Original subtitles

PREVIOUSLY ON CEDAR COVE...

I WANT TO MAKE SUREYOUR STAY HERE

IS AS NICE AS--

HAVE WE MET BEFORE?

I DON'T WANT YOUTO THINK THAT I'M...

NOT INTERESTED.

A KISSIS JUST A KISS.

WE'LL SEE.

I'M REALLY GLAD THATTHIS WORKED OUT.

YOU KNOW, I WAS GETTINGKIND OF WORRIED FOR US

AFTER THE WHOLELIGHTHOUSE ORDEAL.

WE WERE BOTHJUST DOING OUR JOBS.

LET'S JUST HOPE

IT DOESN'T CAUSE PROBLEMSIN THE FUTURE.

YOU ARE A REPORTER, JACK,

AND I'M A JUDGE.

THERE COULD BE OTHER CONFLICTS.

NO, THERE WON'T.

BECAUSE WE'RE GONNA MAKE SURETHAT WE NEVER CROSS THAT LINE.

BETTER YET, HOW ABOUT

WE DO OUR BEST NOT TO TALK SHOPWHILE WE'RE TOGETHER?

THAT SOUNDS GOOD.

BESIDES, I'M SURE WE CAN, UH,

FIGURE OUT SOMETHINGS TO TALK ABOUT.

SUCH AS...?

SUCH AS...

WELL, I COULD TELL YOU

HOW I'M TAKING WOODWORKINGLESSONS FROM BOB BELDON.

WOODWORKING?

REALLY?

YEAH, I MEAN,IT'S SOMETHING

THAT I'VE ALWAYSHAD AN INTEREST IN,

AND IT TURNS OUT

THAT BOB IS THISWOODWORKING JEDI MASTER.

I MEAN, SERIOUSLY, HE'S AMAZING.

SO HE STARTEDTEACHING ME A FEW THINGS,

AND I'M REALLYENJOYING IT.

IT'S ACTUALLY KIND OFTHERAPEUTIC.

LISTEN...[CLEARS THROAT]

HOW ABOUT WE SKIPDESSERT HERE,

GO BACK TO MY HOUSE?

I JUST HAPPENTO HAVE PICKED UP

TWO INCREDIBLYDELICIOUS CANNOLIS

FROM THIS LITTLE BAKERYIN COOPERTON I HEARD ABOUT.

I LOVE CANNOLI.

I KNOW.

I ASKED GRACE.

[LAUGHS]

[POURING DRINKS]

DO YOU WANTSOME MORE COFFEE?

I'M GOOD.

YOU KNOW, I KNEWYOU LIKED SPORTS,

BUT THIS ISA LOT OF MEMORABILIA.

I EVEN HAVE A MOUTHPIECE

WORN BY THE GREATRON JAWORSKI HIMSELF.

YOU KNOW,SOMEWHERE IN HERE.

I HAVE NO IDEAWHO THAT IS.

QUARTERBACK FOR THE EAGLES,BACK IN THE DAY.

I KNOW, I'M BORDERLINEE NO IDEAOBSESSIVE, AREN'T I? THAT IS.

QUARTERBACK FOR THE EAGLES,BACK IN THEBORDERLINE?

[CHUCKLING]IT'S A CURSE.

THE MOREI POUR MY HEART INTO IT,

THE MORE IT GETS TORN OUT.

IT'S VERY STRESSFUL.

WELL...

IT'S A GOOD THINGYOU'RE DOING WOODWORKING THEN.

YEAH.

MUCH BETTER THAN A SHRINK.

DO YOU HEAR THAT?

WHAT?

THAT'S MY HEART POUNDING,LIKE A JACKHAMMER.

[CLEARS THROAT AWKWARDLY]

REMEMBER, I'M NOT USED TODOING THIS SOBER.

WE'RE INUNCHARTED WATERS HERE.

YOU'RE DOING FINE.

GOOD.

MY HEART'S POUNDING, TOO,JUST SO YOU KNOW.

HEY.

[♪]

[FOOTSTEPS OUTSIDE]

[GASPS]

THERE'S SOMEONEAT THE WINDOW.

HEY! CAN I--

ERIC?

HEY, DAD.

[♪]

I DON'T BELIEVE THIS.

LOOK AT YOU.

YEAH.

IT'S BEEN A LONG TIME.YOU.

LAST TIME I TALKED TO MA,SHE SAID THAT YOU MOVED UP HERE.

I'M REALLY SORRYTO SHOW UP LIKE THIS,

BUT I DON'T HAVEYOUR PHONE NUMBER OR YOUR EMAIL.

I TRIED YOUR CELL,BUT IT DIDN'T GO THROUGH.

CELL PHONE RECEPTIONIS TERRIBLE IN THIS TOWN.

HERE, COME ON IN.

COME ON IN.

OLIVIA, THIS IS ERIC,

MY SON.

HI.VIA, THIS IS ERIC,

PLEASURE TO MEET YOU.

OH, AND OLIVIA IS--SHE'S THE TOWN JUDGE.

YOU KNOW, WE'RE, UM...

WELL, WE JUST HAD DINNER.

I MEAN, WE'RE NOT...

HEY, WHAT...

WHAT BRINGS YOUACROSS THE COUNTRY?

OH.

ACTUALLY, I'VE BEEN LIVINGIN VANCOUVER FOR THE PAST YEAR.

VANCOUVER?

WASHINGTON.

UNTIL MY GIRLFRIEND AND IBROKE UP,

AND SHE KICKED MEOUT OF THE APARTMENT.

OH, WELL, I'M SORRYTO HEAR THAT.

YOU KNOW, I WAS THINKING ABOUTGOING BACK TO PHILLY,

BUT I DON'T REALLY HAVE MONEYFOR A PLANE TICKET,

AND MA AND I AREN'T REALLY

ON SPEAKING TERMSRIGHT NOW.

YEAH, IT'S A LONG STORY.

WELL, ARE YOU HUNGRY?

YEAH.

YOU GOT ANYTHING?

UH, NO.

I MEAN, I HAVE PRETZELSAND PEANUT BUTTER...

YOU KNOW, THAT'D BE GREAT.

I'LL ORDER A PIZZA.

NO, I DON'T WANT TO INTRUDEOR ANYTHING.

I'LL ORDERTHAT'S OKAY.

IT'S JUST SO...

WEIRD SEEING YOU HERE.

I WAS ACTUALLY...

I WAS WONDERING IF, UH,

I MIGHT BE ABLE TOSTAY HERE FOR A FEW DAYS?

I WAS JUST UNTILIF, UH,I GET BACK ON MY FEET.

OF COURSE YOU CAN.

OF COURSE YOU CAN.COME ON IN.

MY SON, WILL, HE LIVESIN ATLANTA WITH HIS WIFE.

THE REST OF US STAYED HEREIN CEDAR COVE.

MY SON, WILL, HE LIVESMY DAUGHTER, OLIVIA, THE JUDGE,

I ALREADY TOLD YOU ABOUT HER,

AND HER DAUGHTER, JUSTINE.

[SIGHS SADLY]

SHE HAD ANOTHER CHILD,

JORDAN,

JUSTINE'S TWIN.

HE DIED SEVERAL YEARS AGO.

DROWNED IN STARKWATER LAKE.

13 YEARS OLD.

YOU WANT ME TO OPEN THE DRAWER?

THIS?

YOU DON'T WANT IT?

[SHAKES CONTENTS OUT]

IS THIS TO YOUR HOUSE?

OH.

YOU WANT METO HOLD ONTO IT FOR YOU?

OKAY.

OKAY, THEN, I'LL KEEP IT SAFE.

THIS PHOTOGRAPHER, JOHN BOWMAN,IS A GENIUS.

LOOK AT THE COMPOSITION,THE ANGLE OF THE LIGHT.

IT CONVEYS SO MUCH HEARTACHEAND YEARNING...

IT'S A TREE BY A LAKE.

YOU SOUND LIKE DAD.

I BOUGHT ONE OF THESE PHOTOSFOR HIS BIRTHDAY LAST YEAR.

HE HAD THE SAME ATTITUDE.

SORRY.

THAT'S OKAY.

HAVE YOU TALKEDTO HIM RECENTLY?

NO, NOT SINCE WE SIGNEDTHE DIVORCE PAPERS.

[DOOR OPENS]

YAY,

LUNCH!

YASORRY I'M LATE.

YES, A WHOLETHREE MINUTES

THAT IS SO COMING OFFYOUR TIP, YOUNG LADY.

WHOA, WHOA, WHOA,

THAT BRACELET IS GORGEOUS.

DID YOU MAKE IT?

YEAH. I'VE GOT MOREON DISPLAY AT MOON'S.

OH, REALLY?

WELL, I AM DEFINITELYGOING TO COME BY

AND TAKE A LOOK AT THEM.

I HEARD YOU STARTED GOING OUTWITH SETH GUNDERSON AGAIN.

JUST A FEW DATES.NOTHING SERIOUS.

I LIKE SETH.

HE'S A GOOD CATCH.

DID YOU GET THAT?

HE'S A FISHERMAN?

"GOOD CATCH."

YEAH, WE GOT IT, MOM.

I SHOULD GET GOING.

THANK YOU.

I'M DEFINITELY COMING BYTO TAKE A LOOK AT YOUR WORK.

OKAY.

THAT GIRL IS SO GIFTED.

MOM!

WHAT ARE YOUDOING HERE?

OH, I'VE ASKED YOUR MOM

TO WRITE A WEEKLYSENIORS' COLUMN.

IF ANYBODY'S AN EXPERTON THE SUBJECT, IT'S HER.

IS THAT ALL RIGHT WITH YOU?

OF COURSE IT IS.

YOU KEEP AT IT.

AND I'LL BERIGHT BACK.

[QUIETLY] EVERYTHING OKAYBETWEEN YOU TWO?

OH, SHE'S STILL UPSET

ABOUT THE LIGHTHOUSERULING.

WE'LL GET THROUGH IT.

OKAY.

SO, WHAT'S UP?

UM, WELL,I JUST CAME TO SEE

HOW YOU'RE DOINGWITH YOUR SON.

OH, UH, IT'S GREAT.

HE'S BACK AT THE HOUSE,CATCHING UP ON HIS SLEEP.

POOR GUY.

BUT, NO, IT'S GOING REALLY WELL.

YEAH, I MEAN,IT'S GREAT SEEING HIM,

AND I'M FEELINGREALLY LIKE--

JACK.

I'M TERRIFIED.

[CHUCKLES WRYLY]

YOU KNOW,I HAVEN'T SEEN HIM

OR EVEN TALKED TO HIM IN YEARS.

AND LOOK AT HIM.

I MEAN, HE'S A GROWN MAN NOW.

I DON'T KNOWWHO THAT STRANGER IS.

WELL, HERE'S YOUR CHANCETO GET TO KNOW HIM.

I KNOW,

AND HE'S OBVIOUSLYGOING THROUGH A ROUGH PATCH

WITH HIS GIRLFRIEND.

I'M GLADTHAT HE'S REACHING OUT TO ME,

BUT COME ON, OLIVIA,I'M NOT GOOD AT THIS.

GOOD AT WHAT?

[SIGHS HEAVILY]

BEING A DAD.

I WASN'T THE MOSTRESPONSIBLE PERSON

WHILE HE WAS GROWING UP,

AND THAT WHOLE PERIOD, TO ME,WAS JUST... A BLUR,

A BAD DREAM.

WELL, IT'S IN THE PAST.

YOU'RE SOBER NOW.

YOU'VE WORKED HARD ON YOURSELF.

I'M WORRIED ABOUTSAYING THE WRONG THING,

YOUOR DOING THE WRONG THING,LF.

AND PUSHING HIM AWAY AGAIN.

YOU ARE BEINGWAY TOO HARD ON YOURSELF.

YOU CAN'T FIX EVERYTHINGIN A DAY.

WHY DON'T YOU DOSOMETHING FUN WITH HIM?

SOME KIND OFFATHER AND SON ACTIVITY.

DOES HE LIKE BASEBALL?

YOU COULD TAKE HIMTO A MARINERS GAME.

THEY'RE AWAY ONA ROAD TRIP RIGHT NOW.

[CHARLOTTE]:WHAT ABOUT FISHING?

MY HUSBAND USED TO TAKEMY SON, WILL, FISHING

ALL THE TIME.

CHARLOTTE, I'VE NEVER EVENFISHED A DAY IN MY LIFE.

FIRST TIME FOR EVERYTHING.

HOW ARE YOU TODAY?

CHARLOTTE?

STAN!

HEY...

WHAT ARE YOU DOING HERE?

WELL, I STILL HAVESOME PATIENTS OUT HERE

FROM BEFOREI MOVED MY PRACTICE,

SO I LIKE TO GET OUTAND SEE THEM

A FEW TIMES A WEEK.

ALL THE WAY FROM SEATTLE.

IF ONLY MORE DOCTORSWERE LIKE YOU.

SO, HOW HAVE YOU BEEN?

YOU LOOK GREAT.

KEEPING BUSY.

HELPING OUT HEREWITH THE PATIENTS

AS MUCH AS I CAN.

AND HOW'S OLIVIA?

THE USUAL.

RULING FROM ON HIGH.

I SAW HERA COUPLE WEEKS AGO.

SHE WAS HAVING DINNERWITH SOMEONE

AT THE CAPTAIN'S GALLEY.

JACK?

AT THE CAPTAIN'S JACK GRIFFITH,

NEW EDITOROF "THE CHRONICLE."

AH.

I DIDN'T KNOWSHE WAS DATING AGAIN.

THEY SEEM TO BEGETTING ALONG ALL RIGHT.

HE'S A VERY NICE MAN.

GOOD.

I'M HAPPY FOR HER.

[CHUCKLES FONDLY]

YOU KNOW...

PART OF ME STILL WISHES

THE TWO OF YOU COULDSOMEHOW GET BACK TOGETHER.

WELL, I DON'T KNOWABOUT THAT.

I THINK MY CURRENT WIFE

MIGHT HAVE A LITTLEPROBLEM WITH IT.

WHAT'S DONEIS DONE, RIGHT?

WELL, I'D BETTERGET GOING.

I'M RUNNING LATE.

OF COURSE.

LISTEN, CHARLOTTE,GREAT TO SEE YOU.

OH. YOU TOO.

CHARLOTTE?

I'M SO SORRY.

I SHOULD HAVECALLED YOU EARLIER.

HE DIED LAST NIGHT,

IN HIS SLEEP.

I'M SO SORRY.

WHEN DO THEYSTART BITING?

I HAVE NO IDEA.

YOU SAY THEY CATCHSALMON HERE, RIGHT?

YEAH, SO THEY SAY.

AND HALIBUT.

AND LINGCOD.

WHAT'S LINGCOD?

I HAVEN'T GOT A CLUE.

WHAT'S WITH THE LINE?

AH...

YOU KNOW HOW I TOLD YOU

THIS TOWN HAS LOUSYCELL PHONE RECEPTION?

WELL, AT THE ENDOF THAT DOCK

IS ONE OF THE FEW PLACES

THAT ACTUALLY GETSA REALLY GOOD SIGNAL,

SO PEOPLE LINE UPISAND WAIT THEIR TURN.ES

STRICTFIVE-MINUTE-PER-CALL RULE.

HUH.

STRICTFIVE-MINUTEEVEN IN THE RAIN?

IT'S A REALLY GOOD SIGNAL.

SO I NEVER KNEWTHAT YOU LEFT PHILLY.

THREE YEARS AGO,I MET THIS GIRL,

AND SHE WANTEDTO MOVE TO FLORIDA.

SO, WE'REON OUR WAY THERE,

AND WE GOT HUNG UPIN RICHMOND.

WE FOUND WORK.

SHE FOUND WORK, REALLY.

I KIND OF JUMPED JOB TO JOB.

I KEPT GETTING LAID OFF.

YOU KNOW, BAD ECONOMY.

AND THEN WE BROKE UP...

AND THEN I MET ANOTHER GIRL.

SHE ALWAYS WANTED TO SEETHE WEST COAST,

WE ENDED UPIN VANCOUVER, AND...

YOU KNOW THE REST.

YOU SEE, THE LAST TIMEI TALKED TO YOUR MOTHER,

SHE DIDN'T TELL ME ANY OF THIS.

SHE SAID YOU WERE DOING GREAT.

WELL, SHE'S RIGHT.

I WAS DOING GREAT...

TILL MY GIRLFRIENDKICKED ME OUT.

[KNOCK ON DOOR]

YES?

[DOOR OPENS]

HEY.

[CHUCKLING FONDLY]

GOT A MINUTE?

I KNOW YOU'RE BUSY.

NO, NO. WHAT'S UP?

A STROKE VICTIMFROM THE CONVALESCENT CENTER

GAVE THIS TO ME.

GAIL THE SOCIAL WORKERINTRODUCED ME TO HIM.

A JOHN DOE CASE,

NO ONE KNOWS WHO HE IS,

OR IF HE HAS ANY FAMILY.

HE DIED YESTERDAY.

I WANT TO FIND OUTWHAT THAT KEY UNLOCKS.

I WAS HOPINGYOU COULD HELP ME.

MAYBE THERE'S SOME WAY TO--

MOM, YOU CAN'TSHOW ME THIS.

THAT MAN WASA WARD OF THE STATE.

YOU NEED TO GIVE THISTO THE SOCIAL WORKER.

NO, I DON'T.HE GAVE IT TO ME.

AS FAR AS I'M CONCERNED,IT'S NOW MY PROPERTY.

BESIDES,GAIL IS SO OVERWORKED,

EVEN IF I TURNED THE POUCH IN,

IT'LL PROBABLY JUST GETTOSSED INTO ANOTHER DRAWER

NEVER TO BE SEEN AGAIN.

YOU DON'T KNOW THAT.

SO YOU'RE NOTGOING TO HELP ME?

THAT MAN WAS COMINGTO CEDAR COVE FOR A REASON.

I KNOW IT.

MAYBE HE HASFAMILY HERE.

AND I'M THE ONLY ONE

WHO WILL ACTUALLY TAKE THE TIMETO LOOK INTO IT.

I WOULD LOVETO HELP YOU, MOM, I WOULD.

BUT IT MAKES ME UNCOMFORTABLEFROM A LEGAL STANDPOINT.

THAT MAN WASA WARD OF THE STATE--

I TOLD YOU,HE GAVE IT TO ME--

AND THE LESS YOU INVOLVE ME,THE BETTER FOR BOTH OF US.

I SHOULD'VE KNOWN.

I DON'T KNOWWHAT I WAS THINKING,

COMING HERE.

MOM, PLEASE DON'T GOLIKE THAT--

[DOOR SLAMS]

[SIGHS]

OH, STAN!

YOU'RE STILL HERE.

IS SOMETHING WRONG?

GOT A MINUTE?

OF COURSE.

[OBJECTS CLATTERING]

THAT'S A SLIDEFROM A BOLO TIE.

IT'S HANDCRAFTED.

NICE METALWORK.

WHAT ABOUT THIS?

I'M THINKING IT'S TO HIS HOUSEOR APARTMENT?

NOT THAT IT'S GOING TO BE EASYTO TRACK DOWN.

NOBODY KNOWS WHO HE IS,WHERE HE'S FROM.

IT'S GOT A NUMBER ON IT.

S-42.

COULD BE ANY NUMBER OF THINGS.

COULD BE A SAFETY DEPOSIT BOX.

I FEEL I HAVE TOLOOK INTO IT.

HE GAVE IT TO MEFOR SAFEKEEPING.

SUCH A SWEET OLD MAN.

YOU KNOW, THERE WASSOMETHING FAMILIAR ABOUT HIM.

I COULDN'T PLACE IT.

YOU KNOW WHAT, LET ME...

[SHUTTER CLICKS]

LOOK INTO IT.

I'LL SEE WHATI CAN FIND OUT.

THANK YOU.

SO, WHYDIDN'T YOU TELL ME

THAT YOU STARTEDSEEING SOMEONE?

I COULD ASK YOUTHE SAME THING.

IT'S NOTHING SERIOUS.

JUST A COUPLE OF DATES.

ME TOO.

SUPPOSING IT WAS SERIOUS...

WOULD THAT BE OKAY WITH YOU?

WHY WOULDN'T IT BE?

I DON'T KNOW.

I KNOW IT'S BEEN A WHILESINCE I'VE SEEN ANYONE.

I JUST DON'T WANT IT TO BEAWKWARD BETWEEN US.

WELL, DON'T WORRY ABOUT ME.

I'M FINE.

THESE...

ARE INCREDIBLE.

THE GRANULATED FILIGREEEVOKES A TECHNIQUE

NOT UNLIKE THAT

OF THE ANCIENTITALIANS.

HELLENISTIC ERA, OF COURSE.

OF COURSE.

I WILL TAKE THESE.

I'LL GET A BOX.

OH, MY GOSH!

YOUR WORK JUST KEEPSGETTING BETTER AND BETTER.

SHE PAINTS, TOO.

AND SCULPTS.

AND I SELL COFFEEAND BAGELS.

NO, YOU ARE AN ARTISTIS WHAT YOU ARE,

AND DON'T YOU EVERFORGET THAT.

THANK YOU.

HEY, LOOK WHO'S HERE!

HI, SETH.

SORRY TO INTERRUPT.

CAN I TALK TO YOUFOR A SEC?

ACTUALLY, YOU CAN HAVEMORE THAN A SEC.

WE WERE ON OUR WAY OUT.

WE WERE?

OH, YEAH.

[THUNDER RUMBLES OUTSIDE]WE'RE GOING TO NEED AN UMBRELLA.

HEY. WHAT'S UP?

I JUST GOT CALLED FOR A JOB.

INSIDE PASSAGE,BIG POTENTIAL PAYDAY.

BUT I HAVE TO LEAVE TOMORROW.

IT'S JUST A FEW WEEKS.

THEN I'M BACK.

THAT'S GREAT.

YOU'RE OKAY?

YEAH.

YOUYEAH...Y?

'CAUSE YOU DON'T SEEM OKAY.

NO, SETH, I'M FINE.

YOU SHOULD GO.

WELL, I DON'T HAVE TO GOTILL TOMORROW.

THAT'S A WHOLEDAY AWAY.

SO...

DINNER TONIGHT?

ALL RIGHT.

I GOT IT!

OH, THANK GOODNESS.

[SHIVERING]

YOU KNOW I HAVE TOTELL YOU,

I AM SO HAPPY WARREN SAGETIS OUT OF HER LIFE.

I NEVER DID UNDERSTAND

WHAT JUSTINE SAWIN THAT MAN.

SAFETY AND STABILITY.

OH, BUT NOW,LOOK AT SETH,

HE'S SO PERFECT.

JUST A COUPLE DATES.NOTHING SERIOUS.

ARE YOU KIDDING ME?

YOU SEE THE WAY THOSE TWOLOOK AT EACH OTHER?

THEY BELONG TOGETHER.

WE'LL SEE.

WHAT'S WITH THE TONE?

-WHAT TONE?-YOUR TONE.

I DON'T HAVE A TONE.

YOU DON'T WANT HERDATING SETH?

I DIDN'T SAY THAT.

AH-HAH! YOU DIDN'TSAY IT OUT LOUD.

OH, I JUST WISH

SHE WOULD TAKE HER TIME,THINK THINGS THROUGH.

SHE DOESN'T NEED TOJUMP IN A RELATIONSHIP.

SPOKEN LIKE A JUDGE,

BUT TRY AS HARDAS YOU WANT,

YOU CANNOT CONTROLWHAT THE HEART DESIRES.

THAT'S WHAT WORRIES ME.

HEY!

SPEAKING OF WHICH.ES ME.

HEY!

WOW, LOOKS LIKETHE FISHING WENT GREAT.

OH, WHAT, THIS?

NO, NO, NO.

I BOUGHT THATAT THE MARKET

DOWN AT THE DOCK.

WE HAD OUR MIND SETON SALMON FOR DINNER, SO...

AW, SO YOU DIDN'TCATCH ANYTHING?

A COLD MAYBE.

BEAUTIFUL DAYWE'RE HAVING HERE!

THIS WAS SUCHA GOOD IDEA. YEAH.

[LAUGHING]

OH, AND THENUS TWO GENIUSES,

WE BOUGHT THIS FISHBEFORE REMEMBERING

THAT NEITHER ONE OF USKNOWS HOW TO COOK IT, SO...

WELL, I WOULDINVITE YOU TO MY HOUSE,

BUT THE ONLY THING THAT GETSANY USE IN MY KITCHEN

IS THE MICROWAVE.

BUT THERE ISNO PROBLEM, GUYS.

I WILL HAPPILYDO THE COOKING.

I MAKE A POACHED SALMONTO DIE FOR.

OH, GRACE,THAT SOUNDS AMAZING.

YOU KNOW, ASIDE FROMTHE DYING THING,

I LOVE THAT,THANK YOU.

IS IT RAINING?I HADN'T NOTICED.

[LAUGHING]

OH, YEAH.

I WOULD LOVE TO DRIVECROSS COUNTRY.

GET ME A BIG OL' RV.

BUT I WOULD NOT DOANY OF THE INTERSTATES.

IT WOULD BE STRICTLYBACK ROADS.

OH, YEAH.

THAT'S THE BEST WAYTO SEE THE COUNTRY.

GRACE LOVES TO TRAVEL.

COOL.

NOT SO COOL.

WHY? WHAT HAPPENED?

SHE TALKED MEINTO A CRUISE.

THE CARIBBEAN.

YES, ANDTHAT IS BECAUSE

NOBODY ELSEWOULD GO WITH ME.

I MEAN, MY HUSBAND,

GOD FORBID SHOULD STEP ONE FOOTOUTSIDE HIS PRECIOUS GARAGE.

AND MY DAUGHTERS AVOID GOINGON ANY KIND OF TRIP WITH ME

BECAUSE, APPARENTLY,

I EMBARRASS THEM.

[CHUCKLES]

I CAN RELATETO THAT.

OH, MY GOSH,WE GO ON THE CRUISE,

EVERYTHING IS FINE

UNTIL WE HIT JAMAICA.

[LAUGHING]

SHE WANTS TO DOTHIS TOURISTY WATERFALL THING...

AND SHE WANTSTO EXPLORE.

SO WE RENT A CARAND PROMPTLY GOT LOST.

5:00, THE SHIPPULLS OUT OF PORT, RIGHT?

SO WE ARE RACING,I MEAN, LIKE MAD,

TRYING TO GET THERE IN TIME,

WRONG TURN AFTER WRONG TURN,

THIS ONE IS IN A FULL-ON PANIC.

FOR GOOD REASON.

WHY, YOU DIDN'TMAKE IT?

NO!

WE PULLED INTO PORT,

AND THERE WAS THE SHIPJUST FLOATING AWAY.

WE PU[LAUGHING]PORT,

YOU SHOULD HAVE SEENTHE LOOK ON YOUR FACE.

-WHAT DID YOU DO?-WHAT?

-WHAT DID YOU DO?-NOTHING.

THEY SPOTTED US,AND THEY STOPPED THE SHIP,

THEY SENT A TENDER BACKTO GET US.

IT WAS NO BIG DEAL.

I LIKED OUR TRIPTO NAPA BETTER.

OH, YEAH, ME TOO.

IT WAS MY 40th BIRTHDAY.

SHE SURPRISED ME.

NAPA WAS SO BEAUTIFUL,

AND OH, MY GOSH,WE DRANK SOME REALLY GREAT WINE,

BUT WHAT THE HECK, IT WASA SPECIAL OCCASION, RIGHT?

THAT IT WAS.

EVERY NIGHT WASA SPECIAL OCCASION

AT MY HOUSEGROWING UP.

SORRY.

THAT WAS SUPPOSEDTO BE A JOKE.

IT'S OKAY,DON'T WORRY ABOUT IT.

SO, GRACE, THIS SALMONLOOKS INCREDIBLE.

OH, GOOD.

LET'S DIG IN.

YOU BET.

ERIC?LET'S DIG IN.

WELL, OLIVIA,

THANK YOU FOR THAT.

THAT WASA GREAT NIGHT.

[CHUCKLES]

I CAN TAKE YOUR CARBACK TO YOUR HOUSE

IF YOU GUYS WANNA...

YOU KNOW, IF YOU WANT TO STAY.

UH, NO.

NO, JUST GO WAIT BY THE CAR.

I'LL BE RIGHT WITH YOU.

THANKS AGAIN.

YEAH.

[SIGHS]

YOU'RE DOING FINE.

I DON'T KNOW.

I DON'T KNOW, I DON'T KNOW.

I KNEW THIS WASGOING TO BE STRANGE,

BUT HAVING HIM HERE,I DONIT'S JUST, UH... KNOW.

A LITTLE TOUGHER THAN I THOUGHT.

I KNOWHE'S HAD IT ROUGH,

AND THERE'S A LOT OFEMOTIONAL DISTANCE BETWEEN YOU,

BUT YOU JUST HAVE TOKEEP MOVING FORWARD,

AND CLOSE THAT DISTANCEONE STEP AT A TIME.

YOU KNOW WHAT MY GOAL IS?

TO GET TO THE POINTIN A RELATIONSHIP

THAT YOU HAVE WITH YOUR MOTHER,

WHERE YOU'RE NOTJUST THE PARENT,

BUT YOU'REA GOOD FRIEND.

ANYWAY.

GOOD NIGHT.

HEY.

8:00 IN THE MORNING,

AND YOU'REALREADY WORKING.

YEAH, I GOT A LOTTO DO BEFORE I GO.

ARE THOSECHOCOLATE CHIP?

MOON BAKED A FRESH BATCHJUST FOR YOU.

I'M GONNA MISS YOU.

I KNOW IT'S JUSTA FEW WEEKS, BUT...

HERE'S WHAT YOU DO--

IF YOU GET TOO LONELY,LOOK UP AT THE NIGHT SKY.

FIND POLARIS, THE NORTH STAR.

AND HOW IS THAT SUPPOSED TOMAKE ME FEEL LESS LONELY?

WELL, IF YOU SEE IT,

YOU KNOW I'LL BELOOKING UP AT IT, TOO.

THEN WE WON'T FEELSO FAR APART.

HEY, WOULD YOU CHECK UPON THE BOAT FOR ME

WHILE I'M GONE?

SPARE KEY.

SURE.

IF YOU WANT,

YOU CAN TAKE IT FOR A SPIN,

JUST TRY NOT TO, YOU KNOW...

SINK IT?

RIGHT.

SO, UM...

HOW MUCH TIME DO WE HAVEBEFORE YOU LEAVE?

TWO HOURS, 16 MINUTES...

31 SECONDS.

HI, MOM.

WHAT ARE YOUDOING HERE?

I WANT TO HELP YOUFIND OUT

WHO THIS OLD MAN WAS.

YOU DON'T HAVE TO.

I KNOWI DON'T HAVE TO.

I WANT TO.

I ALREADY HAVESOMEONE HELPING ME.

WHO?

OLIVIA?

STAN'S HELPING YOU?

HEY.

HOW YOU DOING?ING YOU?

YOU LOOK GREAT.

THANK YOU.

SO DO YOU.

I BUMPED INTO STAN

THE DAY THE OLD MAN DIED.

HE'S HELPING ME TRYTO FIGURE OUT WHAT THIS KEY IS.

AND ON THAT FRONT,

I HAVE AN UPDATE.

WOULD YOU LIKE TO JOIN US?

SURE.

SO THE KEY.

IT LOOKS LIKE IT'S TOA SELF-STORAGE UNIT.

IT MATCHES THE KEYS

USED BY A COMPANY CALLEDSPERLING STORAGE.

WHERE ARE THESE UNITS?

I DON'T KNOW.

NOT YET, ANYWAY.

WELL, YOU DON'T HAVE TOWORRY ABOUT IT ANYMORE.

I CAN TAKE OVER FROM HERE.

ARE YOU SURE?

BECAUSE I DON'T WANT YOUTO DO ANYTHING

THAT'LL MAKE YOU FEELUNCOMFORTABLE.

BECAUSE I DON'T WANT YOUMOM, PLEASE LET ME HELP YOU.

OKAY, UM... JUST PROMISETO KEEP ME UPDATED

ON WHAT YOU FIND OUTABOUT IT?

DEAL.

SO, WHAT DO YOU THINK'SIN THE STORAGE UNIT?

I HAVE NO IDEA.

OOH, WHAT IF HE WAS LIKEONE OF THOSE SERIAL KILLERS,

AND HE KEPT HIS BODIESIN THERE?

THEN WE'RE IN FORA VERY UNPLEASANT AFTERNOON.

BUT FIRST, I HAVE TOFIND THE PLACE,

AND I THINK IT'S GOING TOA VERY UTAKE A WHILE.ERNOON.

LOOK, COULD YOUTRY TO FIND JACK FOR ME?

I WAS SUPPOSED TO HAVE DINNERWITH HIM AND HIS SON TONIGHT,

AND I THINKI'M GOING TO BE LATE.

I TRIED TO CALL HIM AT HOMEAND HIS OFFICE,

AND THERE WAS NO ANSWER.

I'LL KEEPAN EYE OUT FOR HIM.

SO, IF YOU FIND DEAD BODIESIN THAT STORAGE UNIT,

WHO'S THE FIRST CALLYOU'RE GOING TO MAKE?

THE POLICE?

AFTER ME.

GOODBYE, GRACE.

[SIGHS]

WELL, I CROSS-CHECKEDTHE DAILY BUS SCHEDULE

WITH THE TIMETHEY FOUND HIM.

HE WASN'T HERE LONG,

SO WE CAN ASSUME HE CAMEON A RECENT BUS THAT DAY.

WELL, THIS IS WHERETHEY FOUND HIM.

RIGHT ON THAT BENCH,

SLUMPED OVER, UNCONSCIOUS.

WHAT IF HE WASN'TA PASSENGER?

WHAT IF HE WAS JUST HERETO PICK SOMEONE UP?

THEN THAT PERSONTWOULD'VE FOUND HIM,

OR AT LEAST INQUIRED ABOUT HIM.

THE LAST BUSTO COME IN THAT MORNING

WAS FROM BUCKLEY.

YOU THINKTHAT'S WHERE HE LIVED?

I DON'T KNOW,

BUT THE STORAGE COMPANY,SPERLING STORAGE?

THEY HAVEA FACILITY IN BUCKLEY,

AND IT'S JUSTTWO HOURS FROM HERE.

LET'S GO.

IT'S NOT JUST JEWELRY,SHE'S PAINTING, SCULPTING.

HER WORK BELONGSIN A REAL GALLERY,

NOT MOON'S.

WHAT ARE YOU,HER AGENT NOW?

WELL, YOU KNOWWHAT JUSTINE IS LIKE.

I MEAN, SHE'S, I DON'T KNOW,AFRAID, INSECURE.

SHE WOULD NEVERAPPROACH YOU ON HER OWN,

AND YOU,AS HER GOOD FRIEND,

ARE IN A POSITIONWHERE YOU CAN HELP HER ALONG.

WELL, I WOULDN'T SAY"GOOD FRIEND."

WOULD YOU COME ON...

IT WOULD MEANTHE WORLD TO HER.

SHE RESPECTS YOU,

AND YOU HAVE SUCH A GREAT EYE

FOR SPOTTING FINE ART.

YEAH, SPOTTING IT,BUT NOT CREATING IT.

HEY...

YEAH,WE ALL HAVE OUR GIFTS,BUT NOT CREMARYELLEN,

AND THE OWNERS OF THAT GALLERYRECOGNIZED YOURS

WHEN THEY HIRED YOU TO MANAGE ITAT 25 YEARS OLD.

IT'S PRETTY IMPRESSIVE,

IF YOU ASK ME.

WELL, ACTUALLY, THEY HIRED MEA MONTH BEFORE MY BIRTHDAY,

SO, TECHNICALLY,I WAS 24 YEARS OLD.

[LAUGHS]

THAT'S MY GIRL.

I GOTTA RUN.

I'M LATE FORA CONFERENCE CALL.

OH, OF COURSE YOU ARE.

HEY THERE.

WELL, HEY!

YOU... YOU'RE JUST THE MANI'M LOOKING FOR.

YOU'RE HERE ALREADY.

GREAT, YOU DIDN'T HAVE TOWAIT LONG, DID YOU?

NO, I, UH,

I JUST ACTUALLYGOT HERE.

BUT I'M READY TO GOWHENEVER YOU ARE.

OKAY, GREAT.HOLD THAT THOUGHT.

UH, YOU WANTED TO TALK TO ME?

YES, UH, OLIVIA CALLED,

AND SAID SHE MIGHT BE LATEFOR DINNER TONIGHT.

IS EVERYTHING ALL RIGHT?

OH, YEAH, SHE JUSTGOT HUNG UP,

DOING SOME STUFF WITH HER MOM.

SHE SENDS HER APOLOGIES.

OH, WELL, THANK YOU.

OKAY.

SO I'M GOING TO... GO.

I'VE GOT A... THING I GOT TO DO.

SO I'M GOING TOGO DO IT.

GO DO THAT THING.

YUP.

ALL RIGHT. BYE-BYE.

LET'S GO.

OKAY.

[ERIC CLEARS HIS THROATAWKWARDLY]

HERE WE ARE.

WHAT IF HE WAS SOMEKIND OF AX MURDERER,

AND KEPT HIS VICTIMSIN HERE?

OH, MY GOD.YOU'RE AS BAD AS GRACE.

WOW.

HE HAD QUITE THE COLLECTION.

NO WONDERHE LOOKED SO FAMILIAR.

HE WAS TOM HARTING.

THE COUNTRY SINGER?

YES.

BIG STARBACK IN THE DAY.

I HAD SOME OF HIS RECORDS.

WASN'T HE A BITOF A TROUBLEMAKER?

HE HAD HIS DEMONS.

THEN HE JUST DROPPEDOFF THE MAP.

I CAN'T BELIEVE IT.

TOM HARTINGIN CEDAR COVE.

[DOOR SQUEAKS OPEN]

MOM'S RIGHT.

YOU ARE GIFTED.

THANKS.

YOU ARE GIFTED.SETH'S BOAT?

YEAH.

HE LEFT EARLIER,FOR A JOB.

GONNA BE GONEA FEW WEEKS.

WEEKS? OUCH.

I DON'T KNOWIF I COULD HANDLE THAT.

LONG-DISTANCERELATIONSHIP,

SO MANY THINGSCAN GO WRONG.

NOT THAT ANYTHING'SGONNA GO WRONG WITH YOURS.

IT'S NOT EVEN A RELATIONSHIP.

I MEAN, WE JUST STARTED DATING.

THESE JEWELRY PIECES,

THEY'RE GREAT.

YOU UP FOR DISPLAYING THEMAT THE GALLERY?

THEMY JEWELRY IN YOUR GALLERY?

AND THAT DRAWINGYOU'RE DOING...

AND WHATEVER ELSE YOU HAVE.

I HEARD YOU'VE ALSO BEENPAINTING AND SCULPTING?

ARE YOU SURE?

YES.

AND YOU SHOULD BE, TOO.

OKAY.

I MEAN...

YES. THANK YOU.

GO! GO! GO! GO! GO!

[LAUGHING]

IT WAS AMAZING.

HE WASN'T JUSTA FAMOUS SINGER,

HE WAS A REALLYGOOD ARTIST, TOO.

[SETS MUG DOWN FIRMLY]

WHAT'S WRONG?

I HAVE TO TELL YOU SOMETHING,AND YOU'RE NOT GONNA LIKE THIS.

JACK'S SON?

I SAW HIM STEAL MONEY.

HE TOOK MAYBE 40 BUCKS,

FROM THE PETTY CASH BOXAT "THE CHRONICLE."

[SIGHS HEAVILY]

DID YOU TELL JACK?

NO. I WANTED TO,

BUT I THOUGHTI'D TELL YOU FIRST.

I GOTTA...

I-I THINK THIS KID'SGOING TO BE TROUBLE.

WELL, HE HAS HAD A ROUGH LIFE.

HE'S PROBABLY GOTA LOT OF RESENTMENT BUILT UP.

SO, WHAT ARE YOU GOING TO DO?ARE YOU GOING TO TELL HIM?

I DON'T KNOW.

I'M HAVING THEM OVER FOR DINNER.I'LL JUST HAVE TO WAIT AND SEE.

[RADIO PLAYS]: NO MATTERWHERE I GET TO TRAVEL,

WHO I GET TO MEET,

AND THE STORIES I GET TO SHARE,

I LONG TO BE HOME.

HOME IS NEVER TO BE UNDERRATED.

YOU'RE LISTENING TODELILAH...

YOU FINDINGANYTHING GOOD?

ALL OF IT.

THAT MAN LED QUITE THE LIFE.

I'M GOING TO WRITE ABOUT HIMFOR MY NEXT COLUMN.

SOUNDS LIKEA GOOD IDEA.

WELL, I'M OUT OF HERE, SO, UH...

JUST LOCK UP WHEN YOU'RE DONE?

WILL DO.

OKAY.

HEY!

HEY! HEY, WHATIS THIS THING?

THAT IS A BIRDHOUSE.

HOPEFULLY.

I'M TAKING WOODWORKING LESSONS.

COOL.

HEY, WHYAREN'T YOU DRESSED?

WE'RE DUE AT OLIVIA'S,LIKE, RIGHT NOW, MISTER.

LET'S GET GOING.

OH, SHOOT.

GIVE ME TWO SECONDS.

YEAH.

HEY, OLIVIA.

YOU'RE SERIOUS ABOUT HER?

I DON'T KNOW.

WHY, YOU DON'T LIKE HER?

NO. NO, SHE'S GREAT.

SHE'S JUST, UM...

JUST, UH...

NOT LIKE MOM.

RIGHT.

IN A-- IN A GOOD WAY.

I'M HAPPY FOR YOU.

OLIVIA, I WAS RIGHT.

HE WAS COMING HERETO FIND HIS FAMILY.

WOW, LOOK AT YOU.

THIS IS QUITE THE SPREAD.

I THOUGHT YOU SAIDYOU DON'T COOK.

I DON'T.

BUT PLENTY OF PLACES DELIVER.

DIG IN.

HOW ARE YOU ENJOYINGCEDAR COVE?

I LOVE IT.

I MEAN, IT'S KIND OF QUIET,

A LITTLE BITSLOW, BUT...

SORRY, DID YOU WANTSOME OF THIS?

OH. YES, PLEASE.

BUT, I, UH...

I WAS ACTUALLY THINKING OFLIVING HERE PERMANENTLY.

YOU KNOW, I'D GET MY OWN PLACE.

I'M NOT MOVING INWITH YOU FOR GOOD--

NO, THAT'S NOT--

IT'S NOT THAT AT ALL.

STAY AS LONG AS YOU WANT.

ALL RIGHT.

I'M JUST KIND OF SURPRISED

THAT YOU WOULD EVEN CONSIDERLIVING IN SUCH A SMALL TOWN.

AREN'T YOU THE BIG CITY GUY?

I COULD ASK YOUTHE SAME THING.

I MEAN,I'M JUST THINKING

IF YOU CAN BE HAPPY HERE,

MAYBE I CANBE HAPPY HERE.

I'VE GOT TO FIND MYSELFA JOB, THOUGH, FIRST, RIGHT?

-WHAT DO YOU DO?-ANYTHING.

MOSTLY HANDYMAN STUFF,CONSTRUCTION.

I DIDN'T REALLYHAVE MONEY FOR COLLEGE,

SO I KIND OF HAD TO FIGURETHIS THING OUT ON MY OWN, RIGHT?

YEAH.

HEY, I DIDN'T MEAN ITLIKE THAT--

IT'S OKAY.

I MADE A LOT OF MISTAKESWITH YOU

GROWING UP,

AND I CAN'T CHANGE THAT.

WHAT I CAN CONTROL

IS WHAT HAPPENSFROM HERE ON OUT.

SO HOPEFULLY,

I CAN BE THE FATHER NOWTHAT I ALWAYS SHOULD'VE BEEN.

SO...

[CLEARS THROAT]

I, UH,

FORGOT TO TELL YOUSOMETHING.

I BORROWED SOME MONEY

FROM YOUR PETTY CASH BOXIN YOUR OFFICE?

I HOPE IT'S OKAY?

I'M GOING TO PAYYOU BACK, I PROMISE.

OH, THAT'S FINE,DON'T WORRY ABOUT IT.

IT'S FINE,TAKE WHATEVER YOU NEED.

-YEAH?-YEAH.

[CHUCKLES]

[♪]

♪ BREAK INTO A BLOSSOM ♪

♪ FIND A PLACEWHERE THOUGHT MAY GROW ♪

♪ I CAN BE MYSELF WITH YOU ♪

♪ AND THAT IS ALLI NEED TO KNOW ♪

♪ MY STRENGTHSAND MY WEAKNESSES ♪

♪ WITH AN OPEN HEARTYOU EMBRACE IT ALL ♪

POLARIS.

♪ WITH YOU I FEEL SO SAFE ♪

♪ AND TOGETHERWE CAN LOSE CONTROL ♪

FOUR TIMESI CALLED HIM. I FEEL SO SAFE ♪

CLIFF HARTING.TOM HARTING'S SON.

HE HAS A RANCHOUTSIDE OF TOWN.

I LEAVE MESSAGES,HE DOESN'T CALL ME BACK.

MAYBE HE DOESN'TWANT TO TALK TO YOU.

I JUST WANT TO TELL HIMABOUT HIS FATHER.

[TELEPHONE RINGS]

HELLO?

HEY, IT'S ME.

HI, ME.

LISTEN, I KNOW WE HAD PLANNED

ON SPENDINGTHE DAY TOGETHER TOMORROW...

LISOLYMPIC NATIONAL PARK.NNED

WE MAY HAVE SUNSHINE.

YEAH, ABOUT THAT, UM...

ERIC FOUND OUT THATTHE MARINERS ARE BACK IN TOWN

AND THATTHERE'S A DAY GAME TOMORROW.

HE WANTS TO GO SEE IT,JUST THE TWO OF US...

OH, I SEE.

FATHER-SON ACTIVITY, RIGHT?

RIGHT.

THAT'S GREAT.

I'M REALLY SORRY.

DON'T WORRY ABOUT IT.

YOU GUYS HAVE FUN.WE CAN DO IT SOME OTHER TIME.

I'LL TALK TO YOU LATER, OKAY?

OKAY.

TALK TO YOU LATER.

TROUBLE?

HMM.

-HI, STAN.-HEY.

WHAT ARE YOU DOING HERE?

LOOKING FOR CHARLOTTE.

YOU JUST MISSED HER.

OH, WELL, I WAS IN TOWN,

AND JUST THOUGHTI'D SEE WHAT HAPPENED

WITH THE OLD MAN'S KEY.

TURNS OUT HE WAS TOM HARTING.

FAMOUS COUNTRY SINGERBACK IN THE DAY.

REALLY? WOW.

YEAH, BUT MOM'S COME UPAGAINST A BIT OF A ROADBLOCK

TRYING TO TRACK DOWN HIS FAMILY.

SINCE WHEN DID A ROADBLOCKEVER GET IN YOUR MOTHER'S WAY?

[LAUGHS]

SINCE WHEN DID A ROADBLOCKEHEY, LISTEN, ARE YOU HUNGRY??

WANT TO GRAB A BITE TO EAT?

I'M EXHAUSTED.

I THINK I'M JUSTGOING TO GO HOME

AND DECOMPRESS.

SURE.

WELL, I'LL SEE YOU LATER THEN.

YEAH.

[RADIO PLAYS]LOVE'S MESSY...

IT'S MESSY,AND IT'S COMPLICATED,

AND IT REQUIRES FORGIVENESS,

AND LETTING THE OTHER PERSONBE THEMSELF.

SOMETHING TO THINK ABOUT.

YOU'RE LISTENING TO DELILAH...

[GATE CLANKS]

CAN I HELP YOU?

CLIFF HARTING?

I'M CHARLOTTE JEFFERS.

I CALLED YOUA FEW TIMES,

BUT YOU DIDN'TCALL ME BACK.

MOST PEOPLE WOULD GET THE HINT.

LOOK, YOUR FATHERWAS ON HIS WAY TO--

MY FATHER ABANDONEDHIS FAMILY YEARS AGO.

LEFT MY MOTHER AND ITO FEND FOR OURSELVES.

HE DIDN'T GIVE A DAMN ABOUT US,

SO I DON'T GIVE A DAMNABOUT HIM.

BUT THAT'S WHERE YOU'RE WRONG.

HE DID GIVE A DAMN.

WHICH IS WHY HE WASON HIS WAY TO FIND YOU.

THIS SONG.

HE RECORDED IT FOR YOU.

I'D LIKE YOU TO LISTEN TO IT.

I'D LIKE TO MAKE SUREYOU LISTEN TO IT.

AFTER THAT,I'LL LEAVE YOU ALONE.

[♪]

♪ I MADE SOME MISTAKES ♪

♪ MORE THAN A FEW ♪

♪ BUT OF THESE MISTAKES... ♪

♪ NONE OF THEM WERE YOU ♪

♪ I HOPE THEY FORGIVE ME ♪

♪ THE THINGS I HAVE DONE ♪

♪ I WANT YOU TO SEE ME ♪

♪ FOR YOU ARE MY SON ♪

♪ PLEASE JUST RELATE TO ME ♪

♪ THE WAY THAT YOU ARE ♪

♪ I WOULD DO ANYTHING ♪

♪ IF IT'S FOR YOU ♪

♪ I WANT YOU TO KNOW ME ♪

♪ I WANT YOUTO KNOW ME ♪

♪ I WANT YOU TO KNOW... ♪

♪ KNOW ME ♪

[♪]