Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,958 --> 00:00:04,830
NARRATOR:
In ancient traditions
around the world,
2
00:00:04,874 --> 00:00:07,659
powerful sacred sounds were used
3
00:00:07,703 --> 00:00:10,227
to communicate with the heavens.
4
00:00:10,271 --> 00:00:14,492
DEEPAK SHIMKADA:
The whole universe resonates
with the sound "aum."
5
00:00:15,580 --> 00:00:17,843
NARRATOR:
But was sound also used
6
00:00:17,887 --> 00:00:20,063
to create megalithic structures?
7
00:00:20,107 --> 00:00:22,413
ERICH VON DANIKEN:
They had a certain sound,
8
00:00:22,457 --> 00:00:24,024
a certain vibration,
9
00:00:24,067 --> 00:00:27,070
and the blocks
moved by themselves.
10
00:00:28,245 --> 00:00:30,552
NARRATOR:
And could seemingly
primitive rituals
11
00:00:30,595 --> 00:00:34,643
actually have been connected
to otherworldly technology?
12
00:00:36,253 --> 00:00:38,734
DR. JEFF THOMPSON:
Within the harmonics
and overtones
13
00:00:38,777 --> 00:00:41,432
of a complex sound,
14
00:00:41,476 --> 00:00:44,435
you could impart
all kinds of information.
15
00:00:44,479 --> 00:00:48,048
NARRATOR:
Ancient astronaut theorist
Giorgio Tsoukalos
16
00:00:48,091 --> 00:00:50,311
and author David Childress
17
00:00:50,354 --> 00:00:53,096
have gathered experts
in science, religion
18
00:00:53,140 --> 00:00:57,535
and mythology to explore
the mysterious power of sound.
19
00:00:58,580 --> 00:01:01,278
GIORGIO A. TSOUKALOS:
Monuments worldwide
20
00:01:01,322 --> 00:01:04,107
have acoustic properties,
and it's all harmonics.
21
00:01:04,151 --> 00:01:05,978
NARRATOR:
And the possibility
22
00:01:06,022 --> 00:01:08,590
that new discoveries
in acoustics
23
00:01:08,633 --> 00:01:11,941
could lead to the next giant
leap in human evolution.
24
00:01:11,984 --> 00:01:14,248
TRAVIS TAYLOR:
This is literally
25
00:01:14,291 --> 00:01:16,772
getting the right vibrations
to create
26
00:01:16,815 --> 00:01:18,948
the next experience of reality.
27
00:01:22,038 --> 00:01:23,735
NARRATOR:
There is a doorway
28
00:01:23,779 --> 00:01:26,390
in the universe.
29
00:01:26,434 --> 00:01:29,828
Beyond it is
the promise of truth.
30
00:01:30,786 --> 00:01:33,397
It demands we
question everything
31
00:01:33,441 --> 00:01:36,008
we have ever been taught.
32
00:01:36,052 --> 00:01:39,447
The evidence is all around us.
33
00:01:39,490 --> 00:01:43,451
The future is right
before our eyes.
34
00:01:43,494 --> 00:01:46,149
We are not alone.
35
00:01:46,193 --> 00:01:49,283
We have never been alone.
36
00:01:56,028 --> 00:01:59,858
I'm really delighted
to be here with you guys because
37
00:01:59,902 --> 00:02:03,166
I think that acoustics
is definitely something
38
00:02:03,210 --> 00:02:06,169
that needs to be explored
even further.
39
00:02:06,213 --> 00:02:09,694
As humans, music
and-and acoustics
40
00:02:09,738 --> 00:02:11,609
are very important to our lives.
41
00:02:11,653 --> 00:02:14,699
Remember, from the Bible,
it says
42
00:02:14,743 --> 00:02:17,180
God created the world how?
43
00:02:17,224 --> 00:02:19,182
-In the beginning was the word.
-By speaking.
-He spoke!
44
00:02:19,226 --> 00:02:21,663
It's spoken, right?
45
00:02:21,706 --> 00:02:25,319
The oral tradition
is not just words or intellect.
46
00:02:25,362 --> 00:02:26,972
It's an entire tonal thing.
47
00:02:27,016 --> 00:02:29,061
When the universe was created,
48
00:02:29,105 --> 00:02:32,239
it says that the whole Earth
has a grid of tones
49
00:02:32,282 --> 00:02:34,066
that founds everything.
50
00:02:34,110 --> 00:02:36,025
That is the same thing
in ancient India with aum.
51
00:02:36,068 --> 00:02:38,201
They're saying exactly
the same thing, that...
52
00:02:38,245 --> 00:02:40,421
that the universe started
with one note, a single note.
53
00:02:40,464 --> 00:02:42,205
-That's right.
-CHILDRESS: A vibration.
54
00:02:42,249 --> 00:02:44,033
And then it's the aum sound.
55
00:02:44,990 --> 00:02:46,992
♪
56
00:02:48,777 --> 00:02:50,779
NARRATOR:
Aum is a sacred sound
57
00:02:50,822 --> 00:02:53,085
in the Eastern religions
of Hinduism,
58
00:02:53,129 --> 00:02:56,785
Buddhism and Jainism.
59
00:02:57,786 --> 00:03:00,223
[deep chanting]
60
00:03:00,267 --> 00:03:04,227
SHIMKADA:
Hindu concept of cosmic sound
is simply aum.
61
00:03:04,271 --> 00:03:08,231
"Aum" is made of three letters:
62
00:03:08,275 --> 00:03:11,582
"A," "U" and "M."
63
00:03:11,626 --> 00:03:15,151
Those three letters combined
makes the sound "aum."
64
00:03:15,195 --> 00:03:17,022
♪
65
00:03:17,066 --> 00:03:21,766
And the whole universe
resonates with the sound "aum."
66
00:03:22,767 --> 00:03:25,422
LAYNE LITTLE:
Aum is not just found
67
00:03:25,466 --> 00:03:28,686
in Hinduism and Vedic tradition.
68
00:03:28,730 --> 00:03:30,558
It's very much used in Buddhism.
69
00:03:30,601 --> 00:03:34,344
It's utilized in Jainism
and also in Sikhism as well.
70
00:03:35,476 --> 00:03:38,740
And it is the most common
and most sacred of all mantras
71
00:03:38,783 --> 00:03:41,090
in all of these traditions.
72
00:03:42,439 --> 00:03:46,226
NARRATOR:
The concept of aum
first appears in the Vedas,
73
00:03:46,269 --> 00:03:50,404
the religious texts that form
the foundation of Hinduism.
74
00:03:50,447 --> 00:03:53,450
According to the texts,
specific vibrations,
75
00:03:53,494 --> 00:03:57,280
created through ritualistic
chanting, singing and prayer,
76
00:03:57,324 --> 00:04:00,283
can provide a direct
connection between humans
77
00:04:00,327 --> 00:04:02,764
and the gods themselves.
78
00:04:04,635 --> 00:04:07,986
The importance of sound
in Hinduism and Buddhism
79
00:04:08,030 --> 00:04:10,772
is very, very vital.
80
00:04:10,815 --> 00:04:13,209
[chanting]
81
00:04:13,253 --> 00:04:17,605
Without sound, you cannot
pronounce a mantra.
82
00:04:19,041 --> 00:04:24,786
A mantra is combined words
made into invocation.
83
00:04:24,829 --> 00:04:27,963
NARRATOR:
As described in the Vedic texts,
84
00:04:28,006 --> 00:04:31,096
the gods provided humankind
with a visual aid
85
00:04:31,140 --> 00:04:33,098
to remember these sacred sounds:
86
00:04:33,142 --> 00:04:36,798
elaborate patterns
called mandalas.
87
00:04:36,841 --> 00:04:40,323
PRAVEEN MOHAN:
Mandalas are mnemonic devices
88
00:04:40,367 --> 00:04:46,808
used to aid meditation,
often in tandem with chanting.
89
00:04:46,851 --> 00:04:50,333
What's interesting is that
in Hindu temples,
90
00:04:50,377 --> 00:04:55,338
we have a visual
representation of mandalas.
91
00:04:55,382 --> 00:04:58,559
So, what they're doing
is they're essentially
92
00:04:58,602 --> 00:05:04,042
translating sound
into visual patterns.
93
00:05:04,086 --> 00:05:08,917
In modern technology, these
are called Chladni patterns.
94
00:05:11,093 --> 00:05:15,358
NARRATOR:
In 1787, German physicist
Ernst Chladni,
95
00:05:15,402 --> 00:05:17,360
known as
the father of acoustics,
96
00:05:17,404 --> 00:05:19,014
published his seminal work,
97
00:05:19,057 --> 00:05:22,191
Discoveries in
the Theory of Sound.
98
00:05:22,234 --> 00:05:25,499
In it, Chladni describes
an experiment that shows
99
00:05:25,542 --> 00:05:30,025
how vibrations can create
exotic geometric shapes.
100
00:05:30,068 --> 00:05:33,028
We've got this thing
called a Chladni plate,
101
00:05:33,071 --> 00:05:35,813
after the scientist
who invented it.
102
00:05:35,857 --> 00:05:39,208
It's a thin metal plate,
like a sounding board,
103
00:05:39,251 --> 00:05:42,516
and we've got a transducer
attached to the bottom of it.
104
00:05:42,559 --> 00:05:46,650
And they spread sand
over the top of this plate.
105
00:05:46,694 --> 00:05:48,565
And we start playing
certain tones.
106
00:05:48,609 --> 00:05:51,176
[sustained tone plays]
107
00:05:51,220 --> 00:05:54,005
And those sand particles start
108
00:05:54,049 --> 00:05:56,094
to bounce around
and dance around,
109
00:05:56,138 --> 00:06:00,011
and they start to form these
mathematical circular patterns.
110
00:06:02,231 --> 00:06:04,581
And as we move up
through these frequencies,
111
00:06:04,625 --> 00:06:08,846
the sand goes into kind of
a chaos in-between state,
112
00:06:08,890 --> 00:06:11,371
and then it arrives
at this next pattern.
113
00:06:13,242 --> 00:06:17,986
And the higher
the frequency you go,
114
00:06:18,029 --> 00:06:21,729
the more these patterns
become more complex.
115
00:06:29,127 --> 00:06:32,957
NARRATOR:
In the 1960s,
Swiss scientist Hans Jenny
116
00:06:33,001 --> 00:06:35,656
was experimenting
with Chladni patterns,
117
00:06:35,699 --> 00:06:38,093
when he noticed
an extraordinary connection.
118
00:06:39,137 --> 00:06:40,835
Jenny tried it with aum.
119
00:06:44,926 --> 00:06:47,668
And it generated
an image of a circle
120
00:06:47,711 --> 00:06:49,191
with a dot in the middle.
121
00:06:49,234 --> 00:06:51,498
That itself is actually
very interesting
122
00:06:51,541 --> 00:06:55,415
because the most fundamental
elements of any mandala
123
00:06:55,458 --> 00:06:57,765
will usually be a circle
124
00:06:57,808 --> 00:07:00,420
with a dot marking
the cosmic center.
125
00:07:01,638 --> 00:07:04,554
NARRATOR:
Today, the patterns
made by frequencies
126
00:07:04,598 --> 00:07:06,774
are known as cymatics.
127
00:07:06,817 --> 00:07:10,386
In modern technology,
we are able to create
128
00:07:10,430 --> 00:07:14,564
visual representations
of sounds.
129
00:07:14,608 --> 00:07:19,308
What is remarkable is that
we see the same patterns
130
00:07:19,351 --> 00:07:24,313
in Hindu temples,
in ancient Indian structures.
131
00:07:27,359 --> 00:07:31,146
NARRATOR:
At the Sri Ranganathaswamy
Temple in southern India
132
00:07:31,189 --> 00:07:35,585
are 40 ornate statues carved
from monolithic columns.
133
00:07:35,629 --> 00:07:37,761
The statues depict
leaping animals
134
00:07:37,805 --> 00:07:40,329
and, above them, vimanas,
135
00:07:40,372 --> 00:07:42,810
vehicles that, according
to ancient Hindu texts,
136
00:07:42,853 --> 00:07:45,465
were flown by the gods.
137
00:07:47,467 --> 00:07:51,949
The word "vimana,"
in ancient Vedic texts,
138
00:07:51,993 --> 00:07:54,517
means flying machines.
139
00:07:54,561 --> 00:07:57,955
In Hinduism, it is
clearly established
140
00:07:57,999 --> 00:08:02,699
that the gods come down
from the sky using vimanas.
141
00:08:02,743 --> 00:08:06,964
In the temple of Srirangam,
these carvings show
142
00:08:07,008 --> 00:08:10,925
many different types of vimanas.
143
00:08:13,710 --> 00:08:18,236
And what's really unique
is that, under these vimanas,
144
00:08:18,280 --> 00:08:23,764
we are able to see some very
interesting patterns of mandala.
145
00:08:25,113 --> 00:08:28,551
NARRATOR:
Some researchers believe
these mandalas represent
146
00:08:28,595 --> 00:08:31,772
more than just
an artistic flourish.
147
00:08:31,815 --> 00:08:35,558
According to legend,
each type of vimana
148
00:08:35,602 --> 00:08:40,824
can be activated with
a specific type of mandala.
149
00:08:40,868 --> 00:08:43,827
If we crack this visual code,
150
00:08:43,871 --> 00:08:46,438
if we crack
this cymatic pattern,
151
00:08:46,482 --> 00:08:52,706
we might actually unlock the
secret to power these vimanas.
152
00:09:01,192 --> 00:09:03,891
Think about-- all this
is somehow connected
153
00:09:03,934 --> 00:09:08,286
to cymatics and some of these
shapes that we see in, uh,
154
00:09:08,330 --> 00:09:10,680
the ancient hieroglyphics
and some of these structures,
155
00:09:10,724 --> 00:09:12,769
megalithic structures.
156
00:09:12,813 --> 00:09:15,424
And you can reproduce those
with sound waves.
157
00:09:15,467 --> 00:09:19,776
And so I wonder if,
when these patterns occur,
158
00:09:19,820 --> 00:09:24,215
when we create these sounds,
is this kind of like
159
00:09:24,259 --> 00:09:27,392
we're inserting the pin
to open up
160
00:09:27,436 --> 00:09:30,482
an encrypted PDF file
to the read the information?
161
00:09:30,526 --> 00:09:35,357
And what they're trying to tell
us with a mandala is that this
162
00:09:35,400 --> 00:09:39,448
is the cymatic code,
the shape, the vibration,
163
00:09:39,491 --> 00:09:42,930
the sound that's
going to levitate
164
00:09:42,973 --> 00:09:44,888
-or do whatever.
-Or whatever that...
165
00:09:44,932 --> 00:09:46,760
You make this picture
with sound, and you've done it.
166
00:09:46,803 --> 00:09:48,936
TZADOK:
There is knowledge
of the ancients,
167
00:09:48,979 --> 00:09:52,592
which was concealed because
mankind was not considered
168
00:09:52,635 --> 00:09:54,071
ready for it.
169
00:09:54,115 --> 00:09:56,770
And this was that technology.
170
00:10:05,909 --> 00:10:07,345
What's interesting about this
whole harmonics and cymatics
171
00:10:07,389 --> 00:10:09,086
is that this is
a universal thing.
172
00:10:09,130 --> 00:10:11,088
It's gonna be
throughout the universe.
173
00:10:11,132 --> 00:10:12,873
It's every single planet.
174
00:10:12,916 --> 00:10:14,396
That's-that's called
the anthropic principle.
175
00:10:14,439 --> 00:10:16,311
CHILDRESS:
It-it's, uh, like mathematics.
176
00:10:16,354 --> 00:10:17,834
TAYLOR:
We have discovered all these
177
00:10:17,878 --> 00:10:20,837
extreme amplitudes
of acoustic sounds.
178
00:10:20,881 --> 00:10:24,058
And right now, we're currently
working on how we might
179
00:10:24,101 --> 00:10:27,322
be using it
for future technologies.
180
00:10:27,365 --> 00:10:30,194
-I love it. This is great.
-So let me tell you a story
181
00:10:30,238 --> 00:10:34,285
a-about, uh, an event
that happened very recently.
182
00:10:34,329 --> 00:10:35,809
Two scientists
have done an experiment.
183
00:10:35,852 --> 00:10:38,681
They go into
the great detailed math
184
00:10:38,725 --> 00:10:42,206
of the quantum interaction,
with the sound interaction.
185
00:10:42,250 --> 00:10:44,426
And they call that
a phonon-photon interaction.
186
00:10:44,469 --> 00:10:46,515
Phonon is the particle
for sound.
187
00:10:46,558 --> 00:10:49,344
And discovered that sound
188
00:10:49,387 --> 00:10:52,608
can trigger
this negative mass effect.
189
00:10:54,392 --> 00:10:56,090
NARRATOR:
In March 2019,
190
00:10:56,133 --> 00:10:58,875
scientists
at Columbia University
191
00:10:58,919 --> 00:11:01,878
in New York City
made a shocking discovery
192
00:11:01,922 --> 00:11:05,621
that redefined
the known laws of physics.
193
00:11:05,665 --> 00:11:09,364
In an experiment,
physicist Angelo Esposito
194
00:11:09,407 --> 00:11:12,715
demonstrated that phonons
are affected by gravity
195
00:11:12,759 --> 00:11:16,371
but in a highly unexpected way.
196
00:11:16,414 --> 00:11:19,069
Instead of being forced
down towards the earth,
197
00:11:19,113 --> 00:11:22,551
phonons actually rise upwards.
198
00:11:22,594 --> 00:11:28,122
Scientists discovered that
the phonon itself has mass,
199
00:11:28,165 --> 00:11:29,993
which nobody thought
it had before.
200
00:11:30,037 --> 00:11:31,734
But the closer they looked,
they realized
201
00:11:31,778 --> 00:11:34,694
that it wasn't mass at all;
it was negative mass
202
00:11:34,737 --> 00:11:36,870
and negative gravity.
203
00:11:36,913 --> 00:11:38,523
MICHIO KAKU:
It turns out that under
204
00:11:38,567 --> 00:11:40,395
certain conditions
with sound waves,
205
00:11:40,438 --> 00:11:44,094
sound waves can actually start
to rise rather than fall.
206
00:11:44,138 --> 00:11:47,054
And this was an anomaly, but
yes, it seems to be consistent
207
00:11:47,097 --> 00:11:49,839
with the laws of physics,
that certain vibrations,
208
00:11:49,883 --> 00:11:53,408
instead of falling down,
can actually fall up.
209
00:11:54,801 --> 00:11:57,760
To me,
that's experimental evidence
210
00:11:57,804 --> 00:12:00,589
that you can,
if you understand sound
211
00:12:00,632 --> 00:12:03,853
the right way, use it
to levitate heavy things.
212
00:12:03,897 --> 00:12:05,899
TSOUKALOS:
So, could this imply
213
00:12:05,942 --> 00:12:10,904
that the ancient stories
of levitation of stones,
214
00:12:10,947 --> 00:12:13,036
that some type
of technology like that
215
00:12:13,080 --> 00:12:15,822
-was im... was implemented?
-That's right.
216
00:12:15,865 --> 00:12:19,564
TAYLOR:
And that comes back
to this whole idea with,
217
00:12:19,608 --> 00:12:22,219
uh, cymatics,
which is where we're taking, uh,
218
00:12:22,263 --> 00:12:24,091
certain sounds
and putting them in
219
00:12:24,134 --> 00:12:25,788
what we'll call standing waves.
220
00:12:25,832 --> 00:12:29,096
And they produce these
amazing geometric figures.
221
00:12:29,139 --> 00:12:31,794
And you could envision,
if you knew the way
222
00:12:31,838 --> 00:12:34,057
to manipulate this
the right way, you could put...
223
00:12:34,101 --> 00:12:36,756
you can make three-dimensional
figures with it, even. Right?
224
00:12:36,799 --> 00:12:39,802
You could have sound not just
underneath it but all around it.
225
00:12:39,846 --> 00:12:41,630
And, in fact, I've seen one
226
00:12:41,673 --> 00:12:44,111
where there are multiple
transducers in a way
227
00:12:44,154 --> 00:12:47,941
and they can levitate
little Styrofoam balls.
228
00:12:47,984 --> 00:12:49,638
-And Ping-Pong balls.
-TSOUKALOS: Mm-hmm. Right.
229
00:12:49,681 --> 00:12:51,640
TAYLOR:
Just by having the sound
in the right way.
230
00:12:51,683 --> 00:12:55,078
And even do multiple ones
in-in configurations.
231
00:12:55,122 --> 00:12:58,995
So imagine if you could
amplify the power,
232
00:12:59,039 --> 00:13:02,303
if you could amplify
the-the principle,
233
00:13:02,346 --> 00:13:04,348
wouldn't that
or couldn't that apply?
234
00:13:04,392 --> 00:13:07,438
-Absolutely.
-Because we have ancient stories
235
00:13:07,482 --> 00:13:09,919
in ancient Egypt, in England.
236
00:13:09,963 --> 00:13:11,965
Some of the Stonehenge blocks,
237
00:13:12,008 --> 00:13:14,141
according to some
of the legends,
238
00:13:14,184 --> 00:13:16,143
-magician Merlin...
-Right.
239
00:13:16,186 --> 00:13:18,449
...was able to levitate
those stones
240
00:13:18,493 --> 00:13:20,060
across the plains of England.
241
00:13:20,103 --> 00:13:21,670
Right.
242
00:13:21,713 --> 00:13:23,759
NARRATOR:
Is it possible
243
00:13:23,803 --> 00:13:27,415
that the same principles
utilized to move sand particles
244
00:13:27,458 --> 00:13:30,635
and larger objects
such as Ping-Pong balls
245
00:13:30,679 --> 00:13:33,203
could also be used
on a larger scale
246
00:13:33,247 --> 00:13:35,858
to lift and move
much heavier objects?
247
00:13:35,902 --> 00:13:39,340
Curiously,
a great number of stories
248
00:13:39,383 --> 00:13:41,646
can be found
in the ancient world
249
00:13:41,690 --> 00:13:45,825
that involve the use of sound
to levitate massive stones.
250
00:13:47,261 --> 00:13:49,002
All the way around the world,
251
00:13:49,045 --> 00:13:53,093
there are myths and legends
relating to the movement
252
00:13:53,136 --> 00:13:56,618
of stone blocks
using sound technology.
253
00:13:56,661 --> 00:14:00,752
These are found
amongst the Maya of Mexico,
254
00:14:00,796 --> 00:14:03,146
the Phoenicians of the Near East
255
00:14:03,190 --> 00:14:05,540
and in Tibet.
256
00:14:05,583 --> 00:14:08,717
We have stories
in ancient Egypt, even,
257
00:14:08,760 --> 00:14:12,416
where they seem to be able
to move the stone effortlessly
258
00:14:12,460 --> 00:14:15,985
from one place to another,
some weighing hundreds of tons.
259
00:14:18,205 --> 00:14:20,207
NARRATOR:
In the tenth century AD,
260
00:14:20,250 --> 00:14:23,775
the Arab historian
Abul Hasan Ali al-Masudi
261
00:14:23,819 --> 00:14:26,909
wrote that the Egyptians
were visited by beings
262
00:14:26,953 --> 00:14:30,130
known as
the Guardians of the Sky,
263
00:14:30,173 --> 00:14:32,306
who gave them knowledge
that enabled them
264
00:14:32,349 --> 00:14:34,830
to levitate the massive
limestone blocks
265
00:14:34,874 --> 00:14:37,877
with which they built
the Great Pyramid.
266
00:14:40,357 --> 00:14:44,144
VON DANIKEN:
In old Egypt,
they had a certain sound,
267
00:14:44,187 --> 00:14:49,236
a certain vibration, and
the blocks moved by themselves.
268
00:14:49,279 --> 00:14:51,412
They show a technology
which we do not have.
269
00:14:53,109 --> 00:14:55,242
NARRATOR:
If acoustic technology was used
270
00:14:55,285 --> 00:14:57,635
to levitate massive stones,
271
00:14:57,679 --> 00:15:00,377
as ancient astronaut theorists
suggest,
272
00:15:00,421 --> 00:15:02,553
might knowledge
of this technology
273
00:15:02,597 --> 00:15:06,166
have been left for humankind
to rediscover?
274
00:15:07,819 --> 00:15:09,952
This levitation technology
275
00:15:09,996 --> 00:15:14,609
is exotic because we have
no idea how to do this today.
276
00:15:14,652 --> 00:15:17,612
For thousands of years now,
we've turned this
277
00:15:17,655 --> 00:15:21,529
into the realm
of legends and myths.
278
00:15:21,572 --> 00:15:24,793
The fact that we have stories
of these ancient gods,
279
00:15:24,836 --> 00:15:28,101
in my opinion,
is that we are suggesting
280
00:15:28,144 --> 00:15:30,625
that our ancestors
misinterpreted
281
00:15:30,668 --> 00:15:34,672
these beings as gods
because their technology
282
00:15:34,716 --> 00:15:37,632
far surpassed their current
frame of reference.
283
00:15:37,675 --> 00:15:39,982
-HENRY: Right.
-TAYLOR: So, these beings
284
00:15:40,026 --> 00:15:43,812
from our ancient past
had probably figured this out
285
00:15:43,855 --> 00:15:46,032
in order to do
whatever it was they did.
286
00:15:46,075 --> 00:15:49,252
And that lends us
down the road of,
287
00:15:49,296 --> 00:15:51,211
how do we figure it out?
288
00:15:51,254 --> 00:15:54,301
And that's something
that I'm really intrigued by.
289
00:15:54,344 --> 00:15:56,303
TZADOK:
This technology
290
00:15:56,346 --> 00:15:59,567
will not only transform
our society;
291
00:15:59,610 --> 00:16:01,786
it'll change our world.
292
00:16:09,142 --> 00:16:11,318
To me, this is fascinating
that there seems to be
293
00:16:11,361 --> 00:16:15,148
acoustics and sound that reach
the realm of the gods.
294
00:16:15,191 --> 00:16:17,237
TZADOK:
The path of the ten sefirot
295
00:16:17,280 --> 00:16:20,936
in the kabbalah speak
of the energy vortexes
296
00:16:20,980 --> 00:16:22,807
which vibrate in five
different harmonics
297
00:16:22,851 --> 00:16:24,679
called vowels,
298
00:16:24,722 --> 00:16:27,247
which is called
tonal technology.
299
00:16:27,290 --> 00:16:31,338
This knowledge
was considered too dangerous
300
00:16:31,381 --> 00:16:33,035
to be publicly displayed.
301
00:16:33,079 --> 00:16:36,560
And according to the stories
and the legends,
302
00:16:36,604 --> 00:16:40,477
this technology was unleashed,
and it destroyed the world.
303
00:16:40,521 --> 00:16:42,349
-And, I...
-CHILDRESS: So, well,
first they destroyed Jericho.
304
00:16:42,392 --> 00:16:44,438
-Right? With their sound...
-Well, Jericho, Jericho...
305
00:16:44,481 --> 00:16:45,656
Jericho came later,
but actually,
306
00:16:45,700 --> 00:16:47,397
when you're bringing up Jericho,
307
00:16:47,441 --> 00:16:49,573
the whole story
of the Ark of the Covenant
308
00:16:49,617 --> 00:16:52,054
and the marching,
this is only just one
309
00:16:52,098 --> 00:16:54,535
simple biblical example.
310
00:16:56,102 --> 00:16:58,191
NARRATOR:
The Hebrew Bible's
Book of Joshua
311
00:16:58,234 --> 00:17:01,063
tells the story of how Israel
conquered Canaan
312
00:17:01,107 --> 00:17:03,805
beginning with
the Battle of Jericho.
313
00:17:05,154 --> 00:17:08,505
According to the story,
God commanded the Israelites
314
00:17:08,549 --> 00:17:12,074
to march around the seemingly
impenetrable walls of Jericho
315
00:17:12,118 --> 00:17:14,729
once a day
for six straight days,
316
00:17:14,772 --> 00:17:18,037
carrying with them
the Ark of the Covenant.
317
00:17:18,080 --> 00:17:20,735
But on the seventh day,
they were to circle Jericho
318
00:17:20,778 --> 00:17:24,739
seven times,
making tremendous noise.
319
00:17:26,349 --> 00:17:28,395
HUSSAIN:
On the seventh day,
as they circle it,
320
00:17:28,438 --> 00:17:30,092
they blow the trumpets,
321
00:17:30,136 --> 00:17:33,878
and it's the sound
that brings the walls down.
322
00:17:36,794 --> 00:17:39,754
And you can think of that
from an engineering perspective.
323
00:17:39,797 --> 00:17:42,583
Is it the trumpets
and the vibration,
324
00:17:42,626 --> 00:17:44,411
the sound of the trumpets,
that somehow resonates
325
00:17:44,454 --> 00:17:47,414
with a particular frequency
in the brick of the walls
326
00:17:47,457 --> 00:17:50,634
that causes these walls
to collapse?
327
00:17:50,678 --> 00:17:53,246
NARRATOR:
Is it possible
that the story of Jericho
328
00:17:53,289 --> 00:17:56,162
is a historical account
of acoustic technology
329
00:17:56,205 --> 00:17:59,208
being used
thousands of years ago?
330
00:18:00,340 --> 00:18:03,212
Ancient astronaut theorists
say yes
331
00:18:03,256 --> 00:18:05,954
and point to other stories
that describe the power
332
00:18:05,997 --> 00:18:08,391
of the Ark of the Covenant.
333
00:18:11,394 --> 00:18:13,788
What I have always
found fascinating
334
00:18:13,831 --> 00:18:19,141
is that we have stories
of these magical incantations.
335
00:18:19,185 --> 00:18:20,882
-Right.
-But, you know,
336
00:18:20,925 --> 00:18:23,406
operating something
with voice commands,
337
00:18:23,450 --> 00:18:27,149
if you don't know what that is,
that's a magical incantation.
338
00:18:27,193 --> 00:18:29,499
This is the interesting thing,
because when you look at
339
00:18:29,543 --> 00:18:30,805
the Ark of the Covenant...
340
00:18:32,546 --> 00:18:34,635
...you look at the high priest.
341
00:18:34,678 --> 00:18:36,854
The high priest, of course,
would speak to God
342
00:18:36,898 --> 00:18:39,118
wearing the
Breastplate of Judgement
343
00:18:39,161 --> 00:18:40,989
that had the 12 stones on it.
344
00:18:41,032 --> 00:18:44,514
The high priest would approach
the Ark of the Covenant,
345
00:18:44,558 --> 00:18:48,997
and he would start
to recite certain tones, sounds.
346
00:18:50,738 --> 00:18:55,003
These were very deep,
tonal, throat-type chants.
347
00:18:55,046 --> 00:18:59,486
The tones were said to then
cause the stones to vibrate,
348
00:18:59,529 --> 00:19:01,749
and they would send out lights,
349
00:19:01,792 --> 00:19:06,580
and then the Ark somehow
would react to this.
350
00:19:06,623 --> 00:19:09,104
There's some
active energy there,
351
00:19:09,148 --> 00:19:12,412
which we call the glory,
or kavod,of God.
352
00:19:12,455 --> 00:19:15,893
It's not God, but it's
some actual energy field
353
00:19:15,937 --> 00:19:18,200
that if you would be
in the presence...
354
00:19:18,244 --> 00:19:20,463
-Remember, you couldn't go
into the presence.
-Or a machine.
355
00:19:20,507 --> 00:19:22,204
-That's right.
-Something was there
356
00:19:22,248 --> 00:19:24,815
that if you went
too close, you died.
357
00:19:24,859 --> 00:19:26,687
I'll tell you exactly
what that sounds to me like.
358
00:19:26,730 --> 00:19:29,646
This breastplate has optical
359
00:19:29,690 --> 00:19:33,346
and/or acousto-optical
transceivers on it.
360
00:19:33,389 --> 00:19:35,565
And they're hand-shaking,
which is what
361
00:19:35,609 --> 00:19:37,698
the old-school acoustic
phone modems would do
362
00:19:37,741 --> 00:19:39,830
when you would call up--
or the fax machine calls up--
363
00:19:39,874 --> 00:19:42,006
to connect to the other side.
364
00:19:42,050 --> 00:19:44,357
HENRY:
What we're seeing here
is that they would use sound
365
00:19:44,400 --> 00:19:46,881
to link Heaven and Earth.
366
00:19:46,924 --> 00:19:48,709
[deep chanting]
367
00:19:48,752 --> 00:19:52,234
NARRATOR:
The idea that sound can
facilitate communication
368
00:19:52,278 --> 00:19:54,932
between man and divine beings--
369
00:19:54,976 --> 00:19:58,066
like the Hindu use of aum--
is a common theme
370
00:19:58,109 --> 00:20:01,896
in religious traditions
throughout the world.
371
00:20:01,939 --> 00:20:03,898
All religions really use music,
372
00:20:03,941 --> 00:20:06,727
and you see that
in worship services.
373
00:20:06,770 --> 00:20:08,772
[chanting]
374
00:20:08,816 --> 00:20:11,862
So the cantor with the psalms
in the Jewish tradition...
375
00:20:11,906 --> 00:20:13,690
[choir singing a hymn]
376
00:20:13,734 --> 00:20:16,258
...choir in
Christian traditions.
377
00:20:16,302 --> 00:20:19,566
Even in the Islamic tradition,
where there's no formal music,
378
00:20:19,609 --> 00:20:23,265
there's a-a melody
to the recitation of the Koran.
379
00:20:23,309 --> 00:20:25,224
[melodic chanting]
380
00:20:26,877 --> 00:20:29,271
Every culture has the idea
381
00:20:29,315 --> 00:20:32,927
that this music connects us
with the divine.
382
00:20:41,022 --> 00:20:43,111
NARRATOR:
For many religious practices,
383
00:20:43,154 --> 00:20:46,114
just as important
as musical traditions
384
00:20:46,157 --> 00:20:49,204
are the locations in which
the rituals are performed.
385
00:20:50,292 --> 00:20:53,948
THOMPSON: A choir singing
in Chartres Cathedral
386
00:20:53,991 --> 00:20:57,430
is magical because
of the architectural space.
387
00:21:01,347 --> 00:21:03,479
And so these
architectural spaces
388
00:21:03,523 --> 00:21:05,612
in all these various cultures,
389
00:21:05,655 --> 00:21:08,963
from these kind of secret
monasteries in the Far East
390
00:21:09,006 --> 00:21:12,923
and in the Middle East,
391
00:21:12,967 --> 00:21:15,274
were famous for having
392
00:21:15,317 --> 00:21:18,277
architectural designed spaces
393
00:21:18,320 --> 00:21:21,280
that call up the sacred.
394
00:21:21,323 --> 00:21:23,282
[congregation chanting]
395
00:21:26,502 --> 00:21:29,984
NARRATOR:
Interestingly, a growing number
of archaeologists believe
396
00:21:30,027 --> 00:21:32,334
some of the world's
oldest structures
397
00:21:32,378 --> 00:21:36,295
were specifically designed to
accentuate acoustic properties.
398
00:21:37,513 --> 00:21:39,341
Like all of you,
I'm always keeping up
399
00:21:39,385 --> 00:21:42,997
on the latest archaeological
developments and research,
400
00:21:43,040 --> 00:21:45,129
and I think
it's really fascinating
401
00:21:45,173 --> 00:21:49,003
that monuments worldwide have
acoustic properties.
402
00:21:49,046 --> 00:21:51,658
What they're finding is
that these were chambers
403
00:21:51,701 --> 00:21:53,486
that were designed
where you would have this
404
00:21:53,529 --> 00:21:55,314
acoustic experience
that you heard,
405
00:21:55,357 --> 00:21:58,578
but you also felt it
in your bones, in your tissue.
406
00:21:58,621 --> 00:22:01,189
-Yeah, they call this
archaeoacoustics.
-Mm-hmm.
407
00:22:01,232 --> 00:22:04,714
NARRATOR:
Archaeoacoustics is
an interdisciplinary
408
00:22:04,758 --> 00:22:07,717
field of archaeology
dedicated to examining
409
00:22:07,761 --> 00:22:11,591
how sound and acoustics were
utilized in the ancient world.
410
00:22:12,896 --> 00:22:14,768
FELICIA BEARDSLEY:
It's a relatively new field,
411
00:22:14,811 --> 00:22:16,552
and archaeoacoustics
is looking at
412
00:22:16,596 --> 00:22:19,903
the sound quality
of ancient sites,
413
00:22:19,947 --> 00:22:23,342
historical sites,
archaeological sites
414
00:22:23,385 --> 00:22:26,432
where we see music
probably played a role.
415
00:22:27,563 --> 00:22:29,783
Stonehenge is one of those.
416
00:22:29,826 --> 00:22:32,742
Where you stand
in the middle of Stonehenge,
417
00:22:32,786 --> 00:22:36,355
you would create
the sound blast of music,
418
00:22:36,398 --> 00:22:38,661
whatever implements were used,
419
00:22:38,705 --> 00:22:42,317
'cause we're not really sure,
and it would bounce
420
00:22:42,361 --> 00:22:45,929
off the stones and create
this sort of echo chamber.
421
00:22:46,930 --> 00:22:50,369
Stonehenge functioned
as a sonic temple.
422
00:22:51,413 --> 00:22:53,633
By this, what I mean is that...
423
00:22:53,676 --> 00:22:57,898
individuals,
the center of the monument,
424
00:22:57,941 --> 00:23:01,031
would create musical sounds,
425
00:23:01,075 --> 00:23:04,295
particularly of a low frequency,
426
00:23:04,339 --> 00:23:08,561
that would be contained
actually inside the stones
427
00:23:08,604 --> 00:23:11,651
and build up an energy,
if you like,
428
00:23:11,694 --> 00:23:15,829
for a purpose which we can
only guess at right now.
429
00:23:17,221 --> 00:23:20,616
NARRATOR:
All around the world,
archaeologists have identified
430
00:23:20,660 --> 00:23:22,879
numerous ancient sites
that were designed
431
00:23:22,923 --> 00:23:24,925
according
to acoustic principles,
432
00:23:24,968 --> 00:23:27,710
such as Gobekli Tepe in Turkey,
433
00:23:27,754 --> 00:23:29,886
the Hypogeum in Malta
434
00:23:29,930 --> 00:23:33,629
and the Newgrange passage tomb
in Ireland.
435
00:23:33,673 --> 00:23:36,980
Newgrange has very strong
acoustic properties.
436
00:23:37,024 --> 00:23:40,810
What they found is,
is that the way the sound waves
437
00:23:40,854 --> 00:23:42,725
bounce around the chamber,
they create
438
00:23:42,769 --> 00:23:44,510
what's called standing waves.
439
00:23:44,553 --> 00:23:47,991
And they increase
in intensity and sound.
440
00:23:48,035 --> 00:23:50,080
NARRATOR:
According to some researchers,
441
00:23:50,124 --> 00:23:54,345
curious carvings found inside
Newgrange provide key evidence
442
00:23:54,389 --> 00:23:56,304
documenting that
the structure was
443
00:23:56,347 --> 00:24:00,308
purposely designed to have
elaborate acoustic properties.
444
00:24:00,351 --> 00:24:03,485
NEWMAN:
And it seems that these
standing waves were recorded
445
00:24:03,529 --> 00:24:05,052
actually within
the chamber itself,
446
00:24:05,095 --> 00:24:06,357
where you could see
these zigzags
447
00:24:06,401 --> 00:24:08,098
carved all over the place,
448
00:24:08,142 --> 00:24:11,362
suggesting that they
not only understood acoustics
449
00:24:11,406 --> 00:24:13,321
but they were recording
the experience
450
00:24:13,364 --> 00:24:15,062
within the chambers.
451
00:24:15,105 --> 00:24:18,021
The other thing of-of
real interest is the fact that
452
00:24:18,065 --> 00:24:21,982
when they investigated
the corbeled roof,
453
00:24:22,025 --> 00:24:24,114
which is like
multiple mega-size stones
454
00:24:24,158 --> 00:24:25,725
almost going around a spiral,
455
00:24:25,768 --> 00:24:27,770
they found that these
had been adjusted.
456
00:24:27,814 --> 00:24:30,381
And they found the reason
for that was because
457
00:24:30,425 --> 00:24:33,384
they were tuning the chamber
acoustically.
458
00:24:33,428 --> 00:24:35,430
NARRATOR:
Is it merely coincidence
459
00:24:35,474 --> 00:24:38,172
that ancient structures
all over the world
460
00:24:38,215 --> 00:24:41,044
appear to have been designed
by different civilizations
461
00:24:41,088 --> 00:24:44,526
that demonstrate such
similar acoustic properties?
462
00:24:44,570 --> 00:24:47,790
Or might they share
a very common purpose?
463
00:24:47,834 --> 00:24:49,836
And if so, why?
464
00:24:49,879 --> 00:24:53,361
I mean, it's fascinating
the whole idea of
465
00:24:53,404 --> 00:24:56,669
these vibrations and acoustics
within these ancient sites
466
00:24:56,712 --> 00:24:59,628
and that they were
purposely created that way.
467
00:24:59,672 --> 00:25:01,369
HENRY:
Yeah, they were set up for,
468
00:25:01,412 --> 00:25:03,458
uh, an extraordinary
human experience
469
00:25:03,502 --> 00:25:07,027
that potentially then
this can enable an experience
470
00:25:07,070 --> 00:25:10,204
with an otherworldly being,
even a... like a godlike being.
471
00:25:10,247 --> 00:25:12,685
They were signifying
it was a place,
472
00:25:12,728 --> 00:25:15,165
that they were opening up
a spiritual portal
473
00:25:15,209 --> 00:25:17,211
by doing ceremony, chanting--
474
00:25:17,254 --> 00:25:19,126
you know, maybe
beating drums or something--
475
00:25:19,169 --> 00:25:23,391
to their ancestor gods
or to their sky gods.
476
00:25:23,434 --> 00:25:25,785
What we're seeing here
is that these were
477
00:25:25,828 --> 00:25:28,831
meeting grounds
of humans and the gods.
478
00:25:35,272 --> 00:25:37,057
The interesting thing about
these resonance chambers--
479
00:25:37,100 --> 00:25:38,798
one thing we have discovered
at these low frequencies--
480
00:25:38,841 --> 00:25:40,713
you actually can be in a...
481
00:25:40,756 --> 00:25:43,411
in sort of a trancelike
state from it.
482
00:25:43,454 --> 00:25:45,065
TZADOK:
Apparently, there is
a psychological
483
00:25:45,108 --> 00:25:46,675
or spiritual effect.
484
00:25:46,719 --> 00:25:49,417
This was used
with shamanistic practices.
485
00:25:50,897 --> 00:25:54,596
NARRATOR:
Ancient religious leaders,
commonly known as shamans,
486
00:25:54,640 --> 00:25:59,383
were seen as links between
humans and a higher realm.
487
00:25:59,427 --> 00:26:02,735
For the shamans,
sound was not used
488
00:26:02,778 --> 00:26:05,259
merely to make a spiritual
connection with the divine
489
00:26:05,302 --> 00:26:09,524
but to actually interact
with otherworldly beings.
490
00:26:10,917 --> 00:26:12,527
BEARDSLEY:
The term "shaman"
491
00:26:12,571 --> 00:26:15,835
comes from Siberian
religious practices,
492
00:26:15,878 --> 00:26:17,619
and it means
somebody who can see
493
00:26:17,663 --> 00:26:21,449
the underlying fabric
of the world around them.
494
00:26:21,492 --> 00:26:23,277
These are the negotiators
495
00:26:23,320 --> 00:26:25,584
between this world
and the other world.
496
00:26:26,628 --> 00:26:29,413
They could step
into the other world
497
00:26:29,457 --> 00:26:31,938
to negotiate
with otherworldly forces.
498
00:26:34,984 --> 00:26:36,899
COLLINS:
Individuals, shamans,
499
00:26:36,943 --> 00:26:39,598
when they chanted,
when they sung,
500
00:26:39,641 --> 00:26:42,644
when they used the instruments,
501
00:26:42,688 --> 00:26:47,344
it was to enter into
altered states of consciousness
502
00:26:47,388 --> 00:26:51,087
so that they could communicate
with spirit entities
503
00:26:51,131 --> 00:26:52,959
and perhaps connect with
504
00:26:53,002 --> 00:26:55,614
what we might describe
as ancient aliens.
505
00:26:58,094 --> 00:27:01,445
TZADOK:
The point is that
the shamanistic practices
506
00:27:01,489 --> 00:27:03,665
are all built upon what?
507
00:27:03,709 --> 00:27:07,582
Chants, sounds,
altered states of consciousness
508
00:27:07,626 --> 00:27:10,803
which bring you
into connection with...
509
00:27:10,846 --> 00:27:14,328
extraterrestrials, aliens,
whatever is out there.
510
00:27:14,371 --> 00:27:16,809
That's a really
interesting point, Rabbi.
511
00:27:16,852 --> 00:27:19,507
You know, we have discovered
that sound waves
512
00:27:19,550 --> 00:27:21,770
can actually control our brain.
513
00:27:24,817 --> 00:27:27,950
NARRATOR:
In the 1960s,
neuroscientists discovered
514
00:27:27,994 --> 00:27:30,561
that rhythm and acoustics
can produce
515
00:27:30,605 --> 00:27:32,999
a physiological change
in the human brain
516
00:27:33,042 --> 00:27:36,524
through a process
known as entrainment.
517
00:27:38,265 --> 00:27:41,181
THOMPSON:
If I can create a pulsing
518
00:27:41,224 --> 00:27:42,704
in the external environment
519
00:27:42,748 --> 00:27:45,228
that's pulsing
at a brain wave speed,
520
00:27:45,272 --> 00:27:49,319
my brain waves will try to match
that speed to save energy,
521
00:27:49,363 --> 00:27:52,540
and my conscious will...
will change in the process.
522
00:27:54,585 --> 00:27:56,675
So we can do that
using just a drum
523
00:27:56,718 --> 00:27:59,721
to change consciousness at will.
524
00:27:59,765 --> 00:28:03,159
If I hook you up
to an EEG machine
525
00:28:03,203 --> 00:28:05,814
so I can look at
your brain waves--
526
00:28:05,858 --> 00:28:07,468
and normally, when we're awake,
527
00:28:07,511 --> 00:28:10,210
my brain waves are
generating beta function,
528
00:28:10,253 --> 00:28:15,128
which is rapid,
between 13 hertz and 38.
529
00:28:15,171 --> 00:28:17,521
And the drumbeat is at five.
530
00:28:17,565 --> 00:28:20,568
And my brain waves are
gonna start slowing down
531
00:28:20,611 --> 00:28:23,136
and slowing down,
slower, slower,
532
00:28:23,179 --> 00:28:26,226
to take my consciousness
from a waking state
533
00:28:26,269 --> 00:28:29,185
into a dream state
without going to sleep first,
534
00:28:29,229 --> 00:28:32,580
which means that's a classic
definition of a trance.
535
00:28:34,538 --> 00:28:37,585
The earliest examples
of brain entrainment
536
00:28:37,628 --> 00:28:40,414
would be shamanic drumming.
537
00:28:40,457 --> 00:28:44,505
The speed of the drumbeat tends
to be around five hertz.
538
00:28:44,548 --> 00:28:46,072
And that's about like this.
539
00:28:47,943 --> 00:28:50,380
[chanting]
540
00:28:50,424 --> 00:28:52,818
You know, that's about it.
That's about five hertz.
541
00:28:52,861 --> 00:28:54,733
And five hertz is
where your brain goes
542
00:28:54,776 --> 00:28:56,430
when you're dreaming at night.
543
00:28:56,473 --> 00:29:00,608
The whole idea is
to transform consciousness.
544
00:29:02,479 --> 00:29:05,613
They were trying
to achieve a connection
545
00:29:05,656 --> 00:29:08,834
with the divine,
with the otherworldly.
546
00:29:09,965 --> 00:29:12,098
NARRATOR:
If modern science has proven
547
00:29:12,141 --> 00:29:14,796
that shamanic drumming
does, in fact,
548
00:29:14,840 --> 00:29:17,277
induce a state of trance,
549
00:29:17,320 --> 00:29:19,758
could it also be true
that it enables
550
00:29:19,801 --> 00:29:21,934
extrasensory abilities
551
00:29:21,977 --> 00:29:26,199
and even allows for
communication with other realms?
552
00:29:27,809 --> 00:29:30,943
While it may sound
like a far-fetched notion,
553
00:29:30,986 --> 00:29:34,773
in 1995,
the U.S. government revealed
554
00:29:34,816 --> 00:29:38,777
that brain entrainment was part
of its top secret spy program
555
00:29:38,820 --> 00:29:41,040
called Project Stargate.
556
00:29:42,476 --> 00:29:44,652
Operatives in
this clandestine unit
557
00:29:44,695 --> 00:29:48,830
gathered intelligence about
persons, places and events
558
00:29:48,874 --> 00:29:53,356
from great distances
by sensing with their minds,
559
00:29:53,400 --> 00:29:56,055
a practice called
remote viewing.
560
00:29:57,273 --> 00:29:59,841
During the 1970s,
561
00:29:59,885 --> 00:30:02,104
President Jimmy Carter's
administration
562
00:30:02,148 --> 00:30:04,324
used remote viewers to locate
563
00:30:04,367 --> 00:30:06,935
a downed Russian spy plane
in Africa.
564
00:30:08,284 --> 00:30:10,678
You talk to any of
the old remote viewers,
565
00:30:10,721 --> 00:30:12,680
the ones from
the Stargate program,
566
00:30:12,723 --> 00:30:16,684
they'll tell you how accurate
and how important
567
00:30:16,727 --> 00:30:18,773
and how relevant
their information was.
568
00:30:20,035 --> 00:30:22,124
NARRATOR:
John Vivanco has been working
569
00:30:22,168 --> 00:30:24,039
in the field of remote viewing
570
00:30:24,083 --> 00:30:26,868
as both a teacher
and practitioner
571
00:30:26,912 --> 00:30:29,131
for more than 20 years.
572
00:30:29,175 --> 00:30:32,831
I worked with corporations,
intelligence,
573
00:30:32,874 --> 00:30:35,703
uh, counterterror
for the FBI after 9/11.
574
00:30:38,184 --> 00:30:41,230
NARRATOR:
At the start of every
remote viewing session,
575
00:30:41,274 --> 00:30:44,973
John uses specific sounds
to entrain his brain waves
576
00:30:45,017 --> 00:30:47,497
and create a trancelike state.
577
00:30:49,238 --> 00:30:50,718
What we do with remote viewing
578
00:30:50,761 --> 00:30:53,155
before we do a session
is a cooldown.
579
00:30:53,199 --> 00:30:55,201
Uh, we will meditate,
580
00:30:55,244 --> 00:30:58,378
and one of the aides that
we'll use are binaural beats.
581
00:30:59,466 --> 00:31:02,686
So, if you think about
frequencies in the ear,
582
00:31:02,730 --> 00:31:04,906
we'll listen to these sounds.
583
00:31:04,950 --> 00:31:07,169
So, if one ear
is pulsing a sound
584
00:31:07,213 --> 00:31:10,346
of let's just say... six hertz
585
00:31:10,390 --> 00:31:15,917
and in another ear it's pulsing
a sound of four hertz,
586
00:31:15,961 --> 00:31:18,180
your brain waves
will synchronize
587
00:31:18,224 --> 00:31:20,356
to around five hertz.
588
00:31:20,400 --> 00:31:23,359
And we like to stay in that zone
589
00:31:23,403 --> 00:31:25,274
in order to get
the best information.
590
00:31:26,536 --> 00:31:29,757
NARRATOR:
John claims that by entering
this trance state
591
00:31:29,800 --> 00:31:32,934
remote viewers have gathered
more than just information.
592
00:31:32,978 --> 00:31:36,764
They have also encountered
otherworldly beings.
593
00:31:36,807 --> 00:31:38,766
VIVANCO:
We were working a project
594
00:31:38,809 --> 00:31:41,073
around the
Arecibo Radio Observatory,
595
00:31:41,116 --> 00:31:45,947
and I was the first viewer
on this particular tasking,
596
00:31:45,991 --> 00:31:49,124
and I start to get
these beings, these aliens.
597
00:31:49,168 --> 00:31:52,388
And I just remember
during the session,
598
00:31:52,432 --> 00:31:53,912
uh, I kept saying,
"They're coming,
599
00:31:53,955 --> 00:31:55,783
they're coming, they're coming."
600
00:31:55,826 --> 00:31:59,439
And they started
to take notice of me.
601
00:31:59,482 --> 00:32:01,615
And I'm starting to freak out
because I've got
602
00:32:01,658 --> 00:32:03,617
tons of adrenaline
flowing through me.
603
00:32:03,660 --> 00:32:05,184
I-I'm in fight-or-flight.
604
00:32:06,576 --> 00:32:09,971
It telepathically communicated
with me, and it said,
605
00:32:10,015 --> 00:32:14,584
"We are here to help you,
and we want you to help us."
606
00:32:15,846 --> 00:32:19,285
The other viewers started
to experience the same thing.
607
00:32:19,328 --> 00:32:21,940
And so that's when
we started to, okay,
608
00:32:21,983 --> 00:32:24,246
now you know
I'm not hallucinating.
609
00:32:25,334 --> 00:32:27,119
This is absolutely real.
610
00:32:28,990 --> 00:32:30,992
Travis, you could speak to this
probably in more detail,
611
00:32:31,036 --> 00:32:33,125
but we-we live
in a spectrum, right?
612
00:32:33,168 --> 00:32:36,432
-We see a very tiny
sliver of reality.
-Oh...
613
00:32:36,476 --> 00:32:38,304
And what if these frequencies--
614
00:32:38,347 --> 00:32:40,262
what if they're like dials--
you know, you can...
615
00:32:40,306 --> 00:32:41,960
like you're tuning
the radio dial?
616
00:32:42,003 --> 00:32:43,657
"Oh, I'm not in
Earth frequency anymore.
617
00:32:43,700 --> 00:32:46,051
"I'm just gonna tune it
a little bit in this space,
618
00:32:46,094 --> 00:32:48,270
and I'm gonna be able to see
what's actually there."
619
00:32:48,314 --> 00:32:50,794
So, what if--
and this is a what-if--
620
00:32:50,838 --> 00:32:53,972
you're in this perfect spot,
what if that shifts you
621
00:32:54,015 --> 00:32:58,063
slightly, uh, in the spectrum
that you can, uh, perceive?
622
00:32:58,106 --> 00:33:00,108
TZADOK:
How about this?
623
00:33:00,152 --> 00:33:03,024
If we could actually,
through science,
624
00:33:03,068 --> 00:33:06,114
find the proper
resonances, tones
625
00:33:06,158 --> 00:33:10,640
that'll actually put us
in contact with... with whom?
626
00:33:10,684 --> 00:33:13,687
-The ancestors.
-The only way to find out...
627
00:33:14,993 --> 00:33:19,258
...is to knock on the door
and go through and say,
628
00:33:19,301 --> 00:33:20,694
"Who's there?"
629
00:33:26,961 --> 00:33:30,138
There is an ancient book
called Perek Shirah
630
00:33:30,182 --> 00:33:32,053
with a chapter of song
where in which it's revealed
631
00:33:32,097 --> 00:33:35,448
that everything in nature
has its own vibration.
632
00:33:35,491 --> 00:33:37,058
-Right.
-Which means it has
633
00:33:37,102 --> 00:33:38,407
-its own consciousness.
-Right.
634
00:33:38,451 --> 00:33:39,626
We call that
mechanical resonance.
635
00:33:39,669 --> 00:33:41,280
Everything is alive.
636
00:33:41,323 --> 00:33:43,064
TAYLOR:
And that comes back to--
637
00:33:43,108 --> 00:33:48,113
the universe itself has
this mishmash of vibrations.
638
00:33:48,156 --> 00:33:51,116
-Right.
-And it's singing a song,
so to speak.
639
00:33:51,159 --> 00:33:54,510
And if we learn how to interpret
and/or manipulate the song,
640
00:33:54,554 --> 00:33:57,383
then we can interpret and/or
manipulate the universe.
641
00:33:57,426 --> 00:33:59,298
-And it's all harmonics.
-HENRY: It's all harmonics.
642
00:33:59,341 --> 00:34:00,908
We've got to go back
to Pythagoras
643
00:34:00,951 --> 00:34:03,258
with his "music
of the spheres" concept
644
00:34:03,302 --> 00:34:06,609
because he comes up with
the idea of the musical scale
645
00:34:06,653 --> 00:34:08,742
and, uh, musical ratios.
646
00:34:11,658 --> 00:34:14,965
NARRATOR:
In the sixth century BC,
Pythagoras,
647
00:34:15,009 --> 00:34:17,751
the famous Greek mathematician
and philosopher,
648
00:34:17,794 --> 00:34:19,796
made an acoustic discovery
649
00:34:19,840 --> 00:34:22,756
that would reverberate
through history.
650
00:34:22,799 --> 00:34:25,106
Pythagoras was,
in a certain sense,
651
00:34:25,150 --> 00:34:27,674
the father
of modern mathematics.
652
00:34:28,762 --> 00:34:30,894
He gave us the base-ten formula
653
00:34:30,938 --> 00:34:34,072
for our Western
system of numbers,
654
00:34:34,115 --> 00:34:37,771
and he discovered
a divine symmetry, so to speak,
655
00:34:37,814 --> 00:34:39,947
in all things that exist.
656
00:34:42,776 --> 00:34:44,473
JONATHAN YOUNG:
One day, Pythagoras is
657
00:34:44,517 --> 00:34:46,345
walking by the blacksmith's,
658
00:34:46,388 --> 00:34:48,912
and he's hearing some harmony
659
00:34:48,956 --> 00:34:51,263
coming out from
the smithy area there.
660
00:34:52,525 --> 00:34:56,572
And so, with the kind of
a persistence of a scientist,
661
00:34:56,616 --> 00:35:01,621
he figures out that if
a hammer is twice the weight
662
00:35:01,664 --> 00:35:05,538
of another hammer and they both
strike at the same time,
663
00:35:05,581 --> 00:35:07,801
the notes they make are harmony.
664
00:35:10,978 --> 00:35:13,546
MICHAEL DENNIN:
The great discovery he made
665
00:35:13,589 --> 00:35:16,288
is that the waves generated,
666
00:35:16,331 --> 00:35:18,507
say, by strings
or wind instruments
667
00:35:18,551 --> 00:35:21,423
could be converted
into clear notes and scales
668
00:35:21,467 --> 00:35:24,296
by using fractions
and discrete ratios.
669
00:35:24,339 --> 00:35:29,083
So, Pythagoras did this amazing
job of taking math and geometry
670
00:35:29,127 --> 00:35:31,520
and tying it to music,
which then led to
671
00:35:31,564 --> 00:35:33,566
the entire Western
musical scale.
672
00:35:37,439 --> 00:35:40,877
NARRATOR:
Pythagoras's study of harmonics
led him to theorize
673
00:35:40,921 --> 00:35:44,925
that everything in the universe,
including planets and stars,
674
00:35:44,968 --> 00:35:48,668
exists in a constant state
of vibration.
675
00:35:48,711 --> 00:35:51,018
Incredibly, he was right.
676
00:35:53,194 --> 00:35:58,199
2,000 years ago, the Greeks
asked an elemental question:
677
00:35:58,243 --> 00:36:00,158
What paradigm can explain
678
00:36:00,201 --> 00:36:02,943
the entire complexity
of the universe?
679
00:36:04,249 --> 00:36:07,730
Pythagoras said
music has the complexity
680
00:36:07,774 --> 00:36:11,560
to explain the diversity
of the universe itself.
681
00:36:12,692 --> 00:36:14,694
So, in other words,
our universe resonates
682
00:36:14,737 --> 00:36:17,175
with the notes from music.
683
00:36:19,002 --> 00:36:22,484
Pythagoras said that
everything is based on music,
684
00:36:22,528 --> 00:36:24,791
which, in turn, is based
on certain ratios:
685
00:36:24,834 --> 00:36:26,793
thirds, fifths, octaves.
686
00:36:27,924 --> 00:36:30,840
So, why not explain
the solar system this way?
687
00:36:30,884 --> 00:36:34,627
If you look at Mercury, Venus,
Earth, Mars, Jupiter, Saturn,
688
00:36:34,670 --> 00:36:37,717
they are aligned
according to certain ratios.
689
00:36:37,760 --> 00:36:41,808
Maybe these ratios are
the ratios of strings.
690
00:36:41,851 --> 00:36:45,072
And so he called it
"music of the spheres."
691
00:36:47,030 --> 00:36:49,859
When planets move
around the solar system,
692
00:36:49,903 --> 00:36:52,340
he thought
they must create music,
693
00:36:52,384 --> 00:36:54,081
music that we cannot hear.
694
00:36:54,124 --> 00:36:57,302
This is heavenly music,
music of the angels,
695
00:36:57,345 --> 00:37:00,609
but nonetheless, that would
explain the regularity
696
00:37:00,653 --> 00:37:03,177
of the solar system itself.
697
00:37:03,221 --> 00:37:05,135
And so he thought
you could explain
698
00:37:05,179 --> 00:37:07,486
the universe through music.
699
00:37:08,617 --> 00:37:10,445
HOROWITZ:
Pythagoras felt he was
700
00:37:10,489 --> 00:37:13,579
unlocking a kind of code
of creation.
701
00:37:13,622 --> 00:37:15,450
He was providing humanity
702
00:37:15,494 --> 00:37:17,931
with the language of the gods,
so to speak.
703
00:37:19,715 --> 00:37:22,501
Pythagoras said it was Apollo,
the-the Sun god,
704
00:37:22,544 --> 00:37:25,155
who taught him about
all of these advanced concepts
705
00:37:25,199 --> 00:37:27,680
and laying down the basis
for modern music
706
00:37:27,723 --> 00:37:29,899
and everything
that we know about music.
707
00:37:29,943 --> 00:37:32,337
So, there's an
extraterrestrial connection here
708
00:37:32,380 --> 00:37:34,687
that is very important
for us to think about.
709
00:37:34,730 --> 00:37:39,648
All this talk about music
and frequencies and harmonics
710
00:37:39,692 --> 00:37:42,260
all boils down
to mathematics, correct?
711
00:37:42,303 --> 00:37:45,350
According to the ancient
kabbalistic texts,
712
00:37:45,393 --> 00:37:50,311
math, complemented with
the appropriate harmonics,
713
00:37:50,355 --> 00:37:53,140
are going to align
with the natural harmonic
714
00:37:53,183 --> 00:37:56,535
or universal pattern
of the universe.
715
00:37:56,578 --> 00:37:59,277
We are talking about the hidden,
716
00:37:59,320 --> 00:38:01,627
sacred knowledge
of the ancients,
717
00:38:01,670 --> 00:38:05,674
which was
their secret technology,
718
00:38:05,718 --> 00:38:08,373
their way of reaching out
to the higher dimensions,
719
00:38:08,416 --> 00:38:13,247
whether they be to angels
or gods or ancient aliens.
720
00:38:19,340 --> 00:38:20,602
This is a really interesting,
uh, conversation
721
00:38:20,646 --> 00:38:23,213
about all these different
acoustic properties.
722
00:38:23,257 --> 00:38:25,694
I've always thought that there's
a... a different pattern.
723
00:38:25,738 --> 00:38:28,175
I call... I've always called it
the god fractal--
724
00:38:28,218 --> 00:38:29,872
that, I think, if you found it,
725
00:38:29,916 --> 00:38:31,700
it would be like
the mathematical instructions
726
00:38:31,744 --> 00:38:33,485
to building
the universe or whatever.
727
00:38:33,528 --> 00:38:36,705
Have you seen diagrams
throughout history or whatever
728
00:38:36,749 --> 00:38:39,708
that, to you,
suggest the pattern?
729
00:38:39,752 --> 00:38:41,710
-HENRY: The Flower of Life.
-I was just about to say.
730
00:38:41,754 --> 00:38:43,364
HENRY:
It has to be the Flower of Life,
731
00:38:43,408 --> 00:38:46,585
the-the symbol
of creation itself.
732
00:38:46,628 --> 00:38:49,762
NARRATOR:
Constructed of
overlapping circles,
733
00:38:49,805 --> 00:38:53,243
the Flower of Life holds
all geometric forms
734
00:38:53,287 --> 00:38:55,855
within its design.
735
00:38:55,898 --> 00:38:59,380
One of the oldest known examples
of this sacred geometry
736
00:38:59,424 --> 00:39:02,165
can be found at
the Temple of Osiris in Egypt,
737
00:39:02,209 --> 00:39:07,606
a structure archaeologists
claim is 6,000 years old.
738
00:39:07,649 --> 00:39:09,825
The Flower of Life symbol
is considered
739
00:39:09,869 --> 00:39:11,871
the seed symbol of all symbols.
740
00:39:13,176 --> 00:39:15,222
The ancient Egyptians understood
741
00:39:15,265 --> 00:39:17,267
this symbol came
from the heavens.
742
00:39:17,311 --> 00:39:19,444
CHILDRESS:
The Flower of Life
is very special.
743
00:39:19,487 --> 00:39:22,142
It's really a... a mandala.
744
00:39:22,185 --> 00:39:24,362
And it may have something to do
745
00:39:24,405 --> 00:39:29,149
with the geometric nature
of the-the universe.
746
00:39:30,193 --> 00:39:32,500
We don't know
exactly what it did.
747
00:39:32,544 --> 00:39:37,418
Perhaps it was really
symbolizing some device
748
00:39:37,462 --> 00:39:40,682
that's a sound device,
a harmonic device,
749
00:39:40,726 --> 00:39:43,076
something that's
highly technical
750
00:39:43,119 --> 00:39:46,384
and was used by
these ancient cultures.
751
00:39:46,427 --> 00:39:49,125
NARRATOR:
Is it possible
that extraterrestrials
752
00:39:49,169 --> 00:39:51,911
have used acoustics
to guide humankind
753
00:39:51,954 --> 00:39:54,435
for thousands of years?
754
00:39:54,479 --> 00:39:59,484
And if so, did they hide clues
in ancient traditions,
755
00:39:59,527 --> 00:40:03,705
structures that create
altered states of consciousness,
756
00:40:03,749 --> 00:40:08,493
and sacred shapes in the form
of cymatic patterns?
757
00:40:08,536 --> 00:40:11,104
Perhaps the next
great leap forward
758
00:40:11,147 --> 00:40:13,759
will occur once we tune in
759
00:40:13,802 --> 00:40:16,936
to the extraterrestrial
messages around us.
760
00:40:18,372 --> 00:40:21,375
I think, too,
the opportunity we have here
761
00:40:21,419 --> 00:40:23,943
for cracking
this harmonic code is--
762
00:40:23,986 --> 00:40:27,816
we all talk about a golden age
and a time when we're gonna see
763
00:40:27,860 --> 00:40:29,905
extraterrestrial presence
on this planet,
764
00:40:29,949 --> 00:40:31,516
and this could be the key to it.
765
00:40:31,559 --> 00:40:33,648
"Harmony" is the right,
uh, key word there.
766
00:40:33,692 --> 00:40:35,345
-Exactly.
-Yeah, right.
767
00:40:35,389 --> 00:40:37,260
For the whole universe
to be in harmony, yeah.
768
00:40:37,304 --> 00:40:41,090
So, this is literally
getting the right vibrations
769
00:40:41,134 --> 00:40:43,528
to match with
the right vibrations
770
00:40:43,571 --> 00:40:46,487
to create the next
experience of reality.
771
00:40:46,531 --> 00:40:49,098
I like that.
Guys, look, this has been
772
00:40:49,142 --> 00:40:52,885
absolutely incredible
conversation.
773
00:40:52,928 --> 00:40:56,018
And I think we've established
that there is
774
00:40:56,062 --> 00:40:59,282
way more to the world
that we know of,
775
00:40:59,326 --> 00:41:01,589
there's way more to our reality
776
00:41:01,633 --> 00:41:05,811
and also what we can perceive
with our senses.
777
00:41:05,854 --> 00:41:10,076
And I can't wait to continue
this at some other time.
778
00:41:10,119 --> 00:41:11,686
To be continued.
779
00:41:11,730 --> 00:41:13,340
CAPTIONING PROVIDED BY
A+E NETWORKS
63020
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.