIGHT COURT.

YOU WOULDN'T HAVEDONE THIS A YEAR AGO.

I WASN'T IN LOVEA YEAR AGO.

[♪]

[PHONE CHIMES MULTIPLE TIMES]

ALLISON.IT IS A BEAUTIFUL DAY.

COME ON, COMEHELP ME OUTSIDE.

ARE YOU JUST GONNA MESS AROUNDON THAT PHONE ALL DAY?

I HAVE TO GO.

BUT I THOUGHT Y--

MY MOM'S HOME, SHE--SHE CALLED, SO IT'S OKAY.

ALRIGHT, WELL, JUSTWAIT A MINUTE. HERE.

TAKE THESE TOMATOESTO YOUR MOM, PLEASE?

HONEY, I KNOW THATSOMETHING'S WRONG--

[DOOR SHUTS]

[PHONE CHIMES]

[GROANS SADLY]

OH, MY GOD.

OH, ALLISON.

HEY!

HEY.

WHAT ARE YOUDOING HERE?

WE'RE HEADING HOME.WE MISSED THE FIRST FERRY.

WHERE'S ERIC?

HE'S AT WORK,HE DROPPED US OFF,

BUT I...

I THOUGHT IT WAS BESTIF WE JUST HAD A CLEAN BREAK.

AW, SHELLY.

DO YOU WANT TO TALK ABOUT IT?

HONESTLY, THERE REALLY ISN'TTHAT MUCH TO TALK ABOUT.

ALRIGHT,I'LL TELL YOU WHAT.

WHY DON'T I BUY YOUSOME ICE CREAM

HERE FROM THE PIER,

AND YOU CAN CATCHTHE NEXT FERRY?

BEST ICE CREAMIN ALL OF CEDAR COVE.

THANKS, BUT WE HAD LUNCHWHILE WE WERE WAITING.

I NEED TO GET BACK.

HE LOVES YOU.YOU KNOW THAT.

HE HAS A REALLY STRANGE WAYOF SHOWING IT.

I KNOW IT'S NOTTHE SAME, BUT...

HE MENTIONED THAT MAYBEYOU HAD FOUND SOMEONE, TOO?

I LIED.

WHAT DO YOU MEAN?

I TOLD HIM THAT I MET SOMEONEBECAUSE I KNEW-- [SIGHS]

...THAT WAS THE ONLY WAYTHAT HE'D FINALLY LET GO OF ME.

HE'S BOUND TO ME

BY COMMITMENT,

NOT LOVE.

BUT--

HE CAN SEE ADELEWHENEVER HE LIKES.

AND ME?

AS LONG ASYOU'RE NOT DRINKING.

MY DAD.

THE SMELL IS SO FAMILIAR.

THE BREATH MINTSAND THE BEER?

SHELLY, I WAS--

STOP!DON'T SAY ANYTHING.

I DON'T WANT YOUTO LIE TO ME.

I WON'T TELL ERIC.

BUT YOU NEED TOGET YOURSELF TOGETHER.

YOU'RE A GRANDFATHER NOW,

AND...

ADELE NEEDS YOU,

AND SO DO I,

AND SO DOES ERIC.

[SHE SNIFFLES]

[♪]

[BIRDS SINGING]

HI, PEGGY.

[PEGGY GASPS]

[HE CHUCKLES]I'M SORRY.

I DIDN'T MEANTO STARTLE YOU.

I KNOW THESE AREYOUR FAVORITES.

SOME THINGSNEVER CHANGE.

YOU AND YOUR GARDENING,

BOB AND HIS WOODWORKING...

THIS PLACE,

COME A LONG WAYIN 20 YEARS.

AND PEGGY, YOU ARE STILLA BEAUTIFUL WOMAN.

BOB IS ONE LUCKY MAN.

[EXHALES]

I WANT YOU TO KNOW,

THAT WHAT HAPPENED BETWEEN US,STAYS BETWEEN US.

IT WAS A LONG TIME AGO.

I DON'T WANT BOB TO KNOW.I'LL NEVER SAY ANYTHING.

WE WEREDIFFERENT PEOPLE.

AND I DON'T BLAME YOU.

IT WAS AS MUCH MY FAULTAS IT WAS YOURS.

[THROWS FLOWERS DOWN]

[VOICE SHAKING]:WHAT DO YOU WANT?

EVERYTHING OKAY HERE?

I JUST CAME BY TO-- TO GETSOME OF YOUR GREEN TOMATOES,

PEGGY, I...

I NEED 'EM FOR THE CAFE.

PEGGY AND I WERE JUSTTALKING ABOUT OLD TIMES.

WEREN'T WE?

PEGGY?

ARE YOU OKAY?

IT'S OKAY, MOON.

WELL, I'LL LEAVE YOU TO IT.

[♪]

[DOOR OPENS]

HI!

OH, HI.

LOOK WHAT I GOT YOU.

I COULDN'T RESIST.I GOT ME ONE, TOO.

-OH!-HOW WAS SEATTLE?

OH, IT WAS GREAT.

I-I THINKTHE EDITOR LOVED MY PITCH.

OH, CAREFUL. UM...

I THINK I, UH,I ACTUALLY CAUGHT A COLD.

SINCE THIS MORNING?

YEAH. I KNOW.

UM, LISTEN...

CAN WE, UM, CATCH UP LATER?

I HAVE JUST GOT SO MUCH WORKI HAVE TO GET DONE.

OKAY, YEAH.

I MEAN, I'M ON A DEADLINE.

OH. WELL, WHAT ABOUT DINNER?

UH... PROBABLY, YEAH.

PROBABLY?

[AWKWARD CHUCKLE]

I JUST NEED TO ROUGH OUTA FIRST DRAFT.

THAT'S ALL. I...

I--

I UNDERSTAND.

ALRIGHT.

I'LL CALL YOU LATER.

[DOOR OPENS AND SHUTS]

[TROUBLED SIGH]

YOU NEED TO TELL IAN.

WHEN HE GETS BACK.

WHEN HE GETS BACK,HE'LL BE A FATHER.

IF EVERYTHINGGOES OKAY.

IT'LL BE FINE.

THAT'S WHAT THEY SAIDTHE LAST TIME.

I'M SUCH A CLICHE.

PREGNANT AND EATINGICE CREAM.

AND CHOCOLATE CAKE.

AND THREE CHILI DOGS.

FOUR.

I EAT WHEN I'M UPSETAND WHEN I'M PREGNANT.

BY THE WAY, I HAVE A FAVORI NEED TO ASK YOU.

IT HAS TO DO WITH LUKE.

WE'RE NOT IN A GREAT PLACE.

WHAT HAPPENED?

NO, YOU'VE GOT ENOUGHTO WORRY ABOUT.

ARE YOU KIDDING?

I WOULD KILL TO HEAR

ABOUT SOMEONE OTHER THAN MESCREWING UP THEIR LIFE.

I'M NOT SCREWING UP ANYTHING.

YOU'RE KIND OF SCREWING UP.

I AM, AREN'T I?

YES...

BUT IT ISN'T TOO LATE.

YOU HAVEN'T LET THINGS GOTOO FAR, HAVE YOU?

SO WHAT'S THE FAVOR?

EVERY YEAR,

THERE'S A BIGNAVY BENEFIT HELD

TO RAISE MONEYFOR WOUNDED SOLDIERS.

THIS YEAR, THEY ASKED LUKETO BE THEIR GUEST OF HONOR.

I'M NOT UP TO IT.

WELL...YOU KNOW WHY.

ANYWAY, I WAS THINKING...

I DON'T KNOW.

COME ON!IT'S FOR A GOOD CAUSE,

AND, FRANKLY,

IF SOMEONE DOESN'T GO WITH LUKE,

I'M NOT SO SURE HE'LL GO.

[RODEO ANNOUNCER CRACKLINGOVER AUDIENCE DIN]

AND YOU CAN BRINGTHE HORSES--

[LAUGHS GIDDILY]

THERE SHE IS!

PUT ME DOWN,YOU LUG.

CLIFF,THIS IS MY BOYFRIEND, HUGH.

HUGH, THIS IS CLIFF.

YOU'RE RIDINGAGAINST ME.

NO, YOU'RE RIDINGAGAINST ME.

[CHUCKLES]

I GOTTA SAY, I WASA LITTLE SURPRISED

TO SEE YOUR NAMEON THE ROSTER.

OH, YEAH?

YEAH, I MEAN,YOU'RE GETTING A LITTLE--

GOOD?

I WAS GOING TOSAY "RETIRED."

NOW, NOW, BOYS,LET'S SAVE IT FOR THE BULLS.

GOOD IDEA.

[BACKGROUND CHEERING]

GRACE...

WHAT'S WRONG?

I FOUND OUT WHAT'SWRONG WITH ALLISON.

OH!

THAT'S HORRIBLE.

LOOKS LIKE THEY TOOK ITWHEN SHE WAS CHANGING.

AND WHOEVER DID THIS--I WENT ONLINE--

THEY POSTED IT ON HER WALL.

[GASPS]

SCROLL DOWN.THERE'S MORE.

[♪]

IT ISN'T TURNING OUTLIKE YOU SAID.

DICK AND HIS PARTNERS,THEY MEAN BUSINESS,

AND I DON'T WANTANYTHING TO DO WITH IT.

DO ME A FAVOR.LOWER YOUR VOICE.

[MUFFLED SHOUT]:I WANT OUT!

JUST CALM DOWN.

I DID MY PART.NOW I'M DONE! I'M DONE!

[WARREN]: LOOK AT ME!YOU ARE NOT.

YOU ARE NOT DONE.YOU WANNA KNOW WHY?

BECAUSE YOU'RE IN THISAS LONG AS I'M IN THIS.

YOU GOT IT?YOU UNDERSTAND WHAT I'M SAYING?

YOU'RE IN THIS

AS LONG AS I'M IN THIS, OKAY?

NOW LOOK.

THESE DOCUMENTS,I GOT ERIC TO SIGN, OKAY?

TO PROTECT US.

NOW IF SOMEONE COMES LOOKING,

WHOSE SIGNATURE ARE THEY GONNASEE ON THE DOTTED LINE?

NOT YOURS, RIGHT?

NOT MINE.

ERIC'S. RIGHT?

LISTEN TO ME.I CAN HANDLE DICK TURNBULL.

BUT YOU GOTTAUNDERSTAND SOMETHING.

ERIC IS OUR OWN PRIVATELITTLE INSURANCE POLICY.

YOU JUST GOTTA TRUST ME.

HEY!

WOW. REBECCA,WHAT'RE YOU DOING HERE?

SOMEONE FORGOTWE'RE MEETING FOR A LATE LUNCH?

OH! RIGHT.

UM, SORRY.

UH, JUST GIVE US A MOMENT,I GOTTA WALK TYLER OUT,

FINISH UP SOME BUSINESS.

HEY, YOU LOOK GREAT. MWAH!I'LL BE RIGHT IN.

-YUP!-OVER THIS WAY.

[WARREN]: SO LISTEN...

[♪]

WHAT ARE YOU DOING?

I THINK I LEFT MY LIPSTICKHERE THE OTHER DAY.

DID YOU FIND IT?

UH, NO. NO. NO, I DIDN'T.ARE YOU READY?

I'VE BEEN READY...AND WAITING.

[♪]

[KNOCKING]

HI.

OH! GREAT. THANK YOU.

MY MOM WOULD'VE KILLED MEIF I LOST THIS.

DID YOU SEEWHAT WAS ON MY PHONE?

I DID.

AND DID YOU SHOWJUDGE LOCKHART?

SHE DID.

AM I IN TROUBLE?

YOU'RE NOT IN TROUBLE,

BUT WHOEVER'S DOING THIS TO YOUIS IN TROUBLE--

LEGAL TROUBLE.

IT'S REALLY NOT A BIG DEAL.

HONEY, THIS IS VERY SERIOUS.

NO!

IT'S HIGH SCHOOL.

THAT'S WHAT HAPPENS

WHEN THE GUYWHO LIKES YOU

IS LIKED BYTHE MOST POPULAR GIRL IN SCHOOL.

SHE'S MAD, BUT IT'LL PASS.

THE GIRLTHAT IS DOING THIS TO YOU--

PLEASE.

CAN YOU JUST FORGETYOU SAW THIS?

THANKS,BUT I HAVE TO GO.

WOW.

SHE'S TOTALLYBEING BULLIED.

I'M A JUDGE.

THERE ISN'T ANYTHING I CAN DOUNLESS SHE REPORTS IT,

TELLS SOMEONE,OR FILES AN OFFICIAL COMPLAINT.

MY HANDS ARE TIED.

MINE AREN'T.

HEY.

BOB TOLD MEWHERE TO FIND YOU.

[TAKES A DEEP BREATH]

YOU OKAY?

I AM NOW.

OKAY, SO WHAT'S GOING ON?

WELL, I'M BOTHAN EMOTIONAL EATER

AND I HAVE A LITTLE BITOF A NERVOUS STOMACH,

AND, WELL, I'M NERVOUS.

WHAT? ABOUT THIS STUPIDFUNCTION WE'RE GOING TO TONIGHT?

LUKE...

I'M PREGNANT.

WHAT?

CONFIRMED JUST HOURS AGO.

WELL, JUST CALLTHOSE PEOPLE AT THE THING,

TELL THEM I'M NOT GOING.

I SPOKE TO JUSTINE.SHE'S GOING TO GO WITH YOU.

I KNOW YOU DON'T LIKETO GO TO THESE THINGS ALONE,

AND SHE'S FREE.

NO, I JUST DON'T THINKTHAT WE'RE TALKING.

SHE THINKS I'M, UH--

NO. SHE DOESN'T.

SHE JUST KNOWSTHIS ISN'T THE TIME

FOR YOU TO DIVE INTOA COMPLICATED RELATIONSHIP.

BUT YOUR BRUISED MALE EGO

WON'T LET YOU SEE THAT SHE HASYOUR BEST INTERESTS AT HEART.

SO YOU'RE PRETENDINGTO BE MAD AT HER,

WHEN, REALLY, YOU'REIN LOVE WITH HER.

BE THE GOOD GUY YOU ARE,

AND TAKE HER TO THE BENEFITAS A FRIEND,

NOTHING MORE.

'CAUSE SHE IS A FRIEND.

SO DO A NICE THINGFOR HER

AND BACK OFF.

ROGER THAT.

DID YOU COME TO APOLOGIZE?

NO. I CAME HERE TO WARN YOU.

WARN ME?

THERE'S SOMETHINGGOING ON WITH WARREN.

[LAUGHS] PLEASE.

YOU'RE GONNA WARN MEABOUT WARREN?

BE SMART. LISTEN TO ME.

WHAT DO YOU THINK YOU KNOW?

I KNOW THAT WHATEVER DOCUMENTYOU SIGNED

IS WARREN'SGET-OUT-OF-JAIL-FREE CARD.

THANKS,BUT I GOT THIS UNDER CONTROL.

THE CAPTAIN OFTHE TITANICHAD MORE CONTROL OVER THINGS

THAN YOU DO.

DO YOU LIKE INSULTING ME?

YES!

BUT THAT'S BESIDE THE POINT.

THE POINT BEING?

HE SET UPTHIS CORPORATION

WITH YOUAS THE ONLY OFFICER

SO THAT NOTHING CANBE TRACED BACK TO HIM.

YOU, ON THE OTHER HAND,ARE ON THE HOOK!

IF YOU COULDLOOK PAST

WHATEVER MESSED-UPFEELINGS YOU HAVE FOR ME,

YOU'D SEETHAT I'M RIGHT.

WAKE UP, ERIC...

BEFORE IT'S TOO LATE.

[♪]

[KNOCKING]

[JUSTINE]: HEY, LUKE!COME ON IN, IT'S OPEN.

UH, TAKE YOUR TIME.I'M EARLY.

I HAVE THIS THING.

MY FATHER ALWAYS SAID

"IF YOU'RE ON TIME,YOU'RE LATE,"

WHICH I HATED,

BUT SOMEHOW, IT MUST'VEGOTTEN INTO MY HEAD,

BECAUSE I'M ALWAYSTHAT ANNOYING GUEST

WHO SHOWS UP FIRSTAT THE PARTY.

HI.

WOW.

[CHUCKLES]

YOU CLEAN UP PRETTY NICE, TOO.

ARE WE STILL FIGHTING?

I WAS NEVER FIGHTING WITH YOU.I WAS JUST BEING HONEST.

TRUE.

SO, COULD WE MAYBE JUSTGO TO THIS THING

AND NOT TALK ABOUT YOU AND ME,

OR SETH, OR THERAPY,

OR P.T.S.D.,

OR WHETHER OR NOTI'M MENTALLY FIT?

YEAH. I CAN DO THAT.

GOOD.

[♪]

HEY, ROY.

BOB.

THANKS FOR TAKING THE TIMETO MEET WITH ME.

ANYTIME.

SO WHAT CANI HELP YOU WITH?

IT'S PEGGY.

WHAT ABOUT PEGGY?

WELL, SOMEONE SENT PEGGYFLOWERS ABOUT A WEEK BACK.

NOW, WHOEVER DID THAT

HAS BROUGHT FLOWERSBY THE HOUSE.

NOW, I DIDN'T THINKANYTHING OF IT AT THE TIME,

BUT PEGGY HAS GOTTEN SO...

WELL, JUMPY AND--AND NERVOUS,

I MEAN, WHOEVER'S DOING THISHAS BEEN TO OUR HOME.

YOU UNDERSTAND?

I REALLY NEED YOU

TO LOOK INTO ITFOR ME.

I DIDN'T TELL HER ANYTHING,

BUT, UH, WELL...

I-I-I'M WORRIED.

OKAY. I'LL CHECK IT OUT.

GOOD.

I'LL CALL YOUTOMORROW.

I APPRECIATE IT.

I'M SO SORRY.

HEY, ALLISON NEEDS YOU.

[GRACE]:SHE DOES.

YOU KNOW, YOU'RE NOT COMPETINGUNTIL TOMORROW, SO...

HEY, YOU AREWHERE YOU NEED TO BE.

I'LL BE FINE.

I CAN'T BELIEVEI'M GOING TO MISS THE RODEO

AND YOUR BIG MOMENTWITH KILLJOY.

I'LL HAVE ALEXTAKE SOME PICTURES.

[GRACE]:OKAY.YOU KNOW I LOVE YOU.

I LOVE YOU, TOO.

[RODEO COMMENTATORCRACKLING OVER P.A. SYSTEM]

[COMMENTATING CONTINUES,CROWD CHEERS]

THESE ARE THE GUYSAND THE GIRLS

THAT KEEP THIS SHOW GOIN'.

IF YOU LIKE IT,YOU LOVE IT--

EVERYTHING ALRIGHT?

[TEARFULLY]: YEAH. JUST SOMEBOYFRIEND-GIRLFRIEND STUFF.

...AND BE A PARTOF THIS GREAT SHOW,

AS WE CELEBRATE OUR 26th YEARNEXT YEAR.

[DOOR BANGS SHUT]

YOU WENT BEHIND MY BACK?

YOU TALKED TO MY MOMAND THE SCHOOL?

OH, HONEY, I WASWORRIED ABOUT YOU.

I'M ONLYTRYING TO HELP.

WELL, YOU DIDN'T!YOU MADE THINGS A LOT WORSE!

WHAT IS HAPPENING TO YOU,ALLISON, IS WRONG.

BULLYING, CYBER-BULLYING,IS AGAINST THE LAW.

ALL YOU NEED TO DOIS FILE A COMPLAINT

AND THIS WILL ALL GET BETTER.OLIVIA AND I WILL HELP.

LIKE THAT MAKES A DIFFERENCE

TO THE GIRLS WHO AREMAKING MY LIFE A LIVING HELL?

OH, ALLISON.

I COULD BARELY HOLD ITTOGETHER BEFORE, BUT NOW--

-HONEY, COME ON.-GRACE!

IF YOU WANT TO HELP,JUST STAY OUT OF MY LIFE.

I DON'T WANT YOUR HELP,AND I DON'T WANT YOU.

ALLISON!

AND I QUIT.

I'M NOT GONNA HELP YOUAT THE LIBRARY ANYMORE.

[♪]

[MUSIC PLAYING FAINTLY,CAFE BUZZING WITH CHATTER]

WHOA-HO-HO.LOOK AT YOU GUYS!

[JUSTINE CHUCKLES]

WE'RE STARVED!

WHAT, THEY DON'T FEED YOUAT THESE FANCY BENEFIT THINGS?

NOT NEARLY ENOUGH.

WELL, FIND A SEAT,WHEREVER YOU CAN.

[♪]

IS IT JUST ME,OR ARE WE OVERDRESSED?

NOT AT ALL.

WHEN I USED TOWORK HERE,

WE SERVEDDECORATED VETERANS

IN FULL NAVY DRESSALL THE TIME.

OH, REALLY?

[CHUCKLES]

WELL...

I THINKI SHOULD LOSE THIS JACKET

'CAUSE I FEEL LIKESOME FRIES AND KETCHUP.

YOU MIGHT BE WAITING A WHILE.

MOON DOESN'T HAVE A FRYER.

NO FRYER?

NO.

[LAUGHS]

WELL, THEN I GUESSI WILL LEAVE THE JACKET ON.

YOU LOOK GREAT IN THAT DRESS,BY THE WAY.

CAN I SAY THAT, FRIEND?

YES. AND, THANK YOU.

YOU'RE LIKE NO FRIENDI'VE EVER HAD.

[♪]

I HAD FUN TONIGHT.

YEAH. ME TOO.

I'D FORGOTTEN WHAT REAL FUNWAS LIKE.

CAN I TELL YOU SOMETHING?

YEAH.

I GOT INTO GRAD SCHOOL.

YEAH?

[BOTH LAUGHING]

CONGRATULATIONS.

YOU'RE THE FIRST TO KNOW.

YOU WANT SOME COFFEE?

YES, PLEASE.

[♪]

HI, JUSTINE.

YOU AND INEED TO HAVE A TALK.

GET IN.

DON'T MAKE MEREPEAT MYSELF, KID.

I'M ABOUT OUT OF PATIENCE.

[DOOR OPENS AND SHUTS]

-JACK?-HEY!

-MM.-MM...

I DON'T CAREIF YOU HAVE A COLD.

IT'S OKAY.I THINK IT WAS JUST ALLERGIES.

MM.

WHAT WAS THAT FOR?

I MISSED YOU TODAY.

I THINK I NEED TO GO AWAYTO SEATTLE MORE OFTEN.

AND I THINKI SHOULD GO WITH YOU.

WHAT?

COME HERE. I WANTTO TALK TO YOU.

OKAY.

SIT DOWN.

AHEM.

SO I'VE BEENTHINKING.

YEAH?

LET'S GET AN APARTMENT TOGETHERIN SEATTLE.

THAT WAY, YOU COULD USE ITFOR WORK DURING THE WEEK

AND I COULD SPEND MORE TIMEWITH YOU THERE.

BUT WHAT ABOUT YOUR WORK?

I CAN FIT MY DOCKETINTO A FOUR-DAY WEEK.

THEN WE COULD HAVETHREE-DAY WEEKENDS.

I COULD COME ON THURSDAYS,LEAVE ON MONDAYS.

I SEE HOW MUCHYOUR WORK MEANS TO YOU,

AND YOU MEAN SO MUCH TO ME...

I THINK IT'S TIMEI PUT US BEFORE EVERYTHING ELSE.

OKAY...

[UNEASY CHUCKLE] JACK?

DO YOU NOT WANT MEIN SEATTLE?

[♪]