All language subtitles for 4.4 Improvise With Different Layout

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These are the user uploaded subtitles that are being translated: 1 00:00:00,570 --> 00:00:01,639 Hello. 2 00:00:01,642 --> 00:00:05,639 In this lesson, on the drawings from the last lesson 3 00:00:05,642 --> 00:00:08,139 we will apply various layouts 4 00:00:08,142 --> 00:00:10,780 just like attaching the sticker. 5 00:00:12,290 --> 00:00:15,469 First, we merged each object into one layer 6 00:00:15,472 --> 00:00:18,169 and made it move separately, 7 00:00:18,172 --> 00:00:22,210 and named each layer so that it looks nice. 8 00:00:24,000 --> 00:00:27,159 First, let's keep the triangle composition, 9 00:00:27,162 --> 00:00:30,849 but place the objects overlapping each other slightly. 10 00:00:30,852 --> 00:00:34,989 The key point is to place the objects on top of each other 11 00:00:34,992 --> 00:00:37,470 so that the clumps become one element. 12 00:00:39,200 --> 00:00:42,899 Instead of making the main characters stick together, 13 00:00:42,902 --> 00:00:47,159 we will place the smaller objects on top of the big elements 14 00:00:47,162 --> 00:00:48,640 feel like decorating them. 15 00:00:53,760 --> 00:00:57,159 The parts of the main character will be the largest area, 16 00:00:57,162 --> 00:01:00,432 and it must be placed in the order of importance. 17 00:01:00,432 --> 00:01:03,613 Subtitled by -♪ online-courses.club ♪- We compress knowledge for you! https://t.me/joinchat/ailxpXoW3JVjYzQ1 18 00:01:03,614 --> 00:01:06,059 There are no correct answers, 19 00:01:06,062 --> 00:01:09,090 so we will place them wherever it looks better. 20 00:01:23,660 --> 00:01:26,499 It looks like there are three groups, 21 00:01:26,502 --> 00:01:29,730 so let's fill them with smaller elements. 22 00:02:42,800 --> 00:02:48,629 Now the overall composition is done somewhat. 23 00:02:48,632 --> 00:02:52,480 I've divided them into three big groups. 24 00:02:54,370 --> 00:02:57,599 If you compare them to the original layout. 25 00:02:57,602 --> 00:03:01,699 It used to look like they were scattered evenly. 26 00:03:01,702 --> 00:03:05,769 But now, small elements can decorate big objects, 27 00:03:05,772 --> 00:03:08,610 and the objects are related. 28 00:03:10,400 --> 00:03:12,619 Next, let's keep this feeling 29 00:03:12,622 --> 00:03:16,160 and make the canvas long and vertical. 30 00:03:34,950 --> 00:03:37,599 When I put the main group in the middle 31 00:03:37,602 --> 00:03:40,629 and fill in the empty space with other elements, 32 00:03:40,632 --> 00:03:44,149 three groups are placed in the same line. 33 00:03:44,152 --> 00:03:46,779 The layout isn't necessarily bad, 34 00:03:46,782 --> 00:03:49,499 but it becomes a monotonous layout, 35 00:03:49,502 --> 00:03:51,499 as if an object is in a line. 36 00:03:51,502 --> 00:03:53,820 I'll think about another layout. 37 00:04:47,730 --> 00:04:50,309 I wanted to find the most stable angle, 38 00:04:50,312 --> 00:04:54,780 so once again, I placed three groups in triangle composition. 39 00:04:56,730 --> 00:04:59,970 This time, we'll place them on a square canvas. 40 00:05:07,190 --> 00:05:12,740 A square canvas would look better with the main character in the middle. 41 00:05:14,810 --> 00:05:18,020 I'm going to turn on the rest of the layers and lay them out. 42 00:05:22,020 --> 00:05:24,859 This time, I'm going to make them like one group 43 00:05:24,862 --> 00:05:29,709 cause the space is not enough. 44 00:05:29,712 --> 00:05:33,959 Definitely, I placed them thinking about the balance 45 00:05:33,962 --> 00:05:37,540 with the intention of making sure that the big objects don't lean to one side. 46 00:07:12,360 --> 00:07:16,290 Now, we have the square layout that looks like one group. 47 00:07:18,780 --> 00:07:21,589 Next, we'll depict the bottom line 48 00:07:21,592 --> 00:07:25,379 so that it gives a sense of space. 49 00:07:25,382 --> 00:07:26,429 We'll make main character part 50 00:07:26,432 --> 00:07:30,679 looks like a mirror on the wall. 51 00:07:30,682 --> 00:07:33,849 For the rest of the objects, 52 00:07:33,852 --> 00:07:36,800 we will adjust the angle considering them as putting on the table. 53 00:07:42,210 --> 00:07:46,020 Let's place the smaller objects as if they are on the wall. 54 00:08:54,080 --> 00:08:56,739 We've only added the bottom line, 55 00:08:56,742 --> 00:08:58,869 but it gives a sense of space 56 00:08:58,872 --> 00:09:01,819 as if they are on the table, 57 00:09:01,822 --> 00:09:05,500 from the flat two-dimensional layout. 58 00:09:07,370 --> 00:09:10,539 This time, I'll draw a diary in the background 59 00:09:10,542 --> 00:09:13,569 lay them out just like 60 00:09:13,572 --> 00:09:15,170 attaching the stickers in real. 61 00:09:16,540 --> 00:09:19,259 I played with them randomly, 62 00:09:19,262 --> 00:09:21,500 while imagining the situation they are on the paper. 63 00:09:28,770 --> 00:09:31,589 Many people like to decorate their diary 64 00:09:31,592 --> 00:09:34,569 with stickers. 65 00:09:34,572 --> 00:09:38,820 That is actually a great way to practice layout. 66 00:09:52,900 --> 00:09:55,189 On the crop part of the diary, rather than placing the stickers fully visible 67 00:09:55,192 --> 00:09:59,269 on the inside of the canvas, 68 00:09:59,272 --> 00:10:01,562 it's more natural they are also cropped along the outside of the canvas. 69 00:10:01,563 --> 00:10:04,434 Subtitled by -♪ online-courses.club ♪- We compress knowledge for you! https://t.me/joinchat/ailxpXoW3JVjYzQ1 70 00:10:28,900 --> 00:10:32,510 After placing the small elements, it's done. 71 00:10:34,300 --> 00:10:38,069 In this lesson, we learned how to change the canvas scale 72 00:10:38,072 --> 00:10:40,239 and the background 73 00:10:40,242 --> 00:10:42,269 using only one painting 74 00:10:42,272 --> 00:10:44,990 and to apply various layouts. 75 00:10:46,880 --> 00:10:51,199 At the beginning of the chapter, we laid out in triangle composition, 76 00:10:51,202 --> 00:10:55,200 but there is no set formula or answer. 77 00:10:56,670 --> 00:10:59,379 You can play around with the elements 78 00:10:59,382 --> 00:11:02,599 while checking the composition 79 00:11:02,602 --> 00:11:04,420 looks better with various experiments 80 00:11:06,770 --> 00:11:10,109 It's already the end of chapter 4. 81 00:11:10,112 --> 00:11:12,129 Now, you will be able to draw 82 00:11:12,132 --> 00:11:16,069 a complete illustration. 83 00:11:16,072 --> 00:11:19,769 From this chapter, there were a lot more things to draw, 84 00:11:19,772 --> 00:11:23,009 so it must have taken you a lot longer. 85 00:11:23,012 --> 00:11:25,719 I'd like to give a round of applause 86 00:11:25,722 --> 00:11:28,909 to those of you who persevered until the very end. 87 00:11:28,912 --> 00:11:33,119 If you feel tired and give up halfway, 88 00:11:33,122 --> 00:11:35,900 let's take a break and draw again. 89 00:11:37,710 --> 00:11:40,169 If you start over with a refresh, 90 00:11:40,172 --> 00:11:44,220 you might be able to solve the problems you had previously. 91 00:11:45,920 --> 00:11:50,519 In the next chapter, we will use the layout method you learned 92 00:11:50,522 --> 00:11:55,019 and create a three-dimensional illustration. 93 00:11:55,022 --> 00:11:56,930 We'll see you in the next chapter. 7399

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