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ONCEDAR COVE...
I HAVE A REALLY GOODFEELING ABOUT YOU TWO.
YOU WANT TO BE ON A BOAT,FISHING IN ALASKA,
NOT FIXING UPA RESTAURANT IN CEDAR COVE.
I'M GOING BACK TO NEW YORK.
I WANT YOUTO COME WITH ME.
YOU SHOULD HAVE THIS.
WHY DO I NEEDA KEY TO YOUR HOUSE?
[CRICKETS CHIRPING]
[DOG BARKING]
[MUSIC PLAYINGON STEREO]
[♪]
MAY I HELP?
NO. YOU MAKEYOURSELF COMFORTABLE.
I HAVE EVERYTHINGUNDER CONTROL.
YOU REALLYOUTDID YOURSELF.
CLOTH NAPKINS,NEW CANDLES.
WHAT MAKES YOU THINKTHOSE ARE NEW CANDLES?
PRICE TAG.
[CHUCKLES] WHOOPS.
SO, I HAVE TO ASK--
UMBERTO'S OR MORGAN'S?
NOW, THE STEAKSWERE DEFINITELY UMBERTO'S,
BUT I AM NOT SO SUREABOUT THE POTATOES.
WHAT ARE YOUTALKING ABOUT?
I'VE BEEN IN HERE,SLAVING AT THE--
[STAMMERS, SIGHS]
UMBERTO'S.
[JACK LAUGHS]
I JUST WANTED EVERYTHINGTO BE PERFECT.
SO...
HOW ARE ERIC AND SHELLY?
WELL,ERIC IS WORKING AT MOON'S,
UNTIL HE CAN FINDSOMETHING BETTER.
WE'VE MADE A DEAL
ABOUT PAYING RENTWHILE HE'S HERE.
-THAT'S SMART.-YEAH.
IT'S NOT SO MUCHABOUT THE MONEY
AS IT ISLEARNING RESPONSIBILITY.
HOPEFULLY,BETWEEN RENT AND A JOB--
AND A BABY.
YEAH, AND THAT, TOO.
HOPEFULLY, HE'LL...
WELL, I DON'T KNOW...
GROW UP?
[LAUGHS]THAT'S THE IDEA.
HERE, LET METOP YOU UP.
THE SERVICE IS EXCELLENT HERE.
WELL...
TIPPINGIS VERY MUCH APPRECIATED.
MM.
AND...
WE HAVE THIS.
WHAT'S THAT?
THIS IS A BOWLING BALL.
THIS IS MOON'SFAMOUS CHOCOLATE CAKE.
GO ON, OPEN IT.
IT'S YOUR KEY
TO MY HOUSE.
THE ONEI TRIED GIVING YOU YESTERDAY.
IT'S NOT MY KEY.IT'S YOUR KEY.
YOUR HOUSE, YOUR KEY.
I KNOW YOU SAIDYOU COULDN'T THINK OF A REASON
TO BE IN MY HOUSEIF I WEREN'T IN MY HOUSE,
BUT, YOU SEE,THIS GOT ME THINKING.
STAY WITH ME HERE.
WHAT IF YOU'RE OUTSIDE,
I'M IN HERE,BEING ATTACKED BY...
YOU KNOW, A BEAR OR...
SOMETHING?
A BEAR?
THESE THINGS HAPPEN.
THEY DO.
SO, YOU SEE,
I NEED YOU
TO TAKE THAT KEY,
BECAUSE, ONE DAY,I MAY NEED YOU TO USE IT
TO SAVE MY LIFE.
[SIGHS]
DON'T YOU WANT IT?
[DOOR THUDS, FOOTSTEPS]
ARE WE INTERRUPTING?
HEY.
[♪]
FEEL LIKE WE'VE BEEN SEEINGA LOT OF EACH OTHER.
WELL, IT'SAN OLD HOUSE, GRACE.
ONE THING GOES,
IT'S SORT OFA DOMINO EFFECT.
MM. DOMINOES WEREA LOT CHEAPER.
YOU HAVE LEAD IN YOUR PIPES.
$5,000?
SO, MR. CANNER,
THE TREE WAS A HARDSHIP FOR YOU?
THAT'S WHY YOU CUT IT DOWN?
IT DROPPED LEAVESAND BRANCHES
ALL OVER MY DRIVEWAYAND MY CAR.
PLUS, IT WAS HALF-DEAD,
AND THERE WERE ALWAYSKIDS IN THE TREE.
I SAVED LIVESBY CUTTING IT DOWN.
I HAVE A MAP HEREFROM THE TOWN SURVEYOR'S OFFICE,
INDICATING YOUR HOMEAND DRIVEWAY
ARE QUITE A WAYSFROM THE TREE IN QUESTION.
SO... HOW DID THOSEDEAD BRANCHES AND LEAVES
MAKE IT TO YOUR PROPERTY?
WAS IT A MAGICAL TREE?
YOU KNOW WHAT I THINK?
CHILDREN MAKE NOISE.
HAPPY, PLAYFUL CHILDRENTEND TO MAKE A LOT OF NOISE.
YOU WEREN'T TRYINGTO GET RID OF THE TREE,
YOU WERE TRYING
TO GET RID OF THE CHILDRENWHO USE THE TREE.
IT MAY INTEREST YOUTO KNOW
THAT YOUR NEIGHBOR
IS NOT THE ONLY PERSONWHO'S UPSET WITH YOU.
BECAUSE LOGGING
WAS SUCH A HUGE INDUSTRYIN THE STATE OF WASHINGTON,
WE HAVE A LITTLE LAWON THE BOOKS
CALLEDTHE "TIMBER TRESPASS STATUTE,"
DATES ALL THE WAY BACKTO 1869.
LONG STORY SHORT,
IF IT CAN BE PROVED
THAT YOU DID DAMAGETO ANOTHER PERSON'S TREE--
WHICH YOU HAVEFULLY ADMITTED HERE--
YOU CAN BE HELD FOR TREBLE--WHICH MEANSTHREE TIMES--
THE VALUE OF THE TREE.
NOW, I DO A LITTLE GARDENING,
MR. CANNER,AND I CAN ASSURE YOU,
THAT THE PRICE OFA FULLY-GROWN OAK TREE IS...
WELL, A LOT!
BUT I THINK
WE CAN FINDA MIDDLE GROUND HERE,
IF IT'S AGREEABLEWITH MR. LAWRENCE.
YEAH.
THEREFORE I SUGGEST
THAT YOU REPLACE THE TREEWITH A SAPLING.
AND INSTALL A JUNGLE GYM.
TO REPLACE THE TREEHOUSE THATWAS IN THE TREE YOU CUT DOWN.
THAT WAY,
THE NEIGHBORHOOD CHILDRENWILL HAVE A PLACE TO PLAY,
UNTIL THAT SAPLINGIS FULLY GROWN
AND CAN SUPPORTA NEW TREEHOUSE,
WHICH YOU WILL BUILDAND INSTALL.
OR I COULD RULEBY THE LETTER OF THE LAW,
FIND YOU GUILTY,
AND SEND YOU TO JAILWITH A HEFTY FINE.
I'LL PLANT THE TREE.
A WISE CHOICE,MR. CANNER.
NEXT CASE.
[WHACKS GAVEL,GALLERY MURMURS]
WE'RE OFFTO OUR FIRST CHECK-UP.
[JACK]: MM!
DO YOU WANT METO DRIVE YOU?
I FINALLY FIGURED OUTTHE CAR SEAT.
NO, IT'S A NICE OUT.WE'LL WALK.
OKAY.
SEE YOU TONIGHT.
HEY, HAVE YOU DECIDED YET?
DECIDE? WHAT?
WHAT YOU WANTTO BE CALLED.
"GRANDPA."
"POP-POP."
WHAT?
HOW ABOUT...
"JACK"?
"JACKPA" IT IS.
[TAPPING COUNTER]
[SHELLY LAUGHING]
YOU'D BETTER GET GOING.
RIGHT.
HEY, I'M REALLY PROUD OF YOU.
EVERYTHINGYOU'RE DOING--
THE JOB,TAKING CARE OF THE BABY.
I KNOW IT'S TOUGHGETTING YOUR ACT TOGETHER,
AND I JUST WANTEDTO LET YOU KNOW.
WELL, YOU JUSTMADE THIS HARDER.
CAN I BEA LITTLE LATE ON THE RENT?
SEE, IT'S, UH...
SHELLY AND ME,
IT'S OUR FIRST ANNIVERSARYCOMING UP.
ANNIVERSARY?
OF WHEN WE MET.
AH.
AND I WANTEDTO TAKE HER OUT TO DINNER.
I MIGHT BEA LITTLE SHORT ON CASH,
AND I KNOW I PROMISEDI'D PAY RENT--
IT'S OKAY.
ARE YOU SURE?
YEAH, I THINKIT'S A NICE IDEA.
NOW GET TO WORK.
THANKS, JACKPA.
[JACK SNICKERS]
[SETS COFFEE DOWN]
[♪]
PLEASE STOP.
IT'LL DRIVE ME CRAZY
KNOWING THAT EVERYTHINGIS JUST THROWN IN THERE.
IT'LL ALL BE WRINKLED.
I'M ON A BOAT.WHO AM I TRYING TO IMPRESS?
IT STILL AMAZES ME
THAT PRETTY MUCHALL OF YOUR BELONGINGS
CAN BE PACKEDINTO ONE DUFFLE BAG.
YOU LEARNTO TRAVEL LIGHT.
I WOULD USE THISFOR JUST MY SHOES.
[CHUCKLES]YEAH. I KNOW.
AND IT'S NOTA REGULAR WORK TRIP.
YOU COULD BE GONEFOR MONTHS, MAYBE EVEN LONGER.
[EXHALES TENSELY]
HEY, IT WAS MY IDEAFOR YOU TO GO.
THIS IS YOUR CHANCETO START OVER.
IT'S NOT JUST A JOB,
YOU COULD END UPWITH YOUR OWN BOAT AGAIN.
AND THENI'LL BE POINTING THAT BOAT
RIGHT BACK HERE TO YOU.
YOU COME BACK WHEN YOU CAN.
I'M OKAY WITH THIS.
AND I KNOW THAT YOU CANMAKE MORE MONEY IN ALASKA
THAN YOU CAN HERE.
I'M STILL GOING TO SEND YOUA CHECK FOR RENT EVERY MONTH.
SETH...
I'M MOVING OUT.
I'M GONNA GO STAY WITH MY MOMFOR A WHILE.
I'LL HAVE NO EXPENSES,
AND I CAN SOCK AWAYA LOT OF MONEY
SO THAT I CAN GET MY OWN PLACEAGAIN THAT MUCH FASTER.
OUR OWN PLACE.
THIS IS ALL MY FAULT.
WHY?
FOR WANTING USTO BE TOGETHER SO MUCH,
THAT YOU SOLD YOUR BOAT
AND TRIEDTO BUY A RESTAURANT?
IT'S NO ONE'S FAULT.
IT IS WHAT IT IS.
I LOVE YOU.
WELL, I'M PRETTY LOVABLE.
I LOVE YOU, TOO.
[CHUCKLES]
RIGHT.
[BIRDS CHIRPING]
I MEAN, WHAT ARE THE ODDS?
MARYELLEN MOVES OUT OF MY HOUSE
AS JUSTINE MOVES BACK INTO YOURS.
I LOVE THAT SHE'S MOVING BACK,
IT'S JUST THAT I'VE GOTTENREALLY USED TO LIVING ON MY OWN,
YOU KNOW?
WELL, SHE'S NOT GIVING YOUANY CURFEWS OR ANYTHING, IS SHE?
NO!
IT'S JUSTTHAT IT'S A LITTLE AWKWARD
NOW THAT ERIC'S MOVED BACK--
LET ME FILLTHAT UP FOR YOU.
NO, I'M GOOD, THANKS.
JUST THE CHECK,PLEASE.
UH...
I'LL BE TAKING THAT.THANK YOU.
YOU GOT LAST TIME.
DO YOUWRITE THIS STUFF DOWN?
YEP.
-THANKS, ERIC.-THANK YOU.
[GRUMBLING SIGH] OH...
I AM SORRY, I JUST DON'T KNOWWHAT IT IS ABOUT HIM.
HE JUST MAKES MESO UNCOMFORTABLE.
ARE YOU EVER GOING TOFORGET THAT TIME
THAT HE TOOK MONEY FROM JACK?
HE DIDN'T "TAKE," HE STOLE,AND NO.
WELL, THAT WASA LONG TIME AGO.
AND HE'S WORKED REALLY HARDIN EVERY AREA OF HIS LIFE,
AND HE'S GREAT WITH THE BABY.
YOU DON'T NEED TO WORRY.HE'S JACK'S SON.
I WILL OVER-TIP.
WELL, THANK YOU.
[SIGHS]
JACK WANTS TO GIVE ME A KEY.
-WHAT? TO HIS HEART?-HOUSE.
WELL, YOU SAY ITLIKE IT'S A BAD THING.
WELL, IT JUST SEEMSKIND OF SERIOUS.
WELL, IF IT FITS ON YOURTHIRD FINGER OF YOUR LEFT HAND,
THAT'S SERIOUS,OTHERWISE, IT'S JUST A KEY.
BUT WHAT ISTHE ETIQUETTE HERE?
AM I SUPPOSED TO OFFER HIMA KEY TO MY PLACE?
AND IF I DON'T,DO I KEEP THE KEY?
AND IF I KEEP THE KEY,
IS THAT A NON-VERBAL AGREEMENTTHAT I'M GONNA GIVE HIM A KEY?
WOW!
YOU SOUND LIKE ME,NOT YOU.
YOU'RE SUPPOSED TO BETHE "FACTS" GIRL.
NOT WHEN IT COMES TO LOVE.
WELL...
YOUR CARDDIDN'T GO THROUGH.
WELL, THEN,JUST RUN IT AGAIN.
NO, I, UH...
I RAN IT THREE TIMES ALREADY.
I WAS WONDERING,DO YOU WANT ME TO CALL THE--?
NO, NO, NO. THAT'S GOOD.
I-I'M JUST GONNA MAKEA RUN TO THE ATM.
-DON'T BE SILLY.-NO.
YOU'LL GET ITNEXT TIME!
[SIGHS HEAVILY]
I AM SO SORRY.THIS IS JUST...
OH, GRACE.
VERY EMBARRASSING.
NO, IT'S NOT.
YES, IT IS.
IT'S NOT JUST THE CARD,IT'S...
[SIGHS]
GRACE, ARE YOU OKAY?
NO. NO, I'M NOT OKAY.
FAR FROM IT.
[♪]
IT'S THE HOUSE.
IT'S JUSTSUCKING ME DRY.
LAST MONTH, THE FURNACE.
THE MONTH BEFORE THAT,THE ROOF,
AND NOW,IT'S THE PLUMBING,
AND I DON'T MEAN JUSTA FAUCET OR SOMETHING,
I MEAN ALLTHE PLUMBING IS SHOT.
I'M AT THE LIMITON MY CREDIT CARD,
WHICH IS WHY...
I MEAN,WHEN DOES IT STOP?
IT'S AN OLD HOUSE.PROBABLY NEVER.
AND IT'S NOTJUST THE MONEY,
IT'S ALSO THE STRESSOF HAVING TO DO IT ALL.
YOU KNOW, HIRE SOMEONE,HOPE THEY SHOW UP,
HOPE THEY'RE NOTRIPPING YOU OFF
BECAUSE YOU HAVE NO IDEAWHAT THEY'RE DOING.
DAN USED TO DO ALL OF THAT.
MOST OF THE TIME,HE WOULD FIX IT ALL HIMSELF.
I KNOW.
SAY WHAT YOU WILL ABOUT HIM,HE WAS HANDY.
I THINK I ACTUALLYFOUND THAT SEXY.
AND THENTHERE'S MARYELLEN'S RENT.
THAT USED TO HELP,BUT SHE'S NOT THERE NOW,
SO I'M JUST OVERWHELMED.
WELL, MAYBE IT'S TIMEYOU START TO THINK...
WHAT?
IT'S A BIG HOUSE.
SELL MY HOUSE?
IT COULD SOLVEA LOT OF YOUR PROBLEMS.
NO! I CAN'T DO THAT.
BESIDES, AFTER 30 YEARSOF MARRIAGE,
DAN GOT THE 401KAND I GOT THE HOUSE.
STILL...
NO.
MY WHOLE LIFEIS IN THAT HOUSE.
MY GIRLS GREW UP THERE.
TOO MANY MEMORIES.
IT'S ALRIGHT.
I'LL FIGURE SOMETHING OUT.
YOU'LL FIND A WAY.YOU ALWAYS DO.
[♪]
BE RIGHT BACK.GOTTA MAIL MY CONTRACT.
OKAY.
JUSTINE.
CECILIA?WOW, WHAT A SURPRISE.
HAVEN'T SEEN YOU IN A WHILE.HOW ARE YOU?
I'M A LITTLE CRAZY,BUT IN A GOOD WAY.
I FINISHED UP SCHOOL.
CONGRATULATIONS.
THANKS.
I'M DOINGACCOUNTING FOR ZACH,
AND TRYING TO STRAIGHTEN OUTMY DAD'S BOOKS AT THE BAR,
WHICH ISN'T EASY.
YOU KNOW MY DAD.
AND I'M VOLUNTEERING HEREWITH RETURNING VETERANS.
WHAT ARE YOU UP TO?
YOU KNOW,THAT'S A REALLY GOOD QUESTION.
YOU SLEEPINGWITH YOUR EYES OPEN?
NO, I'M JUST THINKING.
WHAT ABOUT?
NOTHING IMPORTANT.
OH, COME ON, JACK.
YOU KNOW IT'S NOT GOOD TO LIETO YOUR SPONSOR.
THE FIRST RULE OF A.A.IS HONESTY.
BOB, WHO'S LYING?IT'S NOTHING.
ALRIGHT, LET'S TAKETHIS ONE AGAIN, HUH?
HI, JACK.
[LAUGHING]
WHATCHA THINKING ABOUT?
A KEY.
YOU WANT TO ELABORATEA LITTLE MORE?
I GAVE OLIVIAA KEY TO MY HOUSE.
YOU STILL LOCK YOUR DOORS?
YES, BOB.
I STILL LOCK MY DOORS.
ANYWAY, SHE LEFT IT AT MY HOUSE,
AND I DON'T THINKSHE REALLY WANTS IT,
AND I THINK MAYBE SHE'S JUSTTOO POLITE TO SAY SO.
I GUESS I WASJUST A LITTLE CONFUSED
BY HER REACTION, THAT'S ALL.
DID YOU ASK HER?
WHAT?
WELL, POINT-BLANK."DO YOU WANT THIS KEY, OLIVIA?"
WELL, I...
NO. I DIDN'T ACTUALLY...ASK HER.
WELL, IT MIGHT BEA GOOD PLACE TO START,
INSTEAD OF SITTING HERE,GAZING INTO SPACE,
DON'T YOU THINK?
[THUMPS DESK] YEAH.
THANKS, GUYS.
PAY DAY!
OH... WOW.
YEAH, WELL, WELCOME TOTHE WONDERFUL WORLD OF TAXES.
YEAH, I JUST THOUGHTIT'D BE MORE IS ALL.
ERIC, SOMEONEONCE SAID
THAT MONEYCAN'T BUY HAPPINESS.
WELL, THAT SOMEONE WAS AN IDIOT.
I'LL TRY AND GET YOUMORE HOURS NEXT WEEK.
THANK YOU.
-HEY!-HEY.
DID YOU GET THAT SINK STOPPERFOR THAT UPSTAIRS BATHROOM,
OR DID THEYHAVE TO ORDER IT?
NOPE, THEY HADIT IN STOCK.
BUT THEY HAD TOORDER THE TILE.
TILE?
MM. FOR THE FLOOR.
WE'RE RE-TILINGTHE FLOOR?
WELL, ONE OF US IS.
[♪]
[KNOCKING AT DOOR]
-WELL, HELLO!-HEY.
YOU READY?
FOR...?
YOU FORGOTWE WERE GOING TO GO OUT?
[GASPS]
OH, CLIFF, I AM SO SORRY.
I SHOULD'VE CALLED.I CAN'T.
GRACE?
YEAH, I'LL BERIGHT THERE.
IT'S THE PLUMBER.
APPARENTLY, I HAVELEAD IN MY PIPES.
OH.
I CAN'T LEAVE HIM.
OH, IT'S NO BIG DEAL.
SO WE CAN DO THISANOTHER TIME?
I AM SORRY.
WHY DON'T I STAYAND WE COULD HAVE DINNER HERE?
WELL, I DON'T HAVE ANY WATER.I CAN'T COOK.
LET'S ORDER PIZZAOR SOMETHING.
YOU DON'T MIND?
NO. NOT AT ALL.
I'M GETTING OFF CHEAP.
I HAD PLANNED ON TAKING YOU OUTSOMEPLACE NICE.
YEAH? WELL, I'LL WARN YOU,
I HAPPEN TO LIKEEXPENSIVE TOPPINGS.
I'LL GO GET A MENU.
HEY, CARL, THIS IS CLIFF.CLIFF, CARL.
HEY.
I'M AFRAID I'VE GOTSOME BAD NEWS, GRACE.
HOW BAD?
THE LEAD IS JUSTPART OF THE PROBLEM.
YOU HAVE A LEAK.
I'M PRETTY SUREIT'S IN THE FOUNDATION, SO.
HOW MUCH?
WELL...
WE HAVE TO BREAKTHE CONCRETE SLAB
AND REPLACE THE PIPESWITH PVC,
WHICH WILL LASTLONGER, BUT--
CARL. PLEASE. HOW MUCH?
WE'RE LOOKING AT ABOUT $10,000.
OH...
MINIMUM.
SO I'VE MADE A LIST.
GRANDPA, GRANDDAD,
POP-POPS...
"GRAMPS," WHICH I LOATHE--
THEY'RE ALL SWEET.JUST PICK ONE.
YEAH, BUT WHICH ONEMAKES ME SOUND YOUNGEST?
YOU'RE REALLY STRUGGLINGWITH THIS, AREN'T YOU?
IT'S NOT THE BABY.I LOVE THE BABY.
IT'S JUST THE TITLE.
"GRANDPA."
I FEEL LIKE
I SHOULD GET A WALKERAND START EATING DINNER AT 4:30.
I KNOW...
HOW ABOUT "PAPPY?"
I CAN GET YOUA LITTLE CORN COB PIPE.
HUH? [LAUGHS]
LISTEN, UM...
CAN WE TALK ABOUT THIS?
JACK...
WHY DOES THAT KEYUPSET YOU SO MUCH?
IT DOESN'T UPSET ME,IT SURPRISED ME.
IT'S NO BIG DEAL.
IT'S A KEY.
IT'S JUST A CONVENIENCE.
MAYBE, BUT...
BUT...
WHAT?
OKAY, SO YOU DON'TWANT THE KEY.
CAN WE CHANGE THE SUBJECT?
I DON'T THINK SO.
I DON'T WANT TO TALK ABOUT THIS.-WELL, YOU KNOW WHAT?
THERE'S TWO OF USIN THIS RELATIONSHIP.
I DO WANT TO TALK ABOUT IT.
THERE YOU ARE!
I THOUGHT I'D START MOVING IN.IS IT A GOOD TIME?
[♪]
DID JACK LEAVE?
OH! HEY. YES.YES, HE DID.
SORRY FOR BARGING INON YOU LIKE THAT EARLIER.
OH, NO, DON'T WORRYABOUT IT.
SEEMED LIKE YOU WEREIN THE MIDDLE OF SOMETHING.
NO, NO.
-WHAT?-NO.
JACK SEEMED SO SERIOUS.
OH. HE'S JUST GOING THROUGHA WHOLE "GRANDFATHER" CRISIS,
THAT'S ALL.
SO DO YOU HAVE MUCH LEFTTO MOVE OVER?
BECAUSE I'D LOVE TO HELP YOU.
NO, THERE'S NOT MUCH TO DO,
AND IT'S NOT LIKEI'M ALL THAT BUSY RIGHT NOW.
IT'S GOING TO BE FUNTO HAVE YOU BACK.
YEAH.
WHAT'S THE MATTER?
YOU KNOW, IT'S JUST...
MOVING BACK IN WITH MY MOM,AT MY AGE.
IT'S JUST A TRANSITION.EVERYBODY GOES THROUGH IT.
MOST PEOPLE MORE THAN ONCE.
I KNOW.
I JUST FEEL LIKEI'VE BEEN "TRANSITIONING"
FOR A LONG TIME NOW.
IT'S GONNA GET BETTER.I PROMISE. YOU'LL SEE.
THANK YOUFOR LETTING ME MOVE BACK IN.
THIS IS YOUR HOMEAND IT ALWAYS WILL BE.
LOOK AT THAT.
EVEN WITH THE TIPS,I DON'T HAVE ENOUGH.
WELL, MOON SAIDIF IT ALL WORKS OUT,
HE'LL GIVE YOUA RAISE NEXT MONTH.
YEAH, BUT THAT'SNEXT MONTH.
I NEEDED THIS NOW.
I MEAN, THIS'LL BARELY COVER
THE STUFF FOR THE BABYTHIS WEEK!
DO YOU KNOW HOW EXPENSIVEKIDS ARE?
I HAVE AN IDEA, YES.
AND BABIES?
BABIES ARETHE CHEAPEST PART!
I MEAN, I SAT UP ALL LAST NIGHT
THINKING ABOUT THE STUFFFOR WHEN SHE'S OLDER,
LIKE FOOD, HER CLOTHES,
GOING TO DISNEY WORLDAND STUFF.
IT ADDS UP, DOESN'T IT?
AND PAYING FOR COLLEGE.
ALRIGHT, MAYBE I'MRUSHING THAT ONE A BIT,
BUT YOU KNOW,
I GOT TO START THINKINGABOUT THIS STUFF NOW,
AND I CAN'T DO MUCH,JUST WAITING TABLES,
I KNOW THAT.
[DISAPPOINTED SIGH]
I JUST WANTED TO TAKE SHELLY OUTON A REAL DATE JUST ONCE.
WAIT. WAIT A SECOND. WHAT?
ARE YOU TELLING ME
YOU'VE NEVER TAKEN SHELLYOUT ON A REAL DATE?
WELL, NOT A REAL ONE.
I MEAN, WE MET AT THIS PARTY,AND THEN...
YOU KNOW, WE JUST HUNG OUT.
YOU "HUNG OUT."
YEAH.
MAN, TIMES HAVE CHANGED.
WE USED TO HAVE TOTAKE GIRLS PLACES.
I WANTED TO DOSOMETHING SPECIAL FOR HER.
LET HER HAVE A LITTLE FUN.SHE DESERVES IT.
[TROUBLED SIGH]
CAN I STOP PRETENDINGI KNOW WHAT I'M DOING NOW?
[LAUGHS] YES.
AHH.
OH...
SORRY.
IF IT WERE A HORSE...
I DON'T KNOWWHAT I'M GONNA DO.
SERIOUSLY, I HAVE NO IDEA.
WELL, I CAN TELL YOUWHAT YOUR PROBLEM IS.
YEAH?
YOU DON'T OWN THIS HOUSE.
THIS HOUSE OWNS YOU.
YOU HAVE TO PAINT IT,TAKE CARE OF IT
INSURE IT.
THE ONLY GOOD THING IS,
YOU DON'T HAVE TOPUT IT THROUGH COLLEGE.
HA-HA.
I KNOW IT'S ALL YOU GOTFROM THE DIVORCE.
I KNOW THERE'S A LOT OFGOOD MEMORIES HERE...
MM-HMM.IT'S A LOT OF MEMORIES.
BUT IT'S JUST A BUILDING,GRACE.
WALLS, GLASSAND NAILS.
IF YOU BOUGHTSOMETHING SMALLER,
YOU STILL HAVE YOUR DAUGHTERSAND YOUR FRIENDS.
AT THE END OF THE DAY,
THAT'S REALLY WHAT HOME IS,DON'T YOU THINK?
I KNOW IT'S NOT PRACTICAL.
IT'S WAY TOO BIGFOR ONE PERSON.
THERE'S ONE PROBLEMAFTER ANOTHER.
I HAVE NO IDEAWHAT'S GONNA COME UP NEXT,
BUT I CAN'T HELP IT.
CLIFF, I LOVE THOSE MEMORIES.
MOST OF THEM.
I KNOW.
[♪]
HI.
HEY!
BIG STORY?
[LAUGHS] NEW EAGLE SCOUT.
HAVEN'T HAD ONE OF THEMIN WEEKS.
YOU SLIPPED THIS IN HERE, DIDN'TYOU?
[KEY CLATTERS]
MAN! THAT THINGIS LIKE A BOOMERANG.
NO MATTER WHAT I SAY TO YOU,
IT JUST KEEPS ONCOMING BACK TO ME.
OKAY, TELL ME WHY.
I JUST WANT YOU TO HAVE IT.
IT COMES WITH STRINGS.
WHAT STRINGS?
YOU WANT A KEY TO MY HOUSE.
OLIVIA, GIVING YOU THAT KEY
IS ABOUTHOW I FEEL ABOUT YOU.
YOU NEVER HAVE TO USE IT.
OH, I HATE THIS.
WHY?
STAN USED TO DO THISALL THE TIME.
I'M NOT STAN.
I KNOW,
BUT YOU SOUND LIKE HIMRIGHT NOW,
THE WHOLEPASSIVE-AGGRESSIVE THING.
PASSIVE-AGGRESSIVE?
OLIVIA, HOW LONGHAVE YOU KNOWN ME?
OKAY? I DON'T PLAY GAMES.
I SAY WHAT I MEAN,I MEAN WHAT I SAY.
IT DOESN'T FEEL THAT WAYTO ME.
WELL, I JU--I JUST WANTED TO GIVE YOU A KEY!
THAT'S IT. I...
OH, GOD! YOU KNOW, THIS ISJUST A REALLY STUPID ARGUMENT.
-[LAUGHING]-UGH!
AGREED! IT IS.
[EXHALES]
PLEASE...
NO STRINGS,NO PASSIVE WHATEVER...
I JUST WANT YOU TO HAVE IT.
PUT IT IN A DRAWERAND FORGET ABOUT IT.
[SIGHS]
OKAY. I WILL.
SO...
ARE WE STILL ONFOR DINNER?
OH. UM...
I CAN'T.
I KNEW IT!
THIS IS ABOUT THE KEY,ISN'T IT?
NO, OLIVIA,I HAVE PLANS, OKAY?
I JUST...
YOU KNOW WHAT?
NEVER MIND.
I WOULD LOVE TO COME OVER.
BUT YOU HAVE PLANS.
NOW I HAVE NEW PLANS.
[GROENLAND'S "DAYDREAMING"PLAYS]
♪ WITH EYES OPEN
♪ I WAS HAVING A DREAM
♪ AND AS REAL AS IT SEEMED
♪ IT WASN'T RIGHT
♪ I SAW YOU
♪ OR WAS IT SOMEBODY ELSE
♪ I REMEMBER YOUR FACE
♪ AND YOUR CONVERSE SHOES
♪ I HOPE YOU KNOWWHAT IT MEANS TO ME ♪
♪ WHEN I'M ON MY OWN
♪ AND I WISH I'D BE
♪ RIGHT HERE, RIGHT HERE
♪ RIGHT HERE
♪ WHEN I GET MY STUFFAND I'M READY TO GO ♪
♪ THAT'S WHEN THINGS GET ROUGHAND I LOSE CONTROL ♪
♪ I CAN'T LET GO, LET GO
♪ LET GO, OH
I MEAN, IT'S NOTONE OF THE REALLY BIG BOATS,
BUT STILL... [LAUGHS]I CAN'T BELIEVE IT.
WELL, IT'S NOT COOL
THAT I HAVE TO BE AWAY FROM YOUFOR SO LONG, BUT...
STILL, I CAN'T HELP IT.
KIND OF FEELS LIKE CHRISTMAS.
AM I GONNA HAVE TO CALL YOU"CAPTAIN SETH"
AND SALUTE YOU EVERY TIMEYOU WALK INTO THE ROOM,
THAT KIND OF STUFF?
NO. IT'S VERY CASUAL.
IT'S JUSTTHE WHOLE RESPONSIBILITY THING.
THE SAFETY OF THE ENTIRE CREWIS UP TO ME.
BUT IT'S YOUR DREAM, RIGHT?
WHAT YOU'VE WANTED TO DOSINCE YOU WERE A LITTLE KID?
YEAH, IT IS.
I ENVY YOU.
I REALLY DO.
I DON'T KNOWIF I'M EVER GOING TO
FIGURE OUTWHAT I WANT TO DO.
I MEAN, YOU LOVE THE SEA.
YOU ALWAYS HAVE.IT'S WHAT YOU WANTED.
MY MOM, SAME THING.
EVER SINCE SHE WAS A LITTLE GIRLSHE WANTED TO BE A JUDGE.
SHE STILL LOVES DOING IT.
ME? [SIGHS]
HEY.
I JUST DON'T KNOW
WHAT I'M GOING TO DOWITH MY LIFE,
AND I FEEL LIKEI'M DRIFTING,
AND I HATE IT.
I ALSO HATE PEOPLE
WHO FEEL SORRY FOR THEMSELVES,WHICH IS WHAT I'M DOING--
SO I'M SNAPPING OUT OF IT,RIGHT NOW.
BANG. ALL BETTER.
YOU'RE GONNA FIGURE IT OUT.
MAYBE NOTIN THE NEXT COUPLE OF DAYS,
BUT YOU WILL.
TRUST ME, OKAY?
[♪]
[KNOCKING]
OKAY, YOU WERE RIGHT.
CLIFF WAS RIGHT.
GRACE, WHAT ARE YOUTALKING ABOUT?
YOU WERE BOTH RIGHT.
IT IS TIMEFOR ME TO SELL MY HOUSE.
ARE YOU SURE?
YOU KNOW WHATI FIGURED OUT?
THAT HOUSE IS THE LAST REMNANTOF MY LIFE WITH DAN.
EVERYTHING ELSE ABOUT HIMIS GONE,
EXCEPT THAT HOUSE.
I REALLY THINKTHAT'S WHY I DUG MY HEELS IN.
YOU'RE PROBABLY RIGHT.
SO GET THIS.
COUPLE OFMONTHS AGO,
I HAD THIS REALTORCOME TO MY DOOR.
A BUYER WANTEDTHE HOUSE.
WELL, OF COURSE I SAIDI WAS NOT SELLING AT THE TIME,
BUT I CALLED HER RIGHT BEFOREI CAME HERE,
AND THAT BUYERIS STILL INTERESTED.
THAT'S GREAT!
I KNOW!
NO OPEN HOUSES.
NO STRANGERS LOOKING THROUGHMY MEDICINE CABINET.
AND I CANHANDLE THE PAPERWORK,
THAT WAY, YOU CAN NEGOTIATE
A LOWER COMMISSIONWITH THE REALTOR.
THAT'S GREAT.
GRACE, ARE YOU SURE?
I CANNOT SPENDTHE REST OF MY LIFE
LOOKING IN A REARVIEW MIRROR,OLIVIA.
IT'S SCARY,BUT I'VE GOTTA JUST STOP THIS,
AND START DEALINGWITH THE FUTURE,
AND LET GO OF THE PAST.
YEAH.
YEAH. SO I AMGONNA BE JUST FINE.
[♪]
[CHUCKLES]
[WHISPERING]:I BOUGHT CHINESE FOOD.
-AND A BABY.-SHH!
I FINALLY GOT HER TO SLEEP!
I GAVE THE KIDS THE NIGHT OFF,
AND SLIPPED ERIC A FEW BUCKSTO TAKE SHELLY TO DINNER.
OH...
[SIGHS]
IT TOOK ME AN HOUR
OF DRIVING AROUND
TO FINALLY GET HERTO STOP CRYING.
[YAWNS]
SHE MAY BE TINY,
BUT YOU WOULDN'T BELIEVETHE SET OF LUNGS ON THIS KID.
OH... THE WHOLEBABY THING AGAIN.
[HUFFS WEARILY]
IS IT ALL COMING BACK?
OH, IT'S LIKE RIDING A BIKE.
EXCEPT I WAS ALWAYS LOUSYAT RIDING A BIKE.
[LAUGHING]
LISTEN.
WOULD YOU BELIEVE
THAT TONIGHT
IS SHELLY AND ERIC'SFIRST OFFICIAL DATE.
-YOU'RE KIDDING!-NO.
HUH! THEY HAVE A BABY!THEIR FIRST DATE?
I KNOW! OBVIOUSLY,THE WHOLE CONCEPT OF "DATING"
HAS CHANGEDSINCE WE WERE THEIR AGE.
WELL, IT APPEARS SO.
IT'S REALLY NICE OF YOUTO DO THIS FOR THE KIDS.
ERIC'S REALLY BEEN TRYING.
I THOUGHT THEY DESERVEDA NIGHT OUT.
BESIDES, ALL WE HAVE TO DO
IS JUST WHISPER THROUGH DINNER,THAT'S ALL.
COULD BE KIND OF ROMANTIC.
[LAUGHS]
♪ I AM WRITING THIS SONG
♪ ON A MANDOLIN
♪ IN FACTIT'S THE FIRST TIME ♪
THANK YOU.
♪ AND SO IS THE WAY
♪ I'M ADMITTING
[EXHALES]
♪ I'M FALLING FOR YOU
OH!
♪ WHEN I KNEWYOU JUST NEEDED A FRIEND ♪
♪ YOU ASKED ME
♪ "IS THERE SOMETHINGTHAT I'VE DONE WRONG?" ♪
♪ YOU SAID"IT CAN'T BE MY MAKEUP..." ♪
THIS IS NICE.
YEAH. IT'S REAL NICE.
♪ AND I LAUGHED
♪ AND SAID "NO"
♪ "IT'S NOTONE THING YOU'VE DONE" ♪
IT'S OUR FIRST DATE!
YEAH!
♪ IT CERTAINLY ISN'TJUST ONE ♪
♪ WELL, OH, ME...
I HOPE THE BABY'S OKAY.
OH, YEAH.
YEAH, DAD'LL CALLIF THERE'S ANY PROBLEMS.
JUST THIS IS THE FIRST TIMEI'VE BEEN AWAY FROM HER.
IT FEELS WEIRD.
YEAH.
♪ SINGIN' ONE MORE SONGABOUT A WOMAN ♪
-THIS IS NICE.-YEAH.
IT'S-- IT'S REAL NICE.
[SHELLY GIGGLES]
[♪]
WHAT ARE YOU DOING?
SHARING.
AND TAKING THE BROCCOLIOF YOUR HALF.
I REMEMBERED.
THANK YOU.
HOW CAN YOU NOTLIKE BROCCOLI?
OH, PLEASE, OLIVIA, THERE'S NOTENOUGH SOY SAUCE IN THE WORLD
TO MAKE THAT STUFF PALATABLE--
IT'S BOTH MUSHY AND CRUNCHYAT THE SAME TIME.
IT'S... I DON'T KNOW,
IT'S AN OXYMORONIC VEGETABLETO ME.
[BOTH LAUGHING]
SHH!
-OH...-I'M SORRY.
THEY GOTA LOBSTER SPECIAL.
I'M ALLERGIC TO SEAFOOD.
YOU DON'T REMEMBER THAT TIME
THAT I HADTHAT TINY PIECE OF SHRIMP
AND ALMOST HAD TO GOTO THE E.R.?
RIGHT! RIGHT.
NO, UH, I MEAN,
PASTA'S GOOD.
I HAVE A GLUTEN INTOLERANCE.
DID YOU TELL ME ABOUT THAT?
MM. ONCE OR TWICE.
♪ CRYING
♪ ON YOUR FLOOR ♪
IT'S FUNNY, ISN'T IT?
THESE LITTLE MILESTONES.
WHAT DO YOU MEAN?
WELL...
WE'RE AT THAT POINTIN THE RELATIONSHIP
WHERE WE, UH,
ACTUALLY REMEMBER THINGSABOUT EACH OTHER.
LIKE YOU,WITH THE BROCCOLI TONIGHT.
OH. SO WHAT DO YOU REMEMBERABOUT ME?
UH...
WELL, YOU DO COOK BACON WEIRD.
DO YOU KNOW THAT?
I'VE BEEN MEANING TO BRING THISUP WITH YOU, ACTUALLY.
I BEG YOUR PARDON?
IT'S TRUE.
YOU LAY OUT EACH STRIPPERFECTLY STRAIGHT,
YOU KNOW, LIKEIT'S UP AGAINST A RULER
OR SOMETHING.
WELL, YOU JUST THROW ITIN A CLUMP IN THE PAN,
IT DOESN'T COOK EVENLY.
WELL, IT'S NOT SUPPOSEDTO COOK EVENLY, IT'S BACON.
I MEAN, THAT'S THE FUN OF BACON.
"THE FUN OF BACON."
YOU'RE THE ONLY HUMAN BEINGI KNOW
THAT WOULD SAYSOMETHING LIKE THAT.
AM I WRONG?I'M NOT WRONG.
-[LAUGHING]-JUST A LITTLE BIT.
SO THAT WAS FUN.
YEAH.
WE SHOULD REALLYDO IT MORE OFTEN.
ERIC...
[SIGHS]
I THINKI WANT TO MOVE TO SEATTLE.
WHAT?
MY AUNT CALLED LAST WEEK,
AND SHE OFFEREDTO HELP OUT WITH THE BABY
WHILE I, YOU KNOW,GET BACK ON MY FEET,
AND FINISH SCHOOL.
I TOLD HER NO,
BUT...
BUT WHAT?
I CAN'T WORK
AND YOU'RE BARELY MAKINGANY MONEY.
WAIT. YOU'RE NOTTALKING ABOUT US GOING,
YOU'RE TALKING ABOUTYOU AND THE BABY GOING.
YOU CAN VISIT HERAS MUCH AS YOU WANT.
DID I DO SOMETHING?
YOU'RE TRYING YOUR BEST,I KNOW THAT,
BUT YOU'RE NOT READYFOR ALL THIS.
I DON'T KNOW IFI'M READY FOR IT EITHER, BUT...
BUT I KNOW I STANDA BETTER CHANCE SOMEWHERE ELSE,
AT LEAST FOR A LITTLE WHILE.
SHELLY, I THOUGHTWE WERE DOING OKAY.
I THINK I WANT MORETHAN "OKAY."
AND YOU DESERVEMORE THAN "OKAY" TOO.
[♪]
YOU SEEM SO...
HAPPY? I AM.
AND RELIEVED.
I HAVE HAD A GREAT WEIGHTLIFTED OFF OF ME.
OH, YEAH?
MM-HMM.
I'M GONNASELL MY HOUSE.
WOW!
ARE YOU SUREABOUT THAT?
YEAH.
AREN'T YOU GONNA GLOATEVEN JUST A LITTLE BIT?
YOU WERE RIGHT!I WAS WRONG.
I DON'T GLOAT.
NO. DAN WOULD'VE.
I'M NOTYOUR EX-HUSBAND.
REMEMBER?
YES, THAT'S CORRECT.
YOU ARE NOT.
♪ ONE THINGTHAT I KNOW ♪
♪ IS IT WILL GET BETTER
♪ EACH AND EVERY DROUGHT
♪ ENDS IN THE RIVER
♪ IF I WERE A DIVINER
♪ YOU'D BE AWASH IN RAIN
IT'S NEVER AS LONGAS WE THINK IT'S GONNA BE.
I KNOW.
I JUST KEEP WAITINGFOR THIS PART TO GET EASIER.
WELL, IF IT'S TOO EASY,
IT MEANS WE DON'TLIKE EACH OTHER.
♪ THERE COULD BEWINDS OF CHANGE ♪
♪ IN MY AUBURN HAIR
I'LL CALL YOUAS SOON AS I GET THERE.
OKAY.
THANKS.
♪ WHEN THE BITTER BREEZE
I'M PROUD OF YOU..."CAPTAIN."
♪ WE'LL PERSEVERE SOMEHOW
♪ WE'RE GONNA PUSH ON THROUGH
♪ PRETTY GIRL
♪ JUST LIKE WE ALWAYS DO
♪ BEAUTIFUL GIRL
♪ I KNOW THE WORLDCAN BE CRUEL ♪
♪ PRETTY GIRLYOU'RE GONNA MAKE IT ♪
♪ 'CAUSE YOU'VE GOT LOVEON YOUR SIDE ♪
♪ THE TRUTH OF LETTING GO
[♪]
[EXHALES]
OLIVIA.
HI.
I GOT YOUR MESSAGETO MEET YOU HERE.
ARE YOU OKAY?WHAT'S GOING ON?
WAIT A SECOND.
ERIC IS AT WORK...
YOU LET YOURSELF IN.
YES, I DID.
OH, OLIVIA, PLEASE,LET'S JUST NOT DO THIS--
-JACK.-AGAIN, ALRIGHT? I JUST WANT--
-JACK, WOULD YOU JUST---I JUST WANT YOU TO KEEP IT.
ALRIGHT? YOU NEVER HAVE TOUSE IT. JUST KEEP THE KEY!
[SHOUTS]: JACK!
THIS IS THE KEY TO MY HOUSE.
YOUR HOUSE?
YES.
[LAUGHS]
WHAT MADE YOU CHANGE YOUR MIND?
OH...
AFTER THAT SILLY FIGHTTHE OTHER NIGHT, I...
I KNEW YOU WEREN'TBEING PASSIVE-AGGRESSIVE
OR PLAYING GAMES.
THAT WAS STAN.
I'M JACK.
I KNOW.
JUST DO ME A FAVOR, WILL YA?
CALL BEFORE YOU COME OVER.
COME HERE, YOU.
MM.
SO...
MAJOR STEP FORWARDRELATIONSHIP-WISE,
WOULDN'T YOU SAY?
I WOULDN'T GO TOO FAR--I DON'T WANT TO SEE
AN ANNOUNCEMENT IN THE PAPEROR ANYTHING.
[JACK LAUGHS]
DEAL.
YOU KNOW, I WAS SO NERVOUSGIVING YOU MY KEY.
YEAH? WHY?
GOING BACK TO SEVENTH GRADE,
I LIKED THIS GIRL,
DEBBIE ZIMOWICZ,
AND AS A SIGN OF MY UNDYINGDEVOTION AND LOVE FOR HER,
I GAVE HER
MY MIKE SCHMIDT-AUTOGRAPHEDBASEBALL.
MM?
HALL-OF-FAMER,THIRD-BASEMAN,
LIFE-LONG PHILL--
ANYWAY.
I WAS 12...
AND SHE LOOKED AT IT
AND THEN SHE JUST GAVE ITRIGHT BACK TO ME.
[PAINED GROAN] OH!
I WAS DEVASTATED.
SORRY TO GIVE YOUBADDEJA VU.
I'VE RECOVERED,BUT THANK YOU.
[PHONE CHIMES]
-OH, IS THAT ME OR YOU?-ME.
OH. IT'S AN E-MAIL.
BUSINESS. JUST...
YOU KNOW, IT'S FUNNY,I RAN INTO DEBBIE YEARS LATER.
MARRIED FOUR TIMES.
NOW, IF I'D PLAYEDMY CARDS BETTER,
I THINK I COULD'VE BEENNUMBER FIVE.
IT'S ABOUT GRACE'S HOUSE.
IS THERE A PROBLEM?
YEAH. A BIG ONE.
[♪]
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