Original subtitles

[SETH]:IT'S GONNA KEEP MEHERE IN CEDAR COVE, WITH YOU.

I WANT TO SIGN UPFOR RIDING LESSONS.

[SETH]:I'LL SEE YOUKEEP MEHERE AT THE RANCH, THEN. YOU.

[JACK]:THE LAST TIMETHE FEDS WERE IN TOWN,

THEY WERE ASKINGABOUT WARREN SAGET.

I FOUND SOME PHOTOSIN SHELLY'S ROOM.

THAT'S ERIC, RIGHT?JACK'S SON?

YOU SAID YOU HAD SOMETHINGTO TELL ME THAT WAS URGENT?

HI.

YOU SAID YOU HAD SOMETHINGTO TELL ME THAYEAH. SIT DOWN.

YOU KNOWTHE YOUNG GIRL

THAT'S WORKINGAT MOON'S?

SHELLY?

THE GIRLWITH THE GREAT VOICE?

YES. SHE'S NOTHERE BY ACCIDENT.

SHE'S HERETO SEE YOU.

ME?

PEGGY FOUNDSOME PHOTOS

OF SHELLY AND ERICIN HER ROOM.

MY ERIC?

JACK...

ERIC'S GONNAHAVE A BABY.

ERIC CAN'T HAVE A BABY.HE IS A BABY.

HE'S YOUR BABY,BUT HE IS ALL GROWN UP.

[SIGHS]

I THINKSHE CAME HERE

LOOKING FOR ERIC.

OHH...

[HEAVY SIGH]

SHE PROBABLY THINKS

THAT I CAN FORCE ERICTO DO THE RIGHT THING.

OLIVIA...

I HAVE NO IDEA WHERE ERIC IS.

WHEN I WAS IN PHILADELPHIA,I TALKED TO HIS MOTHER.

SHE DOESN'T KNOWWHERE HE IS.

I LEFT WORD FOR HIM WITH ANYBODYTHAT I COULD THINK OF.

I DON'T KNOW WHAT TO DO.

HE'S PROBABLYREALLY SCARED.

THIS MEANS THATWHEN HE WAS HERE,

HE WAS REACHING OUT TO MEABOUT THIS,

AND ALL I DID IS I BERATED HIMABOUT GETTING A JOB,

ABOUT BEING A GROWN-UP,I DIDN'T--

DON'T BEATYOURSELF UP.

YOU HAD NO IDEA WHATHE WAS GOING THROUGH.

HE WILL FINDHIS WAY BACK HERE.

I TALKED TO SHELLY.

YOU HAVE TO KNOW--

SHE'S THINKING ABOUTGIVING THE BABY UP

FOR ADOPTION.

DID SHE TELL YOU WHY?

I DON'T THINKSHE WANTS TO,

I JUST THINKSHE'S OVERWHELMED

WITH THE IDEA OFTHE RESPONSIBILITY

AND HAVING TO DO THISALL BY HERSELF.

I NEED TO TALK TO HER.

JACK...

I LOVE YOU,JACK GRIFFITH.

[♪]

I LOVE YOU, OLIVIA LOCKHART.

OH.

[♪]

[JUSTINE]: I DON'T UNDERSTAND.WHY ARE YOU HERE?

[AGENT]:I JUST WANT TO ASK YOU

A FEW QUESTIONSABOUT WARREN SAGET.

WARREN?WHAT ABOUT HIM?

TROY, WHAT'S GOING ON?

IT'S NOT ABOUTYOU, JUSTINE.

HE JUST NEEDSSOME INFORMATION

ABOUT WARREN,THAT'S ALL.

YEAH, IF YOU DON'TWANT TO TALK TO ME,

YOU DO NOT HAVE TO,YOU'RE NOT UNDER ARREST.

ARREST?WHY WOULD I BE UNDER ARREST?

HOW MUCH DO YOU KNOWABOUT WARREN'S BUSINESS?

HE'S IN REAL ESTATE.HE BUYS AND SELLS PROPERTIES.

HE BUILDS HOMESAND OFFICE BUILDINGS.

DID HE EVER INTRODUCE YOUTO ANY OF HIS BUSINESS PARTNERS?

WARREN DOESN'THAVE PARTNERS.

HE DOESN'T TRUST ANYONE.

HE NEEDS TO HAVE FULL CONTROLOVER EVERY ASPECT OF HIS LIFE.

OH, HE HAS PARTNERS.

THEY GIVE HIM LOTS OF MONEY TOINVEST IN SMALL TOWNS LIKE THIS,

UNDECLARED MONEY THAT CAN'TBE TRACED BACK TO THEM,

DOESN'T SHOW UPIN ANY BOOKS ANYWHERE.

MONEY LAUNDERING?

-THAT'S PART OF IT.-OKAY.

HE DIDN'T TELL MEABOUT HIS BUSINESS,

AND I DIDN'T ASK.

MAYBE YOU OVERHEARDSOME CONVERSATIONS,

YOU KNOW, UH,SAW SOMETHING?

I DON'T KNOW

WHAT HE DID ORWHAT YOU THINK HE DID,

BUT HE NEVER STOLE FROM ME,HE NEVER HURT ME...

I ALMOST MARRIED HIM.

WELL, THAT WASN'TGONNA HAPPEN, WAS IT?

WHAT DO YOU MEAN?

WHO'S THAT?

THAT'S WARREN SAGET'S WIFE.

[♪]

HEY, ERIC, IT'S ME, DAD.

UH, PLEASE CALL MEWHEN YOU GET THIS, OKAY?

I JUST WANT YOU TO KNOWTHAT I'M HERE FOR YOU,

AND I'LL HELP YOUANY WAY THAT I CAN.

[SIGHS]

SHELLY'S HERE.

SHE'S STAYINGAT THE THYME AND TIDE,

AND, UH...

IT'S TIME FOR YOUTO STEP UP, SON.

IT'S TIME FOR YOUTO TAKE RESPONSIBILITY.

IT'S NOTJUST ABOUT YOU ANYMORE.

I'M HERE FOR YOU,

BUT YOU NEED TO CALL ME.

I LOVE YOU, SON. BYE.

[SETH]: WARREN'S MARRIED?

[JUSTINE]: THAT'S NOT ALL.

THE AGENT WOULDN'TTELL ME EVERYTHING,

BUT FROM WHAT HE DID SAY...

WARREN'S USING THE MONEY

FROM THE SALE OF PROPERTIESIN NEW YORK AND CHICAGO,

AND REINVESTING ITIN SMALL TOWNS,

WHERE THE TITLESCAN'T BE TRACED,

AND HE DOESN'T PAYCAPITAL GAIN TAXES.

HE OWNS A DOZEN DIFFERENTPROPERTIES IN TOWN

UNDER A DOZEN DIFFERENTCORPORATE NAMES.

HE OWNED A HUGE HOUSING COMPLEXPROPIN NEW YORKOWN

THAT SUSPICIOUSLY BURNED DOWNAFTER HE SOLD IT,

BUT HE COLLECTED THE INSURANCE.

SO HE'S NOTJUST A BAD GUY,

HE'S A DANGEROUS GUY.

YOU KNOW HOW HESAVED THE LIGHTHOUSE

AS A GIFT TO THE TOWN?

YEAH.

ASIT'S A LIE.THE TOWN?

MY MOM GOT

A GROUP OF PHILANTHROPISTSTO BUY 80%,

AND SHE PUT UP THE LAST 20%WITH HER OWN MONEY.

THE ONLY REASONTHAT WARREN AGREED

WAS IF SHE PROMISEDNOT TO TELL ANYONE,

SO THAT HE WOULD LOOKLIKE A HERO.

THAT AGENT TOLD YOU THAT?

YEAH. TROYDIDN'T EVEN KNOW.

NOW, WHAT ARE WE SUPPOSEDTO DO IN THE MEANTIME?

HE WANTS US TO PRETENDLIKE WE DON'T KNOW ANYTHING.

HE DIDN'T EVENWANT ME TO TELL YOU,

BUT I TOLD HIMTHAT I LOVE YOU,

AND WE'RE TOGETHER,

AND THAT'S IT.

THANKS.

HOW DID YOU GUYS FIND OUTTHAT IT WAS ERIC'S BABY?

IT'S A SMALL TOWN.

SHELLY, DO YOUKNOW WHERE HE IS?

NO. I HAVE NO IDEA.

I THOUGHT HE WASHERE WITH YOU.

WELL, HE WASFOR A LITTLE WHILE.

HE ALWAYS TALKED ABOUTCOMING HERE SOMEDAY.

HE REALLY WANTEDA RELATIONSHIP WITH YOU.

WE WEREWORKING ON IT.

THEN HE LEFT, RIGHT?THAT'S WHAT HE DOES.

WHEN HE'S SCAREDOR HE'S CONFRONTED,

HE JUST BOLTS.

DID HE KNOW ABOUT THE BABY?

WE'D JUST HADTHE FIRST ULTRASOUNDS.

I THINKACTUALLY SEEING THE BABY

MADE IT REAL.

HE GOT SCARED.

HE DIDN'T THINKHE'D BE A GOOD DAD.

HE DIDN'T FEEL LIKEHE HAD ANYTHING TO OFFER A BABY.

[SIGHS]

HE TOLD ME WE SHOULDGIVE IT UP FOR ADOPTION,

AND I GOT REALLY MAD,

AND I SAID"IF THAT'S THE WAY YOU FEEL,

THEN YOU SHOULD LEAVE,

AND I'LL RAISE HER BY MYSELF,"AND HE LEFT THE NEXT DAY.

AFTER HE'D BEEN GONE A WHILE,THOUGH,

I REALIZED ERIC WAS RIGHT.

WE ARE TOO YOUNG.WE HAVE NOTHING TO OFFER A BABY.

YOU KNOW,THE BABY DESERVES TO HAVE

PARENTS THAT CAN PROVIDEFOR HER.

LISTEN, SHELLY,I JUST WANT YOU TO KNOW

PARENTS THATTHAT YOU'RE NOTFOR ALONE IN THIS.

I'M GOING TO FINDAN AMAZING FAMILY

THAT CAN RAISE HERAND GIVE HER

THE LIFETHAT SHE DESERVES.

I HOPE YOU'LL STILL HELP MEWITH THE LEGAL SIDE OF IT.

I'LL DO WHAT I CAN.

THANK YOU SO MUCHFOR--FOR TALKING TO ME

AND-AND OFFERING TO HELP,

BUT I'VE MADE MY DECISION,

AND...[TAKES A SLOW BREATH]

NOW I...I NEEDTO GET BACK TO WORK.

[SIGHS HEAVILY]

WE HAVE TO FIND ERIC.

DON'T WORRY, WE WILL.

HE AND SHELLY, THEYNEED TO TALK ABOUT THIS,

ABOUT WHAT'S BESTFOR THE BABY.

YOU'RE RIGHT.

SHE DOESN'T WANTTO DO IT ALONE.

NO.

SHE DOESN'T WANTTO DO[BOB]: JACK AND OLIVIA.

YOU KNOW, I KIND OF LIKETHE SOUND OF THAT.

"JACK AND OLIVIA.""OLIVIA AND JACK."

[ALL LAUGHING]

DOES THIS MEAN I GETMY OLD FISHING BUDDY BACK?

YOU KNOW, WHY DOI GET THE FEELING

YOU KNEW I'D BEBACK TO STAY

EVEN BEFORE I DID?

BECAUSE I HAVESOMETHING YOU DON'T--

PERSPECTIVE.

AHH.

DID YOU GET A CHANCETO SPEAK TO SHELLY?

YEAH, WE DID,WE JUST SAW HER.

SHE'S SUCHA SWEET GIRL.

GOOD.

SHE'S SUCHMORE LIGHTS?.

I DROVE BYYOUR HOUSE.

YOU ALREADY HAVE ENOUGHTO LIGHT UP THE CITY.

OH, OLIVIA.

YOU CAN NEVER HAVETOO MANY LIGHTS.

YOU KNOW, I AM COMMITTEDTO MAKING OUR CITY

THE MOST BEAUTIFUL,SPECTACULAR...

-SAVE IT.-...GREAT--

I'M NOT ON THE JUDGINGCOMMITTEE THIS YEAR.

NEVER MIND.

[ALL LAUGHING]

SEE YOU, BOB.

BYE.

[♪]

I LOVE THIS.

YOU'RE BECOMINGA REAL COWGIRL.

I KNOW.

COME ON,I'LL RACE YOU.

YOU'RE ON!

[♪]

HI-YAH!

[WHINNYING]

YEE-HAW!

WAS THAT AMAZINGOR WHAT?

OH, MY GOSH.

EITHER I'MA GREAT TEACHER

OR YOU'RE A NATURAL.

HONEY, YOU AREA FABULOUS TEACHER,

AND I'M HAVINGTHE TIME OF MY LIFE.

I'M GLAD.

SO WHAT I'M THINKING IS,

I SHOULD MAKE YOU DINNERAS A THANK-YOU GIFT.

SO WHAT I'MGRACE, I'M, UH--

OKAY, I'M NOT GONNA PUSH IT.JUST SAYING.

I'M GIVE YOUAS MUCH TIME AS YOU NEED

TO THINK ABOUT IT.

[GATE CREAKS]

SO?

DID YOU THINK ABOUT IT?

SEE, I'M THINKING

DINNER, MY PLACE, FRIDAY.

I'D LIKE THAT VERY MUCH.

GREAT. I WILL SEE YOUAT 7:00.

[♪]

THIS IS EXCITING!

I'M FRIENDS WITH THE OWNERS

OF THE HOT NEW RESTAURANTIN TOWN.

I HOPEYOU'RE RIGHT.

OF COURSE I'M RIGHT.

I'M REALLY HAPPYFOR YOU AND SETH.

THANK YOU. YOU KNOW,I WAS THINKING

WE COULD DISPLAYTHE WORK OF NEW ARTISTS

IN THE RESTAURANT TOHELP PROMOTE THE GALLERY.

THAT WOULD BE AMAZING.

STILL NO LUCKWITH JOHN?

NO. I'VE BEEN SEARCHINGEVERYWHERE IN SEATTLE,

BUT I'M NOT GIVING UP.

I HAVE A FEW MORE LEADSI'M GOING TO CHECK OUT.

[TELEPHONE RINGS]

ERIC?

WHO'S ERIC?

OH, HEY, MIKE.

SORRY I MISSEDYOUR CALL EARLIER.

WHAT'S UP, MAN?WHEN ARE YOU COMING BACK?

[SIGHING]UH... I'M NOT.

I'VE DECIDED TO STAY.

DON'T PLAY WITH ME, MAN.

I WOULDN'T JOKE ABOUTSOMETHING LIKE THIS.

LISTEN, MIKE, I, UH..., MAN.

I'M JUST IN A DIFFERENT PLACEIN MY LIFE RIGHT NOW.

ARE YOU KIDDING ME?

DO YOU KNOW WHAT I HAD TO DO

TO GET PEOPLE TO EVEN THINKABOUT HIRING YOU AGAIN?

I KNOW.I APPRECIATE THAT.

I STUCK MY NECKOUT FOR YOU, MAN!

I KNOW. I'M SORRY.

LOOK, YOU WALK AWAY FROM THIS,THAT'S IT.

NO ONE IN THIS TOWN'SGONNA TOUCH YOU.

I REALIZE THAT.

AND FOR WHAT, HUH?

A WOMAN?

AND FYES, MIKE. FOR A WOMAN.

SO PACK HER UPAND BRING HER HOME WITH YOU.

WELL, YOU SEE,THAT'S JUST THE THING.

SHE AND I,WE ALREADY ARE HOME.

LET ME ASK YOU A QUESTION.

WHY WOULD YOU LEAVE PHILADELPHIA

TO LIVE IN A TOWNWHERE NOTHING EVER HAPPENS, HUH?

WELL, UM...

I'M GONNA HAVE TO GETBACK TO YOU ON THAT ONE.

YEAH. YOU DO THAT.

[SIGHS]

[♪]

[JACK]:WHAT IS ITABOUT SMALL-TOWN LIFE

THAT DRAWS PEOPLE INAND KEEPS THEM THERE?

BIG-CITY LIFE IS MORE EXCITING.

MORE HAPPENS EVERY DAY,

AND IT HAPPENSAT A FASTER SPEED

WITH GREATER FANFAREAND MORE COLORS.

THERE'S LESS TIME FOR WORRYAND CONTEMPLATION.

NEIGHBORS MINDTHEIR OWN BUSINESS

AND CONNECTING HAPPENSIN CYBERSPACE.

BUT THAT ISN'T WHAT HAPPENSIN A SMALL TOWN.

[REGISTER ERROR BEEPING]

[BEEP]

YOU OKAY?

YEAH. I'M JUST TRYING TOFIGURE OUT WHAT I'M DOING WRONG.

THIS-- THIS DRAWER WON'T OPEN.

[BEEPING]

[DRAWER CLACKS AND OPENS]

I USED TO WORK HERE.

I'M JUSTINE.

-I'M SHELLY.-WELCOME.

I THINK YOU'LL REALLYLIKE IT HERE.

I ALREADY DO.MOON'S AMAZING.

-HE IS.-WHAT CAN I GET YOU?

VANILLA LATTE.ON THE HOUSE.

-COMING RIGHT UP.-THANK YOU.

SO, YOU FINALLY FOUNDSOMEONE TO REPLACE ME?

AW, THERE'S NO ONECAN REPLACE YOU.

YOU AND SHELLY EACH PRESENTYOUR OWN UNIQUE AURA.

WELL, IN HER CASE,TWO AURAS.

BUT I UNDERSTAND

CONGRATULATIONS ARE IN ORDER.

YOU AND SETHOPENING A RESTAURANT?

I PROMISE, WE'RE NOT GONNA STEALANY OF YOUR BUSINESS.

NO, I JUST, UH, JUSTWANTED TO GIVE YOU SOMETHING.

IT'S BEAUTIFUL.

IT'S "FU."

FU?

[ENUNCIATING]: "FU."

CHINESE SYMBOLFOR GOOD FORTUNE.

YOU HANG ONTO THAT,

AND YOU'RE GOOD TO GO.

THANK YOU, MOON.

AW. [CHUCKLES]

[KISSING]

[PEGGY]:OH! BE CAREFUL UP THERE!

I WILL.

WELL, IF IT ISN'TTHE HEAD JUDGE

OF THE CHRISTMASDECORATING COMMITTEE.

[CHARLOTTE]: JUST THOUGHT

I'D STOP BY AND SEEHOW IT'S COMING ALONG.

THE PYRAMIDS DIDN'TTAKE THIS LONG TO BUILD.

HE'S AN ARTIST.THESE THINGS TAKE TIME.

MICHELANGELO TOOK FOUR YEARSTO PAINT THE SISTINE CHAPEL.

[CHARLOTTE CHUCKLES]

IT'S LOOKINGREALLY NICE, BOB.

IT'S NOWHERE NEAR FINISHED.

OKAY, GOOD.

I WAS JUST OVERAT EDNA STANTON'S HOUSE.

HER DISPLAY ISSPECTACULAR THIS YEAR.

[BULBS RATTLING]

YOU'RE CREATINGA MONSTER HERE.

ALL IN GOOD FUN.

"SPECTACULAR," HUH? HAH!

[SIREN WAILING IN THE DISTANCE]

SHE PUT INALL OF HER SAVINGS?

EVERYTHING SHE'S EVERSQUIRRELED AWAY,

FROM BABYSITTINGTO MOON'S

TO THE GALLERY.

WOW. THAT'S PRETTY...

RISKY. I KNOW.

WELL, I WASGONNA SAY BOLD.

YOU'RE RIGHT.

AND SHE'S VERY HAPPY,

AND NOW SETH DOESN'THAVE TO GO AWAY

ON THOSE LONG TRIPS.

WELL, I THINKIT'S GREAT.

PEOPLE IN LOVE,

THEY NEEDTO BE TOGETHER.

WELL, I AGREE.

MM.

OH. I, UM...GREE.

BOUGHT YOU SOMETHING.

A LITTLE EARLYCHRISTMAS PRESENT.

[LAUGHS]

OHH!

I LOVE IT.

IT'S A LITTLE BIT OF YOU--

THE SCALES OF JUSTICE,

AND A LITTLE OF US,THE UNSINKABLE CANOE.

HOPEFULLY WE CANADD TO IT OVER TIME.

THAT'S THE MOSTTHOUGHTFUL PRESENT

ANYONE'S EVER GIVEN ME.

[♪]

MERRY CHRISTMAS.

[♪]

DO YOU THINKI'M A BAD PERSON

FOR GIVING UP MY BABY?

QUITE THE CONTRARY, ACTUALLY.

I THINK YOU'RE DOINGWHAT GOOD MOTHERS DO.

YOU'RE DOING WHAT YOU THINKIS BEST FOR YOUR CHILD.

I WAS ADOPTED.

YOU WERE?

YEP.

SO DID YOU HATE YOUR MOMFOR GIVING YOU UP?

NO. NOT REALLY.

I MEAN, I ALWAYS WONDEREDWHO SHE WAS.

WHEN I WAS A YOUNGSTER,

I USED FANTASIZE ABOUT HERCOMING BACK TO GET ME ONE DAY.

AS I GOT OLDER,I REALIZED THAT,

WELL, I JUST COULDN'TIMAGINE A BETTER LIFE

OR FINER PARENTSTHAN THE ONES I ALREADY HAD.

SO YOU NEVERWENT TO FIND HER?

WELL, I REMEMBERHEARING ONCE THAT, UH,

WE ACTUALLY CHOOSE OUR PARENTSBEFORE WE'RE BORN.

I BELIEVE THAT.

SO YOU CHOSE SOMEONEWHO DIDN'T KEEP YOU?

WELL, I WAS, YOU KNOW,UP THERE....

IN THE CLOUDS,

AND, UH, I POINTEDAT MY BIRTH MOTHER AND I SAID,

"I WANT THAT WOMANTO BE MY MOTHER."

BUT THEN I POINTED TO MY MOM,

AND I SAID,"I WANT HER TO RAISE ME."

I MADE THAT CHOICE,

AND I KNEW WHAT I WAS DOING.

[♪]

BOB!

THERE'S SOMEONEIN SHELLY'S ROOM!

-WHAT?-THERE'S SOMEBODY IN THERE.

-ARE YOU SURE?-YES.

WELL, IT'S SHELLY.

NO. SHE LEFTAN HOUR AGO.

BE CAREFUL.

SHH, SHH, SHH,SHH, SHH.

JACK.

HEY, BOB.

THANK YOU.

[JACK SIGHS]

HEY.

YOU KNOW, YOU DIDN'T NEEDTO SNEAK AROUND LIKE THAT.

YOU COULD'VE JUSTKNOCKED ON THE FRONT DOOR,

OR BETTER YET,YOU COULD'VE COME TO MY HOUSE.

I JUST WANT TOTALK TO HER ALONE.

I DON'T NEED YOU JUDGING ME.

OH. [SIGHS]

ERIC, I'M NOT JUDGING YOU.

I'M NOT.

I JUST WANT TOERIC, I'M NOHELP YOU, SON.

I WANT TO HELP BOTH OF YOUBE RESPONSIBLE PARENTS.

I AM BEING RESPONSIBLE.

I TOLD HER WE SHOULD PUTTHE BABY UP FOR ADOPTION,

AND SHE KICKED ME OUT.

SHE'S SCARED.THAT'S ALL.

TRY TO SEE THISFROM HER PERSPECTIVE.

IMAGINE HOW ALONESHE MUST FEEL RIGHT NOW.

WHERE IS SHE?

WELL, SHE GOTA JOB AT MOON'S.

SHE'S SINGINGTHERE AS WELL.

SHE HAS THE MOSTAMAZING VOICE.

I KNOW.

ERIC!

HI.

[♪]

[DOOR CREAKS OPEN]

HEY. WOW!

YOU'VE DONE A LOT OF WORK,JUSTINE.

THIS PLACE LOOKS NICE.

YEAH, UM,

WE'VE GOT A LOT OF PLANSFOR THE PLACE.

SO WHEN'SYEAH,THE BIG GRAND OPENING?

IN THE NEW YEAR.HOPING FOR FEBRUARY.

FANTASTIC.

I'LL MAKE SURETO BOOK MY RESERVATION EARLY.

SO WHERE'S SETH?

HE'LL BE BACK ANY MINUTE.

HE DOES THATA LOT, DOESN'T HE?

HE JUST DISAPPEARS?

I'M KIDDING!

IT'S NOT FUNNY.

JUSTINE, LOOK, I WISH YOU GUYSTHE OF BEST LUCK WITH THE PLACE.

I DO. I HOPEIT'S A HUGE SUCCESS.

OKAY? I'M NOT LYINGABOUT THAT, EITHER.

I HATE LIES.

AS A MATTER OF FACT,I HATE LIARS, DON'T YOU?

I HAYEAH.ES.

I THINK IN THE END,LIARS GET WHAT THEY DESERVE.

LOOKS GREAT.

[DOOR CREAKS SHUT]

PART OF ME REALIZEDYOU WERE RIGHT,

BUT STILL I COULDN'TIMAGINE GIVING UP OUR BABY.

I KNOW.

BUT STILL I COULDN'TI GOT A GOOD JOB IN SEATTLE.

IT'S DECENT MONEY,SO I CAN PAY FOR YOUR RENT,

AND THE DOCTOR VISITS,AND EVERYTHING.

I REALLY LIKE YOUR DAD.

HE'S A LOT LIKE YOU.

I'M NOTHING LIKE HIM.

HE'S BEEN REALLYNICE TO ME,

AND HIS FRIEND, OLIVIA,IS HELPING WITH THE ADOPTION.

THAT'S GOOD.

HOW DO YOU FEEL?

[LAUGHING]

PRETTY GOOD.

I'M NOT SICK

IN THE MORNINGS ANYMORE.

CAN I...?

YEAH.

I'M SORRYI'VE BEEN OUT OF TOUCH.

I JUST FIGUREDTHAT'S THE WAY YOU WANTED IT.

I REALLY MISSED YOU.

I MISSED YOU TOO.

[FBI AGENT]:HE THREATENED YOU?

[JUSTINE]: I DON'T KNOW.

HE WAS TALKING ABOUTHOW MUCH HE HATES LIARS,

BUT IT'S MORE THE WAYHE LOOKED AT ME

WHEN HE SAID IT.

RIGHT. HE MAYJUST BE FISHING.

HE KNOWS I'M AROUND,AND I HAVEN'T TRIED TO HIDE IT.

I STILL NEED HIMTO SWEAT A BIT, THOUGH.

DO YOU THINK YOU COULDTALK TO HIM AGAIN?

MAYBE HE'LL SLIP UP,GIVE YOU SOME INFORMATION.

SURE.

DO YOU THINKSHE'S IN ANY DANGER?

OH, HE'S NOT THATKIND OF DANGEROUS,

DO YOU THINKAND HE KNOWS I'M WATCHING HIM.

[♪]

[KNOCKING AT DOOR]

[♪]

HI! COME ON IN.

IT'S COLD OUT THERE.

YEAH.

YOU LOOK BEAUTIFUL.

REALLY? THANK YOU.

[PAPER RUSTLES]

I BROUGHT THOSEFOR YOU.

AWW.

OH, THESE ARE BEAUTIFUL.

THANK YOU.

I FEEL LIKE MAYBEI SHOULD GO HOME AND CHANGE.

YOU LOOK STUNNING.

OH, NO, NO, NO, NO!THIS OLD THING?

THAT I BOUGHT TODAY AFTERTRYING ON 20 OTHER DRESSES?

YOU BOUGHT A DRESSFOR TONIGHT?

I DID, AND I GOTSOMETHING ELSE TO TELL YOU.

YOU BOUGHT A DRESSI EVEN HAD MY HAIR DONE.

FULL DISCLOSURE.

WHOLE TRUTH, NOTHING BUT.

ARE YOU HAVING A PARTY?

[LAUGHS] NO.IT'S JUST YOU AND ME.

I COULDN'T DECIDEWHAT TO MAKE,

SO I JUSTTHOUGHT I'D MAKE

EVERYTHINGI COULD THINK OF.

[LAUGHS]

WELL, IT'S VERY FANCY.

I'LL BE RIGHT BACK.

[QUIETLY]: WOW.

[EXHALES] OKAY.

SO, YOU GRABTHOSE WINE GLASSES...

AND FOLLOW ME.

ALL RIGHT.

BETTER?

BETTER.

[GROANS QUIETLY]: OH...

YOU'LL GET USED TO IT.

WHAT?

YOU'RE SORE FROMSITTING ON THAT HORSE.

YOU'LL GET USED TO IT.

WELL, I HOPE SO,

BECAUSE I SLEPT WITHAN ICE PACK

ON MY BUTT AFTERTHE FIRST TWO LESSONS.

OH, TOO MUCH FULL DISCLOSURE?

[LAUGHING] NO.

CHEERS!

[CLINK]

WHAT ARE YOU DOING?

HELPING.

DO YOU KNOW THATIN 26 YEARS OF MARRIAGE,

I DON'T REMEMBERMY HUSBAND EVER DOING THAT ONCE.

WELL, THEN,I'M SORRY TO SAY,

BUT YOUR HUSBANDWAS AN IDIOT.

BACK UP.

I'M SORRY,BUT IT'S THE TRUTH.

I SAID BACK UP.

ONE MORE STEP.

OKAY.

LOOK AT THAT.ONEMISTLETOE..

♪ OH, NIGHT ♪

♪ OH, NIGHT DIVINE ♪

♪ OH, NIGHT ♪

♪ DIVINE ♪

♪ OH, NIGHT ♪

♪ OH, NIGHT DIVINE ♪

[APPLAUDING]

[CHUCKLING] WHOA.

YOUR VOICE.

YOU REMIND MEOF SANDY DENNY.

SORRY, WHO?

ONLY ONE OF THE GREATESTFOLK SINGERS THAT EVER LIVED.

I DON'T KNOW HER.

AW, COME ON! SANDY DENNY?

FAIRPORT CONVENTION?

UH... [STAMMERS]

THE STRAWBS? UH...

FOTHERINGAY? AND...

SHE WAS THE ONLYGUEST SINGER

THAT LED ZEPPELINEVER RECORDED WITH!

[PAINED GASP]

[CONTINUES GASPING]

WHOA, WHOA...

ARE YOU OKAY?

YEAH, YEAH.

I THINK I'M JUST CRAMPING.

-[CRIES OUT IN PAIN]-WHOA, WHOA, WHOA!

-SOMEBODY CALL 911!-[SHELLY GASPING]

BREATHE. BREATHE.

[JACK]:SMALL TOWNS ARE LIKE FAMILIES.

THE PEOPLE COME TOGETHERWHEN THEY NEED EACH OTHER.

THEY WALK IN

WHEN EVERYONE ELSEIS WALKING OUT.

LIKE A FAMILY,

THEY FIGHT AND YELLAND ARGUE,

BUT AT THE END OF THE DAY,

LIVING IN A SMALL TOWNMEANS BEING CONNECTED

TO SOMETHING BIGGERTHAN JUST YOURSELF.

[JACK SIGHS]

ANY CHANGE?

NO.

SHE'S GONNA BE OKAY.

I HOPE YOU'RE RIGHT.

CAN I GET YOUANYTHING ELSE?

NO.

OKAY.

HEY, DAD?

YEAH?

WHAT AM ISUPPOSED TO DO?

I GOT NOTHINGTO OFFER HER.

OH, YES, YOU DO.

YOU HAVE EVERYTHINGTHAT SHE NEEDS RIGHT NOW.

YOU'RE HERE

AND YOU CARE.

YOU...ARE GONNA MAKEA GREAT DAD.

I DON'T KNOWHOW TO BE A DAD.

I HAVE NO IDEA WHAT TO DO.

YOU'RE DOING IT NOW.

YOU'RE SHOWING UP.

THAT'S THE FIRST STEP.

AND AFTER THAT...

[EXHALES DEEPLY]

YOU JUST TAKE ITONE STEP AT A TIME.

I HOPE YOU'RE RIGHT.

I BELIEVE IN YOU.

AND I KNOW, YOU AND I,

WE HAVE SOME GAPSTO FILL IN, AND...

SOME TIMETO MAKE UP FOR,

BUT WE'LL GET THERE.

WE'LL SEE.

[♪]

WARREN.

HEY.

WHAT'RE YOU--WHAT ARE YOU DOING HERE?

WHAT'S GOING ONWITH YOU?

I'M NOT FOLLOWING.WHAT'RE YOU TALKING ABOUT?

THE FBI CAMETO SEE ME TODAY.

OH. WOW, THE FBI.

THAT'S INTERESTING.WHAT'D THEY HAVE TO TELL YOU?

NOT MUCH. HE JUST ASKED MEA LOT OF QUESTIONS ABOUT YOU,

AND ABOUTYOUR BUSINESS,

WHO YOU TALK TO,AND WHERE YOU GO.

JUSTINE, HE'S FISHING.THAT'S ALL.

LOOK, WHEN YOU OWN AS MANYPROPERTIES AS I DO,

THE GOVERNMENTFEELS THE NEED

TO KEEPS TABS ON YOU.

THEY WANT TO GRAB EVERY LASTPENNY THEY CAN OUT OF YOU.

SO IT'S NOTHING?

NO, OF COURSE NOT.

GUY'S BEEN FOLLOWINGME AROUND FOR DAYS.

THEY'RE JUST TRYINGNO, OF CTO INTIMIDATE ME.

OBVIOUSLY I'VE DONENOTHING ILLEGAL,

SO THEY CAN'T CHARGE MEWITH ANYTHING, RIGHT?

OBVIOUSO WHENE DONETHEY WEAR THEMSELVES OUT,

THEY'LL GO HOME.

IT'S FINE.

YOU KNOW...

HE ASKED MEABOUT YOUR PARTNERS.

I TOLD HIMYOU DON'T HAVE ANY.

THAT'S TRUE, RIGHT?

YEAH.

THAT GUY THAT YOU USEDTO TALK TO ALL THE TIME--

SAM SOMETHING,FROM NEW YORK?

SAM? HE'S HARMLESS, TRUST ME.HE'S MY BROKER.

OKAY.

BECAUSE HE ASKED ME IFYOU EVER USED MY PHONE

TO MAKE CALLS,

AND I TOLD HIMTHAT YOU DID.

SO HE ASKED IF HECOULD SEE MY BILL,

AND I DIDN'T WANT

TO DO ANYTHINGTHAT WOULD HURT YOU.

AND I APPRECIATE THAT.

THANK YOU.

WELL, I'LL...SEE YOU.

HAVE A GOOD NIGHT, OKAY?

[PHONE BEEPS]

[♪]

PEGGY!

[DOOR OPENS]

PEG! COME ON OUT HERE.YOU GOTTA SEE THIS.

COMING!

PEG! COMCOME ONT HERE.AND STAND DOWN HERE BESIDE ME

FOR THE FULL EFFECT.

WAIT! DO I NEEDSPECIAL GLASSES

SO I DON'TBURN MY RETINAS?

ARE YOU EXCITEDTO SEE THIS OR NOT?

[LAUGHING] YES.

HERE?

LET 'ER RIP.

[♪]

[GASPS QUIETLY] OH...

BOB.

IT'S STUNNING.

[CHUCKLES]YEAH.

IT'S JUST MAGICAL!

YEAH.

TAKE THAT,EDNA STANTON.

[SADLY]: OH.

WHAT?

CHARLOTTE WAS TELLINGME ABOUT EDNA TODAY,

HOW MUCH THIS CONTESTMEANS TO HER.

SHE LIVES ALONE,NO FAMILY.

NOTHINGTO LOOK FORWARD TO

EXCEPT THIS.

IT'S KIND OF SAD.

DON'T YOU HAVESOME MORE BAKING TO DO?

OH, YES, I DO.

GOOD JOB.

[♪]

[JUSTINE]: HE'S TOO SMARTTO SAY ANYTHING TO ME.

HE WOULD NEVER SAY ANYTHINGTO INCRIMINATE HIMSELF,

BUT AT LEASTI RATTLED HIM A LITTLE,

GOT HIM WORRIED.

I DID SOME RESEARCHONLINE TODAY.

WHAT'D YOU FIND OUT?

IF THE FBIARRESTS WARREN,

THEY'RE GOING TO SEIZEALL HIS BANK ACCOUNTS

AND ALLFBIOF HIS PROPERTIES,

AND THEY COULDSTAY FROZEN INDEFINITELY,

WHICH MEANSTHE RESTAURANT

WILL BE CLOSEDAND BOARDED UP

UNTIL THEY HAVE SOMETHINGTO CHARGE HIM WITH.

SO WE COULDLOSE EVERYTHING?

EXACTLY.

[DISTANT SIRENS WAILING]

JOHN!

MARYELLEN,WHAT ARE YOU DOING HERE?

YOU LOOK...

TIRED.

IS EVERYTHING OKAY?

YEAH. YEAH, I'M FINE.

YOU BEENFOLLOWING ME?

NO.

I WAS HEREON BUSINESS

AND I SAW A PICTUREHANGING IN A GALLERY.

IT'S THE ONEYOU TOOK OF ME.

LOOK...

I KNOW I PUSHEDYOU TOO FAR.

WHAT HAPPENED BETWEENYOU AND YOUR PARENTS

IS YOUR BUSINESS.

I'LL NEVERMENTION THEM AGAIN,

BUT, JOHN... [SIGHS]

YOU CAN'TKEEP RUNNING AWAY.

I'M NOT RUNNING AWAY.

I'M JUST TRYINGTO LIVE MY LIFE.

IS THIS THE LIFEYOU WANT TO LIVE?

A LIFE WHERE NO ONE

EVER GETS CLOSE ENOUGHTO KNOW YOU?

A LIFE WHERE YOU RUN AWAYFROM ANYONE WHO TRIES?

I'M SO SICK OFPEOPLE JUDGING ME

WHEN THEY FIND OUTWHERE I'VE BEEN.

I'M SO TIRED OF

PROVING TO PEOPLE THATI'M NOT A BAD GUY.

I NEVER JUDGED YOU!

I NEVER ASKED YOUTO PROVE ANYTHING.

ALL I DID WAS CARE ABOUT YOU.

YOU DON'T UNDERSTAND.

YOU'RE RIGHT,I DON'T UNDERSTAND.

I DON'T UNDERSTAND WHYYOU'RE PUNISHING YOURSELF

FOR THE MISTAKESYOUR PARENTS MADE.

I'M NOT PUNISHING MYSELF,I'M PROTECTING MYSELF.

FROM WHAT? FROM ME?

I DON'T WANT TO HURT YOU.I CARE ABOUT YOU.

YOU DON'T KNOW ME.

YOU TRY TO HIDE WHO YOU ARE,BUT I STILL SEE YOU.

YOU'RE A GOOD MAN.

YOU'RE GENTLEAND KIND AND TALENTED.

YOU DESERVE MORE.

YOU DESERVE MORE!YOU DESERVE TO BE HAPPY.

YOU NEED TO STOP RUNNING.

JOHN...

PLEASE, MARYELLEN,JUST LEAVE ME ALONE.

YOU NEED TOFORGIVE YOUR FAMILY

AND TAKEYOUR LIFE BACK!

IT'S NOTABOUT MY FAMILY!

YOU THINK YOU KNOW EVERYTHINGTHAT'S GOING ON WITH ME,

MARYELLEN, BUT YOU DON'T,YOU DON'T KNOW ANYTHING.

YOU DON'THAVE A CLUE.

I WANT TO.

I CARE ABOUT YOU, MARYELLEN.

I CARE ABOUT YOUSO MUCH

THAT I WANTTO KEEP YOU SAFE.

THE ONLY WAY I CAN DO THAT...

IS IF I KEEP YOUOUT OF MY LIFE.

[♪]

[PEGGY]:JUST GOT THE CALL!

CHARLOTTE AND THE OTHER JUDGESHAVE LEFT EDNA'S.

THEY SHOULD BEHERE ANY MINUTE.

[JACK]:SMALL TOWNS DON'T HAVE

MUSEUMS AND SYMPHONIES.

THE NIGHT LIFE ENDSBEFORE MIDNIGHT,

AND FIVE-STAR RESTAURANTSARE NOWHERE TO BE FOUND,

BUT WHAT YOU WILL FIND

ARE OPEN DOORSAND OPEN HEARTS.

WHAT ARE YOU DOING?

GIVING EDNA STANTONHER ONE SHINING MOMENT.

[♪]

[JACK]:PEOPLELOOK OUT FOR ONE ANOTHER,

AND COMMUNITY...

WELL, COMMUNITYMATTERS MOST OF ALL.

AND COMI CAN'T BELIEVE

YOU DIDN'T TELL MEANY OF THIS.

THE AGENTTOLD ME NOT TO.

I CAN'T BELIEVETHAT YOU DIDN'T

TELL ME ABOUTTHE LIGHTHOUSE.

I HAD TO PROMISEWARREN I WOULDN'T.

I KNEW HE WASA CON ARTIST.

I HAD NO IDEAHE WAS A CRIMINAL.

I SHOULD HAVE!HE HAS SHIFTY EYES.

WELL, IT SOUNDS LIKE

THIS AGENT IS CLOSETO ARRESTING HIM.

HOW'S SHELLY DOING?

I KNOW THAT MOON WASREALLY WORRIED ABOUT HER.

BETTER! I JUST TALKEDTO ERIC AN HOUR AGO--

[FLAMES ROARING]

[♪]

[EXPLOSION]

[RUBBLE CLATTERS]

WELL...NOTHING DEFINITIVE,

BUT THE ARSON INVESTIGATORSAYS IT'S LOOKING LIKE

THE FIREWAS SET DELIBERATELY.

I KNEWTHERE WAS NO WAY

WARREN WOULD LET USOPEN THIS PLACE.

WE NEVER SHOULD'VEDONE BUSINESS WITH HIM.

WARREN[TROY]:LET USNOW, HOLD ON, YOU TWO!

LET THE INVESTIGATORSDO THEIR JOB.

DON'T GO SPECULATING.

I'M NOT SPECULATING!

I KNOW EXACTLY WHO DID THIS,AND SO DO YOU.

WARREN SAGET.

IF THAT'S TRUE,

THEN LET THE LAWHANDLE IT.

I DON'T WANT YOU DOING ANYTHINGTHAT'S GONNA GET YOU

INTO TROUBLE,YOU UNDERSTAND ME?

[SIGHS]

WARREN!

HEY, GUYS.MERRY CHRISTMAS.

HOW COULD YOU DO THIS?

DO WHAT?

YOU STARTEDTHAT FIRE.

GUYS, WHAT FIRE?

YOU BURNED DOWNOUR RESTAURANT!

OKAY, WHAT?

DON'T ACT LIKEYOU DON'T KNOW!

COME ON, JUSTINE, PLEASE,WAIT A SECOND.

THIS MAKES NO SENSE.

GUYS, I HAD NOTHINGTO DO WITH THIS.

DON'T YOU EVERGET TIRED OF LYING?

I DIDN'T BURN DOWNYOUR RESTAURANT! PLEASE!

THEN WHO DID?

SETH, I HAVE NO IDEA.OBVIOUSLY, I'M BEING FRAMED.

LET'S GO.

JUSTINE!IT'S CHRISTMAS!

WHY WOULD I EVEN THINK ABOUTDOING SOMETHING LIKE THAT?

[STAMMERS]

WARREN SAGET?

YOU ARE UNDER ARREST.

LOOK, I HAD NOTHINGTO DO WITH THIS.

-THIS IS RIDICULOUS.-I KNOW, AND I DON'T CARE.

YOU HAVE THE RIGHTTO REMAIN SILENT.

ANYTHING YOU SAYCAN AND WILL BE USED--

I UNDERSTAND,OKAY?

-OH, YOU KNOW THE DRILL.-YES.

HANDS DOWN,WORST CHRISTMAS EVER.

WE'RE GOING TO GETTHROUGH THIS, SETH.

ONE WAY OR ANOTHER,

WE'RE GONNA OPENTHIS RESTAURANT.

[EQUIPMENT HUMMING]

[SAWS WHIRRING,HAMMERS POUNDING]

THEY'RE HERE!

[EVERYONE]: HEY!

[ALL CHEERING]

MERRY CHRISTMAS!

WHAT ARE YOU GUYSALL DOING HERE?

WELL, WE MADE A FEW CALLS,

AND JACK PUT A SPECIAL EDITIONOFTHE CHRONICLEONLINE.

MERRY CHRISTMAS,WELL, WESWEETHEART! CALLS,

THANK YOU, GRANDMA.

HEY, DON'T WORRY, YOU TWO,

WE'RE GONNA THIS PLACE BACK INSHAPE IN NO TIME. RIGHT, BOB?

PIECE OF CAKE.

OH! SPEAKING OF CAKE,I MANAGED TO SAVE SOME

FROM MY COOKIE MONSTEROVER THERE.

HELP YOURSELF.

[EVERYONE LAUGHING]

I CAN'T BELIEVE YOU GUYSARE ALL DOING THIS.

OH, HONEY,IT'S CEDAR COVE.

WHEN SOMEONE'S IN TROUBLE,WE PITCH IN.

RALLY THE TROOPS.NEY,[REVS HIS DRILL]AR COVE.

YEAH, BUTIT'S CHRISTMAS DAY.

EXACTLY!

ALL THE MORE REASONTO HELP OUT.

COME HERE, YOU.

THANK YOU.

HONEY, YOU'RE GONNAHAVE YOUR DREAM.

WE'RE GONNASAVE YOUR RESTAURANT.

BUT NOW WE HAVEA TREE TO DECORATE!

-OH!-YEAH!

[ALL CHEERING]

[♪]

♪ I COME FROM A LITTLE TOWN ♪

♪ I KNOW EVERYONEFOR MILES AROUND ♪

♪ THOUGH I SET OFFON MY OWN ♪

♪ MY HEART FOREVERPULLS ME HOME ♪

♪ THIS IS HOME ♪

HEY.

HI.

WHAT ARE YOU DOING HERE?

ISN'T IT CHRISTMAS?

WHERE ELSE WOULD I BE?

YOU'RE DOING GREAT,AND SO IS THE BABY.

I SENT EVERYBODY HOMETO GET SOME REST.

YOU SHOULD GO HOMEAND GET SOME REST TOO.

I WANT TO BE HEREWITH MY FAMILY.

OH! HEY! AHEM.

I GOT YOU A PRESENT.

MERRY CHRISTMAS.

[GASPS SHARPLY]

YOU OKAY?

-[SHE CRIES OUT]-SHELLY!

[GROANING INTENSELY]

OH, NO, NO, NO, SHELLY!

TALK TO ME...

SHELLY...

NURSE!

-[MONITOR BEEPING RAPIDLY]-NURSE! HELP ME! HELP ME!

BLOOD PRESSURE'SCRASHING!

-WHAT'S GOING ON?-SIR, YOU NEED TO STEP OUTSIDE.

WHAT'S GOING--BLOOD PRESSURE'SWHAT'S HAPPENING TO HER?

SIR, PLEASEWAIT OUTSIDE!

TELL ME WHAT IS GOING ON!

[CART APPROACHING]

[ALL TALKING AT ONCE]

-TAKE AN ENDO MEASUREMENT.-PULL THE PILLOW.

LET'S GET THE HEARTBEATMONITOR ON THE BABY.]

-02 BAG.-PREPPING THE CRASH CART.

-STARTING PITOCIN DRIP.-I'M ON IT.

-02 BAG.-PRB.P. DROPPING FAST.RT.

[♪]