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1
00:00:16,773 --> 00:00:18,297
BOY:
Listen.
2
00:00:21,011 --> 00:00:22,808
Can you hear it?
3
00:00:25,648 --> 00:00:27,206
The music.
4
00:00:29,886 --> 00:00:32,150
I can hear it everywhere.
5
00:00:34,724 --> 00:00:36,487
In the wind...
6
00:00:38,128 --> 00:00:39,925
...in the air...
7
00:00:42,065 --> 00:00:43,862
...in the light.
8
00:00:49,606 --> 00:00:51,699
It's all around us.
9
00:01:01,551 --> 00:01:05,214
All you have to do is open yourself up.
10
00:01:15,732 --> 00:01:17,757
All you have to do...
11
00:01:18,835 --> 00:01:20,666
...is listen.
12
00:01:31,948 --> 00:01:34,576
[MARK MANCINA'S
"WHEATFIELDS" PLAYING]
13
00:02:10,419 --> 00:02:14,287
Hello, Porky. Where's your little friend?
14
00:02:14,456 --> 00:02:17,653
-I don't know, Mr. Mannix.
-Go find him or your big butt's mine.
15
00:02:19,328 --> 00:02:20,522
AUGUST:
Where I've grown up--
16
00:02:20,696 --> 00:02:21,720
Evan!
17
00:02:24,299 --> 00:02:25,323
PETER:
Evan!
18
00:02:25,501 --> 00:02:28,163
--they tried to stop me
from hearing the music.
19
00:02:32,341 --> 00:02:34,366
But when I'm alone...
20
00:02:36,678 --> 00:02:39,044
...it builds up from inside me.
21
00:02:41,416 --> 00:02:43,714
And I think if I could learn
how to play it...
22
00:02:48,624 --> 00:02:49,955
...they might hear me.
23
00:02:52,327 --> 00:02:54,557
They would know I was theirs...
24
00:02:56,031 --> 00:02:57,828
...and find me.
25
00:02:59,868 --> 00:03:01,859
MANNIX:
Knock, knock.
26
00:03:02,037 --> 00:03:04,096
BOY 1: Knock, knock.
MANNIX: Knock, knock.
27
00:03:04,273 --> 00:03:05,433
-Knock, knock.
BOY 2: Wake up.
28
00:03:05,607 --> 00:03:07,472
MANNIX:
Who's there? Who's there?
29
00:03:08,510 --> 00:03:11,673
Freak. Freak.
30
00:03:13,215 --> 00:03:16,412
-Said, knock, knock, freak.
-Who's there?
31
00:03:16,585 --> 00:03:19,418
Your long-lost mommy and daddy.
32
00:03:20,956 --> 00:03:22,617
Can you hear them?
33
00:03:23,625 --> 00:03:25,286
Yes.
34
00:03:29,765 --> 00:03:31,596
No, you can't.
35
00:03:32,401 --> 00:03:33,732
I can.
36
00:03:38,540 --> 00:03:41,236
You don't have no family.
37
00:03:41,944 --> 00:03:44,105
You can't hear anything.
38
00:03:44,580 --> 00:03:46,047
Say it.
39
00:03:48,083 --> 00:03:49,846
-Say it.
BOY 1: Say it. Say it.
40
00:03:50,018 --> 00:03:51,918
MANNIX: Say it.
BOY 2: Say it.
41
00:03:52,087 --> 00:03:53,213
MANNIX: Say it.
BOY 1: Say it.
42
00:03:53,388 --> 00:03:55,117
Say it.
43
00:03:56,158 --> 00:03:57,625
Yes...
44
00:03:58,360 --> 00:03:59,384
...I can.
45
00:04:01,463 --> 00:04:03,624
He doesn't hear anything.
46
00:04:04,266 --> 00:04:05,597
BOY 3:
Yeah.
47
00:04:06,969 --> 00:04:08,197
What is he?
48
00:04:09,705 --> 00:04:11,263
He's a freak.
49
00:04:14,943 --> 00:04:17,571
MANNIX: Sweet dreams, freaks.
BOY 2: Sleep tight.
50
00:04:17,746 --> 00:04:20,237
-Good night.
BOY 1: Don't let the bed bugs bite.
51
00:04:25,854 --> 00:04:28,118
Sometimes the world
tries to knock it out of you.
52
00:04:32,226 --> 00:04:34,217
But I believe in music...
53
00:04:34,395 --> 00:04:37,592
...the way that some people
believe in fairy tales.
54
00:04:49,910 --> 00:04:55,405
I like to imagine that what I hear
came from my mother and father.
55
00:05:13,701 --> 00:05:15,862
Maybe the notes I hear...
56
00:05:16,037 --> 00:05:20,804
...are the same ones they heard
the night they met.
57
00:05:22,410 --> 00:05:25,538
Maybe that's how they found each other.
58
00:05:28,416 --> 00:05:30,646
Maybe that's how they'll find me.
59
00:05:30,818 --> 00:05:31,807
[BANGING ON DOOR]
60
00:05:31,986 --> 00:05:34,318
MAN:
Louis. Louie, where are you?
61
00:05:34,488 --> 00:05:37,150
-Lyla? She's here. What are you doing?
LYLA: Dad.
62
00:05:37,325 --> 00:05:40,783
They're waiting for us.
Hey, sit up straight, please.
63
00:05:40,961 --> 00:05:43,521
Where are you, baby bro?
64
00:05:43,698 --> 00:05:46,963
We didn't follow you from San Francisco
to play for free, man. Yeah?
65
00:05:47,134 --> 00:05:50,467
We need this one, baby bro. All right?
I need this one.
66
00:05:50,638 --> 00:05:52,469
THOMAS:
Don't forget to smile and look relaxed.
67
00:05:54,375 --> 00:05:56,570
All right, not that relaxed.
Come on, come on.
68
00:06:00,047 --> 00:06:02,811
I believe that, once upon a time...
69
00:06:03,451 --> 00:06:05,180
...long ago...
70
00:06:06,487 --> 00:06:09,888
...they heard the music and followed it.
71
00:06:15,830 --> 00:06:20,858
[MARK MANCINA'S
"MAIN TITLE" PLAYING]
72
00:06:33,781 --> 00:06:40,744
[SYMPHONY PLAYING JOHANN SEBASTIAN
BACH'S "PRELUDE FROM PARTITA NO. 3"]
73
00:07:07,915 --> 00:07:10,907
[BAND PLAYING
JOHN ONDRASIK'S "BREAK"]
74
00:07:18,159 --> 00:07:19,751
[SINGING]
I break
75
00:07:20,894 --> 00:07:22,589
I borrow
76
00:07:23,630 --> 00:07:25,564
I live
77
00:07:26,366 --> 00:07:28,926
I lose
78
00:07:29,102 --> 00:07:30,660
I pray
79
00:07:31,938 --> 00:07:34,498
I'm hollow
80
00:07:34,674 --> 00:07:39,111
I'm dead confused
81
00:07:39,679 --> 00:07:42,409
I'll find you
82
00:07:46,085 --> 00:07:51,421
Once you're here, you're never gone
Once you're here, you're never gone
83
00:07:51,591 --> 00:07:57,086
Fallen from a night of cold
A piece of me that I can't hold
84
00:07:57,263 --> 00:08:02,462
I love you as I lose you more
I break outside this open door
85
00:08:02,635 --> 00:08:07,538
Catch me as I wash away
You'll catch me as I wash away
86
00:08:08,174 --> 00:08:10,665
Well, catch me as I wash away
87
00:08:16,216 --> 00:08:17,740
Oh, oh
88
00:08:17,917 --> 00:08:19,817
Oh
89
00:08:21,788 --> 00:08:23,483
Yeah
90
00:08:24,557 --> 00:08:26,024
Don't
91
00:08:26,192 --> 00:08:29,958
Don't wait, don't wait
92
00:08:32,031 --> 00:08:34,158
I break
93
00:08:34,868 --> 00:08:38,770
[CROWD APPLAUDING]
94
00:09:00,760 --> 00:09:02,625
[DANIEL LEVY'S "THE SWAN"
PLAYING ON SPEAKERS]
95
00:09:02,862 --> 00:09:05,990
MAN: Not bad, Connelly. Not bad.
-Thanks very much, man.
96
00:09:06,165 --> 00:09:07,393
Where's the main man?
97
00:09:08,167 --> 00:09:10,362
Goddamn it, Louis. Just wait, man.
98
00:09:12,138 --> 00:09:15,699
Louis? Louis, wait up, man.
99
00:09:18,912 --> 00:09:22,040
LIZZY:
Girls, we are going to a party tonight.
100
00:09:22,215 --> 00:09:24,445
It's a full moon,
you know what that means, right?
101
00:09:24,617 --> 00:09:26,209
[WOMEN SCREAM]
102
00:09:27,887 --> 00:09:30,185
[MARK MANCINA'S "CONFESSIONS
OF LOVE" PLAYING ON SPEAKERS]
103
00:09:36,596 --> 00:09:38,188
LIZZY:
Lyla.
104
00:09:48,775 --> 00:09:51,175
[HARMONICA PLAYS "MOONDANCE"
IN DISTANCE]
105
00:10:22,641 --> 00:10:25,109
LOUIS:
It's a great sound, isn't it?
106
00:10:26,578 --> 00:10:28,637
What are you doing?
107
00:10:28,814 --> 00:10:30,441
Listening.
108
00:10:33,151 --> 00:10:34,482
What are you doing?
109
00:10:37,022 --> 00:10:41,618
-I just came up here to, um....
-Get away?
110
00:10:46,698 --> 00:10:48,427
Have a seat.
111
00:10:48,600 --> 00:10:51,967
Come on, be brave.
112
00:10:52,137 --> 00:10:54,105
Front row, center.
113
00:11:19,531 --> 00:11:21,123
Can you hear that?
114
00:11:21,867 --> 00:11:23,698
What is that?
115
00:11:24,136 --> 00:11:25,865
It's a wish.
116
00:11:34,846 --> 00:11:36,973
Now, what does that sound like?
117
00:11:38,150 --> 00:11:42,883
[SINGING] Well, it's a marvelous night
For a moondance
118
00:11:43,055 --> 00:11:46,991
With the stars up above in your eyes
119
00:11:47,893 --> 00:11:51,954
A fantabulous night to make romance
120
00:11:52,431 --> 00:11:56,891
'Neath the cover of October skies
121
00:11:57,969 --> 00:11:59,960
When I was a young fellow...
122
00:12:00,806 --> 00:12:03,104
...I used to talk to the moon.
123
00:12:04,409 --> 00:12:06,036
Are you making that up?
124
00:12:08,213 --> 00:12:10,204
God, I haven't done that in a long time.
125
00:12:13,452 --> 00:12:16,046
Does it ever talk back?
126
00:12:17,622 --> 00:12:19,681
Well, it used to.
127
00:12:21,393 --> 00:12:24,851
Now I just find myself on a roof
talking to myself...
128
00:12:25,030 --> 00:12:27,521
...like a loon.
129
00:12:29,801 --> 00:12:33,828
Just out here on me own.
130
00:12:36,274 --> 00:12:38,105
Well, I'm here.
131
00:12:40,612 --> 00:12:42,671
Yes, you are.
132
00:12:51,523 --> 00:12:53,047
I'm Louis.
133
00:12:55,527 --> 00:12:57,222
Lyla.
134
00:12:57,896 --> 00:13:00,057
So, what's your story, Lyla?
135
00:13:02,433 --> 00:13:04,799
I don't know. I'm just, um....
136
00:13:07,671 --> 00:13:09,901
I'm just me.
137
00:13:16,747 --> 00:13:18,647
What are you looking at?
138
00:13:19,984 --> 00:13:21,474
You.
139
00:14:08,199 --> 00:14:09,962
[MARK MANCINA'S
"5-NOTE WINDCHIMES" PLAYING]
140
00:14:18,776 --> 00:14:20,300
MAN:
Next.
141
00:14:21,378 --> 00:14:23,312
What did he want? What did you say?
142
00:14:23,480 --> 00:14:26,176
You know, same old junk. New guy.
143
00:14:28,085 --> 00:14:29,609
My name is Mr. Jeffries.
144
00:14:29,787 --> 00:14:32,881
I'm with Child Services
for the state of New York.
145
00:14:33,057 --> 00:14:34,581
[WIND CHIMES TINKLE]
146
00:14:34,758 --> 00:14:36,783
Okay, Evan.
147
00:14:36,961 --> 00:14:41,398
Born December 17th, 1995.
148
00:14:41,565 --> 00:14:44,898
Legal adoption to New York Children's.
149
00:14:45,970 --> 00:14:48,029
[WHISTLING]
150
00:14:49,073 --> 00:14:50,700
How long have you been here, Evan?
151
00:14:51,041 --> 00:14:52,906
Eleven years and sixteen days.
152
00:14:55,179 --> 00:14:56,703
I've been counting.
153
00:14:58,115 --> 00:14:59,582
That's a long time.
154
00:15:00,184 --> 00:15:03,119
-How do you do that?
-Do what?
155
00:15:03,287 --> 00:15:05,380
[BLOWS]
156
00:15:07,958 --> 00:15:10,426
Well, it's just imitating the wind chimes.
157
00:15:10,594 --> 00:15:12,255
[BLOWS]
158
00:15:13,063 --> 00:15:15,293
[WHISTLES]
159
00:15:15,466 --> 00:15:18,060
[WHISTLES]
160
00:15:19,270 --> 00:15:20,794
[CHUCKLES]
161
00:15:23,874 --> 00:15:26,707
You don't wanna be placed
with a real family?
162
00:15:26,877 --> 00:15:30,142
-I have a family.
-Yes, you do.
163
00:15:30,314 --> 00:15:33,647
I mean, you have parents and all,
but they don't live with you.
164
00:15:33,817 --> 00:15:34,977
Not now.
165
00:15:35,419 --> 00:15:39,219
But still,
you don't have contact with them.
166
00:15:39,390 --> 00:15:42,848
-Yes, I do.
-You do?
167
00:15:46,897 --> 00:15:48,125
What, do they call you?
168
00:15:50,600 --> 00:15:51,828
Come and visit you?
169
00:15:52,302 --> 00:15:53,564
-Send--?
-I....
170
00:15:56,439 --> 00:15:58,600
I don't wanna be sent away.
171
00:16:01,577 --> 00:16:03,511
I understand.
172
00:16:05,381 --> 00:16:08,077
You see, there's a lot of children...
173
00:16:08,251 --> 00:16:10,947
...who are scared
that if they leave their first home...
174
00:16:11,120 --> 00:16:13,452
...their parents would never
be able to find them.
175
00:16:14,557 --> 00:16:16,115
Right?
176
00:16:16,726 --> 00:16:18,455
But see, my job is to make sure...
177
00:16:18,628 --> 00:16:22,064
...that nothing like that
will ever happen to you.
178
00:16:22,231 --> 00:16:25,359
So there's nothing to be scared of.
179
00:16:26,970 --> 00:16:28,665
Thank you.
180
00:16:34,978 --> 00:16:37,606
I'm gonna do something I never do.
181
00:16:38,815 --> 00:16:41,010
This is my number.
182
00:16:41,184 --> 00:16:45,382
If you ever need to talk to me,
about anything...
183
00:16:46,990 --> 00:16:48,480
...you call.
184
00:16:48,658 --> 00:16:51,149
Think about what I said too.
185
00:16:51,761 --> 00:16:55,788
There's a whole world out there
with millions of wind chimes.
186
00:16:56,399 --> 00:16:57,730
I know.
187
00:17:05,341 --> 00:17:06,672
You can go now.
188
00:17:17,453 --> 00:17:20,149
PETER: Mannix says we're never
gonna see our real parents again.
189
00:17:20,323 --> 00:17:22,450
Mannix is a big liar.
190
00:17:23,259 --> 00:17:26,422
Yeah, I know. But what if he's right?
191
00:17:26,596 --> 00:17:29,793
I mean, what if they don't ever come?
192
00:17:29,966 --> 00:17:32,901
Hardly remember what my mom
looks like, you know?
193
00:17:33,369 --> 00:17:39,535
Well, if they don't find us,
we'll just have to go find them.
194
00:17:45,281 --> 00:17:48,876
[VAN MORRISON'S "MOONDANCE"
PLAYING]
195
00:18:12,642 --> 00:18:13,734
[CORK POPS]
196
00:18:13,910 --> 00:18:14,899
[LYLA SCREAMS]
197
00:18:15,078 --> 00:18:16,306
[MEN CHEER]
198
00:18:16,946 --> 00:18:17,935
[LAUGHING]
199
00:18:19,315 --> 00:18:20,373
LYLA: Oh, my God.
-Morning.
200
00:18:20,550 --> 00:18:21,915
-How's it going?
LYLA: Oh, my God.
201
00:18:22,085 --> 00:18:23,382
Get away.
202
00:18:23,553 --> 00:18:24,781
[LAUGHING]
203
00:18:24,954 --> 00:18:26,182
LYLA:
I have to go.
204
00:18:26,355 --> 00:18:28,448
-Let me walk you home.
-No.
205
00:18:28,624 --> 00:18:30,592
LYLA:
My dad's waiting at the Sherry. I--
206
00:18:31,027 --> 00:18:33,689
I've never done this before.
I'm in so much trouble.
207
00:18:33,863 --> 00:18:34,887
Hey, hey.
208
00:18:35,064 --> 00:18:36,122
MEN:
Woo!
209
00:18:36,299 --> 00:18:38,324
Meet me here at 10:00 by the arch.
210
00:18:38,501 --> 00:18:39,660
[MARSHALL LAUGHING]
211
00:18:39,835 --> 00:18:42,269
LOUIS: Say yes.
-Put him out of his misery. Say yes.
212
00:18:42,437 --> 00:18:43,927
-Say yes.
-Say it.
213
00:18:44,106 --> 00:18:45,767
Say yes.
214
00:18:49,377 --> 00:18:50,901
After you.
215
00:18:51,880 --> 00:18:53,313
I'll take that as a yes.
216
00:18:57,819 --> 00:19:01,812
You are gonna be in so much trouble.
You should have left your dad a note.
217
00:19:01,990 --> 00:19:04,686
Yeah, ransom note.
You know what? I don't even care.
218
00:19:04,860 --> 00:19:08,125
I just had the most incredible night
of my life.
219
00:19:08,296 --> 00:19:09,593
Taxi!
220
00:19:09,764 --> 00:19:13,757
[MARK MANCINA'S
"WASHINGTON SQUARE" PLAYING]
221
00:19:16,805 --> 00:19:19,365
MARSHALL:
Louis. She ain't coming.
222
00:19:19,541 --> 00:19:22,704
Oh, man. One girl?
223
00:19:22,878 --> 00:19:25,472
Come on, we're gonna miss the flight.
224
00:19:28,283 --> 00:19:32,276
-Taxi!
MARSHALL: Louis. Where you going, Louis?
225
00:19:34,489 --> 00:19:35,649
Excuse me.
226
00:19:37,259 --> 00:19:38,920
MARSHALL:
Louie.
227
00:19:40,128 --> 00:19:41,459
THOMAS:
You are not going anywhere.
228
00:19:41,930 --> 00:19:44,626
-Lyla!
LYLA: Dad, I'm not going with you.
229
00:19:44,799 --> 00:19:47,529
-Lyla, you listen to me.
-No.
230
00:19:47,702 --> 00:19:50,398
-Don't you dare walk away.
LYLA: I'm not going with you.
231
00:19:57,646 --> 00:19:59,739
LOUIS:
Lyla!
232
00:20:05,287 --> 00:20:08,051
THOMAS:
Get in the car right now.
233
00:20:11,092 --> 00:20:13,492
Lyla! Lyla!
234
00:20:26,675 --> 00:20:28,302
MARSHALL:
Louis.
235
00:20:31,513 --> 00:20:34,346
Do you remember what Da used to say
about princesses? Huh?
236
00:20:34,516 --> 00:20:38,577
They're always looking for their prince.
And you ain't no prince, brother.
237
00:20:39,821 --> 00:20:40,947
How would you know?
238
00:20:41,957 --> 00:20:43,857
What am I gonna do now?
239
00:20:58,106 --> 00:21:00,301
I know they're out there somewhere.
240
00:21:01,243 --> 00:21:04,440
[VIBRATING AND BUZZING]
241
00:21:04,613 --> 00:21:07,912
[MARK MANCINA'S "WIRES" PLAYING]
242
00:21:14,689 --> 00:21:17,089
I don't know where it comes from...
243
00:21:20,762 --> 00:21:22,559
...but it's what I hold on to.
244
00:21:26,968 --> 00:21:29,094
And I can't let go.
245
00:21:29,270 --> 00:21:30,601
[WIND WHISTLES]
246
00:21:33,574 --> 00:21:34,973
Somewhere inside me...
247
00:21:36,410 --> 00:21:39,106
...I know that they always wanted me.
248
00:21:41,482 --> 00:21:43,882
Maybe they just got lost.
249
00:21:45,219 --> 00:21:48,450
LOUIS [SINGING]:
Walking through wintertime
250
00:21:48,622 --> 00:21:51,955
When the stars all shine
251
00:21:55,829 --> 00:21:59,321
The angel on the stairs
252
00:22:02,269 --> 00:22:05,761
Will tell you I was there
253
00:22:05,939 --> 00:22:07,304
[CELLO PLAYING MARK MANCINA'S
"CELLO OVERLUDE"]
254
00:22:07,474 --> 00:22:10,932
Under the front porch light
255
00:22:11,111 --> 00:22:13,978
On a mystery night
256
00:22:20,354 --> 00:22:21,582
I been sitting
257
00:22:21,755 --> 00:22:25,953
Watching life pass from the sidelines
258
00:22:27,094 --> 00:22:29,153
Been waiting for a dream
259
00:22:29,330 --> 00:22:33,494
To seep in through my blinds
260
00:22:33,667 --> 00:22:36,158
I wondered what might happen
261
00:22:36,337 --> 00:22:38,999
If I left this all behind
262
00:22:39,807 --> 00:22:42,867
Would the wind be at my back?
263
00:22:43,043 --> 00:22:46,945
Could I get you off my mind
264
00:22:49,083 --> 00:22:50,141
This time?
265
00:22:50,351 --> 00:22:52,876
LOUIS:
What's the point in singing, Marshall?
266
00:22:53,754 --> 00:22:55,381
She's not gonna hear me.
267
00:22:56,223 --> 00:22:59,192
I'm leaving the band.
I'm sorry, Marshall.
268
00:22:59,360 --> 00:23:01,328
MARSHALL:
Don't quit on us, Louis.
269
00:23:03,397 --> 00:23:06,696
[SINGING]
The things I left behind
270
00:23:07,267 --> 00:23:09,701
THOMAS: Everything you've given up,
everything I've given up--
271
00:23:10,070 --> 00:23:11,799
[SINGING]
Have melted in my mind
272
00:23:11,972 --> 00:23:14,372
I can't do it. I'm sorry, Frank.
I can't do it, man.
273
00:23:14,541 --> 00:23:16,236
-Listen to me. Listen to me.
-No!
274
00:23:16,410 --> 00:23:18,571
-You know what I mean? I don't know...
-Dad!
275
00:23:18,746 --> 00:23:20,236
...how to approach this problem.
276
00:23:20,414 --> 00:23:22,405
I mean, where are you
gonna put the baby?
277
00:23:22,583 --> 00:23:25,609
And what about this boy?
He's not here now. He's not here now.
278
00:23:25,786 --> 00:23:27,185
-I'm leaving.
-You can't leave.
279
00:23:27,354 --> 00:23:30,414
-Where you going, then?
-Just let me go. Will you just let me go?
280
00:23:31,024 --> 00:23:33,015
LOUIS [SINGING]:
Would the wind be at my back?
281
00:23:34,294 --> 00:23:37,752
Could I get you off my mind
282
00:23:37,931 --> 00:23:40,058
MARSHALL: Louis.
THOMAS: Lyla.
283
00:23:40,234 --> 00:23:41,667
This time?
284
00:23:43,303 --> 00:23:44,702
Hey, Louis.
285
00:23:46,073 --> 00:23:47,540
THOMAS:
Lyla.
286
00:23:48,142 --> 00:23:49,370
[SCREAMS]
287
00:23:49,543 --> 00:23:50,532
[TIRES SCREECH]
288
00:23:50,711 --> 00:23:52,474
[THUDS]
289
00:23:54,214 --> 00:23:55,943
[MARK MANCINA'S
"HOSPITAL PT. 1 " PLAYING]
290
00:24:10,998 --> 00:24:12,659
WOMAN:
We have fetal distress.
291
00:24:14,635 --> 00:24:16,626
Baby's heart rate is falling.
292
00:24:19,038 --> 00:24:20,699
It's falling.
293
00:24:49,302 --> 00:24:51,065
I'm sorry.
294
00:24:55,808 --> 00:24:57,673
He's gone.
295
00:26:01,374 --> 00:26:03,638
MAN: Picked him up on the thruway
outside of Montrose.
296
00:26:03,809 --> 00:26:06,869
Just wandering down the road.
Said he's following the music.
297
00:26:07,046 --> 00:26:09,708
The moon told him to.
Yeah. Kid's a space cadet.
298
00:26:12,785 --> 00:26:14,446
[CAR HORNS HONKING]
299
00:26:15,621 --> 00:26:18,089
Look, I got a busy day ahead of me.
300
00:26:19,225 --> 00:26:21,523
All right, big guy, out you go.
301
00:26:21,694 --> 00:26:23,787
This Jeffries guy
wasn't in his office yet...
302
00:26:23,963 --> 00:26:26,557
...so I left him a message
to pick you up right here.
303
00:26:26,732 --> 00:26:28,393
AUGUST: Okay.
-Here. Hold on.
304
00:26:28,568 --> 00:26:31,696
Don't lose it. If he doesn't show
in an hour, give him another call.
305
00:26:31,871 --> 00:26:33,532
You can handle that, right?
306
00:26:33,706 --> 00:26:35,264
-Yeah.
-You got any money?
307
00:26:35,708 --> 00:26:39,735
Here's 12 bucks.
Damn, kid, put it in your pocket.
308
00:26:39,912 --> 00:26:41,675
See you.
309
00:26:55,194 --> 00:26:57,492
[TRAINS CLICKING ON TRACKS]
310
00:27:00,499 --> 00:27:02,091
[TRAIN HORN BLOWS]
311
00:27:04,770 --> 00:27:06,635
[SCREECHING]
312
00:27:20,218 --> 00:27:24,177
[HORNS HONK, TIRES SCREECH
AND FOOTSTEPS TAP]
313
00:27:26,758 --> 00:27:28,783
[HIP HOP MUSIC PLAYS
ON STEREO]
314
00:27:34,799 --> 00:27:37,324
[WHISTLE BLOWS, HORN HONKS
AND DOG BARKS]
315
00:27:46,111 --> 00:27:47,476
[BELL RINGING]
316
00:27:47,646 --> 00:27:48,670
[THUDDING]
317
00:27:56,655 --> 00:27:58,782
[MARK MANCINA'S
"UNION SQUARE" PLAYING]
318
00:28:34,159 --> 00:28:35,148
[HORN HONKS]
319
00:28:35,326 --> 00:28:36,793
[GASPS]
320
00:28:39,230 --> 00:28:41,027
[GRUNTS]
321
00:28:42,534 --> 00:28:44,195
MAN:
Get on the sidewalk!
322
00:28:54,179 --> 00:28:56,477
[HORNS HONKING AND SIRENS WAILING]
323
00:29:04,222 --> 00:29:06,747
BOY [SINGING]:
Para bailar la bamba
324
00:29:06,925 --> 00:29:09,189
[GIRLS SINGING]
325
00:29:11,896 --> 00:29:16,833
Give me your money
326
00:29:17,001 --> 00:29:21,665
Come here, sweet honey
327
00:29:21,840 --> 00:29:25,298
Come here, baby
328
00:29:27,078 --> 00:29:28,238
Yeah.
329
00:29:29,280 --> 00:29:32,443
[PLAYING ALI DEE'S
"MY COUNTRY 'TIS OF THEE"]
330
00:29:46,798 --> 00:29:50,564
Okay, citizen. You paid. Any requests?
331
00:29:50,735 --> 00:29:52,202
AUGUST:
No.
332
00:29:53,638 --> 00:29:55,003
Alrighty, then.
333
00:29:57,342 --> 00:30:01,471
[SINGING]
Father, hear me when I
334
00:30:01,645 --> 00:30:03,943
Call your name
335
00:30:04,515 --> 00:30:08,849
I need you to answer me now
336
00:30:09,019 --> 00:30:12,921
Father, here I am
337
00:30:13,090 --> 00:30:16,025
Weak in your sight
338
00:30:16,193 --> 00:30:20,027
Can you rescue me now?
339
00:30:20,197 --> 00:30:26,295
I'm crying out
Can't figure it out on my own
340
00:30:28,605 --> 00:30:31,904
Back off. Away, away. Yo, son,
you're messing with my equilibrium.
341
00:30:32,075 --> 00:30:35,340
Nobody touches this instrument but me.
Roxy's my girl.
342
00:30:35,512 --> 00:30:38,106
Son, we done here,
so why don't you go find your mommy.
343
00:30:38,582 --> 00:30:41,949
-I don't know where she is.
-Good, that's just great. Uh....
344
00:30:42,119 --> 00:30:44,178
Cops show up around 6.
Tell them you're AWOL.
345
00:30:44,354 --> 00:30:46,254
They'll send you back
where you come from.
346
00:30:46,423 --> 00:30:47,788
I don't wanna go back there.
347
00:30:48,625 --> 00:30:50,115
Well, good.
348
00:30:50,294 --> 00:30:52,694
This day's been a bust anyway. I'm out.
349
00:31:03,140 --> 00:31:06,906
[MARK MANCINA'S
"FOLLOWING ARTHUR" PLAYING]
350
00:31:14,284 --> 00:31:15,342
What?
351
00:31:17,621 --> 00:31:19,248
I don't have a place to stay.
352
00:31:20,090 --> 00:31:22,581
Do I look like a real-estate tycoon
to you?
353
00:31:26,196 --> 00:31:27,993
How many dead presidents you got?
354
00:31:28,565 --> 00:31:30,863
Nuggets? Shorts?
355
00:31:31,034 --> 00:31:32,433
Show me the money.
356
00:31:37,207 --> 00:31:41,507
-Are you thinking what I'm thinking?
-No, I'm thinking something else.
357
00:31:43,747 --> 00:31:45,908
I'm gonna let you buy me a pizza.
358
00:32:01,531 --> 00:32:05,365
I've been doing this for 10 years, Bob.
I said 10 percent.
359
00:32:06,536 --> 00:32:08,936
We need to close the deal.
Hold on a second.
360
00:32:09,106 --> 00:32:12,337
No. We said 10 percent.
361
00:32:13,243 --> 00:32:16,235
Yeah, well, it makes the world go round,
doesn't it, Bob?
362
00:32:17,214 --> 00:32:19,580
Just get me the 10 percent, will you?
363
00:32:19,750 --> 00:32:21,240
Thanks.
364
00:32:21,985 --> 00:32:23,350
[SIGHS]
365
00:32:25,122 --> 00:32:28,353
MAN: Need anything, sir?
-Do you know any hit men?
366
00:32:28,525 --> 00:32:31,085
I do know a bass player
might be able to help you out.
367
00:32:31,261 --> 00:32:33,286
Likes to get in fights with lead singers.
368
00:32:35,465 --> 00:32:36,591
Nick?
369
00:32:38,368 --> 00:32:40,336
What are you doing, man?
370
00:32:41,872 --> 00:32:44,773
Still driving. Paying off
those wedding bills from last year.
371
00:32:44,942 --> 00:32:47,432
Oh, fair play to you. Oh, she's a nice girl.
372
00:32:48,844 --> 00:32:50,573
So you playing at all?
373
00:32:51,013 --> 00:32:52,173
Nope.
374
00:32:52,949 --> 00:32:55,474
Why the hell not? Your fingers fall off?
375
00:32:55,651 --> 00:32:57,448
Well, you move on.
376
00:32:59,722 --> 00:33:02,691
What about the lads?
Seen any of them lately?
377
00:33:04,026 --> 00:33:05,960
We still mess around...
378
00:33:06,128 --> 00:33:10,087
...but the Connelly Brothers never really
bounced back minus one brother.
379
00:33:14,603 --> 00:33:16,127
You seen Marshall lately?
380
00:33:17,073 --> 00:33:18,540
Have you?
381
00:33:18,708 --> 00:33:20,972
[VAN MORRISON'S
"MAGIC TIME" PLAYING]
382
00:33:21,744 --> 00:33:23,336
It's my birthday on Saturday.
383
00:33:23,946 --> 00:33:26,972
Session's at my place.
Come, bring your girlfriend.
384
00:33:27,850 --> 00:33:29,943
It's great seeing you, man.
385
00:33:30,119 --> 00:33:33,919
Reminds me of New York.
The good old days, eh?
386
00:33:34,290 --> 00:33:36,417
[SIRENS WAILING]
387
00:33:40,997 --> 00:33:42,988
[LYLA HUMMING BEETHOVEN'S
"FUR ELISE"]
388
00:33:43,165 --> 00:33:44,723
GIRL:
I know.
389
00:33:44,900 --> 00:33:47,130
I know.
390
00:33:47,303 --> 00:33:50,704
-I know. Okay, I don't know.
-Oh!
391
00:33:50,906 --> 00:33:54,103
"Fur Elise" by Beethoven.
And you should know that one.
392
00:33:54,276 --> 00:33:56,335
Oh, yeah.
393
00:33:56,512 --> 00:33:58,980
Will you be our teacher forever,
Miss Novacek?
394
00:33:59,148 --> 00:34:02,140
Well, at least until your old teacher
comes back.
395
00:34:02,318 --> 00:34:05,583
But only if you call me...?
396
00:34:05,755 --> 00:34:07,985
-Lyla.
-That's right.
397
00:34:08,157 --> 00:34:09,624
You're crazy, Miss Novacek.
398
00:34:09,792 --> 00:34:11,054
WOMAN: Megan.
-Got everything?
399
00:34:13,229 --> 00:34:14,924
-Okay.
-Bye.
400
00:34:15,097 --> 00:34:16,894
[MARK MANCINA'S
"ELEVEN YEARS LATER" PLAYING]
401
00:34:17,333 --> 00:34:19,893
Hi, sweetie.
402
00:34:20,436 --> 00:34:22,427
Did you have a good day?
403
00:34:23,839 --> 00:34:25,033
Thanks.
404
00:34:25,207 --> 00:34:26,401
LIZZY: There you are.
-Hey.
405
00:34:26,575 --> 00:34:30,272
Okay, now, before you say no....
Okay, picture this.
406
00:34:30,446 --> 00:34:34,678
You on stage, me accompanying,
thousands of people.
407
00:34:34,850 --> 00:34:36,317
-Liz.
-The New York Philharmonic.
408
00:34:36,485 --> 00:34:39,318
I just got the invite. They want you back.
409
00:34:39,488 --> 00:34:42,218
It's just one night,
but they want you back.
410
00:34:43,793 --> 00:34:45,954
I don't wanna be up there.
411
00:34:46,128 --> 00:34:47,618
Lyla....
412
00:34:48,431 --> 00:34:50,695
When are you gonna let yourself
be happy again?
413
00:34:50,866 --> 00:34:53,232
I am happy.
414
00:34:54,036 --> 00:34:57,369
I'm talking about
when everyone else goes home.
415
00:35:04,346 --> 00:35:06,177
Look....
416
00:35:06,348 --> 00:35:08,873
I know. Okay? I know.
417
00:35:10,419 --> 00:35:11,750
Just think about it.
418
00:35:11,921 --> 00:35:16,551
I mean, you're a music teacher
who doesn't play music anymore.
419
00:35:17,026 --> 00:35:18,926
Call me crazy.
420
00:35:19,095 --> 00:35:20,722
Okay, Crazy.
421
00:35:20,896 --> 00:35:23,456
-I'll see you at home, okay?
-All right.
422
00:35:34,810 --> 00:35:37,300
ARTHUR:
No, I ain't got no daddy.
423
00:35:38,813 --> 00:35:40,075
See, my pops is a drunk.
424
00:35:40,248 --> 00:35:43,843
And my mama, she took off
with this crackhead named Little Jesus.
425
00:35:44,018 --> 00:35:47,283
But, you know, he wasn't no little Jesus,
you know what I'm saying?
426
00:35:47,455 --> 00:35:48,479
[BILLIE HOLIDAY'S
"GOD BLESS THE CHILD" PLAYING]
427
00:35:48,656 --> 00:35:50,851
No, they never gave a damn about me.
428
00:35:51,025 --> 00:35:54,927
Come on, man. This is us right here.
429
00:35:57,031 --> 00:35:59,966
-I've been with Wizard for years.
AUGUST: Who's Wizard?
430
00:36:00,135 --> 00:36:02,501
ARTHUR: Oh, he's a real piece of work,
that's what he is.
431
00:36:02,670 --> 00:36:05,230
His real name's Maxwell Wallace.
432
00:36:05,406 --> 00:36:08,534
He took me in.
He said that I was an investment.
433
00:36:08,710 --> 00:36:11,804
He gave me Roxy here.
He bought it in the old days.
434
00:36:12,247 --> 00:36:15,580
Well, he really didn't buy it.
Guess you'd kind of say he found it.
435
00:36:15,750 --> 00:36:17,047
All right, he stole it.
436
00:36:17,218 --> 00:36:19,379
Wizard?
He gave me his place at the Square.
437
00:36:19,554 --> 00:36:22,045
My parents? They ain't gave me nothing.
438
00:36:24,626 --> 00:36:27,527
We all gonna be big stars someday.
439
00:36:28,530 --> 00:36:31,727
MAN: What's the password?
-Open the damn door already.
440
00:36:33,034 --> 00:36:34,797
You're getting on my nerves with that.
441
00:36:39,274 --> 00:36:41,299
Okay, follow me.
442
00:36:41,476 --> 00:36:44,570
[MARK MANCINA'S
"WIZARD'S LAIR" PLAYING]
443
00:36:44,746 --> 00:36:47,681
What's your name again?
It's Evan, right?
444
00:36:49,083 --> 00:36:51,449
Yo, this is our home, son.
445
00:36:51,619 --> 00:36:53,519
It's kind of crazy in here,
so stay on your feet.
446
00:36:53,688 --> 00:36:55,280
[BOY YELLS]
447
00:36:56,991 --> 00:36:58,151
Watch out.
448
00:36:58,326 --> 00:37:01,523
Yeah, I've been living here for a while.
Come on, man.
449
00:37:01,696 --> 00:37:03,755
Hey, check it out.
450
00:37:03,932 --> 00:37:05,092
-How much you make?
BOY 1: Ten dollars.
451
00:37:05,266 --> 00:37:07,200
ARTHUR: You lying. Let me see.
BOY 1: I am not lying.
452
00:37:07,368 --> 00:37:09,336
ARTHUR: What did I tell you about that?
-Boo!
453
00:37:10,605 --> 00:37:11,594
[BABBLING]
454
00:37:11,773 --> 00:37:14,674
BOY 2: Hey, it's Arthur.
ARTHUR: I'll be laughing at your funeral.
455
00:37:14,842 --> 00:37:16,901
BOY 1: I'm gonna go play basketball.
ARTHUR: All clear.
456
00:37:17,078 --> 00:37:22,607
[SINGING] My life, the sky
Like a feather I'll fly
457
00:37:23,384 --> 00:37:26,046
ARTHUR: Man, you should've knocked him
in his head, son.
458
00:37:26,554 --> 00:37:29,853
[PLAYING IMPACT REPERTORY THEATRE'S
"WIZARD'S THEATER SONG"]
459
00:37:36,965 --> 00:37:38,796
BOY 3:
Shoot it, shoot it, shoot it!
460
00:37:43,738 --> 00:37:45,137
Pizza!
461
00:37:50,245 --> 00:37:52,304
Pizza, pizza, pizza.
462
00:38:06,728 --> 00:38:08,127
GIRL 1:
Don't make me come up there.
463
00:38:08,296 --> 00:38:10,355
BOY 4: Yo, you better hurry
before Wizard shows.
464
00:38:10,531 --> 00:38:13,091
He'll be pissed
if he's seen you bought a pie.
465
00:38:13,468 --> 00:38:15,129
I ain't take no family money.
466
00:38:15,303 --> 00:38:16,600
Citizen bought it.
467
00:38:19,907 --> 00:38:22,603
Hola, music lovers.
468
00:38:22,777 --> 00:38:24,608
Wow, while the cat's away....
469
00:38:25,446 --> 00:38:26,810
Oh.
470
00:38:26,980 --> 00:38:28,277
Who likes pizza?
471
00:38:30,517 --> 00:38:31,814
Who did this?
472
00:38:33,420 --> 00:38:34,682
Arthur?
473
00:38:40,694 --> 00:38:42,753
-What is he?
-He's a damn fool.
474
00:38:42,929 --> 00:38:45,363
He's a damn fool.
475
00:38:45,532 --> 00:38:47,159
-He's gonna get it good.
-Shh.
476
00:38:47,334 --> 00:38:49,165
What are you, Arthur?
477
00:38:49,670 --> 00:38:51,604
I'm a real piece of work, Wizard.
478
00:38:53,273 --> 00:38:54,968
You're on thin ice.
479
00:38:55,475 --> 00:38:59,468
I didn't take no family money.
He bought it.
480
00:39:04,785 --> 00:39:06,184
What?
481
00:39:06,553 --> 00:39:07,850
You look crazy.
482
00:39:09,489 --> 00:39:10,615
I am crazy.
483
00:39:10,791 --> 00:39:12,725
[SCREAMS]
484
00:39:13,994 --> 00:39:15,393
See?
485
00:39:16,263 --> 00:39:17,321
Come here.
486
00:39:20,200 --> 00:39:21,724
Now!
487
00:39:23,036 --> 00:39:24,469
Come on.
488
00:39:27,808 --> 00:39:30,743
-What's your name?
-Evan, sir.
489
00:39:31,545 --> 00:39:32,876
What are you doing here?
490
00:39:33,680 --> 00:39:35,477
I followed the music.
491
00:39:40,954 --> 00:39:44,219
Where did you pick this one up,
Arthur, Bellevue?
492
00:39:48,328 --> 00:39:50,694
You never played a note in your life.
493
00:39:50,864 --> 00:39:52,889
Do you know what music is?
494
00:39:54,568 --> 00:39:58,698
It's God's little reminder there's
something else besides us in this universe.
495
00:39:59,239 --> 00:40:04,871
Harmonic connection between
all living beings everywhere, even the stars.
496
00:40:05,612 --> 00:40:07,512
Is this a school?
497
00:40:07,681 --> 00:40:10,912
Yeah, the school of
Screw You and Take All Your Damn Money.
498
00:40:11,084 --> 00:40:12,949
-Yeah.
-Yeah, we're top of the class.
499
00:40:13,120 --> 00:40:14,485
Not!
500
00:40:16,890 --> 00:40:18,380
It's a business.
501
00:40:21,027 --> 00:40:23,621
-Pockets.
GIRL 2: Okay, let's go.
502
00:40:23,797 --> 00:40:25,424
-Let's go, let's go.
WALLACE: Pockets.
503
00:40:26,299 --> 00:40:27,425
BOY 1:
Oh, man. Get up.
504
00:40:27,601 --> 00:40:29,592
[CHATTERING]
505
00:40:31,571 --> 00:40:32,799
WALLACE:
Peanut, well done.
506
00:40:34,074 --> 00:40:35,735
I got eyes in the back of my head.
507
00:40:36,710 --> 00:40:38,575
Good job. Gracias, amigo.
508
00:40:38,745 --> 00:40:40,975
Chain is only as strong...
509
00:40:41,415 --> 00:40:42,712
...as its weakest link.
510
00:40:45,419 --> 00:40:46,909
Come on, Arthur.
511
00:40:47,254 --> 00:40:48,812
That's chump change.
512
00:40:48,989 --> 00:40:52,322
You got Washington Square.
That was my spot for 10 years.
513
00:40:56,463 --> 00:40:59,591
Go ahead, before I change my mind.
514
00:41:03,904 --> 00:41:06,065
You kids are gonna put me
in the poorhouse.
515
00:41:07,040 --> 00:41:09,975
All right, little mice,
scurry back to your holes. Go, go.
516
00:41:12,612 --> 00:41:15,445
Harmonic dreams, sweet children.
517
00:41:23,422 --> 00:41:25,322
[PLAYING VAN MORRISON'S
"MOONDANCE" ON HARMONICA]
518
00:42:05,664 --> 00:42:10,158
[PLAYING MARK MANCINA'S
"BARI IMPROV"]
519
00:43:45,531 --> 00:43:47,658
ARTHUR:
Roxanne. Man, I'm gonna kill him.
520
00:44:15,994 --> 00:44:17,928
WALLACE:
You know what's out there?
521
00:44:18,563 --> 00:44:20,690
A series of higher tones.
522
00:44:20,865 --> 00:44:22,389
It's arranged by nature.
523
00:44:22,567 --> 00:44:26,628
It's governed by the laws of physics
of the whole universe.
524
00:44:28,039 --> 00:44:30,439
It's an overtone, it's an energy,
it's a wavelength.
525
00:44:30,608 --> 00:44:35,136
And if you're not riding it, good Lordy,
you'll never hear it.
526
00:44:35,313 --> 00:44:37,338
Where do you think it comes from?
527
00:44:39,150 --> 00:44:40,447
What I hear.
528
00:44:41,052 --> 00:44:44,544
I think it comes from all around you, really.
I mean, it's--
529
00:44:44,722 --> 00:44:46,553
Comes through us, some of us.
530
00:44:48,793 --> 00:44:51,853
It's invisible, but-- But you feel it.
531
00:44:52,797 --> 00:44:54,560
So only some of us can hear it?
532
00:44:56,200 --> 00:44:58,168
Only some of us are listening.
533
00:45:00,972 --> 00:45:03,304
Do you think my parents are listening?
534
00:45:04,175 --> 00:45:06,143
I hear you, kid.
535
00:45:09,113 --> 00:45:10,102
Like:
536
00:45:10,281 --> 00:45:11,646
[STRUMS GUITAR]
537
00:45:12,216 --> 00:45:13,808
Yeah.
538
00:45:17,755 --> 00:45:19,382
WOMAN:
Are you hearing a word I'm saying?
539
00:45:19,557 --> 00:45:20,888
[CHATTERING]
540
00:45:23,695 --> 00:45:25,094
Louis.
541
00:45:25,863 --> 00:45:28,696
Come on.
It's about time I met your family.
542
00:45:29,901 --> 00:45:32,529
[CHRIS TRAPPER'S "THIS TIME"
PLAYING IN DISTANCE]
543
00:45:33,237 --> 00:45:36,729
Listen, Jen,
maybe this isn't such a good idea.
544
00:45:37,709 --> 00:45:38,733
Grow up.
545
00:45:39,210 --> 00:45:40,677
Come on.
546
00:45:42,580 --> 00:45:43,842
-Come on.
-"Grow up."
547
00:45:45,683 --> 00:45:48,208
[SINGING ON VIDEO]
The angel on the stairs
548
00:45:48,386 --> 00:45:51,913
JEN: Are all Irish people this loud?
-Yeah.
549
00:45:52,090 --> 00:45:54,615
Will tell you I was there
550
00:45:57,195 --> 00:46:00,756
Under the front porch light
551
00:46:00,932 --> 00:46:03,867
On a mystery night
552
00:46:10,241 --> 00:46:14,940
I been sitting
Watching life pass from the sidelines
553
00:46:15,913 --> 00:46:16,902
MAN:
Hey, Louis.
554
00:46:17,081 --> 00:46:19,049
Been waiting for a dream
555
00:46:19,217 --> 00:46:22,914
To seep in through my blinds
556
00:46:24,489 --> 00:46:26,889
NICK:
Hey, Marshall, your brother's here.
557
00:46:27,291 --> 00:46:28,315
Louis.
558
00:46:31,028 --> 00:46:32,495
Hey, Nick.
559
00:46:32,897 --> 00:46:34,455
Could I get you off my mind
560
00:46:34,999 --> 00:46:38,696
JEN:
Oh, my God. Is that you?
561
00:46:38,870 --> 00:46:40,963
This time?
562
00:46:41,906 --> 00:46:44,340
When were you gonna tell me
you're in a band?
563
00:46:46,744 --> 00:46:50,145
I'm sure there's a lot of things
our Louis hasn't told you, darling.
564
00:46:50,314 --> 00:46:53,306
-Like who did you write the song for?
-I told you this is a mistake.
565
00:46:53,851 --> 00:46:56,444
That's it, go on. Walk out on us again.
566
00:46:59,422 --> 00:47:01,686
-Eh, Lou?
LOUIS: Say what you gotta say, Marshall.
567
00:47:01,858 --> 00:47:03,826
-Say what you have to say.
-No, go on.
568
00:47:03,994 --> 00:47:06,087
-Come on, say it.
MARSHALL: That the best you got?
569
00:47:06,263 --> 00:47:07,924
-Say it.
-That the best you got?
570
00:47:08,098 --> 00:47:10,328
-Come on. Hit me. Come on, hit me.
-Come on.
571
00:47:10,500 --> 00:47:12,661
Feel what? Come on. Hit me.
572
00:47:14,004 --> 00:47:15,301
I'm suffocating here.
573
00:47:16,072 --> 00:47:18,404
The things I left behind
574
00:47:22,112 --> 00:47:23,602
You all right, man?
575
00:47:25,682 --> 00:47:27,377
You all right, man?
576
00:47:28,051 --> 00:47:29,780
Welcome to the Connelly clan.
577
00:47:29,953 --> 00:47:31,750
[MARSHALL LAUGHS]
578
00:47:37,494 --> 00:47:39,121
Jennifer.
579
00:48:04,554 --> 00:48:07,489
You know, it was good
having the old Louis back in there...
580
00:48:08,024 --> 00:48:10,390
...even if it was only for a second.
581
00:48:12,362 --> 00:48:13,852
Louie...
582
00:48:14,297 --> 00:48:16,959
...aren't you supposed to be in the car
with the girl...
583
00:48:17,133 --> 00:48:19,294
...as she drives off into the sunset?
584
00:48:27,777 --> 00:48:30,337
You'll get your suit dirty
sitting there, man.
585
00:48:33,450 --> 00:48:36,886
[MARK MANCINA'S
"5-NOTE TRANSITION" PLAYING]
586
00:48:38,822 --> 00:48:41,052
[PHONE RINGING]
587
00:48:43,460 --> 00:48:44,449
[ANSWERING MACHINE BEEPS]
588
00:48:44,628 --> 00:48:46,755
WOMAN [OVER PHONE]:
This is a message for Lyla Novacek.
589
00:48:46,930 --> 00:48:49,057
Please call Good Samaritan Hospital.
590
00:48:49,232 --> 00:48:52,690
I'm calling about your father,
Thomas Novacek.
591
00:49:02,312 --> 00:49:04,644
THOMAS:
I wasn't sure you were going to come.
592
00:49:05,782 --> 00:49:08,216
My will is in the top drawer
of the desk in my study.
593
00:49:08,385 --> 00:49:10,910
Dad, stop, come on.
594
00:49:11,087 --> 00:49:13,248
THOMAS:
Lyla, please.
595
00:49:13,423 --> 00:49:15,220
There's more.
596
00:49:21,998 --> 00:49:27,732
All I ever wanted was for you
to have all that promise, all that life.
597
00:49:28,238 --> 00:49:30,172
But you were so young.
598
00:49:30,607 --> 00:49:32,700
We had so much work to do.
599
00:49:32,876 --> 00:49:36,141
-You weren't ready.
-That's plenty, Dad. Really.
600
00:49:36,947 --> 00:49:39,006
I mean, a baby.
601
00:49:39,182 --> 00:49:41,013
That baby, he could have hurt you.
602
00:49:41,184 --> 00:49:43,652
[MARK MANCINA'S
"HOSPITAL PT. 2" PLAYING]
603
00:49:44,120 --> 00:49:48,419
He could've hurt you, and I--
I wasn't gonna let that happen, Lyla.
604
00:49:53,896 --> 00:49:55,989
I made a choice for us.
605
00:49:59,835 --> 00:50:01,700
Oh, my God.
606
00:50:03,739 --> 00:50:04,967
THOMAS:
A choice for us.
607
00:50:06,942 --> 00:50:08,500
Wait....
608
00:50:13,649 --> 00:50:15,344
THOMAS:
I'm sorry.
609
00:50:20,222 --> 00:50:21,519
Where?
610
00:50:24,593 --> 00:50:26,424
Where is he?
611
00:50:27,229 --> 00:50:30,790
-I didn't mean--
-Where is he?
612
00:50:31,233 --> 00:50:32,461
I don't know.
613
00:50:34,503 --> 00:50:36,164
I don't.
614
00:50:38,207 --> 00:50:41,301
[PLAYING MICHAEL HEDGES'
"RITUAL DANCE"]
615
00:50:45,147 --> 00:50:47,809
WALLACE: You gotta love music
more than you love food.
616
00:50:48,751 --> 00:50:52,414
More than life. More than yourself.
617
00:50:58,827 --> 00:51:00,055
You feel it?
618
00:51:03,665 --> 00:51:04,689
Then show me.
619
00:51:05,434 --> 00:51:07,402
Play it for your parents.
620
00:51:56,952 --> 00:51:58,476
You're flying, kid.
621
00:51:58,654 --> 00:52:01,248
[CROWD CLAPPING]
622
00:52:08,530 --> 00:52:10,088
WALLACE:
Yeah!
623
00:52:10,265 --> 00:52:12,392
You know what I'm thinking?
624
00:52:13,268 --> 00:52:15,828
You're supposed to say,
"What are you thinking, Wizard?"
625
00:52:16,004 --> 00:52:18,302
"What are you thinking, Wizard?"
626
00:52:18,474 --> 00:52:20,908
I teach you everything I know for free.
627
00:52:21,076 --> 00:52:23,977
You get Roxanne.
You get my corner of the park.
628
00:52:24,413 --> 00:52:27,814
You get to keep half your tips.
We're like a team.
629
00:52:29,351 --> 00:52:31,319
There's something wrong
with that picture.
630
00:52:31,753 --> 00:52:32,811
What?
631
00:52:33,589 --> 00:52:36,921
I don't think performing in parks
and street corners is gonna be enough.
632
00:52:37,091 --> 00:52:38,319
It won't?
633
00:52:41,496 --> 00:52:44,829
Evan, we're gonna need
to get you a new name.
634
00:52:44,999 --> 00:52:46,762
Something with a little more pop.
635
00:52:47,201 --> 00:52:50,796
What do you wanna be in the world?
In the whole world, what do you wanna be?
636
00:52:50,972 --> 00:52:53,099
Close your eyes and think about that.
637
00:52:55,276 --> 00:52:56,766
Found.
638
00:53:02,016 --> 00:53:03,381
Doesn't have enough yin.
639
00:53:04,152 --> 00:53:06,279
-Little more yang, you know?
-Yeah.
640
00:53:06,454 --> 00:53:07,614
Yeah, let's....
641
00:53:07,788 --> 00:53:09,346
[TRUCK HORN HONKING]
642
00:53:09,524 --> 00:53:13,483
Talk about wishful thinking. Look at that.
643
00:53:16,631 --> 00:53:18,690
What name stands out to you
on that, huh?
644
00:53:18,866 --> 00:53:19,890
Beach?
645
00:53:20,067 --> 00:53:22,501
It's a good name for a band,
but not for a performer.
646
00:53:22,670 --> 00:53:25,605
You can't say, "Please welcome Beach."
No, no.
647
00:53:25,773 --> 00:53:30,073
August Rush. August Rush.
Doesn't that warm you up a little bit?
648
00:53:30,511 --> 00:53:33,844
I can see it.
"Wizard Productions presents...
649
00:53:34,015 --> 00:53:36,882
...the number-one heat wave:
650
00:53:37,051 --> 00:53:40,509
August Rush!"
651
00:53:40,688 --> 00:53:43,248
-Yeah.
-Yeah. Me!
652
00:53:43,424 --> 00:53:46,086
-August, August, August.
-It gives me a rush.
653
00:53:46,260 --> 00:53:49,559
That gives me chills. The hair
on the back of my neck's standing up.
654
00:53:49,730 --> 00:53:51,197
-Really?
-Yeah, look at that.
655
00:53:51,365 --> 00:53:52,798
Quick, check it out. Yeah.
656
00:53:52,967 --> 00:53:56,596
-I'm flying! I'm flying!
-Yeah. August! August Rush.
657
00:53:56,771 --> 00:53:59,069
-August.
-August Rush. August Rush.
658
00:53:59,240 --> 00:54:00,264
That's you.
659
00:54:00,641 --> 00:54:03,041
WALLACE: August. August.
AUGUST: August Rush, August Rush.
660
00:54:05,079 --> 00:54:07,741
[LUCAS REYNOLDS'
"SOMETHING INSIDE" PLAYING]
661
00:54:47,421 --> 00:54:48,547
[THUNDER CRASHES]
662
00:54:48,723 --> 00:54:51,021
LIZZY: New York, Lyla?
What are you doing in New York?
663
00:54:51,192 --> 00:54:53,956
Lizzy, I mean,
I've always felt that he was alive.
664
00:54:54,128 --> 00:54:59,430
I'd see kids that would be his age
and I'd imagine what he'd look like.
665
00:54:59,600 --> 00:55:02,364
-Big blue eyes like his dad and--
-Oh, my God, Lyla.
666
00:55:02,536 --> 00:55:06,973
Lizzy, I used to lie in bed at night
and I swear I could hear him.
667
00:55:07,141 --> 00:55:10,110
-I swear I could hear him.
-Lyla, calm down.
668
00:55:10,278 --> 00:55:13,941
Calm down? How can I be calm?
How can I be calm?
669
00:55:14,115 --> 00:55:17,380
I've been calm for over 10 years
and look where it's gotten me.
670
00:55:17,551 --> 00:55:20,042
Lyla, you're losing it.
671
00:55:20,288 --> 00:55:23,519
You're right. And maybe it's about time.
672
00:55:23,691 --> 00:55:25,385
Don't do anything crazy, okay?
673
00:55:25,558 --> 00:55:29,892
We're on our honeymoon, but we're leaving.
We'll get there as soon as we can, okay?
674
00:55:49,316 --> 00:55:52,183
Okay, Jack, he's worth three times
what you're offering him.
675
00:55:52,352 --> 00:55:54,149
-Wallace--
-You heard him in the park!
676
00:55:54,321 --> 00:55:55,583
You're a pain in the ass.
677
00:55:55,755 --> 00:55:59,156
-Two-fifty if he can play for two hours.
-No, five or he walks.
678
00:55:59,326 --> 00:56:04,127
-Five hundred? I'll give him 250--
-Five hundred or he walks, all right?
679
00:56:04,297 --> 00:56:05,286
JACK:
He walks?
680
00:56:05,465 --> 00:56:07,695
WALLACE:
We have lightning in a bottle, Jack.
681
00:56:07,867 --> 00:56:10,392
No, there's no parents. I'm his guardian.
682
00:56:10,570 --> 00:56:13,767
No, I'm his representation,
that's why I'm making the deal.
683
00:56:13,940 --> 00:56:15,669
WOMAN:
May I help you?
684
00:56:16,076 --> 00:56:18,306
-I'm trying to find my son.
WOMAN: Hold on a second.
685
00:56:19,045 --> 00:56:20,706
Name?
686
00:56:26,019 --> 00:56:28,010
GIRL 1:
Mommy.
687
00:56:28,988 --> 00:56:31,923
[MARK MANCINA'S
"PLAYGROUND" PLAYING]
688
00:56:33,827 --> 00:56:35,761
Mommy.
689
00:56:38,598 --> 00:56:40,065
I don't know.
690
00:56:41,501 --> 00:56:44,061
GIRL 2: Mom.
GIRL 3: Mommy.
691
00:56:54,114 --> 00:56:56,241
Mommy, look at me.
692
00:56:56,416 --> 00:56:58,907
I'm sorry, ma'am, we're closing.
693
00:57:00,253 --> 00:57:04,053
Please, I just-- I wanna know his name.
694
00:57:04,824 --> 00:57:10,023
To even consider re-establishing contact
with a child, there is a detailed process.
695
00:57:10,196 --> 00:57:14,860
I don't care about your process! Okay?
696
00:57:31,050 --> 00:57:35,544
WOMAN: Ma'am, we're closed.
Come back tomorrow.
697
00:57:39,092 --> 00:57:40,821
LOUIS:
Lyla.
698
00:57:41,861 --> 00:57:43,328
Novacek.
699
00:57:46,166 --> 00:57:48,999
LYLA [ON RECORDING]: Hi, this is Lyla--
LIZZY [ON RECORDING]: And Lizzy.
700
00:57:49,169 --> 00:57:51,797
LYLA & LIZZY: And we're not here
right now, so leave a message.
701
00:57:51,971 --> 00:57:53,563
[MACHINE BEEPS]
702
00:58:12,192 --> 00:58:13,716
WALLACE:
Arthur!
703
00:58:14,593 --> 00:58:16,823
What'd I tell you
about talking to strangers?
704
00:58:16,995 --> 00:58:20,453
-Yeah, what's your name?
-My name is Mr. Jeffries, and yours?
705
00:58:20,966 --> 00:58:23,196
Arthur. We ain't strangers now.
706
00:58:23,735 --> 00:58:27,933
Look, Mr. Wallace,
I'm here making my normal rounds.
707
00:58:28,106 --> 00:58:29,664
I'm trying to find these kids.
708
00:58:29,842 --> 00:58:33,073
This girl, her name is Geralda.
She should be about 14 now.
709
00:58:33,245 --> 00:58:34,678
Don't know her, Mr. Jeffries.
710
00:58:34,847 --> 00:58:37,873
Okay, well, maybe you can help me
with this young man.
711
00:58:38,050 --> 00:58:41,952
Little boy that came up missing recently
and his name is Evan Taylor.
712
00:58:42,788 --> 00:58:44,949
He's about 12.
713
00:58:47,092 --> 00:58:50,721
And what if I find this Evan
and I turn him over to you?
714
00:58:51,296 --> 00:58:55,198
What then? You don't care about a kid
after he's in the system.
715
00:58:55,367 --> 00:58:58,962
-It's not like that--
-Oh, I know exactly what it's like.
716
00:58:59,137 --> 00:59:03,130
You don't follow up.
And you throw him from place to place.
717
00:59:03,308 --> 00:59:06,903
Eventually, you end up in a place
where they kick the crap out of you.
718
00:59:07,346 --> 00:59:11,976
Go to bed at night
and he tries to close his eyes, ears.
719
00:59:12,150 --> 00:59:13,845
Shut out the world.
720
00:59:14,019 --> 00:59:17,546
What happens to that kid?
What do you think he hears?
721
00:59:18,156 --> 00:59:19,851
What do you think he hears?
722
00:59:21,593 --> 00:59:23,720
-Nothing.
-Nothing. Nothing at all.
723
00:59:27,466 --> 00:59:28,592
Are you all right?
724
00:59:29,201 --> 00:59:30,759
-Yeah, I'm cool.
-He's good.
725
00:59:39,678 --> 00:59:41,737
MAN:
Fourteenth Precinct, Sergeant O'Malley.
726
00:59:42,548 --> 00:59:45,108
WALLACE:
No. That doesn't cut it.
727
00:59:45,284 --> 00:59:47,514
[PLAYING MARK MANCINA'S
"WIND UP"]
728
00:59:47,686 --> 00:59:50,746
No! Oh, is that final?
729
00:59:50,923 --> 00:59:54,324
Okay, well, here's my final offer:
we're history!
730
00:59:55,360 --> 00:59:57,487
-Deal's off.
-But I wanna play.
731
00:59:57,663 --> 01:00:00,632
You play when I say play.
You breathe when I say breathe.
732
01:00:00,799 --> 01:00:03,427
-You got that, boy?
-But I have to play.
733
01:00:03,602 --> 01:00:05,729
Wizard, I need them to hear.
734
01:00:05,904 --> 01:00:10,864
You forget about your parents!
They were pretty quick to forget about you.
735
01:00:11,944 --> 01:00:14,913
[MARK MANCINA'S
"AGAINST THE GATE" PLAYING]
736
01:00:16,715 --> 01:00:19,149
You don't know how it could be for you.
737
01:00:19,318 --> 01:00:22,151
You do not know how precious
your gift is.
738
01:00:22,321 --> 01:00:25,051
You're just a kid, you don't know.
739
01:00:29,795 --> 01:00:32,025
I do, August.
740
01:00:43,408 --> 01:00:45,638
[SIRENS WAILING]
741
01:00:46,979 --> 01:00:49,379
BOY: Wizard. Wizard.
WALLACE: Shh! Talk to me. What happened?
742
01:00:49,548 --> 01:00:52,984
-It's Arthur. The cops chased him here.
-Okay, split up. You know the drill.
743
01:00:53,151 --> 01:00:55,642
-We gotta help Arty.
-Forget Arty. Arty's on his own.
744
01:00:55,821 --> 01:00:57,812
-That's the book.
-No.
745
01:00:57,990 --> 01:01:00,288
WALLACE: August!
COP 1: Grab him. Grab him. There he goes.
746
01:01:01,293 --> 01:01:02,783
COP 2:
He went outside over there.
747
01:01:02,961 --> 01:01:05,588
[MARK MANCINA'S
"THE RAID" PLAYING]
748
01:01:15,940 --> 01:01:19,273
Up there. You see him?
See him? Look, over there.
749
01:01:19,443 --> 01:01:21,274
COP 2: Hey, kid, don't move.
-Hey, you!
750
01:01:21,445 --> 01:01:24,005
Cops. Cops.
751
01:01:24,649 --> 01:01:26,708
Cops. Over here.
752
01:01:29,353 --> 01:01:32,083
COP 2: Grab that kid over there.
Grab him, grab him.
753
01:01:38,763 --> 01:01:40,958
Listen, you can't let the cops catch you.
754
01:01:41,132 --> 01:01:43,532
If they do,
you don't tell them your real name...
755
01:01:43,701 --> 01:01:47,137
...because they'll send you right back
where you came from, you got that?
756
01:01:48,005 --> 01:01:49,370
I don't wanna lose you...
757
01:01:49,540 --> 01:01:51,906
...but if we get separated,
we meet at the arch.
758
01:01:53,878 --> 01:01:55,675
Do not tell them your name.
759
01:01:55,846 --> 01:02:00,909
Hey, when I say run, you run, okay?
760
01:02:07,725 --> 01:02:08,919
COP 1:
Let me see your hands.
761
01:02:09,093 --> 01:02:10,685
[SCREAMS]
762
01:02:11,929 --> 01:02:16,161
WALLACE: Run, August. Run, August. Run!
COP 2: Hey, kid.
763
01:02:26,977 --> 01:02:28,001
Hey, kid, stop.
764
01:02:34,351 --> 01:02:35,409
Open the door.
765
01:02:35,586 --> 01:02:36,575
[BUZZES]
766
01:02:48,032 --> 01:02:50,865
[JAMAL JOSEPH'S "HARLEM STREETZ"
PLAYING ON CAR STEREO IN DISTANCE]
767
01:03:07,451 --> 01:03:12,013
MAN [SINGING]: How I don't need that man
But they don't understand
768
01:03:12,189 --> 01:03:14,714
There's far too many pressures in reality
769
01:03:15,860 --> 01:03:18,954
Dealing with the pain of stress and poverty
770
01:03:19,130 --> 01:03:25,694
And I gotta be myself because
There's nobody else for me, no
771
01:03:25,870 --> 01:03:27,599
Hang in there with me
772
01:03:27,772 --> 01:03:30,639
Sometimes it takes a different kind of love
To raise a child
773
01:03:30,808 --> 01:03:32,901
-So don't give up
-So don't give up
774
01:03:33,077 --> 01:03:34,339
When pressures come down
775
01:03:34,512 --> 01:03:37,845
Sometimes it takes a different kind of dream
To make you smile
776
01:03:38,015 --> 01:03:39,482
-So raise it up
-So raise
777
01:03:39,650 --> 01:03:41,277
Hang in there with me
778
01:03:41,452 --> 01:03:44,512
Sometimes we need another helping hand
To show the way
779
01:03:44,688 --> 01:03:46,417
-So don't give up
-So don't give up
780
01:03:46,590 --> 01:03:48,148
When pressures come down
781
01:03:48,325 --> 01:03:51,226
Sometimes it seems impossible
And that's why we pray
782
01:03:51,395 --> 01:03:53,362
-So raise it up
-We pray
783
01:03:53,530 --> 01:03:56,658
Seems to be nothing left for me
784
01:03:56,833 --> 01:03:59,427
Mama's gone, Daddy didn't wanna be
785
01:04:00,370 --> 01:04:04,033
Now I'm all by myself
Wondering where is love
786
01:04:04,207 --> 01:04:06,198
Or should I just give up, you know
787
01:04:06,376 --> 01:04:10,312
Life falls down on me
Cuts into my soul
788
01:04:10,480 --> 01:04:13,938
But I know I got the strength
To make it through it all
789
01:04:14,117 --> 01:04:17,609
Cause I'm still standing tall
Breaking through these walls
790
01:04:17,787 --> 01:04:21,188
I'm gonna give my all, hey
791
01:04:21,357 --> 01:04:24,053
I'm feeling like a motherless child
792
01:04:24,394 --> 01:04:26,919
Pain cuts into my soul
793
01:04:27,630 --> 01:04:28,961
It's beaten me down
794
01:04:29,132 --> 01:04:33,694
Can't find a smile
On the face of a motherless child
795
01:04:33,870 --> 01:04:36,964
Gonna break down these walls
Gonna give my all
796
01:04:37,140 --> 01:04:41,440
You know
Yeah, yeah, yeah, yeah
797
01:04:41,611 --> 01:04:43,135
Hang in there with me
798
01:04:43,313 --> 01:04:46,339
Sometimes it takes a different kind of love
To raise a child
799
01:04:46,516 --> 01:04:48,313
-So don't give up
-So don't give up
800
01:04:48,484 --> 01:04:49,678
When pressures come down
801
01:04:49,853 --> 01:04:53,345
Sometimes it takes a different kind of dream
To make you smile
802
01:04:53,523 --> 01:04:55,081
-So raise it up
-So raise it up
803
01:04:55,258 --> 01:04:57,249
-Hang in there with me
-Raise it up
804
01:04:57,427 --> 01:05:00,260
Sometimes it takes another's helping hand
To show you the way
805
01:05:00,430 --> 01:05:01,419
So don't give up
806
01:05:01,598 --> 01:05:03,691
-Oh, no, yeah
-When pressures come down
807
01:05:03,867 --> 01:05:06,700
Sometimes it seems impossible
That's why we pray
808
01:05:06,870 --> 01:05:07,859
So raise it up
809
01:05:15,245 --> 01:05:17,338
LYLA: Hi.
-Hi.
810
01:05:17,847 --> 01:05:22,250
I know how this looks, you know.
I'm not crazy.
811
01:05:22,418 --> 01:05:25,512
Nobody thinks you're crazy.
What's your name?
812
01:05:25,688 --> 01:05:27,918
Lyla Novacek.
813
01:05:28,091 --> 01:05:30,059
Well, it's like
the woman explained to you.
814
01:05:30,226 --> 01:05:32,786
-You fill out a couple forms--
-Six months, they said.
815
01:05:32,962 --> 01:05:36,329
I don't have six months for forms.
816
01:05:36,499 --> 01:05:38,592
Then I can't help you, then.
817
01:05:39,202 --> 01:05:42,262
Explain something to me now. Why now?
818
01:05:43,039 --> 01:05:46,736
Why not before? Why is it so important
that you want him now?
819
01:05:47,944 --> 01:05:50,139
I've always wanted him.
820
01:05:52,515 --> 01:05:56,417
I've waited 11 years, two months,
and 15 days...
821
01:05:57,353 --> 01:05:59,981
...to find out that he's alive.
822
01:06:03,059 --> 01:06:04,890
I've been counting.
823
01:06:06,529 --> 01:06:08,861
[LUCAS REYNOLDS'
"SOMETHING INSIDE" PLAYING]
824
01:06:16,906 --> 01:06:19,033
[PHONE DIALING]
825
01:06:21,744 --> 01:06:24,178
- [ON RECORDING] Hi, this is Lyla--
-And Lizzy.
826
01:06:24,347 --> 01:06:26,815
And we're not here right now,
so leave a message.
827
01:06:26,983 --> 01:06:28,917
[MACHINE BEEPS]
828
01:06:32,255 --> 01:06:34,849
MAN [SINGING]:
When the one thing you're looking for
829
01:06:35,024 --> 01:06:36,184
[PHONE DIALING]
830
01:06:36,359 --> 01:06:38,884
Is nowhere to be found
831
01:06:41,998 --> 01:06:45,125
And you're back-stepping
All of your moves
832
01:06:45,300 --> 01:06:47,325
Trying to figure it out
833
01:06:47,502 --> 01:06:48,764
MAN:
What are you waiting for?
834
01:06:48,937 --> 01:06:51,667
You see, I know this girl
that lives across the street.
835
01:06:51,840 --> 01:06:52,864
Lyla Novacek.
836
01:06:53,041 --> 01:06:55,134
I've been standing outside here waiting.
837
01:06:55,310 --> 01:06:56,675
I wrote her a song.
838
01:06:56,845 --> 01:07:00,303
WOMAN: Oh, the musician.
She keeps me up half the night.
839
01:07:00,482 --> 01:07:04,680
Well, I haven't seen her in a few days.
She's off on her honeymoon.
840
01:07:07,089 --> 01:07:08,818
Thanks.
841
01:07:08,991 --> 01:07:14,361
MAN [SINGING]: And you wanna give out
You wanna give in
842
01:07:14,529 --> 01:07:19,330
Your head's wrapped around
What's around the next bend
843
01:07:19,801 --> 01:07:23,237
You wish you could find
Something warm
844
01:07:23,405 --> 01:07:26,897
'Cause you're shivering cold
845
01:07:32,414 --> 01:07:37,545
It's the first thing you see
As you open your eyes
846
01:07:37,719 --> 01:07:42,452
The last thing you say
As you're saying goodbye
847
01:07:42,624 --> 01:07:48,893
But something inside you
Is crying and driving you on
848
01:07:49,631 --> 01:07:51,758
RICHARD:
And this isn't your signature?
849
01:07:53,201 --> 01:07:58,070
You do realize that he's probably
already been placed with a family, correct?
850
01:07:58,240 --> 01:08:00,674
Do you have children, Mr. Jeffries?
851
01:08:08,483 --> 01:08:10,849
Yeah, I did.
852
01:08:12,721 --> 01:08:14,245
Then you know.
853
01:08:22,097 --> 01:08:23,359
What's his birthday?
854
01:08:23,999 --> 01:08:26,365
December 17th, 1995.
855
01:08:28,070 --> 01:08:29,230
Yeah, I know.
856
01:08:41,850 --> 01:08:44,011
Excuse me a minute.
857
01:09:02,204 --> 01:09:04,900
[MARK MANCINA'S
"PHOTO OF EVAN" PLAYING]
858
01:09:12,247 --> 01:09:13,942
This is him.
859
01:09:18,620 --> 01:09:20,144
Yeah.
860
01:09:21,690 --> 01:09:24,591
[BELLS TOLLING]
861
01:09:38,672 --> 01:09:40,799
[PEOPLE CHATTERING]
862
01:09:40,975 --> 01:09:43,273
[MARK MANCINA'S "PIANO LESSON"
PLAYING ON PIANO]
863
01:09:59,894 --> 01:10:01,953
You the one slept under my bed?
864
01:10:07,268 --> 01:10:08,326
Do you live here?
865
01:10:08,936 --> 01:10:11,131
Me and my grandma do,
till our boat comes in.
866
01:10:14,341 --> 01:10:15,569
Do you like music?
867
01:10:17,111 --> 01:10:18,169
More than food.
868
01:10:21,348 --> 01:10:23,077
Do you know your notes?
869
01:10:24,418 --> 01:10:26,318
I've never seen them like that before.
870
01:10:26,487 --> 01:10:28,079
See here:
871
01:10:28,923 --> 01:10:33,826
"Every Good Boy Does Fine"
on the lines.
872
01:10:33,994 --> 01:10:39,398
And "F, A, C, E" in between.
873
01:10:39,567 --> 01:10:43,094
And "Great Big Dogs Fight Animals."
874
01:10:43,270 --> 01:10:48,230
And "All Cars Eat Gas." Get it?
875
01:10:49,176 --> 01:10:50,666
You're like an angel.
876
01:10:51,512 --> 01:10:53,241
Okay. I gotta go.
877
01:10:53,714 --> 01:10:55,409
Gotta go to school.
878
01:11:00,721 --> 01:11:02,450
Can I borrow this?
879
01:11:03,190 --> 01:11:04,851
Later.
880
01:11:11,832 --> 01:11:14,164
[THUDS]
881
01:11:26,747 --> 01:11:29,443
[PLAYING MARK MANCINA'S
"BASKETBALL"]
882
01:12:32,378 --> 01:12:34,039
Holy....
883
01:12:37,317 --> 01:12:39,512
Reverend J.!
884
01:13:05,611 --> 01:13:07,636
[ORGAN SOUNDS]
885
01:13:07,814 --> 01:13:10,647
You're not gonna believe this,
Reverend J. Come quick.
886
01:13:10,817 --> 01:13:13,718
-Whoa. Slow down, Hope.
-You've gotta see what's happened.
887
01:13:13,886 --> 01:13:17,879
[PLAYING MARK MANCINA'S
"3 NOTE THEME"]
888
01:13:34,707 --> 01:13:37,335
Remember in Music Appreciation
we had a class on Mozart?
889
01:13:37,510 --> 01:13:38,534
Yes.
890
01:13:38,711 --> 01:13:40,736
Remember you said
he was like a musical pod?
891
01:13:40,913 --> 01:13:42,847
-Prodigy.
-Exactly.
892
01:13:43,015 --> 01:13:45,916
Well, I have one of those,
and he's living under my bed.
893
01:13:54,193 --> 01:13:57,822
So I showed him the scales
and when I came home, he was....
894
01:14:30,530 --> 01:14:33,966
LYLA:
Mr. Jeffries, hi, it's Lyla Novacek again.
895
01:14:34,133 --> 01:14:36,966
I was just checking in.
896
01:14:39,439 --> 01:14:40,838
Right, I understand.
897
01:14:41,007 --> 01:14:44,135
You know,
if there's any more information or--
898
01:14:44,310 --> 01:14:46,141
Yeah, just call.
899
01:14:59,859 --> 01:15:01,520
I'll take it.
900
01:15:01,694 --> 01:15:04,288
WOMAN:
How long do you think you'll be staying?
901
01:15:05,331 --> 01:15:07,822
LYLA:
As long as it takes.
902
01:15:28,820 --> 01:15:30,378
Sorry.
903
01:15:30,555 --> 01:15:33,251
LYLA:
I don't know, Lizzy, it's like...
904
01:15:33,625 --> 01:15:35,456
...I just woke up...
905
01:15:35,627 --> 01:15:37,959
...and I should start playing again.
906
01:15:38,129 --> 01:15:40,029
I should play.
907
01:15:40,499 --> 01:15:43,832
I know it sounds crazy,
but maybe he'll hear me.
908
01:15:59,951 --> 01:16:02,818
LOUIS:
Hey, Marshall. It's me.
909
01:16:04,422 --> 01:16:06,287
I'm in New York.
910
01:16:07,993 --> 01:16:10,518
Is the band still minus
one mad Connelly brother?
911
01:16:11,563 --> 01:16:14,327
Having you guys here,
it'd be great, you know?
912
01:16:15,734 --> 01:16:17,099
Just an idea.
913
01:16:17,269 --> 01:16:20,067
Hey, Frank. It's Louis.
914
01:16:20,438 --> 01:16:22,269
Louis Connelly.
915
01:16:22,440 --> 01:16:23,873
And?
916
01:16:24,042 --> 01:16:26,533
I played here with me band
a couple of years ago.
917
01:16:26,711 --> 01:16:28,702
Well, about 10 years ago.
918
01:16:31,283 --> 01:16:33,649
Hey, hey, listen, Frank.
919
01:16:34,185 --> 01:16:37,677
I'm gonna play you one song, all right?
Just one song.
920
01:16:37,856 --> 01:16:41,485
And if you don't like it,
you can throw me out.
921
01:16:43,061 --> 01:16:45,894
[MARK MANCINA'S
"AUGUST TO JUILLIARD" PLAYING]
922
01:16:58,343 --> 01:17:00,641
WOMAN:
You brought us a prodigy, Reverend.
923
01:17:00,812 --> 01:17:03,508
-He is a mystery.
MAN: Here in the "Well-Tempered Clavier"....
924
01:17:03,682 --> 01:17:06,378
Dean, I thought he was an angel.
925
01:17:07,285 --> 01:17:10,550
There's no record of
an August Rush anywhere.
926
01:17:10,722 --> 01:17:15,159
MAN: It's about foundation,
starting with a very simple, orderly chord.
927
01:17:15,327 --> 01:17:18,057
LOUIS [SINGING]:
As you open your eyes
928
01:17:18,229 --> 01:17:22,859
The last thing you say
As you're saying goodbye
929
01:17:23,034 --> 01:17:25,400
But something inside you
930
01:17:25,570 --> 01:17:29,904
Is crying and driving you on
931
01:17:30,442 --> 01:17:33,309
[CELLO PLAYING DAVE METZGER'S
"CELLO CONCERTO IN E MINOR"]
932
01:17:39,150 --> 01:17:41,744
LIZZY:
Lyla, just relax.
933
01:17:41,920 --> 01:17:44,252
LYLA: This piece.
LIZZY: You're pushing yourself too hard.
934
01:17:44,422 --> 01:17:46,686
I don't know if I can do this.
935
01:17:46,858 --> 01:17:49,383
LIZZY:
You're playing with the Philharmonic.
936
01:17:49,561 --> 01:17:51,495
That's great.
937
01:17:53,398 --> 01:17:55,696
Okay, let's keep going.
938
01:18:03,007 --> 01:18:06,670
MAN: Start with a C-major chord,
then a modulation to G.
939
01:18:06,844 --> 01:18:09,836
Once we get to G,
we go back to C, very simple.
940
01:18:10,014 --> 01:18:12,778
And we have C, G, C.
941
01:18:20,491 --> 01:18:22,391
At the very beginning, C-major chord.
942
01:18:22,559 --> 01:18:27,155
We have this chaotic evolution
into a remote G-major.
943
01:18:30,501 --> 01:18:32,492
C-major chord, then move into a G.
944
01:18:41,311 --> 01:18:43,779
What's this, August?
945
01:18:44,081 --> 01:18:46,276
The diminished fifth, sir.
946
01:18:46,650 --> 01:18:48,083
Key change here.
947
01:18:48,252 --> 01:18:51,016
And then the rise
with those round horns...
948
01:18:51,188 --> 01:18:55,249
...the oboes,
into the allegro staccato strings.
949
01:18:56,660 --> 01:18:58,560
[KNOCKING]
950
01:19:00,864 --> 01:19:03,389
Ah. Mr. Rush.
951
01:19:06,870 --> 01:19:10,237
-I'm sorry.
-Why are you apologizing, August?
952
01:19:11,442 --> 01:19:12,909
Sometimes I don't listen well...
953
01:19:13,077 --> 01:19:15,545
...and I don't do the homework
like I'm supposed to.
954
01:19:15,713 --> 01:19:18,011
Well, I'm sure you'll do better
in the future.
955
01:19:29,193 --> 01:19:32,185
The New York Philharmonic Orchestra
is having a concert.
956
01:19:32,830 --> 01:19:36,960
In the history of this school we have never
performed the work of a first-year student...
957
01:19:37,134 --> 01:19:40,035
...and certainly no one of your age.
958
01:19:40,204 --> 01:19:44,300
But now, we've asked them
if they could perform your rhapsody.
959
01:19:44,475 --> 01:19:46,033
Would you like that?
960
01:19:46,944 --> 01:19:49,412
Well, good. Good.
961
01:19:49,580 --> 01:19:51,241
How many people will hear it?
962
01:19:54,017 --> 01:19:57,783
Well, it would be performed in Central Park,
on the Great Lawn.
963
01:19:57,955 --> 01:19:58,979
A hundred?
964
01:20:00,157 --> 01:20:02,057
Much more. Thousands.
965
01:20:02,893 --> 01:20:07,455
Okay. Because I need to play it
to a lot of people. Lots and lots.
966
01:20:07,631 --> 01:20:08,893
[PEOPLE CHUCKLING]
967
01:20:09,066 --> 01:20:10,761
We'll see what we can do to help.
968
01:20:13,270 --> 01:20:19,300
DEAN: August, three artists will be
performing, and you will be featured last.
969
01:20:19,910 --> 01:20:22,276
[MARK MANCINA'S
"JUILLIARD MONTAGE" PLAYING]
970
01:20:30,521 --> 01:20:32,318
How do you do it?
971
01:20:32,723 --> 01:20:36,090
How does the music come to you?
972
01:20:38,228 --> 01:20:39,991
AUGUST:
I just hear it.
973
01:20:43,934 --> 01:20:45,765
Sometimes I wake up and it's there...
974
01:20:45,936 --> 01:20:48,769
...or I hear it
when I'm walking down the street.
975
01:20:50,140 --> 01:20:54,769
[MARK MANCINA'S
"JUILLIARD MONTAGE" PLAYING]
976
01:20:55,878 --> 01:20:58,438
It's like someone's calling out to me.
977
01:20:59,348 --> 01:21:02,010
Writing it all down
is like I'm calling back to them.
978
01:21:02,185 --> 01:21:03,447
Who?
979
01:21:04,954 --> 01:21:07,149
The ones who gave me the music.
980
01:21:14,497 --> 01:21:16,431
MARSHALL:
You sure you're ready for this, Louis?
981
01:21:16,599 --> 01:21:17,896
Are you?
982
01:21:44,727 --> 01:21:48,060
[ORCHESTRA PLAYING MARK MANCINA'S
"RHAPSODY REHEARSAL"]
983
01:22:18,194 --> 01:22:19,889
Bravo, August!
984
01:22:22,431 --> 01:22:23,898
Good one!
985
01:22:27,336 --> 01:22:31,534
August, boy, you're a hard guy to find.
986
01:22:33,876 --> 01:22:35,366
Been looking everywhere for you.
987
01:22:35,544 --> 01:22:38,980
Excuse me.
You're interrupting a rehearsal here.
988
01:22:39,148 --> 01:22:41,708
WALLACE: Yeah, rehearsal, right.
MAN: And you are...?
989
01:22:41,884 --> 01:22:43,476
Come here to me, son.
990
01:22:53,262 --> 01:22:54,820
Come here.
991
01:22:57,934 --> 01:22:59,799
What'd they do to you?
992
01:23:01,404 --> 01:23:02,894
Nothing.
993
01:23:05,408 --> 01:23:07,399
These people can steal your soul.
994
01:23:08,244 --> 01:23:10,474
Sir, whomever you are,
you don't have the right.
995
01:23:10,646 --> 01:23:13,581
I'm his father, all right?
I have every right.
996
01:23:17,687 --> 01:23:20,451
I'll take you home now. Come on.
997
01:23:21,057 --> 01:23:24,151
But I have a concert. I like it here.
998
01:23:24,327 --> 01:23:26,852
-He's a remarkable boy--
WALLACE: You don't think I know that?
999
01:23:27,029 --> 01:23:30,795
What'd you do, you just snatched him up
off the street? That gives you the right?
1000
01:23:31,400 --> 01:23:33,664
Wait a moment,
we've been teaching him here.
1001
01:23:33,836 --> 01:23:35,064
What are you gonna do?
1002
01:23:35,237 --> 01:23:38,934
Fill his head with classical theory
and rules?
1003
01:23:39,108 --> 01:23:42,076
You can't learn music from books.
1004
01:23:42,243 --> 01:23:43,801
It's out there.
1005
01:23:45,213 --> 01:23:47,579
You teach him? Ha!
1006
01:23:48,016 --> 01:23:49,483
He teaches you.
1007
01:23:49,651 --> 01:23:51,380
You learn from him.
1008
01:23:51,553 --> 01:23:54,044
We are.
I assure you, Mr. Rush, every day.
1009
01:23:55,190 --> 01:23:56,953
You should be with family. Come on.
1010
01:24:00,362 --> 01:24:01,954
Mr. Rush, please.
1011
01:24:02,130 --> 01:24:06,191
Do you have any idea of the importance
of the concert tomorrow night, for August?
1012
01:24:07,002 --> 01:24:08,526
August. Wait, listen.
1013
01:24:09,004 --> 01:24:11,871
You gotta tell me right now,
is this man really your father?
1014
01:24:16,344 --> 01:24:18,175
You can tell me the truth.
1015
01:24:19,347 --> 01:24:21,577
WALLACE:
I know your real name.
1016
01:24:22,751 --> 01:24:24,150
Evan.
1017
01:24:24,753 --> 01:24:26,653
MAN:
August.
1018
01:24:26,821 --> 01:24:28,254
Evan.
1019
01:24:30,658 --> 01:24:32,489
Is he your father?
1020
01:24:32,660 --> 01:24:35,857
[MARK MANCINA'S
"WIZARD RETURNS" PLAYING]
1021
01:24:36,998 --> 01:24:39,193
He taught me everything I know.
1022
01:24:49,677 --> 01:24:51,611
[STRUMS GUITAR]
1023
01:24:51,780 --> 01:24:53,441
ARTHUR:
And we are back, we are back.
1024
01:24:57,285 --> 01:24:59,617
Don't make it harder for yourself, Aug.
1025
01:24:59,788 --> 01:25:02,018
Wizard's not so bad.
1026
01:25:03,291 --> 01:25:05,725
You saw the kid, right?
He's a freak of nature. Yeah.
1027
01:25:05,894 --> 01:25:09,625
Here's the deal. Thousand a night, two
weeks minimum, three cities guaranteed.
1028
01:25:09,798 --> 01:25:12,858
Then we ship him out to your partner
on the West Coast. No.
1029
01:25:13,034 --> 01:25:14,899
ARTHUR:
He just ain't feeling well.
1030
01:25:15,904 --> 01:25:19,203
He said you the only one
who gonna make him feel better.
1031
01:25:26,314 --> 01:25:29,215
Competition. All right, I'll be back.
You do what you do.
1032
01:25:33,121 --> 01:25:35,055
Yo, yo.
1033
01:25:40,895 --> 01:25:43,557
I'm his representation.
That's why I'm making the deal.
1034
01:25:44,399 --> 01:25:46,833
Come on. No, there's no parents.
1035
01:26:17,098 --> 01:26:18,656
Great sounds, kid.
1036
01:26:21,436 --> 01:26:23,028
Gibson J-200?
1037
01:26:24,572 --> 01:26:26,039
It's beautiful.
1038
01:26:26,641 --> 01:26:27,938
Can I see her?
1039
01:26:31,378 --> 01:26:34,347
Hey. It's okay.
1040
01:26:34,815 --> 01:26:36,874
I'm a musician too.
1041
01:26:42,055 --> 01:26:43,579
Yeah.
1042
01:26:47,661 --> 01:26:49,356
Oh, yeah.
1043
01:26:54,635 --> 01:26:57,900
[PLAYING HEITOR PERIERA'S
"DUELING GUITARS"]
1044
01:27:02,976 --> 01:27:04,307
Nice action.
1045
01:27:05,345 --> 01:27:06,676
You're pretty good.
1046
01:27:07,881 --> 01:27:09,508
Thanks.
1047
01:27:10,450 --> 01:27:12,441
See what you can do with mine.
1048
01:29:06,933 --> 01:29:08,332
How long you been playing?
1049
01:29:08,769 --> 01:29:10,168
Six months.
1050
01:29:10,804 --> 01:29:12,601
Six months?
1051
01:29:12,773 --> 01:29:15,264
How'd you learn how to play like that
in six months?
1052
01:29:15,442 --> 01:29:16,500
Juilliard.
1053
01:29:18,145 --> 01:29:19,305
Juilliard?
1054
01:29:19,812 --> 01:29:21,040
Yes, sir.
1055
01:29:21,213 --> 01:29:23,181
I have my own concert tonight.
1056
01:29:24,183 --> 01:29:25,844
Do you reckon I should believe you?
1057
01:29:26,952 --> 01:29:29,614
Yeah. But I can't go.
1058
01:29:30,056 --> 01:29:31,284
Why's that?
1059
01:29:32,024 --> 01:29:34,390
It's kind of a long story.
1060
01:29:36,729 --> 01:29:41,257
Well, if I went to Juilliard
and I had a concert tonight...
1061
01:29:41,434 --> 01:29:43,334
...I wouldn't miss it for the world.
1062
01:29:44,637 --> 01:29:46,070
Yeah.
1063
01:29:51,243 --> 01:29:53,803
But what if something bad
would happen if you did it?
1064
01:29:55,481 --> 01:29:57,676
You never quit on your music.
1065
01:29:58,451 --> 01:30:00,544
No matter what happens.
1066
01:30:01,153 --> 01:30:04,850
Because anytime
something bad happens to you...
1067
01:30:05,257 --> 01:30:08,556
...it's the one place you can escape to
and just, psh, let it go.
1068
01:30:10,696 --> 01:30:12,789
I learned that the hard way.
1069
01:30:14,433 --> 01:30:16,333
And anyway, look at me.
1070
01:30:17,370 --> 01:30:19,702
Nothing bad's gonna happen.
1071
01:30:20,406 --> 01:30:22,533
You gotta have a little faith.
1072
01:30:33,185 --> 01:30:34,413
I'm Louis.
1073
01:30:35,488 --> 01:30:37,888
Ev-- August.
1074
01:30:38,057 --> 01:30:39,718
August Rush.
1075
01:30:39,892 --> 01:30:41,951
August Rush.
1076
01:30:43,362 --> 01:30:45,694
-Cool name.
WALLACE: August!
1077
01:30:47,032 --> 01:30:48,556
Come on!
1078
01:30:51,637 --> 01:30:53,434
I gotta go, August.
1079
01:30:59,745 --> 01:31:01,235
Bye.
1080
01:31:02,014 --> 01:31:03,481
Yeah.
1081
01:31:05,317 --> 01:31:06,807
Bye.
1082
01:31:16,495 --> 01:31:17,894
Bye.
1083
01:31:36,348 --> 01:31:39,078
Yes, I made him memorize our number.
1084
01:31:41,654 --> 01:31:45,090
I understand. Your department's
doing everything they can.
1085
01:32:04,076 --> 01:32:06,636
Do you think anything bad
happened to him?
1086
01:32:07,746 --> 01:32:09,008
I'm sure he's fine.
1087
01:32:10,081 --> 01:32:12,641
I prayed for him. Did you?
1088
01:32:13,418 --> 01:32:15,079
Yeah.
1089
01:32:16,254 --> 01:32:19,621
Well, if his father loves him like he should...
1090
01:32:19,791 --> 01:32:22,954
...then he'll do what's best for his son.
1091
01:32:24,863 --> 01:32:26,490
You believe that, don't you?
1092
01:32:27,465 --> 01:32:30,263
-Yeah.
-Good.
1093
01:32:30,568 --> 01:32:32,433
Now go get ready.
1094
01:32:32,837 --> 01:32:38,104
[MARK MANCINA'S
"ARPEGGIO THEME" PLAYING]
1095
01:32:43,414 --> 01:32:45,848
DEAN:
Welcome to our Concert in the Park...
1096
01:32:46,317 --> 01:32:51,380
...and the Mercedes Drive Your Future
Scholarship Celebration.
1097
01:32:51,556 --> 01:32:54,218
And now it is with enormous pleasure...
1098
01:32:54,392 --> 01:33:00,820
...that I welcome back to the concert stage
one of Juilliard's own, Lyla Novacek.
1099
01:33:27,492 --> 01:33:32,020
[PLAYING DAVE METZGER'S
"CELLO CONCERTO IN E MINOR"]
1100
01:33:55,420 --> 01:33:56,546
[LOUIS PLAYING LUCAS REYNOLDS'
"SOMETHING INSIDE"]
1101
01:33:56,721 --> 01:33:59,656
[SINGING]
So long you've been running in circles
1102
01:33:59,824 --> 01:34:01,689
Round what's at stake
1103
01:34:04,729 --> 01:34:09,564
But now the time's come
For your feet to stand still in one place
1104
01:34:13,104 --> 01:34:16,733
You wanna reach out
You wanna give in
1105
01:34:16,908 --> 01:34:20,810
Your head's wrapped around
What's around the next bend
1106
01:34:20,979 --> 01:34:26,246
You wish you could find something warm
'Cause you're shivering cold
1107
01:34:28,853 --> 01:34:32,755
It's the first thing you see
As you open your eyes
1108
01:34:32,924 --> 01:34:36,860
The last thing you say
As you're saying goodbye
1109
01:34:37,028 --> 01:34:42,056
But something inside you
Is crying, driving you on
1110
01:34:43,701 --> 01:34:48,035
'Cause if you hadn't found me
1111
01:34:48,206 --> 01:34:50,640
I would have found you
1112
01:34:52,510 --> 01:34:57,743
I would have found you
1113
01:35:05,455 --> 01:35:07,184
I have to go now.
1114
01:35:19,102 --> 01:35:20,899
I'm not coming back this time.
1115
01:35:22,539 --> 01:35:23,870
He's just kidding, Wizard.
1116
01:35:25,475 --> 01:35:28,205
Me and August have a understanding.
Don't we?
1117
01:35:33,350 --> 01:35:35,545
Aug, you can't leave me, man.
1118
01:35:35,719 --> 01:35:37,482
Yes, I can.
1119
01:35:38,722 --> 01:35:40,849
Because you have to
find your parents, right?
1120
01:35:41,024 --> 01:35:43,788
Yeah. My concert's starting.
1121
01:35:43,960 --> 01:35:49,023
Well, all my money's on the fact
your folks won't be able to find you.
1122
01:35:49,199 --> 01:35:50,530
You know why?
1123
01:35:50,934 --> 01:35:52,834
Because they can't hear you.
1124
01:35:53,270 --> 01:35:54,601
They're probably dead.
1125
01:35:54,771 --> 01:35:56,966
You're not going anywhere.
1126
01:36:00,811 --> 01:36:05,373
It's the first thing you see
As you open your eyes
1127
01:36:05,582 --> 01:36:08,983
The last thing you say
As you're saying goodbye
1128
01:36:09,186 --> 01:36:10,244
Nowhere to go, son.
1129
01:36:10,420 --> 01:36:14,015
Something inside you
Is crying and driving you on
1130
01:36:15,058 --> 01:36:20,860
I would have found you
1131
01:36:21,298 --> 01:36:23,061
ARTHUR:
Run, boy.
1132
01:36:23,233 --> 01:36:24,757
Run, August, run.
1133
01:36:24,935 --> 01:36:28,871
I would have found you
1134
01:36:31,208 --> 01:36:35,941
I would have found you
1135
01:36:37,080 --> 01:36:39,275
[HORN HONKS]
1136
01:36:45,889 --> 01:36:48,357
WALLACE:
August!
1137
01:37:01,772 --> 01:37:04,866
[PLAYING DAVE METZGER'S
"CELLO CONCERTO IN E MINOR"]
1138
01:37:38,475 --> 01:37:41,000
WALLACE:
August!
1139
01:38:01,363 --> 01:38:03,991
DEAN:
Thank you, ladies and gentlemen.
1140
01:38:04,366 --> 01:38:10,168
Music has always fascinated us
in the way that it communicates.
1141
01:38:10,339 --> 01:38:13,365
Without words, without pictures.
1142
01:38:14,276 --> 01:38:17,143
And that leads us
to our final performance.
1143
01:38:21,317 --> 01:38:23,478
NICK:
How much longer to the airport?
1144
01:38:23,652 --> 01:38:26,143
MARSHALL:
Man, it jams up the traffic.
1145
01:38:26,322 --> 01:38:28,813
Bring you back to the old days,
eh, Louis?
1146
01:38:30,960 --> 01:38:34,862
[MARK MANCINA'S
"ARPEGGIO THEME" PLAYING]
1147
01:38:46,542 --> 01:38:48,339
"August Rush."
1148
01:38:48,510 --> 01:38:50,341
Evan Taylor.
1149
01:39:06,061 --> 01:39:10,725
Unfortunately, our last performer
seems to have....
1150
01:39:10,900 --> 01:39:13,767
He's here. He's here. He's here.
1151
01:39:13,936 --> 01:39:16,268
Oh. Excellent.
1152
01:39:16,438 --> 01:39:20,306
Perhaps there's no one else
who can better personify...
1153
01:39:20,476 --> 01:39:23,377
...the mystery that is music...
1154
01:39:23,545 --> 01:39:26,275
...than our final composer.
1155
01:40:17,099 --> 01:40:20,830
[ORCHESTRA PLAYING
MARK MANCINA'S "RHAPSODY"]
1156
01:41:18,026 --> 01:41:19,516
Hey, what's that?
1157
01:41:19,694 --> 01:41:22,288
MAN:
Concerts in the Park every spring.
1158
01:41:50,024 --> 01:41:51,685
Let me out.
1159
01:41:52,894 --> 01:41:55,294
Let me out! Let me out!
1160
01:42:43,778 --> 01:42:45,905
HOPE [SINGING]:
Yeah, yeah, yeah
1161
01:42:49,450 --> 01:42:51,281
Woo woo
1162
01:42:54,088 --> 01:42:56,921
Yeah, yeah
1163
01:43:00,928 --> 01:43:03,055
Yeah
1164
01:43:07,101 --> 01:43:10,662
Oh, oh
1165
01:43:11,739 --> 01:43:14,833
Woo
1166
01:43:16,911 --> 01:43:19,072
Yeah
1167
01:43:23,784 --> 01:43:26,878
Oh, oh
1168
01:43:28,488 --> 01:43:29,477
Whoa, oh
1169
01:43:31,191 --> 01:43:33,318
Yeah
1170
01:43:35,428 --> 01:43:39,865
Whoa, oh
1171
01:43:42,435 --> 01:43:45,927
[VAN MORRISON'S
"MOONDANCE" PLAYING]
1172
01:46:38,510 --> 01:46:41,035
AUGUST:
The music is all around us.
1173
01:46:41,213 --> 01:46:44,842
All you have to do is listen.
1174
01:47:00,232 --> 01:47:05,829
MAN [SINGING]:
Ooo eee oooh
1175
01:47:07,840 --> 01:47:12,174
As days go by and fade tonight
1176
01:47:12,344 --> 01:47:15,939
I still question why you left
1177
01:47:16,115 --> 01:47:20,051
I wonder how it didn't work out
1178
01:47:20,219 --> 01:47:21,948
But now you're gone
1179
01:47:22,121 --> 01:47:26,023
And memories are all I have for now
1180
01:47:26,191 --> 01:47:28,022
But no, it's not over
1181
01:47:28,193 --> 01:47:32,152
We'll get older
We'll get over
1182
01:47:32,331 --> 01:47:36,290
We'll live to see the day that I hope for
1183
01:47:36,468 --> 01:47:37,730
Come back to me
1184
01:47:37,903 --> 01:47:39,598
I still believe
1185
01:47:39,772 --> 01:47:45,210
That we'll get it right again
1186
01:47:45,377 --> 01:47:47,902
We'll come back to life again
1187
01:47:48,080 --> 01:47:52,949
We won't say another goodbye again
1188
01:47:53,118 --> 01:47:56,884
Live forever with me
1189
01:47:58,557 --> 01:48:00,718
And someday
1190
01:48:02,661 --> 01:48:04,526
Someday
1191
01:48:04,696 --> 01:48:08,632
We'll be together someday
1192
01:48:10,736 --> 01:48:15,935
Someday we'll be together
1193
01:48:18,677 --> 01:48:22,477
Our someday might be today
1194
01:48:22,648 --> 01:48:26,482
The mysteries of destiny say
1195
01:48:26,652 --> 01:48:30,452
Our somehow and our some way
1196
01:48:30,622 --> 01:48:34,524
For all we know they come tomorrow
1197
01:48:34,693 --> 01:48:38,652
But for today my eyes are open
1198
01:48:38,831 --> 01:48:42,528
My arms are raised for your embrace
1199
01:48:42,701 --> 01:48:46,933
My hands are here to mend what is broken
1200
01:48:47,105 --> 01:48:51,371
To feel again the warmth of your face
1201
01:48:51,543 --> 01:48:55,445
I believe there is more to life
1202
01:48:55,614 --> 01:48:58,276
Oh, I love you much more than life
1203
01:48:58,450 --> 01:48:59,439
It's though
1204
01:48:59,618 --> 01:49:02,644
I believe I can change your mind
1205
01:49:02,821 --> 01:49:06,882
Revive what is dying inside
1206
01:49:09,026 --> 01:49:11,961
And someday
1207
01:49:13,197 --> 01:49:15,062
Someday
1208
01:49:15,233 --> 01:49:19,169
We'll be together someday
1209
01:49:21,305 --> 01:49:25,207
Someday we'll be together
1210
01:49:25,376 --> 01:49:27,844
Someday
1211
01:49:29,347 --> 01:49:31,212
Someday
1212
01:49:31,382 --> 01:49:34,943
We'll be together
1213
01:49:35,520 --> 01:49:37,852
We'll be together
1214
01:49:39,490 --> 01:49:42,789
We'll be together
1215
01:49:45,696 --> 01:49:47,891
Someday
1216
01:50:06,017 --> 01:50:10,681
MAN 2 [SINGING]:
I'm as crazy as a clown tonight
1217
01:50:10,855 --> 01:50:14,689
A clown without a crown tonight
1218
01:50:14,859 --> 01:50:19,887
A simple sack of wishes and bones
1219
01:50:21,799 --> 01:50:26,395
I'm as useless as a memory
1220
01:50:26,571 --> 01:50:30,371
The day before it came to me
1221
01:50:30,541 --> 01:50:36,241
To save your town
Of stitches and stones
1222
01:50:36,414 --> 01:50:39,178
But once in my life
1223
01:50:39,350 --> 01:50:43,309
I was the king of Earth
1224
01:50:45,056 --> 01:50:47,786
Once in my life
1225
01:50:47,959 --> 01:50:52,396
I was
1226
01:50:52,863 --> 01:50:55,957
Now that the stars
1227
01:50:56,133 --> 01:50:59,660
Are frozen in their places
1228
01:51:01,505 --> 01:51:06,340
Now that our hope seems gone
1229
01:51:08,879 --> 01:51:11,313
Now that the stars
1230
01:51:11,482 --> 01:51:15,919
Have fallen from our faces
1231
01:51:18,122 --> 01:51:20,818
I will see you on
1232
01:51:24,261 --> 01:51:28,789
I'll never be your picture president
1233
01:51:28,966 --> 01:51:32,993
But I hope you got the rose I sent
1234
01:51:33,170 --> 01:51:38,039
To save your town of stitches and bones
1235
01:51:39,944 --> 01:51:44,881
I'm nothing more than but a simple man
1236
01:51:45,049 --> 01:51:48,746
Formed to be American
1237
01:51:48,919 --> 01:51:54,414
Out to draw these bridges alone
1238
01:51:54,592 --> 01:51:57,219
But once in my life
1239
01:51:57,394 --> 01:52:01,922
I was the king of the Earth
1240
01:52:03,466 --> 01:52:06,458
Once in my life
1241
01:52:26,623 --> 01:52:29,922
CHORUS [SINGING]:
Bamba, bamba
1242
01:52:30,794 --> 01:52:34,286
Oh, bamba, bamba
1243
01:52:34,464 --> 01:52:37,399
MAN 3 [SINGING]:
Para bailar la bamba
1244
01:52:37,567 --> 01:52:39,535
CHORUS [SINGING]:
Bamba, bamba
1245
01:52:39,703 --> 01:52:42,763
MAN 3 [SINGING]: Para bailar la bamba
CHORUS [SINGING]: Bamba, bamba
1246
01:52:42,939 --> 01:52:48,309
MAN 3 [SINGING]:
Se necesita una poca de gracia
1247
01:52:48,478 --> 01:52:49,911
CHORUS [SINGING]:
Bamba, bamba
1248
01:52:50,080 --> 01:52:55,143
MAN 3 [SINGING]:
Una poca de gracia pa mi pa ti
1249
01:52:55,318 --> 01:52:57,786
Y arriba, y arriba
1250
01:52:57,954 --> 01:53:00,354
CHORUS [SINGING]:
Bamba, bamba
1251
01:53:00,523 --> 01:53:02,718
MAN 3 [SINGING]:
Yeah, dance with me, baby
1252
01:53:02,892 --> 01:53:03,950
CHORUS [SINGING]:
Bamba, bamba
1253
01:53:04,127 --> 01:53:05,822
MAN 3 [SINGING]:
Let's dance tonight
1254
01:53:05,995 --> 01:53:08,259
Say arriba y arriba
1255
01:53:08,431 --> 01:53:11,093
CHORUS [SINGING]:
Bamba, bamba
1256
01:53:11,267 --> 01:53:13,462
MAN 3 [SINGING]:
Say arriba y arriba
1257
01:53:13,636 --> 01:53:16,002
CHORUS [SINGING]:
Bamba, bamba
1258
01:53:16,172 --> 01:53:18,902
MAN 3 [SINGING]:
Oh, oh
1259
01:53:21,578 --> 01:53:24,809
Yeah, yeah, yeah
1260
01:53:24,981 --> 01:53:26,846
[MAN 3 LAUGHING]
1261
01:53:32,222 --> 01:53:34,214
Corrected by LeapinLar
0
00:00:0,500 --> 00:00:2,00
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