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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,702 --> 00:00:03,171 MILES: Previously on Get Shorty... 2 00:00:03,237 --> 00:00:04,672 Sad excuse for a half-assed writer. 3 00:00:05,539 --> 00:00:08,609 Let me handle it. Okay? 4 00:00:08,676 --> 00:00:11,979 I'll make sure he does what you want. And I'm a little curious. 5 00:00:12,046 --> 00:00:13,281 About what? 6 00:00:13,347 --> 00:00:14,982 About how the writing thing works. 7 00:00:15,049 --> 00:00:16,284 Help! 8 00:00:16,350 --> 00:00:17,851 (SCREAMING) 9 00:00:17,918 --> 00:00:19,620 You talk to Mexico? 10 00:00:19,687 --> 00:00:21,689 They wanna keep business smooth. 11 00:00:21,755 --> 00:00:23,624 But you got the Feds watching you. 12 00:00:23,691 --> 00:00:25,226 So? 13 00:00:25,293 --> 00:00:28,062 I'll handle the territory north of Indian Springs. 14 00:00:28,129 --> 00:00:30,464 It's best for everyone. 15 00:00:30,531 --> 00:00:34,001 Josias's men. They talk to you? 16 00:00:34,068 --> 00:00:35,836 They said shit. I didn't listen. 17 00:00:35,903 --> 00:00:37,871 -(GUNSHOTS) -AMARA: It's good you told me. 18 00:00:37,938 --> 00:00:40,208 And now, you call him back. 19 00:00:41,975 --> 00:00:43,177 (LYLE BREATHING HEAVILY) 20 00:00:43,244 --> 00:00:44,245 You little bitch. 21 00:00:45,813 --> 00:00:47,014 LOUIS: No, no, no! 22 00:00:47,081 --> 00:00:49,150 -(SCREAMING) No! -What the fuck? 23 00:00:49,217 --> 00:00:51,352 (BREATHING HEAVILY) I dreamed Amara was here. 24 00:00:51,419 --> 00:00:52,986 She wanted to see the movie that we made. 25 00:00:53,053 --> 00:00:54,021 What do you mean? 26 00:00:54,088 --> 00:00:55,356 AMARA: I'm here, Ricky. 27 00:00:55,423 --> 00:00:56,557 And so far... 28 00:00:57,258 --> 00:00:58,459 I like it. 29 00:01:11,805 --> 00:01:14,108 (INDISTINCT CHATTER) 30 00:01:21,449 --> 00:01:24,385 DHAR: You look rested. HUGHS: Do I? 31 00:01:24,452 --> 00:01:26,354 DHAR: Take it you were asleep when this happened. 32 00:01:29,923 --> 00:01:32,226 Josias was second from the right. 33 00:01:32,293 --> 00:01:35,363 Chatter suggested he was gonna move on Amara De Escalones, 34 00:01:35,429 --> 00:01:37,665 so maybe this is her getting to him first. 35 00:01:38,466 --> 00:01:40,234 Not our best day. 36 00:01:40,301 --> 00:01:41,869 DHAR: Yeah, better than his. 37 00:01:46,940 --> 00:01:49,877 KATIE: Mmm. Smells good. 38 00:01:49,943 --> 00:01:53,113 Got eggs, there's sausage, tomato, juice. 39 00:01:53,181 --> 00:01:54,415 (CHUCKLES) 40 00:01:54,482 --> 00:01:56,617 -Fresh coffee. -Yes. 41 00:01:56,684 --> 00:01:59,086 I even sent Louis out for pastries. 42 00:01:59,153 --> 00:02:01,889 -Oh. Impressive hosting. -Good morning. 43 00:02:02,823 --> 00:02:04,592 I'm sure you agree. 44 00:02:04,658 --> 00:02:08,629 It's, um, it's better if Emma doesn't know about last night. 45 00:02:08,696 --> 00:02:10,398 Did something happen last night? 46 00:02:10,464 --> 00:02:13,801 (SCOFFS) Well, you don't remember. That's your loss. 47 00:02:13,867 --> 00:02:17,271 -Oh, you mean the sex? -Mmm. 48 00:02:17,338 --> 00:02:18,772 I mean, as a rule, 49 00:02:18,839 --> 00:02:20,908 I don't usually tell Emma when we have sex. 50 00:02:20,974 --> 00:02:22,476 Do you do that? 51 00:02:22,543 --> 00:02:24,778 No. I mean, only when it's really good. 52 00:02:24,845 --> 00:02:26,146 Oh. 53 00:02:26,214 --> 00:02:27,415 EMMA: Where's my hair thingy? 54 00:02:27,481 --> 00:02:29,450 I don't have 'em! 55 00:02:29,517 --> 00:02:31,452 We have no idea what we're doing 56 00:02:31,519 --> 00:02:33,387 and I don't wanna confuse her. It's not fair. 57 00:02:34,222 --> 00:02:35,423 (EXHALES) 58 00:02:35,489 --> 00:02:36,524 It's not fair on anyone. 59 00:02:38,692 --> 00:02:40,361 EMMA: What are these? 60 00:02:40,428 --> 00:02:43,130 MILES: Hey. Uh, those are actors that we're looking at. 61 00:02:43,197 --> 00:02:45,633 EMMA: So, who's gonna be my mom? 62 00:02:45,699 --> 00:02:47,134 -(CHUCKLES) -I'm being replaced? 63 00:02:47,201 --> 00:02:49,503 Right now, we're just setting up auditions. 64 00:02:49,570 --> 00:02:51,272 So people come in and meet us, 65 00:02:51,339 --> 00:02:53,474 or they send in videos of themselves 66 00:02:53,541 --> 00:02:56,644 doing the, you know, scenes and what not. 67 00:02:56,710 --> 00:02:58,812 If you want, I can show you some when you come into the office. 68 00:02:58,879 --> 00:03:00,147 Yeah, definitely. 69 00:03:00,214 --> 00:03:01,615 Also, you're gonna meet the director, 70 00:03:01,682 --> 00:03:03,116 and the lovely lady from Gravity Pictures. 71 00:03:03,183 --> 00:03:05,486 Ah. Well, we don't want to get in the way. 72 00:03:05,553 --> 00:03:07,154 I'm executive producer. 73 00:03:07,221 --> 00:03:08,656 If anyone says they have a problem with it, 74 00:03:08,722 --> 00:03:10,524 I can have them water boarded. 75 00:03:10,591 --> 00:03:13,361 (CHUCKLES) We'll swing by Charlene's and get dressed first. 76 00:03:13,427 --> 00:03:14,795 (CELL PHONE RINGING) 77 00:03:14,862 --> 00:03:16,630 -Oh, this girl was good. -Hi, hold on. 78 00:03:16,697 --> 00:03:17,865 EMMA: She's good? MILES: Yes... 79 00:03:17,931 --> 00:03:19,066 Morning. 80 00:03:21,635 --> 00:03:25,005 It's fine. We're just having breakfast. 81 00:03:25,072 --> 00:03:27,207 JEFFREY: Are you getting beach weather? 82 00:03:27,275 --> 00:03:29,209 (SIGHS) It's cloudy in the mornings here. They call it a marine layer. 83 00:03:29,277 --> 00:03:30,911 (CHUCKLES) Right. 84 00:03:30,978 --> 00:03:32,513 When I lived in San Diego with my brother, we were... 85 00:03:32,580 --> 00:03:34,982 Jeff, I... I slept with Miles last night. 86 00:03:39,587 --> 00:03:41,689 Really? 87 00:03:41,755 --> 00:03:44,057 (STAMMERS) Was it an accident? 88 00:03:44,124 --> 00:03:46,527 -KATIE: Accident? -Yeah, were you sober? 89 00:03:46,594 --> 00:03:48,896 Well, uh, sober enough. 90 00:03:48,962 --> 00:03:50,764 Then you made a decision. 91 00:03:50,831 --> 00:03:52,766 Well, I mean, I wouldn't call it a decision. We just... 92 00:03:53,834 --> 00:03:55,269 (SIGHS) I'm sorry. 93 00:03:56,770 --> 00:03:59,172 You're sorry, like, it won't happen again? 94 00:03:59,239 --> 00:04:00,874 Yes. 95 00:04:00,941 --> 00:04:03,877 No, I mean... (STAMMERS) You know I got to, 96 00:04:03,944 --> 00:04:05,112 I got to figure that out. 97 00:04:08,081 --> 00:04:09,750 (SIGHS) That would be good to know. 98 00:04:11,118 --> 00:04:13,354 Jesus. 99 00:04:13,421 --> 00:04:15,556 You know, I shot three under par for the first time in a month. 100 00:04:15,623 --> 00:04:18,559 I leave the course, this is the first phone call that I make. 101 00:04:18,626 --> 00:04:22,530 -(HORN HONKING) -Go around, you fucking idiot! 102 00:04:22,596 --> 00:04:25,232 -Go around! -MAN: Get off the phone, douchebag. 103 00:04:25,299 --> 00:04:26,734 KATIE: Look, I'm sorry that it happened, 104 00:04:26,800 --> 00:04:28,569 and I'm sorry to spring it on you like this. 105 00:04:28,636 --> 00:04:30,203 I just... I didn't want to lie. 106 00:04:30,270 --> 00:04:31,705 You know what? I think It's for the best. 107 00:04:31,772 --> 00:04:33,206 Why? 108 00:04:33,273 --> 00:04:36,544 Um, I didn't want to say this, but I just... 109 00:04:36,610 --> 00:04:39,613 I feel like there's something toxic about this situation. 110 00:04:39,680 --> 00:04:40,981 Our situation. 111 00:04:41,048 --> 00:04:42,916 And it's affecting me, personally. 112 00:04:42,983 --> 00:04:44,785 (STAMMERS) But if this is what gets you off... 113 00:04:44,852 --> 00:04:46,587 To rekindle a toxic relationship... 114 00:04:46,654 --> 00:04:49,089 Look, I'll be back Tuesday, we can talk about all this. 115 00:04:49,156 --> 00:04:51,392 Tuesday. (SIGHS) 116 00:04:51,459 --> 00:04:53,561 Nah, you know what? Fuck this. 117 00:04:53,627 --> 00:04:54,628 (LINE DISCONNECTS) 118 00:04:55,496 --> 00:04:56,664 Hello? 119 00:05:00,133 --> 00:05:01,602 MAN: Jerry, cappuccino's ready. 120 00:05:01,669 --> 00:05:03,036 Espresso shot as well, huh? 121 00:05:07,675 --> 00:05:09,009 -Oh, thank you. -Yeah. 122 00:05:10,978 --> 00:05:13,714 WOMAN: Large Americano and decaf coffee. 123 00:05:22,890 --> 00:05:24,257 WOMAN: Caramel Latte. 124 00:05:28,429 --> 00:05:29,763 (MUSIC PLAYING) 125 00:05:29,830 --> 00:05:31,298 YAGO: We can't sit around here in LA. 126 00:05:31,365 --> 00:05:32,766 When are we back in Nevada? 127 00:05:32,833 --> 00:05:35,035 ED: Too much heat. 128 00:05:35,102 --> 00:05:37,605 YAGO: Josias had business from Indian Springs all the way to fucking Reno. 129 00:05:37,671 --> 00:05:39,473 (CHUCKLES) 130 00:05:39,540 --> 00:05:41,041 I fucking played him. 131 00:05:41,108 --> 00:05:42,576 (CELL PHONE RINGING) 132 00:05:46,547 --> 00:05:48,248 ED: Yeah? CLIPPER: We're set up. 133 00:05:49,550 --> 00:05:51,118 How is he? 134 00:05:51,184 --> 00:05:53,286 CLIPPER: Been better. LYLE: Hey. Hey, who's that? 135 00:05:53,353 --> 00:05:55,055 CLIPPER: Had the doctor give him antibiotic. 136 00:05:55,122 --> 00:05:56,790 LYLE: Hey, man. Please. 137 00:05:56,857 --> 00:05:58,459 Don't know how long he's gonna last though. 138 00:05:58,526 --> 00:06:00,327 Tell 'em I work with you. 139 00:06:00,394 --> 00:06:03,831 I just... I need to get to a hospital. 140 00:06:03,897 --> 00:06:06,333 Look, I promise I can help you out with whatever you need. 141 00:06:06,400 --> 00:06:08,068 ED: At least he's talking. 142 00:06:08,135 --> 00:06:10,303 CLIPPER: Yeah, he's either passed out, or won't shut up. 143 00:06:10,370 --> 00:06:12,239 ED: Amara says, "Do whatever you have to do to keep him alive, 144 00:06:12,305 --> 00:06:14,408 "at least until he tells us what we need to know." 145 00:06:16,410 --> 00:06:18,612 -They're ready. -Mmm. 146 00:06:21,615 --> 00:06:25,052 Like you said, everything north of Indian Springs is ours. 147 00:06:25,118 --> 00:06:27,054 -Damn right. -ED: But we don't know who was kicking up. 148 00:06:27,120 --> 00:06:30,223 So we got Josias' boy, Lyle, here in a safe house in LA. 149 00:06:30,290 --> 00:06:32,593 He's the only one left that knows Josias' operation. 150 00:06:33,627 --> 00:06:34,628 YAGO: Okay. 151 00:06:35,663 --> 00:06:37,765 ED: She wants you to go over, 152 00:06:37,831 --> 00:06:40,067 get all the names and payoff amounts out of Lyle while he's still alive. 153 00:06:40,133 --> 00:06:42,770 Shouldn't I be in Nevada, running shit from the ground? 154 00:06:43,471 --> 00:06:45,205 Run it from LA. 155 00:06:45,272 --> 00:06:47,174 Whatever you find out, just tell the guys back home. 156 00:06:49,743 --> 00:06:52,245 You're basically the command center for the whole expansion. 157 00:06:56,517 --> 00:06:58,486 I mean, yeah. 158 00:06:59,319 --> 00:07:00,353 If that's what you want. 159 00:07:02,623 --> 00:07:03,791 Such a good boy. 160 00:07:06,193 --> 00:07:07,695 RECEPTIONIST: No, I'm gonna need you to get back to me. 161 00:07:07,761 --> 00:07:10,230 Bear claw? 162 00:07:10,297 --> 00:07:13,734 I got bear claws. Come on. Bear claw? They're good. 163 00:07:13,801 --> 00:07:19,072 Now we gonna push in as debris and bodies keep flying past camera. 164 00:07:19,139 --> 00:07:21,408 And I'm gonna tilt up like this and slowly come back. 165 00:07:21,475 --> 00:07:24,411 Yes. Daly. D-A-L-Y. 166 00:07:24,478 --> 00:07:27,214 Yeah, I'm calling about an actress that she represents, 167 00:07:27,280 --> 00:07:28,749 uh, Becca Morgan. 168 00:07:28,816 --> 00:07:32,620 -LOUIS: Bear claw? -Yeah, I can hold. 169 00:07:32,686 --> 00:07:36,323 I don't know if it's just the coffee shop on Tujunga, or if it's all of LA. 170 00:07:36,389 --> 00:07:38,425 But everyone in there... 171 00:07:38,492 --> 00:07:41,294 Every... Everyone, I mean, everyone is writing a screenplay. 172 00:07:41,361 --> 00:07:45,065 So, I mean, do writers just work in coffee shops or... 173 00:07:45,132 --> 00:07:46,567 Is everyone in LA a fuckin' writer? 174 00:07:46,634 --> 00:07:47,835 MILES: Hey. 175 00:07:48,836 --> 00:07:50,437 She is? That's great. 176 00:07:50,504 --> 00:07:52,640 I mean, of course she is, it's a beautiful role. 177 00:07:52,706 --> 00:07:54,742 I can get her a meeting but she'll have to be quick, 178 00:07:54,808 --> 00:07:57,911 there's an awful lot of interest. 179 00:07:57,978 --> 00:08:01,314 Okay, well, let me find the time and I'll call you back later. 180 00:08:01,381 --> 00:08:03,083 -Did you hear that? -Hmm? 181 00:08:03,150 --> 00:08:05,853 That is textbook. Sell the sizzle and not the steak. 182 00:08:05,919 --> 00:08:07,655 Well, my sizzle got sold. 183 00:08:09,523 --> 00:08:12,192 Where is Hafdis? 184 00:08:12,259 --> 00:08:13,794 -He was just there... -What do you got? 185 00:08:13,861 --> 00:08:15,829 GLADYS: On a scout. 186 00:08:15,896 --> 00:08:18,131 Rick. Becca Morgan, she's interested in the role of Margaret. 187 00:08:18,198 --> 00:08:20,333 Okay, well, well, who's that? 188 00:08:20,400 --> 00:08:22,803 Could you get April Quinn on the line? 189 00:08:22,870 --> 00:08:25,639 Also, can I get one of those headset things for my phone, like that lady has, there? 190 00:08:25,706 --> 00:08:28,809 Becca Morgan, she was a breakout role in Flashing Lights. 191 00:08:28,876 --> 00:08:30,343 RICK: Which is? 192 00:08:30,410 --> 00:08:32,680 A film out of New Zealand, winning loads of awards. 193 00:08:32,746 --> 00:08:34,682 -According to who? -Her agent. 194 00:08:34,748 --> 00:08:36,817 Ah. Now, see. You gotta watch out. 195 00:08:36,884 --> 00:08:38,051 That's what the agents do. They talk... 196 00:08:38,118 --> 00:08:39,352 GLADYS: I have April. 197 00:08:39,419 --> 00:08:40,788 Oh, all right. Put her on speaker. 198 00:08:43,724 --> 00:08:46,059 -Hello, Miss Quinn. -APRIL: This about Becca Morgan? 199 00:08:46,126 --> 00:08:47,828 -You heard. -Unbelievable. 200 00:08:47,895 --> 00:08:50,130 Kisbye, now Morgan. 201 00:08:50,197 --> 00:08:52,866 I don't know what they see in this project or why they'd want to work with you. 202 00:08:52,933 --> 00:08:54,301 But it's a good cast. 203 00:08:54,367 --> 00:08:55,903 Brandon likes her? 204 00:08:55,969 --> 00:08:58,005 APRIL: He saw Flashing Lights at Telluride, 205 00:08:58,071 --> 00:08:59,973 he's been killing himself trying to put her in something. 206 00:09:00,040 --> 00:09:02,209 Yeah, she was great in that. We love her. 207 00:09:02,275 --> 00:09:04,044 Becca wants to come in and discuss the role. 208 00:09:04,111 --> 00:09:05,879 I was thinking we could use that big white room 209 00:09:05,946 --> 00:09:09,382 that you brought us to, the one with the... With the trees. 210 00:09:09,449 --> 00:09:11,518 Make sure Hafdis can come. 211 00:09:11,585 --> 00:09:13,721 Yeah. And, uh, Julian Pynter. She's gonna want to meet the writer. 212 00:09:13,787 --> 00:09:15,923 -APRIL: No, he quit. -What? 213 00:09:15,989 --> 00:09:19,026 APRIL: Yeah. Stopped returning calls, really weird. 214 00:09:19,092 --> 00:09:21,494 But don't bring Louis Darnell. He's a train wreck. 215 00:09:22,663 --> 00:09:24,264 Yeah, no problem. 216 00:09:24,331 --> 00:09:25,866 -How's 1:00 pm? -How's it look? 217 00:09:25,933 --> 00:09:27,868 Yeah, should be good. 218 00:09:27,935 --> 00:09:30,070 Line producer interview is at 10:00 and the investor comes in a noon. 219 00:09:30,137 --> 00:09:32,239 -What investor? -Amara de Escalones. 220 00:09:35,643 --> 00:09:37,611 -Amara's coming where? -Here. 221 00:09:38,912 --> 00:09:40,247 To this office? 222 00:09:40,313 --> 00:09:42,082 Yeah, yeah, yeah. She called last night. 223 00:09:42,149 --> 00:09:43,516 Said she's coming by this afternoon. I thought you knew that. 224 00:09:46,453 --> 00:09:47,454 Hello? 225 00:09:49,256 --> 00:09:50,924 You know, 1:00 pm, great. 226 00:09:50,991 --> 00:09:53,226 APRIL: All righty, then. Brandon's gonna be ecstatic. 227 00:09:53,293 --> 00:09:54,294 Could we step into your office? 228 00:10:02,469 --> 00:10:05,005 She called me. I didn't call her, so... 229 00:10:06,439 --> 00:10:09,142 Talked about the project, that's all. 230 00:10:09,209 --> 00:10:11,044 Our project. It's not like I said, 231 00:10:11,111 --> 00:10:12,780 "Hey, come to LA." 232 00:10:12,846 --> 00:10:15,615 Why didn't we hear about it till now? 233 00:10:15,683 --> 00:10:18,118 I didn't know myself till last night. 234 00:10:22,055 --> 00:10:24,091 Get a hold of Ed, find out why they're here. 235 00:10:24,157 --> 00:10:26,593 Oh, shit. I better tell Katie not to come. 236 00:10:26,660 --> 00:10:28,228 LOUIS: What are you gonna tell her? 237 00:10:28,295 --> 00:10:29,830 MILES: I don't know. I'll text her something vague. 238 00:10:31,832 --> 00:10:33,967 All right. I know, I know the rough stuff happened in Nevada. 239 00:10:34,034 --> 00:10:36,670 The stuff with your face. And okay, that's... 240 00:10:36,737 --> 00:10:38,672 It's unacceptable. 241 00:10:38,739 --> 00:10:41,408 But she's not gonna try that stuff outside the casino, right? 242 00:10:41,474 --> 00:10:44,144 It's... This is what investors do. 243 00:10:44,211 --> 00:10:46,446 They want the glitz and the glamour. 244 00:10:46,513 --> 00:10:48,481 She picks up a souvenir, she goes home. 245 00:10:48,548 --> 00:10:50,517 You don't want her picking up souvenirs. 246 00:10:52,552 --> 00:10:53,687 What does that mean? 247 00:10:55,055 --> 00:10:56,389 Ed's not answering. 248 00:10:57,825 --> 00:10:59,526 (LOUIS SIGHS) 249 00:10:59,592 --> 00:11:00,961 You're not gonna be available to meet Becca Morgan today. 250 00:11:01,028 --> 00:11:03,163 Why's that? 251 00:11:03,230 --> 00:11:05,332 You're gonna be too busy showing Amara the beautiful sights of Los Angeles. 252 00:11:05,398 --> 00:11:07,000 Like, uh, the Chinese Mann Theatre. 253 00:11:07,067 --> 00:11:09,369 MILES: The Hollywood sign. LOUIS: Or the wax museum. 254 00:11:09,436 --> 00:11:12,572 Whatever it takes to get her fill, so she can drive back to Pahrump. 255 00:11:13,874 --> 00:11:15,275 I don't know why this is on me. 256 00:11:17,244 --> 00:11:20,380 But fine, I'll deal with her. 257 00:11:25,252 --> 00:11:28,188 Just want to point out, she's your investor. 258 00:11:31,424 --> 00:11:34,327 Should we use the round table for the appetizers? 259 00:11:34,394 --> 00:11:36,396 No, I know, we'll set out stuff for the bar. 260 00:11:36,463 --> 00:11:37,597 WAITRESS: Yes, ma'am. 261 00:11:39,599 --> 00:11:41,001 -Hey! -Morning. 262 00:11:41,068 --> 00:11:42,402 I thought you were in the guest house 263 00:11:42,469 --> 00:11:44,204 but then Jenna said, "No one's in there." 264 00:11:44,271 --> 00:11:47,074 -Oh, we stayed at my dad's. -Okay. 265 00:11:47,140 --> 00:11:48,742 We're going to visit Miles at the studio. 266 00:11:48,809 --> 00:11:51,044 But I will be back to help you get ready for the party. 267 00:11:51,111 --> 00:11:53,080 -All right. Get changed, we'll go. -Yes! 268 00:11:55,582 --> 00:11:57,918 -You slept at his place. -Yeah. 269 00:11:58,618 --> 00:11:59,652 Just sleep? 270 00:12:01,621 --> 00:12:02,622 Not just sleep. 271 00:12:04,624 --> 00:12:06,860 -What's the deal? -(SIGHS) I don't know. 272 00:12:06,927 --> 00:12:08,862 He just... (SIGHS) 273 00:12:08,929 --> 00:12:10,430 He just makes it so easy. 274 00:12:12,833 --> 00:12:15,568 It's like an addiction. I don't know. 275 00:12:15,635 --> 00:12:18,371 -Want to invite him tonight? -No, no, bad idea. 276 00:12:18,438 --> 00:12:19,439 You sure? 277 00:12:21,108 --> 00:12:24,211 Look. It's Indian Springs. 278 00:12:24,277 --> 00:12:25,846 CHARLENE: (SIGHS) I saw that. 279 00:12:25,913 --> 00:12:27,948 No offense, but I do not miss Nevada. 280 00:12:34,788 --> 00:12:35,856 How long they been on us? 281 00:12:38,792 --> 00:12:42,129 Since the hotel. Could be Feds, or LAPD. 282 00:12:43,363 --> 00:12:45,632 Let 'em follow. Fuck 'em. 283 00:12:47,134 --> 00:12:48,301 Thank you. 284 00:12:52,505 --> 00:12:54,474 Here you are now. 285 00:12:54,541 --> 00:12:56,810 You want to take a left, and then the next right past the water tower. 286 00:12:56,877 --> 00:12:57,978 -Appreciate it. -CLANCY: Yeah. 287 00:13:05,986 --> 00:13:07,220 Morning, Mr. Palmer. 288 00:13:12,993 --> 00:13:15,495 CLANCY: Licenses, and who you're here to see? 289 00:13:15,562 --> 00:13:18,298 Special Agents Ware and Carmadelle, FBI. 290 00:13:18,365 --> 00:13:21,268 Okay but, uh, you have a drive-on pass? 291 00:13:21,334 --> 00:13:23,636 We're running an active investigation. 292 00:13:23,703 --> 00:13:26,439 CLANCY: Sir, in order for me to let you on, you're gonna need a drive-on pass. 293 00:13:26,506 --> 00:13:28,241 We don't have time for that. 294 00:13:28,308 --> 00:13:30,443 CLANCY: Well, I'm authorized to let you on with a warrant, 295 00:13:30,510 --> 00:13:32,479 or if you're coordinating with the police department on the studio lot. 296 00:13:32,545 --> 00:13:36,917 Otherwise, you're gonna want to make a U-turn and use that exit. 297 00:13:43,490 --> 00:13:45,292 This is the safe house? 298 00:13:45,358 --> 00:13:47,627 CLIPPER: Yeah. 299 00:13:47,694 --> 00:13:50,663 And why does it smell like this? Fuckin' reeks... 300 00:13:54,734 --> 00:13:56,703 (SIGHS) Hey, buddy? 301 00:13:56,769 --> 00:13:58,505 Heard you're not feeling too good. Hmm? 302 00:14:03,276 --> 00:14:04,277 Sleeping beauty? 303 00:14:06,246 --> 00:14:07,447 He's out, man. 304 00:14:08,381 --> 00:14:10,683 So how we gonna do this? 305 00:14:10,750 --> 00:14:12,953 -Get epinephrine. -Okay. Well, whatever you gotta do. 306 00:14:18,225 --> 00:14:19,960 (PHONE DIALING) 307 00:14:22,395 --> 00:14:24,064 -BLIZ: (OVER PHONE) Yo. -What's up, dog? 308 00:14:24,131 --> 00:14:26,799 Hey, yo. It's, like, the wild, wild west up in this shit. 309 00:14:26,866 --> 00:14:29,302 I mean, we ride in and we just take. 310 00:14:29,369 --> 00:14:30,703 YAGO: Really? 311 00:14:30,770 --> 00:14:32,339 I mean, niggas be handing it over, man. 312 00:14:32,405 --> 00:14:35,575 Cash, candy and pussy. 313 00:14:35,642 --> 00:14:39,079 Yo, took down a stash house Josias had in Beatty? (CHUCKLES) 314 00:14:39,146 --> 00:14:42,082 Walked out with some serious powder, yo. 315 00:14:42,149 --> 00:14:44,051 I'm... I'm saying a fuckin' key. 316 00:14:44,117 --> 00:14:46,819 -Yo, you tell anyone? -Ah. Keeping it for you and me, man. 317 00:14:47,754 --> 00:14:48,989 Okay. 318 00:14:49,056 --> 00:14:51,024 How's Hollywood? You living it up? 319 00:14:51,091 --> 00:14:53,560 Yeah. I'm in charge of the expansion. 320 00:14:53,626 --> 00:14:56,563 Uh, it's a lot of responsibility. 321 00:14:56,629 --> 00:14:58,365 BLIZ: Yeah, I know. Ed told me. 322 00:14:58,431 --> 00:15:00,400 Uh, you got any questions for our friend? 323 00:15:00,467 --> 00:15:01,834 BLIZ: Oh, yeah, yeah. Hold up. 324 00:15:05,672 --> 00:15:09,342 Yo, ask him what Josias was getting out the dope house from Beatty Avenue C. 325 00:15:12,279 --> 00:15:14,247 (GROANS) Oh, shit. Oh, shit. 326 00:15:14,314 --> 00:15:15,415 (LAUGHS) 327 00:15:16,416 --> 00:15:17,617 (SIGHS) 328 00:15:17,684 --> 00:15:18,785 I need to get to a hospital, man. 329 00:15:18,851 --> 00:15:20,053 Please. I need a doctor. 330 00:15:20,120 --> 00:15:22,389 Dope house in Beatty on Avenue C. 331 00:15:22,455 --> 00:15:23,456 What are they kicking up? 332 00:15:24,124 --> 00:15:25,292 Twenty-five. 333 00:15:25,358 --> 00:15:27,027 He says they're kicking up twenty-five. 334 00:15:27,094 --> 00:15:29,262 BLIZ: Find out who Josias was working with in Ely. 335 00:15:29,329 --> 00:15:30,863 You get me to a hospital, man. 336 00:15:30,930 --> 00:15:32,399 I swear to God I'll help you out with all this shit. 337 00:15:32,465 --> 00:15:34,634 Who you working with in Ely? What's his name? 338 00:15:34,701 --> 00:15:36,069 LYLE: My boys there hook you up. 339 00:15:36,136 --> 00:15:37,137 YAGO: Who's your man in Ely? 340 00:15:38,871 --> 00:15:39,939 Hey. 341 00:15:40,640 --> 00:15:41,641 Hey! 342 00:15:43,643 --> 00:15:44,811 (SCREAMING) 343 00:15:52,385 --> 00:15:54,054 Tell me he didn't just fuckin' die. 344 00:15:55,655 --> 00:15:57,757 Still breathing. 345 00:15:57,824 --> 00:16:00,793 Keep pushing on his wound like that and he'll keep passing out. 346 00:16:00,860 --> 00:16:02,362 Well, then, give him another injection. 347 00:16:03,496 --> 00:16:04,597 Don't know if he can take it. 348 00:16:04,664 --> 00:16:06,666 Don't tell me what he'll take, 349 00:16:06,733 --> 00:16:08,968 just shoot this bitch up and let's get this fucking show on the road. 350 00:16:28,355 --> 00:16:29,356 (ELEVATOR BELL DINGS) 351 00:16:32,525 --> 00:16:34,227 (INDISTINCT CHATTER) 352 00:16:39,599 --> 00:16:42,202 MILES: Amara. Rick just told us you were coming, what a lovely surprise. 353 00:16:42,269 --> 00:16:43,336 LOUIS: Welcome to Hollywood. 354 00:16:43,403 --> 00:16:44,637 Hmm. This all you guys? 355 00:16:44,704 --> 00:16:46,039 MILES: All us, yeah. 356 00:16:46,106 --> 00:16:49,676 Hmm. It's just an office... 357 00:16:49,742 --> 00:16:51,178 Oh. Hey, there. 358 00:16:51,244 --> 00:16:53,346 Hi. Oh, sorry I couldn't go out last night. 359 00:16:53,413 --> 00:16:54,647 Where's my movie? 360 00:16:54,714 --> 00:16:56,283 Oh, we haven't started filming yet. 361 00:16:56,349 --> 00:16:58,651 This is what they call a "pre-production." 362 00:16:58,718 --> 00:17:00,087 -Hmm. -Pre-production? 363 00:17:01,754 --> 00:17:02,855 Let me give you a tour. 364 00:17:02,922 --> 00:17:05,158 This here is the bullpen. 365 00:17:05,225 --> 00:17:10,230 And that's the, uh, supervisor's desk. And back there is, uh... 366 00:17:10,297 --> 00:17:11,731 -That's accounting. -Accounting. 367 00:17:11,798 --> 00:17:13,833 Yeah. Not flashy, but, you know, important. 368 00:17:13,900 --> 00:17:15,668 Set design, right here. 369 00:17:15,735 --> 00:17:18,538 It's hard to get a sense from the little drawings but it'll... 370 00:17:18,605 --> 00:17:20,006 This is where the director works. 371 00:17:20,073 --> 00:17:21,541 Right in there. (COUGHS) 372 00:17:21,608 --> 00:17:23,776 That's Miles, that's me in the corner. 373 00:17:24,744 --> 00:17:26,679 This is you? 374 00:17:26,746 --> 00:17:28,715 Uh, yeah. Not much to see in there, really. 375 00:17:30,250 --> 00:17:31,251 Do I have a room? 376 00:17:32,819 --> 00:17:34,921 Not currently. No. 377 00:17:34,987 --> 00:17:36,656 Can, uh, get you something to drink? 378 00:17:36,723 --> 00:17:39,092 Uh, bottle of water? Snacks? 379 00:17:39,159 --> 00:17:42,529 -ED: What kind? -Oh. (STAMMERS) We got cheese sticks and granola, power... 380 00:17:42,595 --> 00:17:44,063 Why don't you show Ed the kitchen? 381 00:17:44,131 --> 00:17:45,865 -Yeah. -RICK: Oh, yeah. Take whatever you want. 382 00:17:45,932 --> 00:17:47,134 LOUIS: You got to see this. 383 00:17:49,769 --> 00:17:52,272 MILES: (CLEARS THROAT) Can I ask what brings you to LA.? 384 00:17:53,606 --> 00:17:55,242 I'm here to see my movie. 385 00:17:56,776 --> 00:17:59,679 Okay, great. And how long are you in town? 386 00:18:02,315 --> 00:18:03,316 Don't know. 387 00:18:06,519 --> 00:18:09,055 Well, I hope you have, uh, time to see the city while you're here. 388 00:18:09,122 --> 00:18:11,391 The Walk of Fame and, uh, tar pits. 389 00:18:11,458 --> 00:18:13,426 Walk of Fame? 390 00:18:13,493 --> 00:18:16,363 Oh, yeah. It's this great side-walk with loads of names on it. 391 00:18:16,429 --> 00:18:17,764 -(CELL PHONE RINGING) -Big stars. 392 00:18:17,830 --> 00:18:19,699 And stars on it. 393 00:18:19,766 --> 00:18:21,868 Oh, I have to take this. Excuse me. 394 00:18:23,803 --> 00:18:25,138 Hey, sweetheart. Did you get my text? 395 00:18:25,205 --> 00:18:27,106 KATIE: Don't think so. 396 00:18:27,174 --> 00:18:29,976 I said don't come yet. There's, uh, been a change of plan. 397 00:18:30,042 --> 00:18:32,812 KATIE: Well, we're here. MILES: Where? 398 00:18:32,879 --> 00:18:34,147 We parked and we're headed over. 399 00:18:34,214 --> 00:18:38,418 On, um, "Cary Grant Avenue." 400 00:18:38,485 --> 00:18:40,653 Could you just stay there and I'll come meet you? 401 00:18:40,720 --> 00:18:42,922 Well, why don't we... 402 00:18:42,989 --> 00:18:44,324 TOUR GUIDE: If you look at the left here, 403 00:18:44,391 --> 00:18:45,258 they're setting up for a shot right now. 404 00:18:45,325 --> 00:18:46,326 (KATIE AND EMMA CHUCKLE) 405 00:18:46,393 --> 00:18:48,127 Deluxe studio tour. 406 00:18:48,195 --> 00:18:49,929 Exclusive access for VIP's only. 407 00:18:49,996 --> 00:18:52,565 -Ah! You got your own cart? -Uh-huh. 408 00:18:52,632 --> 00:18:54,066 Can I drive? 409 00:18:54,133 --> 00:18:56,102 You cannot. Grab ahold of something, ladies. 410 00:18:56,169 --> 00:18:57,904 We're pulling out, giddy up! 411 00:18:57,970 --> 00:19:00,273 EMMA: Oh, no. (CHUCKLES) 412 00:19:00,340 --> 00:19:02,675 -Pretty fun. (LAUGHS) -Yeah. (CHUCKLES) 413 00:19:02,742 --> 00:19:06,112 'Course your mother's no stranger to riding around in golf carts. 414 00:19:06,179 --> 00:19:08,948 But they're little more enjoyable on a studio lot though, right? 415 00:19:09,015 --> 00:19:11,984 Ah, that's the spot there where Paul Newman locked himself out of his car... 416 00:19:12,051 --> 00:19:15,822 EMMA: (CHUCKLES) So these are all fake houses? 417 00:19:15,888 --> 00:19:18,458 KATIE: Where's your office? MILES: Oh, we're not gonna make it there today. 418 00:19:18,525 --> 00:19:20,260 EMMA: Wait, why not? 419 00:19:20,327 --> 00:19:22,161 MILES: Uh, had some meetings come up with business affairs. 420 00:19:22,229 --> 00:19:23,930 You know, like the suits. 421 00:19:23,996 --> 00:19:25,532 Can't really bring a family there. 422 00:19:26,999 --> 00:19:29,636 You can see the office another day. 423 00:19:29,702 --> 00:19:32,439 Ah. And here is the real studio tour. 424 00:19:32,505 --> 00:19:33,540 Tickets are inside. 425 00:19:34,441 --> 00:19:35,808 You're ditching us? 426 00:19:35,875 --> 00:19:37,710 Uh... 427 00:19:37,777 --> 00:19:41,314 But tonight I'm gonna bring you to a classic LA hangout. 428 00:19:41,381 --> 00:19:43,182 But we have the party tonight. 429 00:19:43,250 --> 00:19:45,184 It's Charlene's husband's birthday. I told you last week. 430 00:19:45,252 --> 00:19:48,655 -Ah. -You can go. Mom? 431 00:19:48,721 --> 00:19:51,324 Charlene invited you. I just didn't know if you'd want to. 432 00:19:51,391 --> 00:19:52,992 I'd love to see Charlene. 433 00:19:53,059 --> 00:19:55,828 And to meet these LA friends you keep talking about. 434 00:19:55,895 --> 00:19:57,597 -EMMA: Okay. -So I'll see you later. 435 00:19:58,898 --> 00:20:00,032 MILES: Enjoy. EMMA: I will. 436 00:20:00,099 --> 00:20:01,634 All right. (CLEARS THROAT) 437 00:20:01,701 --> 00:20:03,670 I'd reschedule the fuckin' meeting if I could... 438 00:20:03,736 --> 00:20:05,171 No, I get it. 439 00:20:05,238 --> 00:20:06,906 Hey, hold on. 440 00:20:06,973 --> 00:20:10,577 Could you meet me tonight before the party? Just you. 441 00:20:10,643 --> 00:20:13,145 -Well, I'm... I'm helping Charlene. -Five minutes. 442 00:20:14,581 --> 00:20:16,683 For what? 443 00:20:16,749 --> 00:20:18,751 I'll text you the address. It's a surprise. 444 00:20:22,422 --> 00:20:25,525 Well, thank you for the VIP tour. 445 00:20:25,592 --> 00:20:27,894 TOUR GUIDE: All right folks, welcome to the Gravity Studio's tour! 446 00:20:27,960 --> 00:20:31,264 (SIGHS) It ain't pretty. 447 00:20:34,634 --> 00:20:36,903 MILES: Let's hear it. 448 00:20:36,969 --> 00:20:40,873 Ed said that they took out Josias Ramos and his crew. 449 00:20:40,940 --> 00:20:42,942 His crew. How many men? 450 00:20:43,510 --> 00:20:44,577 Dozen. 451 00:20:46,279 --> 00:20:47,780 Holy shit. 452 00:20:47,847 --> 00:20:50,049 LOUIS: So, Amara split Nevada before it went down, 453 00:20:50,116 --> 00:20:53,252 she decided this is as good a place to go as any. 454 00:20:53,320 --> 00:20:55,955 And then Yago came up to join her. 455 00:20:56,022 --> 00:20:57,290 So she'll have Feds watching. 456 00:20:57,990 --> 00:20:59,726 Safe bet. 457 00:20:59,792 --> 00:21:01,894 Which means they'll be watching us too. 458 00:21:01,961 --> 00:21:04,297 Holy shit. 459 00:21:04,364 --> 00:21:06,065 Everything was peachy and she brings the circus to town. 460 00:21:06,132 --> 00:21:08,200 Be careful, she might hear us. Just... 461 00:21:13,973 --> 00:21:16,242 -The fuck? -LOUIS: What? 462 00:21:16,309 --> 00:21:17,810 Nothing, just... 463 00:21:17,877 --> 00:21:20,847 This memo. It says I missed a call from your agent. 464 00:21:21,648 --> 00:21:22,649 (CHUCKLES) 465 00:21:22,715 --> 00:21:24,016 He might have called. 466 00:21:25,818 --> 00:21:27,587 -Your agent? -Yeah. 467 00:21:27,654 --> 00:21:28,721 You have an agent. 468 00:21:30,189 --> 00:21:32,592 Matt Solo. Yeah, I met him at church. 469 00:21:32,659 --> 00:21:34,160 -Did you? -LOUIS: Mmm-hmm. 470 00:21:35,328 --> 00:21:37,597 Why's he calling me? 471 00:21:37,664 --> 00:21:41,133 I'm not totally sure but could be to discuss my fee for the screenplay. 472 00:21:41,200 --> 00:21:44,604 Your fee... That you didn't write. 473 00:21:44,671 --> 00:21:45,705 We know that. 474 00:21:46,639 --> 00:21:47,807 Just to be clear. 475 00:21:47,874 --> 00:21:49,642 We may be implicated in a mass murder 476 00:21:49,709 --> 00:21:51,944 and you're trying to gouge me for fuckin' script money? 477 00:21:52,011 --> 00:21:54,313 He said that the studio would pay for it. 478 00:21:54,381 --> 00:21:55,748 -Oh, shit. -Oh, they're leaving. 479 00:21:58,217 --> 00:22:00,787 So, Rick's taking you to see the sights, is he? 480 00:22:00,853 --> 00:22:03,289 Yeah. Can't go wrong with the Walk of Fame, right? 481 00:22:03,356 --> 00:22:05,458 -MILES: No. -It's a side-walk with names. (CHUCKLES) 482 00:22:05,525 --> 00:22:06,626 I wish we could come. 483 00:22:06,693 --> 00:22:07,860 Uh, send some pictures. 484 00:22:09,028 --> 00:22:10,663 Hmm. Let's go. 485 00:22:12,532 --> 00:22:14,701 Good luck with that actress, huh? Crossed fingers. 486 00:22:14,767 --> 00:22:17,303 Who? What actress? 487 00:22:17,370 --> 00:22:19,205 RICK: No. I've never even heard of her. 488 00:22:19,271 --> 00:22:21,874 (STAMMERS) I'm not even going. I'm gonna let Miles handle it. 489 00:22:22,875 --> 00:22:24,043 You meet here? 490 00:22:24,110 --> 00:22:26,813 Oh, no, no. Way over at the studio. 491 00:22:26,879 --> 00:22:29,148 We've got so many actor meetings coming up, don't we? 492 00:22:29,215 --> 00:22:31,384 I mean, if down the line you want to sit in on one, that would be... 493 00:22:31,451 --> 00:22:32,552 I come to this one. 494 00:22:35,221 --> 00:22:36,355 There's really no need. 495 00:22:37,724 --> 00:22:41,360 You don't want me to go? But you go. 496 00:22:41,428 --> 00:22:44,397 (CHUCKLES) I have to. It's my job. 497 00:22:45,932 --> 00:22:47,600 Your job is what I say it is. 498 00:22:50,403 --> 00:22:51,571 The more the merrier. 499 00:22:53,573 --> 00:22:54,574 Good idea. 500 00:23:03,483 --> 00:23:06,385 Ed called. Amara wants me in Nevada. 501 00:23:06,453 --> 00:23:09,656 No, there's no way you're going down there and I'm staying here. 502 00:23:09,722 --> 00:23:12,358 We were supposed to get an update two hours ago. 503 00:23:12,425 --> 00:23:14,861 My ass hurts from sitting in this fucking chair. 504 00:23:14,927 --> 00:23:16,896 It'll come by. 505 00:23:16,963 --> 00:23:18,364 All right, he said to keep an eye on Lyle. Just don't let him die. 506 00:23:18,431 --> 00:23:19,532 Ed can go fuck himself. 507 00:23:19,599 --> 00:23:21,501 Change the IV every six hours. 508 00:23:21,568 --> 00:23:23,870 If the EPI stops workin', give Ed a call, he'll get a doctor. 509 00:23:23,936 --> 00:23:27,206 -Fuck! -All right, microwave there. Soup and tortillas. 510 00:23:27,273 --> 00:23:29,241 Yeah, yeah, that's great. 511 00:23:29,308 --> 00:23:32,011 Thank you. It's like Nevada fuckin' correctional. 512 00:23:51,464 --> 00:23:52,832 (BLOWS RASPBERRY) 513 00:23:56,636 --> 00:23:57,870 (BREATHING HEAVILY) 514 00:24:11,684 --> 00:24:12,852 Yo. 515 00:24:16,623 --> 00:24:17,624 Hey. 516 00:24:19,191 --> 00:24:21,293 Hey. Wake the fuck up. 517 00:24:21,360 --> 00:24:23,462 -(LYLE GROANS) -(SIGHS) 518 00:24:23,530 --> 00:24:24,731 (LYLE GROANS) 519 00:24:29,301 --> 00:24:30,302 Fuck! 520 00:24:31,838 --> 00:24:34,440 I take this tiny movie out of New Zealand, 521 00:24:34,507 --> 00:24:36,843 I mean, it paid nothing but I liked the script. 522 00:24:36,909 --> 00:24:39,245 Next thing I know, it's winning awards 523 00:24:39,311 --> 00:24:42,815 and I'm having a meeting with Hafdis Snaebjornsson about an amazing new project. 524 00:24:42,882 --> 00:24:45,451 -(APRIL CHUCKLES) -Well, we're just lucky to have you here. 525 00:24:45,518 --> 00:24:46,986 Mmm-hmm. Right. 526 00:24:47,053 --> 00:24:49,956 I watched your film on a flight to Reykjavik. 527 00:24:50,022 --> 00:24:53,793 Your performance was absolutely stunning. 528 00:24:53,860 --> 00:24:56,629 It was haunting in its honesty. 529 00:24:56,696 --> 00:24:58,631 Mmm. I thought so. 530 00:24:58,698 --> 00:25:00,800 -That's very kind. -APRIL: Mmm. 531 00:25:00,867 --> 00:25:02,969 And congratulations on the reviews. 532 00:25:03,035 --> 00:25:06,105 Thank you. What happened to your face? 533 00:25:08,040 --> 00:25:09,709 Slipped on a squash court. 534 00:25:09,776 --> 00:25:12,211 BECCA: Oh. Hmm. 535 00:25:12,278 --> 00:25:14,313 What's the movie called? 536 00:25:14,380 --> 00:25:16,048 That I did? Flashing Lights. 537 00:25:17,083 --> 00:25:18,384 Eh, I didn't see. 538 00:25:19,919 --> 00:25:21,821 He say you play prostitute. 539 00:25:21,888 --> 00:25:23,022 Yeah. 540 00:25:28,260 --> 00:25:30,529 You lived in New Zealand, right? 541 00:25:30,597 --> 00:25:33,666 Right. Still catch myself driving on the left side, now and then. (CHUCKLES) 542 00:25:33,733 --> 00:25:36,068 (ALL CHUCKLE) 543 00:25:36,135 --> 00:25:39,171 BECCA: I learned so much, living there. About New Zealand, but also... 544 00:25:39,238 --> 00:25:40,573 She don't look like Margaret. 545 00:25:42,074 --> 00:25:43,375 (MILES GULPS) 546 00:25:43,442 --> 00:25:44,577 AMARA: You wanna play Margaret, right? 547 00:25:45,945 --> 00:25:47,279 But you don't look right. 548 00:25:51,083 --> 00:25:53,853 And that's what's so amazing about actors, innit? 549 00:25:53,920 --> 00:25:55,755 -How they can transform themselves. -RICK: Yeah... 550 00:25:55,822 --> 00:25:58,324 Mmm-hmm. (GASPS) Sorry, I should go. 551 00:25:58,390 --> 00:26:01,694 I'm, um, I'm meeting friends of mine tonight, who own an organic winery in New Zealand. 552 00:26:01,761 --> 00:26:04,697 You should come, if you want and we can talk about the movie? 553 00:26:04,764 --> 00:26:07,099 -Sounds nice. -BECCA: My agent has my number. 554 00:26:07,166 --> 00:26:10,703 -(APRIL CHUCKLES) -Oh, um, does this mean you're gonna take the role? 555 00:26:10,770 --> 00:26:12,905 I'm definitely interested. 556 00:26:12,972 --> 00:26:14,707 -So exciting! -BECCA: Lovely to meet you all. 557 00:26:14,774 --> 00:26:16,108 RICK: Yeah, you too. 558 00:26:16,175 --> 00:26:17,944 -Becca, I'll see you out. -BECCA: Okay. 559 00:26:18,010 --> 00:26:19,979 HAFDIS: Okay. MILES: Cheers. 560 00:26:22,949 --> 00:26:24,083 HAFDIS: Thank you. 561 00:26:25,985 --> 00:26:28,187 -Mmm-hmm. -Sounds like we got our Margaret. 562 00:26:28,254 --> 00:26:29,756 RICK: Yeah. APRIL: It's a huge get. 563 00:26:29,822 --> 00:26:31,624 Brandon will be over the moon when he hears. 564 00:26:31,691 --> 00:26:33,826 -Oh, yeah. This'll be good. -We find someone else. 565 00:26:37,329 --> 00:26:39,766 I think she's perfect. 566 00:26:39,832 --> 00:26:42,635 No. She, she has the dignity I envisioned 567 00:26:42,702 --> 00:26:45,738 and the quality of someone who knows suffering. 568 00:26:45,805 --> 00:26:47,306 No, no, no. Someone else. 569 00:26:51,978 --> 00:26:53,713 Amara, right? 570 00:26:53,780 --> 00:26:56,415 I told Rick I was happy to have you join for this meeting. 571 00:26:56,482 --> 00:26:58,918 But this studio also has a stake in this film. 572 00:26:58,985 --> 00:27:00,887 A very large stake. 573 00:27:00,953 --> 00:27:02,689 So this just really isn't your call. 574 00:27:05,291 --> 00:27:06,458 (EXHALES) 575 00:27:10,196 --> 00:27:11,530 I just tell you what I see. 576 00:27:12,498 --> 00:27:13,800 And we appreciate that. 577 00:27:21,407 --> 00:27:23,109 -I came here in a golf cart. -Ah. 578 00:27:23,175 --> 00:27:24,944 -Anyone needs a ride? -Oh. 579 00:27:25,011 --> 00:27:26,478 -We need to talk. -Yeah. 580 00:27:26,545 --> 00:27:27,546 RICK: Yeah. 581 00:27:30,850 --> 00:27:33,686 Tonight we go to dinner. Where we gonna go? 582 00:27:33,753 --> 00:27:36,789 Oh. You know what? I can't do dinner tonight. 583 00:27:36,856 --> 00:27:39,959 I've got too much work on of a productorial nature, 584 00:27:40,026 --> 00:27:43,262 maybe Rick will take you to the Bel-Air Lounge. 585 00:27:43,329 --> 00:27:44,697 You're gonna love this place. 586 00:27:44,764 --> 00:27:47,266 Got loads of Hollywood history and celebrities. 587 00:27:48,234 --> 00:27:50,336 Yeah, okay. (CHUCKLES) 588 00:27:52,038 --> 00:27:53,806 But you're too busy? 589 00:27:53,873 --> 00:27:55,107 I'm afraid so. 590 00:27:55,174 --> 00:27:58,210 'Cause you're a movie producer. I see. 591 00:28:06,585 --> 00:28:08,554 What makes you think they were Feds? 592 00:28:08,620 --> 00:28:11,057 ED: What do you mean? 593 00:28:11,123 --> 00:28:13,192 Well, you said they were in the car behind you at the gate. 594 00:28:14,293 --> 00:28:16,495 Don't know if they were Feds. 595 00:28:16,562 --> 00:28:18,130 Just know that they were tailing us. 596 00:29:07,446 --> 00:29:11,851 Emma asked where I was going and I said, "Your dad won't tell me." 597 00:29:11,918 --> 00:29:15,621 She wanted to come and I said she couldn't, even though I don't why... 598 00:29:18,024 --> 00:29:20,659 -Is your hair different? -Balayage. 599 00:29:21,627 --> 00:29:23,195 What now? 600 00:29:23,262 --> 00:29:25,264 It's fancy highlights. I had it done at Charlene's. 601 00:29:25,331 --> 00:29:27,066 Don't ask what it cost. 602 00:29:27,133 --> 00:29:29,668 -It looks beautiful. -Thank you. (SIGHS) 603 00:29:32,304 --> 00:29:34,373 You wanna, maybe tell me why we're here? 604 00:29:36,375 --> 00:29:37,709 You like this place? 605 00:29:38,878 --> 00:29:40,012 Who lives here? 606 00:29:40,679 --> 00:29:41,814 You, maybe. 607 00:29:43,816 --> 00:29:45,918 I didn't buy it, I just... I rented it. 608 00:29:45,985 --> 00:29:47,954 But if you come to LA we could stay here. 609 00:29:48,988 --> 00:29:50,289 Miles. 610 00:29:50,356 --> 00:29:52,758 I had to give 'em three months in advance. 611 00:29:52,825 --> 00:29:54,326 But don't let that influence you. 612 00:29:55,962 --> 00:29:57,329 Come on, have a look inside. 613 00:30:01,333 --> 00:30:02,501 Okay. 614 00:30:05,137 --> 00:30:08,975 "Beautiful period home with charming original features." 615 00:30:09,675 --> 00:30:11,343 Bit like myself. 616 00:30:11,410 --> 00:30:15,147 "Ebony floors, subway tiles in the master bath." 617 00:30:16,182 --> 00:30:17,383 It's got three bed, 618 00:30:18,851 --> 00:30:20,786 in case Emma insists on living with us. 619 00:30:20,853 --> 00:30:22,021 What if I say no? 620 00:30:23,856 --> 00:30:25,757 It's fine. 621 00:30:25,824 --> 00:30:28,360 I'll have to burn the place to the ground. But it's fine. 622 00:30:31,730 --> 00:30:33,032 It's a beautiful house. 623 00:30:34,400 --> 00:30:36,202 (SIGHS) It's perfect. 624 00:30:36,268 --> 00:30:38,704 But I, uh, I need a few days to think about it. 625 00:30:39,571 --> 00:30:40,706 Sure. 626 00:30:41,908 --> 00:30:44,043 (CHUCKLES) Come on. Let's go party. 627 00:30:49,215 --> 00:30:50,282 (YAGO SLURPING) 628 00:30:53,052 --> 00:30:54,053 Hey. 629 00:31:02,962 --> 00:31:04,196 You left him alone? 630 00:31:04,263 --> 00:31:06,198 I had to get some real food. 631 00:31:06,265 --> 00:31:08,500 I said if you needed anything, to call me. 632 00:31:08,567 --> 00:31:10,236 It's not like he's going anywhere. 633 00:31:11,971 --> 00:31:13,105 You got the key? 634 00:31:14,640 --> 00:31:15,908 (YAGO SIGHS) 635 00:31:30,589 --> 00:31:31,823 He keeps passing out. 636 00:31:42,134 --> 00:31:43,169 He's dead. 637 00:31:44,937 --> 00:31:46,005 No shit? 638 00:31:56,448 --> 00:31:59,885 What? I walked two blocks so I can get a sub, okay? 639 00:31:59,952 --> 00:32:01,220 I was starving. 640 00:32:01,287 --> 00:32:02,454 I gotta call Amara. 641 00:32:02,521 --> 00:32:04,890 YAGO: You know what? Call Amara. 642 00:32:04,957 --> 00:32:08,727 Tell her I was sitting here all day in this fucking garage that reeks of this puta. 643 00:32:08,794 --> 00:32:10,429 She said I would run the expansion. 644 00:32:10,496 --> 00:32:12,231 Not sit waiting all day, 645 00:32:12,298 --> 00:32:16,402 like some fuckin' secretary for some phone calls. 646 00:32:16,468 --> 00:32:18,570 And you know what? And tell her that if it wasn't for me, 647 00:32:18,637 --> 00:32:21,440 she wouldn't even have had this new territory. 648 00:32:21,507 --> 00:32:22,808 You don't want me to tell her that. 649 00:32:25,544 --> 00:32:27,479 You know what? 650 00:32:27,546 --> 00:32:30,949 Get somebody else to clean this shit, 'cause I'm fucking out of here. 651 00:32:35,721 --> 00:32:39,258 KATIE: (CHUCKLES) Oh, Bruce. Miles. This is Charlene's husband. 652 00:32:39,325 --> 00:32:40,426 MILES: Oh, hey. BRUCE: Hello, Miles. 653 00:32:40,492 --> 00:32:42,228 You look dapper and manly. 654 00:32:42,294 --> 00:32:45,097 -Thank you, same. -Well, I was fishing for that. 655 00:32:45,164 --> 00:32:47,266 -(ALL CHUCKLING) -Beautiful house, by the way. 656 00:32:47,333 --> 00:32:48,967 Oh, thank you. 657 00:32:49,035 --> 00:32:51,270 Dad, Charlene said we could go upstairs and watch T.V. 658 00:32:51,337 --> 00:32:53,305 Why would you do that when there's a party down here? 659 00:32:53,372 --> 00:32:56,308 The Voice finale is on and you have to vote in real time. So... 660 00:32:56,375 --> 00:32:58,944 Oh, The Voice finale is on and you have to vote in real... 661 00:32:59,011 --> 00:33:00,646 That's bloody brilliant, that. Okay, go on. 662 00:33:00,712 --> 00:33:02,748 (ALL CHUCKLING) 663 00:33:02,814 --> 00:33:04,650 I was gonna go to the bar, can I fetch you a glass of your own booze? 664 00:33:04,716 --> 00:33:06,018 Oh, I'm fine. Thank you. 665 00:33:06,085 --> 00:33:07,219 All right. 666 00:33:08,687 --> 00:33:11,023 So, what does your husband do? 667 00:33:11,090 --> 00:33:13,459 Uh, he's a, uh, a movie producer. 668 00:33:13,525 --> 00:33:15,361 Really? 669 00:33:15,427 --> 00:33:18,664 Yeah. He's making a film at Gravity Pictures with Max Kisbye. 670 00:33:18,730 --> 00:33:23,635 -No kidding. I love Kisbye. -(CHUCKLES) Yeah. 671 00:33:23,702 --> 00:33:26,672 RICK: So, what happens then is, uh, there's a table read, and that's... 672 00:33:26,738 --> 00:33:28,674 The studio comes to that. 673 00:33:28,740 --> 00:33:32,044 And if that goes well, which there's no reason it shouldn't, uh... 674 00:33:33,045 --> 00:33:34,046 Then, um... 675 00:33:34,713 --> 00:33:35,781 What? 676 00:33:38,784 --> 00:33:40,386 Call Miles. 677 00:33:40,452 --> 00:33:43,255 -Me and Sammy can... -AMARA: I want Miles to do it. 678 00:33:49,228 --> 00:33:51,163 I'm fine if you want your, uh... 679 00:33:51,230 --> 00:33:55,834 Your guys to come and eat with us rather than wait in the car. 680 00:33:55,901 --> 00:33:57,336 No. It's good, you and me. 681 00:33:57,403 --> 00:33:58,404 We get to know each other. 682 00:33:59,905 --> 00:34:02,741 Yeah. Yeah, it's great. 683 00:34:04,443 --> 00:34:07,546 There's a new chef here. I'm not familiar with the menu. 684 00:34:14,153 --> 00:34:16,188 (SIGHS) Oh, hi. 685 00:34:16,255 --> 00:34:17,589 (CHUCKLES) Hi. 686 00:34:18,590 --> 00:34:19,658 I'm Katie. 687 00:34:20,959 --> 00:34:23,195 That's weird. I married a Katie. 688 00:34:23,262 --> 00:34:25,197 Lovely girl. 689 00:34:25,264 --> 00:34:27,065 She's got highlights. 690 00:34:27,133 --> 00:34:28,400 Did she pay a lot for them? 691 00:34:28,467 --> 00:34:31,370 Oh. With Katie, no expense is spared. 692 00:34:31,437 --> 00:34:32,671 -(CHUCKLES) -(PHONE RINGING) 693 00:34:34,440 --> 00:34:36,342 You like Charlene's friends? 694 00:34:36,408 --> 00:34:39,911 I mean, I like them, but maybe you think they're stuck up. 695 00:34:39,978 --> 00:34:43,382 (SIGHS) I hung out with some unsavory people in Nevada. 696 00:34:43,449 --> 00:34:45,016 My bar is pretty low. 697 00:34:50,356 --> 00:34:53,592 Imagine living in this house. 698 00:34:53,659 --> 00:34:56,094 -We'd have parties like this, if we lived in LA. -(CHUCKLES) 699 00:34:56,162 --> 00:34:59,598 Hire a bartender. Pull out the tiki torches. 700 00:34:59,665 --> 00:35:02,468 KATIE: Tiki torches. Is that the secret? 701 00:35:02,534 --> 00:35:04,803 -MILES: It's basically all you need. -(KATIE CHUCKLES) 702 00:35:06,338 --> 00:35:08,774 (GASPS) Have you seen their screening room? 703 00:35:08,840 --> 00:35:11,510 MILES: Ah, you've seen one private screen room, you've seen them all. 704 00:35:13,312 --> 00:35:15,247 KATIE: Come here. 705 00:35:15,314 --> 00:35:17,048 (MUSIC PLAYING ON SCREEN) 706 00:35:21,987 --> 00:35:23,054 Yeah, okay. 707 00:35:24,156 --> 00:35:25,891 Right? 708 00:35:25,957 --> 00:35:28,594 -I mean, a popcorn machine is a bit tacky. -(CHUCKLES) 709 00:35:28,660 --> 00:35:31,330 I think in our screening room, we'd have couches. 710 00:35:32,364 --> 00:35:34,966 With a rising curtain. 711 00:35:35,033 --> 00:35:38,003 And none of this digital shit. We'll have a real projector up there. 712 00:35:38,069 --> 00:35:39,805 With a full time projectionist. 713 00:35:41,006 --> 00:35:42,441 Larry. 714 00:35:42,508 --> 00:35:44,443 -Larry, the projection guy. -Hmm. 715 00:35:44,510 --> 00:35:47,145 He has a little cot in his room for late night showings. 716 00:35:56,322 --> 00:36:01,327 I've done a lot of, uh, lot of fun, spooky movies that people enjoy. 717 00:36:01,393 --> 00:36:02,961 But The Admiral's Mistress, 718 00:36:03,028 --> 00:36:06,532 people are actually gonna see this in the theater. 719 00:36:06,598 --> 00:36:09,435 -That's good. -Yeah, this could be a great film. 720 00:36:09,501 --> 00:36:12,971 Really. And that, that scares the shit out of me, you know? 721 00:36:13,038 --> 00:36:15,774 But we're gonna... We're gonna go for it. 722 00:36:15,841 --> 00:36:17,309 'Cause you gotta aim high. 723 00:36:17,376 --> 00:36:20,379 If you want that arrow to... To go high. 724 00:36:21,447 --> 00:36:23,782 Right? (CHUCKLES) 725 00:36:23,849 --> 00:36:26,318 Ooh! It's a good thing I'm not driving. 726 00:36:26,385 --> 00:36:29,054 Okay, uh, we'll take the check, please. Thank you. 727 00:36:29,788 --> 00:36:30,956 Have another. 728 00:36:31,022 --> 00:36:33,325 No, no. I'm cutting myself off. 729 00:36:33,392 --> 00:36:35,227 I sound like Peter O'Toole here. 730 00:36:35,294 --> 00:36:37,563 Have a drink, then come to my hotel. 731 00:36:39,965 --> 00:36:41,400 Oh, uh... 732 00:36:43,034 --> 00:36:45,737 I... I think I better get home. 733 00:36:45,804 --> 00:36:47,706 You know, but this has been fun. 734 00:36:47,773 --> 00:36:50,476 -Really. -You don't take me serious. 735 00:36:50,542 --> 00:36:52,678 I... No. Of course I do. Of course. 736 00:36:52,744 --> 00:36:54,246 You're a very important part of this whole thing. 737 00:36:54,313 --> 00:36:57,549 I live in Nevada. Come to LA. 738 00:36:57,616 --> 00:37:00,886 You think, "She don't understand." 739 00:37:00,952 --> 00:37:03,922 But when I look at people, I see who they are. 740 00:37:03,989 --> 00:37:07,393 That's a good quality to have in this town, right? 741 00:37:07,459 --> 00:37:09,728 -I see you. -Uh-oh. 742 00:37:11,263 --> 00:37:12,598 You want people to like you. 743 00:37:13,965 --> 00:37:15,334 But you're all alone. 744 00:37:17,603 --> 00:37:20,339 Maybe you have a girlfriend but it don't matter. 745 00:37:20,406 --> 00:37:21,673 'Cause you're alone. 746 00:37:23,475 --> 00:37:24,843 And you're so sad. 747 00:37:28,780 --> 00:37:30,849 This is getting heavy. (CHUCKLES) 748 00:37:30,916 --> 00:37:33,885 Some people don't treat you good, eh? 749 00:37:33,952 --> 00:37:36,154 But you're better than those fuckin' people. 750 00:37:38,690 --> 00:37:40,292 And you don't gotta feel alone, 751 00:37:41,927 --> 00:37:45,431 'cause Ricky, you get any lady you want. 752 00:37:48,367 --> 00:37:49,501 Thank you. 753 00:37:51,703 --> 00:37:53,138 All you need is love. 754 00:37:55,341 --> 00:37:57,943 Someone to show you what kinda man you are. 755 00:38:00,646 --> 00:38:01,847 And sweetheart... 756 00:38:03,148 --> 00:38:04,950 You never had nothing like me. 757 00:38:08,687 --> 00:38:10,121 WAITER: Can I get you anything else? 758 00:38:13,525 --> 00:38:15,126 Get me another one of these. 759 00:38:18,730 --> 00:38:21,266 (BOTH MOANING) 760 00:38:21,333 --> 00:38:23,301 (BOTH BREATHING HEAVILY) 761 00:38:23,369 --> 00:38:24,836 (MOANING) 762 00:38:39,217 --> 00:38:41,853 You know, I'm actually starting to think the popcorn machine is a nice touch. 763 00:38:41,920 --> 00:38:43,154 (LAUGHS) 764 00:38:43,221 --> 00:38:44,523 (BOTH SIGH) 765 00:38:48,360 --> 00:38:49,828 KATIE: Yeah. (LAUGHING) 766 00:38:50,529 --> 00:38:51,830 Oh... 767 00:38:56,868 --> 00:38:59,037 If you don't mind me asking. Have you been, uh... 768 00:39:00,572 --> 00:39:02,408 You been keeping in touch with Jeffrey? 769 00:39:03,542 --> 00:39:05,243 I told him I slept with you. 770 00:39:07,112 --> 00:39:08,414 How'd he feel about that? 771 00:39:10,782 --> 00:39:12,384 Me and Jeffrey are done. 772 00:39:14,285 --> 00:39:15,286 Oh. 773 00:39:16,522 --> 00:39:17,923 (PHONE RINGING) 774 00:39:20,025 --> 00:39:22,293 Ah, shit. Yeah, hold on. 775 00:39:22,360 --> 00:39:24,530 Uh, Rick needs to talk to me about an actor. 776 00:39:25,797 --> 00:39:27,198 I'll be upstairs. 777 00:39:29,300 --> 00:39:30,569 Yeah. 778 00:39:33,939 --> 00:39:36,808 -Yeah? -ED: Dishwasher broke down. 779 00:39:36,875 --> 00:39:39,210 -Need you to take it out. -Get a handyman. 780 00:39:39,978 --> 00:39:41,112 She wants you. 781 00:39:44,082 --> 00:39:46,518 It's too risky. 782 00:39:46,585 --> 00:39:49,154 I don't know what to tell you, man. She wants you. 783 00:39:52,724 --> 00:39:55,661 Well, it doesn't sound like I have much of a choice, does it? 784 00:39:55,727 --> 00:39:58,363 Call from the other line. I'll get you the address. 785 00:39:58,430 --> 00:39:59,431 MILES: Mmm-hmm. 786 00:40:19,117 --> 00:40:20,519 Drain's over there. 787 00:40:29,461 --> 00:40:30,596 (SIGHS) 788 00:40:30,662 --> 00:40:31,997 -Ready? -MILES: Ready. 789 00:40:37,503 --> 00:40:39,738 I could have handled this better. 790 00:40:39,805 --> 00:40:41,973 -(SIGHS) -What do you mean? 791 00:40:42,040 --> 00:40:45,944 I tried to talk Amara outta not meeting with that actress, right? 792 00:40:46,011 --> 00:40:48,446 All I managed to do was fuckin' piss her off. Gloves? 793 00:40:48,514 --> 00:40:49,515 Here. 794 00:40:50,816 --> 00:40:52,217 And then she wanted to have dinner. 795 00:40:53,051 --> 00:40:55,253 But I give her to Rick. 796 00:40:55,320 --> 00:40:57,155 Like I was too fuckin' good for her. 797 00:40:58,857 --> 00:41:03,261 Well, you can beat yourself up but, the truth is, 798 00:41:03,328 --> 00:41:09,000 we could win fucking Oscars and she'd still have us doing these shit jobs. 799 00:41:09,668 --> 00:41:10,736 (SIGHS) 800 00:41:14,005 --> 00:41:15,140 (SIGHS) 801 00:41:19,811 --> 00:41:21,947 Is she going back to Nevada this week? 802 00:41:22,013 --> 00:41:23,515 We can only hope. 803 00:41:36,194 --> 00:41:38,463 (MUSIC PLAYS ON STEREO) 804 00:41:38,530 --> 00:41:40,832 Look, I'm sorry I sic'd that agent on you. 805 00:41:40,899 --> 00:41:42,968 You got bigger shit to worry about. 806 00:41:43,034 --> 00:41:45,003 I'm impressed you got an agent. 807 00:41:45,070 --> 00:41:46,538 I didn't think he'd call. 808 00:41:47,372 --> 00:41:48,840 But here's an idea. 809 00:41:48,907 --> 00:41:52,644 Look, you get the studio to pay me for my script... 810 00:41:52,711 --> 00:41:54,145 -No, no. -No! Hear me out now. 811 00:41:54,212 --> 00:41:56,214 Yeah. 812 00:41:56,281 --> 00:41:59,985 You pay me and I take care of additional re-writes at no extra cost. 813 00:42:00,051 --> 00:42:01,352 -Oh, that's a great idea. -Yeah. 814 00:42:01,419 --> 00:42:03,221 Except, you can't spell your own name. 815 00:42:04,623 --> 00:42:07,092 No, but I'll find someone who can. 816 00:42:07,959 --> 00:42:09,494 I don't follow. 817 00:42:09,561 --> 00:42:12,297 (COUGHS) LA is so full of desperate writers 818 00:42:12,363 --> 00:42:14,733 that you can't find a seat in a coffee shop. 819 00:42:14,800 --> 00:42:18,637 I mean, I could so easily, just pay someone to help me out. 820 00:42:18,704 --> 00:42:20,739 Is that what this... This is about money? 821 00:42:22,908 --> 00:42:25,443 Look, I go to the production office every day and I... 822 00:42:26,477 --> 00:42:28,379 I don't really have a job. 823 00:42:28,446 --> 00:42:30,315 You're an associate producer, Lou. 824 00:42:30,381 --> 00:42:31,917 Everybody knows that's bullshit. 825 00:42:34,986 --> 00:42:36,221 (SIREN WAILS) 826 00:42:36,287 --> 00:42:37,555 Oh, fuck! 827 00:42:39,057 --> 00:42:40,025 Fuck. 828 00:42:40,091 --> 00:42:41,092 (MUSIC STOPS) 829 00:42:41,993 --> 00:42:42,994 Ah. 830 00:42:46,598 --> 00:42:48,299 You think they were watching us? 831 00:42:51,269 --> 00:42:53,805 It's a black and white, the Feds would be unmarked. 832 00:42:55,807 --> 00:42:57,508 -Roll up your sleeve. -What? 833 00:42:57,575 --> 00:42:59,778 -There's blood on your fuckin' sleeve. -Oh, shit. 834 00:42:59,845 --> 00:43:01,780 (INDISTINCT RADIO CHATTER) 835 00:43:07,753 --> 00:43:08,820 License and registration. 836 00:43:12,357 --> 00:43:14,059 POLICE OFFICER: No right turn back there. 837 00:43:14,125 --> 00:43:16,294 Oh. I didn't realize. 838 00:43:21,132 --> 00:43:24,202 -How much you had to drink tonight? -Nothing. 839 00:43:29,007 --> 00:43:30,742 You live in Nevada? 840 00:43:30,809 --> 00:43:33,879 Live here. Working here now. 841 00:43:33,945 --> 00:43:36,414 -POLICE OFFICER: Doing what? -Producing a movie. 842 00:43:36,481 --> 00:43:39,417 -POLICE OFFICER: Oh yeah? Where? -Gravity Pictures. 843 00:43:39,484 --> 00:43:42,320 Are you a fan of Max Kisbye, by any chance? 844 00:43:42,387 --> 00:43:44,656 -Who? -Here's the registration. 845 00:43:47,492 --> 00:43:49,327 Sit tight, I'll be right back. 846 00:43:59,337 --> 00:44:01,572 -We're all right. -Uh-huh. 847 00:44:31,937 --> 00:44:32,938 Amara. 848 00:44:34,672 --> 00:44:35,673 Oh... 849 00:44:37,042 --> 00:44:38,609 Ricky. 850 00:44:38,676 --> 00:44:40,611 Yeah. I didn't want to leave without saying, uh... 851 00:44:43,548 --> 00:44:45,350 -That was nice. -I know. 852 00:44:48,053 --> 00:44:50,989 Okay, well, I'm gonna head out. Uh... 853 00:44:51,056 --> 00:44:52,824 I get us breakfast. 854 00:44:52,891 --> 00:44:55,326 No, no, no. I mean, I would love to, 855 00:44:55,393 --> 00:44:58,663 but, uh, I should really run by and you got a lot... 856 00:44:58,730 --> 00:45:00,866 -What you wanna eat? -(SIGHS) 857 00:45:03,902 --> 00:45:05,203 Maybe pancakes. 858 00:45:09,240 --> 00:45:10,475 (AMARA SIGHS) 859 00:45:11,442 --> 00:45:13,044 Hafdis, wakey-wakey. 860 00:45:13,111 --> 00:45:14,379 (GRUNTS) Huh? 861 00:45:14,445 --> 00:45:16,147 So, is Becca Morgan doing our movie? 862 00:45:16,214 --> 00:45:17,682 I don't know. 863 00:45:17,749 --> 00:45:19,250 I thought you had drinks with her last night? 864 00:45:19,317 --> 00:45:21,887 Yeah. We had a flight of wines from New Zealand. 865 00:45:21,953 --> 00:45:27,192 Marlborough, Gisborne, Hawke's Bay and Nelson, Northland, Botago. 866 00:45:27,258 --> 00:45:30,328 I'm a bit vague on what happened after Botago. 867 00:45:30,996 --> 00:45:33,264 Okay. 868 00:45:33,331 --> 00:45:35,333 Gladys, can you call Miss Morgan's agent, find out if she's doing our movie. 869 00:45:35,400 --> 00:45:36,401 GLADYS: Mmm-hmm. 870 00:45:38,103 --> 00:45:39,905 I'm gonna get some more coffee. Want some? 871 00:45:39,971 --> 00:45:41,239 AMARA: Hmm. RICK: Yeah. 872 00:45:41,306 --> 00:45:42,673 I'll get you some. Two sugars, right? 873 00:45:42,740 --> 00:45:43,942 -AMARA: Yeah. -(CHUCKLES) 874 00:45:45,576 --> 00:45:46,845 -MILES: Morning. -Oh, hey. 875 00:45:48,179 --> 00:45:49,881 How long is she staying in town? 876 00:45:49,948 --> 00:45:51,917 (SIGHS) Amara? 877 00:45:51,983 --> 00:45:54,285 -Who the fuck else would I be talking about? -(CHUCKLES) Right. 878 00:45:54,352 --> 00:45:58,857 Uh, I, I don't know if she's decided for sure yet, I don't know. 879 00:45:58,924 --> 00:46:00,859 What did she say? 880 00:46:00,926 --> 00:46:04,429 She said she wants to stick around till we're done shooting. 881 00:46:04,495 --> 00:46:06,464 -Done shooting? -Yeah. 882 00:46:06,531 --> 00:46:08,133 Becca Morgan is confirmed! 883 00:46:08,199 --> 00:46:09,467 That's great. 884 00:46:09,534 --> 00:46:12,303 -That's great news, right? -Yeah. 885 00:46:12,370 --> 00:46:14,639 All right. Let me, uh, I'm gonna get some... 886 00:46:17,642 --> 00:46:20,778 -So she's gonna, what? Get a place here? -I don't know. 887 00:46:20,846 --> 00:46:23,882 I mean, that's worse than Pahrump. 888 00:46:23,949 --> 00:46:26,084 I mean, at least then she wasn't breathing down our necks... 889 00:46:26,151 --> 00:46:27,919 I mean, neither of us in our wildest dreams 890 00:46:27,986 --> 00:46:29,988 thought that fucking woman was coming to LA. 891 00:46:30,688 --> 00:46:31,689 Hi. 892 00:46:32,657 --> 00:46:34,425 Thought I'd surprise you. 893 00:46:34,492 --> 00:46:35,660 If I'm interrupting... 894 00:46:35,726 --> 00:46:38,263 No, no, no. Now's good. 895 00:46:38,329 --> 00:46:40,498 Come in. What is that? 896 00:46:42,333 --> 00:46:43,334 Tiki torch. 897 00:46:46,137 --> 00:46:49,007 -I'll be back in a few. -No, don't leave on my account. 898 00:46:49,074 --> 00:46:50,208 Yes. Better if you leave. 899 00:46:56,681 --> 00:46:58,116 (SIGHS) 900 00:46:58,183 --> 00:46:59,951 It's been six months. 901 00:47:00,018 --> 00:47:03,154 Telling myself that, for Emma's sake we had to move on. 902 00:47:03,221 --> 00:47:06,724 Because I couldn't imagine how our situation was ever gonna change. 903 00:47:07,993 --> 00:47:09,627 Then I came out here. 904 00:47:09,694 --> 00:47:12,163 And I see this life you're making for yourself, 905 00:47:13,731 --> 00:47:14,732 it's amazing. 906 00:47:16,567 --> 00:47:20,038 -And I find myself thinking... -Katie, uh, we should talk. 907 00:47:20,872 --> 00:47:22,173 What do you mean? 908 00:47:23,408 --> 00:47:24,609 Let me close the door. 909 00:47:29,380 --> 00:47:31,983 'Sup, son? Makin' the scene, living the dream? 910 00:47:32,050 --> 00:47:34,152 Yo, you need to get out here. 911 00:47:34,219 --> 00:47:36,955 -You would really like this. -Seriously? 912 00:47:37,022 --> 00:47:38,456 YAGO: Why not? 913 00:47:38,523 --> 00:47:40,291 Boy, I'd love to get up there. 914 00:47:40,358 --> 00:47:42,127 I mean, I got cousins in Reseda. 915 00:47:42,193 --> 00:47:43,628 I used to get there as a kid... 916 00:47:43,694 --> 00:47:45,630 Hey, you still got that flake? 917 00:47:45,696 --> 00:47:47,398 You should bring that shit with you. 918 00:47:47,465 --> 00:47:49,500 We'll get a little business going. 919 00:47:49,567 --> 00:47:52,203 Think Amara's gonna roll with that? 920 00:47:52,270 --> 00:47:54,672 This shit is between you and me, right? 921 00:47:54,739 --> 00:47:56,141 A little business on the side, 922 00:47:56,207 --> 00:47:58,977 Amara doesn't have to hear about that. 923 00:47:59,044 --> 00:48:02,547 I mean, if that's how you want to play it. 924 00:48:02,613 --> 00:48:04,549 Well, then get your ass out here. 925 00:48:04,615 --> 00:48:07,118 Bring that fuckin' flake and let's do Hollywood in style. 926 00:48:11,122 --> 00:48:12,890 Well, at least now I get it. 927 00:48:12,958 --> 00:48:15,426 How it's possible you could suddenly be making a movie. 928 00:48:16,827 --> 00:48:18,396 (SIGHS) 929 00:48:18,463 --> 00:48:20,365 If Amara is behind it... 930 00:48:20,431 --> 00:48:23,901 Not behind it, just paying for it. 931 00:48:23,969 --> 00:48:26,604 So the movie comes out she'll let you go on with your life? 932 00:48:26,671 --> 00:48:27,672 That's the plan. 933 00:48:29,274 --> 00:48:30,275 What did she actually say? 934 00:48:34,145 --> 00:48:36,547 -You haven't talked about it. -No, we have. 935 00:48:36,614 --> 00:48:38,549 She's just invested in one movie. 936 00:48:38,616 --> 00:48:41,586 She agreed that I could live here and honestly, 937 00:48:41,652 --> 00:48:45,423 I didn't know she was gonna stay in LA until five bloody minutes ago. 938 00:48:45,490 --> 00:48:47,692 -Is she here, in the office? -Yes. 939 00:48:55,600 --> 00:48:57,402 -Oh, Katie... -I should go get Emma. 940 00:48:57,468 --> 00:48:59,370 We're driving back right after lunch. 941 00:48:59,437 --> 00:49:01,539 -Back to Nevada. -Mmm. 942 00:49:01,606 --> 00:49:03,374 MILES: So is that it, then? 943 00:49:03,441 --> 00:49:05,643 'Cause if we're done, can you just tell me? 944 00:49:05,710 --> 00:49:07,112 Put me out of my fuckin' misery. 945 00:49:08,146 --> 00:49:10,548 -I'll call you. -Oh, okay. 946 00:49:10,615 --> 00:49:12,183 I don't mean it like that, I mean... 947 00:49:14,119 --> 00:49:15,286 I'll call you. 948 00:49:30,335 --> 00:49:31,936 What's that? 949 00:49:32,003 --> 00:49:34,972 I tried to balance coffee and a stack of binders... 950 00:49:35,040 --> 00:49:37,508 And see? It's almost gone. 951 00:49:37,575 --> 00:49:38,909 -(CHUCKLES) -That's handy. 952 00:49:39,644 --> 00:49:40,845 Is that ketchup? 953 00:49:42,313 --> 00:49:44,115 Yeah, yeah. 954 00:49:44,182 --> 00:49:46,151 -Hold still. -Uh... 955 00:49:51,156 --> 00:49:54,159 You, uh, smell, um, nice. 956 00:50:02,200 --> 00:50:06,337 Well, there. I can still see it, but it's better. 957 00:50:09,540 --> 00:50:10,541 Okay. 958 00:50:15,346 --> 00:50:16,347 Thank you. 959 00:50:20,218 --> 00:50:21,719 (INAUDIBLE) 960 00:50:23,721 --> 00:50:25,356 (INDISTINCT CHATTER) 961 00:50:43,641 --> 00:50:44,809 AGENT WARE: Mr. Snaebjornsson. 962 00:50:45,910 --> 00:50:47,845 HAFDIS: This is ridiculous. 963 00:50:47,912 --> 00:50:49,414 Then tell me what I've done. 964 00:50:49,480 --> 00:50:51,549 If you can't tell me, you gotta let me go... 965 00:50:51,616 --> 00:50:53,151 Calm down. Sir, where's your car? 966 00:50:53,218 --> 00:50:55,886 -My what? -Can you tell me where your car is? 967 00:50:55,953 --> 00:50:58,356 HAFDIS: My... 968 00:50:58,423 --> 00:50:59,990 DETECTIVE FADDEN: If I told you it was in the swimming pool of the Wilshire Hotel, 969 00:51:00,057 --> 00:51:02,227 would you be surprised? 970 00:51:02,293 --> 00:51:04,262 Somewhat surprised, yeah. 971 00:51:04,329 --> 00:51:05,896 DETECTIVE FADDEN: You're going downtown. 972 00:51:05,963 --> 00:51:07,265 All's good. 72204

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