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Hello.
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In this lesson, on the drawings from the last lesson
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we will apply various layouts
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just like attaching the sticker.
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First, we merged each object into one layer
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and made it move separately,
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and named each layer so that it looks nice.
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First, let's keep the triangle composition,
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but place the objects overlapping each other slightly.
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The key point is to place the objects on top of each other
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so that the clumps become one element.
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Instead of making the main characters stick together,
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we will place the smaller objects
on top of the big elements
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feel like decorating them.
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The parts of the main character
will be the largest area,
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and it must be placed in the order of importance.
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There are no correct answers,
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so we will place them wherever it looks better.
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It looks like there are three groups,
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so let's fill them with smaller elements.
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Now the overall composition is done somewhat.
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I've divided them into three big groups.
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If you compare them to the original layout.
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It used to look like
they were scattered evenly.
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But now, small elements can decorate big objects,
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and the objects are related.
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Next, let's keep this feeling
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and make the canvas long and vertical.
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When I put the main group in the middle
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and fill in the empty space with other elements,
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three groups are placed in the same line.
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The layout isn't necessarily bad,
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but it becomes a monotonous layout,
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as if an object is in a line.
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I'll think about another layout.
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I wanted to find the most stable angle,
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so once again,
I placed three groups in triangle composition.
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This time,
we'll place them on a square canvas.
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A square canvas would look better
with the main character in the middle.
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I'm going to turn on the rest of the layers
and lay them out.
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This time, I'm going to make them like one group
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cause the space is not enough.
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Definitely, I placed them thinking about the balance
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with the intention of making sure
that the big objects don't lean to one side.
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Now, we have the square layout
that looks like one group.
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Next, we'll depict the bottom line
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so that it gives a sense of space.
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We'll make main character part
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looks like a mirror on the wall.
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For the rest of the objects,
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we will adjust the angle
considering them as putting on the table.
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Let's place the smaller objects
as if they are on the wall.
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We've only added the bottom line,
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but it gives a sense of space
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as if they are on the table,
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from the flat two-dimensional layout.
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This time, I'll draw a diary
in the background
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lay them out just like
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attaching the stickers in real.
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I played with them randomly,
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while imagining the situation they are on the paper.
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Many people like to decorate their diary
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with stickers.
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That is actually a great way to practice layout.
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On the crop part of the diary,
rather than placing the stickers fully visible
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on the inside of the canvas,
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it's more natural
they are also cropped along the outside of the canvas.
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After placing the small elements,
it's done.
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In this lesson,
we learned how to change the canvas scale
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and the background
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using only one painting
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and to apply various layouts.
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At the beginning of the chapter,
we laid out in triangle composition,
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but there is no set formula or answer.
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You can play around with the elements
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while checking the composition
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looks better with various experiments
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It's already the end of chapter 4.
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Now, you will be able to draw
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a complete illustration.
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From this chapter,
there were a lot more things to draw,
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so it must have taken you a lot longer.
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I'd like to give a round of applause
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to those of you who persevered until the very end.
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If you feel tired and give up halfway,
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let's take a break and draw again.
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If you start over with a refresh,
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you might be able to solve the problems you had previously.
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In the next chapter,
we will use the layout method you learned
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and create a three-dimensional illustration.
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We'll see you in the next chapter.
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