Original subtitles

PREVIOUSLY ON CEDAR COVE...

NO.

SO YOU'RE THE GUYTHAT HE HIRED.

BUT I'M NOT A GUY.

NO, YOU'RE NOT.

I RE-UPPED.

PLEASE, JACK,I'M NOT JEALOUS.

I'M CONCERNED ABOUT YOU.

YOU KNOW, I TOTALLYUNDERSTAND IF YOU'RE ANGRY.

I'M NOT.

YOU'RE NOT?

I WAS.

I WAS SPITTIN' ANGRY.

THEN I TOOK DUKE OUT FORA COUPLE OF HOURS, AND...

AND NOW?

I'M BETTER.

YOU KNOW THAT NOTHING HAPPENEDWITH WILL, RIGHT?

I BELIEVE YOU.

AND HERE I THOUGHT

WE WERE GOING TO HAVEA BIG MESSY FIGHT.

NO, BUT...

YOU'VE GOT TO BEHONEST WITH ME.

DOES WILL HAVEANYTHING TO DO

WITH YOU WANTING TOSLOW THINGS DOWN?

NO.

NO, I JUST WANT SOME TIMETO CATCH MY BREATH.

[SIGHS WISTFULLY]

I GUESS YOU WEREEXPECTING SOMEONE

A LITTLE MOREMASCULINE.

MMM.

YOU KNOW, ALEX ISSHORT FOR ALEXANDRA.

YEAH, I GOT THAT,THANKS.

SHE MOVED INTOTHE CABIN.

-SO I HEAR.-SHE LOVES IT.

SHE'S THINKING ABOUT NAILINGCOWBOY BOOTS TO THE WALL.

WHAT DO YOUTHINK OF THAT?

[CHUCKLING]

SO...

YEAH.

YEAH, THIS ISKIND OF...

I KNOW.

SO WHATDO WE DO NOW?

GOOD NIGHT, LUKE.

GOOD NIGHT.

[STARTS ENGINE]

YOU'RE UP EARLY.

[WEARILY] HMM.

I'M ON DEADLINEFOR THE PAPER.

OH, DON'T WORRY.

I HEAR THE EDITOROF THECHRONICLE

IS A TOTAL PUSHOVER.

NO, THIS IS THE ARTICLEFORTHE SEATTLE COURIER,

AND IT'S DUEBY THE END OF THE WEEK.

AND IF I DON'T WOWTHE NEW EDITOR

WITH ANOTHERBEAUTIFULLY WRITTEN,

EMOTIONALLY DRIVEN STORY,

THEN THIS ASSIGNMENTWILL BE MY LAST.

SO, WHAT DO YOU HAVE?

A MIGRAINEAND AN UPSET STOMACH.

[LAUGHS]

YOU'RE GOING TOBE OKAY.

AH...

YOU KNOW, I REMEMBER THE RUSH

OF WRITING SOMETHINGTHAT MILLIONS OF PEOPLE READ,

BUT I FORGOT THE PANICTHAT PRECEDES IT.

WHAT'S REALLY GOING ON?

I NEVER THOUGHTTHAT I WOULD BE BACK

WORKING WITHA HIGH-PROFILE PAPER AGAIN.

MY STORY ON LUKEOPENED UP

A LOT OF CLOSED DOORSFOR ME, BUT...

[SIGHS HEAVILY]

WHAT IF I DON'T HAVEANOTHER GREAT ARTICLE IN ME?

YOU KNOW, WHAT IFTHAT WAS JUST A FLUKE?

THE ARTICLE ON LUKE

IS THE FIRST OF MANY.

I'M NOT SO SURE.

YOU MADE ME CRY.

I DID?

YOU NOT ONLY GOT IN MY HEAD,

YOU TOUCHED MY HEART.

WOW...

NOW, THATIS WORTH MORE THAN A PULITZER.

[CHUCKLES]

WELL,

THEN STOP YOUR BELLYACHINGAND WRITE ME ANOTHER ONE.

[CHUCKLES]

[SIGHS]

[♪]

♪ HOLD YOUR HEADCLOSE TO THE GROUND ♪

♪ SO YOU CAN HEAR MY VOICEAS IT STARTS TO SOUND ♪

♪ CAN YOU FEEL IT NOWYOU FEEL IT IN YOUR VEINS... ♪

MORNING.

GOOD MORNING.

COFFEE?

OH, YEAH.

HOW DID YOU SLEEP?

NOT WELL.

HOW DO YOU THINK IAN SLEPT?

I THINK...

IAN AND I NEED TOGET USED TO SLEEPING APART.

THIS ISN'T ABOUT BABIES

OR US LYINGTO EACH OTHER ANYMORE.

WHAT'S IT ABOUT?

WHETHER WE SHOULDSTAY TOGETHER.

HELLO...

HEY!

THERE THEY ARE.

HI. OH...

THERE SHE IS.

OH, WHO'S THE MOST BEAUTIFULGIRL IN THE WORLD?

YES, YOU ARE!

YES...

AND WHAT IS IT ABOUT BABIES

THAT MAKE ADULTSSOUND LIKE IDIOTS?

[LAUGHING]

OH, HEY, SHELLY,YOU LOOK GREAT.

OH, THANK YOU.

LOOK AT YOU.

OH, YEAH, I'M FINE, DAD.

THANKS FOR ASKING.

OH, I SEE YOU ALL THE TIME.

PLUS, YOU'RE NOTAS CUTE AS THIS ONE.

VERY TRUE.

WE'RE JUST COMING INFOR A QUICK VISIT,

AND THEN I'M GOING TO TAKESHELLY AND ADELE OUT TO EAT

BEFORE I'VE GOT TOGET BACK TO WORK.

OKAY.

AND THEN WE'REGOING TO GO BACK

TO DADDY'S NICE NEW HOUSEFOR A NAP.

HEY, WHY DON'T YOU JOIN US?

I DON'T NEED A NAP.

[LAUGHS]

HE MEANT FOR LUNCH.

OH, I WISH I COULD, GUYS,

BUT I'VE GOT TO WORK.

ERIC TOLD ME ABOUTTHE NEW JOB IN SEATTLE.

DOES THAT MEAN

WE MIGHT GETTO SEE YOU MORE OFTEN?

MOST DEFINITELY, YES.

YAY.

HEY, DO YOU GUYS NEED TOLEAVE ADELE HERE WITH ME?

WELL, YOU HAVE TO WORK.

YOU DESERVE TO HAVESOME ALONE TIME WITH SHELLY.

THANKS, DAD, BUT I WANTBOTH MY GIRLS WITH ME.

OKAY.

GOOD LUCK WITH YOUR ARTICLE.

THANK YOU.

OKAY, BYE, GUYS.

BYE BYE.

BYE...

[SIGHING HEAVILY]

HEY!

HI.DO YOU HAVE TIME

FOR AN EMERGENCY LUNCH?

DID YOUTALK TO CLIFF?

I DID, BUT THIS IS ABOUT ALEX.

WHO'S THAT?

NEW HORSE TRAINERTHAT CLIFF HIRED.

OKAY, WHAT'SWRONG WITH HIM?

HIM IS A HER,

AND HER IS A VERYATTRACTIVE WOMAN

WHO IS WORKINGWITH MY BOYFRIEND.

THIS IS CLIFFWE'RE TALKING ABOUT.

YEAH, WELL, THANKS TO ME,HE'S OUT THERE ALL ALONE

WITH A WOMANWHO MAKES FLANNEL SEXY.

[LAUGHS]

CLIFF LOVES YOU.

YEAH, AND THEN I GO

AND ASK HIMFOR MORE SPACE.

IF I'M NOT CAREFUL,

I'M GOING TO END UP WITHMORE SPACE THAN I WANT.

WELL, THEN, DON'TGIVE HIM THE SPACE.

IT'S YOUR RULE.YOU CAN BREAK IT.

YEAH.

YOU WERE RIGHT,IT'S COLIN MCFADDEN.

OKAY.

THANKS.

I CONFIRMED HE'S THE ONESENDING YOU FLOWERS.

[SIGHS]

SEEMS LIKEHE'S STAYING PUT,

BUT I'LL MAKE SUREMY GUY AT PORTLAND P.D.

KEEPS AN EYE ON HIM.

GOOD.

THANK YOU.

MAYBE IF YOU TOLD METHE WHOLE STORY,

I COULD DO MORE.

I CAN'T.

NO ONE CAN KNOW.

WELL, YOU KNOW I'M HERE,

AND IF YOU CHANGE YOUR MINDAND WANT TO TALK...

YEAH.

THANKS.

WAIT A MINUTE...

YOU'RE WAITING FORJUDGE LOCKHART.

YES.

HOW DID YOU KNOW?

I HAVE A TOUCH OF ESP.

I GOT IT FROM MY MOTHER--

MY BIRTH MOTHER,THAT IS.

REALLY?

YEAH. YEAH...

AND ALSO, UH, OLIVIA CALLED

ASKED ME TO TELL YOUSHE'S RUNNING A LITTLE LATE.

BUT I KNEW THATBEFORE SHE CALLED.

IF YOU SAY SO.

[LAUGHING]WHAT CAN I GET YOU FOR?

UH, JUST WATER, PLEASE.

BOTTLED, SPARKLING, OR TAP?

TAP.

AH.

A MOST EXCELLENTAND, UH, ECONOMICAL CHOICE.

HEY, MOON.

HEY.

SORRY I'M LATE.

NO PROBLEM.

SO...

PAY UP.

WHATEVER DO YOU MEAN?

OH, LET ME REFRESH YOUR MEMORY.

OUR MONTHLY POKER GAME,

WHERE YOU AND YOUR FRIENDS

SURRENDER YOURHARD-EARNED CASH TO ME.

IT'S ALL COMING BACK.

HOW DO YOU BEAT A FULL HOUSE?

STRAIGHT FLUSH.

WHERE DID YOU GET THAT QUEEN?

IT JUST APPEARED.

AND THEN YOUR MONEY JUST...

DISAPPEARED?

[LAUGHING]

YOU'RE A SHARK.

I AM.

I LIKE THAT ABOUT YOU.

HERE YOU GO.

I THREW INA COUPLE ICE CUBES

ON THE HOUSE.

GO WILD.

YOUR USUAL.

NOW THAT I HAVE YOUIN A WEAKENED STATE,

I'M GOING TOHIT YOU UP FOR A FAVOR.

FROM ME?

YEAH. WITH REBECCA.

[SIGHING]

WHAT'D SHE DO THIS TIME?

SHE LIED ON HER RESUME.

REALLY?

FLAT-OUT LIEDOR JUST EMBELLISHED?

I MEAN, NOT THATIT MAKES A DIFFERENCE.

FLAT-OUT LIED.

SHE DIDN'T GO TO YALE.

HUH.

OKAY.

SO, WHAT'S THE FAVOR?

LET ME HANDLE IT FOR YOU.

BUT SHE WORKS FOR ME.

WHAT ARE YOU UP TO?

I WOULD HAVE LOVED TO SEE HER,

JUST LIKE, EVEN,JUST BEING A BABY,

AND WITNESSING SOMETHINGLIKE THAT FOR THE FIRST TIME--

ERIC!

HI, WARREN.

HEY.

HI.

UH, WARREN, THIS IS SHELLY.

SHELLY, THIS IS WARREN,MY BOSS.

SHELLY, HI. IT'S VERYNICE TO FINALLY MEET YOU.

NICE TO MEETYOU, TOO.

-OH, THIS IS REBECCA.-HELLO.

HI.

WELL, WE SHOULD, UH,

GET TO OUR TABLE.

NO, NONSENSE. YOU GUYSARE GOING TO JOIN US.

OH, NO, WE'RE FINE.

OH, ERIC, COME ON, SIT.

WE DON'T WANT TO INTERRUPT.

I INSIST, ERIC.

LIKE I SAID,SIT DOWN.

O...KAY.

MAYBE THEY'D LIKEA LITTLE TIME TO THEMSELVES?

THEY HAVEN'T SEENEACH OTHER FOR A WHILE.

IT HAS BEEN A WHILE.

HOW DID YOU KNOW THAT?

YEAH, REBECCA,HOW DID YOU KNOW THAT?

SMALL TOWN.

OKAY, UH, PLEASE,SHELLY, JOIN US.

OKAY.

I DON'T BELIEVE IT.

IS THAT YOU?

IS THAT REALLY YOU?

IT'S ME.

COLIN, WHEREHAVE YOU BEEN?

AWAY.

AND NOW?

I'M MOVING BACK.

[LAUGHING IN DELIGHT]

OH, WAIT TILL PEGGY FINDS OUT.

[LAUGHING HAPPILY]

[CRACKS WHIP]

EASY, EASY...

EASY, WHOA, WHOA...

GOOD GIRL.

HEY, GRACE!

HEY.

IS CLIFF AROUND?

I'M AFRAID NOT.

DO YOU KNOWWHERE HE IS?

WE'VE GOT A NEW STALLIONWITH A LITTLE TOO MUCH ENERGY.

CLIFF'S TRYING TO TIRE HIM OUT.

AW.

WELL, I JUST BROUGHTHIM SOME COOKIES.

WOULD YOU LIKE ONE?

I'D LOVE ONE,

BUT I'M TRYINGTO LOSE FIVE POUNDS.

OF COURSE YOU ARE.

I'M JUST IN THE MIDDLEOF LUNGING MADDIE.

OKAY, WELL, UH,

I'LL JUST DROP THESE OFF, THEN,

AND I'LL COME BACK LATER.

OKAY. I'LL TELL CLIFF.

OKAY.

COME ON, MADDIE.

YOU KNOW, I THINK I'M...I'M JUST...I'M GOING TO WAIT.

OH, NO PROBLEM.

I JUST NEEDA FEW THINGS.

OKAY.

I'M GLAD YOU CAME BY.

YOU ARE?

YEAH.

I DIDN'T WANT TO LEAVEWITHOUT SAYING GOODBYE.

WHAT ARE YOU TALKING ABOUT?

I GOT THEM TO PULL UPMY DEPLOYMENT.

I SHIP OUT LATER TODAY.

REALLY?

YEAH, WHAT'STHE DIFFERENCE?

TODAY, TWO WEEKSFROM NOW...

I JUST, I COULDN'T LEAVEWITHOUT...

TELLING YOU THAT I LOVE YOU.

AND WITHOUTTELLING YOU

THAT I CAN'T KEEP LIVINGLIKE THIS.

MAYBE SOMEONEJUST HAS TO SAY IT,

AND THEN WE BOTH CANMOVE ON WITH OUR LIVES.

WHAT I DO FOR A LIVING,

EVERY DAY I'M REMINDEDOF HOW SHORT LIFE IS,

AND IT'S TOO SHORTFOR US BOTH TO BE THIS UNHAPPY.

YOU KNOW HOW I KNOW I MADETHE RIGHT DECISION TO LEAVE?

BECAUSE YOU'RE NOTEVEN FIGHTING IT.

YOU WON'T EVENTELL ME YOU LOVE ME.

[CHUCKLES MIRTHLESSLY]

[DIALING PHONE]

[SIGHS HEAVILY]

[CELL PHONE RINGS]

HELLO?

[JACK]: HEY...

HEY, YOU.

I'M NOT SUREI CAN MAKE DINNER TONIGHT.

WRITING?

ACTUALLY, I'M, UH,GOING TO SEATTLE.

WHY?

I JUST FEEL LIKE MY ARTICLEIS LACKING SOME REALISM,

AND IF I CAN ACTUALLY TALK TO

THE PEOPLE I WANTTO WRITE ABOUT,

IT MIGHT HELP.

PLUS I'VE GOT TO DOSOME RESEARCH, SO...

JACK, YOU DON'T SOUND SO GOOD.

NO, NO, NEVER BETTER.

LOOK, YOU'RE GOING TO GETTHIS ARTICLE WRITTEN,

AND IT'S GOING TO BE EVEN BETTERTHAN THE ONE ON LUKE.

YOU ARE CONTRACTUALLYOBLIGATED TO SAY THAT.

YOU'RE MY GIRLFRIEND.

I'M LIKE GEORGE WASHINGTON,I CANNOT TELL A LIE.

[CHUCKLES]

THANKS.

SO, GRAB SOMETHING LATER?

I'D RATHER STAY IN.

WHATEVER WILL WE DOWITH OURSELVES?

OH, WE'LL THINK OF SOMETHING.

[CHUCKLING]

I'LL CALL YOU LATER.

LOVE YOU.

I LOVE YOU TOO.

BYE.

[KNOCK ON DOOR]

JUDGE LOCKHART,THEY'RE READY FOR YOU.

I'LL BE RIGHT THERE.

OH, YOU KNOW...

BEEN BUSY.

I SHOULD LET YOU GO, UM...

WE CAN SKYPE LATER?

I DON'T KNOW, I JUSTWANT TO SEE YOUR FACE.

OKAY.

I LOVE YOU TOO.

BYE.

[BEEPS PHONE OFF, SNIFFLING]

[KNOCK ON DOOR]

HEY.

OH, JUSTINE,ARE YOU OKAY?

NO, I'M NOT OKAY.

IT WASN'T JUST YOUON THAT BEACH YESTERDAY.

IT'S OKAY, I'M CONFUSED TOO.

NO, I DON'T THINKYOU'RE CONFUSED.

I THINK YOU'REFEELING GUILTY.

WHY WOULD YOU WANT ME ANYWAY?

I'M A REALLY BAD GIRLFRIEND.

YOU CAN DENY ITALL YOU WANT,

BUT THERE IS SOMETHINGGOING ON BETWEEN US.

IT'S JUST FRIENDSHIP.

NO, THERE'S SOMETHINGMORE THAN THAT,

AND THE SOONER YOU FACE IT,

THE BETTER IT WILL BEFOR ALL OF US.

SETH INCLUDED.

I'VE GOT TO GO.

[KNOCK ON DOOR]

YES?

YOU RANG?

WE NEED TO TALK.

AGAIN?

DON'T YOU HAVE OTHER PEOPLEYOU CAN EAT LUNCH WITH?

I CALLED PATRICIA MALLOYAT YALE.

YEAH?

SHE DIDN'T REMEMBER YOU.

I TOLD YOUI NEVER HAD HER.

I KNOW.

WHAT DO YOU KNOW?

THAT YOU DIDN'T GO TO YALE.

REALLY?

[HAUGHTILY] WHAT?

YOU'RE CAUGHT.

YOU CAN'T PRETENDYOU'RE NOT CAUGHT.

SAYS YOU.

SAYS THE FACTS.

I'M SORRY,

IS THIS THE PART WHERE I'MSUPPOSED TO BREAK DOWN AND CRY

AND BEG YOU TO NOT TELL MY BOSS?

NO.

THIS IS THE PARTWHERE YOU DROP THE ATTITUDE,

BECAUSE YOUR ENTIRE CAREERIS AT STAKE.

THIS ISN'T ATTITUDE.

THIS IS ME,

AND UNLIKE

MOST OF THE PEOPLEYOU ENCOUNTER,

I'M NOT AFRAID OF YOU.

I'LL CATCH UPWITH YOU.

HEY...

HEY.

WHAT ARE YOU DOINGBACK IN SEATTLE?

OH, UH, I JUST NEEDED TO USETHE PAPER'S NEXUS,

YOU KNOW, DO A LITTLE RESEARCH.

HUH...

I KNOW THAT FACE.

WHAT?

YOU ARE TOTALLY BLOCKED.

[CHUCKLES]

UH...

I CAN'T SEEM TO STRINGTWO SENTENCES TOGETHER.

WELL, BACK IN PHILLY,WHENEVER YOU GOT LIKE THIS,

YOU ALWAYS PULLED OUTA WINNER IN THE END.

YEAH, WELL, THAT WAS PHILLY.

HEY, WHY DON'T YOU JOIN US?

US?

YEAH, THAT'S THE EDITORIALSTAFF FROM THE PAPER.

YOU'VE WANDERED INTOOUR REAL OFFICE.

COME ON,IT'S A GREAT GROUP.

YOU'LL REALLY LIKE THEM.

UH...

NO, I'M GOING TO STAY HERE,

TRY AND GETSOME WORK DONE,

BUT, UM...

THANK YOU.

IF YOU CHANGE YOUR MIND...

I WON'T.

RIGHT.

SO, WHAT WEREYOU EXPECTING?

I DON'T KNOW,

I THOUGHTIF I CONFRONTED HER,

SHE'D DROP SOME OFTHAT ATTITUDE,

AND I COULDGET THROUGH TO HER.

SHE CALLEDAND RESIGNED.

REALLY?

WHAT IS IT ABOUT HER?

I MEAN, WHY CAN'T YOULET IT GO?

YOU KNOW YOU CAN'TSAVE EVERYONE.

WELL, SOMEBODY'SGOT TO HELP HER.

ALL THAT BLUSTERAND BRAVADO,

IT'S HIDING SOMETHING.

YEAH, BUT WHY YOU?

BECAUSE I SAW HERIN ACTION.

SHE IS AN AMAZINGATTORNEY.

I KNOW.I HIRED HER.

BUT SHE LIED.

SHE DIDN'T NEED TO.

I SAW THE GRADES FROMTHE COLLEGE SHE DID GO TO.

STRAIGHT AsACROSS THE BOARD.

I JUST HATE TO SEE HERTHROW HER CAREER AWAY.

WELL, I GUESS IF YOU COULDGET HER TO SEE REASON,

I COULD REINSTATE HER,

BUT SHE'D BE ON PROBATION,AND I MEAN IT,

IF SHE EVEN GETS A PARKINGTICKET, THAT'S IT.

I DON'T DOTHREE STRIKES.

TONY, YOU'REA GOOD MAN.

YEAH...

BUT IS REBECCAA GOOD WOMAN?

DICK TURNBULLISN'T VERY HAPPY.

HE WANTS TO MEET.

BECAUSE EVERYBODYI DO BUSINESS WITH BACK EAST

[QUIETLY]ENDS UP IN FEDERAL CUSTODY.

LOOK, YOU'RE MY LAWYER, OKAY?

YOU SET UP WITH THE FEDSIN THE FIRST PLACE.

DO SOMETHING. NOW!

-HEY.-HI.

SIT.

I, UH...

I GOTTA SAY, ERIC, UM...

YOU SURPRISED ME.

HOW IN THE WORLDDOES A GUY LIKE YOU

GET A GIRL LIKE REBECCA?

NOW, LISTEN, DON'TTAKE THIS THE WRONG WAY.

YOU ARE FAR MORE TALENTEDTHAN I EVER THOUGHT,

AND I GOTTAREMEMBER THAT.

BUT YOU GOTTA KNOW

YOU'RE WAY OUT OFYOUR LEAGUE HERE, RIGHT?

COME ON, ERIC,THE GIRL'S A MASERATI,

YOU'RE-YOU'RE, WHAT,HER TWO DOOR COUPE,

AT BEST?

YOU CAN'T HANDLE HER.

BUT, YOU KNOW, I'LL ADMIT IT,

I UNDERESTIMATED YOU.

I WILL NOT DO THAT AGAIN.

I WON'T DO THAT AGAIN.

JUSTINE...

HEY.

ARE YOU OKAY?

NOT REALLY.

WELL, I ASSUMESINCE YOU'RE HERE,

YOU WANTED TOTALK TO ME.

I DO.

I'M JUST AFRAID YOU'LL JUDGE ME.

NEVER.

I JUDGE ME.

WHAT ARE YOU TALKING ABOUT?

I WANTED TOKISS LUKE.

OH.

HE KISSED ME ONCE BEFORE.

HE DID?

AND I SLAPPED HIM.

[CHUCKLES GENTLY]

BUT I THINK IT'S MEI REALLY WANTED TO SLAP.

I HAVE A BOYFRIEND I LOVE,

AND YET...

DO YOU WANT TO BE WITH LUKE?

I DON'T KNOW.

WHEN I'M WITH HIM,

YES, BUT...

IS IT POSSIBLETO HAVE THE SAME FEELINGS

FOR TWO MEN AT ONCE?

TWO VERY DIFFERENT MEN?

OF COURSE IT IS.

BUT ULTIMATELY, FOR YOUR SAKEAND THEIRS,

YOU NEED TO MAKE A CHOICE.

HOW DO YOU DO IT?

MAKE HARD DECISIONSDAY AFTER DAY IN COURT?

WELL, EVERY CASE IS DIFFERENT,

BUT I APPROACH THEMIN THE SAME WAY.

I GATHER THE FACTS,I LISTEN TO THE ARGUMENTS,

AND THEN WITH A CLEAR HEAD,

I RENDER THE BEST DECISIONI CAN AT THE TIME.

HOW CAN YOU BE SUREIT'S THE RIGHT DECISION?

BECAUSE I TRUST MYSELF,

AND THAT IS WHATYOU NEED TO DO,

TRUST YOURSELF.

AW...

♪ AND I'M LIKE A BOOKUPON YOUR SHELF ♪

♪ ONE OF THOUSANDS

♪ HOPING TO BE THE NEXT ONEYOU PICK OUT ♪

♪ AND I'M LIKEYOUR SHADOW IN THE SUN ♪

♪ I'M SO ATTACHED TO YOU

♪ I WOULD NOT EXISTIF YOU WERE GONE ♪

♪ SO HOLD ME CLOSER NOW

♪ HOLD ME CLOSER NOW

♪ YEAH, I NEED NO ONE ELSEBUT YOU... ♪

WELL, ISN'T THISA NICE SURPRISE.

I BROUGHT YOU COOKIES.

THEN I ATE THEM.

HOW MANY WERE THERE?

DON'T YOU JUDGE ME.

[CHUCKLES]

GRACE, ISSOMETHING WRONG?

GEE, I DON'T KNOW.

COME ON, GRACE,SHE'S AN EMPLOYEE.

YEAH, WELL,MRS. ARNETT WAS 60,

AND SHE HAD MOREFACIAL HAIR THAN YOU.

CAN'T YOUGET HER BACK?

SHE WAS GOODWITH THE BOOKS,

BUT I NEED SOMEONE TOHELP ME WITH THE HORSES.

YEAH, WELL,WHAT ARE YOU DOING?

ARE YOU JUST DOING THISTO PUNISH ME

BECAUSE I WANTEDSOME SPACE?

OR BECAUSE OF WILL?

GRACE, REALLY,IS THAT WHAT YOU THINK?

HOW WOULD YOU FEEL

IF I HIREDA CHIPPENDALE DANCER

TO WORK WITH MEIN THE LIBRARY,

WITHOUT HIS SHIRT.

WELL, NUMBER ONE,

CHIPPENDALE DANCERS ALWAYSWORK WITHOUT THEIR SHIRTS,

AND NUMBER TWO,

I CAN'T SEE TOWN COUNCILGIVING THAT TO YOU

IN THE BUDGET.

HA HA.

COME ON, TELL MEYOU HAVEN'T NOTICED

WHAT A KNOCKOUT SHE IS.

I'VE BEEN TOO BUSY

STARING AT THIS KNOCKOUTRIGHT IN FRONT OF ME

TO NOTICE ANY OTHERS.

[PAPER BAG CRINKLING]

WANT TOSHARE IT WITH ME?

NO, THANK YOU.

I THINK YOU NEED ITMORE THAN I DO.

FOR TWO PEOPLESLOWING THINGS DOWN,

I'M SEEINGAN AWFUL LOT OF YOU LATELY.

WHY DO YOU PUT UP WITH ME?

I TOLD YOU BEFORE,

I LOVE YOU.

YOU'RE THE ONEWHO WANTED MORE SPACE.

I WANTED LESS.

[♪]

HEY.

IF YOU'RE NOT GOING TO JOIN US,

THEN WE AREGOING TO JOIN YOU.

[SIGHING] LOOK,JERI, I JUST...

EVERYONEWANTS TO MEET YOU.

THEY ALL READ YOUR ARTICLE,

AND LOVED IT.

EVERYONE,THIS IS JACK.

NICE TO MEETYOU, JACK.

AND THIS IS EVERYONE.

[MURMUR OF BUSY CROWD]

IAN!

IAN.

HEY.

I'M SORRY.

I'M SO SORRY FOR EVERYTHING.

I WAS ANGRY AT YOU,

AND I KNEW EARLIER YOU WANTED METO SAY I LOVE YOU,

BUT THAT'S WHY I COULDN'T.

CECILIA...

I JUST WANT YOU TO STAY SAFEAND COME BACK TO CEDAR COVE.

WE'LL FIGURETHIS OUT.

WE'VE BEENTHROUGH WORSE.

I LOVE YOU,

AND I NEED YOU TO KNOW THAT.

I REALLY DO LOVE YOU.

I'M SORRY TOO.

BUT IT'S TOO LATE.

NO, IT ISN'T.

I WANT A DIVORCE.

LOVE IS NOT ENOUGH

TO HOLD THIS MARRIAGETOGETHER ANYMORE,

AT LEAST NOT FOR ME.

I'M NOT GOING TOCHANGE MY MIND THIS TIME.

OLIVIA IS NOT GOING TOCHANGE MY MIND.

I KNOW I'M RIGHT.

WE DON'T BELONG TOGETHER.

GOODBYE, CECILIA.

HEY, GRACE!

HEY, ALEX.

I THINKWE NEED TO TALK.

ABOUT?

CLIFF.

JUSTINE.

STOP RUNNINGAWAY FROM ME.

I'M TIRED OFCHASING YOU DOWN

JUST SO WE CAN TALK.

LUKE... NO.

I'M HERE, YOU'RE HERE,

LET'S JUST GET THISOUT IN THE OPEN.

GO HOME.

NO.

YOU NEED TO LEAVE ME ALONE.

NO.

JUST BACK OFF.

NO.

PLEASE, WHY WON'T YOUJUST LEAVE ME ALONE?

THIS IS WHY.

PLEASE DON'TGET ME FIRED.

YOU THINK I'M GOINGTO GET YOU FIRED?

IT HAPPENS.

HORSE TRAINERS HAVEGIRLFRIENDS AND WIVES,

AND SOMETIMES THOSEGIRLFRIENDS AND WIVES

THINK I'M AFTERTHEIR MEN.

I'M NOT.

AND I'M NOT AFTER CLIFF.

HE'S A GOOD MAN,

A GOOD BOSS,

AND I NEED THIS JOB.

WELL, I'M NOT GOINGTO GET YOU FIRED.

THAT'S JUSTNOT ME, REALLY.

BUT YOU WOULD BE HAPPYIF I WASN'T HERE, RIGHT?

HONESTLY? YES.

CLIFF AND I ARE TAKINGA BIT OF A BREATHER,

SO WHILEI'M NOT AROUND...

HE'S GOT YOU AROUND.

OH.

LOOK, I'LL LEAVE.

I DON'T WANT TOCAUSE ANY TROUBLE.

NO...

YOU'RE NOT COMFORTABLE

WITH ME LIVINGAND WORKING AT THE RANCH.

THAT'S TRUE,

BUT THAT WASALSO BEFORE.

YOU KNOW, YOU SEEMREALLY SWEET, HONEST,

AND OBVIOUSLY YOU'REVERY GOOD AT WHAT YOU DO,

OTHERWISE CLIFFWOULD NOT HAVE HIRED YOU.

NOW I'M STARTINGTO FEEL BAD

THAT I WAS JUDGING YOU.

YOU KNOW, IF THERE IS EVERANYTHING I CAN DO

TO MAKE YOU FEELMORE COMFORTABLE

AT THE RANCH,

JUST TELL ME.

DO YOU HAVEANY LONGER SHORTS?

OH GOOD, YOU'RE HERE.

THERE'S MORE IN THE CAR.

YOU GOTMORE FLOWERS TODAY.

FROM WHO?

THE CARD WASN'T SIGNED.

AGAIN.

MAYBE IT'SA MISTAKE.

YEAH.

YOU SURE HAVE BEEN GETTINGA LOT OF MISTAKES LATELY.

YEAH, I KNOW.

YOU KNOW...

I THINK I'M GOING TOHAVE ROY LOOK INTO THIS.

[QUICKLY] NO.

NO... COME ON.

OKAY, I MEAN,

DON'T YOU THINKTHIS IS A LITTLE ODD?

I AGREE,

BUT I DON'T WANT TO MAKEA BIG DEAL OUT OF IT, OKAY?

ALL RIGHT.

ALL RIGHT, I'LL GO GETTHE REST OF THE GROCERIES.

DON'T WORRY,

I'M ON THE NEXT STAGEOUT OF TOWN.

WE DON'T HAVE STAGESIN CEDAR COVE,

WE HAVE FERRIES.

DON'T GLOAT.

YOU DON'T KNOW MEVERY WELL.

I DON'T GLOAT.

I HAVE TO SAY,YOU'RE GOOD.

EXCUSE ME?

I PLAY POKER,

AND I WOULDN'T WANT TOFIND MYSELF

ACROSS THE TABLEFROM YOU.

WHAT ARE YOUTALKING ABOUT?

YOU'RE BLUFFING.

ABOUT?

EVERYTHING.

YOU TALK A GOOD GAME,

AND YOU BACK IT UPWITH SKILL,

BUT INSIDEYOU'RE SCARED.

PLEASE. OF YOU?

OF EVERYONE.

I'M SCARED?

OF WHAT, EXACTLY?

YOU'RE AFRAID THATPEOPLE ARE GOING TO FIND OUT

THAT YOU'RE NOT AS TOUGHAS YOU THINK YOU ARE.

OH, I'M TOUGH.

THEN WHYARE YOU RUNNING?

BECAUSEYOU GOT ME FIRED.

NO, YOU QUIT,

AND TONY IS WILLINGTO WORK WITH YOU,

SO WHY ARE YOURUNNING, REBECCA?

I'M NOT.

BUT YOU ARE.

I DON'T NEED YOU OR THIS JOB.

YOU'RE BLUFFING.

REALLY?

YOU LIKE IT HERE.

YOU LIKE YOUR JOB.

YOU WANT TO STAY,

BUT YOU DON'T KNOWHOW TO SAVE FACE.

WELL, I HAVEA FEW SUGGESTIONS,

AND YOU KNOW WHERE TO FIND ME.

YEAH.

NO, IT, UH...

OKAY.

YEAH, GREAT.

HEY.

I LOVE THAT PICTURE.

ME TOO.

YOU KNOW, I DIDN'T REALIZEHOW MUCH I MISSED YOU GUYS

UNTIL I SAW YOU ON THE FERRY.

I MEAN, SKYPEAND EVERYTHING IS FINE,

BUT...

IT'S NOT THE REAL THING.

YEAH, I KNOW.

IT CAN BEPRETTY ROUGH SOMETIMES.

ESPECIALLY...

AT NIGHT.

SHELLY...

SHELLY, COME ON,

YOU'VE GOT TOLET ME EXPLAIN.

IT'S REBECCA,ISN'T IT?

SHE'S WITH WARREN.

BUT SHE WAS WITH YOU?

LOOK, IT'S YOU, SHELLY,IT'S ALWAYS BEEN YOU.

I GOT LONELY,AND I SLIPPED.

THAT WON'T HAPPEN AGAIN.

OKAY, JUST PLEASE,PLEASE JUST LISTEN, OKAY?

I NEED THIS.

I NEED TO BE HER FATHER-

ERIC--

[BABY FUSSING AND CRYING]

I KIND OF MET SOMEONE TOO.

WELL, THEY AREA FRIENDLY BUNCH.

AND A DRUNK BUNCH.

SORRY ABOUT THAT.

LOOK, JERI,

WHAT'S YOUR END GAMEWITH ALL THIS?

TRUTH?

SURE, LET'S TRY THAT.

OUR PAST ASIDE,

YOU ARE ONE OF THE BESTNEWSPAPERMEN

I'VE EVER WORKED WITH.

YOU TAUGHT MEEVERYTHING I KNOW,

AND WHETHER YOUBELIEVE ME OR NOT,

I'M GRATEFUL FOR THAT.

I AM.

AND THE THOUGHTOF YOU WASTING AWAY

IN CEDAR COVE, IT...

IT'S JUST, YOU DESERVEA BETTER AUDIENCE AGAIN.

[SCOFFS]

NO, I DON'T.

WHAT DO YOU MEAN?

I CAME HERE TO KIND OFJOG MY WRITER BRAIN

INTO COMING UPWITH SOMETHING

FOR THIS ARTICLETHAT I HAVE TO WRITE,

MY FIRST OFFICIAL ONEFORTHE COURIER.

AND?

[SIGHING]I'VE GOT NOTHING.

SO...

THIS LOOKS TO BETHE SHORTEST JOB

IN MY EMPLOYMENT HISTORY.

JUST LOCK YOURSELFIN A ROOM

UNTIL YOU FINISH IT.

YOU DID THAT TO ME ONCE,IF I REMEMBER.

I DID,

AND I BELIEVE YOU WONA PEABODY THAT YEAR.

IT'S TIME YOU STARTBELIEVING IN YOURSELF, JACK.

I DO.

[♪]

HI.

HELLO.

SO...

YOU WANT TO STAY HEREIN CEDAR COVE, DON'T YOU?

[QUIETLY] YES.

I'M SORRY, I DIDN'T HEAR YOU.

YES.

YES WHAT?

YES, I WANT TO STAY HERE.

WAS YALE THE ONLY THINGYOU LIED ABOUT?

YES.

ARE YOU SURE?

100%.

OKAY.

HERE'S WHAT YOU NEED TO DO.

YOU NEED TO REPORT WHAT YOU DIDTO THE LOCAL BAR ASSOCIATION.

RESUBMIT YOUR REAL RESUME

TO THE D.A.'S OFFICE.

WRITE A LETTER OF APOLOGYTO YOUR BOSS,

AND UNDERSTANDTHAT THIS WHOLE STUNT

PUTS YOU ON PROBATION.

FOR HOW LONG?

WELL, THAT DEPENDS ON YOU.

AND TONYISN'T GOING TO FIRE ME?

NO.

BECAUSE SOMEONEIN THE LEGAL COMMUNITY,

A WELL-RESPECTED JUDGE,

GUARANTEEDTHAT THIS LAPSE IN CHARACTER

WAS NOT A CHRONIC PROBLEM.

IT WAS A MISTAKE,

NOT TO BE REPEATED.

EVER.

SO, I HAVE TO ASK,WHY DID YOU LIE?

I FELT I HAD TO.

WHY DID YOU HELP ME?

I FELT I HAD TO.

GOOD NIGHT, MISS JENNINGS.

[LAUGHING] YOU NUT...

[LAUGHING TOGETHER]

OH, I FORGOT TO TELL YOU.

HMM?

GUESS WHO IS MOVING BACK?

WHO?

COLIN MCFADDEN.

[BOWL CLATTERING]

WHOA!

YOU OKAY?

YEAH.

OH...

[TYPING RAPIDLY]

[CELL PHONE RINGS]

HELLO.

JACK...

HEY, I WAS JUSTABOUT TO CALL YOU.

AS SOON AS I GOT BACKFROM SEATTLE,

I STARTED WRITING NONSTOP.

YOU WERE WORRIED FOR NOTHING.SEE? IT ALL WORKED OUT.

YES, IT DID.

PLEASE, JUST BE SURE

TO GIVE YOURSELF A BREAK.

LIKE YOU SAID,IT'S A LOT OF PRESSURE

TO WORK FOR A BIG PAPER.

MORE PEOPLE, MORE READERS...

I CAN HANDLE IT ALL.

I KNEW YOU COULD,

I'M JUST GLADTHAT YOU KNOW IT NOW.

HOW ABOUT I BRING OVER

SOME CELEBRATORYKUNG PAO CHICKEN?

UH...

CAN I TAKE A RAIN CHECK?

I'M SO BEATI CAN BARELY SEE STRAIGHT.

SURE.

HEY...

I LOVE YOU.

LOVE YOU, TOO.

GOOD NIGHT.

SLEEP TIGHT.

[BEEPS PHONE OFF]

[ICE RATTLING]

[♪]