Original subtitles

(CHIRPING)

(MUSIC IN THE BACKGROUND)

Here I am, good morning to all the family.

< Menu of the day: pumpkin and sunflower seeds.

Good morning everyone.

(CHIRPING) (MUSIC IN THE BACKGROUND)

Nice day today, isn't it?

(CHIRPING) < Even in the morning?

< It's okay that you are engaged, but anyway...

(CHIRPING) Do not Iitigate.

< Do not protest, don't raise your voice.

(CHIRPING) I also come to you.

< PasquaIe, you're a bit got fat. You need to ride more.

(CHIRPING) (MUSIC IN THE BACKGROUND)

CaIma, caIma. There is something to eat for everyone.

(CHIRPING) (MUSIC IN THE BACKGROUND)

Here you are. (CHIRPING)

CaIma, chew well.

Come on, Sophia.

(CHIRPING)

< ..you are always the first to Iitigate.

< You have an impossible character, look, I'm sending you to boarding school.

What do you want? I get it. (CHIRPING)

You're not wrong. (CHIRPING)

< Well done, Tano. Eat the steak that you're a little low on wax.

(CHIRPING) Don't say naughty.

(CHIRPING) What do you say?

(CHIRPING) < Be clear. Two wives?

You are right, I also come to you.

But you are never happy.

Another brand tomorrow of sunflower seeds.

(VERSE OF THE GRACULA) Ah right you.

Stop stealing colored buttons..

..otherwise My factory is going downhill.

(WHISTLE ''AVANTI POPOLO'') Yes, ''Come on popoIo''!

Leave the politics alone.

(NOISE OF MACHINERY)

What a mess, what a mother of pearl!

We have to switch to plastics. (BOUNDS ON THE TABLE)

(LAUGHS) But what do you say?

(LAUGHS) Yup.

< Ugly bastard.

- (IN DIALECT) Stingy! - (IN DIALECT) PeIandrone!

I'm almost on time, parents.

Troiona! (NOISE OF BROKEN DISHES)

(DIALECT) You went to the tavern throwing money away!

< (DIALECT) To drink half a liter!

(DIALECT) Drunk as a donkey!

Bigoted moron! Go to hell!

You go to shit with those pyrias out there.

At his age play with the birds again.

They're almost done.

It's your fault that you're encouraged. Everybody crazy in your family.

Now he says he can't take it anymore.

Lord, I can't take it anymore!

She says she's going to jump from the bells.

I throw myself down from the bell towers.

Below! (SHATTERING GLASSES)

Go throw it, show Finally you are a man!

- < StavoIta I throw myself. - Go.

- Madonna! - Go. - I jump.

Go. (SHATTERING GLASSES)

He will go to PineIIi to get half a liter.

(SOUND OF BELLS)

(VERSE OF THE GRACULA)

(SOUND OF BELLS)

(VERSE OF THE GRACULA)

(SOUND OF BELLS)

Have you heard? It's dad. Hasn't he gone crazy?

Leave me alone.

(SOUND OF BELLS)

- He's crazy! - He's crazy!

Giuseppe, don't be stupid.

Get married, balls!

< Get married, you'll see how it ends!

Here's how it ends.

(they SCREAM)

(FALLING NOISE)

(INDISTENTIAL VOICES)

- Is dead? - Dead, dead.

-He drank all day. - Heh!

< Oh, is that it?

You wished you had won.

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(CASHING OF THE WAVES)

< Stop fidgeting. What should I do then?

< There is no longer a master.

It is not clear who is in charge in this accursed shack.

- What's up? - It's an order.

What order?

< How dare you touch grandfather Augusto?

(YELL OUT)

Hands off Mister Augusto!

Hands off that man. It's a sacriIgege.

Stop!

Grandpa doesn't touch himself.

Ms. BeIinda ordered...

Ms BeIinda, in here, she doesn't command a pipe.

I'm the master. Come on, voia Itri!

- Good morning. - Put Me There, then we fix it.

A masterpiece!

- A few birds they needed it. - Yup.

Who had the courage to go against my orders?

- Don't break my balls. - What are you doing? - Outside!

- Outside. - Sticks your mother?

- Don't you fear God's punishment? - At home doing the shit.

Everybody out. I want to visit the factory.

I'll call the foreman Romeo root, doctor.

- I'm not a doctor, I am the master. - Yup.

Outside!

- View? - TaIe and as to his grandfather, benedict.

He too the women He always wanted them in the kitchen.

But those were other times.

For me the times they are always those.

All like when my grandfather was alive.

- Etc. - Here you are.

(PUT THE STAMP)

This is the ward of the cutters.

(NOISE OF MACHINERY)

Mother of pearl is beautiful.

In fact, she is the pearl's mother.

Heh!

(NOISE OF MACHINERY)

- Good morning, Mr. Augustus. - Good morning.

These cars do too much noise. The birds are complaining.

- The birds? - Yup.

They are old cars, we have to buy plastic ones.

- Let's not talk about plastic. - But the progress?

There is no progress.

In my factory everything must stay like in grandpa's times.

End of the press release.

(DOOR CREAK)

(TOGETHER) Good morning, Mr. Augustus.

- Good morning. - This is II packing and packaging department.

Good morning.

(INDISTINCT NOISES)

What a beautiful department!

And this is the polishing department.

Yes, Polishing.

Whose is that nice ass of the packing department?

From my sister PaImira, mister master.

(NOISE OF MACHINERY)

Hi, Leo Ido.

Today I saw a very beautiful cuIo with a beautiful face.

- Leave it alone. - < I swear to you.

I talk about it with you because you are an adult.

It's a new topic but I feel that I care.

< Something special.

A perfect balance between gross weight and internal structures.

(WHISTLE ''AVANTI POPOLO'') The word is missing.

Mister Augustus?

(VERSE OF THE GRACULA) She water in her mouth.

He let it go.

Miss Root.

I was talking to birds. No, that is...

We talked of round buttons in general.

Excuse me, master. I didn't want to disturb you.

But look at this new sampling type.

It's a painting.

(CHIRPING) I did it.

How good.

Good morning. (CHIRPING)

(YELL OUT) Excuse me, it wasn't me.

I just wanted to touch the thing, I didn't do it on purpose.

But yes, you did it on purpose.

Because you want me as I desire you.

With all my soul.

Yes, I want you. It was a thunderbolt.

I like your dialectic. I like your cuI.

(CHIRPING)

I hear the call of the senses, let's make love now.

But here in front of the birds?

What do you believe what do you care about them?

- They do too. - Yes, but they don't show up.

- You have to be considerate. - AII time?

There.

(CHIRPING)

Take me, I'm yours.

But I..

..practically..

..I don't know where to start.

Me neither.

I would also be a virgin.

Me too.

Let's say I'm self-taught.

< I've been repressed by my mother.

Until today I've always done everything by myself.

But I understand, I know how to take me.

Meh!

(MUSIC IN THE BACKGROUND)

Ah here.

(MUSIC IN THE BACKGROUND)

But don't you wear panties?

I said so to speak.

Even without you are a good PaImira.

I can not wait anymore.

I think it starts here.

(MOANS)

Yes love, but not standing.

(MUSIC IN THE BACKGROUND)

I think we have started where do you start.

I believe we are on the right track.

(MOANS)

- I like it and you? - Yup.

(MUSIC IN THE BACKGROUND)

- I like it a lot. - Yup.

I like it very much.

(MUSIC IN THE BACKGROUND)

(CHIRPING) (MUSIC IN THE BACKGROUND)

(WHISTLE)

- Mister master. - What's up?

- I have something to tell you. - Equal to.

(NOISE OF MACHINERY)

My sister PaImira is pregnant.

Ah!

And she must marry her.

I will marry her, but don't break my baIIs.

Root.

(NOISE OF MACHINERY)

- Mayor or church? - Church.

(NOISE OF MACHINERY)

All right, church.

(NOISE OF MACHINERY)

What do you want?

What are you doing?

You ordered me to do CaIza, I'm doing caIza.

Why are you doing it saImone? I like cream.

I'll do the shit as I like it.

(COUGHS)

- What do you want? - I'm I came to tell you that I am getting married.

With whom?

With Miss Root PaImira, of the packing department.

You're crazy. Remember the uItimes words your father said..

..before jumping off.

Who cares of my father's last words.

Marry Ia.

But I will die.

< Okay, bye.

(MUSIC FROM THE ORGAN)

(VOICE NOT AUDIBLE)

(MUSIC FROM THE ORGAN)

(VOICE NOT AUDIBLE)

Yup.

(MUSIC FROM THE ORGAN)

Yup.

(MUSIC FROM THE ORGAN)

Oh yeah!

(MUSIC FROM THE ORGAN)

- He said yes. - Poor fellow!

(MUSIC FROM THE RADIO) Ugh!

- That would be it the honeymoon? - < Yes.

But what are you running?

(MUSIC FROM THE RADIO)

(INDISTENTIAL VOICES)

(MUSIC FROM THE RADIO)

< Hello, Francis.

(MUSIC FROM THE RADIO)

It was better if we went to Monte Carlo.

(MUSIC FROM THE RADIO) Patience for the gap.

Patience for chewing gum, but do you want to turn off the radio?

Well, if so, let's go. (MUSIC FROM THE RADIO)

We're leaving, right?

You go away, don't break the baIIs. (SPIT)

(MUSIC FROM THE RADIO)

(CHIRPING)

(TURNS ON THE SWITCH)

(LAYS) Sleep, sleep.

(MUSIC IN THE BACKGROUND)

Hold!

Ugh, let me sleep.

(MUSIC IN THE BACKGROUND)

Mm!

(MUSIC IN THE BACKGROUND)

You make me cold.

(MUSIC IN THE BACKGROUND)

What are you doing?

(MUSIC IN THE BACKGROUND)

(STEPS)

You too... Giotto?

Especially the birds.

I maybe more than you. I have thousands at home.

- They sing, but we are few understand. - An eIite.

Yes, an eIite.

- Ready? - < No, wait a minute.

It's a joke?

< Turn around, but don't look.

< Here, now you can watch.

Heh!

Do you like it? I got it at sex shops.

Oh, what stuff!

Look at that stuff!

Not to tell they would believe. What a mechanism!

I get it. Get down.

Do you like it?

Well, you could compose something artfully.

AIIora, PaImira.

This goes here and this... Here.

So it's a nice group, it composes well.

But it's not expressive enough.

- Ah! - So it's more expressive.

- Ah! - And so too.

And look like this.

Look at that beaIIy.

What plungers.

- The train. - Ah!

- < The locomotive. - Oh!

(TOWARD OF THE TRAIN) You are really crazy.

Yes, I'm crazy. (TOWARD OF THE TRAIN)

- Are not you tired? - Yup.

- Arrived at the station. - You come I'll make you sleep.

< No, here's a nice pillow.

Here, I'm fine.

But the real pillow it's a little further down.

Oh, got it.

- Can you hear me okay? - Not so. She waits a moment.

(BLOWS)

(MOANS)

I feel a nice heat.

Yes, that's how I like it.

Me too.

(MOANS)

(TELEPHONE)

- Who is? - Leave it alone.

(PHONE) Mr. Augusto?

(PHONE) Is that you? - Yup.

Oh yes.

I get it.

My mother is ill.

In fact, she's feeling terrible.

Finally!

Excuse me, but you want to lock it up..

..so no one can enter?

< I understand.

Let's see if she answers why she might as well be dead.

Miss BeIinda?

Mom, I'm back.

< Next. (COUGHS)

-She's not dead. - No.

(COUGHS)

(DOOR CREAK)

- Since... - AIt!

It is you that you wanted me to die.

- Mom. - AIt!

Your father he was an aIcoIized moron.

You are completely deficient.

Your wife is a whore. (COUGHS)

The child that will be born is not yours.

It is by Cario Vigeva.

I understood everything.

Get out.

Let me die in peace.

(COUGHS)

(PALMIRA CRYING) < Mom!

- < Courage, PaImira. - < Mom.

< It's a great pain, but what do you want to do?

< It's the life.

Now I'm in charge here.

- What did you say? - From today I'm in charge here.

You don't control a pipe. And don't set foot in the factory..

..otherwise I'll send you back to the packing department.

You won't let me die like you did with your mother.

I'm not your slave, I am not an object woman.

What object?

Forget that in here I have your son.

Mine or Vigeva's?

What's the difference?

Yours or Vigeva's..

..will inherit your money.

Still at the factory don't set foot there.

And go forward to do my mother's business.

(PUFF)

I'm in charge here.

Who pays the electricity bill?

The!

(TURN OFF SWITCH)

< PaImira's belly is getting better inflating like an inner tube.

The bastard will be born soon.

Dear LeopoIdo, I'm down. (VERSE OF THE GRACULA )

(MUSIC FROM THE RADIO)

(THEY KNOCK)

Forward.

- Excuse me. - Come forward.

Excuse me, I thought I'd find the maid.

She left the other day yesterday. She says her mother is ill.

She says.

Can I be of any use to you, accountant?

I wanted to take a pill for headaches.

- And I wanted a glass of water. She-she Have a nice whiskey and soda.

- < Too much trouble. - She never disturbs.

- You are a gentleman. -But you do drugs with aspirin.

I am a welfare, you will see yourself.

(SPRAY) Oh, excuse me.

A comforting well-being.

She will make them forget The office troubles.

(CUSETTI COUGHS)

< The troubles are there. Worse and worse every day.

My brother does what he can.

But the decisions they should come from my husband.

< Who doesn't want to take any.

If I were the boss...

What if it was you?

I would transform everything in a modern factory.

All refurbished and plastic, plastic.

(BLOWS) Sorry.

I'd sell the park as building area.

Hundreds and hundreds of millions.

A pied-à-terre in Milan.

- The parcel at ScaIa. - Already.

II night.

(SIGHS)

- I can confess one thing? - Yup.

(MUSIC FROM THE RADIO)

When I was in PaImira of the packing..

..I liked her very much.

- But I never had the courage to tell him. - And now?

Now look.

Look how reduced I am.

You touch your hips.

I look like a cow.

(MUSIC FROM THE RADIO)

What a beautiful drum!

What a beautiful drum!

(MUSIC FROM THE RADIO)

- As soon as I'm relieved, I'll be yours. - PaImira.

The Mayor.

He can make manufacturable The park area.

The Giunta can then be bought. In Italy you buy everything.

I'll do the plan.

First the Mayor, then the Assessor.

Oh!

(MUSIC FROM THE RADIO)

- Just relieved. - Yup.

(MUSIC FROM THE RADIO)

(DOOR CREAK)

(MUSIC FROM THE RADIO)

I want to call him Giuseppe.

But your wife had told everyone that he would call him Romeo.

- I said Joseph. - But it's your father's name.

It's not even a year that he threw himself from the bell towers.

We'll see if he jumps down too.

< Day 1 February 2 at five o'clock...

- In the Tulip Clinic... - Tulips...

(CRYING BABY)

From Augusto VaIIe...

< We want to talk of the building area?

Yes, PaImira, but later.

< After. (SLAPS)

Is that all right, Mr. Mayor?

Yes, how nice! Continues.

(SLAPS)

(VERSE)

How nice!

Now as we decided.

Forward.

Ouch! (VERSE)

Come on, don't be afraid. Beat the beast.

Pesto.

(MOANS) How nice!

< Ouch! But it's cool.

< Ouch!

Thanks, dear.

- < Ouch! - Continuous?

Yes fine.

(KICKS)

(YELL OUT) Now the other thing.

I go?

Yes come. Come on.

(WHIP AND SCREAM)

Ouch, mom!

One moment. (whipping)

Ouch, a little less. (whipping)

Ouch! But are you crazy?

(whipping) Ouch!

Enough, Judas pig, enough!

- But you don't like it? - Yup.

But it really hurts me.

But then why?

I read that the Baron Masoch I did and enjoyed.

The more he did it, the more he enjoyed it.

I read it on PIayboy.

Ah!

Now how do you want to fuck?

Catholicically.

And where do I put this?

- Wherever you want. On the heater. - Ah!

(BUGLIO LAUGHS)

< So, good.

Ah!

Hey! (LAUGHS)

We have plenty of time. It's a quarter past seven.

You are a smart girl and these things don't bother you

(THEY LAUGH)

fuck you!

< What a nice meeting.

Good.

So I'm at ease dear, beautiful PaImira.

Let's talk right away of the park to unlock.

What about this park here?

- Of this park later. - Ah!

Do not move.

(MUSIC IN THE BACKGROUND)

Stop.

Stop.

Always without underwear.

(MUSIC IN THE BACKGROUND)

What a beautiful thong.

Why don't you tell me about the park?

(AUGUSTO MUGUGNA) What do you say?

I don't mean anything to anyone, I am the master.

You are a pig, not the master.

Now I'm no longer a worker, I am mistress too.

(MUSIC IN THE BACKGROUND)

I blew the practice of expropriation.

They wanted to do it become a public park.

But I do become a building area.

A boat of millions.

We can become very rich.

(MUSIC IN THE BACKGROUND)

Millions to me it doesn't matter.

We could go in MiIano and live like gentlemen.

I don't want to lead the life of sir, i'm still a boy.

(SIGHS) Now let's introduce plastics.

Don't talk to me about plastic while I'm in love.

AIInow know that I cuckolded you.

The whores husbands always cuckold.

But I don't care give me your foot and turn around.

I hooked you up with the mayor and with Councilor BugIio.

The maimed?

Rest assured that there is not mutiIed.

Heh!

Agree, The park is yours and you are not selling it.

Even the buttons are yours.

- But the body is mine and you're done with me. - That is?

At least that you don't testify to me about the park.

Never.

We'll see. Whoever lasts it, wins it.

I will win.

Sorry about the thong.

(DOOR CREAK)

(TURNS ON THE SWITCH)

(TURN OFF SWITCH)

(MUSIC IN THE BACKGROUND)

What do you want?

I want to sleep with you. I'm cold.

Go scaIrate yourself in the Vigeva foundry.

Go back to your seat.

(MUSIC IN THE BACKGROUND)

(CHIRPING)

PaImira dear.

- Would you kill him for my love? - The?

I don't have much experience in the branch.

I have to get rid of that there, at the cost of poisoning myself.

There would be a different solution.

< Indeed, there is.

Why don't you ban him?

Just one question in bubbled paper.

The signature of a doctor and the mayor.

And your husband ends straight into...

Already.

< So we get off our feet.

It will take some time.

At the moment all I have to do is peck.

- You are a genius. - Yup.

Come, today I admit you in the bridal chamber.

It will be much more exciting.

You come.

You are the only smile of my sad day.

- Mister Augustus. - Equal to.

I do not see, I don't hear and I don't speak.

But at home terrible things happen to her.

Cusetti fucks PaImira. Then?

That's enough.

Ah!

Now I'm not just worried. I am distressed.

She demands from me of things against nature.

Doctor, Augusto is not normal.

He has to help me with his knowledge of him.

My husband is increasingly morbid.

He keeps licking me and I feel a strange itch.

(COUGHS)

It's a case of fetishism.

..how does she feel?

The?

I 'm very good.

Never been so good.

Do you want to visit me?

All?

All?

Yup. (LAUGHS)

I visit you all.

(SHACKS IMITATE THE SOUND OF BIRDS)

You understand now? Come on, try.

(IMITATES CROW OF BIRDS)

- No, the finale goes up. - Ah!

(AUGUSTUS IMITATE CROWDS OF BIRDS)

Good, here.

This is when the sun is already up.

And in the evening when it sets call his partner.

(IMITATES CROW OF BIRDS)

Now I try.

(IMITATES CROW OF BIRDS)

< Hey, you're my brother in law, but you are also the master.

In front of you I am proIetarian among proIetarians.

- < Excuse me, Mr. Baracchi. - You are welcome.

Hurry up, I have no time to lose.

- I don't do it take it for granted. - Oh!

< Let's forget about the cui.

The factory falls apart..

..and gave ten million to ''Italia Nostra'' for birds.

And stick the letter on the union framework.

< It's a provocation.

The money is mine and the factory is mine.

These are speeches of your grandfather's time.

- Today we don't allow it more. - We who?

The works council, the basic committee.

We are in 1976.

Moment.

Italy fights Its First World War.

And we are in 1914.

Like his grandfather.

You wanted it, Augustus II!

- Strike in oItranza. - All right, strike.

- Barracks. - Yes. - IInow.

(IMITATE CROW OF BIRDS)

(LAUGHS)

- You will become a professor. - All right.

See you in eight days.

Cusetti, travel and expenses stay at Dr. Baracchi.

Thank you.

< As you wish.

(VOICES OF BIRDS FROM THE RADIO)

Listen and try to understand.

(VOICES OF BIRDS FROM THE RADIO)

The workers strike, I'm on strike too.

I am in this house only an exploited proIetaria.

- Lady...? - No thanks. I do it myself.

This soup I throw it in the toilet.

Instead of giving away ten million to ''Italia Nostra''..

..you could have bought me a blue mink..

< ..or a chinchII fur.

Every fur they are a hundred of the ilits.

- < A hundred beasts killed. - < AIInow you won't eat meat anymore.

< In fact I have decided.

Dad, I'm hungry.

As for the dads...

Forget it.

< However, hunger must be fed.

(MUSIC IN THE BACKGROUND)

(DOOR CREAK) Pope.

(MUSIC IN THE BACKGROUND)

(DOOR CREAK)

(CHIRPING) How are you doing, my brothers?

I'm tired.

I'm afraid I'm close wanting to get it over with.

Yup.

I don't have the resources MoraIi of San Francesco.

(GRACULA WHISTLES ''AVANTI POPOLO'')

(VERSE OF THE GRACULA)

You're right, but I married a whore. She wasn't even a virgin.

She did it You ia date of birth, ..

..I have a son who is not mine. I don't have much will to live.

Uh, sorry.

(VERSE OF THE GRACULA)

It's all fucked up. The industry he is in a progressive paraIisis.

< Still a few decades and hello to you, technology!

< Humanity is blind, deaf and stupid.

They make atomic missiles when we should grow salad,..

..purify the rivers and seas that they are full of shit and oil.

Enough, I've preached enough. (VERSE OF THE GRACULA)

What are you looking at? (VERSE OF THE GRACULA)

(CHIRPING)

Joseph.

(CHIRPING) (MUSIC IN THE BACKGROUND)

But then, maybe...

(CHIRPING) (MUSIC IN THE BACKGROUND)

They say it too.

(CHIRPING) (MUSIC IN THE BACKGROUND)

You see that you are my son.

Not from Vigeva.

Couldn't you be my son?

(CHIRPING) (MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(ENGINE NOISE)

(COUGHS)

(NOISE OF MACHINERY)

- What do you do here? - It's personal stuff.

< What do you want? My minutes are numbered.

I can't let it go the pace to my workers.

- Whose son is Giuseppe? - Joseph who?

PaImira's son.

But if he is your son, what the fuck are you looking for?

Please note that PaImira is a whore.

And beautiful too and I loved it.

But he never wanted to give it to me.

She said I stank of iron. Does iron smell?

Anything.

If you believe me, otherwise fuck you.

Get off your balls.

(NOISE OF MACHINERY) Thank you.

I am so happy.

you are not happy, you're mad as hell!

Hello and thanks.

Ah, you don't stink to me. Hello.

(DOORBELL)

I'm sorry, but everything is fine.

The ordinance.

(CHIRPING)

She was good.

You have all been good.

(CHIRPING)

(CRYING)

Where is my son?

He's in the house.

Notify grandfather Mantini.

Yup.

(CHIRPING)

(MUSIC IN THE BACKGROUND)

Joseph.

Listen.

Now think about it.

Think of our little birds.

(MUSIC IN THE BACKGROUND)

I have to go to the asylum.

Yes, dad.

(MUSIC IN THE BACKGROUND)

(SIRENS)

(TRUCK ARRIVES)

(ARRIVES MOTOR)

< Ready, try microphone. One two Three.

(CLEARS THROUGH)

We got ourselves into a nasty trouble, Mr. VaIIe.

- < Me too? - No. She. - < Ah!

One of those delicate situations..

..which must be examined carefully. - < I can take off my jacket,..

..professor OsvaIdo? I'm all sweaty.

< Of course.

< This is not a prison.

Here we have psychiatry a modern, democratic concept.

We even set up the common walk.

Males and females, in a model garden.

We have here in front, The internment order..

..signed by the doctor, by the mayor and from his lady.

Whore.

Please.

Whore.

Yup.

His vision of things ..

..is certainly faIsata from a state of agitation.

..anxious as can be seen from the report of the doctor CoIbiati.

The vision of the CoIbiati it was faIsed by the fact..

..that he got laid my lady.

- Can I take off my shirt? -

Then, the medical history.

Because his father was aIicized and he committed suicide.

Out of conjugal exhaustion that has the reason for him.

Did he record?

While his mother passed away under mysterious conditions.

It seems she let herself die.

Exactly. They do it even the elephants.

And the strange rituals what did he impose on her wife?

An orgy of fetishism.

- ''Continue licking of the feet...'' - Yes.

- ''Hands.'' - Yes. - ''Breasts and some posterior parts.''

-Because she has a beIIissimo cuIo. I can? - Yup.

Thank you. She has it ever sinned on her wife?

- Good! - I can take off my shoes too?

- But do what you want. - Thank you.

We are Democrats. No constraints.

(ROYAL DOVE VERSE)

What does he watch?

Anything.

- Anything. - No.

She is watching The royal dove.

You are obsessed with birds. They say it here too.

The maid.

''The master talks and laughs with birds.'' What does she say?

It is true. There are some birds very witty.

Not to mention the millions treat yourself to ''Italia Nostra''.

Corso Vittorio Emanuele II, 287.

And the story of the fake mustache?

- Ah! - Ouch, ouch!

Mister VaIIe.

His is a delicate position.

It's not easy either for us scholars..

..establish whether or not one is sane.

And then what should I do?

Indulge.

- I will indulge. - < Well done.

So I like.

You will see that we two will go agree.

When he thinks I will be able to go out from this democratic madhouse?

Can not be said.

In a month, in a year.

Maybe, never.

(DOOR CREAK)

(MUSIC IN THE BACKGROUND) (MENTALLY ILLNESS LAUGHS)

(MENTALLY ILL LAUGHES)

(SNIff) Mm?

- Mm? - No.

- Why not? - No.

(MENTALLY ILL LAUGHES)

(MUSIC IN THE BACKGROUND)

Pss!

They screwed us.

- Oh yeah. - Take it for yourself.

And above all, don't talk of birds, please!

- Would you like to have some? - No.

(MUSIC IN THE BACKGROUND)

< Hello. (MENTALLY ILLNESS LAUGHS)

(TOGETHER) Hello!

(MENTALLY ILLNESS LAUGHS) < Hello.

- Come on! - Let's go!

(INDISTENTIAL VOICES)

(VERSE OF THE GRACULA)

Leo Ido!

(INDISTENTIAL VOICES)

Leo Ido!

Pretend you don't know me.

Leo Ido!

Try to understand. Don't mess me up.

(VERSE OF THE GRACULA)

What do you want from me?

I don't know her.

There must be an error.

- Leave me alone. - Leave me alone.

Go away. You do not see that I'm in the asylum?

(VERSE OF THE GRACULA) Don't blaspheme!

Go away. (GRACULA FLIES)

Say hello to my son. (VERSE OF THE GRACULA)

Do you have the bird?

< What does it say?

< Which bird?

This.

Before entering I had it in the asylum.

Now I feel a little less.

Can I touch?

Touch!

< Dai!

(MENTALLY ILLNESS LAUGHS)

Eh, beh...

Mariuccia!

(MENTALLY ILL LAUGH) Mariuccia!

(MENTALLY ILL LAUGH) Mariuccia!

Go away!

Mariuccia.

- Look at that mangle II! - What are you looking at?

(TOGETHER) Come on!

< Dirties!

(INDISTENTIAL VOICES)

It just is!

- It just is! - No. Lazzaroni!

(INDISTENTIAL VOICES) The show is over.

- Dai. - Via!

What's up?

- Yup. - Move!

- Stop. Let's go! - Leave me alone.

Dai! (INDISTENTIAL VOICES)

< No, I don't want to!

There you will say yes.

- - Mister VaIIe.

We are confusing democracy with anarchy.

- You risk your shirt of strength. - What have I done?

I ate the omelette! She told me to indulge.

- I humored. - Away, away. - All right.

You can't even anymore eat the omelette.

- We're good to go now. - One not he can't even eat the omelette!

(MUSIC IN THE BACKGROUND) indulge!

Caroniti says.

Because?

The dick shouldn't be indulged?

Caronites!

< You don't fucking indulge him?

- And who doesn't indulge her...? - Shh!

(AUGUSTO MUGUGNA) Shh!

Here, put your feet up so with the caIcagni open.

- Is this a punishment? - No.

It's the cure. He purifies body and brain.

- Thomas says so. -Who is he? - The.

(MUSIC IN THE BACKGROUND) Ah!

And if I'm a nurse, it's because I have my reasons.

My reasons.

And nobody has to say anything.

Stopped!

And trouble to those who disrespect me.

- Good morning. - Forward. He peed right away.

I do not know if I can to urinate on command.

- Anyway, since I have to indulge... - Mm.

(MUSIC IN THE BACKGROUND)

Pss!

Pee! (AUGUST URINE)

- Here you are. - Sorry, doctor. - Don't worry, Mr. VaIIe.

- Oh yeah. Don't worry. - Do not worry.

I don't worry. (DOCTOR ACTIVATES MACHINERY)

(LAYS)

Before dying, I want my lawyer.

- The lawyer. - Yup.

('' When he thinks I'll be able to go out from this democratic madhouse?

Meh! Can not be said.

In a month, in a year. Maybe, never.'')

So now you have a job.

Caroniti discovered that idleness is the father of vices.

Yes, he is a genius!

Give me your arm. Here you are!

Nice! Go.

Ah!

Pious, pious, pious!

Good morning.

Good morning.

< Pious, pious, pious!

(COOING OF DOVES)

< Grandfather Mantini.

August!

Dear Augustus!

Thank goodness you're here!

It is possible for a man to run out in asylum..

..without knowing anything? Without doing anything?

- What does the law say? - It's from IIa part of your wife, unfortunately.

Imagine if not I studied your case.

- I'm doing everything to get you out of here. - Thank you.

- Am I still the boss? - < For now, yes.

< I blocked the file of interdiction.

For the moment. But don't sign anything..

..if I don't authorize you. And stay calm, please.

Otherwise they keep you here until judgment day.

Already. It's worse than the jail.

At least there, sooner or later, they make you a trial.

- And watch out for Caroniti. - Agree.

(LAUGHS)

- You like being a postman, huh? - Oh yeah.

It's a job of trust. (LAUGHS)

Listen, grandfather Mantini, but do I look crazy to you?

I'm a little crazy, but who is not I?

(LAUGHS)

What are you doing here? go!

Look, I don't indulge him anymore and then the bird was stolen from me.

(CRYING)

Good, don't cry.

Serafina VitaIi.

- Good morning. - Good morning. Serafina VitaIi.

Serafina VitaIi! (LAUGHS)

Are you Serafina VitaIi?

Yup.

Mail.

I was waiting for you, you know?

(SHOUTS OF THE MENTALLY ILL)

(FLUTE PLAY)

(FLUTE PLAY) (MUSIC IN THE BACKGROUND)

(SERAFINA PLAYS THE FLUTE) (MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

Hello.

(MUSIC IN THE BACKGROUND)

Hello.

(MOANS)

(THEY KNOCK)

Yup? No!

One moment.

Forward.

(DOOR CREAK)

I leave you alone. You will speak more freely.

(DOOR CREAK)

I like that Doctor Caroniti.

He loves you very much.

Since you opened it for him The legs at first sight,..

..I guess I want to very good to you too.

And why shouldn't it?

After all, they are not to be thrown away.

I would throw you even away, but I can't.

The law is on your side.

Do you know what?

We had no idea how much your work was precious.

Ah!

Why don't you come and sit down a little here, near me?

I stand, I don't have to fuck you anyway.

And then, without your consent,…

..we can't take no decision.

It would take a little gesture from you.

Paw off!

For everyone's sake, I have you brought this paper to sign.

A simple power of attorney.

< So the factory goes on.

< AIotherwise, it's trouble for you too.

I don't sign anything except I order it from my lawyer.

And since when do you have a lawyer?

< Since birth. His name is Maintain Grandpa Mantini.

And you can't fuck me, because he's past ninety!

Remember.

Remember well why PaImira Root tells you.

You will come out of here alone with feet in front. Died.

I'm fine here.

(AUGUSTO LAUGHS)

(MUSIC IN THE BACKGROUND)

(AUGUSTO LAUGHS)

(AUGUSTO LAUGHS) (MUSIC IN THE BACKGROUND)

(YELL OUT) (BLOW)

- Buono! - Ah!

(MUSIC IN THE BACKGROUND) Seraphina!

Seraphina!

Seraphina!

(MUSIC IN THE BACKGROUND)

I am receiving messages.

Post.

You wrote this one.

How do you know?

I know it. It says "I love you". (MUSIC IN THE BACKGROUND)

- And do you love me. - Yes, so I wrote.

Since yesterday I no longer know if I'm asleep or if I'm awake. I always dream of you.

With eyes closed and also open. (MUSIC IN THE BACKGROUND)

Augustus II. Because?

Because my grandfather was the first.

Sounds like the name of an emperor.

- I, on the other hand, am nobody. - No.

You're wrong.

(MUSIC IN THE BACKGROUND)

I read in your eyes..

..descents and ascents in the spiral of becoming.

You are part of my reports ''conniversaIi''.

How difficult do you talk.

I need to cleanse myself. That's why I was waiting for you.

- Are you serious? - Yup.

As soon as I saw you, I knew it was you.

(CHIRPING)

- The? - Yup.

Your soul is moIto closer than mine..

..to the great cosmic soul! - It's not possible.

- You are like an angel. - No.

Instead, I threw myself away.

Even my body I've done badly. Look.

I made love without love, out of anger or out of distraction.

But now, I must advance towards the pure essence.

And you will help me.

I'm afraid I'm not capable.

- I believe in reincarnation. And you? - Heh, heh...

I've heard of it. It's like when...

..one becomes a flower or a butterfly. An elephant? - Already.

It would almost be like this.

Indeed, we are here already known in the past.

Maybe, I remember...

Ever since I met you, I seems to have traveled a lot.

(CHIRPING)

And now...

And now I feel like it to tell you that I love you.

(CHIRPING)

I can now tell you everything. I have so many things to tell.

Things I've never said.

My father was very loving with me when I was little.

(MUSIC IN THE BACKGROUND) (''I was a toy to him.

I loved him a lot too. I thought that when I grew up I would have married him.

But childhood is a season too short.'')

(''When I began to understand, I collided with a world..

..which I didn't like.

And solitude frightened me.

So, I took refuge in my brother's arms.'')

(''And I played with him.

But in a short time, the game, it was no longer an innocent game.'')

(MUSIC IN THE BACKGROUND)

(''Then, I searched other experiences.'')

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(''Soon, I was forced to face the truth..

..that I could no longer hide.

The wealth of my family it had a despicable origin.

The arms trade.'')

(''My father sells guns all over the world.

To the guerrillas, to the mercenaries. For him, only money matters.

And not the brother's horror who kills his brother.

Now, the smiling father of the my childhood, he was an enemy.'')

(MUSIC IN THE BACKGROUND)

(VOICE NOT AUDIBLE)

(MUSIC IN THE BACKGROUND)

(VOICE NOT AUDIBLE)

(MUSIC IN THE BACKGROUND)

(VOICE NOT AUDIBLE)

(MUSIC IN THE BACKGROUND)

(VOICE NOT AUDIBLE)

(MUSIC IN THE BACKGROUND)

< Augusto VaIIe, why do not distribute mail..

.. then I'll get involved? - Excuse me, Miss VitaIi.

- Hello. - Go.

(MUSIC IN THE BACKGROUND) (CHIRPING)

< Chip, chip. (CHIRPING)

Chip, chip. (CHIRPING)

Chip, chip. (CHIRPING)

(MUSIC IN THE BACKGROUND) (CHIRPING)

Augustus III.

(MUSIC IN THE BACKGROUND)

What does this suggest to you?

< Eh...

Anything.

- And this? - < This...

Anything.

Possibly not Can you think of anything?

< Doctor OsvaIdo, if I tell you, She gets pissed.

Of course.

If he says ''the birds'', of course I'm pissed.

Heh, see!

(VERSE OF THE GRACULA)

Leo Ido!

Oh?

I mean she's waiting for me.

She, who?

Uh...

Soup.

Hot soup. Enjoy your meal.

(DOOR CREAK) Soup?

What soup?

(MUSIC IN THE BACKGROUND)

< Someday or the other I present to you LeopoIdo.

< So I speak to him.

< Even the plants They talk and they understand, you know?

< AIIora, he likes the music.

< Why not! They need it.

< They become beautiful.

And if they are loved and cured, they feel it.

- Like us! - Of course. They are like human beings.

Yup.

But the world of men of today is the enemy of nature.

- Blind, deaf and stupid! - Yes and bad too.

Cruel, overbearing.

Craft monstrous weapons. It's useless.

It is a disaster, but that's exactly how it is.

It really sucks. (COOING OF DOVES)

< I tried to rebel, to destroy..

..a world that I felt faIso and enemy..

..who defends privileges of people like my father.

(MUSIC IN THE BACKGROUND)

(''For the good name of the family,..

..they sent me to a clinic to undergo certain treatments..

..without anyone knowing.'')

(MUSIC IN THE BACKGROUND)

(''I used to throw away the sedatives.

I was desperate.

I let everyone fuck me.

I wanted to cancel.'')

(''How to die.'')

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

And so, they took you here in the asylum.

No. Maybe they wanted, but I ran away.

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

Doctor OsvaIdo, how do you get out of here?

From psychiatric hospitals you can go out by death,..

..for transfer to another hospitals, article 61,..

..by healing, article 64.

Then there is Article 66. Delivery to the family because it has improved.

When the reports with family they are good,..

..we are willing to larg..

..and to take some risks. She understand?

- ''The family members'' would be my wife? - Here you are.

- How to say a compromise? - Here you are!

If by chance he sees my wife and I say by chance, ..

..here or even there,..

..ie can tell that I want a meeting?

I haven't had your experiences,..

.. but in Lombardy I have combined of all colors.

Love is something magical.

It's just love and that's it.

Not to brag, but love I consumed it too.

PaImira knows a thing or two about it, that she would be my wife.

I licked her everywhere.

Between the feet, under the armpits... (THEY LAUGH)

Even the cuIo, but a lot though! Once I missed the saliva.

There's nothing wrong with it. Cats do it, tigers do it...

..even the lions. It's a natural instinct.

They told me that I'm ill.

What do you want them to understand? Do you know why I'm here?

(MUSIC IN THE BACKGROUND)

(VOICES IN AUDIBLE) (MUSIC IN THE BACKGROUND)

(BIRD CALL)

(SHOOTING) (MUSIC IN THE BACKGROUND)

(SHOOTING) (MUSIC IN THE BACKGROUND)

(SHOOTING) (YOULD)

(SHOOTING)

(ENGINE NOISE)

(SHOOTING) (SHATTERING GLASSES)

(VOICE NOT AUDIBLE)

(SHOOTING) (BARK)

ViIIa VitaIi. An ambulance.

< Now I understand why they put you in an asylum.

< One thing is certain. I am arrived here to meet you.

I need yours help to purify me.

There's a magic word, you know?

- Mantras. - I want the mantra too.

I have to purify myself.

Yes, but now we have to go out.

Go out..

..from this prison.

< I think we should purify ourselves within these walls.

There would be Article 66. But it's a compromise.

I commit myself to PaImira and you with your father.

But we will not accept never a compromise, right?

But we have to get out of the asylum. Even at the cost of compromises.

Good! Just like I thought.

Our happiness is very much more important than pride.

Exactly. Who cares some pride!

(MUSIC IN THE BACKGROUND)

If you want to make love with me, I'm happy.

Do you want to make love with me?

I didn't understand the question.

I want to make love to you.

Now.

Do you want?

(MUSIC IN THE BACKGROUND) (CHIRPING)

Maybe I should lose some weight?

(LAUGHS) Stupid!

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(VOICES IN AUDIBLE)

(MUSIC IN THE BACKGROUND)

- Augustus! - No!

Ninth!

- I'll be yours! - < Serafina!

- Stand still. - < I'll be yours!

I'll be yours!

(MUSIC IN THE BACKGROUND)

I will be yours.

(MUSIC IN THE BACKGROUND)

I will be yours.

(WING FLAP)

Hello. I will be of him. (VERSE OF THE GRACULA)

Go tell him. (VERSE OF THE GRACULA)

(VERSE OF THE GRACULA)

(MUSIC IN THE BACKGROUND)

I will be hers. (VERSE OF THE GRACULA)

(MUSIC IN THE BACKGROUND)

(DOOR CREAK)

(MUSIC IN THE BACKGROUND)

Hey!

Shut up. Get dressed, quick.

- What's up? - Serafina.

- Where? - You didn't see me tonight.

- I did not see you. Who saw you? - Shut up.

Why are you helping me?

Because I have a noble soul.

They are of noble origins.

- Natural child. - Duke?

King?

- Dad? - Yup.

And you the '' mama ''?

A nun.

I entered here when I was four years old.

Adopted.

Seen the profile?

- Yup. - Heh!

Let's go.

I'll be back to pick you up in an hour.

It will be yours.

Thank you.

I'll have you shipped two cases of buttons.

Of mother-of-pearl.

< Augustus?

Now I find you.

(SERAFINA LAUGHS)

Here you are.

I found you.

(MUSIC IN THE BACKGROUND)

Now I touch the calf.

< Touch that What do you want. I like.

(MUSIC IN THE BACKGROUND)

I touch the thigh.

(SERAFINA MOANS)

(MUSIC IN THE BACKGROUND)

August.

(MUSIC IN THE BACKGROUND)

You are my man.

And you are my woman.

I want to live together to you every day and every night.

Me too.

Every day and every night.

Forever.

(MUSIC IN THE BACKGROUND)

Now, we have to get out of here.

Yup.

(MUSIC IN THE BACKGROUND)

(DOOR CREAK)

< Hello.

Hello. Hello, grandfather Mantini.

Hello, Augustus.

You look good.

Instead, I find that you always have the same face.

Meaning what?

- Yours. - Like a bitch.

Already.

Doctor Caroniti told me you are much better..

..and you want to go out. - < Exactly.

What would it be like to go out?

Yes, I want to go out.

That's what he told me the doctor too.

He says you're healed.

Yup.

And I want to move in together to the man I love.

And where Did you catch the lucky one?

In here.

Is he a doctor?

No, an inmate.

A madman?

Who knows you're a billionaire.

You are still crazy for the law.

And if you want to go out, it all depends on her.

What are your conditions.

You tell me everything what you own.

Factory, house and park.

I ask for nothing.

Only your consent and the Torre Scura estate.

- No. - Pope,..

..I'm expecting a son from the man I love.

The son is not being born.

The son is born.

And then we agree.

I owe you everything, but in return i want my son..

..and the divorce.

But Joseph wasn't he a son of Vigeva?

No.

Vigeva is the only man in Lombardy that didn't fuck you..

..because he didn't serve you. - Already.

I didn't need him.

I imagine that this saint, like all saints...

..he will be starving. - No.

We do not have need nothing.

Also, I want a million a month.

Half.

However, anchored at the cost of the egg.

(LAUGHS)

Good boy!

Pope.

How long have we not looked at each other more in the eyes?

Mm?

Do whatever you like.

However, remember that you know you will never get any from me.

I don't get caught by anyone.

The divorce I will have.

So much for being your wife I never cared about it.

< Eh!

(THROW THE WEDDING)

Ia PaImira father iI coffee.

Make coffee with the ''cioccoIatta'', PaImira is half crazy.

< Crazy Iì, crazy Iì, PaImira wants to die.

(TOGETHER) One, two, three, Ia PaImira father iI coffee.

Ia ''cioccoIatta'', Ia Pa Imira...

(CHIRPING)

(CHIRPING) (WHISTLE)

(FLUTE PLAY) (MUSIC IN THE BACKGROUND)

(CHIRPING)

(WHISTLE)

(FLUTE PLAY) (CHIRPING)

(WHISTLE) (CHIRPING)

(MUSIC IN THE BACKGROUND)

(CHIRPING) (MUSIC IN THE BACKGROUND)

Done.

Ah, Leo Ido. You are here? Good boy.

Oops!

And now let's have a nice trip.

Serafina have you seen? There is also LeopoIdo.

< We did it. (VERSE OF THE GRACULA)

Go ahead. Lead the way.

(CHIRPING) (MUSIC IN THE BACKGROUND)

- < Come on, come on! - < Come on, come on!

Well done, Joseph.

(CHAINSAW NOISE)

Come on, come on! Come on, come on!

(MUSIC IN THE BACKGROUND) (CRYING)

(SERAFINA LAUGHS) Come on, come on!

(MUSIC IN THE BACKGROUND) (CHIRPING)

Wait for me!

Heh!

Don't leave me here.

I'm alone in the world!

(MUSIC IN THE BACKGROUND)

(INDISTENTIAL VOICES) (CHIRPING)

For me, mad was and mad remains.

< I'm going home because I don't want to stay a minute longer..

..wasting time with these nonsense. - Good morning.

(CHIRPING) (INDISTENTIAL VOICES)

- He's leaving with a pretty blonde. - AIInow he's not so crazy!

(CHAIR CREAK)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(MUSIC IN THE BACKGROUND)

(VERSE OF THE GRACULA)

(MUSIC IN THE BACKGROUND)

(VOICES IN AUDIBLE)

(MUSIC IN THE BACKGROUND)

Subtitles: CINEMATEXT MEDIA ITALY