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"YOU ARE ALL IN GOOD HEALTH, BUT YOU CANNOT IMAGINE
THE SUPREME HAPPINESS AN EPILEPTIC FEELS
IN THE MOMENTS BEFORE A FIT.
I WOULD GIVE PERHAPS MY WHOLE LIFE
IN EXCHANGE FOR A FEW SECONDS OF THAT FELICITY." – FYODOR DOSTOEVSKY
You are about to see old images
of the Middle Ages.
The big witch hunt we will discuss
is one of the major catastrophes
in man's history.
To try and understand it,
we must bear in mind
that it took place
in a dark age of our history,
both spiritually and materially.
The genuine fear of hell
weighed constantly on people's minds.
Let's take a look at the women
burned at the stake.
"WE FILMMAKERS HAVE A BIG RESPONSIBILITY.
IT IS UP TO US TO RAISE THE FILM
FROM AN INDUSTRY TO AN ART FORM." – CARL THEODOR DREYER
Save me from the stake, or else...
Burn the witch!
You will go with the devil.
Hypocrite!
Liar!
"TO MAKE THE WONDERFUL IMAGE IN DAY OF WRATH
OF THE WITCH WHO LANDS ON THE BONFIRE,
THE ACTRESS WAS ON TOP OF HER LADDER FOR TWO HOURS.
IT'S NO WONDER HER FACE BORE A REAL EXPRESSION OF HORROR." – LA REVUE DU CINÉMA
Can we stop that hell?
Have you been burned
at the stake?
- Like we'll do later.
- No.
- It's classy.
- Oh, yeah?
- Yeah!
- Have you?
Sure.
I think it rocks.
It's so chic.
You're queen of the village.
Really!
It's then or never.
Either you've been
a beauty queen
or burned at the stake.
So, since I've never been
Miss France,
sometimes I say
I'm Miss Dreux.
Miss Dreux is chic.
KINGDOM OF FRANCE
YEAR 2019
But the most
beautiful death,
the most...
is Christ.
You know, I go to church, you believe or not, up to you.
I respect people,
who cares!
But it's pretty classy!
Really, whoever
scripted the Passion...
Oh, yeah!
We learned a new word
today – "sexocide".
Sexocide:
the genocide of witches.
Because they're women.
Did you...?
Let's see your ears.
Do you have it?
Fuck!
We've got the witch sign.
That too, you know...
Having your earlobe cut
was a sign of recognition
for witches.
Outside, easy to see.
Women got burned for that.
You don't have it.
But you do have
pierced ears.
I'm Top Witch!
Fuck!
Redheads, witches...
And that too...
One thing
was really horrible
when I played a witch.
To check
you were really a witch,
they dunked you in water.
If you drowned,
you weren't a witch.
So we did that.
Except the witches
were naked
and you're filming
in an Italian village
with loads of guys
dressed Medieval
to look the part,
because that's when
the film was set.
You climb a mountain,
naked.
With 2,000 guys there.
I swear.
I'd say it's the worst memory
of my life.
You've got 2,000 guys
scoping you naked.
Climbing! Not posing.
You're climbing,
in crappy positions,
looking ridiculous
and baring all.
I'd be happy to climb
if I had your body.
Fuck!
The film is beautiful,
so it's OK.
But when you're doing it...
The end justifies the means.
It's OK.
Really!
I've worked with guys
where I'm told he's a prick.
I'm not looking
to make friends.
I don't give a shit.
Some directors are pricks.
If he's really cool,
it's a plus.
But it's no big deal.
If he takes me
on his trip on screen...
Know what I like best?
When you don't question it.
Something totally
unlikely happens,
you can't explain it,
and you don't try to.
You don't ask why.
It runs deeper than that,
the guy takes you
on his trip,
into his mind, his brain.
The actor? The director?
Huh?
The director?
Yeah. I, personally...
That's it.
I'm not criticizing.
People make movies or watch them for what they get out of them.
Fuck entertainment movies!
They bore me.
But if people like them,
who am I to say
they're crap?
I need to get inspired
or carried away.
It's like drugs, or...
Why am I comparing it
to drugs?
See?
Sometimes I talk so much
it drives me nuts.
No, it's better.
Honestly!
Imagine
if I take fucking speed!
What I wanted to say is
when I arrive in paradise
and my Lord and Master
is there--
You think that?
You're a real believer?
Hell, yes!
I don't believe in anything.
I do! Yes, I do!
Jesus?
I've been doing deals with Him
all my life.
I swear.
I say, "Come on,
if I do this, it'll be OK?"
And since He's never answered,
I say it's cool.
Did Jesus speak?
"Don't do it,
don't take that shit!"
He said nothing.
He won't like the film
you're making...
The day He says,
"You're screwing up!"
I won't do it.
But the day
I arrive in paradise
and my Lord and Master
is there,
in the afternoon
He'll say
that I spent my life
talking about Him,
hyping Him up.
I'm like His agent!
And when He sees me,
He comes to meet me
at the gates.
He'll take care of me.
He'll teach me tons.
Loads. It'll be fab.
"MOST FILMMAKERS TODAY ARE LIKE THE LIVING DEAD,
AND THEIR FILMS ARE JUST LIKE THEM." – JEAN-LUC GODARD
The bonfire scene
will look beautiful.
Yes.
Have you ever burned
at the stake?
No, not at the stake,
but I've burned...
in a tent.
That is so uncool!
It looked great.
I'm sure.
It's the way you said it.
Under branches...
I'm sure it was beautiful.
Everything you do
is beautiful.
No, but...
In any case, it was--
Yes, I burned.
I've never seen you
in anything tacky.
But not at the stake!
Sure, I've done loads.
Maybe!
I don't remember that.
Not at the stake.
You have?
Yes. It was classy.
But the ridiculous thing was,
the producer was there
and I'm on the stake, with the wool robe
and my hair chopped...
Super sexy.
Bonfires are super sexy.
It ends badly,
but it's über-cool.
When you get
to the bonfire,
you're on a donkey.
Hopping with fleas,
but so cute! I swear!
You go through the village,
everyone points...
It's so sexy!
When you get
to the bonfire
the producer comes up
and doesn't find it sexy.
The wool robe,
with no lingerie,
it didn't suit the scene.
He takes something
to cut it,
a blade or knife
or whatever.
And he slits it open here,
and on the thigh.
I say, "You've lost the plot!"
Low-cut!
No shit.
I remember a film
with a real pretty actress
in the 1950s,
where she falls
and her dress opens.
You see her garter belt,
she's posing.
Nobody falls
into a perfect pose!
It was funny.
But on a bonfire,
showing a...
It wasn't the director,
he wasn't a prick.
It was the producer,
a total stereotype.
The Italian producer
who wants it sexy.
Totally "woman"... Weird.
But it's a good film,
so who cares.
No, I've never seen you
in shit films.
Oh, sure, I've done loads.
We all did!
It's like the ugly guy.
There's always one.
When you list
who you've scored,
you list the hunks.
Or not just hunks,
the class acts.
There's always a loser
you leave out.
We all have one.
A loser you leave out.
Or a guy who gives you
the creeps.
There's always
a dead rat somewhere!
I had one
who wasn't a creep.
Poor guy, he was real cute,
but so young.
I was older than him.
And... it was
the end of the film,
we had to get together.
And he ejaculated
on my leg.
For real!
But it didn't creep me out.
He was moved!
Yeah. Poor guy,
he was so young.
How young? 16?
Yes!
That's six years too old!
That happened to me
in a movie theater.
I was with friends...
Gross!
Vile.
There were
loads of people...
How did it happen?
We were waiting in line.
I must have been
touching the guy.
Like you didn't know!
No, honestly.
I'm with my punk pals.
We go in and as I walk by
I feel something on my leg.
Right then,
you can't imagine it.
You don't get it.
Then I realize.
I was with a hardcore punk.
He bust the creep's brains!
I said, "Dude!
You behaved badly.
You're gonna regret it."
Seriously!
No! Me,
I practically apologized.
You're nuts!
Fuck!
He must have felt bad.
He was very embarrassed.
Totally.
So you were naked,
for you to realize?
Yes.
We were totally naked!
Under the sheets.
The director told him
he should have
jerked off beforehand.
It's no big deal.
But I guess he...
Oh, boy!
I've had love scenes
where the set designers...
I remember once
in Miami...
A love scene,
you've done the scene
and, God knows why,
the set designers
insist on taking
their sheets
and pillows right there,
when you're butt naked.
You're not some
porn actor, all relaxed.
Generally,
you're not relaxed,
being naked...
None of that here?
No!
We didn't tell you about
the gangbang scene?
We kept it as a surprise!
No, sweetie, I won't pull
surprises like that.
Hey, presto!
A hard porn scene.
No way.
I keep banging on,
maybe you want to rest up?
Concentrate.
No, but...
When do we start?
Now.
When everyone's ready.
You'll go to makeup
to get prepped.
The crew's cool,
you'll see.
But then
there's Tic and Tac.
They're my ball and chain.
Fagin and Scrooge.
The producers.
Who?
The producers, you'll see!
Stereotypical pricks.
They're here?
All the time.
All the time!
Everywhere I look,
they're in my frame.
Like a curse!
Nobody sees them.
But I do, everywhere.
They do my head in.
Can you do
what you like or not?
They have no choice.
They can't force
anything on me.
They've signed
the contract.
Like I say,
"You wanted me,
you got me!"
Deal with it.
I'm a nice person.
I've got a big mouth,
whatever.
I'm nice.
I respect people.
But if you piss me off,
it all vanishes. All of it!
OK, babe?
You busy?
I won't answer that.
If it's the... tiebreaker.
Don't push it!
I have a friend from LA here.
Say that again, sweetie!
I love it, "from LA."
From Los Angeles.
I got it, I'm not dumb.
He's flown over,
an eight or nine hour flight...
He'll see us tomorrow.
He'll still want to.
They say they're busy.
Hello.
I'm Karl.
Why me?
- You're a prick-magnet!
- He's my bro!
Bad timing.
Béatrice!
Can we start?
Clara! Can you take care
of Charlotte?
Please, we don't need
to talk to him now.
We're ready.
Right behind you.
Charlotte?
What are you doing?
- I follow you?
- Yes, please.
- Who's that guy?
- No idea.
Check out the LA loser!
- And who's this?
- Mica, the construction manager.
Hi, Mica!
He seems happy.
So, for the next scene
we go straight in...
First we see the actresses
to reassure them.
And we do a run-through,
a rehearsal with everyone.
I hear you, Maxime.
But there's a problem:
you're committed.
Yannick...
I wouldn't be funding this
if you weren't here.
Tell me you didn't know.
- We know she's an actress.
- You knew!
It's her first film.
You've worked with losers.
You drove them.
I won't name names.
You've worked with the greats,
but also with losers.
This one's a loser.
No!
Listen.
If you knew, it's bad.
If you knew, it's bad.
Bad for the film.
Bad for the crew.
Bad for me.
It makes me sick.
Sick.
You need to take a step back.
We're a bit late.
We can catch up.
- No! It's more than a bit.
- I'm counting on you.
It's more than a bit.
It's a fucking catastrophe.
Listen, of course it's a catastrophe,
I've pumped 80% of my cash
into this.
Béatrice Dalle is a name.
Right now you're nobody, OK?
So you'll do her movie.
I'm asking you to do it, OK?
You do the movie.
You don't listen to her.
You make the decisions.
You're not the DP,
you're the director, OK?
- You're in the driving seat.
- OK, I'm the driver.
Can you fire her or not?
It's very complicated.
There's a contract.
But I can try to fire her.
I'll call my attorney.
We'll see.
Or... this might be crazy,
but it's an idea.
- Lola, where's Tom? I want to talk to him. - He's right here.
Here, boss.
- Tom...
- Talk.
You know Victor Hugo's poem,
The Conscience?
No? The eye was in the grave,
looking at Cain.
I want you to be my eye.
I want you to follow Béatrice
day and night,
to the toilet if need be, with your camera,
and film her every move.
I'll find a mistake.
And fire her for it.
- Perfect, got it.
- Got it?
OK. We'll watch the footage
every evening.
Thanks.
See? We'll be OK!
- You'll take over if I fire her?
- But I...
Max? Max? Deal.
- I don't know...
- Max?
I don't know.
Honestly, no...
Thanks, Max!
Where did you get
this assistant?
She sucks!
You wanted
an amateur crew.
She's a waste of space!
Pretty, but useless.
It's your DP who sucks!
I could stick his zoom
up his arse!
Wait till we've wrapped.
He's 60 and can't light shit!
Professional my arse...
You got cash?
The druggist's here.
He's got the sedative.
Take it from my purse.
I'm doing it for you.
I know. Let's roll!
Let's burn some witches!
We start soon.
See you over there?
Yes.
Coming.
Seriously...
Back to hell.
Time to get moving
and do a run-through.
Everyone listen, please!
Félix, you translate.
I'd just like to say
to my princesses that
if they have a question
or want any directions,
if they want reassurance,
or need my advice,
I'm here for them now.
So they can ask
any questions.
What kind of makeup?
I want her to feel good.
So ask her how
she wants her makeup,
how she feels beautiful.
I need her to feel
strong and reassured.
So ask her, OK?
Béatrice!
Can you come here?
Yes, Judas.
So, what's the problem here?
No problem, we're debriefing.
Don't be paranoid.
I'm not, I'm asking a question
calmly and politely,
- so answer me the same way.
- It's not calm or polite.
- Max! Respect...
- What did I say?
Max, what did I ask?
You're here to supervise Béatrice,
You're her DP...
- I can't stand it.
- If you can't stand it, leave. OK?
I can't stand it either,
but I shut up.
We'll talk over here,
we're heading for disaster.
Not now!
We're heading for disaster.
You need to wind down.
Disaster?
I've been waiting hours!
Asking for rehearsals,
places to meet and talk.
And I keep being told to wait.
And this DP who--
Calm down!
What?
I'll calm down if I want!
Calm down!
Why the hysterics?
Not now!
And you!
What is this? The Cannes Film Festival?
Taking photos!
Stop!
OK.
Can someone go to the dressing room,
to check on Charlotte? She'll leave!
Charlotte,
we're almost ready.
Do you need anything?
Go produce
your ham ads!
My ham ads
pay for this film!
And for now...
- Charlotte...
- It's not my fault.
Clara, can you
take Fanny on set?
Félix!
Félix!
Handle this.
I want a rehearsal now.
- Béatrice!
- What?
I alone believed in your project.
And you're grossly ungrateful!
- But...
- You're not involved!
I'm waiting for hair and makeup,
you want me on set when they're not ready?
You don't respect me
or the project!
Be respectable to earn my respect!
- Wait, babe...
- This is not the time!
- It's never time.
- I'm working!
And for you it's never time!
Are they ready?
Paul, please...
We need some privacy.
You need privacy?
Everyone out!
Everyone who's not needed,
please leave.
- Is she ready?
- I just started her hydration.
Hydration?
Fucking jargon.
Don't you start!
Seriously!
- Crazy bitch!
- Béa, you're a fraud!
It's a status, at least!
You can finish on set.
Hey, girls, hurry up!
On set? We can't!
- I know my job, OK?
- But you're still on set.
Can we get the stand-in?
We're on our way.
About time!
- The camera's ready?
- Five or ten minutes.
- Five or ten minutes?
- Ten minutes.
- Maxime, this is Fanny.
- Hello, Fanny.
Momo! Can you angle
the red lights?
Is the lighting ready?
Can we rehearse?
I won't talk to you now.
Not now, please!
Dumbarse, I've said nothing
and bust no-one's balls.
Félix, please!
Handle the stand-in
so he won't bug her.
Launch the sky!
Not blue! The sky for the film.
Where are the extras?
Who's that bum on Abbey's mark?
The sky for the film, Ernesto!
There, thank you!
All ready, Ahmed?
Ready?
Lighting!
Stop fighting! Get moving,
not a single shot is ready!
Shit!
Go find someone!
Hello, I'm from Cinematic Eye magazine.
We met at the Female Film Festival
in Montreuil.
I mean Créteil.
Would it be possible
to get some info?
A few facts and figures
on this shoot.
Know what?
Go ask the boss!
- He's running the show.
- I don't want to be a bother.
But you are!
Extras!
Extras on set now!
Extras on set now, please!
Clara, send the fucking
extras now!
Boy!
Extras on...
Wait!
- I'm the boss!
- Extras on set!
Get Yannick, please!
I've had it, I'm leaving.
What can I do here?
What is this production?
We've been waiting
since 8am!
Fucking union extras!
I'll bust the fucking set!
Béatrice on set!
What can I do?
Extras!
Extras on set now!
When do we eat?
We've been here five hours!
With no food, no drink!
We're not cattle!
Fuck!
Clara! Get sandwiches
for the extras, please!
Keep focused!
I'm an idiot.
Bright and eager!
- Time to go.
- Cool it! We're good.
If you stopped shouting
we'd be ready! What is this?
I'm trying not to shout.
Let's go, she's waiting.
We're bringing
the actresses now.
- Béatrice, are you coming?
- No!
Béatrice!
Come back!
Béatrice!
Come out here!
Béatrice!
For fuck's sake!
Béatrice, I'm so sorry.
I put my foot in it.
I didn't think
it'd be a bad time.
Come now, or you burn!
Not now!
I didn't mean to...
Béatrice is coming!
No way!
Let's go!
As you know,
I started with Jean-Luc.
So no little nobody is going
to teach me my job.
See?
Jean-Luc was no laugh.
But here...
Yeah, you said.
- What's happening?
- I don't know.
- Is the focus OK?
- I'm good.
OK.
Charlotte, you look...
You look tired today.
Are you doing
any facial care?
Like, a mineral cure?
I'm not so tired.
Something with aloe vera
or guarana seed?
To help plump up the skin,
because...
Do as I say!
Go get it...
Crew, listen up!
I want only
essential people on set!
No parasites,
it'll show on screen.
Béatrice, I got the message.
I'll let the artist work.
Get your mitts off already.
You can sink my movie, but you can't sink my company.
- You really think now is--?
- I've called my attorney.
I've made arrangements.
You'll see.
I'll have the last laugh!
Thank you for being here.
I feel safer, you're fabulous.
- And the eyes?
- Nothing.
- Nothing?
- No.
- You don't want--?
- Nothing! Thank you.
- Charlotte, we're not done!
- We'll finish later.
I apologize for this chaos.
We have a problem.
Me too, soon.
Béatrice is an actress, not a director. I'll replace her with Max.
It's a secret!
Thank you for being here!
Yes, we're coming.
Hurry up!
I can't walk fast
in these things.
Hang on, I need
to make a quick call.
- Not now.
- Shall I go back?
No, we're in a hurry.
You couldn't earlier?
No, I couldn't!
I need a place
where I'm... alone.
Good.
Keep up the energy!
Let's shoot the next one!
Charlotte!
Where is she?
Charlotte!
Sorry to bother you.
I know you're about to shoot.
I'm one of your biggest fans.
I'm a journalist.
I just wanted some info
about the shoot.
Please, Dad!
We'll do this later.
What to say?
I haven't started--
- Just a minute--
- No, sorry. I can't.
What a pain!
He swore he wouldn't come.
Who are these people?
It's rude.
If you let
all these people in...
Be quick, or I'll get shit.
I'll be quick.
That's the crafty.
You can...
It's a TV set,
but you can go in.
Thanks.
Keep in mind
it's a dreamlike movie!
It's not politics. It's poetry!
We're making art,
we're making a film!
- Hello?
- It's Charlotte.
- Hello, madam.
- All OK?
- Yes, fine.
- Is she all right?
- I pass her to you...
- OK! Thanks.
- Hello, Mummy.
- Yes, sweetie. All well?
No, Mummy, not really.
At the canteen...
What did you say?
School wasn't good.
Why? What's wrong?
At school today, Paul and Lucas
made a cross on my foofoo...
with a knife.
What?
Are you kidding?
They wanted to do a tattoo
on my foofoo.
When, today?
Yes, at the canteen.
At noon.
But...
Just a minute!
Wait!
Be quick!
Pass me the nanny, please.
- Madam?
- Pass me...
- Hello, madam?
- Yes.
My daughter just told me something.
Can you...
Can you check...
Can you undress her
and check that she's not hurt?
What do you mean?
I don't understand.
She told me something.
I'd like you to look, right now.
- You undress her...
- Yes.
You undress her now and look
to see that she's not hurt.
- Now?
- Yes, now.
OK. I hang up?
Or stay on line?
No...
I'll call back in ten minutes.
- OK.
- And you look, OK?
Yes. I'll call back.
Sorry...
This way.
Wait!
I won't have time after.
Not now. No!
Sorry!
Clara!
Félix, where's Charlotte?
Can someone get her?
Come on, Charlotte!
Ken will wire your mike.
Careful.
I can sense you're down.
Anything wrong?
Yes.
I think I'll have to go home.
- Because of the shoot?
- No, not the shoot, but...
Can't you see we're talking?
Just a moment.
She said two minutes,
so wait, OK?
Jesus!
Stop! Can't you see
we're talking?
You're on me
every two minutes!
- It's never the right time.
- Fuck it!
I need to make a call.
- Of course, sweetheart.
- Thank you.
What the fuck?
You work for a tabloid or what?
Come here!
I do what I want!
I'm the boss!
What the fuck?
My camera!
It's Charlotte.
No point leaving a message,
but... can you call me back?
As soon as possible.
I'm worried, so...
Leave me a message.
Leave a message,
even just to say what... what you saw.
And please tell her...
I'll call back in 15 or 20 minutes.
Tell her I'll be there soon as I can.
"THE FILMMAKER IS THE MAN
WHO MUST LEAVE HIS SIGNATURE ON A FILM
INTENDED AS A WORK OF ART." – CARL THEODOR DREYER
Ernesto!
The sky!
You want to burn a witch!
Ready for rehearsal!
Ready for action?
Keep angry!
Rolling! End board!
Action. Rehearsal. Extras!
Good. Cut!
Cut!
Can't you keep rolling a bit longer?
You should say what you want before!
You can't cut after
three seconds. It's five!
Then talk to me!
Can you count to five?
Unbelievable!
Instead of bitching
from the start!
Then I'd know
what you want.
It's only a rehearsal,
damn it!
Five?
Can you count to five?
Right!
We shoot the next take.
One, two, three...
We shoot this one?
We shoot this one!
First positions, please!
Extras, more anger!
That was good.
Shades off.
We shoot this take!
Is everyone ready?
More anger, if possible!
You curse them,
you hate them,
you're torching them!
OK?
Evening, Charlotte!
- Are the actresses ready?
- Yes.
Great.
Thanks, girls.
Can I have the music,
please?
Music, please!
Tie her wrist!
No music,
they need ten minutes.
No music?
If there's no rhythm,
don't blame me, OK?
Nice and tight.
- Shoot without music!
- Music's fine!
Are we ready?
- Sound rolling.
- First positions, please!
God's Craft,
43A, take one, end board.
Let's shoot!
All ready?
Music!
Action!
Music, please!
Dolly!
Yes!
Yes, that's beautiful!
Beautiful.
Brilliant.
It's so beautiful!
Beautiful, Charlotte!
Don't move!
Ahmed!
Stick the cross
right on her chest!
Yes!
Charlotte!
Look at God or me!
The stand-in
has wrapped.
Nothing works
on this movie.
It's a mess! I've never
seen anything like it.
Have you seen
Béatrice "directress"?
You're gonna burn, guys!
Charlotte! Look at me!
Yes, that's good!
Higher with the cross!
For Christ's sake,
stay in position!
It's not meant for her...
Stop moving!
Can you help her,
please,
instead of just
standing there?
Put her shoes on.
You catch on fast.
You're fitting right in
with this God-awful shoot!
You're getting stinky breath,
like the others.
Cut!
Shut up!
We don't cut!
I'm shooting. Fuck!
"WHEN THE PRESSURE GETS TOO STRONG
I TURN INTO A DICTATOR." – RAINER WERNER FASSBINDER
Max!
What's that?
Ernesto! What the fuck
are you doing with the lights?
What the hell's going on?
DP! What's happening?
What is this shit?
What's going on?
Don't worry, Charlotte.
They're fixing the lights!
What is this shoot?
You're all fucking useless!
Fuck!
What the hell?
Tell me what's going on,
Mister know-it-all!
What is this shit?
Stop! Cut!
- Cut!
- We'll shoot the next one.
And fix the lights!
Man, some shit's really
happening now!
It's starting to vibe,
don't you think?
Yeah.
Something's happening.
Things are moving.
And it's Cinematic Eye
that says it.
I'm fucking finished!
You don't realize!
If I'm finished, she is too!
- Did you film anything?
- Look!
What did you film?
She's a zombie!
We need solid evidence
to bring her down.
What have you got?
With all this...
What have you got, Tom?
- She's a zombie!
- Why?
Fuck knows!
Always dropping off!
Her ex-agent says
she could snort aspirin.
Crackhead!
She deserves
the electric chair!
A lethal injection in the arse
from my attorney!
I'm sick of intellectual poverty! I've had it!
That's what I want!
I want her to die!
With all this,
we can send her
to the chair,
crucify her!
OK, cut!
- Can you stay with me?
- No.
What is this? I'm blind!
Now I'm to blame
for the fucked lighting?
Béatrice Dalle? Béatrice Dalle?
Béatrice Fail!
You'll repay every dollar
I put in this fucking movie!
You're a producer, seriously?
What the fuck is this
in the middle of a shot?!
Is it a nightclub?
What the fuck?
Lighting's your job, isn't it?
Or am I talking
out of my arse?
I'm the DP. Ernesto?
So, who's responsible?
Instead of taking the piss.
Communicate!
What are you, a kid?
Fuck this!
I'm on a zombie shoot.
I get it, I'm making
a zombie movie.
Thanks for telling me.
Now I know!
You're the DP.
You manage the gaffer,
don't you?
You're in constant denial.
Who are you?
You're breaking my balls!
Who are you again?
Remind me.
You're breaking my balls!
Come down!
Or I'll come get you.
OK?
Come down!
- No!
- Calm down.
What?! Get off my case!
I won't cool it!
I do what I want.
Now get down
and we'll talk this out.
Maxime, come down.
Come down, or you're fired.
All this
is the logical outcome
Goddamn know-it-all!
You can't even fix this!
of the past week.
Fuck!
It's been an hour,
no-one can cut the lights.
Here's the result!
Calm down.
Calm? Have you seen
this crew from hell?
Here's the result!
I told you!
Move it! Do something!
We're still rolling!
Stop!
Get the girls down.
No!
You shoot zero!
I decide!
Then I'm stopping it!
Cut! Cut!
Yannick!
Your DP is going crazy!
Charlotte, we'll untie you!
We're coming! Stop!
Max,
it's a bad idea!
Stop everything!
Stop everything!
You're not
in charge!
I said stop!
Fuck!
- Béatrice?
- Cut!
No, I don't want
to cut.
Fuck! Where's
an assistant?
No.
Untie me!
Charlotte,
you're burning!
Untie me!
Béatrice!
Untie me!
You're insane!
Yes, that's it.
Perfect!
Max, come down,
or I'll come get you!
Stop!
Stop!
- Move it!
- I'm on it.
Look!
Fuck!
Béatrice!
Stop!
Max, get down
and fix the lights!
Ask Ernesto,
it's his job!
Cry, Charlotte!
Cry!
- There!
- Untie me!
Untie me!
Go on!
Make your body quiver.
There!
There!
Quiver!
You're burning!
Imagine you're burning!
You cry!
More!
You're burning, in pain!
That's wonderful!
Beautiful!
Fabulous!
There.
Stop!
Stop everything!
Now!
Now!
Please!
Can someone help them?
Silence!
Silence!
I'm shooting!
Don't leave me.
Why?
Why am I...
Why am I always alone
like this?
Please.
Please.
Help me.
Charlotte!
We're there!
We're getting somewhere.
Charlotte?
Charlotte.
"THANK GOD I'M AN ATHEIST." – LUIS BUÑUEL
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