Original subtitles

HI, DAD.

I HAVEN'T TALKED TO HIMIN YEARS.

WELL, HERE'S YOUR CHANCETO GET TO KNOW HIM.

I JUST GOTCALLED FOR A JOB,

BUT I HAVE TO LEAVETOMORROW.

-I GOT TO FIND MYSELF A JOB.-WHAT DO YOU DO?

MOSTLY HANDYMAN STUFF.

[GRACE]: JACK'S SON--I SAW HIM STEAL MONEY.

[AMBIENT MUSIC PLAYS]

JUSTINE?

HEY.

WHY ARE YOU EATING ALONE?

BECAUSE I CHOSE TO.

NO, WHAT I MEAN IS,I HEARD ABOUT THIS GUY--

WHAT'S HIS NAME?UH, SETH?

THAT HE WAS IN TOWN,YOU TWO WERE...

WHAT'S HIS NAME?HANGING OUT TOGETHER?

HE LEFT.HE HAD A FISHING JOB IN ALASKA.

AH. FISHING.

I GUESS SOMEONE'S GOT TO DO IT,RIGHT?

WHAT-- WHAT ARE YOUREADING, ANYWAY?

WHAT IS THIS?STARGAZING?

I HAPPEN TO LOVE STARGAZING.

SINCE WHEN?

UH, SINCE, UH,ABOUT 20 SECONDS AGO.

YOU MIND IF I JOIN YOU?

COME ON. JUST TWO FRIENDSENJOYING A MEAL TOGETHER.

IT'S NO BIG DEAL.

I'LL EVEN LET YOUREAD ME MY HOROSCOPE.

IT'S ASTRONOMY,NOT ASTROLOGY.

RIGHT.

I'M GOING TO LET THIS DOUGHRISE OVERNIGHT,

MAKE US SOME NICE, FRESH SCONESFOR BREAKFAST.

[DISTRACTED]:MM-HMM.

AND THEN...

I'M GONNA GO UPSTAIRSAND WALLPAPER OUR BEDROOM

WITH PICTURES OFPINK BUNNY RABBITS.

I'LL BE RIGHT THERE.

[LOUD THUMP OUTSIDE]

DO WE HAVEA LATE CHECK-IN?

THERE'S NOTHINGON THE BOOKS.

CAN I HELP YOU?

I NEED A ROOM.

[TRUCK PULLS AWAY]

YEAH. WHAT HAPPENED TO YOU?

DO YOU HAVE A ROOM OR WHAT?

NO. WE'RE FULL UP.

NOW, THERE'S A MOTELABOUT FOUR MILES DOWN THE ROAD.

IF YOU WANT,I CAN CALL YOU A CAB.

I KNOW IT'S LATE.

LOOK, I'LL PAY YOUUP FRONT.

HOW MUCH IS IT?

I LEFT MY WALLETIN THE CAR.

I JUST NEEDA PLACE TO SLEEP.

WELL, WE'VE GOTA COMFORTABLE BED

AND ALL THE WIFIYOU CAN USE.

THE MAPLE ROOM'SAVAILABLE.

ISN'T THERE SOMEONEIN THE MAPLE ROOM?

NO, BOB, IT'S FREE.

SO, WHY DON'T YOUJUST COME ON IN?

GET A GOOD NIGHT'S SLEEP,

AND WE'LL SETTLE ALLTHIS IN THE MORNING.

YOU LIKE FRESH HOMEMADE SCONESFOR BREAKFAST?

[♪]

OKAY, IT'S GOT TOGO TO THAT SIDE.

MORE TO YOUR LEFT.

NO! YOUR OTHER LEFT.

NOW HIGHER.

FIRST YEAR ORGANIZINGTHE ART WALK,

AND SHE'S A TOTALSTRESS-HEAD.

WELL, IT IS A BIG OPPORTUNITYSHE'S BEEN HANDED.

THE ART WALK ISTHE CULTURAL EVENT OF THE YEAR.

MIND IF I QUOTE YOUON THAT?

YOU MAY.

YOU KNOW, I HAVE SEEN

A LOT OF TALENTHERE OVER THE YEARS.

"...SAYSJUDGE OLIVIA LOCKHART."

SO WHAT DO YOU THINK, ERIC?

UH, IT'S... GREAT.

I'M NOT REALLYINTO ART.

"SAYS ERIC GRIFFITH."

'CAUSE, YOU KNOW, IT'S MY JOBTO COVER ALL THE ANGLES.

AND WHAT ABOUT YOURS?

HMM?

JOB. YOU FINDANYTHING YET?

YEAH,I'M STILL LOOKING.

WE'RE ON OUR WAYTO THE OFFICE NOW,

CHECK OUT SOMEMORE WANT ADS.

WELL, I'M SUREYOU'RE GONNA FIND SOMETHING.

'COURSE WE WILL.

YOU TWO HAVE FUN.WE'LL CATCH UP LATER.

"STILL LOOKING."YEAH, RIGHT.

YOU KNOW, MAYBE WE SHOULDCUT HIM SOME SLACK.

[SCOFFS] I'M SORRY.

HE STOLE THAT MONEYFROM HIS FATHER.

HE WASN'TBORROWING ANYTHING.

WELL, I'M WILLINGTO GIVE HIM

THE BENEFITOF THE DOUBT.

AND I'M WILLINGTO GIVE HIM

A KICK IN THE BUTT.

[♪]

MORNING, BOB!

MORNING, ALLISON.YOU'RE LATE.

ACTUALLY, I'M EARLY.

NOW I'M ON TIME.

[CHUCKLES]

HOW'D YOU DO ONTHAT CHEMISTRY TEST?

98%.[CHUCKLES]

HOSO THERE'S ROOMTHFOR IMPROVEMENT.T?

IT WAS THE HIGHEST GRADEIN THE CLASS!

THEY GRADEON A CURVE?

APPARENTLY.

I GUESS THAT MAKES YOUTHE SMARTEST GIRL IN THE CLASS.

AGAIN.

I G-[BOTH LAUGHING]YOUTHE SMARTE-GUESS SO. THE CLASS.

YEAH. GOOD GIRL!

-MORNING, PEGGY!-HEY.

OH, CAN I TAKE THATUP FOR YOU?

OH, NO, I'VE GOT IT.THANKS, SWEETHEART.

OH, CAN I TAKE THATALL RIGHT.?

GOOD JOB.

SINCE WHENARE WE STARTING

TO SERVE ROOM SERVICE?

WE'RE NOW THE CEDAR COVEFOUR SEASONS?

OH, IT'S PRACTICALLY LUNCH,

AND OUR GUEST HASN'T EVENBEEN DOWN FOR BREAKFAST YET.

AH, MAYBE HE JUSTWANTS TO BE LEFT ALONE.

NONSENSE.I HAVE SCONES, DARLING.

GOOD MORNING! COFFEE!

HELLO?

I HAVE SCONES!

[♪]

HELLO? [KNOCKS]

EXCUSE ME?

BOB!

[♪]

WELL, I'VE SEALEDTHE ROOM

TILL THE CORONERGETS HERE.

IS HE BRINGING THE CRIMELAB CREW WITH HIM?

PEGGY, THIS ISN'TCSI: MIAMI.

WHAT DO YOU THINK?HEART ATTACK?

I DON'T KNOW.

I CHECKED HIS VITALS,AND THEN BACKED AWAY.

BUT I DID NOTICE THE WINDOWNEXT TO THE DOOR WAS OPEN.

YOU DO THAT?

NO.

WELL,I DIDN'T DO IT.

I ONLY AIR OUTON TUESDAYS.

SO YOU'RE THINKINGSOMEONE BROKE IN

AND KILLED HIM?

OR HE OPENED THE WINDOWTO GET SOME AIR.

LET'S NOT GET AHEADOF OURSELVES HERE.

LET'S STARTAT THE BEGINNING.

NOW, WHO WAS HE?

I COULDN'T FINDA WALLET OR I.D.

HE SAID THATHE LEFT IT IN HIS CAR.

WHAT WAS HIS NAME?

WE DIDN'T ASK.

YOU MEAN TO TELL ME

YOU LET A STRANGER WITH NO I.D.AND NO MONEY

CHECK INTO YOUR PLACE?

BOB DIDN'T WANTTO LET HIM IN.

IT WAS MY FAULT.

I JUST FELTSORRY FOR HIM.

I JUST FIGURED THATWE'D DRIVE HIM TO HIS CAR

IN THE MORNINGAFTER BREAKFAST.

WELL, WHAT ABOUT THE CUTON HIS FOREHEAD?

IN THTHE BLEEDING KNUCKLES?AFTER BREAKFAST.

HE SAY HOW HE GOT THEM?

I DIDN'T ASK.

I DIDN'T WANT TOMAKE HIM UNCOMFORTABLE.

[SIGH]

OKAY, HERE'ST TOA CONSTRUCTION JOBABLE.

ABOUT HALF AN HOUR AWAYIN A TOWN CALLED OLALLA.

I COULD CHECK IT OUT,

BUT, YOU KNOW, I WAS HOPINGFOR SOMETHING A LITTLE CLOSER.

EXCUSE ME, GENTLEMEN.

SORRY TO INTERRUPT.

YOU ARE ALLOWEDTO INTERRUPT

ANYTIME YOU LIKE.WHAT IS UP?

I HAVE A LEAKY PIPE.

I MEAN, THERE'S A PIPELEAKING IN MY CHAMBERS.

ANYWAY, IT'S TAKING THE CITYFOREVER TO FIX IT.

OKAY.

SOUNDS ANNOYING.

NOT EXACTLY NEWSWORTHY.

WELL, IT GOT ME THINKING.

ERIC, YOU MENTIONEDDOING SOME HANDYMAN WORK.

ARE YOU INTERESTED?

I MEAN, YOU WOULD BE PAID,OF COURSE.

TALK ABOUT CLOSER.

THANKS. THAT WOULD BE NICE.

WHEN WOULD I HAVE TO START?

TODAY, IF POSSIBLE?

THERE'S ALREADYWATER DAMAGE.

TODAY IS PERFECT FOR YOU.

ISN'T IT?

TODAY DOES WORKPERFECT. THANK YOU.

[♪]

I'VE SAVEDA PRIME SPOT FOR YOU,

RIGHT IN THE MIDDLE.

I CAN'T WAIT TO SEE YOU.

I-- I-I MEAN, YOUR PHOTOS.

TILL TOMORROW, THEN.

WHO WAS THAT?

JOHN BOWMAN.

AMAZING PHOTOGRAPHERFROM TACOMA.

I'VE BEEN SHOWING HIS WORKTHE PAST FEW MONTHS. BIG SELLER.

I CAN SEE WHY.IT'S BEAUTIFUL.

[DREAMILY]: SO IS HE.

AND SO ARE THESE PIECES.

I'VE SOLD THREE BRACELETSAND ONE PAINTING

ANALREADY THIS MORNING..

WOW! THAT'S GREAT.

YES, IT IS. PEOPLE AREREALLY DRAWN TO YOUR WORK.

SO PACK UP AND GET OUT.

I AM GIVING YOU A BOOTHIN THE ART WALK TOMORROW.

REALLY?

I MEAN, ARE YOU SURE?

IT'S JUST THE ART WALK, JUSTINE,NOT THE LOUVRE.

DON'T WORRY!YOU'RE READY FOR THIS.

READY FOR WHAT?

SETH! WHATAREYOU DOINGHERE?

[SETH LAUGHS]

BILGE PUMP MALFUNCTION.

HAD TO RETURN TO PORTFOR REPAIRS.

IT COULD TAKEA FEW DAYS,

SO I FIGUREDI'D FLY HOME,

CHECK TO SEEIF YOU'D SANK MY BOAT YET.

SO I FIGUREDI'D FLY HOME,NOT YET.

SO WHAT'S GOIN' ON? WENT OVER TOMOON'S, HE SAID YOU WERE HERE.

NOT FOR LONG.THIS GIRL'S GOING PLACES.

MARYELLEN WANTS TO GIVE MEA BOOTH AT THE ART WALK.

BIG TIME!

SO HELP HERSET UP.

TELL HER SHE'S AWESOME.

I DON'T HAVE TIMETO HOLD HER HAND RIGHT NOW.

MY PLEASURE.

[♪]

-HEY, MOON.-HEY.

WHAT'S NEW?

DEAD BODY.

EXCUSE ME?

LAST NIGHTOVER AT THE THYME AND TIDE.

THIS DUDE CHECKS IN...

THEN HE CHECKS OUT.

WHAT, HE DIED?

WELL, HE AIN'TPINING FOR THE FJORDS.

[CHUCKLES]

PEGGY BELDON FOUND HIMIN HIS ROOM THIS MORNING.

ALREADY COLD.

APPARENTLY HIS HANDSAND FACE WERE ALL BLOODY.

WHAT HAPPENED TO HIM?

WELL, NOBODY KNOWS.

WHAT'S MORE,NO ONE KNOWS WHO HE IS

OR WHERE HE CAME FROM.

NO I.D. ON HIM?

NOTHING.

WHAT'S THE PROGNOSIS?

LOOKS LIKE THERE'S A HOLEIN THE PIPE.

PROBABLY FROM SOMEBODY DRIVINGA NAIL THROUGH THE PANELING

TO HANG A PICTUREOR SOMETHING.

CAN YOU FIX IT?

OH, YEAH. NO PROBLEM.

AS LONG AS MY DADHAS ALL THE RIGHT TOOLS.

I LEFT MINE AT MY GIRLFRIEND'S.

SHE PROBABLY TOSSED THEMOR SOLD THEM ALREADY.

ANY HOPE OFRECONCILIATION?

I DON'T KNOW.

WE'LL SEE WHAT HAPPENS.

HAVE YOU SPOKEN TO HERSINCE YOU BROKE UP?

NO.

I'M NOT REALLY IN A BIG HURRYTO GET BACK TO VANCOUVER,

IF THAT'S WHATYOU'RE HINTING AT.

I'M REALLY GLAD YOU WANTTO STAY HERE IN CEDAR COVE.

IF YOU LIKE, I COULDSPREAD THE WORD ABOUT YOU.

A RELIABLE HANDYMAN'SHARD TO FIND.

THANKS.MAYBE HOLD OFF ON THAT.

I'M NOT REALLY SURE

CONSTRUCTION WORKIS REALLY MY THING ANYMORE.

OH.

WELL, WHAT IS...YOUR THING?

THAT'S WHATI'M TRYING TO FIGURE OUT.

RIGHT.

THAT'S WHATI'M TRYING TO FIGURE WELL...

WE BETTER GET BACK TO WORK.

GENTLEMEN.

NOTHING MUCH TOREPORT YET, JACK.

I DON'T WANT PEOPLEJUMPING TO CONCLUSIONS.

WELL, THIS IS REAL NEWS,SHERIFF.

LET'S JUST WAITTILL WE HAVE A CAUSE OF DEATH

BEFORE WE UPSET FOLKS.

I UNDERSTAND THAT HIS HANDSAND FACE WERE ALL BLOODY.

WHERE'D YOU HEAR THAT?

OH, JUST... EVERYONE.EVERYWHERE.

[SIGHS] GREAT.

BOB...

YOU NEED TO KEEP PEGGYOFF THE PHONE.

AW, COME ON, TROY.

SHE'S BEEN TRAUMATIZED.

I MEAN, WHEN SHE GETS LIKE THIS,

SHE FEELS THE NEEDTO REACH OUT TO SOMEONE.

LISTEN, SHERIFF.

YOU THINK MAYBEHE WAS IN A FIGHT?

BLOODY KNUCKLES,CUT TO HIS FOREHEAD?

YOU GET HIT HARD ENOUGH,GET A CONCUSSION,

BLOODY KNUCKLES,YOU CAN DIE FROM THAT.

LET'S WAIT AND SEEWHAT THE CORONER SAYS.

BLOODY KNUCRIGHT NOW,YOU I NEED SOME INFORMATION.

NOW, THE PICK-UP TRUCKTHAT DROPPED HIM OFF--

WHAT COLOR WAS IT?

UH, GRAY.

SILVER? UM...

LIGHT BLUE.

IT WAS HARD TO TELLIN THE MIDDLE OF THE NIGHT.

OKAY, LET MEGET THIS STRAIGHT.

WE DON'T KNOW WHO THE GUY WAS,HOW HE DIED,

WHO DROPPED HIM OFF.

NOW THERE'S A TRUCK INVOLVED

THAT MAY OR MAY NOT BEBLUE, GRAY, OR SILVER?

THAT'S NOT A LOTTO GO ON THERE, SHERIFF.

I NEED TO MAKESOME CALLS.

THIS IS CRAZY, JACK.

A BLOODY STRANGER SHOWS UPIN THE MIDDLE OF THE NIGHT,

FROM WHO KNOWS WHERE,

HE GOES TO SLEEP,AND ENDS UP DEAD.

IN THIS TOWN,

WE CALL THAT INSANITY.

IN PHILLY,WE CALL THAT TUESDAY.

[♪]

[SAW ROARING]

WHOA! WHAT HAPPENED HERE?

STAN!

IS THIS A BAD TIME? HERE?

NO, NO.JUST FIXING A LEAK.

IS EVERYTHINGALL RIGHT?

YEAH. YEAH.

UM, YOUR MOM ASKED ME

TO JUST CHECK AROUNDFOR AN ART BROKER,

SOMEONE WHO MIGHT BE INTERESTED

IN SELLING TOM HARTING'SWESTERN MEMORABILIA.

SO... I FOUND A GUYIN KING COUNTY.

BIG FAN OF HARTING'S MUSIC.

YOU DRIVEALL THE WAY HERE?

WELL, I HAD TO SEEA PATIENT ANYWAY...

AND SEEMED LIKE IT WASA BIG DEAL TO CHARLOTTE.

SHE WAS EAGERTO FIND SOMEONE.

I WOULD'VE DELIVERED ITMYSELF, BUT, UH...

I'VE GOT TO GET BACK, SO...

AND YOU KNOW HOWYOUR MOTHER LIKES TO TALK.

REALLY? I HADN'T NOTICED.

[SHE CHUCKLES]

OH, BIG NEWS!

JUSTINE GOT A DISPLAYAT THE ART WALK.

HER JEWELRY PIECES.REMEMBER?

I TOLD YOU SHE'S MAKINGTHOSE EARRINGS AND BRACELETS?

OH! RIGHT, RIGHT.

THEY'RE EVEN GONNALET HER SHOW

SOME OF HER PAINTINGSAND SCULPTURES.

WOW. THAT'S TERRIFIC.

YEAH!

WELL, I'LL TRY TO GO BYWOAND CHECK IT OUT.C.

SHE'D REALLY LIKE THAT.

WELL, I, UH...I BETTER GET BACK.

GOOD SEEING YOU.

-HEY.-HEY.

I WAS THINKINGTHAT, UH...

IF THAT STRANGER DIDHAVE A FIGHT WITH SOMEONE,

MAYBE THE GUY FOLLOWED HIM HERETO FINISH HIM OFF.

I WOULDN'T WORRYABOUT THAT.

MAYBE HE'S COMING BACK HERETO FINISH US OFF.

COME ON, PEG.WHY WOULD HE DO THAT?

MAYBE HE THINKSWE CAN IDENTIFY HIM.

WE DIDN'T EVEN SEE HIM.

OR MAYBEIT'S SOMEONE WE KNOW, BOB.

MAYBE HE-- THE GUYDROPPED HIM OFF RIGHT HERE,

AT OUR FRONT DOOR.

HEY. HEY, HONEY.

YOU NEED TO SETTLE DOWN HERE.

NOTHING BAD IS GONNAHAPPEN TO US, OKAY?

YOU NEED TO OKAY.E DOWN HERE.

NOTHINWE'RE GOING TOHAPPENBE JUST FINE.

[KNOCKS]

BUSY?

NO. COME ON IN.

WELL, WELL...

I SEE ERIC HASBEEN WORKING HARD.

HOW'S IT GOING?

UM... GOOD. GOOD.

WHAT'S UP?

UH, LISTEN...

I KNOW WE HAD MADE A DATETO GO SAILING TOMORROW,

HOWEVER, I MAY NEEDTO GO IN TO WORK.

I DON'T KNOW IF YOU'VE HEARD

WHAT HAPPENED WITHTHE THYME AND TIDE?

THE MAN WHO DIED.

YES. MY MOM CALLED ME.

OF COURSE SHE DID. YEAH.

IT'S A BIG STORY.

IT IS. YES, IT IS.

BIT OF A MYSTERYWHO THIS GUY WAS,

AND, UH, WHERE HE CAME FROM.

WHERE IS ERIC?

I DON'T KNOW.

I, UM, CAME BACK FROM COURT,AND HE WAS GONE.

MAYBE HE'S GONE OUTTO GET A PART OR SOMETHING.

[GUITAR PLAYING]

I DIDN'T KNOWYOU COULD COOK.

CHILI, SCRAMBLED EGGS...

THE OCCASIONAL CHEESEBURGER,THAT ABOUT COVERS IT.

[CHUCKLES]

SO I STOPPED BYTHE COURTHOUSE.

OH, YEAH?

YOU LEFT A BIG HOLEIN THE WALL.

GOTTA LET IT DRY.

IT'S OKAY,I KNOW WHAT I'M DOIN'.

I'M NOT GONNA EMBARRASS YOUIN FRONT OF YOUR GIRLFRIEND.

OH, I KNOW.JUST, UM...

TAKE CARE OF IT.

ALL RIGHT,NOW ONTO THE JALAPENOS.

NO.

YOU CAN'T PUTJALAPENOS IN THERE.

I'M ALLERGIC.

CAPSAICIN. NOTHING SPICY.

OF COURSE. RIGHT.

RIGHT. I-I KNEW THAT.

BY THE WAY, WHO'S STAN?

HE, UH, HE CAME BYTO VISIT OLIVIA.

OH! THAT'S OLIVIA'S EX-HUSBAND.

THAT'S WEIRD.

WHY? WHAT'D HE WANT?

UH, SOMETHING ABOUT...

HER MOM WANTING HIM TO FINDAN ART BROKER OR SOMETHING.

WHAT'S WEIRD ABOUT THAT?

I DON'T KNOW.THEY SEEMED KIND OF CLOSE.

ME AND MY EXES, WHENEVER WE'REIN THE SAME ROOM TOGETHER,

WE JUST TRYTO STRANGLE EACH OTHER.

SMOTHERED HIM, HUH?

WITH THE PILLOW.

YEAH, BUT THE PILLOWWAS STILL ON THE BED.

YEAH, BUT HE COULD'VEPUT IT BACK AFTERWARD,

THEN CLIMBED BACK OUTAND MADE HIS GETAWAY.

THAT'S A PRETTYSMALL WINDOW.

YEAH. LOOK,YOU DON'T THINK

THERE'S A CHANCE OF HIMCOMING BACK HERE AGAIN, DO YOU?

YOU REALLY WORRIEDABOUT THAT?

I DON'T KNOW. PEGGY'SGOT ME THINKING.

MORNING, SHERIFF. BOB.

HOW GOES THE INVESTIGATION?

WELL, I DON'T HAVEANYTHING NEW FOR YOU, JACK.

NO WORD FROMTHE CORONER YET.

NO "MISSING PERSONS"REPORTS.

ANY LUCK FINDINGTHE TRUCK DRIVER?

DMV SENT ME A LIST

OF GRAY, LIGHT-BLUE,

AND SILVER PICK-UPSREGISTERED IN THE AREA.

DEPUTIES ARECHECKING IT OUT NOW.

DID YOU CHECK IN WITHTHE BARS IN THE AREA,

SEE IF THERE WEREANY FIGHTS THAT NIGHT?

DID YOU CHECK IN WITHYUP. FOLLOWED UP ON THAT.

SO FAR, NOTHING.

NO, WE JUSTHAVE TO BE PATIENT.

I'M SURETHE CORONER'S REPORT

WILL GO A LONG WAY

TO FIGURE OUTWHAT HAPPENED.

[RADIO CRACKLES]:SHERIFF DAVIS, COME IN.

YEAH. GO AHEAD.

WE JUST GOT A CALLFROM SILVERDALE P.D.

EXCUSE ME.

SO... [SIGHS]

HOW ARE YOUHOLDING UP, BOB?

UH, OKAY.

PEGGY'S CONVINCEDSHE'S GOT P.T.S.D.

[BOTH CHUCKLE]

[DOOR SHUTSAS ENGINE STARTS]

OH! HEY.

[THUMPING]

HOLD UP!WHAT'S GOING ON?

A FEW HOURS BEFOREJOHN DOE ARRIVED HERE,

TWO GUYS ROBBEDA CONVENIENCE STORE

IN SILVERDALE.

CLERK PUT UP A FIGHT,

AND ONE OF THE THIEVES

TUMBLED THROUGHTHE FRONT WINDOW,

SHATTERING ITBEFORE RUNNING OFF.

THAT'S OUR GUY!

AND THE OTHERIS HIS ACCOMPLICE,

OR MAYBE HIS KILLER!

HEY, WHAT DO YOU THINKYOU'RE DOING?

WELL, I'M COMING WITH YOU.R!

HAH! NO WAY.

LAST THING I NEEDIS YOU GETTING HURT.

SHERIFF, THE COPS IN PHILLY

THEY LET ME DO RIDE-ALONGSALL THE TIME, ALL RIGHT?

THEIR CARS HAVEBULLET-PROOF WINDOWS,

DON'T THEY?

PROBABLY.

YOU'RE STAYING HERE.

OH! YOU'RE HERE.

HOW'S IT GOING?

GOOD.

JUST GONNA GRAB A FEW THINGSAND GET OUT OF YOUR WAY.

DID YOU TELL MY DADI MESSED THIS JOB UP?

NO.

'CAUSE I TOLD YOU,

YOU GOTTA LET THIS DRY OUT.

YOU PATCH TOO SOON,YOU GET MOLD.

YOU DIDN'T TELL ME,

BUT THANK YOUFOR TELLING ME NOW.

WHAT HAVE YOU GOT AGAINST ME?

[AWKWARD CHUCKLE]

NOTHING.

NO ONE FORCED YOU[AWKWATO TAKE THIS JOB.

I'M SERIOUS.YOU COULD'VE SAID NO.

RIGHT.

I HAVEN'T SEENMY DAD IN YEARS.

I'M TRYINGTO MAKE A GOOD IMPRESSION,

AND I'M GONNATELL HIS GIRLFRIEND "NO"

WHEN SHE OFFERS ME A JOB?

I KNOW IT MUST BE HARDTO COME HERE.

NO. NO.

YOU DON'T KNOW ME. OKAY?

AND NEITHER DOES MY DAD.

HE DOESN'T KNOWA THING ABOUT ME.

HE WANTS TO KNOW YOU.

HE IS THRILLED TO HAVE YOUBACK IN HIS LIFE.

HE'S WORKED REALLY HARDTO TURN HIS LIFE AROUND.

YEAH?

HOW LONG'S IT BEENTHIS TIME?

'CAUSE HE'S TURNED HIS LIFEAROUND MANY TIMES BEFORE.

IT'S A DAY-TO-DAY STRUGGLE.

SOMETHING HE HAS TO DEAL WITHFOR THE REST OF HIS LIFE.

TELL ME ABOUT IT.

[♪]

-[FRUSTRATED SIGH]-YOU OKAY?

OF COURSE I'M OKAY.WHY WOULDN'T I BE OKAY?

I'M SHOWINGMY ARTWORK TODAY.

I'M BARING MY NAKED SOULFOR THE WORLD TO SEE,

LEAVING MYSELFOPEN TO RIDICULE.

SO... NOT OKAY?

IT'S TERRIFYING,

PUTTING YOURSELF OUT THEREFOR PEOPLE TO JUDGE YOU.

BUT YOU'RE STILLHERE, RIGHT?

THAT'S GOTTACOUNT FOR SOMETHING.

I GUESS SO.

IT'S PRETTY BRAVE,IF YOU ASK ME.

IS THAT SUPPOSED TOMAKE ME FEEL BETTER?

YEP.

IT DOES.

YOU'RE VERY SENSITIVE.

THAT'S JUSTTHE KIND OF GUY I AM.

I WAS ATTHE CAPTAIN'S GALLEY EARLIER.

HEARD YOU HAD DINNERWITH WARREN SAGET.

WHAT'S WRONGWITH PEOPLE?

WHY CAN'T THEY JUST MINDTHEIR OWN BUSINESS?

WHY DIDN'T YOU TELL ME?

BECAUSE IT DIDN'T MATTER TO ME.

I DIDN'T THINKIT WAS WORTH MENTIONING.

JUSTINE... YOU TELL ME YOU HADSKINLESS CHICKEN FOR LUNCH

BECAUSE YOU ATE COOKIESFOR BREAKFAST.

YOU TELL ME EVERY DETAILOF YOUR LIFE,

BUT YOU DON'T MENTION YOUWENT OUT WITH YOUR EX-FIANCE?

I DIDN'T "GO OUT" WITH HIM.

I WAS THERE ON MY OWN.

WARREN SHOWED UPAND ASKED IF HE COULD JOIN ME.

[SIGHS]

I JUST DON'T TRUST HIM.

WELL, YOU DON'THAVE TO TRUST HIM.

YOU JUST HAVE TO TRUST ME.

OKAY, MA'AM.SORRY TO TROUBLE YOU.

THANKS FOR YOUR TIME.

HOWDY, SHERIFF!

I THOUGHTI TOLD YOU TO STAY AWAY.

I'VE GOT A JOB TO DO, TROY,JUST LIKE YOU.

I THOUGHTI TAKE IT SHE'S NOT OUR GUY?

NO.

NOW, LOOK, SHERIFF.

I CAN KEEPFOLLOWING YOU, OR...

I COULD KEEP YOU COMPANY.

[SCOFFS] ALL RIGHT.

KEEP QUIETAND DO WHAT I TELL YOU.

YES, SIR.

AHH...

SO, WHO'S NEXT ON YOUR LIST?

THAT'S BEING QUIET?

LUCAS WEST.23 CREPE MYRTLE ROAD.

HOO. WAY OUTIN THE BOONIES.

I THOUGHT WE ALREADYWERE OUT IN THE BOONIES.

HOO. WAY OUT[CHUCKLING] BOONIES.

YOU MISS THE CITY,DON'T YA?

OH... SOMETIMES.

THE ENERGY... PACE.

THE CRIME. HEY,

AT LEAST I ALWAYS HADSOMETHING TO WRITE ABOUT.

HERE, IT'S ALWAYS JUST SO...

PEACEFUL.

DON'T YOU EVER MISS

HAVING MORE OFA CHALLENGE?

WELL, IF THAT MEANS

MORE PEOPLE HURTINGOR STEALING FROM EACH OTHER,

THEN NO.

I'LL TAKE CEDAR COVEJUST LIKE IT IS.

SAFE... QUIET.

NEIGHBORS LOOK OUTFOR ONE ANOTHER.

AND EVERYBODY KNOWSEVERYONE ELSE'S BUSINESS.

I'M TELLING YOU,THE MAN WAS MURDERED.

HE AND HIS ACCOMPLICE,

THEY ROBBEDTHE CONVENIENCE STORE,

SMASHING THE WINDOW,

AND THAT'S HOW HE GOT

ALL THOSE CUTSON HIS HANDS AND FACE.

ANDSO, THEY'RE ON THE RUN,

BUT THEY DECIDETO SPLIT UP.

NOW, JOHN DOEHE'S BLEEDING...

SO HIS ACCOMPLICEDROPS HIM OFF

AT THE THYME AND TIDESO HE CAN CLEAN UP THE WOUNDS...

SO THEN, THE ACCOMPLICE,WELL, HE STARTS WORRYIN'

THE JOHN DOE DUDEIS GONNA TALK,

MAYBE RAT HIM OUT TO THE COPS.

SO HE SNEAKS BACKTO THE THYME AND TIDE,

CLIMBS IN THE WINDOW, AND...

[CHOP]

[GRAVEL CRUNCHING]

WOW, THIS REALLY ISTHE BOONIES.

WELL, FOLKS LIVINGTHIS FAR OUT

DON'T LIKETO BE DISTURBED.

HEY, SHERIFF,COME LOOK AT THIS.

THAT'S BLOOD.

GO WAIT IN THE CAR.

SHOULDN'T WE CALLFOR BACK-UP?

GO WAIT IN THE CAR.

ARE YOU LUCAS WEST?

I AM.

DID YOU DROP A MAN OFF

AT THE THYME AND TIDEBED AND BREAKFAST

TWO NIGHTS AGO?

THAT A CRIME?

MR. WEST, WHAT'SYOUR CONNECTION TO THIS MAN?

I DIDN'T HAVE ONE.

I JUST GAVE HIMA LIFT. WHY?

HE'S DEAD.

DEAD?

WHAT HAPPENED TO HIM?

I WAS HOPINGYOU'D TELL ME.

I DON'T KNOWANYTHING ABOUT HIM.

WHEN I DROPPED HIM OFF,HE WAS FINE.

BUT HE WAS BLEEDING.

THERE'S BLOOD ONTHE SIDE OF YOUR TRUCK.

HE WAS LIKE THATWHEN I PICKED HIM UP.

ARE YOU TRYINGTO PIN THIS ON ME?

SO WHERE DID YOUPICK HIM UP?

ON MY WAY HOME FROMWORK IN SILVERDALE.

FOUND HIM SITTING ONTHE SIDE OF THE ROAD.

DID HE GIVE YOUA NAME?

YEAH. HOWARD.

HE MENTION A LAST NAME?

HE DIDN'T TELL ME,AND I DIDN'T ASK HIM.

JUST SAID TO TAKE HIMTO THE NEAREST MOTEL.

ALL RIGHT, WELL, UH,

I'LL NEED A NAME AND NUMBERTO CONFIRM YOUR EMPLOYMENT,

PLUS THE LOCATIONOF WHERE YOU PICKED UP

THIS, UH... "HOWARD."

[♪]

[KNOCKING]

EXCUSE ME, YOUR HONOR,

BUT THE ART WALKIS CALLING.

HOLY MOLY...WHAT IS ALL THIS?

I HIRED ERIC TO FIX A LEAK.

WELL, THEN, WHERE IS HE?

HE DOESN'T SEEMTO BE IN A BIG HURRY

TO GET THE JOB FINISHED.

SO YOU STILL WILLING TO GIVE HIMTHE BENEFIT OF THE DOUBT?

HE DOES HAVEA CHIP ON HIS SHOULDER.

SO YOU A LOT OF RESENTMENTVE HIMBUILT UP OVER THE YEARS.?

PROBABLY DRIVES HIM CRAZY,

SEEING HIS DADTURNING HIS LIFE AROUND

WHILE HISIS STILL MISERABLE.HIM CRAZY,

JUST BE CAREFUL.

THAT KID ISMANIPULATING JACK,

AND I DON'T WANT TO SEE HIMMANIPULATING YOU TOO.

PRETTY SOON HE JUSTHAS TO STEP UP

AND TAKE CONTROL OF HIS LIFEAND STOP PLAYING THE VICTIM.

IN THE MEANTIME,

THIS, UH, THIS WALLIS NOT GONNA PATCH ITSELF.

YOU KNOW HOW TO DO THAT?

YOU LIVE WITH MR. FIX-ITFOR A WHILE,

AND YOU PICK UP A THING OR TWO.

I HAVE TO SEE THIS.

EVERYTHING IS LOOKINGREALLY FANTASTIC,

BUT IF YOU LADIESCOULD JUST DO ME A FAVOR

AND GO OVER THERE AND MAKE SURETHAT AREA IS SECURE,

THAT WOULD BE AMAZING.

THIS LOOKS SO GREAT.YOU KNOW WHAT?

IF YOU WANT TO JUST PUT MAYBEA FEW MORE CANDLES IN HERE,

JUST TO PERK IT UP, I THINKTHAT WOULD LOOK FANTASTIC.

THIS IS GREAT!

YOU'VE DONEAN AMAZING JOB.

I HAVE, HAVEN'T I?

HOW I GET PEOPLE TO STOPAND LOOK AT MY STUFF?

YOU HAVE TO ENGAGEWITH THE PUBLIC.

YOU KNOW?DRAW PEOPLE IN.

BE AN ADVOCATEFOR YOUR ART!

WHAT AM I SUPPOSED TO DO?JUMP UP AND DOWN?

DO BIRD CALLS?

GOOD IDEA.

I SHOULD GOSAY HELLO TO JOHN.

MR. BOWMAN.

IT'S SO EXCITINGTO SEE YOU HERE.

WE DON'T ALWAYS HAVE

THE ACTUAL ARTISTPRESENT AT THE SHOW.

REALLY?

PEOPLE ARE REALLY RESPONDINGTO YOUR WORK.

THE COMPOSITION...THE SHARP DEPTH OF FIELD.

THAT'S GREAT.

PEOPLE ALWAYS ASK MEABOUT YOUR PROCESS,

WHAT GOES INTOCRAFTING YOUR STYLE.

I TELL THEMI DON'T REALLY KNOW.

I MEAN,

I'VE ONLY KNOWN YOUFOR A FEW MONTHS,

AND WE'VE NEVER REALLYTALKED MUCH.

WE SHOULD MAYBE TALK MORE.

YOU WANNA TALK MORE?

I MEAN ABOUTYOUR APPROACH WITH YOUR WORK.

SO THAT I CAN ACCURATELYREPRESENT YOUR PROCESS.

YEAH, BUT DO PEOPLE REALLY WANTTO HEAR ABOUT ALL THAT STUFF?

AND I DON'T THINKI COULD EXPLAIN.

OH, NO, YOU SHOULDN'T HAVE TO.

THE WORK SPEAKS FOR ITSELF.

IT'S NO ONE'SBUSINESS, RIGHT?

IT'S NOT THAT.

YOU JUST KEEP DOING WHAT YOU DO,AND I'LL KEEP SELLING YOU.

I MEAN, YOUR ART.

GREAT.

SOUNDS GOOD.

I APPRECIATE IT.

ANYWAY, UM...

I SHOULDKEEP CIRCULATING.

GIVE A HOLLERIF YOU NEED ANYTHING.

"GIVE A HOLLER"?YOU IDIOT.

WELL, IT'S RIGHTABOUT HERE

THAT HE SAIDHE PICKED HIM UP.

HOW FAR ARE WEFROM SILVERDALE?

WELL, 20 MILES OR SO.

THOSE TWO THIEVESESCAPED ON FOOT.

THAT'S PROBABLY TOO FARFOR THAT HOWARD GUY

TO HAVE WALKEDALL THIS WAY.

HEY, WHAT'S THAT?SEE IT?

OH, YEAH, YEAH,YEAH. YEAH.

[SHUTTER SNAPS]

LET'S HAVE A LOOK AT THAT.

IS IT HOWARD'S?

I DON'T KNOW.BROKEN, OR THE BATTERY'S DEAD.

[RADIO CRACKLES]:SHERIFF DAVIS, COME IN.

I DON'T KNOW.BROKEN, BE RIGHT BACK.'S DEAD.

KEEP LOOKING, SEE IF YOU CANFIND ANYTHING ELSE.

I DON'T KNOW.BROKEN, BE RI[♪] BACK.'S DEAD.

[WARREN]: I'MSERIOUS, JUSTINE.

LOOK, YOU SHOULD HAVEYOUR OWN GALLERY

AND STUDIO SPACE.

WARREN...

LOOK, JUST--JUST HEAR ME OUT.

REMEMBER THE VACANTSTOREFRONT I SHOWED YOU?

RIGHT?IT'S STILL ON THE MARKET.

YOU SAY THE WORDAND I'LL BUY IT FOR YOU.

I'LL TELL YOU WHAT.

LET'S DISCUSS ITOVER DINNER.

STRICTLY BUSINESS.

I DON'T THINK SO.

JUSTINE, COME ON,THIS IS AN OPPORTUNITY THAT--

WARREN.

JUSTINE, COME ON,THANK YOU FOR THE OFFER, THAT--

BUT NO.

OKAY.

OFFER STAYS ONBUT NO.THE TABLE, OKAY?

JUST THINK ABOUT IT,

AND JUST LET ME KNOWIF YOU CHANGE YOUR MIND.

OKAY?

I'M GLAD TO SEE YOU.

I JUST TALKEDTO THE BOAT.

BILGE PUMP'S FIXED.I GOTTA GO BACK TODAY.

I JUST TALKEDOH.TO THE BOAT.

WELL, I'M GLADI GOT TO SEE YOU,

EVEN IF IT WASONLY FOR A DAY.

YEAH.

I'M GLADI CAME BACK TOO.

[♪]

HEY, HONEY!LOOK WHO I FOUND.

DAD? WHAT ARE YOU DOING HERE?

OH, ARE YOU KIDDING ME?

MY DAUGHTER'S IN THE ART WALK.I WOULDN'T MISS IT.

STARKWATER LAKE.

TOOK ME A LONG TIME TO GOBACK THERE AFTER JORDAN...

BUT IT WAS HIS FAVORITE PLACEIN THE WORLD,

SO I THOUGHT IT WAS WORTHTRYING TO CAPTURE.

BUT IT WAS HIS FAVYOU DID,ACEIN THE WORSWEETHEART.

IT'S BEAUTIFUL.

I WASN'T SUREHOW YOU'D FEEL ABOUT IT.

BRINGS UP A LOT OF MEMORIES.L.

I... I TRY NOTTO THINK ABOUT IT.

HOW'S THAT WORK?

I CAN'T DO THAT.

JUST BLOCK OUT

ALL OF THE THINGSTHAT HURT?

THEY'RE JUST THERE.

THEY'RE ALWAYS JUST THERE.

[TAKING HIS HAND]

WELL, DON'TTOUCH ANYTHING.

NO, I WON'T.

I ASSUME THIS ISTHE GETAWAY CAR.

NOPE.

WHAT DO YOU MEAN?

WELL, THAT CALL I JUST GOT?

BOTH THIEVESWERE JUST ARRESTED.

SO HOWARD WASN'TPART OF THE ROBBERY?

BOTH THIEVESWERE JUSNO.RRESTED.

SO HOWARDWELL, THENPART OF TWHO WAS HE?

[KEYS CLACKING RAPIDLY]

TYPING FURIOUSLY!SOUNDS LIKE A SCOOP.

OH...

I AM JUSTGETTING STARTED.

THE CASE OFTHE MYSTERIOUS DEAD GUY

HAS BEEN SOLVED,AND YOU...

CAN READ ALL ABOUT ITIN TOMORROW'SCHRONICLE.

I'M LOOKING FORWARD TO IT.

SO, WHAT'S UP?

UM...

[SIGHING]

ERIC DIDN'T FINISH, DID HE?

WELL, NO, BUT MAYBEHE WOULD HAVE, EVENTUALLY.

IT WAS JUST TAKING TOO LONG,SO GRACE DID IT.

SHE'S SURPRISINGLY GOODAT PATCHING WALLS.

I JUST DON'T WANT THIS TO BEA PROBLEM BETWEEN US.

MAYBE I SHOULDN'T HAVE

OFFERED HIM THE JOBIN THE FIRST PLACE.

NO, OLIVIA, YOU WERE JUST TRYINGTO HELP OUT,

OFFERED HIM THE JOBAND I APPRECIATE IT. OKAY?E.

THE PROBLEM IS THATHE'S TOO MUCH LIKE HIS OLD MAN.

WHEN I WAS HIS AGE,

I JUMPED AROUNDFROM JOB TO JOB.

I COULDN'T FOCUS LONG ENOUGHTO GET ANYTHING DONE.

THAT'S THE PROBLEM.

OKAY? I MEAN,I'M JUST...

JUST GONNA HAVE TO TALK TO HIM,THAT'S ALL.

WELL, WHEN YOU DO,MAY I SUGGEST,

TRY NOT TO PUT TOO MUCHOF THE BLAME ON YOURSELF.

I'M THE REASONHE IS WHERE HE IS.

HE CAN'T GO THROUGH HIS LIFEBLAMING YOU.

YOU'VE TAKEN RESPONSIBILITYFOR YOUR MISTAKES,

AND MAYBE IT'S TIMEHE DID THE SAME.

WELL, THE THING IS,I DON'T WANT TO UNDO

ALL THE POSITIVE STEPSTHAT WE'VE TAKEN EITHER, OKAY?

I MEAN, WE'RE REALLY STARTINGTO GET ALONG WELL NOW.

I KNOW, BUT MAYBEWHAT HE NEEDS RIGHT NOW

IS NOT SO MUCH A FRIEND,BUT A FATHER.

I KNOW HOW HARDTHIS IS--

I APPRECIATEYOUR CONCERN, OLIVIA,

BUT I'M GONNA DEAL WITH THISIN MY OWN WAY.

I APPRECIATEYOUR CONOKAY. OLIVIA,

WELL, I SHOULDGET BACK TO WORK.

[DOOR CLOSES]

HE WASN'T A FUGITIVE?

NO MORE THAN YOU OR ME.

WELL, THENWHO WAS HE?

[JACK'S VOICE]:"HIS NAME WAS HOWARD MILLER.

ACCORDING TO FLIGHT RECORDS,

HE LEFT BOSTONON WEDNESDAY MORNING

AND FLEW INTO SEATAC AIRPORT,

WHERE HE RENTED A CARAND HEADED NORTH.

HE WAS DRIVING ALONGOLD CLIFTON ROAD

WHEN HIS TIRE BLEW OUT,

CAUSING HIMTO CONTROL OF THE VEHICLE

AND SKID OFF THE ROAD."

[CRASH]

"MR. MILLER ATTEMPTEDTO REMOVE THE FLAT TIRE..."

[GASPS IN PAIN]

"SUSTAINING SEVERAL LACERATIONSIN THE PROCESS.

ULTIMATELY, HE DID MANAGETO TAKE OFF THE TIRE...

BUT UNFORTUNATELY,

THE SPAREWAS DAMAGED AND UNUSABLE."

"AS IF THINGS COULDN'TGET ANY WORSE FOR MR. MILLER,

ANY HOPES OF CALLING

FOR A TAXIOR ROADSIDE ASSISTANCE

WERE DASHED BYA DEAD CELL PHONE BATTERY."

"AND SO, HE SAT ONTHE SIDE OF THE ROAD.

FRUSTRATION TURNED TO DESPAIR,

AND, BY THIS POINT,HE HAD ALL BUT GIVEN UP

UNTIL A MAN NAMED LUCAS WESTOFFERED HIM A RIDE."

[ENGINE IDLING]

"THE KINDNESS OF A STRANGER

WAS THE LONE BRIGHT SPOTIN HIS OTHERWISE HORRIBLE DAY."

THEN, MR. WESTDROPPED HIM OFF HERE,

AND... AND YOU KNOW THE REST.

NO. TROY, WE DON'T.

HOW DID THE MAN DIE?

IT WAS A HEART ATTACK.

YOU SAYHE WAS FROM BOSTON?

YEAH, HE WAS A WRITERFOR A BIG NATIONAL MAGAZINE

HERE TO DO A PROFILEON THE ART WALK.

SO HE WASN'T MURDERED,AND HE WASN'T A THIEF?

NO.

AND HE WASN'T HERETO MAKE TROUBLE.

HE WAS HERE TO SHINE A LIGHT

ON SOMETHING GOODABOUT OUR TOWN.

[CHARLOTTE]:AND I'VE BEEN AWFUL.

I LET MY IMAGINATIONGET AWAY FROM ME.

[CHARLOTTE]:AND I KNOW I DID.UL.

WE ALL DID.

[JOVIAL WHISTLING IN HALL]

OH...

WHO DID THAT?

DON'T WORRYABOUT IT.

I CAME TO FINISH IT.

ERIC, IT WAS JUSTTAKING TOO LONG.

WHERE DO I GET PAID?

YOU CAN'T BE SERIOUS.

LOOK, I KNOW I DIDN'T FINISH,

BUT I STILL PUT INA LOT OF WORK HERE.

THE CLERK'S OFFICE,SECOND FLOOR.

I DON'T HAVEEXACT FIGURES YET,

BUT I'M SURE WE HADMORE VISITORS

THAN LAST YEAR'SART WALK,

WITH AN INCREASEIN OVERALL SALES.

YOU COORDINATINGAGAIN NEXT YEAR?

MM, ABSOLUTELY!

I WANT TO EXPANDON THIS YEAR'S SUCCESS.

I TOLD YOUIT WOULD BE GREAT!

AND YOU DIDA WONDERFUL JOB, SWEETHEART.

I WANT YOU TO WRITE THAT DOWN--"SHE DID A WONDERFUL JOB."

-YES.-EXCUSE ME.

I JUST WISH I COULD SAYTHE SAME ABOUT YOUR SON.

NOBODY HAS A BIGGERHEART THAN OLIVIA,

AND I'M SORRY,

BUT I CANNOT STAND

TO SEE ANYBODY TAKEADVANTAGE OF HER.

IT'S GREATSEEING SETH AGAIN.

YEAH.

I MEAN, WE JUST STARTEDDATING AGAIN.

IT'S NOT SERIOUS.

JUSTINE, I, UH...

I KNOW THAT I HAVEN'T REALLYBEEN AROUND THAT MUCH FOR YOU.

NO. YOU HAVEN'T.

I JUST WANT YOU TO KNOWTHAT I'M GONNA TRY VERY HARD

TO CHANGE THAT.

I WANT TO BELIEVE YOU.

I UNDERSTAND.

I HAVE TO EARN YOUR TRUST FIRST.

[FOOTSTEPS]

[MARYELLEN]:WHAT'D I TELL YOU?

PEOPLE LOVED YOU!

YOUR DISPLAYWAS A BIG HIT.

SHE HAS BEENA GODSEND AT THE GALLERY.

I FINALLY HAVESOMEONE THERE WHO KNOWS

ALMOST AS MUCHABOUT ART AS I DO.

SO, WHAT DO YOU THINK?

YOU WANNA MAKE ITA PERMANENT POSITION?

YOU MEAN COME WORK FOR YOUAT THE GALLERY?

WELL, UNLESSYOU'RE COMMITTED

TO YOUR WAITRESSINGCAREER AT MOON'S.

GOODBYE, MOON'S!

9:30, SHARP.

OHH!

CONGRATULATIONS,SWEETHEART. OH!

THAT'S GREAT.

UH, I'M JUST GONNATAKE THIS TO THE CAR.

I'LL BE BACK.

THANK YOU SO MUCH FORBEING HERE FOR HER.

IT MAY NOTSEEM LIKE IT,

BUT IT MEANSTHE WORLD TO HER.

[♪]

[SHUTS DRAWER]

HEY. THERE YOU ARE.

DIDN'T HEAR YOULEAVE THIS MORNING.

YEAH, I WANTED TO GETAN EARLY START ON THE WANT ADS.

ANYTHING GOOD?

A FEW LEADS.

GOOD.

"COME TO THEMARINA A.S.A.P."

I HEARD YOU DIDN'THAVE COURT TODAY.

THOUGHT MAYBE WE COULDTRY THAT SAILING DATE.

WHERE'S ERIC?

LOOKING FOR A JOB.

I HOPE.

TODAY, HOWEVER,IS ALL ABOUT US.

I GOT SANDWICHES FROM MOON'S,

I'VE RENTEDTHIS ALARMINGLY LITTLE SAILBOAT,

I'VE TAKENA FIST FULL OF DRAMAMINE.

NOW ALL I NEEDIS AN INSTRUCTOR.

WELL, I HAVE TO WARN YOU,

I'M NOTTHE MOST EXPERIENCED SAILOR.

SOMETHING COULDGO HORRIBLY WRONG.

I SEE.

SOMETHING COULDGO HORRIBLYWELL...

IN THAT CASE...

I CAN'T IMAGINE ANYONE I WOULDRATHER BE LOST AT SEA WITH.

♪ YOU ARE MORE ♪

♪ VALUABLE THAN DIAMONDSIN THE DEEP BLUE SEA ♪

♪ YOU ARE MORE ♪

♪ VALUABLE THAN GOLD ♪

♪ HOLD ON ♪

[♪]