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1
00:00:41,407 --> 00:00:43,408
[KNOCK ON DOOR]
2
00:00:43,409 --> 00:00:47,212
MRS. WESTON?
IT'S GORDON GREGSON.
3
00:00:47,213 --> 00:00:49,347
MRS. WESTON?
4
00:00:51,084 --> 00:00:52,584
[SIGHS]
5
00:00:52,585 --> 00:00:54,319
OH, COME ON, ENID.
TALK TO ME.
6
00:00:54,320 --> 00:00:56,088
ENID, TALK TO ME.
7
00:00:56,089 --> 00:00:57,755
LOOK, YOU MADE
YOUR POINT.
8
00:00:57,756 --> 00:00:59,257
NOBODY'S LISTENING
ANYMORE--
9
00:00:59,258 --> 00:01:02,026
NOT THE COUNCIL, NOR
THE PRESS, NOBODY.
10
00:01:02,027 --> 00:01:03,828
EVERYBODY'S GONE,
ENID.
11
00:01:03,829 --> 00:01:05,697
DON'T "ENID" ME!
12
00:01:05,698 --> 00:01:08,533
AH, IT'S GOOD TO HEAR
YOU'RE SOUNDING SO FIT.
13
00:01:08,534 --> 00:01:10,368
IT CAN'T BE
ANY FUN IN THERE.
14
00:01:10,369 --> 00:01:12,003
I'LL WORRY ABOUT THAT.
15
00:01:12,004 --> 00:01:14,038
I'VE GOT SOMETHING
FOR YOU--
16
00:01:14,039 --> 00:01:16,040
A FIRST INSTALLMENT
17
00:01:16,041 --> 00:01:18,843
ON TOP OF WHAT'S
ALREADY ON OFFER.
18
00:01:18,844 --> 00:01:22,314
KEEP IT. I DON'T
WANT YOUR MONEY.
19
00:01:22,315 --> 00:01:25,517
I'M PUSHING IT
THROUGH.
20
00:01:25,518 --> 00:01:27,319
I'M WARNING YOU,
GREGSON.
21
00:01:30,623 --> 00:01:33,358
AH! YOU COW!
22
00:01:35,728 --> 00:01:38,463
AND DON'T THINK
IT WERE WATER!
23
00:01:38,464 --> 00:01:39,797
ONE WAY OR ANOTHER,
24
00:01:39,798 --> 00:01:41,233
YOU'RE COMING OUT
OF THERE.
25
00:01:41,234 --> 00:01:42,334
DO YOU HEAR?
YOU'RE COMING OUT.
26
00:01:42,335 --> 00:01:44,302
AND I DON'T CARE
IF IT'S IN A BOX!
27
00:02:49,034 --> 00:02:50,668
[WHIRRING]
28
00:03:02,681 --> 00:03:04,682
THE WHITBY GAZETTE
DOESN'T HAVE
29
00:03:04,683 --> 00:03:07,351
A CLASSIFIED COLUMN
FOR LOST RELATIVES.
30
00:03:07,352 --> 00:03:10,354
WHERE DO YOU THINK
MY INQUIRY SHOULD GO?
31
00:03:10,355 --> 00:03:11,856
WELL, PUT A LITTLE BOX
32
00:03:11,857 --> 00:03:13,525
IN THE "FAMILY
ANNOUNCEMENTS" SECTION--
33
00:03:13,526 --> 00:03:15,359
YOUR COUSIN'S NAME
ON TOP,
34
00:03:15,360 --> 00:03:17,194
ASKING HER
TO GET IN TOUCH.
35
00:03:17,195 --> 00:03:18,863
JUST THAT?
36
00:03:18,864 --> 00:03:20,364
AND MAYBE SOMETHING
LOWER DOWN
37
00:03:20,365 --> 00:03:22,934
TO SAY THERE'S NO MONEY
IN IT FOR HER.
38
00:03:22,935 --> 00:03:25,102
THAT STRIMMER
SEEMS TO BE WORKING.
39
00:03:25,103 --> 00:03:29,006
WHY DID NOREEN BAINBRIDGE
THINK IT WAS YOURS?
40
00:03:29,007 --> 00:03:30,575
SHE DIDN'T.
41
00:03:30,576 --> 00:03:32,444
YOU MEAN SHE
GAVE IT TO YOU?
42
00:03:32,445 --> 00:03:35,179
A "KISS AND MAKE UP"
PRESENT PERHAPS.
43
00:03:35,180 --> 00:03:37,281
NOREEN? HA HA!
44
00:03:37,282 --> 00:03:38,983
NO, PERHAPS NOT.
45
00:03:38,984 --> 00:03:40,718
WELL, DON'T BRING IT
IN HERE.
46
00:03:40,719 --> 00:03:42,554
YOU DON'T KNOW
WHERE IT'S BEEN.
47
00:03:42,555 --> 00:03:44,055
[TELEPHONE RINGS]
48
00:03:44,056 --> 00:03:45,323
OH.
49
00:03:49,929 --> 00:03:52,163
HELLO.
50
00:03:52,164 --> 00:03:53,965
IS THIS THE WAINTHROP
DETECTIVE AGENCY?
51
00:03:53,966 --> 00:03:55,066
YES.
52
00:03:55,067 --> 00:03:56,568
BRIAN WESTON.
A FRIEND THOUGHT
53
00:03:56,569 --> 00:03:57,869
YOU MIGHT BE
ABLE TO HELP.
54
00:03:57,870 --> 00:04:00,472
I'VE GOT A PROBLEM,
WITH ME MOTHER.
55
00:04:00,473 --> 00:04:02,206
COME IN.
56
00:04:06,846 --> 00:04:09,180
YES, OF COURSE.
I'VE READ ABOUT HER.
57
00:04:09,181 --> 00:04:12,016
BUCKLEY MA WESTON.
"WILD WESTON."
58
00:04:12,017 --> 00:04:15,920
YES. WELL, AT FIRST,
IT WAS FAIR ENOUGH.
59
00:04:15,921 --> 00:04:17,856
SHE HAD TO MAKE
A PROTEST. OK.
60
00:04:17,857 --> 00:04:20,692
BUT SHE'S BEEN HOLED UP
IN THAT PLACE
61
00:04:20,693 --> 00:04:22,694
WITHOUT WATER, GAS,
OR ELECTRICITY
62
00:04:22,695 --> 00:04:24,929
FOR 6 MONTHS NOW.
63
00:04:24,930 --> 00:04:28,332
WHO'S SUPPLYING HER
WITH FOOD?
64
00:04:28,333 --> 00:04:31,503
THANK YOU. ME,
MY WIFE, FRIENDS.
65
00:04:31,504 --> 00:04:34,372
AS I REMEMBER,
66
00:04:34,373 --> 00:04:36,875
SHE WANTS TO DRAW ATTENTION
TO THE BUILDING.
67
00:04:36,876 --> 00:04:40,044
GLEBE HAMLETS.
OH, THERE'S NO QUESTION
68
00:04:40,045 --> 00:04:42,046
THE BUILDING'S
A CIVIC DISGRACE.
69
00:04:42,047 --> 00:04:45,383
IT BEGAN FALLING APART
AS SOON AS IT WAS BUILT,
70
00:04:45,384 --> 00:04:47,218
DUE TO SUBSIDENCE.
71
00:04:47,219 --> 00:04:49,453
MOM WANTS THE GUILTY
PEOPLE NAMED
72
00:04:49,454 --> 00:04:51,389
AND BROUGHT TO BOOK.
73
00:04:51,390 --> 00:04:53,725
THE GUILTY
PEOPLE?
74
00:04:53,726 --> 00:04:57,028
THE BUILDER,
75
00:04:57,029 --> 00:04:58,796
THE COUNCIL OFFICIALS
WHO LET IT HAPPEN.
76
00:04:58,797 --> 00:05:01,198
AFTER NEARLY
30 YEARS?
77
00:05:01,199 --> 00:05:03,001
SHE SAYS WHEN THEY
DEMOLISH THE BUILDING,
78
00:05:03,002 --> 00:05:05,236
THE EVIDENCE WILL BE DESTROYED
AND EVERYTHING FORGOTTEN.
79
00:05:05,237 --> 00:05:06,671
AND WHAT
DO YOU SAY?
80
00:05:06,672 --> 00:05:08,372
WELL, I SAY
SHE SHOULD GIVE UP
81
00:05:08,373 --> 00:05:10,374
AND GET ON
WITH HER LIFE.
82
00:05:10,375 --> 00:05:12,343
I THOUGHT THE LAW
DECIDED THAT SORT OF THING.
83
00:05:12,344 --> 00:05:13,978
OH, SHE'S HAD
EVICTION ORDERS,
84
00:05:13,979 --> 00:05:15,513
BUT IF SHE WON'T
GIVE HERSELF UP,
85
00:05:15,514 --> 00:05:17,314
THEY'D HAVE TO
USE FORCE,
86
00:05:17,315 --> 00:05:19,951
AND SO FAR, THE COUNCIL
HAVE BACKED AWAY FROM THAT.
87
00:05:19,952 --> 00:05:21,686
DON'T WANT TO
GIVE THE PRESS
88
00:05:21,687 --> 00:05:23,387
ANY MORE PHOTO
OPPORTUNITIES, EH?
89
00:05:23,388 --> 00:05:26,024
RIGHT. WELL, IT'S
A MEET-AND-DRINK TO THEM.
90
00:05:26,025 --> 00:05:27,358
SOME BARMY OLD DEAR,
91
00:05:27,359 --> 00:05:30,361
LAUGHING AT THEM BLINDLY
BEHIND HER BARRICADES.
92
00:05:30,362 --> 00:05:32,864
WHAT ABOUT HER COUNCILLOR? CAN'T
HE DO ANYTHING FOR HER?
93
00:05:32,865 --> 00:05:35,533
WELL, THAT'S
WHY I'M HERE.
94
00:05:35,534 --> 00:05:37,635
I AM HER COUNCILLOR.
95
00:05:45,711 --> 00:05:47,311
[KNOCKS]
96
00:05:53,052 --> 00:05:54,886
IS...JANET IN?
97
00:05:54,887 --> 00:05:56,387
YEAH. YOU GEOFF?
98
00:05:56,388 --> 00:05:57,388
YES.
99
00:05:57,389 --> 00:06:00,291
HI. I'M ADIE.
COME IN.
100
00:06:05,164 --> 00:06:07,665
SHE'S IN THE SHOWER.
TAKE A PEW.
101
00:06:07,666 --> 00:06:09,433
OH. CHEERS.
102
00:06:21,513 --> 00:06:23,848
IT'S AN EMBARRASSMENT.
OF COURSE IT IS.
103
00:06:23,849 --> 00:06:26,117
THE COUNCIL HAVE AGREED
A PRICE FOR THE SITE,
104
00:06:26,118 --> 00:06:27,685
BUT A SALE
WON'T GO THROUGH
105
00:06:27,686 --> 00:06:29,687
UNLESS THE BUYER
GETS VACANT POSSESSION.
106
00:06:29,688 --> 00:06:31,189
YOUR MOTHER'S
STANDING BETWEEN
107
00:06:31,190 --> 00:06:32,690
THE COUNCIL
AND A FAIR
108
00:06:32,691 --> 00:06:34,192
FEW THOUSAND
POUNDS, THEN.
109
00:06:34,193 --> 00:06:35,827
YOU MUST BE VERY POPULAR
DOWN AT THE TOWN HALL.
110
00:06:35,828 --> 00:06:38,196
I'M GETTING STUCK
FROM BOTH ENDS.
111
00:06:38,197 --> 00:06:40,364
BECAUSE I'M A COUNCILLOR,
ME MOTHER WON'T BELIEVE
112
00:06:40,365 --> 00:06:42,834
I'VE TRIED TO GET TO THE TRUTH
ABOUT GLEBE HAMLETS.
113
00:06:42,835 --> 00:06:43,835
AND HAVE YOU?
114
00:06:43,836 --> 00:06:45,870
WELL, I'VE DONE
WHAT I CAN.
115
00:06:45,871 --> 00:06:48,039
BUT IF A WEEK'S A LONG TIME
IN POLITICS,
116
00:06:48,040 --> 00:06:50,374
WHAT'S A QUARTER
OF A CENTURY?
117
00:06:50,375 --> 00:06:52,810
SO, HOW CAN I HELP?
118
00:06:52,811 --> 00:06:56,147
WELL, I THINK IT'S A BIT
OF A WILD-GOOSE CHASE,
119
00:06:56,148 --> 00:06:58,149
BUT IF SHE
CAN BE CONVINCED
120
00:06:58,150 --> 00:07:01,152
THAT A PROPER INVESTIGATION'S
BEEN CARRIED OUT,
121
00:07:01,153 --> 00:07:03,855
SHE JUST MIGHT COME OUT
WITHOUT ANYMORE FUSS.
122
00:07:06,324 --> 00:07:07,825
HI.
HIYA.
123
00:07:07,826 --> 00:07:09,493
ARE YOU PUTTING THAT
STRAIGHT ON?
124
00:07:09,494 --> 00:07:10,995
YEAH. WHY?
125
00:07:10,996 --> 00:07:12,663
IT'S A BIT DAMP,
ISN'T IT?
126
00:07:12,664 --> 00:07:14,331
IT'S ALL RIGHT.
I'VE GOT TO GO.
127
00:07:14,332 --> 00:07:16,333
I'LL SEE YOU BOTH.
HAVE A GOOD NIGHT.
128
00:07:16,334 --> 00:07:17,668
YEAH. BYE.
129
00:07:17,669 --> 00:07:19,003
OK. BYE-BYE.
130
00:07:19,004 --> 00:07:20,504
AH, HE'S A NICE BLOKE.
131
00:07:20,505 --> 00:07:21,839
YEAH?
132
00:07:21,840 --> 00:07:24,341
I WAS DEAD LUCKY. I COULD
HAVE WOUND UP WITH ANYBODY.
133
00:07:24,342 --> 00:07:26,144
INSTEAD OF
JUST HIS BODY.
134
00:07:26,145 --> 00:07:28,279
WHAT DO YOU MEAN?
135
00:07:28,280 --> 00:07:30,081
NOTHING.
136
00:07:30,082 --> 00:07:31,082
WHAT, GEOFF?
137
00:07:31,083 --> 00:07:33,084
WELL, IT'S JUST
A BIT OFF-PUTTING
138
00:07:33,085 --> 00:07:36,120
TO BE MET AT THE DOOR BY
A HALF-NAKED STRANGER,
139
00:07:36,121 --> 00:07:37,188
THAT'S ALL.
140
00:07:37,189 --> 00:07:38,189
HE WAS IRONING.
141
00:07:38,190 --> 00:07:39,356
YEAH,
AS IT HAPPENS.
142
00:07:39,357 --> 00:07:40,424
SO?
143
00:07:40,425 --> 00:07:41,759
SO NOTHING.
144
00:07:41,760 --> 00:07:42,794
GOOD.
145
00:07:42,795 --> 00:07:45,163
ARE WE GOING OUT
OR NOT?
146
00:07:45,164 --> 00:07:47,165
YEAH...IF YOU WANT.
147
00:07:47,166 --> 00:07:48,866
RIGHT. I'LL GET
ME COAT.
148
00:07:48,867 --> 00:07:50,701
DO US A FAVOR.
149
00:07:50,702 --> 00:07:53,137
PUT THE IRONING BOARD
AWAY, WILL YOU?
150
00:07:58,877 --> 00:08:00,577
[SIGHS]
151
00:08:06,785 --> 00:08:10,321
HE SEEMS A NICE ENOUGH
LAD TO ME, GEOFFREY.
152
00:08:10,322 --> 00:08:12,556
HMM.
153
00:08:12,557 --> 00:08:15,392
YOU DON'T WANT THEM GETTING
TOO PALLY, IS THAT IT?
154
00:08:15,393 --> 00:08:18,329
HE'S JUST FINISHED
WITH HIS GIRLFRIEND.
155
00:08:18,330 --> 00:08:20,965
THAT'S WHY HE'S THERE.
156
00:08:20,966 --> 00:08:25,002
IF JANET AND THIS FELLA
ARE WORKING TOGETHER
157
00:08:25,003 --> 00:08:29,173
AT THE GARAGE
AND SHARING A FLAT...
158
00:08:29,174 --> 00:08:32,009
THERE'S MORE CHANCE
OF BOREDOM SETTING IN
159
00:08:32,010 --> 00:08:33,711
THAN ANYTHING ELSE.
160
00:08:33,712 --> 00:08:36,747
THAT'S COMFORTING.
161
00:08:36,748 --> 00:08:39,217
I'D SAY SO.
162
00:08:48,526 --> 00:08:49,961
[ENGINE STOPS]
163
00:09:08,646 --> 00:09:10,147
[KNOCKING]
164
00:09:10,148 --> 00:09:12,483
MRS. WESTON?
165
00:09:12,484 --> 00:09:14,752
HETTY WAINTHROP.
166
00:09:14,753 --> 00:09:16,888
WHO'S THAT WITH YOU?
167
00:09:16,889 --> 00:09:18,956
MR. SHAWCROSS,
MY PARTNER.
168
00:09:18,957 --> 00:09:20,758
GET RID OF HIM.
169
00:09:22,494 --> 00:09:24,661
WAIT IN THE CAR,
GEOFFREY.
170
00:09:26,631 --> 00:09:28,432
[LATCHES RATTLING]
171
00:09:34,839 --> 00:09:37,174
YOU MUST FEEL
VERY STRONGLY.
172
00:09:37,175 --> 00:09:39,476
OH, YOU COULD SAY.
173
00:09:39,477 --> 00:09:41,178
IT'S A LOUSY
BUILDING,
174
00:09:41,179 --> 00:09:44,081
BUT THE PEOPLE THAT
LIVED HERE WERE DIAMONDS.
175
00:09:44,082 --> 00:09:46,017
A HUNDRED OR SO AT ONE TIME--
A REAL COMMUNITY.
176
00:09:46,018 --> 00:09:47,318
THANK YOU.
177
00:09:47,319 --> 00:09:50,487
THEN CONDITIONS GOT SO BAD,
PEOPLE HAD TO MOVE OUT.
178
00:09:50,488 --> 00:09:52,689
WOULDN'T THE COUNCIL
REPAIR IT?
179
00:09:52,690 --> 00:09:55,592
NO. YOU CAN'T
BLAME THEM.
180
00:09:55,593 --> 00:09:58,029
IT WOULD BE GOOD
MONEY AFTER BAD.
181
00:09:58,030 --> 00:10:00,798
IT WANTS KNOCKING DOWN
AND STARTING AGAIN.
182
00:10:00,799 --> 00:10:02,233
ISN'T THAT WHAT
THEY WANT TO DO?
183
00:10:02,234 --> 00:10:05,536
OH, YES. AND DID
MY SON TELL YOU,
184
00:10:05,537 --> 00:10:08,239
OH, THE COUNCIL ARE
SELLING THE SITE, TOO?
185
00:10:08,240 --> 00:10:09,540
NO.
186
00:10:09,541 --> 00:10:10,707
GORDON GREGSON--
187
00:10:10,708 --> 00:10:13,044
THE BUILDER THAT BUILT
THIS ROTTEN PILE
188
00:10:13,045 --> 00:10:14,878
IN THE FIRST PLACE.
189
00:10:14,879 --> 00:10:17,881
WELL, PERHAPS HE'S LEARNED
A THING OR 2 BY NOW.
190
00:10:17,882 --> 00:10:19,383
OH, I'M SURE.
191
00:10:19,384 --> 00:10:21,718
NEXT TIME, HE'LL LAY
PROPER FOUNDATIONS
192
00:10:21,719 --> 00:10:23,754
FOR A START.
193
00:10:23,755 --> 00:10:26,057
BUT HE WON'T BE BUILDING
FOR COUNCIL TENANTS.
194
00:10:26,058 --> 00:10:30,194
THEY'LL BE APARTMENTS
FOR YOUNG PROFESSIONALS.
195
00:10:30,195 --> 00:10:32,563
AND YOU WANT TO
EXPOSE THIS GREGSON
196
00:10:32,564 --> 00:10:34,031
AS A JERRY BUILDER?
197
00:10:34,032 --> 00:10:35,566
NO NEED FOR ME
TO DO THAT.
198
00:10:35,567 --> 00:10:37,601
THAT'S FOR ANYONE TO SEE
WITH THEIR OWN EYES.
199
00:10:37,602 --> 00:10:43,174
NO. I WANT TO NAIL HIM
FOR CORRUPTION,
200
00:10:43,175 --> 00:10:45,943
HIM AND ANYONE ELSE
THAT WERE IN WITH HIM.
201
00:10:45,944 --> 00:10:51,082
WE'RE TALKING OVER
25 YEARS, MRS. WESTON.
202
00:10:51,083 --> 00:10:53,250
IF THERE WAS
ANY WRONGDOING,
203
00:10:53,251 --> 00:10:54,918
DON'T YOU THINK
PEOPLE
204
00:10:54,919 --> 00:10:56,753
WOULD HAVE COVERED
THEIR TRACKS BY NOW?
205
00:10:56,754 --> 00:10:58,089
ARE YOU A DETECTIVE
OR NOT?
206
00:10:58,090 --> 00:10:59,923
YES.
207
00:10:59,924 --> 00:11:01,792
THEN GET A SCENT
AND GO AFTER IT.
208
00:11:03,462 --> 00:11:07,698
I GOT A SCENT,
ALL RIGHT.
209
00:11:07,699 --> 00:11:11,369
THE STATE
SHE'S LIVING IN.
210
00:11:11,370 --> 00:11:13,371
I FEEL GUILTY
TUCKING IN.
211
00:11:13,372 --> 00:11:15,373
SHE SOUNDS
BATTY TO ME.
212
00:11:15,374 --> 00:11:17,041
NO, VERY MUCH
WITH IT.
213
00:11:17,042 --> 00:11:19,543
DO YOU THINK WE
CAN DO ANYTHING?
214
00:11:19,544 --> 00:11:21,379
I DON'T KNOW, GEOFFREY.
215
00:11:21,380 --> 00:11:23,381
ONE THING'S CERTAIN--
SHE WON'T GIVE UP
216
00:11:23,382 --> 00:11:27,651
UNTIL SHE'S CONVINCED ME
THAT I DARN GOOD TRY.
217
00:11:29,721 --> 00:11:31,222
THANKS.
THAT WAS GREAT.
218
00:11:31,223 --> 00:11:32,556
THERE'S SOME PUDDING.
219
00:11:32,557 --> 00:11:33,724
OH, NO, THANKS.
220
00:11:33,725 --> 00:11:35,226
I'M FULL
TO BURSTING.
221
00:11:35,227 --> 00:11:36,227
OH.
222
00:11:36,228 --> 00:11:37,728
AND THERE'S
SOMETHING
223
00:11:37,729 --> 00:11:39,230
I'VE GOT TO ASK
JANET ABOUT.
224
00:11:39,231 --> 00:11:40,398
AH.
225
00:11:40,399 --> 00:11:41,565
ABOUT THE CAR.
226
00:11:41,566 --> 00:11:42,566
RIGHT.
227
00:11:42,567 --> 00:11:44,001
SO...
SEE YOU LATER.
228
00:11:46,405 --> 00:11:47,905
HE'S LIKE A CAT
UP THE CURTAIN
229
00:11:47,906 --> 00:11:49,507
SINCE SHE TOOK
THAT LODGER.
230
00:11:49,508 --> 00:11:50,574
[DOOR CLOSES]
231
00:11:50,575 --> 00:11:52,043
WHAT HAVE YOU BEEN
UP TO TODAY?
232
00:11:52,044 --> 00:11:54,912
DOING A GOOD TURN,
OVER THE ROAD.
233
00:11:54,913 --> 00:11:56,047
OH?
234
00:11:56,048 --> 00:11:57,148
STRIMMING.
235
00:11:57,149 --> 00:11:59,083
NOREEN'S PUT
THE WORD AROUND.
236
00:11:59,084 --> 00:12:00,584
NO WONDER SHE SAID
237
00:12:00,585 --> 00:12:02,186
YOU'RE NEVER ALONE
WITH A STRIMMER.
238
00:12:02,187 --> 00:12:03,287
HA HA HA.
239
00:12:22,207 --> 00:12:23,907
[CAR DOOR CLOSES]
240
00:12:33,851 --> 00:12:37,188
HIYA. COME IN.
241
00:12:37,189 --> 00:12:38,622
THERE'S SOMETHING
WRONG WITH THE CAR.
242
00:12:38,623 --> 00:12:40,724
OH. DO YOU WANT ADIE
TO HAVE A LOOK AT IT FOR YOU?
243
00:12:40,725 --> 00:12:41,892
NO.
244
00:12:41,893 --> 00:12:43,160
ADIE.
HI, GEOFF.
245
00:12:43,161 --> 00:12:44,562
ALL RIGHT.
246
00:12:44,563 --> 00:12:47,331
I WANT YOU TO HAVE
A LOOK AT IT.
247
00:12:49,234 --> 00:12:51,235
WE WENT
FOR A PIZZA.
248
00:12:51,236 --> 00:12:52,736
FOR 2 HOURS?
249
00:12:52,737 --> 00:12:54,738
IT'S SUPPOSED
TO BE FAST FOOD.
250
00:12:54,739 --> 00:12:57,408
HE WANTS TO TALK
ABOUT HIS EX-GIRLFRIEND.
251
00:12:57,409 --> 00:12:59,577
THEY WERE TOGETHER
FOR MORE THAN A YEAR.
252
00:12:59,578 --> 00:13:01,345
HE'S PRETTY CAUGHT UP
ABOUT IT.
253
00:13:01,346 --> 00:13:02,846
YES, YOU'VE SAID.
254
00:13:02,847 --> 00:13:04,348
AND YOU'RE A SHOULDER
TO CRY ON.
255
00:13:04,349 --> 00:13:06,517
IS THERE SOMETHING
WRONG WITH THAT?
256
00:13:06,518 --> 00:13:08,018
IT DEPENDS.
257
00:13:08,019 --> 00:13:09,720
HE DOESN'T
FANCY ME, GEOFF.
258
00:13:09,721 --> 00:13:11,188
HOW DO YOU KNOW?
259
00:13:11,189 --> 00:13:13,090
I KNOW.
THAT'S ALL.
260
00:13:13,091 --> 00:13:15,025
HAPPY NOW?
261
00:13:15,026 --> 00:13:16,193
NO.
262
00:13:16,194 --> 00:13:18,061
FOR PITY'S SAKE.
263
00:13:18,062 --> 00:13:20,864
HOW CAN I BE HAPPY,
HIM UP THERE WITH YOU,
264
00:13:20,865 --> 00:13:22,366
SHARING HIS PIZZAS
265
00:13:22,367 --> 00:13:23,934
AND TESTING HIS SHIRTS
FOR DAMPNESS?
266
00:13:23,935 --> 00:13:25,569
I DIDN'T SAY
WE SHARED A PIZZA.
267
00:13:25,570 --> 00:13:27,804
WELL, DID YOU?
268
00:13:27,805 --> 00:13:29,406
YEAH.
269
00:13:29,407 --> 00:13:32,476
WELL, THERE YOU ARE, THEN.
LIES ALREADY.
270
00:13:32,477 --> 00:13:34,044
IF YOU HADN'T BEEN
SUCH A WIMP
271
00:13:34,045 --> 00:13:35,546
WITH THE WAINTHROPS,
272
00:13:35,547 --> 00:13:37,114
YOU COULD HAVE BEEN
MY LODGER.
273
00:13:37,115 --> 00:13:39,250
YOU DIDN'T GIVE ME
TIME TO TELL THEM.
274
00:13:39,251 --> 00:13:42,486
I DIDN'T HAVE TIME!
275
00:13:45,723 --> 00:13:49,092
THIS ISN'T GOING TO
WORK, IS IT?
276
00:13:51,062 --> 00:13:52,329
NO.
277
00:14:22,527 --> 00:14:23,694
MR. GREGSON?
278
00:14:23,695 --> 00:14:24,861
YES.
279
00:14:24,862 --> 00:14:26,029
MRS. WAINTHROP.
280
00:14:26,030 --> 00:14:27,197
OH, YES.
281
00:14:27,198 --> 00:14:28,865
YOUR OFFICE SAID
I MIGHT CATCH YOU HERE.
282
00:14:28,866 --> 00:14:30,367
DID THEY, NOW?
283
00:14:30,368 --> 00:14:31,902
I HOPE
I'M NOT IMPOSING.
284
00:14:31,903 --> 00:14:34,371
THAT DEPENDS.
WHAT CAN I DO FOR YOU?
285
00:14:34,372 --> 00:14:36,039
ENID WESTON.
286
00:14:36,040 --> 00:14:37,541
WHAT ABOUT HER?
287
00:14:37,542 --> 00:14:39,109
YOU KNOW HER,
OF COURSE?
288
00:14:39,110 --> 00:14:41,044
YES, I KNOW HER,
AND, NO, I WON'T BE
289
00:14:41,045 --> 00:14:43,046
PROPOSING HER
FOR CLUB MEMBERSHIP.
290
00:14:43,047 --> 00:14:45,716
I LIKE A MAN WITH A SENSE
OF HUMOR, MR. GREGSON.
291
00:14:45,717 --> 00:14:48,185
WHAT'S
YOUR INTEREST?
292
00:14:48,186 --> 00:14:51,054
I'D LIKE MRS. WESTON
TO LEAVE GLEBE HAMLETS
293
00:14:51,055 --> 00:14:53,223
BEFORE THEY FALL DOWN
ON TOP OF HER.
294
00:14:53,224 --> 00:14:54,925
FINE BY ME.
295
00:14:54,926 --> 00:14:56,393
NOT TO MENTION
THE COUNCIL.
296
00:14:56,394 --> 00:14:57,894
BUT IF YOU'RE
A FRIEND,
297
00:14:57,895 --> 00:14:59,396
YOU'LL KNOW WHAT
WE'RE UP AGAINST.
298
00:14:59,397 --> 00:15:02,065
THE MONEY'S THERE,
IF SHE WANTS IT.
299
00:15:02,066 --> 00:15:05,869
YOU KNOW SHE WON'T
BUDGE FOR MONEY.
300
00:15:05,870 --> 00:15:07,671
WHAT ELSE IS THERE?
301
00:15:07,672 --> 00:15:09,673
A CONFESSION
PERHAPS.
302
00:15:09,674 --> 00:15:12,676
YOU BUILT GLEBE
HAMLETS, DIDN'T YOU?
303
00:15:12,677 --> 00:15:14,845
AH...A LONG TIME AGO.
304
00:15:14,846 --> 00:15:17,180
NOT LONG FOR BRICKS
AND MORTAR, THOUGH.
305
00:15:17,181 --> 00:15:20,551
IT'S NOT A SECRET--
MISTAKES WERE MADE.
306
00:15:20,552 --> 00:15:22,586
AND BRIBES TAKEN?
307
00:15:22,587 --> 00:15:24,355
YOU DON'T STRIKE ME
AS THE KIND OF WOMAN
308
00:15:24,356 --> 00:15:26,022
WHO BELIEVES
EVERYTHING SHE HEARS.
309
00:15:26,023 --> 00:15:28,359
IGNORANCE AND AMBITION--
THAT'S ALL I WAS GUILTY OF.
310
00:15:28,360 --> 00:15:29,960
OH, YOU DIDN'T KNOW
311
00:15:29,961 --> 00:15:33,464
YOU WERE BUILDING
ON AN OLD LANDFILL SITE.
312
00:15:33,465 --> 00:15:35,699
I'VE JUST SAID,
MISTAKES WERE MADE.
313
00:15:35,700 --> 00:15:37,701
THEN I'M SURPRISED
YOU WANT TO BUY
314
00:15:37,702 --> 00:15:39,370
THE SAME SITES
AND START AGAIN.
315
00:15:39,371 --> 00:15:40,871
KNOCK THE PLACE DOWN
316
00:15:40,872 --> 00:15:42,339
AND BUILD SOMETHING
TO BE PROUD OF.
317
00:15:42,340 --> 00:15:44,207
WHAT BETTER WAY
OF REPAIRING THE DAMAGE?
318
00:15:44,208 --> 00:15:47,310
TO YOUR OWN
REPUTATION MAYBE.
319
00:15:47,311 --> 00:15:48,879
BUT THAT'S
NO CONSOLATION
320
00:15:48,880 --> 00:15:50,481
FOR THE FAMILIES WHO
HAVE LIVED THERE.
321
00:15:50,482 --> 00:15:51,849
IS THERE A POINT
TO THIS?
322
00:15:51,850 --> 00:15:53,817
IF YOU'VE GOT
ENID WESTON'S EAR,
323
00:15:53,818 --> 00:15:56,052
TELL HER TO TAKE THE MONEY
AND MOVE OUT NOW
324
00:15:56,053 --> 00:15:57,554
BECAUSE, TAKE IT FROM ME,
325
00:15:57,555 --> 00:15:59,723
A SLEDGEHAMMER
WILL HAVE THE LAST WORD,
326
00:15:59,724 --> 00:16:02,325
AND I'M SORRY I CAN'T
INVITE YOU INTO THE CLUBHOUSE.
327
00:16:02,326 --> 00:16:06,597
WE DO HAVE RATHER
A STRICT DRESS CODE.
328
00:16:22,680 --> 00:16:24,180
MRS. WAINTHROP?
329
00:16:24,181 --> 00:16:26,249
YES.
330
00:16:26,250 --> 00:16:28,118
WOULD YOU LIKE
TO COME THIS WAY?
331
00:16:30,021 --> 00:16:33,023
THE CORRIDORS OF POWER,
EH, GEOFFREY?
332
00:16:33,024 --> 00:16:35,025
MAKES YOU THINK,
DOESN'T IT?
333
00:16:35,026 --> 00:16:36,693
YEAH. WHAT OF?
334
00:16:36,694 --> 00:16:38,529
FLOOR WAX MOSTLY.
335
00:16:38,530 --> 00:16:40,531
HA HA HA. YEAH.
336
00:16:40,532 --> 00:16:44,535
WE WERE NEVER BIG FANS
OF BUREAUCRACY IN MY FAMILY.
337
00:16:44,536 --> 00:16:46,537
MY GRANDFATHER
ALWAYS USED TO SAY,
338
00:16:46,538 --> 00:16:49,540
"THERE'S NO GOVERNMENT
LIKE NO GOVERNMENT."
339
00:16:49,541 --> 00:16:52,042
STILL, I SUPPOSE
THE WHEELY-BIN
340
00:16:52,043 --> 00:16:55,979
HAS BEEN SOMETHING
OF A SUCCESS STORY.
341
00:16:58,683 --> 00:17:00,417
[MUSIC PLAYING]
342
00:17:15,500 --> 00:17:17,167
ALL DONE.
343
00:17:17,168 --> 00:17:19,636
ARE YOU SURE?
344
00:17:19,637 --> 00:17:21,071
YEAH.
345
00:17:21,072 --> 00:17:23,674
LET'S HAVE A LOOK.
346
00:17:23,675 --> 00:17:26,610
WHAT'S THE PROBLEM?
IT'S DONE.
347
00:17:34,519 --> 00:17:37,020
JUST CHECKING.
348
00:17:43,528 --> 00:17:44,962
THANK YOU.
349
00:17:49,033 --> 00:17:51,034
WELL, IT DOESN'T
LOOK AS THOUGH
350
00:17:51,035 --> 00:17:53,203
THEY'RE TRYING
TO HIDE ANYTHING.
351
00:17:53,204 --> 00:17:55,539
OLDEST TRICK
IN THE BOOK, GEOFFREY--
352
00:17:55,540 --> 00:17:57,541
HIT YOU WITH
A BLIZZARD OF PAPER,
353
00:17:57,542 --> 00:17:59,977
AND YOU'LL NEVER FIND
WHAT YOU'RE LOOKING FOR.
354
00:18:02,847 --> 00:18:05,148
HAVE YOU FOUND
SOMETHING?
355
00:18:05,149 --> 00:18:09,653
NO. IT'S ALL ABOUT
REPAIRS TO GLEBE HAMLETS.
356
00:18:09,654 --> 00:18:13,089
NOTHING ABOUT THE ORIGINAL
BUILDING WORK.
357
00:18:13,090 --> 00:18:17,160
THE NAME JAMES CARDWELL
COMES UP A LOT IN THESE.
358
00:18:17,161 --> 00:18:18,729
WHO WAS HE?
359
00:18:18,730 --> 00:18:20,330
THE CLERK OF WORKS.
360
00:18:20,331 --> 00:18:23,534
HIS JOB WAS TO BE ON SITE
TO CHECK THE WORK.
361
00:18:23,535 --> 00:18:24,735
HMM.
362
00:18:26,170 --> 00:18:28,005
ANY JOY?
363
00:18:28,006 --> 00:18:29,840
NO, NOT YET.
364
00:18:29,841 --> 00:18:31,842
IF YOU NEED ME
FOR ANYTHING,
365
00:18:31,843 --> 00:18:34,177
JUST PICK UP THE PHONE
AND DIAL 3491.
366
00:18:34,178 --> 00:18:35,846
THANK YOU.
367
00:18:35,847 --> 00:18:38,582
OH, THERE IS
SOMETHING.
368
00:18:38,583 --> 00:18:40,116
YES?
369
00:18:40,117 --> 00:18:42,285
MR. JAMES CARDWELL,
THE CLERK OF WORKS,
370
00:18:42,286 --> 00:18:44,588
IS RETIRED, I IMAGINE.
371
00:18:44,589 --> 00:18:47,791
OH, YES. A FEW YEARS
BACK NOW.
372
00:18:47,792 --> 00:18:49,726
YOU DON'T HAPPEN TO HAVE
AN ADDRESS FOR HIM?
373
00:18:49,727 --> 00:18:52,796
I CAN CHECK
WITH PERSONNEL FOR YOU.
374
00:18:52,797 --> 00:18:53,730
THANK YOU.
375
00:18:55,166 --> 00:18:59,169
VERY OBLIGING.
376
00:18:59,170 --> 00:19:00,604
I WONDER WHY.
377
00:19:02,006 --> 00:19:03,473
MR. HOSKINS.
378
00:19:03,474 --> 00:19:04,975
HMM?
379
00:19:04,976 --> 00:19:06,910
[INAUDIBLE]
380
00:19:24,095 --> 00:19:25,495
MRS. WAINTHROP.
381
00:19:25,496 --> 00:19:26,663
YES?
382
00:19:26,664 --> 00:19:30,166
PHIL HOSKINS, DIRECTOR
OF TECHNICAL SERVICES.
383
00:19:30,167 --> 00:19:31,434
OH.
384
00:19:31,435 --> 00:19:33,369
HAVE YOU FOUND WHAT
YOU'RE LOOKING FOR?
385
00:19:33,370 --> 00:19:35,072
NOT REALLY, NO.
386
00:19:35,073 --> 00:19:37,007
OH. I UNDERSTAND
YOU'RE INTERESTED
387
00:19:37,008 --> 00:19:39,309
IN DIGGING UP
SOME ANCIENT DIRT
388
00:19:39,310 --> 00:19:42,045
ON THE BUILDING
OF GLEBE HAMLETS.
389
00:19:42,046 --> 00:19:44,014
WHAT GAVE YOU
THAT IDEA?
390
00:19:44,015 --> 00:19:45,682
WHY ELSE
WOULD YOU BOTHER?
391
00:19:45,683 --> 00:19:47,684
YOU ARE A PRIVATE
DETECTIVE, AREN'T YOU?
392
00:19:47,685 --> 00:19:50,020
WELL, THERE'S NO SECRET
IN THAT, MR. HOSKINS.
393
00:19:50,021 --> 00:19:52,422
WE ARE
IN THE YELLOW PAGES.
394
00:19:52,423 --> 00:19:54,024
I KNOW. I CHECKED.
395
00:19:54,025 --> 00:19:55,959
ENID WESTON MUST HAVE
MORE MONEY THAN I THOUGHT.
396
00:19:55,960 --> 00:19:57,628
WE'RE VERY
REASONABLE.
397
00:19:57,629 --> 00:19:59,562
MY PARTNER--
MR. SHAWCROSS.
398
00:19:59,563 --> 00:20:01,865
I HOPE YOU'LL TELL HER
HOW HELPFUL WE'VE BEEN.
399
00:20:01,866 --> 00:20:03,199
WELL, THERE'S
NOTHING HERE
400
00:20:03,200 --> 00:20:05,602
ABOUT THE BUILDING
OF GLEBE HAMLETS.
401
00:20:05,603 --> 00:20:07,604
OH, I'M SURE
YOU'LL FIND SOMETHING
402
00:20:07,605 --> 00:20:09,439
IF YOU'LL LOOK
HARD ENOUGH.
403
00:20:09,440 --> 00:20:11,041
SOME DIRT, YOU MEAN?
404
00:20:11,042 --> 00:20:14,845
OH, I'M AFRAID THAT'S ALL
IN ENID WESTON'S MIND.
405
00:20:14,846 --> 00:20:16,312
REALLY?
406
00:20:16,313 --> 00:20:21,118
GLEBE HAMLETS DOES
NONE OF US ANY CREDIT.
407
00:20:21,119 --> 00:20:24,054
ON THE OTHER HAND,
EVERYONE BUT OUR MRS. WESTON
408
00:20:24,055 --> 00:20:25,889
HAS BEEN RE-HOUSED.
409
00:20:25,890 --> 00:20:28,091
AWAY FROM FRIENDS
THEY'VE KNOWN FOR YEARS.
410
00:20:28,092 --> 00:20:31,662
TO MAKE NEW STARTS
IN BETTER PLACES.
411
00:20:31,663 --> 00:20:34,031
WE CAN'T OFFER MORE.
412
00:20:34,032 --> 00:20:36,066
GO BACK AND TELL
YOUR CLIENT
413
00:20:36,067 --> 00:20:38,001
TO STOP WASTING
HER MONEY.
414
00:20:40,004 --> 00:20:41,171
MR. HOSKINS.
415
00:20:41,172 --> 00:20:42,773
HMM?
416
00:20:42,774 --> 00:20:45,742
I'VE ASKED
YOUR SECRETARY
417
00:20:45,743 --> 00:20:47,410
FOR MR. JAMES
CARDWELL'S ADDRESS.
418
00:20:47,411 --> 00:20:51,481
I'LL SEE IF SHE'S
FOUND ANYTHING.
419
00:20:51,482 --> 00:20:52,916
THANK YOU.
420
00:20:52,917 --> 00:20:54,851
[DOOR CLOSES]
421
00:20:56,487 --> 00:20:58,088
THE THING IS, REVEREND,
422
00:20:58,089 --> 00:21:00,157
IT'S NOT A HEAVY-DUTY
STRIMMER.
423
00:21:00,158 --> 00:21:03,526
QUITE THE OPPOSITE.
424
00:21:03,527 --> 00:21:07,030
YES. YES. YES,
SO YOU'VE SAID.
425
00:21:07,031 --> 00:21:10,200
BUT I REALLY FEEL
THAT YOUR GRASS IS...
426
00:21:10,201 --> 00:21:12,235
I SEE.
427
00:21:12,236 --> 00:21:15,038
WELL, I SUPPOSE
I COULD HAVE A LOOK.
428
00:21:15,039 --> 00:21:17,874
NOREEN BAINBRIDGE
TOLD THE VICAR.
429
00:21:17,875 --> 00:21:20,210
OH, YOU'RE
WELL BLESSED.
430
00:21:20,211 --> 00:21:22,612
MR. WESTON'S
WAITING.
431
00:21:24,716 --> 00:21:26,149
SO, WHEN WOULD
YOU LIKE ME...
432
00:21:26,150 --> 00:21:28,384
GOOD AFTERNOON,
MR. WESTON.
433
00:21:28,385 --> 00:21:30,286
MR. WESTON.
434
00:21:30,287 --> 00:21:33,156
I'M SORRY TO CALL
WITHOUT MAKING AN APPOINTMENT.
435
00:21:33,157 --> 00:21:34,891
OH, THAT'S ALL RIGHT.
436
00:21:34,892 --> 00:21:36,827
WE'VE NOTHING MUCH
TO REPORT, I'M AFRAID.
437
00:21:36,828 --> 00:21:38,661
I'VE HEARD
ENOUGH ALREADY.
438
00:21:38,662 --> 00:21:39,896
OH?
439
00:21:39,897 --> 00:21:41,732
YOU HAVEN'T TOLD ANYBODY
IT WAS ME WHO SET YOU ON?
440
00:21:41,733 --> 00:21:42,766
NO. WHY?
441
00:21:42,767 --> 00:21:44,400
QUESTIONS FROM ABOVE.
442
00:21:44,401 --> 00:21:46,069
THE CHAIRMAN
OF THE HOUSING COMMITTEE
443
00:21:46,070 --> 00:21:48,071
HAS HAD HOSKINS
ON THE BLOWER,
444
00:21:48,072 --> 00:21:50,273
WANTING TO KNOW
WHO'S PAYING YOU.
445
00:21:50,274 --> 00:21:55,045
WE'RE RUFFLING FEATHERS.
THAT'S A GOOD SIGN.
446
00:21:55,046 --> 00:21:56,146
OH?
447
00:21:56,147 --> 00:21:58,081
YOU KNOW WHAT
THEY SAY ABOUT OMELETS
448
00:21:58,082 --> 00:22:00,250
AND BROKEN EGGS,
MR. WESTON.
449
00:22:00,251 --> 00:22:02,018
THE THING IS,
HOSKINS SAYS
450
00:22:02,019 --> 00:22:03,854
THAT IF IT GOES ON
MUCH LONGER,
451
00:22:03,855 --> 00:22:05,856
THEN GREGSON WILL BACK OUT
OF BUYING THE SITE.
452
00:22:05,857 --> 00:22:07,357
GLEBE HAMLETS
WILL STAY DERELICT,
453
00:22:07,358 --> 00:22:09,192
AND THE COUNCIL
WILL LOSE THEIR MONEY.
454
00:22:09,193 --> 00:22:11,194
WON'T OTHER BUILDERS
BE INTERESTED?
455
00:22:11,195 --> 00:22:13,529
EVERYBODY KNOWS
IT WAS AN OLD TIP.
456
00:22:13,530 --> 00:22:16,032
THE COST OF FOUNDATION WORK
SCARED THEM OFF.
457
00:22:16,033 --> 00:22:20,036
WE CAN STOP MAKING INQUIRIES
WHENEVER YOU WANT, MR. WESTON.
458
00:22:20,037 --> 00:22:21,537
YOU CAN CONVINCE
ME MOTHER
459
00:22:21,538 --> 00:22:23,039
THAT THERE'S NO POINT
IN HER GOING ON?
460
00:22:23,040 --> 00:22:24,040
NO.
461
00:22:24,041 --> 00:22:25,742
OH.
462
00:22:25,743 --> 00:22:28,044
I'M INCLINED
TO THE OPPOSITE VIEW.
463
00:22:28,045 --> 00:22:30,247
THE CHOICE IS YOURS,
OF COURSE.
464
00:23:01,078 --> 00:23:04,014
THEY BOUGHT THE HOUSE
OFF THE CARDWELLS 8 YEARS AGO.
465
00:23:04,015 --> 00:23:06,649
JIM CARDWELL DIED
NOT LONG AFTER.
466
00:23:06,650 --> 00:23:10,553
OH. WHAT ABOUT
HIS WIDOW?
467
00:23:10,554 --> 00:23:12,189
STILL ALIVE, SHE THINKS,
468
00:23:12,190 --> 00:23:15,992
BUT SHE HAS
NO FORWARDING ADDRESS.
469
00:23:15,993 --> 00:23:17,894
WON'T SHE STILL HAVE
HIS PENSION?
470
00:23:17,895 --> 00:23:21,932
THEY'RE USUALLY VERY STICKY
ABOUT GIVING DETAILS.
471
00:23:21,933 --> 00:23:25,202
BESIDES, UNLESS
THE CARDWELLS SHARED
472
00:23:25,203 --> 00:23:28,538
A MUTUAL FASCINATION
FOR REINFORCED CONCRETE,
473
00:23:28,539 --> 00:23:32,575
IT'S HARD TO SEE
HOW SHE CAN BE OF HELP.
474
00:23:42,553 --> 00:23:45,155
YOU SEE THE PROBLEM?
YOU'RE ASKING A BOY
475
00:23:45,156 --> 00:23:46,723
TO DO A MAN'S JOB.
476
00:23:46,724 --> 00:23:48,225
WE HAVE 2 WEDDINGS
ON SATURDAY,
477
00:23:48,226 --> 00:23:50,626
AND WITH MY USUAL
MAN OFF SICK,
478
00:23:50,627 --> 00:23:53,029
I'M HARD-PRESSED TO
GET IT LOOKING STRAIGHT.
479
00:23:53,030 --> 00:23:54,397
I'M ONLY TALKING ABOUT
TIDYING THE GRAVES
480
00:23:54,398 --> 00:23:55,665
ON EITHER SIDE
OF THE PATH.
481
00:23:59,170 --> 00:24:00,803
[MUSIC PLAYING]
482
00:24:05,209 --> 00:24:06,843
HIYA.
483
00:24:06,844 --> 00:24:09,346
HIYA.
HOW'S IT GOING?
484
00:24:09,347 --> 00:24:10,847
FINE. WHAT'S UP?
485
00:24:10,848 --> 00:24:12,349
NOTHING.
I JUST CAME DOWN
486
00:24:12,350 --> 00:24:14,184
TO SEE IF YOU
NEED ANY HELP.
487
00:24:14,185 --> 00:24:16,519
WHAT SORT OF HELP?
488
00:24:16,520 --> 00:24:18,355
WHAT IS THIS?
489
00:24:18,356 --> 00:24:21,024
WELL, DON'T MAKE
A FUSS.
490
00:24:21,025 --> 00:24:23,026
HAS HE SENT YOU?
491
00:24:23,027 --> 00:24:25,028
JUST LET ME LOOK
LIKE I'M LOOKING.
492
00:24:25,029 --> 00:24:26,529
ALL RIGHT?
493
00:24:26,530 --> 00:24:29,032
NO, IT'S NOT
ALL RIGHT.
494
00:24:29,033 --> 00:24:31,368
I SAID IT'S
NOT ALL RIGHT, ADIE!
495
00:24:31,369 --> 00:24:32,635
JANET.
496
00:24:37,174 --> 00:24:39,475
WHY DID YOU ASK ADIE
TO CHECK MY WORK?
497
00:24:39,476 --> 00:24:41,411
BECAUSE I'M THE GAFFER.
THAT'S WHAT I DO HERE.
498
00:24:41,412 --> 00:24:43,013
HAS A CUSTOMER
COMPLAINED?
499
00:24:43,014 --> 00:24:44,047
NO.
500
00:24:44,048 --> 00:24:45,882
THEN WHY NOT ASK ME
TO CHECK ON HIM
501
00:24:45,883 --> 00:24:47,650
OR ANYONE ELSE IN THIS
REPAIR SHOP, COME TO THAT?
502
00:24:47,651 --> 00:24:49,419
YOU WANT TO COOL
YOUR BOOTS, YOUNG LADY.
503
00:24:49,420 --> 00:24:51,154
"LADY." IS THAT IT?
504
00:24:51,155 --> 00:24:53,290
IS THAT WHY YOU
DON'T THINK I'M EQUAL
505
00:24:53,291 --> 00:24:54,958
TO ANY OF THESE BLOKES?
506
00:24:54,959 --> 00:24:56,726
LISTEN, IF THE BOSS
WANTS TO SET YOU ON,
507
00:24:56,727 --> 00:24:58,194
THAT'S UP TO HIM.
508
00:24:58,195 --> 00:25:00,663
WHAT YOU DO HERE
IS DOWN TO ME.
509
00:25:00,664 --> 00:25:02,598
SO PUT UP
OR SHUT UP!
510
00:25:02,599 --> 00:25:03,934
STICK IT.
511
00:25:15,346 --> 00:25:18,848
AH, THANK YOU FOR COMING IN.
DO YOU LIKE IT?
512
00:25:18,849 --> 00:25:20,850
IS THIS A STATUE?
513
00:25:20,851 --> 00:25:22,685
A STATUE
OR A SCULPTURE,
514
00:25:22,686 --> 00:25:24,354
SOMETHING BY A LOCAL
ARTIST PERHAPS.
515
00:25:24,355 --> 00:25:25,855
THERE'S NOT
MUCH SPACE
516
00:25:25,856 --> 00:25:27,690
FOR CHILDREN TO
PLAY, MR. GREGSON.
517
00:25:27,691 --> 00:25:30,026
NO, BUT THIS ISN'T
DESIGNED FOR FAMILIES.
518
00:25:30,027 --> 00:25:33,363
COUPLES MOST LIKELY,
AND SINGLES OF COURSE.
519
00:25:33,364 --> 00:25:36,366
IT'S A VERY BIG MARKET TODAY--
THE SINGLE PERSON.
520
00:25:36,367 --> 00:25:38,034
AND HAS IT
A NAME?
521
00:25:38,035 --> 00:25:40,536
NO, BUT I'M OPEN
TO SUGGESTIONS.
522
00:25:40,537 --> 00:25:42,372
SOMETHING LIKE
ASCOT HOUSE PERHAPS
523
00:25:42,373 --> 00:25:44,640
OR WINDSOR COURT.
524
00:25:44,641 --> 00:25:46,609
WHAT ABOUT
GREGSON TOWERS?
525
00:25:46,610 --> 00:25:48,345
I'LL PUT IT
ON MY LIST.
526
00:25:48,346 --> 00:25:51,114
HOW ARE YOU GOING
TO STABILIZE THIS?
527
00:25:51,115 --> 00:25:54,884
BY PILE-DRIVING
THE FOUNDATIONS IN DEEP.
528
00:25:54,885 --> 00:25:58,321
WHY DIDN'T YOU DO THAT
WITH GLEBE HAMLETS?
529
00:25:58,322 --> 00:26:00,723
OUR TEST HOLES
MISSED THE SOFT SPOTS.
530
00:26:00,724 --> 00:26:03,493
WE THOUGHT WE WERE GOING TO
BUILD ON SOLID GROUND.
531
00:26:03,494 --> 00:26:04,927
BUT YOU KNOW THIS.
532
00:26:04,928 --> 00:26:06,162
DO I?
533
00:26:06,163 --> 00:26:08,331
YOU'VE BEEN THROUGH
THE RECORDS, HAVEN'T YOU?
534
00:26:08,332 --> 00:26:10,600
THE ONES THAT MATTER ARE
MISSING, MR. GREGSON.
535
00:26:10,601 --> 00:26:11,667
OH?
536
00:26:11,668 --> 00:26:13,769
THE BUILDING
INSPECTION REPORTS.
537
00:26:13,770 --> 00:26:16,806
BUT MAYBE YOUR OWN
OFFICE HAS COPIES.
538
00:26:16,807 --> 00:26:18,841
CAN WE CUT THE CRAP,
MRS. WAINTHROP?
539
00:26:18,842 --> 00:26:20,843
I DON'T KNOW WHAT
YOUR ROLE IS IN THIS--
540
00:26:20,844 --> 00:26:25,015
ENID WESTON'S FRIEND,
A GO-BETWEEN, OR A BUSYBODY.
541
00:26:25,016 --> 00:26:27,984
WHY DON'T YOU JUST TELL ME
HOW MUCH YOU WANT.
542
00:26:33,024 --> 00:26:35,025
THANK YOU.
543
00:26:35,026 --> 00:26:37,527
FILL YOUR LUNGS,
GEOFFREY.
544
00:26:37,528 --> 00:26:40,763
PURE, FRESH AIR.
545
00:26:49,540 --> 00:26:51,807
DO YOU THINK
SHE'LL CHANGE HER MIND?
546
00:26:51,808 --> 00:26:53,043
NO.
547
00:26:56,813 --> 00:27:00,116
THE SMELL OF CORRUPTION
IS VERY PUNGENT, GEOFFREY.
548
00:27:00,117 --> 00:27:02,852
MAKE SURE IT NEVER
STICKS TO YOU.
549
00:27:02,853 --> 00:27:06,189
RIGHT. STILL...
550
00:27:06,190 --> 00:27:07,723
STILL WHAT?
551
00:27:07,724 --> 00:27:10,427
THE MONEY WOULD HAVE
COME IN HANDY.
552
00:27:10,428 --> 00:27:12,162
WHAT FOR?
553
00:27:12,163 --> 00:27:17,333
A HOLIDAY,
A NEW STEREO SYSTEM...
554
00:27:17,334 --> 00:27:19,802
SEASON TICKET
FOR MAN UNITED.
555
00:27:19,803 --> 00:27:22,004
AND WHAT'S THE GOOD
OF ALL THAT
556
00:27:22,005 --> 00:27:25,808
IF YOU CAN'T LOOK
YOURSELF IN THE FACE?
557
00:27:29,680 --> 00:27:32,815
[ENGINE STARTS]
558
00:27:43,494 --> 00:27:45,628
[STRIMMER WHIRRING]
559
00:27:53,437 --> 00:27:55,472
[WHIRRING STOPS]
560
00:27:59,009 --> 00:28:00,477
HIYA.
561
00:28:00,478 --> 00:28:02,178
HELLO.
562
00:28:02,179 --> 00:28:03,480
I CALLED
AT THE HOUSE.
563
00:28:03,481 --> 00:28:04,780
NEXT-DOOR SAID
YOU'D BE HERE.
564
00:28:04,781 --> 00:28:05,915
WHY AREN'T YOU AT WORK?
565
00:28:05,916 --> 00:28:07,450
I WALKED OUT.
566
00:28:07,451 --> 00:28:09,819
OH...WAS THAT WISE?
567
00:28:09,820 --> 00:28:11,988
NO. WHAT
ARE YOU DOING?
568
00:28:11,989 --> 00:28:15,592
BURNING THIS STRIMMER OUT
WITH ANY LUCK.
569
00:28:15,593 --> 00:28:17,494
HOW ARE YOU DOING,
MR. WAINTHROP?
570
00:28:17,495 --> 00:28:18,995
I'M OVERHEATING,
REVEREND.
571
00:28:18,996 --> 00:28:20,997
OH, DEAR.
572
00:28:20,998 --> 00:28:22,999
YOU NEED A PETROL-DRIVEN
MOTOR FOR THIS JOB.
573
00:28:23,000 --> 00:28:24,000
YES. WE'VE GOT ONE
ALREADY, BUT IT'S
574
00:28:24,001 --> 00:28:25,001
OUT OF COMMISSION,
I'M AFRAID.
575
00:28:25,002 --> 00:28:26,336
YES.
BUST?
576
00:28:26,337 --> 00:28:27,437
WHERE IS IT?
577
00:28:27,438 --> 00:28:28,904
IT'S IN THE SHED
NEAR THE WEST DOOR.
578
00:28:28,905 --> 00:28:31,574
I'LL TAKE A LOOK
AT IT, IF YOU LIKE.
579
00:28:31,575 --> 00:28:33,610
OH, YES, OF COURSE.
LET ME SHOW YOU.
580
00:28:33,611 --> 00:28:34,544
RIGHT.
581
00:28:45,622 --> 00:28:47,190
RIGHT. I'LL COME
WITH YOU.
582
00:28:47,191 --> 00:28:48,691
NO. SHE'LL BE
WATCHING.
583
00:28:48,692 --> 00:28:50,193
I CAN'T LEAVE YOU
HERE, MRS. WAINTHROP.
584
00:28:50,194 --> 00:28:52,362
I'LL BE ALL RIGHT.
NOW OFF TO JANET'S.
585
00:28:52,363 --> 00:28:54,364
AND REMEMBER,
LASHINGS OF SYMPATHY.
586
00:28:54,365 --> 00:28:58,969
YEAH. NOW, I'LL COLLECT
YOU HERE IN ONE HOUR.
587
00:29:24,996 --> 00:29:26,930
[DOOR OPENS]
588
00:29:33,304 --> 00:29:34,837
HEY!
589
00:29:34,838 --> 00:29:36,806
[CRASH]
590
00:29:38,075 --> 00:29:39,943
[LAUGHTER]
591
00:29:44,148 --> 00:29:48,184
ENID! ENID!
IT'S HETTY WAINTHROP.
592
00:29:48,185 --> 00:29:50,620
QUICKLY! QUICKLY!
593
00:30:01,032 --> 00:30:02,532
NO, NO, NO.
594
00:30:02,533 --> 00:30:04,367
IT'LL STEADY YOU.
595
00:30:04,368 --> 00:30:06,970
NO. I'M ALL RIGHT
NOW, THANK YOU.
596
00:30:08,539 --> 00:30:10,706
YOU SAY THIS HAPPENS
ALL THE TIME?
597
00:30:10,707 --> 00:30:12,208
SOON AS IT'S DARK.
598
00:30:12,209 --> 00:30:13,709
WHO ARE THEY?
599
00:30:13,710 --> 00:30:15,211
I'VE NEVER SEEN
THEIR FACES.
600
00:30:15,212 --> 00:30:16,879
I JUST HEAR THEM
IN THE CORRIDORS,
601
00:30:16,880 --> 00:30:18,381
DOWN THE STAIRWELLS,
602
00:30:18,382 --> 00:30:19,715
IN THE FLATS ABOVE.
603
00:30:19,716 --> 00:30:20,883
GREGSON'S MEN?
604
00:30:20,884 --> 00:30:22,085
WHO ELSE?
605
00:30:25,056 --> 00:30:27,557
I WISH I HAD
SOMETHING TO REPORT
606
00:30:27,558 --> 00:30:30,726
THAT WOULD PERSUADE YOU
ONCE AND FOR ALL TO LEAVE.
607
00:30:30,727 --> 00:30:32,895
AS LONG AS I KNOW
YOU'RE ON THE JOB,
608
00:30:32,896 --> 00:30:34,497
I'M HAPPY.
609
00:30:36,067 --> 00:30:37,567
THE TECHNICAL
SERVICES DIRECTOR
610
00:30:37,568 --> 00:30:39,769
LET US SEE
THE COUNCIL RECORDS.
611
00:30:39,770 --> 00:30:42,205
HOSKINS.
612
00:30:42,206 --> 00:30:44,907
MMM. WE FOUND NOTHING.
613
00:30:44,908 --> 00:30:47,344
NO SURPRISE THERE.
614
00:30:47,345 --> 00:30:48,911
HE WERE THE BUILDINGS
INSPECTOR
615
00:30:48,912 --> 00:30:50,347
WHEN THIS PLACE
WERE BUILT.
616
00:30:50,348 --> 00:30:53,583
HOSKINS AUTHORIZED
THE CERTIFICATES?
617
00:30:56,753 --> 00:30:59,255
SO, IF THERE WAS
ANY WRONGDOING,
618
00:30:59,256 --> 00:31:03,159
HE AND THE CLERK OF WORKS
HAD TO BE IN IT TOGETHER.
619
00:31:03,160 --> 00:31:06,562
FIND JIM CARDWELL
AND ASK HIM.
620
00:31:06,563 --> 00:31:10,400
I CAN'T.
JIM CARDWELL'S DEAD.
621
00:31:12,636 --> 00:31:14,304
IT WASN'T
ADIE'S FAULT, GEOFF.
622
00:31:14,305 --> 00:31:16,039
HE SHOULD HAVE
STUCK UP FOR YOU.
623
00:31:16,040 --> 00:31:17,707
HE DIDN'T HAVE A CHANCE.
624
00:31:17,708 --> 00:31:20,210
HE COULD HAVE SAID NO
TO CHECKING YOUR STUFF.
625
00:31:20,211 --> 00:31:23,013
YEAH, AND THAT WOULD HAVE
MEANT 2 OF US OUT OF A JOB.
626
00:31:23,014 --> 00:31:26,049
PERHAPS HE COULD HAVE
A WORD WITH YOUR BOSS,
627
00:31:26,050 --> 00:31:28,118
GET YOU BACK IN.
628
00:31:28,119 --> 00:31:30,553
FORGET IT. I WAS LIVING
ON BORROWED TIME
629
00:31:30,554 --> 00:31:32,555
WITH THAT PIG
IN THE OFFICE.
630
00:31:32,556 --> 00:31:35,492
IF I CAN'T BE TRUSTED TO DO
THE JOB, THEN I DON'T WANT IT.
631
00:31:36,860 --> 00:31:38,861
YOU SHOULDN'T HAVE
LEFT HER THERE.
632
00:31:38,862 --> 00:31:40,063
I KNOW.
633
00:31:40,064 --> 00:31:43,066
I TOLD HIM TO GO, ROBERT.
IT'S ME OWN FAULT.
634
00:31:43,067 --> 00:31:45,568
MAYBE SO, BUT IT WAS
STUPID AND DANGEROUS.
635
00:31:45,569 --> 00:31:49,972
ORGANIZED SCARE TACTICS.
NOTHING MORE.
636
00:31:49,973 --> 00:31:53,076
NO MORE
NIGHT CALLS.
637
00:31:53,077 --> 00:31:54,744
RIGHT.
638
00:31:54,745 --> 00:31:58,048
YOUR DAY SEEMS TO HAVE LEFT
ITS MARK AS WELL.
639
00:31:58,049 --> 00:31:59,949
AYE.
640
00:31:59,950 --> 00:32:02,352
I'LL BE SEEING
TOMBSTONES IN ME SLEEP.
641
00:32:02,353 --> 00:32:05,355
I'D HAVE GOT CLEAR AWAY
IF JANET HADN'T GOT
642
00:32:05,356 --> 00:32:08,024
THEIR HEAVY-DUTY
STRIMMER GOING.
643
00:32:08,025 --> 00:32:09,492
BLISTERS OR NOT,
644
00:32:09,493 --> 00:32:10,493
WE'D SWAP JOBS WITH YOU
AT THE MOMENT.
645
00:32:10,494 --> 00:32:13,629
GREGSON TRIED
TO BUY US OFF.
646
00:32:13,630 --> 00:32:15,031
OH?
647
00:32:15,032 --> 00:32:16,666
VERY SUNNY
HE WAS AT FIRST,
648
00:32:16,667 --> 00:32:19,069
LIKE A BASKING SHARK.
649
00:32:19,070 --> 00:32:21,271
HE MUST HAVE THOUGHT
YOU'D GOT SOMETHING.
650
00:32:21,272 --> 00:32:23,873
I ONLY WISH WE HAD.
651
00:32:23,874 --> 00:32:26,709
THE CLERK OF WORKS--
WHAT WAS HIS NAME AGAIN?
652
00:32:26,710 --> 00:32:27,910
CARDWELL.
653
00:32:27,911 --> 00:32:29,412
JIM CARDWELL.
654
00:32:29,413 --> 00:32:30,547
WHY?
655
00:32:30,548 --> 00:32:32,882
I'M NOT SURE.
656
00:32:32,883 --> 00:32:36,519
IT JUST SEEMS
TO RING A BELL.
657
00:32:36,520 --> 00:32:38,721
[CHURCH BELL RINGING]
658
00:32:38,722 --> 00:32:40,223
YOU KNEW HIM?
659
00:32:40,224 --> 00:32:42,392
VERY WELL. HE WAS
A SIDESMAN HERE.
660
00:32:42,393 --> 00:32:43,726
SMASHING FELLOW.
661
00:32:43,727 --> 00:32:45,228
WE WROTE A BOOKLET
662
00:32:45,229 --> 00:32:47,063
ON THE CHURCH'S
HISTORY TOGETHER.
663
00:32:47,064 --> 00:32:48,965
REALLY?
664
00:32:50,568 --> 00:32:54,404
JIM WAS A DEAR FRIEND,
AND LILIAN, TOO, HIS WIFE.
665
00:32:54,405 --> 00:32:56,573
JIM GOT ALL
THE FACTS TOGETHER,
666
00:32:56,574 --> 00:32:58,074
AND I DID
THE SCRIBBLE.
667
00:32:58,075 --> 00:32:59,509
KEEN ON HIS FACTS,
WAS HE?
668
00:32:59,510 --> 00:33:02,412
OH, YES.
VERY METICULOUS.
669
00:33:02,413 --> 00:33:04,747
HE LOVED ALL ASPECTS
OF LOCAL HISTORY.
670
00:33:04,748 --> 00:33:06,649
MADE IT PART OF
HIS JOB, HE SAID.
671
00:33:06,650 --> 00:33:08,251
AS CLERK OF WORKS?
672
00:33:08,252 --> 00:33:10,253
WHEREVER A SITE
WAS BEING EXCAVATED,
673
00:33:10,254 --> 00:33:12,188
JIM WOULD BE THERE
TO MAKE SURE
674
00:33:12,189 --> 00:33:14,690
THAT NOTHING WAS
LOST TO POSTERITY.
675
00:33:14,691 --> 00:33:17,660
THANK YOU.
676
00:33:17,661 --> 00:33:19,695
DO YOU STILL SEE
LILIAN CARDWELL?
677
00:33:19,696 --> 00:33:21,697
NO, NO.
SHE'S IN A HOME.
678
00:33:21,698 --> 00:33:24,200
RATHER FRAGILE NOW,
I BELIEVE.
679
00:33:24,201 --> 00:33:26,702
I STILL SAVE
HER CHRISTMAS CARDS.
680
00:33:26,703 --> 00:33:28,471
[STRIMMER WHIRRING]
681
00:33:34,211 --> 00:33:36,045
HE'S RATHER
ENJOYING HIMSELF.
682
00:33:36,046 --> 00:33:38,047
I DARESAY HE IS,
REVEREND.
683
00:33:38,048 --> 00:33:40,049
HE ASKED ME
WHERE HE SHOULD STOP.
684
00:33:40,050 --> 00:33:42,552
"FEEL FREE," I SAID.
"THE WALL'S THE LIMIT."
685
00:33:42,553 --> 00:33:44,053
[BOTH LAUGHING]
686
00:33:44,054 --> 00:33:45,988
WELL, THANK YOU
FOR YOUR TIME.
687
00:33:50,794 --> 00:33:53,663
SHE'S JUST
OVER HERE.
688
00:33:56,733 --> 00:33:59,169
YOU'VE GOT
VISITORS, LILIAN.
689
00:33:59,170 --> 00:34:00,970
VISITORS?
690
00:34:00,971 --> 00:34:04,006
HELLO, MRS. CARDWELL.
IT'S HETTY WAINTHROP.
691
00:34:04,007 --> 00:34:08,311
AND I HAVE A YOUNG MAN
WITH ME--GEOFFREY SHAWCROSS.
692
00:34:08,312 --> 00:34:10,112
HELLO.
693
00:34:10,113 --> 00:34:13,516
THANK YOU.
694
00:34:13,517 --> 00:34:14,517
HETTY WAINTHROP?
695
00:34:14,518 --> 00:34:15,652
YES.
696
00:34:15,653 --> 00:34:18,020
HETTY WAINTHROP?
DO I KNOW YOU?
697
00:34:18,021 --> 00:34:19,522
NO.
698
00:34:19,523 --> 00:34:21,090
OH.
699
00:34:21,091 --> 00:34:25,562
WE WANT TO ASK YOU ABOUT
YOUR HUSBAND, MRS. CARDWELL.
700
00:34:25,563 --> 00:34:27,963
JIM? MY JIM?
701
00:34:27,964 --> 00:34:29,599
YES.
702
00:34:29,600 --> 00:34:32,702
HE ISN'T HERE.
HE PASSED AWAY.
703
00:34:32,703 --> 00:34:34,204
YES, WE KNOW.
704
00:34:34,205 --> 00:34:37,207
HE'S BEEN GONE
SOME TIME. I'M SORRY.
705
00:34:37,208 --> 00:34:42,044
I FORGET HOW LONG.
WHAT DID YOU WANT TO KNOW?
706
00:34:42,045 --> 00:34:44,146
CAN I HELP?
707
00:34:44,147 --> 00:34:45,781
I'M MRS. CARDWELL'S
DAUGHTER.
708
00:34:52,723 --> 00:34:54,390
NATURALLY, WE WOULD
HAVE CHECKED
709
00:34:54,391 --> 00:34:56,392
IF WE'D KNOWN
WHERE TO MAKE CONTACT.
710
00:34:56,393 --> 00:34:57,927
NO HARM DONE.
711
00:34:57,928 --> 00:35:00,496
ALL VISITORS
WELCOME.
712
00:35:00,497 --> 00:35:02,699
HOW LONG HAS YOUR
MOTHER BEEN BLIND?
713
00:35:02,700 --> 00:35:04,033
10 YEARS OR MORE.
714
00:35:04,034 --> 00:35:07,203
PARTIALLY BLIND
FOR 20 BEFORE THAT.
715
00:35:07,204 --> 00:35:09,772
OH, DEAR, THAT'S HARD.
716
00:35:09,773 --> 00:35:11,807
YES. HARD ON ALL
THE FAMILY.
717
00:35:11,808 --> 00:35:13,175
YES, OF COURSE.
718
00:35:13,176 --> 00:35:17,280
DAD MADE IT HIS MISSION
TO FIND A CURE FOR HER.
719
00:35:17,281 --> 00:35:19,014
JACKIE, DO YOU KNOW WHERE
SHE KEEPS HER PHOTOS?
720
00:35:19,015 --> 00:35:20,316
THE ALBUM.
721
00:35:20,317 --> 00:35:23,119
NO, I'VE GOT THAT.
THE LOOSE PHOTOS.
722
00:35:23,120 --> 00:35:27,323
OBVIOUSLY, HE FAILED
TO FIND A CURE.
723
00:35:27,324 --> 00:35:29,191
IT WASN'T FOR
THE WANT OF TRYING.
724
00:35:29,192 --> 00:35:30,693
HE EVEN TOOK HER
TO THE STATES
725
00:35:30,694 --> 00:35:32,027
TO SEE A LEADING
EYE SPECIALIST.
726
00:35:32,028 --> 00:35:33,162
OH, WHEN WAS THAT?
727
00:35:33,163 --> 00:35:34,864
IN THE EARLY SEVENTIES.
728
00:35:34,865 --> 00:35:38,167
HE WAS STILL PAYING OFF
THE BILLS YEARS LATER.
729
00:35:38,168 --> 00:35:40,670
ARE THESE THEM?
YES.
730
00:35:40,671 --> 00:35:42,138
THANKS, JACKIE.
731
00:35:43,540 --> 00:35:47,042
DID YOUR FATHER EVER
MENTION GLEBE HAMLETS?
732
00:35:47,043 --> 00:35:49,312
GLEBE HAMLETS?
733
00:35:49,313 --> 00:35:50,546
IT'S A BLOCK
OF COUNCIL FLATS.
734
00:35:50,547 --> 00:35:51,614
YES, I KNOW.
735
00:35:51,615 --> 00:35:54,083
WHY DO YOU WANT TO KNOW
ABOUT GLEBE HAMLETS?
736
00:35:54,084 --> 00:35:56,386
IT'S ABOUT TO BE
DEMOLISHED.
737
00:35:56,387 --> 00:35:58,454
AS LOCAL HISTORIANS,
738
00:35:58,455 --> 00:36:01,991
FOLLOWING IN YOUR
FATHER'S FOOTSTEPS,
739
00:36:01,992 --> 00:36:04,960
WE'D LIKE TO DOCUMENT
ITS RISE AND FALL.
740
00:36:04,961 --> 00:36:06,663
OH, I SEE.
WELL, HE WAS
741
00:36:06,664 --> 00:36:09,432
RATHER ASHAMED OF IT
TO BE HONEST.
742
00:36:09,433 --> 00:36:10,733
ASHAMED OF WHAT?
743
00:36:10,734 --> 00:36:13,336
THAT HE HADN'T DONE
HIS JOB PROPERLY.
744
00:36:13,337 --> 00:36:15,505
THE BUILDING WAS GOING UP
AT ABOUT THE TIME
745
00:36:15,506 --> 00:36:18,207
MY MOTHER'S CONDITION
WAS DIAGNOSED.
746
00:36:18,208 --> 00:36:20,610
I DON'T THINK
HIS MIND WAS ON IT.
747
00:36:22,179 --> 00:36:23,479
THAT'S DAD.
748
00:36:23,480 --> 00:36:25,014
OH, VERY SMART.
749
00:36:25,015 --> 00:36:26,516
NOT REALLY TYPICAL.
750
00:36:26,517 --> 00:36:28,785
HE WAS MORE A CARDIGAN
AND SLIPPERS SORT OF MAN.
751
00:36:28,786 --> 00:36:31,153
[CHUCKLES]
752
00:36:31,154 --> 00:36:34,890
WHAT'S THAT
A PHOTO OF?
753
00:36:34,891 --> 00:36:36,892
IT'S A TOPPING-OUT
CEREMONY,
754
00:36:36,893 --> 00:36:38,528
WHEN THEY LAY THE LAST
BRICK ON THE BUILDING
755
00:36:38,529 --> 00:36:40,363
BEFORE THE ROOF GOES ON.
756
00:36:40,364 --> 00:36:41,698
DID THEY TAKE A PHOTO
757
00:36:41,699 --> 00:36:43,366
OF GLEBE HAMLETS
WHEN IT WAS TOPPED OUT?
758
00:36:43,367 --> 00:36:46,101
OH, I EXPECT SO.
THEY ALWAYS DO.
759
00:36:51,375 --> 00:36:55,578
YES. GLEBE HAMLETS.
YOU'RE IN LUCK.
760
00:36:55,579 --> 00:36:57,079
MAY I BORROW THIS?
761
00:36:57,080 --> 00:36:58,514
YES, OF COURSE.
THANK YOU.
762
00:36:58,515 --> 00:37:01,651
I'LL TAKE THE ALBUM
DOWNSTAIRS.
763
00:37:01,652 --> 00:37:05,588
SHE LIKES
TO LOOK THROUGH IT.
764
00:37:19,002 --> 00:37:21,504
WHAT WOULD MAKE A DECENT
GOD-FEARING MAN
765
00:37:21,505 --> 00:37:24,507
DESPERATE ENOUGH
TO TAKE A BRIBE?
766
00:37:24,508 --> 00:37:27,443
TO SEE HIS WIFE
GOING BLIND.
767
00:37:29,012 --> 00:37:30,513
WELL, IF THAT'S TRUE,
768
00:37:30,514 --> 00:37:32,948
HE MUST HAVE BEEN
IN A DREADFUL TURMOIL.
769
00:37:50,267 --> 00:37:51,967
[DIALING CELL PHONE]
770
00:37:56,206 --> 00:37:57,874
HELLO. YES, IT'S JACKIE
771
00:37:57,875 --> 00:37:59,876
FROM WINSTON GRANGE
RETIREMENT HOME.
772
00:37:59,877 --> 00:38:01,977
YEAH, YOU SAID TO CALL
773
00:38:01,978 --> 00:38:05,915
IF MRS. CARDWELL
HAD ANY VISITORS.
774
00:38:05,916 --> 00:38:09,819
ASSUMING WE'RE RIGHT,
WE STILL CAN'T PROVE ANYTHING.
775
00:38:09,820 --> 00:38:13,089
PERHAPS SOMEBODY IN
THIS PICTURE CAN HELP.
776
00:38:13,090 --> 00:38:16,158
A FAIR FEW WILL BE
DEAD BY NOW.
777
00:38:16,159 --> 00:38:18,027
TRUE.
778
00:38:18,028 --> 00:38:20,162
AND BY THE TIME WE'VE
TRACED THE REST,
779
00:38:20,163 --> 00:38:24,333
NO DOUBT BRIAN WESTON'S
MONEY WILL HAVE RUN OUT.
780
00:38:24,334 --> 00:38:25,735
EVEN SO...
781
00:38:25,736 --> 00:38:27,536
WHAT?
782
00:38:27,537 --> 00:38:30,506
JIM CARDWELL WAS
AN AMATEUR HISTORIAN.
783
00:38:30,507 --> 00:38:33,342
HE WAS PASSIONATE
ABOUT RECLAIMING
784
00:38:33,343 --> 00:38:35,678
THE PAST FOR POSTERITY.
785
00:38:35,679 --> 00:38:37,880
WHAT ARE YOU
GETTING AT?
786
00:38:37,881 --> 00:38:41,684
I'M NOT SURE.
787
00:38:41,685 --> 00:38:43,686
MOST PEOPLE
CHOOSE TO TAKE
788
00:38:43,687 --> 00:38:48,024
THEIR GUILTY SECRETS
TO THE GRAVE, GEOFFREY.
789
00:38:48,025 --> 00:38:51,961
BUT I DON'T THINK
HE WAS ONE OF THEM.
790
00:38:55,265 --> 00:38:57,299
[STRIMMER WHIRRING]
791
00:39:06,977 --> 00:39:08,343
NEARLY DONE?
792
00:39:10,981 --> 00:39:12,314
[WHIRRING STOPS]
793
00:39:12,315 --> 00:39:13,482
NEARLY DONE?
794
00:39:13,483 --> 00:39:15,484
AYE. I'VE BOOKED MYSELF
THE END PLOT.
795
00:39:15,485 --> 00:39:17,887
THEN I COULD JUST DROP
INTO IT WHEN I GET THERE.
796
00:39:17,888 --> 00:39:19,088
HA HA HA.
797
00:39:19,089 --> 00:39:21,356
WELL, YOU'VE DONE
A GOOD JOB.
798
00:39:21,357 --> 00:39:23,358
HE MIGHT PERSUADE
YOU TO STAY ON.
799
00:39:23,359 --> 00:39:25,795
OH, NOT LIKELY.
OH, YOU MISSED JANET.
800
00:39:25,796 --> 00:39:26,796
OH?
801
00:39:26,797 --> 00:39:28,330
SHE'S TAKEN
THE OTHER STRIMMER
802
00:39:28,331 --> 00:39:29,999
BACK TO NOREEN
BAINBRIDGE FOR ME.
803
00:39:30,000 --> 00:39:32,001
THAT WOMAN THREATENED
REVENGE ON ME,
804
00:39:32,002 --> 00:39:33,602
AND BY HECK,
SHE'S HAD IT.
805
00:39:36,840 --> 00:39:40,009
ONLY JIM. I DON'T
RECOGNIZE ANYBODY ELSE.
806
00:39:40,010 --> 00:39:43,012
BUT THEN, TO BE HONEST,
I NEED MY GLASSES.
807
00:39:43,013 --> 00:39:46,381
SAME HERE. BUT I
CAN JUST MAKE OUT
808
00:39:46,382 --> 00:39:48,017
HE'S HOLDING
SOMETHING.
809
00:39:48,018 --> 00:39:49,384
YES.
JIM IS?
810
00:39:49,385 --> 00:39:52,454
LET'S FIND
MY MAGNIFYING GLASS.
811
00:39:57,027 --> 00:39:58,560
THERE. THAT'S BETTER.
812
00:39:58,561 --> 00:40:00,029
NOW THEN...
813
00:40:00,030 --> 00:40:02,198
YOU SEE, IT LOOKS
LIKE HIS THERMOS FLASK.
814
00:40:02,199 --> 00:40:03,398
NO, NO, NO.
815
00:40:03,399 --> 00:40:04,867
IT'S A CONTAINER,
ALL RIGHT,
816
00:40:04,868 --> 00:40:07,203
BUT IT'S NOT FOR
HIS TEA, MRS. WAINTHROP.
817
00:40:07,204 --> 00:40:09,038
A TIME CAPSULE,
I THINK.
818
00:40:09,039 --> 00:40:10,539
TIME CAPSULE?
819
00:40:10,540 --> 00:40:11,707
CONTAINING ARTIFACTS
820
00:40:11,708 --> 00:40:14,143
FOR FUTURE
ARCHAEOLOGISTS TO FIND.
821
00:40:17,380 --> 00:40:19,481
MR. GREGSON.
822
00:40:39,002 --> 00:40:41,003
[LATCHES RATTLING]
823
00:40:42,906 --> 00:40:45,507
LOOKS AS THOUGH YOU'RE
GOING TO BE RECEIVED.
824
00:40:46,943 --> 00:40:49,078
BUT WHAT USE
IS AN OLD PHOTOGRAPH?
825
00:40:49,079 --> 00:40:51,080
YOU SAID THE RECORDS
WERE CLEAN.
826
00:40:51,081 --> 00:40:52,748
IT WAS JUST
A PHOTOGRAPH.
827
00:40:52,749 --> 00:40:54,583
WELL, ISN'T ONE
SUPPOSED TO BE WORTH
828
00:40:54,584 --> 00:40:56,252
MORE THAN
A THOUSAND WORDS?
829
00:40:56,253 --> 00:40:58,087
ARE YOU SURE
THAT THE COUNCIL
830
00:40:58,088 --> 00:40:59,588
KEPT ITS OWN PRINT?
831
00:40:59,589 --> 00:41:01,523
I MEAN, WHAT SORT
OF A SYSTEM IS THIS?
832
00:41:01,524 --> 00:41:03,192
FOR PITY'S SAKE,
WE'RE TALKING ABOUT
833
00:41:03,193 --> 00:41:05,027
25 YEARS' WORTH
OF PHOTOGRAPHS!
834
00:41:05,028 --> 00:41:06,528
SO JUST FIND IT.
835
00:41:06,529 --> 00:41:07,963
[SLAMS HAND ON TABLE]
836
00:41:10,600 --> 00:41:12,201
THIS PICTURE
WAS TAKEN
837
00:41:12,202 --> 00:41:13,869
AS THE LAST BRICK
WAS LAID.
838
00:41:13,870 --> 00:41:16,705
AND YOU THINK HE PUT
HIS CAPSULE BEHIND IT?
839
00:41:16,706 --> 00:41:18,373
THERE
OR THEREABOUTS
840
00:41:18,374 --> 00:41:20,309
IN THE CAVITY WALL.
841
00:41:22,545 --> 00:41:24,213
YOU MUST
KNOW THIS PLACE
842
00:41:24,214 --> 00:41:25,881
LIKE THE BACK
OF YOUR HAND.
843
00:41:25,882 --> 00:41:28,217
ALL RIGHT, HOLD ON.
THAT'S THE GABLE END.
844
00:41:28,218 --> 00:41:29,718
WHICH GABLE END?
845
00:41:29,719 --> 00:41:31,053
[THUNDER RUMBLES]
846
00:41:31,054 --> 00:41:34,056
I'LL LOOK AROUND
FOR SOME TOOLS.
847
00:41:34,057 --> 00:41:36,058
YOU CAN'T SEE
IN THIS LIGHT.
848
00:41:36,059 --> 00:41:37,726
COME ON OUTSIDE
849
00:41:37,727 --> 00:41:40,863
SO YOU CAN HAVE
A PROPER LOOK.
850
00:41:44,334 --> 00:41:46,501
IT'S ALL RIGHT.
851
00:41:53,076 --> 00:41:55,177
GOT IT!
852
00:42:16,032 --> 00:42:17,399
WELL?
853
00:42:17,400 --> 00:42:20,035
NOTHING.
854
00:42:20,036 --> 00:42:22,037
SEE? IT'S JUST
A PHOTOGRAPH.
855
00:42:22,038 --> 00:42:24,306
WHAT?
WHAT'S THAT?
856
00:42:24,307 --> 00:42:25,440
THAT!
857
00:42:26,877 --> 00:42:28,710
I'LL CHECK
THE ROOF SPACE.
858
00:42:28,711 --> 00:42:31,981
THAT'S WHERE THE LAST
COURSE OF BRICKS MUST BE.
859
00:43:05,515 --> 00:43:07,016
YES.
860
00:43:07,017 --> 00:43:08,717
I'VE GOT SOMETHING!
861
00:43:08,718 --> 00:43:09,952
HELLO.
862
00:43:13,023 --> 00:43:15,057
COME ON!
863
00:43:41,551 --> 00:43:44,119
IT'S ALL HERE--
864
00:43:44,120 --> 00:43:47,923
JIM CARDWELL'S CONFESSION,
865
00:43:47,924 --> 00:43:49,224
EVERYTHING.
866
00:43:49,225 --> 00:43:51,560
DOES HE NAME NAMES?
867
00:43:51,561 --> 00:43:54,063
OH, NAMES ARE NAMED,
ALL RIGHT.
868
00:43:54,064 --> 00:43:55,697
[FOOTSTEPS APPROACHING]
869
00:43:57,067 --> 00:44:01,337
SO, YOU FOUND SOME
OF THE COUNCIL'S PROPERTY.
870
00:44:01,338 --> 00:44:03,839
MR. HOSKINS WILL
TAKE CHARGE OF THAT.
871
00:44:03,840 --> 00:44:05,474
NOT ON YOUR LIFE.
872
00:44:05,475 --> 00:44:06,875
SO YOU INTEND
TO STEAL IT, DO YOU?
873
00:44:06,876 --> 00:44:09,845
YES. WHY DON'T YOU
CALL THE POLICE?
874
00:44:09,846 --> 00:44:11,847
I'M SURE THAT
A CITIZEN'S ARREST WILL DO.
875
00:44:11,848 --> 00:44:13,849
YOU'RE NO CITIZEN,
MR. GREGSON.
876
00:44:13,850 --> 00:44:15,684
YOU AND THE PEOPLE
IN YOUR POCKET
877
00:44:15,685 --> 00:44:17,353
ARE POISON
TO DECENT CITIZENS.
878
00:44:17,354 --> 00:44:19,188
AND IF IT HADN'T BEEN
FOR ENID WESTON,
879
00:44:19,189 --> 00:44:21,090
YOU'D HAVE GOT AWAY
WITH IT SCOT-FREE.
880
00:44:21,091 --> 00:44:23,225
I'M SORRY, BUT IT'S NOT ME
WITH MY BACK AGAINST THE WALL.
881
00:44:23,226 --> 00:44:25,961
YOU'RE GOING DOWN,
BOTH OF YOU.
882
00:44:25,962 --> 00:44:27,629
JUST HAND
THE STUFF OVER.
883
00:44:27,630 --> 00:44:29,999
THERE'S NO NEED
FOR ANYBODY TO GET HURT.
884
00:44:30,000 --> 00:44:31,200
SCREAM.
885
00:44:31,201 --> 00:44:34,036
AAH!
AAH!
886
00:44:34,037 --> 00:44:36,038
YOU FINISHED?
887
00:44:36,039 --> 00:44:37,539
OK.
888
00:44:37,540 --> 00:44:39,741
SO LET'S HAVE IT.
889
00:44:39,742 --> 00:44:42,411
AAH!
AAH!
890
00:44:42,412 --> 00:44:44,113
LET'S HAVE IT!
891
00:44:44,114 --> 00:44:46,982
AAH!
892
00:44:46,983 --> 00:44:49,985
AAH! ME LEG!
893
00:44:49,986 --> 00:44:54,823
HOW DID YOU KNOW
THEY WERE GOING DOWN?
894
00:45:19,449 --> 00:45:21,016
OH, HI.
895
00:45:21,017 --> 00:45:22,184
HIYA.
896
00:45:22,185 --> 00:45:24,186
ARE YOU GOING
SOMEWHERE?
897
00:45:24,187 --> 00:45:26,188
I MADE UP WITH
MY GIRLFRIEND.
898
00:45:26,189 --> 00:45:27,356
OH.
899
00:45:27,357 --> 00:45:28,990
YEAH. I'M MOVING
BACK IN.
900
00:45:28,991 --> 00:45:31,026
IT'S A BIT AWKWARD-LIKE
FOR JANET,
901
00:45:31,027 --> 00:45:32,961
BUT IT'S ONE
OF THOSE THINGS.
902
00:45:32,962 --> 00:45:35,364
YEAH. DO YOU NEED
ANY HELP?
903
00:45:35,365 --> 00:45:37,032
NO, THANKS.
904
00:45:37,033 --> 00:45:38,867
I'VE FINISHED.
I'VE JUST GOT TO LOAD UP.
905
00:45:38,868 --> 00:45:40,402
YOU'RE BEST OFF IN THERE.
906
00:45:40,403 --> 00:45:45,474
RIGHT. WELL...
I'LL SEE YOU AROUND.
907
00:45:45,475 --> 00:45:47,976
YEAH. OK.
ALL RIGHT.
908
00:46:06,996 --> 00:46:08,297
HI.
909
00:46:10,533 --> 00:46:13,502
HE'S GONE, THEN?
910
00:46:13,503 --> 00:46:15,304
HAPPY NOW?
911
00:46:15,305 --> 00:46:16,838
OF COURSE NOT.
912
00:46:16,839 --> 00:46:18,340
I THOUGHT
YOU WERE WORRIED
913
00:46:18,341 --> 00:46:20,775
HE WAS GOING TO SHOW ME
HIS IRONING AGAIN.
914
00:46:26,015 --> 00:46:27,949
[CLEARS THROAT]
915
00:46:30,686 --> 00:46:32,687
WE GOT
A RESULT TODAY.
916
00:46:32,688 --> 00:46:34,022
GOOD.
917
00:46:34,023 --> 00:46:36,024
DO YOU
WANT TO GO OUT?
918
00:46:36,025 --> 00:46:38,527
TAKE ADIE. HE'S IN
A CELEBRATION MOOD.
919
00:46:38,528 --> 00:46:40,862
WHAT ARE YOU
GOING TO DO?
920
00:46:40,863 --> 00:46:43,298
I'M GOING TO HAVE
AN EARLY NIGHT.
921
00:46:43,299 --> 00:46:45,534
I'VE GOT TO FIND A JOB
AND A LODGER TOMORROW.
922
00:46:45,535 --> 00:46:47,503
IT'S NOT MY FAULT!
923
00:46:47,504 --> 00:46:49,871
NOT ALL OF IT
ANYWAY.
924
00:46:49,872 --> 00:46:51,706
BUNG THE DOOR AS YOU GO.
925
00:46:51,707 --> 00:46:53,475
JANET--
926
00:46:53,476 --> 00:46:55,043
NIGHT, GEOFF.
927
00:47:18,401 --> 00:47:20,001
THE SETTEE?
928
00:47:20,002 --> 00:47:21,170
YES.
929
00:47:21,171 --> 00:47:22,671
YOU CAN'T BE
SERIOUS.
930
00:47:22,672 --> 00:47:24,339
I'M NOT GETTING SHORT
OF EVERYTHING, BRIAN.
931
00:47:24,340 --> 00:47:26,007
YOU'RE MOVING
TO A BRAND-NEW FLAT.
932
00:47:26,008 --> 00:47:27,476
IT'S A COMFORT.
933
00:47:27,477 --> 00:47:29,110
IT'S A HEALTH HAZARD.
934
00:47:29,111 --> 00:47:30,679
IT'S GOING.
935
00:47:30,680 --> 00:47:33,148
[SIGHS]
936
00:47:33,149 --> 00:47:34,683
LET IT REST,
OR SHE'LL BE
937
00:47:34,684 --> 00:47:36,084
BACK BEHIND
THE BARRICADES.
938
00:47:36,085 --> 00:47:39,555
AND TO THINK, THIS IS
THE DAY I'VE BEEN PRAYING FOR.
939
00:47:39,556 --> 00:47:41,690
FUNNY THE WAY
THINGS TURN OUT.
940
00:47:41,691 --> 00:47:43,692
THERE WAS A MOMENT
WHEN IT LOOKED
941
00:47:43,693 --> 00:47:46,094
AS THOUGH YOU WANTED
US TO CALL A HALT.
942
00:47:46,095 --> 00:47:48,730
YES. WELL, I HOPE I CAN STILL
RELY ON YOUR DISCRETION.
943
00:47:48,731 --> 00:47:51,200
REALLY? I THOUGHT
944
00:47:51,201 --> 00:47:54,002
POLITICIANS ENJOYED
TAKING THE CREDIT.
945
00:47:54,003 --> 00:47:56,538
TOO MUCH BLOOD ON THE CARPET
FOR THAT, I'M AFRAID.
946
00:47:56,539 --> 00:47:58,540
BESIDES, WE'RE NOT
ALWAYS BLAMELESS,
947
00:47:58,541 --> 00:48:00,108
AND WHO KNOWS?
948
00:48:00,109 --> 00:48:01,743
NEXT TIME, YOU MIGHT
BE GUNNING FOR ME.
949
00:48:11,987 --> 00:48:14,989
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950
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951
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952
00:48:17,976 --> 00:48:22,526
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