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1
00:00:04,172 --> 00:00:08,103
Narrator: NASA's MISSION
IS TO EXPLORE THE UNKNOWN.
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00:00:08,103 --> 00:00:11,482
Kavelaars: THERE'S MORE THAT
WE DON'T KNOW THAN WE DO KNOW.
3
00:00:11,482 --> 00:00:13,413
THAT'S JUST THE NATURE
OF THE UNIVERSE.
4
00:00:13,413 --> 00:00:16,379
Narrator:
IN THE SEARCH FOR ANSWERS,
5
00:00:16,379 --> 00:00:19,448
IT LAUNCHES ITS SCIENTISTS
INTO SPACE,
6
00:00:19,448 --> 00:00:23,137
ITS CRAFT BEYOND THE LIMITS
OF THE SOLAR SYSTEM.
7
00:00:23,137 --> 00:00:27,689
Williams: TAKING RISK IS PART
OF MAKING DISCOVERIES.
8
00:00:27,689 --> 00:00:32,482
SPACE EXPLORATION
IS LIKE LIGHTING A MATCH,
9
00:00:32,482 --> 00:00:35,689
AND WE DON'T KNOW WHAT LURKS
IN THE SHADOWS.
10
00:00:36,965 --> 00:00:38,931
THERE COULD BE ANYTHING
OUT THERE.
11
00:00:41,965 --> 00:00:44,862
Narrator: A MYSTERIOUS FORCE
SMASHES A SPACECRAFT
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00:00:44,862 --> 00:00:47,689
FROM THE APOLLO PROGRAM
INTO THE MOON.
13
00:00:47,689 --> 00:00:50,655
YOU THINK WE'D UNDERSTAND IT,
WE'D KNOW EVERYTHING ABOUT IT,
14
00:00:50,655 --> 00:00:51,965
BUT WE DON'T.
15
00:00:51,965 --> 00:00:55,241
Narrator: A PHOTOGRAPH TAKEN
ON THE LUNAR SURFACE
16
00:00:55,241 --> 00:00:58,379
REVEALS SOMETHING
THAT SHOULD NOT BE THERE.
17
00:00:58,379 --> 00:00:59,655
Rutkowski: IF THEY'RE REALLY
ON THE MOON,
18
00:00:59,655 --> 00:01:02,482
WHY DO WE SEE OBJECTS
REFLECTED IN THEIR VISORS?
19
00:01:02,482 --> 00:01:05,068
IT'S SUPPOSED
TO BE EMPTY UP THERE.
20
00:01:05,068 --> 00:01:07,206
Narrator:
AND FORGOTTEN IMAGES
21
00:01:07,206 --> 00:01:10,172
REVEAL THE TRUTH
ABOUT THE MOST ICONIC PICTURE
22
00:01:10,172 --> 00:01:12,827
IN THE HISTORY
OF SPACE EXPLORATION.
23
00:01:12,827 --> 00:01:15,758
Bell: IT'S IMPOSSIBLE
TO LOOK AT THAT PARTICULAR IMAGE
24
00:01:15,758 --> 00:01:17,655
WITHOUT SEEING A HUMAN FACE.
25
00:01:21,517 --> 00:01:25,413
Narrator:
NASA's MISSIONS HAVE UNCOVERED
DISTURBING ANOMALIES...
26
00:01:25,413 --> 00:01:27,344
MAN: Okay, we're seeing
three or four objects.
27
00:01:27,344 --> 00:01:29,448
MAN #2: Yeah,
there are three objects.
28
00:01:29,448 --> 00:01:33,275
...THAT CONTINUE TO PERPLEX
OUR FINEST SCIENTIFIC MINDS.
29
00:01:34,896 --> 00:01:38,344
THESE ARE
NASA'S UNEXPLAINED FILES.
30
00:01:38,344 --> 00:01:40,655
--Captions by VITAC--
www.vitac.com
31
00:01:40,655 --> 00:01:42,344
WHEN AN APOLLO SPACECRAFT
32
00:01:42,344 --> 00:01:45,241
CRASHES
INTO THE LUNAR SURFACE...
33
00:01:45,241 --> 00:01:48,620
Worden: A LOT OF VERY CLEVER
PEOPLE DID THE MATH ON THAT ONE.
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00:01:48,620 --> 00:01:51,896
IT SHOULD NOT HAVE HAPPENED.
35
00:01:51,896 --> 00:01:55,827
Narrator:
...THE NASA INVESTIGATION
BEGINS IMMEDIATELY.
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00:01:55,827 --> 00:01:59,172
YOU THINK WE'D UNDERSTAND IT,
WE'D KNOW EVERYTHING ABOUT IT,
37
00:01:59,172 --> 00:02:00,448
BUT WE DON'T.
38
00:02:00,448 --> 00:02:03,862
Narrator: AND THE ANSWERS
ARE STRANGER THAN FICTION.
39
00:02:03,862 --> 00:02:07,482
WERE WE TRESPASSING
ON SOMEBODY ELSE'S TERRITORY?
40
00:02:13,172 --> 00:02:20,379
AUGUST 4, 1971, 75 MILES
ABOVE THE LUNAR SURFACE,
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00:02:20,379 --> 00:02:23,724
APOLLO 15's COMMAND MODULE
PILOT, ALFRED WORDEN,
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00:02:23,724 --> 00:02:27,034
PREPARES THE SPACECRAFT FOR
THE PERILOUS THREE-DAY JOURNEY
43
00:02:27,034 --> 00:02:30,379
BACK TO EARTH.
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00:02:30,379 --> 00:02:34,344
YOU ALWAYS WORRY
ABOUT SOMETHING GOING WRONG.
45
00:02:34,344 --> 00:02:38,517
YOU CANNOT DO A PROGRAM
AS FAR-REACHING
46
00:02:38,517 --> 00:02:42,206
AND AS CHALLENGING
AS GOING TO THE MOON
47
00:02:42,206 --> 00:02:46,862
WITHOUT EXPECTING
SOMETHING TO GO WRONG.
48
00:02:46,862 --> 00:02:48,413
Narrator:
BEFORE WORDEN HEADS HOME,
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00:02:48,413 --> 00:02:51,896
HE HAS ONE FINAL
MISSION OBJECTIVE --
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00:02:51,896 --> 00:02:54,586
TO RELEASE
A THREE-FOOT-LONG MICROSATELLITE
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00:02:54,586 --> 00:02:56,275
THAT WILL CONTINUE
STUDYING THE MOON
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00:02:56,275 --> 00:02:58,896
LONG AFTER THE ASTRONAUTS
HAVE LEFT.
53
00:03:00,931 --> 00:03:02,965
Worden: WE HAD THAT PROGRAMMED
IN OUR FLIGHT PLAN
54
00:03:02,965 --> 00:03:06,655
EXACTLY DOWN TO THE SECOND WHEN
WE WERE SUPPOSED TO DO THAT.
55
00:03:06,655 --> 00:03:08,068
ALL I HAD TO DO
WAS PUSH A BUTTON.
56
00:03:08,068 --> 00:03:12,103
I HAD THE SIMPLE PART
OF THE JOB.
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00:03:12,103 --> 00:03:15,034
Man: LAUNCH.
58
00:03:15,034 --> 00:03:17,241
Worden: YOU WATCH IT GO,
AND YOU CALL HOUSTON CONTROL
59
00:03:17,241 --> 00:03:21,344
AND YOU SAY, "IT'S GONE.
IT'S ON ITS WAY."
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00:03:21,344 --> 00:03:24,448
Man: BACKING STATIONS
HAVE ACQUIRED THE SATELLITE.
61
00:03:24,448 --> 00:03:27,689
AND THEN WE WATCHED IT SPIN
OUT OF SIGHT.
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00:03:27,689 --> 00:03:29,275
Narrator:
THE SATELLITE DRIFTS OFF,
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00:03:29,275 --> 00:03:34,310
ORBITING THE MOON EVERY 2 HOURS
FOR THE NEXT 16 MONTHS,
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00:03:34,310 --> 00:03:36,551
GATHERING DATA
ABOUT THE MOON'S MAGNETIC
65
00:03:36,551 --> 00:03:38,793
AND GRAVITATIONAL FIELDS.
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00:03:44,034 --> 00:03:47,137
THE EXPERIMENT IS SO SUCCESSFUL
THAT, ON THE NEXT MISSION,
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00:03:47,137 --> 00:03:51,000
APOLLO 16 ASTRONAUTS
LAUNCH AN IDENTICAL SATELLITE.
68
00:03:55,172 --> 00:03:59,275
BUT JUST A FEW DAYS LATER,
SOMETHING STRANGE HAPPENS.
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00:03:59,275 --> 00:04:02,137
Genge: THE SATELLITE
STARTS DOING SOMETHING
70
00:04:02,137 --> 00:04:03,896
THAT'S REALLY UNEXPECTED.
71
00:04:03,896 --> 00:04:08,862
IT'S VEERING OFF COURSE,
BEHAVING ALMOST UNPREDICTABLY.
72
00:04:08,862 --> 00:04:10,413
Paige:
THERE MUST BE SOME FORCE
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00:04:10,413 --> 00:04:13,517
THAT HAD CAUSED
THE SPACECRAFT'S ORBIT
74
00:04:13,517 --> 00:04:16,000
TO BECOME UNSTABLE.
75
00:04:16,000 --> 00:04:19,068
Narrator: THE SATELLITE'S ORBIT
KEEPS CHANGING.
76
00:04:19,068 --> 00:04:20,275
WITHIN THREE WEEKS,
77
00:04:20,275 --> 00:04:22,655
IT GOES FROM FLOATING 80 MILES
ABOVE THE MOON
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00:04:22,655 --> 00:04:26,758
TO SKIMMING JUST SIX MILES
ABOVE THE SURFACE.
79
00:04:26,758 --> 00:04:30,068
Paige: AS NASA WAS WATCHING
THE PROGRESS OF THE MISSION,
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00:04:30,068 --> 00:04:32,862
THEY WERE, OF COURSE, ALARMED
THAT IT WAS GETTING SO CLOSE
81
00:04:32,862 --> 00:04:34,413
TO THE MOON.
82
00:04:34,413 --> 00:04:36,379
Narrator:
JUST 35 DAYS AFTER LAUNCH,
83
00:04:36,379 --> 00:04:39,344
NASA LOSES CONTACT
WITH ITS SPACECRAFT.
84
00:04:44,000 --> 00:04:45,482
ANALYSIS OF THE FLIGHT DATA
85
00:04:45,482 --> 00:04:48,758
CONFIRMS THE SPACE
AGENCY'S FEARS.
86
00:04:48,758 --> 00:04:51,517
THE PROBE CRASHED INTO THE MOON.
87
00:04:51,517 --> 00:04:54,862
THEY HAD A PREDICTION THAT
IT WOULD LAST FOR TWO YEARS.
88
00:04:54,862 --> 00:04:56,965
IT ONLY LASTED 35 DAYS.
89
00:04:56,965 --> 00:04:59,827
WHY?
90
00:04:59,827 --> 00:05:05,000
NASA SPACECRAFT DON'T JUST CRASH
FOR NO REASON.
91
00:05:05,000 --> 00:05:06,586
Narrator: THE SATELLITE CRASH
92
00:05:06,586 --> 00:05:08,379
PUTS NASA
IN A DIFFICULT POSITION
93
00:05:08,379 --> 00:05:10,862
AND PROVOKES WILD SPECULATION.
94
00:05:10,862 --> 00:05:15,068
WAS THERE A GROUP,
WHOEVER THAT GROUP MIGHT BE,
95
00:05:15,068 --> 00:05:17,137
THAT DIDN'T WANT US
GOING TO THE MOON?
96
00:05:17,137 --> 00:05:21,000
WERE WE TRESPASSING
ON SOMEBODY ELSE'S TERRITORY?
97
00:05:24,827 --> 00:05:27,000
Narrator:
AS STRANGE AS THE IDEA SOUNDS,
98
00:05:27,000 --> 00:05:30,586
THIS IS NOT THE APOLLO PROGRAM'S
FIRST UNCANNY EXPERIENCE
99
00:05:30,586 --> 00:05:33,482
NEAR THE LUNAR SURFACE.
100
00:05:33,482 --> 00:05:36,551
EARLY INCIDENTS PROMPTED NASA
SCIENTISTS TO PUT PROCEDURES
101
00:05:36,551 --> 00:05:41,034
IN PLACE TO DEAL
WITH UNEXPLAINED SIGHTINGS.
102
00:05:41,034 --> 00:05:43,758
NASA HAS A CODE
FOR SOMETHING LIKE THESE.
103
00:05:43,758 --> 00:05:46,172
THEY CALL THEM MOON PIGEONS.
104
00:05:46,172 --> 00:05:49,137
THIS IS PART OF THE IMAGERY
THAT LED NASA TO COMMISSION
105
00:05:49,137 --> 00:05:52,241
THIS STUDY
OF WHAT THEY CALL MOON PIGEONS,
106
00:05:52,241 --> 00:05:55,103
THINGS SEEN OUT THE WINDOW.
107
00:05:55,103 --> 00:05:58,034
Narrator: NASA DOES NOT BELIEVE
THAT SOME UNKNOWN PRESENCE
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00:05:58,034 --> 00:05:59,827
ON THE MOON IS RESPONSIBLE,
109
00:05:59,827 --> 00:06:02,724
BUT THE SPACE AGENCY'S
EXPLANATION FOR THE CRASH
110
00:06:02,724 --> 00:06:06,482
IS NO LESS EXTRAORDINARY.
111
00:06:06,482 --> 00:06:09,172
THERE MAY BE SOMETHING
GOING ON INSIDE THE MOON
112
00:06:09,172 --> 00:06:13,000
THAT SCIENTISTS
DON'T FULLY UNDERSTAND.
113
00:06:13,000 --> 00:06:15,448
GRAVITY ON THE MOON
IS -- IS VARIABLE.
114
00:06:15,448 --> 00:06:17,862
IT'S NOT A CONSTANT GRAVITY
AROUND THE MOON.
115
00:06:17,862 --> 00:06:19,379
Schultz: THE MOON IS LUMPY,
116
00:06:19,379 --> 00:06:21,758
NOT JUST BECAUSE OF THE HILLS
AND VALLEYS,
117
00:06:21,758 --> 00:06:24,620
BUT BECAUSE THERE'S AREAS
UNDERNEATH THAT ACTUALLY
118
00:06:24,620 --> 00:06:27,620
HAVE A LITTLE BIT MORE GRAVITY
THAN OTHER AREAS.
119
00:06:27,620 --> 00:06:29,344
Narrator:
UNUSUALLY DENSE MOON ROCK
120
00:06:29,344 --> 00:06:33,034
CAUSES THESE ZONES
OF EXTRA-STRONG GRAVITY.
121
00:06:33,034 --> 00:06:36,862
SCIENTISTS CALLED THE ZONES
MASCONS.
122
00:06:36,862 --> 00:06:40,344
A MASCON IS KIND
OF AN INVISIBLE FORCE
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00:06:40,344 --> 00:06:44,000
THAT CHANGES THE BASIC GRAVITY
OF THE MOON,
124
00:06:44,000 --> 00:06:49,000
BUT IT CHANGES IT IN LOCAL AREA,
NOT THE WHOLE GRAVITY.
125
00:06:50,827 --> 00:06:53,275
Narrator: NASA CALCULATES
THE SATELLITE'S TRAJECTORY
126
00:06:53,275 --> 00:06:55,517
TO WITHIN A FRACTION
OF A DEGREE,
127
00:06:55,517 --> 00:06:58,827
BUT DIFFICULT VARIABLES
LIKE MULTIPLE MASCONS
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00:06:58,827 --> 00:07:02,862
COULD ADD UP
TO CATASTROPHIC CONSEQUENCES.
129
00:07:02,862 --> 00:07:05,827
THESE MASCONS
CAUSE THE SATELLITE TO CRASH
130
00:07:05,827 --> 00:07:07,379
BECAUSE THEY GIVE A LITTLE TUG.
131
00:07:07,379 --> 00:07:10,551
SO WHAT THEY DO IS THEY ACTUALLY
CHANGE THE POSITION
132
00:07:10,551 --> 00:07:14,068
OF WHERE THE SATELLITE
GETS CLOSEST TO THE MOON.
133
00:07:14,068 --> 00:07:16,344
AND IF THEY KEEP DOING
IT LONG ENOUGH,
134
00:07:16,344 --> 00:07:18,655
JUST IN SMALL INCREMENTS,
135
00:07:18,655 --> 00:07:20,206
EVENTUALLY IT WILL CRASH.
136
00:07:24,965 --> 00:07:27,275
Narrator: THE CRASH
OF THE APOLLO SUBSATELLITE
137
00:07:27,275 --> 00:07:32,137
WAS AN ACCIDENT CAUSED BY FORCES
OUTSIDE OF NASA'S CONTROL,
138
00:07:32,137 --> 00:07:36,068
AND IT WAS NOT THE LAST CRAFT
TO MEET A VIOLENT END.
139
00:07:41,206 --> 00:07:43,620
UP NEXT, NASA GOES NUCLEAR
140
00:07:43,620 --> 00:07:46,275
ON THE LARGEST PLANET
IN THE SOLAR SYSTEM.
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00:07:46,275 --> 00:07:49,310
IT WAS VERY SURPRISING.
NOBODY EXPECTED IT.
142
00:07:49,310 --> 00:07:52,172
WE EFFECTIVELY EXPLODED
A NUCLEAR DEVICE
143
00:07:52,172 --> 00:07:53,586
IN JUPITER'S ATMOSPHERE.
144
00:08:05,482 --> 00:08:09,000
Narrator:
WHEN A DARK SPOT APPEARS
ON THE SURFACE OF JUPITER...
145
00:08:09,000 --> 00:08:10,413
Baines: IT WAS NOT JUST ANY OLD
DARK SPOT.
146
00:08:10,413 --> 00:08:12,482
THIS THING WAS HUGE.
147
00:08:12,482 --> 00:08:16,310
Narrator:
...CONSPIRACY THEORISTS BLAME
A CONTROVERSIAL NASA MISSION.
148
00:08:16,310 --> 00:08:19,172
WE EFFECTIVELY EXPLODED
A NUCLEAR DEVICE
149
00:08:19,172 --> 00:08:20,931
IN JUPITER'S ATMOSPHERE.
150
00:08:29,482 --> 00:08:33,172
Narrator:
FROM THE APOLLO PROGRAM
TO TODAY'S DEEP-SPACE PROBES,
151
00:08:33,172 --> 00:08:34,620
NASA'S SPACECRAFT
152
00:08:34,620 --> 00:08:37,620
REPRESENT THE PINNACLE
OF HUMAN ENGINEERING.
153
00:08:37,620 --> 00:08:41,000
BUT SPACE TRAVEL
STILL PROVIDES CHALLENGES
154
00:08:41,000 --> 00:08:44,137
FOR EVEN THE MOST
BRILLIANT DESIGNS.
155
00:08:47,620 --> 00:08:51,586
OCTOBER 2003,
AN AMATEUR ASTRONOMER
156
00:08:51,586 --> 00:08:53,793
IS TAKING PHOTOGRAPHS
OF THE LARGEST PLANET
157
00:08:53,793 --> 00:08:58,965
IN OUR SOLAR SYSTEM
WHEN HE SEES SOMETHING STRANGE.
158
00:08:58,965 --> 00:09:03,034
A DARK SPOT APPEARED ON JUPITER
BACK IN 2003,
159
00:09:03,034 --> 00:09:05,965
WHICH WAS VERY STRANGE,
VERY SURPRISING.
160
00:09:05,965 --> 00:09:08,172
NOBODY EXPECTED IT.
161
00:09:08,172 --> 00:09:10,413
Narrator: SCIENTISTS INITIALLY
SUGGEST THAT,
162
00:09:10,413 --> 00:09:14,482
LIKE JUPITER'S FAMOUS RED SPOT,
THE DARK DOT COULD BE A STORM
163
00:09:14,482 --> 00:09:16,827
IN JUPITER'S VIOLENT ATMOSPHERE.
164
00:09:16,827 --> 00:09:18,551
Genge:
THE BIG RED SPOT OF JUPITER
165
00:09:18,551 --> 00:09:21,344
IS ACTUALLY A STORM
THAT'S RAGED NOW FOR --
166
00:09:21,344 --> 00:09:24,137
FOR AT LEAST 300 YEARS.
167
00:09:24,137 --> 00:09:26,000
THEY COME AND THEY GO.
168
00:09:26,000 --> 00:09:27,413
SO IT WOULDN'T BE TOO SURPRISING
169
00:09:27,413 --> 00:09:31,827
IF A NEW SPOT SUDDENLY
APPEARED ON THIS GIANT PLANET.
170
00:09:31,827 --> 00:09:34,344
Narrator: WHILE A STORM
COULD GENERATE A SPOT
171
00:09:34,344 --> 00:09:35,586
ON JUPITER'S SURFACE,
172
00:09:35,586 --> 00:09:37,344
FOR IT TO BE VISIBLE
THROUGH TELESCOPES,
173
00:09:37,344 --> 00:09:39,620
IT WOULD HAVE TO BE LARGER
THAN ANY WEATHER SYSTEM
174
00:09:39,620 --> 00:09:41,965
EVER SEEN ON EARTH.
175
00:09:41,965 --> 00:09:44,206
D'Antonio:
JUPITER'S ATMOSPHERE IS MASSIVE.
176
00:09:44,206 --> 00:09:45,758
FOR SOMETHING TO CREATE
A BLACK SPOT THAT BIG
177
00:09:45,758 --> 00:09:49,000
WOULD REQUIRE A HUGE
AMOUNT OF ENERGY TO BE RELEASED.
178
00:09:53,103 --> 00:09:54,965
Narrator:
AN ALTERNATIVE IDEA FOR THE SPOT
179
00:09:54,965 --> 00:09:59,689
IS THAT IT COULD BE THE SITE
OF AN ASTEROID OR COMET IMPACT.
180
00:09:59,689 --> 00:10:01,482
JUPITER'S COLOSSAL SIZE
181
00:10:01,482 --> 00:10:05,000
AND POWERFUL GRAVITATIONAL PULL
MAKE IT A PRIME TARGET
182
00:10:05,000 --> 00:10:08,379
FOR ANYTHING FLYING
THROUGH THE SOLAR SYSTEM.
183
00:10:08,379 --> 00:10:10,068
JUPITER'S THIS GIANT PLANET
184
00:10:10,068 --> 00:10:14,965
THAT PRETTY MUCH VACUUMS UP
STUFF AS IT GOES ALONG.
185
00:10:14,965 --> 00:10:17,724
D'Antonio:
IT'S QUITE POSSIBLE THAT
A FOREIGN BODY, SUCH AS A COMET,
186
00:10:17,724 --> 00:10:22,689
COULD IMPACT JUPITER AND CAUSE
MASSIVE EXPLOSION SCARS.
187
00:10:22,689 --> 00:10:24,344
IN FACT, IT'S HAPPENED.
188
00:10:24,344 --> 00:10:27,000
COMET SHOEMAKER-LEVY
IMPACTED JUPITER,
189
00:10:27,000 --> 00:10:32,137
AND YOU SAW A BEAUTIFUL STRING
OF DARK, BLACK SPOTS.
190
00:10:32,137 --> 00:10:33,655
Narrator:
BUT EVEN ON JUPITER,
191
00:10:33,655 --> 00:10:36,827
A BIG IMPACT
IS A ONCE-IN-A-DECADE EVENT,
192
00:10:36,827 --> 00:10:40,103
AND RECORDS REVEAL THAT NONE
WAS PREDICTED AROUND THE TIME
193
00:10:40,103 --> 00:10:43,034
OF THE SPOT'S APPEARANCE.
194
00:10:43,034 --> 00:10:46,551
D'Antonio:
IF THESE BLACK SPOTS AREN'T
CAUSED BY SOMETHING NATURAL,
195
00:10:46,551 --> 00:10:49,965
OR IF THEY'RE NOT CAUSED
BY AN ALIEN CIVILIZATION,
196
00:10:49,965 --> 00:10:52,896
WHAT'S LEFT?
197
00:10:52,896 --> 00:10:55,655
COULD IT BE US?
198
00:10:55,655 --> 00:10:57,655
Narrator:
HUMAN BEINGS CREATING SPOTS
199
00:10:57,655 --> 00:11:01,344
ON THE SURFACE OF A PLANET
500 MILLION MILES AWAY
200
00:11:01,344 --> 00:11:03,000
SOUNDS IMPOSSIBLE...
201
00:11:05,517 --> 00:11:08,655
...BUT JUST A MONTH BEFORE
THE DARK SPOT IS PHOTOGRAPHED,
202
00:11:08,655 --> 00:11:11,862
NASA'S GALILEO PROBE
IS FLOATING TOWARD JUPITER
203
00:11:11,862 --> 00:11:15,241
AS IT NEARS THE END OF ITS LIFE.
204
00:11:15,241 --> 00:11:17,172
AND THERE IS A MAJOR PROBLEM
205
00:11:17,172 --> 00:11:20,344
WITH DISPOSING
OF THE DYING SPACECRAFT.
206
00:11:20,344 --> 00:11:23,724
IT CARRIES A FULLY FUNCTIONING
NUCLEAR REACTOR.
207
00:11:26,793 --> 00:11:30,137
WE HAVE TO SEND NUCLEAR DEVICES
ON A SPACECRAFT.
208
00:11:30,137 --> 00:11:31,517
THAT'S THE ONLY WAY
TO POWER THEM
209
00:11:31,517 --> 00:11:33,172
AS THEY GET INTO DEEP SPACE.
210
00:11:33,172 --> 00:11:35,620
AND SO, YOU HAVE TO CHOOSE
BETWEEN DO WE JUST
211
00:11:35,620 --> 00:11:39,310
LEAVE THIS NUCLEAR REACTOR
FLOATING AROUND IN SPACE,
212
00:11:39,310 --> 00:11:42,275
OR DO WE DISPOSE OF IT
IN SOME WAY?
213
00:11:42,275 --> 00:11:46,068
Narrator:
SCIENTISTS FEAR THAT GALILEO'S
NUCLEAR POWER GENERATOR
214
00:11:46,068 --> 00:11:49,068
COULD WREAK HAVOC ON ONE
OF THE MOST PROMISING PLACES
215
00:11:49,068 --> 00:11:54,241
IN THE SOLAR SYSTEM FOR HOSTING
EXTRATERRESTRIAL LIFE.
216
00:11:54,241 --> 00:11:56,965
THERE WAS A DANGER
THAT THE GALILEO SPACECRAFT
217
00:11:56,965 --> 00:11:58,862
MIGHT ACTUALLY IMPACT EUROPA,
218
00:11:58,862 --> 00:12:00,620
WHICH IS WHAT WE DIDN'T WANT
TO HAVE HAPPEN,
219
00:12:00,620 --> 00:12:03,068
PARTICULARLY NOW THAT WE THINK
THERE COULD BE LIFE
220
00:12:03,068 --> 00:12:05,068
UNDER THE ICE IN THIS BIG OCEAN.
221
00:12:05,068 --> 00:12:07,793
WE DON'T WANT
TO IMPACT THIS SPACECRAFT
222
00:12:07,793 --> 00:12:10,103
INTO A LIFE-BEARING OBJECT.
223
00:12:10,103 --> 00:12:12,758
Narrator: AT THE TIME
THE GALILEO MISSION WAS PLANNED,
224
00:12:12,758 --> 00:12:14,758
THERE WAS LITTLE EVIDENCE
TO SUGGEST
225
00:12:14,758 --> 00:12:17,724
THERE COULD BE LIVING CREATURES
BENEATH THE ICE OF EUROPA.
226
00:12:17,724 --> 00:12:21,896
SO SCIENTISTS DIDN'T WORRY
ABOUT PROBE DISPOSAL.
227
00:12:21,896 --> 00:12:25,724
BUT THE FEAR OF CONTAMINATING
A LIFE-BEARING WORLD
228
00:12:25,724 --> 00:12:27,379
FORCES THEM
TO CREATE A FINAL PLAN
229
00:12:27,379 --> 00:12:32,000
TO INCINERATE THE SPACECRAFT
AND ITS PLUTONIUM REACTOR.
230
00:12:32,000 --> 00:12:33,862
WE KNEW WE HAD TO DO SOMETHING
WITH THIS SPACECRAFT.
231
00:12:33,862 --> 00:12:35,655
WE JUST COULDN'T LET
IT FLOAT AROUND IN SPACE.
232
00:12:35,655 --> 00:12:39,586
SO WE DECIDED THAT WE
WOULD ACTUALLY PUT GALILEO
233
00:12:39,586 --> 00:12:42,586
TO ITS DEATH
BY PLUNGING IT INTO JUPITER.
234
00:12:44,655 --> 00:12:46,827
Narrator:
AS NASA'S DECISION GOES PUBLIC,
235
00:12:46,827 --> 00:12:49,620
A DUTCH PHYSICIST,
JACCO VAN DER WORP,
236
00:12:49,620 --> 00:12:51,655
WARNS THAT SENDING
NUCLEAR MATERIAL
237
00:12:51,655 --> 00:12:53,862
INTO JUPITER'S
VOLATILE ATMOSPHERE
238
00:12:53,862 --> 00:12:57,724
COULD HAVE
CATASTROPHIC CONSEQUENCES.
239
00:12:57,724 --> 00:13:00,413
JACCO VAN DER WORP'S THEORY
IS THAT THE GALILEO PROBE,
240
00:13:00,413 --> 00:13:03,241
WHICH CARRIES PLUTONIUM
IN ITS CORE,
241
00:13:03,241 --> 00:13:07,206
COULD ACTUALLY BE IMPLODED BY
THE PRESSURE OF THE ATMOSPHERE
242
00:13:07,206 --> 00:13:10,517
AND CAUSE JUPITER
TO TURN INTO A MASSIVE FIREBALL.
243
00:13:12,862 --> 00:13:16,655
Narrator: UNDETERRED, NASA
CRASHES GALILEO INTO JUPITER.
244
00:13:20,862 --> 00:13:22,896
WE EFFECTIVELY EXPLODED
A NUCLEAR DEVICE
245
00:13:22,896 --> 00:13:25,241
IN JUPITER'S ATMOSPHERE.
246
00:13:30,448 --> 00:13:33,034
Baines: THERE WAS SOME EFFORT TO
ACTUALLY LOOK AT THE SPACECRAFT
247
00:13:33,034 --> 00:13:35,655
AS IT WENT INTO THE PLANET.
IT'S PRETTY AMAZING.
248
00:13:35,655 --> 00:13:39,275
IT ALL VAPORIZED WITHIN A FEW
HOURS OF HITTING THAT SURFACE.
249
00:13:39,275 --> 00:13:42,034
THIS ONE OBJECT
FROM MANKIND IS NOW JUST PART
250
00:13:42,034 --> 00:13:45,862
OF THE EPHEMERAL GASES
OF THE PLANET.
251
00:13:45,862 --> 00:13:49,000
Narrator: DESPITE THE REMARKABLE
TIMING OF ITS APPEARANCE,
252
00:13:49,000 --> 00:13:52,275
THE EVIDENCE SEEMS TO INDICATE
THE GALILEO EXPLOSION
253
00:13:52,275 --> 00:13:56,034
DID NOT CREATE
THE 2003 DARK SPOT.
254
00:13:56,034 --> 00:13:59,275
SCIENTISTS ARE NOW WORKING
ON A THEORY THAT THE APPEARANCE
255
00:13:59,275 --> 00:14:01,931
OF AT LEAST SOME
OF THE DARK SPOTS ON JUPITER
256
00:14:01,931 --> 00:14:05,448
COULD BE CAUSED
BY ATMOSPHERIC PHENOMENON.
257
00:14:05,448 --> 00:14:07,724
IT'S SPECULATED
THAT WE MAY BE SEEING THE --
258
00:14:07,724 --> 00:14:12,068
THE EFFECT OF HYDROCARBONS
CREATED BY AURORA.
259
00:14:12,068 --> 00:14:14,000
IT'S LIKE THE AURORA BOREALIS
ON THE EARTH,
260
00:14:14,000 --> 00:14:16,310
BUT MANY THOUSANDS
OF TIMES MORE POWERFUL.
261
00:14:16,310 --> 00:14:18,655
BUT IT'S STILL A MYSTERY.
262
00:14:18,655 --> 00:14:22,793
Narrator:
IN A STRANGE TWIST OF FATE,
GALILEO'S GREATEST DISCOVERY,
263
00:14:22,793 --> 00:14:25,724
THAT ONE OF JUPITER'S MOONS
COULD HOLD LIFE,
264
00:14:25,724 --> 00:14:29,379
CONDEMNED THE PROBE
TO DESTRUCTION.
265
00:14:29,379 --> 00:14:32,310
BUT SOME MYSTERIES
THAT DEFY EXPLANATION
266
00:14:32,310 --> 00:14:35,344
ARE MUCH CLOSER
THAN THE JUPITER SYSTEM.
267
00:14:38,068 --> 00:14:40,448
UP NEXT, ON THE LUNAR SURFACE,
268
00:14:40,448 --> 00:14:46,689
THE APOLLO 12 ASTRONAUTS CATCH
SOMETHING IMPOSSIBLE ON CAMERA.
269
00:14:46,689 --> 00:14:48,034
Rutkowski: IF THEY'RE REALLY
ON THE MOON,
270
00:14:48,034 --> 00:14:50,758
WHY DO WE SEE OBJECTS
REFLECTED IN THEIR VISORS?
271
00:14:50,758 --> 00:14:52,413
IT'S SUPPOSED
TO BE EMPTY UP THERE.
272
00:15:02,896 --> 00:15:05,655
Narrator: A PHOTOGRAPH
FROM THE APOLLO 12 MISSION
273
00:15:05,655 --> 00:15:09,620
REVEALS SOMETHING
THAT SHOULD NOT BE THERE.
274
00:15:09,620 --> 00:15:10,896
Rutkowski: IF THEY'RE REALLY
ON THE MOON,
275
00:15:10,896 --> 00:15:13,827
WHY DO WE SEE OBJECTS
REFLECTED IN THEIR VISORS?
276
00:15:13,827 --> 00:15:15,931
IT'S SUPPOSED
TO BE EMPTY UP THERE.
277
00:15:15,931 --> 00:15:17,724
Man: THIS PARTICULAR PICTURE
SHOWS SOMETHING
278
00:15:17,724 --> 00:15:21,862
THAT DOES NOT APPEAR IN
ANY OTHER OFFICIAL PHOTOGRAPH.
279
00:15:21,862 --> 00:15:24,034
Narrator:
COULD A SINGLE IMAGE CAST DOUBT
280
00:15:24,034 --> 00:15:27,724
ON HUMANKIND'S
GREATEST ACHIEVEMENT?
281
00:15:27,724 --> 00:15:29,758
Man: I CAN'T BELIEVE IT.
AMAZING.
282
00:15:29,758 --> 00:15:32,724
SOME PEOPLE BELIEVE THAT THE
MOON LANDINGS NEVER HAPPENED.
283
00:15:36,793 --> 00:15:40,275
Narrator:
IN THE APOLLO 12 LUNAR MODULE,
284
00:15:40,275 --> 00:15:43,068
ASTRONAUTS PETE CONRAD
AND ALAN BEAN
285
00:15:43,068 --> 00:15:44,482
MAKE THEIR FINAL APPROACH
286
00:15:44,482 --> 00:15:49,551
ABOVE A REGION OF THE MOON
KNOWN AS THE OCEAN OF STORMS.
287
00:15:49,551 --> 00:15:51,517
Bean: I'VE GOT SOME KIND
OF A HORIZON OUT THERE.
288
00:15:51,517 --> 00:15:54,275
I'VE GOT SOME CRATERS, TOO,
BUT I DON'T KNOW WHERE I AM YET.
289
00:15:54,275 --> 00:15:56,517
I THOUGHT,
"WHERE ARE WE GONNA LAND?
290
00:15:56,517 --> 00:15:58,103
THERE'S NO ROOM TO LAND."
291
00:15:58,103 --> 00:16:01,620
AND THEN WE WAITED
FOR THESE PROBES TO ILLUMINATE,
292
00:16:01,620 --> 00:16:04,413
WHICH WERE ABOUT 5 FEET
BELOW THE LANDING PAD.
293
00:16:04,413 --> 00:16:05,724
I SAID, "CONTACT LIGHT."
294
00:16:05,724 --> 00:16:07,241
CONTACT LIGHT.
295
00:16:07,241 --> 00:16:09,034
Man: ROGER.
COPY CONTACT.
296
00:16:09,034 --> 00:16:11,344
AND THEN PETE TOUCHED DOWN.
297
00:16:11,344 --> 00:16:14,000
WE ARE ABOUT TO LAND IN 20 FEET.
298
00:16:14,000 --> 00:16:15,344
Narrator:
FOR CONRAD AND BEAN,
299
00:16:15,344 --> 00:16:18,172
THE EXPERIENCE
OF STEPPING ON TO ANOTHER WORLD
300
00:16:18,172 --> 00:16:20,172
IS OVERWHELMING.
301
00:16:20,172 --> 00:16:25,103
I LET GO OF THE LADDER
AND STARTED TO WOBBLE A BIT
302
00:16:25,103 --> 00:16:29,137
AND STEADIED MYSELF,
AND I THOUGHT, "WOW.
303
00:16:29,137 --> 00:16:31,482
THIS IS THE MOON.
WE'RE REALLY HERE."
304
00:16:31,482 --> 00:16:32,724
THIS IS AMAZING.
305
00:16:32,724 --> 00:16:35,551
THIS IS SCIENCE FICTION,
EXCEPT YOU'RE LIVING IT.
306
00:16:35,551 --> 00:16:38,379
[ SPEAKING INDISTINCTLY ]
307
00:16:38,379 --> 00:16:40,482
Narrator: THE ASTRONAUTS
SPEND MUCH OF THE MISSION
308
00:16:40,482 --> 00:16:43,206
DOCUMENTING THEIR ACTIVITIES
WITH PHOTOGRAPHS.
309
00:16:43,206 --> 00:16:44,896
Bean:
WE HAD SPENT A LOT OF TIME
310
00:16:44,896 --> 00:16:48,689
BEING TRAINED
TO TAKE PHOTOGRAPHS ON THE MOON.
311
00:16:48,689 --> 00:16:51,103
THEY DIDN'T HAVE
AUTOMATIC FOCUS THEN.
312
00:16:51,103 --> 00:16:53,758
THEY DIDN'T HAVE
AUTOMATIC EXPOSURE.
313
00:16:53,758 --> 00:16:55,551
YOU HAD TO SET 'EM MANUALLY.
314
00:16:55,551 --> 00:16:58,655
WE DIDN'T SCREW UP
ONE SINGLE FRAME
315
00:16:58,655 --> 00:17:01,724
BECAUSE WE HAD HAD
THIS GOOD TRAINING.
316
00:17:01,724 --> 00:17:04,379
Narrator:
IN SPITE OF CHALLENGING
PHOTOGRAPHIC CONDITIONS
317
00:17:04,379 --> 00:17:06,655
AND A TOTALLY ALIEN ENVIRONMENT,
318
00:17:06,655 --> 00:17:10,896
BEAN AND CONRAD CAPTURE IMAGES
OF INCREDIBLE QUALITY.
319
00:17:10,896 --> 00:17:14,551
BUT FOR SOME, THE PICTURES
SEEM TOO GOOD TO BE TRUE.
320
00:17:14,551 --> 00:17:16,413
Rutkowski:
THE PHOTOGRAPHS ARE AMAZING,
321
00:17:16,413 --> 00:17:19,965
AND IT'S VERY HARD
TO BELIEVE THAT SUCH QUALITY
322
00:17:19,965 --> 00:17:23,103
COULD BE OBTAINED USING
RELATIVELY PRIMITIVE EQUIPMENT
323
00:17:23,103 --> 00:17:25,896
UNDER VERY HARSH CONDITIONS.
324
00:17:25,896 --> 00:17:27,551
Narrator:
ONE PHOTOGRAPH OF BEAN
325
00:17:27,551 --> 00:17:31,551
DRAWS UNWELCOME ATTENTION
FOR NASA.
326
00:17:31,551 --> 00:17:36,206
THE ANOMALY IS SMALL
BUT CLEARLY VISIBLE.
327
00:17:36,206 --> 00:17:40,931
YOU CAN CLEARLY SEE CONRAD
IN BEAN'S FACEPLATE HERE,
328
00:17:40,931 --> 00:17:43,206
BUT THERE'S SOMETHING ELSE
AS WELL.
329
00:17:43,206 --> 00:17:45,103
DEFINITELY DOESN'T BELONG THERE.
330
00:17:47,655 --> 00:17:52,655
Narrator:
THE SINGLE FRAME OFFERS
NO EXPLANATION FOR THE ANOMALY,
331
00:17:52,655 --> 00:17:53,827
BUT THERE'S ANOTHER RECORD
332
00:17:53,827 --> 00:17:55,793
OF WHAT HAPPENED
DURING THE MISSION.
333
00:17:58,000 --> 00:18:00,586
Bean:
WE ARE ABOUT TO LAND IN 20 FEET.
334
00:18:00,586 --> 00:18:04,862
Narrator:
APOLLO 12 WAS ALSO EQUIPPED
WITH A COLOR TELEVISION CAMERA.
335
00:18:04,862 --> 00:18:07,965
MY JOB
WHEN I GOT OUT WAS TO GO OVER,
336
00:18:07,965 --> 00:18:11,586
GET THAT COLOR TV CAMERA,
AND MOVE IT OUT
337
00:18:11,586 --> 00:18:15,689
AND POINT IT BACK SO
THAT EVERYBODY COULD WATCH.
338
00:18:15,689 --> 00:18:17,655
Narrator:
BUT JUST AS HE BEGINS TO FILM,
339
00:18:17,655 --> 00:18:20,620
BEAN'S FOOTAGE CUTS OUT,
340
00:18:20,620 --> 00:18:24,241
LEAVING NO VIDEO RECORD
OF THE ANOMALY'S SOURCE.
341
00:18:31,068 --> 00:18:34,034
Rutkowski:
CONSPIRACY THEORISTS SAY THAT
THERE'S SOMETHING ON THE MOON
342
00:18:34,034 --> 00:18:36,724
THAT NASA DOESN'T WANT
THE PUBLIC TO KNOW ABOUT,
343
00:18:36,724 --> 00:18:39,379
AND IT WAS VERY CONVENIENT
THAT THE CAMERA BROKE
344
00:18:39,379 --> 00:18:41,551
SO THAT THERE'S
NO SUBSEQUENT VIDEO FOOTAGE
345
00:18:41,551 --> 00:18:43,827
OF THE LANDING.
346
00:18:43,827 --> 00:18:46,172
Narrator:
BEAN EXPLAINS THE VIDEO FAILURE
347
00:18:46,172 --> 00:18:48,862
AS A SIMPLE MISTAKE.
348
00:18:48,862 --> 00:18:51,034
Bean: I'M SURE
THEY TOLD ME IN TRAINING,
349
00:18:51,034 --> 00:18:53,827
"DO NOT POINT THIS THING
AT THE SUN.
350
00:18:53,827 --> 00:18:56,103
DO NOT DO THAT."
351
00:18:56,103 --> 00:18:59,137
I DIDN'T REMEMBER THAT,
AND I POINTED AT THE SUN
352
00:18:59,137 --> 00:19:01,206
AND IT BURNED OUT THE TUBE.
353
00:19:01,206 --> 00:19:02,724
THIS IS A PRETTY ADVANCED
CAMERA,
354
00:19:02,724 --> 00:19:04,482
BUT THERE'S SIMPLE PHYSICS
INVOLVED.
355
00:19:04,482 --> 00:19:05,965
AND IF YOU POINT IT AT THE SUN,
356
00:19:05,965 --> 00:19:07,689
YOU'RE GOING
TO FRY THE VIDICON TUBE,
357
00:19:07,689 --> 00:19:10,379
AND YOU'RE GOING
TO LOSE THE PICTURE.
358
00:19:10,379 --> 00:19:12,172
Narrator:
WITHOUT A VIDEO RECORD,
359
00:19:12,172 --> 00:19:16,275
WE CAN ONLY SPECULATE
ON WHAT CAUSED THE ANOMALY.
360
00:19:16,275 --> 00:19:19,413
ONE IDEA IS THAT THE ROGUE
REFLECTION IN BEAN'S VISOR
361
00:19:19,413 --> 00:19:21,310
COULD BE THE COMMAND MODULE,
362
00:19:21,310 --> 00:19:22,551
CAUGHT ON CAMERA
363
00:19:22,551 --> 00:19:25,758
AS ITS ORBIT CARRIED IT
PAST THE LANDING SITE.
364
00:19:28,068 --> 00:19:32,724
BUT THAT EXPLANATION DOESN'T
SATISFY THE APOLLO ASTRONAUTS.
365
00:19:32,724 --> 00:19:33,931
IT COULD NOT BE
THE COMMAND MODULE
366
00:19:33,931 --> 00:19:37,379
BECAUSE THE COMMAND MODULE
IS 60 MILES AWAY,
367
00:19:37,379 --> 00:19:39,172
AND IT'S NOT GONNA SHOW UP
THAT BIG.
368
00:19:39,172 --> 00:19:41,586
Narrator: CONSPIRACY THEORISTS
SUGGEST THE PHOTOGRAPH
369
00:19:41,586 --> 00:19:45,689
PROVIDES EVIDENCE THAT NASA
FAKED THE MOON MISSIONS.
370
00:19:48,655 --> 00:19:51,896
SOME PEOPLE BELIEVE THAT
THE MOON LANDINGS NEVER HAPPENED
371
00:19:51,896 --> 00:19:53,793
AND THAT THEY WERE ACTUALLY
FILMED IN SOME TYPE
372
00:19:53,793 --> 00:19:55,793
OF MOVIE STUDIO.
373
00:19:55,793 --> 00:19:57,793
PETE CONRAD TAKES A PICTURE
OF ALAN BEAN
374
00:19:57,793 --> 00:19:59,275
WITH A REFLECTION IN HIS VISOR
375
00:19:59,275 --> 00:20:02,448
THAT CONSPIRACY THEORISTS
POINT TO AS BEING INDICATION
376
00:20:02,448 --> 00:20:04,137
OF STUDIO LIGHTING.
377
00:20:04,137 --> 00:20:07,344
IF THEY'RE REALLY ON THE MOON
INSTEAD OF ON A SOUND STAGE,
378
00:20:07,344 --> 00:20:10,172
WHY DO WE SEE OBJECTS
REFLECTED IN THEIR VISORS?
379
00:20:10,172 --> 00:20:12,862
IT'S SUPPOSED
TO BE EMPTY UP THERE.
380
00:20:12,862 --> 00:20:14,379
Narrator:
AN OVERHEAD LIGHTING RIG
381
00:20:14,379 --> 00:20:17,793
ON A MOVIE SET COULD EXPLAIN
THE ANOMALY'S PRESENCE,
382
00:20:17,793 --> 00:20:21,517
BUT THERE ARE OTHER THEORIES
ABOUT ITS ORIGIN.
383
00:20:21,517 --> 00:20:22,758
D'Antonio:
I DON'T BELIEVE THAT.
384
00:20:22,758 --> 00:20:24,379
BACK IN THE '60s AND '70s,
385
00:20:24,379 --> 00:20:28,103
THE TECHNOLOGY DIDN'T REMOTELY
EXIST TO FAKE MOON LANDINGS
386
00:20:28,103 --> 00:20:29,379
IN A CONVINCING WAY.
387
00:20:29,379 --> 00:20:31,724
I THINK THAT IT'S ACTUALLY
MOON DUST
388
00:20:31,724 --> 00:20:34,206
THAT HAS BEEN PLACED
ON THE HELMET
389
00:20:34,206 --> 00:20:35,413
BY THE CONTINUAL RAISING
390
00:20:35,413 --> 00:20:39,241
AND LOWERING OF THE VISOR
BY THE ASTRONAUT.
391
00:20:39,241 --> 00:20:41,344
Narrator:
WITH NO CONCLUSIVE EVIDENCE,
392
00:20:41,344 --> 00:20:46,034
THEORIES ABOUT THE VISOR
ANOMALY REMAIN SPECULATION.
393
00:20:46,034 --> 00:20:49,172
BUT THE IDEA THAT NASA
FAKED THE MOON LANDINGS
394
00:20:49,172 --> 00:20:53,034
DOESN'T SIT WELL WITH THE MEN
WHO FLEW THE MISSIONS.
395
00:20:53,034 --> 00:20:55,206
MY RESPONSE TO THOSE WHO THINK
396
00:20:55,206 --> 00:20:57,448
IT WAS ALL DONE
ON A SOUND STAGE...
397
00:20:57,448 --> 00:20:59,655
I THINK IT'S KIND OF AN INSULT
398
00:20:59,655 --> 00:21:02,344
BECAUSE WE HAVE FURTHERED
KNOWLEDGE,
399
00:21:02,344 --> 00:21:04,827
WE'VE DONE
SOME WONDERFUL THINGS,
400
00:21:04,827 --> 00:21:07,724
AND, AS FAR AS I'M CONCERNED,
IT'S ALL HOT AIR.
401
00:21:07,724 --> 00:21:09,551
[ CAMERA SHUTTER CLICKING ]
402
00:21:13,448 --> 00:21:15,655
Narrator: THE IMAGES
FROM THE APOLLO PROGRAM
403
00:21:15,655 --> 00:21:20,000
ARE NOT THE ONLY
CONTROVERSIAL NASA PHOTOGRAPHS.
404
00:21:20,000 --> 00:21:23,103
STILL TO COME,
INVESTIGATORS DISCOVER
405
00:21:23,103 --> 00:21:27,068
FORGOTTEN IMAGES
THAT UNMASK THE FACE ON MARS.
406
00:21:27,068 --> 00:21:28,793
THIS IS ONE OF THE MOST
ASTONISHING IMAGES
407
00:21:28,793 --> 00:21:30,413
IN SPACE-EXPLORATION HISTORY.
408
00:21:44,586 --> 00:21:47,517
Narrator: THE FIRST NASA PROBE
TO REACH MARS
409
00:21:47,517 --> 00:21:49,482
BEAMS BACK AN ICONIC IMAGE.
410
00:21:51,275 --> 00:21:53,000
THIS IS ONE OF THE MOST
ASTONISHING IMAGES
411
00:21:53,000 --> 00:21:54,931
IN SPACE-EXPLORATION HISTORY.
412
00:21:57,344 --> 00:21:59,413
IT LOOKED LIKE A FACE.
413
00:21:59,413 --> 00:22:03,413
YOU CAN SEE EYE SOCKETS, A NOSE
AND A MOUTH STRUCTURE.
414
00:22:03,413 --> 00:22:05,448
Narrator: BUT WHEN VIKING
TAKES MORE IMAGES
415
00:22:05,448 --> 00:22:07,448
TO VERIFY THE PHENOMENON,
416
00:22:07,448 --> 00:22:10,793
THE DATA GETS BURIED
SOMEWHERE IN THE NASA ARCHIVES.
417
00:22:10,793 --> 00:22:15,137
IT SEEMS, TO ME, KIND
OF IMPOSSIBLE TO LOSE PICTURES.
418
00:22:15,137 --> 00:22:17,620
Narrator: AND THE MYSTERY
OF THE FACE ON MARS
419
00:22:17,620 --> 00:22:20,620
BECOMES A CONSPIRACY THEORY.
420
00:22:20,620 --> 00:22:24,517
IT'S EASY TO SEE WHY SOME PEOPLE
WOULD BECOME SUSPICIOUS.
421
00:22:29,724 --> 00:22:32,689
Narrator: EVER SINCE NASA
FIRST CARRIED MAN INTO SPACE,
422
00:22:32,689 --> 00:22:35,689
THE AGENCY HAS TAKEN
A PURELY SCIENTIFIC APPROACH
423
00:22:35,689 --> 00:22:40,344
TO THE QUESTION OF WHETHER WE
ARE ALONE IN THE UNIVERSE.
424
00:22:40,344 --> 00:22:43,379
ITS SCIENTISTS SUBJECT
ANY POTENTIAL EVIDENCE
425
00:22:43,379 --> 00:22:46,172
TO CAREFUL SCRUTINY
BEFORE RELEASING INFORMATION
426
00:22:46,172 --> 00:22:47,551
TO THE PUBLIC.
427
00:22:47,551 --> 00:22:51,172
BUT SOMETIMES THE PUBLIC
MAKES UP ITS OWN MIND.
428
00:22:54,000 --> 00:22:59,793
JULY 1976, NASA'S
VIKING I LANDER MAKES HISTORY
429
00:22:59,793 --> 00:23:01,689
AS THE FIRST HUMAN SPACECRAFT
430
00:23:01,689 --> 00:23:04,551
TO TOUCH DOWN
ON THE MARTIAN SURFACE.
431
00:23:04,551 --> 00:23:06,344
1,000 MILES UP,
432
00:23:06,344 --> 00:23:08,655
THE VIKING ORBITER
SCANS THE SURFACE
433
00:23:08,655 --> 00:23:13,000
TO FIND LANDING SITES
FOR SUBSEQUENT MARS MISSIONS.
434
00:23:13,000 --> 00:23:15,862
THE IMAGES IT BEAMS BACK
TO SCIENTISTS ON EARTH
435
00:23:15,862 --> 00:23:17,137
SHOW THE RED PLANET
436
00:23:17,137 --> 00:23:19,379
IN UNPRECEDENTED DETAIL.
437
00:23:19,379 --> 00:23:24,482
AND ONE PICTURE SENDS SHOCKWAVES
AROUND THE WORLD.
438
00:23:24,482 --> 00:23:27,379
Rutkowski: WHAT CAME BACK
WAS AN ASTONISHING ARRAY
439
00:23:27,379 --> 00:23:28,931
OF VALLEYS AND MOUNTAINS,
440
00:23:28,931 --> 00:23:32,517
BUT THE MOST PARTICULARLY
INTERESTING FEATURE WAS A FACE
441
00:23:32,517 --> 00:23:35,275
THAT SEEMED TO JUMP
OUT OF THE PHOTOGRAPHS,
442
00:23:35,275 --> 00:23:36,517
LOOKING OUT AT EARTH
443
00:23:36,517 --> 00:23:39,517
AS IF TO SAY, "WE ARE HERE.
WE ARE HERE."
444
00:23:39,517 --> 00:23:40,931
IT LOOKED LIKE A FACE.
445
00:23:40,931 --> 00:23:43,586
YOU COULD SEE EYE SOCKETS,
A NOSE AND A MOUTH STRUCTURE.
446
00:23:43,586 --> 00:23:46,517
Bell: IT'S IMPOSSIBLE
TO LOOK AT THAT PARTICULAR IMAGE
447
00:23:46,517 --> 00:23:49,413
WITHOUT SEEING A HUMAN FACE.
448
00:23:49,413 --> 00:23:52,103
Narrator: NASA ORIGINALLY
RELEASES THE PHOTO OF THE FACE
449
00:23:52,103 --> 00:23:56,517
TO THE PUBLIC TO CAPTURE
INTEREST IN SPACE EXPLORATION.
450
00:23:56,517 --> 00:24:02,413
IT WORKS, PERHAPS BECAUSE
THE DISCOVERY OF A FACE ON MARS
451
00:24:02,413 --> 00:24:05,586
HAD ALREADY BEEN PREDICTED.
452
00:24:05,586 --> 00:24:09,413
ALMOST 20 YEARS BEFORE VIKING
TOOK ITS ICONIC PHOTOGRAPH,
453
00:24:09,413 --> 00:24:11,551
LEGENDARY ARTIST JACK KIRBY
454
00:24:11,551 --> 00:24:16,241
PRODUCED A COMIC BOOK
CALLED "THE FACE ON MARS."
455
00:24:16,241 --> 00:24:18,068
JACK KIRBY'S COMIC BOOK
456
00:24:18,068 --> 00:24:22,413
SPECULATED ON A LONG-DEAD RACE
THAT HAD ERECTED A FACE ON MARS,
457
00:24:22,413 --> 00:24:25,655
WHICH IS WHY WHEN A FACE
ON MARS WAS DISCOVERED,
458
00:24:25,655 --> 00:24:27,793
IT REALLY
RAISED FURTHER SPECULATION
459
00:24:27,793 --> 00:24:30,172
THAT WE'RE NOT ALONE
IN THIS UNIVERSE.
460
00:24:33,724 --> 00:24:35,965
Narrator:
IF THE FACE TRULY IS A MONUMENT,
461
00:24:35,965 --> 00:24:39,551
IT IS SO ENORMOUS,
18 FOOTBALL FIELDS LONG,
462
00:24:39,551 --> 00:24:41,724
THAT IT WOULD BE VIEWABLE
ONLY FROM THE AIR
463
00:24:41,724 --> 00:24:43,655
OR FROM SPACE.
464
00:24:46,586 --> 00:24:48,793
SPECULATION THAT THE FACE
ON MARS
465
00:24:48,793 --> 00:24:51,620
WAS LEFT BEHIND BY CREATURES
THAT USED TO LIVE ON MARS
466
00:24:51,620 --> 00:24:53,758
IS NOT THAT FAR-REACHING.
467
00:24:53,758 --> 00:24:56,965
ON EARTH, WE HAVE THINGS LIKE
STONEHENGE AND THE PYRAMIDS.
468
00:24:56,965 --> 00:24:59,551
THEY'RE VISIBLE FROM THE AIR.
469
00:24:59,551 --> 00:25:03,551
Narrator:
THE PUBLIC INTEREST IN THE FACE
ON MARS TURNS TO FRENZY,
470
00:25:03,551 --> 00:25:06,655
AND VIKING PROGRAM CHIEF
SCIENTIST GERALD SOFFEN
471
00:25:06,655 --> 00:25:09,379
ISSUES A STATEMENT
DISMISSING THE ANOMALY
472
00:25:09,379 --> 00:25:10,724
AS A TRICK OF THE LIGHT.
473
00:25:10,724 --> 00:25:14,344
Palermo: IT MIGHT HAVE FREAKED
THEM OUT A LITTLE BIT.
474
00:25:14,344 --> 00:25:17,344
THEY MIGHT BE JUST NERVOUS ABOUT
WHAT THEY MIGHT HAVE FOUND.
475
00:25:17,344 --> 00:25:19,689
AND NASA GOES, "NO,
IT'S JUST AN IMAGING GLITCH.
476
00:25:19,689 --> 00:25:22,034
OH, THIS AND THAT.
LET'S JUST MOVE ON."
477
00:25:22,034 --> 00:25:24,103
Narrator:
SOME SAY THE FACE ON MARS
478
00:25:24,103 --> 00:25:27,275
IS JUST A CREATION
OF THE HUMAN IMAGINATION.
479
00:25:29,655 --> 00:25:32,172
WE'RE PROGRAMMED AS HUMANS
TO RECOGNIZE FACES.
480
00:25:32,172 --> 00:25:33,172
WE'RE REALLY GOOD AT IT.
481
00:25:33,172 --> 00:25:34,620
YOU KNOW, EVOLUTIONARILY,
482
00:25:34,620 --> 00:25:36,689
IT'S TO OUR ADVANTAGE
TO KNOW WHO'S THE GOOD GUYS
483
00:25:36,689 --> 00:25:38,034
AND WHO'S THE BAD GUYS.
484
00:25:38,034 --> 00:25:39,413
IT'S JUST VERY COMMON,
485
00:25:39,413 --> 00:25:42,724
AND WE SEE FACES ALL THE TIME,
EVERYWHERE.
486
00:25:46,206 --> 00:25:49,103
Narrator:
THE ONLY WAY FOR SCIENTISTS
TO ASCERTAIN THE TRUE NATURE
487
00:25:49,103 --> 00:25:53,344
OF THE ANOMALY
IS TO OBTAIN MORE DATA.
488
00:25:53,344 --> 00:25:55,655
35 DAYS LATER,
THE VIKING ORBITER
489
00:25:55,655 --> 00:25:59,413
MAKES A SECOND PASS
OVER THE CYDONIA REGION OF MARS
490
00:25:59,413 --> 00:26:03,241
AND TAKES ANOTHER PICTURE
OF THE SAME AREA.
491
00:26:03,241 --> 00:26:05,896
AND DESPITE SHOOTING FROM
A COMPLETELY DIFFERENT ANGLE,
492
00:26:05,896 --> 00:26:08,275
THE FACE
IS STILL CLEARLY VISIBLE.
493
00:26:08,275 --> 00:26:10,689
IF YOU LOOK
AT THIS LEFT-HAND IMAGE,
494
00:26:10,689 --> 00:26:13,689
YOU CAN SEE THE FACE
WITH ITS SHADOW.
495
00:26:13,689 --> 00:26:17,206
BUT 35 DAYS LATER, ANOTHER PHOTO
OF THE SAME REGION WAS TAKEN,
496
00:26:17,206 --> 00:26:19,931
AND YOU SEE, AGAIN, THE FACE,
497
00:26:19,931 --> 00:26:21,310
BUT WITH A SLIGHTLY SHORTER
SHADOW,
498
00:26:21,310 --> 00:26:23,827
MEANING THE SUN
WAS AT A DIFFERENT ANGLE.
499
00:26:23,827 --> 00:26:26,827
SO THE QUESTION IS,
ARE THESE NATURALLY OCCURRING
500
00:26:26,827 --> 00:26:29,310
OR ARE THEY ARTIFICIAL?
501
00:26:29,310 --> 00:26:32,034
Narrator: THIS SECOND IMAGE
SEEMS TO OFFER CONFIRMATION
502
00:26:32,034 --> 00:26:35,275
THAT THE FACE ON MARS
IS NOT JUST A TRICK OF THE LIGHT
503
00:26:35,275 --> 00:26:38,103
BECAUSE, IF THE SHAPE
WAS ONLY FORMED BY SHADOWS,
504
00:26:38,103 --> 00:26:40,379
IT WOULD NOT BE VISIBLE
FROM A DIFFERENT ANGLE
505
00:26:40,379 --> 00:26:43,000
IN DIFFERENT LIGHT CONDITIONS.
506
00:26:43,000 --> 00:26:48,379
BUT FOR SOME REASON, THIS IMAGE
DOES NOT REACH THE PUBLIC.
507
00:26:48,379 --> 00:26:50,482
IT ONLY EMERGES
FOUR YEARS LATER,
508
00:26:50,482 --> 00:26:54,379
WHEN TWO IMAGE PROCESSING
EXPERTS CONDUCT THEIR OWN SEARCH
509
00:26:54,379 --> 00:26:57,137
THROUGH OLD MARS MISSION DATA.
510
00:26:57,137 --> 00:26:58,724
WHEN A SECOND IMAGE OF THE FACE
511
00:26:58,724 --> 00:27:02,793
IS DISCOVERED LATER
AMONG SUPPOSEDLY MISFILED DATA,
512
00:27:02,793 --> 00:27:04,827
IT ALL BEGINS TO SMELL
A LITTLE FUNNY.
513
00:27:04,827 --> 00:27:07,551
IT'S TEMPTING TO SPECULATE
THAT THERE'S SOME SORT
514
00:27:07,551 --> 00:27:10,586
OF CONSPIRACY TO KEEP THE TRUTH
FROM THE PUBLIC.
515
00:27:10,586 --> 00:27:14,344
Narrator:
NASA MAINTAINS THAT THE IMAGES
WERE AVAILABLE TO THE PUBLIC,
516
00:27:14,344 --> 00:27:15,965
BUT THE METHODS OF ARCHIVING
517
00:27:15,965 --> 00:27:19,586
AND PRESERVATION MAY HAVE MADE
THEM HARD TO ACCESS.
518
00:27:19,586 --> 00:27:21,000
THEY ALL GET STORED ON TAPES.
519
00:27:21,000 --> 00:27:23,103
MULTIPLE COPIES
OF TAPES GET MADE.
520
00:27:23,103 --> 00:27:26,379
THEY GET ARCHIVED
IN MULTIPLE LOCATIONS.
521
00:27:26,379 --> 00:27:31,551
IT SEEMS, TO ME, KIND
OF IMPOSSIBLE TO LOSE PICTURES.
522
00:27:31,551 --> 00:27:33,206
Narrator:
FOR MORE THAN 20 YEARS,
523
00:27:33,206 --> 00:27:36,793
CONSPIRACY THEORISTS
ACCUSE NASA OF IGNORING DEMANDS
524
00:27:36,793 --> 00:27:39,448
FOR FURTHER INVESTIGATION
OF THE FACE.
525
00:27:39,448 --> 00:27:44,068
BUT IN 1998, A SPOKESMAN
FOR THE MARS EXPLORATION PROGRAM
526
00:27:44,068 --> 00:27:46,379
MAKES A SURPRISE ANNOUNCEMENT.
527
00:27:46,379 --> 00:27:49,103
JIM GARVIN,
WHO WAS A SENIOR SCIENTIST
528
00:27:49,103 --> 00:27:51,620
ON THE MISSION TO EXPLORE MARS,
529
00:27:51,620 --> 00:27:55,758
SAID THAT THE FACE ON MARS
WAS THE NUMBER-ONE PRIORITY.
530
00:27:55,758 --> 00:27:59,000
Narrator: NASA'S WILLINGNESS
TO EXPEND VALUABLE RESOURCES
531
00:27:59,000 --> 00:28:02,103
ON SOMETHING THEY'VE ALREADY
DISMISSED AS UNIMPORTANT
532
00:28:02,103 --> 00:28:05,724
AROUSES SUSPICION
IN SOME QUARTERS.
533
00:28:05,724 --> 00:28:07,103
WHAT WAS THE SIGNIFICANCE?
534
00:28:07,103 --> 00:28:09,137
WHY WAS IT GOING
TO SUCH EXTRAORDINARY LENGTHS
535
00:28:09,137 --> 00:28:10,586
TO LOOK AT THIS FACE?
536
00:28:10,586 --> 00:28:12,517
PERHAPS NASA BELIEVED, ITSELF,
537
00:28:12,517 --> 00:28:16,344
THAT THIS WAS AN ARTIFICIAL
CONSTRUCT OF SOME SORT.
538
00:28:16,344 --> 00:28:17,862
Narrator:
EVEN THOUGH THE RESOLUTION
539
00:28:17,862 --> 00:28:21,137
IS 10 TIMES SHARPER
THAN IN THE 1970s,
540
00:28:21,137 --> 00:28:24,896
NASA'S 1998 PHOTOGRAPH
DOESN'T PROVIDE AN ANSWER
541
00:28:24,896 --> 00:28:28,344
TO THE MYSTERY
THAT SATISFIES EVERYONE.
542
00:28:28,344 --> 00:28:33,172
SOME PEOPLE ARE SUGGESTING
THAT NASA DOCTORED THE IMAGE
543
00:28:33,172 --> 00:28:37,172
TO HIDE THE FACE ON MARS.
544
00:28:37,172 --> 00:28:39,068
D'Antonio: IT WAS TAKEN
DURING THE MARTIAN WINTER.
545
00:28:39,068 --> 00:28:40,172
THERE WAS SOME CLOUD COVER
546
00:28:40,172 --> 00:28:42,620
THAT WAS OBSCURING A FEW
OF THE DETAILS,
547
00:28:42,620 --> 00:28:45,137
AND THE LIGHT
AND THE PHOTO ITSELF
548
00:28:45,137 --> 00:28:47,827
ARE FROM SLIGHTLY
DIFFERENT ANGLES.
549
00:28:47,827 --> 00:28:53,482
SO IT WASN'T A DIRECT COMPARISON
TO THE PREVIOUS PHOTOS.
550
00:28:53,482 --> 00:28:54,827
Narrator: IN 2001,
551
00:28:54,827 --> 00:28:58,344
NASA MAKES A FINAL ATTEMPT
TO SOLVE THE MYSTERY.
552
00:28:58,344 --> 00:29:00,551
THE MARS GLOBAL SURVEYOR PROBE
553
00:29:00,551 --> 00:29:03,965
TAKES ANOTHER IMAGE
FROM DIRECTLY OVERHEAD.
554
00:29:07,241 --> 00:29:10,000
NASA BROKE DOWN
TO PUBLIC DEMAND.
555
00:29:10,000 --> 00:29:12,586
THEY FINALLY JUST
TASKED THE SATELLITE
556
00:29:12,586 --> 00:29:16,413
TO TAKE AN EXACT,
CLOSE-UP IMAGE OF THAT AREA.
557
00:29:16,413 --> 00:29:19,137
Narrator: NASA TECHNICIANS
MERGE THE LATER SHOT
558
00:29:19,137 --> 00:29:23,655
WITH THE PREVIOUS IMAGES TO
BUILD A THREE-DIMENSIONAL MODEL.
559
00:29:23,655 --> 00:29:25,448
TAKE THOSE IMAGES
OF DIFFERENT PERSPECTIVE,
560
00:29:25,448 --> 00:29:26,862
PUT THEM INTO A COMPUTER.
561
00:29:26,862 --> 00:29:30,413
YOU CAN GO FROM THIS IS
A FLAT THING ON A PIECE OF PAPER
562
00:29:30,413 --> 00:29:32,448
SEEN IN THE 1970s.
563
00:29:32,448 --> 00:29:34,965
NOW IT'S REAL.
564
00:29:34,965 --> 00:29:38,482
Narrator: NASA'S 3-D IMAGE
PROVIDES CONCLUSIVE PROOF
565
00:29:38,482 --> 00:29:43,413
THAT THE FACE ON MARS
ISN'T A FACE AT ALL.
566
00:29:43,413 --> 00:29:47,586
IN FACT,
IT IS A BEAUTIFUL MOUNTAIN,
567
00:29:47,586 --> 00:29:51,310
A GEOLOGIC FEATURE
WITH ERODING SLOPES.
568
00:29:51,310 --> 00:29:53,862
Narrator: ULTIMATELY,
THE MYSTERY OF THE FACE ON MARS
569
00:29:53,862 --> 00:29:56,172
WAS THE PRODUCT
OF PRIMITIVE IMAGING TECHNIQUES
570
00:29:56,172 --> 00:29:59,275
FROM THE EARLY DAYS
OF SPACE EXPLORATION.
571
00:30:01,793 --> 00:30:05,586
TODAY, WE HAVE HIGH-DEFINITION
IMAGES BEAMED FROM ROBOTS
572
00:30:05,586 --> 00:30:07,827
ON THE SURFACE
OF THE RED PLANET,
573
00:30:07,827 --> 00:30:12,344
AND YET WE STILL FIND MYSTERIES
THERE WE CANNOT EXPLAIN.
574
00:30:13,862 --> 00:30:17,103
STILL TO COME, SOMETHING
IS MOVING ON THE SURFACE
575
00:30:17,103 --> 00:30:19,931
OF THE SUPPOSEDLY DEAD PLANET.
576
00:30:22,896 --> 00:30:24,827
ONE MOMENT
IT WASN'T THERE YET,
577
00:30:24,827 --> 00:30:26,586
AND THEN THE NEXT MOMENT
IT'S THERE.
578
00:30:26,586 --> 00:30:27,896
WHO PUT IT THERE?
579
00:30:38,827 --> 00:30:41,689
Narrator:
WHEN NASA'S OPPORTUNITY ROVER
PHOTOGRAPHED SOMETHING
580
00:30:41,689 --> 00:30:43,965
EXTRAORDINARY
ON THE MARTIAN SURFACE...
581
00:30:43,965 --> 00:30:45,344
SO, HERE, YOU HAVE ON THE GROUND
582
00:30:45,344 --> 00:30:48,827
A LUMP THAT SOMEHOW IS SHAPED
LIKE A JELLY DOUGHNUT.
583
00:30:48,827 --> 00:30:51,931
Narrator: ...THE DISCOVERY
CREATES WORLDWIDE CONFUSION.
584
00:30:51,931 --> 00:30:56,275
THE JELLY DOUGHNUT IS, INDEED,
A BIT OF A MYSTERY.
585
00:30:56,275 --> 00:30:58,379
Lee: ONE MOMENT
IT WASN'T THERE YET,
586
00:30:58,379 --> 00:31:00,413
AND THEN THE NEXT MOMENT
IT'S THERE.
587
00:31:06,310 --> 00:31:09,931
Narrator:
APART FROM OUR OWN PLANET,
THERE IS NOWHERE IN THE UNIVERSE
588
00:31:09,931 --> 00:31:13,034
WE KNOW BETTER THAN THE SURFACE
OF MARS...
589
00:31:15,344 --> 00:31:19,965
...BUT THIS SUPPOSEDLY DEAD
WORLD CAN STILL SURPRISE US.
590
00:31:25,517 --> 00:31:30,137
JANUARY 8, 2014,
THE OPPORTUNITY ROVER
591
00:31:30,137 --> 00:31:36,000
HAS SPENT 10 YEARS SCOURING
THE RED PLANET FOR MINERALS.
592
00:31:36,000 --> 00:31:37,413
AS IT CROSSES THE RIDGE
593
00:31:37,413 --> 00:31:40,793
ON THE EDGE OF THE 14-MILE-WIDE
ENDEAVOR CRATER,
594
00:31:40,793 --> 00:31:43,931
IT SPOTS SOMETHING CONFUSING.
595
00:31:43,931 --> 00:31:46,000
WE TOOK SOME COLOR PICTURES
OF IT,
596
00:31:46,000 --> 00:31:47,724
AND THAT'S WHERE THE JELLY
DOUGHNUT CAME FROM.
597
00:31:47,724 --> 00:31:50,379
KIND OF ROUND,
ABOUT DOUGHNUT SIZE
598
00:31:50,379 --> 00:31:55,965
WITH THIS, YOU KNOW, REDDISH,
PURPLISH DIMPLE IN THE MIDDLE.
599
00:31:55,965 --> 00:31:58,068
Narrator:
THE UNIDENTIFIED OBJECT
600
00:31:58,068 --> 00:32:01,551
LOOKS LIKE NOTHING ELSE
EVER SEEN ON MARS.
601
00:32:01,551 --> 00:32:03,551
BUT WHEN SCIENTISTS LOOK
AT PHOTOGRAPHS
602
00:32:03,551 --> 00:32:05,931
OF THE SAME PATCH OF GROUND
FROM 12 DAYS EARLIER,
603
00:32:05,931 --> 00:32:09,620
THE ODDITY
EVOLVES INTO A MYSTERY.
604
00:32:12,413 --> 00:32:14,241
AT THE EXACT SAME SPOT,
605
00:32:14,241 --> 00:32:17,896
THERE WAS NO JELLY DOUGHNUT.
606
00:32:17,896 --> 00:32:20,827
Bell:
THE REASON THAT IT'S INTERESTING
TO SEE THINGS MOVE ON MARS
607
00:32:20,827 --> 00:32:24,344
IS BECAUSE
IT HARDLY EVER HAPPENS.
608
00:32:24,344 --> 00:32:27,034
THE JELLY DOUGHNUT
WAS CERTAINLY NOT THERE,
609
00:32:27,034 --> 00:32:30,655
AND THEN IT WAS THERE.
610
00:32:30,655 --> 00:32:33,310
Bell: THE MOST INTERESTING THING
THAT'S HAPPENED IN THIS PLACE
611
00:32:33,310 --> 00:32:35,724
IN THE PAST 2 BILLION YEARS,
AT LEAST,
612
00:32:35,724 --> 00:32:37,620
IS THE ROVER DRIVING PAST.
613
00:32:37,620 --> 00:32:40,448
THAT'S THE MOST ACTIVITY
THAT'S HAPPENED THERE.
614
00:32:40,448 --> 00:32:42,896
MY FIRST IDEA WHEN I --
WHEN I SAW THIS WAS,
615
00:32:42,896 --> 00:32:46,862
MAYBE A MARTIAN JUST PUT IT
THERE AS, "HEY, HERE WE ARE."
616
00:32:46,862 --> 00:32:50,275
Narrator:
WHEN NASA DOES NOT OFFER
A SATISFACTORY EXPLANATION,
617
00:32:50,275 --> 00:32:52,310
SPECULATION MOUNTS.
618
00:32:52,310 --> 00:32:54,310
IS THE DOUGHNUT ORGANIC LIFE,
619
00:32:54,310 --> 00:32:58,448
A FUNGUS OR PLANT
GROWN OUT OF THE MARTIAN SOIL?
620
00:32:58,448 --> 00:33:01,896
ONE CONTROVERSIAL SCIENCE WRITER
EVEN FILES A LAWSUIT
621
00:33:01,896 --> 00:33:05,482
THAT PUSHES NASA TO EXAMINE
THE OBJECT MORE CLOSELY.
622
00:33:08,413 --> 00:33:10,620
AND SEVERAL
LEADING SCIENTISTS AGREE
623
00:33:10,620 --> 00:33:14,172
THAT THE STRANGE OBJECT
MERITS INVESTIGATION.
624
00:33:14,172 --> 00:33:17,034
I'VE BEEN A FOSSIL HUNTER
FOR MANY, MANY YEARS,
625
00:33:17,034 --> 00:33:19,137
AND WHEN I GO OUT
HUNTING FOSSILS,
626
00:33:19,137 --> 00:33:21,172
I SEE THOUSANDS
AND THOUSANDS OF ROCKS.
627
00:33:21,172 --> 00:33:23,344
BUT WHEN I SEE ONE
THAT LOOKS INTERESTING,
628
00:33:23,344 --> 00:33:25,862
I SAY, "STOP WHAT YOU'RE DOING.
629
00:33:25,862 --> 00:33:29,793
WAIT A MINUTE. I'VE GOT
TO EXAMINE THIS IN DETAIL."
630
00:33:29,793 --> 00:33:33,931
I CAN'T SAY THAT NASA DIDN'T
STUDY THIS ROCK IN DETAIL,
631
00:33:33,931 --> 00:33:37,275
BUT IF IT WERE STUDIED
IN DETAIL, THEN THAT
632
00:33:37,275 --> 00:33:39,413
SHOULD HAVE BEEN THE SUBJECT
OF A SCIENTIFIC PAPER.
633
00:33:39,413 --> 00:33:41,655
I -- YOU KNOW, I DON'T HAVE
ANY COMMENT ON ANY LAWSUITS,
634
00:33:41,655 --> 00:33:44,689
BUT I THINK IT'S --
IT'S ONLY NATURAL
635
00:33:44,689 --> 00:33:47,206
FOR THE PUBLIC
TO BE CURIOUS ABOUT THIS.
636
00:33:47,206 --> 00:33:50,689
IT REALLY WAS SOMETHING
THAT IS AMBIGUOUS.
637
00:33:50,689 --> 00:33:53,344
Narrator: NASA IS INITIALLY
UNABLE TO EXPLAIN
638
00:33:53,344 --> 00:33:56,137
HOW THE MYSTERIOUS ROCK
COULD HAVE MOVED.
639
00:33:56,137 --> 00:33:58,793
FORMER NASA SCIENTIST
RICHARD HOOVER
640
00:33:58,793 --> 00:34:00,206
HAS HIS OWN THEORY.
641
00:34:00,206 --> 00:34:02,482
Hoover: IT'S PROBABLY PART
OF A METEORITE
642
00:34:02,482 --> 00:34:05,586
THAT CAME IN AND LANDED
ON THE SURFACE OF MARS
643
00:34:05,586 --> 00:34:07,379
AND BROKE INTO PIECES.
644
00:34:12,896 --> 00:34:14,379
AND ONE OF THE PIECES
645
00:34:14,379 --> 00:34:17,482
HAPPENED TO LAND
RELATIVELY CLOSE TO THE ROVER.
646
00:34:17,482 --> 00:34:20,206
Narrator: WHILE HOOVER'S THEORY
IS PLAUSIBLE,
647
00:34:20,206 --> 00:34:22,482
THERE IS NO CORROBORATING
EVIDENCE AVAILABLE.
648
00:34:22,482 --> 00:34:25,310
Bell: THE ROVER DOESN'T HAVE
ANY KIND OF A SEISMOGRAPH.
649
00:34:25,310 --> 00:34:26,482
THERE'S NO WAY TO --
650
00:34:26,482 --> 00:34:30,724
UNLESS WE VISUALLY SAW
A NEW CRATER APPEAR,
651
00:34:30,724 --> 00:34:34,413
THAT'S THE ONLY WAY
WE'D BE ABLE TO DETECT IT.
652
00:34:34,413 --> 00:34:37,103
Narrator: WHEN NASA DOES MAKE
AN OFFICIAL STATEMENT,
653
00:34:37,103 --> 00:34:40,103
IT SUGGESTS THE JELLY DOUGHNUT
IS A ROCK
654
00:34:40,103 --> 00:34:43,103
DISLODGED
FROM THE ROVER'S WHEEL.
655
00:34:43,103 --> 00:34:45,517
THE OPPORTUNITY ROVER
DID A -- A KIND OF A PIROUETTE.
656
00:34:45,517 --> 00:34:47,137
AND WE THINK THAT,
657
00:34:47,137 --> 00:34:49,862
IN THE PROCESS OF THAT WHEEL
MOVING ACROSS THE GROUND,
658
00:34:49,862 --> 00:34:51,517
THAT WE KIND
OF FLICKED THIS ROCK
659
00:34:51,517 --> 00:34:54,000
AND KIND OF TIDDLY-WINKED IT
OUT OF THE GROUND AND THAT IT --
660
00:34:54,000 --> 00:34:57,068
IT MOVED TO THE LOCATION THERE,
WHERE WE SEE IT.
661
00:34:57,068 --> 00:34:58,620
Lee: I CAN TELL YOU THAT,
662
00:34:58,620 --> 00:35:02,724
HAVING DRIVEN JEEPS AND ROVERS
ACROSS DESERTS ON THE EARTH,
663
00:35:02,724 --> 00:35:05,275
IT ACTUALLY DIDN'T SURPRISE
ME AT ALL.
664
00:35:05,275 --> 00:35:07,206
Bell: WHAT WE THINK HAPPENED
IS IT CRUSHED THE ROCK,
665
00:35:07,206 --> 00:35:09,620
AND SOME OF THE ROCK WENT
INTO THE WHEEL WELL, YOU KNOW,
666
00:35:09,620 --> 00:35:11,310
LIKE IN YOUR WASHING MACHINE,
667
00:35:11,310 --> 00:35:15,517
KIND OF GETTING MIXED AROUND
BEFORE IT EVENTUALLY CAME OUT.
668
00:35:15,517 --> 00:35:19,000
Narrator:
BUT EVEN IF THE WHEEL THEORY
IS CORRECT, NASA SCIENTISTS
669
00:35:19,000 --> 00:35:23,310
ADMIT THAT THE JELLY DOUGHNUT
STILL POSES OTHER QUESTIONS.
670
00:35:23,310 --> 00:35:25,965
OUTSIDE, IT'S GOT KIND
OF A WEIRD, DEEP, RED COLOR,
671
00:35:25,965 --> 00:35:27,586
NOT A MARTIAN KIND OF RED.
672
00:35:27,586 --> 00:35:31,172
WE'RE SEEING
A STRANGE COMPOSITION.
673
00:35:31,172 --> 00:35:34,724
NO ONE HAS EVER PUBLISHED
ANY SCIENTIFIC DETAILS
674
00:35:34,724 --> 00:35:36,862
OF WHAT WAS
THE CHEMICAL COMPOSITION,
675
00:35:36,862 --> 00:35:40,068
WHAT WAS THE NATURE
OF THE REDDISH INTERIOR.
676
00:35:40,068 --> 00:35:42,000
THESE ARE THE KINDS OF QUESTIONS
677
00:35:42,000 --> 00:35:44,310
THAT THE BIOLOGISTS
WANT TO KNOW,
678
00:35:44,310 --> 00:35:47,310
TO THINK ABOUT
WAS IT A HABITABLE ENVIRONMENT.
679
00:35:49,586 --> 00:35:50,896
Narrator: IF NOTHING ELSE,
680
00:35:50,896 --> 00:35:53,517
THE JELLY DOUGHNUT
PROVES THAT THERE IS STILL MUCH
681
00:35:53,517 --> 00:35:57,034
WE DO NOT UNDERSTAND
ABOUT THE RED PLANET.
682
00:35:57,034 --> 00:35:59,586
BUT WE DO NOT NEED
TO TRAVEL TO DISTANT WORLDS
683
00:35:59,586 --> 00:36:01,137
TO FIND MYSTERIES.
684
00:36:01,137 --> 00:36:06,655
SOME OF THE STRANGEST EVENTS
HAPPEN IN NASA'S OWN BACKYARD.
685
00:36:06,655 --> 00:36:10,310
All:
THREE, TWO, ONE, ZERO.
686
00:36:10,310 --> 00:36:11,689
Narrator: STILL TO COME,
687
00:36:11,689 --> 00:36:16,379
AS NASA PREPARES TO LAUNCH
A REVOLUTIONARY SPACE PROBE,
688
00:36:16,379 --> 00:36:18,103
SOMETHING BIZARRE HAPPENS
689
00:36:18,103 --> 00:36:20,344
IN THE SKIES
OVER CAPE CANAVERAL.
690
00:36:31,931 --> 00:36:36,827
Man: LIFTOFF OF THE ATLAS V WITH
THE SOLAR DYNAMICS OBSERVATORY.
691
00:36:36,827 --> 00:36:38,862
Narrator:
AS A NASA ROCKET BLASTS OFF,
692
00:36:38,862 --> 00:36:42,448
A SERIES OF FREAK WEATHER EVENTS
HITS THE LAUNCH SITE.
693
00:36:42,448 --> 00:36:45,655
YOU DON'T NORMALLY SEE THIS SORT
OF THING AT A ROCKET LAUNCH.
694
00:36:45,655 --> 00:36:47,551
Narrator:
AND AS THE ROCKET GETS HIGHER,
695
00:36:47,551 --> 00:36:51,551
THE SKIES ABOVE CAPE CANAVERAL
KEEP GETTING STRANGER.
696
00:36:51,551 --> 00:36:55,586
IT WAS QUITE UNIQUE
AND UNEXPECTED.
697
00:36:55,586 --> 00:36:58,689
THIS IS LIKE A SCI-FI MOVIE,
EXCEPT IT'S REAL LIFE.
698
00:36:58,689 --> 00:37:00,551
IT'S REALLY HAPPENING.
699
00:37:06,896 --> 00:37:11,000
Narrator:
CAPE CANAVERAL AIR FORCE
STATION, FEBRUARY 11, 2010.
700
00:37:12,344 --> 00:37:15,172
AN ATLAS V ROCKET WAITS
FOR A BREAK IN THE WEATHER
701
00:37:15,172 --> 00:37:18,448
ABOVE SPACE LAUNCH COMPLEX 41.
702
00:37:18,448 --> 00:37:20,827
IT CARRIES A PRECIOUS PAYLOAD --
703
00:37:20,827 --> 00:37:26,103
NASA'S $850 MILLION
SOLAR DYNAMICS OBSERVATORY.
704
00:37:26,103 --> 00:37:30,000
THE SATELLITE PROMISES TO BEAM
BACK 50 TIMES MORE DATA
705
00:37:30,000 --> 00:37:32,517
THAN ANY MISSION
IN NASA'S HISTORY,
706
00:37:32,517 --> 00:37:37,517
UNLOCKING THE SECRETS
OF OUR NEAREST STAR.
707
00:37:37,517 --> 00:37:39,137
Orwall: IT'S A BEAUTIFUL
WINTER'S MORNING,
708
00:37:39,137 --> 00:37:40,586
LIGHT CLOUDS IN THE SKY.
709
00:37:40,586 --> 00:37:43,103
IT'S A GORGEOUS DAY
FOR A ROCKET LAUNCH.
710
00:37:43,103 --> 00:37:46,413
Man: T-MINUS 15 SECONDS.
711
00:37:46,413 --> 00:37:49,034
Narrator: ROMEO DURSCHER,
THE SDO'S EDUCATION
712
00:37:49,034 --> 00:37:53,275
AND OUTREACH MANAGER,
FILMS THE LAUNCH.
713
00:37:53,275 --> 00:37:56,758
THIS WAS THE MISSION I HAD BEEN
WORKING ON FROM DAY ONE,
714
00:37:56,758 --> 00:38:00,000
SO THERE WAS A LOT OF EXCITEMENT
ON MY PART TO BE THERE
715
00:38:00,000 --> 00:38:06,275
AND SEE OUR PROJECT FINALLY
LIFT OFF AND TAKE TO THE SKIES.
716
00:38:06,275 --> 00:38:09,068
All:
THREE, TWO, ONE, ZERO.
717
00:38:09,068 --> 00:38:13,862
Man: AND IGNITION AND LIFTOFF
OF THE ATLAS V.
718
00:38:13,862 --> 00:38:17,068
Narrator:
FOR DURSCHER AND HIS COLLEAGUES
ON THE OBSERVATORY PROGRAM,
719
00:38:17,068 --> 00:38:21,965
THIS MOMENT SHOULD BE THE
CULMINATION OF YEARS OF WORK.
720
00:38:21,965 --> 00:38:23,896
BUT THE CROWD
DOESN'T GET THE SPECTACLE
721
00:38:23,896 --> 00:38:27,172
THEY WERE EXPECTING TO SEE.
722
00:38:27,172 --> 00:38:30,172
I WAS LOOKING THROUGH
THE VIEWFINDER OF MY CAMERA
723
00:38:30,172 --> 00:38:33,586
WHEN I HEAR THE -- THE CROWD
GO, "WOW."
724
00:38:33,586 --> 00:38:36,724
[ CROWD MURMURING ]
725
00:38:36,724 --> 00:38:39,344
EVERYBODY WAS SAYING
HOW INCREDIBLE THIS WAS,
726
00:38:39,344 --> 00:38:43,896
AND PEOPLE WHO HAD SEEN
40, 50, 60 LAUNCHES
727
00:38:43,896 --> 00:38:47,137
HAD NEVER SEEN
ANYTHING LIKE THAT BEFORE.
728
00:38:47,137 --> 00:38:49,000
PEOPLE LOOK UP AND SEE
THIS PORTION OF THE SKY
729
00:38:49,000 --> 00:38:52,068
WHERE THERE'S A SPECTRUM
OF JUST GORGEOUS COLORS.
730
00:38:52,068 --> 00:38:55,413
YOU SEE THE YELLOW.
YOU SEE SOME GREEN AND ORANGE.
731
00:38:55,413 --> 00:38:57,310
IT LOOKS LIKE A DIAMOND
IN THE SKY.
732
00:38:59,862 --> 00:39:02,827
Narrator: THE MANIFESTATION
OF THE WEIRD RAINBOW PHENOMENON
733
00:39:02,827 --> 00:39:05,034
RIGHT ABOVE
AN ACTIVE ROCKET-LAUNCH SITE
734
00:39:05,034 --> 00:39:07,551
IS ALMOST UNHEARD OF.
735
00:39:07,551 --> 00:39:10,068
ANYTHING THAT POSES A THREAT
TO THE SPACECRAFT
736
00:39:10,068 --> 00:39:13,586
COULD TRIGGER AN ABORT,
EVEN AFTER LAUNCH.
737
00:39:18,655 --> 00:39:21,206
MISSION CONTROL
IGNORES THE PHENOMENON
738
00:39:21,206 --> 00:39:23,172
AND THE LAUNCH CONTINUES.
739
00:39:23,172 --> 00:39:25,448
BUT AS THE ROCKET
GOES SUPERSONIC...
740
00:39:27,689 --> 00:39:31,275
...THE SKIES AROUND IT
BECOME EVEN STRANGER.
741
00:39:31,275 --> 00:39:33,862
Kelley: YOU CAN SEE
CONCENTRIC CIRCLES WAVE
742
00:39:33,862 --> 00:39:35,793
AS IT WENT OUT,
ONE AFTER THE OTHER,
743
00:39:35,793 --> 00:39:38,655
JUST LIKE THROWING A PEBBLE
IN A POND.
744
00:39:38,655 --> 00:39:41,103
Durscher: THE RIPPLES LOOKED,
AT FIRST, VERY SMALL,
745
00:39:41,103 --> 00:39:45,206
BUT THEY QUICKLY
BECAME BIGGER AND BIGGER.
746
00:39:45,206 --> 00:39:50,620
I'M THINKING,
"SOMETHING IS NOT RIGHT HERE."
747
00:39:50,620 --> 00:39:55,172
WE'RE LOOKING AT THIS, NOT QUITE
KNOWING WHAT WE'RE WITNESSING.
748
00:39:55,172 --> 00:39:57,172
Narrator: JUST AS IT SEEMS
AS IF THE LAUNCH
749
00:39:57,172 --> 00:40:00,517
OF THE SOLAR DYNAMICS
OBSERVATORY MUST BE CURSED,
750
00:40:00,517 --> 00:40:01,793
THE WATCHING CROWDS
751
00:40:01,793 --> 00:40:06,862
SEE YET ANOTHER STRANGE
PHENOMENON IN THE SKY.
752
00:40:06,862 --> 00:40:09,931
DURSCHER CAPTURES THE MOMENT
ON CAMERA.
753
00:40:09,931 --> 00:40:13,379
THERE WAS A -- A KIND
OF LIKE A WHITE BEAM OF LIGHT
754
00:40:13,379 --> 00:40:16,310
THAT APPEARED
TO FOLLOW THE ROCKET.
755
00:40:16,310 --> 00:40:20,000
WHATEVER IT IS, IT'S TRAVELING
AT INCREDIBLE SPEED.
756
00:40:20,000 --> 00:40:22,379
NORMALLY LIGHT EFFECTS
HANG IN THE SKY.
757
00:40:22,379 --> 00:40:23,827
THEY'RE NOT CHANGING.
758
00:40:23,827 --> 00:40:26,413
THIS LIGHT FOLLOWS THE ROCKET
UPWARDS.
759
00:40:26,413 --> 00:40:30,034
IT'S SOMETHING I'VE NEVER SEEN
IN THE SKY BEFORE.
760
00:40:30,034 --> 00:40:33,000
Narrator:
FACED WITH SUCH A FREAK EVENT
COMING OFF THE BACK
761
00:40:33,000 --> 00:40:35,586
OF AN UNPRECEDENTED SERIES
OF PHENOMENON,
762
00:40:35,586 --> 00:40:39,896
SCIENTISTS SEARCH
FOR AN EXPLANATION.
763
00:40:39,896 --> 00:40:42,241
THEY THEORIZE
THAT THE FIRST PHENOMENON,
764
00:40:42,241 --> 00:40:45,137
A MULTI-COLORED APPARITION
ABOVE THE LAUNCH SITE,
765
00:40:45,137 --> 00:40:48,241
COULD BE RELATED TO THE WEATHER
CONDITIONS ON THAT DAY.
766
00:40:48,241 --> 00:40:51,413
IT LOOKS LIKE A PATCH
OF A RAINBOW,
767
00:40:51,413 --> 00:40:53,344
BUT IN FACT
IS NOT A RAINBOW AT ALL.
768
00:40:53,344 --> 00:40:55,344
IT'S KNOWN AS A SUNDOG.
769
00:40:55,344 --> 00:40:57,344
IT'S ESSENTIALLY THE SAME THING
AS A RAINBOW,
770
00:40:57,344 --> 00:40:59,172
EXCEPT INSTEAD OF WATER VAPOR
771
00:40:59,172 --> 00:41:01,206
OR WATER DROPLETS,
IT'S ICE CRYSTALS.
772
00:41:01,206 --> 00:41:04,517
AND SO YOU HAVE THESE DANCING
COLORS IN THE SKY.
773
00:41:04,517 --> 00:41:07,793
Narrator:
SUNDOGS ARE PERHAPS THE MOST
SPECTACULAR MANIFESTATION
774
00:41:07,793 --> 00:41:09,965
OF A GROUP
OF ATMOSPHERIC PHENOMENON
775
00:41:09,965 --> 00:41:14,034
KNOWN TO WEATHER SCIENTISTS
AS ICE HALOS.
776
00:41:14,034 --> 00:41:17,172
HALO PHENOMENA CAN RESULT
WHEN THE SUNLIGHT
777
00:41:17,172 --> 00:41:21,689
PASSES THROUGH COUNTLESS
MINUSCULE CRYSTALS OF ICE
778
00:41:21,689 --> 00:41:23,068
UP IN HIGH CLOUDS,
779
00:41:23,068 --> 00:41:25,827
WHICH EACH ACT
LIKE TINY PRISMS
780
00:41:25,827 --> 00:41:28,827
THAT GLINT
THE SUNLIGHT TOWARDS YOU.
781
00:41:28,827 --> 00:41:32,517
Narrator:
FOOTAGE FROM PREVIOUS LAUNCHES
REVEALS THE SECOND PHENOMENON,
782
00:41:32,517 --> 00:41:34,793
THE STRANGE RIPPLING EFFECT
IN THE SKY,
783
00:41:34,793 --> 00:41:36,413
HAS BEEN SEEN BEFORE.
784
00:41:36,413 --> 00:41:40,620
BUT ITS INTERACTION WITH
THE SUNDOG IS HIGHLY UNUSUAL.
785
00:41:40,620 --> 00:41:42,724
WHAT'S ACTUALLY HAPPENING
IS THAT THE ROCKET
786
00:41:42,724 --> 00:41:45,275
IS ACHIEVING MAX Q,
THE MAXIMUM DYNAMIC PRESSURE,
787
00:41:45,275 --> 00:41:47,517
THE GREATEST RESISTANCE
IN THE ATMOSPHERE,
788
00:41:47,517 --> 00:41:49,137
AS IT'S MOVING UPWARDS.
789
00:41:52,172 --> 00:41:53,827
BAM.
THEY HIT THE SUNDOG,
790
00:41:53,827 --> 00:41:56,344
AND IT JUST DISAPPEARS.
791
00:41:56,344 --> 00:41:59,206
Narrator:
AND WEATHER SCIENTISTS BELIEVE
THAT THE FINAL PHENOMENON,
792
00:41:59,206 --> 00:42:01,344
THE BEAM OF LIGHT
THAT PRECEDES THE ROCKET,
793
00:42:01,344 --> 00:42:06,034
COULD ALSO BE A PREVIOUSLY
UNDISCOVERED OPTICAL EFFECT.
794
00:42:06,034 --> 00:42:07,827
AS THE ROCKET
FLIES THROUGH THE ATMOSPHERE,
795
00:42:07,827 --> 00:42:09,068
IT'S SUPERSONIC,
796
00:42:09,068 --> 00:42:11,413
AND IT HAS TO TELL
THE ATMOSPHERE AHEAD OF IT
797
00:42:11,413 --> 00:42:14,344
THAT IT'S COMING,
SO IT CREATES A SHOCK FRONT.
798
00:42:14,344 --> 00:42:18,206
AND THAT SHOCK FRONT WILL THEN
TRAIL OFF BEHIND THE ROCKET,
799
00:42:18,206 --> 00:42:20,655
JUST LIKE THE WAKE OF A BOAT.
800
00:42:20,655 --> 00:42:22,275
Narrator:
THE RAPID APPEARANCE
801
00:42:22,275 --> 00:42:24,137
OF A NEVER-BEFORE-SEEN
LIGHT EFFECT
802
00:42:24,137 --> 00:42:27,896
RIGHT AFTER TWO OTHER
STRANGE ATMOSPHERIC PHENOMENON
803
00:42:27,896 --> 00:42:31,482
MAY NOT BE A COINCIDENCE.
804
00:42:31,482 --> 00:42:36,344
WHATEVER THE CAUSE OF THIS
STRANGE SERIES OF EVENTS WAS,
805
00:42:36,344 --> 00:42:38,344
IT DID NOT PREVENT
THE SUCCESSFUL DEPLOYMENT
806
00:42:38,344 --> 00:42:41,551
OF THE SOLAR DYNAMICS
OBSERVATORY.
807
00:42:41,551 --> 00:42:43,793
IT CONTINUES TO PROBE
THE MYSTERIES
808
00:42:43,793 --> 00:42:47,000
OF OUR NEAREST STAR.
809
00:42:47,000 --> 00:42:50,068
DECADES AFTER MAN FIRST SET FOOT
ON THE MOON,
810
00:42:50,068 --> 00:42:54,413
THE APOLLO MISSIONS
CONTINUE TO SHOCK AND ASTONISH.
811
00:42:54,413 --> 00:42:57,137
AS WE BUILD UPON THE LESSONS
OF THE PAST,
812
00:42:57,137 --> 00:43:01,793
NEW DISCOVERIES BRING WITH THEM
FRESH CHALLENGES.
813
00:43:01,793 --> 00:43:07,551
A NEW ERA OF SPACE EXPLORATION
RAISES EXCITING QUESTIONS,
814
00:43:07,551 --> 00:43:11,103
AND THE ANSWERS
JUST MIGHT CHANGE EVERYTHING.
815
00:43:11,103 --> 00:43:14,000
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
66699
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