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00:00:05,379 --> 00:00:08,862
Narrator: NASA's MISSION
IS TO EXPLORE THE UNKNOWN.
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00:00:08,862 --> 00:00:10,758
Teitel:
WHAT WE KNOW ABOUT THE UNIVERSE
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00:00:10,758 --> 00:00:13,344
IS A TINY FRACTION
OF WHAT'S ACTUALLY OUT THERE.
4
00:00:13,344 --> 00:00:16,310
Narrator:
IN THE SEARCH FOR ANSWERS,
5
00:00:16,310 --> 00:00:18,793
IT LAUNCHES ITS SCIENTISTS
INTO SPACE,
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00:00:18,793 --> 00:00:22,827
ITS CRAFT BEYOND THE LIMITS
OF THE SOLAR SYSTEM.
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00:00:22,827 --> 00:00:24,862
Lee: WE HAVE NO IDEA
WHAT'S OUT THERE.
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00:00:26,965 --> 00:00:29,551
THERE MIGHT BE DANGERS
LURKING IN THE DARKNESS.
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00:00:29,551 --> 00:00:34,206
WE RUN ACROSS MORE MYSTERIES
THAN DISCOVERIES.
10
00:00:35,620 --> 00:00:38,965
WE DON'T KNOW WHAT IT'S
GONNA THROW AT US NEXT.
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00:00:41,724 --> 00:00:45,551
Narrator: IS IT POSSIBLE THAT WE
HUMANS ARE NOT FROM THIS WORLD?
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00:00:45,551 --> 00:00:47,586
IT'S NOT COMPLETELY IDIOTIC
TO SAY,
13
00:00:47,586 --> 00:00:49,758
"MAYBE WE ALL COME FROM VENUS."
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00:00:49,758 --> 00:00:53,310
Narrator: A RUNAWAY SATELLITE
PUTS ASTRONAUTS IN DANGER.
15
00:00:53,310 --> 00:00:57,344
THEY NOW HAVE A ROGUE SATELLITE
IN LOW EARTH ORBIT.
16
00:00:57,344 --> 00:00:59,827
THEN WE ALL BEGAN
TO -- TO WORRY.
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00:00:59,827 --> 00:01:03,655
Narrator: AND TWO MOONS
IN THE SKY FORESHADOW DISASTER.
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00:01:03,655 --> 00:01:06,137
THE EFFECTS ON EARTH
WOULD BE DEVASTATING.
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00:01:06,137 --> 00:01:07,620
YOU'D HAVE TSUNAMIS.
20
00:01:07,620 --> 00:01:09,827
YOU'D HAVE GIANT TIDAL WAVES.
21
00:01:09,827 --> 00:01:13,310
THIS IS SOMETHING
THAT WE DO NOT WANT TO SEE.
22
00:01:13,310 --> 00:01:15,689
Narrator: THESE ARE
NASA's UNEXPLAINED FILES.
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00:01:15,689 --> 00:01:17,724
--Captions by VITAC--
www.vitac.com
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00:01:17,724 --> 00:01:20,103
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
25
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MYSTERIOUS DARK PATCHES
IN THE CLOUDS OF VENUS
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00:01:22,862 --> 00:01:24,896
SPARK A FLURRY OF SPECULATION.
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SOMETHING'S GOING ON
IN THE ATMOSPHERE OF VENUS.
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00:01:27,896 --> 00:01:31,137
Narrator:
AND NOTHING CAN BE RULED OUT.
29
00:01:31,137 --> 00:01:33,827
IT'S ENTIRELY POSSIBLE
THAT THERE'S AN ECOSYSTEM
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00:01:33,827 --> 00:01:35,862
IN THE CLOUDS OF VENUS.
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Narrator: COULD LIFE HERE
HAVE STARTED THERE?
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ARE WE ALIENS ON OUR OWN PLANET?
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Narrator: FOR CENTURIES,
ASTRONOMERS THOUGHT THAT VENUS
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WAS A GARDEN OF EDEN.
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00:01:53,827 --> 00:01:57,724
VENUS AND EARTH ARE ACTUALLY
REMARKABLY SIMILAR PLANETS --
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BOTH ABOUT THE SAME SIZE,
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ABOUT THE SAME PLACE
IN THE SOLAR SYSTEM,
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00:02:01,103 --> 00:02:03,275
MADE OF BASICALLY
THE SAME STUFF.
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00:02:03,275 --> 00:02:06,413
SO IT'S REASONABLE
TO IMAGINE EARLY VENUS
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00:02:06,413 --> 00:02:08,448
AS AN OCEAN PLANET
VERY MUCH LIKE THE EARTH,
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00:02:08,448 --> 00:02:12,965
WARMER SOMEWHAT BECAUSE
IT WAS CLOSER TO THE SUN.
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00:02:12,965 --> 00:02:17,655
Narrator: BUT WHEN A SPACE PROBE
ARRIVES IN THE EARLY '60s,
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IT DISCOVERS A LIVING HELL.
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IF YOU WERE
TO SET FOOT ON VENUS,
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YOU WOULD DIE
IN SO MANY WAYS SO FAST --
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SULFURIC ACID
DRIPPING OUT OF THE CLOUDS,
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TEMPERATURE HOTTER
THAN YOUR OVEN,
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CRUSHING ATMOSPHERIC PRESSURE.
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THAT'S WHY
THE LONGEST-LIVED SPACECRAFT
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ON THE SURFACE OF VENUS
HAS ONLY BEEN 2 1/2 HOURS.
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IT IS NOT A PLACE FOR LIFE.
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Narrator: UNTIL, IN 1979,
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A NEW MISSION
CHANGES EVERYTHING.
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NASA's PIONEER ORBITER
SENDS BACK
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00:02:52,413 --> 00:02:53,724
THE MOST DETAILED IMAGES
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OF VENUS HUMANS HAD EVER SEEN.
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ITS ADVANCED ULTRAVIOLET
CAMERA REVEALS STRANGE,
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00:03:01,620 --> 00:03:05,241
DARK STREAKS WITHIN THE CLOUDS.
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TO THE EYE, VENUS
IS A BLAND YELLOW BALL.
60
00:03:08,068 --> 00:03:10,655
BUT IF WE LOOK ONLY
AT THE ULTRAVIOLET LIGHT
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00:03:10,655 --> 00:03:12,413
THAT'S COMING BACK,
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00:03:12,413 --> 00:03:15,068
WE NOTICE THAT THERE'S GAPS,
THERE'S DARK AREAS.
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00:03:15,068 --> 00:03:18,931
Narrator: SOMETHING UNKNOWN
IN THE DARK PATCHES
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IS ABSORBING UV LIGHT
INSTEAD OF REFLECTING IT BACK.
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00:03:24,068 --> 00:03:26,344
SO, SOMETHING IS GOING ON
IN THE ATMOSPHERE OF VENUS
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00:03:26,344 --> 00:03:27,517
UP IN THE CLOUD LEVEL.
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00:03:27,517 --> 00:03:30,586
SOMETHING
THAT WE DO NOT UNDERSTAND.
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00:03:30,586 --> 00:03:33,965
Narrator: ASTRONOMERS FIRST LOOK
FOR A CHEMICAL EXPLANATION
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THAT COULD CAUSE
THIS KIND OF EFFECT.
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VENUS IS FULL OF SULFUR
IN DIFFERENT FORMS.
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00:03:40,172 --> 00:03:42,793
AND ONE TYPE OF SULFUR
CAN REALLY ABSORB WELL
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IN THE ULTRAVIOLET.
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SO PERHAPS WHAT WE'RE LOOKING
AT IS JUST A FORM OF SULFUR.
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IN FACT, A PURE FORM OF SULFUR
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THAT CAN CREATE
SOLID PARTICLES.
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Narrator:
ON EARTH, MUCH OF THE SULFUR
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IN OUR ATMOSPHERE COMES
FROM INDUSTRIAL PROCESSES.
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AS FAR AS WE KNOW,
NO ONE IS BUILDING FACTORIES
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ON VENUS RIGHT NOW.
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00:04:02,172 --> 00:04:04,413
BUT ANOTHER SOURCE
OF THE SULFUR COMPOUNDS
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00:04:04,413 --> 00:04:08,000
COULD BE VOLCANIC ACTIVITY.
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00:04:08,000 --> 00:04:11,206
Narrator: BUT THE TYPE OF SULFUR
FOUND IN VENUS' UPPER ATMOSPHERE
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00:04:11,206 --> 00:04:13,517
IS UNLIKELY TO BE VOLCANIC.
84
00:04:17,758 --> 00:04:19,517
Baines: BUT WHEN WE GO
AND LOOK AT THE EXACT COLORS
85
00:04:19,517 --> 00:04:21,724
OF THE SULFUR PARTICLES
AND COMPARE IT TO THE COLORS
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THAT WE SEE
ON VENUS IMAGES AND SPECTRA,
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WE FIND THAT'S NOT
AN EXACT MATCH.
88
00:04:26,000 --> 00:04:27,482
IN FACT, THE MATCH
IS A LITTLE BIT OFF.
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00:04:27,482 --> 00:04:31,413
SO IT HAS US VERY CONCERNED THAT
THERE'S SOMETHING ELSE GOING ON.
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00:04:34,517 --> 00:04:37,448
Narrator: THE MYSTERY DEEPENS
WHEN NASA DISCOVERS TRACES
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00:04:37,448 --> 00:04:43,275
OF TWO INCOMPATIBLE ELEMENTS
IN THE ATMOSPHERE --
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00:04:43,275 --> 00:04:46,620
HYDROGEN SULFIDE
AND SULFUR DIOXIDE.
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WHEN YOU PUT THESE TWO
CHEMICALS TOGETHER, THEY REACT.
94
00:04:49,862 --> 00:04:53,172
THEY CAN'T
JUST EXIST SIDE BY SIDE.
95
00:04:53,172 --> 00:04:55,931
BUT SOMEHOW,
IN THE VENUSIAN ATMOSPHERE,
96
00:04:55,931 --> 00:04:57,655
THAT'S EXACTLY WHAT'S HAPPENING.
97
00:04:57,655 --> 00:05:00,103
SO, HOW DO YOU HAVE BOTH
OF THESE MOLECULES
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00:05:00,103 --> 00:05:04,379
COEXISTING AT THE SAME TIME
ON VENUS?
99
00:05:04,379 --> 00:05:06,793
Narrator: THE ONLY EXPLANATION
IS THAT SOMETHING
100
00:05:06,793 --> 00:05:11,206
IS CONTINUALLY
PRODUCING THE TWO GASES.
101
00:05:11,206 --> 00:05:13,517
SO, THAT MEANS WE'RE SEEING
BRAND-NEW MOLECULES
102
00:05:13,517 --> 00:05:16,413
ALL THE TIME BEING CREATED
BY SOME UNKNOWN PHENOMENA
103
00:05:16,413 --> 00:05:18,620
IN THE ATMOSPHERE OF VENUS.
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00:05:18,620 --> 00:05:19,862
Narrator: ON EARTH,
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WE KNOW EXACTLY WHAT PRODUCES
THESE CHEMICALS.
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00:05:22,689 --> 00:05:28,000
BUT ON VENUS, THEIR PRESENCE
WOULD BE SHOCKING.
107
00:05:28,000 --> 00:05:30,482
WHEN WE FIND
THESE CHEMICALS ON EARTH,
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00:05:30,482 --> 00:05:35,206
THEY'RE USUALLY BEING PRODUCED
BY LIVING CREATURES.
109
00:05:35,206 --> 00:05:38,724
SO, COULD THIS MEAN THAT
MAYBE THERE'S LIFE ON VENUS?
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00:05:41,103 --> 00:05:43,551
Narrator: ALTHOUGH CONDITIONS
ON THE SURFACE ARE BRUTAL,
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00:05:43,551 --> 00:05:47,448
COULD LIFE IN THE CLOUDS
BE POSSIBLE?
112
00:05:47,448 --> 00:05:50,310
Bell: IF YOU TRAVEL UP
IN THE ATMOSPHERE, HIGH ENOUGH,
113
00:05:50,310 --> 00:05:51,862
THERE ARE ZONES
IN THE ATMOSPHERE
114
00:05:51,862 --> 00:05:53,655
THAT ARE ACTUALLY
QUITE EARTH-LIKE
115
00:05:53,655 --> 00:05:55,965
IN MANY DIFFERENT WAYS.
116
00:05:55,965 --> 00:05:57,413
D'Antonio: AND SOME SCIENTISTS
HAVE THEORIZED
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00:05:57,413 --> 00:05:59,551
THAT MAYBE THESE ARE AREAS
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00:05:59,551 --> 00:06:03,379
WHERE THERE MIGHT BE MICROBIAL
LIFE IN VENUS' ATMOSPHERE.
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00:06:03,379 --> 00:06:06,344
Narrator: IF THEY'RE RIGHT,
THE MYSTERIOUS DARK PATCHES
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00:06:06,344 --> 00:06:08,827
ARE BLOOMS
OF VENUSIAN LIFE-FORMS
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00:06:08,827 --> 00:06:11,586
PHOTOSYNTHESIZING ENERGY
FROM THE SUN.
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00:06:11,586 --> 00:06:15,034
IT'S ENTIRELY POSSIBLE THAT
THERE'S A MICROBIAL ECOSYSTEM
123
00:06:15,034 --> 00:06:16,206
IN THE CLOUDS OF VENUS
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00:06:16,206 --> 00:06:19,137
HARVESTING SUNLIGHT,
PRODUCING BIOMASS,
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00:06:19,137 --> 00:06:20,931
CYCLING THAT BIOMASS,
126
00:06:20,931 --> 00:06:23,379
AND HAPPILY LIVING
IN CLOUD DROPLETS.
127
00:06:23,379 --> 00:06:25,206
THAT WOULD BE
A FASCINATING FIND.
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00:06:25,206 --> 00:06:28,000
♪♪
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Narrator:
EARLY IN THE PLANET'S HISTORY,
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00:06:29,793 --> 00:06:34,931
VENUSIAN OCEANS HAD
ALL THE INGREDIENTS FOR LIFE.
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BUT AS THE SUN GOT HOTTER,
THE OCEANS EVAPORATED.
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00:06:39,965 --> 00:06:41,482
Baines:
BEING CLOSE TO THE SUN,
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THE OCEAN STARTED BOILING
AWAY, UH, TURNING INTO STEAM,
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00:06:44,620 --> 00:06:48,172
WHICH ACTUALLY THEN CREATED
A RUNAWAY GREENHOUSE EFFECT.
135
00:06:48,172 --> 00:06:50,931
McKay: ORGANISMS ARE GOING
TO MOVE WITH THE WATER
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00:06:50,931 --> 00:06:52,448
AND INTO THE ATMOSPHERE.
137
00:06:52,448 --> 00:06:54,551
AND THEY'RE GONNA TAKE UP
LIFE IN THE CLOUDS.
138
00:06:54,551 --> 00:06:57,206
THEY'RE NOT GONNA BE
ON THE SURFACE ANYMORE.
139
00:06:57,206 --> 00:07:01,758
Narrator: AND THAT OPENS UP
A FASCINATING POSSIBILITY.
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00:07:01,758 --> 00:07:04,137
IF LIFE ORIGINATED ON VENUS,
141
00:07:04,137 --> 00:07:06,931
IS IT POSSIBLE THAT IT FOUND
ITS WAY TO EARTH
142
00:07:06,931 --> 00:07:11,517
AND KICK-STARTED LIFE
ON OUR OWN PLANET?
143
00:07:11,517 --> 00:07:14,275
D'Antonio:
ARE WE ORIGINALLY FROM EARTH?
144
00:07:14,275 --> 00:07:16,620
I KNOW THAT SOUNDS
LIKE A WEIRD QUESTION.
145
00:07:16,620 --> 00:07:20,275
BUT SCIENTISTS ARE ACTUALLY
CONSIDERING THAT POSSIBILITY.
146
00:07:20,275 --> 00:07:22,965
♪♪
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00:07:22,965 --> 00:07:25,827
Narrator: INTRIGUING EVIDENCE
INDICATES THAT ROCKS
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00:07:25,827 --> 00:07:27,620
MAY HAVE CARRIED
LIVING CREATURES
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00:07:27,620 --> 00:07:30,551
BETWEEN THE PLANETS.
150
00:07:30,551 --> 00:07:32,724
Bell: PLANETS TRADE MATERIALS
BACK AND FORTH
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00:07:32,724 --> 00:07:35,137
OVER THE HISTORY
OF OUR SOLAR SYSTEM.
152
00:07:35,137 --> 00:07:38,551
ASTEROIDS AND COMETS
SMASH INTO THE SURFACE,
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00:07:38,551 --> 00:07:41,517
THROWING A HUGE AMOUNT OF
MATERIAL UP INTO THE ATMOSPHERE,
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SOME OF IT ESCAPING,
TRAVELING AROUND
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00:07:44,241 --> 00:07:46,172
AND IMPACTING OTHER PLANETS.
156
00:07:48,586 --> 00:07:50,137
Baines:
SO, PERHAPS AN ASTEROID
157
00:07:50,137 --> 00:07:51,896
BLASTED AWAY
SOME OF THE SURFACE,
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00:07:51,896 --> 00:07:54,241
AND MAYBE SOME OF THOSE
SINGLE-CELL LIFE-FORMS
159
00:07:54,241 --> 00:07:57,965
ACTUALLY THEN TRAVELED TO EARTH.
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00:07:57,965 --> 00:08:01,034
Narrator: UNTIL VERY RECENTLY,
VENUS WAS BELIEVED TO BE
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00:08:01,034 --> 00:08:03,241
ONE OF THE MOST UNLIKELY PLACES
162
00:08:03,241 --> 00:08:06,034
IN THE SOLAR SYSTEM
TO HARBOR LIFE.
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00:08:06,034 --> 00:08:11,103
COULD IT BE THAT THIS HELLISH
WORLD WAS LIFE'S NURSERY?
164
00:08:11,103 --> 00:08:15,344
COULD WE REALLY BE VENUSIANS?
165
00:08:15,344 --> 00:08:17,344
IT'S NOT COMPLETELY IDIOTIC
TO SAY,
166
00:08:17,344 --> 00:08:19,413
"MAYBE WE ALL COME FROM VENUS."
167
00:08:19,413 --> 00:08:21,689
VENUS MAY HAVE BEEN
THE WARM INCUBATOR
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00:08:21,689 --> 00:08:24,034
IN THE COLD, EARLY SOLAR SYSTEM.
169
00:08:30,965 --> 00:08:34,241
Narrator: COMING UP, A
MYSTERIOUS SATELLITE MALFUNCTION
170
00:08:34,241 --> 00:08:38,517
PUTS NASA's ASTRONAUTS
IN DANGER.
171
00:08:38,517 --> 00:08:41,413
IT'S BAD ENOUGH THAT THEY MISSED
RETRIEVING THE SATELLITE.
172
00:08:41,413 --> 00:08:43,275
BUT THE PROBLEM'S WORSE.
173
00:08:43,275 --> 00:08:46,758
THEY NOW HAVE A ROGUE SATELLITE
IN LOW EARTH ORBIT.
174
00:08:58,448 --> 00:08:59,965
Narrator:
A SATELLITE IN ORBIT
175
00:08:59,965 --> 00:09:02,448
SUFFERS
AN UNEXPLAINED MALFUNCTION,
176
00:09:02,448 --> 00:09:06,068
FORCING NASA TO MAKE
A LIFE-OR-DEATH DECISION.
177
00:09:06,068 --> 00:09:08,896
YOU'RE ALWAYS WEIGHING,
"IT'S A VALUABLE PIECE OF GEAR,"
178
00:09:08,896 --> 00:09:11,275
VERSUS, "HOW MUCH RISK
IS THERE TO IT
179
00:09:11,275 --> 00:09:13,758
CAUSING A CATASTROPHE
WITH THE CREW?"
180
00:09:13,758 --> 00:09:17,000
Narrator: CAN NASA PULL OFF THE
MOST AUDACIOUS RESCUE MISSION
181
00:09:17,000 --> 00:09:19,068
IN THE HISTORY
OF SHUTTLE FLIGHT?
182
00:09:19,068 --> 00:09:23,206
WE WEREN'T SURE WE WERE GOING
TO BE ABLE TO DO THIS.
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00:09:27,689 --> 00:09:28,931
♪♪
184
00:09:28,931 --> 00:09:31,551
Narrator: NOVEMBER 1997.
185
00:09:31,551 --> 00:09:35,000
COLUMBIASPACE SHUTTLE
FLIGHT STS-87
186
00:09:35,000 --> 00:09:37,620
LAUNCHES
FROM CAPE CANAVERAL, FLORIDA.
187
00:09:37,620 --> 00:09:40,379
Man: AND LIFT-OFF
OF SPACE SHUTTLE COLUMBIA.
188
00:09:40,379 --> 00:09:43,206
WE'RE PUSHED BACK INTO THE SEAT,
THREE TIMES OUR BODY WEIGHT
189
00:09:43,206 --> 00:09:44,620
AND WATCHING THE MACH TAPES.
190
00:09:44,620 --> 00:09:48,689
WE'RE GOIN' FASTER
THAN MACH 2, MACH 5, MACH 6.
191
00:09:48,689 --> 00:09:52,241
WE WENT FROM ZERO
TO 17,500 MILES PER HOUR
192
00:09:52,241 --> 00:09:55,137
IN ONLY 8 1/2 MINUTES.
193
00:09:55,137 --> 00:09:57,241
Woman: COUNTDOWN PAUSE
WILL RESUME ON MY MARK.
194
00:09:58,103 --> 00:09:59,827
Narrator:
COLUMBIA'SMISSION --
195
00:09:59,827 --> 00:10:02,137
TO LAUNCH
A $10-MILLION SATELLITE,
196
00:10:02,137 --> 00:10:03,448
CODE NAMED SPARTAN,
197
00:10:03,448 --> 00:10:08,241
THAT WILL STUDY SOLAR FLARES.
198
00:10:08,241 --> 00:10:11,482
THE MISSION'S SUCCESS
WILL RELY ON THE STEADY HAND
199
00:10:11,482 --> 00:10:14,551
OF THE SHUTTLE'S
ROBOT-ARM OPERATOR.
200
00:10:14,551 --> 00:10:17,517
EVERY SHUTTLE
HAS A 50-FOOT ROBOT ARM ON IT.
201
00:10:17,517 --> 00:10:22,206
AND WHAT IT ALLOWS US TO DO
IS TO MOVE LARGE DEVICES, UH,
202
00:10:22,206 --> 00:10:27,827
FROM THE SPACE-SHUTTLE
PAYLOAD BAY OUT INTO ORBIT.
203
00:10:27,827 --> 00:10:29,137
Narrator: ROOKIE ASTRONAUT
204
00:10:29,137 --> 00:10:31,448
MISSION SPECIALIST
KALPANA CHAWLA
205
00:10:31,448 --> 00:10:34,103
TAKES CONTROL
OF THE REMOTE DEPLOYMENT.
206
00:10:34,103 --> 00:10:35,344
IT IS A PROUD MOMENT
207
00:10:35,344 --> 00:10:40,172
FOR THE FIRST
INDO-AMERICAN IN SPACE.
208
00:10:40,172 --> 00:10:41,793
SHE LIFTS IT UP OUT OF THE BAY.
IT LOOKS GOOD.
209
00:10:41,793 --> 00:10:45,448
WE'RE ALL THERE
AT THE WINDOWS, WATCHING.
210
00:10:45,448 --> 00:10:48,068
AND AS SHE RELEASED IT,
211
00:10:48,068 --> 00:10:50,068
UH, WE NOTICED
THAT THE SATELLITE
212
00:10:50,068 --> 00:10:53,068
WAS SUPPOSED
TO PERFORM A ROTATION,
213
00:10:53,068 --> 00:10:56,586
WHICH WE CALL
THE PIROUETTE MANEUVER.
214
00:10:56,586 --> 00:10:59,206
WELL, SPARTAN DIDN'T PIROUETTE.
215
00:11:08,241 --> 00:11:11,137
AND THEN WE ALL BEGIN
TO -- TO WORRY.
216
00:11:13,517 --> 00:11:15,172
Narrator:
FOR SOME UNKNOWN REASON,
217
00:11:15,172 --> 00:11:18,793
THE SATELLITE IS DEAD IN SPACE.
218
00:11:18,793 --> 00:11:21,896
THE ONLY THING THEY CAN DO NOW
IS RECOVER IT.
219
00:11:26,103 --> 00:11:30,103
AND AS OUR ARM OPERATOR BEGAN
TO DRIVE THE ROBOT ARM IN,
220
00:11:30,103 --> 00:11:33,034
SHE STOPPED AND PAUSED
FOR A MOMENT.
221
00:11:33,034 --> 00:11:35,172
AND WHAT CAUGHT
MY ATTENTION WAS THE ARM.
222
00:11:35,172 --> 00:11:38,896
THE END OF THE ARM BOUNCED
UP AND DOWN A LITTLE BIT.
223
00:11:38,896 --> 00:11:43,137
THE BOUNCING CAUSED HER
TO MISS THE GRAPPLE.
224
00:11:43,137 --> 00:11:44,931
RETRIEVING
A SATELLITE FROM SPACE
225
00:11:44,931 --> 00:11:47,689
WITH A ROBOTIC ARM
IS NOT AN EASY TASK.
226
00:11:47,689 --> 00:11:50,068
YOU ONLY HAVE ONE SHOT.
227
00:11:50,068 --> 00:11:51,758
AND ON CHAWLA'S ONE SHOT,
228
00:11:51,758 --> 00:11:54,793
UNFORTUNATELY,
SHE BUMPS IT INTO A SPIN.
229
00:11:57,000 --> 00:11:58,172
SO, YOU GOT
TO PICTURE THIS, NOW.
230
00:11:58,172 --> 00:12:01,137
THIS IS
A 3,000-POUND SATELLITE
231
00:12:01,137 --> 00:12:03,344
ABOUT THE SIZE
OF A SMALL CAR
232
00:12:03,344 --> 00:12:08,068
VERY SLOWLY TURNING IN SPACE.
233
00:12:08,068 --> 00:12:10,172
Narrator: LOSING
A MULTIMILLION-DOLLAR SATELLITE
234
00:12:10,172 --> 00:12:11,379
WOULD BE A DISASTER.
235
00:12:11,379 --> 00:12:15,965
SO THE CREW DO ALL THEY CAN
TO GET IT BACK.
236
00:12:15,965 --> 00:12:18,758
FOR THE NEXT HOUR,
THE CREW VALIANTLY TRIES
237
00:12:18,758 --> 00:12:20,137
TO RETRIEVE THE SATELLITE.
238
00:12:26,965 --> 00:12:32,206
THEY DON'T HAVE ENOUGH FUEL
ABOARD TO CHASE IT FOR LONG.
239
00:12:32,206 --> 00:12:33,724
THE MORE FUEL THEY BURN,
240
00:12:33,724 --> 00:12:37,310
THE GREATER THE CHANCE
THEY'RE GONNA BE STUCK IN ORBIT.
241
00:12:37,310 --> 00:12:40,310
[ RADIO CHATTER ]
242
00:12:42,034 --> 00:12:44,448
Narrator: THE ASTRONAUTS
CONSIDER THE POSSIBILITY
243
00:12:44,448 --> 00:12:47,241
OF CATCHING
THE SATELLITE BY HAND.
244
00:12:47,241 --> 00:12:50,482
BUT IT'S AN OPTION
THAT IS FRAUGHT WITH DANGER.
245
00:12:54,206 --> 00:12:57,517
Linenger: SPACE WALK HAS, YOU
KNOW, NATURAL INHERENT RISKS.
246
00:12:57,517 --> 00:12:59,103
THEY HAVE MORE DANGER
247
00:12:59,103 --> 00:13:02,068
THAN WHEN YOU'RE SITTIN' BACK
INSIDE THE SPACECRAFT.
248
00:13:02,068 --> 00:13:07,689
Narrator: BUT ON THE OTHER HAND,
SPARTAN IS WORTH $10 MILLION.
249
00:13:07,689 --> 00:13:10,172
RECOVERING SOMETHING LIKE THAT,
YOU'RE ALWAYS WEIGHING,
250
00:13:10,172 --> 00:13:11,758
"IT'S A VALUABLE PIECE OF GEAR.
251
00:13:11,758 --> 00:13:13,620
WE WANT TO BRING IT BACK,"
VERSUS,
252
00:13:13,620 --> 00:13:17,896
"HOW MUCH RISK IS THERE
TO IT HITTING THE SPACE SHUTTLE
253
00:13:17,896 --> 00:13:21,241
OR TO IT CAUSING
A CATASTROPHE WITH THE CREW?"
254
00:13:21,241 --> 00:13:23,068
Jurek: IT'S HARD TO QUANTIFY
THE LENGTH OF TIME
255
00:13:23,068 --> 00:13:25,413
THAT GOES INTO BUILDING
SOMETHING LIKE A SATELLITE.
256
00:13:25,413 --> 00:13:29,241
IT TAKES YEARS, DECADES,
SOMETIMES WHOLE CAREERS.
257
00:13:29,241 --> 00:13:31,172
AND HERE, IN AN INSTANT,
258
00:13:31,172 --> 00:13:33,482
THIS ONE IS POTENTIALLY
SLIPPING AWAY.
259
00:13:36,275 --> 00:13:38,896
Narrator:
170 MILES ABOVE THE EARTH,
260
00:13:38,896 --> 00:13:41,689
WINSTON SCOTT
AND HIS COLLEAGUE TAKEO DOI
261
00:13:41,689 --> 00:13:45,206
PREPARE FOR
THEIR LAST-DITCH RESCUE MISSION.
262
00:13:52,103 --> 00:13:53,931
ALL SPACE WALKS ARE RISKY.
263
00:13:53,931 --> 00:13:58,655
BUT THIS ONE IS EVEN
MORE DANGEROUS THAN USUAL.
264
00:13:58,655 --> 00:14:01,344
WE WERE IMPROVISING,
UH, ON THE FLY.
265
00:14:01,344 --> 00:14:03,655
WE DIDN'T KNOW HOW LONG
IT WAS GOING TO TAKE.
266
00:14:03,655 --> 00:14:05,275
Narrator:
TO CATCH THE SATELLITE,
267
00:14:05,275 --> 00:14:07,862
THE ASTRONAUTS NEED BOTH HANDS.
268
00:14:07,862 --> 00:14:11,724
THEY ARE FORCED TO TRY AN
INCREDIBLY HAZARDOUS MANEUVER.
269
00:14:11,724 --> 00:14:13,793
WE CAN'T ANCHOR OURSELVES
WITH OUR HANDS.
270
00:14:13,793 --> 00:14:16,068
WE NEED OUR HANDS FREE
TO CATCH THE SATELLITE.
271
00:14:16,068 --> 00:14:18,827
SO WE ANCHOR OUR BOOTS
INTO FOOT RESTRAINTS
272
00:14:18,827 --> 00:14:21,344
ON THE SIDE OF THE SHUTTLE.
273
00:14:23,758 --> 00:14:26,034
Narrator: ONE MISTAKE,
AND THE ROGUE SATELLITE
274
00:14:26,034 --> 00:14:29,206
COULD KNOCK SCOTT
OR DOI TUMBLING INTO SPACE.
275
00:14:29,206 --> 00:14:30,965
FLIGHT COMMANDER KEVIN KREGEL
276
00:14:30,965 --> 00:14:35,172
EDGES THE SHUTTLE SLOWLY
TOWARDS THE SATELLITE.
277
00:14:35,172 --> 00:14:37,620
Scott: I CAN RECALL
CALLING OUT TO KEVIN,
278
00:14:37,620 --> 00:14:41,551
"OKAY, THE SATELLITE
IS AFT ABOUT 5 FEET."
279
00:14:41,551 --> 00:14:45,758
HE WOULD FIRE THE JETS
AND MOVE US BACK A LITTLE BIT.
280
00:14:45,758 --> 00:14:48,034
"OKAY. HOLD.
STABILIZE."
281
00:14:48,034 --> 00:14:51,586
Narrator: KREGEL INCHES
THE SHUTTLE ALONGSIDE SPARTAN.
282
00:14:51,586 --> 00:14:54,620
IT IS NOW WITHIN
TOUCHING DISTANCE.
283
00:14:54,620 --> 00:14:59,379
I THEN GAVE TAKEO THE CUES
THAT WE HAD PRACTICED.
284
00:15:19,965 --> 00:15:23,275
INSTANTLY, YOU CAN FEEL
ALL OF THAT MASS.
285
00:15:23,275 --> 00:15:25,068
I KNEW I HAD A HAND FULL
286
00:15:25,068 --> 00:15:27,758
OF 3,000 POUNDS' WORTH
OF STRUCTURE.
287
00:15:27,758 --> 00:15:30,793
Narrator: SCOTT AND DOI
MAY HAVE HOLD OF THE SATELLITE,
288
00:15:30,793 --> 00:15:33,344
BUT IT IS FAR
FROM UNDER CONTROL.
289
00:15:40,862 --> 00:15:43,551
Scott: BUT NOW WE HAVE
TO CHANGE OUR HAND POSITION
290
00:15:43,551 --> 00:15:46,034
SO THAT WE CAN MANIPULATE
THIS SATELLITE
291
00:15:46,034 --> 00:15:47,931
TO THE ONE ORIENTATION
292
00:15:47,931 --> 00:15:50,103
THAT WOULD ALLOW US
TO LOCK IT INTO THE BAY,
293
00:15:50,103 --> 00:15:51,931
BECAUSE 3,000 POUNDS OF MASS
294
00:15:51,931 --> 00:15:56,000
COULD EASILY
GO OUT OF CONTROL ON YOU.
295
00:15:56,000 --> 00:15:59,620
Narrator: INCH BY INCH,
THEY ROTATE IT INTO PLACE.
296
00:15:59,620 --> 00:16:01,793
IT TAKES THREE HOURS
297
00:16:01,793 --> 00:16:04,965
BEFORE IT IS SECURE
INSIDE THE PAYLOAD BAY.
298
00:16:14,275 --> 00:16:17,896
WE COULD HAVE VERY EASILY
SHIED AWAY FROM IT.
299
00:16:17,896 --> 00:16:20,172
BUT THAT WASN'T HIS NATURE.
THAT'S NOT MY NATURE.
300
00:16:20,172 --> 00:16:22,103
THAT'S NOT THE NATURE
OF ASTRONAUTS.
301
00:16:26,931 --> 00:16:28,620
Narrator:
A POST-FLIGHT INVESTIGATION
302
00:16:28,620 --> 00:16:34,482
EXONERATES ROOKIE ASTRONAUT
KALPANA CHAWLA OF ANY BLAME.
303
00:16:34,482 --> 00:16:36,137
IT WAS A SOFTWARE GLITCH.
304
00:16:36,137 --> 00:16:39,137
THERE WAS NOTHING
THAT CHAWLA COULD HAVE DONE.
305
00:16:39,137 --> 00:16:42,241
Narrator: SPARTAN EVENTUALLY
RETURNS TO SPACE,
306
00:16:42,241 --> 00:16:45,620
WHERE IT CONTINUES
TO KEEP WATCH ON OUR SUN.
307
00:16:52,172 --> 00:16:54,655
UP NEXT,
TERRIFIED ROMAN SOLDIERS
308
00:16:54,655 --> 00:16:57,379
REPORT SEEING
TWO MOONS IN THE SKY.
309
00:16:57,379 --> 00:17:00,620
OBVIOUSLY, THAT'S IMPOSSIBLE.
310
00:17:00,620 --> 00:17:03,482
SO, WHAT ARE
THESE GUYS LOOKING AT?
311
00:17:03,482 --> 00:17:05,965
Narrator:
WAS IT A PORTENT TO APOCALYPSE,
312
00:17:05,965 --> 00:17:09,896
OR DID EARTH
REALLY ONCE HAVE TWO MOONS?
313
00:17:24,000 --> 00:17:25,965
♪♪
314
00:17:25,965 --> 00:17:29,000
Narrator: 217 B.C.
ITALY.
315
00:17:29,000 --> 00:17:30,793
THE ROMAN REPUBLIC
IS IN THE MIDST
316
00:17:30,793 --> 00:17:34,068
OF A BLOODY WAR WITH CARTHAGE.
317
00:17:34,068 --> 00:17:36,551
WITNESSES AT THE ROMAN CITY
OF CAPENA
318
00:17:36,551 --> 00:17:40,827
REPORT SEEING SOMETHING
THAT DEFIES BELIEF.
319
00:17:40,827 --> 00:17:43,758
THERE'S REPORTS OF EYEWITNESSES
320
00:17:43,758 --> 00:17:47,137
OBSERVING TWO MOONS
RISING IN THE SKY.
321
00:17:47,137 --> 00:17:48,724
IF YOU SEE TWO MOONS IN THE SKY
322
00:17:48,724 --> 00:17:51,758
APPEAR ALL OF A SUDDEN, UM,
YOU'RE GONNA BE PRETTY SHOCKED.
323
00:17:51,758 --> 00:17:53,655
Narrator:
THE ROMANS TAKE THE SIGHTINGS
324
00:17:53,655 --> 00:17:55,965
AS A PORTENT OF DOOM.
325
00:17:55,965 --> 00:17:59,655
CAN YOU IMAGINE AS A SOLDIER
MARCHING INTO BATTLE
326
00:17:59,655 --> 00:18:02,413
AND SEEING TWO MOONS
RISING IN THE SKY?
327
00:18:02,413 --> 00:18:04,689
THAT'S A TERRIBLE OMEN.
328
00:18:04,689 --> 00:18:07,448
IT COULD EASILY SPELL DISASTER.
329
00:18:07,448 --> 00:18:09,620
Narrator:
SHORTLY AFTER, THE ROMANS
330
00:18:09,620 --> 00:18:11,758
SUFFER THEIR WORST DEFEAT
OF THE WAR
331
00:18:11,758 --> 00:18:13,517
AS TWO LEGIONS ARE AMBUSHED
332
00:18:13,517 --> 00:18:17,862
AND DROWNED ON THE BANKS
OF LAKE TRASIMENE.
333
00:18:17,862 --> 00:18:21,000
IT LOOKS LIKE
THE OMEN CAME TRUE.
334
00:18:21,000 --> 00:18:23,620
BUT THAT'S IMPOSSIBLE.
335
00:18:23,620 --> 00:18:25,344
Baines:
TODAY, WITH MODERN SCIENCE,
336
00:18:25,344 --> 00:18:26,758
WE KNOW IT'S NOT POSSIBLE
337
00:18:26,758 --> 00:18:29,448
TO HAVE HAD TWO MOONS
AT THAT TIME.
338
00:18:29,448 --> 00:18:32,034
Narrator:
SO, WHAT WAS GOING ON?
339
00:18:32,034 --> 00:18:34,896
SO, THE QUESTION IS,
WHAT WERE THEY SEEING?
340
00:18:39,137 --> 00:18:41,931
♪♪
341
00:18:41,931 --> 00:18:44,448
Narrator: MODERN SCIENTISTS
KNOW THE ANCIENT ROMANS
342
00:18:44,448 --> 00:18:47,965
COULD NOT HAVE SEEN
A SECOND MOON IN THE SKY.
343
00:18:47,965 --> 00:18:51,448
BUT COULD THEY HAVE SEEN
A DIFFERENT CELESTIAL BODY,
344
00:18:51,448 --> 00:18:55,137
ONE LINKED TO OMENS
THROUGHOUT HISTORY?
345
00:18:55,137 --> 00:18:57,862
Grazier: WELL, ONE IDEA IS,
IT COULD HAVE BEEN A COMET.
346
00:18:57,862 --> 00:18:59,551
BEFORE WE UNDERSTOOD
THEIR NATURE,
347
00:18:59,551 --> 00:19:01,793
COMETS WERE PORTENTS OF DOOM
348
00:19:01,793 --> 00:19:05,482
BECAUSE THEY CAME
AND WENT UNEXPECTEDLY.
349
00:19:05,482 --> 00:19:07,517
Narrator:
THE CHARACTERISTICS OF COMETS
350
00:19:07,517 --> 00:19:10,000
MAKE THEM A PROMISING CANDIDATE.
351
00:19:10,000 --> 00:19:11,827
COMETS ARE VERY BRIGHT.
352
00:19:11,827 --> 00:19:13,379
THEY SHOW UP DURING DAYTIME.
353
00:19:13,379 --> 00:19:17,206
AND THEY CAN GET VERY LARGE.
354
00:19:17,206 --> 00:19:19,241
AS A COMET GETS CLOSER
AND CLOSER TO THE SUN,
355
00:19:19,241 --> 00:19:21,689
THE RADIATION PRESSURE
FROM THE SUN HEATS IT UP
356
00:19:21,689 --> 00:19:22,931
AND MAKES IT ESSENTIALLY GLOW.
357
00:19:22,931 --> 00:19:25,379
IT GETS BRIGHTER
AND BRIGHTER AND BRIGHTER.
358
00:19:25,379 --> 00:19:29,931
THEY ALSO CAN STICK AROUND
FOR MANY DAYS.
359
00:19:29,931 --> 00:19:32,586
Narrator: ALTHOUGH COMETS
HAVE A DISTINCTIVE TAIL,
360
00:19:32,586 --> 00:19:34,655
IF OBSERVED
FROM THE RIGHT ANGLE,
361
00:19:34,655 --> 00:19:36,655
THEY WOULD BE INVISIBLE.
362
00:19:39,172 --> 00:19:43,655
IF YOU SEE THAT FROM THE FRONT,
YOU DON'T SEE THE TAIL.
363
00:19:43,655 --> 00:19:45,793
WHAT YOU SEE
IS MAYBE THE NUCLEUS
364
00:19:45,793 --> 00:19:48,172
AND THE GASES SURROUNDING IT.
365
00:19:48,172 --> 00:19:51,206
SO, TO A ROMAN SOLDIER
OUT IN THE FIELD,
366
00:19:51,206 --> 00:19:53,517
HE COULD LOOK UP IN THE SKY,
AND DURING DAYTIME,
367
00:19:53,517 --> 00:19:55,000
AND SEE THE REAL MOON,
368
00:19:55,000 --> 00:19:57,000
AND THEN SEE
THIS OTHER OBJECT UP THERE.
369
00:19:57,000 --> 00:19:58,965
AND IT COULD LOOK
LIKE A MOON TO HIM.
370
00:19:58,965 --> 00:20:02,586
♪♪
371
00:20:02,586 --> 00:20:04,379
Narrator: BUT THAT WOULD MEAN
THAT THE COMET
372
00:20:04,379 --> 00:20:06,655
WAS ON A COLLISION COURSE
WITH EARTH.
373
00:20:06,655 --> 00:20:11,379
AND NONE OF THE REPORTS
MENTION A CATACLYSMIC IMPACT.
374
00:20:13,724 --> 00:20:15,758
SO COULD THE MYSTERIOUS MOON
375
00:20:15,758 --> 00:20:21,620
ACTUALLY BE A LARGER OBJECT
BUT FURTHER AWAY?
376
00:20:21,620 --> 00:20:22,862
COULD IT HAVE BEEN A PLANET?
377
00:20:22,862 --> 00:20:24,827
WELL, WE KNOW THAT THERE
ARE OTHER PLANETS VISIBLE
378
00:20:24,827 --> 00:20:27,724
AT VARIOUS POINTS IN TIME
IN THE EVENING SKY.
379
00:20:27,724 --> 00:20:30,551
COULD MARS LOOK LARGE ENOUGH
380
00:20:30,551 --> 00:20:33,068
TO APPEAR TO BE A SECOND MOON?
381
00:20:33,068 --> 00:20:34,827
Narrator:
IN AUGUST 2003,
382
00:20:34,827 --> 00:20:37,310
MARS MADE ITS CLOSEST APPROACH
383
00:20:37,310 --> 00:20:41,172
TO THE EARTH
FOR NEARLY 60,000 YEARS.
384
00:20:41,172 --> 00:20:44,827
PEOPLE EXPECTED TO GO OUT
AND SEE MARS IN THE SKY
385
00:20:44,827 --> 00:20:46,551
ALMOST THE SIZE
OF THE FULL MOON.
386
00:20:46,551 --> 00:20:48,103
BUT SORRY.
387
00:20:48,103 --> 00:20:49,758
IT WAS NOTHING LIKE THAT.
388
00:20:49,758 --> 00:20:53,689
Genge: MARS DID LOOK BIGGER
THAN IT EVER HAD DONE BEFORE.
389
00:20:53,689 --> 00:20:58,034
BUT IT WAS STILL JUST
A TINY SPECK OF LIGHT.
390
00:20:58,034 --> 00:21:02,862
NOBODY WOULD EVER MISTAKE THAT
FOR A SECOND MOON.
391
00:21:02,862 --> 00:21:04,965
Narrator:
NO PLANET IN OUR SOLAR SYSTEM
392
00:21:04,965 --> 00:21:08,551
COULD EVER LOOK LARGE ENOUGH
TO BE MISTAKEN FOR A MOON,
393
00:21:08,551 --> 00:21:11,344
EVEN BY SUPERSTITIOUS ROMANS.
394
00:21:11,344 --> 00:21:13,931
BUT THE EARTH
ONCE HAVING A SECOND MOON
395
00:21:13,931 --> 00:21:16,413
IS FAR FROM RIDICULOUS.
396
00:21:21,068 --> 00:21:23,965
THE IDEA OF HAVING MORE
THAN ONE MOON IN THE SKY
397
00:21:23,965 --> 00:21:25,827
IS ONLY ODD ON EARTH.
398
00:21:25,827 --> 00:21:27,965
MANY PLANETS
HAVE MULTIPLE MOONS.
399
00:21:27,965 --> 00:21:31,758
JUPITER AND SATURN
HAVE 60 MOONS.
400
00:21:31,758 --> 00:21:33,586
Narrator:
IN FACT, IT IS POSSIBLE
401
00:21:33,586 --> 00:21:36,689
THAT THE SPHERE
SO FAMILIAR IN OUR NIGHT SKY
402
00:21:36,689 --> 00:21:41,103
STARTED OUT
AS TWO SEPARATE MOONS.
403
00:21:41,103 --> 00:21:44,034
Oluseyi: THE DATA SUGGESTS
THAT IN THE ANCIENT PAST,
404
00:21:44,034 --> 00:21:47,137
THE EARTH WAS HIT WITH AN OBJECT
THE SIZE OF MARS.
405
00:21:47,137 --> 00:21:49,620
AND DEBRIS WAS THROWN UP
AROUND THE EARTH
406
00:21:49,620 --> 00:21:51,758
THAT LATER COALESCED
TO FORM THE MOON.
407
00:21:51,758 --> 00:21:55,000
BUT IT MAY HAVE NOT COALESCED
INTO ONE OBJECT ALL AT ONCE.
408
00:21:55,000 --> 00:21:58,689
WHAT IF IT COALESCED
INTO TWO OBJECTS?
409
00:21:58,689 --> 00:22:00,275
Narrator:
SOME SCIENTISTS BELIEVE
410
00:22:00,275 --> 00:22:04,379
THAT TWO MOONS INTO ONE EXPLAINS
WHY ONE SIDE OF THE MOON
411
00:22:04,379 --> 00:22:08,344
IS FLAT
WHILE THE OTHER BULGES OUTWARDS.
412
00:22:11,517 --> 00:22:14,206
WE THINK
THAT WE ENDED UP WITH A MOON
413
00:22:14,206 --> 00:22:17,344
THAT'S TWO OBJECTS
THAT HAVE NOW BECOME ONE.
414
00:22:17,344 --> 00:22:20,103
AND THAT'S WHY THE CRUST
ON ONE SIDE OF THE MOON
415
00:22:20,103 --> 00:22:23,758
IS VERY DIFFERENT FROM THE CRUST
ON THE OTHER SIDE.
416
00:22:23,758 --> 00:22:27,241
Narrator: BUT IF EARTH
DID ONCE HAVE TWO MOONS,
417
00:22:27,241 --> 00:22:31,275
IT WAS A VERY LONG TIME
BEFORE THE ROMAN SIGHTINGS.
418
00:22:31,275 --> 00:22:33,793
THIS PROCESS TOOK PLACE
4 BILLION YEARS AGO --
419
00:22:33,793 --> 00:22:35,172
MILLIONS AND MILLIONS OF YEARS
420
00:22:35,172 --> 00:22:37,379
BEFORE THE EXISTENCE
OF THE ROMAN REPUBLIC.
421
00:22:37,379 --> 00:22:39,103
THERE'S NO WAY
THAT THOSE SOLDIERS
422
00:22:39,103 --> 00:22:41,000
SAW ANY OF THIS.
423
00:22:41,000 --> 00:22:42,896
Narrator:
AND THAT IS JUST AS WELL
424
00:22:42,896 --> 00:22:45,965
BECAUSE IF THE MOON
HAD AN IDENTICAL TWIN,
425
00:22:45,965 --> 00:22:48,344
THE COMBINED
GRAVITATIONAL FORCES
426
00:22:48,344 --> 00:22:51,724
WOULD HAVE
HORRIFYING CONSEQUENCES.
427
00:22:51,724 --> 00:22:54,103
THE EFFECTS ON EARTH
WOULD BE DEVASTATING.
428
00:22:56,758 --> 00:22:58,241
YOU'D HAVE TSUNAMIS.
429
00:22:58,241 --> 00:23:01,310
YOU'D HAVE GIANT TIDAL WAVES.
430
00:23:01,310 --> 00:23:04,586
Baines: THE ROTATION
OF THE EARTH WOULD CHANGE.
431
00:23:04,586 --> 00:23:08,241
YOU'D HAVE ATMOSPHERIC EFFECTS,
HUGE STORMS.
432
00:23:08,241 --> 00:23:12,482
THIS IS SOMETHING
THAT WE DO NOT WANT TO SEE.
433
00:23:12,482 --> 00:23:14,655
Narrator:
BUT THE ROMANS ARE NOT ALONE.
434
00:23:14,655 --> 00:23:17,103
THROUGHOUT HISTORY,
THERE HAVE BEEN NUMEROUS REPORTS
435
00:23:17,103 --> 00:23:18,827
OF TWO MOONS.
436
00:23:18,827 --> 00:23:21,586
NO SINGLE EXPLANATION
HAS BEEN ABLE TO ACCOUNT
437
00:23:21,586 --> 00:23:23,896
FOR THESE DRAMATIC SIGHTINGS.
438
00:23:23,896 --> 00:23:27,413
THE MYSTERY REMAINS UNEXPLAINED.
439
00:23:32,793 --> 00:23:36,655
COMING UP, A BOMB EXPLODES
AT THE ATLANTA OLYMPICS.
440
00:23:36,655 --> 00:23:38,931
WE'VE GOT TWO PEOPLE DEAD.
441
00:23:38,931 --> 00:23:40,275
WE'VE GOT OVER 100 INJURED.
442
00:23:40,275 --> 00:23:42,413
WE NEED TO KNOW
WHO'S RESPONSIBLE.
443
00:23:42,413 --> 00:23:45,965
Narrator: ALL POLICE HAVE
TO GO ON IS A BLURRED VIDEO.
444
00:23:45,965 --> 00:23:48,344
THE FOOTAGE,
IT WAS SO POOR QUALITY,
445
00:23:48,344 --> 00:23:49,586
THEY COULDN'T MATCH IT UP.
446
00:23:49,586 --> 00:23:51,896
Teitel: IT'S REALLY HARD
TO SEE WHAT'S GOING ON.
447
00:23:51,896 --> 00:23:55,206
BUT THIS EVIDENCE
IS KEY TO THE INVESTIGATION.
448
00:23:55,206 --> 00:23:58,793
Narrator: COULD NASA
HELP CATCH THE KILLER?
449
00:24:09,758 --> 00:24:12,724
♪♪
450
00:24:12,724 --> 00:24:15,103
Narrator: JULY 1996.
451
00:24:15,103 --> 00:24:19,275
AND CENTENNIAL PARK, ATLANTA,
IS BUZZING.
452
00:24:19,275 --> 00:24:21,344
Baker: SUMMER OLYMPICS
WERE BEING HELD IN ATLANTA.
453
00:24:21,344 --> 00:24:23,793
BIG EVENT,
AS THE OLYMPICS ARE ANYTIME.
454
00:24:24,931 --> 00:24:27,103
[ EXPLOSION ]
455
00:24:27,103 --> 00:24:29,310
Narrator: AN EXPLOSION
RIPS THROUGH THE CROWD.
456
00:24:29,310 --> 00:24:30,448
[ SIRENS WAILING ]
457
00:24:30,448 --> 00:24:33,551
THE AFTERMATH IS DEVASTATING.
458
00:24:33,551 --> 00:24:35,137
WE'VE GOT TWO PEOPLE DEAD.
459
00:24:35,137 --> 00:24:36,586
WE'VE GOT OVER 100 INJURED.
460
00:24:36,586 --> 00:24:39,586
WE NEED TO KNOW
WHO'S RESPONSIBLE.
461
00:24:39,586 --> 00:24:42,689
Narrator: THE FBI IS DESPERATE
TO CATCH THE MURDERER.
462
00:24:42,689 --> 00:24:44,827
Baker: THE EYES OF THE WORLD
WERE WATCHING
463
00:24:44,827 --> 00:24:46,517
THE OLYMPICS IN ATLANTA.
464
00:24:46,517 --> 00:24:49,172
THIS TURNED INTO ONE
OF THE BIGGEST MANHUNTS
465
00:24:49,172 --> 00:24:51,896
IN THE FBI's HISTORY.
466
00:24:51,896 --> 00:24:53,241
Narrator:
BUT THE CASE IS CRACKED
467
00:24:53,241 --> 00:24:56,448
BY NASA's SOLAR-IMAGING TEAM.
468
00:25:01,758 --> 00:25:05,000
FBI INVESTIGATORS ARE TRYING
TO TRACK DOWN THE BOMBER
469
00:25:05,000 --> 00:25:07,034
WHO ATTACKED
THE ATLANTA OLYMPICS.
470
00:25:07,034 --> 00:25:09,310
BUT THEY HAVE LITTLE TO GO ON.
471
00:25:09,310 --> 00:25:12,724
JUST TWO SHORT, SHAKY,
HANDHELD VIDEOS
472
00:25:12,724 --> 00:25:13,965
RECORDED BY TOURISTS
473
00:25:13,965 --> 00:25:17,034
AT THE SCENE
BEFORE THE DISASTER.
474
00:25:17,034 --> 00:25:21,655
THE FULL 13-SECOND VIDEO
REMAINS UNDER LEGAL EMBARGO.
475
00:25:21,655 --> 00:25:23,517
BUT CERTAIN FRAMES
OF THE FOOTAGE
476
00:25:23,517 --> 00:25:25,689
CAN STILL BE SHOWN.
477
00:25:25,689 --> 00:25:28,034
IN ONE CLIP,
THEY SPOT A MAN ON A BENCH
478
00:25:28,034 --> 00:25:31,103
WITH WHAT LOOKS LIKE A BACKPACK.
479
00:25:31,103 --> 00:25:33,206
IN ANOTHER, THEY SEE
480
00:25:33,206 --> 00:25:37,551
A BACKPACK
ABANDONED UNDER THE BENCH.
481
00:25:37,551 --> 00:25:40,379
BUT ARE THE TWO PACKS
ONE AND THE SAME?
482
00:25:40,379 --> 00:25:44,448
AND IF IT IS, IS THE BACKPACK
CARRYING THE BOMB?
483
00:25:44,448 --> 00:25:47,482
TWO OF THE CLIPS CONTAIN
SOMETHING REALLY INTERESTING.
484
00:25:47,482 --> 00:25:50,034
BUT NEITHER OF THE CLIPS
ARE CLEAR.
485
00:25:50,034 --> 00:25:51,931
THE QUALITY OF THE IMAGES
WERE SO POOR,
486
00:25:51,931 --> 00:25:54,551
THEY COULDN'T MATCH THEM UP.
487
00:25:54,551 --> 00:25:56,965
Narrator: THE FBI TRIES
TO CLEAN UP THE PICTURES.
488
00:25:56,965 --> 00:25:59,310
BUT ITS EQUIPMENT
JUST CAN'T HANDLE
489
00:25:59,310 --> 00:26:02,000
THE POOR IMAGE QUALITY.
490
00:26:02,000 --> 00:26:04,551
THE BUREAU
WILL HAVE FORENSIC CAPABILITY.
491
00:26:04,551 --> 00:26:09,137
AND THAT INCLUDES TRYING TO MAKE
THE MOST OF VIDEO EVIDENCE.
492
00:26:09,137 --> 00:26:11,724
BUT THEY'D TAKEN IT
AS FAR AS THEY COULD GO.
493
00:26:11,724 --> 00:26:12,758
IT'S ENORMOUSLY FRUSTRATING,
494
00:26:12,758 --> 00:26:14,793
FROM AN INVESTIGATIVE
STANDPOINT,
495
00:26:14,793 --> 00:26:18,827
TO HAVE VIDEO EVIDENCE
THAT YOU CAN'T USE.
496
00:26:18,827 --> 00:26:22,275
Narrator:
THE FBI APPROACHES NASA.
497
00:26:22,275 --> 00:26:26,344
PERHAPS THEIR ADVANCED
IMAGING TECHNOLOGY CAN SUCCEED
498
00:26:26,344 --> 00:26:28,517
WHERE THE FBI HAS FAILED.
499
00:26:28,517 --> 00:26:29,896
NASA's IN THE BUSINESS
500
00:26:29,896 --> 00:26:32,931
OF CREATING SOMETHING
FROM NOTHING.
501
00:26:32,931 --> 00:26:35,068
THEY CAN LOOK
AT THE SMALLEST BIT OF LIGHT
502
00:26:35,068 --> 00:26:38,068
COMING FROM A DISTANT GALAXY
503
00:26:38,068 --> 00:26:40,172
AND TEASE INFORMATION
OUT OF THAT
504
00:26:40,172 --> 00:26:43,724
THAT HELPS US
LEARN NEW SCIENCE.
505
00:26:43,724 --> 00:26:45,137
Narrator:
INVESTIGATORS CONTACT
506
00:26:45,137 --> 00:26:49,517
NASA ASTROPHYSICIST
DAVID HATHAWAY.
507
00:26:49,517 --> 00:26:52,724
HE'S A SOLAR ASTRONOMER
WHO HAS SPENT 30 YEARS
508
00:26:52,724 --> 00:26:55,034
USING TECHNOLOGY
TO IMPROVE IMAGES
509
00:26:55,034 --> 00:26:57,551
OF SOLAR ACTIVITY ON THE SUN.
510
00:26:57,551 --> 00:26:59,689
WE FELT IT WAS OUR DUTY.
511
00:26:59,689 --> 00:27:01,103
UH, BUT WE ALSO FELT
512
00:27:01,103 --> 00:27:04,275
THAT WE WERE DOING
SOMETHING SIGNIFICANT.
513
00:27:04,275 --> 00:27:05,620
PEOPLE DIED HERE.
514
00:27:05,620 --> 00:27:07,379
AND SO WE THOUGHT
THIS WAS OUR CHANCE
515
00:27:07,379 --> 00:27:10,862
TO HELP JUSTICE BE SERVED.
516
00:27:10,862 --> 00:27:13,103
Narrator: THE POOR QUALITY
OF THE SHAKY FOOTAGE
517
00:27:13,103 --> 00:27:16,758
PUSHES EVEN NASA's TECHNOLOGY
TO THE LIMIT.
518
00:27:16,758 --> 00:27:19,068
WE HAD 13 SECONDS OF VIDEO,
519
00:27:19,068 --> 00:27:24,758
400 FRAMES OF VERY DARK,
NOISY, GRAINY VIDEO.
520
00:27:24,758 --> 00:27:26,517
Narrator:
THEY ENHANCE THE IMAGE QUALITY
521
00:27:26,517 --> 00:27:28,793
BY ISOLATING EACH FRAME.
522
00:27:28,793 --> 00:27:33,000
THEN THEY TRANSFORM
THE 400 FRAMES INTO ONE.
523
00:27:33,000 --> 00:27:36,896
WE KNEW FROM ASTRONOMY
THAT THE WAY YOU DO THIS
524
00:27:36,896 --> 00:27:38,068
IS TO ADD THEM TOGETHER.
525
00:27:38,068 --> 00:27:39,862
YOU AVERAGE THE WAY HUBBLE DOES
526
00:27:39,862 --> 00:27:42,068
WHEN IT LOOKS
AT A DISTANT GALAXY.
527
00:27:42,068 --> 00:27:45,551
IT ADDS IMAGES TOGETHER
OVER DAYS AND DAYS.
528
00:27:45,551 --> 00:27:47,379
SO WE WANTED
TO AVERAGE THEM TOGETHER.
529
00:27:47,379 --> 00:27:50,034
AND THAT WOULD CLEAN IT UP.
530
00:27:50,034 --> 00:27:52,068
Narrator:
BUT THE HUBBLE SPACE TELESCOPE
531
00:27:52,068 --> 00:27:55,586
IS LARGE, STABLE,
AND LOCKED ON TO ITS TARGET
532
00:27:55,586 --> 00:27:58,000
WITH PINPOINT ACCURACY.
533
00:27:58,000 --> 00:27:59,379
THE PROBLEM WITH THIS VIDEO
534
00:27:59,379 --> 00:28:02,172
IS THAT THE CAMERAMAN
WAS MOVING AROUND.
535
00:28:02,172 --> 00:28:04,931
HE WAS ZOOMING IN AND --
AND SHIFTING THE CAMERA AROUND.
536
00:28:04,931 --> 00:28:08,137
AND SO WE HAD TO TAKE OUT
ALL OF THOSE MOTIONS
537
00:28:08,137 --> 00:28:11,827
BEFORE WE COULD ADD
THE IMAGES TOGETHER.
538
00:28:11,827 --> 00:28:13,758
Narrator:
DAVID REALIZES THAT THE TASK
539
00:28:13,758 --> 00:28:16,379
IS BEYOND EXISTING TECHNOLOGY.
540
00:28:16,379 --> 00:28:17,896
SO HE ASKED HIS COLLEAGUES
541
00:28:17,896 --> 00:28:23,310
TO CREATE NEW SOFTWARE
TO SOLVE THE PROBLEM.
542
00:28:23,310 --> 00:28:25,241
WE DEVELOPED
A COMPUTER PROGRAM,
543
00:28:25,241 --> 00:28:28,379
A PROCESS FOR STABILIZING
544
00:28:28,379 --> 00:28:29,827
AND REGISTERING THE IMAGES.
545
00:28:29,827 --> 00:28:32,586
IT DID IT BY TAKING A KEY FRAME.
546
00:28:32,586 --> 00:28:35,275
SO, WE DECIDE, "ALL RIGHT,
WE WANT EVERYTHING TO MATCH
547
00:28:35,275 --> 00:28:37,931
WHAT WE HAVE IN THIS ONE IMAGE
IN THE MIDDLE."
548
00:28:37,931 --> 00:28:39,310
AND IT GOES TO EACH IMAGE
549
00:28:39,310 --> 00:28:41,758
AND SEE HOW PARTS OF THE IMAGE
550
00:28:41,758 --> 00:28:44,103
ARE MOVED FROM ONE IMAGE
TO THE NEXT.
551
00:28:44,103 --> 00:28:46,758
AND FROM THAT, WE CAN
FIGURE OUT MATHEMATICALLY
552
00:28:46,758 --> 00:28:49,000
HOW THE IMAGE HAS GOTTEN
BIGGER OR SMALLER,
553
00:28:49,000 --> 00:28:52,000
HOW IT'S ROTATED,
HOW IT'S SHIFTED.
554
00:28:52,000 --> 00:28:55,275
Narrator: THEY PAINSTAKINGLY
ADJUST EACH IMAGE FOR SIZE,
555
00:28:55,275 --> 00:28:59,517
POSITION, AND ROTATION
TO MATCH THE KEY IMAGE.
556
00:28:59,517 --> 00:29:00,931
FRAME BY FRAME,
557
00:29:00,931 --> 00:29:03,931
THEY INCH TOWARDS
A CLEARER PICTURE.
558
00:29:03,931 --> 00:29:06,862
AFTER SPENDING MONTHS
TRYING TO DEVELOP THIS,
559
00:29:06,862 --> 00:29:08,517
WHEN IT FINALLY WORKED
560
00:29:08,517 --> 00:29:10,275
AND WE GET OUT
THIS CLEAN IMAGE,
561
00:29:10,275 --> 00:29:12,965
IT WAS EXHILARATING.
562
00:29:12,965 --> 00:29:15,862
Narrator: BURIED WITHIN
THE IMPENETRABLE SHADOWS
563
00:29:15,862 --> 00:29:19,965
EMERGES SOMETHING THAT LOOKS
SUSPICIOUSLY LIKE A BOMB.
564
00:29:19,965 --> 00:29:23,310
♪♪
565
00:29:33,758 --> 00:29:36,206
♪♪
566
00:29:36,206 --> 00:29:39,000
Narrator: NASA SCIENTIST
DAVID HATHAWAY AND HIS TEAM
567
00:29:39,000 --> 00:29:40,482
HAVE SUCCESSFULLY CLEANED UP
568
00:29:40,482 --> 00:29:43,206
AN IMAGE
FROM THE ATLANTA BOMBING.
569
00:29:43,206 --> 00:29:47,310
THEY HOPE IT WILL HELP
THE FBI IN ITS INVESTIGATION.
570
00:29:47,310 --> 00:29:49,172
THE IMAGE WAS GOOD ENOUGH
571
00:29:49,172 --> 00:29:52,448
THAT THE FBI CAN NOW
NOT ONLY IDENTIFY
572
00:29:52,448 --> 00:29:53,793
THAT IT WAS A BACKPACK,
573
00:29:53,793 --> 00:29:56,655
BUT THAT IT WAS
A MILITARY ALICE PACK
574
00:29:56,655 --> 00:29:59,586
USED BY BRANCHES
OF THE MILITARY.
575
00:29:59,586 --> 00:30:03,172
Narrator: CRUCIALLY,
THEY CAN SEE WHAT'S INSIDE.
576
00:30:03,172 --> 00:30:05,620
THEY WERE ABLE TO SHOW
THAT THE BACKPACK
577
00:30:05,620 --> 00:30:08,241
WAS ACTUALLY
AN OPEN-TOP BACKPACK
578
00:30:08,241 --> 00:30:10,034
WITH THICK WIRES COMING OUT
579
00:30:10,034 --> 00:30:12,413
THAT ACTUALLY TURNED OUT
TO BE PART OF THE BOMB.
580
00:30:12,413 --> 00:30:15,655
Narrator: THE BAG
IS HOLDING A 40-POUND PIPE BOMB
581
00:30:15,655 --> 00:30:17,620
FILLED WITH NAILS.
582
00:30:20,827 --> 00:30:23,137
NOW NASA APPLIES
THE SAME TECHNIQUE
583
00:30:23,137 --> 00:30:25,068
TO THE SECOND PIECE OF FOOTAGE
584
00:30:25,068 --> 00:30:28,137
THAT LINKS THE BACKPACK
TO ITS SHADOWY OWNER.
585
00:30:30,379 --> 00:30:33,310
AFTER WE RAN OUR PROCESS
ON THIS VIDEO,
586
00:30:33,310 --> 00:30:35,482
UH, YOU COULD
MAKE OUT THAT, IN FACT, YES,
587
00:30:35,482 --> 00:30:37,517
IT'S A FIGURE
SITTING ON THE BENCH,
588
00:30:37,517 --> 00:30:40,862
BACKPACK ON HIS BACK,
UP AGAINST THIS WALL.
589
00:30:40,862 --> 00:30:44,034
LOOKS LIKE HE WAS
WEARING MILITARY GEAR,
590
00:30:44,034 --> 00:30:46,275
THAT HE HAD A KHAKI SHIRT.
591
00:30:46,275 --> 00:30:47,965
IT LOOKS LIKE
HE'S WEARING A RED BERET.
592
00:30:47,965 --> 00:30:49,482
GOT DARK SHOES ON.
593
00:30:49,482 --> 00:30:52,310
AND WE COULD EVEN FIGURE OUT
WHAT HIS HEIGHT WAS,
594
00:30:52,310 --> 00:30:55,034
ESTIMATE HIS WEIGHT,
AND EVEN HIS SHOE SIZE.
595
00:30:55,034 --> 00:30:58,310
THE INFORMATION WE PROVIDED
ABOUT THE BACKPACK WERE ENOUGH
596
00:30:58,310 --> 00:31:02,620
THAT THE FBI COULD LATER
IDENTIFY WHO HE WAS,
597
00:31:02,620 --> 00:31:05,206
FOUND THAT HE WAS ASSOCIATED
WITH OTHER BOMBINGS,
598
00:31:05,206 --> 00:31:09,241
AND ULTIMATELY LED TO HIS ARREST
AND INCARCERATION.
599
00:31:09,241 --> 00:31:14,068
Narrator: THE FBI ARREST
SERIAL BOMBER ERIC RUDOLPH.
600
00:31:14,068 --> 00:31:17,206
TECHNOLOGY CREATED TO EXPLORE
THE SOLAR SYSTEM
601
00:31:17,206 --> 00:31:21,413
HAS BROUGHT A DANGEROUS MAN
TO JUSTICE.
602
00:31:21,413 --> 00:31:24,103
HATHAWAY AND HIS TEAM
CALL IT VISAR --
603
00:31:24,103 --> 00:31:28,068
VIDEO IMAGE STABILIZATION
AND REGISTRATION.
604
00:31:28,068 --> 00:31:32,620
VISAR WAS INCLUDED
ON VIDEO-IMAGING WORK STATIONS
605
00:31:32,620 --> 00:31:36,862
THAT WERE SOLD TO HUNDREDS
OF LAW-ENFORCEMENT AGENCIES
606
00:31:36,862 --> 00:31:40,172
ACROSS THE U.S.
AND AROUND THE WORLD.
607
00:31:40,172 --> 00:31:43,137
Narrator: VISAR WILL BECOME
A VALUABLE TOOL
608
00:31:43,137 --> 00:31:45,586
AGAINST SERIOUS CRIME.
609
00:31:49,758 --> 00:31:51,931
A PHOTO
TAKEN ON A NASA MISSION
610
00:31:51,931 --> 00:31:54,620
REVEALS
SOMETHING TRULY MYSTIFYING.
611
00:31:54,620 --> 00:31:56,827
WHAT KIND OF AN OBJECT
WOULD LOOK LIKE THAT?
612
00:31:56,827 --> 00:31:59,241
WE DON'T KNOW.
IT'S EXTREMELY PECULIAR.
613
00:31:59,241 --> 00:32:02,517
Narrator: COULD NASA BE
CONDUCTING A SECRET EXPERIMENT?
614
00:32:02,517 --> 00:32:05,413
AND HERE IT IS
ON NASA's OWN PHOTOGRAPH --
615
00:32:05,413 --> 00:32:08,241
FIVE DISC-SHAPED CRAFT.
616
00:32:08,241 --> 00:32:12,137
Narrator: AND IF IT'S NOT NASA,
WHAT ELSE COULD BE OUT THERE?
617
00:32:12,137 --> 00:32:14,206
WHAT ON EARTH
COULD THESE THINGS BE?
618
00:32:18,689 --> 00:32:20,586
♪♪
619
00:32:20,586 --> 00:32:22,793
Narrator: APRIL 2001.
620
00:32:22,793 --> 00:32:26,931
NASA ASTRONAUTS TRAVELING
TO THE ISS PHOTOGRAPH OUR PLANET
621
00:32:26,931 --> 00:32:30,172
FROM A VANTAGE POINT
HIGH IN THE EARTH'S ORBIT.
622
00:32:30,172 --> 00:32:33,034
PEOPLE OFTEN ASK US
WHAT WE DO IN OUR SPARE TIME.
623
00:32:33,034 --> 00:32:34,586
AND NOT THAT WE HAVE
THAT MUCH SPARE TIME,
624
00:32:34,586 --> 00:32:36,482
BUT IT'S ALWAYS --
WE'RE ALWAYS AT THE WINDOWS,
625
00:32:36,482 --> 00:32:38,689
LOOKING OUT
AND TAKING PHOTOGRAPHS.
626
00:32:38,689 --> 00:32:40,551
Linenger:
I TOOK 10,000 PHOTOS MYSELF.
627
00:32:40,551 --> 00:32:42,344
AND I'VE GOT
SOME FANTASTIC SHOTS
628
00:32:42,344 --> 00:32:44,724
THAT I STILL LOOK AT.
629
00:32:44,724 --> 00:32:46,793
Narrator: ONE OF THE IMAGES
SHOWS AN ANOMALY
630
00:32:46,793 --> 00:32:49,448
THAT DEFIES EXPLANATION.
631
00:32:49,448 --> 00:32:53,068
IT SPARKS
INTENSE INTEREST ONLINE.
632
00:32:53,068 --> 00:32:54,758
ONE OF THE ASTRONAUTS
ON BOARD THE SHUTTLE
633
00:32:54,758 --> 00:32:56,275
SNAPPED THIS PHOTOGRAPH.
634
00:32:56,275 --> 00:33:01,551
AND IT SHOWS A VERY STRANGE,
EXOTIC-LOOKING OBJECT.
635
00:33:01,551 --> 00:33:02,896
Narrator: WHEN THE IMAGE
636
00:33:02,896 --> 00:33:05,862
IS SUDDENLY TAKEN DOWN
FROM NASA's WEBSITE,
637
00:33:05,862 --> 00:33:09,448
THE BLOGOSPHERE
GOES INTO MELTDOWN.
638
00:33:09,448 --> 00:33:12,620
THE UFO COMMUNITY
AND CONSPIRACY THEORISTS
639
00:33:12,620 --> 00:33:14,448
OFTEN SAY THAT NASA
640
00:33:14,448 --> 00:33:17,689
HIDES EVIDENCE
OF AN EXTRATERRESTRIAL PRESENCE.
641
00:33:17,689 --> 00:33:20,793
WHEN IT DISAPPEARED,
PEOPLE ASKED THE QUESTION,
642
00:33:20,793 --> 00:33:23,000
"WHAT HAVE YOU GOT TO HIDE?"
643
00:33:23,000 --> 00:33:27,068
Narrator: THE PHOTO REAPPEARS,
BUT IN A DIFFERENT SECTION.
644
00:33:27,068 --> 00:33:29,551
PERHAPS
THESE UNIDENTIFIED OBJECTS
645
00:33:29,551 --> 00:33:33,172
ARE PART
OF AN ONGOING NASA PROJECT.
646
00:33:35,344 --> 00:33:38,517
Pope: NASA ARE EXPERIMENTING
WITH INFLATABLE,
647
00:33:38,517 --> 00:33:41,827
SEGMENTED HABITATION UNITS
FOR THE ISS.
648
00:33:41,827 --> 00:33:44,896
COULD THAT BE WHAT WE'RE SEEING?
649
00:33:44,896 --> 00:33:46,793
Narrator:
NASA HAS RECENTLY TESTED
650
00:33:46,793 --> 00:33:49,620
THE BIGELOW EXPANDABLE
ACTIVITY MODULE,
651
00:33:49,620 --> 00:33:52,206
A NEW KIND OF HABITAT IN SPACE.
652
00:33:52,206 --> 00:33:55,068
THIS ISN'T A CASE OF,
"SOMEDAY WE'LL HAVE DESIGNS
653
00:33:55,068 --> 00:33:56,620
THAT LOOK SORT OF LIKE THIS."
654
00:33:56,620 --> 00:34:01,137
WE ACTUALLY HAVE MODULES
FLOATING IN THE SKY RIGHT NOW.
655
00:34:01,137 --> 00:34:03,241
Narrator: IN FACT,
THE SHAPE OF THE OBJECTS
656
00:34:03,241 --> 00:34:05,965
IN THE IMAGE
BEAR A STRIKING RESEMBLANCE
657
00:34:05,965 --> 00:34:07,689
TO NASA-STYLE MODULES
658
00:34:07,689 --> 00:34:11,241
USED IN CUTTING-EDGE
SPACESHIP DESIGN.
659
00:34:11,241 --> 00:34:13,206
WHEN YOU LINK A FEW
OF THESE MODULES TOGETHER
660
00:34:13,206 --> 00:34:15,000
AND YOU GET JUST
THE RIGHT PICTURE
661
00:34:15,000 --> 00:34:17,000
WITH JUST THE RIGHT
LIGHT CONDITIONS,
662
00:34:17,000 --> 00:34:19,965
WELL, IT BEGINS
TO LOOK LIKE THIS.
663
00:34:19,965 --> 00:34:21,620
Narrator:
YET WHEN THE EXACT DETAILS
664
00:34:21,620 --> 00:34:24,172
BEHIND THE EXPERIMENT
ARE SCRUTINIZED,
665
00:34:24,172 --> 00:34:27,586
THE INFLATABLE HABITAT
THEORY DEFLATES.
666
00:34:27,586 --> 00:34:29,586
THIS TECHNOLOGY
DOES NOT EXPLAIN
667
00:34:29,586 --> 00:34:31,172
WHAT WE'RE SEEING
IN THIS PICTURE.
668
00:34:31,172 --> 00:34:34,068
THE PICTURE SHOWS FIVE MODULES
CONNECTED TOGETHER.
669
00:34:34,068 --> 00:34:38,206
WE ONLY ACTUALLY
HAVE ONE IN ORBIT.
670
00:34:38,206 --> 00:34:41,482
MARK D'ANTONIO STUDIES
THE IMAGE MORE CLOSELY.
671
00:34:41,482 --> 00:34:44,448
IT OPENS A NEW LINE
OF INVESTIGATION.
672
00:34:44,448 --> 00:34:48,034
IF WE GO OVER TO THE OBJECT,
WE CAN SEE SOMETHING AMAZING.
673
00:34:48,034 --> 00:34:49,413
THE LIGHT IS WRONG.
674
00:34:49,413 --> 00:34:50,931
IT'S NOT RIGHT.
675
00:34:50,931 --> 00:34:55,241
THIS MAY NOT BE
SOMETHING IN ORBIT.
676
00:34:55,241 --> 00:34:57,137
Narrator: MARK HAS NOTICED
THAT THE SHADOWS
677
00:34:57,137 --> 00:34:58,482
ARE IN THE WRONG PLACE
678
00:34:58,482 --> 00:35:01,034
TO BE CAST BY LIGHT
FROM THE SUN.
679
00:35:01,034 --> 00:35:02,931
PERHAPS THE STRANGE OBJECTS
680
00:35:02,931 --> 00:35:05,034
ARE A LOT CLOSER TO THE SHUTTLE
681
00:35:05,034 --> 00:35:07,241
THAN ANYONE HAD REALIZED.
682
00:35:09,344 --> 00:35:11,448
D'Antonio: I THINK
THAT WHAT WE'RE LOOKING AT
683
00:35:11,448 --> 00:35:14,413
IS VERY LIKELY
SOMETHING ON THE WINDOW.
684
00:35:14,413 --> 00:35:17,344
NOW, WHAT COULD
THAT SOMETHING BE?
685
00:35:17,344 --> 00:35:20,827
Narrator: THE ANSWER
HAS TERRIFYING IMPLICATIONS.
686
00:35:20,827 --> 00:35:23,931
WELL, IF THAT WAS ACTUALLY
FROM A MICROMETEORITE
687
00:35:23,931 --> 00:35:26,482
OR A PIECE OF DEBRIS IN SPACE
688
00:35:26,482 --> 00:35:28,931
HITTING THE WINDOW
AT A VERY SHALLOW ANGLE,
689
00:35:28,931 --> 00:35:30,724
IT MIGHT HAVE SKIPPED
ACROSS THE WINDOW
690
00:35:30,724 --> 00:35:33,413
LIKE SKIPPING STONE
SKIPS ACROSS THE WATER,
691
00:35:33,413 --> 00:35:36,689
LEAVING A LITTLE SERIES
OF LITTLE PITS.
692
00:35:36,689 --> 00:35:39,827
THIS IS A PIECE OF DEBRIS THAT'S
NO BIGGER THAN A GRAIN OF SALT.
693
00:35:39,827 --> 00:35:41,482
BUT WHEN THINGS
ARE GOING THAT FAST,
694
00:35:41,482 --> 00:35:43,137
THEY DON'T HAVE TO BE VERY BIG
695
00:35:43,137 --> 00:35:47,379
IN ORDER TO DELIVER A FATAL BLOW
TO YOUR EQUIPMENT.
696
00:35:47,379 --> 00:35:48,827
Chiao: IN LOW EARTH ORBIT,
YOU'RE TRAVELING
697
00:35:48,827 --> 00:35:52,068
AT A SPEED OF AROUND
17,500 MILES AN HOUR,
698
00:35:52,068 --> 00:35:54,103
OR ABOUT 25,000 KILOMETERS
AN HOUR.
699
00:35:54,103 --> 00:35:55,620
AND SO, YOU KNOW,
WHAT YOU WORRY ABOUT
700
00:35:55,620 --> 00:35:58,724
ARE THE CROSSING PIECES
THAT COME AND HIT YOU.
701
00:36:01,689 --> 00:36:03,689
Narrator:
IT'S AN INTERESTING THEORY.
702
00:36:03,689 --> 00:36:07,655
BUT NO ONE IS SURE
IF IT'S THE ANSWER.
703
00:36:07,655 --> 00:36:09,827
Pope: GIVEN THE DIFFICULTIES
OF ASSESSING
704
00:36:09,827 --> 00:36:12,862
THE TRUE NATURE
OF OBJECTS IN SPACE,
705
00:36:12,862 --> 00:36:14,724
JUDGING SIZES AND DISTANCE,
706
00:36:14,724 --> 00:36:17,655
AND GIVEN THAT NASA HAVEN'T
COMMENTED OFFICIALLY ON THIS,
707
00:36:17,655 --> 00:36:20,448
THE INCIDENT
REMAINS UNEXPLAINED.
708
00:36:25,448 --> 00:36:28,275
Narrator: UP NEXT,
WHEN THE PLANET HUNTER TELESCOPE
709
00:36:28,275 --> 00:36:29,931
SUDDENLY GOES OFFLINE...
710
00:36:29,931 --> 00:36:31,413
Oluseyi:
KEPLER'S NOT TALKING TO ANYBODY.
711
00:36:31,413 --> 00:36:35,034
FOR ALL INTENTS AND PURPOSES,
IT MIGHT AS WELL BE DEAD.
712
00:36:35,034 --> 00:36:37,517
Narrator:
...COULD FOUL PLAY BE TO BLAME?
713
00:36:37,517 --> 00:36:39,034
ID: COULD THERE BE SOMEONE
714
00:36:39,034 --> 00:36:41,448
THAT DIDN'T LIKE KEPLER
PEEKING IN ON THEM?
715
00:36:52,931 --> 00:36:54,586
♪♪
716
00:36:54,586 --> 00:36:57,517
Narrator: MARCH 2009.
717
00:36:57,517 --> 00:37:01,793
NASA LAUNCHES THE $600-MILLION
KEPLER TELESCOPE
718
00:37:01,793 --> 00:37:05,206
TO SEARCH
FOR NEW, DISTANT WORLDS.
719
00:37:05,206 --> 00:37:08,344
IT WAS DESIGNED TO FIND OUT
HOW MANY PLANETS OUT THERE,
720
00:37:08,344 --> 00:37:10,172
AROUND STARS LIKE THE SUN,
721
00:37:10,172 --> 00:37:13,517
ARE PLANETS
SORT OF LIKE THE EARTH?
722
00:37:13,517 --> 00:37:15,620
Narrator:
NICKNAMED THE "PLANET HUNTER,"
723
00:37:15,620 --> 00:37:19,103
KEPLER DISCOVERS
NEARLY 5,000 WORLDS
724
00:37:19,103 --> 00:37:22,448
IN AN UNEXPLORED SECTION
OF THE MILKY WAY.
725
00:37:22,448 --> 00:37:25,827
IT'S FINDING PLANETS THAT ARE
ABOUT THE SIZE OF THE EARTH
726
00:37:25,827 --> 00:37:27,241
AND AT A TEMPERATURE
727
00:37:27,241 --> 00:37:29,000
WHERE YOU COULD
HAVE LIQUID OCEANS,
728
00:37:29,000 --> 00:37:30,965
MAYBE AN ATMOSPHERE.
729
00:37:30,965 --> 00:37:33,586
Narrator:
BUT IN APRIL 2016,
730
00:37:33,586 --> 00:37:39,172
THE PLANET HUNTER DOES
SOMETHING COMPLETELY UNEXPECTED.
731
00:37:39,172 --> 00:37:40,827
Major:
ALL HELL BREAKS LOOSE.
732
00:37:40,827 --> 00:37:43,620
KEPLER IS IN EMERGENCY MODE.
733
00:37:43,620 --> 00:37:45,551
KEPLER HAS NEVER GONE
INTO EMERGENCY MODE.
734
00:37:45,551 --> 00:37:47,448
AND IT'S JUST DOING
ALL IT CAN DO
735
00:37:47,448 --> 00:37:49,448
JUST TO MAINTAIN COMMUNICATION.
736
00:37:49,448 --> 00:37:52,551
WHEN YOU GET THAT EMERGENCY
SIGNAL AT MISSION CONTROL,
737
00:37:52,551 --> 00:37:55,896
IT'S LIKE A BLACK CLOUD
HAS DESCENDED OVER IT.
738
00:37:55,896 --> 00:37:59,931
THIS IS THE NEWS
NOBODY WANTS TO HEAR.
739
00:37:59,931 --> 00:38:03,689
Narrator: WHY HAS NASA's
PLANET HUNTER GONE DOWN?
740
00:38:08,482 --> 00:38:10,655
♪♪
741
00:38:10,655 --> 00:38:14,206
STUCK IN EMERGENCY MODE,
NASA's KEPLER TELESCOPE
742
00:38:14,206 --> 00:38:17,551
STARTS TO BURN THROUGH
ITS HYDRAZINE FUEL SUPPLY
743
00:38:17,551 --> 00:38:19,000
AT AN ALARMING RATE.
744
00:38:19,000 --> 00:38:21,344
IT'S RUNNING ON RESERVE POWER.
745
00:38:21,344 --> 00:38:23,482
THAT'S NOT GONNA LAST VERY LONG.
746
00:38:23,482 --> 00:38:27,034
THE CLOCK IS TICKING,
AND WE MUST SOLVE THIS PROBLEM.
747
00:38:27,034 --> 00:38:28,793
Narrator:
WITH TIME RUNNING OUT,
748
00:38:28,793 --> 00:38:32,034
NASA COMMANDEERS
THE DEEP SPACE NETWORK.
749
00:38:32,034 --> 00:38:34,586
CAN THIS CLUSTER
OF POWERFUL SATELLITES
750
00:38:34,586 --> 00:38:37,310
HELP REGAIN CONTACT WITH KEPLER?
751
00:38:40,827 --> 00:38:44,103
DEEP SPACE NETWORK IS BASED IN
THE MOJAVE DESERT IN CALIFORNIA,
752
00:38:44,103 --> 00:38:47,344
WHERE NASA HAS ONE
OF THE LARGEST RADIO TELESCOPES
753
00:38:47,344 --> 00:38:48,413
IN THE WORLD.
754
00:38:48,413 --> 00:38:49,793
IT'S A 70-METER DISH.
755
00:38:49,793 --> 00:38:51,551
AND IT CAN COMMUNICATE
WITH KEPLER
756
00:38:51,551 --> 00:38:55,034
WHERE NOTHING ELSE CAN.
757
00:38:55,034 --> 00:38:57,862
Narrator: FINALLY,
THE PLANET HUNTER ANSWERS.
758
00:38:57,862 --> 00:39:00,206
BUT HOPE IS SHORT-LIVED.
759
00:39:00,206 --> 00:39:04,413
KEPLER REFUSES TO BUDGE
FROM EMERGENCY MODE.
760
00:39:04,413 --> 00:39:06,931
AND NASA DOESN'T KNOW WHY.
761
00:39:10,172 --> 00:39:12,724
ARE SINISTER FORCES AT WORK?
762
00:39:14,896 --> 00:39:17,586
THERE HAVE BEEN SEVERAL ATTEMPTS
TO INTERFERE
763
00:39:17,586 --> 00:39:19,896
AND HACK INTO NASA SPACECRAFT.
764
00:39:19,896 --> 00:39:23,793
JUST AS OTHER NATIONS
CAN HACK THE U.S. POWER GRID
765
00:39:23,793 --> 00:39:26,586
OR OUR COMPANIES,
YOU CAN ALSO HACK SATELLITES.
766
00:39:26,586 --> 00:39:28,482
Major:
DID SOMEBODY HACK KEPLER?
767
00:39:28,482 --> 00:39:30,620
DID A UNFRIENDLY FOREIGN NATION
768
00:39:30,620 --> 00:39:33,206
TRY TO BREAK INTO IT?
769
00:39:33,206 --> 00:39:35,655
WHAT HAPPENED THAT
PUT KEPLER INTO THE POSITION
770
00:39:35,655 --> 00:39:39,551
THAT IT'S IN NOW?
771
00:39:39,551 --> 00:39:43,103
Narrator: SOME SUSPECT
THAT THE NEW SPACE RACE TO MARS
772
00:39:43,103 --> 00:39:47,793
HAS INSPIRED THE RETURN
TO OLD COLD-WAR TACTICS.
773
00:39:47,793 --> 00:39:51,862
IN 2011, WHEN THE RUSSIAN
MARS PROBE FOBOS-GRUNT
774
00:39:51,862 --> 00:39:53,586
SPUN OUT OF CONTROL,
775
00:39:53,586 --> 00:39:56,793
RUSSIAN SPACE CHIEF
VLADIMIR POPOVKIN
776
00:39:56,793 --> 00:40:02,413
ACCUSED AMERICA OF REMOTELY
REPROGRAMMING THE PROBE.
777
00:40:02,413 --> 00:40:06,103
BUT NASA ANALYSTS ARE
UNCONVINCED THE KEPLER FAULT
778
00:40:06,103 --> 00:40:09,310
IS THE RESULT
OF ANY TERRESTRIAL SABOTEUR.
779
00:40:09,310 --> 00:40:11,758
Porges: WHY WOULD ANYBODY WANT
TO INTERFERE WITH KEPLER?
780
00:40:11,758 --> 00:40:13,793
IT'S LOOKING
DEEP, DEEP, DEEP INTO SPACE
781
00:40:13,793 --> 00:40:15,241
AT FARAWAY STARS.
782
00:40:15,241 --> 00:40:17,482
IT'S NOT LIKE
IT'S A MILITARY SATELLITE.
783
00:40:17,482 --> 00:40:21,206
KEPLER IS DESIGNED
TO FIND ALIEN PLANETS.
784
00:40:21,206 --> 00:40:23,068
COULD THERE BE SOMEONE
785
00:40:23,068 --> 00:40:25,379
THAT DIDN'T LIKE KEPLER
PEEKING IN ON THEM?
786
00:40:29,689 --> 00:40:32,931
GIVEN THAT KEPLER HAS FOUND
THOUSANDS OF PLANET CANDIDATES,
787
00:40:32,931 --> 00:40:35,137
IT COULD HAVE FOUND
AN INHABITED ONE.
788
00:40:35,137 --> 00:40:36,586
WE DON'T KNOW.
789
00:40:36,586 --> 00:40:38,448
♪♪
790
00:40:41,275 --> 00:40:44,413
Narrator: BURNING FUEL
AND DRIFTING DEEPER INTO SPACE,
791
00:40:44,413 --> 00:40:48,172
THE PLANET HUNTER
IS RAPIDLY SLIPPING AWAY.
792
00:40:48,172 --> 00:40:51,344
IF MISSION ENGINEERS
CAN'T GET KEPLER OUT
793
00:40:51,344 --> 00:40:54,586
OF EMERGENCY MODE, K2 IS OVER.
794
00:40:54,586 --> 00:40:59,000
KEPLER IS DEAD.
795
00:40:59,000 --> 00:41:01,655
Narrator: THE ENGINEERS
HAVE ONE LAST CHANCE.
796
00:41:01,655 --> 00:41:04,517
AS KEPLER'S ANTENNAE SPIN
TO FACE THE EARTH,
797
00:41:04,517 --> 00:41:06,482
THEY SEND THE ABORT CODE
798
00:41:06,482 --> 00:41:09,827
AND ORDER KEPLER TO PURGE
ITS TELEMETRY DATA.
799
00:41:09,827 --> 00:41:13,862
THEN THEY BEGIN TO UPLOAD
A NEW COMMAND SEQUENCE.
800
00:41:18,034 --> 00:41:22,103
AFTER DAYS OF HARD WORK
BY MISSION ENGINEERS AT NASA,
801
00:41:22,103 --> 00:41:24,517
BALL AEROSPACE,
AND THE UNIVERSITY OF COLORADO,
802
00:41:24,517 --> 00:41:26,310
KEPLER IS BROUGHT BACK ONLINE.
803
00:41:30,310 --> 00:41:32,862
Narrator:
AS MYSTERIOUSLY AS IT WENT DEAD,
804
00:41:32,862 --> 00:41:35,103
KEPLER COMES BACK TO LIFE.
805
00:41:35,103 --> 00:41:38,137
AND NO ONE KNOWS WHY.
806
00:41:38,137 --> 00:41:41,172
MISSION ENGINEERS TRY TO FIND
OUT WHAT HAPPENED TO KEPLER
807
00:41:41,172 --> 00:41:44,517
THAT KNOCKED IT
INTO EMERGENCY MODE.
808
00:41:44,517 --> 00:41:47,241
Narrator: EVEN AFTER STUDYING
ITS MISSION LOGS,
809
00:41:47,241 --> 00:41:49,206
NASA IS UNABLE TO DISCOVER
810
00:41:49,206 --> 00:41:52,068
WHAT WENT WRONG
WITH THE SATELLITE.
811
00:41:52,068 --> 00:41:56,206
TO THIS DAY, KEPLER'S BREAKDOWN
REMAINS A MYSTERY.
812
00:41:56,206 --> 00:41:58,000
BUT AT LEAST THE PLANET HUNTER
813
00:41:58,000 --> 00:42:02,586
IS BACK ONLINE
AND FINDING NEW WORLDS.
814
00:42:02,586 --> 00:42:05,275
KEPLER IS STILL OUT THERE,
STILL HUNTING FOR PLANETS.
815
00:42:05,275 --> 00:42:07,689
WITH ANY LUCK, IT'LL BE DOING
THAT FOR YEARS TO COME.
816
00:42:07,689 --> 00:42:10,586
[ RADIO CHATTER ]
64066
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