Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Yo what's good guys, producer Mika here
and today drumrolls we're gonna be
working on an Afro beat vocal mix I've
gotten a lot of requests about this
particular video. So finally it's here
guys. So without wasting time guys Let's
go right into our DAW and start working
on this mix guys I already have the you
know mix we're gonna be working with
loaded here already And I'm just gonna
play the raw vocals with your like just
the raw project. So you hear what it
sounds like So I'm just gonna shift my
instrumental all the way up
Alright, so let's listen to the vibe
(Music) Jam I love the whole bounce shout
out to E flat on this shout out to treble
for the beat an amazing producer and
artist man Alright, so quickly I'm just
gonna the first thing I always do first
is to get my tempo Like I always say get
your tempo. So I'm just gonna click here
and go to detect tempo and Let's just
select the range and get the tempo. So
he's telling me 108. So I'm just gonna
stretch everything to 108 I'm gonna be
working on the lead
vocal fest, which is this
To have some nice
Yeah
Can hear some noise in between so I'm
gonna trim those parts very very
important So the first thing I'm gonna do
I'm just gonna bring down my beats I
normally before I would just send this to
my send the beats to my mixer then just
you know Use a gain plugin to bring down
the volume But do you know this new FL
update you can actually do against it
here Just you know bring the signal
that's gonna be going to the mixer down
Yeah, so this better I'm just gonna send
it to my mixer and I'm gonna So I'm gonna
send it this to my mixer and I'm gonna
let's rename this lead Vox So in my
previous my previous video, you know, the
vocal was exported with the auto tune and
EQ already But for this, you know, it's
just exported raw as it is So I'm gonna
be adding the auto tune and EQ myself So
if I'm gonna first off look for my key so
to get my key. I'm just gonna Bring in my
FL keys So the key is D major my auto
tune plugin and(...) I'm just gonna
change it to all to tenor and our key to
D major But let's go with D major and I'm
gonna give it a lot of also to you know
They are pro vocals into I'm gonna give
it around six and just a little bit of
human eyes So this way is not so this way
sounds like All right, so the next thing
I'm gonna do I'm gonna bring in my NS NS
which is noise suppressor So basically
what I like to do is to you know do all
the subtractions Remove all these stuffs
that I don't want it before I bring in,
you know the additions So I'm gonna do a
lot of noise removal EQ to remove some
frequencies are not nice I'm going to do
the D S in you know before I start
bringing in the compressor and the
additive EQ So I'm just gonna use nice
oppressor and a big shout out to Benny
Macaulay I actually got this process from
him actually lent this process. I'm
actually using on this video tutorial
from him So I'm gonna leave a link to his
videos here to his channel So you could
go check him out and you know watch his
videos. He has lots of amazing amazing
video tutorials So I'm not gonna use the
NS one just a little bit of it
So all those parts where you know, he's
not singing and they are noise there the
noise suppressors is
gonna tame those noise you get
So So where the vocal is not singing it
just takes off so instead of me having to
go in to you know Cut out these you know
suppressors actually doing it for me
So I'm next I'm just gonna bring in my EQ
and I'm gonna be using q3 for this and
I'm gonna be using this to tame Those
frequencies I feel are not nice So I'm
just gonna for my EQ let's go with Taran
Tati and just I'm gonna
take out about 100 heads
Yeah, I'm gonna take about one hundred
and forty seven and what I'm gonna do I'm
just gonna Mute the beat(...) Vocal so
what I'm gonna do I'm gonna look for
frequencies that are not nice and why I
like you trees because you could solo a
Particular frequency range. I don't I
know Q2 does the same thing, but I love
the Q3 because of the dynamic range so I
click on this and I'm just gonna come
here click and select make dynamic and
I'm gonna go with a very small Q Let's go
with around like 10 and I'm just gonna
listen to the frequencies that are not
nice I(...) Have one here So let's look
for another one. I'm gonna just do the
same thing here Click make dynamic and
just give it same Q of 10
and Let's listen
Yeah, I think that's true, so let me pick
another region yeah So I feel like this
are the frequencies, you know, you could
spend time, you know Actually looking for
frequencies that are not nice and just
bringing it bringing them down and
basically why I like the dynamic Equals
because it will just focus on that
particular frequency without affecting
any frequency around it So that's why I
love using the make dynamic feature
so what I'm gonna do next is just to
select everything select all and just you
know use the Band dynamic range and bring
everything down But unless I can do I can
just see what is actually doing by just
increasing it. Let's increase it(...) So
you see what the frequencies that were
affected? Yeah,(...) so those are the
frequencies I'm not gonna bring it down
let's bring it down to around like
Let's say like 60
Yeah
It off
So it's a bit better I don't know if you
can this year is actually better All
right, so like I said, I'm gonna do a lot
all the subtraction phase before but you
know adding the beauty to this mix So the
next I'm gonna bring is gonna be my rd.
S. I'm gonna bring it RDS up(...) And I'm
just gonna be using a
frequency of let's see
So Basically enough the SS no walking
right now because there's no s been said
So once the s is
coming is gonna take effect
So you can see the the Ds are working
right now. So let me go to that part
Yeah, this part so you're gonna see the
yes Yeah,(...) so nice so just a little
bit of guessing going on here Then next
I'm gonna start adding in beauty. So I'm
gonna be using an EQ for this and I'll be
using SSL EQ yeah, let's see what we can
we can do so for the high and I'm just
gonna do a little bit of boosting Let's
see around the let's see 14 carry John
Yeah, I'm liking it I'm liking it I'm
liking what is is doing so I've brought
like the high end around the 14 carry
John Which plus 9 DB?
So I'm gonna be doing a little bit of
cutting the mid frequency
lasers, you know around the
2k region, I'm just gonna do a
little bit of you know cutting
It a wild a wide pearlship
Yeah, a little bit of something I'm gonna
do a little bit of boosting
Let's Yeah,(...) I'm liking it I'm liking
this I'm liking this
I'm gonna do a little bit of cutting. So
let me show you this
region what it sounds like
So you can see how boxy it is, I'm just
gonna cut it a little
bit Let me turn it off
So more clear a more nice
Yeah, I love this so the next thing I'm
gonna bring in is my compression I'm
gonna be into compressor for this and
it's gonna be a ued compressor So you
guys I love those compressors those
compressors are
amazing amazing compressors
So I'm gonna be into compressors. So the
load is not too much on one. So I'm gonna
be using the ued Compressor, where is it?
Where's it? I'm gonna be using the ued
So this what I'm gonna be using We are
gonna be I'm gonna be using a ratio of 4
to 1 And a little bit of slow release
let's go with a medium attack medium-fast
attack So I'm gonna
be increasing the input
I don't follow you like this I just want
just a little bit of
compression not more than minus
Nice
So a little bit of
compression going in going on
So next I'm gonna bring you know that
compressor this is just to you know
assist this other compressor so
everything sounds Balanced so I'm gonna
be using the what is it
called?(...) electronics
Electronic so this is just what is gonna
boost everything make it sound nice
Sing basically sings up for a no. Yeah,
let me turn this off So, let me crazy you
beat a little bit so So let me just turn
everything down so you
hear what sounds like
I
Love this to compressors So next I'm just
gonna be doing a little bit of multi-band
compressing so it sits in with you know
It sits in with the with the with the
beats. Yeah, just a
little bit of compression
Love Yeah Yeah, we have the ds because of
the compression, you know, the SS has
pop-up again So I'm
gonna be using my pro DS true
Yeah Yeah, so I think I like my vocals I
love the way sounding you know, so let me
just listen to this part
Yeah Yeah, so the next and I'm gonna
bring in my sense So I'm gonna be what
I'm gonna do I'm just gonna route this my
vocal to this truck only so I could
create my sense Let's give it
a color and you know, that's so
So I'm gonna be adding my sense. Yeah,
I'm just gonna bring in
three instance of fruit is saying
I Right, so for my reward one, I just
need a very shorter revamp and I'm gonna
be using the fab filter pro R I'm just go
to this preset and select vocal class
piece So I'm just gonna come to my send
and sidechain to this truck so my revamp
one Sorry on my send I'm just gonna send
this to revamp one So that's what the web
sounds like so I just need a little bit
of Then for my revamp to that's what I'm
gonna be having a long revamp and I'm
gonna be using hitch Vib for that. So
let's remove the impute echoes and just
turn on the modulation. All right So on
my send the second I'm gonna send it to
My revamp to don't forget you have to say
chain So that pops up
here so I can see my revamp
So that's why it sounds like so that's a
lot just bring it down So for my revamp I
want to search in my revamp so that It's
ducks down a little bit when the vocal is
singing and you know when the artist is
not singing it comes up so I'm gonna be
using my free to limit that and just come
to the compression
sidechain and Select my send
I Then for my revamp I just like to you
know use my EQ after it so it doesn't
just cut us around So
it's tamed so I'm just gonna
I So let's listen from the top
If you open that I go into
You to find that no girl I don't give you
love you got in my mouth
I
Gotta add in my delays and I'm gonna be
using Valhalla delay So I'm gonna go to
my send I just I change it and go to my
send 3 and(...) You
know putting our delay
So I'm gonna bring down the feedback and
I'm gonna change to notes and I think we
should go it one over four
Yeah
Give you love you got a man
So, let's do it
Oh Yeah, so for why I like the ping pong
because it's like a color response So let
me show you at this point where it comes
in you hear it very well here
I don't know if you can't get yeah, so
ping pong. It's a nice kind of Yeah It's
to create So that the revamp is not just
everywhere you could create automation
clip and automation clip is actually work
(...) But you know you have to make your
mix sound really nice. It's good to
create(...) automations
Let's go with you know lie so basically
you this does the way you just create
nice so that your
delete does not overshadow
Love you
I think I think my vocal is sound really
nice. So you could spend time just
automating everything so you know, you
know I make sounds really nice. So I'm
gonna be doing The backups in the next
video and also the mastering of this of
this song So I hope this was helpful, you
know, if you're looking for nice tutorial
about vocal mixing you could go check out
Benny Mac hauling his channel is crazy. I
learned a lot from his channel. Yes, I
also learned So let's see from the top
I
Like these let me turn off I can't just
help people to put you bring the delay
Because I loved you. I love what the
delay is doing there
Do you oh
(Music) Yeah, so a big shout out to Penny
McCollan because I actually learned this
process from him so a big shout out to
him you go check out this channel he has
lots of amazing tutorials you can follow
along so guys I hope you learned
something from this if you did give me a
thumbs up like the video subscribe and
let me know what you guys think in the
comment section what you know what
tutorial you guys would like to see next
thank you guys for watching
and you know the vibe guy peace
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.