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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,635 --> 00:00:04,069 ♪♪ 2 00:00:06,040 --> 00:00:08,240 ♪♪ 3 00:00:10,311 --> 00:00:13,379 ♪♪ 4 00:00:13,447 --> 00:00:16,115 YOU GUY'S, DON'T BREAK ANYTHING. YEAH, YEAH. 5 00:00:16,183 --> 00:00:18,984 GUYS, LOOK, COWBELLS. WHOOPS. I'LL GET THAT. WHOOPS. 6 00:00:19,053 --> 00:00:21,953 BE CAREFUL. YOU BREAK IT, YOU BOUGHT IT. HEY, WHAT'S THIS? 7 00:00:22,023 --> 00:00:23,688 IT'S A RAINSTICK, JASON. OH. 8 00:00:23,757 --> 00:00:26,425 THAT'S WHY THE BIG SIGN BEHIND YOU SAYS "RAINSTICKS." 9 00:00:26,494 --> 00:00:30,595 RIGHT. BUT WHAT IS IT? THAT DOESN'T HELP ME OUT MUCH. PICK IT UP. 10 00:00:30,664 --> 00:00:32,175 UH-HUH. IS IT RAINING? 11 00:00:32,199 --> 00:00:33,965 SEE, IT SOUNDS LIKE RAIN. NO, IT DOESN'T. 12 00:00:34,035 --> 00:00:36,268 IT SOUNDS EXACTLY LIKE RAIN. I DON'T THINK SO. 13 00:00:36,337 --> 00:00:38,870 ACTUALLY, IT DOESN'T SOUND EXACTLY LIKE RAIN. 14 00:00:38,939 --> 00:00:42,341 IT SOUNDS MORE LIKE LITTLE BEANS FALLING INSIDE OF A CYLINDER. 15 00:00:42,410 --> 00:00:45,144 THAT'S WHAT THE ACTUAL TITLE OF THE STICK SHOULD BE CALLED. 16 00:00:45,212 --> 00:00:47,257 LITTLE BEANS FALLING INSIDE A CYLINDER? YEAH. 17 00:00:47,281 --> 00:00:48,914 HOW MUCH STUFF SHOULD WE GET? 18 00:00:48,982 --> 00:00:51,750 UM, A LOT, BECAUSE WE NEED LOTS OF NOISEMAKERS. 19 00:00:51,818 --> 00:00:55,487 RIGHT, BECAUSE MOST OF OUR MOVIES LACK TEXTURE. 20 00:00:55,556 --> 00:00:57,989 EXACTLY. WELL, SEE, MELISSA... YEAH? 21 00:00:58,059 --> 00:01:01,860 WE NEED BETTER SOUND EFFECTS. EVERYTHING SOUNDS STALE IN OUR MOVIES. 22 00:01:01,929 --> 00:01:05,030 I KNOW. I WAS JUST SAYING, "HOW MUCH SHOULD WE GET?" 23 00:01:05,099 --> 00:01:08,434 MELISSA, ALL MOVIES ARE RELYING ON SOUND. ALL MOVIES. 24 00:01:08,502 --> 00:01:10,536 WHAT ABOUT SILENT MOVIES? 25 00:01:10,604 --> 00:01:12,215 WELL, THOSE ARE CLASSICS, MELISSA. 26 00:01:12,239 --> 00:01:14,373 THEY'RE CLASSICS. 27 00:01:14,442 --> 00:01:16,619 THE OLD BLACK-AND-WHITIES THEY CALLED 'EM. 28 00:01:16,643 --> 00:01:19,589 THAT'S NOT WHAT THEY CALLED 'EM. RIGHT. THEY CALLED 'EM TALKIES. 29 00:01:19,613 --> 00:01:20,890 YEAH, THEY CALLED 'EM TALKIES. 30 00:01:20,914 --> 00:01:22,548 NO. THEY CALLED THEM SILENT MOVIES. 31 00:01:22,616 --> 00:01:25,484 NO, BEFORE THERE WAS SILENT, THERE WAS TALKIES. 32 00:01:25,553 --> 00:01:27,697 NO, TALKIES WAS AFTER SILENT MOVIES. MELISSA. 33 00:01:27,721 --> 00:01:29,533 MELISSA, TALKIES IS AN OLD EXPRESSION. 34 00:01:29,557 --> 00:01:31,334 THAT'S WHEN YOU TALK IN THE MOVIE. 35 00:01:31,358 --> 00:01:34,826 IT'S IMPORTANT TO KNOW A LITTLE ABOUT THE HISTORY OF MOVIES. 36 00:01:34,895 --> 00:01:35,827 I AGREE. 37 00:01:35,896 --> 00:01:36,973 RIGHT. RIGHT. 38 00:01:36,997 --> 00:01:38,530 GO WATCH A TALKIE AND THEN... 39 00:01:38,599 --> 00:01:40,966 OH, LOOK! A TRIANGLE. OH, WOW. 40 00:01:41,034 --> 00:01:43,335 RELATIVE MINOR TO G SHARP. C SHARP MINOR. 41 00:01:43,404 --> 00:01:45,115 NOTE TO GREEN FLAT MAJOR SHARP 11. 42 00:01:45,139 --> 00:01:47,473 E FLAT G KNIFES TO A B FLAT E KNIFES TO AN A NATURAL. 43 00:01:47,541 --> 00:01:50,709 IF I'M VAMPING F SHARP MINOR TO B SEVENTH FLAT NINE, WHAT SCALE... 44 00:01:50,777 --> 00:01:55,013 F SHARP DORIAN OR F NATURAL MIX VERIDIAN FLAT SEVEN. MAKE IT SING FOR ME. 45 00:01:55,082 --> 00:01:56,348 ♪♪ 46 00:01:56,417 --> 00:01:59,918 NOW MAKE IT SOUND ANGRY. 47 00:01:59,987 --> 00:02:02,954 CHECK YOUR B STRING. UH-OH. 48 00:02:03,023 --> 00:02:05,424 SEXTUPLET SEQUENCE TO G IONIAN STARTING ON THE TONIC. 49 00:02:05,493 --> 00:02:07,626 ♪♪ 50 00:02:07,694 --> 00:02:10,440 MAKE IT SOUND LIKE MY OLD LADY'S CAT. WHICH ONE? 51 00:02:10,464 --> 00:02:13,298 THE TABBY. 52 00:02:13,367 --> 00:02:16,179 OKAY, NOW MAKE IT TELL A JOKE. 53 00:02:16,203 --> 00:02:18,670 WHO'S THERE?♪♪ 54 00:02:18,739 --> 00:02:21,072 SAY THAT AGAIN. 55 00:02:21,142 --> 00:02:25,344 ♪♪DUANE, THAT'S A GOOD ONE. 56 00:02:25,412 --> 00:02:28,347 THAT'S A DIRTY ONE. YEAH. YOU KNOW, 57 00:02:28,415 --> 00:02:30,427 SOON YOU'RE NOT GONNA NEED ME, DUANE. 58 00:02:30,451 --> 00:02:33,396 WHAT? WHY NOT? I'VE TAUGHT YOU EVERYTHING I KNOW. 59 00:02:33,420 --> 00:02:35,732 WOW. YOU'VE GOT IT ALL IN YOUR FINGERS. 60 00:02:35,756 --> 00:02:38,624 YEAH. EVERYTHING THAT WAS IN MY FINGERS IS IN YOUR FINGERS. 61 00:02:38,692 --> 00:02:40,825 OH, GEEZ. YEAH. 62 00:02:40,894 --> 00:02:43,061 WOW. YEAH. 63 00:02:43,130 --> 00:02:45,597 GEEZ. YEAH. 64 00:02:45,666 --> 00:02:48,033 ♪♪ 65 00:02:48,101 --> 00:02:52,070 LOOK AT US! LOOK! LOOK NOW! LOOK! LOOK AT US! 66 00:02:52,139 --> 00:02:54,984 HEY! LOOK, WE'RE DOING IT! WE CAN PLAY VIOLIN. 67 00:02:55,008 --> 00:02:57,954 WE CAN DO IT! WE CAN DO IT! 68 00:02:57,978 --> 00:03:00,845 WE CAN DO IT! WE CAN DO IT! 69 00:03:00,914 --> 00:03:03,649 WE JUST WROTE A SONG. IT'S CALLED... "WE CAN DO IT"! 70 00:03:03,717 --> 00:03:05,584 FROM THE TOP! READY? 71 00:03:05,653 --> 00:03:08,253 - YEAH! - WE CAN DO IT! 72 00:03:08,322 --> 00:03:12,524 WE CAN DO IT! WE CAN PLAY VIOLIN! WE CAN PLAY... 73 00:03:12,593 --> 00:03:15,661 THAT SOUNDS GOOD. YEAH, LIKE IT'S RAINING ON A COW. 74 00:03:15,729 --> 00:03:17,740 WHO'S BEING HIT BY A STICK. YEAH. 75 00:03:17,764 --> 00:03:19,498 NEVER HAD A LESSON. 76 00:03:19,567 --> 00:03:20,999 UH, HEY, LOOK. 77 00:03:21,068 --> 00:03:23,580 "SUPER CHEAP GUITAR, BASS, DRUM RENTALS AND LESSONS." 78 00:03:23,604 --> 00:03:25,549 THAT SOUNDS KIND OF COOL, DOESN'T IT? 79 00:03:25,573 --> 00:03:27,050 I CALL DRUMS. I CALL GUITAR. 80 00:03:27,074 --> 00:03:29,274 GUYS, I'M NOT PLAYING BASS. 81 00:03:29,343 --> 00:03:31,321 WHY? YEAH, BASS IS REALLY IMPORTANT TO MUSIC. 82 00:03:31,345 --> 00:03:33,078 THEN YOU GUYS PLAY THE BASS THEN. 83 00:03:33,146 --> 00:03:35,625 NO WAY. YOU CAN BOTH PLAY BASS. I'LL PLAY DRUMS. 84 00:03:35,649 --> 00:03:37,949 JASON, LISTEN. BASS IS THANKLESS. 85 00:03:38,018 --> 00:03:39,496 NOBODY CARES ABOUT THE BASS PLAYER. 86 00:03:39,520 --> 00:03:40,985 HE'S THE LOSER OF THE GROUP. 87 00:03:41,054 --> 00:03:42,532 THAT'S NOT TRUE. HE IS. 88 00:03:42,556 --> 00:03:44,089 THAT'S NOT TRUE, IS IT? 89 00:03:44,157 --> 00:03:45,957 THERE'S TWO REASONS THAT YOU SHOULD PLAY BASS. 90 00:03:45,992 --> 00:03:47,759 ONE, IS BECAUSE IT'S VERY IMPORTANT TO MUSIC, 91 00:03:47,828 --> 00:03:50,740 AND THE OTHER IS BECAUSE BRENDON AND I ALREADY CALLED THE OTHER INSTRUMENTS. 92 00:03:50,764 --> 00:03:52,309 I CALLED GUITAR. AND I CALLED DRUMS. 93 00:03:52,333 --> 00:03:54,010 I DON'T LIKE WHEN YOU GUYS TAKE ADVANTAGE 94 00:03:54,034 --> 00:03:55,512 OF THE SPEED FACTOR 'CAUSE I DON'T... 95 00:03:55,536 --> 00:03:57,247 YOU SNOOZE, YOU LOSE. YEAH. 96 00:03:57,271 --> 00:03:59,048 THEN I'LL PLAY RAINSTICK. 97 00:03:59,072 --> 00:04:01,418 NO. WE DON'T NEED A PERCUSSIONIST. I'LL BE KEYBOARD. 98 00:04:01,442 --> 00:04:04,676 FOR ME AND MELISSA'S STYLE, WE NEED A SOLID BASS PLAYER 99 00:04:04,745 --> 00:04:07,178 - AND THAT'S WHAT YOU ARE NOW, I GUESS. - YEAH. 100 00:04:07,248 --> 00:04:09,381 - IT'S SETTLED. WE'RE A BAND. - THAT WAS EASY. 101 00:04:09,450 --> 00:04:12,351 GREAT. I CALL FRONT SEAT ON THE WAY BACK. IN WHAT? 102 00:04:12,419 --> 00:04:13,952 - WE WALKED HERE. - YEAH. 103 00:04:14,020 --> 00:04:15,787 OH. 104 00:04:15,856 --> 00:04:17,756 I'M F... EVERY WHICH WAY. 105 00:04:17,824 --> 00:04:20,069 WHAT'S UP, GUYS? HEY, DUANE, WE'RE A BAND NOW. 106 00:04:20,093 --> 00:04:21,826 MAYBE YOU COULD JAM WITH US SOMETIME. 107 00:04:21,895 --> 00:04:25,029 YEAH, YOU WANNA BE IN OUR BAND? UH, GEEZ. 108 00:04:25,098 --> 00:04:26,565 I GUESS I, UM... 109 00:04:26,634 --> 00:04:29,112 I GOT A LOT OF BALLS IN THE AIR. YEAH. 110 00:04:29,136 --> 00:04:32,304 A LOT OF PROJECTS GOING ON AT THE SAME TIME, SO... 111 00:04:32,373 --> 00:04:33,972 THAT'S A NO. 112 00:04:34,040 --> 00:04:35,974 ♪♪ 113 00:04:37,578 --> 00:04:39,411 WOW, HE'S GOOD. 114 00:04:39,480 --> 00:04:41,647 HE'S REALLY GOOD. YOU KNOW THAT GUY, DUANE? 115 00:04:41,715 --> 00:04:43,882 YEAH, THAT'S JIMMY MONET. 116 00:04:43,950 --> 00:04:45,684 YEAH, HE'S PRETTY GOOD, DUANE. 117 00:04:45,753 --> 00:04:49,187 HE'S OKAY, I MEAN, HE'S BEEN PLAYIN' A LOT LONGER THAN ME. 118 00:04:49,256 --> 00:04:52,924 HE'S LIKE 17 OR 18. HE HAS SOME SLOPPY PICKING PROBLEMS. 119 00:04:52,993 --> 00:04:55,093 HE'S ALSO KIND OF A JERK. 120 00:04:55,162 --> 00:04:58,196 YEAH, BUT TO THE UNTRAINED EAR, YOU REALLY CAN'T TELL. 121 00:04:58,265 --> 00:05:00,265 ♪♪ 122 00:05:00,334 --> 00:05:02,267 WHAT'S UP, DUANE? 123 00:05:02,336 --> 00:05:05,337 WHAT'S UP, JIMMY? CHECKIN' OUT NEW AXES. 124 00:05:05,406 --> 00:05:08,373 THE FRETS ARE WORN DOWN. TOO MUCH PLAYIN' I GUESS. 125 00:05:08,442 --> 00:05:11,042 I'M HUNGRY. WHEN ARE WE EATING? WE'RE SUPPOSED TO EAT. 126 00:05:11,111 --> 00:05:13,878 ONE TIME I ATE FROGS LEGS, BUT THEN I THREW UP EVERYWHERE... 127 00:05:13,947 --> 00:05:15,380 IN A SECOND, LITTLE MAMA. 128 00:05:15,449 --> 00:05:18,249 REAL REASON I CAME HERE WAS DID YOU SIGN UP YET? 129 00:05:18,319 --> 00:05:21,553 WHAT? DID YOU SIGN UP? THE GUITAR CONTEST. 130 00:05:21,622 --> 00:05:24,323 WHAT? NO. I DIDN'T KNOW ABOUT IT YET. 131 00:05:24,391 --> 00:05:26,792 OH, I UNDERSTAND. 132 00:05:26,860 --> 00:05:29,594 PROBABLY WANT ANOTHER YEAR TO PRACTICE, RIGHT? 133 00:05:29,663 --> 00:05:31,543 BUT THEN I'D BE ANOTHER YEAR BETTER TOO, 134 00:05:31,598 --> 00:05:33,332 AND YOU'D BE PLAYING CATCH-UP. 135 00:05:34,535 --> 00:05:36,335 WHAT'S FUNNY? I SAY SOMETHIN' FUNNY? 136 00:05:36,403 --> 00:05:38,937 NAH, I WAS JUST... I THOUGHT... 137 00:05:39,005 --> 00:05:40,806 THAT WASN'T SO BAD, WAS IT? 138 00:05:40,874 --> 00:05:42,919 COME ON, CLARICE. LET'S GO. 139 00:05:42,943 --> 00:05:45,910 HERE I AM! I THINK I PASSED OUT BECAUSE I'M SO HUNGRY. 140 00:05:45,979 --> 00:05:48,991 ONE TIME I PASSED OUT ON THE BUS. ONE TIME I SLEPT THROUGH HALLOWEEN. 141 00:05:49,015 --> 00:05:51,850 LET'S GO, LITTLE MAMA. I WANT BURRITOS. HOW MUCH MONEY YOU GOT? 142 00:05:51,918 --> 00:05:53,352 BYE, DUANE. 143 00:05:53,420 --> 00:05:56,054 I DON'T CARE WHAT HAPPENS. YOU HAVE TO BEAT THAT GUY. 144 00:05:56,122 --> 00:05:57,522 YEAH. WHAT A JERK. 145 00:05:57,591 --> 00:05:59,068 YOU'LL BEAT HIM. RIGHT, DUANE? 146 00:05:59,092 --> 00:06:00,959 YOU CAN TAKE HIM. RIGHT, DUANE? 147 00:06:01,027 --> 00:06:03,094 RIGHT, DUANE? 148 00:06:03,163 --> 00:06:04,596 SO... 149 00:06:04,665 --> 00:06:06,732 UH, I GOTTA GO, MAN. 150 00:06:06,800 --> 00:06:10,134 ♪♪ 151 00:06:10,203 --> 00:06:13,304 OKAY, WHY AGAIN WOULD YOU WANT TO TAKE UP THE GUITAR? 152 00:06:13,374 --> 00:06:16,475 WHY? I'M A BOY FROM THE SUBURBS. IT'S MY DESTINY. 153 00:06:16,543 --> 00:06:18,543 I JUST WANT YOU TO THINK ABOUT IT. 154 00:06:18,612 --> 00:06:20,857 I DON'T THINK THE GUITAR IS FOR YOU. UH-HUH. 155 00:06:20,881 --> 00:06:21,946 MAYBE THE RECORDER. 156 00:06:22,015 --> 00:06:24,082 LET ME PLAY GUITAR! PLEASE. 157 00:06:24,150 --> 00:06:26,885 IT'S LOUD. OKAY? JUST YOU TALKING ABOUT IT IS LOUD. 158 00:06:26,953 --> 00:06:28,620 OKAY, OKAY, OKAY. 159 00:06:28,689 --> 00:06:30,021 IT'S GOT TOO MANY STRINGS. 160 00:06:30,090 --> 00:06:31,690 IT'S NOT... 161 00:06:31,759 --> 00:06:33,803 FINE. YOU CAN TAKE UP THE GUITAR, OKAY? 162 00:06:33,827 --> 00:06:37,039 I LOVE YOU. I KNOW, BUT I WANT TO SEE IMPROVEMENT. 163 00:06:37,063 --> 00:06:39,576 NO PROBLEM. YOU REALLY HAVE TO LEARN TO PLAY IT. 164 00:06:39,600 --> 00:06:42,401 OKAY, OKAY. WHOOPS! UH-OH. 165 00:06:46,206 --> 00:06:49,274 I USED TO DO THAT. I DIDN'T KNOW YOU PLAYED GUITAR, COACH. 166 00:06:49,342 --> 00:06:52,411 I DIDN'T. I JUST CARRIED ONE AROUND. IT'S A PHASE I WENT THROUGH. 167 00:06:52,479 --> 00:06:55,046 IT WAS THE '70S, YOU KNOW? YEAH. 168 00:06:55,115 --> 00:06:56,715 EVERYBODY HAD A PROP. RIGHT. 169 00:06:56,784 --> 00:06:59,944 IF ANYBODY ASKED ME TO PLAY, I'D JUST COMPLAIN THAT I HAD TENDONITIS. 170 00:06:59,986 --> 00:07:02,732 WHY DIDN'T YOU JUST LEARN HOW TO PLAY? 'CAUSE IT'S HARD. 171 00:07:02,756 --> 00:07:07,158 IT'S TOO HARD. ANYTHING TOO HARD IN LIFE IS NOT WORTH DOING. REMEMBER THAT. 172 00:07:07,227 --> 00:07:10,061 OKAY. LIKE SNOWBOARDING OR MARTIAL ARTS. 173 00:07:10,130 --> 00:07:11,563 YOU KNOW? YEAH. 174 00:07:11,632 --> 00:07:13,398 POTTERY. RIGHT. 175 00:07:13,467 --> 00:07:15,534 OR, UM, MATH. RIGHT. 176 00:07:15,602 --> 00:07:19,137 MY POINT IS, BRENDON, IF YOU'RE NOT IMMEDIATELY GOOD AT SOMETHING, WHY DO IT? RIGHT? 177 00:07:19,205 --> 00:07:21,451 RIGHT. YOU KNOW WHAT I WAS GOOD AT, BRENDON? 178 00:07:21,475 --> 00:07:22,952 DRINKING? I WAS A GOOD ROADIE. 179 00:07:22,976 --> 00:07:25,087 DID THAT FOR A WHILE IN THE EARLY '80S. 180 00:07:25,111 --> 00:07:27,223 SURE. LOCAL BAND. THEY WERE CALLED ALLIGATOR SHOES. 181 00:07:27,247 --> 00:07:28,680 THEY WERE AWESOME. 182 00:07:28,749 --> 00:07:31,450 YEAH. THEY ALL WORE ALLIGATOR SHOES. THAT WAS THE GIMMICK. 183 00:07:31,518 --> 00:07:32,851 THAT'S PRETTY COOL. 184 00:07:32,920 --> 00:07:35,353 YEAH. WE HAD A GOOD RUN AT IT. YEAH. 185 00:07:35,422 --> 00:07:38,790 YOU EVER FEEL LIKE GOIN' BACK THERE AND DOING THE ROADIE THING AGAIN? 186 00:07:38,859 --> 00:07:41,905 EVERY DAY, BRENDON. OF COURSE. THAT WAS THE LIFE. 187 00:07:41,929 --> 00:07:45,530 SETTIN' UP AMPS. PLUGGIN' 'EM IN. YOU KNOW? 188 00:07:45,599 --> 00:07:47,098 YEAH. CHECKIN' THE MICS. 189 00:07:47,167 --> 00:07:48,645 SURE. THAT WAS THE LIFE. 190 00:07:48,669 --> 00:07:52,337 GIG AFTER GIG AFTER GIG. MUST HAVE BEEN SOME LADIES OUT THERE, HUH? 191 00:07:52,405 --> 00:07:53,638 KIDDING ME? 192 00:07:53,707 --> 00:07:54,906 YEAH. THE FIGHTS. 193 00:07:54,975 --> 00:07:56,675 YEAH. I LOVED THE FIGHTS. 194 00:07:56,743 --> 00:07:58,743 YEAH. THAT'S PRETTY COOL STUFF, MAN. 195 00:07:58,812 --> 00:08:01,324 SO YOU EVER... THE FOOD. THE FOOD WAS GOOD. 196 00:08:01,348 --> 00:08:03,426 YEAH. I'D HAVE TO PUT OUT THE FOOD. 197 00:08:03,450 --> 00:08:04,950 SANDWICHES. PUTTIN' OUT COOKIES. 198 00:08:05,018 --> 00:08:07,931 FRUIT AND STUFF. PUTTIN' OUT, LIKE, MILK. CHECKIN' THE DATE. 199 00:08:07,955 --> 00:08:11,523 THE ONLY MAJOR CONFLICT WAS WE NEVER TRAVELED. OH. 200 00:08:11,592 --> 00:08:13,124 WE WERE A LOCAL BAND. 201 00:08:13,193 --> 00:08:16,361 SO I GUESS YOU COULDN'T OFFICIALLY CALL ME A ROADIE. RIGHT. 202 00:08:16,429 --> 00:08:19,364 I WAS MORE LIKE A HELPER. A "HELPIE." 203 00:08:19,432 --> 00:08:22,144 PEOPLE CALLED ME, LIKE, "OH, YOU ROADIE FOR ALLIGATOR SHOES?" 204 00:08:22,168 --> 00:08:24,046 I'D SAY, "YEAH. YEAH, I ROADIE FOR 'EM." 205 00:08:24,070 --> 00:08:26,805 YOU USED THE WORD ROADIE, BUT IN REALITY... 206 00:08:26,874 --> 00:08:29,674 BUT THERE WAS NO ACTUAL DRIVING OR GOING ANYWHERE. RIGHT. 207 00:08:29,743 --> 00:08:31,843 YOU CAN'T WRITE DOWN "HELPIE" ON A RÉSUMÉ. 208 00:08:31,912 --> 00:08:34,713 I'LL TELL YOU SOMETHING. I THINK ABOUT IT EVERY DAY. 209 00:08:34,781 --> 00:08:36,447 I MEAN, THAT WAS MY YOUTH. RIGHT. 210 00:08:36,517 --> 00:08:38,950 IF I HAD THE CHANCE, I'D DO IT AGAIN. 211 00:08:39,019 --> 00:08:41,263 IF SOMEBODY WAS PUTTI" A BAND TOGETHER, YEAH. 212 00:08:41,287 --> 00:08:43,321 NEEDED A "HELPIE," I'D DO IT. 213 00:08:43,390 --> 00:08:45,724 HMM. WELL, THAT'S INTERESTING. 214 00:08:45,792 --> 00:08:48,037 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 215 00:08:48,061 --> 00:08:49,639 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 216 00:08:49,663 --> 00:08:51,374 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 217 00:08:51,398 --> 00:08:52,842 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 218 00:08:52,866 --> 00:08:54,577 ♪ WHOO-WHOO! ♪ ♪ WOW-WOW! ♪ 219 00:08:54,601 --> 00:08:56,513 ♪ WHOO-WHOO! ♪ ♪ PARTY! ♪ 220 00:08:56,537 --> 00:08:58,047 ♪ WHOOP-WHOOP! ♪ ♪ WHAT'S GOIN' ON? ♪ 221 00:08:58,071 --> 00:08:59,582 ♪ YOW-YOW! ♪ ♪ ROCK 'N' ROLL! ♪ 222 00:08:59,606 --> 00:09:00,539 STOP! 223 00:09:00,607 --> 00:09:02,140 STOP! STOP! 224 00:09:02,208 --> 00:09:03,341 WE'RE STOPPED. 225 00:09:03,410 --> 00:09:05,977 J... WHAT THE F... 226 00:09:06,046 --> 00:09:08,079 SERIOUSLY! OH, MY GOD! 227 00:09:08,148 --> 00:09:11,149 - WHAT DID YOU THINK, COACH? - I HATE IT! 228 00:09:11,217 --> 00:09:15,053 WHY DON'T YOU PLAY A SONG? I BEEN HERE AN HOUR AND A HALF. ALL YOU DONE IS MAKE NOISE. 229 00:09:15,121 --> 00:09:19,157 THAT WAS A SONG. YEAH, THAT'S CALLED "FREAKY OUTTIE." I WROTE THE BASS PARTS. 230 00:09:19,225 --> 00:09:21,660 YEAH, IT'S OUR FIRST SONG. WE JUST WROTE IT. 231 00:09:21,728 --> 00:09:24,362 I WAS JUST PLAYING, THEN JASON AND MELISSA JOINED IN. 232 00:09:24,431 --> 00:09:27,432 TWO, THREE, FOUR! ♪ FREAKY! ♪ 233 00:09:27,500 --> 00:09:29,034 ♪ OUTTIE! ♪ ♪ FREAKY! ♪ 234 00:09:29,102 --> 00:09:30,312 ♪ OUTTIE! ♪ 235 00:09:30,336 --> 00:09:31,948 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 236 00:09:31,972 --> 00:09:34,906 STOP IT! STOP! STOP! STOP PLAYING! 237 00:09:34,975 --> 00:09:36,741 STOP PLAYING. 238 00:09:36,810 --> 00:09:38,376 YOU GUYS SOUND HORRIBLE. 239 00:09:38,445 --> 00:09:40,979 HI, PAULA. I'M IN YOUR BASEMENT. 240 00:09:41,048 --> 00:09:42,525 HI. HOW ARE YA? 241 00:09:42,549 --> 00:09:44,027 YOU LOOK NICE. THANK YOU. 242 00:09:44,051 --> 00:09:45,131 WHAT DO YOU THINK, MOM? 243 00:09:45,185 --> 00:09:46,718 I THINK IT'S TERRIBLE. 244 00:09:46,787 --> 00:09:49,832 WELL, YOU GUYS SUCK. I'M LEAVING. IT'S 7:00. I GOT BOOK CLUB. 245 00:09:49,856 --> 00:09:52,724 OH, SHUCKS. I'M LATE FOR MY LESSON. 246 00:09:58,765 --> 00:10:01,365 OKAY, SHALL WE BEGIN THEN? WHERE'S YOUR GUITAR? 247 00:10:01,434 --> 00:10:04,002 I, UH, UH... 248 00:10:04,071 --> 00:10:05,403 ♪♪ 249 00:10:05,472 --> 00:10:08,239 DUANE. YOU HAVEN'T TAKEN OUT THE TRASH, DUANE. 250 00:10:08,308 --> 00:10:11,643 YOU PROMISED THAT YOU WOULD TAKE OUT THE TRASH. 251 00:10:11,712 --> 00:10:13,778 DUANE. DUANE! 252 00:10:13,847 --> 00:10:16,514 AFTER DINNER. RIGHT NOW, IT'S PRACTICE. GEE! 253 00:10:16,583 --> 00:10:18,717 WELL, IT'S DINNERTIME NOW, DUANE. 254 00:10:18,785 --> 00:10:21,285 WE ALL EAT TOGETHER. LET'S GO. HOP TO IT, MISTER. 255 00:10:21,354 --> 00:10:24,956 YOU TAKE OUT THE TRASH, MAN! YOU TAKE OUT THE TRASH! 256 00:10:25,025 --> 00:10:26,958 I'M PRACTICIN' MY RIFFS, MAN! 257 00:10:27,027 --> 00:10:31,029 YOU COME IN, YOU ASK ME TO TAKE OUT THE TRASH, MAN! 258 00:10:31,098 --> 00:10:36,901 MAN, YOU TAKE IT OUT. GEEZ! TAKE OUT THE... 259 00:10:36,970 --> 00:10:39,303 STUPID ALLOWANCE. WHOOPS! 260 00:10:40,373 --> 00:10:42,240 AW, GEEZ, MAN. 261 00:10:42,308 --> 00:10:45,777 WHOOPS-A-DAISY. 262 00:10:45,846 --> 00:10:47,924 HEY, DUANE, IS THAT RASPBERRY? 263 00:10:47,948 --> 00:10:50,882 I ALWAYS DROP BLUEBERRY. ONE TIME I DROPPED AN EGG. 264 00:10:50,951 --> 00:10:53,295 THAT CHICKEN HATED ME, BUT I HATED HER FIRST. 265 00:10:53,319 --> 00:10:55,086 I GREW UP ON A FARM. ENOUGH. 266 00:10:55,155 --> 00:10:57,756 MAN. ALL RIGHT. LET'S SPLIT, GUYS. 267 00:10:57,824 --> 00:10:58,957 HEY, DUANE. 268 00:10:59,026 --> 00:11:00,291 WHAT? 269 00:11:00,360 --> 00:11:02,127 LET'S HOPE YOU CAN HOLD YOUR GUITAR 270 00:11:02,195 --> 00:11:03,962 BETTER THAN YOU CAN HOLD YOUR DRINK. 271 00:11:04,031 --> 00:11:07,966 SEE YOU AT THE CONTEST, MAN. 272 00:11:08,035 --> 00:11:09,233 CLARICE. 273 00:11:09,302 --> 00:11:11,169 YEAH? GOT MONEY? 274 00:11:11,237 --> 00:11:12,548 YEAH. GOOD. 275 00:11:12,572 --> 00:11:15,206 I HAVE $3.92 LEFT. 276 00:11:15,275 --> 00:11:16,775 HOW DO YOU KNOW THAT? 277 00:11:16,843 --> 00:11:18,810 I COUNT IT EVERY FOUR MINUTES. 278 00:11:18,879 --> 00:11:20,378 WHAT A WEIRD LITTLE MAMA. 279 00:11:20,446 --> 00:11:22,747 ♪♪ 280 00:11:37,530 --> 00:11:39,664 PLAY ME SOMETHING, BRENDON. A LITTLE SOCCER MUSIC. 281 00:11:39,733 --> 00:11:42,300 I WOULD, BUT I HAVE A SLIGHT CASE OF TENDONITIS. 282 00:11:42,368 --> 00:11:44,446 NICELY DONE. HOW'S YOUR BAND GOIN'? STILL SUCK? 283 00:11:44,470 --> 00:11:47,672 WE DON'T SUCK. WE JUST HAVE A DIFFERENT SOUND. DIFFERENT SOUND THAT SUCKS. 284 00:11:47,741 --> 00:11:49,451 WHAT'S UP, STRINGS? NOTHIN'. WHAT'S UP, LOW-END? 285 00:11:49,475 --> 00:11:50,987 NOTHIN'. WHAT'S UP, STICKS? 286 00:11:51,011 --> 00:11:53,455 NOTHIN'. WHAT THE HELL IS GOING ON WITH YOU PEOPLE? 287 00:11:53,479 --> 00:11:55,213 YOU ON DRUGS? HUH? NO. 288 00:11:55,281 --> 00:11:57,949 WITH ALL THE NICKNAMES? WHAT ARE THOSE, DRUG NICKNAMES? 289 00:11:58,018 --> 00:11:59,951 NO, THEY'RE BAND NICKNAMES. 290 00:12:00,020 --> 00:12:02,821 THESE NICKNAMES KINDA CAME UP ONE DAY AND THEY ALL KINDA STUCK. 291 00:12:02,889 --> 00:12:03,988 ISN'T THAT RIGHT, LOW-END? 292 00:12:04,057 --> 00:12:04,989 YOU GOT IT, STICKS. 293 00:12:05,058 --> 00:12:06,657 YOU GUYS BROUGHT THE DEMO OVER? 294 00:12:06,727 --> 00:12:08,037 YUP. COOL. 295 00:12:08,061 --> 00:12:11,863 WE'RE LETTIN' SOME PEOPLE, UH, SAMPLE THE MAGIC. 296 00:12:11,932 --> 00:12:13,976 HEY, GIVE HIM A TASTE. ALL RIGHT. 297 00:12:14,000 --> 00:12:16,012 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 298 00:12:16,036 --> 00:12:17,513 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 299 00:12:17,537 --> 00:12:19,470 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 300 00:12:19,539 --> 00:12:20,917 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 301 00:12:20,941 --> 00:12:22,907 ♪ FREAKY! ♪ SHUT IT DOWN. 302 00:12:22,976 --> 00:12:24,353 SHUT IT DOWN. 303 00:12:24,377 --> 00:12:26,455 WHAT DO YOU THINK? YEAH, WHAT DO YOU THINK? 304 00:12:26,479 --> 00:12:30,581 THAT'S THE, UH... THAT'S THE SAME SONG I WAS HEARIN' IN THE BASEMENT, RIGHT? 305 00:12:30,650 --> 00:12:31,783 YEAH. 306 00:12:31,852 --> 00:12:33,129 IT'S GETTIN' BETTER. 307 00:12:33,153 --> 00:12:36,955 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 308 00:12:37,023 --> 00:12:40,324 STOP, PLEASE, STOP. WAIT, WAIT. HERE COMES MY FAVORITE PART. 309 00:12:40,393 --> 00:12:43,339 ♪ WHOO-WHOO! ♪ YEAH! DID YOU HEAR THAT? 310 00:12:43,363 --> 00:12:45,208 WAIT, LET ME REWIND IT. 311 00:12:45,232 --> 00:12:47,398 NO, NO, NO. STOP! STOP! STOP, BRENDON. 312 00:12:47,467 --> 00:12:50,907 IS THAT WHAT YOUR TEACHER TAUGHT YOU? ARE THOSE CHORDS? NO, THAT'S... 313 00:12:50,971 --> 00:12:53,415 DON'T YOU START WITH BASIC CHORDS? NO, MOM. 314 00:12:53,439 --> 00:12:55,484 MOM, I LEARNED THAT STUFF FROM THE STREETS. 315 00:12:55,508 --> 00:12:58,910 I WANNA KNOW WHAT YOU'RE LEARNING FROM YOUR LESSONS. I KNOW SOMETHING. 316 00:12:58,979 --> 00:13:01,079 DO YOU EVEN KNOW THE NAMES OF THE STRINGS? 317 00:13:01,148 --> 00:13:03,648 OF COURSE I DO. I KNOW THE NAMES OF THE STRINGS. 318 00:13:03,716 --> 00:13:07,585 OKAY, WHAT ARE THEY? I CALL THIS ONE PINKY AND THIS ONE WINKY. 319 00:13:07,654 --> 00:13:09,494 AND THIS ONE'S LINKY. OKAY, STOP IT. 320 00:13:09,522 --> 00:13:13,324 IF YOU DON'T LEARN HOW TO PLAY THE GUITAR I'M GOING TO TAKE IT BACK 321 00:13:13,393 --> 00:13:15,726 BECAUSE I'M NOT INTERESTED IN WASTING MONEY, ALL RIGHT? 322 00:13:15,796 --> 00:13:19,164 SO LEARN TO PLAY THE GUITAR RIGHT. OKAY. WHOOPS. 323 00:13:19,232 --> 00:13:22,801 OKAY, I HAVE A FEW GUITAR QUESTIONS. OKAY, WHAT DO YOU WANNA KNOW? 324 00:13:22,869 --> 00:13:25,469 FIRST OF ALL, HOW DO YOU PLAY IT? LIKE THIS. 325 00:13:25,538 --> 00:13:27,571 ♪♪OH, THAT'S HOW. 326 00:13:27,640 --> 00:13:30,052 YEAH. I DON'T THINK I HAVE ANY OTHER QUESTIONS. 327 00:13:30,076 --> 00:13:33,022 OKAY. YOU KNOW WHAT YOU'RE GONNA DO FOR THE GUITAR CONTEST? 328 00:13:33,046 --> 00:13:35,713 I DON'T KNOW. PROBABLY DO SOMETHING LIKE THIS. 329 00:13:35,782 --> 00:13:36,848 ♪♪ 330 00:13:36,917 --> 00:13:38,449 YEAH. DUANE! 331 00:13:38,518 --> 00:13:39,650 WHAT? GEEZ! 332 00:13:39,719 --> 00:13:41,853 I JUST RECEIVED YOUR REPORT CARD IN THE MAIL. 333 00:13:41,922 --> 00:13:45,323 OH, BOY. DAD, CAN THIS WAIT? I HAVE A GUEST OVER. 334 00:13:45,391 --> 00:13:46,991 UH, HI. HELLO. 335 00:13:47,060 --> 00:13:50,195 I'M SORRY, BUT YOU KNOW HOW IMPORTANT YOUR GRADES ARE TO YOUR FUTURE. 336 00:13:50,263 --> 00:13:52,474 AND YOU'RE JUST THROWING IT AWAY. I DON'T CARE. 337 00:13:52,498 --> 00:13:53,932 YOU DON'T CARE ABOUT YOUR FUTURE? 338 00:13:54,000 --> 00:13:56,201 I DON'T CARE ABOUT REPORT CARDS! 339 00:13:56,269 --> 00:13:59,403 OH, BOY! YOU DIDN'T JUST SAY THAT, DID YOU? 340 00:13:59,472 --> 00:14:02,740 I DON'T CARE ABOUT REPORT CARDS. I ONLY CARE ABOUT GUITAR. 341 00:14:02,809 --> 00:14:05,576 HE DOESN'T MEAN THAT, SIR. HE CARES ABOUT TONS OF THINGS. 342 00:14:05,645 --> 00:14:07,345 I ONLY CARE ABOUT GUITAR! AH, WELL. 343 00:14:07,413 --> 00:14:12,183 HAND ME YOUR GUITAR. IT'S GOING IN THE CLOSET UNTIL YOU GET YOUR ACT TOGETHER. 344 00:14:12,252 --> 00:14:17,488 STUPID REPORT CARD! SUPPOSED TO COME NEXT WEEK! NOT THIS WEEK! GEEZ, MAN! 345 00:14:17,557 --> 00:14:21,826 THAT STINKS. THE GUITAR CONTEST IS TOMORROW AND YOU DON'T EVEN HAVE A GUITAR. 346 00:14:21,895 --> 00:14:24,662 I KNOW! WHAT ARE WE GONNA DO? 347 00:14:24,731 --> 00:14:26,297 JIMMY MONET CAN'T WIN. 348 00:14:26,366 --> 00:14:30,101 THIS IS BAD, DUANE. VERY BAD. MIND IF I USE YOUR TAPE DECK? 349 00:14:30,170 --> 00:14:32,436 I DON'T' CARE. 350 00:14:32,505 --> 00:14:37,041 ♪ FREAKY! ♪ SOMETIMES I PUT THIS ON WHEN I'M FEELING DOWN. 351 00:14:37,110 --> 00:14:40,778 JUST RELAX, DUANE. JUST RELAX. 352 00:14:40,847 --> 00:14:43,381 EVERYTHING'S GONNA BE FINE. ♪ OUTTIE! ♪ 353 00:14:43,449 --> 00:14:48,719 YOU LIKE WHAT YOU'RE HEARING? THIS IS OUR FIRST SINGLE. 354 00:14:48,788 --> 00:14:52,123 YES. SO YOU HEARD IT? GREAT. SO, WHAT'D YOU THINK? 355 00:14:52,192 --> 00:14:54,225 UH-HUH. UH-HUH. 356 00:14:54,294 --> 00:14:56,694 TWO OF US ARE EIGHT. THE OTHER ONE'S SEVEN. 357 00:14:56,763 --> 00:14:58,629 YEARS OLD. YES. HELLO? 358 00:14:58,698 --> 00:15:00,899 SO HOW'D IT GO? WELL, WHAT DID THEY SAY? 359 00:15:00,967 --> 00:15:04,068 YEAH, WHEN'S OUR LIMOUSINE COMING? RECORD DEAL DIDN'T HAPPEN. 360 00:15:04,137 --> 00:15:05,181 WHAT? NO WAY. 361 00:15:05,205 --> 00:15:07,083 THAT'S NOT FAIR. I KNOW. I KNOW. 362 00:15:07,107 --> 00:15:08,373 NOT GOOD. NOT GOOD. 363 00:15:08,441 --> 00:15:09,840 EMBARRASSING. 364 00:15:09,910 --> 00:15:12,944 I ALREADY MOVED OUT OF MY PARENTS' HOUSE AND I GOT A PLACE. 365 00:15:13,013 --> 00:15:14,490 I ALREADY HAD THAT MONEY SPENT. 366 00:15:14,514 --> 00:15:17,026 MAYBE WE COULD JUST TRY A DIFFERENT STYLE OF MUSIC. 367 00:15:17,050 --> 00:15:18,883 NO WAY, MELISSA. WE DON'T SELL OUT. 368 00:15:18,952 --> 00:15:20,763 WE'RE NOT CHANGING. WELL, HEAR HER OUT. 369 00:15:20,787 --> 00:15:22,932 WHAT'D YOU HAVE IN MIND? MAYBE COUNTRY? 370 00:15:22,956 --> 00:15:24,755 OH, MY GOD. YOU'RE OUT OF THE BAND. 371 00:15:24,824 --> 00:15:27,292 WHOA, WHAT DO YOU THINK WE SHOULD DO, JASON? 372 00:15:27,360 --> 00:15:30,273 WE SHOULD GET A NEW DRUMMER. WE SHOULD GET A NEW BASS PLAYER. 373 00:15:30,297 --> 00:15:33,342 THE DRUMMING IS THE PROBLEM. THE PROBLEM IS JASON CAN'T ROCK. 374 00:15:33,366 --> 00:15:34,698 I DARE YOU TO SAY THAT AGAIN. 375 00:15:34,767 --> 00:15:36,487 I KNOW WHAT THE REAL PROBLEM IS. 376 00:15:36,536 --> 00:15:38,636 WE DON'T HAVE A GOOD NAME FOR THE BAND. 377 00:15:38,704 --> 00:15:41,083 YES, WE DO. I ALREADY TOLD YOU. THE SURPRISERS. 378 00:15:41,107 --> 00:15:43,219 HATE IT. HATE IT TOO. JASON, ANY IDEAS? 379 00:15:43,243 --> 00:15:45,977 YES. THE CHOCOLATE FACTORY. NOT BAD. 380 00:15:46,046 --> 00:15:48,557 WHAT DO YOU THINK OF THIS? BRENDON POPPINS AND THE CHIMNEY SWEEPS. 381 00:15:48,581 --> 00:15:51,882 EWW. IT'S GOT A RING TO IT. NO QUESTION ABOUT THAT. 382 00:15:51,952 --> 00:15:54,463 UGH! BRENDON POPPINS AND THE CHIMNEY SWEEPS. 383 00:15:54,487 --> 00:15:56,187 MM-HMM. HOW ABOUT THE JASONS? 384 00:15:56,256 --> 00:15:58,100 HOW ABOUT MELISSA AND THE OTHER TWO? 385 00:15:58,124 --> 00:15:59,523 UM, BRENDON. YEAH. 386 00:15:59,592 --> 00:16:00,658 MELISSA'S FIRED. 387 00:16:00,726 --> 00:16:02,004 UM, BRENDON. YEAH. 388 00:16:02,028 --> 00:16:03,539 JASON'S FIRED. LET'S WRAP THIS UP. 389 00:16:03,563 --> 00:16:06,797 I HAVE TO MEET DUANE AT THE GUITAR CONTEST. WHAT ELSE? READ THE LIST. 390 00:16:06,866 --> 00:16:09,045 "WHAT'S OUR NAME?" DID THAT. 391 00:16:09,069 --> 00:16:11,635 "HOW DO WE GET A RECORD CONTRACT?" DID THAT. "VIDEO." 392 00:16:11,704 --> 00:16:12,903 WELL, THE FLOOR'S OPEN. 393 00:16:12,973 --> 00:16:17,908 WELCOME, LADIES AND GENTLEMEN, TO GUITARMAGEDDON. 394 00:16:17,978 --> 00:16:20,979 OUR COMPETITORS TONIGHT WILL BE JUDGED BY A SERIES OF CRITERIA. 395 00:16:21,047 --> 00:16:26,617 TECHNICAL ABILITY, MUSICALITY, STAGE PRESENCE AND FINALLY, UH... 396 00:16:26,686 --> 00:16:28,152 NO, WAIT. THAT WAS IT. 397 00:16:28,221 --> 00:16:31,122 NOW HELP ME WELCOME TO THE STAGE THE FIRST COMPETITOR, 398 00:16:31,191 --> 00:16:33,791 A GENTLEMAN KNOWN SIMPLY AS FINGER MASTER. 399 00:16:34,961 --> 00:16:37,362 OH, COME ON, BRENDON. WHERE ARE YOU? 400 00:16:37,430 --> 00:16:40,798 LET'S WRAP THIS UP. I HAVE TO GO MEET DUANE AND GIVE HIM MY GUITAR. 401 00:16:40,867 --> 00:16:43,112 I HAVE AN ANNOUNCEMENT TO MAKE, BANDMATES. YEAH? 402 00:16:43,136 --> 00:16:44,402 I'M LEAVING THE BAND. 403 00:16:44,471 --> 00:16:47,938 'CAUSE I HATE IT AND I'M GOING SOLO. ALL RIGHT? 404 00:16:48,008 --> 00:16:52,010 THAT'S INTERESTING BECAUSE I HAVE AN ANNOUNCEMENT OF MY OWN. I'M ALSO GOING SOLO. 405 00:16:52,078 --> 00:16:54,345 YOU SHOULD DO WHAT I DO. WHAT'S THAT? 406 00:16:54,414 --> 00:16:56,280 JUST REPEAT EVERYTHING I SAY. 407 00:16:56,349 --> 00:16:59,384 THAT WAS AN IDEA I ALREADY HAD. YOU JUST SPOKE BEFORE ME. RIGHT. SURE. 408 00:16:59,452 --> 00:17:01,530 I HAVE A NAME FOR MY SOLO BAND. DO YOU? 409 00:17:01,554 --> 00:17:04,194 YEAH, I DO. MINE'S CALLED THE CHOCOLATE FACTORY. 410 00:17:04,257 --> 00:17:08,226 THAT WAS MY NAME. I KNOW, BUT I LIKED IT AND YOU'RE NOT USING IT. 411 00:17:08,294 --> 00:17:12,663 THEY'RE ALL MY IDEAS ANYWAY. YOU CAN'T HAVE CHOCOLATE FACTORY FOR FREE, MELISSA. 412 00:17:12,732 --> 00:17:14,176 THAT'S MINE. YOU DON'T OWN IT. 413 00:17:14,200 --> 00:17:16,467 I COPYRIGHTED IT. I MAILED IT TO MYSELF. 414 00:17:16,536 --> 00:17:19,737 AS SOON AS YOU SEND ME THE PAPERWORK, I WILL BELIEVE YOU. YOU'RE A HUGE BITCH. 415 00:17:19,805 --> 00:17:22,440 LET'S WRAP THIS UP. I REALLY HAVE TO GO. 416 00:17:22,509 --> 00:17:24,608 RIGHT. SO WE'RE SETTLED. I'M OUT AND MELISSA'S OUT. 417 00:17:24,677 --> 00:17:26,555 WE'RE EACH PURSUING OUR OWN SOLO BANDS. 418 00:17:26,579 --> 00:17:30,581 BRENDON, ARE YOU STILL IN OR YOU WANT TO GET OUT? I HAVE TO GO. 419 00:17:30,650 --> 00:17:33,117 WELL, ARE YOU GONNA DO A SOLO PROJECT OR NOT? 420 00:17:33,186 --> 00:17:35,331 I DON'T KNOW WHAT I'M GONNA DO. ALL RIGHT. 421 00:17:35,355 --> 00:17:37,455 BRENDON, WAIT. BEFORE YOU GO... YES? 422 00:17:37,524 --> 00:17:38,689 SHOULD WE GET BACK TOGETHER? 423 00:17:38,758 --> 00:17:41,337 MAYBE WE SHOULD ALL TALK ABOUT IT. OH, BOY! 424 00:17:43,296 --> 00:17:45,229 ♪♪WHOOPS! OKAY, UH, WHOOPS! 425 00:17:45,298 --> 00:17:49,300 Y'ALL BETTER BE QUIET 'CAUSE I CAN'T CONCENTRATE. WHOOPS. 426 00:17:49,369 --> 00:17:50,879 OH, COME ON, BRENDON. 427 00:17:50,903 --> 00:17:53,337 HEY, DUANE, WHERE'S YOUR GUITAR? 428 00:17:53,406 --> 00:17:55,484 HOW'RE YOU GONNA COMPETE WITHOUT YOUR GUITAR? 429 00:17:55,508 --> 00:17:56,574 I DON'T KNOW. 430 00:17:56,642 --> 00:17:59,110 WHAT ARE YOU GONNA DO, GO UP THERE AND SING? 431 00:17:59,179 --> 00:18:01,279 HEY, I'M DUANE. HERE'S MY SOLO. 432 00:18:01,347 --> 00:18:03,514 ♪ WEEDLY-WEEDLY-WEE ♪ GOOD NIGHT! 433 00:18:06,519 --> 00:18:09,287 ♪♪ 434 00:18:11,324 --> 00:18:13,791 OH, I SHOULDN'T HAVE DONE THAT. I WASN'T FINISHED. 435 00:18:15,361 --> 00:18:17,295 OH, WHEW! 436 00:18:17,363 --> 00:18:19,897 SORRY I WAS LATE. HERE. WAIT. 437 00:18:19,966 --> 00:18:23,134 BE GOOD TO HER, DUANE. BE GOOD TO HER. 438 00:18:23,203 --> 00:18:26,870 ♪♪ 439 00:19:00,473 --> 00:19:04,208 LADIES AND GENTLEMEN, PUT YOUR HANDS TOGETHER 440 00:19:04,277 --> 00:19:06,511 FOR OUR NEXT COMPETITOR, DANA. 441 00:19:06,579 --> 00:19:07,811 DUANE. 442 00:19:07,880 --> 00:19:09,813 ♪♪ 443 00:19:13,686 --> 00:19:16,354 ♪♪ 444 00:19:16,422 --> 00:19:19,290 STUPID RENTAL PIECE OF CRAP! 445 00:19:20,426 --> 00:19:22,426 GEEZ! 446 00:19:28,434 --> 00:19:30,768 ♪♪ 447 00:19:49,789 --> 00:19:51,389 LADIES AND GENTLEMEN, 448 00:19:51,457 --> 00:19:53,101 THE JUDGES HAVE TALLIED THEIR VOTES 449 00:19:53,125 --> 00:19:55,237 AND WE DO INDEED HAVE A WINNER. 450 00:19:55,261 --> 00:19:58,474 THIRD PLACE GOES TO MR. FINGERS. 451 00:19:59,932 --> 00:20:03,145 I'M SORRY, UH, FINGER MASTER. 452 00:20:03,169 --> 00:20:05,436 SECOND PLACE GOES TO PAULY FRETSTEIN. 453 00:20:06,972 --> 00:20:09,507 AND FINALLY, FIRST PLACE GOES TO 454 00:20:09,576 --> 00:20:13,977 JIMMY MONET! 455 00:20:16,982 --> 00:20:19,116 YOU WERE ROBBED, MAN. I DON'T CARE. 456 00:20:19,185 --> 00:20:20,784 WHATEVER. THAT GUY'S A JERK. 457 00:20:20,853 --> 00:20:23,421 YOU WERE ROBBED, DUANE. I WAS ROBBED ONCE. 458 00:20:23,489 --> 00:20:25,823 IN SEVENTH GRADE, SOME GIRL CLEANED OUT MY LOCKER. 459 00:20:25,891 --> 00:20:27,925 BUT I GOT HER BACK. I POISONED HER. 460 00:20:27,993 --> 00:20:29,505 YOU REALLY SHOULD HAVE WON, DUANE. 461 00:20:29,529 --> 00:20:31,106 YOUR PIECE WAS WAY MORE MUSICAL. 462 00:20:31,130 --> 00:20:33,141 SEE, DUANE, I TOLD YOU. SO? 463 00:20:33,165 --> 00:20:35,666 BESIDES, JIMMY'S SWEEP ARPEGGIOS WERE REALLY SLOPPY. 464 00:20:35,735 --> 00:20:37,602 HOW DO YOU KNOW ABOUT SWEEP ARPEGGIOS? 465 00:20:37,670 --> 00:20:40,504 I KNOW A LOT ABOUT GUITAR. OH. 466 00:20:40,573 --> 00:20:43,941 DID YOU NOTICE WHEN I DID THAT STRING SKIPPING LINK? 467 00:20:44,009 --> 00:20:46,277 THAT WAS AWESOME! I'D LIKE TO SEE THAT SLOWED DOWN. 468 00:20:46,346 --> 00:20:49,079 I'LL SHOW YOU WHEN I GET MY GUITAR BACK FROM MY DAD. 469 00:20:49,148 --> 00:20:51,193 YOUR DAD TOOK YOUR GUITAR AWAY? YEAH. 470 00:20:51,217 --> 00:20:53,951 MY DAD TOOK MY STEREO AWAY. WOW, 'CAUSE OF GRADES? 471 00:20:54,019 --> 00:20:57,788 NO, HE TOOK IT AWAY BECAUSE I SET SOME PAINT ON FIRE. OH. 472 00:20:57,857 --> 00:20:59,724 WELL, I HAD BAD GRADES. 473 00:20:59,792 --> 00:21:03,160 GUYS, I'M GONNA SPLIT. I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 474 00:21:03,229 --> 00:21:04,640 HEY, ARE YOU HUNGRY? YEAH. 475 00:21:04,664 --> 00:21:06,942 YOU WANT TO GET SOMETHING TO EAT? SURE. 476 00:21:06,966 --> 00:21:11,669 WITH ME? YEAH, I HAVE $1.57 AND I ALSO HAVE A NICKEL. 477 00:21:11,738 --> 00:21:13,738 THAT'S COOL. 478 00:21:17,143 --> 00:21:19,042 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 479 00:21:19,111 --> 00:21:20,656 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 480 00:21:20,680 --> 00:21:22,358 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 481 00:21:22,382 --> 00:21:24,181 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 482 00:21:24,250 --> 00:21:26,116 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 483 00:21:26,185 --> 00:21:27,985 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 484 00:21:28,053 --> 00:21:29,197 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 485 00:21:29,221 --> 00:21:31,289 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 486 00:21:31,357 --> 00:21:32,534 ♪ WHOO-WHOO! ♪ ♪ WOW-WOW! ♪ 487 00:21:32,558 --> 00:21:34,759 ♪ WHOO-WHOO! ♪ ♪ PARTY! ♪ 488 00:21:34,827 --> 00:21:36,639 ♪ WHOO-WHOO! ♪ ♪ WHAT'S GOIN' ON? ♪ 489 00:21:36,663 --> 00:21:39,263 ♪ YEAH YEAH! ♪ ♪ ROCK 'N' ROLL! ♪ 490 00:21:39,332 --> 00:21:41,732 OKAY, I LOVE YOU, BRENDON, BUT I HATE THIS SONG. 491 00:21:41,801 --> 00:21:45,247 IF I HEAR IT AGAIN, I'LL DIVORCE YOU. TELL ME WHAT YOU REALLY THINK. 492 00:21:45,271 --> 00:21:48,016 I HAVE TO CONFESS SOMETHING, BRENDON. I DON'T WANNA HEAR IT. 493 00:21:48,040 --> 00:21:49,640 I SOLD YOUR GUITAR. YOU DID? 494 00:21:49,676 --> 00:21:51,642 YES. MOM, THAT WAS A RENTAL. 495 00:21:51,711 --> 00:21:53,344 IT WAS? YEAH. 496 00:21:53,413 --> 00:21:55,957 HUH. WELL, I FORGIVE YOU. I'M A TERRIBLE MUSICIAN, MOM. 497 00:21:55,981 --> 00:21:59,216 AND COMBINED WITH JASON AND MELISSA WE MIGHT BE THE WORST BAND EVER. 498 00:21:59,285 --> 00:22:01,419 I TOTALLY AGREE WITH YOU. OH. 499 00:22:01,487 --> 00:22:03,854 UM, MOM, YOU MIGHT WANT TO LEAVE THE ROOM. 500 00:22:03,923 --> 00:22:04,988 WHY? OH! 501 00:22:06,992 --> 00:22:08,992 ♪ FREAKY! ♪ 502 00:22:09,061 --> 00:22:11,273 NO WAY, BRENDON. I'M NOT DOIN' IT. 503 00:22:11,297 --> 00:22:12,874 ♪ FREAKY! ♪ ♪ OUTTIE ♪ 504 00:22:12,898 --> 00:22:14,610 ♪ FREAKY! ♪ ♪ OUTTIE ♪ 505 00:22:14,634 --> 00:22:16,077 ♪ FREAKY! ♪ ♪ OUTTIE ♪ 506 00:22:16,101 --> 00:22:18,046 ♪ FREAKY! ♪ COME ON! ♪ OUTTIE ♪ 507 00:22:18,070 --> 00:22:19,815 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 508 00:22:19,839 --> 00:22:21,517 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 509 00:22:21,541 --> 00:22:23,441 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 510 00:22:23,509 --> 00:22:25,743 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 511 00:22:25,812 --> 00:22:27,556 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 512 00:22:27,580 --> 00:22:29,090 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 513 00:22:29,114 --> 00:22:31,126 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 514 00:22:31,150 --> 00:22:33,150 ♪ FREAKY! ♪ ♪ OUTTIE! ♪ 515 00:22:33,219 --> 00:22:34,819 YEAH! YEAH! 516 00:22:34,887 --> 00:22:36,320 THAT'S MY SON. 517 00:22:36,389 --> 00:22:40,190 HEY, MOM, YOU'RE IN THE BAND. 37790

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