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1
00:00:00,367 --> 00:00:02,667
[SIREN]
2
00:00:24,323 --> 00:00:25,490
STUART?
3
00:00:25,491 --> 00:00:27,992
CAN'T YOU HEAR IT?
THE HOOTER.
4
00:00:27,993 --> 00:00:30,162
THEY'RE BLASTING--
BLASTING WITHOUT ME.
5
00:00:30,163 --> 00:00:31,563
WELL, WHAT'S IT MATTER?
6
00:00:31,564 --> 00:00:33,765
THEY NEVER BLAST
WITHOUT ME.
7
00:00:33,766 --> 00:00:35,600
YOU'RE NOT NEEDED
TILL AFTERNOON SHIFT.
8
00:00:35,601 --> 00:00:36,901
I HAVE TO BE
THERE NOW.
9
00:00:36,902 --> 00:00:39,104
OUR HAPPINESS COULD
BE BURIED FOREVER.
10
00:00:42,208 --> 00:00:44,142
[SIREN]
11
00:01:21,080 --> 00:01:23,014
[AIR HISSING]
12
00:01:30,556 --> 00:01:31,723
CLEAR!
13
00:01:31,724 --> 00:01:32,924
[EXPLOSION]
14
00:01:32,925 --> 00:01:34,659
JEEZ! AAH!
15
00:01:40,065 --> 00:01:43,001
CAPTIONING MADE POSSIBLE BY
ACORN MEDIA
16
00:02:33,051 --> 00:02:34,218
OH, NO!
17
00:02:34,219 --> 00:02:35,387
YOU SET THE ALARM!
18
00:02:35,388 --> 00:02:36,888
SUPPOSE WE MUST
HAVE MISSED THEM.
19
00:02:36,889 --> 00:02:38,256
GEOFF.
20
00:02:40,025 --> 00:02:42,694
LOOK! HA HA!
21
00:02:42,695 --> 00:02:45,129
OH, GOOD TO SEE YOU!
22
00:02:45,130 --> 00:02:49,534
GEOFF. JANET. OH!
23
00:02:49,535 --> 00:02:50,835
IT SEEMED SO LONG.
24
00:02:50,836 --> 00:02:52,370
GREAT HAT!
25
00:02:52,371 --> 00:02:54,005
I'M TOLD IT'S
FOR GARDENING.
26
00:02:54,006 --> 00:02:55,673
WELL, IT WOULD BE.
27
00:02:55,674 --> 00:02:57,542
YOU BOTH HAVE
GREAT SUNTANS.
28
00:02:57,543 --> 00:02:58,710
WE'VE HAD
A MARVELOUS HOLIDAY.
29
00:02:58,711 --> 00:03:00,311
ONCE WE MANAGED
TO MEET UP.
30
00:03:00,312 --> 00:03:01,513
HETTY WAS
IN AUSTRALIA.
31
00:03:01,514 --> 00:03:03,515
ROBERT HERE IN ENGLAND
LOOKING FOR ME.
32
00:03:03,516 --> 00:03:05,550
WHAT A MIX-UP.
33
00:03:05,551 --> 00:03:07,385
I'M SO PLEASE YOU
PERSUADED HIM
34
00:03:07,386 --> 00:03:09,186
TO COME OVER
FOR CHRISTMAS.
35
00:03:09,187 --> 00:03:10,755
AYE. SO AM I.
36
00:03:10,756 --> 00:03:13,090
HAVE YOU BEEN WAITING
LONG, GEOFFREY?
37
00:03:13,091 --> 00:03:16,193
NO TIME AT ALL,
MRS. WAINTHROPP.
38
00:03:16,194 --> 00:03:19,230
OH. AUSTRALIA
WAS WONDERFUL,
39
00:03:19,231 --> 00:03:22,133
BUT HOME IS HOME,
ISN'T IT, ROBERT?
40
00:03:22,134 --> 00:03:23,301
Janet: OH,
THEY'RE LOVELY.
41
00:03:23,302 --> 00:03:24,836
LOTS OF JEWELS.
LOOK.
42
00:03:24,837 --> 00:03:27,505
FANCY STONES
FROM DOWN UNDER.
43
00:03:27,506 --> 00:03:29,774
HERE, GEOFFREY.
44
00:03:29,775 --> 00:03:31,075
NOW.
45
00:03:31,076 --> 00:03:33,177
�
�
46
00:03:33,178 --> 00:03:36,648
HA! MY WORD,
ROBERT!
47
00:03:36,649 --> 00:03:38,082
I'VE BEEN PRACTICING.
48
00:03:38,083 --> 00:03:40,318
HERE, GEOFFREY.
THIS IS YOUR INSTRUMENT,
49
00:03:40,319 --> 00:03:42,119
AND YOU HAVE TO SIT
DOWN ON THE GROUND.
50
00:03:42,120 --> 00:03:45,089
SIT YOU DOWN. GO ON.
PUCKER UP YOUR LIPS
51
00:03:45,090 --> 00:03:46,458
INSIDE THE MOUTHPIECE
52
00:03:46,459 --> 00:03:48,793
AND MAKE A SORT
OF RASPBERRY SOUND.
53
00:03:48,794 --> 00:03:50,428
BREATHE IN
THROUGH YOUR NOSE.
54
00:03:50,429 --> 00:03:53,698
YOU'VE GOT TO GET A SORT
OF CIRCULAR BREATHING GOING
55
00:03:53,699 --> 00:03:55,266
IN THROUGH YOUR NOSE
56
00:03:55,267 --> 00:03:58,002
AND OUT INTO
THE DIDGERIDOO, RIGHT.
57
00:03:58,003 --> 00:04:01,473
BREATHE IN AND OUT.
58
00:04:01,474 --> 00:04:02,674
[SQUEAK]
59
00:04:02,675 --> 00:04:04,576
[SPUTTERING]
60
00:04:04,577 --> 00:04:07,679
OF SOUND
CAME THERE NONE.
61
00:04:07,680 --> 00:04:09,514
HA HA HA!
62
00:04:09,515 --> 00:04:11,649
NEVER MIND.
NEXT TIME.
63
00:04:29,301 --> 00:04:31,235
[TELEPHONE RINGING]
64
00:04:38,844 --> 00:04:41,513
YES. YOU'RE SEEING
YOUR COUSIN DOWN HERE.
65
00:04:41,514 --> 00:04:43,447
YES. TOMORROW.
66
00:04:43,448 --> 00:04:45,216
I'LL HAVE A WORD,
GET BACK TO YOU.
67
00:04:45,217 --> 00:04:48,019
THAT'S ALL RIGHT.
68
00:04:48,020 --> 00:04:49,521
A CASE POSSIBLY.
I DIDN'T WANT TO
69
00:04:49,522 --> 00:04:51,155
BOTHER YOU WITH IT
STRAIGHTAWAY.
70
00:04:51,156 --> 00:04:53,424
GEOFFREY, I'M READY
FOR WORK.
71
00:04:53,425 --> 00:04:55,259
I'M FIT AS A BOB,
AND I'M REARING TO GO.
72
00:04:55,260 --> 00:04:57,061
WHO IS IT?
WHAT'S IT ABOUT?
73
00:04:57,062 --> 00:05:01,032
WELL, TREASURE,
HIDDEN TREASURE.
74
00:05:01,033 --> 00:05:04,301
IT WAS ABOUT
3 MONTHS AGO.
75
00:05:04,302 --> 00:05:07,005
STUART WAS IN A DISUSED
PART OF THE MINE.
76
00:05:07,006 --> 00:05:09,073
AN IRON ORE MINE
UP IN REDRIGG,
77
00:05:09,074 --> 00:05:11,976
MRS. WAINTHROPP.
78
00:05:11,977 --> 00:05:16,414
ON THE DAY HE DIED,
HE CAME RUSHING HOME.
79
00:05:16,415 --> 00:05:17,649
THE WARNING HOOTER
WAS SOUNDING.
80
00:05:17,650 --> 00:05:20,351
THEY WERE BLASTING
UNDERGROUND.
81
00:05:20,352 --> 00:05:22,554
I DON'T KNOW--
I DON'T KNOW
82
00:05:22,555 --> 00:05:24,321
WHAT TOOK HIM BELOW.
83
00:05:24,322 --> 00:05:27,291
NOBODY COULD GIVE ME
A PROPER REASON,
84
00:05:27,292 --> 00:05:30,361
BUT HE KNEW THEY WERE
BLASTING NEARBY.
85
00:05:30,362 --> 00:05:33,464
HE KNEW THE DANGERS,
86
00:05:33,465 --> 00:05:36,100
AND THE TUNNEL
COLLAPSED ON HIM.
87
00:05:36,101 --> 00:05:37,902
I'M VERY SORRY.
88
00:05:39,572 --> 00:05:42,173
BUT IT'S, UH,
IT'S NOT HIS DEATH
89
00:05:42,174 --> 00:05:43,975
I'VE COME TO SEE
YOU ABOUT.
90
00:05:43,976 --> 00:05:45,910
[DIDGERIDOO PLAYING]
91
00:05:51,249 --> 00:05:52,917
HEY. THAT'S
DEAD COOL.
92
00:05:52,918 --> 00:05:55,152
REAL EUCALYPTUS WOOD.
THAT'S WHY.
93
00:05:55,153 --> 00:05:58,957
HOLLOWED OUT
BY ANTS AND TERMITES.
94
00:05:58,958 --> 00:06:00,157
IT SAYS HERE THAT
THE ADVANCED
95
00:06:00,158 --> 00:06:01,793
DIDGERIDOOIST CAN
IMITATE
96
00:06:01,794 --> 00:06:03,294
A CROCODILE'S GROWL.
97
00:06:03,295 --> 00:06:05,964
IS THAT A REQUEST,
JANET.
98
00:06:05,965 --> 00:06:09,767
ONE CROCODILE GROWL
COMING UP.
99
00:06:12,437 --> 00:06:15,439
I'VE ALWAYS WANTED
A PUPPY.
100
00:06:15,440 --> 00:06:18,910
ROBERT, PLEASE.
I'M WORKING.
101
00:06:18,911 --> 00:06:22,279
SORRY, HETTY.
THE DINGO JUST LEAPT OUT.
102
00:06:22,280 --> 00:06:25,016
YES. WELL.
103
00:06:27,352 --> 00:06:29,687
Hetty: THIS BOOK
OF YOUR HUSBAND'S
104
00:06:29,688 --> 00:06:32,556
THAT WAS STOLEN,
THERE'S ONLY ONE COPY?
105
00:06:32,557 --> 00:06:34,592
YEAH. THAT'S WHY I'M
SO DESPERATE
106
00:06:34,593 --> 00:06:35,760
TO GET IT BACK.
107
00:06:35,761 --> 00:06:37,294
IT WAS STUART'S
LIFE'S WORK,
108
00:06:37,295 --> 00:06:39,563
ALL ABOUT THE MINES
OF CUMBRIA.
109
00:06:39,564 --> 00:06:42,100
HE CALLED IT
OUR PENSION,
110
00:06:42,101 --> 00:06:44,468
BUT SINCE STUART DIED,
THERE'VE BEEN RUMORS
111
00:06:44,469 --> 00:06:46,671
ABOUT A MAP IN HIS BOOK
THAT SHOWS
112
00:06:46,672 --> 00:06:50,207
WHERE SOME VALUABLE MINERALS
ARE HIDDEN IN THE MINE.
113
00:06:50,208 --> 00:06:51,943
IT'S LIKE
A TREASURE HORDE.
114
00:06:51,944 --> 00:06:53,511
MRS. PRIDWELL SAYS
SOME STONES
115
00:06:53,512 --> 00:06:55,113
CAN FETCH THOUSANDS!
116
00:06:55,114 --> 00:06:57,348
IS THAT A FACT?
117
00:06:57,349 --> 00:06:59,984
WHO'D OWN THESE
MINERAL THINGS?
118
00:06:59,985 --> 00:07:02,586
WELL, WHEN THE MINE
CLOSED DOWN,
119
00:07:02,587 --> 00:07:04,922
COMPANY SOLD IT
TO THE MINERS,
120
00:07:04,923 --> 00:07:06,124
BUT I SUPPOSE
THE LANDOWNERS
121
00:07:06,125 --> 00:07:07,458
WOULD STILL HAVE
THE RIGHTS.
122
00:07:07,459 --> 00:07:09,761
SO THE MINERALS
BELONG TO THEM.
123
00:07:09,762 --> 00:07:12,697
YES. LOOK. IF IT'S
MONEY FOR YOUR HELP,
124
00:07:12,698 --> 00:07:14,465
DON'T WORRY.
I'M WELL OFF.
125
00:07:14,466 --> 00:07:16,167
I HAVE ME HUSBAND'S
REDUNDANCY,
126
00:07:16,168 --> 00:07:17,702
HIS INSURANCES.
127
00:07:17,703 --> 00:07:20,104
JUST FIND MY HUSBAND'S
WRITING WORK,
128
00:07:20,105 --> 00:07:22,774
PUT IT BACK
IN MY HANDS, PLEASE.
129
00:07:48,601 --> 00:07:51,970
IT'S RED.
EVERYTHING'S RED.
130
00:07:51,971 --> 00:07:54,205
IT'S ALL THIS IRON
STUFF IN THE SOIL.
131
00:07:54,206 --> 00:07:56,574
ORE. IRON ORE.
132
00:07:56,575 --> 00:07:59,143
AH.
133
00:07:59,144 --> 00:08:00,311
GOOD MORNING.
134
00:08:00,312 --> 00:08:02,413
MORNING. WHO ARE
YOU LOOKING FOR?
135
00:08:02,414 --> 00:08:04,148
INFORMATION.
136
00:08:04,149 --> 00:08:05,349
I'M A WRITER
RESEARCHING
137
00:08:05,350 --> 00:08:07,986
THE LIVES OF WOMEN
MARRIED TO MINERS.
138
00:08:07,987 --> 00:08:09,587
WHY DO THAT?
139
00:08:09,588 --> 00:08:11,556
BECAUSE THEIR
TRUE VOICE
140
00:08:11,557 --> 00:08:13,791
HAS SELDOM
BEEN HEARD.
141
00:08:13,792 --> 00:08:15,326
I HEARD TOO MUCH
OF MY WIFE'S VOICE
142
00:08:15,327 --> 00:08:19,063
WHEN I WERE MARRIED.
HA HA HA!
143
00:08:19,064 --> 00:08:20,832
WOMEN HAVE A RIGHT
TO BE HEARD.
144
00:08:20,833 --> 00:08:23,401
DON'T YOU
FORGET THAT.
145
00:08:23,402 --> 00:08:25,169
HENRIETTA WAINTHROPP.
146
00:08:25,170 --> 00:08:27,104
SORRY.
147
00:08:27,105 --> 00:08:28,472
HA HA HA!
148
00:08:28,473 --> 00:08:31,609
GEOFFREY SHAWCROSS,
MY RESEARCHER.
149
00:08:31,610 --> 00:08:33,511
JACK DUCKETT,
FOREMAN.
150
00:08:33,512 --> 00:08:34,679
HOW DO YOU DO?
151
00:08:34,680 --> 00:08:35,847
HOW DO YOU DO?
152
00:08:35,848 --> 00:08:38,315
COME ON.
I'LL SHOW YOU AROUND.
153
00:08:38,316 --> 00:08:39,751
RIGHT.
154
00:08:41,921 --> 00:08:43,888
ARE YOU STAYING
HEREABOUTS?
155
00:08:43,889 --> 00:08:46,591
WITH MOIRA PRIDWELL
AT SKIDDAW VIEW.
156
00:08:46,592 --> 00:08:49,393
OH. SHE COULD USE
A GOOD PAYING GUEST.
157
00:08:49,394 --> 00:08:50,862
LOST HER HUSBAND.
158
00:08:50,863 --> 00:08:53,330
ACCIDENT
IN PIT NUMBER 3
159
00:08:53,331 --> 00:08:55,499
JUST A WEEK AFTER HE'D PUT
HIS REDUNDANCY CASH IN
160
00:08:55,500 --> 00:08:57,234
TO KEEP THE MINE GOING.
161
00:08:57,235 --> 00:08:59,737
BUT THERE WILL BE
AN INCOME, SOME DIVIDENDS.
162
00:08:59,738 --> 00:09:02,907
I SURE HOPE SO.
163
00:09:02,908 --> 00:09:05,109
WE'RE HALF A WORKING MINE,
HALF A HERITAGE CENTER,
164
00:09:05,110 --> 00:09:07,679
YOU KNOW, TOURS AND THAT.
165
00:09:07,680 --> 00:09:10,648
ONCE, 1,000 MINERS
USED TO WORK ROUND HERE.
166
00:09:10,649 --> 00:09:12,650
NOW WE'RE DOWN TO LESS
THAN A DOZEN.
167
00:09:12,651 --> 00:09:14,251
REALLY?
168
00:09:14,252 --> 00:09:17,689
CAN'T EVEN AFFORD TO RUN
THE MAIN SHAFT ANYMORE.
169
00:09:17,690 --> 00:09:19,891
EVER BEEN BELOW?
170
00:09:19,892 --> 00:09:21,559
UNDERGROUND?
171
00:09:21,560 --> 00:09:24,028
THE LOWER DEPTHS. AYE.
172
00:09:24,029 --> 00:09:25,863
NO.
173
00:09:25,864 --> 00:09:27,699
RIGHT. I'LL GIVE YOU
THE TOUR TOMORROW.
174
00:09:27,700 --> 00:09:29,701
IT WILL BE
GRAND RESEARCH, GEOFFREY,
175
00:09:29,702 --> 00:09:31,335
FOR THE BOOK.
176
00:09:41,614 --> 00:09:44,415
CLOSED FOR LUNCH.
177
00:09:44,416 --> 00:09:46,550
OH. HA HA!
178
00:09:46,551 --> 00:09:49,386
I WONDERED WHERE I
MIGHT FIND MRS. PRIDWELL.
179
00:09:49,387 --> 00:09:51,789
OH.
WE HEARD THERE WAS
180
00:09:51,790 --> 00:09:53,625
A WRITER COMING
TO THE VILLAGE.
181
00:09:53,626 --> 00:09:55,860
YOU WANT TO PUT US
IN A BOOK?
182
00:09:55,861 --> 00:09:57,495
TRAGEDY THAT
WOULD BE.
183
00:09:57,496 --> 00:09:58,696
WOULD IT?
184
00:09:58,697 --> 00:10:01,198
MEN AND KIDS--
THAT'S ALL WE KNOW.
185
00:10:01,199 --> 00:10:03,668
OH, I'M SURE YOU KNOW
MORE THAN THAT.
186
00:10:03,669 --> 00:10:06,638
WOMEN'S TRUTHS--
THAT'S WHAT I'M AFTER.
187
00:10:06,639 --> 00:10:08,706
YOU STAYING
WITH MOIRA PRIDWELL?
188
00:10:08,707 --> 00:10:10,474
YES, I AM.
189
00:10:10,475 --> 00:10:12,409
YOU'LL WRITE
THE TRUTH THERE.
190
00:10:12,410 --> 00:10:13,645
WILL I?
191
00:10:13,646 --> 00:10:15,980
OH, YEAH. SHE TELLS
A GOOD STORY.
192
00:10:15,981 --> 00:10:17,815
I'M ALWAYS
KEEN ON THOSE.
193
00:10:17,816 --> 00:10:19,350
ASK HER FOR ONE
ABOUT FILCHING
194
00:10:19,351 --> 00:10:20,652
FROM YOUR MATES.
195
00:10:20,653 --> 00:10:22,419
CONNIE, YOU DON'T KNOW.
196
00:10:22,420 --> 00:10:23,855
THAT'S WHAT MEN SAY.
197
00:10:23,856 --> 00:10:26,524
IF SHE'S GOT MONEY, WHY'S
SHE TAKING IN LODGERS,
198
00:10:26,525 --> 00:10:27,992
SCRUBBING OUT
VILLAGE HALL?
199
00:10:27,993 --> 00:10:30,094
TO COVER IT ALL UP.
200
00:10:30,095 --> 00:10:32,263
I HEARD MRS. PRIDWELL
WAS WELL SETUP
201
00:10:32,264 --> 00:10:33,731
WITH INSURANCE.
202
00:10:33,732 --> 00:10:35,466
OH. IS THAT WHAT
SHE CALLS IT?
203
00:10:35,467 --> 00:10:37,234
WHY? WHAT WOULD YOU
CALL IT?
204
00:10:37,235 --> 00:10:39,003
ASK HER YOURSELF.
205
00:11:07,933 --> 00:11:10,101
BUSY LIZZIES?
206
00:11:14,439 --> 00:11:16,741
MAY I ASK JUST WHAT
IT IS YOU'RE DOING?
207
00:11:16,742 --> 00:11:18,409
TRYING TO GET
INTO THIS SHED.
208
00:11:18,410 --> 00:11:19,577
FOR WHAT PURPOSE?
209
00:11:19,578 --> 00:11:21,212
TO HOE OUT THEM
BUSY LIZZIES.
210
00:11:21,213 --> 00:11:22,379
JOE MUST BE OFF
HIS ROCKER,
211
00:11:22,380 --> 00:11:23,815
PLANTING THEM
GAUDY THINGS.
212
00:11:23,816 --> 00:11:26,217
THIS LAND IS LEASED
TO ME.
213
00:11:26,218 --> 00:11:27,885
THOSE PRETTY BLOOMS
HAPPEN TO BE
214
00:11:27,886 --> 00:11:29,353
MY FAVORITE FLOWERS
AND HAVE GOT NOTHING
215
00:11:29,354 --> 00:11:30,654
TO DO WITH YOU.
216
00:11:30,655 --> 00:11:33,157
EXCUSE ME. THIS IS
MY ALLOTMENT.
217
00:11:33,158 --> 00:11:34,859
I'VE WORKED ON IT
FOR YEARS.
218
00:11:34,860 --> 00:11:37,394
OHH. YOU MUST BE
ROBERT WAINTHROPP.
219
00:11:37,395 --> 00:11:38,562
AYE.
220
00:11:38,563 --> 00:11:39,731
WELL, YOU SHOULD BE
ASHAMED OF YOURSELF.
221
00:11:39,732 --> 00:11:41,099
IT WAS A WEED-STREWN
WILDERNESS,
222
00:11:41,100 --> 00:11:43,534
RAMPANT WITH THE WORST
EXCESSES OF GROUND ELDER,
223
00:11:43,535 --> 00:11:45,402
AND THE SHED'S
A DISGRACE.
224
00:11:45,403 --> 00:11:47,171
NO, NO, NO. THERE MUST
BE SOME MISTAKE.
225
00:11:47,172 --> 00:11:48,405
IT WAS TO BE
LOOKED AFTER
226
00:11:48,406 --> 00:11:49,573
IN MY ABSENCE!
227
00:11:49,574 --> 00:11:51,042
NO. YOU'LL FIND THE NAME
NOREEN BAINBRIDGE
228
00:11:51,043 --> 00:11:53,310
ON THIS ALLOTMENT,
NOT ROBERT WAINTHROPP.
229
00:11:53,311 --> 00:11:54,578
I'LL HAVE TO APPROACH
THE COMMITTEE
230
00:11:54,579 --> 00:11:55,947
ABOUT THIS.
231
00:11:55,948 --> 00:11:57,615
YOU'RE TRESPASSING!
232
00:11:57,616 --> 00:11:59,951
GET OFF MY LAND!
233
00:12:12,664 --> 00:12:14,565
I'M SELF-TAUGHT,
YOU KNOW?
234
00:12:14,566 --> 00:12:18,870
OH! REALLY?
I'D NEVER HAVE GUESSED.
235
00:12:18,871 --> 00:12:21,605
WORKED THE MINE.
SURFACE MOSTLY.
236
00:12:21,606 --> 00:12:23,574
MM.
THEN IT CLOSED.
237
00:12:23,575 --> 00:12:26,277
PUT ME REDUNDANCY
INTO THIS.
238
00:12:26,278 --> 00:12:27,544
DON'T REGRET IT.
239
00:12:30,816 --> 00:12:33,284
HEY, BLUE,
HOW ARE YOU?
240
00:12:33,285 --> 00:12:35,486
ANGRY ACTUALLY,
VERY ANGRY.
241
00:12:35,487 --> 00:12:36,888
HAVE YOU SEEN
JOE RAWLINGS?
242
00:12:36,889 --> 00:12:38,555
HE WAS SUPPOSED TO
LOOK AFTER MY ALLOTMENT.
243
00:12:38,556 --> 00:12:39,857
BEEN POORLY,
HAS JOE.
244
00:12:39,858 --> 00:12:41,192
OH. SORRY
TO HEAR THAT.
245
00:12:41,193 --> 00:12:42,426
BAD OPERATION.
246
00:12:42,427 --> 00:12:43,594
HE'S DOWN
AT HIS DAUGHTER'S
247
00:12:43,595 --> 00:12:44,962
TRYING TO GET
HIMSELF FIT.
248
00:12:44,963 --> 00:12:46,563
OH. THAT IS
BAD NEWS.
249
00:12:46,564 --> 00:12:48,532
BAD FOR HIM
AND BAD FOR ME.
250
00:12:48,533 --> 00:12:50,001
THEY'VE GONE
AND GIVEN MY LAND
251
00:12:50,002 --> 00:12:51,502
TO SOMEONE WHO'S
COLOR-BLIND.
252
00:12:51,503 --> 00:12:53,137
SHE GROWS
BUSY LIZZIES.
253
00:12:53,138 --> 00:12:54,872
THAT'S A BIT EARLY.
254
00:12:54,873 --> 00:12:56,040
EH?
255
00:12:56,041 --> 00:12:58,475
WHY NOT SEE SOMEONE
FROM COMMITTEE.
256
00:12:58,476 --> 00:13:00,377
UH, OH. FRED BUTTERWORTH'S
ON HIS PATCH.
257
00:13:00,378 --> 00:13:04,115
RIGHT. I WILL.
258
00:13:04,116 --> 00:13:05,983
Geoffrey: YOU PAINT IT
A LOT, DON'T YOU?
259
00:13:05,984 --> 00:13:07,584
GETS INTO YOU,
260
00:13:07,585 --> 00:13:09,120
AND YOU HATE IT,
BUT YOU CAN'T
261
00:13:09,121 --> 00:13:10,688
LEAVE IT SOMEHOW.
262
00:13:13,192 --> 00:13:14,358
SEE ANYTHING
YOU LIKE?
263
00:13:14,359 --> 00:13:16,027
I DO DISCOUNTS.
264
00:13:16,028 --> 00:13:20,564
OH. I'D LIKE A PROPER
LOOK ROUND LATER,
265
00:13:20,565 --> 00:13:21,966
BUT RIGHT NOW, I'M
LOOKING FOR SOMEWHERE
266
00:13:21,967 --> 00:13:24,101
TO STAY
FOR A FEW DAYS.
267
00:13:24,102 --> 00:13:25,269
THERE'S A WIDOW--
MOIRA--
268
00:13:25,270 --> 00:13:26,804
LOOKING
FOR A LODGER.
269
00:13:26,805 --> 00:13:29,640
SHE'S A FINE WOMAN,
VERY FINE.
270
00:13:29,641 --> 00:13:31,542
THAT ROOM'S TAKEN.
271
00:13:33,445 --> 00:13:34,678
BLACK BULL'S GOT
ROOMS.
272
00:13:34,679 --> 00:13:36,580
OH.
IF YOU SEE ME IN BAR,
273
00:13:36,581 --> 00:13:38,249
COST YOU A PINT
FOR THE INFO.
274
00:13:38,250 --> 00:13:39,383
RIGHT.
275
00:14:06,544 --> 00:14:08,812
HELLO?
276
00:14:08,813 --> 00:14:11,315
OH. HOW DID YOU KNOW
I WAS HERE?
277
00:14:11,316 --> 00:14:12,616
YOUR NAME'S ON
THE NOTICE BOARD
278
00:14:12,617 --> 00:14:14,351
OUTSIDE--
MOIRA PRIDWELL,
279
00:14:14,352 --> 00:14:15,719
CARETAKER.
280
00:14:15,720 --> 00:14:17,120
WELL, IT'S AN INTEREST.
281
00:14:17,121 --> 00:14:18,589
I'M JUST GETTING
THE PLACE SPICK-AND-SPAN
282
00:14:18,590 --> 00:14:20,658
FOR OUR ANNUAL DANCE.
283
00:14:20,659 --> 00:14:22,859
YOU MENTIONED
REDUNDANCY PAYMENTS
284
00:14:22,860 --> 00:14:24,961
AND INSURANCE.
285
00:14:24,962 --> 00:14:27,964
I NEED THE FULL
STORY, MOIRA.
286
00:14:27,965 --> 00:14:29,333
YOU'VE NOT BEEN
STRAIGHT WITH ME
287
00:14:29,334 --> 00:14:31,669
ABOUT YOUR FINANCES.
288
00:14:31,670 --> 00:14:33,870
IT'S AS I SAID.
289
00:14:33,871 --> 00:14:36,340
I THINK THERE'S MORE
TO IT THAN THAT.
290
00:14:41,479 --> 00:14:42,780
MOIRA?
291
00:14:49,454 --> 00:14:51,955
I'M SORRY.
292
00:14:51,956 --> 00:14:55,258
HETTY.
293
00:14:55,259 --> 00:14:56,927
YOU'RE MARRIED,
AREN'T YOU?
294
00:14:56,928 --> 00:14:58,662
YES, I AM.
295
00:14:58,663 --> 00:15:00,431
THEN CHERISH HIM.
296
00:15:04,101 --> 00:15:05,336
YOU DON'T KNOW
WHAT IT'S LIKE
297
00:15:05,337 --> 00:15:07,638
AFTER THEY'VE GONE.
298
00:15:07,639 --> 00:15:09,105
YOUR HOME'S
AN EMPTY PLACE.
299
00:15:09,106 --> 00:15:11,608
IT'S--IT'S EMPTY.
300
00:15:11,609 --> 00:15:14,445
AND THAT BOOK--
MY HUSBAND WROTE IT.
301
00:15:14,446 --> 00:15:17,481
HE HAD YEARS
OF HIS LIFE IN IT,
302
00:15:17,482 --> 00:15:20,784
AND I COULD SEE HIM
AT THE TABLE WRITING.
303
00:15:26,958 --> 00:15:28,258
YOU KNOW WHAT
THE WIVES ARE SAYING
304
00:15:28,259 --> 00:15:30,026
ABOUT STUART,
DON'T YOU?
305
00:15:30,027 --> 00:15:31,995
WHAT DO THEY SAY?
306
00:15:31,996 --> 00:15:34,765
WELL, WHEN THE MINE
WAS ABOUT TO CLOSE,
307
00:15:34,766 --> 00:15:36,767
THE MEN GOT TOGETHER
AND POOLED ALL
308
00:15:36,768 --> 00:15:39,403
THE SPECIAL MINERALS
THAT THEY'D FOUND,
309
00:15:39,404 --> 00:15:41,238
AND THEY HID THEM
IN THE PIT,
310
00:15:41,239 --> 00:15:42,906
AND WHEN THE TIME CAME
FOR THE SHARE-OUT,
311
00:15:42,907 --> 00:15:44,608
ALL THE BEST ONES
HAD GONE,
312
00:15:44,609 --> 00:15:46,943
AND THEY SAID THAT
MY STUART TOOK THEM
313
00:15:46,944 --> 00:15:48,679
FOR HIMSELF
AND THAT HE DIED
314
00:15:48,680 --> 00:15:50,514
TRYING TO RESCUE THEM.
315
00:15:50,515 --> 00:15:52,148
DO THE VILLAGERS
THINK YOU KNOW
316
00:15:52,149 --> 00:15:55,185
WHERE
THE STONES ARE?
317
00:15:55,186 --> 00:15:58,389
BUT I SWEAR I DON'T.
318
00:15:58,390 --> 00:16:00,023
I JUST WANT
STUART'S BOOK BACK.
319
00:16:00,024 --> 00:16:02,893
THAT'S TREASURE ENOUGH
FOR ME.
320
00:16:02,894 --> 00:16:04,294
Man: WE'D NO CHOICE,
MATE.
321
00:16:04,295 --> 00:16:05,596
DIDN'T I DESERVE
A HEARING?
322
00:16:05,597 --> 00:16:07,498
YOU WERE OFF
GALLIVANTING DOWN UNDER.
323
00:16:07,499 --> 00:16:09,400
YOUR PLOT WAS
A DISGRACE.
324
00:16:09,401 --> 00:16:11,635
COMMITTEE INSPECTED,
AND YOU HAD TO GO.
325
00:16:11,636 --> 00:16:12,803
JOE RAWLINGS--
326
00:16:12,804 --> 00:16:14,571
I DON'T CARE.
RULES IS RULES,
327
00:16:14,572 --> 00:16:15,739
AND YOU'RE OFF!
328
00:16:15,740 --> 00:16:17,775
YOU SOUND LIKE
A FOOTBALL REFEREE.
329
00:16:17,776 --> 00:16:19,810
DON'T I EVEN GET
A YELLOW CARD?
330
00:16:19,811 --> 00:16:20,977
VALUABLE PLOTS
ARE THESE,
331
00:16:20,978 --> 00:16:23,013
AND YOU'LL GET YOUR
TURN ON THE LIST.
332
00:16:23,014 --> 00:16:24,214
AM I ON THE LIST?
333
00:16:24,215 --> 00:16:27,618
AYE. RIGHT
AT BOTTOM.
334
00:16:27,619 --> 00:16:30,987
Hetty: YES. I CAN'T PROMISE,
BUT IF ANYTHING IS FOUND,
335
00:16:30,988 --> 00:16:34,658
IT WILL BE PASSED
OVER TO YOU.
336
00:16:34,659 --> 00:16:36,593
THANK YOU, MR. FULTON.
337
00:16:38,563 --> 00:16:40,431
THE AGENTS
FOR THE LANDOWNERS
338
00:16:40,432 --> 00:16:42,332
AGREED TO PAY BACK
1/3 OF THE SUM
339
00:16:42,333 --> 00:16:44,100
THE MISSING MINERALS
FETCH.
340
00:16:44,101 --> 00:16:46,670
WELL, THAT'S FAIR.
341
00:16:46,671 --> 00:16:49,473
IF THEY DO TURN UP,
I SUGGEST THE PROCEEDS
342
00:16:49,474 --> 00:16:52,075
ARE SHARED WITH EVERYONE
IN THE VILLAGE.
343
00:16:53,912 --> 00:16:56,079
THAT WAY, I CAN BE PAID,
344
00:16:56,080 --> 00:16:59,950
AND NOBODY ELSE
CAN BEAR A GRUDGE.
345
00:16:59,951 --> 00:17:01,351
ALL RIGHT.
346
00:17:01,352 --> 00:17:02,553
Geoffrey: ALL WE
HAVE TO DO NOW
347
00:17:02,554 --> 00:17:04,755
IS FIND
THE TREASURE.
348
00:17:04,756 --> 00:17:06,623
I'VE SEEN THE MAP
IN STUART'S BOOK,
349
00:17:06,624 --> 00:17:09,960
BUT--BUT IT'S
SOMETHING HE SAID.
350
00:17:09,961 --> 00:17:13,363
A PHRASE, A WORD?
351
00:17:13,364 --> 00:17:17,100
THE LAST WORDS HE
SPOKE TO ME WERE
352
00:17:17,101 --> 00:17:20,337
SOMETHING ABOUT HAPPINESS
BEING BURIED.
353
00:17:20,338 --> 00:17:22,473
HAPPINESS?
354
00:17:22,474 --> 00:17:24,508
YEAH. HE OFTEN
SAID IT.
355
00:17:24,509 --> 00:17:28,779
YES. HAPPINESS
AND LONELY HEARTS.
356
00:17:28,780 --> 00:17:30,814
COULD THEY BE
LINKED TOGETHER?
357
00:17:30,815 --> 00:17:34,852
THERE WAS ANOTHER WORD
THAT WAS--
358
00:17:34,853 --> 00:17:36,520
NO. LONELY HEARTS.
359
00:17:36,521 --> 00:17:39,623
BETWEEN SOMETHING
AND LONELY HEARTS
360
00:17:39,624 --> 00:17:41,992
LIES HAPPINESS.
361
00:17:41,993 --> 00:17:44,661
OH. IT'S PART
OF THE MINE.
362
00:17:44,662 --> 00:17:48,532
IT'S CALLED, UM--
OH, CALLED, UH--
363
00:17:48,533 --> 00:17:49,700
HUNCHBACK.
364
00:17:49,701 --> 00:17:52,402
YEAH! HOW DID YOU KNOW?
365
00:17:52,403 --> 00:17:54,304
GEOFFREY, HAVE YOU
GONE PSYCHIC?
366
00:17:54,305 --> 00:17:56,439
NO. NO. I WENT
TO AN ART GALLERY.
367
00:17:56,440 --> 00:17:57,875
THE PLACE WAS FILLED
WITH PICTURES
368
00:17:57,876 --> 00:17:59,142
OF THE MINE.
369
00:17:59,143 --> 00:18:01,277
THEY ALL HAD TITLES,
"PIT NUMBER THIS"
370
00:18:01,278 --> 00:18:02,779
OR "TUNNEL
NUMBER THAT,"
371
00:18:02,780 --> 00:18:05,315
BUT ONE OF THEM HAD
A NAME, "HUNCHBACK."
372
00:18:05,316 --> 00:18:07,183
IT'S A BIG HUMP
OF RED ROCK
373
00:18:07,184 --> 00:18:09,319
STICKING OUT INTO
AN UNDERGROUND TUNNEL.
374
00:18:09,320 --> 00:18:13,123
BETWEEN HUNCHBACK
AND LONELY HEARTS
375
00:18:13,124 --> 00:18:14,625
LIES HAPPINESS.
376
00:18:14,626 --> 00:18:16,393
LONELY HEARTS?
377
00:18:16,394 --> 00:18:17,661
WELL, THE MINERS HAD
NICKNAMES
378
00:18:17,662 --> 00:18:20,163
FOR DIFFERENT PARTS
OF THE MINES.
379
00:18:20,164 --> 00:18:22,065
I WONDER IF HUNCHBACK
AND LONELY HEARTS
380
00:18:22,066 --> 00:18:24,835
ARE AREAS CLOSE
TO EACH OTHER.
381
00:18:26,571 --> 00:18:28,138
Man: FANCY THAT,
DO YOU?
382
00:18:30,307 --> 00:18:39,516
YES. IT'S SORT OF,
UM, COMPELLING,
383
00:18:39,517 --> 00:18:44,220
THE LIGHTS, SHADOWS,
SHADE.
384
00:18:44,221 --> 00:18:46,023
IS IT REALLY
LIKE THAT?
385
00:18:46,024 --> 00:18:48,258
COPIED
FROM LIFE, EH.
386
00:18:48,259 --> 00:18:49,426
WE USED TO PAT IT
FOR LUCK
387
00:18:49,427 --> 00:18:51,161
AS WE WENT PAST.
388
00:18:51,162 --> 00:18:52,362
I'VE REALIZED IT
RATHER WELL,
389
00:18:52,363 --> 00:18:53,530
DON'T YOU THINK?
390
00:18:53,531 --> 00:18:55,566
UH...
391
00:18:55,567 --> 00:19:00,170
125 QUID AND
"THE HUNCHBACK'S" YOURS.
392
00:19:00,171 --> 00:19:01,872
I'M--I'M GOING
DOWN PIT TODAY.
393
00:19:01,873 --> 00:19:04,007
I'LL--I'LL LOOK OUT
FOR THIS.
394
00:19:07,211 --> 00:19:10,313
OH. UM, DO YOU HAVE
ANY OTHER PAINTINGS
395
00:19:10,314 --> 00:19:15,452
CALLED "LONELY HEARTS"
OR "HAPPINESS"?
396
00:19:15,453 --> 00:19:18,421
NO. WHY?
397
00:19:18,422 --> 00:19:21,524
THOUGHT I SAW ONE
YESTERDAY.
398
00:19:21,525 --> 00:19:24,160
NO.
399
00:19:24,161 --> 00:19:25,328
110 FOR
"THE HUNCHBACK.
400
00:19:25,329 --> 00:19:28,665
WHAT DO YOU SAY?
401
00:19:28,666 --> 00:19:31,568
I'LL THINK ABOUT IT.
402
00:19:46,517 --> 00:19:48,885
DON'T GO DOWN
THE MINE, DADDY.
403
00:19:48,886 --> 00:19:50,053
SORRY,
MRS. WAINTHROPP?
404
00:19:50,054 --> 00:19:51,321
IT'S AN OLD SONG.
405
00:19:51,322 --> 00:19:53,289
� DON'T GO DOWN
THE MINE, DA �
406
00:19:53,290 --> 00:19:55,692
� DREAMS VERY OFTEN
COME TRUE �
407
00:19:55,693 --> 00:19:56,860
IT'S LIKE...
408
00:19:56,861 --> 00:19:58,561
� BIG BAD JOHN �
409
00:19:58,562 --> 00:20:02,099
YOU KNOW, HERE LIES
THE BODY OF A BIG MAN.
410
00:20:02,100 --> 00:20:04,267
EH, GEOFF?
COME ON.
411
00:20:07,071 --> 00:20:09,773
WE'LL, UH, BE
ABOUT AN HOUR,
412
00:20:09,774 --> 00:20:12,075
ALL THINGS BEING WELL,
EH, GEOFF?
413
00:20:15,579 --> 00:20:17,347
GOOD LUCK, GEOFFREY.
414
00:20:17,348 --> 00:20:18,481
THANKS.
415
00:20:24,922 --> 00:20:26,589
Jack: COME ON!
416
00:20:32,797 --> 00:20:36,667
UH, SEE THE FAULTS?
LIMESTONE.
417
00:20:36,668 --> 00:20:38,735
IRON'S WASHED DOWN
INTO THE CRACKS.
418
00:20:38,736 --> 00:20:40,904
IRON ORE.
419
00:20:40,905 --> 00:20:43,573
YOU CATCH ON QUICK.
420
00:20:43,574 --> 00:20:46,242
JUST IRON ORE?
NOTHING ELSE?
421
00:20:46,243 --> 00:20:48,779
WHO HAVE YOU
BEEN TALKING TO?
422
00:20:48,780 --> 00:20:49,946
COME ON.
I'LL SHOW YOU
423
00:20:49,947 --> 00:20:51,114
THE LOVE HOLES.
424
00:20:51,115 --> 00:20:53,717
THEY HOLD BARITE,
CALCITE, FLUORIDE.
425
00:20:53,718 --> 00:20:56,953
SOME PEOPLE CALL IT
FLUORSPAR.
426
00:20:56,954 --> 00:21:00,590
THIS WAY, PLEASE.
HEY.
427
00:21:00,591 --> 00:21:03,060
BEST QUALITY KIN
TO HEMATITE IS THAT.
428
00:21:03,061 --> 00:21:05,028
BLOODSTONE. IF WE
HAD ENOUGH OF IT,
429
00:21:05,029 --> 00:21:07,430
WE'D BE LAUGHING
OUR SOCKS OFF.
430
00:21:07,431 --> 00:21:10,266
HERE YOU ARE.
THAT'S A LOVE HOLE.
431
00:21:10,267 --> 00:21:12,769
OH. MINERALS WOULD
BE TAKEN OUT
432
00:21:12,770 --> 00:21:14,037
SO THEY COULD BE
SOLD.
433
00:21:14,038 --> 00:21:15,205
AYE.
434
00:21:15,206 --> 00:21:16,372
WHO WOULD BUY THEM?
435
00:21:16,373 --> 00:21:18,341
OH. AGENT BLOKES
FROM CARLISLE.
436
00:21:18,342 --> 00:21:19,876
HMM. WAS IT
WORTH THE WHILE?
437
00:21:19,877 --> 00:21:21,644
OH, YEAH.
SPECIAL PIECES,
438
00:21:21,645 --> 00:21:23,180
UNUSUAL SHAPES
439
00:21:23,181 --> 00:21:25,082
WOULD FETCH
UP TO 5 GRAND.
440
00:21:29,821 --> 00:21:32,388
COMPRESSED AIR DRILLS
TO GET AT THE ORE,
441
00:21:32,389 --> 00:21:33,556
AND THE DIGGER
DIGS IT OUT
442
00:21:33,557 --> 00:21:35,592
AND LOADS IT
ON THE BUGGIES.
443
00:21:35,593 --> 00:21:38,294
OH, THAT'S
THE TRUCKS TO YOU.
444
00:21:38,295 --> 00:21:39,462
RIGHT.
445
00:21:39,463 --> 00:21:42,365
I'M SURE I'VE SEEN
A PAINTING OF THAT.
446
00:21:42,366 --> 00:21:44,267
OH. AYE, AT
TOMMY ESCOMBE'S.
447
00:21:44,268 --> 00:21:46,402
HE SWAPPED MINING
FOR ART.
448
00:21:46,403 --> 00:21:48,171
AYE. SOMETHING
LIKE THAT.
449
00:21:48,172 --> 00:21:50,207
HUNCHBACK. HA.
450
00:21:50,208 --> 00:21:51,742
ARE THERE ANY
OTHER NAMES?
451
00:21:51,743 --> 00:21:53,509
OH, AYE.
DEAD MAN'S DRIFT,
452
00:21:53,510 --> 00:21:55,545
RED RIVER VALLEY,
LONELY HEARTS.
453
00:21:55,546 --> 00:21:56,747
SORRY.
454
00:21:56,748 --> 00:21:58,014
IT'S JUST
AROUND THERE.
455
00:21:58,015 --> 00:21:59,249
MEN USED TO WORK
THERE ON THEIR OWN,
456
00:21:59,250 --> 00:22:01,918
SO LONELY HEARTS.
457
00:22:01,919 --> 00:22:03,620
ONLY IT'S NOT
USED ANYMORE.
458
00:22:03,621 --> 00:22:05,222
TOO DANGEROUS.
459
00:22:05,223 --> 00:22:07,758
THAT'S WHERE
STUART PRIDWELL DIED.
460
00:22:07,759 --> 00:22:09,626
WHAT ABOUT HAPPINESS?
461
00:22:09,627 --> 00:22:10,794
WHAT ABOUT IT?
462
00:22:10,795 --> 00:22:12,495
WELL, IS THAT
A PLACE, AS WELL?
463
00:22:12,496 --> 00:22:13,997
[MEN LAUGHING]
464
00:22:13,998 --> 00:22:15,198
OH. STUDENTS--
NEVER DO
465
00:22:15,199 --> 00:22:16,666
AS THEY'RE TOLD.
STAY HERE.
466
00:22:16,667 --> 00:22:18,902
RIGHT.
467
00:22:18,903 --> 00:22:21,772
HELLO?
HEY, YOU ALL!
468
00:22:31,115 --> 00:22:33,049
[MACHINERY MOVING]
469
00:22:39,556 --> 00:22:42,092
HEY, STOP! STOP!
I'M HERE!
470
00:23:07,718 --> 00:23:09,519
[SIREN]
471
00:23:09,520 --> 00:23:11,188
MRS. WAINTHROPP!
472
00:23:11,189 --> 00:23:12,355
YES. WHAT'S HAPPENED?
473
00:23:12,356 --> 00:23:13,556
WE THINK THERE'S
BEEN AN ACCIDENT.
474
00:23:13,557 --> 00:23:14,757
YOUNG GUY THAT WENT
DOWN WITH JACK'S
475
00:23:14,758 --> 00:23:16,927
GONE MISSING.
476
00:23:16,928 --> 00:23:18,228
GEOFFREY?!
477
00:23:29,673 --> 00:23:31,341
CHARLIE AND STEVE,
YOU STAY TOGETHER.
478
00:23:31,342 --> 00:23:33,676
CHECK THE FIRST LEVEL, YEAH?
479
00:23:33,677 --> 00:23:35,678
BUDDY, MIKE, YOU CHECK
THE SECOND LEVEL.
480
00:23:42,386 --> 00:23:45,188
Jack: GO IN TWO.
481
00:23:45,189 --> 00:23:46,422
WHAT'S HAPPENED?
482
00:23:46,423 --> 00:23:47,757
I TOLD HIM TO STAY
IN PIT NUMBER TWO,
483
00:23:47,758 --> 00:23:48,925
SECOND LEVEL.
484
00:23:48,926 --> 00:23:50,460
IT'S THOSE DAMN STUDENTS
PRESSING BUTTONS
485
00:23:50,461 --> 00:23:52,195
AND PULLING THE LEVERS
ON THE BUGGIES.
486
00:23:52,196 --> 00:23:53,730
HE'S GOT HIMSELF LOST.
487
00:23:53,731 --> 00:23:55,065
WE'LL DO
A SYSTEMATIC SEARCH.
488
00:23:55,066 --> 00:23:56,233
ONE OF THE STUDENTS SAID
HE THOUGHT HE HEARD
489
00:23:56,234 --> 00:23:57,400
SOME MACHINERY--
490
00:23:57,401 --> 00:23:58,568
MACHINERY?
AW, FOR--
491
00:23:58,569 --> 00:24:00,103
WELL, WHAT ARE YOU
WAITING FOR?
492
00:24:00,104 --> 00:24:01,271
GO AND FIND HIM!
493
00:24:01,272 --> 00:24:02,939
COME ON. LET'S GO!
494
00:24:02,940 --> 00:24:05,108
RIGHT.
ROB, GO WITH CHARLIE.
495
00:24:05,109 --> 00:24:07,377
GET DOWN INTO
THE LOWER MINES.
496
00:24:47,551 --> 00:24:48,651
[THUMP]
497
00:24:58,629 --> 00:24:59,996
OH. JANET.
498
00:24:59,997 --> 00:25:03,066
OH. SORRY, MR. WAINTHROPP.
I USED MY KEY.
499
00:25:03,067 --> 00:25:05,235
I FORGOT ME HAIRDRYER.
LEFT IT HERE.
500
00:25:05,236 --> 00:25:06,402
IF I'M GOING
FOR INTERVIEWS,
501
00:25:06,403 --> 00:25:07,570
THEN I NEED TO
LOOK THE BUSINESS.
502
00:25:07,571 --> 00:25:10,373
AYE. VERY IMPORTANT.
CUP OF TEA?
503
00:25:10,374 --> 00:25:11,474
YEAH.
504
00:25:23,554 --> 00:25:25,021
HOW LONG'S IT BEEN?
505
00:25:25,022 --> 00:25:26,522
HE'S BEEN MISSING
FOR ALMOST AN HOUR.
506
00:25:26,523 --> 00:25:27,690
WHO HAS?
507
00:25:30,261 --> 00:25:34,630
GEOFFREY, WHERE
HAVE YOU BEEN?
508
00:25:34,631 --> 00:25:36,799
I CAME OUT THE BACK WAY,
MRS. WAINTHROPP.
509
00:25:36,800 --> 00:25:38,869
[INDISTINCT]
510
00:25:38,870 --> 00:25:41,838
WE THOUGHT--OH!
511
00:25:43,407 --> 00:25:44,807
Janet:
YOU DON'T MEAN IT!
512
00:25:44,808 --> 00:25:46,276
ORDERED OFF
WITHOUT SO MUCH AS,
513
00:25:46,277 --> 00:25:47,878
"BY YOUR LEAVE."
514
00:25:47,879 --> 00:25:49,980
WELL, APPEAL, FIGHT.
515
00:25:49,981 --> 00:25:52,048
NO POINT.
FRED BUTTERWORTH'S
516
00:25:52,049 --> 00:25:53,483
THE CHAIRMAN
OF THE COMMITTEE,
517
00:25:53,484 --> 00:25:54,951
AND HE ORDERED
ME OFF.
518
00:25:54,952 --> 00:25:57,287
WELL, WHO'S THIS
BUSY LIZZIE WOMAN?
519
00:25:57,288 --> 00:26:00,090
A NOREEN BAINBRIDGE.
520
00:26:00,091 --> 00:26:01,858
AND WHO'S SHE
WHEN SHE'S AT HOME?
521
00:26:01,859 --> 00:26:03,226
I DON'T KNOW,
BUT SHE DRESSES UP
522
00:26:03,227 --> 00:26:06,029
LIKE AN ADVERT FOR
THE CHELSEA FLOWER SHOW.
523
00:26:07,798 --> 00:26:09,732
[WATER RUNNING]
524
00:26:25,950 --> 00:26:28,851
Noreen: DON'T WORRY.
I'LL SEE HE GETS IT.
525
00:26:28,852 --> 00:26:30,921
DIGGING'S HARD WORK.
526
00:26:43,734 --> 00:26:46,536
Geoffrey: MRS. WAINTHROPP,
I THINK I CAN FIND
527
00:26:46,537 --> 00:26:49,005
MY WAY BACK
TO LONELY HEARTS.
528
00:26:49,006 --> 00:26:50,640
ALL BY YOURSELF?
529
00:26:50,641 --> 00:26:52,775
EASY PEASY.
530
00:26:52,776 --> 00:26:55,178
AT LEAST WAIT UNTIL
STUART PRIDWELL'S
531
00:26:55,179 --> 00:26:56,846
MAP'S BEEN FOUND.
532
00:26:56,847 --> 00:26:58,048
YEAH, BUT--
MEN HAVE BEEN
533
00:26:58,049 --> 00:27:00,216
KILLED DOWN THERE,
GEOFFREY,
534
00:27:00,217 --> 00:27:03,486
AND YOU NEARLY
JOINED THEM.
535
00:27:03,487 --> 00:27:06,789
WE SHOULD REALLY GIVE
THIS TO THE POLICE.
536
00:27:06,790 --> 00:27:08,024
IT MIGHT HAVE BEEN
AN ACCIDENT
537
00:27:08,025 --> 00:27:10,593
WHAT HAPPENED
TO YOU,
538
00:27:10,594 --> 00:27:11,962
OR IT MIGHT HAVE
BEEN SOMETHING ELSE.
539
00:27:11,963 --> 00:27:15,565
IT'S A SIDE PASSAGE,
SOME HOLES ON THE WALL--
540
00:27:15,566 --> 00:27:17,334
LOVE HOLES
THEY CALL THEM.
541
00:27:17,335 --> 00:27:20,403
I'M SURE THAT'S WHERE
HAPPINESS LIES.
542
00:27:20,404 --> 00:27:22,939
YOU'VE REALLY GOT IT,
HAVEN'T YOU, GEOFFREY?
543
00:27:22,940 --> 00:27:24,274
WHAT?
544
00:27:24,275 --> 00:27:26,809
THE LUST FOR
HIDDEN TREASURE.
545
00:27:26,810 --> 00:27:28,945
SUPPOSE I HAVE, YES.
546
00:27:28,946 --> 00:27:30,113
OHH!
547
00:27:30,114 --> 00:27:32,748
YOU'RE NOT
THE ONLY ONE.
548
00:27:36,120 --> 00:27:38,054
SHE'S PUT THE PICKLES
SEPARATELY.
549
00:27:38,055 --> 00:27:39,655
GOOD JOB.
550
00:27:39,656 --> 00:27:42,825
YES? DO YOU WANT
SOMETHING?
551
00:27:42,826 --> 00:27:46,896
JUST A WORD
WITH YOUR UNCLE.
552
00:27:46,897 --> 00:27:48,531
I'LL LOOK IN LATER.
553
00:27:48,532 --> 00:27:50,733
AYE. THANKS
FOR THESE.
554
00:27:50,734 --> 00:27:52,135
WHAT DO YOU WANT?
555
00:27:52,136 --> 00:27:53,903
I'M NOT STANDING BY
WHILE A GENTLEMAN
556
00:27:53,904 --> 00:27:56,339
LIKE MR. WAINTHROPP
GETS TREATED LIKE THIS.
557
00:27:56,340 --> 00:27:58,475
WHAT I WANT IS JUSTICE.
558
00:28:00,878 --> 00:28:02,945
Man: OK, EVERYBODY.
NOW, FOLLOW ME
559
00:28:02,946 --> 00:28:04,547
AND PLEASE STAY
WITH THE GROUP
560
00:28:04,548 --> 00:28:06,282
AT ALL TIMES,
ALL RIGHT?
561
00:28:17,794 --> 00:28:19,095
THIS WAY, PLEASE.
562
00:28:26,370 --> 00:28:28,738
SLOW DOWN, GEOFFREY.
563
00:28:28,739 --> 00:28:30,373
YOU MAY BE
A BUDDING BEVIN BOY.
564
00:28:30,374 --> 00:28:31,741
I'M NOT.
565
00:28:31,742 --> 00:28:32,975
SORRY.
566
00:28:32,976 --> 00:28:35,078
GETTING NEAR
THE HUNCHBACK PLACE.
567
00:28:35,079 --> 00:28:37,180
WE'LL BRANCH RIGHT.
568
00:28:37,181 --> 00:28:39,949
LEAD ON, MACDUFF.
569
00:28:39,950 --> 00:28:41,418
SHAKESPEARE.
570
00:28:44,555 --> 00:28:46,689
WELL, THE GUY NEXT DOOR
MENTIONED NOREEN WAS
571
00:28:46,690 --> 00:28:47,957
THE BUTTERWORTH'S
NIECE,
572
00:28:47,958 --> 00:28:50,260
SO I TOOK A CHANCE HE
JUMPED HER UP THE LIST.
573
00:28:50,261 --> 00:28:52,128
I'LL GET ME
PLOT BACK?
574
00:28:52,129 --> 00:28:53,996
WELL, YOU'RE NEXT IN
LINE WHEN ONE COMES FREE.
575
00:28:53,997 --> 00:28:55,198
OH.
576
00:28:55,199 --> 00:28:57,033
IT WILL GIVE YOU A CHANCE
TO PLAN IT PROPERLY.
577
00:28:57,034 --> 00:28:58,668
AYE. THAT'S TRUE.
578
00:28:58,669 --> 00:29:00,236
WHERE TO SOW
YOUR BUSY LIZZIES.
579
00:29:00,237 --> 00:29:01,704
CHEEKY.
580
00:29:13,884 --> 00:29:15,685
TOUCH THE HUNCHBACK.
581
00:29:15,686 --> 00:29:16,886
WHAT?
582
00:29:16,887 --> 00:29:18,921
FOR LUCK.
583
00:29:18,922 --> 00:29:20,022
OH.
584
00:29:21,559 --> 00:29:22,658
THERE.
585
00:29:28,065 --> 00:29:32,135
WE NEED LUCK, DO WE,
TO FIND OUR WAY?
586
00:29:32,136 --> 00:29:34,571
NO, NO.
UM, LONELY HEARTS
587
00:29:34,572 --> 00:29:38,808
IS...THAT WAY.
588
00:29:38,809 --> 00:29:40,276
GOOD.
589
00:29:44,515 --> 00:29:46,116
[KNOCK ON DOOR]
590
00:29:48,586 --> 00:29:51,554
JUST PASSING.
THOUGHT I'D SAY HELLO,
591
00:29:51,555 --> 00:29:52,922
PAY MY RESPECTS.
592
00:29:54,492 --> 00:29:56,726
CAN I, UH...
593
00:29:56,727 --> 00:30:00,029
DANCE ISN'T TILL
SATURDAY, TOM.
594
00:30:00,030 --> 00:30:02,031
THOUGHT I'D CELEBRATE
A BIT OF LUCK,
595
00:30:02,032 --> 00:30:03,466
STRONG PROSPECTS
OF A SALE.
596
00:30:03,467 --> 00:30:07,036
OH, YES?
YEAH.
597
00:30:07,037 --> 00:30:08,505
LODGER IN?
598
00:30:08,506 --> 00:30:12,275
SHE'S DOING
THE MINE TOUR.
599
00:30:12,276 --> 00:30:13,943
I WONDERED IF YOU MIGHT
FANCY A NOGGIN
600
00:30:13,944 --> 00:30:15,545
UP AT BLACK BULL?
601
00:30:15,546 --> 00:30:17,013
THANKS, BUT NO.
602
00:30:21,318 --> 00:30:23,620
STILL MISSING STUART?
603
00:30:23,621 --> 00:30:25,921
IT'S ONLY BEEN
3 MONTHS, TOM.
604
00:30:29,426 --> 00:30:32,162
SEEMS STRANGE,
STUART NOT BEING HERE.
605
00:30:32,163 --> 00:30:33,696
BEEN PART OF MY LIFE
EVER SINCE HE USED TO
606
00:30:33,697 --> 00:30:36,132
THUMP ME AT SCHOOL.
607
00:30:36,133 --> 00:30:38,034
NOT ONLY AT SCHOOL, EH?
608
00:30:38,035 --> 00:30:40,303
DON'T.
609
00:30:40,304 --> 00:30:41,871
MIGHT I SEE YOU
AT THE DANCE?
610
00:30:41,872 --> 00:30:45,241
I HAVE TO BE THERE.
I'M CARETAKER.
611
00:30:45,242 --> 00:30:47,310
I WISH YOU'D
TAKE CARE OF ME.
612
00:30:47,311 --> 00:30:49,279
WELL, THANKS
FOR STOPPING BY.
613
00:30:52,216 --> 00:30:54,484
I JUST WANT TO PUT
ME MARKER DOWN.
614
00:30:54,485 --> 00:30:57,153
I KNOW JACK DUCKETT'S
GONNA CALL ON YOU.
615
00:30:57,154 --> 00:31:00,190
THERE'S NO VACANCIES
HERE, TOM.
616
00:31:00,191 --> 00:31:01,991
NOT FOR HIM?
617
00:31:01,992 --> 00:31:04,060
NOT FOR ANYBODY.
618
00:31:04,061 --> 00:31:06,896
Geoffrey: THIS IS
WHERE I GOT TO.
619
00:31:06,897 --> 00:31:08,364
Hetty: LONELY HEARTS?
620
00:31:08,365 --> 00:31:10,032
NO. THIS MUST BE
HAPPINESS.
621
00:31:10,033 --> 00:31:11,568
WELL, WHATEVER.
LET'S GET ON.
622
00:31:11,569 --> 00:31:13,736
THEY'LL MISS US
AT ANY MOMENT.
623
00:31:13,737 --> 00:31:14,837
RIGHT.
624
00:31:17,108 --> 00:31:18,308
ARE YOU SURE
THIS IS WHERE
625
00:31:18,309 --> 00:31:20,042
HAPPINESS LIES,
GEOFFREY?
626
00:31:20,043 --> 00:31:23,446
WELL, I THINK SO.
627
00:31:23,447 --> 00:31:26,782
IT'S DIFFERENT SOMEHOW.
628
00:31:26,783 --> 00:31:29,152
OH. THAT'S THE BEST
IRON ORE.
629
00:31:29,153 --> 00:31:31,787
WELL, YOU'RE
THE EXPERT, GEOFFREY,
630
00:31:31,788 --> 00:31:34,957
BUT TO ME, IT'S JUST
LIKE WET CLAY.
631
00:31:49,540 --> 00:31:50,840
HERE IT IS!
632
00:31:52,743 --> 00:31:54,844
THIS IS IT,
MRS. WAINTHROPP.
633
00:31:54,845 --> 00:31:55,945
WHAT?
634
00:31:59,250 --> 00:32:03,653
ALL THERE IS
IS THIS
635
00:32:03,654 --> 00:32:05,788
AND THIS.
636
00:32:05,789 --> 00:32:07,290
Moira: WELL, IT'S
A LOCKER KEY.
637
00:32:07,291 --> 00:32:09,359
ALL THE MEN AT THE MINE
ARE ISSUED WITH ONE.
638
00:32:09,360 --> 00:32:12,094
AND THERE'S ONLY ONE
LOCKER THIS WILL FIT?
639
00:32:12,095 --> 00:32:14,664
YES. DO YOU THINK
THAT'S WHERE
640
00:32:14,665 --> 00:32:16,832
STUART'S BOOK'S
HIDDEN?
641
00:32:16,833 --> 00:32:20,069
I DON'T KNOW UNTIL WE
FIND THE RIGHT ONE.
642
00:32:20,070 --> 00:32:22,705
MEN'S LOCKERS ARE
NEXT TO THE MUSEUM.
643
00:33:06,283 --> 00:33:07,383
[THUMP]
644
00:33:24,535 --> 00:33:26,269
[DOOR OPENS]
645
00:33:26,270 --> 00:33:28,804
WHAT ARE YOU DOING
IN HERE?
646
00:33:28,805 --> 00:33:31,241
WE FOUND A KEY.
647
00:33:31,242 --> 00:33:33,676
WE WANTED TO SEE WHO
IT MIGHT BELONG TO.
648
00:33:33,677 --> 00:33:37,614
WHY NOT HAND IT IN?
649
00:33:37,615 --> 00:33:39,616
IT'S GREAT RESEARCH.
650
00:33:39,617 --> 00:33:41,718
IN HERE'S A MAN'S WORLD,
ONE THAT WOMEN NEVER SEE.
651
00:33:41,719 --> 00:33:43,686
I WANTED TO CROSS
THE THRESHOLD,
652
00:33:43,687 --> 00:33:45,988
EXPERIENCE IT FIRSTHAND.
653
00:33:45,989 --> 00:33:48,190
FAIR DUES,
I'M OUT OF ORDER.
654
00:33:48,191 --> 00:33:49,492
TELL ME WHO THE LOCKER
BELONGS TO,
655
00:33:49,493 --> 00:33:52,862
I'LL APOLOGIZE
TO HIM PERSONALLY.
656
00:33:52,863 --> 00:33:56,299
APOLOGIZE TO ME.
THAT LOCKER'S MINE.
657
00:33:59,202 --> 00:34:01,971
[TELEPHONE RINGING]
658
00:34:01,972 --> 00:34:03,306
HELLO?
659
00:34:03,307 --> 00:34:04,774
JUST RINGING
TO SAY HELLO
660
00:34:04,775 --> 00:34:06,542
AND THAT WE'RE STILL
ON THE TREASURE TRAIL.
661
00:34:06,543 --> 00:34:07,810
I'M ON THE TRAIL
OF A JOB.
662
00:34:07,811 --> 00:34:09,445
I'VE GOT AN INTERVIEW
THIS AFTERNOON.
663
00:34:09,446 --> 00:34:10,747
MUMFREY GARAGE.
664
00:34:10,748 --> 00:34:12,382
AIM FOR THE STARS,
EH, GEOFF?
665
00:34:12,383 --> 00:34:13,883
OH, YOU'LL FIND
THE RIGHT JOB.
666
00:34:13,884 --> 00:34:15,184
YOU RECKON?
667
00:34:15,185 --> 00:34:16,519
WELL, WISH ME LUCK
ANYWAY.
668
00:34:16,520 --> 00:34:17,820
YOU'VE GOT IT.
OH, IF YOU SEE
669
00:34:17,821 --> 00:34:19,522
MR. WAINTHROPP,
TELL HIM MRS. WAINTHROPP'S
670
00:34:19,523 --> 00:34:22,358
BEEN DOWN THE MINE,
AND SHE'S FINE.
671
00:34:22,359 --> 00:34:23,526
WHAT?
672
00:34:23,527 --> 00:34:26,496
BETTER JUST SAY
SHE'S FINE.
673
00:34:26,497 --> 00:34:28,998
RIGHT. WHERE ARE
YOU, GEOFF?
674
00:34:28,999 --> 00:34:30,300
Jack: I HAD NOWT
TO DO WITH IT, NOWT!
675
00:34:30,301 --> 00:34:31,534
NO ONE SAID YOU DID.
676
00:34:31,535 --> 00:34:33,403
ANYONE DOES, THEY CAN
COME OUTSIDE!
677
00:34:33,404 --> 00:34:36,906
IN A MINERS' PUB.
IT'S A BIT LIVELY.
678
00:34:36,907 --> 00:34:38,140
I MISS YOU.
679
00:34:38,141 --> 00:34:39,309
OH, THANKS.
680
00:34:39,310 --> 00:34:40,543
LISTEN.
I'VE GOT TO GO.
681
00:34:40,544 --> 00:34:41,778
WE'LL TALK SOON,
YEAH?
682
00:34:41,779 --> 00:34:44,947
OK. BYE, JANET.
683
00:34:44,948 --> 00:34:46,048
HEY, SON.
684
00:34:49,753 --> 00:34:51,987
STOOD UP
BY YOUR GIRLFRIEND?
685
00:34:51,988 --> 00:34:53,790
EH, THAT'S THE WAY
IT IS.
686
00:34:53,791 --> 00:34:55,491
HEY. I'LL HAVE
THAT PINT NOW.
687
00:34:55,492 --> 00:34:57,727
OH. SURE.
WHAT IS IT?
688
00:34:57,728 --> 00:35:00,996
BEST BITTER.
NONE OF THAT LAGER RUBBISH.
689
00:35:00,997 --> 00:35:02,498
RIGHT.
690
00:35:02,499 --> 00:35:04,767
Jack: I LOST
THE KEY YESTERDAY,
691
00:35:04,768 --> 00:35:06,336
OR SOMEONE TOOK IT.
692
00:35:06,337 --> 00:35:08,037
I'M ALWAYS LEAVING
ME COAT LYING AROUND.
693
00:35:08,038 --> 00:35:09,339
HE DID SAY HE'D LOST IT.
694
00:35:09,340 --> 00:35:10,506
LISTEN. I HAVEN'T GOT
ANY OF THE STONES,
695
00:35:10,507 --> 00:35:12,642
AND ANYONE WHO S--
696
00:35:12,643 --> 00:35:15,812
WHAT ARE YOU
LOOKING AT?
697
00:35:15,813 --> 00:35:20,082
JUST WANT TO ORDER
A DRINK.
698
00:35:20,083 --> 00:35:21,718
TWO PINTS OF LAGER, PLEASE.
699
00:35:21,719 --> 00:35:25,755
OH, NO. BITTER.
BEST BITTER.
700
00:35:25,756 --> 00:35:26,922
Man: THERE WAS A MAP.
701
00:35:26,923 --> 00:35:28,458
AYE, STUART'S.
702
00:35:28,459 --> 00:35:29,892
"X" MARKS SPOT.
703
00:35:29,893 --> 00:35:32,194
MARKED. SPOT'S
EMPTY.
704
00:35:32,195 --> 00:35:34,096
WHO SET ME UP?
705
00:35:34,097 --> 00:35:35,732
FIND OUT,
WE HIT THE JACKPOT.
706
00:35:35,733 --> 00:35:37,233
THEN WE HIT HIM.
707
00:35:41,438 --> 00:35:43,473
Hetty: WHY HIDE
A LOCKER KEY
708
00:35:43,474 --> 00:35:45,541
IN A HOLE
DOWN A MINE?
709
00:35:47,644 --> 00:35:51,213
AND THERE WAS NOTHING ELSE
IN THAT TREASURE CHEST,
710
00:35:51,214 --> 00:35:53,416
JUST A BIT OF ROCK
TO TELL US THE STONES
711
00:35:53,417 --> 00:35:55,385
HAD BEEN LIFTED.
712
00:35:55,386 --> 00:35:56,552
AND STUART'S MAP.
713
00:35:56,553 --> 00:36:00,823
WHICH MUST BE
FROM HIS BOOK.
714
00:36:00,824 --> 00:36:04,126
WERE YOU AND JACK EVER
INVOLVED WITH EACH OTHER?
715
00:36:04,127 --> 00:36:05,561
WELL, WE WENT OUT
A FEW TIMES
716
00:36:05,562 --> 00:36:07,864
IN OUR TEENS,
717
00:36:07,865 --> 00:36:10,165
BUT THEN WE DECIDED
TO MARRY OTHER PEOPLE.
718
00:36:10,166 --> 00:36:13,603
MY MARRIAGE WORKED,
HIS DIDN'T.
719
00:36:13,604 --> 00:36:16,506
AND HE'S SINGLE AGAIN.
720
00:36:16,507 --> 00:36:18,641
STEALING STUART'S
BOOK IS NOT LIKELY
721
00:36:18,642 --> 00:36:21,844
TO ENDEAR HIM TO ME,
IS IT?
722
00:36:21,845 --> 00:36:23,880
NO. I DON'T SUPPOSE
IT WOULD.
723
00:36:23,881 --> 00:36:27,550
[BAND PLAYING]
724
00:36:27,551 --> 00:36:30,720
OH, THE GAY GORDONS.
725
00:36:30,721 --> 00:36:33,155
CAN WE STILL
CALL IT THAT?
726
00:36:33,156 --> 00:36:35,491
OF COURSE WE CAN.
727
00:36:35,492 --> 00:36:38,027
JUST REMEMBER WHAT
IT REALLY MEANS--
728
00:36:38,028 --> 00:36:44,500
JOLLY, MERRY, JOYOUS,
CAREFREE, DEBONAIR.
729
00:36:44,501 --> 00:36:46,402
IS THAT NOT SO, GEOFFREY?
730
00:36:46,403 --> 00:36:47,570
WHAT'S THAT?
731
00:36:47,571 --> 00:36:50,105
THE GAY GORDONS
SHOULD STAY THAT WAY.
732
00:36:50,106 --> 00:36:52,442
IT'S NOT UP TO THEM,
MRS. WAINTHROPP.
733
00:36:55,879 --> 00:36:57,580
Hetty: OH, IT'S GOOD TO
GET OUT OF REDRIGG
734
00:36:57,581 --> 00:36:59,916
FOR AN HOUR.
735
00:36:59,917 --> 00:37:01,317
Geoffrey: DO YOU KNOW
HOW MANY LAKES THERE ARE
736
00:37:01,318 --> 00:37:04,487
IN THE LAKE DISTRICT,
MRS. WAINTHROPP?
737
00:37:04,488 --> 00:37:07,590
THAT LOCKER KEY.
ONE.
738
00:37:07,591 --> 00:37:11,327
BASSENTHWAITE.
THAT ONE.
739
00:37:11,328 --> 00:37:16,732
ALL THE REST ARE CALLED
WATER OR MERE.
740
00:37:16,733 --> 00:37:19,502
ONE LAKE
IN THE LAKE DISTRICT.
741
00:37:22,405 --> 00:37:24,740
THOMAS ESCOMBE
TOLD ME THAT.
742
00:37:24,741 --> 00:37:28,310
DID HE, GEOFFREY?
743
00:37:28,311 --> 00:37:29,612
I'D HOPED COMING
UP HERE
744
00:37:29,613 --> 00:37:33,349
WOULD CLEAR OUR THOUGHTS
ON OTHER MATTERS.
745
00:37:33,350 --> 00:37:34,617
SORRY, MRS. WAINTHROPP.
746
00:37:34,618 --> 00:37:37,887
THAT LOCKER KEY.
747
00:37:37,888 --> 00:37:40,289
HAS TO BE A PLANT,
EITHER FOR US
748
00:37:40,290 --> 00:37:44,660
OR SOMEBODY ELSE
TO FIND.
749
00:37:44,661 --> 00:37:49,331
WHO'D WANT
TO DO THAT?
750
00:37:49,332 --> 00:37:52,434
STEAL THE BOOK,
PUZZLE OUT THE MAP,
751
00:37:52,435 --> 00:37:53,603
FIND THE MINERALS,
752
00:37:53,604 --> 00:37:54,904
SELL THEM ON
FOR PROFIT.
753
00:37:54,905 --> 00:37:57,439
I CAN UNDERSTAND
ALL THAT,
754
00:37:57,440 --> 00:37:59,642
BUT WHY THIS NONSENSE
OF PLANTED CLUES
755
00:37:59,643 --> 00:38:01,544
FOR US TO FIND?
756
00:38:01,545 --> 00:38:04,380
TO DISCREDIT
JACK DUCKETT?
757
00:38:06,917 --> 00:38:08,450
YES, AND IF IT IS
A PLANT,
758
00:38:08,451 --> 00:38:11,954
IT CAN'T BE HIM,
CAN IT?
759
00:38:11,955 --> 00:38:15,658
THIS THOMAS ESCOMBE.
MM.
760
00:38:15,659 --> 00:38:18,360
HE'S A BIT
OF OUTCAST, YOU SAY?
761
00:38:18,361 --> 00:38:20,095
WELL, ONLY BECAUSE
HE WOULDN'T PUT HIS MONEY
762
00:38:20,096 --> 00:38:22,297
INTO THE MINE.
763
00:38:22,298 --> 00:38:25,902
HE KEEPS ASKING ME TO BUY
HIS TERRIBLE PAINTINGS.
764
00:38:25,903 --> 00:38:28,103
HE PAINTS THE MINE,
DOES HE?
765
00:38:28,104 --> 00:38:29,572
HE DOES.
766
00:38:35,445 --> 00:38:37,346
MR. ESCOMBE ABOUT?
767
00:38:37,347 --> 00:38:38,648
HE'S GONE
TO CARLISLE TODAY.
768
00:38:38,649 --> 00:38:39,815
HE'LL BE BACK
TOMORROW.
769
00:38:39,816 --> 00:38:41,918
I'M IN CHARGE,
THOUGH I DON'T KNOW WHY.
770
00:38:41,919 --> 00:38:44,720
PAINTINGS A BIT SLOW
TO SHIFT.
771
00:38:44,721 --> 00:38:48,558
HE OFFERED ME ONE
INSTEAD OF WAGES.
772
00:38:48,559 --> 00:38:50,225
YOU'D BE SPOILED
FOR CHOICE.
773
00:38:50,226 --> 00:38:54,430
I WASN'T SPOILED
FOR ANYTHING.
774
00:38:54,431 --> 00:38:56,832
Woman: OH, YOUR MEN
HAD IT EASY.
775
00:38:56,833 --> 00:39:01,637
AUTOMATIC PICKS,
DIGGERS. HA!
776
00:39:01,638 --> 00:39:05,041
I'VE SEEN MY MAN COME HOME
SPITTING UP THAT RED MUCK
777
00:39:05,042 --> 00:39:07,276
FOR NIGH ON AN HOUR.
778
00:39:07,277 --> 00:39:10,345
KILLED HIM EVENTUALLY.
779
00:39:10,346 --> 00:39:12,414
SOME THINGS THEY
DON'T TALK ABOUT.
780
00:39:12,415 --> 00:39:15,284
TWO MEN KILLED HERE
IN 1920s.
781
00:39:15,285 --> 00:39:18,287
WIDOWS GOT
�600 EACH.
782
00:39:18,288 --> 00:39:20,355
BUT I HEARD THERE
WERE SOMETIMES BONUSES
783
00:39:20,356 --> 00:39:23,092
THE BOSSES KNEW
NOTHING ABOUT.
784
00:39:23,093 --> 00:39:24,627
WHAT DO YOU MEAN?
785
00:39:24,628 --> 00:39:26,762
SPAR.
786
00:39:26,763 --> 00:39:28,564
YOU'RE NOT REFERRING
TO A GROCERY STORE?
787
00:39:28,565 --> 00:39:33,168
NO, I'M NOT.
I MEAN THE MINERALS.
788
00:39:33,169 --> 00:39:35,738
I UNDERSTAND THAT
NOT ALL OF THEM FOUND
789
00:39:35,739 --> 00:39:38,307
WERE TURNED OVER
TO THE OWNERS.
790
00:39:38,308 --> 00:39:40,876
LADS FIND A BATCH,
WORD WOULD GO ROUND.
791
00:39:40,877 --> 00:39:43,145
BE SWEETS FOR KIDDIES
THAT WEEKEND.
792
00:39:43,146 --> 00:39:45,147
HOW WOULD THEY
BE SOLD?
793
00:39:45,148 --> 00:39:47,282
HARD TO SAY.
BACK OF PUBS.
794
00:39:47,283 --> 00:39:49,585
BLOKES WHO CAME WOULDN'T
ADVERTISE THEMSELVES MUCH.
795
00:39:49,586 --> 00:39:50,853
WHERE DID THEY
COME FROM?
796
00:39:50,854 --> 00:39:53,923
OH, ALL OVER.
797
00:39:53,924 --> 00:39:56,425
RICHARD RYDELL,
I REMEMBER HIM.
798
00:39:56,426 --> 00:39:59,394
WELL, YOU WOULD,
WOULDN'T YOU?
799
00:39:59,395 --> 00:40:00,896
WHERE DID HE
COME FROM?
800
00:40:00,897 --> 00:40:04,967
HE'S GOT A JEWELRY SHOP
IN CARLISLE.
801
00:40:04,968 --> 00:40:08,470
CARLISLE, YOU SAID?
802
00:40:08,471 --> 00:40:10,706
OH, GEOFF PASSED ON
A MESSAGE
803
00:40:10,707 --> 00:40:12,274
FROM MRS. WAINTHROPP.
804
00:40:12,275 --> 00:40:13,976
SHE'S FINE AND HOPES
TO BE HOME
805
00:40:13,977 --> 00:40:15,144
IN A COUPLE OF DAYS.
806
00:40:15,145 --> 00:40:19,615
OH, RIGHT. THANKS.
807
00:40:19,616 --> 00:40:21,784
EVERYTHING
ALL RIGHT, JANET?
808
00:40:21,785 --> 00:40:23,052
YEAH.
809
00:40:25,856 --> 00:40:30,026
NO. JOBS.
ALL I'M OFFERED
810
00:40:30,027 --> 00:40:33,428
IS GREASE MONKEY,
PEANUTS FOR WAGES.
811
00:40:33,429 --> 00:40:36,699
MM. HARD TO FIND
SOMMAT PART-TIME.
812
00:40:36,700 --> 00:40:38,634
ONLY TROUBLE IS, IT'S
EASIER TO FIND A JOB
813
00:40:38,635 --> 00:40:40,836
WHEN YOU'VE ALREADY
GOT ONE.
814
00:40:40,837 --> 00:40:44,807
HEY. THAT'S RIGHT.
THANKS.
815
00:40:44,808 --> 00:40:46,175
THANKS FOR WHAT?
816
00:40:46,176 --> 00:40:47,342
WELL, FOR SHOWING ME
THAT ONE JOB
817
00:40:47,343 --> 00:40:48,811
CAN LEAD TO ANOTHER.
818
00:40:48,812 --> 00:40:53,282
OH. RIGHT.
IS THAT WHAT I SAID?
819
00:40:55,285 --> 00:40:57,219
[BAND PLAYING]
820
00:41:12,468 --> 00:41:13,836
I FEEL LIKE
CICELY COURTNEIDGE.
821
00:41:13,837 --> 00:41:15,404
CICELY WHO?
NEVER MIND.
822
00:41:15,405 --> 00:41:17,472
TURN. TURN!
823
00:41:20,977 --> 00:41:22,945
MOIRA.
824
00:41:22,946 --> 00:41:24,146
THE HALL LOOKS GOOD.
825
00:41:24,147 --> 00:41:25,514
THANKS.
826
00:41:25,515 --> 00:41:26,682
FANCY A DRINK?
827
00:41:26,683 --> 00:41:29,384
MAYBE LATER.
828
00:41:29,385 --> 00:41:30,786
YOU LOOKING
FOR SOMEONE?
829
00:41:30,787 --> 00:41:32,722
MY FRIEND HETTY.
830
00:41:32,723 --> 00:41:35,024
OH, LOOK.
SHE'S DANCING.
831
00:41:35,025 --> 00:41:37,559
I CAN DANCE.
832
00:41:37,560 --> 00:41:39,628
I KNOW.
833
00:41:39,629 --> 00:41:42,031
WELL, HOW ABOUT IT?
834
00:41:42,032 --> 00:41:43,699
EXCUSE ME.
835
00:41:58,181 --> 00:42:00,515
MOIRA, CAN I INTEREST
YOU IN A NOGGIN?
836
00:42:00,516 --> 00:42:01,683
NO, THANKS.
837
00:42:01,684 --> 00:42:03,119
IT'S THAT OTHER DANCE,
ISN'T IT?
838
00:42:03,120 --> 00:42:05,554
CAN'T FORGET,
WON'T FORGIVE.
839
00:42:05,555 --> 00:42:06,722
I CAN.
840
00:42:06,723 --> 00:42:07,890
I REMEMBER
THAT DANCE.
841
00:42:07,891 --> 00:42:09,058
OH, TOM, PLEASE!
842
00:42:09,059 --> 00:42:11,060
ME AND HIM WENT OUTSIDE,
SQUARED UP.
843
00:42:11,061 --> 00:42:12,228
I HATED THAT.
844
00:42:12,229 --> 00:42:13,996
ME, TOO. STUART GAVE
ME A RIGHT GOOD HIDING,
845
00:42:13,997 --> 00:42:16,632
BUT IT'S GONE,
TIME'S GONE,
846
00:42:16,633 --> 00:42:17,900
HE'S GONE.
847
00:42:17,901 --> 00:42:20,202
YES. EXCUSE ME.
848
00:42:20,203 --> 00:42:21,370
MOIRA, LISTEN,
LISTEN.
849
00:42:21,371 --> 00:42:22,537
I WANT TO SELL
THE GALLERY.
850
00:42:22,538 --> 00:42:24,273
THERE'S NOTHING IN
REDRIGG FOR US.
851
00:42:24,274 --> 00:42:25,808
WHY DON'T WE MOVE
AWAY TOGETHER?
852
00:42:25,809 --> 00:42:26,976
I BELONG HERE.
853
00:42:26,977 --> 00:42:29,078
A FRESH START WITH
SOMEONE WHO LOVES YOU.
854
00:42:29,079 --> 00:42:30,846
NO. NO. NOW, LET GO
OF ME!
855
00:42:30,847 --> 00:42:32,047
OI, ESCOMBE!
856
00:42:32,048 --> 00:42:35,918
NO, NO. STOP IT!
STOP!
857
00:42:35,919 --> 00:42:37,686
HOW COULD YOU?
858
00:42:46,362 --> 00:42:48,130
MOIRA,
WHAT'S HAPPENED?
859
00:42:48,131 --> 00:42:49,731
IT'S THOMAS ESCOMBE.
860
00:42:49,732 --> 00:42:52,434
HE WANTS ME TO RUN
AWAY WITH HIM.
861
00:42:52,435 --> 00:42:55,337
HE STARTED ON ABOUT
ANOTHER DANCE YEARS BACK
862
00:42:55,338 --> 00:42:58,007
WHEN HIM AND STUART
HAD A FIGHT.
863
00:42:58,008 --> 00:43:00,009
OVER YOU?
YEAH.
864
00:43:01,812 --> 00:43:06,415
WHY CAN'T HE
JUST LEAVE ME ALONE?
865
00:43:06,416 --> 00:43:08,851
I LOVE STUART.
866
00:43:08,852 --> 00:43:11,287
I JUST WANT
HIS BOOK BACK.
867
00:43:13,824 --> 00:43:15,991
HELP ME FIND IT,
PLEASE.
868
00:43:15,992 --> 00:43:17,659
I'LL TRY.
869
00:43:20,897 --> 00:43:24,166
THANK YOU. THANK YOU.
THANK YOU VERY MUCH.
870
00:43:24,167 --> 00:43:26,601
LADIES AND GENTLEMEN,
WE'VE HAD A REQUEST
871
00:43:26,602 --> 00:43:28,037
FROM A MR. THOMAS ESCOMBE.
872
00:43:28,038 --> 00:43:33,475
"FOR A VERY
SPECIAL LADY--MOIRA."
873
00:43:33,476 --> 00:43:35,978
� OH, IT HURTS
TO GO AWAY �
874
00:43:35,979 --> 00:43:38,280
� IT'S IMPOSSIBLE TO STAY �
875
00:43:38,281 --> 00:43:43,085
� BUT THERE'S ONE THING
I MUST SAY BEFORE I GO �
876
00:43:43,086 --> 00:43:47,056
� I LOVE YOU,
YOU KNOW �
877
00:43:47,057 --> 00:43:48,891
HAVE YOU SEEN
THOMAS ESCOMBE?
878
00:43:48,892 --> 00:43:50,659
HE TOOK A PINT
OUTSIDE.
879
00:43:50,660 --> 00:43:52,461
THERE'S A YARD.
880
00:43:52,462 --> 00:43:56,365
� TIME IS MOVING ON,
AND I SHOULD BE REALLY GONE �
881
00:43:56,366 --> 00:44:00,836
� BUT YOU KEEP ME HANGING ON
FOR ONE MORE SMILE �
882
00:44:00,837 --> 00:44:03,405
� I LOVE YOU �
883
00:44:03,406 --> 00:44:05,307
� ALL THE WHILE... �
884
00:44:10,080 --> 00:44:12,147
THEY DO THAT
IN RUSSIA.
885
00:44:12,148 --> 00:44:14,016
WHAT?
OR IS IT GREECE?
886
00:44:14,017 --> 00:44:15,184
WHAT ARE YOU
ON ABOUT?
887
00:44:15,185 --> 00:44:16,352
JUST CHATTING.
888
00:44:16,353 --> 00:44:17,686
GO AWAY.
889
00:44:21,124 --> 00:44:22,958
YOU'VE BEEN TALKING
TO MOIRA.
890
00:44:22,959 --> 00:44:26,061
MIND YOUR OWN
BUSINESS.
891
00:44:26,062 --> 00:44:30,099
YOU WANTED HER TO
RUN AWAY WITH YOU.
892
00:44:30,100 --> 00:44:32,234
IS THAT BECAUSE YOU'VE
RAISED SOME MONEY
893
00:44:32,235 --> 00:44:36,038
FROM THE MINERAL THINGS
YOU TOOK FROM THE MINE?
894
00:44:36,039 --> 00:44:37,206
WHAT?
895
00:44:37,207 --> 00:44:39,808
I HEARD YOU'D GONE
TO CARLISLE.
896
00:44:39,809 --> 00:44:42,444
I PHONED THE JEWELER,
RICHARD RYDELL,
897
00:44:42,445 --> 00:44:44,479
TALKED TO HIS WIFE.
898
00:44:44,480 --> 00:44:47,349
I DESCRIBED YOU
TO HER.
899
00:44:47,350 --> 00:44:50,986
SHE SAID YOU'D BEEN
INTO THEIR SHOP.
900
00:44:50,987 --> 00:44:52,421
SHE WOULDN'T SAY
WHAT FOR,
901
00:44:52,422 --> 00:44:56,691
BUT IT'S OBVIOUS--
TO SELL THE STONES.
902
00:44:56,692 --> 00:44:58,560
WHO THE HELL
ARE YOU?
903
00:44:58,561 --> 00:45:03,665
A FRIEND OF A WOMAN
WHO'S LOST HER HUSBAND.
904
00:45:03,666 --> 00:45:05,600
WHAT HAVE I DONE
THAT SHE WON'T
905
00:45:05,601 --> 00:45:10,572
LOOK, LISTEN,
LOVE ME?
906
00:45:10,573 --> 00:45:13,943
SHE THINKS YOU'RE
NOT FOR HER.
907
00:45:17,547 --> 00:45:20,182
THEN WHY SHOULD I DO
HER ANY FAVORS?
908
00:45:23,219 --> 00:45:24,853
IT'S CHILLY TONIGHT.
909
00:45:24,854 --> 00:45:26,922
I THINK I'LL GO
AND LIGHT A FIRE.
910
00:45:37,167 --> 00:45:38,367
NO!
911
00:45:38,368 --> 00:45:39,534
JUST BURNING
SOME RUBBISH.
912
00:45:39,535 --> 00:45:40,702
NO CRIME IN THAT.
913
00:45:40,703 --> 00:45:42,637
YOU SAY YOU LOVE
MOIRA?
914
00:45:42,638 --> 00:45:44,239
WHAT KIND OF A LOVE
DESTROYS A THING
915
00:45:44,240 --> 00:45:45,407
SHE CHERISHES?
916
00:45:45,408 --> 00:45:46,808
CHERISH? SHE DOESN'T
KNOW WHAT
917
00:45:46,809 --> 00:45:48,177
THAT WORD MEANS.
918
00:45:48,178 --> 00:45:49,811
STUART JUST
ACCEPTED HER.
919
00:45:49,812 --> 00:45:51,313
"THE WIFE," HE'D SAY,
"THE WIFE,"
920
00:45:51,314 --> 00:45:53,182
LIKE SHE WAS JUST
ANY WOMAN.
921
00:45:53,183 --> 00:45:54,984
JACK DUCKETT'S
JUST THE SAME.
922
00:45:54,985 --> 00:45:57,386
IS THAT WHY YOU PLANTED
THOSE THINGS IN HIS LOCKER,
923
00:45:57,387 --> 00:45:59,154
TO DISCREDIT HIM
WITH MOIRA?
924
00:45:59,155 --> 00:46:00,789
AYE. THAT LAD GEOFF
PUT ME ON
925
00:46:00,790 --> 00:46:02,091
TO WHERE MINERALS
MIGHT BE.
926
00:46:02,092 --> 00:46:03,292
HE ASKED ABOUT
LONELY HEARTS
927
00:46:03,293 --> 00:46:04,460
AND HAPPINESS.
928
00:46:04,461 --> 00:46:05,660
THANK HIM FOR ME.
929
00:46:05,661 --> 00:46:08,563
YOU SAY YOU LOVE
MOIRA?
930
00:46:08,564 --> 00:46:10,665
IF YOU BURN
STUART'S BOOK,
931
00:46:10,666 --> 00:46:15,237
SHE CAN NEVER
LOVE YOU.
932
00:46:15,238 --> 00:46:18,007
STUART STOLE
THOSE STONES.
933
00:46:18,008 --> 00:46:22,978
HE WAS A THIEF,
YET SHE LOVES HIM.
934
00:46:22,979 --> 00:46:25,180
I DO THE SAME
AND...
935
00:46:28,818 --> 00:46:33,955
AND THIS,
WELL, THIS.
936
00:46:33,956 --> 00:46:35,190
HERE.
937
00:46:43,133 --> 00:46:44,266
[DOOR OPENS]
938
00:46:47,337 --> 00:46:49,204
NOW, LOOK, JACK.
I HAVE SOMETHING
939
00:46:49,205 --> 00:46:51,006
FOR YOU
AND ALL THE LADS.
940
00:46:58,614 --> 00:47:00,849
PRICE IN CARLISLE
WASN'T ENOUGH.
941
00:47:00,850 --> 00:47:02,251
TAKE THEM.
942
00:47:02,252 --> 00:47:03,985
THEY'RE NO USE
TO ME NOW.
943
00:47:12,962 --> 00:47:14,496
THANK YOU.
944
00:47:21,771 --> 00:47:23,738
I START WORK
TOMORROW.
945
00:47:23,739 --> 00:47:24,973
WHAT DOING?
946
00:47:24,974 --> 00:47:26,608
GARAGE WORK.
947
00:47:26,609 --> 00:47:28,077
OH.
948
00:47:28,078 --> 00:47:29,844
IT'S A START.
949
00:47:29,845 --> 00:47:31,913
NEW LIVES TAKE TIME
TO PLAN.
950
00:47:31,914 --> 00:47:34,116
MR. WAINTHROPP
PUT ME ON TO THAT.
951
00:47:34,117 --> 00:47:36,585
THE GUY IN THE LAST CASE
FOUND THAT OUT, TOO.
952
00:47:36,586 --> 00:47:38,420
YEAH?
953
00:47:38,421 --> 00:47:40,622
EVERYTHING HE DID
WAS FOR LOVE.
954
00:47:40,623 --> 00:47:43,525
AW. I'M ALL FOR THAT.
955
00:47:43,526 --> 00:47:44,960
Robert: AND THANKS
TO JANET, I'VE BEEN
956
00:47:44,961 --> 00:47:47,028
REINSTATED TO THE TOP
OF THE WAITING LIST.
957
00:47:47,029 --> 00:47:48,330
OH, THAT'S GOOD.
958
00:47:48,331 --> 00:47:49,864
BUT I'M AFRAID
WE MAY HAVE TO DO
959
00:47:49,865 --> 00:47:53,435
WITHOUT RUNNER BEANS
THIS YEAR.
960
00:47:53,436 --> 00:47:56,238
WE'LL SURVIVE
SOMEHOW.
961
00:48:00,477 --> 00:48:02,744
WHAT'S THAT?
962
00:48:02,745 --> 00:48:04,113
A PRESENT.
963
00:48:04,114 --> 00:48:07,249
WHAT IS IT?
964
00:48:07,250 --> 00:48:10,452
STUFF THAT DREAMS
ARE MADE OF.
965
00:48:15,492 --> 00:48:18,494
CAPTIONING MADE POSSIBLE BY
ACORN MEDIA
966
00:48:18,495 --> 00:48:20,496
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
967
00:48:20,497 --> 00:48:21,597
--www.ncicap.org--
968
00:48:21,647 --> 00:48:26,197
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