Original subtitles

PLEASE DON'T EVER BRINGA CUP OF COFFEE--

-...INTO MY COURTROOM AGAIN.OH, WELL, I WAS JUST--

IT SEEMS CONGRATULATIONSARE IN ORDER.

ALL IT SAYS

IS THAT I'M BEING CONSIDEREDFOR FEDERAL JUDGESHIP.

I WANT YOU TO BREAK OFFTHE ENGAGEMENT.

YOU'RE NOT REALLYACTING VERY ETHICAL

RIGHT NOW, YOUR HONOR.

YOU'RE NOT GONNAHURT MY DAUGHTER.

[♪]

HEY, GRACE!

WHAT ARE YOU DOING HERE?

YOU'RE NOT SUPPOSED TO BE HOMETILL SUNDAY.

GEE, THANKS.I MISSED YOU, TOO.

I'M SORRY.

WELCOME HOME!

THANK YOU! [LAUGHS]

I JUST DIDN'TWANT TO GO TO MY PLACE.

I WANTED TO COME HERE FIRST.

I'M GLAD.

HOW WAS SEDONA?

IT WAS AMAZING.

THE SUNAND THE RED ROCKS

WERE SO BEAUTIFUL.

PERFECT PLACETO JUST GO AND RELAX

AND FEEL SORRYFOR MYSELF.

WELL, YOU LOOK GREAT.

WHY DON'T WE MAKE SOME TEA,PUT OUR FEET UP

AND TALK?

OKAY.

[EXHALES WEARILY]

DAN MAILED OUR DIVORCE PAPERS TOTHE HOTEL.

GUESS HE'S IN A HURRYTO MAKE IT OFFICIAL.

ROOM SERVICE DELIVERED THEMWITH MY MORNING COFFEE.

THAT'S HORRIBLE.

JUST COMPLETELY RUINEDMY PITY-PARTY VACATION.

THAT'S WHY I CAME BACK EARLY.

I'M SO SORRY.

IT'S OKAY.

YOU CAN ONLY DO SO MUCH YOGAAND MEDITATION

BEFORE YOU START TO GET SICKOF YOUR OWN INNER-CHILD.

WELL, DAN'S AN IDIOT,AND I'M GLAD TO HAVE YOU HOME.

HAVE I TOLD YOUHOW MUCH I APPRECIATE

YOU FOR BEING THERE FOR METHROUGHOUT THIS WHOLE THING?

GOD KNOWSYOU'VE BEEN HERE FOR ME!

WELL, I'M VERY GRATEFUL.

SO... I BROUGHT YOUTHIS LOVELY SOUVENIR.

IT'S A ROCK.

IT'S FROM SEDONA!

I DIDN'T HAVE TIME TO SHOP.

OH, GRACE!

YOU'RE GONNA BE ALRIGHT.

I PROMISE.

HOW DOYOU KNOW THIS?

I FEEL LIKE MY LIFE IS OVER!

BECAUSE I KNOW YOU.

YOU'RE BEAUTIFULAND KIND AND SMART...

AND YOU HAVE ME.

THIS ISN'T THE END OF ANYTHING.

IT'S A NEW BEGINNING.

A NEW CHAPTER.

AN EXCITING ADVENTURE!

ARE YOU USING BOOK METAPHORSBECAUSE I'M A LIBRARIAN?

TOO MUCH?

NAH, IT'S OKAY. KEEP GOING.

YOU ARETHE AUTHOR OF YOUR LIFE.

YOU GET TO DECIDEWHAT STORYLINE COMES NEXT!

IT'S YOUR SEQUEL!

CAN I BE TALLER AND THINNER?

WHY NOT?

[♪]

SO, PAUL,FROM HERE TO HERE.

OKAY, NOW, I KNOW

YOU'VE GOT TO PROBABLY TAKE OUTA FEW TREES AS WELL,

THAT'S FINE, BUT TRY TO AVOIDTHIS ONE HERE--

THAT'S A SELLING POINT.

IT'S A BEAUTIFUL OKAY, BUT--

[GRAVEL CRUNCHING]

I'LL BE RIGHT BACK, OKAY?

CALLED YOUR OFFICE.THEY SAID YOU WERE OUT HERE.

SORRY TO INTERRUPT,BUT, UM...

I'VE BEEN LEAVING YOU MESSAGES,YOU DON'T RETURN MY CALLS--

I'M SORRY, HONEY, I JUST--

I'VE BEEN REALLY BUSY LATELY,THAT'S ALL.

I'M SWHAT'S GOING ON?UST--

OH!

I'M JUST WORKING OUTTHE LOGISTICS

TO TEARING DOWNTHE LIGHTHOUSE.

TEAR DOWNTHE LIGHTHOUSE?

YEAH, JUSTINE.I OWN THE PROPERTY.

I'VE BEEN TRYINGTO SELL IT

FOR TWO YEARS NOW.

BUT I'VE CHANGEDMY STRATEGY.

YOU SEE, I'M GOING TOLEVEL THE LAND,

AND BUILD UPE CHANGEDA NEW ESTATE.EGY.

WARREN, NO, YOU CAN'TTEAR DOWN THE LIGHTHOUSE.

IT'S BEEN HERE FOREVER.

IT MEANS A LOTTO PEOPLE IN TOWN.

LOOK, I DON'T HAVE TIMETO DISCUSS THIS RIGHT NOW.

LET'S TALKABOUT IT LATER.

NOW, LOOK,YOU CAME DOWN HERE.

IF YOU HAVE SOMETHINGTO SAY, SAY IT.

IF NOT, I'VE REALLYGOT TO GET BACK TO THIS.

[♪]

I'M BREAKING OFFOUR ENGAGEMENT.

I CAN'T MARRY YOU.

OKAY, WAIT A SEC. WHAT IS GO--WH-- WHAT'RE YOU DOING?

YOU'RE BREAKING UP WITH ME?

WE WERE NEVER A GOOD FIT.

WE BOTH KNOW IT.

YOU KNOW WHAT?YOU'RE RIGHT.

YOU'RE ABSOLUTELY RIGHT.I HAVE BEEN AVOIDING YOU.

I'VE JUST BEEN TRYINGTO FIGURE OUT IN MY OWN HEAD

HOW TO TELL YOUTHE EXACT SAME THING.

I'VE JUST BEEN TRYINGTO [SCOFFS LIGHTLY] WHAT?EAD

THAT YOU WERE GONNABREAK UP WITH ME?

YES, AND I SHOULD'VE DONE ITEARLIER.

I'M SORRY, I JUST, UH...

I JUST DIDN'T WANT TO HURT YOU.

THAT'S FINE.

YOU WANT TO BE THE ONEWHO OFFICIALLY ENDS THIS--

IT'S THE TRUTH, JUSTINE.I WAS GONNA COME OVER--

I DON'T CARE. GO AHEAD. TELLTHEM ALL THAT YOU DUMPED ME.

I'M FINE WITH IT.

YOU KNOW WHAT? I DON'THAVE TIME TO TALK LIKE THIS.

OKAY? YOU'RE MAKING A SCENE.

I'VE GOT A LIGHTHOUSETO TEAR DOWN.

[♪]

ARE YOU KIDDING ME?A FEDERAL JUDGESHIP?

SOMETHING YOU HAVE DREAMED ABOUTSINCE, LIKE, FOREVER.

HOW COULD YOUTURN THAT DOWN?

I DON'T KNOW,

I JUST WAS AFRAIDI'D MISS CEDAR COVE,

AND MY FAMILYW,AND MY FRIENDS,

I WAS AFRAIDI'D GET HOMESICK.

OH, NO, NO, NO, NO.NO, NO. YOU...

YOU AREHIDING SOMETHING.

-NO!-YES, THERE'S MORE TO THIS.

NO, I-- IT JUSTDIDN'T FEEL RIGHT.

[DOOR THUDS]

MOM!

WHAT'RE YOU DOING HERE?

UH, I LIVE HERE,LAST TIME I CHECKED.

I THOUGHT YOU WEREN'TCOMING HOME UNTIL SUNDAY.

NO. THE EMAIL I SENT YOUSPECIFICALLY SAID TODAY.

OH, GOSH!I AM SO SORRY.

IT HAS BEEN TOTALLY CRAZY.

THE LAST FEW DAYS, I CAN'T EVENKEEP MY HEAD ON STRAIGHT.

OH, JUSTTHE LAST FEW DAYS?

CATCH UP LATER?I AM SO LATE FOR WORK.

[LAUGHS] GO!

[BOTH]: MWAH!

-BYE!-BYE!

IS SHE EVER NOT LATE?

[BOTH CHUCKLE BRIEFLY]

ARE YOU OKAY?

[SNIFFLES]

26 YEARS OF MARRIAGE.

A LIFETIMEOF MEMORIES.

I JUST...I NEVER THOUGHT

I'D BE STARTING OVERAGAIN AT MY AGE.

I KNOW...

JUST DON'T LOOK BACKWARDS,LOOK FORWARDS.

IT'S TIME TO BUILDNEW MEMORIES.

[DISGUSTED GRUNT]YOU.

ALL POSITIVEAND UPLIFTING.

OF COURSE I AM!I LEARNED FROM YOU.

OH, YES, YOU DID.

WOW. IT'S BEAUTIFUL.

THANK YOU. [GIGGLES]

WE WANT TO RUNAN AD IN THE PAPER.

FIRST OR SECOND PAGE.

WE WANT TO REACHEVERYONE IN TOWN.

WELL, WHY DON'T YOU JUST

STAND IN THE MIDDLE OF THE ROADAND SHOUT?

I'M SORRY.MY IDEA OF SMALL-TOWN HUMOR.

UM, OKAY, SO YOU WANTTO BUY AN AD?

YEAH,THE THYME AND TIDE.

YEAH, WE ARE THE GO-TOBED-AND-BREAKFAST

IN THE AREA.

AND YES, I KNOW,BEFORE YOU EVEN SAY IT,

WE ARE--

AN...THE ONLY BED-AND-BREAKFASTBEFORE YOUIN THE AREA.,

WE ARE--[ALL CHUCKLING]

WE JUST ADDED WIFITO ALL THE ROOMS.

-PEOPLE NEED THE FACEBOOK.WE ARE--[-OH, THEY DO.]

SO, HAVE YOU THOUGHT ABOUTWHAT THIS AD SHOULD SAY?

UH, SOMETHING CATCHYAND PROVOCATIVE.

SEX SELLS!

OH, IT DOES.

YOU KNOW, SOMETHING THATREALLY GRABS YOUR ATTENTION.

"ONCE YOUSLEEP WITH US,

YOU'LL NEVER WANT TOSLEEP WITH ANYONE ELSE."

THAT ACTUALLY MIGHT BETOO PROVOCATIVE.

-REALLY?-YEAH!

Y-- UH-- I-I SEEWHAT YOU MEAN. YEAH.

I'LL TELL YOU WHAT, GUYS.

I WILL COME UP SOMETHING TONIGHT

AND PUT ITIN THE PAPER TOMORROW.

RIGHT BETWEEN

WARREN SAGETTEARING DOWN THE LIGHTHOUSE

AND THE NEW APPLE STORE--

WHICH, AS IT TURNS OUT,JUST SELLS APPLES.

WARREN SAGET'SGOING TO TEAR DOWNPLE STORE--

THE CEDAR COVELIGHTHOUSE?

-MM-HMM.-NO.

THAT'S NOT POSSIBLE.

WELL, HE SAYSHE OWNS THE LAND,

THE LIGHTHOUSEHASN'T BEEN USED IN YEARS.

HE'S GONNA DEMOLISH ITAND BUILD A HOME.

HE CAN'T DO THAT.

THAT LIGHTHOUSEIS OVER A HUNDRED YEARS OLD.

THEY SAY THATTHE MAN IN THE STATUE

IN FRONT OF CITY HALLISIS THE ONE WHO BUILT IT.D.

THAT LIGHTHOUSESAVED COUNTLESS LIVES.

MINE AMONG THEM.

BOB USED TO WORKAS A FISHERMAN.

THAT LIGHTHOUSEMEANS A LOT TO US.

SO... [SIGHS HEAVILY]

THIS REALLY IS BIG NEWS?

HE'S NOT GOING TO GET AWAYWITH IT.

YOU NEED TO WRITE ABOUT THIS,

LET PEOPLE KNOWWHAT'S HAPPENING.

YOU'LL PRINTTHATON THE FRONT PAGE.

OKAY. [EXHALES]

PEGGY, BOB... I'M ON IT.

COOPERTON'S CENTERJUST CLOSED.

WE'VE TAKEN INSOME OF THEIR PATIENTS.

JUST TELL MEWHO TO LOOK AFTER.

THESE CAME ININ THE LAST TWO DAYS.

JUST TELL MEA "JOHN DOE"?FTER.

OH, IT'S A SAD CASE.

A STROKE VICTIMFOUND UNCONSCIOUS

ON A BENCHIN THE BUS STATION

A FEW WEEKS AGO.

NO WALLET OR I.D.

HE MIGHT'VE BEEN ROBBED,WE DON'T KNOW.

OH! THAT'S TERRIBLE!LET OR I.D.

WELL, TO MAKEMATTERS WORSE,

THE STROKE LEFT HIMUNABLE TO SPEAK,

SO NO ONE KNOWSWHO THE MAN IS,

WHERE HE COMES FROM.

NO ONE'S INQUIREDABOUT HIM,

SO WE DON'T KNOW IFHE EVEN HAS ANY FAMILY.

I GOTTA RUN.E'S INQUIREDTHANK YOU SO MUCH AGAIN!

AND, I MEAN,A FEDERAL JUDGESHIP

DOESN'T COME ALONGEVERY DAY, OLIVIA.

I'M AWARE OF THAT.

WELL, I JUST WANTTO MAKE SURE

YOU THOUGHTTHIS THING THROUGH.

THIS WASA DIFFICULT DECISION.

I DIDN'TMAKE IT LIGHTLY.

HEY!

OH, HEY! HEY.

OH! OH, GRACE,THIS IS JACK GRIFFITH.

HE'S THE NEW EDITOROFTHE CHRONICLE.

HELLO.

HELLO BACK.

SO, YOU...LOOK GREAT, AS USUAL.

[GIGGLES]

WE, UM, WE STILL ONFOR DINNER?

YEAH. YEAH.

GOOD. EXCELLENT.

[AWKWARD CHUCKLE]

GO AHEAD,KISS HER.

DON'T MIND ME.SERIOUSLY.

YEAH...

RIGHT.

UH, YOU KNOW WHAT?

I ACTUALLY HAVE TOGET BACK TO WORK.

SO, GRACE,PLEASURE MEETING YOU.

OH, TRUST ME, JACK,PLEASURE WAS ALL MINE.

YEAH...

[GIGGLES]

-I'LL SEE YOU LATER.-OKAY.

SO HE'S THE REASON

YOU TURNED DOWNTHE JUDGESHIP.

NO. NO.IT'S NOTHING SERIOUS.

OF COURSE NOT.

YOU'RE JUSTFRIENDS, RIGHT?

YEAH. GOT IT.

ONE LARGE NON-FAT LATTE,EXTRA WHIP CREAM,

HOLD THE IRONY.

I WAS JUST ADMIRING

THIS NEW BRACELETYOU MADE.

YOU LIKE IT?

IT'S AWESOME.

YOU THINK EVERYTHINGIS "AWESOME."

AH, WHICH,

WHEN YOU CONSIDER ITIN THE GRANDER SCHEME OF THINGS,

IS IN AND OF ITSELFAWESOME.

[CHUCKLES]

HEY!

[CHUCKLESHEY...

I HEARD YOU WANTEDTO TALK TO ME. WHAT'S UP?

YEAH. UM...

I... I JUST WANTEDTO LET YOU KNOW

THAT I...

[TAKES A BREATH] BROKE OFFMY ENGAGEMENT TO WARREN.

GLAD I COULD BRIGHTEN YOUR DAY.

NO, HONEY! YOU KNOW I WANTWHAT'S BEST FOR YOU.

HOW DID HE TAKE IT?

HE WAS UPSET,WHICH WAS WEIRD,

BECAUSE HE CLAIMEDHE WAS GONNA BREAK UP WITH ME.

REALLY?

IT'S ALL FOR THE BEST,

ESPECIALLY CONSIDERINGWHAT HE'S ABOUT TO DO.

WHAT'S THAT?

OKAY, EVERYONE,CAN I HAVE YOUR ATTENTION?

WARREN SAGET WANTS TO TEAR DOWNTHE CEDAR COVE LIGHTHOUSE.

I'M LOOKINGFOR SOME SIGNATURES.

[RADIO]:YOU'RE LISTENING TO DELILAH.

WHY FOCUS ON THE PAST

WHEN YOU CAN'TDO A THING ABOUT IT?

SOMEONE VERY WISE ONCE SAID,

"NEVER LOOK BACK,

UNLESS YOU PLAN ONGOING THAT WAY."

HELLO. I'M CHARLOTTE JEFFERS,ONE OF THE VOLUNTEERS HERE.

I CHECK IN WITH THE PATIENTS,MAKE SURE THEY'RE COMFORTABLE,

VISIT WITH THEM...

WHETHER THEY LIKE IT OR NOT.

UH, I KNOW YOU CAN'T SPEAK,BUT IT'S OKAY.

I DO ENOUGH TALKINGFOR THE BOTH OF US.

YOU COMFORTABLE?

I WANT TO MAKE SUREYOUR STAY HERE IS AS NICE AS--

HAVE WE MET BEFORE?

BECAUSE YOU LOOK FAMILIAR.

GIVE MEA SECOND, OKAY?

GENTLEMEN.

HOW CAN I HELP YOU?

I JUST WANT TO HAND YOUTHIS PETITION,

SIGNED BY NEARLYEVERY RESIDENT OF CEDAR COVE,

DEMANDING YOU STOP ANY PLANSTO TEAR DOWN THAT LIGHTHOUSE.

[AMUSED CHUCKLE]

LOOK, BOB, I APPRECIATEYOUR CONCERN, I DO,

BUT WE ALL KNOWTHE REAL ESTATE MARKET

IS STILL STRUGGLING, RIGHT?

SO I REALLY HAVE NO CHOICEBUT TO REBUILD

ONMYPROPERTYIN ORDER TO CHANGE THE VALUE.

THE LIGHTHOUSEIS A HISTORIC LANDMARK.

WELL, NO, IT ISN'T, ACTUALLY.

REALLY?

YEAH.

A STRUCTURE THAT OLD

HAS NO HISTORICBUILDING PROTECTION?

I MEAN, I'VE SEEN

BUILDINGS HALFAS OLD AS THAT

FALL UNDER THE PROTECTIONOF THE STATE.

NO. BUT FEEL FREE TO CHECK OUTTHE TOWN RECORDS, IF YOU'D LIKE.

I DON'T CAREABOUT THE TOWN RECORDS.

I CARE ABOUT THE TOWNSPEOPLE,

AND THE PEOPLE WILL NOTLET YOU TEAR IT DOWN.

ALRIGHT, LOOK,

I UNDERSTANDTHAT YOU HAVE TO MAKE THIS

MAKE SENSE TO YOU ECONOMICALLY,I GET THAT,

BUT MAYBETHERE'S A WAY TO DO BOTH.

I MEAN, WHY NOT BUILDAROUND THE LIGHTHOUSE,

OR ACTUALLY INCORPORATE IT

INTO THE PROJECTTHAT YOU'RE BUILDING?

YOU KNOW, TURN IT INTOA BONUS R--

I OWN THE PROPERTY, JACK,WHICH MEANS WHAT?

I CAN DO WHATEVERI WANT TO DO WITH IT.

NOT YOU. ME.

AND THERE'S NOTHING YOU ORTHIS TOWN'S GONNA DO TO STOP IT.

UNDERSTAND?

WARREN, COME ON.

YOU HAVE TO LIVEWITH THESE PEOPLE.

DO YOU REALLY WANT TO ALIENATEYOUR NEIGHBORS LIKE THIS?

JUST LIKE YOU SAID, JACK.IT'S ALL ABOUT ECONOMICS.

[SNICKERS] YEAH,BUT YOU'RE TREATING THIS

JLIKE IT'S NEW YORK CITY.AND YOU'RE DONALD TRUMP..

YOU DO REALIZETHIS IS JUST MAYBERRY, RIGHT?

OH, YOU DO REALIZE THIS HASNOTHING TO DO WITH YOU, RIGHT?

BOB.

YEAH, WELL, IT HASSOMETHING TO DO WITH ME,

AND I WILL BE DAMNEDIF I'LL LET YOU DO IT!

ALRIGHT, BOB.

BOB...WE'RE GONNA MAKE THIS WORK.

HOW?

BOB...WE'RE GONNWELL, FOR STARTERS,

YOU NOW HAVE THE FULL FORCEOF THE MEDIA BEHIND YOU.

YEAH?

WELL, I'D LIKE TO HAVETHE FULL FORCE OF MY FIST

BEHIND HIM.

[MOON]: "THE ROCKY LEDGERUNS FAR INTO THE SEA,

"AND ON ITS OUTER POINT,SOME MILES AWAY,

"THE LIGHTHOUSE LIFTSITS MASSIVE MASONRY--

"A PILLAR OF FIRE BY NIGHT,

"OF CLOUD BY DAY.

"AND AS THE EVENINGDARKENS, LO--

"HOW BRIGHT,

THROUGH THE DEEP PURPLE--"

WHOA. YEAH. "DEEP PURPLE."

[MOON CHUCKLES]

UH, "...THE DEEP PURPLE OF--OF THE TWILIGHT AIR,

"BEAMS FORTH THE SUDDEN RADIANCEOF ITS LIGHT

WITH STRANGE, UNEARTHLY SPLENDORIN THE GLARE."

THOUGHT YOU WERE ONA FISHING BOAT IN ALASKA.

I WAS,JUST A FEW DAYS.

FILLING IN FOR SOMEONEWHO WAS SICK.

NOW I'M BACK.

FOR HOW LONG?

TILL THE NEXT JOB.

WHO KNOWS?

I HEARD A RUMOR THAT...

YOU BROKE THINGS OFFWITH WARREN.

NOT A RUMOR.

SO NOW THATYOU'RE SINGLE AGAIN...

YOU UP FOR ME TAKING YOUTO DINNER SOMETIME?

I THINK THATCOULD BE ARRANGED.

WHEN?

HOW 'BOUT RIGHT NOW?

[♪]

NO, I MEAN, SERIOUSLY,THE GUY WAS FUMING.

I HONESTLY THOUGHTFOR A MINUTE THERE,

THAT PUNCHES WEREGONNA BE THROWN.

IT'S NOT OVER.I KNOW BOB BELDON.

HE DOES NOTGIVE UP EASY.

[LAUGHING] YEAH!I KINDA GOT THAT!

FORTUNATELY, I DO THINKI'VE STEERED HIM

IN A SLIGHTLY] YEAH!DIFFERENT DIRECTION.THAT!

OH, AND WHAT WOULD--

THAT BE?

HEY!

SETH! SO NICEHEY!TO SEE YOU.

I DIDN'T KNOWYOU WERE BACK IN TOWN.

I CAN BARELYKEEP TRACK MYSELF.

KIDS, OH, UM...

THIS IS JACK GRIFFITH.

HE'S THE NEW EDITOROFTHE CHRONICLE.

THIS IS MY DAUGHTER--

OH! HEY!

...JUSTINE.AND HER FRIEND, SETH.

-HI. NICE TO MEET YOU.-NICE TO MEET YOU.

AND, JUSTINE...

YOU WORK AT MOON'S.

I DO! AND YOU'RE THE GUYTHAT KEEPS US IN BUSINESS.

YEAH! THAT'S RIGHT.I GO THERE EVERY DAY.

I PROBABLY BUY, WHAT,LIKE 10 CUPS OF COFFEES A DAY?

IF I HAD KNOWNYOU WERE DATING MY MOM,

I WOULD'VE OFFERED YOUTHE FRIENDS-AND-FAMILY DISCOUNT.

-NO, NO. WE WERE JUST HAVING---THERE YOU GO!

...DINNER.

I WAS JUSTMAKING A JOKE.

A REALLY BAD JOKE.

ANYWAY, UM...WE SHOULD GET A TABLE.

YOU COULD JOIN US,BUT WE'RE ALMOST THROUGH.

NO! NO, UM...

WE WOULDN'T WANT TOINTERRUPT YOUR...

YOUR DINNER.

IT WAS NICE MEETING YOU.

NICE MEETING YOU.

[MUTTERS]: AWKWARD.

SO...

I'M CONFUSED.

THIS ISN'T A DATE?

IT IS. I'M SORRY.

I-- I JUST HAVEN'T SAIDANYTHING TO HER,

AND I WAS THROWNSEEING HER ON A DATE.

SHE JUST GOT OUT OFTHIS RELATIONSHIP.

AND I WAS THROWNSEEING HAHH.N A DATE.

DO YOU THINK SHE IS GOING TOTHHAVE A PROBLEMP.

AND I WAS THROWNWITH YOU DATING AGAIN?

I DON'T KNOW.I DON'T THINK SO.

AND IF SHE DOES...

SHE WILL JUST HAVE TOGET USED TO IT.

NOW, YOU SEE,THAT SOUNDS MUCH BETTER TO ME.

[♪]

UNFORTUNATELYFOR THE PLAINTIFF,

LOCAL ORDINANCEPLACES NO LIMITATIONS

ON THE GARDEN GNOMESIN RESIDENTIAL FRONT YARDS,

WHETHER ONE GNOMEOR THE DEFENDANT'S 57,

YOU'RE ALLOWED TO HAVEAS MANY AS YOU WANT.

THERE ARE ALSONO LAWS AGAINST...

UNUSUAL TASTE.

WITH THAT IN MIND,I MUST FIND FOR THE DEFENDANT.

[GAVEL THUDS]

HI, BOB.

WHAT'S UP?

WELL, ACTUALLY,

I'M HERE ON OFFICIALBUSINESS, YOUR HONOR.

I'M TAKING MATTERSTO THE NEXT STEP.

AND "THE NEXT STEP"WOULD BE?

I'M FILING A MOTION,

ON BEHALFOF THE ENTIRE TOWN,

FOR A PRELIMINARY INJUNCTION

PREVENTING THE DEMOLITIONOF THE CEDAR COVE LIGHTHOUSE,

ON THE GROUNDSTHAT IT'S A HISTORIC BUILDING

AND THUSLY PROTECTED.

THUSLY?

DID YOU JUST USETHE WORD "THUSLY"?

I DID.

SO, UM...

THE MATTER IS NOW OFFICIALLYIN YOUR HANDS.

GOOD DAY.

[♪]

[AMBIVALENT SIGH] OHH...

WARREN!

OH, LOOK, PLEASE,CAN IT WAIT, OLIVIA?

I'M LATE FOR A MEETING.

IT'S ABOUTTHIS LIGHTHOUSE MATTER.

LOOK, I SENT YOUTHE PROPER PAPERWORK

ON THE DEAL.

YOU HAVE ENOUGHTO MAKE YOUR RULING.

WHY ARE YOU DOING THIS?

A CUSTOM-BUILTESTATE, OLIVIA,

A SCENEOVER THE COVE,

IS GONNA SELLA WHOLE LOT QUICKER

THAN A CRUMBLINGOLD EYESORE.

I THOUGHT YOU CAREDABOUT THIS TOWN,

ABOUT WHAT PEOPLETHINK ABOUT YOU.

AND I DO.

WHY MAKE YOURSELFA PARIAH?

YOU TEAR DOWNTHE LIGHTHOUSE,

PEOPLE ARE GONNAHATE YOU.

YEAH, SHORT-TERM,

MAYBE, BUT YOU SEE,I'M THINKING BIG PICTURE.

LOOK, I MAKE IMPROVEMENTSON THIS PROPERTY,

NOT ONLY DOI RAISE ITS VALUE,

I RAISE THE VALUE

OF ALL THE OTHER PIECESOF PROPERTY IN THIS TOWN.

YOU SEE, EVERYONE'SGONNA BENEFIT FROM IT.

SERIOUSLY? THAT'SWHAT YOU'RE THINKING?

LOOK, OLIVIA,TIMES CHANGE.

NOW, WE BOTH KNOW THAT,SOONER OR LATER,

THAT BUILDING'SCOMING DOWN.

I JUST HAPPEN TO BETHE ONLY ONE

WHO'S WILLING TOYANK OFF THE BAND-AID.

EXCUSE ME.

[KNOCKING AT DOOR]

I CAN'T TALK RIGHT NOW.

FINE. DON'T TALK.

OHH! HI, GRACE.

GOT YOUR MESSAGE...

THAT JUSTINEBROKE OFF THE ENGAGEMENT!

SO, OF COURSE, I HAD TO BAKE YOUYOUR FAVORITE CHOCOLATE CAKE.

THANK YOU.

YOU ARE SO WELCOME.

I'VE BEEN TRYING TOFIGURE OUT A WAY TO STOP

THIS LIGHTHOUSE DISASTER,BUT I CAN'T.

WELL, YOU WILL.YOU ALWAYS DO.

REMEMBER WHEN YOU RULEDTHE "SENIORS FOR NATURE"

COULDN'T USE THE PARKFOR THEIR MEETINGS?

EVERYBODY THOUGHTYOU WERE BEING SO UNREASONABLE,

AND NOW THEY ARE THANKING YOUFOR IT.

THAT'S BECAUSE THEY TURNED OUTTO BE A NUDIST GROUP.

NOBODY NEEDS TO SEE THAT.

[CHUCKLES]

IT'S THE HARDEST PARTOF MY JOB,

SEPARATING EMOTION FROM THE LAW.

I'M JUST AS UPSETAS EVERYONE ELSE.

I'VE LIVED HERE MY WHOLE LIFE,

I DON'T WANT TO SEETHE LIGHTHOUSE TORN DOWN.

SO? THEN WHY DIDN'T YOU TAKETHE FEDERAL JUDGESHIP?

WOULD YOU STOP ASKING ME THAT?

I TOLD YOU.

I DIDN'T WANT TO LEAVE HOMEOR MY FRIENDS.

THAT'S RIGHT, YES,I DO REMEMBER YOU SAYING THAT.

SO, WHY DIDN'T YOUTAKE THE JUDGESHIP?

[SIGHS WEARILY]

TOO MUCH CHANGE.

I COULDN'T BRING MYSELFTO SELL MY HOUSE.

ALL MY MEMORIES ARE THERE,AND JORDAN'S ROOM.

AND I STILL FEEL HIM THERE.

YOU KNOW WHAT I MEAN?

YEAH.

I GUESS I JUST WASN'TSTRONG ENOUGH TO LEAVE.

OH, GIVE ME A BREAK.

YOU'RE THE STRONGEST WOMANI KNOW.

SO?

DID YOU KISS HIM YET?

OH! [LAUGHING]

NO. IT'S JUST A FEW DATES.

BUT I DO LIKE HIM.

AND HE IS SMARTAND FUNNY--

AND GORGEOUS.

AND THERE IS THAT.

SO WHEN DO YOU THINKYOU MIGHT KISS HIM?

GIVE ME THAT FORK.

[CAKE PLATTER SCRAPES TABLE]

[♪]

[GALLEY MURMURING]

[HUSHED EXCHANGEUNDER GALLEY CHATTER]

ALL RISE.

PLEASE BE SEATED.

IN THE MATTER OF THE DEMOLITIONOF THE CEDAR COVE LIGHTHOUSE,

I HAVE STUDIEDTHE CASE THOROUGHLY,

AND ALTHOUGH I UNDERSTANDWHY THE PEOPLE OF THIS TOWN

WOULD BELIEVE THE LIGHTHOUSETO BE AN HISTORICAL BUILDING,

IT TURNS OUT IT WAS NEVERLEGALLY DESIGNATED AS ONE.

WHEN MR. SAGETPURCHASED THE PROPERTY,

HE INCLUDED,IN COMPLEX LEGALESE

AND VERY SMALL PRINT,

A SMALL WINDOW OF TIME

IN WHICH THE TOWN COULD PURSUELANDMARK STATUS,

BUT IT APPEARS THATNO ONE TOOK NOTICE OF IT,

OR THOUGHTTHAT IT WOULD BE AN ISSUE,

AND THAT TIME HAS NOW PASSED.

MR. SAGET HAS SINCE OBTAINEDALL THE NECESSARY PERMITS

FROM THE COUNTY

TO MAKE WHAT HE CALLS"IMPROVEMENTS" TO THE PROPERTY.

SO...

AS MUCH AS IT PAINSTHE PEOPLE OF THIS TOWN,

I'M AFRAID MR. SAGETDOES HAVE THE LEGAL RIGHT

TO TEAR DOWN THE LIGHTHOUSE,

AND I MUST ABIDE BY THE LAW.

THE INJUNCTION IS DECLINED.

[GAVEL WHACKSAS ANGRY MURMURING RISES]

DON'T WORRY.WE'LL FIGHT THIS.

[♪]

[GRACE]: "WORD OFJUDGE LOCKHART'S RULING

"QUICKLY SPREAD THROUGH TOWN,

ANGERING MANY RESIDENTS."

"BY ALLOWING MR. SAGETTO PROCEED WITH THE DEMOLITION,

"LOCKHART'S RULINGBRINGS TO AN END

"NOT JUST A BELOVEDTOWN LANDMARK,

"BUT A BUILDINGTHAT HAS BECOME A SYMBOL

OF CEDAR COVEAND THE PEOPLE WHO LIVE HERE."

"FOR DECADES,THE LIGHTHOUSE HAS STOOD,

"PROTECTING SHIPS

"FROM THE ROCKY SHORESOF PUGET SOUND.

"OFTENTIMES, ON CLOUDY NIGHTS,

IT WAS THE ONLY LIGHTTO BE FOUND."

"LOCAL RESIDENTBOB BELDON CALLS IT

"'A STALWART FRIEND

"'WHO, DESPITE YEARS OFROUGH SEAS AND HARSH WEATHER,

CONTINUES TO STAND TALL.'"

[OLIVIA]: "AND NOW,AFTER 100 YEARS OF SERVICE,

"THE LIGHT WILL BE EXTINGUISHED.

"BY DENYING THE INJUNCTION,

"JUDGE LOCKHART HAS EFFECTIVELY

"GIVEN THE GREEN LIGHTFOR DEMOLITION TO BEGIN

BEFORE THE END OF THE WEEK."

[♪]

[DISTANT DOOR CREAKS]

HEY. WHAT ARE YOUDOING HERE?

WELL, I WAS HOPINGWE COULD TALK.

UH, HOW ARE YOU?

FINE.

I TRIED CALLING YOUA COUPLE OF TIMES,

AND I DIDN'T HEAR BACK.

I HAD TO UNPLUG MY PHONE,I WAS GETTING SO MANY CALLS.

PEOPLE HAVEYOUR HOME PHONE NUMBER?

IT'S A SMALL TOWN.

IT'S LIKE A BIG FAMILY,AND FAMILIES FIGHT.

UNFORTUNATELY,

YOUR ARTICLE ADDED FUELTO THE FIRE.

[EXHALES TENSELY]

LOOK, IS THAT GOING TOGET IN OUR WAY?

[EI DON'T KNOW.Y]

ARE YOU LOOKING FOR SOMETHING TOGET IN OUR WAY?

NO.

'CAUSE, LOOK, OLIVIA,

I AM JUST PUTTING ONE FOOTIN FRONT OF THE OTHER HERE,

MAKING THIS UP AS I GO.

OKAY?SO IF YOU ARE SCARED, TOO...

I GET THAT.

JUST DON'T GIVE UP ON US.

NOT YET.

JUST DON'T[♪]VE UP ON US.

YOU'RE A BRAVE MAN,

BEING SEENWITH ME IN PUBLIC.

I'M THE GIRL

THAT WAS ENGAGEDTO WARREN SAGET,

THE GUY THAT'S ABOUT TOTEAR DOWN THE LIGHTHOUSE.

AND MY MOTHER?

SHE'S THE JUDGE

THAT GAVE HIMPERMISSION TO DO IT.

FEELIN' THE HEAT, HUH?

I DON'T MINDBEING SEEN WITH YOU.

IN FACT, I WANT TO BE SEENWITH YOU MORE OFTEN,

IF THAT'S OKAY WITH YOU.

I COULD EVEN BEYOUR BODYGUARD.

SO WHAT DO YOU SAY?

YOU WANNAHANG OUT AGAIN?

I DON'T KNOW, SETH.

I JUST GOT OUTOF A RELATIONSHIP.

I DON'T THINK

I SHOULD BE RUSHINGINTO ANYTHING.

YOU DON'T THINKYOU SHOULD BE,

OR YOU DON'T WANT TO BE?

IT'S OKAY. NO RUSH.

WE CAN TAKE ITAS SLOW AS YOU WANT.

I'M A PATIENT MAN.

NO, YOU'RE NOT.

YOU'RE RIGHT, I'M NOT.

BUT I CANPRETEND TO BE.

WATCH THIS. I WON'T EVENTRY TO KISS YOU RIGHT NOW.

[LAUGHS]

WOW. SUCH PATIENCE.

SEE?

I'M IMPRESSED.PATIENCE.

YOU SHOULD BE.

WELL, IF YOU CHANGE YOUR MIND...

YOU KNOW WHERE TO FIND ME.

I THOUGHTI'D FIND YOU HERE.

DID YOU GETMY MESSAGES?

YES.

THAT'S WHY I'M OUT HERE.THE PLANTS DON'T ARGUE WITH ME.

I KNOW YOU'RE INA TOUGH POSITION ON THIS.

EVERYONE'S GIVING YOUA HARD TIME,

BECAUSE THEY'RE EMOTIONALLYATTACHED TO THE LIGHTHOUSE.

IT'S ALWAYS BEEN THERE,SO IT'S A PIECE OF HOME.

IT'S MY HOME, TOO.

I FEEL THE SAME WAYAS EVERYONE ELSE,

BUT I HAVE TO UPHOLD THE LAW.

THAT'S MY JOB.YOU SHOULD UNDERSTAND THAT.

I DO. IT'S JUST... [SIGHS]

YOU KNOW, YOUR FATHER PROPOSEDTO ME AT THE LIGHTHOUSE.

WE USED TO SNEAK INPAST THE KEEPER,

CLIMB UP ON THE CATWALK.

WE'D SPEND HOURS

WATCHING THE LIGHTSWEEP ACROSS THE WATER.

THEN, ONE NIGHT,YOUR DAD TAKES ME UP,

GIVES ME A RING,

AND PROPOSES TO MELOOKING OVER THE WATER.

I JUST WANTED YOUTO UNDERSTAND

WHY I FELTSO STRONGLY ABOUT IT.

[DEJECTED SIGH] OHH...

[DELILAH, ON RADIO]:SONGS LIKE THIS

TOUCH THE HEART,

AND THAT'S THE BEAUTYOF A GREAT SONG.

YOU'RE LISTENINGTO DELILAH.

[♪]

A PROPOSAL ON THE CATWALKOF THE LIGHTHOUSE?

HOW COOL IS THAT?

PRETTY COOL.

DAN PROPOSED TO MEAT AN A&W.

[SNICKERING]

OHH...

LOOK AT THAT.ICKERING]

YOUR DAD WAS GREAT.

HOW DO YOU THINK

HE WOULD'VE RULEDON THE LIGHTHOUSE?

HE WOULD'VE DONEEXACTLY WHAT YOU DID.HINK

HE STUCK WITH THE LAW.

BUT THEN HE WOULD'VEREMEMBERED

HE'S NOT JUST A LAWYER,

HE'S A MANWITH GREAT HUMANITY AND DRIVE.

SOMEONE WHO WOULD DO

ABSOLUTELY EVERYTHINGIN HIS POWER

TO TAKEWHAT WAS WRONG

AND MAKE IT RIGHT AGAIN.

[♪]

WHAT'S GOING ON HERE?

WE'RE BUILDING A SPACESHIP.

YOU DIDN'T TELL ME

YOU WERE GONNA PAINTTHE DINING ROOM.

I DIDN'T THINKI WAS REQUIRED TO DO SO.

HOW LONG IS IT GONNA BEMESSED UP LIKE THIS?

YOU KNOW, YOU DID NOT HAVE TOMOVE BACK IN HERE WITH ME.

YOUR SISTER HASA BEAUTIFUL HOME IN OLYMPIA,

VERY NICE SPARE ROOM.

BUT THEN YOU WOULDN'T GET TO SEEMY PRETTY FACE EVERY DAY.

AHH! HOW WOULDI SURVIVE?

YOU KNOW, UH...

YOU'RE WELCOMETO HELP, BY THE WAY.

[CHUCKLES]YOU'RE CUTE. SEE YA!

YOU WOULD HATE ITIF SHE MOVED AWAY.

YEAH, WELL, DON'T YOU DARETELL HER THAT.

YOU WOULD HATE ITIF SHE MOV[PHONE RINGS]

HELLO?

YOU WOULD HATE ITIF SHE MOV[PHOYEAH.NGS]

OH, HI!

YES, AS A MATTER OF FACT,SHE IS.

HANG ON A SEC.

JACK GRIFFITH.

[STIFLES HER LAUGH]

HEY, JACK.HOW DID YOU KNOW I WAS HERE?

[JACK]:I TRIED YOU ATYOUR HOME AND THE OFFICE.

SHERIFF SAID TO TRY YOUAT GRACE'S.

SOMETHING THE MATTER?

I NEED YOU TO GO OUT

TO THE ROADTHAT LEADS TO THE LIGHTHOUSE.

I DON'T KNOW ITS NAME.

LIGHTHOUSE ROAD?

RIGHT. THAT WOULD MAKE SENSE.

WHY, WHAT'S THE MATTER?I MEAN, WHAT'S HAPPENING?

WELL, WARREN SAGET'SDEMOLITION CREW

WHY, WHAARE ON THEIR WAYI MEAN, WTO BEGIN WORK,G?

BUT I HAVE INFORMATION

THAT A GROUP OF PEOPLE

ARE ABOUT TO CONDUCTA DEMONSTRATION

TO BLOCK THEIR WAY.

WELL, WHY CALL ME?

TRUST ME, YOU NEED TOGET OUT THERE AS WELL.

[ALL CHATTING, INDISTINCT]

HERE THEY COME!

[OVERLAPPING CHATTER]

[HEAVY RUMBLING]

[BRAKES SQUEALING]

[DRIVER BLARING ON HORN]

WHAT IS GOING ON HERE?

WHAT'S GOING ON,WARREN,

IS A PEACEFUL DEMONSTRATIONOF CIVIL DISOBEDIENCE.

NO. YOU HAVE TO MOVE.ALL OF YOU. LET'S GO. LET'S GO!

YOU'VE LEFT US NO OPTIONS.THIS IS ALL WE CAN DO.

MAKE PEACE, NOT WAR, MAN!

RIGHT!

WHA-- OH! GOOD.

SHERIFF, HOW NICEOF YOU TO JOIN US.

YOU SEE,THESE PEOPLE ARE, UH,

PREVENTING MY EQUIPMENTFROM GETTING TO MY SITE.

WE'RE WILLINGTO BE ARRESTED!

EVERYBODY, LINK ARMS!

OKAY, LINK ARMS!

KEEP YOUR HEADS DOWN

WHEN THEY BRING INTHE WATER CANNONS!

WHAT WATER CANNONS?

NOW, LOOK, FOLKS,

THERE HAS GOT TO BE SOME WAY

TO COME TOAN UNDERSTANDING ABOUT THIS.

WE'RE PREPARED TO STAY HERETHAS LONG AS WE HAVE TO. WAY

YOU KNOW, BOB, BULLYING MEIS NOT GOING TO CHANGE MY PLANS.

WE'RE NOT TRYINGTO BULLY YOU.

WE'RE TRYINGTO APPEAL TO YOU.

THEN WE'RE PREPARED--

-...TO BULLY---RIGHT.

...AND RUN YOUOUT OF TOWN.

BOB, JUST SETTLE DOWN.

NO, WE'RE NOT GONNASETTLE DOWN, MAN!

IF PEOPLE SETTLED DOWN,

THERE WOULDN'T BEANY CHANGE.

THE CIVIL RIGHTS ACT OF 1964,

ARTICLE 1, SECTION 8,

RATIFYING THE 15th AMENDMENT

NEVER WOULD'VEBEEN SANCTIONED!

TELL LARRYTO BRING UP THE VAN.

I THINK YOU SHOULD--

YOU DON'T NEEDTO ARREST ANYONE.

YOU'RE NOT GOING BACKON YOUR RULING.

I'M NOTGOING BACK ON ANYTHING.

THESE PEOPLE ARE INSANE.

I THINK I HAVEA SOLUTION TO THIS MESS.

OH, REALLY?WHAT WOULD THAT BE?

I NEED YOU TO SENDYOUR DEMOLITION CREW AWAY.

WHAT? NO!

-NO WAY---JUST FOR THE DAY.

MEET ME IN MY CHAMBERSIN AN HOUR AND WE'LL TALK.

YOU HAVE NOTHING LEFTTO HOLD OVER ME, OKAY?

YOUR DAUGHTERBROKE OUR ENGAGEMENT OFF,

THANKS TO YOU.

MEET ME IN AN HOUR.

AND IF YOU DON'T LIKEWHAT I HAVE TO SAY,

YOU CAN BRING BACKYOUR BULLDOZERS,

AND I'LL MAKE SURE

THAT YOU DON'T HAVEANY PROBLEMS WITH THESE PEOPLE.

AND WHY SHOULD I TRUST YOU?

BECAUSE...

I MAY FIGHTTO PROTECT MY DAUGHTER

AND I MAY DO WHATEVERI NEED TO DO TO UPHOLD THE LAW,

BUT I NEVER LIE.

[CHUCKLES INCREDULOUSLY]

UM...

GUYS, I'M GOING TO, UH...

I'M GONNA DELAY DEMOLITIONFOR ONE DAY, OKAY?

[ALL CHEERING]

COME BACK TOMORROW.

WE'LL BE BACKTOMORROW, TOO!

AND EVERY DAY AFTER THAT!

YEAH!

GOD, I MISS THE '60s!

[ALL LAUGHING]

YOUR CHAMBERS.ONE HOUR.

[SHERIFF]:CANCEL THE VAN.

OLIVIA HASBEEN THROUGH A LOT.

I KNOW.

SO YOU BE GOOD TO HER.

I WILL.

BECAUSEIF YOU HURT HER...

I WILL KILL YOU.

GOT IT.

JUST SAYIN'.

HEARING YOU,LOUD AND CLEAR.

RIGHT.

[♪]

YOU'RE NOT GOING TO TRYTO BLACKMAIL ME AGAIN, ARE YOU?

LIKE YOU DIDWITH THOSE PICTURES,

TRYING TO GET METO BREAK UP WITH JUSTINE?

NOT THAT YOU NEEDED THEMOR ANYTHING, OLIVIA,

SINCE SHE WAS PLANNING ONBREAKING UP WITH ME ANYWAY.

I HAVE AN OFFER FOR YOU.

HMPH.

I CONTACTEDSENATOR PETE RAYMAN,

HE'S A FRIEND OF MINE.

HE WAS ABLE TO CALLSOME OF HIS CONTACTS

AT THE STATE HISTORICALPRESERVATION OFFICE--

THE TIME FOR PURSUING THAT,SOLIVIA, HAS PASSED.

I KNOW. JUST HEAR ME OUT.

THEY FOUND A PHILANTHROPIST

WHO'S WILLING TO PUT UP 80%OF THE ASKING PRICE

OF THE LIGHTHOUSE PROPERTY.

THE AIM IS TO PURCHASETHE PROPERTY FROM YOU,

AND THEN APPLY FORHISTORICAL LANDMARK DESIGNATION.

I'M SORRY,I'M GONNA STOP YOU.

DID YOU SAY 80%?

I'M SURE, GIVEN ENOUGH TIME,

THEY'LL FIND OTHER DONORSWILLING TO PUT UP THE REST,

BUT SENATOR RAYMANCAN ONLY MOVE SO F--

THEY'LL FIND OTHER DONORSWILLING TO PNO.UP THE REST,

NO MORE TIME.

LOOK, OLIVIA,YOU SAID MEET YOU HERE

IN ONE HOUR.

I'M HERE, AND YOU EITHER HAVEA SOLUTION FOR ME RIGHT NOW,

OR YOU DON'T.

YOU WILL OFFER MEFULL LISTING PRICE,

OR I'M GONNA WALKOUT THAT DOOR,

AND TEAR DOWNYOUR PRECIOUS LITTLE LIGHTHOUSE.

OKAY?

I CAN.

I FIGURED YOU WOULDN'T GIVE USTHE TIME,

SO I'M WILLINGTO BRIDGE THE GAP MYSELF.

[CHUCKLES SMUGLY]

YOU'RE GONNAPUT UP THE 20%?

THAT'S RIGHT.

I DON'T KNOW,IF YOU ASK ME, OLIVIA,

I DON'T THINK THAT'SA SMART INVESTMENT.

I DON'T KNOW,I DIDN'T ASK YOU.LIVIA,

LOOK, I'M DOING THIS

TO SAVE THE LIGHTHOUSEFOR THE GOOD OF THE TOWN.

SO THAT'S MY OFFER.

YOU'VE BEEN TRYING TOSELL THIS PROPERTY

SO THAT'SFOR TWO YEARS.

HERE'S YOUR CHANCE.

OKAY. I ACCEPT.

UNDER ONE CONDITION.

WHICH IS?

NO ONE CAN KNOWABOUT IT.

NOT THE TRANSFER OF PROPERTY,NOT THE BUYERS, NOBODY.

IT'S GOT TO BE KEPTOFF PUBLIC RECORD.

WE CAN DO THIS THROUGHA BLIND TRUST, IF YOU LIKE,

WHATEVER,BUT IT NEEDS TO BE KEPT SECRET.

SO IT LOOKS LIKEYOU'VE HAD A CHANGE OF HEART.

LIKE I TOLD YOU BEFORE...

I DO CARE WHATTHESE PEOPLE THINK ABOUT ME.

LIKE I TOLD YOU BEFORE...SO.

THAT BEING SAID,

WE EITHER DO THIS MY WAY,OR NO DEAL.

PLEASURE DOINGBUSINESS WITH YOU.

GET OUT OF MY CHAMBERS.

[OVERLAPPING CHATTER]

-HEY, YOU.-HEY.

HOW YOU DOING?

I'M OKAY.

PRETTY GOOD TURNOUT.

YEAH. DON'T THINKIT'S GONNA HELP, THOUGH.

WELL, I DON'T KNOW.WE'LL SEE.

[ROOM MURMURING]

UH, EVERYBODY?

IF I COULD--EVERYBODY, PLEASE?

IF I COULD JUST HAVEYOUR ATTENTION

FOR A FEW SECONDS, THANKS.

UM...

I JUST WANTEDTO LET YOU ALL KNOW

THAT I HAVE DECIDEDNOT TO TEAR DOWN THE LIGHTHOUSE.

[ONE PERSON CLAPS]

YOU'VE ALL CONVINCED ME

THAT THIS IS WHAT'S BESTFOR THE TOWN.

YOU SEE, I SETTLED HERE

AND I MADE THIS PLACEMY HOME,

AND IT'S BECAUSE OFGOOD PEOPLE LIKE YOU

THAT HAVE MADE ME REALIZEAND SEE

THAT THIS LIGHTHOUSEIS A SYMBOL...

A SYMBOL OF HOPE...

A SYMBOL OF HOPEFOR THIS TOWN.

AND I WANTED TO SAY THANK YOU.

[APPLAUSE AND CHEERING]

HOO-HOO-HOO!

LOOK AT THIS GUY.

YOU KNOW,A FEW HOURS AGO,

BOB BELDON WANTEDTO PUNCH HIM IN THE FACE.

NOW HE'S PRACTICALLYREADY TO BUY HIM A DRINK.

OLIVIA HAD SOMETHINGTO DO WITH THIS.

WHAT DO YOU THINKLLYSHE SAID TO HIM? A DRINK.

I DON'T KNOW.

YOU'RE THE REPORTER.YOU GO FIND OUT.

I MIGHTJUST DO THAT.

[JUSTINE]: EVERY TIMEI SEE YOU ON THIS BOAT,

YOU'RE WORKING.

PERMISSION TO COME ABOARD?

ANYTIME YOU WANT.

-THANK YOU.-YOU'RE WELCOME.

I DON'T KNOW HOW YOU DO IT,LIVING ON A BOAT.

SO CLAUSTROPHOBIC.

CLAUSTROPHOBIC?

ONLY THING KEEPING MEIN ONE PLACE

IS TWO ROPES TIED TO THE DOCK.

I CAN JUST CAST AWAY,GO ANYWHERE I WANT.

YOU EVER BEEN TO MEXICO?

YOU KNOW I HAVEN'T.

ME NEITHER.

IT'LL TAKE US A COUPLE WEEKSTO GET THERE,

BUT IT'S DOABLE.WHAT DO YOU THINK?

WHAT, GO TO MEXICO?

RIGHT NOW?

SI.

I THINK YOU'RE CRAZY.THAT'S WHAT I THINK.

YOU SAY ITLIKE IT'S A BAD THING.

LISTEN.

UH, ABOUTWHAT I WAS SAYING EARLIER,

NOT WANTING TO RUSH INTO THINGS.

I DON'T WANT YOU TO THINKTHAT I'M NOT INTERESTED.

IT'S OKAY.

I GET IT.

YOU NEED SOME TIME.

CAN'T JUST JUMPFROM ONE RELATIONSHIP

STRAIGHT INTO ANOTHER.

AND YOU'RE SCARED.

I MEAN... [SIGHS]

BEING IN A RELATIONSHIPWITH ME MIGHT BE TOUGH.

I'M ALWAYSGOING OFF ON JOBS,

FOR WEEKS AT A TIME.

BUT, YOU KNOW...

IF THERE WAS MORE OF A REASONTO STICK AROUND,

MAYBE I WOULDN'T BEIN SUCH A RUSH TO LEAVE.

[TREVA BLOMQUIST'S "I COULDGET USED TO THIS" BEGINS]

♪ IF I HAD A PENNYFOR EVERY KISS... ♪

ADMIT IT...

THAT FELT RIGHT.

♪ NO NEEDTO SAVE THEM ALL AWAY ♪

♪ I'M NOT EXPECTING RAIN ♪

♪ EVERY DAYWOULD BE A SUNNY DAY ♪

♪ I COULD GET USED TO THIS ♪

♪ GET USED TOTHE WAY YOU SMILE ♪

HOW DID YOU DO IT?

THAT MEETING YOU HADWITH WARREN SAGET,

BACK IN YOUR CHAMBERS.

I'M ASSUMING...

YOU SAID SOMETHING TO HIMTO MAKE HIM BACK DOWN.

THEN AGAIN...

WHATEVER IT WAS,

I IMAGINE HE MADE YOU PROMISETO KEEP QUIET ABOUT IT.

AM I CLOSE?

[CHUCKLES]

OKAY, I GET IT.

I GET IT.

IN ANY EVENT, CEDAR COVEHAS ITS LIGHTHOUSE BACK...

ITS SHINING BEACON OF HOPE.

THE ILLUMINATED COMPASS

THAT GUIDES US ALLTO TRUE NORTH

IS BACK IN THE HANDSOF THE PEOPLE.

AND SOMETIMES A LIGHTHOUSEIS JUST A LIGHTHOUSE.

I WAS TRYING TO IMPRESS YOUBY BEING LITERARY.

I KNOW.

[LAUGHING]

SO...

OUR DINNER DATETHE OTHER NIGHT,

HOW DO YOU THINK THAT WENT?

I THOUGHT IT WENT PRETTY WELL.

I MEAN, IT WAS GOOD FOOD,GOOD CONVERSATION.

NOW, YOU SEE, I HAPPEN TO THINKIT WAS MORE THAN THAT.

I MET YOUR DAUGHTER.

WE TALKED ABOUTOUR PERSONAL LIVES.

I KISSED YOU.

YOU DID NOT KISS ME.

REALLY? I DIDN'T?

NO! I WOULDREMEMBER THAT.

A KISSIS A MEMORABLE THING.

AND SOMETIMES...

A KISS IS JUST A KISS.

WE'LL SEE.

[CHUCKLES]

"WE'LL SEE."

[SIGHS]

"WE'LL SEE."

[♪]

♪ MM-MM-MM... ♪