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1
00:00:00,626 --> 00:00:01,919
PREVIOUSLY ON "ALL AMERICAN"...
2
00:00:01,919 --> 00:00:05,339
MOM, LOOK AT ME.
I AM GAY.
3
00:00:05,339 --> 00:00:06,340
AND THERE IS
NO AMOUNT OF PRAYER
4
00:00:06,340 --> 00:00:07,382
THAT'S GONNA
CHANGE THAT.
5
00:00:07,382 --> 00:00:09,092
MRS. COOPER:
I LOVE YOU, TAMIA.
6
00:00:09,092 --> 00:00:10,510
YOUR FATHER AND I
WORKED HARD TO RAISE YOU RIGHT.
7
00:00:10,510 --> 00:00:13,263
BUT I'M SORRY, I--I
CAN'T CONDONE THIS.
8
00:00:13,263 --> 00:00:14,640
OLIVIA: I JUST WENT
DOWN A BAD PATH
9
00:00:14,640 --> 00:00:16,308
AND TRIED TO DROWN IT
OUT WITH PILLS.
10
00:00:16,308 --> 00:00:19,811
PARENTS FREAKED,
AND HERE I AM.
11
00:00:19,811 --> 00:00:22,481
YOU ALSO HAVE A DAUGHTER
JUST OUT OF REHAB,
12
00:00:22,481 --> 00:00:23,982
AND THE ONE PERSON
YOU'RE FOCUSED ON,
13
00:00:23,982 --> 00:00:26,485
THE ONE PERSON
YOU'RE TRYING TO SAVE, IS SPENCER.
14
00:00:26,485 --> 00:00:28,946
JORDAN: WE'RE GONNA
HAVE TO COME UP WITH A WHOLE NEW PLAYBOOK,
15
00:00:28,946 --> 00:00:30,489
SINCE SOMEONE GAVE
MALIBU OURS.
16
00:00:30,489 --> 00:00:31,949
MY LIFE WAS
FALLING APART,
17
00:00:31,949 --> 00:00:33,325
AND IN A MOMENT
OF WEAKNESS--
18
00:00:33,325 --> 00:00:34,743
ANOTHER MOMENT
OF WEAKNESS.
19
00:00:34,743 --> 00:00:36,495
HOW MANY TIMES ARE YOU
GONNA USE THAT
20
00:00:36,495 --> 00:00:39,373
SORRY-ASS EXCUSE
TO COVER YOURSELF?
21
00:00:39,373 --> 00:00:41,166
WAIT A MINUTE.
YOU WANT ME TO DO WHAT?
22
00:00:41,166 --> 00:00:42,501
OLIVIA:
ASHER'S HOMELESS,
23
00:00:42,501 --> 00:00:44,336
AND YOU HAVE A BIG,
EMPTY HOUSE
24
00:00:44,336 --> 00:00:45,462
JUST SITTING HERE.
25
00:00:45,462 --> 00:00:46,880
HIS DAD
KICKED HIM OUT.
26
00:00:46,880 --> 00:00:48,674
HE'S LIVING
IN HIS CAR.
27
00:00:48,674 --> 00:00:51,260
IT'S YOUR HOUSE,
AND I TRUST YOU.
28
00:00:59,101 --> 00:01:00,519
SPENCER: ATOMS
WITHIN AN ELEMENT
29
00:01:00,519 --> 00:01:02,354
HAVE FULL VALENCE
SHELLS THAT ARE...
30
00:01:02,354 --> 00:01:05,524
UM, UN--UNLIKELY
TO BOND.
31
00:01:05,524 --> 00:01:09,194
UNSTABLE NUCLEI DECAY
IN A STABLE ATOM'S...
32
00:01:09,194 --> 00:01:10,237
-RADIOISOTOPE.
-BOOM.
33
00:01:10,237 --> 00:01:11,571
ALL RIGHT, LAST ONE.
34
00:01:11,571 --> 00:01:14,199
-MM-HMM.
-CORRECT FORMULA FOR BARIUM CHLORIDE.
35
00:01:14,199 --> 00:01:19,162
OOH. UH, UH,
B--B-A-C-L 2.
36
00:01:19,162 --> 00:01:20,414
-YES.
-YES! OK.
37
00:01:20,414 --> 00:01:21,456
I TOLD YOU WE
READY TO KICK
38
00:01:21,456 --> 00:01:23,166
THIS TEST'S ASS
TOMORROW.
39
00:01:23,166 --> 00:01:24,543
WHICH IS A MIRACLE
CONSIDERING HOW HARD
40
00:01:24,543 --> 00:01:26,295
IT'S BEEN TO FIND
A QUIET PLACE TO STUDY.
41
00:01:26,295 --> 00:01:29,506
AT SCHOOL, SOMEONE'S
ALWAYS PULLING ME INTO SOMETHING,
42
00:01:29,506 --> 00:01:32,467
AND NOW ASHER'S STAYING
AT MY PLACE.
43
00:01:35,512 --> 00:01:37,514
SO, HOW LONG
IS HE STAYING?
44
00:01:37,514 --> 00:01:39,474
SPENCER, HE JUST
GOT THERE.
45
00:01:39,474 --> 00:01:41,393
[CHUCKLES] YEAH,
WELL, THANKFULLY,
46
00:01:41,393 --> 00:01:42,561
MY MOM AND DILLON
HAD THAT
47
00:01:42,561 --> 00:01:44,313
PARENT-TEACHER
THING TONIGHT.
48
00:01:44,313 --> 00:01:46,982
MM-HMM.
AMEN TO A QUIET PLACE TO STUDY.
49
00:01:46,982 --> 00:01:50,902
YEAH. AND DO
OTHER THINGS.
50
00:01:50,902 --> 00:01:52,738
[LAUGHS]
51
00:01:52,738 --> 00:01:55,449
COME HERE, GIRL.
52
00:01:55,449 --> 00:01:58,660
MM. WE'RE SUPPOSED
TO BE STUDYING CHEMISTRY.
53
00:01:58,660 --> 00:02:01,455
WE ARE. STUDYING
OUR CHEMISTRY.
54
00:02:01,455 --> 00:02:03,665
OH! THAT WAS
CORNY AS HELL.
55
00:02:03,665 --> 00:02:05,792
-YEAH? MADE YOU LAUGH, THOUGH.
-THAT'S YOUR LINE?
56
00:02:05,792 --> 00:02:07,085
[BOOKS HIT FLOOR]
57
00:02:07,085 --> 00:02:09,463
MAN: ♪ CAN I BE NEAR YOU ♪
58
00:02:09,463 --> 00:02:11,423
♪ I NEED A CLEAR VIEW ♪
59
00:02:11,423 --> 00:02:13,467
♪ JUST OF THIS MOMENT ♪
60
00:02:13,467 --> 00:02:15,469
♪ WE CAN ADHERE TO ♪
61
00:02:15,469 --> 00:02:17,471
♪ I DON'T WANT
TO WASTE YOUR TIME ♪
62
00:02:17,471 --> 00:02:18,680
[DOOR LOCK CLICKS]
63
00:02:18,680 --> 00:02:20,724
♪ WE AIN'T GOTTA TALK,
THAT'S FINE ♪
64
00:02:23,352 --> 00:02:25,062
GRACE: HEY.
LEILA: HI.
65
00:02:25,062 --> 00:02:26,271
HEY, MOM.
66
00:02:26,271 --> 00:02:27,564
GRACE: HOW'S
THE STUDYING COMING?
67
00:02:27,564 --> 00:02:29,149
BOTH: GREAT.
SPENCER: GOOD, GOOD.
68
00:02:29,149 --> 00:02:31,401
LEILA: YEAH. IT'S REALLY GOOD.
SPENCER: YEAH. MM-HMM.
69
00:02:31,401 --> 00:02:33,153
GOOD.
70
00:02:34,863 --> 00:02:38,617
♪ BUSTED ♪
71
00:02:38,617 --> 00:02:44,373
WOMAN: ♪ GO ABOUT MY DAY
THROUGH YOUR EYES ♪
72
00:02:44,373 --> 00:02:45,332
♪ I FEEL YOU THINKING... ♪
73
00:02:45,332 --> 00:02:46,583
WOMAN: JORDAN,
ARE YOU DONE?
74
00:02:46,583 --> 00:02:48,418
JORDAN: YEAH...
OLIVIA: MORNING.
75
00:02:48,418 --> 00:02:50,170
JORDAN: YEAH, OK, BUT WE
HAVE DEETS ON THEIR OFFENSE.
76
00:02:50,170 --> 00:02:51,338
BILLY: WE GOTTA BE PREPARED
TO GIVE THEM
77
00:02:51,338 --> 00:02:53,298
SOMETHING NEW
THAT'S DIFFERENT.
78
00:02:53,298 --> 00:02:54,758
TAKE A LOOK.
79
00:02:56,259 --> 00:02:57,260
JORDAN: BUT THAT RIGHT THERE...
80
00:02:57,260 --> 00:02:58,470
HEY, MOM.
81
00:03:00,055 --> 00:03:01,181
MOM?
82
00:03:01,181 --> 00:03:02,682
CAN YOU--SWEETIE,
HOLD ON ONE SECOND.
83
00:03:02,682 --> 00:03:04,184
I HAVE TO--I HAVE TO
GET THIS PHONE CALL.
84
00:03:04,184 --> 00:03:05,769
MAN ON PHONE: HEY, WHAT'S UP?
LAURA: HEY, FINN.
85
00:03:05,769 --> 00:03:08,438
UH, THAT NEW AD CAMPAIGN
IS SERIOUSLY BORING.
86
00:03:08,438 --> 00:03:09,898
BILLY: YOU SEE HOW
FAST HE COMES CRASHING
87
00:03:09,898 --> 00:03:11,566
OFF THE EDGE?
THAT LINEBACKER?
88
00:03:11,566 --> 00:03:14,277
JORDAN: YEAH, OK,
SO HOW WE CHANGE IT UP?
89
00:03:14,277 --> 00:03:15,987
PLAYOFFS AND CAMPAIGNS.
90
00:03:15,987 --> 00:03:17,489
MY FAVORITE TIME
OF YEAR.
91
00:03:17,489 --> 00:03:19,116
LAURA: ...GET IT DONE
BEFORE I GET INTO THE OFFICE.
92
00:03:19,116 --> 00:03:21,201
[JORDAN SPEAKING INDISTINCTLY]
93
00:03:23,745 --> 00:03:25,664
HEY.
94
00:03:25,664 --> 00:03:26,998
YOU GOOD?
95
00:03:26,998 --> 00:03:28,291
YEAH. ALL GOOD.
96
00:03:28,291 --> 00:03:32,129
WOMAN: ♪ YOU'RE MINE, ALL MINE,
ALL MINE ♪
97
00:03:32,129 --> 00:03:34,214
♪ I LIKE YOU ... ♪
98
00:03:37,509 --> 00:03:39,219
WHAT THE--
99
00:03:43,390 --> 00:03:47,936
[VIDEO GAME SOUND EFFECTS]
100
00:03:47,936 --> 00:03:49,688
HOW THE HELL
YOU GET IN HERE?
101
00:03:49,688 --> 00:03:52,441
-I GOT A KEY.
-YEAH, WELL, I WANT IT BACK.
102
00:03:52,441 --> 00:03:53,525
YOU CAN'T JUST
BE ROLLING UP
103
00:03:53,525 --> 00:03:55,861
AT FOLKS' CRIB
LIKE THAT.
104
00:03:55,861 --> 00:03:57,362
THE HELL I CAN'T.
105
00:03:57,362 --> 00:03:58,363
EVERYTHING YOU GOT
IS MINE,
106
00:03:58,363 --> 00:03:59,573
INCLUDING THIS PLACE.
107
00:03:59,573 --> 00:04:01,032
ALTHOUGH IT LOOK
LIKE YOU MIGHT
108
00:04:01,032 --> 00:04:02,409
NOT BE HERE
THAT MUCH LONGER.
109
00:04:04,202 --> 00:04:06,580
WELL, ADD IT TO
THE PILE OF OTHERS.
110
00:04:06,580 --> 00:04:08,290
THE DAMN LANDLORD
KICKING ME OUT.
111
00:04:08,290 --> 00:04:09,291
YOU SHORT ON
PAPER OR WHAT?
112
00:04:09,291 --> 00:04:11,460
NO, I'M SHORT
ON YEARS.
113
00:04:11,460 --> 00:04:12,836
THEY WON'T LET ME
TAKE OVER SHAWN'S LEASE
114
00:04:12,836 --> 00:04:14,337
BECAUSE I'M
UNDER 18.
115
00:04:14,337 --> 00:04:16,131
SOME B.S. ABOUT
NOT RENTING TO A MINOR
116
00:04:16,131 --> 00:04:17,757
UNLESS I'M EMANCIPATED
OR SOMETHING.
117
00:04:17,757 --> 00:04:19,092
I DON'T KNOW.
118
00:04:19,092 --> 00:04:20,677
FORGET THAT
EMANCIPATION STUFF.
119
00:04:20,677 --> 00:04:23,472
TAKE YOUR ASS
BACK HOME TO YOUR FOLKS. MAKE THINGS RIGHT.
120
00:04:23,472 --> 00:04:25,056
YOU GET EMANCIPATED,
YOU GET POPPED,
121
00:04:25,056 --> 00:04:26,433
YOU GO DOWN
AS AN ADULT.
122
00:04:26,433 --> 00:04:29,311
YOU AIN'T NO GOOD TO ME
DOING 20 TO LIFE.
123
00:04:29,311 --> 00:04:31,521
I GUESS I BETTER NOT
GET POPPED THEN.
124
00:04:43,366 --> 00:04:44,826
[SIGH]
125
00:04:54,461 --> 00:04:56,296
[PILLS RATTLING]
126
00:05:02,761 --> 00:05:04,596
PORTUGAL, MAN: ♪ CAN'T KEEP
MY HANDS TO MYSELF ♪
127
00:05:04,596 --> 00:05:07,015
[INDISTINCT ARGUING IN DISTANCE]
128
00:05:07,015 --> 00:05:11,520
♪ THINK I'LL DUST 'EM OFF,
PUT 'EM BACK UP ON THE SHELF ♪
129
00:05:11,520 --> 00:05:14,481
♪ IN CASE MY LITTLE BABY GIRL
IS IN NEED ♪
130
00:05:14,481 --> 00:05:16,733
♪ AM I COMING OUT
OF LEFT FIELD? ♪
131
00:05:16,733 --> 00:05:19,569
♪ OOH WOO, I'M A REBEL
JUST FOR KICKS, NOW ♪
132
00:05:19,569 --> 00:05:22,739
♪ LET ME KICK IT LIKE
IT'S 1986, NOW ♪
133
00:05:22,739 --> 00:05:25,575
♪ MIGHT BE OVER NOW,
BUT I FEEL IT STILL ♪
134
00:05:25,575 --> 00:05:29,287
♪ MIGHT'VE HAD YOUR FILL,
BUT YOU FEEL IT STILL ♪
135
00:05:31,540 --> 00:05:35,001
WOMAN: OLIVIA!
YOU'RE GOING TO BE LATE!
136
00:05:36,545 --> 00:05:37,796
[PILLS RATTLE]
137
00:05:44,511 --> 00:05:45,804
YOU SERIOUSLY KEEP
WATCHING THAT
138
00:05:45,804 --> 00:05:47,013
OVER AND OVER AGAIN?
139
00:05:47,013 --> 00:05:49,140
JJ: UH, HELL YEAH.
JORDAN: YES.
140
00:05:49,140 --> 00:05:50,559
THIS IS EPIC.
141
00:05:50,559 --> 00:05:52,519
ARE YOU KIDDING ME?
WHO DOES THAT?
142
00:05:52,519 --> 00:05:53,562
I WAS THERE, BRO.
143
00:05:53,562 --> 00:05:54,854
I MEAN, I'MA
GIVE YOU THAT.
144
00:05:54,854 --> 00:05:56,356
-IT'S--IT'S PRETTY DOPE.
-BEAUTIFUL CATCH.
145
00:05:56,356 --> 00:05:58,024
WELL, DON'T ACT LIKE
I HAVEN'T CAUGHT YOU.
146
00:05:58,024 --> 00:05:59,526
REWATCHING IT
AT HOME, EITHER.
147
00:05:59,526 --> 00:06:01,403
NO. YOU TALKING ABOUT
ANOTHER SPENCER JAMES.
148
00:06:01,403 --> 00:06:02,529
-YEAH, OK.
-JUST MAKE SURE
149
00:06:02,529 --> 00:06:04,447
THAT OTHER
SPENCER JAMES SHOWS UP
150
00:06:04,447 --> 00:06:05,574
FOR NEXT WEEK'S
PLAYOFF GAME, ALL RIGHT?
151
00:06:05,574 --> 00:06:06,658
WE'RE GONNA
NEED HIM.
152
00:06:06,658 --> 00:06:08,326
SPENCER: I GOT YOU.
JORDAN: OK!
153
00:06:08,326 --> 00:06:09,744
GIRL: NICE CATCH
AT THE COMBINE, SPENCER.
154
00:06:09,744 --> 00:06:11,371
IMPRESSIVE HANDS.
155
00:06:13,331 --> 00:06:14,791
LEILA BETTER
WATCH OUT.
156
00:06:14,791 --> 00:06:16,293
LEILA AIN'T GOT NOTHING
TO WORRY ABOUT, ALL RIGHT?
157
00:06:16,293 --> 00:06:17,544
JJ: YOU'RE REALLY
OK WITH
158
00:06:17,544 --> 00:06:19,129
ASHER MOVING
INTO HER PLACE?
159
00:06:19,129 --> 00:06:20,755
I DIDN'T HAVE
A CHOICE, ALL RIGHT?
160
00:06:20,755 --> 00:06:22,257
AS LONG AS
HE STICKS TO HIS ROOM
161
00:06:22,257 --> 00:06:24,551
AND OUT OF OUR WAY,
WE STRAIGHT.
162
00:06:24,551 --> 00:06:26,720
BESIDES, I TRUST LEILA.
163
00:06:26,720 --> 00:06:28,597
YOU'RE A BETTER
MAN THAN ME.
164
00:06:35,729 --> 00:06:38,481
SPENCE, JUST, UM,
MAKE SURE YOU
165
00:06:38,481 --> 00:06:41,151
WATCH YOUR BACK
WITH HIM, ALL RIGHT?
166
00:06:41,151 --> 00:06:43,069
YOU KNOW IT'S BAD
WHEN EVEN JJ'S
167
00:06:43,069 --> 00:06:44,613
STILL PISSED AT ME.
168
00:06:44,613 --> 00:06:45,905
YOU WERE
FRIENDS BEFORE YOU WERE TEAMMATES.
169
00:06:45,905 --> 00:06:47,115
HE'LL COME AROUND.
170
00:06:47,115 --> 00:06:48,617
I BETRAYED MY TEAM.
171
00:06:48,617 --> 00:06:50,160
ALMOST COST THEM
THE HOMECOMING GAME.
172
00:06:50,160 --> 00:06:51,244
I GOT A LOT
TO MAKE UP FOR.
173
00:06:51,244 --> 00:06:54,539
AND YOU WILL. HEY.
174
00:06:58,710 --> 00:07:00,170
YOU ALL
RIDE IN TOGETHER?
175
00:07:00,170 --> 00:07:01,421
UH, YEAH, I HAD
TO DROP MY CAR
176
00:07:01,421 --> 00:07:04,841
AT THE DEALERSHIP, SO,
ASHER GAVE ME A RIDE.
177
00:07:04,841 --> 00:07:05,842
IS THAT A PROBLEM?
178
00:07:05,842 --> 00:07:07,844
NO. IT'S ALL GOOD.
179
00:07:07,844 --> 00:07:10,472
COME ON.
WE GONNA BE LATE FOR CLASS.
180
00:07:10,472 --> 00:07:12,140
LEILA: HEY, YOU'RE
UNUSUALLY QUIET.
181
00:07:12,140 --> 00:07:14,517
ARE YOU SURE
EVERYTHING'S OK?
182
00:07:14,517 --> 00:07:18,438
YES. NEED FOCUS
FOR THE TEST, YOU KNOW.
183
00:07:20,315 --> 00:07:22,525
SHOULDN'T OLIVIA
BE HERE BY NOW?
184
00:07:28,948 --> 00:07:31,034
[RATTLING GATES]
185
00:07:47,550 --> 00:07:49,552
I NEED TO TALK
TO YOU.
186
00:07:55,892 --> 00:07:57,102
I'M SORRY.
187
00:07:57,102 --> 00:08:01,314
HEY. I'M YOUR SPONSOR.
188
00:08:01,314 --> 00:08:02,607
THIS IS WHAT
I'M HERE FOR.
189
00:08:02,607 --> 00:08:05,276
I DON'T UNDERSTAND.
I'VE BEEN FINE.
190
00:08:05,276 --> 00:08:07,654
THAT'S THE NATURE OF
THE BEAST, YOU KNOW?
191
00:08:07,654 --> 00:08:10,740
YOU'RE IN CONTROL,
EVERYTHING'S GOING GREAT,
192
00:08:10,740 --> 00:08:13,076
AND ALL OF A SUDDEN,
SOMETHING COMES OUT OF NOWHERE
193
00:08:13,076 --> 00:08:14,327
AND BAM.
194
00:08:14,327 --> 00:08:16,246
BUT WHY NOW?
195
00:08:16,246 --> 00:08:17,914
I'VE BEEN TO PARTIES,
196
00:08:17,914 --> 00:08:19,833
I'VE BEEN AROUND
DRUGS AND ALCOHOL,
197
00:08:19,833 --> 00:08:21,918
AND THEN TODAY,
I LITERALLY FIND
198
00:08:21,918 --> 00:08:23,169
ONE BOTTLE OF PILLS,
AND IT'S LIKE
199
00:08:23,169 --> 00:08:28,258
I'M BACK TO 2017 ME
AGAIN, JUST LIKE THAT.
200
00:08:28,258 --> 00:08:31,302
THIS IS THE PART WHERE
YOU GOTTA DIG DEEP,
201
00:08:31,302 --> 00:08:33,012
FIGURE OUT WHAT DEMONS
GOT STIRRED UP
202
00:08:33,012 --> 00:08:34,639
FOR YOU TODAY AND WHY.
203
00:08:46,276 --> 00:08:48,361
OLIVIA: SO, MOM AND DAD
ARE ON A STAYCATION WEEKEND
204
00:08:48,361 --> 00:08:49,946
OR WHATEVER,
WHICH MEANS PARTY TIME
205
00:08:49,946 --> 00:08:51,322
FOR US AT THE HOUSE.
206
00:08:51,322 --> 00:08:53,074
NO, LIV, THAT'S
NOT A GOOD IDEA.
207
00:08:53,074 --> 00:08:54,242
YOU ALWAYS SAY THAT,
AND THEN
208
00:08:54,242 --> 00:08:55,827
YOU ALWAYS HAVE
A GOOD TIME.
209
00:08:55,827 --> 00:08:58,204
JJ! PARTY
CHEZ BAKER TONIGHT. SPREAD THE WORD.
210
00:08:58,204 --> 00:08:59,914
HEY! CONSIDER
IT SPREAD.
211
00:08:59,914 --> 00:09:01,374
JJ, NO.
DON'T YOU DARE.
212
00:09:01,374 --> 00:09:04,335
HEY, SORRY, BRO,
THE QUEEN HAS SPOKEN.
213
00:09:04,335 --> 00:09:06,504
GET A ROOM.
214
00:09:06,504 --> 00:09:09,632
[LEILA GIGGLES]
ASHER: JEALOUS MUCH? BYE, BABY.
215
00:09:09,632 --> 00:09:12,510
LET'S GO FIND US
SOME TROUBLE. [GIGGLES]
216
00:09:12,510 --> 00:09:14,596
[LAUGHS]
217
00:09:16,848 --> 00:09:19,142
[KNOCKING]
218
00:09:21,895 --> 00:09:23,229
[DOOR UNLOCKS]
219
00:09:24,981 --> 00:09:26,274
I LEFT YOU, LIKE,
3 MESSAGES.
220
00:09:26,274 --> 00:09:29,402
YEAH. UH, AHEM.
I'M FINE.
221
00:09:29,402 --> 00:09:31,696
I JUST, UH, HAD
A ROUGH MORNING IS ALL, SO.
222
00:09:31,696 --> 00:09:33,448
DEFINE ROUGH.
223
00:09:33,448 --> 00:09:36,242
I FOUND SOME PILLS
IN MY ROOM.
224
00:09:36,242 --> 00:09:37,368
-WHAT?
-I WAS TEMPTED
225
00:09:37,368 --> 00:09:38,745
BUT IT'S--IT'S FINE.
226
00:09:38,745 --> 00:09:40,038
I--I THREW THEM AWAY
227
00:09:40,038 --> 00:09:42,248
AND MET WITH
MY SPONSOR, SO.
228
00:09:42,248 --> 00:09:44,000
OK, SO, HOW CAN
I HELP?
229
00:09:44,000 --> 00:09:45,752
YOU CAN TALK ABOUT
SOMETHING ELSE.
230
00:09:45,752 --> 00:09:47,045
ANYTHING ELSE.
231
00:09:47,045 --> 00:09:49,964
-NO, MAN, COME ON.
-PLEASE? PLEASE?
232
00:09:49,964 --> 00:09:52,342
[SIGH] PLEASE?
233
00:09:52,342 --> 00:09:55,220
UM, HOW--HOW ARE
YOU AND LEILA?
234
00:09:58,014 --> 00:09:59,641
LOOK, I'M SORRY IF
235
00:09:59,641 --> 00:10:01,226
THE WHOLE
ASHER THING IS CAUSING PROBLEMS.
236
00:10:01,226 --> 00:10:03,228
I REALLY DIDN'T MEAN
TO START ANYTHING.
237
00:10:03,228 --> 00:10:04,395
I KNOW.
I KNOW.
238
00:10:04,395 --> 00:10:05,730
IT'S JUST
239
00:10:05,730 --> 00:10:09,359
WE JUST JUMPED INTO
EVERYTHING SO FAST, MAN.
240
00:10:11,152 --> 00:10:12,320
I JUST DON'T
WANT IT TO END
241
00:10:12,320 --> 00:10:16,032
BEFORE IT'S EVEN GOTTEN
STARTED, THAT'S ALL.
242
00:10:16,032 --> 00:10:17,867
THEN DON'T LET IT.
243
00:10:20,912 --> 00:10:23,248
[SCHOOL BELL RINGS]
244
00:10:26,000 --> 00:10:28,294
SCRIMMAGE TIME.
245
00:10:28,294 --> 00:10:30,463
HEY, YOU GONNA
WANT TO KEEP THAT HELMET ON TIGHT.
246
00:10:30,463 --> 00:10:31,714
I WOULD HATE
TO KNOCK YOU OUT
247
00:10:31,714 --> 00:10:33,091
IN FRONT OF KIA.
248
00:10:33,091 --> 00:10:34,467
WHY DON'T YOU
FOCUS ON HOLDING ON TO THE DAMN BALL
249
00:10:34,467 --> 00:10:36,261
AND KEEP MY GIRL'S
NAME OUT YOUR MOUTH?
250
00:10:36,261 --> 00:10:37,762
I CAN KEEP HER NAME
OUT OF MY MOUTH
251
00:10:37,762 --> 00:10:39,848
BUT I CAN'T PROMISE
ABOUT ANYTHING ELSE.
252
00:10:39,848 --> 00:10:41,182
WHAT YOU SAY?
253
00:10:43,852 --> 00:10:45,937
[INDISTINCT SHOUTING]
254
00:10:50,400 --> 00:10:51,985
PRINCIPAL'S OFFICE.
NOW.
255
00:10:51,985 --> 00:10:53,444
WHERE YOU
GOING, BRO?
256
00:10:53,444 --> 00:10:54,654
MY CLASSROOM!
257
00:10:54,654 --> 00:10:56,364
I'M TELLING YOU
DON'T MOVE.
258
00:10:56,364 --> 00:10:57,490
BRINGING A STUDENT
UP TO
259
00:10:57,490 --> 00:10:58,491
THE PRINCIPAL'S
OFFICE NOW.
260
00:10:58,491 --> 00:11:00,493
EVERYBODY BACK
TO CLASS!
261
00:11:00,493 --> 00:11:02,203
BACK TO CLASS!
262
00:11:02,203 --> 00:11:03,329
WHAT THE HELL IS
WRONG WITH YOU?
263
00:11:03,329 --> 00:11:04,330
HE GONNA SAY
SOME CRAP LIKE
264
00:11:04,330 --> 00:11:05,498
Y'ALL TWO
BEEN TOGETHER
265
00:11:05,498 --> 00:11:06,666
AND I'M JUST SUPPOSED
TO LET THAT SLIDE?
266
00:11:06,666 --> 00:11:08,042
YOU'RE SUPPOSED
TO TRUST ME
267
00:11:08,042 --> 00:11:09,335
AND NOT TAKE
THE BAIT!
268
00:11:09,335 --> 00:11:10,420
SOMETHING'S GOING ON
WITH YOU, SPENCER.
269
00:11:10,420 --> 00:11:11,921
YEAH, YOU'VE BEEN
IN FIGHTS BEFORE,
270
00:11:11,921 --> 00:11:14,465
BUT THAT, WHAT JUST
HAPPENED, WAS CRAZY.
271
00:11:14,465 --> 00:11:16,259
IT'S LIKE
ALL OF A SUDDEN,
272
00:11:16,259 --> 00:11:17,427
YOU'RE TRYING
TO PUSH ME AWAY,
273
00:11:17,427 --> 00:11:18,636
AND I DON'T
UNDERSTAND WHY.
274
00:11:18,636 --> 00:11:20,889
-I GOTTA GO TO THE PRINCIPAL'S--
-SPENCER.
275
00:11:20,889 --> 00:11:22,765
EITHER WE HAVE THIS
CONVERSATION NOW
276
00:11:22,765 --> 00:11:25,018
OR WE AIN'T
HAVING NO MORE CONVERSATIONS.
277
00:11:43,494 --> 00:11:45,496
[KEY RATTLING IN LOCK]
278
00:11:46,623 --> 00:11:48,541
SO, WHERE'S
YOUR ROOMMATE?
279
00:11:48,541 --> 00:11:51,044
ASHER IS PROBABLY
STILL AT SCHOOL.
280
00:11:58,635 --> 00:12:00,178
YES?
281
00:12:00,178 --> 00:12:03,806
SO, I'M SORRY
I'VE BEEN A LITTLE
282
00:12:03,806 --> 00:12:05,475
DISTRACTED LATELY.
283
00:12:05,475 --> 00:12:07,143
I ACTUALLY
THINK "DISTANT"
284
00:12:07,143 --> 00:12:08,561
IS THE WORD YOU'RE
LOOKING FOR.
285
00:12:08,561 --> 00:12:10,563
OUCH. OK.
286
00:12:12,607 --> 00:12:14,484
SO, ASHER GOT
A GAME PLAN, RIGHT,
287
00:12:14,484 --> 00:12:16,486
FOR WHEN HE
MOVING OUT?
288
00:12:16,486 --> 00:12:18,863
YOU SAID YOU WERE OK
WITH HIM STAYING HERE.
289
00:12:18,863 --> 00:12:20,365
I AM.
I'M JUST SAYING
290
00:12:20,365 --> 00:12:21,866
WITH EVERYTHING THAT'S
BEEN GOING ON,
291
00:12:21,866 --> 00:12:23,743
YOU AND ME,
WE'VE REALLY HAD
292
00:12:23,743 --> 00:12:25,078
NO ALONE TIME.
293
00:12:25,078 --> 00:12:27,205
OR SPACE TO JUST
FOCUS ON US.
294
00:12:27,205 --> 00:12:29,332
AND I WANT
TO CHANGE THAT.
295
00:12:29,332 --> 00:12:30,375
YOU KNOW WHAT?
296
00:12:30,375 --> 00:12:32,543
I'MA TAKE YOU
OUT ON A DATE.
297
00:12:32,543 --> 00:12:33,962
A REAL DATE.
298
00:12:33,962 --> 00:12:35,755
I LIKE THE SOUND
OF THAT.
299
00:12:35,755 --> 00:12:37,173
HOW ABOUT TONIGHT?
300
00:12:37,173 --> 00:12:38,466
YEAH, WE COULD GO
SEE A MOVIE OR--
301
00:12:38,466 --> 00:12:39,842
OH, NO, NO, NO.
302
00:12:39,842 --> 00:12:42,053
I HAD SOMETHING
A LITTLE MORE SPECIAL IN MIND.
303
00:12:42,053 --> 00:12:43,972
I'MA FIGURE IT OUT.
GIVE ME A COUPLE HOURS
304
00:12:43,972 --> 00:12:45,098
AND I'MA
SURPRISE YOU.
305
00:12:45,098 --> 00:12:47,475
-OK.
-MM-HMM.
306
00:12:47,475 --> 00:12:48,726
THAT SOUNDS AMAZING.
307
00:12:48,726 --> 00:12:51,104
[DOOR OPENS]
308
00:12:51,104 --> 00:12:52,730
AHEM.
309
00:12:54,774 --> 00:12:56,526
LEILA: HEY.
ASHER: HEY.
310
00:13:03,616 --> 00:13:05,201
[CLATTERING]
311
00:13:05,201 --> 00:13:07,704
OLIVIA: DO YOU HAVE A SECOND?
LAURA: WHICH ONE DO YOU THINK?
312
00:13:07,704 --> 00:13:09,288
THE BLUE
OR THE CREAM?
313
00:13:09,288 --> 00:13:10,707
ARE YOU
GOING SOMEWHERE?
314
00:13:10,707 --> 00:13:11,708
UH, IF YOUR FATHER
315
00:13:11,708 --> 00:13:13,292
EVER MAKES IT HOME, YES.
316
00:13:13,292 --> 00:13:15,211
BILLY: BABY!
LAURA: IN HERE!
317
00:13:15,211 --> 00:13:17,422
WHY IS THERE
A DATE IN MY CALENDAR
318
00:13:17,422 --> 00:13:20,091
FOR LAURA'S
OCEAN CLUB FOR TONIGHT
319
00:13:20,091 --> 00:13:21,467
AND I DON'T REMEMBER
PUTTING IT IN THERE?
320
00:13:21,467 --> 00:13:23,428
BECAUSE YOU DIDN'T
PUT IT IN THERE, I DID,
321
00:13:23,428 --> 00:13:25,304
AND OUR DATE IS
NON-NEGOTIABLE,
322
00:13:25,304 --> 00:13:26,431
SO, YOU BETTER
GO GET DRESSED.
323
00:13:26,431 --> 00:13:29,183
-OH...
-PLUS, I'M LEAVING TOWN TOMORROW.
324
00:13:29,183 --> 00:13:31,310
BILLY: SAY WHAT?
OLIVIA: WAIT, SERIOUSLY?
325
00:13:31,310 --> 00:13:32,270
YEAH, JUST
A FEW DAYS.
326
00:13:32,270 --> 00:13:33,354
I GOTTA GO MEET
A NEW CLIENT.
327
00:13:33,354 --> 00:13:34,772
BILLY: OH.
OH, AND I GOT
328
00:13:34,772 --> 00:13:35,857
THE BOOSTER
KICKOFF EVENT
329
00:13:35,857 --> 00:13:36,941
TOMORROW, TOO.
OK.
330
00:13:36,941 --> 00:13:38,192
HENCE TONIGHT.
331
00:13:38,192 --> 00:13:39,193
SURPRISE DATE.
332
00:13:39,193 --> 00:13:40,570
RIGHT. OK.
333
00:13:40,570 --> 00:13:42,739
OH, THAT ACTUALLY
SOUNDS KINDA SEXY.
334
00:13:42,739 --> 00:13:44,198
COME HERE. MM.
335
00:13:44,198 --> 00:13:46,242
ALL RIGHT. COOL.
I'LL BE DOWN IN 20.
336
00:13:46,242 --> 00:13:48,703
HEY, GIRL.
20 MINUTES.
337
00:13:48,703 --> 00:13:50,121
OK. OH, UH,
338
00:13:50,121 --> 00:13:51,372
SORRY, OLIVIA,
HONEY, DID--
339
00:13:51,372 --> 00:13:52,874
DID YOU NEED TO TALK
TO US ABOUT SOMETHING?
340
00:13:52,874 --> 00:13:54,542
YEAH, NO.
I'M GOOD.
341
00:13:54,542 --> 00:13:55,835
OK.
342
00:13:55,835 --> 00:13:58,046
YOU GUYS HAVE FUN
TONIGHT, AND
343
00:13:58,046 --> 00:14:00,339
WEAR THE CREAM.
344
00:14:00,339 --> 00:14:01,424
COOP: OH, YOU
REALLY GOOD WITH
345
00:14:01,424 --> 00:14:03,176
OLD BOY BEING
ALL UP IN HER CRIB?
346
00:14:03,176 --> 00:14:05,094
SHARING HER SPACE?
347
00:14:05,094 --> 00:14:06,429
I MEAN, THEY EAT
BREAKFAST CEREAL TOGETHER.
348
00:14:06,429 --> 00:14:08,306
I'M TRYING TO BE
THE BIGGER PERSON, ALL RIGHT?
349
00:14:08,306 --> 00:14:09,432
BY WHAT?
NOT BEING HONEST WITH HER?
350
00:14:09,432 --> 00:14:11,434
BY NOT ACTING CRAZY
LIKE THE OLD ME,
351
00:14:11,434 --> 00:14:13,728
AND INSTEAD,
PLANNING A SPECIAL DAY
352
00:14:13,728 --> 00:14:15,313
FOR ME AND LEILA.
353
00:14:15,313 --> 00:14:16,731
YOUR BOY GOT
"HELLO, DOLLY!" TICKETS TONIGHT.
354
00:14:16,731 --> 00:14:19,108
HOW IN THE HELL
YOU GET "HELLO, DOLLY!" TICKETS?
355
00:14:19,108 --> 00:14:20,276
AND WHY WOULD
YOU WANT TO?
356
00:14:20,276 --> 00:14:21,819
JJ'S DAD HOOKED IT
UP, ALL RIGHT?
357
00:14:21,819 --> 00:14:22,904
LEILA LIKES
MUSICALS, SO,
358
00:14:22,904 --> 00:14:24,113
IT'S THE PERFECT
DATE. WHAT?
359
00:14:24,113 --> 00:14:25,406
YEAH, IF YOU
60 AND WHITE.
360
00:14:25,406 --> 00:14:26,407
MAN, SHUT UP.
361
00:14:26,407 --> 00:14:28,034
-BUT YOU A BLACK MAN.
-HA HA HA!
362
00:14:28,034 --> 00:14:30,286
LISTEN, I'M OUT HERE
TRYING TO FIND A PLACE TO LIVE,
363
00:14:30,286 --> 00:14:31,412
AND YOU BUSY GOING
364
00:14:31,412 --> 00:14:32,789
ALL KEITH NELSON
ON ME.
365
00:14:32,789 --> 00:14:34,165
WHO?
366
00:14:34,165 --> 00:14:36,292
MAN, KEITH?
WATTS, AMANDA?
367
00:14:36,292 --> 00:14:37,668
YOU AIN'T NEVER
SEEN "SOME KIND OF WONDERFUL"?
368
00:14:37,668 --> 00:14:39,879
-NAH.
-LOOK, MAN, LEILA DON'T NEED
369
00:14:39,879 --> 00:14:41,255
NO HOLLYWOOD BOWL.
370
00:14:41,255 --> 00:14:42,465
I THINK
THE PERFECT DATE
371
00:14:42,465 --> 00:14:43,800
SHOULD BE SOMETHING
THAT'S SPECIAL
372
00:14:43,800 --> 00:14:46,219
TO THE BOTH OF Y'ALL.
373
00:14:46,219 --> 00:14:47,595
"SOME KIND OF
WONDERFUL," HUH?
374
00:14:47,595 --> 00:14:49,514
DO NOT SLEEP ON THEM
TEEN MOVIES, MAN.
375
00:14:49,514 --> 00:14:50,515
THEY WAS GOOD.
376
00:14:50,515 --> 00:14:52,850
MAN: COOP!
377
00:14:52,850 --> 00:14:55,436
OH, SNAP.
378
00:14:55,436 --> 00:14:57,313
SPENCER: DAMN.
COOP: DAD!
379
00:15:03,694 --> 00:15:05,571
HA!
380
00:15:10,284 --> 00:15:12,328
[GIGGLES] MAN.
SO, WHEN DID YOU GET BACK?
381
00:15:12,328 --> 00:15:14,539
A FEW DAYS AGO.
382
00:15:14,539 --> 00:15:16,874
BABY GIRL, LOOK.
I'M--I'M SORRY
383
00:15:16,874 --> 00:15:18,376
I DIDN'T GET BACK
TO YOU SOONER.
384
00:15:18,376 --> 00:15:20,294
NO. I GET IT.
385
00:15:20,294 --> 00:15:22,380
I AIN'T TRIPPIN'.
I JUST--
386
00:15:22,380 --> 00:15:23,881
I DID KIND OF HOPE
YOU'D CALL.
387
00:15:23,881 --> 00:15:25,842
I DIDN'T KNOW
WHAT TO SAY.
388
00:15:25,842 --> 00:15:28,261
I DIDN'T AGREE WITH
WHAT YOUR MOM DID, BUT
389
00:15:28,261 --> 00:15:29,679
AS SHE HAPPILY
POINTED OUT,
390
00:15:29,679 --> 00:15:30,847
I'M NOT THE ONE
ON THE GROUND
391
00:15:30,847 --> 00:15:33,432
RAISING YOU
DAY TO DAY.
392
00:15:33,432 --> 00:15:35,893
BUT I'M HERE NOW.
393
00:15:35,893 --> 00:15:37,770
I'MA CHANGE THAT.
394
00:15:40,022 --> 00:15:42,692
WHAT'S THIS?
395
00:15:42,692 --> 00:15:45,778
EMANCIPATION PAPERS.
WHAT IS THIS ABOUT?
396
00:15:45,778 --> 00:15:47,613
I NEED TO GET
THEM SIGNED,
397
00:15:47,613 --> 00:15:49,407
IF I WANT
TO LIVE HERE.
398
00:15:49,407 --> 00:15:52,034
YOU KNOW, TAKE
CARE OF MYSELF.
399
00:15:52,034 --> 00:15:53,703
OR DO YOU AND MA
WANT ME HOME?
400
00:15:53,703 --> 00:15:57,456
NO, WE WANT YOU
TO COME HOME. TO US.
401
00:15:57,456 --> 00:15:59,876
HAVE YOU NOT MET
YOUR WIFE, DAD?
402
00:15:59,876 --> 00:16:03,337
YOU AIN'T GONNA
BELIEVE THIS, BUT YOUR MOM,
403
00:16:03,337 --> 00:16:05,047
SHE HAD A CHANGE
OF HEART.
404
00:16:05,047 --> 00:16:06,674
SHE MISSES YOU,
405
00:16:06,674 --> 00:16:08,384
AND SHE'S READY
TO ACCEPT YOU.
406
00:16:08,384 --> 00:16:09,927
ALL OF YOU.
407
00:16:09,927 --> 00:16:11,637
YOU TALKING
ABOUT THE SAME JANELLE COOPER?
408
00:16:11,637 --> 00:16:14,432
WHY DON'T YOU COME SEE
FOR YOURSELF, HMM?
409
00:16:14,432 --> 00:16:17,185
BREAKFAST. TOMORROW.
410
00:16:19,228 --> 00:16:27,945
MAN: ♪ BREATHING IN
AND I SWEAR I'VE ♪
411
00:16:27,945 --> 00:16:29,947
I'M GLAD YOU'RE
HOME, DAD.
412
00:16:29,947 --> 00:16:32,283
MAN: ♪ SEEN YOUR FACE BEFORE ♪
413
00:16:36,120 --> 00:16:37,830
LEILA: HEY.
414
00:16:37,830 --> 00:16:40,917
I'VE BEEN CALLING
AND TEXTING.
415
00:16:40,917 --> 00:16:42,793
YEAH. UH,
SOMETHING CAME UP.
416
00:16:42,793 --> 00:16:45,588
IT'S OK.
UM, I ACTUALLY
417
00:16:45,588 --> 00:16:48,257
HAVE SOMETHING
FOR YOU.
418
00:16:48,257 --> 00:16:50,509
I KNOW HOW MUCH
YOU LOVED THE REMAKE.
419
00:16:50,509 --> 00:16:52,511
I WAS GONNA WAIT
TILL TOMORROW, BUT
420
00:16:52,511 --> 00:16:53,971
IT'S TO CELEBRATE
YOUR COURAGE.
421
00:16:53,971 --> 00:16:56,265
-LEILA--
-NO. LET ME FINISH.
422
00:16:56,265 --> 00:17:00,937
TOMORROW IS YOUR
ONE-YEAR SOBRIETY MARK.
423
00:17:00,937 --> 00:17:03,981
OF COURSE I REMEMBER.
I AM SO PROUD OF YOU
424
00:17:03,981 --> 00:17:05,149
AND HOW HARD YOU FOUGHT
425
00:17:05,149 --> 00:17:08,361
TO GET YOUR LIFE
AND ALL THAT--
426
00:17:08,361 --> 00:17:10,738
[PILLS RATTLE]
427
00:17:10,738 --> 00:17:13,449
MAN: ♪ MOMENTS PALE ♪
428
00:17:13,449 --> 00:17:15,201
I FOUND THEM
THIS MORNING.
429
00:17:16,869 --> 00:17:18,621
HAVE YOU TAKEN ANY?
430
00:17:18,621 --> 00:17:21,415
NO. NOT YET.
431
00:17:21,415 --> 00:17:26,796
BUT IT'S BEEN, UM...
IT'S BEEN REALLY HARD.
432
00:17:26,796 --> 00:17:28,631
YOU KNOW, EVERY DAY
433
00:17:28,631 --> 00:17:32,385
I MAKE AN ACTIVE CHOICE
TO STAY SOBER.
434
00:17:32,385 --> 00:17:33,886
ONE DAY AT A TIME.
435
00:17:33,886 --> 00:17:38,849
AND TODAY, IT'S...
IT'S JUST NOT WORKING.
436
00:17:38,849 --> 00:17:42,436
LIV, YOU DON'T HAVE
TO GO THROUGH THIS ALONE.
437
00:17:42,436 --> 00:17:45,064
I AM HERE FOR YOU.
438
00:17:45,064 --> 00:17:46,566
YEAH. YEAH.
439
00:17:46,566 --> 00:17:50,361
I WISH I COULD SAY
THE SAME FOR MY FAMILY, YOU KNOW?
440
00:17:50,361 --> 00:17:52,863
YOU'RE THE ONLY ONE
WHO EVEN REMEMBERED
441
00:17:52,863 --> 00:17:54,699
IT WAS MY ONE-YEAR
SOBRIETY COMING UP.
442
00:17:54,699 --> 00:17:55,908
I'M SURE
THEY REMEMBERED.
443
00:17:55,908 --> 00:18:00,121
NO. BUT I--I GET IT.
LIKE, THEY'RE BUSY.
444
00:18:00,121 --> 00:18:02,039
AND THIS TIME
OF YEAR'S ALWAYS BAD
445
00:18:02,039 --> 00:18:03,833
BECAUSE OF
PLAYOFFS AND...
446
00:18:03,833 --> 00:18:05,960
MY MOM HAS HER
D.A. CAMPAIGNS.
447
00:18:05,960 --> 00:18:07,503
YOU NEED TO TELL
YOUR PARENTS AND JORDAN
448
00:18:07,503 --> 00:18:08,713
HOW YOU'RE
REALLY FEELING.
449
00:18:08,713 --> 00:18:09,964
NO, IT'LL JUST
HURT THEM.
450
00:18:09,964 --> 00:18:12,049
IT'S HURTING YOU.
451
00:18:12,049 --> 00:18:15,261
THEY CAN'T FIX IT
UNLESS THEY KNOW.
452
00:18:15,261 --> 00:18:17,722
AND YOU CAN'T HEAL
UNLESS YOU'RE
453
00:18:17,722 --> 00:18:20,766
HONEST WITH THEM.
454
00:18:20,766 --> 00:18:23,978
NO MORE STRUGGLING
IN SILENCE.
455
00:18:28,149 --> 00:18:29,817
[PHONE CHIMING]
456
00:18:29,817 --> 00:18:31,694
AHEM.
457
00:18:31,694 --> 00:18:33,362
HEY, BABY.
YOU CLOSE?
458
00:18:33,362 --> 00:18:34,363
ABOUT TONIGHT.
459
00:18:34,363 --> 00:18:35,906
NO. COME ON.
DON'T SAY.
460
00:18:35,906 --> 00:18:37,158
I'M SO SORRY.
461
00:18:37,158 --> 00:18:39,160
LET ME GUESS.
WHAT DOES ASHER NEED NOW?
462
00:18:39,160 --> 00:18:42,038
SERIOUSLY?
I RAN INTO OLIVIA,
463
00:18:42,038 --> 00:18:43,039
AND SHE'S HAVING
A ROUGH TIME,
464
00:18:43,039 --> 00:18:45,082
SO, I'M STAYING
WITH HER.
465
00:18:46,500 --> 00:18:48,711
LOOK, I'M SORRY,
ALL RIGHT?
466
00:18:48,711 --> 00:18:49,920
OF COURSE.
IT'S COOL.
467
00:18:49,920 --> 00:18:51,380
NO, I HAVE
TO GO.
468
00:19:11,942 --> 00:19:15,029
OH, NO, YOU DON'T.
469
00:19:15,029 --> 00:19:17,198
I HAVE A FEW WORDS
FOR YOU.
470
00:19:17,198 --> 00:19:19,408
SUSPENDED FROM
SCHOOL? SERIOUSLY?
471
00:19:19,408 --> 00:19:21,035
LOOK, MA, IT WASN'T
MY FAULT, ALL RIGHT?
472
00:19:21,035 --> 00:19:22,953
LAST YEAR IT WAS
CUTTING CLASS.
473
00:19:22,953 --> 00:19:24,789
THIS YEAR IT'S
ALL THESE FIGHTS.
474
00:19:24,789 --> 00:19:26,582
IT'S DAMN WELL
YOUR FAULT.
475
00:19:26,582 --> 00:19:28,084
YOU CONTROL
YOUR ACTIONS.
476
00:19:28,084 --> 00:19:29,502
NO MATTER WHO SAYS
OR DOES WHAT,
477
00:19:29,502 --> 00:19:33,172
YOU ARE RESPONSIBLE
FOR WHAT HAPPENS NEXT.
478
00:19:33,172 --> 00:19:35,966
THIS CANNOT
KEEP HAPPENING.
479
00:19:35,966 --> 00:19:37,760
-YEAH.
-EXCUSE ME?
480
00:19:37,760 --> 00:19:39,011
COME HERE.
481
00:19:39,011 --> 00:19:41,013
YOU HAVE SOMETHING
YOU WANT TO SAY?
482
00:19:41,013 --> 00:19:43,891
EVERYTHING ABOUT MY LIFE
IS A FIGHT, MA.
483
00:19:43,891 --> 00:19:45,351
AND IT'S ALL
BECAUSE OF ONE GUY
484
00:19:45,351 --> 00:19:47,144
WHO NEVER CARED ENOUGH
TO STAY WITH HIS FAMILY.
485
00:19:47,144 --> 00:19:49,188
I GET THAT
YOU'RE ANGRY THAT YOUR FATHER LEFT,
486
00:19:49,188 --> 00:19:50,815
BUT THAT DOES NOT
MEAN YOU GET TO
487
00:19:50,815 --> 00:19:51,982
THROW AWAY
YOUR FUTURE.
488
00:19:51,982 --> 00:19:54,026
YOU THINK I LIKE
BEING MAD ALL THE TIME?
489
00:19:57,071 --> 00:19:58,781
AIN'T NOTHING I CAN
DO ABOUT IT NOW.
490
00:19:58,781 --> 00:20:00,783
-WAIT, BABY.
-NO, MA!
491
00:20:00,783 --> 00:20:02,952
YOU CAN'T FIX THIS!
492
00:20:05,037 --> 00:20:07,164
THIS IS IT.
493
00:20:07,164 --> 00:20:09,750
WHERE ARE YOU GOING?
SPENCER.
494
00:20:09,750 --> 00:20:10,960
NO. I GIVE UP.
495
00:20:10,960 --> 00:20:13,337
[DOOR SLAMS]
496
00:20:17,675 --> 00:20:20,052
[PHONE CHIMING]
497
00:20:20,052 --> 00:20:23,180
THANK YOU.
GRACIE.
498
00:20:23,180 --> 00:20:25,850
I NEED YOUR HELP.
499
00:20:25,850 --> 00:20:28,853
OK. [SIGH]
500
00:20:39,738 --> 00:20:42,324
THAT'S FUNNY.
HE DON'T LOOK LIKE OLIVIA TO ME.
501
00:20:42,324 --> 00:20:44,285
LEILA: EXCUSE ME?
ASHER: DUDE, IT'S NOT WHAT IT LOOKS LIKE.
502
00:20:44,285 --> 00:20:45,661
I DON'T REMEMBER
ASKING YOU, DAWG.
503
00:20:45,661 --> 00:20:47,455
LEILA: HEY, SPENCER.
504
00:20:47,455 --> 00:20:49,623
HERE, SO YOU CAN
GET IN THE HOUSE.
505
00:20:51,208 --> 00:20:54,128
WAY TO GO.
506
00:20:54,128 --> 00:20:55,921
HE LOCKED HIMSELF
OUT, FYI.
507
00:20:55,921 --> 00:20:57,631
HEY, JEALOUSY IS NOT
A GOOD LOOK ON YOU.
508
00:20:57,631 --> 00:20:58,674
YEAH, MY GIRL
LYING TO ME
509
00:20:58,674 --> 00:20:59,967
AIN'T A GOOD LOOK,
EITHER.
510
00:20:59,967 --> 00:21:01,051
I HAVE NEVER
LIED TO YOU.
511
00:21:01,051 --> 00:21:03,179
I WOULD NEVER
DO THAT.
512
00:21:03,179 --> 00:21:04,346
AND THE FACT
THAT YOU ASSUME
513
00:21:04,346 --> 00:21:06,432
INSTEAD OF ASKING ME
WHAT HAPPENED HURTS.
514
00:21:06,432 --> 00:21:09,226
WHAT AM I SUPPOSED
TO THINK? HUH?
515
00:21:09,226 --> 00:21:10,853
YOU MOVED HOMEBOY
INTO YOUR HOUSE.
516
00:21:10,853 --> 00:21:12,146
FIRST QUALITY TIME
WAS THE ISSUE.
517
00:21:12,146 --> 00:21:13,606
NOW IT'S ASHER
LIVING WITH ME.
518
00:21:13,606 --> 00:21:15,065
WHICH ONE IS IT,
BECAUSE IT SEEMS LIKE
519
00:21:15,065 --> 00:21:17,067
YOU'RE JUST LOOKING
FOR PROBLEMS.
520
00:21:17,067 --> 00:21:18,777
AND NO,
FOR THE RECORD,
521
00:21:18,777 --> 00:21:20,571
I ASKED YOU, LIKE,
100 TIMES
522
00:21:20,571 --> 00:21:23,282
IF YOU WERE OK WITH
ASHER MOVING IN WITH ME,
523
00:21:23,282 --> 00:21:24,742
AND INSTEAD OF YOU
TELLING ME THE TRUTH,
524
00:21:24,742 --> 00:21:25,826
YOU LIED TO ME.
525
00:21:25,826 --> 00:21:26,911
COME ON.
OPEN YOUR EYES.
526
00:21:26,911 --> 00:21:28,037
WHAT DID YOU EXPECT?
527
00:21:28,037 --> 00:21:31,290
I EXPECTED YOU
TO TRUST ME.
528
00:21:31,290 --> 00:21:35,461
-LOOK, I DO TRUST YOU.
-NO, YOU DON'T TRUST ME.
529
00:21:35,461 --> 00:21:37,254
YOU WANT TO BELIEVE
THOSE WORDS WHEN YOU SAY THEM,
530
00:21:37,254 --> 00:21:39,381
BUT THE TRUTH IS
YOU DON'T.
531
00:21:39,381 --> 00:21:40,966
AND WHAT HURTS IS
I HAVE NEVER GIVEN YOU
532
00:21:40,966 --> 00:21:41,967
A REASON NOT TO.
533
00:21:41,967 --> 00:21:44,094
LEILA. L--
534
00:21:44,094 --> 00:21:47,139
GRACE: IT'S SPENCER.
HE'S BEEN
535
00:21:47,139 --> 00:21:50,893
GETTING INTO
A LOT OF TROUBLE AT SCHOOL LATELY.
536
00:21:50,893 --> 00:21:52,353
IN AND OUT
OF FIGHTS.
537
00:21:52,353 --> 00:21:54,605
HE WAS JUST
SUSPENDED AGAIN.
538
00:21:58,025 --> 00:22:00,861
YOU'RE A COACH
AT BEVERLY.
539
00:22:00,861 --> 00:22:03,489
I THINK A CHANGE
OF ENVIRONMENT,
540
00:22:03,489 --> 00:22:05,074
GOING TO A SCHOOL
THAT CAN OFFER HIM
541
00:22:05,074 --> 00:22:07,117
MORE THAN
JUST FOOTBALL,
542
00:22:07,117 --> 00:22:09,203
A SCHOOL THAT
DOESN'T REMIND HIM OF COREY
543
00:22:09,203 --> 00:22:11,288
EVERY SINGLE DAY
544
00:22:11,288 --> 00:22:13,165
MAY BE THE ONLY WAY
TO SAVE HIM.
545
00:22:13,165 --> 00:22:14,208
JUST COME
WATCH HIM PLAY
546
00:22:14,208 --> 00:22:15,751
ONCE HE'S BACK
IN SCHOOL.
547
00:22:15,751 --> 00:22:18,212
GRACE: MAYBE THAT'LL--
BILLY: THERE ARE RULES.
548
00:22:18,212 --> 00:22:20,089
THERE ARE RULES
AND--AND I,
549
00:22:20,089 --> 00:22:22,883
I'M JUST NOT
IN THE POSITION TO--
550
00:22:22,883 --> 00:22:24,260
TO BEND THEM.
551
00:22:26,220 --> 00:22:27,596
WHAT?
552
00:22:29,431 --> 00:22:31,433
IT TOOK A LOT FOR ME
TO CALL YOU,
553
00:22:31,433 --> 00:22:33,561
AND I KNOW THAT YOU
HAVE YOUR OWN FAMILY
554
00:22:33,561 --> 00:22:35,980
AND YOUR OWN PROBLEMS
TO WORRY ABOUT,
555
00:22:35,980 --> 00:22:38,107
BUT WE OWE SPENCER
THIS SHOT.
556
00:22:55,249 --> 00:22:58,335
MAN: ♪ LIGHT IT UP, LET 'EM ALL
KNOW WHAT THE BUSINESS IS ♪
557
00:22:58,335 --> 00:23:00,879
♪ LIGHT IT UP,
LET 'EM ALL KNOW WHAT THE... ♪
558
00:23:00,879 --> 00:23:02,923
♪ LI-LI-LI-LIGHT IT UP,
LET 'EM ALL KNOW ♪
559
00:23:02,923 --> 00:23:04,592
♪ WHAT THE BUSINESS IS ♪
560
00:23:04,592 --> 00:23:08,220
♪ LIGHT IT UP, LET 'EM ALL KNOW
WHAT THE BUSINESS IS ♪
561
00:23:08,220 --> 00:23:10,306
♪ HOW MANY FINGERS
AM I HOLDING UP? ♪
562
00:23:10,306 --> 00:23:12,308
♪ HOLDING UP? ♪
563
00:23:12,308 --> 00:23:14,059
♪ YOU IN THE BUILDING
WHEN WE THROW IT UP ♪
564
00:23:14,059 --> 00:23:15,352
♪ THROW IT UP ♪
565
00:23:15,352 --> 00:23:16,604
♪ I'M GETTING IN,
LOCK THE DOOR ♪
566
00:23:16,604 --> 00:23:18,439
♪ SMOKE A NUMBER,
THIS AND THOUGH ♪
567
00:23:18,439 --> 00:23:20,274
♪ WHAT THE YOU SIPPIN' ON,
THIS CUP JUST GOT ME ♪
568
00:23:20,274 --> 00:23:21,609
[DEEP VOICE]
♪ SLIP AND SLIDE ♪
569
00:23:21,609 --> 00:23:23,611
♪ YEAH, I'M DOPE,
GOT THOSE FEELINGS ♪
570
00:23:23,611 --> 00:23:26,363
♪ EVERYBODY WANT TO KNOW
WHAT'S GOT ME FEELING... ♪
571
00:23:26,363 --> 00:23:30,242
YES! YEAH, DUDE.
572
00:23:30,242 --> 00:23:32,036
YES!
573
00:23:32,036 --> 00:23:34,079
THE QB ONE
HAS ARRIVED!
574
00:23:34,079 --> 00:23:36,707
IT'S TIME TO PARTY, BITCH!
575
00:23:36,707 --> 00:23:38,334
[CROWD CHEERING]
576
00:23:38,334 --> 00:23:41,211
♪ I FEEL I WANNA,
BUT YOU'RE SO SICK FOR ME ♪
577
00:23:41,211 --> 00:23:42,546
- ♪ HOW YOU FEELING? ♪
- ♪ I FEEL I WANNA ♪
578
00:23:42,546 --> 00:23:44,506
♪ BUT YOU'RE SO SICK
FOR ME ♪
579
00:23:44,506 --> 00:23:46,133
- ♪ HOW YOU FEELING? ♪
- ♪ I FEEL I WANNA ♪
580
00:23:46,133 --> 00:23:48,052
♪ BUT YOU'RE SO SICK
FOR ME ♪
581
00:23:48,052 --> 00:23:50,387
♪ LIGHT ANOTHER FLAME BECAUSE
THE FLAME MAKE THE PARTY GO ♪
582
00:23:50,387 --> 00:23:53,015
♪ LIGHT IT UP, LET 'EM ALL
KNOW WHAT THE BUSINESS IS ♪
583
00:23:53,015 --> 00:23:55,267
♪ LIGHT IT UP, LET 'EM ALL KNOW
WHAT THE...♪
584
00:23:55,267 --> 00:23:58,729
♪ LI-LI-LI-LIGHT IT UP, LET 'EM
ALL KNOW WHAT THE BUSINESS IS ♪
585
00:23:58,729 --> 00:24:00,689
♪ LIGHT IT UP,
LET 'EM ALL KNOW... ♪
586
00:24:00,689 --> 00:24:02,483
OLIVIA: HE DIDN'T EVEN
WANT TO HAVE PEOPLE OVER
587
00:24:02,483 --> 00:24:06,195
AND SOMEHOW, HE'S STILL
THE LIFE OF THE PARTY.
588
00:24:06,195 --> 00:24:08,364
YOU'RE NOT GONNA RUN OVER
AND KISS THE RING
589
00:24:08,364 --> 00:24:10,407
LIKE EVERYONE ELSE?
590
00:24:10,407 --> 00:24:11,867
NAH.
591
00:24:13,452 --> 00:24:15,579
WHAT BUG CRAWLED UP
YOUR ASS?
592
00:24:15,579 --> 00:24:20,042
[SNIFFS] JUST GOT SOME
FAMILY STUFF GOING ON.
593
00:24:20,042 --> 00:24:23,337
POOR BABY.
JOIN THE CLUB.
594
00:24:27,174 --> 00:24:28,342
WAIT. WHERE ARE
YOU GOING?
595
00:24:28,342 --> 00:24:30,469
WAIT, WAIT, NO,
DON'T GO, DON'T GO.
596
00:24:30,469 --> 00:24:33,472
I'M SORRY.
FAMILY SUCKS.
597
00:24:35,974 --> 00:24:37,601
WE CAN TOAST
TO THAT.
598
00:24:40,521 --> 00:24:45,359
HERE'S TO
OUR SUCKY FAMILIES.
599
00:24:45,359 --> 00:24:47,027
CHEERS.
600
00:24:47,027 --> 00:24:48,487
CHEERS.
601
00:24:53,450 --> 00:24:54,827
AHH.
602
00:24:54,827 --> 00:24:56,495
[GIGGLES]
603
00:24:56,495 --> 00:24:58,247
AHH.
604
00:24:58,247 --> 00:25:01,500
[LAUGHS]
605
00:25:01,500 --> 00:25:03,252
SHOULD YOU
BE MIXING THAT
606
00:25:03,252 --> 00:25:05,587
WITH WHATEVER ELSE
YOU'RE ON?
607
00:25:05,587 --> 00:25:08,173
OHH.
608
00:25:08,173 --> 00:25:10,300
YOU WORRIED
ABOUT ME?
609
00:25:14,763 --> 00:25:19,977
WOMAN: ♪ DRIPS ON YOUR LIPS,
ON YOUR SHOULDERS ♪
610
00:25:19,977 --> 00:25:23,230
♪ WHEN YOU FOLLOW
THE CURVE OF MY BODY ♪
611
00:25:23,230 --> 00:25:24,982
♪ I FORGET TO BREATHE ♪
612
00:25:24,982 --> 00:25:27,901
♪ WHEN YOU MOVE ME
JUST LIKE THAT... ♪
613
00:25:27,901 --> 00:25:30,446
-HEY, MAYBE WE--
-WHY ARE YOU STILL TALKING?
614
00:25:30,446 --> 00:25:34,366
WOMAN: ♪ IF YOU KNEW ME, YOU'D
KNOW THAT I CAN KEEP GOING ♪
615
00:25:34,366 --> 00:25:36,368
♪ I CAN KEEP GOING ♪
616
00:25:36,368 --> 00:25:42,332
♪ YOU AIN'T NEVER MET SOMEONE
LIKE ME BEFORE ♪
617
00:25:42,332 --> 00:25:48,005
♪ AND YOU AIN'T NEVER SEEN
SOMEBODY DO WHAT I CAN DO ♪
618
00:25:48,005 --> 00:25:51,800
♪ DO, DO, DO ♪
619
00:25:51,800 --> 00:25:53,886
[INDISTINCT CHATTER]
620
00:25:56,930 --> 00:25:58,474
LAURA: WHAT'S,
UH...
621
00:25:58,474 --> 00:26:00,893
BILLY: JORDAN.
LAURA: WHAT'S GOING ON, HONEY?
622
00:26:05,481 --> 00:26:07,357
DO YOU KNOW HOW SAD IT IS
623
00:26:07,357 --> 00:26:09,526
THAT I HAVE TO SEND 911 TEXTS
624
00:26:09,526 --> 00:26:12,154
JUST TO GET YOU ALL HERE
TO TALK TO ME?
625
00:26:12,154 --> 00:26:13,197
OK, WHAT ARE YOU
TALKING ABOUT?
626
00:26:13,197 --> 00:26:15,199
I'M TALKING ABOUT THE FACT
627
00:26:15,199 --> 00:26:16,366
THAT I FEEL INVISIBLE
628
00:26:16,366 --> 00:26:18,410
IN MY OWN FAMILY.
629
00:26:18,410 --> 00:26:21,830
LAURA: OLIVIA...
OLIVIA: JUST LET ME FINISH.
630
00:26:21,830 --> 00:26:24,541
AHEM.
631
00:26:24,541 --> 00:26:28,378
YOU GUYS ARE ALL
SO GOAL-ORIENTED.
632
00:26:28,378 --> 00:26:30,130
YOU LIVE
IN THE FUTURE,
633
00:26:30,130 --> 00:26:32,341
ALWAYS FOCUSED
ON THE NEXT GAME,
634
00:26:32,341 --> 00:26:33,467
THE NEXT WIN,
THE NEXT CAMPAIGN.
635
00:26:33,467 --> 00:26:35,677
IT'S LIKE YOU DON'T
SEE THE DETAILS
636
00:26:35,677 --> 00:26:38,055
IN THE PRESENT.
637
00:26:38,055 --> 00:26:40,140
EXCEPT I LIVE IN THE PRESENT.
638
00:26:40,140 --> 00:26:41,558
BABY GIRL, OBVIOUSLY,
WE SEE YOU.
639
00:26:41,558 --> 00:26:44,311
DO YOU?
I MEAN, WHY DO YOU THINK
640
00:26:44,311 --> 00:26:47,481
I STARTED USING DRUGS
IN THE FIRST PLACE?
641
00:26:47,481 --> 00:26:49,483
BEING THE PARTY GIRL
AT LEAST GAVE ME SOMETHING,
642
00:26:49,483 --> 00:26:51,401
AND THEN STILL,
YOU DIDN'T NOTICE
643
00:26:51,401 --> 00:26:53,779
UNTIL I ALMOST O.D.'D.
644
00:26:53,779 --> 00:26:56,323
AND THEN YOU JUST
THREW MONEY AT THE PROBLEM.
645
00:26:56,323 --> 00:26:58,450
SHIPPED ME OFF
TO REHAB, AND POOF,
646
00:26:58,450 --> 00:26:59,409
I WAS MAGICALLY FIXED.
647
00:26:59,409 --> 00:27:01,161
IT WAS NOT
A MAGICAL FIX.
648
00:27:01,161 --> 00:27:02,454
NOBODY THOUGHT THAT.
649
00:27:02,454 --> 00:27:04,706
HONEY, IT'S--IT'S--
IT'S WHAT YOU NEEDED.
650
00:27:04,706 --> 00:27:09,461
YEAH, BUT IT'S NOT
ALL THAT I NEEDED.
651
00:27:09,461 --> 00:27:13,340
POST-REHAB, SPENCER
IS THE ONLY PERSON
652
00:27:13,340 --> 00:27:16,802
WHO ASKED IF
I'M REALLY OK.
653
00:27:16,802 --> 00:27:21,557
ALL OF YOU JUST ASSUMED I WAS
AND MOVED ON.
654
00:27:21,557 --> 00:27:23,392
WE'RE SO, SO, SORRY,
655
00:27:23,392 --> 00:27:27,062
BUT YOU'VE
BEEN SO STRONG.
656
00:27:27,062 --> 00:27:29,147
YOU'RE RIGHT.
657
00:27:29,147 --> 00:27:31,149
WE SHOULD HAVE
BEEN PAYING CLOSER ATTENTION.
658
00:27:31,149 --> 00:27:35,612
I JUST DON'T WANT US
TO KEEP MAKING THE SAME MISTAKE.
659
00:27:35,612 --> 00:27:37,489
I MEAN, LOOK WHAT
HAPPENED WITH JORDAN.
660
00:27:37,489 --> 00:27:38,532
JORDAN: LIV...
OLIVIA: HE SMOKED WEED,
661
00:27:38,532 --> 00:27:40,075
STAYED OUT
ALL NIGHT,
662
00:27:40,075 --> 00:27:41,451
AND THERE WAS NO
CONSEQUENCE FROM YOU GUYS.
663
00:27:41,451 --> 00:27:42,661
ALL YOU CARED ABOUT
WAS IF HE WAS
664
00:27:42,661 --> 00:27:44,580
READY FOR
THE BIG GAME OR NOT.
665
00:27:44,580 --> 00:27:48,709
BILLY: RIGHT. UM--
LAURA: I'M SORRY. WHAT?
666
00:27:48,709 --> 00:27:51,336
WHAT IS SHE TALKING
ABOUT, BILLY?
667
00:27:51,336 --> 00:27:52,504
I'M SORRY.
I--I--
668
00:27:52,504 --> 00:27:53,922
I THOUGHT
SHE KNEW.
669
00:27:53,922 --> 00:27:56,466
NO. I DON'T KNOW.
670
00:27:56,466 --> 00:28:00,429
SO, SOMEBODY BETTER
START TALKING. NOW.
671
00:28:07,811 --> 00:28:08,395
[SNIFFS] AHH.
672
00:28:08,395 --> 00:28:09,396
THANKS FOR
COMING WITH ME
673
00:28:09,396 --> 00:28:10,480
TO SEE MY FOLKS.
674
00:28:10,480 --> 00:28:12,524
FOR SURE.
WHERE ELSE WOULD I BE?
675
00:28:12,524 --> 00:28:13,984
I DON'T KNOW.
PROBABLY SOMEWHERE
676
00:28:13,984 --> 00:28:17,529
PICKING UP THE SHATTERED
PIECES OF YOUR LOVE LIFE.
677
00:28:17,529 --> 00:28:18,906
TRIED TO CALL
OLD GIRL YET?
678
00:28:18,906 --> 00:28:20,532
I DOUBT LEILA
TRYING TO HEAR FROM ME RIGHT NOW.
679
00:28:20,532 --> 00:28:22,242
SO, MAKE HER
HEAR FROM YOU.
680
00:28:22,242 --> 00:28:23,702
FIGHT FOR
YOUR RELATIONSHIP.
681
00:28:23,702 --> 00:28:25,370
YOU KNOW THIS IS
KIA ALL OVER AGAIN.
682
00:28:25,370 --> 00:28:26,538
KIA BROKE UP
WITH ME BECAUSE I WAS--
683
00:28:26,538 --> 00:28:29,374
BECAUSE SHE THOUGHT
YOU DIDN'T TRUST HER.
684
00:28:29,374 --> 00:28:31,418
AND NOW IT'S HAPPENING
AGAIN WITH LEILA.
685
00:28:31,418 --> 00:28:33,629
AND THE SAD PART IS,
IT AIN'T EVEN ABOUT THEM.
686
00:28:33,629 --> 00:28:34,421
SO, WHAT,
YOU PSYCHIC NOW?
687
00:28:34,421 --> 00:28:35,714
NO, I AIN'T
NO PSYCHIC,
688
00:28:35,714 --> 00:28:37,215
AND I AIN'T GOTTA BE
TO FIGURE OUT
689
00:28:37,215 --> 00:28:39,176
WHO THIS
REALLY ABOUT.
690
00:28:39,176 --> 00:28:40,427
LOOK, YOUR POPS LEFT,
691
00:28:40,427 --> 00:28:42,387
SO, ANYTHING
APPROACHING LOVE,
692
00:28:42,387 --> 00:28:43,472
YEAH, I SAID "LOVE,"
693
00:28:43,472 --> 00:28:44,765
YOU PUSH THAT PERSON
AWAY BECAUSE
694
00:28:44,765 --> 00:28:46,516
YOU EXPECT THEM
TO LEAVE YOU, TOO,
695
00:28:46,516 --> 00:28:48,393
AND NOW YOU USING
THIS ASHER THING
696
00:28:48,393 --> 00:28:50,604
TO DO IT ALL OVER
AGAIN WITH LEILA.
697
00:28:50,604 --> 00:28:52,022
LOOK, JUST BECAUSE
YOU LEFT CRENSHAW
698
00:28:52,022 --> 00:28:53,607
AND GOT YOUR ANGER
IN CHECK
699
00:28:53,607 --> 00:28:56,318
DON'T MEAN YOU AIN'T
TAKE YOUR DEMONS WITH YOU.
700
00:28:56,318 --> 00:28:58,862
ALL RIGHT, WELL,
WHAT, I LOVE YOU.
701
00:28:58,862 --> 00:29:00,656
HOW COME I AIN'T NEVER TRY
TO PUSH YOU AWAY?
702
00:29:00,656 --> 00:29:02,574
THE HELL
YOU DIDN'T. HEH.
703
00:29:02,574 --> 00:29:04,451
EVERY DAY
IN FOURTH GRADE.
704
00:29:04,451 --> 00:29:06,453
YOU JUST LUCKY
I AIN'T BUDGE.
705
00:29:06,453 --> 00:29:07,996
COOP: YOU KNOW WHY?
SPENCER: WHY?
706
00:29:07,996 --> 00:29:09,206
'CAUSE I LOVE YOU.
707
00:29:09,206 --> 00:29:10,540
I LOVE YOU,
TOO, COOP.
708
00:29:10,540 --> 00:29:12,292
-I LOVE YOU MORE.
-YOU BETTER GET YOUR ASS DOWN.
709
00:29:12,292 --> 00:29:13,460
OR WHAT?
710
00:29:13,460 --> 00:29:16,797
LOOK, THAT'S NOT
SAFE, MAN. COOP.
711
00:29:21,051 --> 00:29:22,552
HEY, LIV.
712
00:29:24,471 --> 00:29:26,515
JORDAN, UM...
713
00:29:26,515 --> 00:29:28,767
I'M SO SORRY
I RATTED YOU OUT LAST NIGHT.
714
00:29:28,767 --> 00:29:31,603
ACTUALLY, I CAME
TO APOLOGIZE.
715
00:29:33,689 --> 00:29:36,817
FOR NOT RATTING
YOU OUT.
716
00:29:36,817 --> 00:29:39,903
LOOK, LIV, I KNEW
YOU WERE USING, OK, A LOT,
717
00:29:39,903 --> 00:29:43,323
AND I DIDN'T SAY
ANYTHING ABOUT IT.
718
00:29:43,323 --> 00:29:45,617
I GUESS I THOUGHT
I WAS BEING
719
00:29:45,617 --> 00:29:47,536
A GOOD BROTHER
BY COVERING FOR YOU.
720
00:29:47,536 --> 00:29:49,162
MAYBE IF I WOULD'VE SAID
SOMETHING SOONER,
721
00:29:49,162 --> 00:29:50,455
YOU WOULDN'T HAVE...
722
00:29:50,455 --> 00:29:52,249
YOU'D PROBABLY STILL
HAVE FOUND ME
723
00:29:52,249 --> 00:29:53,542
PASSED OUT
AFTER THE PARTY.
724
00:29:53,542 --> 00:29:56,586
I WAS SO FAR GONE.
725
00:29:56,586 --> 00:29:58,672
YOU SCARED ME TO
DEATH THAT DAY, LIV.
726
00:29:58,672 --> 00:30:01,591
OK, AND MAYBE
THAT'S WHY
727
00:30:01,591 --> 00:30:03,760
I TRIED TO FORGET
IT EVER HAPPENED,
728
00:30:03,760 --> 00:30:05,429
BUT IT DID.
729
00:30:05,429 --> 00:30:07,597
AND NONE OF US
SHOULD FORGET THAT.
730
00:30:20,027 --> 00:30:23,530
CONGRATULATIONS FOR
MAKING IT ONE YEAR SOBER, BY THE WAY.
731
00:30:23,530 --> 00:30:24,656
[CHUCKLES]
732
00:30:24,656 --> 00:30:28,910
YOU DID...YOU DID
MAKE IT, RIGHT?
733
00:30:28,910 --> 00:30:30,454
HA HA!
734
00:30:32,998 --> 00:30:34,666
YOU BUSY TONIGHT?
735
00:30:36,460 --> 00:30:38,045
NOT ANYMORE.
736
00:30:39,921 --> 00:30:41,757
[LAUGHTER]
737
00:30:41,757 --> 00:30:43,675
SERIOUS.
SHE DIDN'T CARE
738
00:30:43,675 --> 00:30:45,552
IF SHE SPLIT HER PANTS
DOWN THE MIDDLE.
739
00:30:45,552 --> 00:30:47,429
TAMIA--
SHE JUST KEPT DANCING.
740
00:30:47,429 --> 00:30:48,722
SPENCER: OH.
I REMEMBER THAT.
741
00:30:48,722 --> 00:30:50,223
THAT'S WHAT YOU GET
FOR TRYING TO DO THE SPLIT.
742
00:30:50,223 --> 00:30:51,683
HEY, MAN, LISTEN.
743
00:30:51,683 --> 00:30:53,810
US COOPERS TAKE OUR
DANCE-OFFS VERY SERIOUSLY.
744
00:30:53,810 --> 00:30:57,397
HEH. AIN'T THAT RIGHT, MA?
745
00:30:57,397 --> 00:30:59,524
SO, HOW'S YOUR
MOTHER, SPENCER?
746
00:30:59,524 --> 00:31:00,692
SPENCER: YEAH,
SHE'S GOOD.
747
00:31:00,692 --> 00:31:02,569
BUSY, YOU KNOW.
WORK AND DILLON
748
00:31:02,569 --> 00:31:03,862
AND NIGHT SCHOOL
NOW.
749
00:31:03,862 --> 00:31:05,280
WELL, YOU TELL HER
IF SHE NEEDS
750
00:31:05,280 --> 00:31:06,656
ANY HELP WITH DILLON,
I'M HERE.
751
00:31:06,656 --> 00:31:09,534
I'M DOWN TO HELP, TOO.
752
00:31:09,534 --> 00:31:10,619
SPENCER: YEAH, I KNOW.
COOP: OH.
753
00:31:10,619 --> 00:31:12,913
[PHONE CHIMING]
754
00:31:21,296 --> 00:31:23,799
[SILVERWARE CLATTERING ON PLATE]
755
00:31:23,799 --> 00:31:25,050
SPENCER: YOU ALL RIGHT,
MISS JANELLE?
756
00:31:25,050 --> 00:31:28,637
I CAN'T DO THIS.
I-I CAN'T DO THIS.
757
00:31:28,637 --> 00:31:30,222
IT'S NOT THE DAUGHTER
I RAISED.
758
00:31:30,222 --> 00:31:32,140
SPENCER: YES, SHE IS.
759
00:31:32,140 --> 00:31:33,725
WHAT'S WRONG WITH Y'ALL?
760
00:31:33,725 --> 00:31:35,602
COOP IS STILL COOP.
761
00:31:38,772 --> 00:31:40,482
SO, IT WASN'T ENOUGH
TO BREAK MY HEART
762
00:31:40,482 --> 00:31:42,025
THE FIRST TIME?
763
00:31:42,025 --> 00:31:43,777
YOU HAD TO BRING ME
BACK TO DO IT AGAIN?
764
00:31:43,777 --> 00:31:45,529
BABY GIRL,
THAT'S NOT WHAT'S HAPPENING HERE.
765
00:31:45,529 --> 00:31:47,614
LOOK, I'M SORRY,
TAMIA,
766
00:31:47,614 --> 00:31:49,741
BUT I BELIEVE
WHAT I BELIEVE,
767
00:31:49,741 --> 00:31:52,035
AND NOBODY, NOT YOUR FATHER
OR YOUR FRIEND TYRONE,
768
00:31:52,035 --> 00:31:53,745
IS GONNA MAKE ME FEEL
ANY DIFFERENT.
769
00:31:53,745 --> 00:31:55,705
TYRONE? WHAT'S HE
GOT TO DO WITH IT?
770
00:31:55,705 --> 00:31:57,749
-JANELLE, DON'T DO THIS.
-NO, I'M NOT GONNA LIVE
771
00:31:57,749 --> 00:31:59,543
A LIE IN MY OWN HOME,
REGGIE.
772
00:32:02,671 --> 00:32:05,382
THE ONLY REASON THAT
YOU ARE HERE TODAY
773
00:32:05,382 --> 00:32:06,591
IS BECAUSE TYRONE'S
GOT THE HOOKUP
774
00:32:06,591 --> 00:32:08,593
AT YOUR FATHER'S
TRUCK COMPANY,
775
00:32:08,593 --> 00:32:09,845
AND IF YOUR FATHER
DIDN'T BRING YOU HOME,
776
00:32:09,845 --> 00:32:12,722
HE'D LOSE HIS JOB.
777
00:32:12,722 --> 00:32:14,182
YOU WORSE THAN MA.
778
00:32:15,851 --> 00:32:18,270
YOU LET ME HOPE
THINGS WOULD BE DIFFERENT.
779
00:32:21,857 --> 00:32:24,651
YOU KNOW WHAT?
I'M DOPE AS HELL,
780
00:32:24,651 --> 00:32:26,987
AND Y'ALL GONNA
REALIZE THAT ONE DAY.
781
00:32:29,573 --> 00:32:31,074
THE MESSED-UP PART?
782
00:32:31,074 --> 00:32:33,952
IT'S PROBABLY GONNA BE
TOO LATE.
783
00:32:33,952 --> 00:32:35,954
MAN: ♪ I'M STRESSED OUT,
SIPPIN' THIS ♪
784
00:32:35,954 --> 00:32:37,956
♪ I SUSSED OUT LIVING,
NOW I'M CHILLING WITH MY TEAM ♪
785
00:32:37,956 --> 00:32:39,875
♪ AND THE DREAM, TO BE SURE,
IS WINNING ♪
786
00:32:39,875 --> 00:32:42,627
♪ I'M NOT SKIDDING IN THE BEAMER
BUT BELIEVE IT'S THE BEGINNING ♪
787
00:32:42,627 --> 00:32:46,006
♪ LIFE WILL TURN AROUND ON YOU
SO FAST YOUR HEAD IS SPINNING ♪
788
00:32:51,970 --> 00:32:53,138
HEY, MY BAD.
789
00:32:53,138 --> 00:32:54,764
THOUGHT I'D HAVE
THE PLACE TO MYSELF.
790
00:32:54,764 --> 00:32:55,974
SPENCER: NO, I'M DONE.
791
00:32:55,974 --> 00:32:57,684
IT'S ALL YOU.
792
00:32:59,811 --> 00:33:02,355
HEY, SPENCER, YOU WERE
A FRIEND TO ME
793
00:33:02,355 --> 00:33:03,899
WHEN YOU HAD
NO REASON TO BE.
794
00:33:03,899 --> 00:33:05,734
YOU HELPED ME WITH
THAT CRAZY SITUATION WITH THE PORSCHE
795
00:33:05,734 --> 00:33:08,737
AND YOU DIDN'T
BLOW MY COVER.
796
00:33:08,737 --> 00:33:11,615
I'D LIKE TO RETURN
THE FAVOR WITH SOME ADVICE.
797
00:33:11,615 --> 00:33:12,991
I'M LISTENING.
798
00:33:12,991 --> 00:33:14,743
DON'T MAKE THE SAME
MISTAKE AS I DID
799
00:33:14,743 --> 00:33:17,579
AND LOSE THE BEST
THING THAT'S EVER HAPPENED TO YOU.
800
00:33:17,579 --> 00:33:20,707
I KNOW THIS IS
GONNA SOUND CRAZY COMING FROM ME...
801
00:33:22,792 --> 00:33:25,045
BUT YOU CAN
TRUST LEILA.
802
00:33:25,045 --> 00:33:28,757
THAT DON'T SOUND
CRAZY AT ALL, MAN.
803
00:33:28,757 --> 00:33:31,843
I KNOW I CAN
TRUST LEILA.
804
00:33:31,843 --> 00:33:35,096
THE PERSON I WASN'T
TRUSTING WAS MYSELF.
805
00:33:43,939 --> 00:33:46,733
YOU KNOW, YOU AND ME
AIN'T ALL THAT DIFFERENT.
806
00:33:48,068 --> 00:33:50,862
AND I THINK I CAN HELP YOU
GET BACK IN WITH THE TEAM.
807
00:33:52,280 --> 00:33:54,532
PRETTY SURE THAT
SHIP HAS ALREADY SAILED, BRO.
808
00:33:54,532 --> 00:33:55,700
WE GONNA NEED SOME
NEW PLAYS TO GO UP
809
00:33:55,700 --> 00:33:57,160
AGAINST LOGAN,
ALL RIGHT?
810
00:33:57,160 --> 00:33:58,161
COACH SAID SO HIMSELF.
811
00:33:58,161 --> 00:34:00,747
SO, IF YOU GOT TIME,
I DON'T KNOW.
812
00:34:00,747 --> 00:34:01,873
MAYBE WE CAN GO
OUT ON THE FIELD.
813
00:34:01,873 --> 00:34:03,708
SEE WHAT WE
COME UP WITH.
814
00:34:03,708 --> 00:34:07,712
MAYBE BRING SOMETHING BACK
THAT ACTUALLY HELPS THE TEAM.
815
00:34:07,712 --> 00:34:09,881
YEAH.
816
00:34:09,881 --> 00:34:13,385
WOMAN: ♪ LA-DA-DA,
DA-DA, DA-DA-DA-DA ♪
817
00:34:13,385 --> 00:34:16,763
ASHER: I GOT THE TIME.
818
00:34:16,763 --> 00:34:18,848
[CLATTERING]
819
00:34:21,559 --> 00:34:25,730
WOMAN: ♪ I SWEAR TO GOD
IT'S ALMOST EVERY NIGHT ♪
820
00:34:25,730 --> 00:34:27,941
♪ YOU AND I,
WE BEGIN TO FLY ♪
821
00:34:27,941 --> 00:34:30,860
I'M NOT
LETTING YOU IN.
822
00:34:30,860 --> 00:34:32,153
LOOK, I NEED YOU
TO UNDERSTAND.
823
00:34:32,153 --> 00:34:34,406
TYRONE AIN'T
THE REASON I BROUGHT YOU BACK HOME.
824
00:34:34,406 --> 00:34:35,865
THAT WAS ALWAYS
THE PLAN.
825
00:34:35,865 --> 00:34:38,868
BUT I KNEW YOUR MOM
NEEDED MORE TIME.
826
00:34:38,868 --> 00:34:39,953
TYRONE THREATENING
MY JOB,
827
00:34:39,953 --> 00:34:40,954
THAT JUST MADE IT
EASIER FOR ME
828
00:34:40,954 --> 00:34:42,497
TO FORCE
YOUR MOM'S HAND.
829
00:34:42,497 --> 00:34:44,374
THAT'S THE ONLY REASON
I WENT ALONG WITH IT.
830
00:34:44,374 --> 00:34:45,834
YOU REALLY EXPECT ME
TO BELIEVE YOU WEREN'T
831
00:34:45,834 --> 00:34:47,043
JUST TRYING TO KEEP
YOUR JOB?
832
00:34:47,043 --> 00:34:48,878
I QUIT MY JOB
THIS MORNING.
833
00:34:51,881 --> 00:34:53,300
BUT YOU LOVE
THAT JOB.
834
00:34:53,300 --> 00:34:56,469
I'D RATHER LOSE A JOB
THAN LOSE MY DAUGHTER.
835
00:35:05,895 --> 00:35:07,897
MY EMANCIPATION PAPERS?
836
00:35:07,897 --> 00:35:09,024
PRINTED OUT NEW ONES.
837
00:35:09,024 --> 00:35:10,191
YOUR MOM AND I
SIGNED THEM.
838
00:35:10,191 --> 00:35:11,901
WE'RE GIVING YOU
WHAT YOU WANT
839
00:35:11,901 --> 00:35:14,738
SO YOU CAN KEEP A ROOF
OVER YOUR HEAD.
840
00:35:14,738 --> 00:35:16,448
NOW, THOSE ARE
JUST PAPERS.
841
00:35:18,742 --> 00:35:20,410
YOU'RE STILL
MY DAUGHTER.
842
00:35:22,704 --> 00:35:24,372
AND I AIN'T GONNA
STOP FIGHTING
843
00:35:24,372 --> 00:35:27,125
TILL I REUNITE
MY FAMILY.
844
00:35:27,125 --> 00:35:29,127
WOMAN: ♪ IS IT OVER? ♪
845
00:35:33,256 --> 00:35:35,050
♪ IS IT OVER? ♪
846
00:35:39,929 --> 00:35:41,348
SPENCER: I SHOULD'VE
BEEN HONEST WITH YOU,
847
00:35:41,348 --> 00:35:43,767
THAT ASHER MOVING IN WAS
TRIGGERING STUFF FOR ME.
848
00:35:43,767 --> 00:35:45,143
TRIGGERING?
849
00:35:45,143 --> 00:35:47,854
THERE'S A THERAPY WORD
FOR YOU.
850
00:35:49,105 --> 00:35:52,400
YEAH, WELL, I AIN'T GOT
A THERAPIST,
851
00:35:52,400 --> 00:35:54,361
BUT I GOT COOP,
852
00:35:54,361 --> 00:35:57,989
AND...INSTEAD OF
TELLING YOU THE TRUTH,
853
00:35:57,989 --> 00:36:00,200
THAT I DON'T WANT
ASHER LIVING HERE,
854
00:36:00,200 --> 00:36:02,077
AND TRUSTING THAT
WE CAN HAVE THAT CONVERSATION
855
00:36:02,077 --> 00:36:04,788
AND IT NOT END
WITH YOU LEAVING ME,
856
00:36:04,788 --> 00:36:06,665
I LIED.
857
00:36:06,665 --> 00:36:07,874
I MADE IT ABOUT
EVERYTHING ELSE
858
00:36:07,874 --> 00:36:10,752
AND LET IT BUILD UP
UNTIL I SNAPPED,
859
00:36:10,752 --> 00:36:11,961
AND THAT WASN'T
FAIR ON YOU.
860
00:36:11,961 --> 00:36:13,755
WHY WOULD YOU THINK
YOU COULDN'T BE HONEST
861
00:36:13,755 --> 00:36:16,091
WITH ME ABOUT
YOUR FEELINGS?
862
00:36:16,091 --> 00:36:18,218
THAT I'D LEAVE
JUST BECAUSE
863
00:36:18,218 --> 00:36:20,887
WE HAD A DIFFERENCE
IN OPINION?
864
00:36:22,972 --> 00:36:25,975
-LOOK.
-YOUR--YOUR DAD.
865
00:36:25,975 --> 00:36:27,727
IT'S BECAUSE
HE LEFT.
866
00:36:27,727 --> 00:36:30,897
IT'S CRAZY.
AFTER ALL THESE YEARS,
867
00:36:30,897 --> 00:36:32,857
HE'S STILL GOT THAT
KIND OF HOLD ON ME.
868
00:36:32,857 --> 00:36:35,735
HEY, I'M NOT
GOING ANYWHERE.
869
00:36:35,735 --> 00:36:39,906
THERE ARE A LOT OF
US WHO AREN'T GOING ANYWHERE.
870
00:36:39,906 --> 00:36:41,449
THE FACT THAT
YOUR DAD LEFT
871
00:36:41,449 --> 00:36:42,784
DOESN'T
HAVE ANYTHING
872
00:36:42,784 --> 00:36:44,119
TO DO WITH
WHO YOU ARE
873
00:36:44,119 --> 00:36:46,121
AND EVERYTHING TO DO
WITH WHO HE IS.
874
00:36:46,121 --> 00:36:54,087
YOU'RE AMAZING AND KIND
AND FRUSTRATING.
875
00:36:54,087 --> 00:36:57,465
YOU'RE A GOOD
PERSON, SPENCER,
876
00:36:57,465 --> 00:37:03,054
AND AN INCREDIBLY
EASY PERSON TO LOVE.
877
00:37:06,015 --> 00:37:08,810
TRUST THAT.
878
00:37:08,810 --> 00:37:10,145
I'M WORKING ON IT.
879
00:37:10,145 --> 00:37:12,856
WE'LL WORK ON IT
TOGETHER.
880
00:37:12,856 --> 00:37:14,983
YEAH.
881
00:37:14,983 --> 00:37:17,652
WOMAN: ♪ OHH ♪
882
00:37:17,652 --> 00:37:20,530
♪ OHH ♪
883
00:37:20,530 --> 00:37:22,365
♪ OOH ♪
884
00:37:22,365 --> 00:37:23,992
I LOVE YOU, TOO.
885
00:37:23,992 --> 00:37:27,036
WOMAN: ♪ OOH, OOH, OOH, OOH ♪
886
00:37:27,036 --> 00:37:31,082
♪ OOH, OOH, OOH, OOH ♪
887
00:37:46,306 --> 00:37:50,602
KODALINE: ♪ IT'S HARDER TO SEE
THROUGH THE EYES OF A STRANGER ♪
888
00:37:53,062 --> 00:37:57,442
♪ IT'S EASY TO LOVE WHEN
THE WORLD DOESN'T HATE YA ♪
889
00:37:59,527 --> 00:38:04,949
♪ WHEN YOU TRYING TO SEND OUT
BUT NOBODY HEARS A WORD ♪
890
00:38:06,409 --> 00:38:10,997
♪ IT'S SAFER TO SWIM WHEN
THE TIDE'S NOT AGAINST YA ♪
891
00:38:10,997 --> 00:38:12,499
LIV, HEY, HEY,
HEY, HEY, HEY.
892
00:38:12,499 --> 00:38:15,210
HEY, COME ON, COME ON,
HEY, COME ON.
893
00:38:15,210 --> 00:38:18,213
SOMEBODY, MOM, SOMEBODY,
HEY, HEY, HEY,
894
00:38:18,213 --> 00:38:20,131
COME HERE, COME HERE,
MOM, DAD.
895
00:38:20,131 --> 00:38:21,966
LAURA: WHAT'S GOING ON?
WHAT HAPPENED?
896
00:38:21,966 --> 00:38:23,218
WHAT HAPPENED?
WHAT HAPPENED?
897
00:38:23,218 --> 00:38:24,761
JORDAN: WOKE UP
AND SHE WAS LIKE THIS...
898
00:38:24,761 --> 00:38:25,762
LAURA: WHAT WERE YOU DOING?
899
00:38:25,762 --> 00:38:27,096
JORDAN: WE--
900
00:38:27,096 --> 00:38:30,016
KODALINE: ♪ I'LL SHED
A TEAR FOR YOU ♪
901
00:38:30,016 --> 00:38:31,309
GET THE WATER.
902
00:38:31,309 --> 00:38:33,061
♪ OPEN YOUR EYES,
I'M BY YOUR SIDE ♪
903
00:38:33,061 --> 00:38:36,814
♪ I'M NEVER LEAVING YOU ♪
904
00:38:36,814 --> 00:38:40,068
♪ DARKNESS TO LIGHT,
STAY THROUGH THE NIGHT ♪
905
00:38:40,068 --> 00:38:44,239
♪ I'M WALKING IN YOUR SHOES ♪
906
00:38:44,239 --> 00:38:46,991
♪ SO YOU KNOW
THAT IT'S THE TRUTH ♪
907
00:38:46,991 --> 00:38:50,787
♪ WHEN NOBODY'S HERE FOR YOU ♪
908
00:38:50,787 --> 00:38:52,372
♪ LET ME MAKE IT CLEAR... ♪
909
00:38:52,372 --> 00:38:54,791
OLIVIA.
910
00:38:54,791 --> 00:38:59,921
♪ SHED A TEAR, SHED
A TEAR, SHED A TEAR, SHED A TEAR ♪
911
00:38:59,921 --> 00:39:01,047
WE CELEBRATE
YOUR HONESTY
912
00:39:01,047 --> 00:39:03,550
AND YOUR COMMITMENT
TO YOURSELF
913
00:39:03,550 --> 00:39:05,134
AND THE ONES
YOU LOVE,
914
00:39:05,134 --> 00:39:07,220
AND WE COMMEMORATE
THIS DAY
915
00:39:07,220 --> 00:39:09,138
WITH YOUR ONE-YEAR
SOBRIETY MEDALLION.
916
00:39:09,138 --> 00:39:10,932
KODALINE:
♪ I'LL TAKE THE BLAME ♪
917
00:39:10,932 --> 00:39:12,850
YOU DID IT.
918
00:39:12,850 --> 00:39:15,061
[APPLAUSE]
919
00:39:15,061 --> 00:39:18,273
KODALINE: ♪ OPEN YOUR EYES,
I'M BY YOUR SIDE ♪
920
00:39:18,273 --> 00:39:19,315
[CROWD CHEERING]
921
00:39:19,315 --> 00:39:21,818
♪ I'M NEVER LEAVING YOU ♪
922
00:39:21,818 --> 00:39:25,238
♪ DARKNESS OR LIGHT,
STAY THROUGH THE NIGHT ♪
923
00:39:25,238 --> 00:39:29,075
♪ I'M WALKING IN YOUR SHOES ♪
924
00:39:29,075 --> 00:39:30,076
♪ SO YOU KNOW THAT IT'S... ♪
925
00:39:30,076 --> 00:39:32,787
I THOUGHT YOU GUYS
HAD PLANS.
926
00:39:32,787 --> 00:39:35,290
SOMEONE MORE IMPORTANT
CAME UP.
927
00:39:35,290 --> 00:39:37,959
KODALINE:
♪ LET ME MAKE IT CLEAR ♪
928
00:39:37,959 --> 00:39:40,086
♪ I'LL SHED A,
I'LL SHED A TEAR ♪
929
00:39:40,086 --> 00:39:41,337
♪ SHED A TEAR,
SHED A TEAR ♪
930
00:39:41,337 --> 00:39:43,798
♪ I'LL SHED A,
I'LL SHED A TEAR ♪
931
00:39:43,798 --> 00:39:45,258
♪ SHED A TEAR ♪
932
00:39:45,258 --> 00:39:47,176
♪ I'LL SHED A,
I'LL SHED A TEAR ♪
933
00:39:47,176 --> 00:39:48,177
♪ SHED A TEAR,
SHED A TEAR ♪
934
00:39:48,177 --> 00:39:50,597
♪ I'LL SHED A,
I'LL SHED A TEAR ♪
935
00:39:50,597 --> 00:39:52,056
♪ SHED A TEAR ♪
936
00:39:52,056 --> 00:39:55,143
♪ I'LL SHED A,
I'LL SHED A TEAR ♪
937
00:39:56,477 --> 00:39:59,188
I'M SORRY I DIDN'T
TELL YOU ABOUT JORDAN, BABY.
938
00:39:59,188 --> 00:40:03,026
YOU KNOW, WE ALREADY
WENT THROUGH THIS WITH OLIVIA.
939
00:40:03,026 --> 00:40:06,321
AND HANDLED IT...
POORLY.
940
00:40:06,321 --> 00:40:07,822
YEAH, I KNOW,
BUT THIS IS--
941
00:40:07,822 --> 00:40:09,324
THIS ISN'T
THE SAME THINGS.
942
00:40:09,324 --> 00:40:12,035
WE ALREADY KNOW OLIVIA
HAS AN ADDICTIVE PERSONALITY.
943
00:40:12,035 --> 00:40:13,786
HOW DO WE KNOW THAT
THAT'S NOT THE CASE
944
00:40:13,786 --> 00:40:15,288
FOR JORDAN, TOO?
945
00:40:15,288 --> 00:40:16,289
MY POINT IS, IS THAT
946
00:40:16,289 --> 00:40:18,541
WE'RE SUPPOSED
TO BE TOGETHER.
947
00:40:18,541 --> 00:40:22,253
WE'RE SUPPOSED
TO BE PARTNERS.
948
00:40:22,253 --> 00:40:26,215
YOU'RE RIGHT.
YOU'RE RIGHT.
949
00:40:26,215 --> 00:40:29,218
WE NEED TO BE HONEST
WITH EACH OTHER,
950
00:40:29,218 --> 00:40:30,261
NO MATTER THE COST.
951
00:40:30,261 --> 00:40:33,097
YEAH. NO MATTER
THE COST.
952
00:40:33,097 --> 00:40:35,433
THERE'S A LITTLE BIT
MORE TO THE STORY.
953
00:40:39,562 --> 00:40:42,190
I, UH...
954
00:40:42,190 --> 00:40:44,317
I-I DID SOMETHING
THAT, UH,
955
00:40:44,317 --> 00:40:46,778
THAT I CAN'T
TAKE BACK,
956
00:40:46,778 --> 00:40:49,572
AND IF IT GETS OUT,
957
00:40:49,572 --> 00:40:53,368
NOT ONLY COULD IT
COST ME MY JOB,
958
00:40:53,368 --> 00:40:56,079
IT COULD COMPROMISE
YOUR--YOUR CAMPAIGN
959
00:40:56,079 --> 00:40:59,832
AND JORDAN'S
ELIGIBILITY.
960
00:40:59,832 --> 00:41:01,084
WHAT DID YOU DO,
BILLY?
961
00:41:01,084 --> 00:41:03,586
I SWAPPED OUT
JORDAN'S URINE SAMPLE
962
00:41:03,586 --> 00:41:05,254
AT A DRUG TEST.
963
00:41:05,254 --> 00:41:06,839
HE WAS GONNA FAIL,
964
00:41:06,839 --> 00:41:08,216
AND I JUST WANTED TO
965
00:41:08,216 --> 00:41:09,759
PROTECT OUR SON.
966
00:41:11,386 --> 00:41:13,346
[EXHALES]
967
00:41:13,346 --> 00:41:14,472
I KNOW.
968
00:41:14,472 --> 00:41:19,185
OK. OK.
969
00:41:25,983 --> 00:41:29,487
WE'LL FIGURE THIS
OUT TOGETHER.
970
00:42:08,109 --> 00:42:09,235
MAN: GREG, MOVE YOUR HEAD.
971
00:42:09,285 --> 00:42:13,835
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