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These are the user uploaded subtitles that are being translated: 1 00:00:04,172 --> 00:00:08,103 Narrator: NASA's MISSION IS TO EXPLORE THE UNKNOWN. 2 00:00:08,103 --> 00:00:11,482 Kavelaars: THERE'S MORE THAT WE DON'T KNOW THAN WE DO KNOW. 3 00:00:11,482 --> 00:00:13,413 THAT'S JUST THE NATURE OF THE UNIVERSE. 4 00:00:13,413 --> 00:00:16,379 Narrator: IN THE SEARCH FOR ANSWERS, 5 00:00:16,379 --> 00:00:19,448 IT LAUNCHES ITS SCIENTISTS INTO SPACE, 6 00:00:19,448 --> 00:00:23,137 ITS CRAFT BEYOND THE LIMITS OF THE SOLAR SYSTEM. 7 00:00:23,137 --> 00:00:27,689 Williams: TAKING RISK IS PART OF MAKING DISCOVERIES. 8 00:00:27,689 --> 00:00:32,482 SPACE EXPLORATION IS LIKE LIGHTING A MATCH, 9 00:00:32,482 --> 00:00:35,689 AND WE DON'T KNOW WHAT LURKS IN THE SHADOWS. 10 00:00:36,965 --> 00:00:38,931 THERE COULD BE ANYTHING OUT THERE. 11 00:00:41,965 --> 00:00:44,862 Narrator: A MYSTERIOUS FORCE SMASHES A SPACECRAFT 12 00:00:44,862 --> 00:00:47,689 FROM THE APOLLO PROGRAM INTO THE MOON. 13 00:00:47,689 --> 00:00:50,655 YOU THINK WE'D UNDERSTAND IT, WE'D KNOW EVERYTHING ABOUT IT, 14 00:00:50,655 --> 00:00:51,965 BUT WE DON'T. 15 00:00:51,965 --> 00:00:55,241 Narrator: A PHOTOGRAPH TAKEN ON THE LUNAR SURFACE 16 00:00:55,241 --> 00:00:58,379 REVEALS SOMETHING THAT SHOULD NOT BE THERE. 17 00:00:58,379 --> 00:00:59,655 Rutkowski: IF THEY'RE REALLY ON THE MOON, 18 00:00:59,655 --> 00:01:02,482 WHY DO WE SEE OBJECTS REFLECTED IN THEIR VISORS? 19 00:01:02,482 --> 00:01:05,068 IT'S SUPPOSED TO BE EMPTY UP THERE. 20 00:01:05,068 --> 00:01:07,206 Narrator: AND FORGOTTEN IMAGES 21 00:01:07,206 --> 00:01:10,172 REVEAL THE TRUTH ABOUT THE MOST ICONIC PICTURE 22 00:01:10,172 --> 00:01:12,827 IN THE HISTORY OF SPACE EXPLORATION. 23 00:01:12,827 --> 00:01:15,758 Bell: IT'S IMPOSSIBLE TO LOOK AT THAT PARTICULAR IMAGE 24 00:01:15,758 --> 00:01:17,655 WITHOUT SEEING A HUMAN FACE. 25 00:01:21,517 --> 00:01:25,413 Narrator: NASA's MISSIONS HAVE UNCOVERED DISTURBING ANOMALIES... 26 00:01:25,413 --> 00:01:27,344 MAN: Okay, we're seeing three or four objects. 27 00:01:27,344 --> 00:01:29,448 MAN #2: Yeah, there are three objects. 28 00:01:29,448 --> 00:01:33,275 ...THAT CONTINUE TO PERPLEX OUR FINEST SCIENTIFIC MINDS. 29 00:01:34,896 --> 00:01:38,344 THESE ARE NASA'S UNEXPLAINED FILES. 30 00:01:38,344 --> 00:01:40,655 --Captions by VITAC-- www.vitac.com 31 00:01:40,655 --> 00:01:42,344 WHEN AN APOLLO SPACECRAFT 32 00:01:42,344 --> 00:01:45,241 CRASHES INTO THE LUNAR SURFACE... 33 00:01:45,241 --> 00:01:48,620 Worden: A LOT OF VERY CLEVER PEOPLE DID THE MATH ON THAT ONE. 34 00:01:48,620 --> 00:01:51,896 IT SHOULD NOT HAVE HAPPENED. 35 00:01:51,896 --> 00:01:55,827 Narrator: ...THE NASA INVESTIGATION BEGINS IMMEDIATELY. 36 00:01:55,827 --> 00:01:59,172 YOU THINK WE'D UNDERSTAND IT, WE'D KNOW EVERYTHING ABOUT IT, 37 00:01:59,172 --> 00:02:00,448 BUT WE DON'T. 38 00:02:00,448 --> 00:02:03,862 Narrator: AND THE ANSWERS ARE STRANGER THAN FICTION. 39 00:02:03,862 --> 00:02:07,482 WERE WE TRESPASSING ON SOMEBODY ELSE'S TERRITORY? 40 00:02:13,172 --> 00:02:20,379 AUGUST 4, 1971, 75 MILES ABOVE THE LUNAR SURFACE, 41 00:02:20,379 --> 00:02:23,724 APOLLO 15's COMMAND MODULE PILOT, ALFRED WORDEN, 42 00:02:23,724 --> 00:02:27,034 PREPARES THE SPACECRAFT FOR THE PERILOUS THREE-DAY JOURNEY 43 00:02:27,034 --> 00:02:30,379 BACK TO EARTH. 44 00:02:30,379 --> 00:02:34,344 YOU ALWAYS WORRY ABOUT SOMETHING GOING WRONG. 45 00:02:34,344 --> 00:02:38,517 YOU CANNOT DO A PROGRAM AS FAR-REACHING 46 00:02:38,517 --> 00:02:42,206 AND AS CHALLENGING AS GOING TO THE MOON 47 00:02:42,206 --> 00:02:46,862 WITHOUT EXPECTING SOMETHING TO GO WRONG. 48 00:02:46,862 --> 00:02:48,413 Narrator: BEFORE WORDEN HEADS HOME, 49 00:02:48,413 --> 00:02:51,896 HE HAS ONE FINAL MISSION OBJECTIVE -- 50 00:02:51,896 --> 00:02:54,586 TO RELEASE A THREE-FOOT-LONG MICROSATELLITE 51 00:02:54,586 --> 00:02:56,275 THAT WILL CONTINUE STUDYING THE MOON 52 00:02:56,275 --> 00:02:58,896 LONG AFTER THE ASTRONAUTS HAVE LEFT. 53 00:03:00,931 --> 00:03:02,965 Worden: WE HAD THAT PROGRAMMED IN OUR FLIGHT PLAN 54 00:03:02,965 --> 00:03:06,655 EXACTLY DOWN TO THE SECOND WHEN WE WERE SUPPOSED TO DO THAT. 55 00:03:06,655 --> 00:03:08,068 ALL I HAD TO DO WAS PUSH A BUTTON. 56 00:03:08,068 --> 00:03:12,103 I HAD THE SIMPLE PART OF THE JOB. 57 00:03:12,103 --> 00:03:15,034 Man: LAUNCH. 58 00:03:15,034 --> 00:03:17,241 Worden: YOU WATCH IT GO, AND YOU CALL HOUSTON CONTROL 59 00:03:17,241 --> 00:03:21,344 AND YOU SAY, "IT'S GONE. IT'S ON ITS WAY." 60 00:03:21,344 --> 00:03:24,448 Man: BACKING STATIONS HAVE ACQUIRED THE SATELLITE. 61 00:03:24,448 --> 00:03:27,689 AND THEN WE WATCHED IT SPIN OUT OF SIGHT. 62 00:03:27,689 --> 00:03:29,275 Narrator: THE SATELLITE DRIFTS OFF, 63 00:03:29,275 --> 00:03:34,310 ORBITING THE MOON EVERY 2 HOURS FOR THE NEXT 16 MONTHS, 64 00:03:34,310 --> 00:03:36,551 GATHERING DATA ABOUT THE MOON'S MAGNETIC 65 00:03:36,551 --> 00:03:38,793 AND GRAVITATIONAL FIELDS. 66 00:03:44,034 --> 00:03:47,137 THE EXPERIMENT IS SO SUCCESSFUL THAT, ON THE NEXT MISSION, 67 00:03:47,137 --> 00:03:51,000 APOLLO 16 ASTRONAUTS LAUNCH AN IDENTICAL SATELLITE. 68 00:03:55,172 --> 00:03:59,275 BUT JUST A FEW DAYS LATER, SOMETHING STRANGE HAPPENS. 69 00:03:59,275 --> 00:04:02,137 Genge: THE SATELLITE STARTS DOING SOMETHING 70 00:04:02,137 --> 00:04:03,896 THAT'S REALLY UNEXPECTED. 71 00:04:03,896 --> 00:04:08,862 IT'S VEERING OFF COURSE, BEHAVING ALMOST UNPREDICTABLY. 72 00:04:08,862 --> 00:04:10,413 Paige: THERE MUST BE SOME FORCE 73 00:04:10,413 --> 00:04:13,517 THAT HAD CAUSED THE SPACECRAFT'S ORBIT 74 00:04:13,517 --> 00:04:16,000 TO BECOME UNSTABLE. 75 00:04:16,000 --> 00:04:19,068 Narrator: THE SATELLITE'S ORBIT KEEPS CHANGING. 76 00:04:19,068 --> 00:04:20,275 WITHIN THREE WEEKS, 77 00:04:20,275 --> 00:04:22,655 IT GOES FROM FLOATING 80 MILES ABOVE THE MOON 78 00:04:22,655 --> 00:04:26,758 TO SKIMMING JUST SIX MILES ABOVE THE SURFACE. 79 00:04:26,758 --> 00:04:30,068 Paige: AS NASA WAS WATCHING THE PROGRESS OF THE MISSION, 80 00:04:30,068 --> 00:04:32,862 THEY WERE, OF COURSE, ALARMED THAT IT WAS GETTING SO CLOSE 81 00:04:32,862 --> 00:04:34,413 TO THE MOON. 82 00:04:34,413 --> 00:04:36,379 Narrator: JUST 35 DAYS AFTER LAUNCH, 83 00:04:36,379 --> 00:04:39,344 NASA LOSES CONTACT WITH ITS SPACECRAFT. 84 00:04:44,000 --> 00:04:45,482 ANALYSIS OF THE FLIGHT DATA 85 00:04:45,482 --> 00:04:48,758 CONFIRMS THE SPACE AGENCY'S FEARS. 86 00:04:48,758 --> 00:04:51,517 THE PROBE CRASHED INTO THE MOON. 87 00:04:51,517 --> 00:04:54,862 THEY HAD A PREDICTION THAT IT WOULD LAST FOR TWO YEARS. 88 00:04:54,862 --> 00:04:56,965 IT ONLY LASTED 35 DAYS. 89 00:04:56,965 --> 00:04:59,827 WHY? 90 00:04:59,827 --> 00:05:05,000 NASA SPACECRAFT DON'T JUST CRASH FOR NO REASON. 91 00:05:05,000 --> 00:05:06,586 Narrator: THE SATELLITE CRASH 92 00:05:06,586 --> 00:05:08,379 PUTS NASA IN A DIFFICULT POSITION 93 00:05:08,379 --> 00:05:10,862 AND PROVOKES WILD SPECULATION. 94 00:05:10,862 --> 00:05:15,068 WAS THERE A GROUP, WHOEVER THAT GROUP MIGHT BE, 95 00:05:15,068 --> 00:05:17,137 THAT DIDN'T WANT US GOING TO THE MOON? 96 00:05:17,137 --> 00:05:21,000 WERE WE TRESPASSING ON SOMEBODY ELSE'S TERRITORY? 97 00:05:24,827 --> 00:05:27,000 Narrator: AS STRANGE AS THE IDEA SOUNDS, 98 00:05:27,000 --> 00:05:30,586 THIS IS NOT THE APOLLO PROGRAM'S FIRST UNCANNY EXPERIENCE 99 00:05:30,586 --> 00:05:33,482 NEAR THE LUNAR SURFACE. 100 00:05:33,482 --> 00:05:36,551 EARLY INCIDENTS PROMPTED NASA SCIENTISTS TO PUT PROCEDURES 101 00:05:36,551 --> 00:05:41,034 IN PLACE TO DEAL WITH UNEXPLAINED SIGHTINGS. 102 00:05:41,034 --> 00:05:43,758 NASA HAS A CODE FOR SOMETHING LIKE THESE. 103 00:05:43,758 --> 00:05:46,172 THEY CALL THEM MOON PIGEONS. 104 00:05:46,172 --> 00:05:49,137 THIS IS PART OF THE IMAGERY THAT LED NASA TO COMMISSION 105 00:05:49,137 --> 00:05:52,241 THIS STUDY OF WHAT THEY CALL MOON PIGEONS, 106 00:05:52,241 --> 00:05:55,103 THINGS SEEN OUT THE WINDOW. 107 00:05:55,103 --> 00:05:58,034 Narrator: NASA DOES NOT BELIEVE THAT SOME UNKNOWN PRESENCE 108 00:05:58,034 --> 00:05:59,827 ON THE MOON IS RESPONSIBLE, 109 00:05:59,827 --> 00:06:02,724 BUT THE SPACE AGENCY'S EXPLANATION FOR THE CRASH 110 00:06:02,724 --> 00:06:06,482 IS NO LESS EXTRAORDINARY. 111 00:06:06,482 --> 00:06:09,172 THERE MAY BE SOMETHING GOING ON INSIDE THE MOON 112 00:06:09,172 --> 00:06:13,000 THAT SCIENTISTS DON'T FULLY UNDERSTAND. 113 00:06:13,000 --> 00:06:15,448 GRAVITY ON THE MOON IS -- IS VARIABLE. 114 00:06:15,448 --> 00:06:17,862 IT'S NOT A CONSTANT GRAVITY AROUND THE MOON. 115 00:06:17,862 --> 00:06:19,379 Schultz: THE MOON IS LUMPY, 116 00:06:19,379 --> 00:06:21,758 NOT JUST BECAUSE OF THE HILLS AND VALLEYS, 117 00:06:21,758 --> 00:06:24,620 BUT BECAUSE THERE'S AREAS UNDERNEATH THAT ACTUALLY 118 00:06:24,620 --> 00:06:27,620 HAVE A LITTLE BIT MORE GRAVITY THAN OTHER AREAS. 119 00:06:27,620 --> 00:06:29,344 Narrator: UNUSUALLY DENSE MOON ROCK 120 00:06:29,344 --> 00:06:33,034 CAUSES THESE ZONES OF EXTRA-STRONG GRAVITY. 121 00:06:33,034 --> 00:06:36,862 SCIENTISTS CALLED THE ZONES MASCONS. 122 00:06:36,862 --> 00:06:40,344 A MASCON IS KIND OF AN INVISIBLE FORCE 123 00:06:40,344 --> 00:06:44,000 THAT CHANGES THE BASIC GRAVITY OF THE MOON, 124 00:06:44,000 --> 00:06:49,000 BUT IT CHANGES IT IN LOCAL AREA, NOT THE WHOLE GRAVITY. 125 00:06:50,827 --> 00:06:53,275 Narrator: NASA CALCULATES THE SATELLITE'S TRAJECTORY 126 00:06:53,275 --> 00:06:55,517 TO WITHIN A FRACTION OF A DEGREE, 127 00:06:55,517 --> 00:06:58,827 BUT DIFFICULT VARIABLES LIKE MULTIPLE MASCONS 128 00:06:58,827 --> 00:07:02,862 COULD ADD UP TO CATASTROPHIC CONSEQUENCES. 129 00:07:02,862 --> 00:07:05,827 THESE MASCONS CAUSE THE SATELLITE TO CRASH 130 00:07:05,827 --> 00:07:07,379 BECAUSE THEY GIVE A LITTLE TUG. 131 00:07:07,379 --> 00:07:10,551 SO WHAT THEY DO IS THEY ACTUALLY CHANGE THE POSITION 132 00:07:10,551 --> 00:07:14,068 OF WHERE THE SATELLITE GETS CLOSEST TO THE MOON. 133 00:07:14,068 --> 00:07:16,344 AND IF THEY KEEP DOING IT LONG ENOUGH, 134 00:07:16,344 --> 00:07:18,655 JUST IN SMALL INCREMENTS, 135 00:07:18,655 --> 00:07:20,206 EVENTUALLY IT WILL CRASH. 136 00:07:24,965 --> 00:07:27,275 Narrator: THE CRASH OF THE APOLLO SUBSATELLITE 137 00:07:27,275 --> 00:07:32,137 WAS AN ACCIDENT CAUSED BY FORCES OUTSIDE OF NASA'S CONTROL, 138 00:07:32,137 --> 00:07:36,068 AND IT WAS NOT THE LAST CRAFT TO MEET A VIOLENT END. 139 00:07:41,206 --> 00:07:43,620 UP NEXT, NASA GOES NUCLEAR 140 00:07:43,620 --> 00:07:46,275 ON THE LARGEST PLANET IN THE SOLAR SYSTEM. 141 00:07:46,275 --> 00:07:49,310 IT WAS VERY SURPRISING. NOBODY EXPECTED IT. 142 00:07:49,310 --> 00:07:52,172 WE EFFECTIVELY EXPLODED A NUCLEAR DEVICE 143 00:07:52,172 --> 00:07:53,586 IN JUPITER'S ATMOSPHERE. 144 00:08:05,482 --> 00:08:09,000 Narrator: WHEN A DARK SPOT APPEARS ON THE SURFACE OF JUPITER... 145 00:08:09,000 --> 00:08:10,413 Baines: IT WAS NOT JUST ANY OLD DARK SPOT. 146 00:08:10,413 --> 00:08:12,482 THIS THING WAS HUGE. 147 00:08:12,482 --> 00:08:16,310 Narrator: ...CONSPIRACY THEORISTS BLAME A CONTROVERSIAL NASA MISSION. 148 00:08:16,310 --> 00:08:19,172 WE EFFECTIVELY EXPLODED A NUCLEAR DEVICE 149 00:08:19,172 --> 00:08:20,931 IN JUPITER'S ATMOSPHERE. 150 00:08:29,482 --> 00:08:33,172 Narrator: FROM THE APOLLO PROGRAM TO TODAY'S DEEP-SPACE PROBES, 151 00:08:33,172 --> 00:08:34,620 NASA'S SPACECRAFT 152 00:08:34,620 --> 00:08:37,620 REPRESENT THE PINNACLE OF HUMAN ENGINEERING. 153 00:08:37,620 --> 00:08:41,000 BUT SPACE TRAVEL STILL PROVIDES CHALLENGES 154 00:08:41,000 --> 00:08:44,137 FOR EVEN THE MOST BRILLIANT DESIGNS. 155 00:08:47,620 --> 00:08:51,586 OCTOBER 2003, AN AMATEUR ASTRONOMER 156 00:08:51,586 --> 00:08:53,793 IS TAKING PHOTOGRAPHS OF THE LARGEST PLANET 157 00:08:53,793 --> 00:08:58,965 IN OUR SOLAR SYSTEM WHEN HE SEES SOMETHING STRANGE. 158 00:08:58,965 --> 00:09:03,034 A DARK SPOT APPEARED ON JUPITER BACK IN 2003, 159 00:09:03,034 --> 00:09:05,965 WHICH WAS VERY STRANGE, VERY SURPRISING. 160 00:09:05,965 --> 00:09:08,172 NOBODY EXPECTED IT. 161 00:09:08,172 --> 00:09:10,413 Narrator: SCIENTISTS INITIALLY SUGGEST THAT, 162 00:09:10,413 --> 00:09:14,482 LIKE JUPITER'S FAMOUS RED SPOT, THE DARK DOT COULD BE A STORM 163 00:09:14,482 --> 00:09:16,827 IN JUPITER'S VIOLENT ATMOSPHERE. 164 00:09:16,827 --> 00:09:18,551 Genge: THE BIG RED SPOT OF JUPITER 165 00:09:18,551 --> 00:09:21,344 IS ACTUALLY A STORM THAT'S RAGED NOW FOR -- 166 00:09:21,344 --> 00:09:24,137 FOR AT LEAST 300 YEARS. 167 00:09:24,137 --> 00:09:26,000 THEY COME AND THEY GO. 168 00:09:26,000 --> 00:09:27,413 SO IT WOULDN'T BE TOO SURPRISING 169 00:09:27,413 --> 00:09:31,827 IF A NEW SPOT SUDDENLY APPEARED ON THIS GIANT PLANET. 170 00:09:31,827 --> 00:09:34,344 Narrator: WHILE A STORM COULD GENERATE A SPOT 171 00:09:34,344 --> 00:09:35,586 ON JUPITER'S SURFACE, 172 00:09:35,586 --> 00:09:37,344 FOR IT TO BE VISIBLE THROUGH TELESCOPES, 173 00:09:37,344 --> 00:09:39,620 IT WOULD HAVE TO BE LARGER THAN ANY WEATHER SYSTEM 174 00:09:39,620 --> 00:09:41,965 EVER SEEN ON EARTH. 175 00:09:41,965 --> 00:09:44,206 D'Antonio: JUPITER'S ATMOSPHERE IS MASSIVE. 176 00:09:44,206 --> 00:09:45,758 FOR SOMETHING TO CREATE A BLACK SPOT THAT BIG 177 00:09:45,758 --> 00:09:49,000 WOULD REQUIRE A HUGE AMOUNT OF ENERGY TO BE RELEASED. 178 00:09:53,103 --> 00:09:54,965 Narrator: AN ALTERNATIVE IDEA FOR THE SPOT 179 00:09:54,965 --> 00:09:59,689 IS THAT IT COULD BE THE SITE OF AN ASTEROID OR COMET IMPACT. 180 00:09:59,689 --> 00:10:01,482 JUPITER'S COLOSSAL SIZE 181 00:10:01,482 --> 00:10:05,000 AND POWERFUL GRAVITATIONAL PULL MAKE IT A PRIME TARGET 182 00:10:05,000 --> 00:10:08,379 FOR ANYTHING FLYING THROUGH THE SOLAR SYSTEM. 183 00:10:08,379 --> 00:10:10,068 JUPITER'S THIS GIANT PLANET 184 00:10:10,068 --> 00:10:14,965 THAT PRETTY MUCH VACUUMS UP STUFF AS IT GOES ALONG. 185 00:10:14,965 --> 00:10:17,724 D'Antonio: IT'S QUITE POSSIBLE THAT A FOREIGN BODY, SUCH AS A COMET, 186 00:10:17,724 --> 00:10:22,689 COULD IMPACT JUPITER AND CAUSE MASSIVE EXPLOSION SCARS. 187 00:10:22,689 --> 00:10:24,344 IN FACT, IT'S HAPPENED. 188 00:10:24,344 --> 00:10:27,000 COMET SHOEMAKER-LEVY IMPACTED JUPITER, 189 00:10:27,000 --> 00:10:32,137 AND YOU SAW A BEAUTIFUL STRING OF DARK, BLACK SPOTS. 190 00:10:32,137 --> 00:10:33,655 Narrator: BUT EVEN ON JUPITER, 191 00:10:33,655 --> 00:10:36,827 A BIG IMPACT IS A ONCE-IN-A-DECADE EVENT, 192 00:10:36,827 --> 00:10:40,103 AND RECORDS REVEAL THAT NONE WAS PREDICTED AROUND THE TIME 193 00:10:40,103 --> 00:10:43,034 OF THE SPOT'S APPEARANCE. 194 00:10:43,034 --> 00:10:46,551 D'Antonio: IF THESE BLACK SPOTS AREN'T CAUSED BY SOMETHING NATURAL, 195 00:10:46,551 --> 00:10:49,965 OR IF THEY'RE NOT CAUSED BY AN ALIEN CIVILIZATION, 196 00:10:49,965 --> 00:10:52,896 WHAT'S LEFT? 197 00:10:52,896 --> 00:10:55,655 COULD IT BE US? 198 00:10:55,655 --> 00:10:57,655 Narrator: HUMAN BEINGS CREATING SPOTS 199 00:10:57,655 --> 00:11:01,344 ON THE SURFACE OF A PLANET 500 MILLION MILES AWAY 200 00:11:01,344 --> 00:11:03,000 SOUNDS IMPOSSIBLE... 201 00:11:05,517 --> 00:11:08,655 ...BUT JUST A MONTH BEFORE THE DARK SPOT IS PHOTOGRAPHED, 202 00:11:08,655 --> 00:11:11,862 NASA'S GALILEO PROBE IS FLOATING TOWARD JUPITER 203 00:11:11,862 --> 00:11:15,241 AS IT NEARS THE END OF ITS LIFE. 204 00:11:15,241 --> 00:11:17,172 AND THERE IS A MAJOR PROBLEM 205 00:11:17,172 --> 00:11:20,344 WITH DISPOSING OF THE DYING SPACECRAFT. 206 00:11:20,344 --> 00:11:23,724 IT CARRIES A FULLY FUNCTIONING NUCLEAR REACTOR. 207 00:11:26,793 --> 00:11:30,137 WE HAVE TO SEND NUCLEAR DEVICES ON A SPACECRAFT. 208 00:11:30,137 --> 00:11:31,517 THAT'S THE ONLY WAY TO POWER THEM 209 00:11:31,517 --> 00:11:33,172 AS THEY GET INTO DEEP SPACE. 210 00:11:33,172 --> 00:11:35,620 AND SO, YOU HAVE TO CHOOSE BETWEEN DO WE JUST 211 00:11:35,620 --> 00:11:39,310 LEAVE THIS NUCLEAR REACTOR FLOATING AROUND IN SPACE, 212 00:11:39,310 --> 00:11:42,275 OR DO WE DISPOSE OF IT IN SOME WAY? 213 00:11:42,275 --> 00:11:46,068 Narrator: SCIENTISTS FEAR THAT GALILEO'S NUCLEAR POWER GENERATOR 214 00:11:46,068 --> 00:11:49,068 COULD WREAK HAVOC ON ONE OF THE MOST PROMISING PLACES 215 00:11:49,068 --> 00:11:54,241 IN THE SOLAR SYSTEM FOR HOSTING EXTRATERRESTRIAL LIFE. 216 00:11:54,241 --> 00:11:56,965 THERE WAS A DANGER THAT THE GALILEO SPACECRAFT 217 00:11:56,965 --> 00:11:58,862 MIGHT ACTUALLY IMPACT EUROPA, 218 00:11:58,862 --> 00:12:00,620 WHICH IS WHAT WE DIDN'T WANT TO HAVE HAPPEN, 219 00:12:00,620 --> 00:12:03,068 PARTICULARLY NOW THAT WE THINK THERE COULD BE LIFE 220 00:12:03,068 --> 00:12:05,068 UNDER THE ICE IN THIS BIG OCEAN. 221 00:12:05,068 --> 00:12:07,793 WE DON'T WANT TO IMPACT THIS SPACECRAFT 222 00:12:07,793 --> 00:12:10,103 INTO A LIFE-BEARING OBJECT. 223 00:12:10,103 --> 00:12:12,758 Narrator: AT THE TIME THE GALILEO MISSION WAS PLANNED, 224 00:12:12,758 --> 00:12:14,758 THERE WAS LITTLE EVIDENCE TO SUGGEST 225 00:12:14,758 --> 00:12:17,724 THERE COULD BE LIVING CREATURES BENEATH THE ICE OF EUROPA. 226 00:12:17,724 --> 00:12:21,896 SO SCIENTISTS DIDN'T WORRY ABOUT PROBE DISPOSAL. 227 00:12:21,896 --> 00:12:25,724 BUT THE FEAR OF CONTAMINATING A LIFE-BEARING WORLD 228 00:12:25,724 --> 00:12:27,379 FORCES THEM TO CREATE A FINAL PLAN 229 00:12:27,379 --> 00:12:32,000 TO INCINERATE THE SPACECRAFT AND ITS PLUTONIUM REACTOR. 230 00:12:32,000 --> 00:12:33,862 WE KNEW WE HAD TO DO SOMETHING WITH THIS SPACECRAFT. 231 00:12:33,862 --> 00:12:35,655 WE JUST COULDN'T LET IT FLOAT AROUND IN SPACE. 232 00:12:35,655 --> 00:12:39,586 SO WE DECIDED THAT WE WOULD ACTUALLY PUT GALILEO 233 00:12:39,586 --> 00:12:42,586 TO ITS DEATH BY PLUNGING IT INTO JUPITER. 234 00:12:44,655 --> 00:12:46,827 Narrator: AS NASA'S DECISION GOES PUBLIC, 235 00:12:46,827 --> 00:12:49,620 A DUTCH PHYSICIST, JACCO VAN DER WORP, 236 00:12:49,620 --> 00:12:51,655 WARNS THAT SENDING NUCLEAR MATERIAL 237 00:12:51,655 --> 00:12:53,862 INTO JUPITER'S VOLATILE ATMOSPHERE 238 00:12:53,862 --> 00:12:57,724 COULD HAVE CATASTROPHIC CONSEQUENCES. 239 00:12:57,724 --> 00:13:00,413 JACCO VAN DER WORP'S THEORY IS THAT THE GALILEO PROBE, 240 00:13:00,413 --> 00:13:03,241 WHICH CARRIES PLUTONIUM IN ITS CORE, 241 00:13:03,241 --> 00:13:07,206 COULD ACTUALLY BE IMPLODED BY THE PRESSURE OF THE ATMOSPHERE 242 00:13:07,206 --> 00:13:10,517 AND CAUSE JUPITER TO TURN INTO A MASSIVE FIREBALL. 243 00:13:12,862 --> 00:13:16,655 Narrator: UNDETERRED, NASA CRASHES GALILEO INTO JUPITER. 244 00:13:20,862 --> 00:13:22,896 WE EFFECTIVELY EXPLODED A NUCLEAR DEVICE 245 00:13:22,896 --> 00:13:25,241 IN JUPITER'S ATMOSPHERE. 246 00:13:30,448 --> 00:13:33,034 Baines: THERE WAS SOME EFFORT TO ACTUALLY LOOK AT THE SPACECRAFT 247 00:13:33,034 --> 00:13:35,655 AS IT WENT INTO THE PLANET. IT'S PRETTY AMAZING. 248 00:13:35,655 --> 00:13:39,275 IT ALL VAPORIZED WITHIN A FEW HOURS OF HITTING THAT SURFACE. 249 00:13:39,275 --> 00:13:42,034 THIS ONE OBJECT FROM MANKIND IS NOW JUST PART 250 00:13:42,034 --> 00:13:45,862 OF THE EPHEMERAL GASES OF THE PLANET. 251 00:13:45,862 --> 00:13:49,000 Narrator: DESPITE THE REMARKABLE TIMING OF ITS APPEARANCE, 252 00:13:49,000 --> 00:13:52,275 THE EVIDENCE SEEMS TO INDICATE THE GALILEO EXPLOSION 253 00:13:52,275 --> 00:13:56,034 DID NOT CREATE THE 2003 DARK SPOT. 254 00:13:56,034 --> 00:13:59,275 SCIENTISTS ARE NOW WORKING ON A THEORY THAT THE APPEARANCE 255 00:13:59,275 --> 00:14:01,931 OF AT LEAST SOME OF THE DARK SPOTS ON JUPITER 256 00:14:01,931 --> 00:14:05,448 COULD BE CAUSED BY ATMOSPHERIC PHENOMENON. 257 00:14:05,448 --> 00:14:07,724 IT'S SPECULATED THAT WE MAY BE SEEING THE -- 258 00:14:07,724 --> 00:14:12,068 THE EFFECT OF HYDROCARBONS CREATED BY AURORA. 259 00:14:12,068 --> 00:14:14,000 IT'S LIKE THE AURORA BOREALIS ON THE EARTH, 260 00:14:14,000 --> 00:14:16,310 BUT MANY THOUSANDS OF TIMES MORE POWERFUL. 261 00:14:16,310 --> 00:14:18,655 BUT IT'S STILL A MYSTERY. 262 00:14:18,655 --> 00:14:22,793 Narrator: IN A STRANGE TWIST OF FATE, GALILEO'S GREATEST DISCOVERY, 263 00:14:22,793 --> 00:14:25,724 THAT ONE OF JUPITER'S MOONS COULD HOLD LIFE, 264 00:14:25,724 --> 00:14:29,379 CONDEMNED THE PROBE TO DESTRUCTION. 265 00:14:29,379 --> 00:14:32,310 BUT SOME MYSTERIES THAT DEFY EXPLANATION 266 00:14:32,310 --> 00:14:35,344 ARE MUCH CLOSER THAN THE JUPITER SYSTEM. 267 00:14:38,068 --> 00:14:40,448 UP NEXT, ON THE LUNAR SURFACE, 268 00:14:40,448 --> 00:14:46,689 THE APOLLO 12 ASTRONAUTS CATCH SOMETHING IMPOSSIBLE ON CAMERA. 269 00:14:46,689 --> 00:14:48,034 Rutkowski: IF THEY'RE REALLY ON THE MOON, 270 00:14:48,034 --> 00:14:50,758 WHY DO WE SEE OBJECTS REFLECTED IN THEIR VISORS? 271 00:14:50,758 --> 00:14:52,413 IT'S SUPPOSED TO BE EMPTY UP THERE. 272 00:15:02,896 --> 00:15:05,655 Narrator: A PHOTOGRAPH FROM THE APOLLO 12 MISSION 273 00:15:05,655 --> 00:15:09,620 REVEALS SOMETHING THAT SHOULD NOT BE THERE. 274 00:15:09,620 --> 00:15:10,896 Rutkowski: IF THEY'RE REALLY ON THE MOON, 275 00:15:10,896 --> 00:15:13,827 WHY DO WE SEE OBJECTS REFLECTED IN THEIR VISORS? 276 00:15:13,827 --> 00:15:15,931 IT'S SUPPOSED TO BE EMPTY UP THERE. 277 00:15:15,931 --> 00:15:17,724 Man: THIS PARTICULAR PICTURE SHOWS SOMETHING 278 00:15:17,724 --> 00:15:21,862 THAT DOES NOT APPEAR IN ANY OTHER OFFICIAL PHOTOGRAPH. 279 00:15:21,862 --> 00:15:24,034 Narrator: COULD A SINGLE IMAGE CAST DOUBT 280 00:15:24,034 --> 00:15:27,724 ON HUMANKIND'S GREATEST ACHIEVEMENT? 281 00:15:27,724 --> 00:15:29,758 Man: I CAN'T BELIEVE IT. AMAZING. 282 00:15:29,758 --> 00:15:32,724 SOME PEOPLE BELIEVE THAT THE MOON LANDINGS NEVER HAPPENED. 283 00:15:36,793 --> 00:15:40,275 Narrator: IN THE APOLLO 12 LUNAR MODULE, 284 00:15:40,275 --> 00:15:43,068 ASTRONAUTS PETE CONRAD AND ALAN BEAN 285 00:15:43,068 --> 00:15:44,482 MAKE THEIR FINAL APPROACH 286 00:15:44,482 --> 00:15:49,551 ABOVE A REGION OF THE MOON KNOWN AS THE OCEAN OF STORMS. 287 00:15:49,551 --> 00:15:51,517 Bean: I'VE GOT SOME KIND OF A HORIZON OUT THERE. 288 00:15:51,517 --> 00:15:54,275 I'VE GOT SOME CRATERS, TOO, BUT I DON'T KNOW WHERE I AM YET. 289 00:15:54,275 --> 00:15:56,517 I THOUGHT, "WHERE ARE WE GONNA LAND? 290 00:15:56,517 --> 00:15:58,103 THERE'S NO ROOM TO LAND." 291 00:15:58,103 --> 00:16:01,620 AND THEN WE WAITED FOR THESE PROBES TO ILLUMINATE, 292 00:16:01,620 --> 00:16:04,413 WHICH WERE ABOUT 5 FEET BELOW THE LANDING PAD. 293 00:16:04,413 --> 00:16:05,724 I SAID, "CONTACT LIGHT." 294 00:16:05,724 --> 00:16:07,241 CONTACT LIGHT. 295 00:16:07,241 --> 00:16:09,034 Man: ROGER. COPY CONTACT. 296 00:16:09,034 --> 00:16:11,344 AND THEN PETE TOUCHED DOWN. 297 00:16:11,344 --> 00:16:14,000 WE ARE ABOUT TO LAND IN 20 FEET. 298 00:16:14,000 --> 00:16:15,344 Narrator: FOR CONRAD AND BEAN, 299 00:16:15,344 --> 00:16:18,172 THE EXPERIENCE OF STEPPING ON TO ANOTHER WORLD 300 00:16:18,172 --> 00:16:20,172 IS OVERWHELMING. 301 00:16:20,172 --> 00:16:25,103 I LET GO OF THE LADDER AND STARTED TO WOBBLE A BIT 302 00:16:25,103 --> 00:16:29,137 AND STEADIED MYSELF, AND I THOUGHT, "WOW. 303 00:16:29,137 --> 00:16:31,482 THIS IS THE MOON. WE'RE REALLY HERE." 304 00:16:31,482 --> 00:16:32,724 THIS IS AMAZING. 305 00:16:32,724 --> 00:16:35,551 THIS IS SCIENCE FICTION, EXCEPT YOU'RE LIVING IT. 306 00:16:35,551 --> 00:16:38,379 [ SPEAKING INDISTINCTLY ] 307 00:16:38,379 --> 00:16:40,482 Narrator: THE ASTRONAUTS SPEND MUCH OF THE MISSION 308 00:16:40,482 --> 00:16:43,206 DOCUMENTING THEIR ACTIVITIES WITH PHOTOGRAPHS. 309 00:16:43,206 --> 00:16:44,896 Bean: WE HAD SPENT A LOT OF TIME 310 00:16:44,896 --> 00:16:48,689 BEING TRAINED TO TAKE PHOTOGRAPHS ON THE MOON. 311 00:16:48,689 --> 00:16:51,103 THEY DIDN'T HAVE AUTOMATIC FOCUS THEN. 312 00:16:51,103 --> 00:16:53,758 THEY DIDN'T HAVE AUTOMATIC EXPOSURE. 313 00:16:53,758 --> 00:16:55,551 YOU HAD TO SET 'EM MANUALLY. 314 00:16:55,551 --> 00:16:58,655 WE DIDN'T SCREW UP ONE SINGLE FRAME 315 00:16:58,655 --> 00:17:01,724 BECAUSE WE HAD HAD THIS GOOD TRAINING. 316 00:17:01,724 --> 00:17:04,379 Narrator: IN SPITE OF CHALLENGING PHOTOGRAPHIC CONDITIONS 317 00:17:04,379 --> 00:17:06,655 AND A TOTALLY ALIEN ENVIRONMENT, 318 00:17:06,655 --> 00:17:10,896 BEAN AND CONRAD CAPTURE IMAGES OF INCREDIBLE QUALITY. 319 00:17:10,896 --> 00:17:14,551 BUT FOR SOME, THE PICTURES SEEM TOO GOOD TO BE TRUE. 320 00:17:14,551 --> 00:17:16,413 Rutkowski: THE PHOTOGRAPHS ARE AMAZING, 321 00:17:16,413 --> 00:17:19,965 AND IT'S VERY HARD TO BELIEVE THAT SUCH QUALITY 322 00:17:19,965 --> 00:17:23,103 COULD BE OBTAINED USING RELATIVELY PRIMITIVE EQUIPMENT 323 00:17:23,103 --> 00:17:25,896 UNDER VERY HARSH CONDITIONS. 324 00:17:25,896 --> 00:17:27,551 Narrator: ONE PHOTOGRAPH OF BEAN 325 00:17:27,551 --> 00:17:31,551 DRAWS UNWELCOME ATTENTION FOR NASA. 326 00:17:31,551 --> 00:17:36,206 THE ANOMALY IS SMALL BUT CLEARLY VISIBLE. 327 00:17:36,206 --> 00:17:40,931 YOU CAN CLEARLY SEE CONRAD IN BEAN'S FACEPLATE HERE, 328 00:17:40,931 --> 00:17:43,206 BUT THERE'S SOMETHING ELSE AS WELL. 329 00:17:43,206 --> 00:17:45,103 DEFINITELY DOESN'T BELONG THERE. 330 00:17:47,655 --> 00:17:52,655 Narrator: THE SINGLE FRAME OFFERS NO EXPLANATION FOR THE ANOMALY, 331 00:17:52,655 --> 00:17:53,827 BUT THERE'S ANOTHER RECORD 332 00:17:53,827 --> 00:17:55,793 OF WHAT HAPPENED DURING THE MISSION. 333 00:17:58,000 --> 00:18:00,586 Bean: WE ARE ABOUT TO LAND IN 20 FEET. 334 00:18:00,586 --> 00:18:04,862 Narrator: APOLLO 12 WAS ALSO EQUIPPED WITH A COLOR TELEVISION CAMERA. 335 00:18:04,862 --> 00:18:07,965 MY JOB WHEN I GOT OUT WAS TO GO OVER, 336 00:18:07,965 --> 00:18:11,586 GET THAT COLOR TV CAMERA, AND MOVE IT OUT 337 00:18:11,586 --> 00:18:15,689 AND POINT IT BACK SO THAT EVERYBODY COULD WATCH. 338 00:18:15,689 --> 00:18:17,655 Narrator: BUT JUST AS HE BEGINS TO FILM, 339 00:18:17,655 --> 00:18:20,620 BEAN'S FOOTAGE CUTS OUT, 340 00:18:20,620 --> 00:18:24,241 LEAVING NO VIDEO RECORD OF THE ANOMALY'S SOURCE. 341 00:18:31,068 --> 00:18:34,034 Rutkowski: CONSPIRACY THEORISTS SAY THAT THERE'S SOMETHING ON THE MOON 342 00:18:34,034 --> 00:18:36,724 THAT NASA DOESN'T WANT THE PUBLIC TO KNOW ABOUT, 343 00:18:36,724 --> 00:18:39,379 AND IT WAS VERY CONVENIENT THAT THE CAMERA BROKE 344 00:18:39,379 --> 00:18:41,551 SO THAT THERE'S NO SUBSEQUENT VIDEO FOOTAGE 345 00:18:41,551 --> 00:18:43,827 OF THE LANDING. 346 00:18:43,827 --> 00:18:46,172 Narrator: BEAN EXPLAINS THE VIDEO FAILURE 347 00:18:46,172 --> 00:18:48,862 AS A SIMPLE MISTAKE. 348 00:18:48,862 --> 00:18:51,034 Bean: I'M SURE THEY TOLD ME IN TRAINING, 349 00:18:51,034 --> 00:18:53,827 "DO NOT POINT THIS THING AT THE SUN. 350 00:18:53,827 --> 00:18:56,103 DO NOT DO THAT." 351 00:18:56,103 --> 00:18:59,137 I DIDN'T REMEMBER THAT, AND I POINTED AT THE SUN 352 00:18:59,137 --> 00:19:01,206 AND IT BURNED OUT THE TUBE. 353 00:19:01,206 --> 00:19:02,724 THIS IS A PRETTY ADVANCED CAMERA, 354 00:19:02,724 --> 00:19:04,482 BUT THERE'S SIMPLE PHYSICS INVOLVED. 355 00:19:04,482 --> 00:19:05,965 AND IF YOU POINT IT AT THE SUN, 356 00:19:05,965 --> 00:19:07,689 YOU'RE GOING TO FRY THE VIDICON TUBE, 357 00:19:07,689 --> 00:19:10,379 AND YOU'RE GOING TO LOSE THE PICTURE. 358 00:19:10,379 --> 00:19:12,172 Narrator: WITHOUT A VIDEO RECORD, 359 00:19:12,172 --> 00:19:16,275 WE CAN ONLY SPECULATE ON WHAT CAUSED THE ANOMALY. 360 00:19:16,275 --> 00:19:19,413 ONE IDEA IS THAT THE ROGUE REFLECTION IN BEAN'S VISOR 361 00:19:19,413 --> 00:19:21,310 COULD BE THE COMMAND MODULE, 362 00:19:21,310 --> 00:19:22,551 CAUGHT ON CAMERA 363 00:19:22,551 --> 00:19:25,758 AS ITS ORBIT CARRIED IT PAST THE LANDING SITE. 364 00:19:28,068 --> 00:19:32,724 BUT THAT EXPLANATION DOESN'T SATISFY THE APOLLO ASTRONAUTS. 365 00:19:32,724 --> 00:19:33,931 IT COULD NOT BE THE COMMAND MODULE 366 00:19:33,931 --> 00:19:37,379 BECAUSE THE COMMAND MODULE IS 60 MILES AWAY, 367 00:19:37,379 --> 00:19:39,172 AND IT'S NOT GONNA SHOW UP THAT BIG. 368 00:19:39,172 --> 00:19:41,586 Narrator: CONSPIRACY THEORISTS SUGGEST THE PHOTOGRAPH 369 00:19:41,586 --> 00:19:45,689 PROVIDES EVIDENCE THAT NASA FAKED THE MOON MISSIONS. 370 00:19:48,655 --> 00:19:51,896 SOME PEOPLE BELIEVE THAT THE MOON LANDINGS NEVER HAPPENED 371 00:19:51,896 --> 00:19:53,793 AND THAT THEY WERE ACTUALLY FILMED IN SOME TYPE 372 00:19:53,793 --> 00:19:55,793 OF MOVIE STUDIO. 373 00:19:55,793 --> 00:19:57,793 PETE CONRAD TAKES A PICTURE OF ALAN BEAN 374 00:19:57,793 --> 00:19:59,275 WITH A REFLECTION IN HIS VISOR 375 00:19:59,275 --> 00:20:02,448 THAT CONSPIRACY THEORISTS POINT TO AS BEING INDICATION 376 00:20:02,448 --> 00:20:04,137 OF STUDIO LIGHTING. 377 00:20:04,137 --> 00:20:07,344 IF THEY'RE REALLY ON THE MOON INSTEAD OF ON A SOUND STAGE, 378 00:20:07,344 --> 00:20:10,172 WHY DO WE SEE OBJECTS REFLECTED IN THEIR VISORS? 379 00:20:10,172 --> 00:20:12,862 IT'S SUPPOSED TO BE EMPTY UP THERE. 380 00:20:12,862 --> 00:20:14,379 Narrator: AN OVERHEAD LIGHTING RIG 381 00:20:14,379 --> 00:20:17,793 ON A MOVIE SET COULD EXPLAIN THE ANOMALY'S PRESENCE, 382 00:20:17,793 --> 00:20:21,517 BUT THERE ARE OTHER THEORIES ABOUT ITS ORIGIN. 383 00:20:21,517 --> 00:20:22,758 D'Antonio: I DON'T BELIEVE THAT. 384 00:20:22,758 --> 00:20:24,379 BACK IN THE '60s AND '70s, 385 00:20:24,379 --> 00:20:28,103 THE TECHNOLOGY DIDN'T REMOTELY EXIST TO FAKE MOON LANDINGS 386 00:20:28,103 --> 00:20:29,379 IN A CONVINCING WAY. 387 00:20:29,379 --> 00:20:31,724 I THINK THAT IT'S ACTUALLY MOON DUST 388 00:20:31,724 --> 00:20:34,206 THAT HAS BEEN PLACED ON THE HELMET 389 00:20:34,206 --> 00:20:35,413 BY THE CONTINUAL RAISING 390 00:20:35,413 --> 00:20:39,241 AND LOWERING OF THE VISOR BY THE ASTRONAUT. 391 00:20:39,241 --> 00:20:41,344 Narrator: WITH NO CONCLUSIVE EVIDENCE, 392 00:20:41,344 --> 00:20:46,034 THEORIES ABOUT THE VISOR ANOMALY REMAIN SPECULATION. 393 00:20:46,034 --> 00:20:49,172 BUT THE IDEA THAT NASA FAKED THE MOON LANDINGS 394 00:20:49,172 --> 00:20:53,034 DOESN'T SIT WELL WITH THE MEN WHO FLEW THE MISSIONS. 395 00:20:53,034 --> 00:20:55,206 MY RESPONSE TO THOSE WHO THINK 396 00:20:55,206 --> 00:20:57,448 IT WAS ALL DONE ON A SOUND STAGE... 397 00:20:57,448 --> 00:20:59,655 I THINK IT'S KIND OF AN INSULT 398 00:20:59,655 --> 00:21:02,344 BECAUSE WE HAVE FURTHERED KNOWLEDGE, 399 00:21:02,344 --> 00:21:04,827 WE'VE DONE SOME WONDERFUL THINGS, 400 00:21:04,827 --> 00:21:07,724 AND, AS FAR AS I'M CONCERNED, IT'S ALL HOT AIR. 401 00:21:07,724 --> 00:21:09,551 [ CAMERA SHUTTER CLICKING ] 402 00:21:13,448 --> 00:21:15,655 Narrator: THE IMAGES FROM THE APOLLO PROGRAM 403 00:21:15,655 --> 00:21:20,000 ARE NOT THE ONLY CONTROVERSIAL NASA PHOTOGRAPHS. 404 00:21:20,000 --> 00:21:23,103 STILL TO COME, INVESTIGATORS DISCOVER 405 00:21:23,103 --> 00:21:27,068 FORGOTTEN IMAGES THAT UNMASK THE FACE ON MARS. 406 00:21:27,068 --> 00:21:28,793 THIS IS ONE OF THE MOST ASTONISHING IMAGES 407 00:21:28,793 --> 00:21:30,413 IN SPACE-EXPLORATION HISTORY. 408 00:21:44,586 --> 00:21:47,517 Narrator: THE FIRST NASA PROBE TO REACH MARS 409 00:21:47,517 --> 00:21:49,482 BEAMS BACK AN ICONIC IMAGE. 410 00:21:51,275 --> 00:21:53,000 THIS IS ONE OF THE MOST ASTONISHING IMAGES 411 00:21:53,000 --> 00:21:54,931 IN SPACE-EXPLORATION HISTORY. 412 00:21:57,344 --> 00:21:59,413 IT LOOKED LIKE A FACE. 413 00:21:59,413 --> 00:22:03,413 YOU CAN SEE EYE SOCKETS, A NOSE AND A MOUTH STRUCTURE. 414 00:22:03,413 --> 00:22:05,448 Narrator: BUT WHEN VIKING TAKES MORE IMAGES 415 00:22:05,448 --> 00:22:07,448 TO VERIFY THE PHENOMENON, 416 00:22:07,448 --> 00:22:10,793 THE DATA GETS BURIED SOMEWHERE IN THE NASA ARCHIVES. 417 00:22:10,793 --> 00:22:15,137 IT SEEMS, TO ME, KIND OF IMPOSSIBLE TO LOSE PICTURES. 418 00:22:15,137 --> 00:22:17,620 Narrator: AND THE MYSTERY OF THE FACE ON MARS 419 00:22:17,620 --> 00:22:20,620 BECOMES A CONSPIRACY THEORY. 420 00:22:20,620 --> 00:22:24,517 IT'S EASY TO SEE WHY SOME PEOPLE WOULD BECOME SUSPICIOUS. 421 00:22:29,724 --> 00:22:32,689 Narrator: EVER SINCE NASA FIRST CARRIED MAN INTO SPACE, 422 00:22:32,689 --> 00:22:35,689 THE AGENCY HAS TAKEN A PURELY SCIENTIFIC APPROACH 423 00:22:35,689 --> 00:22:40,344 TO THE QUESTION OF WHETHER WE ARE ALONE IN THE UNIVERSE. 424 00:22:40,344 --> 00:22:43,379 ITS SCIENTISTS SUBJECT ANY POTENTIAL EVIDENCE 425 00:22:43,379 --> 00:22:46,172 TO CAREFUL SCRUTINY BEFORE RELEASING INFORMATION 426 00:22:46,172 --> 00:22:47,551 TO THE PUBLIC. 427 00:22:47,551 --> 00:22:51,172 BUT SOMETIMES THE PUBLIC MAKES UP ITS OWN MIND. 428 00:22:54,000 --> 00:22:59,793 JULY 1976, NASA'S VIKING I LANDER MAKES HISTORY 429 00:22:59,793 --> 00:23:01,689 AS THE FIRST HUMAN SPACECRAFT 430 00:23:01,689 --> 00:23:04,551 TO TOUCH DOWN ON THE MARTIAN SURFACE. 431 00:23:04,551 --> 00:23:06,344 1,000 MILES UP, 432 00:23:06,344 --> 00:23:08,655 THE VIKING ORBITER SCANS THE SURFACE 433 00:23:08,655 --> 00:23:13,000 TO FIND LANDING SITES FOR SUBSEQUENT MARS MISSIONS. 434 00:23:13,000 --> 00:23:15,862 THE IMAGES IT BEAMS BACK TO SCIENTISTS ON EARTH 435 00:23:15,862 --> 00:23:17,137 SHOW THE RED PLANET 436 00:23:17,137 --> 00:23:19,379 IN UNPRECEDENTED DETAIL. 437 00:23:19,379 --> 00:23:24,482 AND ONE PICTURE SENDS SHOCKWAVES AROUND THE WORLD. 438 00:23:24,482 --> 00:23:27,379 Rutkowski: WHAT CAME BACK WAS AN ASTONISHING ARRAY 439 00:23:27,379 --> 00:23:28,931 OF VALLEYS AND MOUNTAINS, 440 00:23:28,931 --> 00:23:32,517 BUT THE MOST PARTICULARLY INTERESTING FEATURE WAS A FACE 441 00:23:32,517 --> 00:23:35,275 THAT SEEMED TO JUMP OUT OF THE PHOTOGRAPHS, 442 00:23:35,275 --> 00:23:36,517 LOOKING OUT AT EARTH 443 00:23:36,517 --> 00:23:39,517 AS IF TO SAY, "WE ARE HERE. WE ARE HERE." 444 00:23:39,517 --> 00:23:40,931 IT LOOKED LIKE A FACE. 445 00:23:40,931 --> 00:23:43,586 YOU COULD SEE EYE SOCKETS, A NOSE AND A MOUTH STRUCTURE. 446 00:23:43,586 --> 00:23:46,517 Bell: IT'S IMPOSSIBLE TO LOOK AT THAT PARTICULAR IMAGE 447 00:23:46,517 --> 00:23:49,413 WITHOUT SEEING A HUMAN FACE. 448 00:23:49,413 --> 00:23:52,103 Narrator: NASA ORIGINALLY RELEASES THE PHOTO OF THE FACE 449 00:23:52,103 --> 00:23:56,517 TO THE PUBLIC TO CAPTURE INTEREST IN SPACE EXPLORATION. 450 00:23:56,517 --> 00:24:02,413 IT WORKS, PERHAPS BECAUSE THE DISCOVERY OF A FACE ON MARS 451 00:24:02,413 --> 00:24:05,586 HAD ALREADY BEEN PREDICTED. 452 00:24:05,586 --> 00:24:09,413 ALMOST 20 YEARS BEFORE VIKING TOOK ITS ICONIC PHOTOGRAPH, 453 00:24:09,413 --> 00:24:11,551 LEGENDARY ARTIST JACK KIRBY 454 00:24:11,551 --> 00:24:16,241 PRODUCED A COMIC BOOK CALLED "THE FACE ON MARS." 455 00:24:16,241 --> 00:24:18,068 JACK KIRBY'S COMIC BOOK 456 00:24:18,068 --> 00:24:22,413 SPECULATED ON A LONG-DEAD RACE THAT HAD ERECTED A FACE ON MARS, 457 00:24:22,413 --> 00:24:25,655 WHICH IS WHY WHEN A FACE ON MARS WAS DISCOVERED, 458 00:24:25,655 --> 00:24:27,793 IT REALLY RAISED FURTHER SPECULATION 459 00:24:27,793 --> 00:24:30,172 THAT WE'RE NOT ALONE IN THIS UNIVERSE. 460 00:24:33,724 --> 00:24:35,965 Narrator: IF THE FACE TRULY IS A MONUMENT, 461 00:24:35,965 --> 00:24:39,551 IT IS SO ENORMOUS, 18 FOOTBALL FIELDS LONG, 462 00:24:39,551 --> 00:24:41,724 THAT IT WOULD BE VIEWABLE ONLY FROM THE AIR 463 00:24:41,724 --> 00:24:43,655 OR FROM SPACE. 464 00:24:46,586 --> 00:24:48,793 SPECULATION THAT THE FACE ON MARS 465 00:24:48,793 --> 00:24:51,620 WAS LEFT BEHIND BY CREATURES THAT USED TO LIVE ON MARS 466 00:24:51,620 --> 00:24:53,758 IS NOT THAT FAR-REACHING. 467 00:24:53,758 --> 00:24:56,965 ON EARTH, WE HAVE THINGS LIKE STONEHENGE AND THE PYRAMIDS. 468 00:24:56,965 --> 00:24:59,551 THEY'RE VISIBLE FROM THE AIR. 469 00:24:59,551 --> 00:25:03,551 Narrator: THE PUBLIC INTEREST IN THE FACE ON MARS TURNS TO FRENZY, 470 00:25:03,551 --> 00:25:06,655 AND VIKING PROGRAM CHIEF SCIENTIST GERALD SOFFEN 471 00:25:06,655 --> 00:25:09,379 ISSUES A STATEMENT DISMISSING THE ANOMALY 472 00:25:09,379 --> 00:25:10,724 AS A TRICK OF THE LIGHT. 473 00:25:10,724 --> 00:25:14,344 Palermo: IT MIGHT HAVE FREAKED THEM OUT A LITTLE BIT. 474 00:25:14,344 --> 00:25:17,344 THEY MIGHT BE JUST NERVOUS ABOUT WHAT THEY MIGHT HAVE FOUND. 475 00:25:17,344 --> 00:25:19,689 AND NASA GOES, "NO, IT'S JUST AN IMAGING GLITCH. 476 00:25:19,689 --> 00:25:22,034 OH, THIS AND THAT. LET'S JUST MOVE ON." 477 00:25:22,034 --> 00:25:24,103 Narrator: SOME SAY THE FACE ON MARS 478 00:25:24,103 --> 00:25:27,275 IS JUST A CREATION OF THE HUMAN IMAGINATION. 479 00:25:29,655 --> 00:25:32,172 WE'RE PROGRAMMED AS HUMANS TO RECOGNIZE FACES. 480 00:25:32,172 --> 00:25:33,172 WE'RE REALLY GOOD AT IT. 481 00:25:33,172 --> 00:25:34,620 YOU KNOW, EVOLUTIONARILY, 482 00:25:34,620 --> 00:25:36,689 IT'S TO OUR ADVANTAGE TO KNOW WHO'S THE GOOD GUYS 483 00:25:36,689 --> 00:25:38,034 AND WHO'S THE BAD GUYS. 484 00:25:38,034 --> 00:25:39,413 IT'S JUST VERY COMMON, 485 00:25:39,413 --> 00:25:42,724 AND WE SEE FACES ALL THE TIME, EVERYWHERE. 486 00:25:46,206 --> 00:25:49,103 Narrator: THE ONLY WAY FOR SCIENTISTS TO ASCERTAIN THE TRUE NATURE 487 00:25:49,103 --> 00:25:53,344 OF THE ANOMALY IS TO OBTAIN MORE DATA. 488 00:25:53,344 --> 00:25:55,655 35 DAYS LATER, THE VIKING ORBITER 489 00:25:55,655 --> 00:25:59,413 MAKES A SECOND PASS OVER THE CYDONIA REGION OF MARS 490 00:25:59,413 --> 00:26:03,241 AND TAKES ANOTHER PICTURE OF THE SAME AREA. 491 00:26:03,241 --> 00:26:05,896 AND DESPITE SHOOTING FROM A COMPLETELY DIFFERENT ANGLE, 492 00:26:05,896 --> 00:26:08,275 THE FACE IS STILL CLEARLY VISIBLE. 493 00:26:08,275 --> 00:26:10,689 IF YOU LOOK AT THIS LEFT-HAND IMAGE, 494 00:26:10,689 --> 00:26:13,689 YOU CAN SEE THE FACE WITH ITS SHADOW. 495 00:26:13,689 --> 00:26:17,206 BUT 35 DAYS LATER, ANOTHER PHOTO OF THE SAME REGION WAS TAKEN, 496 00:26:17,206 --> 00:26:19,931 AND YOU SEE, AGAIN, THE FACE, 497 00:26:19,931 --> 00:26:21,310 BUT WITH A SLIGHTLY SHORTER SHADOW, 498 00:26:21,310 --> 00:26:23,827 MEANING THE SUN WAS AT A DIFFERENT ANGLE. 499 00:26:23,827 --> 00:26:26,827 SO THE QUESTION IS, ARE THESE NATURALLY OCCURRING 500 00:26:26,827 --> 00:26:29,310 OR ARE THEY ARTIFICIAL? 501 00:26:29,310 --> 00:26:32,034 Narrator: THIS SECOND IMAGE SEEMS TO OFFER CONFIRMATION 502 00:26:32,034 --> 00:26:35,275 THAT THE FACE ON MARS IS NOT JUST A TRICK OF THE LIGHT 503 00:26:35,275 --> 00:26:38,103 BECAUSE, IF THE SHAPE WAS ONLY FORMED BY SHADOWS, 504 00:26:38,103 --> 00:26:40,379 IT WOULD NOT BE VISIBLE FROM A DIFFERENT ANGLE 505 00:26:40,379 --> 00:26:43,000 IN DIFFERENT LIGHT CONDITIONS. 506 00:26:43,000 --> 00:26:48,379 BUT FOR SOME REASON, THIS IMAGE DOES NOT REACH THE PUBLIC. 507 00:26:48,379 --> 00:26:50,482 IT ONLY EMERGES FOUR YEARS LATER, 508 00:26:50,482 --> 00:26:54,379 WHEN TWO IMAGE PROCESSING EXPERTS CONDUCT THEIR OWN SEARCH 509 00:26:54,379 --> 00:26:57,137 THROUGH OLD MARS MISSION DATA. 510 00:26:57,137 --> 00:26:58,724 WHEN A SECOND IMAGE OF THE FACE 511 00:26:58,724 --> 00:27:02,793 IS DISCOVERED LATER AMONG SUPPOSEDLY MISFILED DATA, 512 00:27:02,793 --> 00:27:04,827 IT ALL BEGINS TO SMELL A LITTLE FUNNY. 513 00:27:04,827 --> 00:27:07,551 IT'S TEMPTING TO SPECULATE THAT THERE'S SOME SORT 514 00:27:07,551 --> 00:27:10,586 OF CONSPIRACY TO KEEP THE TRUTH FROM THE PUBLIC. 515 00:27:10,586 --> 00:27:14,344 Narrator: NASA MAINTAINS THAT THE IMAGES WERE AVAILABLE TO THE PUBLIC, 516 00:27:14,344 --> 00:27:15,965 BUT THE METHODS OF ARCHIVING 517 00:27:15,965 --> 00:27:19,586 AND PRESERVATION MAY HAVE MADE THEM HARD TO ACCESS. 518 00:27:19,586 --> 00:27:21,000 THEY ALL GET STORED ON TAPES. 519 00:27:21,000 --> 00:27:23,103 MULTIPLE COPIES OF TAPES GET MADE. 520 00:27:23,103 --> 00:27:26,379 THEY GET ARCHIVED IN MULTIPLE LOCATIONS. 521 00:27:26,379 --> 00:27:31,551 IT SEEMS, TO ME, KIND OF IMPOSSIBLE TO LOSE PICTURES. 522 00:27:31,551 --> 00:27:33,206 Narrator: FOR MORE THAN 20 YEARS, 523 00:27:33,206 --> 00:27:36,793 CONSPIRACY THEORISTS ACCUSE NASA OF IGNORING DEMANDS 524 00:27:36,793 --> 00:27:39,448 FOR FURTHER INVESTIGATION OF THE FACE. 525 00:27:39,448 --> 00:27:44,068 BUT IN 1998, A SPOKESMAN FOR THE MARS EXPLORATION PROGRAM 526 00:27:44,068 --> 00:27:46,379 MAKES A SURPRISE ANNOUNCEMENT. 527 00:27:46,379 --> 00:27:49,103 JIM GARVIN, WHO WAS A SENIOR SCIENTIST 528 00:27:49,103 --> 00:27:51,620 ON THE MISSION TO EXPLORE MARS, 529 00:27:51,620 --> 00:27:55,758 SAID THAT THE FACE ON MARS WAS THE NUMBER-ONE PRIORITY. 530 00:27:55,758 --> 00:27:59,000 Narrator: NASA'S WILLINGNESS TO EXPEND VALUABLE RESOURCES 531 00:27:59,000 --> 00:28:02,103 ON SOMETHING THEY'VE ALREADY DISMISSED AS UNIMPORTANT 532 00:28:02,103 --> 00:28:05,724 AROUSES SUSPICION IN SOME QUARTERS. 533 00:28:05,724 --> 00:28:07,103 WHAT WAS THE SIGNIFICANCE? 534 00:28:07,103 --> 00:28:09,137 WHY WAS IT GOING TO SUCH EXTRAORDINARY LENGTHS 535 00:28:09,137 --> 00:28:10,586 TO LOOK AT THIS FACE? 536 00:28:10,586 --> 00:28:12,517 PERHAPS NASA BELIEVED, ITSELF, 537 00:28:12,517 --> 00:28:16,344 THAT THIS WAS AN ARTIFICIAL CONSTRUCT OF SOME SORT. 538 00:28:16,344 --> 00:28:17,862 Narrator: EVEN THOUGH THE RESOLUTION 539 00:28:17,862 --> 00:28:21,137 IS 10 TIMES SHARPER THAN IN THE 1970s, 540 00:28:21,137 --> 00:28:24,896 NASA'S 1998 PHOTOGRAPH DOESN'T PROVIDE AN ANSWER 541 00:28:24,896 --> 00:28:28,344 TO THE MYSTERY THAT SATISFIES EVERYONE. 542 00:28:28,344 --> 00:28:33,172 SOME PEOPLE ARE SUGGESTING THAT NASA DOCTORED THE IMAGE 543 00:28:33,172 --> 00:28:37,172 TO HIDE THE FACE ON MARS. 544 00:28:37,172 --> 00:28:39,068 D'Antonio: IT WAS TAKEN DURING THE MARTIAN WINTER. 545 00:28:39,068 --> 00:28:40,172 THERE WAS SOME CLOUD COVER 546 00:28:40,172 --> 00:28:42,620 THAT WAS OBSCURING A FEW OF THE DETAILS, 547 00:28:42,620 --> 00:28:45,137 AND THE LIGHT AND THE PHOTO ITSELF 548 00:28:45,137 --> 00:28:47,827 ARE FROM SLIGHTLY DIFFERENT ANGLES. 549 00:28:47,827 --> 00:28:53,482 SO IT WASN'T A DIRECT COMPARISON TO THE PREVIOUS PHOTOS. 550 00:28:53,482 --> 00:28:54,827 Narrator: IN 2001, 551 00:28:54,827 --> 00:28:58,344 NASA MAKES A FINAL ATTEMPT TO SOLVE THE MYSTERY. 552 00:28:58,344 --> 00:29:00,551 THE MARS GLOBAL SURVEYOR PROBE 553 00:29:00,551 --> 00:29:03,965 TAKES ANOTHER IMAGE FROM DIRECTLY OVERHEAD. 554 00:29:07,241 --> 00:29:10,000 NASA BROKE DOWN TO PUBLIC DEMAND. 555 00:29:10,000 --> 00:29:12,586 THEY FINALLY JUST TASKED THE SATELLITE 556 00:29:12,586 --> 00:29:16,413 TO TAKE AN EXACT, CLOSE-UP IMAGE OF THAT AREA. 557 00:29:16,413 --> 00:29:19,137 Narrator: NASA TECHNICIANS MERGE THE LATER SHOT 558 00:29:19,137 --> 00:29:23,655 WITH THE PREVIOUS IMAGES TO BUILD A THREE-DIMENSIONAL MODEL. 559 00:29:23,655 --> 00:29:25,448 TAKE THOSE IMAGES OF DIFFERENT PERSPECTIVE, 560 00:29:25,448 --> 00:29:26,862 PUT THEM INTO A COMPUTER. 561 00:29:26,862 --> 00:29:30,413 YOU CAN GO FROM THIS IS A FLAT THING ON A PIECE OF PAPER 562 00:29:30,413 --> 00:29:32,448 SEEN IN THE 1970s. 563 00:29:32,448 --> 00:29:34,965 NOW IT'S REAL. 564 00:29:34,965 --> 00:29:38,482 Narrator: NASA'S 3-D IMAGE PROVIDES CONCLUSIVE PROOF 565 00:29:38,482 --> 00:29:43,413 THAT THE FACE ON MARS ISN'T A FACE AT ALL. 566 00:29:43,413 --> 00:29:47,586 IN FACT, IT IS A BEAUTIFUL MOUNTAIN, 567 00:29:47,586 --> 00:29:51,310 A GEOLOGIC FEATURE WITH ERODING SLOPES. 568 00:29:51,310 --> 00:29:53,862 Narrator: ULTIMATELY, THE MYSTERY OF THE FACE ON MARS 569 00:29:53,862 --> 00:29:56,172 WAS THE PRODUCT OF PRIMITIVE IMAGING TECHNIQUES 570 00:29:56,172 --> 00:29:59,275 FROM THE EARLY DAYS OF SPACE EXPLORATION. 571 00:30:01,793 --> 00:30:05,586 TODAY, WE HAVE HIGH-DEFINITION IMAGES BEAMED FROM ROBOTS 572 00:30:05,586 --> 00:30:07,827 ON THE SURFACE OF THE RED PLANET, 573 00:30:07,827 --> 00:30:12,344 AND YET WE STILL FIND MYSTERIES THERE WE CANNOT EXPLAIN. 574 00:30:13,862 --> 00:30:17,103 STILL TO COME, SOMETHING IS MOVING ON THE SURFACE 575 00:30:17,103 --> 00:30:19,931 OF THE SUPPOSEDLY DEAD PLANET. 576 00:30:22,896 --> 00:30:24,827 ONE MOMENT IT WASN'T THERE YET, 577 00:30:24,827 --> 00:30:26,586 AND THEN THE NEXT MOMENT IT'S THERE. 578 00:30:26,586 --> 00:30:27,896 WHO PUT IT THERE? 579 00:30:38,827 --> 00:30:41,689 Narrator: WHEN NASA'S OPPORTUNITY ROVER PHOTOGRAPHED SOMETHING 580 00:30:41,689 --> 00:30:43,965 EXTRAORDINARY ON THE MARTIAN SURFACE... 581 00:30:43,965 --> 00:30:45,344 SO, HERE, YOU HAVE ON THE GROUND 582 00:30:45,344 --> 00:30:48,827 A LUMP THAT SOMEHOW IS SHAPED LIKE A JELLY DOUGHNUT. 583 00:30:48,827 --> 00:30:51,931 Narrator: ...THE DISCOVERY CREATES WORLDWIDE CONFUSION. 584 00:30:51,931 --> 00:30:56,275 THE JELLY DOUGHNUT IS, INDEED, A BIT OF A MYSTERY. 585 00:30:56,275 --> 00:30:58,379 Lee: ONE MOMENT IT WASN'T THERE YET, 586 00:30:58,379 --> 00:31:00,413 AND THEN THE NEXT MOMENT IT'S THERE. 587 00:31:06,310 --> 00:31:09,931 Narrator: APART FROM OUR OWN PLANET, THERE IS NOWHERE IN THE UNIVERSE 588 00:31:09,931 --> 00:31:13,034 WE KNOW BETTER THAN THE SURFACE OF MARS... 589 00:31:15,344 --> 00:31:19,965 ...BUT THIS SUPPOSEDLY DEAD WORLD CAN STILL SURPRISE US. 590 00:31:25,517 --> 00:31:30,137 JANUARY 8, 2014, THE OPPORTUNITY ROVER 591 00:31:30,137 --> 00:31:36,000 HAS SPENT 10 YEARS SCOURING THE RED PLANET FOR MINERALS. 592 00:31:36,000 --> 00:31:37,413 AS IT CROSSES THE RIDGE 593 00:31:37,413 --> 00:31:40,793 ON THE EDGE OF THE 14-MILE-WIDE ENDEAVOR CRATER, 594 00:31:40,793 --> 00:31:43,931 IT SPOTS SOMETHING CONFUSING. 595 00:31:43,931 --> 00:31:46,000 WE TOOK SOME COLOR PICTURES OF IT, 596 00:31:46,000 --> 00:31:47,724 AND THAT'S WHERE THE JELLY DOUGHNUT CAME FROM. 597 00:31:47,724 --> 00:31:50,379 KIND OF ROUND, ABOUT DOUGHNUT SIZE 598 00:31:50,379 --> 00:31:55,965 WITH THIS, YOU KNOW, REDDISH, PURPLISH DIMPLE IN THE MIDDLE. 599 00:31:55,965 --> 00:31:58,068 Narrator: THE UNIDENTIFIED OBJECT 600 00:31:58,068 --> 00:32:01,551 LOOKS LIKE NOTHING ELSE EVER SEEN ON MARS. 601 00:32:01,551 --> 00:32:03,551 BUT WHEN SCIENTISTS LOOK AT PHOTOGRAPHS 602 00:32:03,551 --> 00:32:05,931 OF THE SAME PATCH OF GROUND FROM 12 DAYS EARLIER, 603 00:32:05,931 --> 00:32:09,620 THE ODDITY EVOLVES INTO A MYSTERY. 604 00:32:12,413 --> 00:32:14,241 AT THE EXACT SAME SPOT, 605 00:32:14,241 --> 00:32:17,896 THERE WAS NO JELLY DOUGHNUT. 606 00:32:17,896 --> 00:32:20,827 Bell: THE REASON THAT IT'S INTERESTING TO SEE THINGS MOVE ON MARS 607 00:32:20,827 --> 00:32:24,344 IS BECAUSE IT HARDLY EVER HAPPENS. 608 00:32:24,344 --> 00:32:27,034 THE JELLY DOUGHNUT WAS CERTAINLY NOT THERE, 609 00:32:27,034 --> 00:32:30,655 AND THEN IT WAS THERE. 610 00:32:30,655 --> 00:32:33,310 Bell: THE MOST INTERESTING THING THAT'S HAPPENED IN THIS PLACE 611 00:32:33,310 --> 00:32:35,724 IN THE PAST 2 BILLION YEARS, AT LEAST, 612 00:32:35,724 --> 00:32:37,620 IS THE ROVER DRIVING PAST. 613 00:32:37,620 --> 00:32:40,448 THAT'S THE MOST ACTIVITY THAT'S HAPPENED THERE. 614 00:32:40,448 --> 00:32:42,896 MY FIRST IDEA WHEN I -- WHEN I SAW THIS WAS, 615 00:32:42,896 --> 00:32:46,862 MAYBE A MARTIAN JUST PUT IT THERE AS, "HEY, HERE WE ARE." 616 00:32:46,862 --> 00:32:50,275 Narrator: WHEN NASA DOES NOT OFFER A SATISFACTORY EXPLANATION, 617 00:32:50,275 --> 00:32:52,310 SPECULATION MOUNTS. 618 00:32:52,310 --> 00:32:54,310 IS THE DOUGHNUT ORGANIC LIFE, 619 00:32:54,310 --> 00:32:58,448 A FUNGUS OR PLANT GROWN OUT OF THE MARTIAN SOIL? 620 00:32:58,448 --> 00:33:01,896 ONE CONTROVERSIAL SCIENCE WRITER EVEN FILES A LAWSUIT 621 00:33:01,896 --> 00:33:05,482 THAT PUSHES NASA TO EXAMINE THE OBJECT MORE CLOSELY. 622 00:33:08,413 --> 00:33:10,620 AND SEVERAL LEADING SCIENTISTS AGREE 623 00:33:10,620 --> 00:33:14,172 THAT THE STRANGE OBJECT MERITS INVESTIGATION. 624 00:33:14,172 --> 00:33:17,034 I'VE BEEN A FOSSIL HUNTER FOR MANY, MANY YEARS, 625 00:33:17,034 --> 00:33:19,137 AND WHEN I GO OUT HUNTING FOSSILS, 626 00:33:19,137 --> 00:33:21,172 I SEE THOUSANDS AND THOUSANDS OF ROCKS. 627 00:33:21,172 --> 00:33:23,344 BUT WHEN I SEE ONE THAT LOOKS INTERESTING, 628 00:33:23,344 --> 00:33:25,862 I SAY, "STOP WHAT YOU'RE DOING. 629 00:33:25,862 --> 00:33:29,793 WAIT A MINUTE. I'VE GOT TO EXAMINE THIS IN DETAIL." 630 00:33:29,793 --> 00:33:33,931 I CAN'T SAY THAT NASA DIDN'T STUDY THIS ROCK IN DETAIL, 631 00:33:33,931 --> 00:33:37,275 BUT IF IT WERE STUDIED IN DETAIL, THEN THAT 632 00:33:37,275 --> 00:33:39,413 SHOULD HAVE BEEN THE SUBJECT OF A SCIENTIFIC PAPER. 633 00:33:39,413 --> 00:33:41,655 I -- YOU KNOW, I DON'T HAVE ANY COMMENT ON ANY LAWSUITS, 634 00:33:41,655 --> 00:33:44,689 BUT I THINK IT'S -- IT'S ONLY NATURAL 635 00:33:44,689 --> 00:33:47,206 FOR THE PUBLIC TO BE CURIOUS ABOUT THIS. 636 00:33:47,206 --> 00:33:50,689 IT REALLY WAS SOMETHING THAT IS AMBIGUOUS. 637 00:33:50,689 --> 00:33:53,344 Narrator: NASA IS INITIALLY UNABLE TO EXPLAIN 638 00:33:53,344 --> 00:33:56,137 HOW THE MYSTERIOUS ROCK COULD HAVE MOVED. 639 00:33:56,137 --> 00:33:58,793 FORMER NASA SCIENTIST RICHARD HOOVER 640 00:33:58,793 --> 00:34:00,206 HAS HIS OWN THEORY. 641 00:34:00,206 --> 00:34:02,482 Hoover: IT'S PROBABLY PART OF A METEORITE 642 00:34:02,482 --> 00:34:05,586 THAT CAME IN AND LANDED ON THE SURFACE OF MARS 643 00:34:05,586 --> 00:34:07,379 AND BROKE INTO PIECES. 644 00:34:12,896 --> 00:34:14,379 AND ONE OF THE PIECES 645 00:34:14,379 --> 00:34:17,482 HAPPENED TO LAND RELATIVELY CLOSE TO THE ROVER. 646 00:34:17,482 --> 00:34:20,206 Narrator: WHILE HOOVER'S THEORY IS PLAUSIBLE, 647 00:34:20,206 --> 00:34:22,482 THERE IS NO CORROBORATING EVIDENCE AVAILABLE. 648 00:34:22,482 --> 00:34:25,310 Bell: THE ROVER DOESN'T HAVE ANY KIND OF A SEISMOGRAPH. 649 00:34:25,310 --> 00:34:26,482 THERE'S NO WAY TO -- 650 00:34:26,482 --> 00:34:30,724 UNLESS WE VISUALLY SAW A NEW CRATER APPEAR, 651 00:34:30,724 --> 00:34:34,413 THAT'S THE ONLY WAY WE'D BE ABLE TO DETECT IT. 652 00:34:34,413 --> 00:34:37,103 Narrator: WHEN NASA DOES MAKE AN OFFICIAL STATEMENT, 653 00:34:37,103 --> 00:34:40,103 IT SUGGESTS THE JELLY DOUGHNUT IS A ROCK 654 00:34:40,103 --> 00:34:43,103 DISLODGED FROM THE ROVER'S WHEEL. 655 00:34:43,103 --> 00:34:45,517 THE OPPORTUNITY ROVER DID A -- A KIND OF A PIROUETTE. 656 00:34:45,517 --> 00:34:47,137 AND WE THINK THAT, 657 00:34:47,137 --> 00:34:49,862 IN THE PROCESS OF THAT WHEEL MOVING ACROSS THE GROUND, 658 00:34:49,862 --> 00:34:51,517 THAT WE KIND OF FLICKED THIS ROCK 659 00:34:51,517 --> 00:34:54,000 AND KIND OF TIDDLY-WINKED IT OUT OF THE GROUND AND THAT IT -- 660 00:34:54,000 --> 00:34:57,068 IT MOVED TO THE LOCATION THERE, WHERE WE SEE IT. 661 00:34:57,068 --> 00:34:58,620 Lee: I CAN TELL YOU THAT, 662 00:34:58,620 --> 00:35:02,724 HAVING DRIVEN JEEPS AND ROVERS ACROSS DESERTS ON THE EARTH, 663 00:35:02,724 --> 00:35:05,275 IT ACTUALLY DIDN'T SURPRISE ME AT ALL. 664 00:35:05,275 --> 00:35:07,206 Bell: WHAT WE THINK HAPPENED IS IT CRUSHED THE ROCK, 665 00:35:07,206 --> 00:35:09,620 AND SOME OF THE ROCK WENT INTO THE WHEEL WELL, YOU KNOW, 666 00:35:09,620 --> 00:35:11,310 LIKE IN YOUR WASHING MACHINE, 667 00:35:11,310 --> 00:35:15,517 KIND OF GETTING MIXED AROUND BEFORE IT EVENTUALLY CAME OUT. 668 00:35:15,517 --> 00:35:19,000 Narrator: BUT EVEN IF THE WHEEL THEORY IS CORRECT, NASA SCIENTISTS 669 00:35:19,000 --> 00:35:23,310 ADMIT THAT THE JELLY DOUGHNUT STILL POSES OTHER QUESTIONS. 670 00:35:23,310 --> 00:35:25,965 OUTSIDE, IT'S GOT KIND OF A WEIRD, DEEP, RED COLOR, 671 00:35:25,965 --> 00:35:27,586 NOT A MARTIAN KIND OF RED. 672 00:35:27,586 --> 00:35:31,172 WE'RE SEEING A STRANGE COMPOSITION. 673 00:35:31,172 --> 00:35:34,724 NO ONE HAS EVER PUBLISHED ANY SCIENTIFIC DETAILS 674 00:35:34,724 --> 00:35:36,862 OF WHAT WAS THE CHEMICAL COMPOSITION, 675 00:35:36,862 --> 00:35:40,068 WHAT WAS THE NATURE OF THE REDDISH INTERIOR. 676 00:35:40,068 --> 00:35:42,000 THESE ARE THE KINDS OF QUESTIONS 677 00:35:42,000 --> 00:35:44,310 THAT THE BIOLOGISTS WANT TO KNOW, 678 00:35:44,310 --> 00:35:47,310 TO THINK ABOUT WAS IT A HABITABLE ENVIRONMENT. 679 00:35:49,586 --> 00:35:50,896 Narrator: IF NOTHING ELSE, 680 00:35:50,896 --> 00:35:53,517 THE JELLY DOUGHNUT PROVES THAT THERE IS STILL MUCH 681 00:35:53,517 --> 00:35:57,034 WE DO NOT UNDERSTAND ABOUT THE RED PLANET. 682 00:35:57,034 --> 00:35:59,586 BUT WE DO NOT NEED TO TRAVEL TO DISTANT WORLDS 683 00:35:59,586 --> 00:36:01,137 TO FIND MYSTERIES. 684 00:36:01,137 --> 00:36:06,655 SOME OF THE STRANGEST EVENTS HAPPEN IN NASA'S OWN BACKYARD. 685 00:36:06,655 --> 00:36:10,310 All: THREE, TWO, ONE, ZERO. 686 00:36:10,310 --> 00:36:11,689 Narrator: STILL TO COME, 687 00:36:11,689 --> 00:36:16,379 AS NASA PREPARES TO LAUNCH A REVOLUTIONARY SPACE PROBE, 688 00:36:16,379 --> 00:36:18,103 SOMETHING BIZARRE HAPPENS 689 00:36:18,103 --> 00:36:20,344 IN THE SKIES OVER CAPE CANAVERAL. 690 00:36:31,931 --> 00:36:36,827 Man: LIFTOFF OF THE ATLAS V WITH THE SOLAR DYNAMICS OBSERVATORY. 691 00:36:36,827 --> 00:36:38,862 Narrator: AS A NASA ROCKET BLASTS OFF, 692 00:36:38,862 --> 00:36:42,448 A SERIES OF FREAK WEATHER EVENTS HITS THE LAUNCH SITE. 693 00:36:42,448 --> 00:36:45,655 YOU DON'T NORMALLY SEE THIS SORT OF THING AT A ROCKET LAUNCH. 694 00:36:45,655 --> 00:36:47,551 Narrator: AND AS THE ROCKET GETS HIGHER, 695 00:36:47,551 --> 00:36:51,551 THE SKIES ABOVE CAPE CANAVERAL KEEP GETTING STRANGER. 696 00:36:51,551 --> 00:36:55,586 IT WAS QUITE UNIQUE AND UNEXPECTED. 697 00:36:55,586 --> 00:36:58,689 THIS IS LIKE A SCI-FI MOVIE, EXCEPT IT'S REAL LIFE. 698 00:36:58,689 --> 00:37:00,551 IT'S REALLY HAPPENING. 699 00:37:06,896 --> 00:37:11,000 Narrator: CAPE CANAVERAL AIR FORCE STATION, FEBRUARY 11, 2010. 700 00:37:12,344 --> 00:37:15,172 AN ATLAS V ROCKET WAITS FOR A BREAK IN THE WEATHER 701 00:37:15,172 --> 00:37:18,448 ABOVE SPACE LAUNCH COMPLEX 41. 702 00:37:18,448 --> 00:37:20,827 IT CARRIES A PRECIOUS PAYLOAD -- 703 00:37:20,827 --> 00:37:26,103 NASA'S $850 MILLION SOLAR DYNAMICS OBSERVATORY. 704 00:37:26,103 --> 00:37:30,000 THE SATELLITE PROMISES TO BEAM BACK 50 TIMES MORE DATA 705 00:37:30,000 --> 00:37:32,517 THAN ANY MISSION IN NASA'S HISTORY, 706 00:37:32,517 --> 00:37:37,517 UNLOCKING THE SECRETS OF OUR NEAREST STAR. 707 00:37:37,517 --> 00:37:39,137 Orwall: IT'S A BEAUTIFUL WINTER'S MORNING, 708 00:37:39,137 --> 00:37:40,586 LIGHT CLOUDS IN THE SKY. 709 00:37:40,586 --> 00:37:43,103 IT'S A GORGEOUS DAY FOR A ROCKET LAUNCH. 710 00:37:43,103 --> 00:37:46,413 Man: T-MINUS 15 SECONDS. 711 00:37:46,413 --> 00:37:49,034 Narrator: ROMEO DURSCHER, THE SDO'S EDUCATION 712 00:37:49,034 --> 00:37:53,275 AND OUTREACH MANAGER, FILMS THE LAUNCH. 713 00:37:53,275 --> 00:37:56,758 THIS WAS THE MISSION I HAD BEEN WORKING ON FROM DAY ONE, 714 00:37:56,758 --> 00:38:00,000 SO THERE WAS A LOT OF EXCITEMENT ON MY PART TO BE THERE 715 00:38:00,000 --> 00:38:06,275 AND SEE OUR PROJECT FINALLY LIFT OFF AND TAKE TO THE SKIES. 716 00:38:06,275 --> 00:38:09,068 All: THREE, TWO, ONE, ZERO. 717 00:38:09,068 --> 00:38:13,862 Man: AND IGNITION AND LIFTOFF OF THE ATLAS V. 718 00:38:13,862 --> 00:38:17,068 Narrator: FOR DURSCHER AND HIS COLLEAGUES ON THE OBSERVATORY PROGRAM, 719 00:38:17,068 --> 00:38:21,965 THIS MOMENT SHOULD BE THE CULMINATION OF YEARS OF WORK. 720 00:38:21,965 --> 00:38:23,896 BUT THE CROWD DOESN'T GET THE SPECTACLE 721 00:38:23,896 --> 00:38:27,172 THEY WERE EXPECTING TO SEE. 722 00:38:27,172 --> 00:38:30,172 I WAS LOOKING THROUGH THE VIEWFINDER OF MY CAMERA 723 00:38:30,172 --> 00:38:33,586 WHEN I HEAR THE -- THE CROWD GO, "WOW." 724 00:38:33,586 --> 00:38:36,724 [ CROWD MURMURING ] 725 00:38:36,724 --> 00:38:39,344 EVERYBODY WAS SAYING HOW INCREDIBLE THIS WAS, 726 00:38:39,344 --> 00:38:43,896 AND PEOPLE WHO HAD SEEN 40, 50, 60 LAUNCHES 727 00:38:43,896 --> 00:38:47,137 HAD NEVER SEEN ANYTHING LIKE THAT BEFORE. 728 00:38:47,137 --> 00:38:49,000 PEOPLE LOOK UP AND SEE THIS PORTION OF THE SKY 729 00:38:49,000 --> 00:38:52,068 WHERE THERE'S A SPECTRUM OF JUST GORGEOUS COLORS. 730 00:38:52,068 --> 00:38:55,413 YOU SEE THE YELLOW. YOU SEE SOME GREEN AND ORANGE. 731 00:38:55,413 --> 00:38:57,310 IT LOOKS LIKE A DIAMOND IN THE SKY. 732 00:38:59,862 --> 00:39:02,827 Narrator: THE MANIFESTATION OF THE WEIRD RAINBOW PHENOMENON 733 00:39:02,827 --> 00:39:05,034 RIGHT ABOVE AN ACTIVE ROCKET-LAUNCH SITE 734 00:39:05,034 --> 00:39:07,551 IS ALMOST UNHEARD OF. 735 00:39:07,551 --> 00:39:10,068 ANYTHING THAT POSES A THREAT TO THE SPACECRAFT 736 00:39:10,068 --> 00:39:13,586 COULD TRIGGER AN ABORT, EVEN AFTER LAUNCH. 737 00:39:18,655 --> 00:39:21,206 MISSION CONTROL IGNORES THE PHENOMENON 738 00:39:21,206 --> 00:39:23,172 AND THE LAUNCH CONTINUES. 739 00:39:23,172 --> 00:39:25,448 BUT AS THE ROCKET GOES SUPERSONIC... 740 00:39:27,689 --> 00:39:31,275 ...THE SKIES AROUND IT BECOME EVEN STRANGER. 741 00:39:31,275 --> 00:39:33,862 Kelley: YOU CAN SEE CONCENTRIC CIRCLES WAVE 742 00:39:33,862 --> 00:39:35,793 AS IT WENT OUT, ONE AFTER THE OTHER, 743 00:39:35,793 --> 00:39:38,655 JUST LIKE THROWING A PEBBLE IN A POND. 744 00:39:38,655 --> 00:39:41,103 Durscher: THE RIPPLES LOOKED, AT FIRST, VERY SMALL, 745 00:39:41,103 --> 00:39:45,206 BUT THEY QUICKLY BECAME BIGGER AND BIGGER. 746 00:39:45,206 --> 00:39:50,620 I'M THINKING, "SOMETHING IS NOT RIGHT HERE." 747 00:39:50,620 --> 00:39:55,172 WE'RE LOOKING AT THIS, NOT QUITE KNOWING WHAT WE'RE WITNESSING. 748 00:39:55,172 --> 00:39:57,172 Narrator: JUST AS IT SEEMS AS IF THE LAUNCH 749 00:39:57,172 --> 00:40:00,517 OF THE SOLAR DYNAMICS OBSERVATORY MUST BE CURSED, 750 00:40:00,517 --> 00:40:01,793 THE WATCHING CROWDS 751 00:40:01,793 --> 00:40:06,862 SEE YET ANOTHER STRANGE PHENOMENON IN THE SKY. 752 00:40:06,862 --> 00:40:09,931 DURSCHER CAPTURES THE MOMENT ON CAMERA. 753 00:40:09,931 --> 00:40:13,379 THERE WAS A -- A KIND OF LIKE A WHITE BEAM OF LIGHT 754 00:40:13,379 --> 00:40:16,310 THAT APPEARED TO FOLLOW THE ROCKET. 755 00:40:16,310 --> 00:40:20,000 WHATEVER IT IS, IT'S TRAVELING AT INCREDIBLE SPEED. 756 00:40:20,000 --> 00:40:22,379 NORMALLY LIGHT EFFECTS HANG IN THE SKY. 757 00:40:22,379 --> 00:40:23,827 THEY'RE NOT CHANGING. 758 00:40:23,827 --> 00:40:26,413 THIS LIGHT FOLLOWS THE ROCKET UPWARDS. 759 00:40:26,413 --> 00:40:30,034 IT'S SOMETHING I'VE NEVER SEEN IN THE SKY BEFORE. 760 00:40:30,034 --> 00:40:33,000 Narrator: FACED WITH SUCH A FREAK EVENT COMING OFF THE BACK 761 00:40:33,000 --> 00:40:35,586 OF AN UNPRECEDENTED SERIES OF PHENOMENON, 762 00:40:35,586 --> 00:40:39,896 SCIENTISTS SEARCH FOR AN EXPLANATION. 763 00:40:39,896 --> 00:40:42,241 THEY THEORIZE THAT THE FIRST PHENOMENON, 764 00:40:42,241 --> 00:40:45,137 A MULTI-COLORED APPARITION ABOVE THE LAUNCH SITE, 765 00:40:45,137 --> 00:40:48,241 COULD BE RELATED TO THE WEATHER CONDITIONS ON THAT DAY. 766 00:40:48,241 --> 00:40:51,413 IT LOOKS LIKE A PATCH OF A RAINBOW, 767 00:40:51,413 --> 00:40:53,344 BUT IN FACT IS NOT A RAINBOW AT ALL. 768 00:40:53,344 --> 00:40:55,344 IT'S KNOWN AS A SUNDOG. 769 00:40:55,344 --> 00:40:57,344 IT'S ESSENTIALLY THE SAME THING AS A RAINBOW, 770 00:40:57,344 --> 00:40:59,172 EXCEPT INSTEAD OF WATER VAPOR 771 00:40:59,172 --> 00:41:01,206 OR WATER DROPLETS, IT'S ICE CRYSTALS. 772 00:41:01,206 --> 00:41:04,517 AND SO YOU HAVE THESE DANCING COLORS IN THE SKY. 773 00:41:04,517 --> 00:41:07,793 Narrator: SUNDOGS ARE PERHAPS THE MOST SPECTACULAR MANIFESTATION 774 00:41:07,793 --> 00:41:09,965 OF A GROUP OF ATMOSPHERIC PHENOMENON 775 00:41:09,965 --> 00:41:14,034 KNOWN TO WEATHER SCIENTISTS AS ICE HALOS. 776 00:41:14,034 --> 00:41:17,172 HALO PHENOMENA CAN RESULT WHEN THE SUNLIGHT 777 00:41:17,172 --> 00:41:21,689 PASSES THROUGH COUNTLESS MINUSCULE CRYSTALS OF ICE 778 00:41:21,689 --> 00:41:23,068 UP IN HIGH CLOUDS, 779 00:41:23,068 --> 00:41:25,827 WHICH EACH ACT LIKE TINY PRISMS 780 00:41:25,827 --> 00:41:28,827 THAT GLINT THE SUNLIGHT TOWARDS YOU. 781 00:41:28,827 --> 00:41:32,517 Narrator: FOOTAGE FROM PREVIOUS LAUNCHES REVEALS THE SECOND PHENOMENON, 782 00:41:32,517 --> 00:41:34,793 THE STRANGE RIPPLING EFFECT IN THE SKY, 783 00:41:34,793 --> 00:41:36,413 HAS BEEN SEEN BEFORE. 784 00:41:36,413 --> 00:41:40,620 BUT ITS INTERACTION WITH THE SUNDOG IS HIGHLY UNUSUAL. 785 00:41:40,620 --> 00:41:42,724 WHAT'S ACTUALLY HAPPENING IS THAT THE ROCKET 786 00:41:42,724 --> 00:41:45,275 IS ACHIEVING MAX Q, THE MAXIMUM DYNAMIC PRESSURE, 787 00:41:45,275 --> 00:41:47,517 THE GREATEST RESISTANCE IN THE ATMOSPHERE, 788 00:41:47,517 --> 00:41:49,137 AS IT'S MOVING UPWARDS. 789 00:41:52,172 --> 00:41:53,827 BAM. THEY HIT THE SUNDOG, 790 00:41:53,827 --> 00:41:56,344 AND IT JUST DISAPPEARS. 791 00:41:56,344 --> 00:41:59,206 Narrator: AND WEATHER SCIENTISTS BELIEVE THAT THE FINAL PHENOMENON, 792 00:41:59,206 --> 00:42:01,344 THE BEAM OF LIGHT THAT PRECEDES THE ROCKET, 793 00:42:01,344 --> 00:42:06,034 COULD ALSO BE A PREVIOUSLY UNDISCOVERED OPTICAL EFFECT. 794 00:42:06,034 --> 00:42:07,827 AS THE ROCKET FLIES THROUGH THE ATMOSPHERE, 795 00:42:07,827 --> 00:42:09,068 IT'S SUPERSONIC, 796 00:42:09,068 --> 00:42:11,413 AND IT HAS TO TELL THE ATMOSPHERE AHEAD OF IT 797 00:42:11,413 --> 00:42:14,344 THAT IT'S COMING, SO IT CREATES A SHOCK FRONT. 798 00:42:14,344 --> 00:42:18,206 AND THAT SHOCK FRONT WILL THEN TRAIL OFF BEHIND THE ROCKET, 799 00:42:18,206 --> 00:42:20,655 JUST LIKE THE WAKE OF A BOAT. 800 00:42:20,655 --> 00:42:22,275 Narrator: THE RAPID APPEARANCE 801 00:42:22,275 --> 00:42:24,137 OF A NEVER-BEFORE-SEEN LIGHT EFFECT 802 00:42:24,137 --> 00:42:27,896 RIGHT AFTER TWO OTHER STRANGE ATMOSPHERIC PHENOMENON 803 00:42:27,896 --> 00:42:31,482 MAY NOT BE A COINCIDENCE. 804 00:42:31,482 --> 00:42:36,344 WHATEVER THE CAUSE OF THIS STRANGE SERIES OF EVENTS WAS, 805 00:42:36,344 --> 00:42:38,344 IT DID NOT PREVENT THE SUCCESSFUL DEPLOYMENT 806 00:42:38,344 --> 00:42:41,551 OF THE SOLAR DYNAMICS OBSERVATORY. 807 00:42:41,551 --> 00:42:43,793 IT CONTINUES TO PROBE THE MYSTERIES 808 00:42:43,793 --> 00:42:47,000 OF OUR NEAREST STAR. 809 00:42:47,000 --> 00:42:50,068 DECADES AFTER MAN FIRST SET FOOT ON THE MOON, 810 00:42:50,068 --> 00:42:54,413 THE APOLLO MISSIONS CONTINUE TO SHOCK AND ASTONISH. 811 00:42:54,413 --> 00:42:57,137 AS WE BUILD UPON THE LESSONS OF THE PAST, 812 00:42:57,137 --> 00:43:01,793 NEW DISCOVERIES BRING WITH THEM FRESH CHALLENGES. 813 00:43:01,793 --> 00:43:07,551 A NEW ERA OF SPACE EXPLORATION RAISES EXCITING QUESTIONS, 814 00:43:07,551 --> 00:43:11,103 AND THE ANSWERS JUST MIGHT CHANGE EVERYTHING. 815 00:43:11,103 --> 00:43:14,000 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 66699

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