Original subtitles

[OLIVIA]: PREVIOUSLY,ON CEDAR COVE...

I DON'T THINKWE SHOULD KEEP OUR BABY.

SO I ASSUMEYOU STILL WANT TO CONTINUE?

NO ONE'S GONNA STOP USFROM OPENING THAT PLACE.

WE'VE GOT SOME INFORMATIONON JOHN BOWMAN.

IT'S NOT GOOD.

WHAT ARE YOU WILLINGTO SACRIFICE FOR?

IT'S YOUR LIFE, TOO.

YOU NEED TO CALM DOWN.

YOU AREN'T GIVING MY BABY AWAY!

[AMBULANCE SIREN WAILING]

ERIC!

I'M ALL ALONE UP THERE.

IT'S ME AGAINST SHELLY,YOU AND OLIVIA.

HEY, I'M ON YOURSIDE, ALL RIGHT?

AND OLIVIA IS JUST TRYING--

SHE'S CONTACTING A LAWYERIN SEATTLE FOR SHELLY.

I HAVE RIGHTS, TOO.I'M THE FATHER.

YES...

SHELLY KEEPS USINGMY PAST AGAINST ME.

IT'S NOT FAIR.

I'M GETTINGA LAWYER, DAD.

OH, ERIC...LISTEN...

I THINK THAT WILL ONLY MAKETHE SITUATION WORSE, OKAY?

NO.

IT'S YOU AND OLIVIA THAT AREMAKING THIS SITUATION WORSE.

[SIGHS]

[ROY]:THOSE MEN ARE PAROLEES.

THEY WERE IN PRISON WITH JOHNAND NOW THEY'RE HERE.

I KNOW, LOOKINGFOR JOHN.

THEY PROBABLY WANT JOHNTO GO INTO BUSINESS WITH THEM.

WHAT KIND OF BUSINESS?

SAM AND ROBBIE DEAL MOSTLY

IN FRAUDULENT CREDIT CARDSAND PASSPORTS.

THEY'VE GOTQUITE A REPUTATION,

AS WELL AS VERY LONG RAP SHEETSBACK IN SEATTLE.

JOHN WENT TO PRISONFOR A CRIME HE DIDN'T COMMIT

TO PROTECT HIS BROTHER.

HE'S A GOOD MAN.

HE'S NOT DEALINGIN STOLEN CREDIT CARDS.

YEAH, BUT THEY CAME HERE LOOKINGFOR HIM.

YES, I KNOW,BUT HE'S NOT A CRIMINAL.

HE WOULDN'TBREAK THE LAW.

YEAH, BUT JOHN WANTED TO STAYAWAY FROM YOU TO KEEP YOU SAFE.

THIS ALL MAKES SENSE NOW.

NO, NO, IT DOESN'T MAKE SENSE.

JOHN IS NOT IN BUSINESSWITH THOSE MEN.

[TROY]: WELL, I JUST GOT WORD

FROM THE CHIEF OF POLICEOF SEATTLE

THAT SAM AND ROBBIE USED TO HAVEA THIRD MEMBER OF THEIR GANG.

[ROY]: AND WORD ON THE STREET

IS THEY'RE LOOKING TO FILLTHE POSITION

BEFORE THEY MAKE A BIG DELIVERYOF GOODS IN LOS ANGELES.

LOOK, I'M GUESSING THAT...

UM...

ANY THREAT AGAINST YOU

WOULD GET JOHN TO DOJUST ABOUT ANYTHING.

HE'S NOT GOING TO BREAKTHE LAW.

REGARDLESS,

I THINK IT'S BEST

IF YOU STEER CLEAROF JOHN BOWMAN.

SO DO I.

SO HE'S DOING ALL THISTO PROTECT ME,

BUT I SHOULD JUSTTURN MY BACK ON HIM?

EXCUSE ME.

LOOK, UH...

IF JOHN TRIESTO CONTACT--

OH, TRUST ME,I'LL BE CALLING YOU.

THANKS FOR THE COFFEE.

YEAH.

GOOD TO SEE YOU, ROY.

[♪]

[PHONE RINGS]

HELLO?

SAM, IT'S ME, JOHN.LOOK, PLEASE...

WHERE ARE YOU?

SEATTLE.

[SAM]: IF I WERE YOU,

I'D GET YOUR BUTTBACK TO CEDAR COVE.

COME ON, MAN.

I NEED YOU, JOHN.

IN FACT,WITHOUT YOU, I'M SUNK.

I NEED YOUR "ARTY" SKILLSTO HELP FINISH

SOME FAKE STAMPSIN A BUNCH OF PASSPORTS.

I KNOW YOU DON'T CARE

ABOUT HOW MUCH MONEYYOU COULD BE MAKING

WORKING WITH ME,

BUT I FOUND SOMETHINGYOU DO CARE ABOUT.

WELL...

SOMEONE YOU CARE ABOUT.

TALL, REDHEAD, LONG LEGS...

LEAVE HER OUT OF THIS.

THE MINUTE YOU SAID, "NO,"YOU BROUGHT HER INTO THIS.

[♪]

ICED TALL LATTE, TWO SUGARS,EASY ON THE MILK.

THANK YOU, MOON.

I MADE IT A DOUBLE.

YOU LOOK LIKEYOU NEED IT.

I THINK I DO.

I DON'T HAVE A DEGREEOR ANYTHING,

BUT... I DO HAVE TWO EARS.

DO YOU THINK IT'S WRONGTO DO SOMETHING

JUST BECAUSE YOU LOVE SOMEONE?

WELL...

LIES LEAD TO DECEPTION,

DECEPTION LEADSTO UNHAPPINESS.

YOU GOTTA STAY TRUETO YOUR OWN HEART

AT ALL TIMES.

AND I KNOW WHEREOF I SPEAK.

THAT'S HOW I ENDED UPWITH A REALLY BAD PERM

BACK IN THE '70s.

MY GIRLFRIEND WASINTO MAC DAVIS.

[SHUDDERS]

I LOOKED LIKE A POODLEIN A TIE-DYED T-SHIRT.

[LAUGHS]

THAT LOVE...IT'S A CRAZY RIDE.

OLIVIA! I'LL GETYOU A COFFEE.

HI. I GOT HEREAS SOON AS I COULD.

HOW'S SHELLY DOING?

THE SAME.

WHAT'S GOING ON?

SETH'S TURNING DOWNHIS DREAM JOB IN ALASKA

TO STAY HEREIN CEDAR COVE WITH ME

AND OPEN THE RESTAURANT.

OH.

I'M NOT SURPRISED.

NO? I AM.

SETH HAS ALWAYS BEENCLEAR ON WHAT HE WANTS...

YOU.

SO WHAT DO I DO?

I DON'T KNOW, JUSTINE.

WHAT DO YOU WANT?

SETH REALLY WANTS USTO OPEN THIS RESTAURANT.

I JUST ASKED WHAT YOU WANT,

AND YOU TOLD ME WHAT SETH WANTS.

YOU CAN'T MAKEDECISIONS IN LIFE

BASED ON KEEPINGANOTHER PERSON HAPPY.

IT WON'T WORK.

HONEY, YOU CAN ONLY AVOIDTHE TRUTH FOR SO LONG.

THERE YA GO.

IN COURT,AS IN LIFE,

EVENTUALLY,THE TRUTH ALWAYS WINS OUT.

WELL, YOU LOOK LIKE HELL.

OH...

YEAH, I'VE BEEN UP ALL NIGHT.

YOU PROMISED YOU'D CALL.

IF I CALLED YOU EVERY TIMEERIC MADE ME FEEL LIKE THIS,

YOU WOULDN'T GET ANY SLEEP, BOB.

YOU KNOW, THEY SAYTHE DEFINITION OF INSANITY

IS DOING THE SAME THINGOVER AND OVER,

EXPECTING A DIFFERENT RESULT.

YOU GOTTA LET GO OF TRYINGTO CONTROL THINGS

YOU CAN'T CONTROL.

WELL, THAT'S EASIER SAIDTHAN DONE.

YEAH.

YOU KNOW, SOMETIMES,

BEING A GOOD PARENT'SLIKE BEING A GOOD SPONSOR.

WE HAVE TO LET OUR CHILDRENFIND THEIR WAY CLEAR OF THINGS.

ERIC WANTS TO HIRE A LAWYER.

THEN LET HIMGET A LAWYER.

BUT, BOB, I THINKTHAT'S A MISTAKE.

I JUST...

YOU KNOW WHENYOU'RE SAILING,

AND YOU LOSE THE WIND,

YOU TRY ANOTHER TACK?

TRY A DIFFERENT TACK.

HE'S THE FATHER, SHELLY.HE HAS RIGHTS.

I DON'T CARE.

ERIC SAYS THAT HE'S CHANGED,BUT...

I-I KNOW HIM.

HE'LL LEAVE AGAIN.

I'VE MADE UP MY MIND.

CALL THE LAWYER NOW.

TODAY.

PLEASE?

[DOOR OPENS]

I'M GLAD YOU'RE HERE.

OKAY...

LOOK, I'M NOT BLIND.

I CAN SEE THAT YOU'RE REALLYNERVOUS ABOUT THE RESTAURANT.

ALL RIGHT, YEAH...A LITTLE.

WE LIVE TOGETHER.

AND WE'VE INVESTEDMONEY TOGETHER,

WE'RE STARTINGA BUSINESS TOGETHER,

AND SOON, WE'RE GONNA OWNTHIS RESTAURANT TOGETHER.

I'D BE LYING IF I SAIDI WASN'T A LITTLE NERVOUS.

I GET IT,

AND I THINK I KNOW SOMETHINGTHAT'S GONNA MAKE YOU

A LITTLELESS NERVOUS.

YOU DO?

I WAS GONNA WAIT TILLAFTER THE RESTAURANT OPENED

TO DO THIS.

TO DO WHAT?

SETH...

JUSTINE LOCKHART...

WILL YOU DO ME THE HONOROF BECOMING MY WIFE?

YOU'RE PACKING FOR SEATTLE?

DON'T TRY TO TALK MEOUT OF THIS.

THEY'RE CAREER CRIMINALS,MARYELLEN...

JOHN IS INVOLVED WITH THEM.

JOHN ISN'T A CRIMINAL.

ARE YOU SURE?

WITHOUT A DOUBT.

OKAY, PLEASE,CAN WE JUST--

I LOVE HIM, AND I CAN'T JUSTSTAND BY AND NOT WARN HIM.

IF YOU GO AFTER HIM,YOU COULD BOTH GET HURT.

WHEN YOU LOVE SOMEONE,YOU SACRIFICE.

I KNOW THAT'S HARD FOR YOUTO UNDERSTAND

AFTER EVERYTHING DADDYPUT YOU THROUGH.

EXCUSE ME?

SINCE YOUR DIVORCE.I GET IT.

OH, YOU GET WHAT?

THAT YOU WANT TO PROTECT MEFROM BEING HURT... BY MEN.

THIS IS NOT EMOTIONAL HURT.

THIS IS PHYSICAL HURT.

I'LL BE FINE.

I'M GOING AFTERWORK TONIGHT.

PLEASE DON'T WORRY.

OH, THAT'S EASY FOR YOU TO SAY.YOU'RE NOT ME.

I LOVE YOU, TOO.

OLIVIA?

WHAT'S THE LATEST?

SHE WANTS TO GIVE UPTHE BABY.

ERIC STILL WANTSTO GET A LAWYER.

YOU KNOW WHAT?

I SHOULD TELL HIMTO GET A LAWYER

SINCE HE ALWAYS DOES THEOPPOSITE OF WHATEVER I SAY.

NO.

NO, WHAT?

TELL HIM TO GET A LAWYER.

I WAS KIDDING.

I'M NOT.

[♪]

BE RIGHT WITH YOU.

[DIALING]

HEY, ROY?

THOSE MEN...

THEY'RE BACK.

OKAY. GOT IT.

SO, WHAT CAN I GET YOU?

TWO BEERS.

YOU GOT IT.

ALL RIGHT, YOU WIN.

I'M IN.

WHATEVER YOU WANT ME TO DO,I'LL DO IT.

LOVE...

IT'S A BEAUTIFUL MOTIVATOR.

NO, Y-YOU'RE NOT LISTENINGTO ME.

I JUST NEED SOME ADVICE...AND SOME HELP.

NO, NO, I UNDERSTAND.

WE'VE BEEN LOOKINGFOR YOU.

ANY LUCK?

THEY ALL WANT MONEYBEFORE THEY'LL DO ANYTHING.

SO YOU CAN TELLSHELLY SHE WINS.

I CAN'T AFFORDTO GET A LAWYER.

I GUESS I'LL DO WHAT YOU WANTAND GIVE UP.

[SIGHS]

THAT'S NOT WHAT I WANT.

IT'S NOT WHATI WANT EITHER.

COULD HAVE FOOLED ME.

I THINK ADDING A LAWYERTO THIS SITUATION

MIGHT ACTUALLY HELP.

I JUST TOLD YOU,I CAN'T AFFORD IT.

[JACK] WELL,I HAPPEN TO KNOW

A LAWYER THATWORKS PRO BONO.

WHAT, HELP ME FOR FREE?

-YEAH.-WHO?

ME.

[JACK]: SHE CAN HELP YOU GETWHAT'S BEST FOR EVERYONE...

OKAY?YOU, SHELLY AND THE BABY.

I DON'T KNOW...

[JACK]: LISTEN, ERIC,

I KNOW YOU HAVEA HARD TIME TRUSTING ME...

BUT I LOVE YOU

AND I REALLY NEED YOUTO HEAR ME.

TRUST OLIVIA.

[DOOR HANDLE JIGGLES]

IT'S OPEN, SETH.

[DOOR OPENS]

SETH?

WARREN...

WHAT ARE YOU DOING HERE?

WELL, UNTIL YOU TWO LOVEBIRDSCLOSE ESCROW, JUSTINE,

I STILL OWN THE PLACE.

JUST GET OUT.

NOW, COME ON.

IS THAT ANY WAY TO TALKTO THE MAN YOU ALMOST MARRIED?

LEAVE, WARREN.

OKAY, LOOK...

IF YOU NEED MONEY,

I'D BE HAPPY TO MAKE YOUA PERSONAL LOAN.

I DON'T WANTANYTHING FROM YOU.

YOU DON'T EVEN KNOWWHAT YOU WANT.

EXCUSE ME?

IT'S JUST LIKEWHEN WE WERE TOGETHER,

YOU KNOW...

YOU'RE A LITTLE GIRL LOST,

AND YOU'RE DRIFTING FROMPROFESSION TO PROFESSION,

AND MAN TO MAN,

TRYING TO FIND YOUR OWN WAY.

YOU KNOW NOTHING ABOUT ME.

I DO KNOW YOU.

AND YOU HATE ITBECAUSE YOU KNOW I'M RIGHT.

YOU DON'T EVEN KNOW WHATYOU WANT OR NEED IN A MAN,

WHICH IS THE WHOLE REASONYOU'RE WITH SETH AND NOT ME.

I KNOW WHAT I WANT IN A MAN.

REALLY?

ENLIGHTEN ME.

I WANT A MAN THAT DOESN'T HAVEA GIRLFRIEND

WHEN HE ASKS ME TO MARRY HIM.

I WANT A MAN THAT DOESN'T LIETO THE WHOLE TOWN,

SAYING HE SAVED THE LIGHTHOUSE,WHEN HE DIDN'T.

I WANT A MAN THAT HASN'T BEENARRESTED BY THE FBI,

A MAN THAT DOESN'TMONEY-LAUNDER FUNDS

FOR CRIMINALS AND TAX CHEATSBACK EAST,

A MAN WHO DOESN'T HAVEA FLEXIBLE MORAL CODE.

IN SHORT, I WANT A REAL MAN.

THAT ISN'T YOU.

IT WAS NEVER YOU.

AND I'M NOT A LITTLE GIRL.

I'M A WOMAN.

A WOMAN HOLDING A NAIL GUN.

YOU KNOW HOW DANGEROUSCONSTRUCTION SITES CAN BE.

AND I THINK,FOR YOUR OWN SAFETY,

IT'S BEST IF YOU GO.

THIS ISN'T OVER.

IT'S SO OVER.

NOW GET OUT.

I'M GLADYOU CAME TO YOUR SENSES.

WHAT CHOICE DO I HAVE?

NONE, NOT IF YOU WANNAKEEP THE REDHEAD SAFE.

LEAVE MARYELLEN ALONE.

AS LONG AS YOU DON'T GIVE MEANY REASON,

TOMORROW,WE'LL PULL OUT OF THIS TOWN

AND NEVER COME BACK.

THEN I GUESSI'M IN THE FORGERY BUSINESS.

CHEER UP, MAN.

YOU'RE GOING TO MAKESO MUCH MONEY,

YOU CAN BUY YOURSELFA BRAND-NEW MARYELLEN.

[LAUGHS]

I'M SORRY, I DON'T UNDERSTAND.

IN COURT, WHEN TWO PEOPLECAN'T FIND ANY COMMON GROUND,

I SEND THEM TO MEDIATION.

SOMETIMES, IT'S THE ONLY WAYTO FIND YOUR WAY

THROUGH A DIFFICULT,HIGHLY EMOTIONAL SITUATION.

SO YOU WOULD...

MEDIATE.

DO YOU REALLY THINKERIC WILL LISTEN TO ME?

IF I CAN GET YOU AND ERICIN THE SAME ROOM

AND GET YOU TO LISTENTO EACH OTHER,

I THINK I CAN HELP.

[SIGHS]

JOHN?

OH...

I WAS SO WORRIED.

I MISSED YOU SO MUCH.

I WAS JUST HEADINGTO SEATTLE.

I KNOW ALL ABOUT PRISONAND SAM AND ROBBIE,

BUT IF KEEPING ME SAFEMEANS LOSING YOU,

I DON'T WANT TO BE SAFE.

I HAD TO SEE YOU...

ONE LAST TIME.

ONE LAST TIME?

WHAT ARE YOUTALKING ABOUT?

THOSE GUYS...

IF I DON'T WORK WITH THEM,THEY'LL HURT YOU.

NO, JOHN... NO.

I'M GOING TO MAKE SUREYOU'RE OKAY.

NO...

YOU ARE NOT A CRIMINAL.DON'T--DON'T DO IT.

NO ONE WILL LET ME FORGETTHAT I WAS IN PRISON.

I MIGHT AS WELL ACCEPT

THIS IS THE ONLY KIND OF LIFEI'M EVER GONNA HAVE.

I DIDN'T START OUT A CRIMINAL,

BUT I GUESS THAT'S WHAT I AM.

GOODBYE, MARYELLEN.

JOHN...

SO HOW DO WE DO THIS?

WELL, YOU EACHTAKE TURNS TALKING

AND WE TRY TO FINDSOME COMMON GROUND.

WELL...

SHE WANTS TO GIVEOUR BABY AWAY,

AND I WANT TO KEEP HER,

AND WE'RE NEVER GOING TO AGREE.

CAN'T YOU SEE HOWHARD THIS IS, ERIC?

I DON'T WANT TO DO THIS.

I HAVE TO.WE BOTH DO.

IT'S WHAT'S BESTFOR OUR BABY.

I'M NOT GOINGTO LEAVE YOU AGAIN.

I DON'T BELIEVE YOU.

I WANT HER TO END UPWITH GOOD PARENTS.

WE CAN BE GOOD PARENTS.

UNTIL YOU DECIDEIT'S TOO MUCH FOR YOU.

THINK ABOUT IT.

WE'RE NOT WHAT'S BESTFOR OUR BABY.

PLEASE, DON'T MAKE THIS ANY MOREDIFFICULT THAN IT ALREADY IS.

YOU'RE NOT GOINGTO CHANGE YOUR MIND, ARE YOU?

I KNOWWHAT'S BEST FOR THE BABY.

I KNEW THIS WASA WASTE OF TIME.

ERIC...

AND YOU JUST WANTED TO GET MEIN A ROOM TO GANG UP ON ME.

NO... ERIC...

ERIC...

LEAVE ME ALONE!

STOP RUNNING AWAY FROM ME!

SHELLY THINKS I'M A LOSER.

NO, SHE DOESN'T.

BUT I THINK YOU THINKYOU THINK YOU ARE.

AND YOU'RE WRONG.

YOU'RE NOT A LOSER.

LOOK, I KNOW THAT YOU THINKTHAT I DON'T CARE

OR THAT I DON'T UNDERSTAND

BECAUSE I WASN'T THERE FOR YOUAS A KID.

I TELL YA, I'MGETTING REALLY SICK

OF BEINGCONSTANTLY COMPARED

TO A MAN THATI NO LONGER RESEMBLE.

AND ISN'T THAT EXACTLYWHAT SHELLY IS DOING TO YOU?

[SIGHS]

AREN'T YOU TIRED?

I MEAN, AREN'T YOU TIREDOF BEING ANGRY AT ME?

BEING DISAPPOINTED IN ME?

THIS ISN'T ABOUTMAKING YOU FEEL BETTER

ABOUT ALL THE STUFF THATHAPPENED TO ME WHEN I WAS A KID.

NO, IT'S NOT.THIS IS ABOUT YOU.

I'LL LET YOU INON A LITTLE SECRET.

DURING YOURENTIRE CHILDHOOD,

I WAS WRAPPED UPIN JUST TWO THINGS...

WORKING AND DRINKING.

AND I WILL NEVER BE OKAYWITH THAT.

NEVER.

COME ON, SIT DOWN.

[SIGHS]

I LOVE YOU.

BUT YOU'VE GOT TO FINDA WAY TO WORK WITH ME

IN PUTTING THE PASTIN THE PAST,

OTHERWISE, YOU WILLNEVER BE OPEN TO ME

IN A WAY THATCAN BENEFIT YOUR LIFE.

COME HERE.

SHELLY IS SCARED THATYOU'RE GONNA LEAVE HER AGAIN.

YEP.

AND SHE CAN'T LET GOOF THE "OLD" ERIC, RIGHT?

THERE'S NOTHINGI CAN DO TO FIX THAT.

NO, YOU'RE WRONG.

YOU CAN DOEXACTLY WHAT I HAVE DONE

EVERY DAY OF MY LIFE.

YOU ASKFOR FORGIVENESS...

AND YOU HOPE YOU GET IT.

OLIVIA, WHY DOES NO ONESEEM TO UNDERSTAND

HOW HARD THIS IS FOR ME?

I DON'T WANT TO GIVE UPMY BABY.

I JUST...

I WANT TO DO THE RIGHT THING.

NO ONE KNOWS HOW I FEEL.

I DO.

I LOST A CHILD.

HIS NAME WAS JORDAN.

HE WAS 13.

HE LOVED THE SEA

AND SAILING,

AND HE HAD THE SILLIEST LAUGH.

AND EVERYONE THAT MET HIMLOVED HIM.

AND WHEN HE DROWNED,

I THOUGHT MY LIFE WAS OVER.

I HAD NO IDEA.

HE WAS JUSTINE'S TWIN.

HE WAS AWONDERFUL CHILD,

AND THERE ISN'T A DAYI DON'T MISS HIM.

THERE ISN'T A DAYI DON'T THINK ABOUT HIM.

I DON'T HAVE A CRYSTAL BALL,

AND I CAN'T PREDICTTHE FUTURE,

BUT I CAN SHARE WITH YOUTHAT THE LOSS OF A CHILD,

BY ANY MEANS, IS SOMETHINGTHAT WILL STICK WITH YOU

FOR THE REST OF YOUR LIFE.

BUT I WANT...

I WANT MY BABY TO HAVEA BETTER CHILDHOOD THAN I DID.

THERE ARENO PERFECT CHILDHOODS.

WE'RE JUST A PLANET FULLOF BEAUTIFULLY IMPERFECT PEOPLE

DOING THE BEST WE CAN.

THERE ARE SOME THINGSYOU HAVE CONTROL OVER,

LIKE YOUR DECISION...

AND SOME THINGS YOU DON'T,LIKE DEATH.

YOU'RE ABOUT TO BECOME A MOTHER.

AND THAT MAKES YOU A MEMBEROF A VERY BIG CLUB.

[PANTS A LITTLE]

OLIVIA...

YES?

I DON'T WANT TO GIVE UPMY BABY.

AND YOU DON'T HAVE TO.

[GRUNTS]

SOMETHING DOESN'T FEEL RIGHT.

YOU OKAY?

-[PANTING, GASPING]-OH, HONEY, OKAY.

I'M GONNA GET SOME HELP.

PLEASE, WE NEED SOME HELPIN HERE!

[SCREAMS IN AGONY]

OH, HONEY!BREATHE, BREATHE.

IT'S OKAY.THEY'RE COMING.

[DOCTOR] BP'S 160 OVER 100.LET'S GET HER PREPPED TO MOVE

OLIVIA, DON'T LEAVE.

DON'T WORRY,I'M NOT GONNA LEAVE YOU.

[SOBBING BREATHS]

BREATHE.IT'S OKAY.

THERE YOU GO.IT'S OKAY.

[PANTING]

[DOCTOR]: FOUR GRAMSOF MAGNESIUM SULPHATE...

GO! SHELLY'S IN LABOR!

SHELLY?SHELLY!

SHE'S GOING TO THE O.R.

HER BLOOD PRESSUREIS SPIKING AGAIN.

I DON'T KNOWIF SHE CAN DELIVER THIS BABY

WITHOUT A CAESAREAN.

SHE'S GOING TO BE OKAY,THOUGH, RIGHT?

I AM GOING TO DOEVERYTHING I CAN.

I NEED YOU TO STAY HERE.

I'LL HAVE THE NURSESKEEP YOU POSTED.

IS THERE ANYTHING I CAN DO?

PRAY.

SHELLY, I'VE...I'VE MADE A LOT OF MISTAKES,

AND I'VE DONEA LOT OF STUPID THINGS,

BUT THE TWO OF US AND THAT BABY,THOSE AREN'T MISTAKES.

THEY MIGHT BE THE ONLYGOOD THINGS I'VE EVER DONE.

I LOVE YOU.

AND I WANT TO MAKE THIS WORK.

[PANTING]

I LOVE YOU, TOO.

OLIVIA!

[ERIC]: OLIVIA!

-I CAN'T DO THIS.-YES, YOU CAN.

CAN YOU STAY WITH ME?

MAN, THESE PASSPORTS...FLAWLESS.

YOU REALLY ARE AN ARTIST.

WE'RE GOING TO MAKEA FORTUNE.

[KNOCKING]

WHO'S THAT?

[SLAMS DOWN]

THAT'S THE MONEY MAN.

WHY ARE WE HERE?WHY AREN'T WE IN SEATTLE?

WE'RE HERE.

LET'S JUST DO SOME BUSINESS.

SHOULD WE BEDOING THIS HERE?

SERIOUSLY... IS ITSAFE TO BE HERE?

YOU KNOW WHAT I LIKEABOUT THESE TINY PODUNK TOWNS?

THEY HAVE, LIKE,WHAT, ONE COP?

AND HE'S USUALLY EITHERTOO BUSY EATING PIE

OR SLEEPING AT HIS DESKTO NOTICE ANYTHING.

LET ME SEETHE MERCHANDISE.

[WHISPERED] SO?

THEY'RE ALL THERE.

THAT'S JUST A TASTE.

WE'RE SET UP IN SEATTLE

TO PROCESSSOCIAL SECURITY CARDS,

GREEN CARDS, LICENSES...

WELL...

WHAT WE AGREED ON.

IS IT ALL THERE?

[SUITCASE SLAMS SHUT]

IT WAS A PLEASUREDOING BUSINESS WITH YOU.

ALL RIGHT,LET'S WRAP THIS UP...

FBI!

POLICE!HANDS IN THE AIR!

BOB... PEGGY...

THANKS FOR YOUR HELP.

WELL, WE KNEWTHEY WERE TROUBLE

THE MOMENTTHEY SHOWED UP.

YEP.

[ADDING MACHINE TAPE TICKING]

WHAT ARE YOU DOING?

DEPRESSING MYSELF.

I DON'T KNOW HOWWE'RE GONNA AFFORD THIS.

EVEN WITH THE RESTAURANTBURNED OUT,

IT'S GONNA COST USA SMALL FORTUNE.

WE HAVE MUCH MORE PRESSINGAND IMPORTANT BUSINESS

TO ATTEND TO...

OUR WEDDING?

RIGHT.

DID YOU TELLYOUR MOM?

NO...

WHAT? YOU TELLYOUR MOM EVERYTHING.

SHE'S JUST BEEN REALLY BUSYAT THE HOSPITAL WITH SHELLY.

RIGHT, RIGHT.

WELL, THIS IS WHATI'M THINKING...

BIG.

I MEAN HUGE.

I'M TALKINGWHOLE-TOWN HUGE.

I WANT EVERYONE THERE.

AND I'M THINKING

MAYBE WE CAN HAVETHE RECEPTION HERE.

I KNOW IT'S NOTGONNA BE PERFECT,

THE CONSTRUCTION'SNOT GONNA BE DONE, BUT...

THIS RESTAURANT...

THIS IS WHAT'S MAKINGALL OF THIS POSSIBLE...

YOU AND ME,GETTING MARRIED.

IT MADE ME REALIZE WHAT'SREALLY IMPORTANT TO ME...

YOU.

SO? WHAT DOYOU THINK?

WHERE'S JOHN?

GO AHEAD.

-YOU'LL BE OKAY?-YEAH.

COULD YOU JUST WALK METHROUGH INITIAL CONTACT?

JOHN...

COULD YOU GIVE US A MINUTE?

YEAH.

I WAS SO WORRIEDWHEN THE POLICE CALLED.

-ARE YOU OKAY?-YEAH.

TELL ME WHAT HAPPENED.

WELL, A WHILE BACK,

SAM AND ROBBIE, THEYFOLLOWED ME TO CEDAR COVE.

THEY SAW US TOGETHER,AND THEY KNEW.

KNEW WHAT?

THAT I WOULD DOANYTHING FOR YOU.

ARE YOU IN TROUBLE?

NO. BUT THEY ARE.

I THOUGHT YOU WEREWORKING WITH THEM.

THAT'S WHATI WANTED THEM TO THINK.

AND YOU, TOO.

FOR THIS TO WORK,EVERYBODY HAD TO BELIEVE IT.

I AM SO CONFUSED.

I KNEW THAT I WOULD NEVERGET AWAY FROM THEM.

AND AS LONG AS THEY WERE OUT,YOU WOULD NEVER BE SAFE.

SO I WENT TO THE POLICE.

I GOT TROY INVOLVED.

SO YOU...

WITH BOB AND PEGGY'S HELP,WE SET A TRAP.

I WORE A WIRE,

AND THEY GOT EVERYTHINGTHEY NEEDED.

THE DISTRICT ATTORNEY TOLD ME

THOSE GUYS ARE GOING AWAYFOR A LONG TIME.

SO, NO PRISON?

NOT FOR ME.

DOES THIS MEANTHAT YOU'RE COMING BACK

TO CEDAR COVE?

NO.

I'M GOING BACK TO NEW YORK.

NEW YORK?

MM-HMM.

THERE'S A GALLERY,WANTS TO GIVE ME A SHOW...

A SOUS CHEF JOBWAITING FOR ME...

I CAN'T BELIEVEAFTER ALL THIS,

I'M STILL GONNALOSE YOU.

I WANT YOU TO COME WITH ME.

WHAT DO YOU SAY?

YOU WANNA TAKE A CHANCE

ON A GUYWHO CAN'T LIVE WITHOUT YOU?

YOU HAVE A DAUGHTER.

A BEAUTIFUL, PERFECT,HEALTHY BABY GIRL.

OH, MY...AND SHELLY?

SHE DID GREAT.THEY DIDN'T HAVE TO OPERATE.

HER BLOOD PRESSURE?

ALL NORMAL.

CONGRATULATIONS...

DAD.

[BOTH LAUGH JOYFULLY]

SHE WANTS TO SEE YOU.

OKAY...

OKAY!

[OLIVIA AND JACK CHUCKLE]

GOT IT.

SO... ROY TOLD MEEVERYTHING THAT JOHN DID,

ALL THE RISKS HE TOOK,

PUTTING THIS WHOLEPLAN TOGETHER,

WORKING WITHTHE POLICE...

HE LOVES ME.

OBVIOUSLY.

AND I LOVE HIM.

HE WANTS METO MOVE TO NEW YORK.

I'M NOT GOING.

I CAN'T LEAVE YOU.

COME ON.LET'S GO HOME.

WHATCHA DOING?

THINKING.

ABOUT?

IT'S BEAUTIFUL, ISN'T IT?

THE OCEAN?

I'VE SEEN IT A FEW TIMES.

IT'S WHERE YOU BELONG.

CEDAR COVE?

THE SEA...

ON A BOAT...

DOING WHAT YOU LOVE.

I OVERHEARD YOU TALKING TO DEREKAT THE CAPTAIN'S GALLEY.

[SIGHS]LOOK...

I'M NOT GOING TO STANDIN THE WAY

OF YOU LIVING YOUR DREAM.

I'M NOT LEAVING YOU.

I'M NOT GOING BACK TO ALASKA.

BUT YOU WANT TO.

I CAN SEE IT IN YOUR EYES.

I WANT YOU.

CAN I TELL YOU A SECRET?

I DON'T WANT TO RUNA RESTAURANT.

I DON'T WANT TO OWNA RESTAURANT.

I DON'T WANT TO PUTANY MORE OF MY MONEY

INTO THE RESTAURANT.

AND I DON'T WANT YOU TO EITHER.

YOU'RE NOT MAKING SENSE.

NO...

I THINK, FOR THE FIRST TIMEIN A LONG TIME,

I AM MAKING SENSE.

I MIGHT NOT KNOW WHAT I WANT,

BUT I THINK KNOWING WHATI DON'T WANT IS A GOOD START.

ARE WE BREAKING UP?

NO...

NO.

BUT I DON'T UNDERSTAND.

I...

I NEED TO FIGURE OUT "ME"BEFORE THERE CAN BE AN "US."

AND COME ON, SETH...BE HONEST WITH YOURSELF,

AND BE HONEST WITH ME.

YOU WANT TO BE ON A BOAT,FISHING IN ALASKA,

NOT FIXING UP A RESTAURANTIN CEDAR COVE.

YEAH.

HONESTLY, WHEN DEREKMADE ME THE OFFER...

IT KILLED METO LET IT GO.

WHAT?

MOM WAS RIGHT.

THE TRUTH ALWAYS DOES WIN OUT.

WHAT'RE YOU GONNA DO?

I DON'T KNOW,

BUT I THINKIT'S TIME I FIGURE IT OUT.

I DO LOVE YOU.

THAT'S WHYYOU'RE GOING TO TAKE THE JOB...

BECAUSE I LOVE YOU, TOO.

♪ AROUND THE WORLDAND BACK AGAIN... ♪

♪ TO THE BOTTOMOF THE DEEP, BLUE SEA ♪

♪ MY LOVE FOR YOUIT WILL NEVER END ♪

♪ NOW AND FOREVERYOU'VE GOT ME ♪

MARYELLEN!

I'M IN HERE.

HURRY UP.LET'S GO.

YOU WANT TO BEAT TRAFFIC,DON'T YOU?

WHAT, TO THE GALLERY?

NO! TO SEATTLE.

SEATTLE? LARGECITY, EAST OF US?

SPACE NEEDLE?SEAHAWKS?

I KNOW SEATTLE.I'M NOT GOING THERE.

CORRECTION...YOU'RE NOT STAYING THERE.

BUT YOU ARE DRIVINGTHROUGH THERE

TO PICK UPJOHN'S THINGS...

AND THEN THE TWO OF YOUARE HEADING OFF TO NEW YORK.

MOM...

NO, I'M NOT LEAVING.

YES, YOU ARE.

WHAT ABOUT THIS HOUSE?

MY RENT?I KNOW IT HELPS.

I NEED TO BE HERE.

NO, YOU DON'T.

YOU NEED TO BE HAPPY.

I AM.

NO, YOU'RE NOT,NOT WITHOUT JOHN

AND NOT WITHOUT GOINGTO NEW YORK

TO DO WHAT YOU LOVE.

I CAN'T LEAVE YOU ALL ALONE.

YES, YOU CAN.

THE ART WORLD AWAITS.

BESIDES, IT'S TIME FOR YOU

TO FIND OUT WHAT'SWAITING FOR YOU

OUTSIDE OF CEDAR COVE.

SO YOU'RE REALLY OKAYWITH THIS?

MM-HMM.

AND JOHN?

WELL, IF I WERE LOOKING FORA MAN WHO WOULD NEVER HURT YOU

AND ALWAYS TAKE CARE OF YOU...

I DON'T THINK I COULD FINDANYONE BETTER

THAN JOHN BOWMAN.

NOW LET'S GO.

HE'S ON HIS WAY.

REALLY?

MM-HMM. YEAH, I CALLED HIM.WE TALKED.

THANKS, MOM.

WE'D LIKE TONAME HER ADELE,

AFTER MY GRANDMOTHER.

I LIKE THAT NAME.

ADELE JORDAN GRIFFITH.

JORDAN IS SUCHA BEAUTIFUL NAME,

DON'T YOU THINK?

YES, IT IS.

THANK YOU SO MUCH,OLIVIA, FOR EVERYTHING.

SO, WHAT ARE YOU GONNA DO?

WELL, WE DECIDED

THAT IT'S NOT REALLY A GOOD TIMETO MAKE SUCH A BIG DECISION.

WE'RE GOING TO TRYTO WORK IT OUT.

YEAH, IT WON'TBE EASY, BUT--

I'VE SEEN A LOT OF COUPLESCOME THROUGH MY COURTROOM

OVER THE YEARS,

AND I HAVE TO SAY...

I HAVE A REALLY GOOD FEELINGABOUT YOU TWO.

[LAUGHING]

HEY! HERE.

-THANK YOU.-THANK YOU.

HERE YOU GO, JOHN.

SO YOU'LL CALL?

AS SOON ASWE GET THERE.

I WON'T LET ANYTHINGHAPPEN TO HER.

WELL, BE SURE YOUKEEP THAT PROMISE.

WITH MY LIFE.

YOU MUST KNOW BY NOWTHE SHERMANS ARE HUGGERS.

I'M GOING TO MISS YOU.

OKAY, GET IN THERE.

PUT YOUR SEAT BELT ON.

[SEAT BELT CLICKS]

BYE.

[TRUCK HORN HONKS]

[TEARFUL] HI.

I THOUGHT YOU MIGHTNEED SOME COMPANY.

[SOBS] I DO.

OH... I'M GONNA MISS HER.

IT'S ALL RIGHT.

BOY... AM I HAPPY TO BEOUT OF THAT HOSPITAL.

YEAH.YEAH, ME TOO.

OOF!

THAT'S NOT HOW YOU DO IT.

OH, EXCUSE ME?

I WILL HAVE YOU KNOWTHAT I WAS A CHAMPION...

YOU KNOW, ROCK-SKIPPER,BACK IN PHILADELPHIA.

OH, REALLY?

LOTS OF SKIPPINGIN THE BIG CITY?

WATCH THIS.

[CLEARS THROAT]

OKAY, I'M CALLING FOUL.

CLEARLY, YOU'RE A RINGER.

NICE THROW!

YOU'RE GONNA HAVE TO TEACH MEHOW TO DO THIS ONE DAY.

LISTEN, UM...ARE YOU OKAY?

WITH ROCK SKIPPING?

ARE YOU OKAY?

YEAH.

THANKS TO SHELLY AND ERIC,

I NOW HAVE A NEW MEMORYOF CEDAR COVE GENERAL.

YEAH. YEAH.

I JUST HOPE THOSE TWOARE READY TO BE PARENTS.

IS ANYBODY EVER READY?

RIGHT, ONE MORE TIME.HERE WE GO.

ALL RIGHT!

PAY!

[CHUCKLES]

IF A CITY BOY CAN LEARNTO SKIP A ROCK LIKE THAT...

WELL...

ERIC AND SHELLYARE GONNA FIGURE THINGS OUT...

TOGETHER.

MM.

THANKS TO YOU.

YOU KNOW, I'VE BEENTHINKING ABOUT US.

WE'VE BEEN THROUGH A LOTTHE LAST FEW MONTHS.

YEAH, NOT TO MENTIONTHE PAST FEW WEEKS.

VERY TRUE.

WE'RE LIKE A REALCOUPLE NOW, AREN'T WE?

YEAH, OF COURSE, WE ARE.

IN THAT CASE,I THINK YOU SHOULD HAVE THIS.

IT'S TO MY HOUSE.

WHY DO I NEED A KEYTO YOUR HOUSE?