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Yo what's good guys, producer Mika here
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and today drumrolls we're gonna be
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working on an Afro beat vocal mix I've
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gotten a lot of requests about this
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particular video. So finally it's here
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guys. So without wasting time guys Let's
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go right into our DAW and start working
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on this mix guys I already have the you
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know mix we're gonna be working with
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loaded here already And I'm just gonna
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play the raw vocals with your like just
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the raw project. So you hear what it
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sounds like So I'm just gonna shift my
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instrumental all the way up
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Alright, so let's listen to the vibe
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(Music) Jam I love the whole bounce shout
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out to E flat on this shout out to treble
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for the beat an amazing producer and
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artist man Alright, so quickly I'm just
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gonna the first thing I always do first
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is to get my tempo Like I always say get
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your tempo. So I'm just gonna click here
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and go to detect tempo and Let's just
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select the range and get the tempo. So
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he's telling me 108. So I'm just gonna
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stretch everything to 108 I'm gonna be
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working on the lead
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vocal fest, which is this
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To have some nice
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Yeah
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Can hear some noise in between so I'm
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gonna trim those parts very very
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important So the first thing I'm gonna do
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I'm just gonna bring down my beats I
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normally before I would just send this to
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my send the beats to my mixer then just
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you know Use a gain plugin to bring down
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the volume But do you know this new FL
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update you can actually do against it
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here Just you know bring the signal
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that's gonna be going to the mixer down
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Yeah, so this better I'm just gonna send
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it to my mixer and I'm gonna So I'm gonna
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send it this to my mixer and I'm gonna
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let's rename this lead Vox So in my
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previous my previous video, you know, the
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vocal was exported with the auto tune and
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EQ already But for this, you know, it's
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just exported raw as it is So I'm gonna
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be adding the auto tune and EQ myself So
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if I'm gonna first off look for my key so
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to get my key. I'm just gonna Bring in my
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FL keys So the key is D major my auto
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tune plugin and(...) I'm just gonna
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change it to all to tenor and our key to
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D major But let's go with D major and I'm
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gonna give it a lot of also to you know
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They are pro vocals into I'm gonna give
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it around six and just a little bit of
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human eyes So this way is not so this way
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sounds like All right, so the next thing
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I'm gonna do I'm gonna bring in my NS NS
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which is noise suppressor So basically
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what I like to do is to you know do all
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the subtractions Remove all these stuffs
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that I don't want it before I bring in,
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you know the additions So I'm gonna do a
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lot of noise removal EQ to remove some
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frequencies are not nice I'm going to do
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the D S in you know before I start
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bringing in the compressor and the
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additive EQ So I'm just gonna use nice
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oppressor and a big shout out to Benny
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Macaulay I actually got this process from
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him actually lent this process. I'm
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actually using on this video tutorial
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from him So I'm gonna leave a link to his
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videos here to his channel So you could
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go check him out and you know watch his
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videos. He has lots of amazing amazing
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video tutorials So I'm not gonna use the
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NS one just a little bit of it
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So all those parts where you know, he's
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not singing and they are noise there the
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noise suppressors is
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gonna tame those noise you get
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So So where the vocal is not singing it
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just takes off so instead of me having to
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go in to you know Cut out these you know
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suppressors actually doing it for me
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So I'm next I'm just gonna bring in my EQ
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and I'm gonna be using q3 for this and
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I'm gonna be using this to tame Those
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frequencies I feel are not nice So I'm
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just gonna for my EQ let's go with Taran
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Tati and just I'm gonna
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take out about 100 heads
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Yeah, I'm gonna take about one hundred
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and forty seven and what I'm gonna do I'm
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just gonna Mute the beat(...) Vocal so
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what I'm gonna do I'm gonna look for
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frequencies that are not nice and why I
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like you trees because you could solo a
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Particular frequency range. I don't I
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know Q2 does the same thing, but I love
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the Q3 because of the dynamic range so I
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click on this and I'm just gonna come
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here click and select make dynamic and
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I'm gonna go with a very small Q Let's go
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with around like 10 and I'm just gonna
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listen to the frequencies that are not
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nice I(...) Have one here So let's look
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for another one. I'm gonna just do the
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same thing here Click make dynamic and
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just give it same Q of 10
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and Let's listen
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Yeah, I think that's true, so let me pick
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another region yeah So I feel like this
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are the frequencies, you know, you could
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spend time, you know Actually looking for
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frequencies that are not nice and just
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bringing it bringing them down and
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basically why I like the dynamic Equals
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because it will just focus on that
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particular frequency without affecting
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any frequency around it So that's why I
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love using the make dynamic feature
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so what I'm gonna do next is just to
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select everything select all and just you
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know use the Band dynamic range and bring
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everything down But unless I can do I can
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just see what is actually doing by just
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increasing it. Let's increase it(...) So
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you see what the frequencies that were
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affected? Yeah,(...) so those are the
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frequencies I'm not gonna bring it down
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let's bring it down to around like
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Let's say like 60
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Yeah
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It off
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So it's a bit better I don't know if you
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can this year is actually better All
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right, so like I said, I'm gonna do a lot
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all the subtraction phase before but you
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know adding the beauty to this mix So the
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next I'm gonna bring is gonna be my rd.
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S. I'm gonna bring it RDS up(...) And I'm
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just gonna be using a
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frequency of let's see
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So Basically enough the SS no walking
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right now because there's no s been said
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So once the s is
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coming is gonna take effect
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So you can see the the Ds are working
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right now. So let me go to that part
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Yeah, this part so you're gonna see the
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yes Yeah,(...) so nice so just a little
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bit of guessing going on here Then next
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I'm gonna start adding in beauty. So I'm
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gonna be using an EQ for this and I'll be
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using SSL EQ yeah, let's see what we can
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we can do so for the high and I'm just
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gonna do a little bit of boosting Let's
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see around the let's see 14 carry John
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Yeah, I'm liking it I'm liking it I'm
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liking what is is doing so I've brought
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like the high end around the 14 carry
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John Which plus 9 DB?
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So I'm gonna be doing a little bit of
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cutting the mid frequency
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lasers, you know around the
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2k region, I'm just gonna do a
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little bit of you know cutting
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It a wild a wide pearlship
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Yeah, a little bit of something I'm gonna
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do a little bit of boosting
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Let's Yeah,(...) I'm liking it I'm liking
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this I'm liking this
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I'm gonna do a little bit of cutting. So
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let me show you this
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region what it sounds like
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So you can see how boxy it is, I'm just
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gonna cut it a little
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bit Let me turn it off
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So more clear a more nice
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Yeah, I love this so the next thing I'm
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gonna bring in is my compression I'm
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gonna be into compressor for this and
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it's gonna be a ued compressor So you
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guys I love those compressors those
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compressors are
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amazing amazing compressors
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So I'm gonna be into compressors. So the
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load is not too much on one. So I'm gonna
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be using the ued Compressor, where is it?
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Where's it? I'm gonna be using the ued
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So this what I'm gonna be using We are
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gonna be I'm gonna be using a ratio of 4
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to 1 And a little bit of slow release
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let's go with a medium attack medium-fast
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attack So I'm gonna
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be increasing the input
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I don't follow you like this I just want
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just a little bit of
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compression not more than minus
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Nice
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So a little bit of
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compression going in going on
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So next I'm gonna bring you know that
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compressor this is just to you know
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assist this other compressor so
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everything sounds Balanced so I'm gonna
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be using the what is it
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called?(...) electronics
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Electronic so this is just what is gonna
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boost everything make it sound nice
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Sing basically sings up for a no. Yeah,
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let me turn this off So, let me crazy you
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beat a little bit so So let me just turn
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everything down so you
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hear what sounds like
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I
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Love this to compressors So next I'm just
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gonna be doing a little bit of multi-band
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compressing so it sits in with you know
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It sits in with the with the with the
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beats. Yeah, just a
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little bit of compression
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Love Yeah Yeah, we have the ds because of
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the compression, you know, the SS has
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pop-up again So I'm
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gonna be using my pro DS true
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Yeah Yeah, so I think I like my vocals I
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love the way sounding you know, so let me
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just listen to this part
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Yeah Yeah, so the next and I'm gonna
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bring in my sense So I'm gonna be what
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I'm gonna do I'm just gonna route this my
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vocal to this truck only so I could
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create my sense Let's give it
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a color and you know, that's so
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So I'm gonna be adding my sense. Yeah,
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I'm just gonna bring in
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three instance of fruit is saying
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I Right, so for my reward one, I just
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need a very shorter revamp and I'm gonna
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be using the fab filter pro R I'm just go
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to this preset and select vocal class
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piece So I'm just gonna come to my send
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and sidechain to this truck so my revamp
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one Sorry on my send I'm just gonna send
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this to revamp one So that's what the web
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sounds like so I just need a little bit
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of Then for my revamp to that's what I'm
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gonna be having a long revamp and I'm
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gonna be using hitch Vib for that. So
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let's remove the impute echoes and just
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turn on the modulation. All right So on
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my send the second I'm gonna send it to
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My revamp to don't forget you have to say
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chain So that pops up
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here so I can see my revamp
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So that's why it sounds like so that's a
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lot just bring it down So for my revamp I
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00:16:49,299 --> 00:16:52,720
want to search in my revamp so that It's
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ducks down a little bit when the vocal is
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singing and you know when the artist is
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not singing it comes up so I'm gonna be
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using my free to limit that and just come
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to the compression
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sidechain and Select my send
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I Then for my revamp I just like to you
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know use my EQ after it so it doesn't
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just cut us around So
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00:17:32,092 --> 00:17:33,552
it's tamed so I'm just gonna
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00:17:52,696 --> 00:17:59,828
I So let's listen from the top
277
00:18:06,335 --> 00:18:08,378
If you open that I go into
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00:18:11,006 --> 00:18:16,053
You to find that no girl I don't give you
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love you got in my mouth
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00:18:26,939 --> 00:18:31,235
I
281
00:18:33,695 --> 00:18:36,448
Gotta add in my delays and I'm gonna be
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00:18:36,448 --> 00:18:41,787
using Valhalla delay So I'm gonna go to
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00:18:41,787 --> 00:18:45,415
my send I just I change it and go to my
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send 3 and(...) You
285
00:18:47,376 --> 00:18:48,502
know putting our delay
286
00:18:56,343 --> 00:18:58,929
So I'm gonna bring down the feedback and
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00:18:58,929 --> 00:19:01,223
I'm gonna change to notes and I think we
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00:19:01,223 --> 00:19:03,350
should go it one over four
289
00:19:07,855 --> 00:19:08,397
Yeah
290
00:19:18,156 --> 00:19:19,700
Give you love you got a man
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00:19:21,910 --> 00:19:22,786
So, let's do it
292
00:19:40,596 --> 00:19:45,100
Oh Yeah, so for why I like the ping pong
293
00:19:45,100 --> 00:19:46,768
because it's like a color response So let
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00:19:46,768 --> 00:19:48,478
me show you at this point where it comes
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00:19:48,478 --> 00:19:50,147
in you hear it very well here
296
00:19:55,068 --> 00:19:57,779
I don't know if you can't get yeah, so
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00:19:57,779 --> 00:20:13,962
ping pong. It's a nice kind of Yeah It's
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00:20:13,962 --> 00:20:19,259
to create So that the revamp is not just
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00:20:19,259 --> 00:20:20,677
everywhere you could create automation
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00:20:20,677 --> 00:20:23,513
clip and automation clip is actually work
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00:20:23,513 --> 00:20:25,766
(...) But you know you have to make your
302
00:20:25,766 --> 00:20:27,351
mix sound really nice. It's good to
303
00:20:27,351 --> 00:20:29,937
create(...) automations
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Let's go with you know lie so basically
305
00:20:39,988 --> 00:20:42,157
you this does the way you just create
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nice so that your
307
00:20:44,034 --> 00:20:45,452
delete does not overshadow
308
00:20:53,919 --> 00:20:55,921
Love you
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00:21:23,907 --> 00:21:25,367
I think I think my vocal is sound really
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00:21:25,367 --> 00:21:26,660
nice. So you could spend time just
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00:21:26,660 --> 00:21:28,537
automating everything so you know, you
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00:21:28,537 --> 00:21:30,872
know I make sounds really nice. So I'm
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00:21:30,872 --> 00:21:33,500
gonna be doing The backups in the next
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00:21:33,500 --> 00:21:36,962
video and also the mastering of this of
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00:21:36,962 --> 00:21:39,089
this song So I hope this was helpful, you
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00:21:39,089 --> 00:21:40,424
know, if you're looking for nice tutorial
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00:21:40,424 --> 00:21:42,801
about vocal mixing you could go check out
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00:21:43,343 --> 00:21:46,346
Benny Mac hauling his channel is crazy. I
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00:21:46,346 --> 00:21:48,223
learned a lot from his channel. Yes, I
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00:21:48,223 --> 00:21:52,769
also learned So let's see from the top
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I
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00:22:23,925 --> 00:22:40,567
Like these let me turn off I can't just
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help people to put you bring the delay
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Because I loved you. I love what the
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00:22:46,698 --> 00:22:47,699
delay is doing there
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Do you oh
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(Music) Yeah, so a big shout out to Penny
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00:23:24,903 --> 00:23:26,738
McCollan because I actually learned this
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00:23:26,738 --> 00:23:29,116
process from him so a big shout out to
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00:23:29,116 --> 00:23:30,826
him you go check out this channel he has
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00:23:30,826 --> 00:23:34,121
lots of amazing tutorials you can follow
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00:23:34,121 --> 00:23:35,914
along so guys I hope you learned
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00:23:35,914 --> 00:23:37,415
something from this if you did give me a
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00:23:37,415 --> 00:23:40,043
thumbs up like the video subscribe and
335
00:23:40,043 --> 00:23:41,211
let me know what you guys think in the
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00:23:41,211 --> 00:23:43,296
comment section what you know what
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00:23:43,296 --> 00:23:45,674
tutorial you guys would like to see next
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00:23:45,674 --> 00:23:47,092
thank you guys for watching
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00:23:47,092 --> 00:23:49,136
and you know the vibe guy peace
25493
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