Original subtitles

THEN I GUESS

MAYBE WE SHOULDRECONSIDER THE RELATIONSHIP.

BUT MAYBE I'M NOT CUT OUTTO PLAY SECOND FIDDLE.

AND MAYBE I'M NOT CUT OUT

TO BE WITH SOMEONEWHO'S GONE HALF THE TIME.

SHE MESSED AROUND ON ME,

AND I DON'T EVER WANT TOGO THROUGH THAT AGAIN.

I AM NOT GONNAPLAY THIS GAME WITH YOU.

IT'S NOT FAIR,AND I CAN'T WIN.

[♪]

SERIOUSLY?

MORE LIGHTS?

YOU'RE GONNA BE ABLE

TO SEE OUR HOUSEFROM SPACE.

THANK YOU.

IT'S NOTA COMPLIMENT, BOB.

IT'S OSTENTATIOUS.

IT'S FESTIVE.

IT'S OVER THE TOP, HONEY.

YES, DEAR.

AH. THANKS.

OH. THANK YOU.

[TRAFFIC DIN, HORNS BLARING]

[♪]

[LAUGHTER]

[♪]

[REMOTE ENTRY LOCK CHIRPS]

[♪]

HEY!

WHAT ARE YOU DOINGHERE ALREADY, MAN?

YOU'RE NOTSUPPOSED TO START

TILL THE FIRSTOF THE YEAR.

YEAH, I KNOW.

I JUST FLEW INTO SIGN MY CONTRACT,

CHECK OUTMY FANCY NEW OFFICE.

YEAH? PRETTYAMAZING, RIGHT?

SO, THIS IS WHAT

THE BIG LEAGUELOOKS LIKE, HUH?

WHO NEEDS AMBIANCE?

MAN, YOU'RE COVERINGTHE PHILLIES, JACK.

HEY, YOU DON'TNEED A WINDOW

WHEN YOU'VE GOTFLOOR SEATS, PAL.

VERY TRUE, MIKE.VERY TRUE.

SO HOW LONG YOU IN TOWN FOR?

MAYBE WE CAN DO DINNER,OR CATCH A SIXERS GAME

LIKE OLD TIMES,WHAT DO YOU SAY?

NO, I CAN'T.

I GOTTA GO HOME,PACK UP ALL MY STUFF.

I STILL HAVE TO FINDA REPLACEMENT FORTHE CHRONICLE.

SO I'M GUESSING THINGSDIDN'T WORK OUT

WITH THAT WOMANYOU WERE SEEING?

UH, NO.

I'M SORRY, MAN.

NO. HEY, I'M OVER IT, MAN.

IT'S ALL GOOD.

-[SLAPS JACK'S LEG]-GOOD TO SEE YA.

[♪]

HEY!

WHAT ARE YOU DOING HERE?

YOU'RE HOME EARLY.I WANTED TO SURPRISE YOU.

HOW DID YOU GET IN?

THE KEY UNDER THE CERAMIC FROG.

YOU CAN'T DO THAT.

THIS ISN'T YOUR HOUSE.

YOU DON'T LIVEHERE ANYMORE.

I KNOW.

YOU CAN'T JUST COME IN HEREAND MAKE YOURSELF AT HOME.

WELL, I'M NOTSTEALING THE SILVER.

I'M JUST MAKING YOU DINNER.

LEMON CHICKEN AND ROASTPOTATOES, YOUR FAVORITE.

THAT WAS YOUR FAVORITE.

I SHOULDN'T HAVE COME INWITHOUT YOUR PERMISSION.

I'M JUST TRYINGTO DO SOMETHING NICE FOR YOU.

I'M EXHAUSTED.

I'VE HAD A LONG DAY AT WORK,

AND ALL I WANTED TO DO

WAS COME HOMEAND RELAX.

OKAY, WELL, YOU RELAX,

AND I WILL POUR YOUA GLASS OF WINE.

I DON'T WANT TO DRINK WINEWITH YOU.

WHAT'S WRONG? YOU GIVE UP WINEBECAUSE JACK'S AN ALCOHOLIC?

I'M SORRY.I SHOULDN'T HAVE SAID THAT.

STAN...

I LOVE YOU.I ALWAYS WILL.

WE HAD TWO BEAUTIFULCHILDREN TOGETHER,

BUT WE CAN'T GO BACKITO THAT LIFE.

I KNOW,BUT WE CAN HAVE A NEW LIFE.

BUT WE CAN'T GO BACKITO THAT LNO, WE CAN'T.

WE'RE DIFFERENT PEOPLE NOW.

WHAT WE NEED TO DOIS BE GOOD CO-PARENTS

WE'RE DIFFERENT FOR JUSTINE.

I DON'T WANT ANYTHINGBUT HAPPINESS FOR YOU.

BUT NOT HERE,

AND NOT WITH ME.

[♪]

[DOOR RATTLES]

[♪]

HEY! [CHUCKLES]

WHAT ARE YOUDOING HERE?

WHAT DO YOU MEAN?

I'M GETTING MYSELFA CUP OF COFFEE.

I THOUGHTYOU GAVE UP COFFEE

FOR YOUR HEALTH.

AND BY "COFFEE"I MEAN TEA.

SEE YA LATER.

WHAT ABOUT LUNCH?

I'M BUSY WITH WORK.

COME ON, JUSTINE.YOU NEED TO TAKE A DAY OFF.

I AM NOT INDEPENDENTLY WEALTHY.

YOU COULD BE.

THIS IS GETTINGREALLY OLD.

OKAY, I'M SORRY. LOOK.

I HATE TO SEE YOUPINING OVER SOME GUY

WHO LEFT YOUWITHOUT A WORD.

HE DIDN'T LEAVE ME.

I'M SUREHE'S OUT WORKING

ON A FISHING BOATSOMEWHERE.

SO HE DOESN'T EVENKEEP IN TOUCH?

GOODBYE, WARREN.

[SOTTO]:OKAY. WONDERFUL.

-OH! HI.-HI.

THANK YOU.

SORRY. THANK YOU.

CAN I HELP YOU THERE?

YEAH. MAY I HAVEA CUP OF GREEN TEA, PLEASE?

YOU GOT IT.

HEY, I WASWONDERING,

IS THE LOCAL NEWSPAPEROFFICE CLOSED?

OH! [CHUCKLES]

LET'S JUST CALL IT A BRIEFMEDIA PAUSE, SHALL WE?

A SMALL TOWN, THOUGH,

ALL THE IMPORTANT NEWSIS RIGHT UP HERE.

WHAT IS ITA SMALL YOU WANT TO KNOW?

I JUST WANTED

TO CHECK THE WANT ADSAND SEE IF ANYONE'S HIRING.

WELL, WHAT KIND OF WORKYOU LOOKING FOR?

WELL, I WAS A WAITRESSAT A SPORTS BAR,

BUT THEY FIRED MEWHEN I STARTED SHOWING.

WELL, I WAS A WAITRESSAOH, FOR SHAME.,

"A SHIP UNDER SAILAND A BIG-BELLIED WOMAN

ARE THE HANDSOMEST TWO THINGSTHAT CAN BE SEEN COMMON."

BENJAMIN FRANKLIN.

I'LL TELL YOU WHAT, THOUGH.

I COULD USE SOME HELPAROUND HERE.

REALLY?

YEP.

THAT'S GREAT! THAT'SAMAZING I WANDERED IN HERE.

AH, THERE ARENO ACCIDENTS IN LIFE.

EVERYTHING WAS MEANT TO BE.

UH, YOU PLAY THAT THING?

YEAH.

YOU SEE?THERE YOU GO.

I WAS ALSO THINKING

THAT I NEED TO GETSOME NEW ENTERTAINMENT,

TRY AND ATTRACTTHE YOUNG TOURISTS.

YOU KNOW ANY JONI MITCHELL?

WHO?

OH! [LAUGHS]

UH, I'LL GET YOUR TEA.

"WHO?" [LAUGHS]

[♪]

PEG!

HEY THERE.

HI.

DO YOU HAVE ANYROOMS AVAILABLE?

WELL, YOU'RE IN LUCK.WE JUST HAD SOMEONE CHECK OUT.

GREAT.

HI. I'M PEGGY BELDON.

SHELLY.

NICE TO MEET YOU.

AND THAT IS MY HUSBAND,BOB, THE DECORATOR.

SHELLY.

WELCOME TO THE THYME AND TIDE.YOUR HOME AWAY FROM HOME.

LET ME TAKE CAREOF THAT FOR YOU.

OH, LOOK AT YOU!

HOW FAR ALONGARE YOU, HONEY?

SEVEN MONTHS.

-AWW.-CONGRATULATIONS.

THANKS.

SO WHY ARE YOU HEREIN CEDAR COVE?

ARE YOU VISITINGFAMILY?

WELL--

ARE YOU VISITINGWHAT SHE MEANS IS,

"WELCOME TOTHE THYME AND TIDE,

WHERE YOUR BUSINESSIS...YOUR BUSINESS."

[LAUGHS]OH, NO. IT'S JUST--

I, UH, I NEEDED TO GET AWAYFOR A LITTLE WHILE.

YOU KNOW, FINDSOME PEACE AND QUIET.

WELL, YOU CERTAINLY CAMETO THE RIGHT PLACE, THEN.

SO LET'S GET YOUCHECKED IN, HUH?

WHY DON'T YOU TAKEHER STUFF TO THE OAK ROOM?

SO LET'S GET Y-YEP.CHECKE-COME ON, SWEETHEART.

YOUR HOUSE LOOKSSO... FESTIVE.

SMART GIRL.

SHE'S TRYINGTO BE POLITE, BOB.

IT WILL BE GREAT.

IT'LL BE JUST GREAT.IT'LL BE WONDERFUL.

[♪]

UH, WELCOMETO CEDAR COVE.

THANK YOU.BEAUTIFUL PART OF THE WORLD.

YEAH, IT'SA GREAT PLACE.

HUMPH.

WHY ARE WE TAKINGHIS PHOTOS DOWN?

THEY'RE STILL SELLING.

BECAUSE I STILLDON'T KNOW WHERE HE IS,

AND I HAVE NOWHERETO SEND THE MONEY, SO...

BECAUSE I STILLDON'T KNOW WHERE HE IS,SORRY.

I KNOW HOW MUCHYOU CARED ABOUT HIM.

ANYTHING NEW FROM SETH?

NOT A WORD.

ONE DAY,WE'RE MOVING IN TOGETHER,

PLANNING OUR FUTURE,AND THE NEXT, HE'S GONE.

MAYBE WE'RE DESTINEDTO BE OLD MAIDS.

OLD MAIDS? [LAUGHS]

GRANDMA, HI.

HELLO, SWEETHEART.

I WAS HOPING YOU TWOCOULD HELP ME.

OF COURSE.

YOU HEARD ABOUT MY FRIEND,HARRIET ROGERS?

YES. SHE PASSED AWAY.I'M SO SORRY.

IT'S SAD, BUT SHE WAS 97.

SHE HAD A VERY FULL LIFE.

I'VE BEEN HELPING HER KIDSCLEAN OUT THE HOUSE.

TURNS OUTSHE WAS QUITE THE HOARDER.

REALLY?

BOOKS, ANTIQUES,COLLECTIBLES.

I FOUND THIS PAINTINGIN THE ATTIC.

SEEMS PRETTY OLD.

IT'S SIGNED,BUT, UH, WE CAN'T READ THE NAME.

OH, MY GOD!MS PRETTY OLD.

THIS LOOKS LIKEA HENRY MORTON.

IS THAT GOOD?

IT'S AWESOMEIF IT'S REAL.

DID THEY SAY HOWIT GOT IN HARRIET'S ATTIC?

IT'S AWESOMEIF ITWELL, SER DAUGHTER SAYS

SHE REMEMBERED ITFROM YEARS AGO.

SHE THINKS HER MOTHERBOUGHT IT AT A GARAGE SALE.

CAN YOU TELLIF IT'S REAL?

I'D HAVE TO TAKE ITTO A MUSEUM OR AN ART HOUSE.

PIONEER SQUARE IN SEATTLE.

THERE'S A BUNCHOF GALLERIES THERE.

I KNOW SOME PEOPLE WHOMIGHT BE ABLE TO TELL US.

I CAN GO LATER TODAY.

THAT IS AMAZING.DO YOU THINK IT'S VALUABLE?

I'VE SEEN MORTONSGO AT AUCTION

FOR HUNDREDS OFTHOUSANDS OF DOLLARS.

[♪]

SERIOUSLY,IF WE LOSE TO DALLAS AGAIN,

I'M MOVING TO CEDAR COVEWITH YOU.

JACK?

MM?

WHAT DO YOU THINK?YOU KNOW?

THE EAGLESGOT A CHANCE

TO BEAT DALLASSUNDAY OR WHAT?

-ABSOLUTELY.-HEAR, HEAR!

EAGLES!

SO HOW'S THAT CLUB SODA TREATINGYOU?

YEAH, I'M GOOD.THANKS.

YOU REALLY GAVE IT UP, HUH? HEY,WHAT DO YOU DO TO UNWIND?

YOU KNOW, THERE AREOTHER THINGS, MIKE.

IN FACT, I JUSTRECENTLY BUILT A CANOE

BY MYSELF, FROM SCRATCH.

[LAUGHING]

WELL, YOU CAME BACKJUST IN TIME.

ANOTHER MONTH, AND THEY'D HAVEYOU FISHING AND PLAYING A BANJO.

OH, I'D NEVER PLAY THE BANJO.

[CELL PHONE RINGING]

HEY, BABE.

YEAH, I'M WORKING LATE TONIGHT.

YEAH, I'LL BE HOMEAS SOON AS I CAN.

DON'T WAIT UP.

I LOVE YOU TOO.

AH...

CHEERS, BOYS.

-CHEERS!-CHEERS.

HE WAS INMY HOUSE.COOKING! IN MY KITCHEN!

HE JUSTLET HIMSELF IN?

OH, HE GOTTHE WRONG IMPRESSION.

IF I MISLED HIM,

I CERTAINLYDIDN'T MEAN TO.

OH, I'M SO GLADIT'S OVER WITH.

WHAT ABOUT JACK?HAVE YOU HEARD FROM HIM?

NO, AND I DON'TTHINK I WILL.

I REALLY HURT HIM.

I DON'T KNOW IF HE'LLEVER TRUST ME AGAIN.

WHY DO WE EVENI REALLY HURT HNEED MEN ANYWAY?

WE HAVE EACH OTHER.

WE DON'T NEED TOWEAR MAKEUP, SPANX,

DO OUR HAIR--NOTHING.

YOU KNOW, YOU AREA LOT OF FUN

AND EASY TO TALK TO,

BUT LET'S FACE IT.

WE LOVE MEN.

TRUE.

THERE'S JUST SOMETHINGABOUT THEM

THAT WE CAN'T LIVE WITHOUT.

YEAH, WELL, I'VE BEENLIVING WITHOUT FOR A LONG TIME.

MAYBE IT'S TIMETO GET BACK ON THE HORSE.

WHATEVER HAPPENEDTO YOU TWO?

I THOUGHT YOU WEREGOING TO GO ON A DATE.

I BLEW IT.

HE ASKED ME OUTON A COUPLE OF DATES,

AND I JUSTWASN'T READY,

AND THEN THERE WASTHAT WHOLE THING

WITH THE BACHELOR AUCTION,

THE MESS WITH YOUR BROTHER.

HE'S MADE IT PERFECTLY CLEARHE'S NO LONGER INTERESTED.

-YOU'RE JUST GONNA GIVE UP?-I WASN'T SUBTLE!

I ASKED HIM OUTON TWO DIFFERENT OCCASIONS,

HE SAID HE WAS BUSY.

I PRACTICALLYTHREW MYSELF AT HIM.

TRY AGAIN.

YOU WANT ME TO GO TO HIS RANCH,RUN THROUGH HIS YARD NAKED,

YELLING "LET'S GOTO DINNER"?

WHY NOT?

BECAUSEI WOULD PROBABLY GET ARRESTED.

YES, AND AFTERYOUR PSYCH EVALUATION,

YOU COULD GO ON A DATE.

I THINK YOU SHOULD GO OUT ANDBUY A COWBOY HAT JUST IN CASE.

[♪]

HI.

WHERE HAVE YOU BEEN?

ALASKA.

YOU JUST LEFTWITHOUT SAYING A WORD.

I KNOW. I'M SORRY.

YOU'RE SORRY?

THAT'S IT?

DO YOU HAVE ANY IDEAHOW YOU MADE ME FEEL?

I HAD NO IDEA WHERE YOU WERE,OR IF YOU WERE EVEN COMING BACK.

I WAS ANGRY AND HURT.

WHY?

BECAUSE I WENT AND SAW WARRENIN THE HOSPITAL?

YES, BUT THAT'SNOT THE ONLY REASON.

BECAUSE II FELT LIKEAW WARRENI HAD NOTHING TO OFFER YOU.

I FELT LIKE... A LOSER.

YOU FELT LIKE A LOSER,SO YOU PUNISH ME?

YOU JUST VANISH?

THAT IS NOT FAIR.

YOU'RE RIGHT.

YOU CAN'T JUST WALKBACK INTO MY LIFE.

HOW AM I SUPPOSED TOTRUST YOU NOW?

I KNOW WHAT I DID WAS WRONG,

BUT I WENT TO ALASKA

TO MEET THE OWNER OF THE FISHERYI USED TO WORK FOR.

I NEEDED A LOAN,

AND THE BANKSWON'T GIVE ME ONE.

A LOAN FOR WHAT?

DO YOU REMEMBERTHE PLAN THAT I TOLD YOU ABOUT

THAT I'M WORKING ON?

I'M TRYING TO FINDA WAY TO STAY HERE,

SO I DON'T HAVE TO GO OFFON THESE FISHING JOBS,

BUT I NEED MONEY,SO I SOLD THE BOAT,

AND WITH THIS LOAN...

I MIGHT JUST HAVE ENOUGH.

ENOUGH FOR WHAT?

PLEASE, COME WITH ME.

I WANT TOSHOW YOU SOMETHING.

[♪]

I ALREADY PUT AN OFFERIN ON IT.

YOU'RE BUYINGA RESTAURANT?

A RESTAURANT AND AFRESH FISH MARKET.

PEOPLE CAN COME INAND EAT FRESH SEAFOOD,

OR THEY CAN BUY ITAND TAKE IT HOME.

AND I HAVE CONNECTIONS

WITH THE BEST BOATSAND FISHERMEN IN THE STATE,

SO I REALLY THINKI CAN MAKE THIS WORK.

[♪]

I THINK IT'S A WONDERFUL IDEA.

IT'LL KEEP ME HERE,IN CEDAR COVE...

WITH YOU.

I'M SO SORRYFOR LEAVING YOU LIKE THAT.

I JUST DIDN'T WANTTO SAY ANYTHING

UNTIL I KNEW I HADTHE MONEY TOGETHER.

I'M GOING TO PUTDN'T WANTEVERYTHING I HAVENYTHING

INTO MAKING THIS WORK.

I WANT THIS FOR US...

FOR OUR FUTURE.

AND I PROMISE YOU,

I WILL NEVER LEAVE YOUALONE AGAIN.

I MISSED YOU.

[RELIEVED SIGH]

I MISSED YOU TOO.

ARE YOU GONNA MAKE MEGUESS WHAT'S GOING ON?

THIS CUTE COUPLE CAME INTO SEE ME TODAY.

ANNIE AND HOWARD GREEN.I RENEWED THEIR VOWS.

IT WASTHEIR 60TH WEDDING ANNIVERSARY.

AND YOU'RE GOINGON A SECOND HONEYMOON WITH THEM?

NO. THEY TOLD METHE STORY OF HOW THEY MET.

ANNIE WAS SUPPOSED TO MARRY SAM,

BUT SHE MET HOWARD,AND HE SWEPT HER OFF HER FEET.

SHE DIDN'T KNOWHOW TO TELL SAM,

SO SHE WAITED TILL THE NIGHTBEFORE THE WEDDING

TO BREAK IT TO HIM.

POOR SAM.

NOT THE POINT OF THE STORY.

HOWARD WAS SURESHE'D GONE THROUGH WITH IT,

SO HE TOOK A JOB IN JAPAN.

ANNIE WAS SURESHE HAD LOST HIM FOREVER.

SAD. SO...?

SO SHE GOT ON A PLANE,SHE WENT TO JAPAN,

AND THE REST IS HISTORY!

I SEE?

I'M GOING TO GOTO PHILADELPHIA.

I'M GONNA FIND JACK,

I'M GONNA TELL HIM I'M SORRYAND THAT I LOVE HIM.

WELL, THENYOU ARE PACKING ALL WRONG.

AND DON'T GIVE METHAT LOOK.

I'M SURE ANNIEDID THE SAME THING.

[WHISPERING]: WHY DIDSHE COME HERE, BOB?

IT'S NOT LIKE IT'S EASYTO GET HERE, YOU KNOW.ING.

IT'S HER BUSINESS.

NOW, IF SHE WANTSTO TALK TO US,

SHE CAN, BUT IT'S NOTOUR PLACE TO PRY.

BUT WHAT IFSHE'S IN TROUBLE?

WE'RE A BED-AND-BREAKFAST,NOT A BED-AND-RESCUE.

I DON'T KNOW,IT JUST...

IT SEEMS LIKE THERE'SMORE TO HER STORY.

I DON'T KNOW,IT JUST.WHY ARE YOU WHISPERING?

SHE'S BEEN GONEFOR OVER AN HOUR.

I KNOW.I DON'T KNOW.

[JACK]: HEY!

-LOOK!-HEY!

IT'S JACK!

HEY, JACK.

WELCOME HOME.

WELL, IT'S NOT HOMEANYMORE, YOU TWO.

I'M JUST HERETO CLEAN OUT MY PLACE

AND TO HELP FILL MY JOBAT THE PAPER.

I BROUGHT YOUYOUR FISHING POLES BACK.

LISTEN, I JUST WANTED MY JOBTO THANK YOU TWO FOR...

I'M SORRY,

I JUST GOT TO SAY,THIS IS... [LAUGHING]

...QUITE THE DISPLAYYOU'VE GOT GOING HERE!

I KNOW. I KNOW.

[LAUGHING]

OH, IT'S A CONTEST

TO SEE WHO CAN PUT UPTHE BEST DECORATIONS.

THE BEST ORTHE MOST?

YOU GOT IT.

BOTH.

-I GOTCHA.-MM-HMM.

SO WHAT DOES THE WINNERGET FOR ALL OF THIS?

WELL, YOU GETYOUR NAME ON A BANNER

AND BRAGGING RIGHTS.

AH!

SEE, THE CFCDRIVES AROUND

FROM HOUSE TO HOUSE,

AND THEY VOTE FOR THEIR FAVORITEON CHRISTMAS EVE.

THE, UH, "CFC"?

THE CHRISTMASFESTIVITIES COMMITTEE.

-THAT'S A REAL GROUP?-OH, YEAH.

BOB IS VERY SERIOUSABOUT THE CDA.

THE CHRISTMASDECORATING AWARD.

OH! WELL, AS YOU SHOULD BE.

YEAH.

SO, YOU SEEN HER YET?

OLIVIA?

YEAH.

UH, NO... NO.

LOOK, BOB, WE...WE BROKE UP.

I'M JUST...

I'M MOVINGFORWARD HERE.

I WAS THERE, JACK.

I WATCHED YOU TWOFALL IN LOVE.

YOU MADE HERA-- A CANOE

WITH YOUR OWNBARE HANDS!

YEAH, AND IT SUNKTHE FIRST TIME OUT, RIGHT?

I SHOULD'VE KNOWN THEN.

SO YOU'RE GONNA QUIT?

I NEVER TOOK YOUFOR A PESSIMIST.

YOU'VE ALWAYS BEENTHAT KIND OF...

YOU KNOW, UH,GLASS-HALF-FULL GUY.

[SIGHS]OH, I'M STILL THAT GUY, BOB.

BUT WHEN I THINK OFMY FUTURE WITH OLIVIA,GUY.

THAT GLASS, LIKE THE CANOE,IT'S... IT'S HALF EMPTY.

[ENGINE STARTS]

TAKE CARE, MAN.

[♪]

-HI!-GRACE!

BOUGHT A HAT.

I WANT TO SIGN UPFOR RIDING LESSONS.

OKAY, NOW, GRACE--

I'M SERIOUS!

TWICE A WEEKFOR SEVERAL MONTHS.

WHAT? YOU'RE GONNATURN DOWN BUSINESS?

YOU WANT TO LEARN HOW TO RIDEALL OF A SUDDEN?

WELL, I HAVE TO.I HAVE NO CHOICE.

I ALREADY BOUGHT THE HAT.

[LAUGHS]

I ALREAALL RIGHT.THE HAT.

I'LL SEE YOUAT THE RANCH, THEN.

[STARTS TRUCK]

[♪]

[DIALING]PLEASE, PLEASE...

HI, OLIVIA? LISTEN TO ME.I HOPE YOU GET THIS.

IF YOU'VE NOT YETLEFT FOR PHILADELPHIA,

DO NOT GO,

BECAUSE JACK IS RIGHT HEREIN CEDAR COVE.

[♪]

JACK, YOU'RE BACK!

HEY!

JUST FOR A FEW DAYS.

OH, I THOUGHTMAYBE YOU AND OLIVIA...

NO. NO, SORRY, CHARLOTTE.

I'M SORRY TOO.

YOU'RE JUST HERETO PACK UP YOUR STUFF, THEN?

YEAH, AND TO TRYAND FIND MY REPLACEMENT,

WHICH IS TURNING OUT TO BEEASIER SAID THAN DONE.

HEY, YOU TELL ME.

DO YOU THINK BEEKEEPINGOR DENTAL HYGIENISTRY

ARE GOOD STEPPING STONESTO BE A NEWSPAPER REPORTER?

HOW ABOUT THIS GUY,

WHO ADDRESSEDHIS COVER LETTER

TO "DEAR SIR OR MADMAN"?

[SCOFFS] OH!

I'M NOT MAKINGTHIS STUFF UP!

YOU SET THE BARSO HIGH.

YEAH, THANKS, CHARLOTTE,BUT YOU KNOW WHAT?

I AM POSITIVE THAT THERE ISRSOMEBODY SOMEWHERE OUT THERE

MORE THAN CAPABLE OF, YOU KNOW,

COVERING BAKE SALESAND ART WALKS.

PROBLEM IS, YOU DIDN'TJUST COVER OUR EVENTS,

YOU GAVE THEM LIFE.

YOU MADE US ALL LOOK AT THE TOWNIN A NEW LIGHT.

THE CHRONICLEBECAMETHE VOICE OF CEDAR COVE,

AND LET'S FACE IT--YOU ARETHE CHRONICLE.

THANK YOU, CHARLOTTE.

SO ANYTHING ELSEGOING ON OUT THERE?

OH, NOT MUCH.

OTHER THAN THE FEDSARE POKING AROUND.

UH... WHAT?

A MAN IN A DARK SUITCAME INTO TOWN, TALKING TO TROY.

AND YOUR SURE IT WAS THE FEDS?

I MEAN, IT COULD'VE JUST BEEN

A BUSINESSMANIN A DARK SUIT, MAYBE.

I KNOW EVERYBODYIN THIS TOWN.

TRUST ME, HE IS NOTFROM AROUND HERE.

AND ANOTHER THING.

TROY'S BEEN WEARING A TIETO WORK ALL WEEK,

AND HE LOOKS NERVOUS.ING.

TROY LOOKS NERVOUS?

MIGHT BE SOMETHINGTO LOOK INTO.

UNLESS YOU'RE IN A BIG HURRYTO GET BACK TO PHILADELPHIA.

[SIGHS]

MY REALTOR CALLED.

MY OFFER TO BUY THE RESTAURANTWAS REJECTED.

WHAT?

I DID SOME CHECKING.

THE COMPANY WHO OWNS IT?IT'S ONE OF WARREN'S.

I SHOULD'VE KNOWN!

HE PRACTICALLY OWNS EVERYTHINGIN THIS TOWN.

I DON'T BELIEVE THIS.

OBVIOUSLY WHEN HE FOUND OUTIT WAS ME MAKING THE OFFER,

HE DECIDEDTO RAISE THE ASKING PRICE.

OBVIOUSLY WHEN HE FOUND OUTIT WAS ME MYOU DON'T KNOW THAT.

JUSTINE, WHEN ARE YOUGONNA REALIZE

WHO WARREN SAGET REALLY IS?

[FERRY HORN BLASTS]

[MARYELLEN]: HEY!SO I JUST LEFT THE GALLERY,

AND THEY'RE GONNALET ME KNOW LATER TODAY

IF IT'S AUTHENTIC.

THE WOMAN SAID SHE THOUGHT

IT WAS ONE OFA SERIES OF PAINTINGS

DONE IN THE EARLY 1950STHE WOMABY MORTON. THOUGHT

SHE SAID IT WAS ONE OFA GROUP OF PAINTINGS

THAT WAS STOLENFROM A COLLECTOR'S HOME

IN NEW YORK IN 1963.

HOW WELL DID YOU KNOW HARRIET?

ANYWAY, THE WHOLE THINGIS A MYSTERY, AND I...

I'LL CALL YOU BACK.

HI.

EXCUSE ME.

WHERE DID YOU GETTHIS PICTURE?

I BOUGHT ITFROM A GUY ON THE STREET.

WHAT STREET? WHERE?

THAT'S YOU, ISN'T IT?

THE GUY YOU BOUGHT IT FROM,DID HE TELL YOU HIS NAME?

IS HE SHOWING AT YOUR GALLERY?

I DIDN'T ASK HIS NAME.

HE DIDN'T SEEM LIKE THE KIND OFGUY WHO WOULD SHOW IN A GALLERY.

ACTUALLY, HE LOOKEDKIND OF DOWN ON HIS LUCK.

I BOUGHT ITBECAUSE I LIKED IT,

BUT I ALSO FELT SORRY FOR HIM.

I ONLY PAID $50 FOR IT.

I'LL GIVE YOU 100.

SOLD.

HERE YOU GO.

WHERE WAS HEWHEN YOU SAW HIM?

THE MOUTH OF THE ALLEYON 22ND STREET,

BUT THIS WAS A FEW DAYS AGO.

I DOUBT HE'D STILL BE THERE.

[♪]

YOU'RE BACK.

YEAH. JUST TEMPORARY.

TYING UP A FEW LOOSE ENDS,YOU KNOW.

HOW'S THE JOB?

OH, I ACTUALLY DON'T STARTUNTIL THE NEW YEAR,

BUT I'M PRETTY EXCITED.

IT'S A DREAM COME TRUE.

-I NEED TO TELL YOU---OLIVIA...

DON'T.

WE DON'T NEED TOGO THROUGH THIS AGAIN.

I'M ACTUALLYPRETTY BUSY HERE, SO...

JACK, I'M SORRY FOR EVERYTHINGTHAT HAPPENED.

OH, COME ON,LET'S BE HONEST

ABOUT THIS, OLIVIA.

THERE'S NO WAY I'D BE HAPPY

SETTLING IN A SMALL TOWNLIKE THIS, RIGHT?

YOU GOTYOUR WHOLE LIFE HERE.

YOU GOT YOUR FAMILY HERE.

LOOK, YOU WERE RIGHT ABOUT STAN.I COULDN'T SEE IT.

NO, YOU DON'T OWE MEANY EXPLANATIONS, ALL RIGHT?

WE BOTH MOVED ON.I'M OKAY WITH IT.

I DON'T BELIEVETHAT'S HOW YOU FEEL.

WELL, IT DOESN'TREALLY MATTER

HOW I FEEL ANYMORE,DOES IT?

IT MATTERS TO ME.

LOOK, WE HADA GREAT TIME.

IT WAS FUN.

LET'S NOT GET CARRIED AWAY.

I CAME HERE TO TELL YOU

THAT YOU'RE THE BEST THINGTHAT'S HAPPENED TO ME

IN A LONG TIME,

AND I LOVE YOU.

[DOOR CLOSES]

[KNOCKING AT DOOR]

[SNIFFLES DEEPLY]

COME IN.

-HEY THERE.-HEY.

I THOUGHT YOU MIGHTLIKE SOME TEA

AND A LITTLE SNACK.

OH. THANK YOU.THAT'S SO NICE OF YOU.

I REMEMBERWHEN I WAS PREGNANT,

I ATE EVERYTHINGIN SIGHT.

[LAUGHS]

SO I'M GOINGINTO TOWN LATER.

YOU WANT METO PICK YOU UP ANYTHING?

I'M FINE. THANKS.

OKAY.

FEEL FREE TO USE THE PHONE.

WE HAVE FREE LONG DISTANCEFOR OUR GUESTS,

SO IF YOU HAVE ANY FAMILY

OR FRIENDSYOU MIGHT WANT TO CALL?

UH, THANKS,BUT THERE'S NO ONE TO CALL.

OR FRIENDSYDON'T YOU HAVE ANYONE?

TO HELP YOU OUTWHEN THE BABY'S BORN?

IT'S OKAY.

I'M NOT GONNA KEEP IT.I'M GIVING IT UP FOR ADOPTION.

OH, I SEE.

I WANT HER TO HAVETHE BEST LIFE POSSIBLE,

AND RIGHT NOW,

THE LIFE I HAVE TO GIVE HERISN'T ALL THAT GREAT, AND...

TRUTH IS, I'M HAVINGA HARD ENOUGH TIME

TAKING CARE OF MYSELF.

I COULD NEVERTAKE CARE OF HER.

IS THERE ANYTHINGI CAN DO TO HELP?

I NEED A LAWYER.

I KNOW SOMEONE.

[KNOCKING]

YES?

HI.

HI! YOU MUSTBE SHELLY.

PEGGY SAIDYOU WERE GONNA COME BY,

BUT SHE DIDN'T SAY WHY.

COME ON IN.HAVE A SEAT.

THANK YOU.

HOW CAN I HELP YOU?

I NEED TO SPEAK WITH SOMEONEABOUT WHAT I NEED TO DO

IF I WANT TO GIVE MY BABY UPFOR ADOPTION.

IS THE BIRTH FATHER INVOLVED?

DOES IT MATTER?

WELL, THE ADOPTION'S

LESS LIKELY TO BE CHALLENGEDIF THE FATHER COOPERATES.

THERE'S DIFFERENT LAWSIN DIFFERENT STATES.

HE'S NOT GONNA BE A PROBLEM,BELIEVE ME.

I DON'T KNOW WHERE HE IS,

AND HE HAS NO INTERESTIN BEING A DAD.

HAVE YOU GIVEN THISA LOT OF THOUGHT?

HAVE YOU SPOKEN TO A COUNSELOR,YOUR FAMILY, YOUR CHURCH?

ADOPTION IS A HUGE STEP--

I KNOW, I KNOW,

AND I HAVE THOUGHTABOUT IT A LOT,

AND IT IS WHAT I WANT TO DO.

OKAY. I CAN HELP YOU.

HAVE YOU THOUGHT ABOUT

WHETHER YOU WANT TO HAVEA PRIVATE OR OPEN ADOPTION?

OPEN'S WHEREI GET TO GO AND VISIT,

BE A PART OF HER LIFE?

THERE'S ALL KINDSOF ARRANGEMENTS

THAT CAN BE MADE.

IT'S UP TO YOUAND THE COUPLE TO MAKE A PLAN.

I THINKI'D WANT A PRIVATE ADOPTION.

I WOULDN'T WANT HER YOUTO BE CONFUSEDE TO MAKE A PLAN.

ABOUT WHO HER MOTHER IS,

AND, I MEAN, I WOULDN'T BEHER MOTHER ANYMORE, WOULD I?

YOU KEEP SAYING "HER".DO YOU KNOW IT'S A GIRL?

YES.

YOUI HAD A SONOGRAMR".DO YA FEW WEEKS AGO.IRL?

IT'S A GIRL.

SOMETIMES I WISHI DIDN'T KNOW THAT, THOUGH.

I FIND I'M THINKING ABOUT HERALL THE TIME NOW.

HAVE YOU BEEN SEEING A DOCTORREGULARLY?

I DON'T HAVEONE HERE YET,

BUT I-I HAVE BEEN TAKINGREALLY GOOD CARE OF MYSELF.

I'VE BEEN TAKING PRENATALVITAMINS AND EVERYTHING.

WELL, I'M GONNA GIVE YOU

THE NAME AND NUMBEROF MY DOCTOR.

SHE'S VERY NICE.

I'LL CALL HERAND TELL HER

THAT YOU'RE GONNACOME IN.

THANK YOU.

WHAT'S THE NEXT STEP?

WELL...

I CALL THE ADOPTION AGENCY,AND WE MOVE FORWARD.

THANK YOU SO MUCHFOR THE DOCTOR'S NUMBER.

I CALL THE ADOPTION AGENCY,I'LL CALL HER RIGHT AWAY.

GOOD.

OH! WHAT DO I OWE YOU?

ALL I DID WAS GIVE YOUA TELEPHONE NUMBER.

THANK YOU.

SHELLY?

TAKE GOOD CARE OF YOURSELF.

[SIGHS]

LISTEN.LISTEN, LARRY, I'M SORRY,

BUT I'M NOT SIGNING ANYTHING,ANYTHING,

UNLESS YOU GET ME CONFIRMATIONON THOSE ZONING ISSUES.

YOU UNDERSTAND ME?

HOW COULD YOU DO THIS?

UH, LISTEN, LARRY, I GOTTA GO. IGOTTA CALL YOU BACK. BYE.

LOOK, BEFORE YOU START IN ON ME,LET ME EXPLAIN MYSELF.

IT WAS A HUGEMISUNDERSTANDING.

HERE IT COMES,ANOTHER LIE.

I'M NOT LYING!

JUST LISTEN TO MEFOR A SECOND, OKAY?

LOOK, THE LISTING PRICEON THE RESTAURANT

WAS ALREADY RAISEDBEFORE SETH PUT IN HIS OFFER.

THEY BROUGHT INA COUPLE OF NEW REALTORS,

THEY NEGLECTED TO TELL THEMTHE NEW PRICE,

AND THE LADY GAVE HIM THE WRONGNUMBERS.

IT WAS A NIGHTMARE.

SO THEN LOWER THE PRICE!

I WISH I COULD, JUSTINE,BUT I CAN'T.

OF COURSE YOU CAN!YOU OWN THE PROPERTY!

YES, ONE OF MY DEVELOPMENTCOMPANIES OWNS THE PROPERTY.

SO WHAT? IT WAS APPRAISEDAT A NEW PRICE!

YES, YOU DON'T JUST GOMENTWALK IN THERE AND REDUCE IT.

LOOK, I'M SORRY,OKAY, BUT I GOT PEOPLE

THAT WORK FOR THIS COMPANY.I HAVE TO LOOK OUT FOR THEM.

MEANING YOURSELF.

AND I'M NOT GONNA STOP

DOING WHAT'S IN THE BESTINTERESTS OF MY BUSINESS.

YEAH, ESPECIALLY IF IT MEANS

PREVENTING SETH FROM STARTINGA RESTAURANT IN TOWN!

THERE'S NOTHING PERSONALHERE, JUSTINE!

I DON'T CAREIF HE OWNS A RESTAURANT!

[SIGHS HEAVILY]ALL RIGHT, LOOK.

DO I STILL HAVE FEELINGSFOR YOU?

SURE. I ADMIT IT.

AM I HAPPY THATWE ENDED OUR ENGAGEMENT? NO.

DID I WANT HIM TO COME BACK?NO!

BUT HE'S HERE, ISN'T HE?

I WILL NOT GET IN THE WAY

OF HIM OWNINGHIS OWN RESTAURANT, I PROMISE.

SO IF HE CAN COME UPWITH THE ADDITIONAL FUNDS

TO MAKE THE OFFER,YOU'LL ACCEPT IT?

OF COURSE.

[SIGHS]

SLOW DAY.

YOU SHOULD ADDSOME WIFI,

ATTRACTTHE LOCAL TOURISTS.

AH, I'M NOT STARBUCKS.

LOOK, YOU CAN KNOCK OFF,IF YOU WANT.

NO SENSE BOTH OF US

STANDING AROUNDDOING NOTHING.

THANKS.

SEE YA.

[♪]

♪ I DON'T KNOW HOW TO SAY ♪

♪ WHAT I SAY PERFECTLYIN MY MIND ♪

♪ I LINE UP EVERY WORD ♪

♪ BUT WHEN YOU'RE HERETHE WORDS RUN AND HIDE ♪

♪ ALL I WOULD SAYIF I KNEW WHAT TO SAY ♪

♪ IS PLEASEDON'T LEAVE ME NOW ♪

WHO'S THE GIRL?

NEW WAITRESS.

BUT NOT ONLYCAN SHE SING,

BUT SHE POURS A MEANESPRESSO MACCHIATO AS WELL.

[CHUCKLING]

SHE HASAN AMAZING VOICE.

YEAH.

♪ MM... ♪

♪ I'M STARTING TO NEED YOU ♪

♪ MORE THAN I WOULD ♪

WHAT'S HER STORY?

OH, I DON'T THINKSHE WANTS TO SAY,

SO I DON'T ASK.

WE ALL HAVEOUR BAGGAGE, RIGHT?

VERY TRUE.

[♪]

♪ PLEASE DON'T LEAVE ME NOW ♪

[♪]

♪ PLEASE DON'TLEAVE ME NOW ♪

♪ ANYTHING GOESAS LONG AS YOU'RE MINE ♪

♪ PLEASE DON'TJACK.LEAVE ME NOW ♪

HEY!

CAN YOU HONESTLY TELL ME

YOU WOULD RATHER COVERA STUPID BASEBALL TEAM

THAN BE WITHTHE WOMAN YOU LOVE?LL ME

NICE TO SEE YOUTOO, GRACE.

OLIVIA HAS BEENMY BEST FRIEND

SINCE WE WERE KIDS.

I HAVE ALWAYS KNOWNWHAT'S GOING ON IN HER HEAD,

SOMETIMESBEFORE SHE DOES.

SHE IS IN LOVE WITH YOU.YOU'RE IN LOVE WITH HER.

THE SOONER YOUBOTH REALIZE THIS,

THE SOONER YOU CANGET ON WITH YOUR LIVES.

RIGHT THIS WAY.

OH, WONDERFUL.

WHAT'S THIS?

OUR OFFERFOR THE RESTAURANT.

WHERE'S YOUR REALTOR?

DON'T NEED HER.

IT'S THE EXACT PRICEYOU ASKED FOR.

WHERE'D YOU GETTHE REST OF THE MONEY?

FROM ME.

WE'RE BUYINGTHE RESTAURANT TOGETHER.

REALLY?

YOU PROMISED THAT YOUWOULD ACCEPT THE OFFER

IF WE CAME UPWITH THE LISTING PRICE.

YOU PROMISED THAT YOUWOULDOKAY.PT THE OFFER

OFFER'S ACCEPTED.

WHAT'S THE CATCH?

SETH, PLEASE, NOT TODAY.

RELAX. YOU'VE GOT YOURSELFA RESTAURANT.

NOW, WE ALL KNOWIT COULD TAKE

A FEW WEEKS GOINGTHROUGH ESCROW, SO...

THIS IS WHATI THOUGHT I'D DO.

[RATTLING]

IN GOOD FAITH...

I'M GONNA GIVE YOU THE KEYS...

NOW.

[♪]

GOOD LUCK.

THANK YOU.

[♪]

IT'S BEAUTIFUL.

IT'S OURS.

SURE YOU'RE READYFOR THIS?

IT'S GONNA BEA LOT OF WORK.

I HAVE NEVER BEEN MORE READY.

I'M GONNA PAINT A BIG MURALRIGHT HERE ON THIS WALL.

[GULLS CRYING]

[FOOTSTEPS]

[THUMPS ROOF]

HEY! WELCOMETO CEDAR COVE.

JACK GRIFFITH.CEDAR COVE CHRONICLE.

[LAUGHS]

SO...

[LAUGHI THERE.

WHAT BRINGS YOUTO TOWN?

UH, JUST PASSING THROUGH.YOU KNOW.

REALLY?

THAT'S FUNNY. THE LAST TIMETHE FEDS WERE IN TOWN,

THEY WERE ASKING ALL THESEQUESTIONS ABOUT WARREN SAGET.

IS THIS PART OFTHAT INVESTIGATION?

[CHUCKLING]

WOW. YOU HAVEA VIVID IMAGINATION.

WHAT, UH, WHAT MAKES YOUTHINK THAT I'M A--

-WHAT WAS IT? A FED?

OH, I DON'T KNOW.

MAYBE IT'S THE DARK SUIT,THE NUMBER-TWO HAIRCUT--

I'M NOT REALLY SUREWHAT SCREAMS THE LOUDEST.

YOU SEE, IT'S PART OF MY JOBTO BE OBSERVANT, SO...

RIGHT. WELL, MR. GRIFFITH,

I APPRECIATE THAT THIS IS,YOU KNOW, YOUR JOB,

BUT I REALLY CAN'T HELP YOURIGHT NOW.

OKAY. BUT YOU WILLWHEN YOU CAN, RIGHT?

OH, SURE, SURE, BECAUSE,YOU KNOW, I-I OWE YOU THAT.

[STARTS ENGINE]

IS THAT ON THE RECORD?

CAN I QUOTE YOU ON THAT,BY THE WAY?

[CACKLES VICTORIOUSLY]

HOW WAS IT THAT TIME?

THAT WAS BETTER.

AT LEAST YOU GOT HERTO STOP THIS TIME.

I DID!GOOD JOB, MISS ANNABELLE!

I GOTTA TELL YOU, THOUGH,I REALLY COULD USE A PILLOW.

YOU READY TO COME DOWN?

I THOUGHTYOU'D NEVER ASK.

OKAY, REINS, HORN.

LEG.

OH! I GOTCHA.

WHOA! [LAUGHS]

MY PARENTS CALLED ME "GRACE."

LITTLE IRONIC,DON'T YOU THINK?

THAT'S EMBARRASSING.

OKAY, YOU GET THE PIZZA,I'LL GET THE WINE,

AND I'LL MEET YOUBACK AT THE APARTMENT

TO CELEBRATE.

SOUNDS GOOD.

JUSTINE LOCKHART?

I'D LIKE TO TALK TO YOU.

HI, PEGGY!

HELLO, FAVORITE JUDGE.

I MET WITH THE YOUNGGIRL YOU SENT HERE.

HELLO, FAVORSHE'S SO SWEET,

AND I'M GONNA HELP HERIN ANY WAY I CAN.

OH, THANK YOU.

SHE'S ACTUALLYTHE REASON I'M HERE.

WHAT'S WRONG?

I SHOULD PROBABLY GO TO JACK,

BUT I DON'T KNOWHOW TO TELL HIM THIS.

BUT I HAVE TOTELL SOMEONE.

IT'S TOO IMPORTANT,

AND THERE'S TOO MUCH AT STAKE.

I KNOW I SHOULDN'THAVE BEEN SNOOPING, BUT...

I FOUND SOME PHOTOSIN SHELLY'S ROOM.

THAT'S ERIC, RIGHT?JACK'S SON.

OH...

[♪]