Original subtitles

[PROJECTOR CLICKING, ♪...]

[HORNS HONKING...]

[HORNS HONKING...] [♪...]

[♪...]

[♪...] [BIRDS CHIRPING...]

[BIRDS CHIRPING...]

[BIRDS CHIRPING...] [ALARM BEEPING...]

[ALARM BEEPING...]

>> [GRUNTS SOFTLY]

>> [GRUNTS SOFTLY] [SIGHS]

[SIGHS]

[SIGHS] [GROANS SOFTLY, KISSES]

[GROANS SOFTLY, KISSES]

>> HONEY, NO...

UH-UH, NO, I HAVE

A REALLY BUSY MORNING.

>> [LAUGHING]: COME ON...

COME BACK TO BED.

>> REALLY, I CAN'T.

>> PLEASE?

>> PLEASE? >> [SIGHS]

>> [SIGHS]

>> O.K., FINE, JUST REALLY

QUICK THOUGH, O.K.?

>> WHAT? NO, NO, NO,

IT'S NOT WHAT... NO.

>> [SIGHS]

>> FORGET IT.

[SIGHS]

>> O.K..

>> [SIGHS]

[♪...]

I LOVE YOU.

>> I LOVE YOU TOO.

[♪...]

[♪...] [TRAFFIC PASSING...]

[TRAFFIC PASSING...]

[TRAFFIC PASSING...] [♪...]

[♪...]

[TRAFFIC, CONSTRUCTION NOISE...]

[TRAFFIC, CONSTRUCTION NOISE...] [♪...]

[♪...]

>> Man 2: GOTTA GET BACK TO HIM

THIS MORNING...

THE SMARMY LITTLE BASTARD.

50 BUCKS FOR A BAG OF SOIL.

IT'S DIRT, FOR CHRIST SAKES.

IT'S DIRT, FOR CHRIST SAKES. GO OUT AND DIG IT MYSELF.

GO OUT AND DIG IT MYSELF.

>> MORNING.

>> MORNING.

>> NEED A COUPLE MORE MINUTES?

>> I'M O.K.

WHAT DO YOU GOT?

>> HERE IS THE ZONING PACKAGE,

MINUS THE FINAL ADJUSTMENTS

TO THE RETAIL ALLOCATIONS.

OH, AND HERE'S THE FOLDER

YOU WANTED ON THAT WATERFRONT

PROJECT OUT IN JERSEY,

McKEAN AND McKEAN.

>> THANK YOU AND THANK YOU.

>> OH, AND JOSH CALLED AGAIN.

HE WANTS YOU TO CALL HIM

THIS MORNING.

>> [SIGHS] ALL RIGHT.

THANKS, MEG.

>> NEED ANYTHING ELSE?

COFFEE, BAGEL?

DELIVERY OF SEVERAL TONS

OF DIRT PERHAPS?

>> I'M O.K., THANKS.

>> [LAUGHS] ALL RIGHT.

>> [SIGHS]

[♪...]

>> Man 1: FINE, JUST PUSH THE

SIGNING ON THE 27th TO THE

AFTERNOON SO I CAN MAKE IT

TO NATE'S SCIENCE FAIR.

I REALLY DON'T WANT TO MISS IT.

I REALLY DON'T WANT TO MISS IT. [♪...]

[♪...]

O.K..

ALL RIGHT, I'M HERE

AT McKEAN AND McKEAN.

CAN YOU GIVE ME THE, UH, NAMES

OF THESE TWO FINE, FINE FELLOWS?

SAM AND ALEX?

ALL RIGHT, THANKS, MEG. BYE.

ALL RIGHT, THANKS, MEG. BYE. [♪...]

[♪...]

[COPIER WHIRRING...]

[COPIER WHIRRING...] [MUSIC PLAYING SOFTLY...]

[MUSIC PLAYING SOFTLY...]

>> EXCUSE ME.

HI.

I'M WILL SARGENT, I'M HERE TO

MEET SAM AND ALEX McKEAN.

>> HEY, WILL, HI.

>> HI. >> I'M ALEX.

>> OH. >> COME ON BACK.

>> HI. [LAUGHS]

>> HI, NICE TO MEET YOU.

>> NICE TO MEET YOU.

>> YOU FOUND US O.K.?

>> YEAH, YEAH, NO,

IT WAS NO PROBLEM.

>> OH, GOOD-- SOME PEOPLE

HAVE THE HARDEST TIME. >> AH.

>> UM... SAM... >> YUP.

>> WILL SARGENT IS HERE.

>> HEY, WILL. HOW'S IT GOING?

>> GOOD, HOW ARE YOU?

>> I'LL BE RIGHT DOWN.

YOU NEED SOMETHING TO DRINK?

>> UH, ME? NO, I'M FINE.

>> ALL RIGHT,

I'LL BE RIGHT DOWN.

>> CAN YOU BRING ME MY WATER?

>> YOU GOT IT, BABE.

>> THANK YOU.

WE'RE SO HAPPY YOU CAME HERE.

>> OH... >> I MEAN, WE'RE...

HUGE FANS OF YOUR WORK.

THE FERRY TERMINAL ON THE

WEST SIDE IS ONE OF OUR

FAVORITE BUILDINGS.

>> OH, THANKS.

>> HERE. THANKS.

>> WELL, GOOD TO MEET YOU.

>> YOU TOO.

>> HERE YOU GO, HON. >> THANKS.

>> Woman: SO THIS FRIEND OF

MINE, SHE JUST WALKS UP TO THIS

GUY AND SHE SAYS, "MY BIOLOGICAL

CLOCK IS TICKING." [LAUGHS]

>> SHE SAID THAT TO HIM?

>> RIGHT TO HIS FACE.

OH, CAN YOU PASS ME THAT?

[LAUGHS]

OH GOD... OH, 6:25, 6:25...

>> I CAN'T BELIEVE

KIT ISN'T HERE YET.

>> WAIT, FINISH WHAT YOU WERE

TELLING ME ABOUT THE JOB IN L.A.

WHEN WOULD YOU HEAR BACK?

>> I DON'T KNOW.

YOU KNOW, THEY'RE GONNA HAVE

ANOTHER ROUND OF INTERVIEWS

IN OCTOBER AND THEN THEY SHOULD

COME TO SOME SORT OF DECISION

BY NOVEMBER, I, I THINK.

>> SO DOES THAT MEAN THEY FLY

YOU TO L.A. FOR AN INTERVIEW?

>> [LAUGHS] I GUESS

THAT'S THE IDEA.

>> THAT'S SO AMAZING...

EVEN TO BE CONSIDERED.

>> YEAH, I KNOW.

I'M JUST NOT SURE

IF IT'S WHAT I WANT, YOU KNOW?

I MEAN, I DON'T WANT TO

LIVE IN L.A.

>> KATE...

>> OH, COME ON, I DON'T WANT TO

LIVE IN THE SAME CITY AS HIM.

>> IT'S L.A.

I MEAN, YOU HAVE MORE

OF A CHANCE OF RUNNING INTO HIM

ON A TRIP TO CHINA.

BESIDES, IT'S BEEN OVER A YEAR--

YOU'RE SO TOTALLY OVER HIM.

>> YEAH, I KNOW.

>> I THINK IT SOUNDS

LIKE A LOT OF FUN.

>> WHAT SOUNDS

LIKE A LOT OF FUN?

>> OH, THAT L.A. DESIGN FIRM

CALLED BACK FOR KATE.

THEY'RE GOING TO FLY HER OUT FOR

A SECOND ROUND OF INTERVIEWS.

ISN'T THAT EXCITING?

>> YEAH. [THEY KISS]

YOU NEED TO FIND

A NEW APARTMENT ANYWAY.

>> KIT...

>> I MIGHT'VE ALREADY FOUND ONE.

>> REALLY?

>> THERE IS A WOMAN AT MY

OFFICE, HER SISTER HAS A SUBLET

THAT STARTS NEXT MONTH.

GUESS WHERE? >> WHERE?

>> PIERREPONT AND WILLOW.

>> OH! [BOTH LAUGH]

THAT'D BE FANTASTIC.

>> YEAH, BUT I DON'T SEE IT

TILL FRIDAY.

>> THAT'D MAKE THE MOVE EASY.

>> I HAVEN'T GOTTEN IT YET, KIT.

[DOOR BUZZER]

>> OH, THAT'S THE ICE.

>> SO... MOM CALLED.

WILL YOU CALL HER BACK?

>> KATE... CHILL OUT.

I'LL CALL HER

I'LL CALL HER WHEN I GET A CHANCE.

WHEN I GET A CHANCE.

>> SO, HAVE YOU GUYS DECIDED

WHAT YOU'RE GOING TO DO

FOR THANKSGIVING YET?

>> [LAUGHING]: KATE, THAT'S

LIKE A MONTH AWAY.

>> Woman: HEY, KIT, CAN YOU

HELP ME WITH THESE?

HELP ME WITH THESE? >> [MOUTH FULL]: COMING...

>> [MOUTH FULL]: COMING...

>> YEAH, THE SHIPS ACTUALLY CAME

INTO PIER 2 AND UNLOADED EITHER

INTO THE HORSE CARRIAGES HERE OR

ONTO THE RAIL LINES AT PIER 1.

IT'S PRETTY INCREDIBLE ISN'T IT?

>> Will: OH, IT'S UNBELIEVABLE.

THE DETAILING IS STILL HERE.

>> Alex: I KNOW.

WE FELL IN LOVE WITH THE PIERS

THE MOMENT WE SAW THEM.

>> SO HOW LONG YOU GUYS

BEEN MARRIED?

>> Sam: [LAUGHS]

NOT MARRIED... ACTUALLY.

11 YEARS, TWO KIDS, ONE ON

THE WAY, BUT NOT MARRIED.

>> Alex: WAIT, HERE... SORRY.

HERE'S WHERE THE, UH,

SEWAGE PIPES THAT CAUSED ALL

THOSE E.P.A. ISSUES YOU READ

ABOUT ARE LOCATED.

>> Will: MM-HMM.

>> DO YOU SEE IT?

>> YEAH.

>> YEAH, WE WENT THROUGH MONTHS

OF DELAYS WHILE THE STATE AND

FEDERAL E.P.A.s DUKED IT OUT

OVER WHO WAS RESPONSIBLE

FOR SIGNING OFF AND...

LETTING US MOVE FORWARD.

>> YEAH, NOT TO MENTION

THE USUAL CITY REGULATION

AND THE PERMIT HULA HOOPS

WE HAD TO JUMP THROUGH.

>> JUST "HOOPS", BABE.

THOUGH... YOU JUMPING

THROUGH HULA HOOPS IS A NICE,

VIVID IMAGE. [MEN LAUGH]

>> Will: WELL, THE STRUCTURES

ARE BEAUTIFUL.

>> Alex: WELL, THAT'S OUR MAIN

ISSUE, BECAUSE THE BIG

DEVELOPERS AND ARCHITECTS WANT

TO TEAR DOWN AND REBUILD AT

LEAST TWO OF THE PIERS.

I MEAN, WE ACTUALLY HEARD A

RUMOR THAT THE WAHLSTEIN GROUP

IS INTERESTED IN ACQUIRING YOU

GUYS, AND I'M JUST SAYING THIS

BECAUSE I DON'T THINK WE'D BE

THE BEST FIT WITH THEM.

>> SO IS... IS THAT A DONE DEAL?

>> NO, IT'S NOT A DONE DEAL.

WE HAVEN'T MADE ANY COMMITMENTS.

>> WELL, THAT'S GOOD TO HEAR.

>> LISTEN, WE'VE MET WITH

SEVERAL FIRMS BUT WE JUST LOVE

YOUR WORK, AND THERE'S NO REASON

TO BEAT AROUND THE BUSH.

YOU'D BE OUR FIRST CHOICE.

>> IS THIS SOMETHING

YOU'D BE INTERESTED IN?

>> YEAH.

IT IS.

[♪...]

[♪...] [CONSTRUCTION NOISE...]

[CONSTRUCTION NOISE...]

>> Meg: WILL, IT'S JOSH.

HE SAYS PICK UP.

>> WHAT DO YOU WANT?

YES. YES. I WILL BE THERE.

NO, I DID NOT FORGET.

UM... JUST GIVE ME THE, UH,

ADDRESS AGAIN.

ALL RIGHT.

I'LL BE THERE.

BYE.

>> I'M HEADED

BACK TO THE OFFICE.

PETE WANTS US TO HAVE COPIES

OF ALL BLUEPRINTS HERE ON SITE.

>> THAT'S RIGHT.

>> AND DON'T FORGET WE'VE GOT

THE MONTHLY 10 A.M.

WITH THE GREENPOINT COMMUNITY

BOARD IN THE MORNING. >> RIGHT.

>> ALSO, CATHERINE

CALLED... TWICE.

MADE ME PROMISE YOU'D BE HOME

FOR THE RESTORATION COUNCIL

BENEFIT AT SEVEN.

>> OH... [DOOR CLOSES]

[SIGHS]

FANTASTIC...

FANTASTIC... [♪...]

[♪...]

[♪...] >> Woman: I'LL GET IT!

>> Woman: I'LL GET IT!

>> HI.

>> HI.

>> UH... UH, I'M LOOKING FOR...

>> HEY, THERE'S MY MAN!

>> THERE HE IS.

HAPPY BIRTHDAY.

>> THANKS.

YOU LOOK LIKE HELL, AS USUAL.

WHEN ARE YOU GOING TO QUIT WITH

THESE DEVELOPMENT MONSTROSITIES?

BUILD ME A NICE LITTLE COTTAGE

ON THE NORTH FORK?

>> THAT'S YOUR BIRTHDAY PRESENT.

>> UH, KATE, THIS IS

WILL SARGENT, MY OVERWORKED,

OVERPAID ROOMMATE FROM COLLEGE.

WILL, THIS IS KATE BAASTE.

>> HI. >> HI.

>> THANKS FOR HAVING ME.

>> OH, I... >> ACTUALLY, UH,

KING KIT KAT IS THE ONE

WHO SET THIS THING UP,

ALTHOUGH I'M PRETTY SURE

HE'S HAD HIS LOVELY FIANCEE

DO ALL THE HEAVY LIFTING.

>> YOU SHOULD BE GLAD.

WE'D BE HAVING TAKE-OUT PIZZA

INSTEAD OF JANEY'S DIM SUM.

>> KIT, THIS IS WILL SARGENT.

WILL, THIS IS KIT KAT BAASTE,

MY BEST YOUNG SCOUT

DOWN AT THE STATION.

BROUGHT IN THE MOST DELICIOUS

YOUNG ENSEMBLE LAST WEEK.

ALL RIGHT, WELL, LET'S GET

OUTSIDE, THINGS ARE JUST GETTING

STARTED-- LET'S RING ME INTO 35!

[JAZZ PLAYING...]

>> [LAUGHS] TAKE THE PEANUTS.

[LAUGHTER]

>> Janey: OH, SO GLAD YOU ALL

COULD MAKE IT.

PLEASE ENJOY, HELP YOURSELVES.

[JAZZ PLAYING...]

[INDISTINCT CONVERSATIONS...]

>> SO, WILL, ARE YOU RELATED

TO THE SARGENTS THAT ARE PUTTING

UP THAT GIANT HIGH-RISE

OVER IN GREENPOINT?

>> NO, HE'S NOT RELATED--

HE

AND IT'S NOT A HIGH-RISE,

IT IS A "WORK, LIVE,

LIFESTYLE OASIS."

THERE'S A BIG DIFFERENCE.

AND, YOU KNOW, IT DOESN'T MATTER

HOW UGLY IT IS, BECAUSE IT IS

GOING TO IMPROVE THE COMMUNITY

BY INFUSING JOBS AND SAFETY

AND A SENSE OF COMMUNITY.

[LAUGHTER]

I'M JUST GIVING YOU

A HARD TIME, MAN.

YOU'RE STILL THE BEST ARCHITECT

WORKING ON THE EAST COAST.

MAYBE, MAYBE THE WEST COAST TOO.

[GROUP CHUCKLES]

>> Janey: KATE'S A DESIGNER TOO.

SHE DOES COMMERCIAL

AND RETAIL SPACES.

>> I WORK FOR PREVIN.

>> Janey: SHE'S VERY TALENTED.

YOU SHOULD SEE THE NEW DESIGNS

SHE DID FOR THAT HEARST

BUILDING OFF OF TIMES SQUARE.

[TIMER BEEPING...]

MMM, THAT'S THE DUCK.

KIT, SWEETIE, CAN YOU HELP ME

WITH THE DUCK?

>> OH. >> YEAH.

[JAZZ CONTINUES...]

[JAZZ CONTINUES...] [INDISTINCT CONVERSATIONS...]

[INDISTINCT CONVERSATIONS...]

>> SO YOU'RE THE... ARCHITECT

FOR THE GREENPOINT PROJECT?

>> I AM, YEAH.

WELL, WE, WE DESIGNED IT

BUT WE'RE PARTNERING WITH

ANOTHER DEVELOPER TO BUILD IT.

>> RIGHT, I READ THAT THE

WAHLSTEIN COMPANIES

OWN THAT LAND. >> YEAH.

>> HOW DO YOU LIKE

WORKING WITH THEM?

>> UH...

[BOTH CHUCKLE...]

WELL, AT LEAST YOU HAVE

THE BIRDS OF B.Q.E.

>> UH, THE WHAT?

>> THE BIRDS IN THAT AREA

OF TOWN.

YOU MUST'VE SEEN THEM.

>> UH, NO, WHAT ARE THEY?

>> THEY LIVE... UNDER THE

OVERPASSES, UM, OF THE B.Q.E.

THEY'RE... THEY'RE JUST BIRDS

REALLY, BUT... THERE'S NO, UH,

TALL BUILDINGS IN THAT TOWN,

SO THEY ARE ABLE TO FLY IN THESE

HUGE, SWOOPING MOVEMENTS.

IT'S REALLY BEAUTIFUL. >> HUH.

>> YOU CAN PROBABLY SEE IT

FROM YOUR JOB... SITE.

WHERE ARE YOU EXACTLY?

>> WE ARE BETWEEN 47th

AND 49th AT WILSON.

>> YEAH, YOU SHOULD LOOK OUT

FOR THEM, IT'S... THEY...

THEY LOOK LIKE THESE BEAUTIFUL,

FLUTTERING CLOUDS. >> HUH.

>> AND THERE'S A, UM... LOOK OUT

FOR THE BRAZILIAN FOOD CART.

>> OH, PEDRO'S?

>> YOU KNOW HIM?

>> OH... NO, WE HAVE

PEDRO'S EVERY DAY.

THE, UH... SOME OF THE GUYS...

THE... ACTUALLY, THE CREW,

THEY, THEY CONVINCED HIM

TO BRING HIS CART OVER TO

THE SITE SO THEY COULD HAVE

LUNCH THERE EVERY DAY.

>> REALLY?

[SOFTER JAZZ,

QUIETER CONVERSATION...

...I DON'T KNOW, I'M TALKING

TO THIS FIRM IN L.A., BUT REALLY

I'VE ALWAYS WANTED TO START

SOMETHING ON MY OWN. >> OH.

>> WORK FOR MYSELF.

I MEAN, IT'S ALWAYS

WHAT I'VE WANTED.

[SIGHS]

YOU UNDERSTAND?

>> YEAH.

SO JANEY SAID YOU DID

THIS PLACE.

>> YEAH, I DID.

KIT AND I MOVED INTO THE CITY

A YEAR AGO.

I'M ACTUALLY MOVING NEXT MONTH

BECAUSE SINCE JANEY MOVED IN,

IT'S JUST TOO CROWDED

WITH THREE OF US.

>> YOU KNOW, THIS PROJECT THAT

I'M WORKING ON IN, UH,

IN GREENPOINT IS, UM...

IS TAKING SUBMISSIONS.

>> WHAT KIND OF SUBMISSIONS?

I'M SURE THEY'RE HUGE CONTRACTS.

>> WELL, YOU KNOW,

SOME OF THEM ARE.

BUT THERE ARE A LOT

OF DIFFERENT NEEDS.

WE'RE TAKING BIDS FROM

INDEPENDENT CONTRACTORS

AND DESIGNERS AS WELL...

IF YOU'D BE INTERESTED.

>> OH... OH, NO, I'M SURE

MY EXPERIENCE ISN'T RELEVANT

FOR THAT KIND OF THING.

>> IF YOU WANT TO SUBMIT YOUR

PORTFOLIO, I'D BE MORE THAN

HAPPY TO TAKE A LOOK.

[JAZZ CONTINUES...]

>> THANK YOU.

>> Janey: HERE, PASS ME

THOSE PLATES.

>> Woman: FINALLY, ON BEHALF OF

THE WAHLSTEIN COMPANIES,

LET'S RAISE A GLASS TO THE

EFFORTS OF THE PEOPLE HERE IN

THIS ROOM AND THROUGHOUT THIS

CITY WHO HELP MAKE THESE

PROJECTS HAPPEN.

THANK YOU SO MUCH

FOR YOUR EFFORTS.

>> All: CHEERS.

[GLASSES CLINKING...]

[SCATTERED APPLAUSE]

[CLASSICAL MUSIC PLAYING...]

>> OH, WILL, NICE OF YOU

TO JOIN US.

>> Catherine: OH, HI. [KISSES]

THE ACCIDENT ON THE BRIDGE

MUST HAVE BEEN AWFUL.

>> YEAH, I KNOW, IT WAS.

IT'S O.K., THOUGH.

SORRY I'M LATE.

>> THERE'S OUR GUY.

[CHUCKLES]

AND WORKING LATE THIS EVENING?

NOW, THAT'S WHAT WE LIKE TO SEE.

[ALL CHUCKLE]

>> YOU MISSED PAMELA AND STEWART

GIVE THE UPDATE ON THE HARLEM

REDEVELOPMENT.

>> IT'S GROUNDBREAKING,

PARDON THE PUN.

[ALL CHUCKLE]

OVER 300 JOBS, A RETAIL CENTER,

THE DEVELOPMENT ITSELF.

MAKES GREENPOINT LOOK LIKE

SMALL POTATOES.

>> WELL, IF THE WAY YOU'VE

MANAGED GREENPOINT IS ANY

INDICATION, NO JOB WILL BE

TOO MUCH FOR YOU.

>> WE'LL SEE.

>> CATHERINE, THANK YOU AGAIN

FOR HOSTING THIS EVENING.

IT WAS VERY GENEROUS AND A

LOVELY EVENING YOU PUT ON.

>> OH, PAMELA, WE LOVE DOING IT.

>> WELL, GOOD.

WILL YOU EXCUSE US?

STEWART?

>> NIGHT, ALL.

>> GOOD NIGHT.

>> ACTUALLY I THINK I'M GONNA

TAKE OFF TOO. >> OH.

>> GREAT... [KISSES]

JOB TONIGHT.

YOU ARE BORN TO IT.

>> OH... SEE YOU TOMORROW.

AND TELL TREVOR

HE WAS MISSED TONIGHT.

>> NOT BY ME.

I HAD A GRAND OLD TIME.

WILL...

>> [CHUCKLES] SEE YOU.

>> NICE JACKET.

VERY, UM... OLIVER TWIST.

[CLASSICAL MUSIC CONTINUES...]

>> HI! EXCUSE US ONE MINUTE.

I NEED TO STEAL MY HUSBAND AWAY

TO GIVE ME A HAND

IN THE KITCHEN.

>> OH... SORRY.

[MUSIC, CONVERSATIONS

CONTINUE...]

>> WHERE HAVE YOU BEEN?

>> WHAT? >> I HAD TO MAKE UP

SOME EXCUSE ABOUT AN ACCIDENT

ON THE BRIDGE. >> WELL...

>> IT LOOKS NICE,

THOUGH, RIGHT?

IT'S AN INCREDIBLE TURNOUT.

DO YOU THINK PAMELA

SEEMED HAPPY WITH IT?

>> OH, IT LOOKS, UH...

YEAH, IT LOOKS GREAT.

>> OH, YOU WERE RIGHT

ABOUT STEWART.

BEFORE YOU WERE PUT UP

FOR WAHLSTEIN HE NEVER USED TO

GIVE ME THE TIME OF DAY.

TONIGHT HE'S BEEN ALL OVER ME.

[WHISPERS]: HE'S SUCH

AN ASS-KISS.

>> IS NATE ASLEEP?

>> UH, YEAH, I THINK SO.

OH, THERE'S CHANTAL.

I NEED TO CONNECT WITH HER

BEFORE SHE GOES.

TRY TO CATCH BETH AND MICK

BARESFORD-- THEY CAME ALL THE

WAY IN FROM CONNECTICUT.

[MUSIC, CONVERSATIONS

CONTINUE...]

[PARTY SOUNDS, FAINTER...]

>> [CHUCKLES SOFTLY]

>> [CHUCKLES SOFTLY] [♪...]

[♪...]

[CHUCKLES]

[CHUCKLES] [♪...]

[♪...]

[BIRDS CHIRPING]

>> Catherine: [LAUGHING]

OH, I'M SO JEALOUS.

I KNOW!

I HEARD!

THAT'S SO EXCITING. [LAUGHS]

OH, GOD, O.K.

SO GOOD TO HEAR FROM YOU.

I'LL CALL YOU BACK.

ALL RIGHT, BYE.

AY YI YI.

GOOD MORNING.

>> MORNING.

>> WILL... [CHUCKLES]

THAT JACKET?

YOU DON'T HAVE ANY MEETINGS

TODAY?

>> MY JACKET'S FINE.

>> [SCOFFS] CALI, WHERE DID YOU

PUT THE DRY CLEANING I PICKED UP

YESTERDAY?

SO, STEWART TOLD ME THAT THE

WAHLSTEIN BOARD OF DIRECTORS IS

MAKING A SITE VISIT ON THE 27th.

>> YEAH.

>> THAT'S SO EXCITING.

THANK YOU.

HONEY, I CAN'T BELIEVE WE'RE

ALMOST THERE.

>> ACTUALLY, UH... PETE'S GOING

TO LEAD THE TOUR, I'M NOT GOING

TO BE THERE.

>> WHY NOT?

YOU HAVE TO BE THERE.

>> WELL, IT'S THE SAME DAY THAT

NATE IS SHOWING HIS ANT FARM.

>> NATE'S BIODIVERSITY FAIR?

WILL, COME ON.

YOU HAVE TO BE THERE FOR THE

DIRECTOR VISIT.

BOARD APPROVAL AND YOUR CONTRACT

ARE THE ONLY TWO REMAINING

ISSUES.

>> THE THING WITH WAHLSTEIN IS

NOT A DONE DEAL.

>> NATE UNDERSTANDS, DON'T YOU,

HONEY?

DON'T YOU?

THIS IS SO IMPORTANT TO DADDY.

I MEAN, THIS MEANS EVERYTHING.

IT'S OURS TO LOSE, WILL.

OH, GOD, IF I DON'T LEAVE NOW

I'M NEVER GONNA GET MY RUN IN.

CALI, MAKE SURE THAT SARAH'S

DROPPING NATE OFF AT SOCCER.

[KISS]

HAVE FUN AT SCHOOL, O.K.?

HAVE FUN AT SCHOOL, O.K.? I CAN PICK HIM UP.

I CAN PICK HIM UP.

>> HEY, SO YOU ALMOST READY WITH

YOUR PROJECT FOR THE SCIENCE

FAIR?

>> IT'S A BIODIVERSITY FAIR.

>> HEY, DON'T WORRY.

I KNOW HOW HARD YOU WORKED ON

THIS ANT FARM... I'M NOT GONNA

MISS IT.

>> YEAH, EXCEPT NOW GABRIELLA'S

IN OUR GROUP AND SHE'S RUINING

EVERYTHING.

>> UGH, YOU DON'T LIKE HER?

>> SHE'S BOSSY AND SHE TOLD MRS.

BAKER THAT THE BASE AARON'S DAD

BUILT IS TOO BIG FOR OUR TABLE.

>> HUH... HOW BIG IS THE BASE?

>> I DON'T KNOW, LIKE ABOUT

THIS BIG?

>> NOW, LISTEN, WHY DON'T BRING

THE BASE HOME AND WE'LL SEE IF

WE CAN MAKE SOMETHING STRONGER

THAT STILL SHOWS THE BOTTOM.

>> Nate: YEAH.

>> O.K., YOU LITTLE BUILDER,

LET'S GET YOU OFF TO SCHOOL SO

YOU DON'T BE LATE.

>> HAVE A GOOD DAY, BUDDY.

>> Nate: BYE.

[MACHINERY POUNDING]

>> Pete: YOU KNOW WHAT, THAT IS

A BUNCH OF COCKAMAMIE BULLSHIT

AND YOU KNOW IT.

WHATEVER, I'LL TALK TO YOU

LATER.

>> NOT MORE OF THE "COCKAMAMIE

BULLSHIT."

>> DON'T START WITH ME OR I'LL

PULL YOU INTO THE COCKAMAMIE

BULLSHIT.

>> Meg: WILL, KATE BAASTE ON

>> Meg: WILL, KATE BAASTE ON LINE TWO FOR YOU.

LINE TWO FOR YOU.

>> HELLO...

NO, NO, NO, DON'T WORRY

ABOUT IT.

I'M GLAD YOU GOT MY NUMBER.

YEAH, SURE, YOU COULD DROP BY,

OR, UH...

OR I COULD MEET YOU SOMEWHERE.

I DON'T HAVE ANYTHING THIS

MORNING.

O.K., GREAT.

O.K., GREAT. I WILL SEE YOU THERE AT 11.

I WILL SEE YOU THERE AT 11.

>> Kate: HI.

>> OH, HI.

THIS PLACE IS GREAT.

I'VE NEVER BEEN HERE BEFORE.

>> YEAH, IT'S BRAND-NEW, IT JUST

OPENED.

APPARENTLY THERE'S SOME NEW

RESIDENTIAL BUILDINGS GOING UP.

>> APPARENTLY.

>> SO IT'S REALLY GOOD TO

SEE YOU.

>> YEAH, YOU TOO.

>> HOW ARE YOU DOING?

>> GOOD.

WELL, FINE, I DON'T... YOU KNOW.

I DON'T KNOW.

IT'S BEEN SORT OF A CURSED JOB.

>> WHY?

>> OH, I DON'T KNOW.

BETWEEN TAKING CARE OF OUR

CREWS, THE COMMUNITY BOARD, THE

DEVELOPMENT PARTNER.

IT FEELS LIKE THERE'S ALWAYS

SOMETHING IN NEED OF TAKING

CARE OF.

>> NOW, IS ANYBODY TAKING CARE

OF YOU?

I MEAN, DO YOU HAVE A DOG OR

ANYTHING?

>> UH, NO.

>> NO? ME NEITHER.

I KEEP WAITING FOR THE RIGHT

TIME BUT IT JUST NEVER HAPPENS.

>> WHAT, THE RIGHT TIME?

>> YEAH, THE RIGHT APARTMENT...

YOU KNOW, THE RIGHT JOB, THE

RIGHT TIME OF YEAR, IT JUST

DOESN'T WORK THAT WAY.

>> YEAH, NOT FOR MOST THINGS.

>> THAT'S WHY I'M EXCITED ABOUT

GOING OUT ON MY OWN.

YOU KNOW, SO... I'LL BE THE ONE

WHO DECIDES WHAT JOBS TO GO

AFTER AND HOW MUCH OF MY LIFE

I'M COMMITTING TO MY WORK.

>> THAT'S THE IDEA.

WAIT...

THIS IS COUNTRY DAY ELEMENTARY.

>> YEAH, IT WAS AN UNUSUAL JOB

FOR PREVIN BUT I THOUGHT I

SHOULD INCLUDE IT.

MY PARTNER LAURYN CHASE AND I,

WE DID THE ATRIUM EXPLORATORIUM

ADDITION.

>> YEAH, THAT'S THE... THAT'S

THE BEST PART OF THE ADDITION.

>> YOU'VE SEEN IT?

>> YEAH.

>> ACTUALLY, THE GYM WAS MY

FAVORITE PART BUT I THINK THE

WHOLE, THE WHOLE JOB WAS REALLY

GREAT, EXCEPT THE SITE VISITS.

I HATED THAT. >> [CHUCKLES]

>> I DON'T KNOW HOW YOU DO IT,

BEING UP SO HIGH WITHOUT ANY

WALLS OR ANYTHING.

>> YOU GET USED TO IT.

>> YEAH, WELL, I'M TERRIFIED OF

HEIGHTS... AND CAPTIVATED.

>> WELL, YOU GET USED TO

IGNORING IT.

>> OH, BUT THE MORE I IGNORE

SOMETHING THE LESS LIKELY IT IS

TO GO AWAY.

THERE THEY ARE.

THOSE ARE THE BIRDS I WAS

TELLING YOU ABOUT.

GOD, AREN'T THEY BEAUTIFUL?

[♪...]

[♪...] >> YEAH.

>> YEAH.

>> O.K., NEXT PAGE. >> YES.

[MACHINERY POUNDING]

[MACHINERY POUNDING] [♪...]

[♪...]

>> Pete: HEY, HEY, WHERE

YOU BEEN?

IT'S QUARTER AFTER.

>> HOW LONG HAVE YOU BEEN

WAITING TO SAY THAT?

>> FOR YEARS, AND FRANKLY, IT'S

NOT AS GOOD AS SLEEPING IN.

>> APPARENTLY YOU NEVER SLEEP.

>> OH, YOU GOT MY MESSAGE THEN.

>> YEAH.

>> HOW THE HELL YOU THOUGHT OF

THAT BLOWS MY MIND.

WE TRIED [] EVERYTHING ON THAT

MOTHER.

ALL IT NEEDED WAS AN ADJACENT

BRACE, EH?

>> LUCKY GUESS.

>> YEAH.

>> SO I GOT HERE EARLY,

YOU KNOW.

[LOUD RUMBLING...]

[MEN SHOUTING]

[ALARM BEEPING]

>> IS ANYBODY HURT?

>> Man: MOTHER OF SHIT-- MY GOD,

WHAT IS THAT?

DID WE EXCAVATE HERE?

>> GIVE ME THE SITE PLANS.

>> JESUS, IT LOOKS LIKE A

GODDAMN SUBWAY TUNNEL.

>> Man: TONY, GET OUT OF

THE WAY!

[LOUD RUMBLE AND CRASHING]

>> Man: ...DOWN HERE!

HELP ME OUT OF HERE!

>> Will: HERE YOU GO, HERE YOU

GO... ALL RIGHT.

PETE, WHAT DO YOU SEE?

>> NOT A GODDAMN THING.

WE MUST'VE BEEN TRAVERSING OVER

THIS THING FOR THE PAST

18 MONTHS.

>> SAL, IT LOOKS LIKE THIS THING

IS RUNNING LENGTHWISE NORTHWEST.

ALL RIGHT, GET THE LULL OVER

HERE AND GET THIS AREA

CLEARED NOW.

FIND OUT HOW LONG IT RUNS

BECAUSE THIS IS BUILDING ONE'S

PEDESTRIAN PLAZA.

>> Pete: YEAH, YOU'RE DAMN

STRAIGHT IT IS.

[MEN MURMURING]

>> Will: I SWEAR TO GOD, FROM

DAY ONE THIS JOB...

DAY ONE THIS JOB... [♪...]

[♪...]

...COME ON, DAMN IT...

[INDISTINCT]

[INDISTINCT] [♪...]

[♪...]

>> Woman: SO THAT'S ALL WE HAVE

ON THE AGENDA.

IF ANYONE ELSE HAS AN ISSUE

THEY'D LIKE TO RAISE?

ALL RITTY-RIGHTY.

THEN I THINK THAT'S IT.

WE'RE ALL SET FOR NEXT MONTH'S

MEETING... NOVEMBER 29th STILL

WORK FOR EVERYONE?

GREAT.

[WOMEN LAUGHING]

>> Woman: I HAVE AN IDEA.

LET'S HAVE A LONG, LEISURELY

LUNCH, MAYBE WITH A GLASS OF

WINE, MAYBE TWO.

>> MMM, THAT SOUNDS SO GOOD.

DO YOU REMEMBER THE LAST TIME?

YOU GAVE ME FOUR GLASSES OF WINE

AND I WENT HOME COMPLETELY DRUNK

AT 4:30 IN THE AFTERNOON,

TOTALLY MISSING MY HAIRCUT.

>> YEP, AND IT'S BETTER THAT WAY

BECAUSE YOUR HAIR LOOKS BETTER

LONG.

>> THANKS.

I WISH, BUT I CAN'T.

I HAVE TO GO TO THE GROCERY

STORE AND THEN PICK UP NATE BY

THREE, TAKE HIM TO SOCCER AND

THEN I PROMISED KAREN THAT I

WOULD MEET HER BEFORE HER

BENEFIT TONIGHT AT SIX.

>> LET ME GUESS, YOU ALREADY

TOOK A RUN TODAY.

>> I DID.

>> UGH, YOU ARE SO

OVER-COMMITTED.

"ONE THING A DAY," THAT'S

MY MOTTO.

LEISURE IS MY FORTE.

OH, SPEAKING OF, ARE YOU AND

WILL IN FOR MUSTIQUE BECAUSE

SARAH CALLED YESTERDAY AND

THEY'RE BOOKING UP AND...

>> YEAH, YEAH, WE'RE HOPING TO.

>> WELL, WHAT'S THE HANG-UP?

I MEAN, YOU GUYS DON'T HAVE TO

COME THE WHOLE TIME.

GOD KNOWS TREVOR WILL BE THERE

FOR PROBABLY A DAY.

>> WELL, WE JUST HAVE TO MAKE

SURE THIS THING WITH WILL GOES

THROUGH.

>> OH, I THOUGHT THAT WAS

A DONE DEAL.

>> IT IS... THEY JUST HAVE TO

SIGN IT, THOUGH.

>> O.K., WELL, CAN YOU HURRY IT

UP BECAUSE WE HAVE A LUXURIOUS,

PRIVATE ISLAND VACATION TO PLAN.

>> OH, GOD!

>> TWO STRAIGHT WEEKS OF BEACH

LIVING.

I CAN'T WAIT WHERE OUR ONLY TASK

IS TO FLY THE FLAG FOR A FRESH

MARGARITA.

>> YOU NEED HELP.

>> I NEED A DRINK. [LAUGHS]

>> I NEED TO GO.

>> BYE. >> BYE. [AIR KISS]

>> Man: AS LONG AS WAHLSTEIN

SIGNS OFF ON THEM, I THINK THE

STRUCTURAL REINFORCEMENTS FOR

THAT SUBWAY TUNNEL WILL WORK

FINE.

>> YEAH, SOUNDS GOOD.

I APPRECIATE YOUR TIME.

BRAIN DAMAGE.

I MEAN, THEY'RE THE IDIOTS THAT

FORGOT THEY DUG THE TUNNEL.

I CAN'T BELIEVE WE NEED THEIR

APPROVAL FOR STRUCTURAL

PROPOSALS.

>> "AS LONG AS WAHLSTEIN SIGNS

OFF ON THEM."

>> YEAH, HEY, STILL, THEY DID

JUST SAVE US ABOUT 80 MAN HOURS

OF ENGINEERING ANALYSIS.

OF ENGINEERING ANALYSIS. >> YOU'RE RIGHT.

>> YOU'RE RIGHT.

>> HEY, MAN!

WHAT'S HAPPENING?

YOU DIDN'T HAVE TO WEAR A SUIT

FOR ME.

I LOVE YOU FOR WHO YOU ARE ON

THE INSIDE.

>> [CHUCKLES] SADLY I CAN'T SAY

THE SAME ABOUT DICK CALLAHAN AT

THE DEPARTMENT OF CITY PLANNING.

>> COME TO THINK OF IT, THE LAST

TIME I SAW YOU, YOU WERE IN

A SUIT.

WHAT'S WITH YOU?

YOU GOT A NEW JOB?

>> UGH, SORRY I'M LATE.

SO HOW ARE THINGS WITH...

WHAT'S HER NAME?

>> MEESH! YOU SUCK AT NAMES.

SHE MET MATTHEW THE OTHER NIGHT.

MAUREEN DROPPED HIM OFF FOR THE

NIGHT ON FRIDAY.

I THINK IT WENT O.K.

I MEAN, MAUREEN WAS A BITCH, BUT

WHAT CAN YOU EXPECT?

>> MATTHEW KNOWS YOU DATE.

I'M SURE IT WENT FINE.

>> YEAH, I THINK IT

PROBABLY DID.

I DON'T KNOW, I JUST GET

SELF-CONSCIOUS ABOUT THE WHOLE

THING, YOU KNOW, HOW MATTHEW'S

GOING TO ACT TO MEESH AND ME.

GOD BLESS MAUREEN, THOUGH, SHE'S

ALWAYS CONSISTENT.

>> Waitress: YOU KNOW WHAT YOU

GUYS WANT?

>> YEAH, I'M GONNA HAVE A B.L.T.

WITH A SIDE OF COLE SLAW, ORDER

OF CRISPY FRIES AND AN ICED TEA.

>> AND...?

>> DOUBLE THAT, IT SOUNDS FINE.

>> O.K.

>> HE'S ALWAYS TRYING TO BE

LIKE ME.

[WAITRESS LAUGHS]

>> AH, HEY, CONGRATS ON THE

PROMOTION.

HEAD OF THE STATION, NOT BAD.

>> YEAH, WELL, THEY'RE JUST

PAYING ME FOR WHAT I DO ALREADY.

YOU'RE GONNA COME TO MY PARTY,

THOUGH, RIGHT?

>> YEAH, YEAH, I'LL BE THERE.

>> THE GUYS ARE INSISTING ON

THROWING ME ONE AND...

>> AND YOU HATE A PARTY.

>> SO, UH...

HOW ARE THINGS COMING ALONG WITH

GREENPOINT?

>> FANTASTIC...

EXCEPT FOR A SMALL ISSUE OF AN

UNMARKED SUBWAY RUNNING

UNDERNEATH OUR SITE.

UNBELIEVABLE.

FORTUNATELY FOR US, WE HAVE

WAHLSTEIN TO HELP US OUT.

>> YEAH, WHAT'S GOING ON WITH

THAT?

YOU'RE NOT SERIOUSLY CONSIDERING

MERGING WITH THEM, ARE YOU?

>> WELL, HONESTLY, IT...

IT WOULDN'T BE THAT BIG OF A

DIFFERENCE.

IT'S MORE ABOUT JUST COMBINING

OUR RESOURCES TO GO AFTER THE

BIGGER JOBS.

>> GREENPOINT'S BEEN A THORN IN

YOUR ASS FROM DAY ONE.

>> IT WOULD DOUBLE OUR REVENUE

AND ALLOW US TO COMPETE FOR

PROJECTS THAT WE REALLY WOULD

NEVER HAVE ACCESS TO.

I PROBABLY HAVE A CHANCE OF

RUNNING THE WHOLE THING IN FIVE

OR 10 YEARS ONCE PAMELA RETIRES.

CATHERINE'S REALLY EXCITED

ABOUT IT.

>> YEAH?

>> YEAH.

>> WELL, NOT TO BE THE PAIN IN

THE ASS YOU'VE COME TO PREDICT,

BUT WHY DON'T

ABOUT IT?

>> I KNOW, UM...

I'M JUST AFRAID THAT I'LL, I'LL

REGRET IT IF I BACK OUT OF

SOMETHING THIS BIG.

>> THAT'S HORSESHIT.

YOU HAVE TO BE HONEST WITH

YOURSELF AND DO WHAT'S RIGHT

FOR YOU-- THAT'S ALL ANY OF US

CAN DO AND MOST OF US CAN'T EVEN

DO THAT MOST OF THE TIME.

>> YOU'RE RIGHT, YOU'RE RIGHT.

>> OF COURSE I'M RIGHT.

THAT'S WHY YOU BUY THE LUNCHES.

I'M LIKE YOUR LITTLE GENIE.

YOU JUST RUB MY BELLY AND I GIVE

YOU ALL THE WISDOM YOU NEED

IN LIFE.

GO AHEAD, COME ON, RUB IT.

RUB IT, RUB MY BELLY.

>> Waitress: CUTE.

EAT UP, BOYS!

>> NOTHING LIKE A LITTLE FRIED

PIG TO KEEP YOU GOING THROUGH

THE DAY.

THE DAY. >> YOU BETCHA!

>> YOU BETCHA!

>> SO...

KIT TELLS ME THAT YOU'RE HELPING

HIS SISTER KATE WITH SOME

FREELANCE WORK OR...

>> YEAH, SHE'S SUBMITTING HER

BOOK FOR SOME OF THE RETAIL WORK

AT GREENPOINT.

>> THAT'S COOL.

>> YEAH.

>> APPARENTLY SHE'S QUITE GOOD.

>> KATE? OH, YEAH.

SHE'S GOT A REAL UNIQUE WAY OF

APPROACHING HER DESIGNS.

>> SHE'S A UNIQUE PERSON.

>> PASS THE KETCHUP.

[♪...]

[♪...] [NO DIALOG]

[NO DIALOG]

[NO DIALOG]

[NO DIALOG] [♪...]

[♪...]

[CALL RINGING THROUGH...]

[BEEP]

>> Kate on answering machine:

Hi, you've reached Kate Baaste

with Previn.

Please leave a message.

Please leave a message. [BEEP]

[BEEP]

[BEEP] [MUSIC PLAYING IN BAR]

[MUSIC PLAYING IN BAR]

>> Josh: EXCELLENT, MAN.

I'M SO GLAD YOU COULD COME ALL

THE WAY IN... REALLY GOOD

TO SEE YOU.

ARE YOU GOING TO STICK AROUND

FOR A WHILE? >> Man: YEAH.

>> ALL RIGHT, O.K., COOL.

HEY, THERE. >> HEY, MAN.

>> HEY, MATTY, LOOK WHO IT IS!

IT'S THE GUY WHO'S RESPONSIBLE

FOR ALL THOSE SILLY PICTURES OF

ME WE WERE GOING THROUGH THE

OTHER NIGHT.

>> GOOD TO SEE YOU, MATTY.

CONGRATS.

>> AH, WHATEVER.

IT'S THE SAME JOB, DIFFERENT

TITLE.

SAME STOMACH, OBVIOUSLY.

WHERE'S CATHERINE, IS SHE

COMING?

>> UH, I DON'T KNOW.

SHE MIGHT STOP BY LATER.

>> ALL RIGHT, GO GET YOURSELF A

DRINK BEFORE WE SHUT THIS THING

DOWN PROMPTLY AT EIGHT AND YOU

HAVE TO PAY FOR YOUR OWN LIQUOR.

>> Man: OH...

[INDISTINCT CONVERSATIONS,

[INDISTINCT CONVERSATIONS, MUSIC PLAYING IN BAR]

MUSIC PLAYING IN BAR]

>> HI. >> HI.

>> I THOUGHT I'D SEE YOU HERE.

HOW ARE YOU?

>> GOOD, GOOD, IT'S GREAT TO

SEE YOU.

I SAW YOUR BROTHER OUTSIDE.

>> YEAH, HE LEFT EARLY.

HE HAS THE EIGHT TO MIDNIGHT

SHIFT.

THAT'S HIS FAVORITE TIME SLOT.

HE SAYS LISTENERS HAVE SMOKED

A BIG, FAT JOINT AND THEY'RE

READY FOR A FOUR-HOUR RIDE.

>> THAT WAS ALWAYS JOSH'S

FAVORITE TIME SLOT TOO.

>> IT'S LIKE THEY'RE IN SOME...

SUSPENDED SPATIAL WARP THAT

COCOONS THEM AND THE MUSIC AND

THEY CAN'T HEAR OR SEE OR FEEL

ANYTHING ELSE.

>> LISTENERS ARE DIALED IN AND

RESPONDING TO THE COMMANDS OF

THE MASTER PORTAL.

>> [LAUGHS] OH, NO!

DON'T TELL ME YOU'RE ONE

OF THEM.

>> NO, BELIEVE ME.

>> WHAT?

>> IT JUST REMINDED ME OF THIS

STORY.

ABOUT 10 YEARS AGO JOSH TAKES ME

TO SEE WYNTON MARSALIS AT

LINCOLN CENTER.

HE WAS COMPLETELY BROKE BUT HE

SPRINGS FOR THESE TICKETS

ANYWAY... MAKES ME PROMISE TO BE

THERE AT EIGHT P.M. RIGHT ON

THE DOT.

>> OH, GOD, NO, DON'T TELL ME

YOU WERE LATE?

>> NO, NO, NO, I WAS ON TIME,

BUT I WAS EXHAUSTED.

AND I SETTLE INTO ONE OF THOSE

BIG, COMFY LINCOLN CENTER CHAIRS

AND FALL SOUND ASLEEP.

>> KIT WOULD KILL ME IF I FELL

ASLEEP LISTENING TO AN ALBUM,

MUCH LESS A LIVE PERFORMANCE.

>> YEAH, I KNOW.

WELL, I, YOU KNOW, I, I WOKE UP

AFTER PROBABLY AN HOUR OR

SO INTO IT, IN A STATE OF

COMPLETE PANIC, AND I LOOK OVER

AT JOSH AND HE'S TOTALLY

ENGROSSED IN THE MUSIC, YOU

KNOW, THAT SPATIAL COCOON SORT

OF THING, AND HE DOESN'T EVEN

NOTICE.

WHEN I GET HOME, I REACH TO TAKE

MY TIE OFF AND I REALIZED THAT

HALF OF IT IS GONE.

THAT SON OF A BITCH HAD CUT THE

TIE FROM THE NUB DOWN.

>> NO!

>> HE LEFT ME WITH A NUB!

YEAH, WHEN I HAD FALLEN ASLEEP

HE TAKES OUT HIS LITTLE SWISS

ARMY KNIFE AND JUST HACKS OFF

HALF MY TIE... RIDICULOUS.

HE SAID IF I EVER DID IT AGAIN

HE'S GONNA SLICE A LITTLE

HIGHER.

>> I WON'T LET HIM.

ONE OF THE FIRST NIGHTS I MOVED

HERE ONE OF MY FRIENDS TOOK ME

TO THE STATEN ISLAND FERRY.

>> OH, YEAH? >> YEAH.

>> NEVER BEEN.

>> REALLY? >> NOPE.

>> OH, YOU SHOULD GO, IT'S

FANTASTIC.

>> AH, REALLY?

>> YEAH.

I REMEMBER BEING ALL BUNDLED UP,

STANDING ON THAT DECK, LOOKING

AT THE CITY FROM THE WATER

AND...

YOU KNOW, I NEVER WOULD'VE

ADMITTED IT THEN, BUT I WAS SO

TERRIFIED OF THE CITY.

BUT I ALSO KNEW I WAS IN LOVE

WITH IT TOO.

>> WHY WOULDN'T YOU ADMIT TO BE

TERRIFIED BY IT?

>> I DON'T KNOW.

>> IT'S FUNNY, FROM THE TIME

WE'RE KIDS WE'RE TAUGHT NOT TO

BE AFRAID.

IT'S THE ONE THING WE ALL

PRETEND NOT TO BE AND PROBABLY

PRETEND NOT TO BE AND PROBABLY THE ONLY THING WE ALL ARE.

THE ONLY THING WE ALL ARE.

I WONDER WHAT IT WOULD BE LIKE

IF WE HAD NEVER LEARNED TO BURY

OUR FEARS BUT INSTEAD WE WERE

JUST TAUGHT TO ADMIT THEM.

[SUBWAY CAR SCREECHING BELOW]

>> THAT'S MY TRAIN.

I'VE GOT TO GO.

I'VE GOT TO GO. [♪...]

[♪...]

>> HI.

>> Will: HI.

>> DID YOU HAVE A GOOD TIME

WITH JOSH?

>> YEAH.

>> GOOD.

>> GOOD. OH, CAN YOU HAND THIS TO ME?

OH, CAN YOU HAND THIS TO ME?

OH, CAN YOU HAND THIS TO ME? THANKS.

THANKS.

NATE WAS GREAT IN HIS SOCCER

GAME THIS AFTERNOON.

>> OH, YEAH?

>> YEAH... OH, YOU WOULD HAVE

DIED.

THOSE BOYS ARE SO CUTE, RUNNING

AROUND IN THOSE LITTLE BLUE

JERSEYS AND MATCHING SHORTS.

I TOOK ABOUT A HUNDRED PICTURES.

>> HE GET A CHANCE TO PLAY

GOALIE?

>> WELL, THEY PUT HIM IN AT THE

END, BUT I KNOW HE WAS HOPING

FOR SOME MORE ACTION.

HE STOPPED ONE GOAL, THOUGH.

>> YEAH, I BET HE DID GREAT.

>> OH, UM...

SO NINA MENTIONED THAT THE

FLIGHTS TO MUSTIQUE ARE STARTING

TO BOOK UP SO I'M GOING TO MAKE

US RESERVATIONS.

>> NO, CATHERINE, COME ON.

WE'VE TALKED ABOUT THIS.

THIS, THIS TRIP IS WAY TOO

EXPENSIVE FOR US.

>> NOT WITH THE WAHLSTEIN

SIGNING BONUS AND PLUS,

EVERYBODY'S EXPECTING US.

WE CAN DECIDE LATER.

WHEN YOU SIGN THE DEAL, IT'S ALL

GOING TO FEEL SO MUCH EASIER.

[HE SIGHS]

ANYWAYS, I'VE GOT TO GET SOME

E-MAILS OUT BEFORE I GO TO BED,

SO CAN YOU TURN THE LIGHTS OFF?

>> CATHERINE, WAIT.

UM... I...

CAN WE TALK?

>> YEAH... WHAT'S UP?

>> UM...

I DON'T KNOW, I JUST...

THIS THING WITH WAHLSTEIN.

>> WAHLSTEIN IS FINE.

WE ARE IN THE FINAL STRETCH.

EVERYTHING IS GOING TO WORK OUT

GREAT.

YOU REALLY DON'T NEED TO WORRY.

WHAT YOU DO NEED IS A GOOD

NIGHT'S SLEEP, SO WHY DON'T YOU

GO UPSTAIRS, GET INTO BED,

RELAX?

I'LL BE UP LATER, O.K.?

I'LL BE UP LATER, O.K.? [KISS]

[KISS]

[DISTANT HORNS HONK]

[DISTANT HORNS HONK] [MUSIC PLAYING SOFTLY...]

[MUSIC PLAYING SOFTLY...]

[PHONE RINGING]

[PHONE RINGS]

>> HELLO?

>> HELLO, IS WILL SARGENT THERE?

>> UH, HE'S NOT HERE RIGHT NOW.

>> O.K., UH, MY NAME

IS KATE BAASTE.

I MET WITH HIM REGARDING

THE WAHLSTEIN PROJECT.

>> UH-HUH.

>> UH, O.K., I HAD SOME

ADDITIONAL DRAWINGS BEING

DUPLICATED.

THEY'RE GOING TO BE BACK LATER.

>> UH-HUH.

>> WELL, UH... O.K., I WAS JUST

WONDERING THE BEST ADDRESS

TO DROP THEM BY.

>> UM, YEAH, YEAH, OF COURSE.

IT'S 37 BANK STREET,

BETWEEN CHARLES AND WAVERLY.

>> 37 BANK, BETWEEN...

>> 37 BANK, BETWEEN... [DIAL TONE...]

[DIAL TONE...]

>> [CHUCKLES] O.K.

>> [CHUCKLES] O.K. [DISTANT SIREN WAILING...]

[DISTANT SIREN WAILING...]

>> Alex: WILL! >> OH, HI.

>> HOW ARE YA?

>> HEY, GOOD.

>> Sam: GOOD TO SEE YOU, WILL.

HOW ARE YA? >> UH, GOOD.

>> YOU KNOW WE SAW ALAN STERG

ON MONDAY.

HE'S FANTASTIC.

HE'S REALLY EXCITED ABOUT

THE PROJECT, SO THANK YOU

FOR THE CONTACT.

>> I'M GLAD.

HE'S A, HE'S A GREAT ENGINEER.

>> YEAH.

>> LISTEN, I KNOW I OWE YOU GUYS

AN ANSWER.

[STAMMERS] I WAS HOPING TO RUN

SOME NUMBERS THIS PAST WEEKEND,

BUT I DIDN'T GET AROUND

TO IT YET.

>> OH, IT'S, IT'S NO PROBLEM.

WE, WE SORT OF FIGURED THAT WITH

ALL YOU HAVE GOING ON RIGHT NOW,

THE TIMING PROBABLY WASN'T GREAT

FOR YOU, SO...

>> YEAH. I MEAN, WE WOULD

HAVE LOVED IT IF YOU JOINED

THE PROJECT, BUT WE TOTALLY

UNDERSTOOD.

>> SO YOU FOUND ANOTHER

ARCHITECT?

>> UH, YEAH.

>> YEAH.

UM, IT LOOKS LIKE WE'RE GONNA

ENTER INTO A CONTRACT NEXT WEEK.

WE FOUND A DECENT MID-SIZE FIRM.

WOULDN'T HAVE BEEN

OUR FIRST CHOICE. [CHUCKLES]

>> LISTEN, YOU SEEM LIKE YOU'RE

IN A RUSH, SO WE'LL LET YOU GO,

BUT GOOD TO SEE YOU AGAIN, WILL.

>> Sam: GOOD TO SEE YOU.

>> TAKE CARE, WILL.

>> Will: BYE.

>> Will: BYE. [♪...]

[♪...]

>> Catherine: [LAUGHING]

OH, HI, WILL.

>> HEY, EVERYBODY.

>> DO YOU REMEMBER AIDAN?

HE WORKS, UM, AT THE JOURNAL.

>> Aidan: HEY, GOOD TO SEE YOU.

>> Woman: HI, WILL.

GREAT TO SEE YOU.

>> Will: SURE.

>> Katherine: NATE, NO, I DO NOT

WANT THIS THING IN HERE.

I TOLD YOU, WAIT TILL

AFTER DINNER.

>> BUT DAD SAID HE'D HELP ME.

>> WELL, WILL, CAN YOU TWO

PLEASE... DO THIS LATER?

>> YEAH, YEAH, YEAH.

COME ON, LET'S GO OVER THERE.

COME ON, BUDDY.

[CATHERINE SCOFFS]

>> Cali: UH... DINNER'S READY,

MISS CATHERINE.

>> OH, THANK YOU, CALI.

O.K., GUYS, WELL, LET'S, UM,

GO INTO THE DINING ROOM.

>> Will: SHE SAID THIS IS

TOO BIG FOR THE COAT ROOM?

[DOORBELL RINGS]

>> YEAH, I DON'T--

>> WILL, CAN YOU GET THE DOOR?

IT'S SOME DESIGNER WOMAN.

SHE'S DROPPING OFF A RETAIL

PROPOSAL SUBMISSION.

>> Woman: AS USUAL, CATHERINE,

EVERYTHING LOOKS BEAUTIFUL.

>> OH, THANK YOU.

>> Will: WHAT?

>> I DON'T KNOW.

NATE, CAN YOU GO ON WITH CALI,

AND DADDY WILL HELP YOU

AFTER DINNER?

[PHONE RINGS]

[PHONE RINGS] OH, GOSH.

OH, GOSH.

>> HI.

>> HI.

>> OH, MY GOD.

THIS IS YOUR HOUSE?

>> UM...

>> OH, MAN, I'M SO SORRY.

JOSH GAVE ME TWO NUMBERS.

I... THE LADY I SPOKE TO THIS

MORNING TOLD ME TO DROP IT HERE.

>> NO, IT'S, UH, IT'S FINE.

DON'T WORRY.

>> O.K.

>> UM...

>> HI. YOU MUST BE THE RETAIL

DESIGNER I TALKED TO EARLIER.

I'M KATHERINE SARGENT.

COME IN!

>> OH, UH, I CAN'T.

I'M SORRY.

UH, I DIDN'T REALIZE

THIS WAS A HOUSE.

I THOUGHT I WAS...

I THOUGHT I WAS STOPPING BY

A JOB SITE.

>> NO, DON'T BE SILLY.

COME IN.

ACTUALLY, THAT WAS MARGUERITE,

AIDAN'S WIFE, ON THE PHONE.

SHE'S NOT GONNA BE COMING, SO WE

HAVE AN EXTRA SEAT AT THE TABLE.

WHY DON'T YOU JOIN US?

>> UH, NO, I CAN'T.

I'M, I'M MEETING A FRIEND

FOR DINNER TONIGHT.

I...

>> OH, WHAT A SHAME.

IT WAS NICE TO MEET YOU.

IT WAS NICE TO MEET YOU. SORRY YOU CAN'T JOIN US.

SORRY YOU CAN'T JOIN US.

>> O.K., WELL, I'M GONNA GO.

>> WAIT. UM...

UH... THOSE BIRDS THAT,

THAT WE SAW...

I HADN'T NOTICED THEM BEFORE,

BUT, UM...

I SEE 'EM ALL THE TIME NOW.

>> BYE, WILL.

>> BYE, WILL. [♪...]

[♪...]

[♪...] >> [CHUCKLES]

>> [CHUCKLES]

>> Nate: [SHRIEKS]

>> A-HA!

>> A-HA! [DISTANT CHILDREN CHATTING...]

[DISTANT CHILDREN CHATTING...]

>> Man: THANK YOU FOR COMING IN.

WE'LL GET BACK TO YOU WITH DATES

FOR THE DESIGNER SITE VISIT.

VERY NICE.

>> Kate: THANK YOU.

>> GREAT JOB.

>> KATE.

[DOOR SHUTS]

HI.

UM... I WANTED TO, UH...

THE OTHER NIGHT--

>> I DIDN'T KNOW

YOU WERE MARRIED.

>> YEAH, I KNOW.

I, UM...

I DON'T KNOW WHY I NEVER...

>> YEAH, I DON'T KNOW

WHY EITHER.

YOU DON'T WEAR A RING.

>> WELL, I, I WORK

IN CONSTRUCTION.

PEOPLE DON'T WEAR RINGS

ON THE JOB.

>> YOU WORK IN AN OFFICE, WILL.

>> YOU WORK IN AN OFFICE, WILL. YOU WEAR A SUIT.

YOU WEAR A SUIT.

YOU WEAR A SUIT. [♪...]

[♪...]

>> Will: HOW DOES THAT HAPPEN?

HOW DO YOU, HOW DO YOU NOT

DISCOVER A SUBWAY TUNNEL

UNDERNEATH YOUR SITE?

HOW DO YOU NOT FIGURE THAT OUT?

LOOK. LOOK AT IT.

LOOK AT THAT ONE.

WHO NEEDS IT?

IF WE'RE NOT GONNA LOOK AT IT,

WE MIGHT AS WELL THROW IT AWAY,

USE IT FOR TOILET PAPER.

[THUNDER...]

>> Kit: KATE-LANDER!

YOU'RE PSYCHED.

YOU WON'T BE DEALING

WITH THIS SHIT ANYMORE.

>> WHAT?

>> THAT MESSAGE YOU'VE BEEN

WAITING FOR IS ON THE MACHINE.

YOU GOT IT.

YOU'RE MOVING TO L.A.

YOU'RE MOVING TO L.A. SEE YA.

SEE YA.

>> Katherine: I HAVE

THE AIRLINES ON HOLD.

I RAN INTO STEWART.

HE SAID THE SITE VISIT WENT

FANTASTIC, AND THEY'RE ALL READY

TO SIGN THE DOCS ON FRIDAY.

MMM!

IT'S SO GREAT!

I'LL BE UPSTAIRS

IN A COUPLE MINUTES.

IN A COUPLE MINUTES. GIVE NATE A KISS.

GIVE NATE A KISS.

>> Will: HEY.

>> Will: HEY. >> HI.

>> HI.

PROMISE I'LL BE ALIVE IN THE

MORNING AND THAT THERE AREN'T

ANY SKELETONS OR SCARY MONSTERS

IN MY CLOSET?

>> YES, I PROMISE THAT YOU

WILL BE ALIVE AND WELL

IN THE MORNING.

>> AND THAT THERE AREN'T ANY

SKELETONS OR SCARY MONSTERS

IN MY CLOSET?

IN MY CLOSET? >> LET ME CHECK.

>> LET ME CHECK.

ALL RIGHT. NOPE.

[CLEARS THROAT]

NO SKELETONS OR SCARY MONSTERS

NO SKELETONS OR SCARY MONSTERS IN YOUR CLOSET.

IN YOUR CLOSET.

WHEW! OR UNDER YOUR BED.

>> BUT WHAT IF THEY'RE HIDING

AND THEY TRY TO COME TAKE ME

AFTER YOU LEAVE?

>> NATE, I PROMISE YOU, NO ONE

IS GONNA TAKE YOU AFTER I LEAVE.

WAIT A SECOND.

WAIT A SECOND. HOW OLD ARE YOU?

HOW OLD ARE YOU?

SEVEN?

[SCOFFS] I SHOULD HAVE KNOWN.

THAT'S THE AGE.

THAT'S THE AGE WHERE YOU GET

TO PICK YOUR FIRST MAGIC WORD.

YES. YOU GET TO SAY A WORD, ANY

WORD, AND IT WILL PROTECT YOU.

ALL YOU GOT TO DO IS CLOSE YOUR

EYES REALLY, REALLY, REALLY

TIGHTLY AND THEN SAY THE WORD,

AND ALL THE SKELETONS AND THE

SCARY MONSTERS WILL DISAPPEAR.

>> WISTURBIAN.

>> WISTURBIAN?

>> THAT WILL MAKE THEM GO AWAY?

>> THAT...

HAS MADE THEM GO AWAY...

FOREVER.

>> LOVE YOU, DAD.

>> I LOVE YOU.

>> I LOVE YOU. SLEEP TIGHT.

SLEEP TIGHT.

[DISTANT CHILDREN TALKING...]

>> KATE, YOU SURE YOU DON'T

NEED HELP WITH THESE?

IT SEEMS LIKE A LOT OF STUFF.

>> NO, I'M FINE.

I'M JUST GONNA FINISH UP WITH

THE SMALL STUFF AND WAIT TILL

THE MOVERS COME TO DO THE REST.

>> MM, SO DID YOU AND WILL

GRAB DINNER THE OTHER NIGHT?

YOU GOT HOME PRETTY LATE.

>> NO. I WORKED LATE, AND THEN

I GOT A SLICE AND I WALKED HOME.

I NEVER EXERCISE ANYMORE.

>> HMM.

>> SO... MONDAY'S THE BIG

DAY, HUH?

>> YEAH. SORRY TO SEE ME GO?

>> SORRY TO SEE YOUR STUFF GO.

CAN I GET... [THUMP]

SOME OF THAT?

SO, WERE YOU OUT WITH MR. FANCY

PANTS MARRIED MAN LAST NIGHT?

>> [SHOUTS]: NO, KIT, I WASN'T

OUT WITH ANYBODY!

JESUS!

[SIGHS] I'M SORRY.

I'M SORRY, I'M JUST SO TIRED.

WITH WORK AND PACKING, I'M,

I'M JUST EXHAUSTED.

I'M JUST EXHAUSTED. I'M SORRY.

I'M SORRY.

>> WHATEVER, KATE.

>> WHATEVER, KATE. [KATE SIGHS]

[KATE SIGHS]

[KATE SIGHS] [DOOR CLOSES]

[DOOR CLOSES]

>> YOU O.K.?

>> HE'S SUCH AN ASSHOLE.

>> THEN WHY DON'T YOU TELL HIM

HE'S AN ASSHOLE?

>> IT WOULDN'T DO ANY GOOD.

HE'D STILL BE AN ASSHOLE.

>> IT MIGHT DO YOU SOME GOOD.

YOU KNOW, KATE, YOU GET

A SAY TOO.

YOU DON'T JUST HAVE TO

HAVE EVERYTHING ON EVERYONE

ELSE'S TERMS.

>> DO I?

DO I GET A SAY, JANEY?

DO I GET A SAY IN THE FACT THAT

I HAVE TO DEAL WITH MOM AGAIN ON

THANKSGIVING ALONE WHILE YOU

AND KIT GO TO L.A.?

DO I GET A SAY THAT I HAVE TO

LEAVE MY APARTMENT JUST BECAUSE

KIT'S NAME IS ON THE LEASE?

>> KATE, KATE, KATE.

YES, YOU DO GET A SAY

IN ALL THAT.

O.K.? YOU DON'T GET TO DECIDE

WHAT THE OTHER PERSON FEELS OR

EVEN DOES, BUT YOU GET TO DECIDE

HOW YOU FEEL.

>> THAT WOULDN'T DO

ANY GOOD, JANEY.

WHAT AM I GONNA DO, TELL MOM

I'M NOT COMING TO THANKSGIVING?

THAT I'M BUSY?

YOU KNOW HER.

SHE'LL JUST MAKE MY LIFE

MISERABLE.

>> ALL I'M SAYING, KATE, IS THAT

IF YOU NEVER SPEAK YOUR MIND AND

SAY HOW YOU FEEL AND WHAT YOU

NEED, YOU'RE GONNA END UP

MISERABLE THAT WAY TOO.

>> I KNOW.

[SNIFFS]

[EMOTIONALLY]: I KNOW.

[EMOTIONALLY]: I KNOW. [CRYING...]

[CRYING...]

>> OH, COME ON, COME HERE.

>> [SOBS]

>> [SOBS] >> IT'S GONNA BE O.K., HONEY.

>> IT'S GONNA BE O.K., HONEY.

WHAT'S GOING ON WITH WILL?

>> NOTHING. REALLY NOTHING.

[SNIFFS]

I MET HIS WIFE A COUPLE OF WEEKS

AGO WHEN I WAS DROPPING OFF

MY PORTFOLIO.

>> NO, REALLY?

>> I DIDN'T EVEN KNOW

HE WAS MARRIED.

JOSH DIDN'T TELL ME THAT,

AND HE NEVER WEARS A RING.

HOW WAS I SUPPOSED TO KNOW?

>> YOU MET HIS WIFE?

>> OH, GOD, IT WAS HORRIFYING.

AND YET, WHY SHOULD IT

HAVE BEEN?

I WAS JUST LIKE ANY OTHER

DESIGNER DROPPING OFF A

PORTFOLIO.

AND THEN THE OTHER NIGHT,

I WAS SUCH A FREAK.

I JUST... I RAN OFF IN THE

MIDDLE OF A CONVERSATION

WITH HIM.

>> OH... KATE, WHY DIDN'T

YOU SAY SOMETHING?

YOU'VE BEEN SO OFF

THE LAST FEW WEEKS.

I, I HAD NO IDEA.

>> WHAT WAS I SUPPOSED TO SAY?

THAT... IN THE MIDDLE OF MOVING

ACROSS COUNTRY, MET A MAN

AND SUBSEQUENTLY HIS

AND I NEVER SEE HIM, AND I CAN'T

TALK TO HIM, AND HE'S ALL I CAN

THINK ABOUT.

YOU KNOW, THE THING IS, JANEY,

I JUST THINK THAT IF HE

THINK ABOUT ME... HE WOULD.

OH, GOD, AND THAT JUST MAKES IT

ALL SO MUCH WORSE.

[SNIFFS]

>> KATE.

KATE, I'M SO SORRY, SWEETIE.

>> AND TO TOP IT ALL OFF,

>> AND TO TOP IT ALL OFF, I JUST FEEL LIKE SUCH A FOOL.

I JUST FEEL LIKE SUCH A FOOL.

>> YOU ARE NOT A FOOL.

>> YOU ARE NOT A FOOL. [♪...]

[♪...]

>> WASN'T THE DESIGN TOUR

SUPPOSED TO BE OVER BY NOON?

>> UH... YEAH.

FRIDAY, 10 TO 12,

DESIGNERS SITE VISIT, YEP.

>> WELL, THEY SHOULD BE

DONE BY NOW.

IT'S 12:15.

>> YEAH, WHICH MEANS

YOU NEED TO GET GOING.

YOUR CAR HAS BEEN HERE

FOR 15 MINUTES.

I'M SURE EVERYONE'S

I'M SURE EVERYONE'S WAITING FOR YOU.

WAITING FOR YOU.

>> WILL?

>> HI.

UH, SO HOW'D THE TOUR GO?

>> GOOD. FINE.

>> Man: HEY! YOU SARGENT?

>> YEAH, YEAH, JUST A SECOND.

HOLD ON.

>> I'M SO GLAD I CAUGHT YOU.

I WANTED TO TELL YOU THAT MY

PARTNER LAURYN CHASE IS GONNA

BE TAKING OVER FOR ME.

I'M LEAVING PREVIN.

>> UM, WHAT ARE YOU DOING?

>> I'M MOVING TO L.A.

I ACTUALLY GOT A JOB AT

A SMALL DESIGN FIRM THERE.

I'VE BEEN SPEAKING WITH THEM

FOR SEVERAL WEEKS, SO...

>> WOW, UM, WHEN DO YOU LEAVE?

>> MM, MONDAY, ACTUALLY.

TODAY'S MY LAST DAY AT PREVIN.

LAURYN.

>> HI, YOU MUST BE WILL SARGENT.

>> YEAH.

>> LAURYN, WILL. WILL, LAURYN.

>> GREAT TO MEET YOU.

YOU'RE DOING AN AMAZING

JOB HERE.

>> OH, THANKS.

>> OH, THANKS. UM...

UM...

>> IT WAS GOOD TO SEE YOU, WILL.

>> NICE TO MEET YOU, WILL.

>> YEAH.

>> YEAH. [♪...]

[♪...]

>> HELLO, SIR.

WOULD YOU LIKE TO HEAR

OUR REPORT ON ANTS?

>> SURE.

>> DAD!

>> WHAT?

>> HEY, MR. SARGENT,

HAVE YOU SEEN OUR ANTS?

>> Girl: STOP IT, STOP IT.

YOU'RE GONNA MESS UP MY PILE.

>> HEY, NATE, PLEXIGLAS

LOOKS GREAT, HUH?

>> YEAH, AND IT'S SO COOL,

'CAUSE NOW YOU CAN SEE THE

BOTTOM, WHERE THE ANTS CLIMB

ALL OVER EACH OTHER.

>> REALLY? OH, YEAH.

>> EXCUSE ME, MISTER.

YOU

OUR REPORT.

>> YOU'RE RIGHT, I'M SORRY.

I'M SORRY.

>> WILL! GREAT SURPRISE.

>> HEY.

>> WHAT ARE YOU DOING HERE?

YOU HAVE THE DIRECTOR VISIT.

>> IT'S O.K.

I GOT IT PUSHED BACK.

>> YOU DID? TO WHAT?

>> WON'T START UNTIL TWO.

>> UNTIL TWO. IT'S 1:15--

BOYS! NATE! SLOW DOWN, PLEASE.

DO YOU HAVE A CAR

WAITING FOR YOU?

>> I'LL GET A CAB, IT'S O.K.

>> YOU KNOW WHAT?

I'VE GOT THE CAR.

I MIGHT AS WELL TAKE YOU.

IT'LL BE SO MUCH FASTER.

I'M GONNA GET MY PURSE.

>> IT'S PLAYING! IT'S PLAYING!

LISTEN.

[On tape]: Ants are very

socially complex creatures.

>> COME ON, LET'S GO.

>> Ants are different from

humans because they live...

>> WILL, COME ON! WILL!

>> Ants must follow their role

>> Ants must follow their role and never object to the queen.

and never object to the queen.

and never object to the queen. [HONK, HONK]

[HONK, HONK]

[MEN SPEAKING INDISTINCTLY...]

[MEN SPEAKING INDISTINCTLY...] >> [LAUGHING...]

>> [LAUGHING...]

>> [LAUGHING...] >> WHAT IS SO FUNNY?

>> WHAT IS SO FUNNY?

[MEN SPEAKING

INDISTINCTLY]

>> GOOD.

>> THE DEAL WILL BE

CLOSED THIS WEEK.

CLOSED THIS WEEK. >> WELL, THAT'S IT.

>> WELL, THAT'S IT.

>> DID YOU SEE ABOUT THAT

MEETING ON THURSDAY MORNING?

>> YEAH. YEAH, I DID.

>> CANCELED. >> RIGHT.

>> SO, NO WORRIES ABOUT THAT.

>> GREAT TO SEE YOU, WILL.

COME ON IN.

THANK YOU, SUSAN.

>> GOOD TO SEE YOU, WILL.

>> WILL, NEVER GOT TO TELL YOU

DIRECTLY HOW IMPRESSED WE WERE

WITH THE TOUR OF GREENPOINT.

YOU AND YOUR TEAM HAVE DONE

AN INCREDIBLE JOB.

YOU'RE A GOOD GROUP.

WE'RE REALLY EXCITED

TO HAVE YOU ON BOARD.

>> SO, SAVE FOR A LAST FEW

BUSINESS POINTS, WHICH WE WILL

GET TO WHEN WE GET TO, WE HAVE

REDRAFTED THE CONTRACT ACCORDING

TO YOUR COMMENTS.

SO WE THOUGHT WE'D GIVE YOU A

FEW MINUTES TO LOOK THEM OVER

BEFORE WE SIGN, AND THEN MAYBE

CORRAL YOU INTO A LITTLE

CELEBRATORY LIBATION.

>> IT'S A REAL PLEASURE WORKING

WITH YOU, WILL.

>> THE CONTRACTS ARE

A MERE FORMALITY.

AFTER TWO YEARS ON GREENPOINT,

I THINK WE ALL KNOW WHAT WE'RE

GETTING INTO.

>> WE'RE REALLY LOOKING FORWARD

TO HAVING YOU ON BOARD.

>> O.K., SO WE'LL GIVE YOU A FEW

MINUTES AND SUSAN CAN GET YOU

MINUTES AND SUSAN CAN GET YOU ANYTHING YOU MAY NEED.

ANYTHING YOU MAY NEED.

ANYTHING YOU MAY NEED. >> GREAT TO HAVE YOU, WILL.

>> GREAT TO HAVE YOU, WILL.

>> GREAT TO HAVE YOU, WILL. >> [SIGHS]

>> [SIGHS]

>> [SIGHS] WISTURBIAN.

WISTURBIAN.

WISTURBIAN. [♪...]

[♪...]

>> Kit: TAKE CARE,

>> Kit: TAKE CARE, LITTLE KATIE-CAT.

LITTLE KATIE-CAT.

WE'LL SEE YOU IN A COUPLE WEEKS.

>> Janey: I MISS YOU ALREADY.

>> O.K., SO I'LL JUST CALL

WHEN I GET THERE.

OH, I DON'T WANT TO GO TO L.A.

>> Kit: OH...

YOU'RE GONNA BE FINE.

>> [SIGHS]

NO, I DON'T WANT...

I DON'T WANT TO GO.

>> KATE, IT'S A LITTLE

LATE FOR THAT.

>> [EMOTIONALLY]: I DON'T

WANT TO GO.

>> YOUR CAR'S HERE.

YOUR SHIT'S NOW HALFWAY

CROSS-COUNTRY.

HATE TO BREAK IT,

BUT YOU'RE GOING TO L.A.

>> I DON'T WANT TO GO TO L.A.

>> KATE, COME ON.

>> KATE, COME ON. DON'T BE A FREAK.

DON'T BE A FREAK.

>> BETTER A FREAK THAN A FOOL.

>> BETTER A FREAK THAN A FOOL. [♪...]

[♪...]

[♪...] [DOOR CLOSES]

[DOOR CLOSES]

>> WHERE HAVE YOU BEEN?

I LEFT 20 MESSAGES ON YOUR CELL.

WHAT HAPPENED?

>> CATHERINE.

>> WHY DIDN'T YOU SIGN

YOUR CONTRACT?

I TALKED TO PETE.

HE SAID YOU DIDN'T SIGN IT.

WHY?

>> I JUST... I... [LAUGHS]

>> WHAT?

>> I COULDN'T SIGN IT.

>> WHY COULDN'T YOU SIGN IT?

DID SOMETHING HAPPEN?

>> NO, I JUST...

I COULDN'T SIGN IT.

>> WHY? WHY COULDN'T

YOU SIGN IT?

>> BECAUSE I DON'T... I, I...

>> YOU KNOW WHAT? WE'RE GONNA

HAVE TO THINK OF SOMETHING.

SOMETHING CAME UP. >> WHAT?

>> SOMETHING CAME UP AND YOU HAD

TO RUN OUT TO NATE, AND I HAD

AN EMERGENCY, SO I COULDN'T GO,

SO YOU HAD TO GO GET HIM.

>> CATHERINE.

[SHOUTING]: CATHERINE,

STOP THIS!

STOP IT! I DON'T WANT THIS!

I DON'T WANT WAHLSTEIN!

I DON'T WANT TO KEEP PRETENDING

THAT EVERYTHING IS FINE!

IT'S NOT!

I DON'T WANT ANY OF THIS!

>> YOU DON'T WANT ANY OF WHAT?

OH, GOD.

>> I...

[SIGHS]

WE'RE SO BUSY.

WE GO SO FAST.

I, I DON'T EVEN HAVE TIME

TO STOP FOR...

>> FOR WHAT?

>> FOR US.

WE WORK SO HARD, FOR WHAT?

WHAT ARE WE TRYING TO GET?

>> WE'RE TRYING TO

GET WAHLSTEIN.

THAT'S WHAT WE'RE TRYING TO GET.

>> O.K., AND THEN WHAT?

THEN WHAT?

AFTER THAT?

THERE'LL ALWAYS BE

SOMETHING ELSE.

>> NO! THERE'S NOT, BUT YOU

CAN'T JUST BACK OUT NOW, WILL.

UGH!

EVERYONE'S COUNTING ON YOU.

>> WHO'S EVERYONE? WHO CARES?

WHAT ABOUT WHAT WE WANT?

WHAT ABOUT WHAT I WANT?

AND NATE.

YOU THINK NATE'S HAPPY?

YOU? HUH?

WHAT DO YOU WANT?

>> OUR LIFE.

THIS ISN'T ABOUT ME.

THIS IS ABOUT YOU BEING HORRIBLY

SELFISH AT MY EXPENSE.

AT NATE'S EXPENSE.

AT EVERYBODY ELSE'S EXPENSE.

THIS IS AN OPPORTUNITY

OF A LIFETIME.

>> NO. NO, IT'S NOT.

>> YOU CAN'T TURN AWAY

FROM THIS.

>> CATHERINE, I DON'T WANT

TO FOLLOW ALONG.

I SPEND MY LIFE FOLLOWING ALONG,

AND ME SIGNING WITH THIS COMPANY

IS MORE OF US JUST

FOLLOWING ALONG.

>> [POUNDING TABLE]

I DO NOT FOLLOW ALONG!

>> CATHERINE, I JUST WANT US

TO SLOW DOWN.

I WANT US TO MAKE OUR LIFE

OUR LIFE AND DO WHAT'S

IMPORTANT FOR US, NOT JUST

WHAT'S EXPECTED OF US.

>> THIS IS WHAT I EXPECT.

>> THIS IS WHAT I EXPECT. >> HONEY.

>> HONEY.

>> YOU'RE MAKING A BIG

CHOICE, WILL.

>> [STAMMERS]

THAT'S NOT WHAT I MEAN.

I, I...

[SIGHS]

I JUST WANT US TO BE HAPPY.

>> I AM HAPPY.

>> HOW CAN YOU SAY THAT?

LOOK AT US.

[DOOR CLOSES]

>> NATE'S HOME.

I CAN'T TALK ABOUT THIS

WITH YOU ANYMORE, WILL.

YOU CANNOT DRAG ME

INTO YOUR FAILURES.

INTO YOUR FAILURES. [♪...]

[♪...]

[♪...] >> [SIGHS]

>> [SIGHS]

YOU KNOW, I THINK...

ME NOT GOING TO WORK FOR THAT

COMPANY IS ACTUALLY A SMALL PART

OF SOMETHING BIGGER.

UM...

IT'S HARD TO EXPLAIN, BUT...

I... I HAVEN'T BEEN PAYING

A LOT OF ATTENTION LATELY.

DOES THAT MAKE ANY SENSE?

>> SORT OF.

>> YEAH.

I DIDN'T WANT TO MAKE YOUR

MOM MAD OR, OR ANYONE MAD.

I JUST REALIZED THAT GOING TO

WORK FOR THAT COMPANY IS NOT

THE RIGHT THING FOR ME.

>> ARE YOU AND MOM GONNA

>> ARE YOU AND MOM GONNA GET A DIVORCE?

GET A DIVORCE?

>> YOUR MOM AND I HAVEN'T BEEN

DOING A VERY GOOD JOB OF TALKING

LATELY.

OR LISTENING, FOR THAT MATTER.

>> WELL, MAYBE YOU SHOULD

JUST TRY THAT JOB.

YOU'LL SEE THAT YOU LIKE IT,

AND THEN IT'LL BE O.K.

>> IT DOESN'T REALLY

WORK LIKE THAT.

HEY, YOU KNOW HOW MOM AND I

ALWAYS SAY HOW IMPORTANT

IT IS FOR US TO BE HONEST?

RIGHT? AND IF I PRETENDED

THAT I WANTED THAT JOB...

I WOULDN'T HAVE BEEN HONEST

WITH MYSELF.

>> BUT YOU DON'T

HAVE TO PRETEND.

YOU CAN JUST TELL THEM THAT YOU

DON'T WANT TO WORK FOR THEM

BUT THEN JUST WORK THERE ANYWAY.

I TELL AARON ALL THE TIME

THAT I DON'T WANT TO PLAY

COUNTER-STRIKE, BUT WE

STILL PLAY IT.

>> IT'S NOT REALLY THE SAME

THING THOUGH.

AND MY GUESS IS, IF YOU

REALLY DIDN'T WANT TO PLAY

COUNTER-STRIKE, IF IT REALLY

FELT WRONG TO YOU, YOU WOULDN'T

PLAY IT.

>> I WOULD IF AARON REALLY

>> I WOULD IF AARON REALLY WANTED ME TO.

WANTED ME TO.

[PHONE RINGS]

>> WILL SARGENT.

>> HI, WILL.

IT'S KATE BAASTE.

>> KATE. HI.

HOW ARE YOU?

>> GOOD. I, I WAS JUST CALLING

TO LET YOU KNOW THAT PREVIN GOT

AWARDED ONE OF THE LOBBY

COMMISSIONS AT GREENPOINT, AND

I JUST WANTED TO SAY THANK YOU.

>> YEAH. THEY CALLED US

ON MONDAY.

THAT'S, THAT'S GREAT.

>> WELL, UH, I GOT YOU A COUPLE

OF TICKETS FOR RED FISH

BLUE FISH.

KIT SAYS THEY'RE REALLY GREAT,

AND I GUESS I'LL JUST DROP THEM

BY YOUR OFFICE AFTER WORK?

>> WAIT, YOU'RE IN TOWN?

>> YEAH.

>> OH, UM...

YOU KNOW, OR, UM...

OR I COULD MEET YOU IN PERSON

AND GET THEM FROM YOU DIRECTLY.

AND GET THEM FROM YOU DIRECTLY. [MUSIC PLAYING SOFTLY...]

[MUSIC PLAYING SOFTLY...]

[MUSIC PLAYING SOFTLY...] [DOOR OPENS]

[DOOR OPENS]

>> HI.

>> HI.

>> HOW ARE YOU?

>> [LAUGHS] GOOD.

UH, IT'S BEEN A LONG COUPLE

MONTHS, BUT, UH, I'M DOING GOOD.

>> GET YOU SOMETHING?

>> YEAH, I'LL HAVE ONE OF THOSE.

>> AND YOU? HOW'S THE JOB?

THOUGHT YOU'D BE GONE BY NOW.

>> I DIDN'T TAKE IT.

I DON'T KNOW.

I DIDN'T WANT TO GO TO L.A.

I WANTED TO STAY IN NEW YORK,

AND I WANT TO START MY OWN FIRM,

SO... I'VE BEEN GOING OUT

ON MY OWN.

I WANTED TO APOLOGIZE.

>> FOR...?

>> MM...

FOR LEAVING YOU, UM, SO ABRUPTLY

AT THE CONSTRUCTION SITE,

BUT LAURYN WALKED UP AND THEN...

SO... I'M SORRY.

AND HERE ARE YOUR TICKETS.

AND HERE ARE YOUR TICKETS. >> THANKS.

>> THANKS.

>> THANKS. >> [SIGHS]

>> [SIGHS]

>> WELL, I DIDN'T SIGN

WITH WAHLSTEIN.

I WALKED AWAY.

TWO YEARS OF WORKING TOGETHER

AND NEGOTIATING A DEAL,

AND I JUST WALKED AWAY.

WITH A SINGLE ACT, I MANAGED TO

MAKE A MESS OF... EVERYTHING.

THE THING IS, THOUGH, THE...

THE MESS FEELS BETTER THAN

THE MESS FEELS BETTER THAN LIFE DID BEFORE.

LIFE DID BEFORE.

>> [CLEARS THROAT]

YOU KNOW THOSE BIRDS

I SHOWED YOU BY THE B.Q.E.?

>> YEAH.

>> YOU KNOW THEY'RE PIGEONS?

>> MM-HMM.

>> YOU DID? I DIDN'T.

>> [LAUGHS] REALLY?

>> NO. [CLEARS THROAT]

WHEN I FIRST SAW THEM,

I THOUGHT... THEY WERE SPARROWS

OR SOMETHING, BECAUSE THEY

WERE SO PRETTY.

AND THEN ONE DAY I REALIZED IT.

THEY ARE JUST DIRTY,

MESSY, ORDINARY, MUNDANE

STREET PIGEONS.

AND IT MADE PERFECT SENSE.

IT'S NOT THE TYPE OF BIRD.

IT'S NOT THE TYPE OF BIRD. THAT'S WHAT'S SO BEAUTIFUL.

THAT'S WHAT'S SO BEAUTIFUL.

>> DO YOU HAVE ANY PLANS

TONIGHT?

TONIGHT? [♪...]

[♪...]

[♪...] [NO DIALOGUE...]

[NO DIALOGUE...]

>> Man: ♪ I'M ALWAYS THINKING

OF SOMEONE NEW ♪

♪ I'M NEVER SITTING

O.K. WITH YOU ♪

♪ THERE'S ALWAYS SOMETHING

ELSE ON MY MIND ♪

♪ THERE'S ALWAYS SOMETHING

♪ THERE'S ALWAYS SOMETHING I CAN'T FIND ♪

I CAN'T FIND ♪

♪ YOU THINK ABOUT

ANYTHING YOU CAN ♪

♪ I THINK ABOUT YOU

♪ I'LL THINK ABOUT ANYTHING,

IT'S TRUE... ♪

IT'S TRUE... ♪ [♪...]

[♪...]

♪ I'M ALMOST PERFECT

SOME OF THE TIME ♪

♪ I'M ALSO SINKING

SOME OF THE TIME ♪

♪ I'M ALMOST READY,

YEAH, IT'S ALMOST TRUE,

FOR ALMOST ANYONE

FOR ALMOST ANYONE BUT YOU ♪

BUT YOU ♪

♪ YOU THINK ABOUT

ANYTHING YOU CAN ♪

♪ I THINK ABOUT YOU

♪ I'LL THINK ABOUT EVERYTHING,

IT'S TRUE... ♪

♪ TRUE...

♪ TRUE...

♪ TRUE... [♪...]

[♪...]

♪ I'M ALWAYS SINKING

BENEATH THE SAND ♪

♪ YOU'RE HOLDING NOTHING

♪ YOU'RE HOLDING NOTHING IN YOUR HAND ♪

IN YOUR HAND ♪

♪ YOU THINK ABOUT

ANYTHING YOU CAN ♪

♪ I THINK ABOUT YOU

♪ BUT I'LL THINK ABOUT ANYTHING,

IT'S TRUE... ♪

♪ TRUE...

♪ TRUE...

♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH,

BAH, BAH, BAH-BAH... ♪

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH...

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH...

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH,

BAH, BAH-BAH, BAH, BAH... ♪

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH...

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH...

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH...

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH,

BAH, BAH-BAH, BAH, BAH... ♪

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH,

BAH, BAH, BAH-BAH, BAH... ♪

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH,

BAH, BAH-BAH, BAH, BAH, BAH ♪

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH,

BAH, BAH, BAH, BAH... ♪

>> ♪ TRUE...

>> ♪ BAH, BAH-BAH, BAH, BAH,

BAH, BAH, BAH-BAH, BAH,

BAH, BAH, BAH-BAH, BAH, BAH, BAH-BAH, BAH, BAH... ♪