All language subtitles for Malizia 2mila (1991)-en

Ah, so without warning, aren't we disturbing?

But what a nuisance, professor, Don Ignazio is a friend of mine.

Have you known him for long?

Since I was a child, always good.

And listen, what kind of person is Mr. La Brocca?

Because he knows, these relationships are always so a little delicate, let's say.

A serious person, an old-fashioned, impeccable man.

Left, left, professor.

That gate over there?

Yes.

Within?

Yes, yes, here it is.

We're not even playing?

But what to play, professor?

Don Ignazio's house is always open to me.

Here we are.

This looks like the right place to look for a tomb.

In Italian, Jimmy.

Okay, dad.

Right place to look for a grave.

A grave, female.

Come, come, professor.

Indeed, that house is a tomb.

Only the two of them live there, Don Ignazio and Angela,

his second wife.

It was his old forest.

Oh, sir, but do we have to build this property on ruins?

Eh, professor, if they were to forbid everyone to build near an old stone,

the Sicilians would all sleep outdoors.

Don Ignazio, my respects.

Oh, Councilor Pala, to what do we owe this honor?

There is a bell near the gate, I don't know if...

I apologize, but the courage comes from the certainty of being considered as one of the house.

I feel like we're expanding the family now.

I ask for forgiveness, but as a father.

Oh, thank you, thank you.

Professor Lincebruni, his son Jimmy.

I present Knight Lipbrocca.

Pleasure.

Pleasure.

Yes, but no, they are not knights.

They are all vanity, things that don't interest me.

You are commentators.

And this is exactly what I wanted to say, Professor Lincebruni...

Mr. Labbrocca, please, may I go to the bathroom?

The boy has been traveling for several hours.

Oh, pee?

Oh, sure.

Come, come, come.

Here the baby bathes him in this house.

Look what you're doing, take the door there, open the door, there's a corridor.

Here, the first.

Don Ignazio, as shown by this stopped document, Don Ignazio Labbrocca,

A research request was made for the evaluation of archaeological material present in this property.

I didn't make any requests.

Then no, but in 1948 yes.

A request from your father's father, Don Ignazio Labbrocca, was forwarded to the cultural heritage department.

Sir Lipbrocca?

My grandfather, in fact.

Don Ignazio, you have an Arab princess in this house.

During the interview they told me she is Filipino.

Now, that's the waitress.

We have to dig.

Dig where?

Under those wrinkles, right?

But where, in the oven?

Below the pieces.

Under the pieces?

Below the pieces.

Under the pieces?

Below the pieces.

Below the pieces.

Below the pieces.

Below the pieces.

Below the pieces.

Below the pieces.

Below the pieces.

Below the pieces.

Below the pieces.

Below the pieces.

Below the pieces.

Councilor Pala, that oven over there cost me 30 million.

It is done with all the rules.

Here there is an ordinance from the superintendence.

After the Riace bronzes, this will be the most sensational discovery of the time.

But actually, if the good soul made this request...

Ah, professor.

Professor, an idea came to me.

If you do us the honor of accepting a bite to eat with us, he can explain it to me better.

And it seems that after kidnapping her, Ruggero from her villa did not want to use violence on her,

hoping instead that she would give herself to him spontaneously.

So he simply locked her up in a dungeon, a sort of golden prison.

Did he limit himself?

Yes.

I don't understand what it means, but between those times...

I'm boring you, ma'am.

No, what are you saying, professor.

That if I don't get up, the parmigiana will get cold.

I'll help, ma'am.

You are very kind, don't bother.

Eh, these things about women are...

I'm not your mother, your mother is my mother...

I don't know if you realize that we have guests today.

Yes Madam.

Could you exceptionally lend me a hand?

Yes Madam.

No.

...that our mother loved too many men.

Ruggero d'Altavilla showered her with gifts, but Aisha always refused him until the end.

And she kept it buried her whole life?

Yes, certainly.

But all his life he too searched for the most astonishing things, jewels, gold clothes,

art artefacts, to be able to bring them as gifts.

Thus accumulating, moreover, a truly priceless heritage.

She never missed anything.

A generous man.

An idiot.

And indeed, commentator, a man who chases a woman who doesn't love him all his life is a cavalier.

An idiot.

I mean, maybe he wasn't generous, but he wasn't an idiot either.

A man he loved desperately, he loved tragically, perhaps.

Let's not forget that he spent his whole life as a jailer.

Like all jailers, in some way he was a prisoner too.

When Aisha's prison turned into her tomb, he, Roger,

right in front of that tomb he let himself die.

But, I say, blessed princess, can't you see that Ruggero is so determined?

And treat yourself for once, so, in short, it gets rid of all these problems.

And we can see that even then a woman's will was worth less than nothing.

I say, these golds, all these silvers, these precious things, are down here, all down here.

Yes, yes. Except you have to dig to know.

And we will dig.

Knight, he's an officer, we'll dig.

I had an idea.

Why don't you and her son stay here, you spendthrifts?

No, no, no, thank you, really.

It would be a huge inconvenience, however.

We have to congratulate ourselves.

The house is huge.

Then there is never anyone.

The children are gone, they are growing up on their own.

My mother, poor thing, resisted as much as she could.

Then she left too.

We didn't have any children.

True and.

Yes.

Look, you never know when excavations will end anyway.

It could even last several weeks, so...

Now it's decided what's done.

You are our guests.

Am I right, Angelina?

No, no, I have to go.

I have things to do.

If I have to pass...

Let's go if I have to pass.

Toto leaves me.

Toto leaves him.

I would leave it here.

Thank you.

Where you go?

We don't know.

But can I carry it, the councillor?

No, thank you, thank you, professor.

Then I have to go to town, I'll take him.

Excuse me if I'll be back a little later this evening.

Ah, for goodness' sake, take your time.

Mom.

Ah.

Mom.

Ah.

Poor.

A good woman.

An irreparable loss.

But she is always alive and always present.

Don Ignazio, faster.

I have the council.

You can't be me.

Why?

Because mom gets pissed.

Don't you live with your wife?

Divorced.

12 years ago.

I am sorry.

Make it as if she were at home.

But we can help, can't we, Jimmy?

I didn't have a dishwasher or dryer.

And dad must have seen a fucker.

No, fucking, better.

Forget it, Jimmy, I'll explain later, eh.

I wasn't laughing at you, I was laughing at your Italian, which is a bit, let's say...

Comic.

Fun.

It's only the second year that he's spent the holidays with me.

He lives in England with his mother.

So shall we help her?

No, thanks, I prefer to do it alone.

Excuse me, Ines, are you there?

So late?

And I had some unexpected visitors.

And who?

That's Councilor Pala with the archaeologist, I'll explain later.

By the way, a certain Pappalardo called several times.

My goodness, this is a pain in the neck, don't give up on this.

But what does he want?

He wants to introduce the mythator's son to Peppo Baudo.

And why don't you introduce it to him?

I don't know Peppo Baudo.

No, and why did you tell him you knew him?

And why, why, why?

Because I told him that Peppo Baudo we are friends.

Because I told him that Peppo Baudo we are close to the family.

How did you get this idea of digging to look for the round one?

It was actually my grandfather's idea.

But I was the one who immediately understood the importance of the thing.

And since I was young, let's say since I was a boy,

with my studies, you know, and my archaeological research,

I immediately understood that there had to be something important under those stones.

Very important.

So that's how I talked about it to Councilor Culo.

Who?

Pala, I meant Pala.

Councilor Pala, the one who then introduced me to the archaeologist.

Excuse me.

What is that?

For you.

For me?

Shoe.

No.

And why?

Because it's not acceptable that an entrepreneur like you doesn't have it.

And then it is a symbolic state.

He pays for a phone for me.

But I have to pay that bill.

Agnazio, the company pays the bill.

What is that?

It's the draft agreement of my contract.

I would have put 20% of the profits for myself.

And look, in Milan a figure like that is a pittance.

In Tokyo it would be laughable.

Please don't make those in Tokyo laugh.

Nina, if we are here at home...

And don't sign it.

What is it?

The contract.

Ah yes, the contract, okay.

There is time, calmly.

No, too calmly, Agnazio.

Did you call Radite Pizzuto from Talerno?

Yes.

But I prefer you.

No, let's not make a scene, eh, Angelina.

Please, it's not evening.

But what scene, Agnazio?

I heard you coming and came to see if you needed anything.

Wait, shut up.

I know you.

I know you perfectly, my wife.

But for whom, what?

But for whom, what?

Say it though, she talks.

Married to your husband, say something.

But what, what?

That women are all whores, all women.

All about about money.

They'll strip me alive, I'll let them strip me alive.

But I don't see you with a hot woman.

Because here I'm no longer up to par, perhaps?

What are you doing, Agnazio?

What are you saying?

Who is no longer up to par?

I knew it.

Always here to spy.

Lurking to make scenes.

But which scenes?

I heard you coming and came to see if you needed anything.

You've already said this before.

I'll prepare chamomile for you to help you fall asleep.

I don't want any chamomile, I'm reconciled.

When I fall asleep, I sleep like a baby.

What did you come to do in my room?

I made your bed for the night.

That you're in a bad mood.

Why don't you say what you think instead?

But I don't know what I think.

Why don't you tell me what you think instead?

He's good, I don't know what I think and I have to tell you what you think.

I can try?

Are not you ashamed?

At your age.

But what are you saying, Agnazio?

I think something like that?

You seem like a young man.

Bad hand.

I should rather be ashamed that I show you ten years older.

Let's do something please, Angelina.

Let's go to sleep before one word says another.

Let's make the guests laugh, shall we?

Good night.

Well, then you say it's my fault.

Are you going to sleep without kissing me goodnight?

And you also feel like I don't know that you agree with her.

Before when I was alive I didn't want to let her marry me.

And now all you do is raise it against me, do you understand?

To wear her existence on me.

Ninth, it's not cigarettes, cigarettes actually fill my brain.

Did you hear what she said?

Ten years older than this one, than the ones she has.

And she said little.

And then Angelina no longer has the sensual embroidery of parannanza

that I liked her so much.

Parannanza.

Rectangular grappling hook used especially for housework.

Be careful now, everything is precarious there.

That the oven is precarious?

No, no, no, we harnessed him, we move him a little, but without a scratch.

And Gimmi, would you like to come with me to Messina?

I'm going to the shipyard to pick up the boat, so we can take a stroll and have fun.

No, he doesn't want to disturb.

If he was bothering me I didn't tell him.

Behave yourself Gimmi.

So Piezo, I recommend you, try to do things in order.

Here are all the professor's orders.

Unfortunately I have to leave, otherwise the construction site will close.

Pecciotti, everything is always in order.

Do things properly, let's not do things wrong.

Don't worry Don Ignazio, everything is under control.

Giuseppe, tighten it well there.

This one for example is crooked.

Yes.

Don Ignazio, be careful, there's a cavity.

And that blew my heart away.

Thank you.

Do you have time to check out the new sign?

Ah, beautiful.

Meet Gimmi.

Hi Gimmi, I enjoy meeting you.

How do you do?

I'm glad you speak English like that.

Thank you.

So I'm not ashamed of my crap Italian.

Ah well, let's get off to a good start.

Imagine the sign.

Textiles.

A cross between textile and style, style.

Okay?

Ok, beautiful, beautiful, I like it.

Do you like it?

But you have to open a store in New York.

By the way, did you sign the contract?

Here's what I had to remember, the contract.

I'm happy to go away for half a day.

I am haunted by I Pizzuto.

It seems that if he goes to work at them they go bankrupt.

No, for goodness sake let's not let the Pizzutos go bankrupt.

Ah, Jimmi.

Fatigue, huh?

Female.

And we are male.

What, is there a difference?

My grandfather always told me,

Ignazio, remember that the difference between male and female

it lies in the very sound of the word itself.

Disfigure what is female and what is male.

The male does not go with the calendar.

My grandfather always told me that there is biological age and chronological age.

I am a rare subject of developed biological age.

I can't prove it.

Forty, forty-five years of biological age.

Even from a prolific point of view.

My grandfather told me that once a woman turns off

it never lights up again even if you put it in a thickened furnace.

Instead man is perennial, he never goes out.

Even at ninety years old.

The strassoffiatina, which I say is a breath,

he bangs like bed lava.

Are you a chauvinist?

Like what?

Are you a chauvinist?

I? My grandfather.

Ready?

Male chauvinist porn!

And I really don't think I was wrong.

Today I found some vase lame finds, they were all naturally encrusted.

But I cleaned some up before dinner.

Oh yes?

Yes, and they are all of Norman make, as went to the jug.

It's the same as he went to the jug now.

We have to be on first terms.

My name is Ignazio.

With pleasure.

And you Lecce.

It's not true, Lecce you can do.

Drink a little too, let's toast.

We've already become familiar with Gimli, right?

Did you have a good time with me?

Then, to the virtue of poor Aisha,

that if she wasn't virtuous they wouldn't bury her together with the Norman's gifts

and we wouldn't have met.

Nenuzzo, my son from my first bed, concerns me.

My little boy.

Me too.

Me too.

I don't look like anyone.

And if all grandparents are like yours, I'm glad I don't have them.

Wicked bitter.

Subtitles and review by QTSS

Let's go, game over.

Gimli!

Order the administration.

You are here, buy some restorative injection.

O Spenace, eat Spenace.

Let's work, let's get going, once the party is over.

Let's work.

I'm being careless, come on.

She didn't notice me, darling.

Your father is an important man, he wrote two books.

I wrote fourteen of them.

So young.

He started early.

At twenty he published his first.

And what do you want to do when you grow up?

I'm already grown up.

Really?

Oh, is it for me?

Thanks.

Witty, it never has to thank you.

Oh, is it for me?

Thanks.

Witty, it never has to thank you.

I found it in my pocket this morning.

And one yesterday too.

But I wasn't the one who put it.

Oh, no?

In fact, I'm sorry it wasn't me.

You're such a beautiful lady.

You are very beautiful.

You're kind, I understood.

But there is only the two of you and my husband in the house.

Which isn't really the type, I assure you.

And your father seems like such an important man to me

can be interested in a woman like me.

It's okay that he deals with antiquities.

So all that's left is you.

You are not ancient.

No, I'm not.

But I'm not even the right age for you, do you understand?

And in any case I'm no longer old enough to play.

I'm out of practice.

I wish you would get hurt.

I said, I haven't been.

Okay, you're not.

But I'm convinced that now

I won't find Rose in the shitter anymore.

He is so beautiful, he is a great writer.

I wouldn't want you, poor child, to get hurt.

O noble knight, so beautiful, so important and superior.

Free me, I subjugate you, it's your sister.

You prefer him, huh?

But aren't you afraid of him getting hurt?

All right, I'll make you happy.

By my faith, I swear I will set you free,

at the cost of hurting myself, very badly, sweet Angela.

You'll see what a great story Jimmy, the eponymous, can build for you.

This is fine, this is fine.

It is a vintage wine because the archaeologist is Piedmontese and knows about this.

Yes Madam.

No, let's take another one.

But I say, this Aisha really doesn't want to be found.

Oh yes, ma'am.

Do you want to see who found her?

Yes Madam.

But learned man, I have said a hundred times,

that I am not a lady, I am a lord.

Madam, you are my wife, I am sir.

How should I tell you, how should I tell you?

Or do I have to give you a demonstration?

Ignazio, nothing happened.

Does a slut want it?

Don't worry, more the fear than anything else, Ignazio.

Damn my grandfather, my grandfather's grandfather.

And this asshole nephew who let you in.

He seems to have recovered very well.

So, look this way.

I see him as he is nice.

They are the ones on television.

Which television?

La broca, let's try the microphone.

Say one, two, three, four.

No, Ignazio, say one, two, three, four.

The way I feel.

I don't even feel like getting to one.

Were you in the tunnel at the time of the discovery?

Yes, I was in the cellar at the time of the discovery.

Cellar?

No, this cellar.

It's that the cellar opens onto a tangle of galleries,

a kind of labyrinth that served to conceal the entrance to the tomb.

Don Ignazio, you have the tomb within reach.

What's happening, Peter?

Come, come, professor.

Thanks, excuse me for a moment.

You're welcome, but there is still a...

Come on, turn, turn, go.

What is happening?

What is happening?

Professor?

Yes?

Professor, come, come and see.

Did he find the tomb?

No, a very strange thing.

You see, professor, before, while you were speaking, your voice came out from here.

From this mouth?

Eh, at the moment a coconut was taking me.

Do yourself a favor, Pietro.

You go back to where I was before, and as she goes, she also starts talking.

Yes, professor.

Is she okay? Can you hear me?

She continues talking while walking.

Yes, professor.

Can you hear me, professor?

I'm talking like you told me.

Can you hear me?

I feel it, Pietro.

Instead I bet she doesn't hear me now.

What's happening, professor?

She answers me. I continue to speak as she told me.

I move while continuing to talk.

Can you hear me now, Pietro?

Yes fine. Should I keep talking?

Is she still walking?

Yes, professor. I went through three tunnels. I DO NOT KNOW what to say anymore.

Do you always hear me?

Yes, professor. I can hear you very well, Pietro.

But what the hell is this?

It's an amplifier.

Simply an amplifier from the year 1000.

Ah, an amplifier.

And from whatever point of the labyrinth you speak,

the voice comes out of that monstrous stone mouth.

But do you realize?

They exploited the acoustic effects of the cave

to talk to her even after walling her up alive.

But why? Even after he buried her,

didn't that hand want to communicate with you?

Out of sadism?

To listen to the suffering of that poor thing.

Perhaps he hoped that her desperation would induce Aisha to give in in extremism.

Does he want to see her?

No!

Sorry, I found it.

Ninth.

Ninth.

Good morning, Jimmy.

Good morning, ma'am.

I think I owe you an apology.

To me? Why?

It wasn't you who put the rose in my gall.

Have I found someone else?

This time with ticket included.

Ah, what does it say?

It does not matter.

Did my father write it?

It does not matter.

Did my father write it?

And who told you?

You told me yourself, don't you remember?

That there is none other than me in the house, I deserve her and...

Maybe it was thanks to her.

Whoever did it this time got the answer they deserved.

Why did you talk to him?

I know how to write, you know too.

Good morning, Angela. Did you sleep well?

Yes, there is something there for her.

Go, I was waiting for a message, right?

Say, Jimmy, but I was waiting for some message.

No, nothing, it was the Pala elevator.

That please call or stop by an office.

But tell me, would it be appropriate to use a similar tone for something like this?

It is said...

...assessor not lift, elevator lift, elevator?

Look, this woman is a beautiful subject.

I think she likes you.

But what are you saying, come on? And then she is someone else's wife.

Above all, a kind person.

If I'm gutting his house, all that's left to do is...

Someone else's wife?

Dad, is this becoming a obsession for you?

Do you still discount that your wife left you for your best friend?

Hey, hey, hey!

Now that you're talking about mom, huh?

Which is still your mother, okay?

Ah yes, for me she is a good mother.

It's you she left in the poop, dad, not me.

In the shit she left me!

In the shit!

Unfortunately.

Please remember, if Pappalardo looks for me and tells us that I'm not here,

that I had to leave for Palermo,

this boss, you're looking for me here, you're looking for me there, I don't want to talk to you.

Hello? Ignazio Labbrocca.

Pappalardo.

Good evening ladies.

Er, Ignazio, sir,

Um, is Ignazio staying out for dinner this evening too?

And what do I know, is there anything I can do?

No, no, no, no, I just wanted to get him up to speed

of the progress we have made with the stone mouth.

I would sew up the mouth, I would even cut off the ear.

I was amused by that beast to feel the suffering of that poor thing.

Do you want me to help her?

No, thanks, you are being kind.

Tell your dad we'll eat a little more Thai tonight.

Because I want to end up here.

Ah, you can say it yourself.

He is down, inside, on the stairs.

He told me to ask you if he can catch up now.

Oh, and why?

I think he wants to show you that kind of amplifier.

The stone mouth?

It's interesting, you know.

But are you coming down too? Will you accompany me?

No, I've already seen it. What he wants to show you, not me.

Aren't you afraid?

Because it's not just you, he's down there.

You know, I saw him very sad.

I think he wants to apologize to you.

Go down please, I'm waiting for you.

Professor!

Please!

Make yourself heard!

Angela!

I wanted to apologize, Angela.

I don't know what you got into me.

I must have lost my mind.

Angela, can you hear me?

Yes.

I'm here, I'm here.

Angela, can you hear me?

Angela, can you hear me?

Angela, can you hear me?

Angela, can you hear me?

Angela, can you hear me?

Angela, can you hear me?

Angela, can you hear me?

Yes.

I'm here on you.

Angela, you can't understand, you don't know me.

I, when I am at your absence,

when your eyes, your beautiful eyes look at me,

I can't speak anymore.

I don't know how to express my feelings.

Instead here, in the dark, it's as if everything were real.

As if it happened in a dream.

But I want to touch you.

Enough, enough, I don't want to listen to you anymore!

I want to lose you.

You can't fight against fate.

Look, if you refuse,

I get hurt.

Angela, you're hurting me.

Angela, you're hurting me.

You hurt me, Angela.

You hurt me, Angela.

You hurt me, Angela.

I hurt myself.

You hurt me.

For dessert I prepared the ricotta cake.

Now I'm going to get the pasta with aubergines.

But you always bother yourself too much, sir.

Things? I'm dirty?

No, nothing, a little dust.

I already cleaned.

You hurt me.

You hurt me.

But who authorized you to wear my apron?

I didn't think I was doing any harm, ma'am.

It does not matter.

Damn, did you find something in your pocket?

In the apron pocket?

Pocket?

Pocket, pocket, Madò.

I only put your dirty handkerchief to wash.

Did he hurt?

No.

A wonderful thing.

A spectacular thing.

But you say that from this mouth

just comes the voice of one

who speaks from another side of the rabbit?

From whatever part of the labyrinth one speaks,

the voice comes out of this mouth.

If instead it is you who speaks inside the mouth,

your voice, even softly,

reaches all points of the dungeon.

Marvelous.

Gimmi?

Gimmi, can you hear me?

Gimmi?

There is no sound.

It always worked.

Gimmi?

Gimmi?

Can you hear me?

Do I feel bad too? Speak louder.

But I'm screaming.

Like screaming?

Look at these vibrations

I caused myself a small landslide that is...

a small landslide that obstructed

the duct.

I have heard...

Yes, but you don't hear much yesterday.

At first she felt first,

but if we put our ear close perhaps we will hear something.

Gimmi?

Gimmi?

Gimmi?

Gimmi?

Gimmi?

Gimmi?

Gimmi?

Hello, I don't feel anything.

Come closer.

I'm already close, speak louder, I don't hear anything.

Maybe you don't feel anything, this mess we're making

that we want to hear. Hello, ma'am?

Ready? Ma'am, keep talking.

Your ear, dad, bring your ear closer.

But I already put it there.

All we need is for him to put his mind to it.

He lost a little blood, that's all.

Certain.

If anyone had thought about recovering the lobe

we could have reattached it to him.

But that's okay, thanks.

I 'm very good.

But yes, you can live well even without an earlobe.

So, today we're holding it here

for prudential control.

Let's have a couple of fleurs.

If you are true, bring home.

Yes.

So, today we're holding it here

for prudential control.

Let's have a couple of fleurs.

If you are true, bring home.

Don't make me tired, above all he needs to rest.

Smart, huh?

The rejecter is whoever gives it.

That's better.

All's well that ends well.

But Ignazio, please.

Did you hear what the doctor said?

He says it's nothing, but it will be nothing.

But how did it happen?

Huh, how did it happen? What does he know?

He is lost to me, I felt, like a mystery.

Did you miss it or did you hear?

Maybe we'll break it up a bit.

We're leaving, see you tonight.

It's nothing.

I'm going for seven.

This is a miracle.

I want to make you an offer.

But what do you believe? This only causes harm.

But why do they send them?

Why?

But I'm a little clumsy.

I'm causing a lot of trouble.

Good thing he realizes it.

But I say, it's 2000,

these things are still done.

Like that crazy painter,

Rogelio.

Ah, Van Gogh.

Oh yes, Van Gogh, in short,

the one who cut himself a lot for love.

For love?

Some things are said just to say.

Between saying and doing.

Yes.

Is your father crazy?

No, he's not crazy.

And I'm a little distracted.

After all, he knew very well that there were traps in the tomb.

He explained it to me.

He said they were used to keep thieves out.

And he had to wait for it.

Exactly, he did it on purpose.

But why would he do it on purpose?

I do not understand.

I understand.

I understand why he told me.

Did he tell you? When?

He told me.

He told me ...

I will get hurt if you, if I...

In short, he told me

that if I had refused he would have gotten hurt.

Yes, but what should I do with your father?

I don't know, he's just not normal with women.

Normal?

In what sense?

Once,

when I was younger,

I was surprised that she asked my mother strange things.

Strange?

And which?

Are you ashamed?

The evening,

before going to sleep,

he made her dress

instead of throwing it away.

She made him put it on

you know those things with...

Underwear.

But it's nothing abnormal, you know.

Couples play games like this.

Do not worry.

It had a bad effect on me.

Ugly?

But what if Reggio Calze was here

it would make you...

would it look bad to you?

No.

But, Jimmy, if your father

he still threatens to get hurt

what should I do, what do you recommend?

I don't know.

I say, can you imagine where this bust was,

this bust,

complete with arms and muscles

of Pietro in arm wrestling

without the head.

Who would save me if he didn't have your cell phone?

You haven't lost your mind,

but you have lost your memory.

Why?

Ignazio, the signature on the contract.

Here's what I had to remember.

I do not understand,

I do not understand.

Yet something must have carried me away, right?

Madonna!

And she?

And what doesn't she want?

But who is she?

But she Ascia, the princess.

I wouldn't make you believe in ghosts now, would I?

But look what my grandfather told me

that happened once

which probably...

How do you feel, professor?

Better, much better.

My dad, don't forget the antibiotics on.

I already gave it to him.

But let's not exaggerate, he's fine.

I am capable of doing it.

But I do not know,

I do not know.

I do not know.

I do not know.

I do not know.

I do not know.

But let's not exaggerate, he's fine.

I'm the one who was losing my mind,

that I still haven't recovered from the fool.

Look here.

Thats enough.

Among other things, this is already excellent.

Madonna, or get your ass off that chair and serve at the table,

or tomorrow morning pack your bags and leave for Manila.

Yes Madam.

Line.

What Angelina, aren't you feeling well?

No, I feel good.

And we all feel bad.

Sorry, I didn't mean to scare you.

What we feared happened.

You stuck it under the door last night.

Do you want to read it?

Here's me.

I want you to wear for me

bras and pizza panties.

Silk stockings with garters,

a satin romper

with slits on the whites.

What the hell?

Where?

Spying on you?

No, no, no.

I'll have to spy on you

while everyone is sleeping.

Let me tell you if you don't want to

that he hurts me again.

But this I don't...

Not you?

But are you sure that dad wrote this?

Think about it, whoever wrote that one also wrote this one, right?

And I also have to obey.

So will you do what he asked of you?

Eh per forza, altrimenti

quello è capace di tagliarsi una mano, un braccio.

Mega scherza.

Un dito basta.

He's able to do it, don't you think?

No, I don't think so.

I think the ear was an accident,

and your father took advantage of it to scare me and blackmail me.

What do you think?

No, I...

You know what I'm telling you?

I'm not pretending.

You're not going to give me an answer?

No, I'm going to give him a rope.

A rope? What for? To hang himself?

Giving him a rope means that I'm encouraging him.

Instead, I don't have to give him importance.

I have to make him understand that I really consider him a boy.

I'm sorry.

I just wanted to say that between you two,

he seems like a boy and you seem like a man.

Really, you know?

Sorry, Dad.

I'm forced.

Did you hear? He challenged me.

First he says that I'm not big enough.

Then he provokes me with that fake ticket.

Then the ear says that it was a real accident.

And that I'm bluffing.

This one opens.

Here it is.

This one opens.

Here it is.

Don't you think that we have the courage to play a trick on you?

We'll show you.

I'm sorry, Dad.

But you should thank me.

I wanted an arm, a hand.

I'm sorry.

Now you've done one.

One.

And...

Two.

Three.

Four.

Five.

Six.

Seven.

Eight.

Nine.

Ten.

Eleven.

Twelve.

Thirteen.

Fourteen.

Fifteen.

Sixteen.

Seventeen.

Eighteen.

Nineteen.

Twenty-one.

Twenty-two.

Twenty-three.

Twenty-four.

Twenty-five.

Twenty-six.

Twenty-seven.

Twenty-eight.

Twenty-nine.

Twenty-ten.

Twenty-eleven.

Go away.

It's a nervous disorder.

Take ten drops of sedative every night.

Give him a glass of water.

Milk, tea, whatever you want.

I'll give you an alcoholic.

With some physiotherapy, your finger will regain its articulation.

I'm fine.

Thank you.

You'd better stay here tonight.

I'll take him tomorrow.

Jimmy, I'll give you the prescription.

I've also changed the medication to the ear.

I'd like to make a subscription.

Lancia, I'm more and more convinced that in these ancient tombs

there can be a curse.

I'll come back on Thursday and Friday,

so we'll take advantage of it, we'll remove the earwax

and we'll give the finger a little check-up.

Good, you got it, Lancia.

Look, if you have to get sick,

if something has to happen to you,

try to do it between Thursday and Friday,

so we'll take care of it.

You know what? I don't want to disturb you.

We're becoming Catania's fable.

How do you feel?

Fine, thank you.

I hope you found it.

The finger? Yes, yes.

No, the check-up.

The check-up?

Yes, yes, that too.

What's the matter, Dad?

That woman is chasing me.

And look how she looks at me.

I can't take it anymore.

I can't concentrate.

I go crazy, I lose my mind.

Don't exaggerate.

And this? Let's go home.

As you wish, Dad.

Do you want your sedative?

Yes, give me the sedative.

You speak Italian, otherwise you'll never learn it.

OK.

It's Italian, OK?

Listen, Dad, you're the only one in Italy who says OK.

I hear everyone say OK.

So OK is Italian.

OK.

Now you're telling me it's my fault.

So I have to do everything he says?

I have no more doubts.

He cut a finger for me.

And also the ear.

And I'm sure it wasn't an accident.

But I swear, Jimmy,

I didn't think this absurd threat was serious.

Do you believe me?

How could he do this to me?

I even asked myself,

how could he spy on me while I'm wearing that thing?

But then I understood.

He's cheating.

But that's not Ignazio's room.

There's a closet in the middle.

You enter the corridor, but you can't see the door.

And it's obvious that your father found it.

But where will I get it?

This kind of whiteness that he wants.

I use simple whiteness.

A lot of cotton, like this one.

Madam, madam, don't you want any more coffee?

No, the lady doesn't want any more coffee.

Why?

Because the lady decided your coffee is crap.

And what do I do?

You drink it to Mrs. Ignazio's health.

Oh God, what is this one doing here?

And well, what are you doing here?

Hi, are you coming to the store?

I asked you a question.

I have a date with your wife.

But with whom? With Angelina?

Why? There's another one too.

Oh my God, maybe this one wants to make a scene out of me.

A scene? And why?

Exactly, why?

She was very kind on the phone.

She asked me to see some things.

And I offered myself because I wanted to meet her.

All right, why didn't she ask me?

Women's things.

Little female secrets.

You are curious?

Yes, imagine curious.

With all the things on my mind.

I miss the little feminine secrets to me.

Oh my God, now these become my friends.

End of diversification.

What was that? It sounded like a gunshot.

Nothing, the uberoi reach the grave.

While digging, they blow up some small mines.

Ah yes, the tomb.

Ignazio had told me about it.

There's a big comeback of these items, you know?

Yep, it looks like it.

Do you know that I still haven't thanked her for bothering her?

What do you say, it was a pleasure.

I've wanted to meet her for a long time.

But who knows why Ignazio never invited me to come here.

Gian, who knows why?

Do you know that she is really beautiful?

She's really beautiful.

She's really beautiful.

She's really beautiful.

She's really beautiful.

She's really beautiful.

She's really beautiful.

She's really beautiful.

What do you think about these?

Do you recommend me? I like them.

They don't seem very suitable for me.

Don't talk nonsense, they seem to be made especially for you.

Look, I also wear the same model.

Sottotitoli e revisione a cura di QTSS

I'm going to take a shower.

I can't feel anything.

Maybe it's the sun.

Maybe it's the ice.

I don't know if this is going to work.

Let's go.

Have you seen how she's doing?

Of course, all these explosions will be small, but you know what a nuisance.

What does she want to do to us?

Why don't you leave it all to me?

I'll do whatever you want, you're the boss.

What are you talking about?

With pleasure, Mrs. Angela.

I'm going to take a shower.

I'm going to take a shower.

I'm going to take a shower.

If the lady puts me in the room of life, I can get over it.

But what time do I stay with a Filipino waitress?

Most likely, she's infected with tropical diseases.

This is too much.

You're the best waitress in the world.

Don't you understand?

Don't you understand?

I'm going to take care of everything.

You're the best waitress in the world.

You're better than me.

I'm going to take care of everything.

This is a classic class.

You're better than me.

I'm going to take care of everything.

You're better than me.

I'm going to take care of everything.

You're better than me.

I'm going to take care of everything.

You're better than me.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

I'm going to take care of everything.

Yes, and it also hurts my finger a bit.

I'll make you a sedative.

Yes, thank you.

I'm a bit tired. Good night.

Good night.

Here, come and get a spigot.

I feel ridiculous with that thing on.

You're a superior, important man.

Such a beautiful man.

Why waste time with someone like me?

I beg you, don't hurt yourself anymore.

Too beautiful.

No problem.

Daddy just gave you the beauty.

Good morning, ma'am.

Did you have a good rest?

Do you want some coffee?

Go and get some coffee.

You were lucky.

How lucky?

Today is Thursday.

You should have come back for the medication.

You're badly injured.

What can you do?

You'll be a bit more handsome.

Come, come.

Oh, it's you.

I was starting to miss you.

So, what brings you here?

Oh, how beautiful.

A beautiful and deep abrasive wound.

I'll make you some water.

Can you believe that I haven't slept for two nights?

I've never met such a man in my life.

On the one hand, it makes me angry.

On the other hand, it makes me tender.

And then, I told you, it makes me very, very scared.

I don't know what to do anymore.

I'm sorry.

I'm sorry.

Maybe your father thinks I'm unhappy,

that I feel alone, and that's why he wants to take advantage of me.

But are you really unhappy?

And right now, you're here.

Talking to you makes me feel less alone.

At least tonight.

I need ten drops of sedative.

I'm sorry.

What?

I'm sorry.

Did you say you're sorry?

No, no, nothing.

I'm sorry.

No, no, nothing.

Come here, make yourself comfortable.

Yes, but I don't understand this thing here.

Doesn't it bother you?

The doctor told us.

Otherwise, the jaw moves and the wound reopens.

Yes, okay, but there's still the scar.

Lance, you're a dangerous man to yourself and to others.

Did you see the professor this morning?

Yes.

He went underground all excited.

Maybe today he'll find a grave.

And Mr. Jimmy?

I think he's still sleeping.

It's good to sleep.

He has beautiful dreams.

And what do you know?

I make his bed the next morning and I know...

I know...

Oh, hi.

Sorry, Jimmy, but...

Did you find another one?

Yes, and I'll read it to you.

I want you to go to your husband's room.

You have to provoke him, excite him.

But you don't have to give him anything.

I'll take care of you.

You'll be in trouble if you don't do as I told you.

But why?

Ask me.

And when are you going to do it?

Tonight.

Jimmy.

Oh, good morning.

I wanted to ask you if you wanted to see the slides.

Yes, of course.

Are you coming too?

Yes, I want to ask you.

Look at those S-shaped openings.

They are made so that the light enters the grave in a diffuse way.

And this says a lot about the ability of the light-dark game that our people had.

Here, this is a particular one of the niches.

These niches...

in which...

in which you could put some...

some flakes or wax...

or...

some coins...

or even some food...

or whatever else you want.

You could put some candles...

or anything else you want.

This slide is a bit dark, isn't it?

Well, I'm done.

Angelina!

More slides?

Do you want me to go through them again? You've never seen these, have you?

No, no, I have to go to the office.

Angelina, look, a nice box of cherries from the Cavaliere di Bella has arrived.

I'll call you to thank you. Have a nice day, Ignazio.

Bye, see you tonight.

Madam?

Yes, ma'am?

Leave it, you'll iron it tomorrow.

But I have a lot of things to iron, ma'am, and you always tell me not to make a mess.

You always make a lot of noise when you put things in the closet. Why do you wake me up every time?

I'm sorry, ma'am.

I'm tired and I want to rest too.

What a nice surprise!

Ignazio, I took a cup of chamomile this evening because I don't sleep well these days.

I thought I'd make one for you too.

Thank you, you've been very kind.

You seem a little nervous too.

What if something strange happens in this house?

What a nice little room I have tonight.

Commendatore, don't tell me these things.

I have too much respect for your wife.

Leave my wife alone, Angelina.

Angelinuccia.

Angelina, we'll drive her crazy.

But I don't even have the courage to look you in the eye.

Angelina, what a nice white dress you have.

I bought it at the store.

I can see that. In fact, it's fine and delicate.

You must have made it for your boyfriend, right?

Be careful with these boys, Angelina, you can get in trouble.

God forbid. I don't even let him touch me with a finger.

Angelina, come and sit here.

Commendatore, with all that I have to do in the kitchen...

And then, God forbid, his wife arrives suddenly.

Don't worry, as long as you're here, my wife won't come.

Commendatore, what big eyes you have.

It's to admire you better.

What a warm hand you have.

It's to caress you better.

Tell me that you're willing to do everything I ask you.

Yes, everything.

Tell me that you're mine.

I'm your wife.

Please.

Let's start again.

You're mine.

I'm your whore.

I'm your whore.

It's still ringing.

Ignazio, answer the phone.

No, I can't.

Maybe it's better this way.

When will we be alone?

When?

Good night.

Good night.

Poor Ruggiero.

It's good to lose your head for a woman.

But to be reduced to this state...

But you didn't understand the no.

Ignazio, look.

This is Princess Alice.

How beautiful.

Look at her.

She's so beautiful.

She's so beautiful, so serene.

She doesn't even impress me.

Does she impress you?

No.

It's the most important discovery of my life.

No, no.

No, she didn't discover.

The princess you were looking for is richer than all the riches of Sant'Agata.

Good morning.

Good morning.

Did you sleep well?

Yes, thank you.

Is your father happy?

Happy?

He must have found the grave.

Today there are the celebrations.

Now everything is over.

In a few days he will come.

What else can you ask me?

What do you think?

To go to bed with him?

What?

So I can see his face.

And everything can seem like a dream.

Are you really going?

To bed with him.

I can't let him kill himself.

He's capable of even attempting suicide.

When?

When?

When do you think he'll ask you?

Tonight?

But there's Ignazio.

He protects me.

He protects you?

Yes.

Ignazio.

Hello.

Hello.

Mr. Ignazio, may I have a word?

Please, even two.

I want to express my personal thanks

to the provincial and regional authorities

that I have the honor to represent here

for the happy event we are celebrating tonight.

May I?

First of all,

I want to thank Professor Bruni's

brilliant scientific intuition.

Bruni.

But also,

but also to the sacrificial spirit of Mr. La Brocca.

But I won't say it.

For the discomfort,

for the discomfort he has endured

and for those who will continue to endure

for the love of culture and art.

Ah, Mr.

Now, however,

we must think of an adequate protection.

Of this priceless treasure.

Mr. Ignazio, the treasure found

will be exported

and delivered to the Pacific Museum.

Wait a minute, what does it mean to export?

What does it mean to export?

Mr. Pala.

The precious, Mr. Ignazio,

that belongs to the community.

I am available to the community.

But here,

you don't touch anything.

It's not possible.

If it's for damage, we'll find it.

We'll look for a contribution.

We'll look for nothing.

Mr. Ignazio, don't fight.

You accept it.

Mr. Ignazio, do you think this is the time?

You accept it too.

I have the solution.

Let's create the Ignazio La Brocca Foundation.

Yes, okay, the foundation.

I miss the foundation.

I can also find sponsors.

I don't want sponsors.

Sir, sir, I tell you all.

This gentleman, this guest of mine,

Mr. Pala,

if you don't mind.

No, Angela, for heaven's sake,

nothing happened, nothing.

Yes, I'll tell you right away.

The La Brocca stuff, don't touch it.

Rather, I'll take a bomb,

and I'll blow everything up,

so that it's clear.

Just as you found out,

I'll cover it for you.

Nothing happened.

The gentleman here wanted to exaggerate.

Mr. Pala, may I have a word?

Even two.

Tell me, Mrs. Angela,

if you kindly want to show me the bathroom.

Yes, I'll go with you now.

Assessor.

Yes?

May I have a word?

No, not even one.

It's not the day today.

Rather, we'll see each other

when he's done the inventory.

If luck assists me,

in two days I'll have to finish.

Put it aside, luck.

It's none of your business.

You too, right?

Nothing.

Nothing at all.

No, they screwed us.

They screwed us.

It's not because of the treasure.

I don't care about the treasure.

It's because of this violence.

It's not La Brocca, it's violence.

We've never done it to anyone.

Am I bothering you?

Yes.

No, Jim, I don't think so.

Anyway, you're right.

Thank goodness.

Someone who dies well.

They really screwed you.

And now you've lost everything.

But if I were you,

I'd do justice to myself.

And for the treasure, I mean.

And how?

The stuff is still there.

Dad hasn't made the list yet.

And then?

And then, if someone took six,

six jewels,

even ten,

no one would notice.

Everyone does it.

But we have to do it tonight.

Right now.

Before they put the guardian.

Right now.

The thing is, we have to do it right now.

I'm doing it for Angelina too.

You know, I found it.

Let's make it sensual.

Mom, shut up.

You don't understand these things.

When they find out about the theft,

they'll think I'm a thief.

So I have to be as precise as a thief.

Why? Because in the dark,

you can't see the black.

And I'm the only one in black.

Instead of making an exception,

try to collaborate once in a while.

Okay.

Yeah, but all this terror in my house,

aren't you exaggerating a little?

Here.

On this side,

there's the honest owner.

And on this side,

the dishonest thief.

Here.

Come on.

Ignacio, be yourself.

Don't be a jerk,

or you'll get a heart attack.

Go straight,

close your teeth.

Mom, leave me alone.

You should be punished for this.

Remember to take shelter

during bombings.

What happened?

The grave. The grave collapsed.

Sir, there's an earthquake.

What do I do?

Stop it. Stop it.

Are you okay?

I'm fine. What happened?

Save me.

I'm dead. Give me help.

Mr. Ignacio.

Ignacio, where are you calling from?

From the grave. It's hell down here.

Give me help.

Where are you?

I don't know. Maybe I'm already dead.

What happened?

Ask me.

Who should I ask?

I don't know.

I heard a bang.

Give me help.

Where's the scientist?

Where's Jimmy?

No, Angela, it's not possible.

What does he think?

What he threatened to do.

The bomb?

I don't think so.

Do you really think he blew up the bomb?

It's not what you think.

It's not possible.

Let's hope he didn't destroy everything.

Hello? Hello?

Ignacio, be quiet for a moment.

Angelina, I can't breathe.

I can't take it anymore.

Bring me an oxygen bottle.

I'm suffocating down here.

Ignacio, try to calm down.

The more you move, the more oxygen you consume.

Now tell me, are you hurt?

Morally.

That kind of injury is not fatal.

Listen, it's not that Aisha's grave collapsed, is it?

No, but get me out of here.

Listen, what were you doing alone in Aisha's grave at this hour?

What was I doing? Why don't you ask Jimmy?

Jimmy? What does it matter?

What does it matter?

I mean, do you want to see that in my property

I have to ask for permission to slip?

In short, get me out of here instead of asking stupid questions.

Ignacio is right.

Now we have to free him.

Help!

This night is for him, we can't do anything.

Help! Give me help!

Ignacio, stay calm.

The cave is well ventilated, so don't run into any danger.

Sure, I told you you're alive by miracle,

I'm sure of it.

Come on, it's a matter of a few hours.

To dig the rubble, we have to re-punctuate a part of the gallery

and to do so, we need the workers who come tomorrow.

Tomorrow? What tomorrow?

Call the firemen right away.

Call the Red Cross and the army.

Hey, let's call the police too.

It's a good inquiry,

because you remember what you said in front of the assessor.

All right, until tomorrow I can resist, maybe.

Come on, you're lucky.

Why?

You spend the night with a princess.

But apart from the power, you are the princess.

Pass and close.

Excuse me, princess,

but I don't know if you realize

the martyrdom of a poor wretch

to stay here buried alive until tomorrow morning.

All right, as you said.

What should I have done, Jimmy?

I obeyed him.

I waited for him in the dark in my room,

as he wanted.

I even dressed like this to please him,

and he didn't come.

I'm sure of it.

I'm sure of it.

I'm sure of it.

I'm sure of it.

I'm sure of it.

I'm sure of it.

I'm sure of it.

I'm sure of it.

I'm sure of it.

Why do you want to play with me?

I don't know what to do.

Tell me.

You don't want to tell me?

All right, then I'll go to him.

What do you say?

On the other hand,

a man willing to kill himself for love today,

who can find more?

I don't know what to do.

Fuck him, fuck them,

they can all fuck off.

In Italian, Jimmy.

Okay, dad.

Fuck off!

Fuck off!

Fuck off!

Jimmy.

Jimmy, help me.

Help me.

Jimmy.

I'm alive.

The air is so nice.

I dug like a pig

to get out of that grave.

Maybe I didn't give you good advice.

No.

Were you afraid?

I think so.

But I did it for your own good.

Do you want to see that I was always afraid of everything?

And this little boy taught me

what real fear is

and what definitive fear is.

Jimmy, why are you crying?

You see, Jimmy, life is two dark doors.

You enter one and exit the other,

even darker.

Look, how do you see that door there?

Very far away.

And this is how you see it.

Turn around now, look at the door.

How do you see it?

Very close.

And this is how I see it.

But the door, how do you see it?

Dark.

Are you afraid of the dark?

A little.

I am very afraid.

And maybe this fear, you see,

makes me turn around in the game

and the dark that is behind that door there.

I have become a philosopher.

Jimmy, do you really think

that I am able to beat Pietro

in the arms of Fero?

Or that Pietro would let himself be beaten by me

if it weren't for...

A game.

Even if sometimes you don't realize

that maybe you are playing a little too much

at the expense of others.

Look there.

And now I have awakened all of them.

Why don't you go and tell your wife that you are fine?

You are right.

I have to tell her that I have been resurrected.

And that I also want so much

to slip into her bed.

Ignazio!

Nice!

Very good!

This is what I call good.

Very good!

And to think that that asshole of my grandfather

always told me that I would never have been able

to make him turn like him.

He is a friend of yours.

Maybe he can still beat you.

Listen, Angela.

I would like to tell you the truth.

Inez.

Don't worry, I'll take the suitcases, thank you.

Inez, Inez.

Ignazio, as far as I'm concerned, don't worry.

You will find my resignation letter on your desk.

Inez.

You disappeared.

But it's not true.

Jimmy!

I also looked for you on the phone,

but a certain...

Papalardo.

I gave him the phone.

It is clear that there is no longer

any agreement between us.

Look, in my office

you will find the contract already signed.

Yes, yes, are you happy?

I don't know.

I am sure that you would go on

telling me better than me.

With the ability that,

I have always recognized you.

Excuse me, Inez,

but now I have to leave you.

Bye.

We were very good.

Thank you, thank you.

Let's not get lost, please.

Have a good trip

and come back to see us.

Oh, excuse me.

Thank you, Ignazio.

I have to call you commendatore.

You have to call me Ignazio.

Thank you.

And you, Jimmy,

if you want to take a vacation, this is your house.

Thank you.

Who are you running away from?

Who are you running away from?

Who are you running away from?

My wife was right.

This is your house.

You can come by yourself

if your father has something to do.

And don't wait too long.

Do you want to know what happened the night

that Ignazio was locked up in the tube?

No.

Why?

Look, I find you in this speech really childish.

Now you have to tell me that I'm childish.

I've told you a lot of times to speak Italian.

Okay, Papa.

You're childish.

Yes.

I'm childish.

I'm childish.

I'm childish.

I'm childish.

I'm childish.

Angelina.

Angelina, are you asleep?

No.

My friends are infected.

I'll miss them.

Me too.

Angelina.

What is it, Ignazio?

For your wife?

No.

For mine.

For mine.

Bitch.

You shouldn't have disturbed yourself.

Disturbed myself?

I found it in my pocket that night.

Do you remember?

What?

Aisha's finger.

What?

Just one day, one night.

One more kiss and goodnight.

I'm not going to remain.

Another night, another day.

I will not care if people say.

No, it matters to me, yes, my heart already knows.

That in September you will leave

With my happiness

I live

I now live in a dream

Why a moment with you

It's worth even more

Of an eternity

Another day, another night

Another story

Another of

Of course I lost

Your perfume still here

It seems like yesterday, a month ago

Another story

Another of

Of course I lost

Your perfume still here

It seems like yesterday, a month ago

Another of

Of course I lost

Your perfume still here

It seems like yesterday, a month ago

Another of

Of course I lost

Another of

Of course I lost

Another of

Of course I lost