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These are the user uploaded subtitles that are being translated: 1 00:00:03,400 --> 00:00:05,200 >> Announcer: FROM THE MOST 2 00:00:05,200 --> 00:00:07,133 TRUSTED JOURNALISTS AT 3 00:00:07,133 --> 00:00:08,467 COMEDY CENTRAL, IT'S AMERICA'S 4 00:00:08,467 --> 00:00:10,767 ONLY SOURCE FOR NEWS! 5 00:00:10,767 --> 00:00:11,500 THIS IS "THE DAILY SHOW," WITH 6 00:00:11,500 --> 00:00:15,667 YOUR HOST, RONNY CHIENG! 7 00:00:15,667 --> 00:00:16,267 [CHEERS AND APPLAUSE] 8 00:00:16,267 --> 00:00:30,167 * 9 00:00:30,167 --> 00:00:31,600 >> Ronny: WELCOME TO 10 00:00:31,600 --> 00:00:32,133 "THE DAILY SHOW"! 11 00:00:32,133 --> 00:00:33,400 I'M RONNY CHIENG. 12 00:00:33,400 --> 00:00:35,600 WE'VE GOT SO MUCH TO TALK ABOUT 13 00:00:35,600 --> 00:00:36,167 TONIGHT. 14 00:00:36,167 --> 00:00:37,167 EGGEN THE STALLION IS FEATURING 15 00:00:37,167 --> 00:00:38,633 ON THE KAMALA HARRIS TRACK. 16 00:00:38,633 --> 00:00:42,367 DONALD TRUMP MAKES HIM 17 00:00:42,367 --> 00:00:43,133 BLACK FRIENDS AND A PERFORMANCE 18 00:00:43,133 --> 00:00:45,200 BY BLACK PUMAS. 19 00:00:45,200 --> 00:00:47,100 LET'S GET INTO OUR ONGOING 20 00:00:47,100 --> 00:00:53,133 COVERAGE OF "INDECISION 2024"! 21 00:00:53,133 --> 00:00:54,167 LET'S KICK THINGS OFF WITH 22 00:00:54,167 --> 00:00:54,767 DONALD TRUMP. 23 00:00:54,767 --> 00:00:56,067 IF HE WAS DOING REALLY WELL WITH 24 00:00:56,067 --> 00:00:57,200 BLACK VOTERS WHEN HE WAS RUNNING 25 00:00:57,200 --> 00:00:59,633 AGAINST JOE BIDEN, PROBABLY 26 00:00:59,633 --> 00:01:02,067 BECAUSE BLACK PEOPLE DON'T 27 00:01:02,067 --> 00:01:02,700 [BLEEP] WITH GHOSTS BUT 28 00:01:02,700 --> 00:01:05,233 KAMALA HARRIS IS NOW STEALING 29 00:01:05,233 --> 00:01:07,367 BACK SOME OF HIS FLACK SUPPORT. 30 00:01:07,367 --> 00:01:10,067 SO TODAY TRUMP SAT DOWN WITH AN 31 00:01:10,067 --> 00:01:11,267 INTERVIEW WITH THE NATIONAL 32 00:01:11,267 --> 00:01:12,233 ASSOCIATION OF BLACK JOURNALISTS 33 00:01:12,233 --> 00:01:14,667 AND THINGS GOT OFF TO A ROCKY 34 00:01:14,667 --> 00:01:15,067 START. 35 00:01:15,067 --> 00:01:16,367 >> A LOT OF PEOPLE DID NOT THINK 36 00:01:16,367 --> 00:01:17,133 IT WAS APPROPRIATE FOR YOU TO BE 37 00:01:17,133 --> 00:01:18,200 HERE TODAY. 38 00:01:18,200 --> 00:01:21,467 YOU HAVE PUSHED FALSE CLAIMS 39 00:01:21,467 --> 00:01:23,767 ABOUT SOME OF YOUR RIVALS, FROM 40 00:01:23,767 --> 00:01:25,600 NIKKI HALEY TO FORMER 41 00:01:25,600 --> 00:01:26,333 PRESIDENT BARACK OBAMA, SAYING 42 00:01:26,333 --> 00:01:27,067 THEY WERE NOT BORN IN THE 43 00:01:27,067 --> 00:01:28,067 UNITED STATES, WHICH IS NOT 44 00:01:28,067 --> 00:01:28,367 TRUE. 45 00:01:28,367 --> 00:01:31,800 YOU HAVE TOLD FOUR CONGRESSWOMEN 46 00:01:31,800 --> 00:01:33,133 WOMEN OF COLOR WHO WERE AMERICAN 47 00:01:33,133 --> 00:01:33,833 CITIZENS TO GO BACK TO WHERE 48 00:01:33,833 --> 00:01:35,967 THEY CAME FROM. 49 00:01:35,967 --> 00:01:38,600 YOU HAVE USED WORDS LIKE 50 00:01:38,600 --> 00:01:40,067 "ANIMAL" AND "RABBIT" TO 51 00:01:40,067 --> 00:01:41,067 DESCRIBE BLACK DISTRICT 52 00:01:41,067 --> 00:01:41,433 ATTORNEYS. 53 00:01:41,433 --> 00:01:42,767 YOU'VE HAD DINNER WITH A WHITE 54 00:01:42,767 --> 00:01:44,500 SUPREMACIST AT YOUR MAR-A-LAGO 55 00:01:44,500 --> 00:01:44,866 RESORT. 56 00:01:44,866 --> 00:01:48,333 SO MY QUESTION, SIR, WHY SHOULD 57 00:01:48,333 --> 00:01:49,366 BLACK VOTERS TRUST YOU AFTER YOU 58 00:01:49,366 --> 00:01:52,067 HAVE USED LANGUAGE LIKE THAT? 59 00:01:52,067 --> 00:01:53,933 >> Ronny: TOUGH QUESTION... 60 00:01:53,933 --> 00:01:57,067 BUT HEY, AT LEAST THIS IS A GOOD 61 00:01:57,067 --> 00:01:57,866 CHANCE FOR FORMER 62 00:01:57,866 --> 00:01:58,733 PRESIDENT TRUMP TO ADDRESS THE 63 00:01:58,733 --> 00:02:00,133 CONCERNS OF BLACK VOTERS BY 64 00:02:00,133 --> 00:02:03,067 ANSWERING WITH CIVILITY AND 65 00:02:03,067 --> 00:02:03,333 GRACE. 66 00:02:03,333 --> 00:02:04,833 >> WELL, FIRST OF ALL, I DON'T 67 00:02:04,833 --> 00:02:06,700 THINK I'VE EVER BEEN ASKED THE 68 00:02:06,700 --> 00:02:08,833 QUESTION IN SUCH A HORRIBLE 69 00:02:08,833 --> 00:02:11,067 MANNER, FIRST QUESTION. 70 00:02:11,067 --> 00:02:13,267 YOU DON'T EVEN SAY HELLO, HOW 71 00:02:13,267 --> 00:02:14,067 ARE YOU. 72 00:02:14,067 --> 00:02:15,667 ARE YOU WITH ABC? 73 00:02:15,667 --> 00:02:17,633 BECAUSE I THINK THEY ARE A FAKE 74 00:02:17,633 --> 00:02:19,600 NEWS NETWORK, A TERRIBLE 75 00:02:19,600 --> 00:02:19,966 NETWORK. 76 00:02:19,966 --> 00:02:21,867 >> Ronny: OKAY, OKAY, NOT A 77 00:02:21,867 --> 00:02:23,867 GREAT START TALKING TO A ROOM 78 00:02:23,867 --> 00:02:24,600 FULL OF BLACK JOURNALISTS, BUT 79 00:02:24,600 --> 00:02:26,833 YOU CAN STILL RECOVER! 80 00:02:26,833 --> 00:02:28,400 >> I THINK IT'S A VERY RUDE 81 00:02:28,400 --> 00:02:29,267 INTRODUCTION. 82 00:02:29,267 --> 00:02:29,966 I DON'T KNOW EXACTLY WHY YOU 83 00:02:29,966 --> 00:02:32,700 WOULD DO SOMETHING LIKE THAT. 84 00:02:32,700 --> 00:02:33,833 YOU INVITED ME UNDER FALSE 85 00:02:33,833 --> 00:02:34,233 PRETENSE. 86 00:02:34,233 --> 00:02:36,067 AND THEN YOU WERE A HALF AN HOUR 87 00:02:36,067 --> 00:02:36,466 LATE. 88 00:02:36,466 --> 00:02:37,800 IT JUST SO WE UNDERSTAND, I HAVE 89 00:02:37,800 --> 00:02:39,433 TOO MUCH RESPECT FOR YOU TO BE 90 00:02:39,433 --> 00:02:39,767 LATE. 91 00:02:39,767 --> 00:02:41,167 I THINK IT'S A VERY NASTY 92 00:02:41,167 --> 00:02:41,567 QUESTION. 93 00:02:41,567 --> 00:02:43,100 I HAVE ANSWERED THE QUESTION. 94 00:02:43,100 --> 00:02:45,400 I HAVE BEEN THE BEST PRESIDENT 95 00:02:45,400 --> 00:02:48,633 FOR THE BLACK POPULATION SINCE 96 00:02:48,633 --> 00:02:50,933 ABRAHAM LINCOLN. 97 00:02:50,933 --> 00:02:52,367 GEICO BETTER THAN 98 00:02:52,367 --> 00:02:53,133 PRESIDENT JOHNSON, WHO SIGNS THE 99 00:02:53,133 --> 00:02:54,067 VOTING RIGHTS ACT? 100 00:02:54,067 --> 00:02:56,633 >> FOR YOU TO START OFF A 101 00:02:56,633 --> 00:02:57,933 QUESTION AND ANSWER. 102 00:02:57,933 --> 00:02:59,067 MATT, ESPECIALLY WHEN YOU'RE 103 00:02:59,067 --> 00:03:00,600 35 MINUTES LATE BECAUSE YOU 104 00:03:00,600 --> 00:03:01,833 COULDN'T GET YOUR EQUIPMENT TO 105 00:03:01,833 --> 00:03:03,067 WORK, IT'S A HOSTILE MANNER, I 106 00:03:03,067 --> 00:03:05,267 THINK IT'S A DISGRACE. 107 00:03:05,267 --> 00:03:07,067 >> Ronny: WOW, TRUMP WAS LIKE 108 00:03:07,067 --> 00:03:09,167 "LISTEN UP, BLACK PEOPLE, YOU 109 00:03:09,167 --> 00:03:09,800 ARE ALWAYS LATE, YOUR 110 00:03:09,800 --> 00:03:14,867 MICROPHONES ARE GHETTO, AND I'M 111 00:03:14,867 --> 00:03:15,400 ABRAHAM LINCOLN." 112 00:03:15,400 --> 00:03:17,267 I THINK HE JUST WON THE BLACK 113 00:03:17,267 --> 00:03:17,600 VOTE. 114 00:03:17,600 --> 00:03:18,333 FOR MORE POLITICIANS OR ANYONE 115 00:03:18,333 --> 00:03:20,400 ELSE ON EARTH THAT WOULD HAVE 116 00:03:20,400 --> 00:03:21,867 BEEN THE LOW POINT OF THE 117 00:03:21,867 --> 00:03:22,767 INTERVIEW BUT BECAUSE IT WAS 118 00:03:22,767 --> 00:03:24,067 DONALD TRUMP, IT SOMEHOW GOT 119 00:03:24,067 --> 00:03:25,167 WORSE. 120 00:03:25,167 --> 00:03:26,700 >> DO YOU BELIEVE THAT 121 00:03:26,700 --> 00:03:27,567 VICE PRESIDENT KAMALA HARRIS IS 122 00:03:27,567 --> 00:03:28,333 ONLY ON THE TICKET BECAUSE SHE 123 00:03:28,333 --> 00:03:30,267 IS A BLACK WOMAN? 124 00:03:30,267 --> 00:03:32,633 >> I THINK IT'S MAYBE A LITTLE 125 00:03:32,633 --> 00:03:33,100 BIT DIFFERENT. 126 00:03:33,100 --> 00:03:34,733 I'VE KNOWN HER A LONG TIME 127 00:03:34,733 --> 00:03:36,600 INDIRECTLY, NOT DIRECTLY VERY 128 00:03:36,600 --> 00:03:37,367 MUCH. 129 00:03:37,367 --> 00:03:39,067 SHE WAS ALWAYS OF INDIAN 130 00:03:39,067 --> 00:03:39,400 HERITAGE. 131 00:03:39,400 --> 00:03:42,167 AND SHE WAS ONLY PROMOTING 132 00:03:42,167 --> 00:03:42,767 INDIAN HERITAGE. 133 00:03:42,767 --> 00:03:43,700 I DIDN'T KNOW SHE WAS BLACK 134 00:03:43,700 --> 00:03:44,667 UNTIL A NUMBER OF YEARS AGO, 135 00:03:44,667 --> 00:03:47,633 WHEN SHE HAPPENED TO TURN BLACK 136 00:03:47,633 --> 00:03:49,600 AND NOW SHE WANTS TO BE KNOWN AS 137 00:03:49,600 --> 00:03:50,067 BLACK. 138 00:03:50,067 --> 00:03:51,567 SO I DON'T KNOW, IS SHE INDIAN 139 00:03:51,567 --> 00:03:52,767 OR ISSUE BLACK? 140 00:03:52,767 --> 00:03:53,633 >> SHE HAS ALWAYS IDENTIFIED AS 141 00:03:53,633 --> 00:03:56,600 A BLACK WOMAN, SHE WENT TO A 142 00:03:56,600 --> 00:03:57,567 HISTORICALLY BLACK COLLEGE. 143 00:03:57,567 --> 00:04:00,067 >> I RESPECT EITHER ONE BUT SHE 144 00:04:00,067 --> 00:04:00,767 OBVIOUSLY DOESN'T, BECAUSE SHE 145 00:04:00,767 --> 00:04:01,567 WAS INDIAN ALL THE WAY AND THEN 146 00:04:01,567 --> 00:04:04,633 ALL OF A SUDDEN SHE MADE A TURN 147 00:04:04,633 --> 00:04:05,867 AND BECAME A BLACK PERSON. 148 00:04:05,867 --> 00:04:06,833 AND I THINK SOMEBODY SHOULD LOOK 149 00:04:06,833 --> 00:04:11,100 INTO THAT TOO WHEN YOU ASK AND 150 00:04:11,100 --> 00:04:12,233 CONTINUE IN A VERY HOSTILE, 151 00:04:12,233 --> 00:04:13,700 NASTY TONE. 152 00:04:13,700 --> 00:04:14,767 >> Ronny: I DON'T KNOW WHAT'S 153 00:04:14,767 --> 00:04:17,332 WORSE, THAT HE THINKS SHE TURNED 154 00:04:17,332 --> 00:04:18,867 FROM INDIAN TO BLACK, OR THAT HE 155 00:04:18,867 --> 00:04:20,267 THINKS SOMEONE SHOULD LOOK INTO 156 00:04:20,267 --> 00:04:20,600 THAT. 157 00:04:20,600 --> 00:04:22,600 WHO SHOULD LOOK INTO THAT? 158 00:04:22,600 --> 00:04:24,467 DOES HE THINK THE FBI IS THE 159 00:04:24,467 --> 00:04:26,433 "FEDERAL BLACK INSPECTORS -- 160 00:04:26,433 --> 00:04:29,067 INVESTIGATORS?" 161 00:04:29,067 --> 00:04:30,633 AND SHE TURNED FROM INDIAN TO 162 00:04:30,633 --> 00:04:30,967 BLACK. 163 00:04:30,967 --> 00:04:32,332 SHE'S INDIAN AND BLACK. 164 00:04:32,332 --> 00:04:34,067 WHAT DOES HE THINK HAPPENS? 165 00:04:34,067 --> 00:04:36,167 UP AND QUOTE WHEN THE TIME IS 166 00:04:36,167 --> 00:04:37,332 RIGHT, INDIANS GO INTO A COCOON, 167 00:04:37,332 --> 00:04:39,667 THEY PLAY SOME DRAKE AND THEY 168 00:04:39,667 --> 00:04:41,933 COME OUT BLACK." 169 00:04:41,933 --> 00:04:42,800 IT'S VERY CLEAR THAT TRUMP 170 00:04:42,800 --> 00:04:44,300 DOESN'T QUITE KNOW HOW TO HANDLE 171 00:04:44,300 --> 00:04:45,967 KAMALA HARRIS RIGHT NOW. 172 00:04:45,967 --> 00:04:47,300 HE'S TRYING TO FIND THE ANGLE OF 173 00:04:47,300 --> 00:04:50,400 ATTACK AND TODAY HE WAS HITTING 174 00:04:50,400 --> 00:04:51,200 HER RACE, YESTERDAY HE WAS 175 00:04:51,200 --> 00:04:53,067 HITTING HER AGE. 176 00:04:53,067 --> 00:04:55,367 >> SHE IS YOUNGER, BUT I MEAN, 177 00:04:55,367 --> 00:04:56,467 SHE'S FIXED YEARS OLD. 178 00:04:56,467 --> 00:04:58,067 A LOT OF PEOPLE -- I DIDN'T KNOW 179 00:04:58,067 --> 00:04:59,533 SHE WAS 60, I THOUGHT SHE WAS A 180 00:04:59,533 --> 00:05:00,900 LITTLE YOUNGER, BUT SHE'S 181 00:05:00,900 --> 00:05:02,733 EXCEED. 182 00:05:02,733 --> 00:05:03,867 >> Ronny: I GUESS TRUMP JUST 183 00:05:03,867 --> 00:05:06,400 DISCOVERED THAT BLACK DON'T 184 00:05:06,400 --> 00:05:06,867 CRACK? 185 00:05:06,867 --> 00:05:07,600 THIS IS GOING TO BE THE FIRST 186 00:05:07,600 --> 00:05:15,500 TIME HE DOES BE BIRTHERRISM AS A 187 00:05:15,500 --> 00:05:15,933 COMPLIMENT. 188 00:05:15,933 --> 00:05:16,832 "SHOW US THE BIRTH CERTIFICATE, 189 00:05:16,832 --> 00:05:18,900 BECAUSE YOU DON'T LOOK A DAY 190 00:05:18,900 --> 00:05:21,233 OVER 50. 191 00:05:21,233 --> 00:05:22,332 DROP THE SKINCARE ROUTINE, 192 00:05:22,332 --> 00:05:22,667 GIRL!" 193 00:05:22,667 --> 00:05:25,400 AT THAT TRUMP SPENT THE REST OF 194 00:05:25,400 --> 00:05:26,467 THE DAY GOOGLING HOW OLD OTHER 195 00:05:26,467 --> 00:05:29,067 BLACK PEOPLE ARE. 196 00:05:29,067 --> 00:05:30,867 "MORGAN FREEMAN 200 YEARS OLD 197 00:05:30,867 --> 00:05:32,067 QUESTION MARK?" 198 00:05:32,067 --> 00:05:36,667 TO BE FAIR, DOE DOES HAVE 199 00:05:36,667 --> 00:05:37,967 SUBSTANTIVE CRITICISMS. 200 00:05:37,967 --> 00:05:39,933 BUT HE CAN'T SEEM TO SAY THEM 201 00:05:39,933 --> 00:05:41,133 WITHOUT MAKING IT GROSS AND 202 00:05:41,133 --> 00:05:41,533 PERSONAL. 203 00:05:41,533 --> 00:05:44,700 LIKE WHEN HE ASKED ABOUT HOW HE 204 00:05:44,700 --> 00:05:45,467 WOULD DO IN NEGOTIATION FOREIGN 205 00:05:45,467 --> 00:05:45,967 LEADERS. 206 00:05:45,967 --> 00:05:48,067 >> I THINK THEY WILL LOOK TO 207 00:05:48,067 --> 00:05:50,067 WALK ALL OVER HER. 208 00:05:50,067 --> 00:05:51,533 SHE WILL BE SO EASY FOR THEM, 209 00:05:51,533 --> 00:05:52,933 SHE WILL BE LIKE A PLAY TOY. 210 00:05:52,933 --> 00:05:54,200 THEY WILL LOOK AT HER AND SAY 211 00:05:54,200 --> 00:05:56,633 "WE CAN'T BELIEVE WE GOT SO 212 00:05:56,633 --> 00:05:57,533 LUCKY." 213 00:05:57,533 --> 00:05:59,400 THEY ARE GOING TO WALK ALL OVER 214 00:05:59,400 --> 00:06:00,100 HER. 215 00:06:00,100 --> 00:06:02,300 AND I DON'T WANT TO SAY AS TO 216 00:06:02,300 --> 00:06:02,933 WHY, BUT A LOT OF PEOPLE 217 00:06:02,933 --> 00:06:03,900 UNDERSTAND IT. 218 00:06:03,900 --> 00:06:05,467 >> Ronny: I DON'T WANT TO SAY 219 00:06:05,467 --> 00:06:06,500 WHY SHE WOULD BE A BAD 220 00:06:06,500 --> 00:06:08,333 PRESIDENT, BUT YOU KNOW, THE 221 00:06:08,333 --> 00:06:11,267 DASH AND THE DASH AND THE FELLAS 222 00:06:11,267 --> 00:06:13,400 GET IT. 223 00:06:13,400 --> 00:06:15,433 I'M PRETTY SURE KAMALA CAN 224 00:06:15,433 --> 00:06:17,067 HANDLE WORLD LEADERS. 225 00:06:17,067 --> 00:06:17,667 SHE DID JUST OVERTHROW THE 226 00:06:17,667 --> 00:06:20,067 PRESIDENT OF THE UNITED STATES. 227 00:06:20,067 --> 00:06:20,467 [LAUGHTER] 228 00:06:20,467 --> 00:06:23,667 AND ALSO, NOBODY WAS EASIER TO 229 00:06:23,667 --> 00:06:25,200 MANIPULATE THAN DONALD TRUMP. 230 00:06:25,200 --> 00:06:26,167 A FOREIGN LEADERS JUST HAD TO 231 00:06:26,167 --> 00:06:27,633 ROLL OUT THE RED CARPET AND 232 00:06:27,633 --> 00:06:30,800 TRUMP TREATED THEM LIKE A 233 00:06:30,800 --> 00:06:31,233 BEST FRIEND. 234 00:06:31,233 --> 00:06:31,900 SAUDI ARABIA BONE SAWED AN 235 00:06:31,900 --> 00:06:32,667 AMERICAN JOURNALIST AND TRUMP 236 00:06:32,667 --> 00:06:33,832 WAS FINE WITH IT BECAUSE THEY 237 00:06:33,832 --> 00:06:35,433 LET HIM TOUCH AN ORB. 238 00:06:35,433 --> 00:06:38,832 I'M PRETTY SURE NONE OF THIS IS 239 00:06:38,832 --> 00:06:39,367 GETTING TO KAMALA. 240 00:06:39,367 --> 00:06:41,200 RIGHT NOW SHE'S ON TOP OF THE 241 00:06:41,200 --> 00:06:42,400 WORLD BECAUSE SHE'S ENJOYING 242 00:06:42,400 --> 00:06:44,233 LIFE AS THE DEMOCRATS' NEW 243 00:06:44,233 --> 00:06:44,867 MESSIAH. 244 00:06:44,867 --> 00:06:46,767 >> AND WHEN I TURNED UP AND 245 00:06:46,767 --> 00:06:48,067 TURNED OUT FOR VICE PRESIDENT 246 00:06:48,067 --> 00:06:48,800 HARRIS AND A RAP STAR CAME WITH 247 00:06:48,800 --> 00:06:54,433 A NEW SLOGAN FOR CAMPAIGN MERGE. 248 00:06:54,433 --> 00:06:55,167 MEGAN THEE STALLION AND OTHERS 249 00:06:55,167 --> 00:06:56,933 MADE THIS THE LARGEST CROWD OF 250 00:06:56,933 --> 00:06:58,967 HARRIS' YOUNG CAMPAIGN. 251 00:06:58,967 --> 00:06:59,867 MORE THAN 10,000 PEOPLE FILLED A 252 00:06:59,867 --> 00:07:01,700 DOWNTOWN ARENA. 253 00:07:01,700 --> 00:07:04,400 >> WELL, DONALD, AS THE SAYING 254 00:07:04,400 --> 00:07:06,233 GOES, IF YOU'VE GOT SOMETHING TO 255 00:07:06,233 --> 00:07:07,900 SAY... 256 00:07:07,900 --> 00:07:11,433 SAY IT TO MY FACE! 257 00:07:11,433 --> 00:07:12,400 >> THOUSANDS WAITED HOURS TO SEE 258 00:07:12,400 --> 00:07:14,167 HARRIS SPEAK. 259 00:07:14,167 --> 00:07:16,067 >> DOES SHE MAKE IT EASIER FOR 260 00:07:16,067 --> 00:07:17,600 DEMOCRATS TO WIN GEORGIA IN 261 00:07:17,600 --> 00:07:18,067 NOVEMBER? 262 00:07:18,067 --> 00:07:19,433 >> YES! 263 00:07:19,433 --> 00:07:21,067 >> Ronny: "WE ARE SO EXCITED 264 00:07:21,067 --> 00:07:22,133 WE DON'T HAVE TO VOTE FOR 265 00:07:22,133 --> 00:07:24,100 JOE BIDEN ANYMORE! 266 00:07:24,100 --> 00:07:26,300 YOU KNOW, I DO FEEL BAD FOR 267 00:07:26,300 --> 00:07:27,167 BIDEN. 268 00:07:27,167 --> 00:07:28,067 EVERYONE IS GOING CRAZY ABOUT 269 00:07:28,067 --> 00:07:29,933 KAMALA AND HE'S AT HOME WITH 270 00:07:29,933 --> 00:07:32,832 COVID GOING "WHO IS KAMALA?" 271 00:07:32,832 --> 00:07:36,832 AND I'VE NEVER SEEN SO MUCH JOY 272 00:07:36,832 --> 00:07:37,867 FOR A STATISTICAL TIE. 273 00:07:37,867 --> 00:07:38,900 THIS IS LIKE WHEN PEOPLE CHEER 274 00:07:38,900 --> 00:07:41,433 AFTER THEIR PLANE LANDS. 275 00:07:41,433 --> 00:07:42,433 IT'S SUPPOSED TO LAND! 276 00:07:42,433 --> 00:07:44,067 THAT'S THE BARE MINIMUM. 277 00:07:44,067 --> 00:07:45,600 FOR MORE ON ENTHUSIASM AROUND 278 00:07:45,600 --> 00:07:46,367 VICE PRESIDENT HARRIS WE GO LIVE 279 00:07:46,367 --> 00:07:48,533 TO ONE OF HER RALLIES IN HOUSTON 280 00:07:48,533 --> 00:07:53,167 WITH MICHAEL KOSTA. 281 00:07:53,167 --> 00:07:54,233 [CHEERS AND APPLAUSE] 282 00:07:54,233 --> 00:07:56,433 MICHAEL, WHAT'S THE FEELING DOWN 283 00:07:56,433 --> 00:07:57,067 THERE? 284 00:07:57,067 --> 00:07:58,600 >> IT'S ELECTRIC, RONNY! 285 00:07:58,600 --> 00:08:00,633 I HAVEN'T SEEN DEMOCRATS THIS 286 00:08:00,633 --> 00:08:02,167 EXCITED SINCE THEY CAME OUT WITH 287 00:08:02,167 --> 00:08:04,200 THAT FIFTH COVID BOOSTER. 288 00:08:04,200 --> 00:08:05,267 >> Ronny: THEY DO SOUND 289 00:08:05,267 --> 00:08:05,667 PUMPED. 290 00:08:05,667 --> 00:08:06,433 WHAT CAN THE DEMOCRATS BUILD ON 291 00:08:06,433 --> 00:08:08,633 THIS MOMENTUM? 292 00:08:08,633 --> 00:08:09,500 >> THEY DEFINITELY CAN, AND 293 00:08:09,500 --> 00:08:13,233 THERE'S ONLY ONE WAY TO DO IT. 294 00:08:13,233 --> 00:08:13,967 KAMALA HARRIS HAS TO DROP OUT. 295 00:08:13,967 --> 00:08:15,400 >> Ronny: WHAT YOU MEAN SHE 296 00:08:15,400 --> 00:08:16,600 HAS TO DROP OUT? 297 00:08:16,600 --> 00:08:16,900 WHY? 298 00:08:16,900 --> 00:08:18,900 EVERYONE IS ENTHUSIASTIC ABOUT 299 00:08:18,900 --> 00:08:19,467 HER. 300 00:08:19,467 --> 00:08:21,400 >> THE EXCITEMENT IS NOT ABOUT 301 00:08:21,400 --> 00:08:22,633 HER, IT'S ABOUT THE NEWNESS. 302 00:08:22,633 --> 00:08:24,233 IT YOU KNOW WHEN THAT NUKE IT 303 00:08:24,233 --> 00:08:24,867 COMES TO YOUR SCHOOL AND 304 00:08:24,867 --> 00:08:26,832 EVERYONE IS LIKE "WHAT'S HIS 305 00:08:26,832 --> 00:08:27,567 DEAL?" 306 00:08:27,567 --> 00:08:30,167 HE'S NOT ACTUALLY COOL, HE'S 307 00:08:30,167 --> 00:08:30,800 JUST NEW. 308 00:08:30,800 --> 00:08:31,667 HE'S JUST ANOTHER LOSER WHOSE 309 00:08:31,667 --> 00:08:35,400 DAD HAPPENED TO GET A JOB NEAR 310 00:08:35,400 --> 00:08:36,967 YOUR SCHOOL, SO QUIT FAWNING 311 00:08:36,967 --> 00:08:40,967 OVER HIM, BECKY SULLIVAN -- IT 312 00:08:40,967 --> 00:08:43,067 WILL GO AWAY, IT'S NOT GOING TO 313 00:08:43,067 --> 00:08:43,799 BE MEGAN THEE STALLION AT HER 314 00:08:43,799 --> 00:08:45,233 NEXT RALLY. 315 00:08:45,233 --> 00:08:47,400 IT CAN BE KATY PERRY. 316 00:08:47,400 --> 00:08:48,500 AND NOT "TEENAGE DREAM" 317 00:08:48,500 --> 00:08:50,100 KATY PERRY, EITHER. 318 00:08:50,100 --> 00:08:52,600 IT'S GOING TO BE HER NEW ALBUM, 319 00:08:52,600 --> 00:08:53,400 THE ONE THAT THE GAYS WON'T EVEN 320 00:08:53,400 --> 00:08:54,900 LISTEN TO. 321 00:08:54,900 --> 00:08:57,200 THE ONE WHO WOULD REPLACE HER? 322 00:08:57,200 --> 00:08:57,700 GO WHO CARES! 323 00:08:57,700 --> 00:09:00,967 THE NEW NOMINEE WOULDN'T MATTER 324 00:09:00,967 --> 00:09:01,900 BECAUSE THE DEMOCRATS WOULD BE 325 00:09:01,900 --> 00:09:03,800 REPLACING THEM TOO! 326 00:09:03,800 --> 00:09:04,900 REPUBLICANS WON'T BE ABLE TO 327 00:09:04,900 --> 00:09:05,900 KEEP UP! 328 00:09:05,900 --> 00:09:06,667 YOU THINK GAVIN NEWSOM IS UNFIT 329 00:09:06,667 --> 00:09:09,633 TO BE PRESIDENT? 330 00:09:09,633 --> 00:09:12,067 WHO CARES, BITCH, WE ARE WITH 331 00:09:12,067 --> 00:09:13,500 PETE BUTTIGIEG NOW. 332 00:09:13,500 --> 00:09:14,067 >> Ronny: I DO LIKE 333 00:09:14,067 --> 00:09:15,867 PETE BUTTIGIEG. 334 00:09:15,867 --> 00:09:19,067 >> TOO BAD, HE'S OUT BECAUSE NOW 335 00:09:19,067 --> 00:09:20,200 THE CANDIDATE IS "TWISTERS!" 336 00:09:20,200 --> 00:09:20,967 >> Ronny: THE MOVIE OR THE 337 00:09:20,967 --> 00:09:22,867 ACTUAL TORNADOES? 338 00:09:22,867 --> 00:09:26,467 >> DOESN'T MATTER, BECAUSE NOW 339 00:09:26,467 --> 00:09:27,067 IT'S GRETCHEN WHITMER! 340 00:09:27,067 --> 00:09:27,800 >> Ronny: WHO'S ACTUALLY GOING 341 00:09:27,800 --> 00:09:29,633 TO BE THE NOMINEE ON 342 00:09:29,633 --> 00:09:30,433 ELECTION DAY? 343 00:09:30,433 --> 00:09:32,100 >> AFTER GRETCHEN WHITMER, AND 344 00:09:32,100 --> 00:09:32,833 SHAPIRO AND TOM HANKS AND THAT 345 00:09:32,833 --> 00:09:35,233 POMMEL HORSE GUY, THEY'LL 346 00:09:35,233 --> 00:09:36,967 FINALLY REACH THE LAST POSSIBLE 347 00:09:36,967 --> 00:09:37,333 NOMINEE. 348 00:09:37,333 --> 00:09:39,767 JOSEPH ROBINETTE BIDEN. 349 00:09:39,767 --> 00:09:40,367 >> Ronny: BIDEN AGAIN? 350 00:09:40,367 --> 00:09:41,667 THAT'S WHERE THIS WHOLE THING 351 00:09:41,667 --> 00:09:42,067 STARTED! 352 00:09:42,067 --> 00:09:44,200 GEICO EXACTLY. 353 00:09:44,200 --> 00:09:45,967 AS SOON SEE TAKES THE OATH OF 354 00:09:45,967 --> 00:09:48,300 OFFICE, HE RESIGNS IN FAVOR OF 355 00:09:48,300 --> 00:09:50,667 HIS VP, KAMALA HARRIS, AND THE 356 00:09:50,667 --> 00:09:52,633 EXCITEMENT LUKE BEGINS AGAIN. 357 00:09:52,633 --> 00:09:53,067 A-DETERMINER 358 00:09:53,067 --> 00:09:53,700 >> Ronny: HOW BUDDHIST. 359 00:09:53,700 --> 00:09:54,700 MICHAEL KOSTA, EVERYBODY! 360 00:09:54,700 --> 00:09:58,967 WHEN WE COME BACK, BLACK PUMAS 361 00:09:58,967 --> 00:10:01,833 WILL BE HERE, DON'T GO AWAY. 362 00:10:01,833 --> 00:10:02,400 [CHEERS AND APPLAUSE] 363 00:10:07,500 --> 00:10:11,867 [CHEERS AND APPLAUSE] 364 00:10:11,867 --> 00:10:13,100 >> Ronny: WELCOME BACK TO 365 00:10:13,100 --> 00:10:13,633 "THE DAILY SHOW"! 366 00:10:13,633 --> 00:10:15,667 MY GUESS TONIGHT IS THE SINGER, 367 00:10:15,667 --> 00:10:16,433 SONGWRITER, AND PRODUCER OF THE 368 00:10:16,433 --> 00:10:18,500 GRAMMY NOMINATED BAND BLACK 369 00:10:18,500 --> 00:10:19,800 PUMAS COME UP LATEST ALBUM IS 370 00:10:19,800 --> 00:10:20,933 CALLED 371 00:10:20,933 --> 00:10:22,600 "CHRONICLES OF A DIAMOND." 372 00:10:22,600 --> 00:10:26,433 PLEASE WELCOME ERIC BURTON! 373 00:10:26,433 --> 00:10:27,033 [CHEERS AND APPLAUSE] 374 00:10:27,033 --> 00:10:38,767 * 375 00:10:38,767 --> 00:10:42,600 >> THANK YOU! 376 00:10:42,600 --> 00:10:43,767 >> Ronny: THANKS SO MUCH FOR 377 00:10:43,767 --> 00:10:44,433 BEING ON THE SHOW. 378 00:10:44,433 --> 00:10:45,467 YOU ARE MAKING ME COOLER JUST BY 379 00:10:45,467 --> 00:10:47,400 JOINING ME AT THE DESK, THANKS 380 00:10:47,400 --> 00:10:48,033 SO MUCH. 381 00:10:48,033 --> 00:10:49,033 YOU ARE SO COOL. 382 00:10:49,033 --> 00:10:50,200 I FEEL LIKE YOUR BAND RIGHT NOW 383 00:10:50,200 --> 00:10:54,733 IS IN SUCH A GREAT PLACE. 384 00:10:54,733 --> 00:10:56,133 CORRECT ME IF YOU FEEL 385 00:10:56,133 --> 00:10:56,900 DIFFERENTLY BUT YOU ARE IN THAT 386 00:10:56,900 --> 00:11:00,100 SWEET SPOT OF -- YOUR BIG ENOUGH 387 00:11:00,100 --> 00:11:02,200 TO SELL AT RADIO CITY AND PEOPLE 388 00:11:02,200 --> 00:11:03,600 OF YOUR MUSIC BUT YOU ARE STILL 389 00:11:03,600 --> 00:11:05,600 THAT KIND OF UNDERGROUND VIBE 390 00:11:05,600 --> 00:11:09,200 WHERE YOU DON'T HAVE TO PLAY TO 391 00:11:09,200 --> 00:11:11,200 THE MAINSTREAM SENSIBILITY OR DO 392 00:11:11,200 --> 00:11:12,300 ANYTHING YOU DON'T WANT TO DO. 393 00:11:12,300 --> 00:11:14,100 DO YOU FEEL THAT WAY? 394 00:11:14,100 --> 00:11:16,233 >> IT'S A GREAT PLACE TO BE 395 00:11:16,233 --> 00:11:18,667 BECAUSE WE FEEL IN CHARGE OF OUR 396 00:11:18,667 --> 00:11:19,333 SELF-EXPRESSION, WHICH IS 397 00:11:19,333 --> 00:11:21,167 AMAZING AS ARTISTS AND 398 00:11:21,167 --> 00:11:22,567 HUMAN BEINGS. 399 00:11:22,567 --> 00:11:24,600 SELLING OUT RADIO CITY HERE IN 400 00:11:24,600 --> 00:11:25,367 NEW YORK IS STILL REALLY COOL 401 00:11:25,367 --> 00:11:27,867 FOR US, SO WE DON'T TAKE IT FOR 402 00:11:27,867 --> 00:11:28,233 GRANTED. 403 00:11:28,233 --> 00:11:30,200 IT'S BEEN AMAZING AND JUST BEING 404 00:11:30,200 --> 00:11:32,133 IN HERE IN THE SMALLER TV 405 00:11:32,133 --> 00:11:33,567 AUDIENCE SITUATION IS SUPER 406 00:11:33,567 --> 00:11:35,667 DOP. 407 00:11:35,667 --> 00:11:39,633 IF [CHEERS AND APPLAUSE] 408 00:11:39,633 --> 00:11:40,600 >> Ronny: FOR AUTHENTICITY IS 409 00:11:40,600 --> 00:11:42,700 COMING THROUGH IN THE SECOND 410 00:11:42,700 --> 00:11:43,233 ALBUM I FEEL LIKE. 411 00:11:43,233 --> 00:11:44,233 I CAN STILL FEEL IT. 412 00:11:44,233 --> 00:11:46,200 THAT WAS ONE OF MY QUESTIONS FOR 413 00:11:46,200 --> 00:11:49,467 YOU, DO YOU FEEL THAT TRANSITION 414 00:11:49,467 --> 00:11:51,100 FROM MAKING HER FIRST ALBUM 415 00:11:51,100 --> 00:11:53,400 WHERE YOU ARE JUST PURE 416 00:11:53,400 --> 00:11:54,133 SELF-EXPRESSION AND DOING WHAT 417 00:11:54,133 --> 00:11:56,900 YOU WANT TO DO TO THE SECOND 418 00:11:56,900 --> 00:11:57,700 ALBUM WHERE THERE'S EXPECTATIONS 419 00:11:57,700 --> 00:12:00,467 OR AND NOW. 420 00:12:00,467 --> 00:12:02,233 DID YOU FEEL THAT KIND OF 421 00:12:02,233 --> 00:12:02,933 PRESSURE, DID IT CHANGE YOUR 422 00:12:02,933 --> 00:12:04,867 CREATIVE APPROACH TO IT? 423 00:12:04,867 --> 00:12:05,633 >> MOST DEFINITELY. 424 00:12:05,633 --> 00:12:07,400 WITH THE LAST ALBUM I WAS REALLY 425 00:12:07,400 --> 00:12:10,800 LUCKY BECAUSE OF MY OTHER HALF, 426 00:12:10,800 --> 00:12:13,100 HE CAME TO THE TABLE WITH SUCH A 427 00:12:13,100 --> 00:12:14,933 KNOWLEDGE AND SUCH A SENSITIVITY 428 00:12:14,933 --> 00:12:19,067 TOWARDS THE CULTURE, TOWARDS THE 429 00:12:19,067 --> 00:12:19,667 STYLE OF MUSIC. 430 00:12:19,667 --> 00:12:22,067 >> Ronny: YOU CAN SAY BLACK 431 00:12:22,067 --> 00:12:22,433 PEOPLE. 432 00:12:22,433 --> 00:12:25,467 >> YEAH, BLACK PEOPLE. 433 00:12:25,467 --> 00:12:27,100 BUT IT WAS REALLY EASY FOR ME TO 434 00:12:27,100 --> 00:12:28,100 KIND OF ADOPT THE CHARACTER THAT 435 00:12:28,100 --> 00:12:30,833 WAS BEING PRESENTED BY WAY OF 436 00:12:30,833 --> 00:12:34,267 THE CANVAS THAT IS SOUL MUSIC. 437 00:12:34,267 --> 00:12:36,533 HE LIKES SOME OF MY SONGS AND 438 00:12:36,533 --> 00:12:39,400 THOSE SONGS KIND OF HELPED 439 00:12:39,400 --> 00:12:41,567 CATAPULT BLACK PUMAS. 440 00:12:41,567 --> 00:12:42,867 YOU KNOW, IT'S BEEN REALLY 441 00:12:42,867 --> 00:12:45,100 AMAZING, BUT FOR THE SECOND 442 00:12:45,100 --> 00:12:46,300 ALBUM THERE WAS WAY MUCH MORE, 443 00:12:46,300 --> 00:12:49,800 YOU KNOW, PRESSURE. 444 00:12:49,800 --> 00:12:51,267 BUT I WAS RAISED IN AN ARTIST 445 00:12:51,267 --> 00:12:53,067 HOUSEHOLD AND I WAS ALWAYS 446 00:12:53,067 --> 00:12:55,367 TAUGHT TO KIND OF GENUINELY OKAY 447 00:12:55,367 --> 00:12:58,800 WITH EXPRESSING MYSELF, AND 448 00:12:58,800 --> 00:12:59,633 THANKFULLY, THE PEOPLE HAVE KIND 449 00:12:59,633 --> 00:13:01,467 OF ALLOWED IT. 450 00:13:01,467 --> 00:13:03,067 IT FEELS NICE TO BE HERE. 451 00:13:03,067 --> 00:13:05,067 >> Ronny: YOU HAVEN'T CHANGED 452 00:13:05,067 --> 00:13:05,367 YET. 453 00:13:05,367 --> 00:13:05,733 [LAUGHS] 454 00:13:05,733 --> 00:13:08,267 >> NOT YET. 455 00:13:08,267 --> 00:13:09,333 >> Ronny: I KNOW YOU ARE STILL 456 00:13:09,333 --> 00:13:12,567 WITH AN INDIE MUSIC LABEL. 457 00:13:12,567 --> 00:13:15,133 DO YOU FEEL LIKE THIS THAT CAN 458 00:13:15,133 --> 00:13:17,433 ALBUM WITH THE MORE ANTICIPATION 459 00:13:17,433 --> 00:13:18,400 AND THE SUCCESS OF THE FIRST 460 00:13:18,400 --> 00:13:19,533 ONE, DO YOU FEEL LIKE YOU HAVE 461 00:13:19,533 --> 00:13:22,067 MORE RESOURCES NOW? 462 00:13:22,067 --> 00:13:23,067 HOW WAS IT ACTUALLY AFFECTING 463 00:13:23,067 --> 00:13:23,700 HOW YOU MAKE MUSIC FOR THE 464 00:13:23,700 --> 00:13:26,100 SECOND ALBUM? 465 00:13:26,100 --> 00:13:28,700 >> WE DID SO WELL THE FIRST TIME 466 00:13:28,700 --> 00:13:30,967 AROUND I KIND OF IMMEDIATELY 467 00:13:30,967 --> 00:13:32,367 LEARNED THAT OUR TEAM, WHICH IS 468 00:13:32,367 --> 00:13:35,467 A GREAT TEAM, THEY WERE KIND OF 469 00:13:35,467 --> 00:13:39,867 RELYING ON US FOR DIRECTION, SO 470 00:13:39,867 --> 00:13:43,067 THAT CAME AS A REALLY BIG 471 00:13:43,067 --> 00:13:43,433 SURPRISE. 472 00:13:43,433 --> 00:13:45,233 WHILE IT DOESN'T SOUND SUPER 473 00:13:45,233 --> 00:13:48,067 LIKE A BIG DEAL, IT CAME AS A 474 00:13:48,067 --> 00:13:48,733 SURPRISE BECAUSE I DON'T KNOW 475 00:13:48,733 --> 00:13:51,267 THAT WE WERE FOR SURE AS TO WHAT 476 00:13:51,267 --> 00:13:52,300 DIRECTION WE WANTED TO GO IN. 477 00:13:52,300 --> 00:13:55,767 SO WE JUST CONTINUED TO BE 478 00:13:55,767 --> 00:13:56,600 GENUINE, CONTINUED TO BE HONEST, 479 00:13:56,600 --> 00:13:58,900 AND IT'S LED US INTO SOME PLACES 480 00:13:58,900 --> 00:14:01,733 THAT HAVE BEEN REALLY NEW AND 481 00:14:01,733 --> 00:14:04,667 VERY COOL, AND WE ARE STILL 482 00:14:04,667 --> 00:14:06,800 OBSERVING PEOPLE'S REACTION. 483 00:14:06,800 --> 00:14:09,900 SO THAT'S BEEN REALLY NICE. 484 00:14:09,900 --> 00:14:11,633 >> Ronny: YOU CAME UP KIND OF 485 00:14:11,633 --> 00:14:12,400 PLAYING SMALLER GIGS, COMING UP 486 00:14:12,400 --> 00:14:15,067 IN RADIO CITY AND EVERYTHING IS 487 00:14:15,067 --> 00:14:15,667 REALLY HAPPENING FOR YOU. 488 00:14:15,667 --> 00:14:20,933 DO YOU FEEL LIKE -- DO YOU STILL 489 00:14:20,933 --> 00:14:24,233 GO BACK TO GET THE ENERGY? 490 00:14:24,233 --> 00:14:25,600 >> MOST DEFINITELY. 491 00:14:25,600 --> 00:14:28,067 I'M LUCKY BECAUSE I WAS BUSKING 492 00:14:28,067 --> 00:14:28,600 BEFORE. 493 00:14:28,600 --> 00:14:31,867 EVERYBODY HATED ME. 494 00:14:31,867 --> 00:14:35,467 I WAS BUSKING IN SANTA MONICA, 495 00:14:35,467 --> 00:14:36,233 LOS ANGELES. 496 00:14:36,233 --> 00:14:38,733 I WENT FROM LOS ANGELES TO 497 00:14:38,733 --> 00:14:40,967 AUSTIN, TEXAS, WHERE THERE IS A 498 00:14:40,967 --> 00:14:43,067 LIVE SHOW FOR ANYBODY AND 499 00:14:43,067 --> 00:14:44,067 EVERYBODY EVERY SINGLE DAY, SO 500 00:14:44,067 --> 00:14:48,067 TO BE INTERJECTED INTO SUCH A 501 00:14:48,067 --> 00:14:49,533 CULTURE WHERE THE ARTISTRY IS 502 00:14:49,533 --> 00:14:52,633 JUST EMBRACED IN THIS ON HE UNCY 503 00:14:52,633 --> 00:14:54,233 WAY, THAT OPENED MY EYES TO NOT 504 00:14:54,233 --> 00:14:55,067 HAVING TO PAY TO PLAY BUT BEING 505 00:14:55,067 --> 00:14:58,300 ABLE TO PLAY AND REALLY JUST 506 00:14:58,300 --> 00:15:01,667 INTEGRATE IN THE CULTURE, SO WE 507 00:15:01,667 --> 00:15:03,767 PLAYED SEE BOYS, WHICH IS A 508 00:15:03,767 --> 00:15:08,600 SMALLER VENUE, S SHOTGUN CLUB. 509 00:15:08,600 --> 00:15:10,433 >> Announcer: AND ITS ORIGINAL 510 00:15:10,433 --> 00:15:13,067 ENERGY, AND YOU ARE KILLING IT. 511 00:15:13,067 --> 00:15:14,167 >> AND THERE'S THE SENSE THAT 512 00:15:14,167 --> 00:15:16,433 YOU REALLY HAVE TO WORK HARD 513 00:15:16,433 --> 00:15:21,733 BECAUSE THERE'S FRIENDS THAT 514 00:15:21,733 --> 00:15:22,067 COME. 515 00:15:22,067 --> 00:15:22,800 >> Ronny: YOU ARE LIKE TRYING 516 00:15:22,800 --> 00:15:24,567 TO PROVE YOURSELF VERSUS RADIO 517 00:15:24,567 --> 00:15:27,333 CITY, WHERE EVERYONE IS THERE -- 518 00:15:27,333 --> 00:15:28,467 >> MOST DEFINITELY. 519 00:15:28,467 --> 00:15:29,400 AND THEY WANT TO SAY BRIEFLY 520 00:15:29,400 --> 00:15:30,467 THAT WE WERE JUST VERY LUCKY 521 00:15:30,467 --> 00:15:32,233 FROM THE VERY GET-GO. 522 00:15:32,233 --> 00:15:36,967 AS SOON AS I MET ADRIAN POSADA, 523 00:15:36,967 --> 00:15:37,800 WE HAD SUCH AMAZING CHEMISTRY. 524 00:15:37,800 --> 00:15:39,200 I'M A CREATIVE AND AN ARTIST 525 00:15:39,200 --> 00:15:42,667 FIRST AND IT HELPED TO BE WITH A 526 00:15:42,667 --> 00:15:43,233 PARTNER WHO WAS JUST 527 00:15:43,233 --> 00:15:44,067 KNOWLEDGEABLE ENOUGH TO HELP ME 528 00:15:44,067 --> 00:15:44,900 FIND A CONTAINER FOR THAT 529 00:15:44,900 --> 00:15:47,800 MUSICALLY. 530 00:15:47,800 --> 00:15:49,067 OF AND TO THEN SEE THE STAGE IN 531 00:15:49,067 --> 00:15:52,967 SUCH A REAL WAY, I GREW UP 532 00:15:52,967 --> 00:15:53,333 ACTING. 533 00:15:53,333 --> 00:15:57,467 IT'S NOT THAT MUCH DIFFERENT. 534 00:15:57,467 --> 00:15:58,567 SO TO BE IN THAT SITUATION IN 535 00:15:58,567 --> 00:16:01,867 AUSTIN, TEXAS, IT WAS LIKE THE 536 00:16:01,867 --> 00:16:02,633 PERFECT PLACE TO CULTIVATE THE 537 00:16:02,633 --> 00:16:06,067 LIFE FOR FORMATIVE ELEMENT. 538 00:16:06,067 --> 00:16:08,067 >> Ronny: I HEARD YOU RECENTLY 539 00:16:08,067 --> 00:16:09,800 WENT TO A SILENT MEDITATION 540 00:16:09,800 --> 00:16:10,167 RETREAT? 541 00:16:10,167 --> 00:16:13,233 >> MOST DEFINITELY. 542 00:16:13,233 --> 00:16:14,433 I DISCOVERED WHAT POSNER THREW A 543 00:16:14,433 --> 00:16:15,100 GIRLFRIEND OF MINE AND IT 544 00:16:15,100 --> 00:16:17,833 CHANGED MY WORLD. 545 00:16:17,833 --> 00:16:18,700 I'VE DONE THE RETREAT TWICE, 546 00:16:18,700 --> 00:16:20,200 IT'S FREE. 547 00:16:20,200 --> 00:16:22,300 THEY PUT ME UP FOR FREE. 548 00:16:22,300 --> 00:16:23,733 >> Ronny: WHAT'S THE 549 00:16:23,733 --> 00:16:24,167 CONDITIONS? 550 00:16:24,167 --> 00:16:24,833 YOU JUST HAVE TO SHUT THE 551 00:16:24,833 --> 00:16:28,133 [BLEEP] UP? 552 00:16:28,133 --> 00:16:30,067 >> EXACTLY. 553 00:16:30,067 --> 00:16:31,967 YOU GET THERE, IT'S MAYBE 100 554 00:16:31,967 --> 00:16:35,867 STUDENTS, FIVE INSTRUCTORS, YOU 555 00:16:35,867 --> 00:16:37,067 LEARN THE TECHNIQUE, WHICH IS 556 00:16:37,067 --> 00:16:37,500 EASY TO LEARN. 557 00:16:37,500 --> 00:16:40,133 >> Ronny: JUST TO SHUT UP. 558 00:16:40,133 --> 00:16:41,800 THE TECHNIQUE FOR THAT IS 559 00:16:41,800 --> 00:16:42,567 ACQUIRED SKILL. 560 00:16:42,567 --> 00:16:43,933 WHAT HAPPENS IF YOU DON'T SHUT 561 00:16:43,933 --> 00:16:44,233 UP? 562 00:16:44,233 --> 00:16:45,933 DO THEY KICK YOU OUT AND MIKE 563 00:16:45,933 --> 00:16:48,067 HOW DID THEY KICK YOU OUT? 564 00:16:48,067 --> 00:16:50,100 >> YOU CAN GET KICKED OUT. 565 00:16:50,100 --> 00:16:51,867 FOR SURE! 566 00:16:51,867 --> 00:16:52,233 [LAUGHS] 567 00:16:52,233 --> 00:16:54,900 YOU CAN GET KICKED OUT BUT THE 568 00:16:54,900 --> 00:16:59,533 TECHNIQUE IS TO GET YOU ON A 569 00:16:59,533 --> 00:17:03,300 VEHICLE TO THE SOURCE OF HOW 570 00:17:03,300 --> 00:17:06,267 AND/OR WHERE OUR SUBCONSCIOUS 571 00:17:06,267 --> 00:17:08,133 MIND IS REACTING TO, YOU KNOW, 572 00:17:08,133 --> 00:17:09,233 OUR THOUGHTS AND THINGS THAT 573 00:17:09,233 --> 00:17:10,933 MIGHT'VE HAPPENED IN THE PAST, 574 00:17:10,933 --> 00:17:13,133 SO TO GET TO THE BOTTOM OF IT 575 00:17:13,133 --> 00:17:14,500 IT'S A TECHNIQUE TO DO SO. 576 00:17:14,500 --> 00:17:16,666 >> Ronny: YEAH, THAT SOME 577 00:17:16,666 --> 00:17:17,099 HORRIBLE... 578 00:17:17,099 --> 00:17:17,500 [LAUGHTER] 579 00:17:17,500 --> 00:17:19,867 I WOULD NEVER DO THAT. 580 00:17:19,867 --> 00:17:21,067 "CHRONICLES OF A DIAMOND" IS 581 00:17:21,067 --> 00:17:23,800 AVAILABLE NOW. 582 00:17:23,800 --> 00:17:25,567 BE SURE TO STAY TUNED FOR A 583 00:17:25,567 --> 00:17:27,633 SPECIAL PERFORMANCE AFTER THE 584 00:17:27,633 --> 00:17:28,400 BREAK! 585 00:17:28,400 --> 00:17:30,633 ERIC BURTON AND THE BLACK PUMAS, 586 00:17:30,633 --> 00:17:31,067 EVERYBODY! 587 00:17:31,067 --> 00:17:31,600 [CHEERS AND APPLAUSE] 588 00:17:36,633 --> 00:17:37,733 [CHEERS AND APPLAUSE] 589 00:17:37,733 --> 00:17:39,133 >> Ronny: WELCOME BACK TO 590 00:17:39,133 --> 00:17:39,667 "THE DAILY SHOW"! 591 00:17:39,667 --> 00:17:44,833 NOW TO PERFORM "GEMINI SUN," 592 00:17:44,833 --> 00:17:50,067 PLEASE WELCOME BLACK PUMAS! 593 00:17:50,067 --> 00:17:53,600 [CHEERS AND APPLAUSE] 594 00:17:53,800 --> 00:17:55,833 IS A CO 595 00:17:56,067 --> 00:17:56,367 >> * 596 00:17:56,367 --> 00:17:57,067 LOVELY FLOWER, DRESSED UP 597 00:18:00,567 --> 00:18:01,100 ON THE WALL, BABY 598 00:18:01,100 --> 00:18:04,733 * 599 00:18:04,733 --> 00:18:08,900 * LET ME SHOW YOU HOW TO EASE 600 00:18:08,900 --> 00:18:09,400 YOUR MIND TODAY 601 00:18:09,400 --> 00:18:10,900 * 602 00:18:10,900 --> 00:18:14,667 * I CAN'T BE TOO COMFORTABLE TO 603 00:18:14,667 --> 00:18:15,400 SEE YOU STANDING BY ALL OF MY 604 00:18:15,400 --> 00:18:15,867 * 605 00:18:15,867 --> 00:18:16,267 * DESIRES 606 00:18:16,267 --> 00:18:17,800 * 607 00:18:17,800 --> 00:18:18,433 * OOOOH OHHHH OHHH YEAH 608 00:18:18,433 --> 00:18:26,767 * 609 00:18:26,767 --> 00:18:27,400 * OOOOH OHHHH OHHH YEAH 610 00:18:27,400 --> 00:18:34,767 * 611 00:18:34,767 --> 00:18:36,133 * MIRROR MIRROR WISHED UPON THE 612 00:18:36,133 --> 00:18:36,533 WALL BABY 613 00:18:36,533 --> 00:18:40,167 * 614 00:18:40,167 --> 00:18:41,833 * LET ME NOTICE HOW I LOOK 615 00:18:41,833 --> 00:18:42,167 INSIDE 616 00:18:42,167 --> 00:18:47,067 * 617 00:18:47,067 --> 00:18:47,867 * I CAN'T GET TOO COMFORTABLE 618 00:18:47,867 --> 00:18:48,467 CEREMONIAL STANDING BY 619 00:18:48,467 --> 00:18:51,933 * 620 00:18:51,933 --> 00:18:52,600 * OOOH OOOHHH OHHHHH YEAH 621 00:18:52,600 --> 00:19:00,367 * 622 00:19:00,367 --> 00:19:01,067 * OOOH OOOHHH OHHHHH YEAH 623 00:19:01,067 --> 00:19:08,300 * 624 00:19:08,300 --> 00:19:12,067 * TAKE ME TO THE LOVELY BALL MY 625 00:19:12,067 --> 00:19:12,333 DEAR 626 00:19:12,333 --> 00:19:14,433 * 627 00:19:14,433 --> 00:19:16,233 * WICKED BRIDGE I'LL SEE HER 628 00:19:16,233 --> 00:19:16,700 SILVER LINING 629 00:19:16,700 --> 00:19:20,267 * 630 00:19:20,267 --> 00:19:21,500 * I CAN'T HELP BUT CHANGE THE 631 00:19:21,500 --> 00:19:22,067 STORY LINE FOREVER 632 00:19:22,067 --> 00:19:24,533 * 633 00:19:24,533 --> 00:19:25,200 * MY DIVINE YOU'RE CLEVER 634 00:19:25,200 --> 00:19:26,067 * 635 00:19:26,067 --> 00:19:26,500 * OH AHA AH OH 636 00:19:26,500 --> 00:19:29,633 * 637 00:19:29,633 --> 00:19:31,833 * WHEN THE SUN COMES UP IN THE 638 00:19:31,833 --> 00:19:32,533 MORNING DARLING, YOU LOOK SO 639 00:19:32,533 --> 00:19:34,233 * 640 00:19:34,233 --> 00:19:34,600 * GOOD 641 00:19:34,600 --> 00:19:36,333 * 642 00:19:36,333 --> 00:19:37,100 * TELL ME HOW YOU LOOK SO GOOD 643 00:19:37,100 --> 00:19:38,933 * 644 00:19:38,933 --> 00:19:39,667 * LOVELY HOW YOU LOOK SO GOOD 645 00:19:39,667 --> 00:19:42,067 * 646 00:19:42,067 --> 00:19:43,933 * SO WHEN THE SUN COMES UP AND 647 00:19:43,933 --> 00:19:48,067 THE LOVE IS CALLING BACK, IN 648 00:19:48,067 --> 00:19:48,633 * YOUR NEIGHBORHOOD 649 00:19:48,633 --> 00:19:48,967 * 650 00:19:48,967 --> 00:19:49,733 * TELL ME HOW YOU LOOK SO GOOD 651 00:19:49,733 --> 00:19:52,133 * 652 00:19:52,133 --> 00:19:52,867 * LOVELY HOW YOU LOOK SO GOOD 653 00:19:52,867 --> 00:20:05,100 * 654 00:20:05,100 --> 00:20:06,433 * TAKE A PICTURE OF MY 655 00:20:06,433 --> 00:20:06,800 EVERYDAY 656 00:20:06,800 --> 00:20:10,867 * 657 00:20:10,867 --> 00:20:15,267 * I'VE BEEN WAITING JUST TO COME 658 00:20:15,267 --> 00:20:15,733 AND PLAY, BABY 659 00:20:15,733 --> 00:20:17,967 * 660 00:20:17,967 --> 00:20:18,733 * I GOT TO TELL YOU HOW I FEEL 661 00:20:18,733 --> 00:20:19,067 INSIDE 662 00:20:19,067 --> 00:20:20,733 * 663 00:20:20,733 --> 00:20:22,067 * YOU'LL BE MIGHTY FINE 664 00:20:22,067 --> 00:20:22,433 FOREVER 665 00:20:22,433 --> 00:20:23,900 * 666 00:20:23,900 --> 00:20:24,567 * OOOH OOOHHH OHHHHH YEAH 667 00:20:24,567 --> 00:20:31,967 * 668 00:20:31,967 --> 00:20:32,633 * OOOH OOOHHH OHHHHH YEAH 669 00:20:32,633 --> 00:20:38,933 * 670 00:20:38,933 --> 00:20:40,600 * BLACK AND BLUE UNTIL WE PAINT 671 00:20:40,600 --> 00:20:40,967 A CASKET 672 00:20:40,967 --> 00:20:44,767 * 673 00:20:44,767 --> 00:20:46,800 * NOTHING LEFT BUT THIS 674 00:20:46,800 --> 00:20:47,267 REVERBERATION 675 00:20:47,267 --> 00:20:56,467 * 676 00:20:56,467 --> 00:20:57,233 * IF I CAN'T REACH YOU, KEEP ME 677 00:20:57,233 --> 00:20:57,533 DOWN 678 00:20:57,533 --> 00:21:01,567 * 679 00:21:01,567 --> 00:21:04,667 * WHEN THE SUN COMES UP IN THE 680 00:21:04,667 --> 00:21:05,367 MORNING DARLING, YOU LOOK SO 681 00:21:05,367 --> 00:21:05,633 * 682 00:21:05,633 --> 00:21:06,067 * GOOD 683 00:21:06,067 --> 00:21:07,367 * 684 00:21:07,367 --> 00:21:08,133 * TELL ME HOW YOU LOOK SO GOOD 685 00:21:08,133 --> 00:21:09,533 * 686 00:21:09,533 --> 00:21:10,267 * LOVELY HOW YOU LOOK SO GOOD 687 00:21:10,267 --> 00:21:12,733 * 688 00:21:12,733 --> 00:21:19,833 * WHEN THE SUN COMES UP AND THE 689 00:21:19,833 --> 00:21:20,533 LOVE IS CALLING BACK, IN MY 690 00:21:20,533 --> 00:21:20,833 * 691 00:21:20,833 --> 00:21:21,400 * YOUR NEIGHBORHOOD 692 00:21:21,400 --> 00:21:21,700 * 693 00:21:21,700 --> 00:21:22,467 * TELL ME HOW YOU LOOK SO GOOD 694 00:21:22,467 --> 00:21:22,767 * 695 00:21:22,767 --> 00:21:23,500 * LOVELY HOW YOU LOOK SO GOOD 696 00:21:23,500 --> 00:21:26,800 * 697 00:21:26,800 --> 00:21:27,533 * IT'S LOVELY HOW YOU LOOK SO 698 00:21:27,533 --> 00:21:27,833 GOOD 699 00:21:27,833 --> 00:21:29,800 * 700 00:21:29,800 --> 00:21:32,067 * DARLING, 701 00:21:32,067 --> 00:21:32,567 * YOU LOOK SO GOOD 702 00:21:32,567 --> 00:21:35,133 * 703 00:21:35,133 --> 00:21:35,900 * TELL ME HOW YOU LOOK SO GOOD 704 00:21:35,900 --> 00:21:39,767 * 705 00:21:39,767 --> 00:21:43,533 * WHEN THE SUN COMES UP AND THE 706 00:21:43,533 --> 00:21:44,133 LOVE IS CALLING BACK, 707 00:21:44,133 --> 00:21:45,133 * 708 00:21:45,133 --> 00:21:45,767 * IN YOUR NEIGHBORHOOD 709 00:21:45,767 --> 00:21:46,233 * 710 00:21:46,233 --> 00:21:47,067 * TELL ME HOW YOU LOOK SO GOOD 711 00:21:47,067 --> 00:21:58,533 * 712 00:21:58,533 --> 00:21:58,900 SO GOOD 713 00:21:58,900 --> 00:22:01,600 * 714 00:22:01,600 --> 00:22:02,367 * TELL ME HOW YOU LOOK SO GOOD 715 00:22:02,367 --> 00:22:11,767 * 716 00:22:11,767 --> 00:22:16,100 LOOKING AT MY BABY * 717 00:22:16,100 --> 00:22:16,400 * 718 00:22:16,400 --> 00:22:17,167 * TELL ME HOW YOU LOOK SO GOOD 719 00:22:17,167 --> 00:22:19,533 * 720 00:22:19,533 --> 00:22:22,200 ON THAT MOUNTAINTOP * 721 00:22:22,200 --> 00:22:27,667 * BABY, IN YOUR NEIGHBORHOOD 722 00:22:27,667 --> 00:22:41,333 * * 723 00:22:41,333 --> 00:22:42,100 * TELL ME HOW YOU LOOK SO GOOD 724 00:22:42,100 --> 00:22:43,833 * 725 00:22:43,833 --> 00:22:44,567 * IT'S LOVELY HOW YOU LOOK SO 726 00:22:44,567 --> 00:22:44,867 GOOD 727 00:22:44,867 --> 00:22:52,833 * 728 00:22:52,833 --> 00:22:53,367 * WE LOOK SO GOOD 729 00:22:53,367 --> 00:23:01,900 * 730 00:23:01,900 --> 00:23:08,967 [CHEERS AND APPLAUSE] 731 00:23:14,733 --> 00:23:15,367 [CHEERS AND APPLAUSE] 732 00:23:15,367 --> 00:23:16,167 >> Ronny: THAT'S OUR SHOW FOR 733 00:23:16,167 --> 00:23:16,567 TONIGHT. 734 00:23:16,567 --> 00:23:18,967 NOW HERE IT IS, YOUR MOMENT OF 735 00:23:18,967 --> 00:23:19,533 ZEN. 736 00:23:19,533 --> 00:23:21,733 >> THERE WE ARE FROM CHICAGO, 737 00:23:21,733 --> 00:23:22,700 THE NATIONAL ASSOCIATION OF 738 00:23:22,700 --> 00:23:24,600 BLACK JOURNALISTS CONVENTION 739 00:23:24,600 --> 00:23:25,133 PANEL INTERVIEWING 740 00:23:25,133 --> 00:23:28,200 PRESIDENT TRUMP ON STAGE. 741 00:23:28,200 --> 00:23:29,333 SANDRA, SOME INTERESTING 742 00:23:29,333 --> 00:23:30,067 QUESTIONS AND INTERESTING 743 00:23:30,067 --> 00:23:31,167 DYNAMIC THERE AS WELL. 744 00:23:31,167 --> 00:23:32,133 NOT ONLY WITH THE QUESTION IS, 43174

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