Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
OKAY.
FOR THIS SCENE, WE GOT TO FOCUS ON EMOTION, ON MOTIVATION.
MELISSA, YOU LOOK GREAT.
THANK YOU.
BUT YOU DON'T FEEL GREAT.
I DON'T?
NO, YOU'RE RITA AND RITA'S TORMENTED, YOU KNOW.
TORMENTED?
YEAH.
BRENDON, HOW DO I LOOK?
YOU LOOK, UH, FORLORN, JASON.
DO I LOOK GREAT?
NO... NO.
YOU LOOK FORLORN.
I DON'T FEEL FORLORN.
JASON, YOU'RE PLAYING THE PART OF RANDY.
AND RANDY IS FORLORN.
BRENDON?
YEAH?
UM, IS THIS FORLORN?
NO, ACTUALLY NO——FORLORN...
HOW ABOUT THIS...
FORLORN IS SAD, JASON, YOU'VE GOT TO...
HOW ABOUT THIS?
MELISSA. YEAH?
HOW DO YOU SPELL "SOPHISTICATED"?
UM...
OKAY, SOPHISTICATED: S—O—F...
WAIT A MINUTE, WAIT A MINUTE. WHOA, WHOA, WHOA, WHOA, WHOA.
SLOW DOWN.
TAKE IT ONE LETTER AT A TIME.
AS YOU WERE SAYING.
SOPHISTICATED. S—O—F...
WAIT, YOU KNOW WHAT?
YOU DON'T HAVE TO DO THAT SPELLING BEE CRAP.
IT'S JUST THE WAY THAT I KNOW HOW TO SPELL IT.
BUT IN REALITY YOU DON'T HAVE TO SAY WORDS BEFORE YOU SAY THEM.
LIKE I DON'T HAVE TO SAY SAY EVERY EVERY WORD WORD
TWICE TWICE.
ALL RIGHT? ALL RIGHT?
OKAY.
SOPHISTICATED.
YOU DID IT AGAIN, MELISSA.
I'M SORRY.
JUST SPELL THE WORD.
UM... I CAN'T DO IT WITHOUT SAYING IT.
COME ON.
S—O—F...
ALL RIGHT, S—O—F...
I—S...
T—I... T...
RIGHT. RIGHT.
E...
SOPHISTICATED—— D—C...
I THOUGHT IT WAS OVER.
D...
C—D.
AND THEN ANOTHER "D" AT THE END.
TWO Ds AT THE END?
DOES IT LOOK RIGHT WITH TWO Ds?
NO.
ONE "D."
DO YOU HAVE AN ERASER?
YEAH.
WELL, GIVE IT TO ME.
THE ERASER SMELLS LIKE STRAWBERRIES.
WELL, IT DOESN'T TASTE LIKE STRAWBERRIES.
C—D.
WOW, THAT'S A LONG WORD.
I KNOW.
DO ME A FAVOR, WILL YOU?
READ THIS AND TELL ME WHAT YOU THINK.
WHAT IS IT?
IT'S A PAPER I WROTE—...
AN ARTICLE.
WOW.
YEAH.
I WRITE FOR A NEWSPAPER OCCASIONALLY.
THAT'S IMPRESSIVE.
YEAH—— WELL, JUST READ IT, PLEASE.
OKAY.
"HANDSOME, SOFIS... HANDSOME..."
"SOPHISTICATED," MELISSA.
OH, RIGHT. "HANDSOME, SOFISTICATED MAN.
ENJOYS FINE WINE AND LOTS OF IT..."
YEAH, I LOVE THAT.
"SEEKS BEAUTIFUL WOMAN FOR LONG WALKS."
THAT'S REALLY SWEET, COACH McGUIRK.
I CHANGED IT FROM "ENJOYS ALCOHOL."
IT SOUNDS NICER.
I HAVE TO BOIL DOWN MY WHOLE PERSONALITY IN ONE HUGE LIE.
YOU DID A GOOD JOB.
WELL, THANKS.
JASON, STOP PICKING YOUR NOSE.
MELISSA, I'M NOT PICKING IT.
I'M PULLING THINGS OUT OF IT.
OH, WHA... WE'RE SET FOR SATURDAY, RIGHT?
HI, BRENDON.
HI, JASON. WE'RE SET FOR SATURDAY, GUYS?
SATURDAY?
Brendon: YEAH.
UM, STOP PICKING YOUR NOSE.
NO, BECAUSE THE, THE...
ALL RIGHT, GUYS, SO WE'RE ON FOR SATURDAY?
BRENDON, I THINK I'M AVAILABLE MAYBE EVEN NEXT SATURDAY.
OKAY, YOU KNOW, I'M ONLY ACTUALLY INTERESTED IN, UH...
ACTUALLY, BRENDON, I CAN'T MAKE IT.
WHAT DO YOU MEAN, UH, YOU CAN'T MAKE IT?
WELL, I'M GOING TO VISIT MY GRANDFATHER IN THE NURSING HOME.
DO YOU HAVE TO GO?
NO, BUT I LIKE VISITING HIM.
I MEAN, HE'S REALLY OLD,
BUT HE'S REALLY NICE.
FOR YOUR OWN SAKE, DO NOT GO BECAUSE, YOU KNOW,
IT'S NOT HEALTHY FOR YOU TO BE HANGING AROUND
WITH OLD PEOPLE BECAUSE, YOU KNOW, YOU COULD CATCH
AN OLD PERSON'S DISEASE AND, UH, SUDDENLY BECOME OLD.
BRENDON, THAT'S A MYTH.
YOU'D LIKE MY GRANDFATHER.
HE'S A GREAT STORYTELLER.
YOU KNOW TITANIC?
YEAH, OF COURSE I DO.
HE SAW THE ORIGINAL MOVIE.
WHOA, WELL, THAT'S, UH...
UH, BRENDON, MY GRANDFATHER CALLS ME DEBBIE
AND TRIES TO KISS ME.
NO, MY GRANDFATHER WAS, UM, A SURGEON AND LOST A,
MALPRACTICE SUIT BECAUSE HE CUT OFF THE WRONG LEG.
THAT'S AWFUL!
IT'S... IT'S TERRIBLE, JASON.
YEAH, THAT'S WHAT THE PATIENT SAID
BUT HE WAS A LITTLE MORE ANGRY.
IS YOUR GRANDFATHER STILL A SURGEON?
NO. THAT'S THE SHORT STORY.
THE LONG STORY IS THAT NOW HE IS A VERY SUCCESSFUL,
UH, MALPRACTICE LAWYER.
I'LL GET IT. I'LL GET IT.
SMALL RESIDENCE.
BRENDON?
UH, WHO'S CALLING, PLEASE?
IT'S ME.
HEY.
HEY.
KEVIN.
NO. IT'S MELISSA.
OH.
Melissa: WHAT ARE YOU DOING?
TALKING TO YOU.
I HAVE AN IDEA. ACTUALLY A PROPOSITION.
Brendon: I'M LISTENING.
DO YOU WANT TO DO A DOCUMENTARY ABOUT MY GRANDFATHER?
I'M, UH, NOT LISTENING, NO.
WHY?
MELISSA, I DON'T DO DOCUMENTARIES.
HOW COME?
Brendon: BECAUSE I DON'T.
OH, I SEE.
YOU DON'T DO THEM BECAUSE THEY'RE TOO HARD.
WHAT? NO.
OH, MAYBE BECAUSE A DOCUMENTARY'S
NOT LIKE A REGULAR MOVIE.
MELISSA, I KNOW THE DIFFERENCE BETWEEN A DOCUMENTARY
AND A REGULAR MOVIE, OKAY, SO.
YEAH?
YEAH, I DO.
AND I HAVE THE VERSATILITY TO DO BOTH.
YEAH?
YEAH, AND I WILL DO YOUR DOCUMENTARY OF YOUR GRANDFATHER.
I WILL, BECAUSE AS A DIRECTOR I DON'T WANT
TO BE PIGEON—TOED, ALL RIGHT?
YOU MEAN PIGEONHOLED?
YES.
SO YOU'LL DO IT?
YEAH, OF COURSE I WILL.
OKAY, GOOD, BECAUSE HERE'S THE BEST PART.
MY FATHER SAID THAT HE'LL PAY YOU
BECAUSE HE WANTS TO SHOW THE VIDEO
AT MY GRANDFATHER'S 75th BIRTHDAY PARTY NEXT WEEK.
PAY? AS IN MONEY?
MM—HMM.
FOR DOING WHAT I LOVE TO DO?
THROW A NUMBER OUT, YOU KNOW.
TEN.
THAT SOUNDS GREAT.
OKAY. I GOT TO GO.
I ALREADY HUNG UP.
OH. BRENDON?
♪ BA BOO BOO ♪
WE'RE SORRY, THE CALL YOU...
♪ A DOODY DOODY DEE... ♪
BRENDON, THAT'S ENOUGH OF THE SONG!
MOM! HEY, I'M BEING CREATIVE.
♪ THE LIGHTS ARE RED... ♪
LOOK AT THIS GUY. IT'S A CAR, NOT A COUCH.
COME ON, YOU OLD FART.
OH, MOM! YEAH!
COME ON, GRAMPS, LET'S GO, MOVE IT!
YEAH, OLD PEOPLE!
HE'S SLEEPING.
SLEEPING!
MOVE IT!
MOVE IT!
THANK YOU.
THANK YOU.
OH, MOM, WE HAVE SO MUCH FUN ON OUR CAR RIDES.
DON'T WE?
MOM, MOM, MOM...
HEY, IS THIS MOZART?
I THINK VIVALDI.
NO, NO, BEHIND YOU.
DAD, NOT TOO MUCH BUTTER.
YOU'VE GOT TO WATCH YOUR CHOLESTEROL.
YOU'RE ABSOLUTELY RIGHT. YOU HAVE IT.
SO, DAD, HOW WAS YOUR DAY?
I DIDN'T TELL YOU?
I SOLD TWO HOUSES.
THAT'S GREAT!
YEAH, AND ONE OF THEM WAS FOR SALE.
DAD.
HOW WAS SCHOOL?
I GOT A STAR ON MY PAPER.
WELL, YOU CAN GET IT OFF. DON'T WORRY.
NO, THAT—THAT'S GOOD.
DID YOU SELL A HOUSE?
NO.
LOSER!
NO... BUT I AM SO PROUD OF YOU, MELISSA.
YOU KNOW THAT, DON'T YOU?
YES.
HEY, I'M EXCITED ABOUT THIS VIDEO RECORDING PROJECT.
GRANDPA IS REALLY GOING TO LOVE IT OR HATE IT.
HE'S GOING TO REACT.
TWO KIDS' CHEESEBURGERS AND ONE ADULT.
TWO SMALL FRIES.
YES, MOTHER.
NO, FORGET THE SMALL FRIES... JUST ONE LARGE.
BUT MOM...
TWO SMALL ORANGE SODAS.
MOM, MOM, I WANT MY OWN FRIES.
NO, WE'RE GOING TO SPLIT IT.
NO, MOM...
TWO SMALL ORANGE SODAS AND A LARGE...
MOM, I WANT MY OWN!
YOU NEVER FINISH YOUR FRIES—...
IT'S A WASTE OF FOOD AND MONEY.
BUT SOMEDAY I'M GOING TO FINISH THEM, MOM
AND TODAY COULD BE THAT DAY.
DON'T YOU FEEL IT, MOM?
COME ON!
Man: Come on!
YEAH, MOM, SEE, MOM, EVEN THE SPEAKER GUY SAYS
I SHOULD HAVE MY OWN FRIES AND HE DOES THIS FOR A LIVING.
IT'S TRUE.
MOM, HE DEALS WITH FRIES ALL DAY!
NO!
HOW ABOUT I HANDLE MY KIDS, OKAY, MISTER?
Just trying to help.
DO YOU HAVE MONEY ON YOU?
NO.
OKAY, LOOK—— YOU DISTRACT THE WAITER.
I'M GOING TO SLIP OUT THE BACK AND START THE CAR, OKAY?
DAD.
OKAY, YOU DISTRACT THE WAITER; I'LL START THE CAR.
DAD.
OKAY, YOU KNOW WHAT? FORGET THE CAR.
LET'S JUST BOTH DISTRACT THE WAITER.
HOW'S YOUR CHEESEBURGER, BRENDON?
IS THAT WHAT THIS IS SUPPOSED TO BE?
FUNNY, HOW ARE THOSE FRIES COMING ALONG?
UM, I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
I THINK I STILL SEE SOME FRIES THERE.
WELL, I, UH, CAN'T FINISH THEM.
THANK YOU FOR ASKING.
WHY CAN'T YOU FINISH THEM?
BECAUSE THERE ARE TOO MANY.
OH, DARN.
TOO MANY FRIES, HUH?
YOU JUST CAN'T FINISH YOUR OWN FRIES.
MOM...
AND I FORGOT TO BRING MY BAG OF I—TOLD—YOU—SOs.
YOU GOT A NEW BAG OF I—TOLD—YOU— SOs?
YEAH, REMIND ME TO GIVE YOU A GREAT, BIG, FAT BAG
OF I—TOLD—YOU—SOs WHEN WE GET HOME, OKAY, BRENDON?
MOM, WE HARDLY HAVE ENOUGH MONEY FOR FRIES AND YOU'RE,
LIKE, SPENDING MONEY ON BAGS OF I—TOLD—YOU—SOs?
WATCH IT, BRENDON.
"WHERE WERE YOU WHEN KENNEDY WAS SHOT?"
IT BECAME AMERICA'S QUESTION.
I, MYSELF, I WAS AT WORK.
AL STEELE CAME INTO MY OFFICE.
HE SAID TO ME, "KENNEDY HAS BEEN SHOT."
AND I SAW A TEAR ROLLING DOWN HIS CHEEK.
HE WAS CRYING.
SO...
THIS SUCKS.
THIS IS SO BORING.
MELISSA'S DAD IS GOING TO ASK FOR HIS MONEY BACK
AND I'VE ALREADY SPENT IT AND HE HASN'T EVEN PAID ME YET.
YOU KNOW, IT'S VERY EDUCATIONAL.
SO'S A BOOK!
YOU KNOW, I CAN'T HAVE MY NAME ATTACHED TO SOMETHING LIKE THIS.
BRENDON, IT'S WHAT MELISSA WANTED.
I BET I CAN MAKE IT BETTER, JASON.
I CAN SAVE THIS PUPPY.
GRANDPA NED, GRAM...
HEY, HEY, CAPTAIN.
HEY, WAKE UP. HOW ARE YOU?
OKAY?
TO THE LEFT—— OVER TO THE LEFT.
OKAY.
NICE.
TELL US SOME STORIES ABOUT THE WAR AND STUFF.
OH, YES, WORLD WAR II.
WE CALLED IT W—W—II.
WHAT ABOUT WHEN YOU USED TO LISTEN
TO THE RADIO ALL THE TIME?
TELL ME ABOUT THAT.
OH, WE USED TO ACTUALLY LISTEN TO THE RADIO.
TELL ME ABOUT THAT.
OKAY, EVERYBODY, HERE IS THE GUEST OF HONOR.
EVERYBODY SING.
♪ HAPPY... ♪
DAD...
HEY, DAD, WAKE UP.
WE'RE GOING TO WATCH...
WE'RE GOING TO WATCH THE VIDEO NOW.
HUH? OH, YES.
WHERE IS THAT?
BRENDON, WILL YOU DO THE HONORS?
YEAH, EVERYONE PLEASE FOCUS YOUR ATTENTION TO THE TV.
THANK YOU.
IT WAS 1938.
WE WERE LISTENING TO THE RADIO.
WE ALWAYS LISTENED TO THE RADIO, BECAUSE TV WASN'T BORN YET.
I WAS...
THE RADIO.
IN THE 1930s, IT WAS THE SIZE OF A REFRIGERATOR
AND EVERYBODY LOVED THE RADIO.
I LOVE YOU, RADIO.
♪ I'M A LITTLE TEAPOT, SHORT AND STOUT... ♪
TURN IT OFF, PLEASE.
BRENDON, IS THIS SOME SORT OF JOKE?
UH, UM, UH... YEAH.
BRENDON, HOW COULD YOU?
UM, JASON.
WHAT DID YOU DO... TO THE VIDEO, JASON?
UM...
BRENDON, I AM SO...
MELISSA, DON'T EVEN...
YOU LOOK SO ANGRY RIGHT NOW, THIS IS PERFECT.
I WISH I HAD A CAMERA, BECAUSE, UH...
WHERE ARE YOU GOING?
SO WHAT DID MELISSA SAY ABOUT ME?
IS SHE... IS SHE STILL MAD AT ME?
OH, SHE SAID SHE WAS UPSET BECAUSE YOU MADE POTTERY
OUT OF HER GRANDFATHER.
POTTERY, WHAT DOES THAT MEAN?
POTTERY, LIKE A VASE OR...
OKAY, ARE YOU SURE SHE DIDN'T SAY "MOCKERY?"
MOCKERY WOULD MAKE MORE SENSE, WOULDN'T IT?
UH, YEAH.
BECAUSE, UM, YOU DID MAKE A MOCKERY
OF HER GRANDFATHER'S BIRTHDAY.
WELL, I MEAN, I GUESS.
BUT SHE SAID "POTTERY."
WELL, IT WAS SUPPOSED TO BE FUNNY, YOU KNOW
BUT POIGNANT FUNNY.
I MEAN, I DIDN'T REALLY MEAN TO MAKE FUN OF THE GUY
BUT IT WAS SO EASY.
FIRST OF ALL, LIFE SUCKS.
ALL RIGHT?
YEAH.
PERIOD. DONE DEAL.
YOU GOT IT?
GOT IT.
THERE'S YOUR LESSON.
GO ENJOY IT.
SEE YOU LATER.
WAIT A MINUTE.
THERE'S TWO KINDS OF FUNNY, BRENDON, RIGHT?
OKAY.
THERE'S MEAN FUNNY, WHICH IS, YOU KNOW
WHEN YOU MAKE FUN OF SOMEONE AND GET LAUGHS AT THEIR EXPENSE.
LIKE STUFFING THAT NERDY KID IN A LOCKER.
WHAT'S HIS NAME?
UM... BRIAN?
CARLO, THE ITALIAN KID. WITH THE FUNNY ACCENT.
THAT'S FUNNY, TOO.
ACCENTS ARE FUNNY.
OKAY, YEAH, BUT I DON'T SEE HOW THAT'S GOING TO HELP.
THEN THERE'S NICE FUNNY—...
LIKE MAYBE A LITTLE LIGHT SARCASM OR A CLEVER TWIST
OR A KNOCK—KNOCK JOKE.
I LIKE THOSE.
YOU LIKE THOSE?
UM...
KNOCK—KNOCK.
HUH.
BRENDON, KNOCK—KNOCK.
I'M DOING A KNOCK—KNOCK JOKE.
KNOCK—KNOCK.
UH, HELLO.
WHAT DO YOU MEAN, "HELLO"?
YOU SAY "WHO'S THERE?" BRENDON.
DO YOU KNOW A KNOCK—KNOCK JOKE?
YEAH, UH...
I SAY "KNOCK—KNOCK," YOU SAY "WHO'S THERE?"
YEAH, RIGHT.
I'M NOT A BIG FAN OF...
YOU KNOW WHAT? DO IT.
KNOCK—KNOCK.
WHO'S THERE?
NO, WAIT A MINUTE, YOU SAY "KNOCK—KNOCK."
I DON'T... KNOCK—KNOCK.
WHO'S THERE?
I DON'T KNOW.
"I DON'T KNOW" WHO?
I DON'T KNOW, I HATE THIS JOKE.
THAT'S NOT FUNNY.
IT'S GOT TO BE A PUN OR SOMETHING.
YOU KNOW WHAT? FORGET IT.
WHERE WAS I?
OH, YEAH, NICE FUNNY.
YOU KNOW, WHAT YOU DID TO MELISSA'S GRANDFATHER
WAS MEAN FUNNY, BRENDON.
OKAY.
PUTTING A WIG AND MAKEUP ON SOME OLD MAN WHILE HE'S SLEEPING.
DID YOU PUT LIPSTICK ON HIM?
YEAH.
YOU DID? THAT'S GOOD.
DID YOU PUSH THE CALL BUTTON OR DO THE BED THING WHERE,
YOU KNOW, YOU GO UP AND DOWN?
HE'S IN PRETTY BAD SHA...
NO, WE DIDN'T IMPAIR HIS HEALTH.
OH.
NO.
THAT'S HOW MY GRANDFATHER DIED.
YOU KNOW, ACTUALLY, UH, COACH, MELISSA'S MAD AT ME
ABOUT THE WHOLE THING.
WELL, ALL YOU GOT TO DO IS MAKE IT UP TO HER.
OKAY, OKAY, BUT HOW?
USUALLY I JUST SAY "I'M SORRY."
YEAH, WELL, I MEAN, THAT COULD WORK...
OR YOU GIVE SOMEONE MONEY.
RIGHT.
PAY THEM, LIKE A GIFT. BUY HER A...
CASH GIFT.
OF COURSE, SOMETIMES I HAVE TO PAY A FINE.
DAD?
YEAH.
WHAT ARE YOU DOING?
CRYING.
YOU WERE LAUGHING.
YOU'RE RIGHT.
BUT IT'S FUNNY.
A 75—YEAR—OLD MAN IN DRAG?
WHAT'S NOT TO LIKE?
BUT AREN'T YOU MAD AT BRENDON?
UH, WELL, HE MAY HAVE GONE A LITTLE TOO FAR
BUT I DON'T THINK HE WAS BEING MALICIOUS, MELISSA.
BOY, SAY THAT THREE TIMES FAST.
DON'T BE TAKEN IN BY HIS BOYISH CHARM.
BUT HE IS A BOY.
HI, GUYS.
IT'S GOING TO TAKE MORE THAN BALLOONS AND FLOWERS
FOR ME TO FORGIVE YOU, BRENDON SMALL.
WOW, BOTH NAMES.
HEY, CAN I HAVE SOME OF THAT CANDY?
NO.
WOULD YOU LIKE A BALLOON, ANYTHING?
THANKS, BRENDON, THAT'S A LITTLE...
BRENDON. WHAT, JASON?
BRENDON.
HELP, I'M STUCK IN THE RAVINE.
OH, BABY, I CAN'T GET ENOUGH OF THIS STUFF!
♪ A—B—C—D—E—F—G... ♪
OH, HERE, CAN I GET THAT FOR YOU, MA'AM?
THAT'S A MAN.
LADY, MAN.
LET ME HELP YOU WITH THAT.
HEY, BUTTER FINGERS.
BRENDON, LET'S GO.
IT'S NOT ME! MY MOM DID IT!
BRENDON!
THAT WAS REAL NICE OF YOU TO HELP HER, MOM.
THE ELDERLY SHOULD BE TREATED WITH RESPECT.
YEAH, BUT NOT ALL THE TIME, RIGHT?
ALWAYS.
YEAH, BUT, UM, YOU SAID THEY WERE OLD FARTS.
BRENDON, I NEVER SAID THAT.
YES, YOU DID—— IN THE CAR.
MOM, I HAVE IT ON TAPE.
BRENDON, STOP TAPING OUR CONVERSATIONS.
WHAT'S GOING ON?
I GUESS I DID SOMETHING THAT MIGHT HAVE
HURT SOMEBODY'S FEELINGS.
AN OLD PERSON'S FEELINGS?
WHAT MAKES YOU SAY THAT?
JUST A GUESS.
NO, IT'S MELISSA.
WELL, DID YOU APOLOGIZE?
YES, I DID, IN FACT.
WELL, THAT'S GOOD, AND...?
SHE'S STILL MAD.
OKAY, WELL, YOU KNOW WHAT YOU COULD DO?
WHAT?
FLOWERS AND CANDY.
I DID THAT.
OH, BOTH?
Brendon: YEAH.
Paula: I GUESS I'M ALL OUT OF IDEAS.
OKAY.
OKAY, SO THAT'S DONE.
SO WE'RE FINISHED TALKING ABOUT THAT.
YEAH, WE'LL JUST SHOP NOW.
COACH McGUIRK, I THINK I KNOW WHAT I CAN DO
TO MAKE IT UP TO MELISSA.
GOOD FOR YOU, BRENDON.
I'M GOING TO DO A REENACTMENT OF MELISSA'S GRANDFATHER'S LIFE.
DAVID, DON'T USE YOUR HANDS!
THIS IS NOT TENNIS.
I CAN KEEP SOME OF HIS NARRATION BUT INTERCUT IT
WITH NEW SCENES AND...
DAVID.
SOCCER—— NO HANDS.
COACH, I MEAN, HE SAVED A GUY'S LIFE IN THE WAR
AND, YOU KNOW, THAT'S WHAT I WANT TO SHOW...
DAVID, I'M GOING TO COME OUT THERE AND CUT THOSE OFF!
YOU THINK I'M KIDDING, DAVID?
IT'S JUST A NEW...
WHAT'S THE STUPID LOOK FOR? THAT KID'S GOT TO LEARN.
YOU DON'T USE YOUR HANDS. THAT'S THE BASIC RULE.
I KNOW THAT, I KNOW THAT.
ALL RIGHT, SO WHAT ARE YOU TELLING ME, BRENDON?
I NEED SOMEONE BIG AND STRONG TO PLAY THE LEAD ROLE AND...
LEAD ROLE?
YOU'RE THINKING OF ME FOR THE LEAD?
UH, UH, WELL, YEAH.
I'LL DO IT, BUT ON ONE CONDITION.
OKAY, WHATEV... ANYTHING.
I, UM, I DIDN'T HEAR WHAT YOU SAID.
I COULDN'T THINK OF ANYTHING TO SAY.
HMM.
DAVID, I'LL CUT THEM OFF!
OUCH!
SAVE THIS FOR THE...
THINK ABOUT YOUR LIFE WITH NO HANDS.
COACH, UH...
BLOODY STUMPS IS ALL YOU'RE GOING TO HAVE.
SOME OF THE PARENTS ARE HERE TO PICK UP THE KIDS AND, UH...
I WAS JUST KIDDING, USE YOUR HANDS.
IT'S FUN, THIS IS FOR FUN.
THANK YOU, BRENDON.
YEAH.
OKAY, UH, LET'S TRY IT AGAIN.
JASON, I NEED YOU TO BE A LITTLE...
A LITTLE BIT MORE MENACING.
JUST TRY YOUR LINE AGAIN, PLEASE?
OKAY.
UM, I'M GOING TO SHOOT YOU.
OK, UH, DO YOU KNOW ANY GERMAN WORDS OR PHRASES OR...?
OH ALR...
ICH BIN...
ICH BIN EIN BERLINER.
THAT'S PRETTY GOOD.
YOU KNOW, MAYBE WE SHOULD JUST TRY SOME MORE MAKEUP.
UM, ASK NOT WHAT YOUR, UM, COUNTRY CAN DO...
THAT'S NOT SO MUCH GERMAN, JASON.
ASK WHAT YOU CAN DO FOR YOUR COUNTRY IN GERMANY—...
IN GERMAN.
ALL RIGHT, WELL, UM...
NO, I'M ALL RIGHT, IT'S NOT A BIG DEAL.
I CAN CARRY YOU.
YOU'RE JUST SLIPPING THROUGH MY FINGERS HERE.
WELL, I'M A LITTLE SORE, BUT...
YOU KNOW, YOU HAVE A DECEPTIVE BODY.
THANK YOU.
I MEAN, YEAH.
I'M GETTING THE WRONG SIGNALS FROM THE CLOTHES.
UNDERNEATH, I DON'T KNOW WHAT'S GOING ON.
YOU'RE LIGHTER THAN YOU LOOK.
YOU'RE VERY LIGHT.
I'M... I'M SVELTE.
WHAT DOES THAT MEAN?
SVELTE?
MM—HMM.
YOU KNOW, THAT I LOOK GOOD IN A SWEATER, SWEATER VEST.
HEY, HOW DID I DO, BY THE WAY?
EVER READ A BOOK CALLED AN ACTOR PREPARES?
YOU KNOW, I'VE ONLY READ ONE BOOK IN THE LAST SEVEN YEARS
AND THAT WAS NOT IT.
BECAUSE THERE ARE SPECIAL TECHNIQUES
THAT WILL HELP YOU GET INTO CHARACTER.
DO YOU DO BREATHING EXERCISES?
I KNOW HOW TO BREATHE.
IT COMES AUTOMATICALLY.
TRY THIS—— TRY TO BREATHE THROUGH YOUR NOSE LIKE THIS.
BREATHE THROUGH MY NOSE.
I'VE NEVER DONE THAT BEFORE.
COVER YOUR MOUTH.
I MEAN, UH, OKAY, EVERYBODY READY?
YEAH.
McGUIRK? YOU GUYS READY?
UH... YEAH.
ALL RIGHT, AND... ACTION.
OKAY, WAIT—...
ONE MORE QUESTION, BRENDON...
CUT, CUT, CUT... YEAH?
WHAT IS MY MOTIVATION IN THIS SCENE?
YEAH, YOU'RE WOUNDED. YOU JUST WANT TO...
I'M GOING TO BREATHE THROUGH MY NOSE DURING THIS SCENE.
IS THAT ALL RIGHT WITH YOU?
YEAH, WHATEVER MAKES YOU COMFORTABLE, MAN.
THAT SOUNDS GREAT.
OKAY, CUT.
I MEAN, ACTION, ACTION.
COME, UH... COME BACK HERE... GERMAN, GERMAN.
I'LL SAVE YOU, SOLDIER.
HEY, THAT'S SOME DEEP BREATHING.
DON'T WORRY.
HEY, WHO'S WORRYING?
YOU'RE NED.
BETTER NED THAN DEAD.
RIGHT.
BUT BETTER STILL, NEVER NED.
WAIT A MINUTE, HOLD UP.
WHAT'S THIS GUY DOING HERE?
OKAY, YOU KNOW, CUT.
THAT WAS ALL VERY FUNNY
AND A LITTLE TOO MUCH NOSE BREATHING, McGUIRK.
UM... ERIC, CAN I TALK TO YOU FOR A SECOND?
OKAY, YOU'RE GOING TO WANT TO STICK TO THE SCRIPT.
OKAY.
THAT'S FUNNY, THAT'S CUTE...
OKAY, BUT I'LL DO THE LINES AS WRITTEN.
OKAY, I'M GOING TO START YOU GUYS OFF AGAIN.
SO YOU WANT ME TO PULL BACK ON THE NOSE BREATHING.
RIGHT—— READY AND, UH, ACTION.
BRENDON, I FORGOT MY LINE.
HE HAS TO SAY, "COME BACK HERE."
ALL RIGHT.
COME BACK HERE.
THAT'S GREAT.
I'LL SAVE YOU, SOLDIER, DON'T WORRY.
HEY, WHO'S WORRIED?
YOU'RE NED—...
ONE OF THE BEST SOLDIERS AROUND.
THANK YOU, NED, FOR SAVING MY LIFE.
YOU'RE WELCOME, SOLDIER.
OKAY, CUT—— GREAT, PERFECT.
THAT WAS GREAT, GUYS.
THANK YOU, NED, FOR SAVING MY LIFE.
YEAH, YOU KNOW, ERIC,
UH, WE CUT.
WE STOPPED ROLLING.
YOU GUYS DID FANTASTIC.
ALL RIGHT, BRENDON, CAN WE DO MY THING NOW?
YEAH, YOU KNOW, THAT'S FINE.
I'LL JUST CHANGE RIGHT HERE.
YEAH, OKAY.
IT'S NOT MY NEIGHBORHOOD.
WHY, WHY DON'T YOU JUST TELL THEM ABOUT YOURSELF.
JUST, YOU KNOW, GO CRAZY.
JUST SAY ANYTHING?
YEAH, JUST START TALKING, YOU KNOW.
OKAY, ALL RIGHT.
HEY, UH...
HEY, LADIES, UH, MY NAME IS JOHN McGUIRK.
I, UH, AM A PROFESSIONAL SOCCER COACH
AT THE ELEMENTARY SCHOOL LEVEL AND I OWN A NICE CAR
THOUGH I DO NOT CURRENTLY HAVE LEGAL ACCESS TO IT.
UM, AS YOU CAN SEE,
I USED TO BE IN GOOD SHAPE AND, UH, IN THE LAST TWO YEARS
I'VE SUCCESSFULLY COMPLETED FOUR OUT OF FIVE REHAB PROGRAMS.
THE KIND OF WOMAN I'M INTERESTED IN IS THE ONE, I GUESS,
WHO'S STILL WATCHING THIS VIDEO.
CUT—— I'M GOING TO STOP YOU RIGHT THERE.
WHAT? THAT WAS, UH, THAT WAS NOT GOOD OR...
WE GOT IT—— WE GOT THIS.
I THINK YOU NAILED IT.
FEED ME.
CHANGE ME.
THIS IS MY PROUDEST MOMENT—...
THE BIRTH OF MY GRANDDAUGHTER, MELISSA.
SO, UH, WHAT DID YOU THINK, MELISSA?
I THINK YOU JUST DON'T GET IT, DO YOU, BRENDON?
I MEAN...
WHOA, WHAT?
I'M JUST KIDDING.
I THOUGHT IT WAS REALLY GOOD.
I REALLY LIKED IT, BRENDON.
THANKS.
DAD?
THAT WAS THE BIGGEST PIECE OF...
DAD?
UM, HOW LONG WAS I ASLEEP?
AH, THANK GOD—...
WOW.
DAD.
WHOA! I FEEL LIKE I'VE BEEN HIT BY A TRUCK.
DAD?
IS SOMEONE BURNING TOAST?
WHO KEEPS TOUCHING ME? I CAN'T...
DAD? I GOT TO HIT THE ROAD HERE.
THIS IS NOT...
DAD, WE GOT TO GET OUT OF HERE.
WHO'S KILLING THIS PARTY? EVERYONE'S LEAVING.
GET OVER HERE! I'M NOT FIN...
HI—— HOW WOULD YOU LIKE TO WAKE UP NEXT TO THIS?
OKAY, CUT.
NO, MY IDEAL WOMAN IS A WOMAN WHO CARES ABOUT THE WORLD,
PLUS 15%.
I'D LIKE A, YOU KNOW, TALL WOMAN, ABOUT MY HEIGHT.
MY IDEAL WOMAN IS MY MOTHER, ACTUALLY, WHO I HATE.
I NEED A NICE YOUNG WOMAN TO CUT MY TOENAILS.
I'M LOOKING FOR A WOMAN WHO WILL ACCEPT ME FOR WHO I AM
AND NOT FOR MY MONEY, ALTHOUGH I'LL...
I'LL GIVE YOU $50.
CAPTIONING PERFORMED BY THE TRANSCRIPTION COMPANY BURBANK, CA WWW.TRANSCRIPTS.NET
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.