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[dramatic music]
♪ ♪
[plane roaring]
[gunshots]
The Bay of Pigs disaster was a military
and diplomatic defeat for the new president.
There's an old saying that victory has a hundred fathers,
and defeat is an orphan.
After the Bay of Pigs, you have the Cuban exiles
still being held captive,
possibly facing a firing squad.
The Kennedys double down on their attempts
to get rid of Castro.
Everybody is under a lot of pressure
to get this job done.
They need to make changes now.
Kennedy was enamored of the James Bond novels.
He asked the CIA, "So who is your James Bond?"
[gunshot]
They produced Bill Harvey.
["James Bond" theme playing]
♪ ♪
There was nothing elegant about Harvey.
He looked like a fat cop.
[smooth jazz music]
♪ ♪
Jack Kennedy, when he meets him,
actually says, "You're America's James Bond?"
Bill Harvey started with the FBI.
A legendary Russian spy chaser,
counterintelligence.
Harvey was brash and bold.
He would tell people,
"If you knew as many secrets as I do,
you'd carry a gun too."
Drank too much, very abrasive,
and ended up kind of being bounced by the FBI
and ended up being picked up by the CIA
to run the Berlin base, which was a big deal.
Bill Harvey was as close to James Bond
as the CIA was going to get.
So after Harvey takes over, Maheu is now going
to be gone from the operation.
Sheffield Edwards says bluntly, "Bill Harvey is going
"to take over Roselli, so we'll have to arrange
to get them together."
A meeting is set up at a hotel in New York.
I think Harvey went in definitely skeptical
because, as a former FBI agent,
he was very skittish about getting involved with the mob.
But at the same time, Roselli is not sure
he can trust Harvey.
It's like two dogs smelling each other out.
But as the new guy in charge,
Harvey knows he needs Johnny's help.
Johnny thinks about it.
He was mortified by what happened at the Bay of Pigs.
A government memo reads, "Roselli feels sorry
for the poor bastards left on the beach."
He was particularly upset to find out
that his friend Manuel Artime
now was possibly facing a firing squad.
He's determined to get Castro.
Johnny was loyal to people and liked them.
And when he liked you, he did right by you.
So this time, it's more important than ever.
This time, it's personal for him.
Johnny will go to a place you could never have imagined
when he started on this mission.
He's going to take matters into his own hands.
[dramatic music]
♪ ♪
[tense music]
♪ ♪
After the failure of the Bay of Pigs episode,
Kennedy must have been really keen
on getting rid of someone
who had so humiliated him,
and that breathed new life into these assassination plots
against Fidel Castro.
The idea of assassinating Castro remained active.
There was an intense desire to continue this project,
and Robert Kennedy was very much
the leading figure in pushing it.
Bobby was pretty much a altar boy,
and throughout his life,
that's what people knew him as.
He's a straight arrow. The guy is a good guy.
But Bobby would do things for his brother
he wouldn't do for anybody else.
And he thought Castro was a bad guy.
He had humiliated his brother.
And so it was family. It was personal.
And he thought it was probably OK
to do what was necessary to get rid of Castro.
I think it's pretty clear that he was always impatient.
He was always pressing to get things done
and always wanted answers now, now, now, now.
What does John Kennedy do?
He appointed his brother to run Operation Mongoose.
[percussive music]
[snake hissing] [mongoose chittering]
The mission was to get rid of Castro, one way or another,
through sabotage, try to prompt
a popular uprising against him,
try to discredit him.
The man in charge of upholding all of our laws
was now the covert operations master when it came to Cuba.
[speaking Spanish]
Part of this endeavor is the CIA base in Miami,
code name JMWAVE,
run by Bill Harvey.
The pressure is on.
The Kennedys want to see results.
[tense music]
♪ ♪
The CIA was supposed to operate
against foreign countries.
It was not supposed to have a presence
in the United States of America,
let alone operate the largest CIA station
in the world in Miami.
♪ ♪
The station was set up on a piece of land
owned by one of the local schools.
It was being rented to Zenith Technical Services.
That was the front name for the CIA.
And the university had no idea
that it was leasing these buildings and these lots
to the CIA.
Zenith was a shell company that the CIA set up
to purchase tens of millions of dollars of equipment
that the Miami station was using
to run its operations against Cuba.
Boats, weapons, fake identity papers.
I mean, it was basically
a whole separate intelligence agency.
They had training camps set up
in the Everglades, training hundreds of Cubans
in how to use weapons...
[gunfire]
Infiltrate, exfiltrate with boats
in the middle of the night,
how to use secret radio equipment.
And remember, though, all this was supposed
to be happening in secret.
[dramatic tone]
I don't know any of the top officials personally,
but I think that they make no contribution,
in my estimation, to the fight against communism.
I think they're ridiculous.
Bobby Kennedy was just absolutely horsewhipping
the CIA to do more, go further, blow up power plants in Cuba,
poison the stocks, destroy the economy.
"Get your ass together.
"Get it going. Why can't you do something?
What's the problem?"
You know, constantly hector them.
Bill Harvey was under tremendous pressure.
Bobby demands of Harvey,
"Why can't you get things cooking like 007?"
It's explained to Bobby, you know,
it takes a long time to train these Cuban exiles to do
these paramilitary operations.
It's not easy to do.
Bobby, in a huff, said something like,
"Well, just send them to Hickory Hill,
and I'll get them trained."
Harvey bursts out,
"What will you teach them, sir?
Babysitting?"
So there were indeed tensions.
Harvey, you know, looking at Bobby Kennedy
saying, "You could do this, but you can't do this,"
would be very frustrated.
And sometimes it was like,
"We need to take the gloves off."
[tense music]
And so Bill Harvey kept meeting with John Roselli.
It was sort of a side operation
to what Harvey was doing out of the JMWAVE station.
[jazz music]
♪ ♪
Johnny Roselli feels important and more powerful
because the CIA is sending some of their top spooks
to talk to him.
He's being called to Washington.
This is straight spy stuff.
This is fantastic.
This is early James Bond.
He could imagine himself like that,
and he becomes more patriotic.
♪ ♪
It became pretty clear to Roselli
that neither Giancana nor Trafficante
were going to be welcomed back.
Roselli was the person that the CIA
most trusted on the mob side.
Sam Giancana might have been seen as a big liability
for the CIA at that time.
He's in the newspapers a lot,
and he's having trouble in the Chicago outfit.
Roselli tells Harvey,
"As far as Giancana is concerned,
"he will not hear anything from me
"because I hardly ever talk to him about it anyway,
and he probably would care less."
Sam Giancana had given up.
He would say, "What's the benefit of doing
"all this work with the CIA to try to kill Castro
if the FBI agents are still a pain in the ass?"
They're not getting their get-out-of-jail-free card
with the CIA.
That's not the way it's supposed to work
in the minds of the mobsters.
Roselli is on his own now.
It's become personal for Johnny.
One of the people that Johnny relies on
in the Cuban exile community is Tony Varona.
Tony Varona is one of these Cuban exile leaders
who had once been part of the Cuban government,
and he's running his own operation
trying to kill Castro.
O'Connell was quoted,
"Varona was running his own little army.
I saw two boats that allegedly belonged to him."
Varona tells Johnny he has a new source
named Maceo, who works down in a restaurant in Havana.
Maceo can get poison pills into Castro's food.
But Varona says in return, he wants guns.
[tense music]
$5,000 worth of explosives, detonators,
20 .30-caliber rifles, 20 .45 handguns,
two radios, and one boat radar.
Johnny tells Harvey about all of Varona's demands,
and Harvey, who's got the Kennedys pressuring him,
says, absolutely yes.
So the question is, can he trust
what Johnny is up to here?
Unfortunately, Varona's first group of assassins
wound up in failure.
- [shouting in Spanish] - They get stopped in Cuba.
The attempt doesn't even get off the ground.
And in the other assassination plot,
the person who is going to poison Castro
is waiting for him to come to his restaurant.
Castro goes there, and then Castro orders a milkshake.
So the person who's tasked with killing him,
the story he relays back to the CIA is,
"A poison capsule was frozen in a freezer.
"I had to pull it off, and it broke.
And I couldn't get it off."
Is that true?
CIA didn't know if he even tried.
Harvey later testified, "I was very, very dubious."
Harvey comes to the conclusion,
no more of this poison pill shit.
He wants real action.
Let's just throw everything we got at him.
Like, you know, Robert Duvall in "Apocalypse Now."
No pussyfooting.
He tells Johnny, "From now on,
"I want assassins going into Cuba.
I want to end Castro with a big bang."
[ominous music]
[gunfire]
♪ ♪
Johnny's down in the Florida Keys,
working with the Cuban exiles, training them,
showing them how to use high-powered rifles.
He's become essentially like a soldier down there.
Johnny gets so involved with the exiles,
they increasingly become friendly with one another.
Obviously, he committed every crime under the sun.
But still, within that, Johnny Roselli had
a kind of honor code.
The basic band-of-brothers code,
literally, it comes right from Shakespeare.
"He today that sheds his blood with me."
Whatever you shed with me, it means that we're going
to be bonded in this way.
[glasses clinking]
[soft music]
He himself was a bit of an exile.
This is not somebody that was a citizen of the country.
So this idea of exiles understanding exiles
I think really resonated with him.
Back in Washington, mob-busting Bobby Kennedy is
attorney general of the United States
and is demanding that J. Edgar Hoover sic
his full force and power on the mob.
Obviously, this creates some angst in the mob.
Johnny learns that Bobby Kennedy
is going after Carlos Marcello,
a mobster and illegal immigrant,
just like Johnny.
Carlos Marcello was the mafia boss in New Orleans.
He was one of the main targets of RFK's efforts
against organized crime.
And one of the things that the FBI
and the federal government was doing is,
they were deporting them.
So when they found out that Carlos Marcello,
he was born in Tunisia,
they ended up deporting him.
[tense music]
You definitely saw Johnny Roselli
starting to get nervous.
♪ ♪
Johnny has these constant tails by the FBI.
Johnny complains to Harvey
that all this constant surveillance
is preventing him from being an effective spy.
Roselli testified later that he complained to Harvey.
"I said that every time I had to meet anyone connected
"with these operations that I would have to first
get rid of the tails of the FBI."
He's kind of pulled between two different U.S. agencies--
one that wants to put him in jail
and then one that wants him to be the hero.
Roselli: "Here I am, helping the government,
"helping the country, and that little son of a bitch
is breaking my balls."
For the mobsters, they weren't being
treated right, they felt.
They felt like they were maybe even targeted
in an unprecedented way, even in the movies.
[gunshot]
The mafia was upset with the media
because the Italians were portrayed as just mobsters.
All these shows portray these officers
as the good guys.
This is "Your FBI."
So you're selling an image.
For example, you had Jimmy Stewart playing
an FBI agent in "The FBI Story."
[indistinct shouting]
If and when Whitey passes the coin, arrest them.
It was just a very black-and-white delineation
between good guy, bad guy, white hat, black hat.
[gunfire]
And Italians were greaseballs, dagos, wops, gangsters.
That's how it was.
[dramatic music]
♪ ♪
Shows like "The Untouchables" pissed off a lot of people
because of how they were portraying Italians.
This is the way they pay me back?
After all I've done for them.
"The Untouchables" was an extraordinarily popular series
on ABC.
It was developed by Desilu, which was Desi Arnaz's company
along with Lucille Ball.
"The Untouchables," the true story
taken from the exciting autobiography of Eliot Ness,
the man who probably did most to help
destroy the Al Capone empire.
♪ ♪
The Untouchables had gravel-voiced Robert Stack
playing Eliot Ness, the tireless pursuer
of the mob in Chicago.
Everything points to Frank Nitti.
He was Capone's enforcer.
The mob detested the show.
What's that "mafia, mafia"?
There's no such thing as a mafia.
Don't exist.
They talked about all Italians
like they would eat red sauce and shoot each other
and are criminals.
Sweat, huh?
And the mob hated it, and legitimately,
noncriminal, good citizen Italian Americans
also hated the show.
We have to look at that period of time,
how deeply offensive it would be.
Just look today at the profound offense
people can take from a portrayal
in film and television.
And a big campaign goes out, initiated by the mob,
against the show.
They wanted it to stop.
So they wanted to actually assassinate
the man who was putting out the finished product.
We look back at this and we think,
they were going to assassinate Desi Arnaz?
[dramatic music]
Giancana is outraged about this show "The Untouchables"
and says to Frank Sinatra,
"You tell your fucking Hollywood friend Desi Arnaz
"that he better do something about his fucking show,
or I'm going to have him whacked."
Frank himself was very protective
of the Italian American image,
and he decided he was going to go down
and talk to his friend Desi Arnaz
and see if he could convince him to take
"The Untouchables" off the air.
♪ ♪
Sinatra finds himself in Palm Springs,
in a restaurant, and there is Desi Arnaz.
And Frank goes over to Desi Arnaz
and tells him, "Listen, you Cuban prick.
You better do something about this show."
Desi Arnaz laughed at this.
He goes, "Frank, what am I supposed to do?
Make them Jews?"
Frank lost his temper, and Desi says,
"What do you want to do, Frank?
You want to fight?"
Desi Arnaz, in his own way, is kind of a tough guy.
And then Frank made Desi aware
that the powers that be got very agitated by the show
and that they quietly put out a hit on Desi.
Desi Arnaz backs off.
He agrees to no longer refer to the gangsters
as Italian Americans.
He makes one of the good guys in the show, a cop,
into an Italian American.
And he agrees that he will represent
in a positive way
the Italian American experience.
The mobsters back in Chicago, Sam and the others,
decided to call the whole thing off against Arnaz.
[fireworks popping]
[victorious music]
♪ ♪
Kennedy suffered
at the very beginning of Camelot
this tremendous black eye.
[tense music]
Everything that went into the Bay of Pigs
ended up being dumb.
It didn't work.
He blamed the head of the CIA, Allen Dulles,
and lost all respect
and all faith and confidence in the CIA.
He was like, "What are you knuckleheads doing?"
That was the end of Allen Dulles's career
at the CIA.
[gunshot]
Mr. Dulles, members of the Central Intelligence Agency,
this ceremony gives us all an opportunity
to pay tribute to an outstanding public servant.
Allen Welsh Dulles. Step forward, Al.
When the CIA headquarters was opened in Langley, Virginia,
Dulles was brought out for a opening ceremony,
kind of a ribbon cutting.
As principal intelligence advisor
to the president of the United States,
Mr. Dulles has fulfilled the responsibilities of his office
with unswerving purpose and high dedication.
Very gamely, President Kennedy talked
about all the good things that Dulles had done.
It would have been very unseemly for him
to have mentioned the Bay of Pigs, and he did not.
This is to certify that the president of the United States
of America has awarded the National Security Medal
to Allen W. Dulles for outstanding contribution
to the national intelligence effort.
Had he only retired
after the end of the Eisenhower administration,
as his wife had urged him to do,
he would have such a different image in history.
Instead, I think he's really remembered largely
as being the author of the greatest disaster
in CIA history up to that time.
♪ ♪
"Thou hast loosed an act upon the world,
"and as a stone thrown into a pool,
so spread the consequences thou canst not tell how far."
As Allen Dulles walked out the door of the CIA,
at the FBI, J. Edgar Hoover had reason to be concerned
about his own job security.
J. Edgar Hoover and Bobby Kennedy hated one another.
Bobby Kennedy regarded Hoover as a very, very dangerous man.
By one hearsay account, the president said,
"We gotta get rid of that bastard J. Edgar Hoover."
However, the power of secret information
was a gun that Hoover always kept loaded.
♪ ♪
And there would come a time when Hoover would use
the information he had gathered about Sam Giancana
and Judith Campbell and John Kennedy as a weapon.
[suspenseful music]
♪ ♪
And J. Edgar Hoover told Bobby Kennedy,
"We're aware of your brother,
the president's, indiscretions with this woman."
He's met her at a hotel.
She's been in the White House.
She is simultaneously having an affair with Sam Giancana,
the head of the Chicago mob.
This is rather ironic, since Bobby Kennedy
is going after the mob.
Hoover is going back to Bobby Kennedy,
going, "You know what?
"You're messing with the mob, and they're going
to blackmail the government."
This is a matter of the gravest import
to national security.
Hoover's saying, "Take care of it and end it."
But it is also letting Bobby Kennedy know,
"I, J. Edgar Hoover, have the goods on your brother,
and I'm going to do whatever the fuck I feel like doing."
He uses the information to make sure the Kennedys know,
"Don't screw with me, buddy," and that's his power.
So you have-- Bobby had a Kennedy habit
of not asking his brother about his love life.
"So what you up to last night, Jack?"
No, no, they don't have those conversations.
So it was very hard for him to brook the relationship
with Judith Campbell.
Jack Kennedy,
moment of sadness though he may have
about Judy Campbell,
understands that his brother is correct,
and he has to stop it right there.
The president made his last phone call to Judy Campbell
and broke up with her
and never saw her again.
[somber music]
♪ ♪
And they kept J. Edgar Hoover as the head of the FBI.
Hoover was a master
at the use of secret information
to wield political influence.
The only way that Hoover would leave the FBI was feet first.
The rackets have become too widespread,
too well-organized, and too rich.
It is my firm belief that new laws are needed
to give the Federal Bureau of Investigation
increased jurisdiction to assist local authorities.
Giancana sees that Bobby Kennedy is
hotter and hotter and hotter on his trail.
He is furious.
"I got these fuckers elected, and the heat is
"not only not off, the heat is hotter
"than it ever was before.
What the fuck?"
I remember his getting very upset.
[glass shatters]
"Those Kennedy people are terrible.
"Those son of a Bs betrayed me
"after my doing what I did for them.
And that's the gratitude?"
Sam figures that if Sinatra can make things happen
with a TV show, maybe he can also make things
happen with the Kennedys.
Giancana says to Frank Sinatra,
"Do something about it."
Sinatra said to Giancana, "Don't worry about it.
"If I can't talk to the old man,
I'm going to talk to the president."
But it takes quite a while.
So Giancana calls Johnny and asks him,
"What's the deal with Sinatra?
Is he going to help us or not?"
So eventually Johnny goes out to Sinatra's place
in Palm Springs.
[tense music]
From what Frank described, it was downtown Palm Springs,
and out where he built the compound,
it was pretty remote.
It is really the outskirts of town.
[soft jazz music]
♪ ♪
At Sinatra's place, Sinatra explains to Roselli
what happened with the Kennedys.
Apparently, Sinatra pulled out a piece of paper
to Bobby Kennedy, and on the piece of paper
was Sam Giancana's name.
Sinatra told Roselli that he said to Bobby,
"This is a friend of mine.
I want you to treat him nicely,"
hinting that the mob had helped the Kennedys get elected
and that the Kennedys should return the favor.
Bobby says, "No way."
At least this is the story that Roselli is being told.
Sinatra is so terrified at this moment,
not only because he is the bearer of bad news,
but, in fact, Sinatra doesn't even go to the Kennedys.
Sinatra pretends he went,
and he says to Johnny, "I'm sorry.
There's nothing I can do."
[tense music]
♪ ♪
The folklore ended up being that Sinatra had betrayed
the mafia by not being able to deliver
on things that they needed.
And they had really done an awful lot for him
and, through him, done an awful lot for Kennedy.
And so they were betrayed.
[indistinct chatter]
Giancana's got a lot of issues with Sinatra.
Sinatra has pissed him off.
One of the mobsters says, "Why don't we just whack him?"
And at this moment, Giancana is
strongly considering putting a hit on Frank Sinatra.
[light music]
♪ ♪
Johnny is getting more and more involved
in the effort to kill Castro.
He puts together death squads for Harvey.
One of them goes out in a boat,
and they eventually land in Cuba.
[big band music playing]
♪ ♪
There's a celebration going on in Havana
with a Soviet cosmonaut.
Castro's supposed to come out to give a speech.
And at just the right moment, the assassins plan
to fire a bazooka into the crowd and kill Castro.
[tense music]
♪ ♪
[speaking Spanish]
♪ ♪
They aim the bazookas.
[trigger clicking]
But they don't work.
They've been dampened in the boat.
Somehow, Castro's G2 squads find out
about these would-be assassins.
They arrest these guys,
and they're never heard from again.
[light music]
♪ ♪
Regardless of what you think about the wisdom of the plots
against him, it's remarkable
that Fidel Castro survived
so many assassination attempts.
Castro was asked once if he had any interest in sports,
and he said yes.
"My favorite sport is avoiding assassination."
[speaking Spanish]
[speaking Spanish]
Free press for everybody.
Free ideas, free religion belief,
and all those right--
those human rights that we could establish.
[tense music]
After these assassination attempts,
Castro had a reason to have a closer connection
with the Soviet Union, with Moscow.
They would help him defend himself and his own regime.
In these weeks, the flirtation with Moscow
has become a honeymoon.
The regime was not explicitly communist
when Fidel took power.
The decision to turn towards the Soviets
had to do with the breakdown in relations with the U.S.
Castro has now openly declared his country
a socialist state, the term Russia applies
to itself and its allies.
It was the only country that freely chose
to join the Soviet empire.
They never had a country that said,
"We want to be part of you," because everybody else had
been overrun by the Red Army.
[victorious music playing]
The Russians changed the entire equation in Cuba.
It's like a corporate takeover of a small mom-and-pop shop.
♪ ♪
Now you have Russian intelligence and Russia
advising Cuba,
so they're kind of stepping up their spy game.
He had an intelligence service that effectively
had completely penetrated
the anti-Castro operations of the CIA.
[tense music]
♪ ♪
Harvey is frustrated by all these failed attempts,
and he realizes there may be informers
or double agents in Florida.
William Harvey's really hearing a lot of rumors
that Santo Trafficante is a double agent.
[cheers and applause]
Back in '59, when Castro takes over,
Santo Trafficante decided to stay.
And eventually he's arrested.
[camera shutter clicking]
♪ ♪
At that time, Castro was also executing
a lot of political prisoners.
[gunfire]
So he starts working on getting himself released.
Santo Trafficante gets out after four months.
So the fact that Santo got out
and was able to come back to the U.S.,
there was always a lingering question.
Did he have something that he owed
back to the Castro regime?
It just didn't make sense to Harvey.
He smelt a rat with Trafficante.
So he tells Johnny, "You shouldn't say anything
about what's going on," and Johnny agrees.
But whether or not Roselli keeps that promise
of cutting Trafficante out,
it's not going to happen.
Johnny is in a no-win situation.
Trafficante is a fellow mafioso.
If he cuts Trafficante out and Trafficante finds out,
Johnny's going to be a dead man.
But also, Johnny still has that loyalty to Trafficante.
He just has trouble believing
that his friend could betray him.
[upbeat music]
♪ ♪
[indistinct chatter]
At that time, Sam Giancana still was thinking,
"Maybe we should whack Frank Sinatra."
[tense music]
One night, Giancana is in bed with Phyllis McGuire.
They are making love to the sound of Sinatra on record.
So many babies were produced to the sound of Sinatra.
There's quotes of Giancana saying,
"It's the most romantic voice in the world,"
and he truly was a sucker for it.
Giancana says, "It's such a beautiful voice.
How could I kill that voice?"
[laughs]
And he says, "I can't have this motherfucker tapped."
The hit is never called in.
Frank lives.
Sam will find another way to make Frank pay.
While the assassination plots continue to go forward,
there was a big question about how to get
the captive Bay of Pigs prisoners back from Castro.
Prisoners of war.
To Cuban exiles, these men are patriots, heroes.
To the defenders, they were victims,
dupes of the United States government.
Kennedy realized that if these 1,100 prisoners were
killed by a firing squad,
the publicity would be so awful for him.
It would be the end of his presidency.
So he had to do something.
[tense music]
Kennedy reached out to a master negotiator,
a lawyer named James Donovan,
who you may know by the movie "The Bridge of Spies,"
where Donovan was played by Tom Hanks.
♪ ♪
James Donovan, a New York lawyer,
had been tasked by Robert Kennedy and John Kennedy
to get the Bay of Pigs prisoners freed.
♪ ♪
These were tough negotiations,
and Castro had a tremendous chip to play.
It was pretty clear that these prisoners
could be tortured or murdered.
Our indignation about the actions of Castro
should not blind us to the fact
that there are 1,214 human beings
who may face very dire consequences
if they are not released.
During the negotiations,
Roselli is in a very different frame of mind.
Roselli is now willing to get personally involved,
get on these boats, and go to Cuba
and try to kill Castro.
This time, he didn't just direct it from a desk.
He got into it.
♪ ♪
As Harvey is watching what Johnny's doing,
Harvey's respect for Johnny grows.
He was suspicious at first, but now he realizes
Johnny really is a patriot.
[dramatic music]
♪ ♪
Roselli then ends up in a boat
with some of these exiles.
He's in one boat.
Other Cuban exiles are in other boats.
Dark of night, going across a long stretch
from the Keys to Cuba.
The risks for Johnny are high.
He could be caught and killed, just like Bobby Fuller.
[gunshot] [body thuds]
♪ ♪
There was a bravery to Johnny Roselli.
"I've lived before. I have had nine lives."
You think that somehow you're going to be the one
to pull it out.
They come very close to the coast of Cuba.
Castro's forces are waiting for them.
The boat was strafed with automatic gunfire.
[gunfire]
The boat that Johnny's in starts taking on water.
He's gotta evacuate.
♪ ♪
[gunfire]
One of the other boats swings by.
And somehow he manages to escape.
♪ ♪
Roselli escaped with his life, of course,
but, again and again, with these efforts to get Castro,
he seemed to be always one step ahead.
Castro knew it was coming.
[upbeat music]
Johnny was now wondering, was it true
that Trafficante could be a double agent?
[muffled gunshot]
I think with all these raids and the sabotage stuff,
the people who were running Operation Mongoose,
including Harvey,
were sometimes talking through their hat,
saying, "We can do this, this is going to work,
we can do that," when really some of these
were mission impossible.
[tense music]
And what does it do?
It perhaps pushes Castro more towards the Soviet Union,
and we end up with this crisis that brings the world
close to nuclear conflict.
The Cuban crisis.
Bases are being built in Cuba for rockets and missiles,
making Cuba a threat to the whole Western Hemisphere.
We are asking tonight that an emergency meeting
of the Security Council be convoked
to take action against this latest
Soviet threat to world peace.
People really thought this could be a nuclear war.
This literally could be it.
That's what it felt like during the Cuban Missile Crisis.
This is JFK's worst nightmare.
[explosion]
[explosion]
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