Original subtitles

[ Music ]

[ Silence ]

[ Music ]

>> [Singing] Wonderful!

Oh, it's wonderful to be in love with you.

Beautiful!

You're so beautiful, you haunt me all day through.

Every little breeze seems to whisper "Louise."

Birds in the trees seem to twitter "Louise."

Each little rose tells me it knows I love you, love you.

Every little beat that I feel in my heart seems

to repeat what I felt from at the start.

Each little sigh tells me that I adore you, Louise.

Just to see and hear you brings joy I never knew.

But to be so near you thrills me through and through.

Anyone can see why I wanted your kiss.

It had to be but the wonder is this.

Can it be true, someone like you could love me, Louise?

Every little breeze seems to whisper "Louise."

Birds in the trees seem to twitter "Louise."

[ Screaming ]

>> Control is something I'd never been good at.

These levels of control, states of control, and for once,

I've seen the reality.

[Background Music] I think it's all an illusion.

And now I've just woken up, I need a change.

I'm not saying that I have to steal for it.

Sort of bend the rules, you know.

I think I've been decent for the most part.

And now, I need to win it.

[ Music ]

[Background Music] The news never sleeps,

never stops to take a piss.

I close my eyes and there's another story waiting

to be told.

[ Phone Ringing ]

>> George, what's up, George?

Come on, let's go.

You're joining me, right?

Come on, ooh, George.

Hello? Hello?

Come on, dude.

Let's party it up.

George!

>> Another body discovered.

Now, there's celebrity arrested for a DUI.

I feel it under my skin, an itch

that never goes away no matter how hard I scratch.

[ Laughter ]

>> That's my boy.

[ Laughter & Music ]

>> Did it.

Didn't we, lover?

>> Yeah, damn straight we did.

We've got those fuckers.

>> Let me tell you something, it's all going to be uphill

for us now, gorgeous.

Jack just told me that after inches in line in advertising,

after they heard you would be doing the film.

>> Really?

>> Really.

>> He told you that?

>> He did.

>> I mean he said that, to you?

>> He did.

[ Music ]

>> Thank you.

>> Happy New Year, love.

>> Thank you.

>> Mwah!

>> Happy new millennium!

[ Music ]

>> Haven't I seen you somewhere before?

[ Music ]

Haven't I seen you somewhere before?

[ Music ]

>> Are we, OK?

[ Music ]

>> Yes. It's going to be OK.

[ Music ]

Do you trust me?

>> Yes. I do.

>> Oh, it's you.

[ Clinking ]

[ Laughter ]

>> Here you go.

>> Oh, I could not.

>> Come on, take it.

Take it.

>> Why the hell not, right?

>> Exactly.

>> You only live once.

>> Cheers, pal.

>> Cheers.

>> Good, ha?

My secret for getting through deadline day.

>> You're one of a kind, Ted.

Don't let him battle you down.

>> Yeah, I know, it's these bastards out in the boonies

at the head office, they think that just

because they raise some cattle, have a couple of oil wells,

that gives them a right to dictate journalists.

I'm feeling this pressure, Robert.

This change.

You know, they say that people are starting to get their news

through that internet thing, that there's geeks

out there sitting in the basement

of their momma's homes puffing out news, editorials,

journalism, what the hell do they know?

Ah, hell. I can't complain for now.

That money keeps flowing in, paying you

and me, our bills, our vices.

>> I'll drink to that.

>> Nothing in moderation, kiddo.

>> Nothing in moderation.

[ Laughter ]

[ Music & Laughter ]

[ Music ]

>> [Background Music] Hey, come on, get a move on,

get a move on, get a move on.

[ Music & Commotion ]

[ Music ]

[ Noise ]

>> I'm getting too old for this.

This routine.

You know how I know I'm tired?

Because I feel tired.

You know, they're saying

that we'll probably no longer have a print edition

in seven years.

I guess that means that no one wants to sit

at their morning table with a cup of coffee

and a newspaper anymore.

They'd rather get their news from some 14-inch LCD monitor.

You know, this LCD technology, with all these waves,

they're all going through our heads, our bodies.

We're all going to die of cancer.

[ Music & Commotion ]

>> [Background Music] Notice how this cluster

around the Athens District, you see these dots here?

The black ones?

They board around South Street in Compton,

and begin to creep up pass Lynwood.

But they're avoiding Lynwood.

But notice how a few of the homicides here are drifting

out of their usual zone.

If we hypothesize the direction, my guess is that they're going

to start hitting the west side and Beverly Hills.

And once that happens, this map is going

to be one gigantic motherfucker.

[ Music ]

>> Did you finish the [Inaudible] piece?

How did that press junket go today?

[ Pause ]

>> Very anemic.

>> Robert, you know, Kate

and Joe [phonetic] get first dibs on everything.

They're seniority on you.

Bad enough if anyone finds out.

>> I'm not here to do everything on a whim for you, you know?

>> Who do you think you are?

Do you think your skills and creativity got you this far?

It doesn't work like that, Robert, you bloody well know it.

>> So, because I fuck you I have to take

on all your crappy assignments like Tom's Hot Dogs.

I'm not going to stay on your leash.

Fuck!

>> That's for disrespecting me.

[ Music ]

>> [Background Music] That didn't look so hot.

>> Wow, OK.

Do you even know what you're looking at?

>> The question is, do you even know what you're looking at?

That version is still in diapers, version four is going

to be able to triangulate via satellite.

>> You created this?

>> Yeah. What are you doing with it?

>> My editor asked me to review it.

It's brilliant.

>> You work at the Weekly?

Get out of town!

>> And you are?

>> Gena Thompson.

I'm on the crime beat, junior reporter, intern.

>> Robert Harmon.

>> Nice to meet you, Robert Harmon.

>> So, Gena, are you happy at the Weekly?

>> In time I'll be able to work my way up to fashion and arts.

But until then, I count bodies and make crime maps.

Why does George have you reviewing my program?

>> Uh, let's just say he's a good friend.

>> Well, put in a good word for me, will you?

>> I might be able to arrange a little something for you.

[ Music ]

>> [Background Music] Good, good job, good job.

I like it, I like it, I'm going to take this to Stan upstairs

and see if we can run it in the national syndicated edition.

Yes.

>> Really?

>> Yes, absolutely.

Yes, every city could use this.

Every city needs to know what an absolute abyss it's become.

[ Music ]

>> I know you wanted good news,

but Charles didn't like the map idea.

Not at all.

He said that he thought that the way things were headed

at the city would just become one big massive blackout

by the end of the year.

>> That's a great idea.

I can change the color scheme,

the homicides could be pink or yellow?

I've also developed part of the program that will be able

to predict where the next homicides will occur given

in two-month history.

>> I mean, I love it, but Charles,

he said he just didn't like the idea.

>> I'm going to go talk to him.

>> No, no, no.

Don't do that.

Don't be so depressed.

We just have to find the right person who'd understand what it

is you're trying to do.

I promise you I would try.

And I'm just getting started.

[ Music ]

>> [Background Music] I want to watch

"Five Fingers" if that's with you.

And I know a hundred golden harvest movements.

[ Foreign Language ]

>> Hi George, do you want me to lick your lollipop?

>> Let's play [inaudible].

>> Hi George, I'm Heather and I really, really love your work.

I think you're a great writer

and I also think we can make beautiful,

beautiful magic together.

[ Music & Noise ]

>> Louder.

[ Music & Shouting ]

>> Stronger, louder.

[ Music & Shouting ]

>> Screaming!

[ Music & Shouting ]

[ Music ]

>> Do you feel it?

[ Music ]

>> [Background Music] So, who is it?

>> Who is what?

>> Tell me, I really want to know.

You want me to get your ass fired?

>> You did not just say that.

>> You know who I mean.

Talk to me in the morning, I have work to do.

>> Where are you going?

I said I want to talk about it.

>> Good job. It's growing.

>> Goddamn it, I want to talk about it!

>> Clean up your mess, dear.

>> Fuck!

[ Music ]

[ Chatter & Inaudible Discussion ]

>> Hey Rob!

>> Hey Gena!

4200 block, 120th Street.

I'm not sure how to read this report but it shows two colors.

Yellow for rape and black for murder.

>> Hold on, let me check--

>> Got any intel on this?

>> Oh, oh, this is strange.

Yeah, I see what you're looking at, too.

Normally there is a rape first and then a homicide.

This time, the homicide came first then the rape.

>> And I think I'm going to check it out.

Do you want to come with me?

[ Music ]

>> Who the fuck are you?

You don't look like cops.

I'm tired of these cops screwing around here, go away!

[ Music & Screaming ]

[ Music & Noise ]

[ Music & Screaming ]

>> How could they do this to my daughter?

>> Mrs. Gomez, calm down.

Justice will be done, Mrs. Gomez.

>> What did you do?

>> Calm down, ma'am.

[Inaudible], we need your help over here.

>> OK, get down, get down.

Guys, help.

>> Johnny, get out of here.

Ma'am? Ma'am?

[ Music & Screaming ]

>> I'm glad you got me out, Gena,

sure as hell beats reviewing tacos.

>> You're not even supposed to be here.

Hasn't Ted ever walked by your desk

and seen you reviewing my crime?

>> Ted never walks by my desk.

>> Why not?

>> Probably because I'm his nephew.

>> I need a favor, Robert.

They're coming down on me with all this pressure

and you're the only man I could think of.

I mean, I speak to all, the studio heads and they love you.

>> Uncle Ted, I don't know where to start.

I don't know what to do.

I mean, I don't know anything about it.

>> Well, look at it this way, you'll be eating better,

you'll be going to the best premieres,

Amanda will still be assigning them to you.

I thought you'd like that.

So, is that a yes?

[ Music ]

>> [Background Music] Hey sweetie!

Hey sweetie.

Can I come in?

Can I come in?

[ Music ]

[ Music & Crying ]

>> Marvin and I we go back, way back.

From the streets.

We got each other's backs.

[ Music & Crying ]

[ Music ]

[ Music & Crying ]

>> [Background Music] Got to let me do it.

You got to get me off this table.

I want on the crime beat.

>> Nobody gives a damn about crime anymore.

Yes, I know you want it on there.

Everyone's shooting each other up on the streets.

Everyone's losing their jobs, strangling their wife and kid.

>> Don't you understand?

This is a public service.

>> There is no public service.

But the movies, they're the future and the past.

People want to be entertained.

They want to have an escape from this hell.

[ Music ]

[ Music & Commotion ]

[ Music ]

[ Typing ]

>> Good afternoon, my love.

I missed you.

Those tacos, right, you don't exist on that diet.

Because if you do, I'm going to come over to your house

and I'm going to cook you a vegetable lasagna.

Give me some of those coupons anyway.

I'm in the mood for a tostada.

>> There you go.

>> When you coming over tonight?

>> Three more articles and I'll be finished.

>> OK.

[ Pause ]

[ Music ]

>> [Background Music] I hear things.

I don't want to alarm you

but there's been some rumbling around the office.

It's like they don't know where to put you, you know?

I think they want to talk to you.

>> I work hard on publishing that stuff for them.

I work hard on it.

>> I know.

>> Reviewing that garbage.

Anyway, look, I want to show you something.

Notice this area here.

Notice the area of the latitude and the longitude.

>> Oh my God, you are totally obsessed with this, aren't you?

This is just a little something I concocted

for my own amusement.

>> Look at the accumulation of murders going on.

>> OK.

>> OK, and notice the pattern here six months ago,

and look at it now.

>> OK, yes.

I see what you're talking about.

There are a lot of homicides there.

But this is a high intensity crime area.

I mean, this is the intersection of two major drug gangs.

Of course there are going to be a lot more homicides there.

>> Follow me now, hobbit.

>> What the hell is this?

>> Look at all the homicides, match some of these patterns.

>> What-- what-- what are these patterns?

>> These are constellations.

It's like the patterns fit into the grand scheme

of the universe, like entropy.

>> You are totally crazy, you know that, right?

[ Music ]

[ Music & Inaudible Police Radio ]

[ Music & Humming ]

>> Hey.

>> Hey, Gena, it's you.

Hello.

>> This is Robert.

He's my girl, Friday, on the crime beat.

>> Hello, Friday, nice to meet you, Robert.

Hey, good looking [inaudible].

>> Can we? >> No problem.

You baby, come on in. >> Thank you.

>> You watch out for the long-legged--

>> Yeah. I know. >> Is this your first time?

>> Yeah. >> So heavy.

>> Look at that blood spatter on the wall.

It doesn't match the nature or trajectory

of any of these bodies.

I mean, clearly, these bodies were placed here

and whoever made that blood spatter has been removed.

And look at the forensics guy, that's the new SSA1200.

It measures the speed, size, and angle of the murder weapon

and it also helps us determine the height and build

of the perpetrator as well as the position

of the victim upon impact.

This is a prototype now but if proved,

it will change the face of forensics forever.

>> What am I going to tell you?

When times are hard like they are now, the scum come out

and play, becomes a serial killer's field day.

It's amazing.

Do me a favor, will you?

Watch out over her.

>> Of course.

>> Ah, I can take care of myself.

I went to police academy.

>> I know that.

Yeah.

>> Took a different route. >> Yeah.

>> That's all.

>> Pinky, you were my best student.

There's no doubt about it.

But you know, honey, you always went over the top.

What have I always told you, you remember?

Balance. Balance, Pinky.

I love you.

[ Music & Noise ]

>> [Background Music] Sorry, sorry.

I just want to get out of here.

>> Oh my God, oh my God.

That truck could have hit me before it hit you.

What the fuck are you doing?

>> I'm sorry.

I mean it.

[ Music ]

>> [Background Music] I can't believe this.

This is atrocious, don't you agree?

>> I do.

>> It's [inaudible].

What does it mean?

Is it accurate?

It's taken over and it's very uncertain.

>> Have you ever seen a [inaudible]?

Are you watching the same thing I'm watching?

>> I'm just--

>> What?

>> I see my job as a cross between cheetah and-

>> Oh, don't you agree with me,

you're taking too long to answer.

[ Music & Multiple people speaking ]

[ Music ]

>> I'm not going to go into a long speech here.

But after 35 years of this wonderful place,

I guess it's time for me to leave.

So it's with great pleasure that I introduce you

to the new owners of this paper.

Mr. Lassie Carlson [assumed spelling] and his son Robert.

>> Gentlemen and ladies, welcome.

[Background Music] Thank you

to the honorable Mr. Salides [assumed spelling]

and to all of you who's here.

We are honored for this gratification

celebrating conglomeration.

Our intention is to create simplification

as we form consolidation in our quest

for global unification and gentrification.

We shall switch for Egyptian antiquities together

in our campaign for economic modernization.

Gentlemen and ladies, you have our gratitude.

>> Thank you for coming delegates,

we appreciate your participation.

With the changing times, time for changes are in order.

And it's with these changes that we all need to change.

[ Music ]

>> Hey, did you know about this?

>> No. I have no idea what's going on.

>> It's not going on this way, 35 years of loyalty

and integrity, but you probably don't even know the meaning

of those words.

>> Times, they are changing.

>> But these people have been here with us for 10, 20 years.

You can't just hollow out a whole company like a pumpkin

and take away its very core.

>> We are beyond in modern times.

Have you ever been in love?

>> What the heck is this guy talking about?

>> [inaudible]

Love is a stream.

>> What the hell are you, a moonie?

>> Get the hell out of here.

>> You, I will never go away, get it.

Never, never, never, and I will never give up.

I will be in your dreams and even if you don't dream,

I'd still be in your fucking dreams anyway.

You can never get away from me.

I am inside you.

[ Music ]

[ Music & Commotion ]

>> Can you hear me?

I know CPR.

>> So do I.

Turn it off.

[ Music ]

Let me try.

[ Music ]

[ Music & Screaming ]

>> So your test is positive.

>> Wait, what, positive?

>> For gonorrhea, hepatitis C, chlamydia, syphilis,

herpes simplex 2, and you have a staph infection.

[ Screaming ]

>> Fuck me.

[ Screaming ]

>> No need to worry, it could have been worse.

>> Worse?

[ Music ]

>> Drink it.

>> No, thank you.

>> More for me then.

I can tell that you do not

like me nor my brother nor my father yet.

>> We like you just the same.

In fact--

>> We love you.

>> We think that with your style and your fan base,

the paper will get out of the shit hole.

>> Haven't you ever felt that given the chance

and the opportunity and the support,

that you could do something so fantastical?

>> Beyond what the normal human being could--

>> Yes.

>> It's written.

The future is ours.

>> Oh, my sweet dear boy, Robert,

you represent the future, the world,

the children, possibilities.

>> Cheers!

>> What are you doing here?

Remember me?

>> It's you.

>> What's a nice guy like you doing here hanging with us?

>> I'm meeting with my new bosses.

They have high hopes for me.

>> I bet they do and so do I.

>> Yeah?

>> Yeah.

>> What do you know about all these?

>> I know nothing.

[ Music ]

I know everything.

[ Music ]

>> [Background Music] It's a round trip ticket to Nevada.

[ Music ]

What do you hear?

[ Music ]

>> [Background Music] I don't hear anything.

>> Shh. Yes, you can.

What do you feel?

[ Music]

What do you see?

>> I don't see anything.

>> It's because you're trying too hard.

You're thinking about it.

Just let yourself be free.

[ Music ]

Welcome back.

>> Thank you.

Hi.

>> Hi.

Meet your new boss, baby.

[ Noise ]

[ Inaudible Discussions ]

[ Music & Inaudible Discussions ]

>> Do you fucking hear me?

[ Music & Inaudible Discussions ]

I'm coming to your house

and slitting your goddamn throat, do you hear me?

Do you fucking hear me?

Goddamn it.

[ Music & Foreign Language ]

[ Music ]

>> [Background Music] Robert.

You look like a wounded animal, my darling.

Don't look so down.

What happened had to happen.

It's called change.

We are always fighting change, whether good or bad

because change interferes with our comfort zones.

>> I understand.

>> We had to do what we had to do.

I know you and Ted, you were dear friends,

but he really did the best he could.

Let's give these new people a chance.

Let's invigorate our office with new life.

I'm not going anywhere, I will protect you.

>> What would I do without you?

[ Music ]

>> Thank you for everything, Robert, [inaudible] I'm sorry.

I know, I need to be a good role model for you.

I can't let you see me crack like this.

>> [Singing] And the rain falls outside while I'm still

on the way.

Empty days become weeks.

I'm not ready to face.

And I want you to know that it's hard to let go.

I'd give anything for one last goodbye.

Every day, every night, every moment we had, I will cherish

for the rest of my life.

>> You have a lot of nerve, asshole.

Pick up the phone and talk to me.

[ Inaudible Discussions ]

How long can you keep this up?

[ Bleep ]

[ Inaudible Discussions ]

>> Those reviews were spectacular,

the best writing you've ever done.

>> Thanks.

It's nothing, nothing at all.

>> Eat it, darling.

[ Noise ]

[ Bleep ]

>> I know what you did , Robert, and I know what you're doing.

[Background Music] In this world, there are good men

and there are bad men.

I am both and I am neither.

I've molested of 20 young women and small children.

And then, I've photographed them.

I have committed four murders in four separate occasions.

Sometimes, I have trouble distinguishing

between reality and unreality.

Thank you for listening to me, Robert.

[ Music ]

>> Hey, hey, hey, Robert!

What's up?

>> Robert!

>> Robert, come in. >> Hi, Robert!

Come on in.

>> Frank? It can't be you.

>> Robert, come in.

>> Take a [inaudible] one drink makes you louder.

Drink it. Drink it.

Drink it. Drink it.

Drink it. Drink it.

>> God, get the fuck away from me, all right.

Talk to me.

Fuck you. Talk to me.

Fuck you. Fuck you.

Talk to me.

Fuck you. Fuck you.

Fuck you. Fuck you.

Fuck you. Fuck you.

Fuck you. Talk to me.

Fuck you. Fuck you.

Fuck you.

[ Screaming ]

[ Music ]

[ Music & Laughter ]

>> Who the fuck is this?

>> That's my man, bro.

[ Music ]

>> [Background Music] I have a dilemma.

You see, Robert.

I believe that we're all on a sinking ship even

if my lost father thinks otherwise.

Fuck, we all know newspapers are good for nothing

but wiping your ass with.

But I'm absolutely sure that there's a cash flow here

and a way for us to bring money in with what we do.

But there's got to be a lineage and a synergy.

>> You sound like your father.

>> Listen to me, Robert.

Don't you fucking see that we have a vision and sometimes,

I wish he wasn't even there.

He should be at home with his vodka and his whore.

But he's not going to be alive much longer and when

that happens, man, I can really grab the reigns

and become my own man.

[Background Music] And I really feel like I owe you a debt

after that massacre that happened.

Are you with me?

Are you with me?

[ Music ]

>> [Background Music] I thought you were going to call me?

[ Music ]

>> I don't-- I--

[ Music ]

>> There's a map here and I'm convinced

that all roads lead to me.

You're not going to leave me, are you?

I'll kill you.

Because I'm the center of the universe.

[ Music ]

Did I just say that?

>> Why?

>> Because we're going to take over the world.

Just you and me.

>> Who are you?

[ Music ]

>> I think you're scared.

>> Do you trust me?

[ Screaming ]

>> I trust you.

>> Thank you, Smith.

[ Music ]

[ Music ]

>> OK, Hector, what's the latest?

>> I ran another digital report using the SSA decoder machine

and more [inaudible] are showing up.

>> More?

>> But the meters are all reading OK.

>> That's unusual.

>> It is very unusual.

I think there's something wrong with the decoder.

I'm not sure, but I could check that out

and give you the results later today.

>> Oh God, and alarming.

>> OK, no problem.

Yeah, it's alarming, youngsters.

>> Margarita, oh, yeah.

You know I think it's a gang here.

The thing that bothers me

that it's the location, it's inconsistent.

>> Murders that way here.

>> Also, though, they're trying to do it intentionally.

>> Well, if I input the latitude and longitude of this victim.

>> What's with the latitude?

>> And then I-- the program.

>> What is that?

>> It's just this app I put together.

I'll be able to figure out the location of the next murder.

>> Well, what about this murder?

>> Right.

>> Robert, think.

>> Enough with the technology.

[ Multiple Speakers ]

>>Oh fuck you.

I should have done this earlier.

I should have thought of this earlier while you were off

drinking and fucking whores.

You know, Addy, this is a young girl.

This is a girl with her whole life ahead of her.

>> OK. Enough.

>> What did she know?

You're too stuck up in your own fucking egocentric cloud

to do anything about this.

>> Yeah, yeah.

I deserve this, I trained her, OK?

Keep going.

>> What the fuck.

What are you going to do about this? What can you do?

>> You know what I'm going to do about this?

This. Fuck you.

>> [Singing] Why can't it be true,

someone like you could love me.

Gena.

[ Laughter ]

Gena.

>> God, he's such an asshole.

I mean, he taught me a lot but he can be

so manipulative, you know.

I'm sorry.

>> Don't mention it.

Try not to worry about it, OK?

Here.

Go ahead and try it.

Take the edge off.

It's safe.

[ Noise ]

[ Music ]

[Background Music] You're ready to get out of here?

[ Music ]

How are you doing?

You, OK?

>> You know, considering.

[ Music ]

They took her away so you know she's in a better place.

I prayed and I prayed every night and I heard him.

He told me it was going to happen.

>> Told you what was going to happen?

[ Noise ]

>> The evolution of my Luisa to another plateau.

I could see sign too when I look at my cellphone.

It reads 1, 1, 1, 4.

11/14 was the date of her death.

>> OK, Luisa died on 11/14.

So, I input the coordinates of this house

and I got a variable of 11/14.

What do you think that means?

So, I've just done a rudimentary analysis.

I interviewed people spanning a half mile radius on 12 blocks

and when I aligned it with the latest crime map, oops,

it absolutely predicts

that Luisa's murder would occur where it did.

So, that means that that Asian man that we met could be

in the vicinity of the next murder.

>> She had to find him?

[ Music & Noise ]

Jesus. Wh-hat? God, man.

[ Music ]

[ Music & Noise ]

[ Music & Laughter ]

[ Music & Noise ]

[ Music & Screaming ]

[ Beeping ]

Disperse.

Mr. Robert Harmon,

the delegates informed us

that there has been a unilateral displacement of funds

to having been deemed unapproved by securities and regents.

Upon initial inquiry, security's division has excavated

determination of such displacement,

the source emanated from your office.

Furthermore, excavation agency has determined

that your being is responsible for desertion

and possibly governmental treason.

In order to secure the armament and defend the realm of the king

and to create aggrandizement, fulfillment and glorification

to the divine one, we hereby require the designation

confirmation and resignation on the part

of Mr. Robert Harmon into confession.

>> Would you please proceed to the mediation room.

The barrister asks to send some documents.

>> It's time to go, Mr. Harmon.

>> OK.

[ Music ]

>> [Background Music] Mr. Harmon, Mr. Harmon.

Pleasure to meet you, Mr. Harmon.

Welcome, welcome, welcome to the Big Times.

Welcome to the Big Time.

>> Robert, I like you.

You're exactly what this newspaper needs.

Times are though.

Everyone says crime is up because times are though

and that is exactly why I bought this newspaper

because I'm going to educate everyone.

Do you trust me, Robert?

>> Well, as a matter of fact, yes I do, Mrs. Tynan.

>> How much do you want?

Come on, how much?

Drink your drink.

Drink it. Drink it.

[Background Music] Drink it.

[ Music ]

>> [Singing] Dream girl, I'm only thinking of you.

You're all I care for, let me dream come in true.

Now I make you stay.

>> [Background Music] Congratulations, Mr. Harmon.

Drink a drink.

>> ... limits, Robert.

There are no limits Robert,

neither two thoughts, nor the feelings.

And the moment I stop feeling, that's when I look out, suicide?

No. Too weak for it.

Simply--

>> You're worried aren't you?

About the paper.

>> What's bothering you?

[ Music ]

>> [Background Music] Robert, you're the one who's worried.

I will take care of you darling.

I swear it.

[ Music ]

[ Moaning]

>> [Singing] Every little thing that I feel in my heart seems

to repeat what I felt from the start.

[ Music ]

>> Thank you, thank you.

[ Music ]

[ Phone Ringing ]

>> Amanda, you're the first person to call me.

Don't you feel special?

>> Fuck you, [Background Music] Robert.

How dare you betray me like this, you believe in nothing.

You don't even believe in yourself.

You're a fucking user.

Hope you get what's coming to you.

Let's see how long you last there,

they're going to tear you up.

Do you think I was tough?

Wait till you see how you get shredded up in

that printing machine.

If I see you again, I'm going to shot cocks off your ass.

>> Wait, Amanda.

>> You fucking notice.

[ Music ]

>> You son of a bitch, and now me too.

Go down the sacred ground, I should have known.

I found you.

I built you up.

You were nothing but an alley cow on the street,

I made you what you are today.

>> I was going to tell you, I needed some time.

[ Grunting & Music ]

[ Screaming & Music ]

>> You laugh at this?

>> We just blocked the Times Daily, to New Horizons.

>> Much look best to look all.

>> [Background Music] Yes.

>> Well, alert your chest.

Welcome aboard.

>> Go with its sweetness.

[slap]

[groans]

>> Why did you slap me?

>> When something good, just accept it and experience it.

I thought about loving you.

>> What will I do if you leave me?

[ Waves Crashing & Music ]

[ Phone Ringing ]

Hello, hello.

>> Robert, are you looking at this?

Can you believe what's there?

>> Yeah, it's incredible.

Manslaughter, rape, molestation, grand larceny, attempted murder?

But how the hell they hire this guy?

>> I don't know, you want me to look in to it further?

>> No, no, no, no, no.

I don't want to get you involved in this.

I'll call you back.

Hello?

>> Mr. Harmon, please disregard the file.

I am watching you.

[ Laughter ]

>> Who the hell is this?

>> It is written.

Good evening Mr. Harmon.

Do you know a George Webber?

>> Yeah, he has that online blog review, right?

>> Right.

>> Sort of undergroundish.

>> Mm-hm. Now, he gave me a letter

that I think you should read.

>> OK.

>> It seems to infer that your writings,

especially on movie reviews, have been shall we say lifted.

Plagiarism is a word that comes to mind.

>> The man's a felon, you know.

>> Well, Ted Sellers confirmed him as a reliable source.

>> Well, it's not true.

Good to see you.

[ Whispering noise]

You know you want it.

[ Heartbeat & Music ]

You know you'd said you'd come.

>> So, he pays you to do this?

>> No, he doesn't pay me.

>> Why the two lives?

>> I found just one baby.

One big giant fucking illusion, I mean, you know,

all about illusion, don't you?

You write about it all the time.

You can't really distinguish the two though, can you?

[ Music ]

Woo...

[ laughing ]

*

[laughing]

[all laughing]

[moaning]

[mouths] Well.

>> [Background Music] The syndicate has decided

to run George Weather's piece nationally

on their internet blog site.

I'm sorry Robert, I know you needed this opportunity.

[ Music ]

[ Laughter & Music ]

[Background Music] Robert we're only going

to be running your article in a regional print edition

as we will be running George's pieces nationally

on the online edition, which is generating a lot of readers.

>> Well, thank you.

[ Music ]

[ Phone Ringing & Commotion ]

>> Robert, we need to talk.

[sighs]

Come on.

>> Where are you going?

Wait, wait, Robert don't go.

Where are you going?

>> Don't leave.

>> Robert, don't leave.

>> Robert, don't go.

>> [Background Music] Don't leave.

>> Robert!

>> Don't leave.

>> Where are you going?

>> Don't go.

>> No.

[ Multiple Speakers & Music ]

[mumbled crying]

[ Music ]

>> It's time.

>> It's time.

>> It's time.

>> It's time.

[ Music ]

It's time.

>> It's time.

[ Laughter & Music ]

[ Music ]

>> [Background Music] Yeah.

[laughing]

[ Laughter & Music ]

>> Yes, yes.

Yes! Yes! Yes!

[ Music ]

[music fades out]

>> The company has managed

to deliver a 9.0 percent average delivery increase in its EPS.

This dividend gross stock and she was a maximum

to its shareholders and we expect such payments

to increase even to 17 percent this year.

Robert, you are our hope, our only one, and now look at you,

just throwing your life away like this.

What's the matter with you?

Don't you fail the world.

[ Singing & Music ]

>> [Background Music] It's so peaceful here.

>> I've been here before.

>> Do you believe in God?

[ Music ]

>> [Background Music] No.

But I like the tranquility here.

You are so beautiful.

Something I can't say when I see you.

I'm unable to say a lot of things.

>> I don't think you have ever really seen me before.

I don't think there's any place you can see me yet.

Don't you see this is it?

We are gonna have eternity together.

This is it.

[ Laughter ]

[ Music ]

>> [Background Music] I know you.

>> No body knows me.

But I'm OK.

[ Music ]

*

>> [Background Music] Can you feel it?

It's the first day of the rest of our lives.

[moans]

>> Yes.

>> Robert, where are you?

[Background Phone Ringing] Robert, where the fuck are you?

Are you there?

Robert, pick up the goddamn phone.

[Background Music] Robert!

[ Thunderclap & Music ]

[ Thunderclap & Music ]

[ Thunderclap & Music ]

[ Thunderclap & Music ]

>> [Background Music] Where are you going?

Did you hear whatever I just did?

Afraid from the dark?

Looks who is below Duncan.

Take it.

[ Thunderclap & Music ]

Goddamn, you whore.

My whole fucking company is going under.

>> [Background Music] Nobody reads the fucking paper anymore!

[ Thunderclap & Orchestral Music ]

What are you doing to diverse a file?

What are you doing?

What about this new meeting that you were talking about,

this digital media, the hope for our future?

[ Orchestral Music ]

Now you have no fucking future.

Get the fuck out of the company.

Get out, get out, get out, get out!

[coughs]

[ Thunderclap & Music ]

>> I'm tired.

[ Thunderclap & Music ]

>> You can't--

>> Go!

[ Tense music ]

Don't go. Don't go Don't go. Don't go.

Don't fucking go. Please.

After all we've fucking been through

and all we've done for you.

Here now you fucking-- No!

Please, don't do this.

Cocksucker.

>> I was so in love with you, goddamn, so--

>> I'll be better I promise.

Don't go.

[ indistinct ] ...that is true love, my friend.

You're not doing a very good job.

Can I get you to wait. we're taking seriously.

Arghhh.

[ Music & Screaming ]

>> I'm going to miss you.

Your spleen out.

Do it my man.

[choking]

Don't do this. Stop.

Just stop. Just stop.

[tapping the phone]

>> Robert, Robert.

I have bad news.

This is Addy, there's been another homicide.

It's Gena, Gena, she's gone.

[sighs]

I can't, I can't.

Every little beat that I feel,

each little site, each little site.

Tell me how much I adore you.

Please.

>> [Background Music] Sorry, I'm sorry.

I'm sorry.

I'm so sorry.

>> Honey, it's OK.

Look, it's OK.

It's all right.

It's OK, it's OK.

[ Screaming in pain]

Shhhh.

It's all right, it's all right, just look at me.

It's OK. You need to be--

>> No! No!

[ Screaming ]

I can't.

>> All right.

Look at me, just look at me.

>> No.

[ Screaming ]

Help me please.

I'm sorry!

>> [Background Music] I don't deserve you.

>> You're a good person.

You do.

[ crying ]

>> I think I have a project for us.

>> What?

[ Laughter ]

[ Music ]

>> You see, even if the internet takes over the world

and it will, I know it will, because it's fast, convenient

and save the trip to the local library.

You didn't run into one big ass problem that the NASA is

out there or too uneducated to know about.

Because they're just kids right now, be inundated

with information and technology overload.

You see I want to turn the page when I go to the doctor's office

and see the oily fingerprints, and touch the paper

because it's physical,

not stored on some server in Colorado.

Print has an integrity, an innocence, and a truthfulness

that the internet will never have.

Look around, you see it.

People stopped going to the theaters

because they're too busy watching America's Funniest

Videos online on you-- fucktube.

There is no social interaction

because the social networks have isolated us

and made us antisocial.

[ Music ]

[Background Music] People can't even talk

to each other anymore unless it's the IM or text messaging.

And where does that leave you and I?

On our own isolated little vacuum.

And if you're comfortable, well, you can stay right there.

But for me, I'm going to experience.

>> Thank you.

>> Whoo!

*

[screaming]

*

>> Make me a channel of your peace.

Where there is hatred, let me bring you love.

Where there is injury, your pardon, Lord.

And where there's doubt, true faith in you.

[Singing] Just to see and hear you brings joy I never knew.

But to be so near you

thrills me through and through.

[inaudible background singing]

Ah!

Ah, yes.

this is more like our old self again.

>> Well, thank you.

>> Congratulations.

>> Old chap.

>> I wanted to thank you.

I know, I'd said I'm sorry too many times.

So, I'm not going to say it again.

You did everything for me.

But I don't think I did anything for you.

>> Was that supposed to make me feel better?

>> No.

>> So what are you going to do?

>> Something good.

[Background Music] Seven days,

I've been having the same nightmare for seven days.

Her face, bathed by the same white light.

She's so close.

I can't reach out her face.

[ Honking ]

[ Crashing ]

*

>> [Singing] Wake me up in the morning,

wake me up in the night.

When you feel sad and lonely

wake me up it's all right.

When you're lost in your dream,

and you know you need a guide,

don't be afraid you got a friend,

wake me up I'm by your side.

Wake me up in the morning,

wake me up in the night.

When you feel sad and lonely

wake me up, it's all right.

When you're lost in your dream,

and you know you need a guide,

don't be afraid you got a friend,

wake me up I'm by your side.

>> [Singing] Wake me up in the morning,

wake me up in the evening, wake me up in the night.

Wake me up in the morning, wake me up in the evening,

wake me up in the night.

Wake me up in the morning, wake me up in the evening,

wake me up in the night.

Wake me up in the morning, wake me up in the evening,

wake me up in the night.

>> [Singing] Wake me up when

I'm flying, wake me up I agree.

Wake me up if I'm dying,

wake me up so I can feel.

When the cold world is crying just speak

out you can't go dumb.

Just wake me up

I'll do my part in the new millennium.

Wake me up when I'm flying,

wake me up I agree.

Wake me up in if I'm dying,

wake me up so I can feel.