Original subtitles

(FIREWORKS)

(FIREWORKS)

GIULIO: How far away?

SVEVA: An hour. - Yet?

(DOOR OPENS) MARGHERITA: Giulio, Sveva.

What are you doing there?

Come on, it's cold too. Come on.

(FIREWORKS)

Here we go?

My name is Giulio Ristuccia. In 1982 I was 16.

(80's MUSIC)

(IN ROMAN) They are burning everything. There are clashes. Here we go!

Down, the cars are burning. Let's check.

Don't move, stay here.

BOY: Come on, let's go.

(CONFUSED VOICES)

(YELL OUT)

(CORI)

Open up!

Open up!

Fascists!

I don't have a shit to do with it.

(SHOOT)

- Oh! - Paolo.

GIULIO: What the fuck have you done? - What the fuck is this blood? Help!

GIULIO: Help!

(IN ROMAN) Let's take it.

Take it by the arm.

Help!

This has to go to the hospital.

(IN ROMAN) Did they shoot him? Come on, this one dies.

Svelti, entra.

Bend your legs.

Quick, guys.

What's your name?

Do you remember your name?

Come?

Riccardo.

His name is Riccardo. Riccardo, don't die.

Did you understand that you don't have to die?

Open your eyes, stay with us, wake up, hold on.

- How long is it? MAN: We're almost there.

Wake up, open your eyes. You stay with us.

(NOT AUDIBLE VOICES)

What happened to you?

- They shot. - To who?

His name is Riccardo.

Is he a friend of yours?

Riccardo was saved.

We from that day called Me Survivor,

which then became "Survivor".

If I had survived this, I would have survived everything in life.

Survivor, there's your mother with her pussy out.

What are you doing? Don't you see my friends?

And what will it ever be, love, come on. We have it all the same! Come on!

(LAUGH)

Riccardo's parents were like that, very different from mine.

They invited us to spend the summer with them. They were kind, even if they were Communists.

FATHER: Riccardo, here.

We built a dovecote because I liked pigeons.

I liked all animals.

That was the best summer of my life.

Here, Survivor.

This will forever be their home.

Will they stay here forever?

Yup.

GIULIO: Ragà, I have to tell you something.

But you have to help me.

Should we help you?

This is a big thing.

I've never told anyone but I've been thinking about it for at least six or seven months.

What the fuck is that?

You have to trust. I mend all the pieces, at 18 do you know where we go?

- Where are we going? - Street.

We're getting out of here. As far away as possible.

PAOLO: But what is it?

GIULIO: This is it. Look how beautiful.

RICCARDO: Beautiful.

But does it turn on?

Do not worry. But do you think about the three of us in there?

We're off to Barcelona ...

Beautiful Barcelona.

How do we get it back in place?

Don't break my balls. If I put something in my head, I do it.

- You did not understand. - You just don't understand. Let's go inside.

They are 500,000 lire.

It's a great deal. The hood is removed and becomes a marvel.

We don't have all this money.

If you don't have them, leave.

- Five piotte is too much. - Then go away!

We take this car away.

One way or another we take it away.

Yeah, but how the fuck do we do?

- Have I ever told you bullshit? - No.

Exactly.

It's a loan, I'll give you your money back, I swear, I'm not asking you anything more.

But what do you have to do with it?

He doesn't tell us.

Have you gotten into any trouble?

Riccardo.

GIULIO: "If you really want something, in the end it will be yours.

You just have to really want it. "

What do you say, dad?

ORESTES: You have to get tetanus.

It's scary.

ORESTES: How much did you give him?

- Five piotte. - Well done, balls.

He misses the water pump, the gas pump,

I distributor and the suction unit.

And thanks to the fuck. Did you want it new for 500,000 lire?

And when you steer it turns?

Sure, who am I, a jerk?

What turns?

It has a broken column. At the first corner you find yourself facing the wall.

Return the car and get your money back.

I find the pieces. I just asked you if I can keep it in the warehouse.

Do as the fuck you want, maybe you learn to work.

But couldn't I have a smart child?

Down, what do we do?

We fix it, Survivor.

Another key difference between us and birds

is that we have a flat sternum.

Birds have a V-shaped breastbone. Here it is.

And their pectoral muscles,

which in proportion are enormously more powerful than ours,

by hooking to the sternum they allow it to bear the weight of air.

(LUCY STRAP) True, Lucy?

Ciao.

But how does he always follow you?

I took it as soon as it was born. She grew up with me.

Oh yes?

Yes. He thinks I'm his mother.

(BELL) PROFESSOR: A round of applause to Incoronato

who gave us this lesson on the flight of birds.

Thanks. See you next week.

Then we get caught.

Yes. What's your name?

- Gemma. - I'm Paolo.

- Pleasure. - Hello.

Ah, wait.

PAOLO: "Her name was Gemma.

I didn't even know there was such a beautiful name. "

I want a woman, you dirty shit.

I can't wait any longer.

I want to fuck the first one that passes, even if it's a mussel.

Must be the coolest thing in the world, huh?

Fuck one, I say.

Pa, are you thinking about fucking?

(CREAK OF THE MACHINE)

Oh! I'm working on it below.

Come on!

(DISCO MUSIC)

(YELL OUT)

Oh, dry!

- Sorry. - Where's the budgie?

He's home at this time.

Come on, what are you drinking?

What is it?

I don't know.

- Oh, take this stuff out. - There it is, come on!

You can't feel it. (SLOW MUSIC)

And do a little 'the elderly, come on. Force with these hands, like this.

He likes to be stupid.

I see.

Do you want?

("REALITY" - RICHARD SANDERSON)

(RHYTHM MUSIC)

ALL: Ten, nine, eight, seven, six,

five, four, three, two, one!

(SCREAM)

- Wishes. - Happy New Year.

Happy New Year.

Survived!

Happy New Year.

Wishes.

Wishes!

Your father?

No, leave my father alone.

He left home when I was a year old,

then my mother tore all of her photos from me.

I don't know what he looks like, just think.

And don't you know where it is now?

She told me she had a motorcycle accident. Is dead.

My father is also dead.

Really?

Yes. But he had a heart attack. I was six years old.

Well, you were six, it means you remember him a little bit.

Would you like to ask him something?

I would like to ask him many things.

Well, I have arrived.

(COUGH)

We live nearby.

- Oh yes? - Yup.

Happy New Year.

Wait up.

(FIREWORKS)

I got scared.

But we'll meet again, huh?

- Yes, yes?

Ok.

- Happy New Year, bye. - Hello.

- Gemma. - Hi aunt.

What have you done?

I've been with friends.

Hi, ma.

Happy New Year, huh?

Try now, Survivor.

(TURNING ON THE MACHINE)

It will not start.

Try again.

I told you it doesn't leave.

GIULIO: Come on!

Your father was right.

Now I'll show you my father. Get up.

You don't do shit.

(TURNING ON THE MACHINE) Come on!

Please, leave!

Come on, go.

Go away, you ugly bitch! Please.

Oh! (MACHINE ENGINE)

You are a genius.

I'm a fucking genius.

(SCREAM)

Look what a pussy!

GEMMA: Stop and let me try.

Here we go.

(SCREAM)

GIULIO: Go slow.

- Plan. - Hold on, holy shit!

It's a crazy fuck, ragà!

(SINGING "THE ROCK OF CAPTAIN UNCINO" BY EDOARDO BENNATO)

Sir, can you take a picture of it?

Do I have to do it to you?

No, I'm fucking. We have to do it.

One two...

Eh!

- Cheers! RICCARDO: Thanks.

Ragà, to the things that make us feel good.

To the things that make us feel good!

Paolè, are you finished?

Oh, come on!

Arrival.

Hello sweetheart.

- See you tomorrow. GEMMA: Hi.

And let her breathe every now and then, this poor girl!

Have you eaten the Vinavil?

PAOLO: I fell in love, ragà.

(IN CHORUS) Make way for us to pass

Well? What happened?

Gemma.

Your mom is gone.

What are you saying, zi '?

What do you say, zi '?

Ma '?

(CRIES)

(RING PHONE)

(sobbing) Hello?

Paul, yes ...

AUNT: Your cousin doesn't want you.

Either come and live in Naples with me or go to an institute.

I don't want to go to Naples, like you I must say?

Gemma, it's the law. I'm not the one who decides!

Just do me a favor if you don't want to come to my house.

I don't even know where to put you.

Do you want to go to an institution? (RING PHONE)

Just say it.

Who is it?

No, Gemma can't come now.

Give me a moment.

Who is it?

Paul, yes.

No, she's telling me that if I don't go to Naples with her,

they throw me in an institution.

- Gemma! - A moment.

- We were talking! - Wait a minute, aunt!

Gemma.

I'll call you later, ok?

AUNT: Gemma.

But leave me alone once, I can't even fucking talk on the phone!

RICCARDO: Paolo!

Paolo!

You have to come. Run, a bad thing has happened.

I said open the door!

Open this fucking door!

Did you hear or not? I'll throw it down, I'll break everything!

Open the door, holy shit!

Now you broke my dick.

Did you understand that you broke my dick?

What do you want? Huh?

The car was ours.

But try to leave.

You have to tell me who you sold it to.

Tell us who, we have to take it back.

But who the fuck are you? What are you talking about?

You have to tell me where it is, if not we will tell everything.

What are you talking about?

Of all the hindrances you make here,

the stuff you steal and sell back all night.

You really broke my dick, all three of you.

I'm going to report you.

Look, we're going to report you seriously.

What the fuck do you want? Huh? What do you want?

Do you want to report your father? Do you want to send me to jail?

And what the fuck do you do, huh? Starving. What fields?

Take this money. Do you want money? Take the money, take it.

I keep these for the commission,

I will keep these for matriculation

and these are my cocks.

Keep the money, daddy boy. Now go fuck yourself!

(STRAP)

(INTERCOM)

I'll go, ma. Ready?

Soon?

Soon?

(KNOCKING AT THE DOOR)

My aunt is picking me up.

Are you passing here?

It takes me to Naples, Pa '.

Now?

No.

You can't leave like this.

I can't not go.

How can I do it?

I can't do it without you.

Come here,

I want to do it now.

I don't want to wait any longer.

Did you close the door?

Have you closed it?

(TURN THE KEY)

(GEMITI)

Do you promise that you will come and see me?

- Yes. - Huh?

Yes, I come.

Promise you will never forget me.

Never, never. (INTERCOM)

No.

No, mai.

More more.

MOM PAOLO: Paolo?

What do you want, ma?

MOM PAOLO: There is one who is looking for Gemma.

PAOLO: Here it comes.

Come away with me.

Let's go together.

How do I do it, huh?

Well, we find a solution.

I promise you.

You know it can't be done.

Can not be done.

Paolo.

Look, I have to go now, huh?

But...

you always remember that I love you so much.

So much.

Ok.

I have to go.

Hello sweetheart.

Hello, huh?

(CRIES)

Gemma!

I love you.

Ciao.

Lucy!

Lucy!

Lucy.

Nerd!

Changing cities and friends was a shock.

My aunt was a damn bitch,

my cousins ​​two jealous horrors.

(WHISTLE)

(IN NEAPOLITAN) Girasò, where are you going?

You are spectacular.

COUSIN: Guagliò, are you done?

It's not our fault that that is beautiful.

It's true.

Look this.

EU, blonde, do you want a hand?

- Climb up to the top? - Don't listen to him.

Okay, bye.

All the males went crazy for me.

Show how good you got.

Repeat after me. "Si bell 'comm' o sole."

"Si bell' comm' o sole."

- Did you tell me? - Yup.

Come here.

You are so Beautiful.

What did I care if they told me I was a slut?

It was enough for me that time passed quickly.

PAOLO: "Dear Gemma,

it's me again.

Even if you stopped replying to my letters,

I always think about when we will meet again.

I love you.

I love you.

I can also come to Naples if you want,

please answer me.

Paolo."

GEMMA: "Dear Paolo.

It's been a long time, it's true. "

Many things have changed.

I haven't lived with my aunt since I turned 18

and I'm with a guy. His name is Nunzio,

I live with him now.

This I tell you because I love you and I don't want to hurt you.

Life has led us to get lost, I know.

But I really loved you.

Always remember that.

I hope you will be happy,

forever.

Ciao.

Gemma.

GIULIO: "On November 9, 1989, history changed.

We all thought that nothing would ever be the same again.

That same day I graduated. "

The profession of the lawyer leads us back to the highest principles

of equality between men. As Calamandrei said,

the law is the same for everyone is a beautiful phrase that heartens the poor,

when he sees it written over the heads of the judges.

But when he realizes that in order to invoke the equality of the law in his defense,

wealth is needed that he does not possess,

then that same sentence becomes a mockery to his misery.

Gentlemen, sorry, I ask you for a courtesy.

To give a big round of applause to this boy here, Giulio.

- Yes. - Our friend, who graduated today.

Thanks.

And he will soon become a great lawyer.

Bravo!

A little later it was my turn.

"I graduated in Literature and immediately took the state competition

to become a teacher of Latin and Italian literature. "

- Well done! - Well done!

What an emotion.

PAOLO: "The idea of ​​handing down culture, art and even my vision of life

to the new generations, I was passionate about. "

(BRUSIO)

Guys.

Guys, sorry.

I am here and I am trying to do my duty, am I not?

Passing on what I love,

what I think can be useful to you in life, right?

(CAMPANELLA)

I'm sure I'm doing something wrong, isn't it?

Don't let the world define you though, huh?

You define the world.

Yes, I profess.

PAOLO: "As I began my journey into the world of school precariousness

and Giulio began that of justice as an official lawyer,

Riccardo tried his way in the world of cinema. "

- Barabbas! - Barabbas.

- Barabbas. - Barabbas.

In short, have you been doing this job for a long time?

The appearance? A little bit.

No, I as a hobby, in my spare time.

Actually I write articles for a film magazine called Zapruder,

like the guy who happened to shoot Kennedy's murder. You know?

No.

Instead, do you know what my biggest dream is?

You want to be an actress.

But you with this face don't just have to dream,

you have a moral duty to be an actress.

But do you see that you make me laugh?

In fact, I guess I got it all wrong. I had to be a comedian.

In life it takes luck, but that is useful in all things.

- Sure. - Why don't you need luck in love?

Well, with no luck where do we go?

GEMMA: "In Naples Nunzio knew everyone and everyone knew Nunzio."

One, two, three, four and five to you. One, two, three to you.

The truth is, they had been such strange years.

Go, Nunzio, how is this stuff? Go, Gemma!

- I'm not crying. - Come here. I hurt you.

(YELL OUT)

(YELL OUT)

NUNZIO: Apologize. - Sorry!

Seen from the outside it is strange, I know.

But to me, seen from the inside, it seemed normal, my life with him.

Besides, what did I know what love was about, right?

Right away, lady.

Pa, take me this to two.

Gemma.

Gemma!

Paolo.

Ciao.

What are you doing? Have you returned to Rome?

No, I'm still in Naples.

He is Nunzio, my boyfriend. He is Paolo.

Pleased to meet you, Nunzio.

Do you have to turn on, by any chance?

Yup.

I've been here since ...

at mom's bar, helping her.

What are you doing, are you holding back?

We leave tonight.

It was a pleasure, but we have to go.

We have a lot of things to see, huh, no?

"Avoja".

I was pleased to meet you.

One figure.

Here I am. Hello.

- Gemma! - Eh.

But who is this asshole?

A friend of mine.

Pa, what have you got?

Huh? Nothing.

Hey.

- Gemma. - Huh?

What are you thinking about?

Nothing.

- You are happy? - "Avoja".

GEMMA: "That's how I decided to escape from Naples."

("HOW ARE YOU?" - CLAUDIO BAGLIONI)

(WHISTLE) Ah, beautiful! Where are you going?

Where are you going? Which then I'll join you. Go.

--Dai. No! --No.

No!

- Paolo, it's for you. - Mortacci.

I'm not there for anyone.

I think you're there, instead. Come on.

Who the fuck is that?

Soon?

I ran away. I'm back.

(WAKE UP)

Mom, please. Get her to sleep as long as she wants.

How long should he sleep?

As long as he wants, I'm telling you.

And how long if it should stop here?

He stops as long as he wants, Mom. Do I have to tell you in Cyrillic?

What am I to you?

What are you to me?

Eh...

You are everything to me.

You are heaven.

Clouds...

The rainbow.

- The sea. - Oh well.

You are my only love.

Don't let me go, ever.

Because I love you.

In a certain sense, we are all a bit of Giacomo Leopardi

who seek consent in their father's gaze.

So it is no coincidence that in moments of fear,

of social and economic crisis and so on,

the people choose the dictator of the day, the strong man,

he who through the authoritarian imposition of the Law

momentarily he reassures the masses who are looking for their lost father in him.

So ... (KNOCKS ON THE DOOR)

Yup?

Excuse me, professor.

As soon as the lesson is over, can you please pass into the presidency?

PAUL: Yes.

Well, guys, I think this is going to be our last lesson.

Because?

Because when they call me in the presidency,

is to warn me that your full professor is returning and therefore ...

closes.

PAOLO: "My substitute period seemed to never end."

Thank you very much goodbye.

PAOLO: "We had all our dreams. I had them, those boys had them.

And she had them too. "

Then?

Why are you so nervous, do you treat me like that on the phone?

I broke the *** living with your mother.

Gemma, I'm waiting for a steady salary.

Ah, fixed salary. But in two we will put them on two coins, right?

Either take me away or I'll go alone.

Even if it were the ass of the world, I swear I'm leaving

Do you know what it is?

You are right.

On Monday we start looking for a house, a little house all to ourselves, okay?

Are you kidding me?

No.

Come here.

Paolo!

Paolo!

Accompany me.

What's up?

Tell me.

MOM PAOLO: I have to go to the bathroom.

Here we go.

Not even three weeks later, his mother had ischemia.

Piano.

Turn around.

And what was I supposed to do?

Did I leave her alone?

(HOLY SCREAMS)

RICCARDO: "Going back to my story,

Anna and I swore one summer day to stay close to each other always,

in health and in sickness, in wealth and in poverty.

We were happy and in love. "

Love is the most beautiful thing in the world.

Loving Riccardo is the most beautiful thing in the world.

RICCARDO: My love.

I am very lucky to have met you,

of course I hope you think the same thing about me too.

- I don't know. - Come on!

RICCARDO: Yes, my love.

However, to stay together all our life, as our parents did,

it is a difficult goal, but we will make it.

Brava!

Well done!

And in the face of all the clichés about marriage

and do not marry that you do the bullshit,

we will show you that having a happy marriage ...

you can.

ALL: Kiss! Kiss!

More!

Kiss! Kiss!

(EXULT)

And in short, Giu '?

How's your life as a lawyer?

As an official lawyer.

You are faced with people who have lost everything.

l forgotten. Who helps those?

If I can help them every now and then

I feel like I saved myself a little bit too, right?

Sure.

You see that you like it, huh?

I like it a lot, yes.

It's true.

Great, Survived.

(YELL OUT)

I will also survive the marriage.

(BAND SUONA "DON'T YOU" - SIMPLE MINDS)

(GUESTS CANTANO)

A few days later, Gemma and I began to see each other in secret.

It's just that I was no longer happy with Paolo and ...

when that's the case, a gust of wind is enough to take you away.

GIULIO: "I should have stopped, I know."

We're doing too bad a thing to him.

If he fell in love with my woman,

I think I would understand.

You are not in love with me.

Are you in love with me?

And what was I doing all this mess, me?

PAUL: Giuliè, what are you doing here?

Hi Paul.

What happened?

Because?

What do I know, you have a face!

No, I wanted to talk to you ...

in person, looking you in the eye.

What did I do?

You know how much life we ​​have shared, the two of us ...

Are you feeling okay, Giu '?

- Wait, let me finish. - Eh.

Do you know how much life we ​​have shared?

Eh, then?

Gemma and I are seeing each other.

For a while.

I mean, sorry. What do you mean?

Which means you're there ...

seeing?

God, I'm not feeling well.

What have you got, Pa?

I don't know, I feel ...

I got a panic attack.

Breathe, Paolo.

Paul, breathe.

Now pass, it's nothing. Breathe.

What does it mean? You were saying that you are seeing each other.

Why are you seeing each other, Giulio?

Giulio, won't you answer me?

There is Gemma.

- There's Gemma. - You feel better?

Gemma is there too.

Gemma?

What is happening?

Gemma?

I did not understand what is happening, do you tell me?

Eh?

We just don't want to keep lying to you anymore.

Paul, listen.

I want our friendship to remain intact.

I know this is a really bad thing, that shouldn't have happened,

but now the omelette is done, the egg is no longer healthy.

But you must know, for me there is nothing that matters more than our friendship.

Your friendship is sacred and must remain above everything.

If such a thing had happened to you, I would understand it, I think.

He said it to me too.

Do you understand?

Try to think big, Pa.

Try to think big, Paolo.

Sorry but...

I didn't understand a thing.

How long have you two been dating?

How do you say ...

I don't want to know anything,

I don't want to know anything,

I don't want to know anything. Go.

Go, I want to be alone.

I want to be alone. Go.

Ok.

I have to think big.

Eh, Down? Am I okay?

I must...

I have to think big.

I have to think big.

Think big!

I've always loved you, I've always loved you.

Did you understand? Why did you do such a bad thing to me?

- I'm sorry. - Why?

I'm really sorry.

It's just that I love you both. What do I have to do?

Gemma, both of us can't be done.

No? Do you understand, love?

Both cannot be done.

Give me your hand, Gemma. Both cannot be done.

We have to get married, right?

You said we're getting married, right?

We have to get married when I become tenured.

You can't leave me now, you can't leave me like this again.

- I'm dying, do you understand? - Yup.

I didn't want to do this to you.

I'm really sorry, it's just that I've always loved you ...

- You can't do this to me. - I've always loved you, it's just now ...

I don't know what happened.

Let's go down'.

I will always be there for you, if you want me to.

"The question is, why is it important here to understand ..."

GIULIO: "In 1993, an entire class of politicians was wiped out

by a pool of magistrates who brought an unexpected breath of air to the country

and a new idea of ​​change.

Nothing would ever be the same again.

In this climate, I was summoned by the lawyer Nobili,

renowned prince of the forum. "

NOBILI: You, even as a simple official lawyer, immediately got noticed

for his ability to defend a multitude of desperate cases and win them.

This shows passion but, without a doubt, also talent.

My aspiration would be that

to be able to offer my profession to those who cannot afford it.

She is young and at her age you always have great ideas in your head,

then, over time, they all line up as quietly as on a shelf.

So, to come and work for me,

I immediately offer you a salary of eight million lire a month.

Bonuses excluded.

In his spare time, he can continue to defend all the destitute he wants.

But how do I do it?

Like? Sure you can.

I don't want to leave people who need me on the street.

You should have seen that office,

it looks like a ministry.

You don't give up anyone.

I'm here with you. I'll help you.

You are a great fig, Giulio Ristuccia.

(THEY SING "LA VOGLIA LA MADIA" - ORNELLA VANONI)

ANNA: "Holy shit!"

But you know what this minus front means, huh?

We don't have the money, Riccà. They kick us out of the house.

- Do you understand that or not? - Of course I understand.

- So? - I'm thinking how to do it.

- You are thinking? - Yes, I have an idea.

- And what idea? - That's an idea, trust me.

But how can I trust you?

I am looking for a position as a journalist or critic, but it is not easy.

And waiting for answers, the money runs out.

How much do you have to rent him?

Lots of money.

How much do you owe him?

Four months' wages.

Lots of money.

Four months, how much money is that?

One million and eight.

- I'm ashamed how ... - Oh!

Are you ashamed of me?

Poi me li ridai, no?

Of course, God forbid.

Listen, what is it like to expect a baby

So scared, Giu '.

But you want to fucking break the world, do you understand?

I wrote to everyone I know and also to those I don't know,

in a while I'll send the resume to God as well. Fuck, someone has to answer me.

You are Riccardo Morozzi.

Yes, fuck, it says on the document as well.

(Scream) Come on, again.

RICCARDO: "And so, Arturo was born."

His birth appeared to me as the true miracle of life,

that a moment before seemed not to be there

and then suddenly it was as if it had always been there.

Riccà, look here! Smile.

How beautiful it is.

My love.

Do you want to go on your godfather's lap?

No, I'm not capable. I'm afraid I'm going to fall for it.

What are you saying?

It's too small, I'm not capable.

- But you're too big, though. - My God, softly.

- Here it is. - But how beautiful it is.

It is a marvel. Arturo.

(KNOCK ON DOOR) Is it possible?

RICCARDO: Hey.

Papone!

Wishes.

I'm leaving.

- Hi Paul. Thanks. - Hello.

- Wishes. - Hi, Riccà.

Greetings, Anna.

I am happy for you.

Hi Paul. How are you?

(ARTURO CRIES)

Love, how much you have grown.

But it doesn't take ...

Have you seen Riccardo's piece for "Il Messaggero"?

- Give it to me, who cries. - Here, love.

Oh well, it's a small thing.

- Oh well love, not so small, come on. - Oh well.

"Italian cinema restarts. New decree law approved

which will give new impetus and funding to our home cinema. "

The director of the show page is so pleased with him.

He says he hires me.

Oh well, love, you have to have a little patience.

- Let's hope. - What do you say, love?

Do they hire him, dad?

Yes or no? Do they hire him, dad?

Whom do I give the son of this unemployed person?

RICCARDO: Let's hope for a little while longer.

BERLUSCONI: "... daughter of justice and freedom.

If I decided to take the field with a new movement

and if now I ask you to take the field too ... "

But look how it comes down.

(RING PHONE)

Studio Nobili, good morning.

The lawyer again apologizes for the delay with which he returned to the office.

You will understand, with this snow in Rome, it is the minimum.

According to the data of the Polytransfusion Association, between 1982 and 1992

2000 would have been the victims of transfusions with infected plasma.

But can it be my fault that they were all already fags or junkies?

Dad, take it easy.

Nobles: The accusation is that the blood products,

in particular sandoglobulins intended for the treatment of haemophilia,

were not controlled by the Ministry of Health of which you were the owner,

due to the presence of lethal viruses such as AIDS.

Do you have to take out the watermarked paper? We have to pay?

And we pay. but what is the problem?

So there is no one in this world that is priceless. Do you understand it or not?

Giulio, it's half past three.

When do you get some sleep?

I must finish.

But you also have to think a little about eating,

to sleep, to make love every now and then.

Sorry, Gemma, I need to focus. This one killed more people than the KGB!

But you haven't eaten anything tonight.

I'm fine like that.

JOURNALISTS: Here it is.

Honorable.

JOURNALIST: Mr Angelucci, what do you expect from this last hearing?

(MOBILE RING)

Lawyer, we're here.

Yes. Five minutes and I'm there.

- We await you. - To soon.

The news has been circulating for a few minutes that the lawyer of the Honorable Angelucci,

the lawyer Nobili, was involved in a car accident.

Right now, the former Minister of Health,

the Honorable Angelucci was called to enter the courtroom.

This is the last hearing of a prescription risk trial,

the accused has his lawyer, the lawyer Restuccia,

as a substitute for the lawyer Nobili, so there are no reasons for a postponement.

ANGELUCCI: Mr. President, excuse me.

But in your opinion, can I put myself in the hands of a practitioner?

PRESIDENT: You can revoke Attorney Restuccia's mandate.

We can appoint a public attorney if you want. What does it do?

President, is Ristuccia, with the l.

He did not revoke any mandate.

Our young lawyer here,

surprise me the radical refutation of all the hypotheses of accusation,

leaving them all silent.

The president begins to read the sentence.

"Then, according to the article of the law here, paragraph there,

the honorable Angelucci Sergio is acquitted of all charges! "

(EXULT) Bravo, dad!

Come here.

Bravo, the lawyer.

The lawyer.

- Then? How are you? - Well.

Nobody expected that this affair could end like this.

We also had some luck, let's say.

No, don't underestimate yourself, lawyer. It was really badass.

Excuse me if I say this, but I am a very direct person.

- No. - I say what I think.

We want to talk about you, what do you say?

As you want.

What then my father has so many defects, huh.

He also did things we say not beautiful,

do not think that in silence I do not judge,

but I am his daughter, I cannot speak.

Since my mother died, she's been staying right here.

Because he needs it.

ANGELUCCI: Margherita! Lawyer, what are you doing there?

Come, there is the cake. What do you want to miss?

Oh!

(SING IN NEAPOLITAN)

But he is a thug.

If you want to change the system, you change it from within.

And in your opinion, will you be the one to change that system?

But do you really believe it?

Yup.

I believe in a better world.

I believe that the world can change,

you are the one who leaves resigned that things are going as they should go.

This is why you are content to serve at the tables.

(RING PHONE)

Yup?

MARGHERITA: "I wanted to personally welcome you.

Do you like your new office? "

Yes. It is very beautiful, it is beautiful.

MARGHERITA: "Does that burgundy tie fit you, or is it burgundy?

Do you already have someone to celebrate with tonight? "

Yes, I really would.

But he works in the evening.

Where are you taking me?

Let's say that if it had been for my father, I wouldn't have even finished middle school.

It wasn't really my role model.

Besides, I didn't want to be like him, so ...

Like him, how?

Like him.

You are a brilliant lawyer, a charming man with clear ideas.

In my opinion, if he had also encouraged you to follow your passions,

you wouldn't have become the man you are. No?

I fell madly in love with a man seven years ago.

He was handsome, cultured, charming, rich, but rich that my father had gone mad.

I believe it, he had it all.

- Too bad he was fucking my sister. - Your sister?

I have also been bad. I've been terribly bad.

I believe it.

Do you know what happened to her? Banned from the family.

Yeah, but why am I telling you all these things?

These are personal things. I guess I've never told anyone.

Sorry.

Which is?

I was a little late.

Let's go to bed.

DAISY: See, Hicks is like that,

he always represents women with these mixed feelings.

She seems naive, but at the same time she is bold.

Look at it,

isn't there also fear in your opinion?

Then fear moves so many things in life ...

GEMMA: Hi, Pa. - See you tomorrow, beautiful Gem.

GEMMA: Hi, Lore '. LORENZO: Hi.

Hi, Down.

- Hello. - You surprised me.

Have you seen?

Ciao.

How are you? You are tired?

A little'.

Let's go home.

But wouldn't you want a job that would give you more satisfaction?

I?

Guy? Thing?

I don't know, your own place.

I wouldn't be able to, you know, right? I don't know where to start.

I would help you.

What is it you gotta tell me Down?

I know there is something.

I have known for weeks.

You can tell me everything.

Just don't lie to me, because I don't deserve it.

I don't deserve it.

Come on, tell me what you have to tell me.

I met another person.

"I met another person."

I could also avoid asking you.

I don't feel like talking about it now.

Come on, let's go home, I'm tired, I woke up at six this morning.

Let's talk about it in the morning with a fresh mind, huh?

Start the car and drive away.

Start this fucking car and drive away.

What are you going to bed?

I'm sleepy.

Did I just tell you that I fell in love with another woman and you are going to sleep?

You're in love?

Really, Down?

Gemma, it has been three years since you and I have been talking to each other.

And who is it? I know her?

No, you don't know her.

There will also be a name, right?

Margherita.

- Margherita? - Eh.

Margherita who?

Angelucci.

What a disappointment, Giu '.

You wanted to change the world

and instead you are made change like this.

As well as?

- As well as? - As well as?

Do you know who you are?

You are the son of a tire dealer who just smelled the smell of money ...

he has denied everything.

- Money. - Huh?

Money has nothing to do with it. But can't you see that you solve everything like this?

You just don't listen to me, you don't give a fuck about my life,

I've never seen you read a newspaper,

I've never seen you open a fucking book.

I need to talk. All right?

- And talk, talk. - Speak, yes.

I also need someone to listen to me every now and then, understand?

Talk, asshole.

I need someone to listen to me, if they are interested in something, do you understand?

I need to communicate, something that makes sense,

not just what the fuck are we eating tonight and where are you taking me on Sunday! Holy shit!

Was my estimate not worth enough? Was I not enough? What was I?

How can I have respect? How long have I told you found a passion?

Do you have a fucking ambition in life, yes or no?

But fuck off!

But fuck off!

This fucking ambition and Sunday lunch.

Angelucci's daughter.

That is on the gossip magazines. Don't show up again, Giulio.

Don't show up again, do you understand, yes or no?

I will give you back the house as soon as I find another accommodation,

get the fuck out now. Get away from Angelucci's daughter.

You and the father.

And the sister.

And fuck you, this asshole.

(CRIES)

(INTERCOM)

RICCARDO: Who the fuck is he?

Oh, Gemma. (GEMMA CRIES)

(ARTURO CRIES) RICCARDO: What happened?

- Excuse me, where are you going? - Lawyer Giulio Ristuccia?

- Wait, he can't get through. - Giulio. Ristuccia lawyer?

- Stop. - Giulio Ristuccia.

Stop, he's a friend of mine. Doctor Morosi, he's a friend.

I'm a friend of yours, heard?

GIULIO: What is it?

But didn't the underworld that has eaten up the country you wanted to change disgusted you?

Speak softly, please.

Wasn't it enough for you to have saved him from twenty years in prison for this?

Mo does the daughter also fuck you?

Well, what is it?

- What have you got to do with it? - What's up?

We made a deal when we were kids. We would always help each other, do you remember?

I have always helped you and I have never asked you for anything, I think.

What was the pact?

Let's help each other out, huh?

We change, Ricca '. We work, we evolve, maybe.

I never had the house by the lake, Survivor.

No one has ever given me a shit.

You stink of hunger you don't even know where it is at home.

Don't break my balls, come on.

Who are you?

I don't recognize you anymore, Giu '.

Do you know what it is?

The stench of hunger is better

than being dishonest and betraying your lifelong friends.

But dishonest what, what are you saying?

Oh well.

I remove the disturbance which is better.

Maybe it's really better, you're right.

Just know that I really loved you,

if you still remember what it means,

dickhead.

On April 14, 1997, Margherita and I got married.

(RIDE)

GIULIO: "I was fine. We were fine, in every sense."

What is said about well-being.

Let's follow up

the agreements made to confirm the hiring with an employment contract

full-time and permanent subordinate

at the Liceo Classico Statale Ennio Quirino Visconti,

as a teacher of Italian, Latin and Greek literature.

Mom, did you see?

They hired me, are you happy?

Bravo, my love, you have been so good.

FATHER RICCARDO: Do you remember when we made wine by pounding grapes?

Come no.

We had five rows, the wine looked like vinegar but we liked it so much.

Mom liked it so much.

Mom liked it so much.

Come on, Giuse '.

- A mamma. - A mamma.

Riccà, we should fix this pigeon house, huh?

Dai.

Do we want to get the carrier pigeon farm back on its feet?

Careful, come down that the wood is "fracico".

Good!

Dai!

Oh!

Nice, pray.

Hi Antonio. Hello, Luciana.

You made it back.

I went to see my father.

Sit down, we need to talk.

- All together? - Yes, all together.

What are all these suitcases?

I'm leaving, Riccà.

But how, are you leaving?

I just sold the interview with Carlo Verdone to "Primissima".

And how much do they give you?

70,000 lire, like twenty days ago? But are you able to find a real job?

Do you think it is easy to do the work I do?

And what's your job? Because nobody here has understood it yet.

We have been going on for two years, Riccardo, thanks to my parents' money.

RICCARDO: My father is getting worse.

It is useless to talk about this now.

To say that otherwise I would have asked him for a hand.

We came to take our daughter back to take her home with us.

- No. ANTONIO: You tried.

Unfortunately it didn't work.

- No, Antonio. - Anna, let's go.

No.

She also gave up being an actress to keep up with you.

RICCARDO: Luciana but ...

My love, but ...

is it true that you are not leaving?

- It's not true? - I'm going away with them. Leave me alone.

Where are you going, but are you playing? Oh!

Anna, look, I swear to you that the scene of you

that you go with your tail between your legs with yours, I put it in the novel.

Yes, right, the same one you started writing before you met me.

But stop it, go.

And anyway Arturo stays with me!

Did you understand?

Wait up.

(BRAKING)

Where is Arturo, where is he?

Do you realize?

Arturo hasn't slept at home for two days and you haven't even noticed.

Shame on you, Riccà, shame on you. Leave, dad.

- No, Antonio, stop. - Set off!

Time that you understood where you went wrong, you are old and death takes away from you.

Make way for the young, we leave you our place.

And no!

Life is still to be invented, however, anything can still happen.

Let's get out of here. You pay!

What then, do you know what there is?

That now I am free from everything, even from the anguish of money.

I'm going to be a farmer if that's not good.

Why, is this a bad idea?

I start growing tomatoes, potatoes, courgettes, everything.

I do something useful for the community.

People have to eat even if they don't have a lira, right?

What do I do? I feed him. Call me stupid.

GEMMA: Hello, see you tomorrow.

RICCARDO: That's Gemma.

Stop. I don't want to see it.

What are you saying? Get up. Gem?

- I don't want to see her. - Gemma.

- Gemma! - Riccardo.

But do you see that it's you?

Bella, how are you?

- Well, you? - Well.

Survived!

There is also Paolo.

Paolo, come.

- Come here. - Always stuck together, you two.

I tried to look for you, but you moved house,

I was also worried, I couldn't find you anymore.

How are you?

Well how are you?

Well, I work here at the restaurant, at the Portuguese.

In fact, that's where I saw you come out.

What about you instead? What are you doing?

What do we do?

He teaches at the Visconti now. Italian, Latin and Greek literature.

Yup? Pure Greek?

- And no? - Yeah.

You made it in the end.

He did it, yes. Finally!

What do you mean early on? Sorry, explain.

Oh well, we're kidding, come on.

In the early hours, yes. Stay away! We stand between us. It's Gemma, come on.

Oh well. Giulio?

Giulio...

We haven't seen it in a while.

Who knows why we are not seeing Giulio.

"Kill", how heavy you are!

Do you want to ignore it? Let's pretend nothing has happened.

In fact, let's ignore it. We are all wrong ...

Raise your hand if you have not made a mistake. Huh?

Who raises their hand?

- Nobody. Here it is. - Nobody.

Only those who do not live make no mistakes.

And try to go on too. Come on, come on.

But you, where were you going at this hour alone?

To take the bus.

To take the bus? Are you kidding me?

But we will accompany you. We have the car back here, let's go.

Don't worry, it was a pleasure, really.

I do not insist.

You are under our personal escort. Let's go come on.

PAOLO: The machine is on the other side.

Let's take the long tour, come on.

- I prefer to go by bus. - Gemma, mo who gives you more?

- Mamma mia, Gemma. - Eh.

- Oh ... - To you instead? How are you? Anna?

Anna, if I tell you one thing you will never believe it.

- Thing? - Left me.

- She took my son away too. GEMMA: Are you kidding?

- No. - Arturo?

She took Arturo away, she took everything away.

GEMMA: I'm sorry.

RICCARDO: Hey, I know. GEMMA: Zozza sow.

Anyway, enough talking about us now. Come on then.

Let's talk a little about us. Gem.

Tell me, Survivor.

But what should I tell you? I find you in a crazy shape.

But we're not talking about pasta and beans here.

I say, let's talk about Gemma, the most beautiful of all women.

- What have you been drinking tonight? - That I drank, come on.

But how crazy you are. I forgot how crazy you were.

RICCARDO: Come on, let's go, Paolo.

She laughs, he laughs. I follow them.

But what am I following them to do, these?

Paolè, there is no longer a soul at this hour, did you know?

Come, Ge.

Oh!

But tell me if it doesn't really look what it looks like.

Yes, we only miss Mastroianni.

We are there, Paolè. We are satisfied.

But where are you going, Riccardo, what the fuck are you doing? Get out of there they arrest us.

"Kill", how heavy you have become. Elder inside!

Did he profess, hasn't he given you to your head, all this "latinorum"?

Do you know what I'm telling you? Who is right Survivor.

But where are you going, too?

It is that once in a lifetime it must be done, right?

Come on, come along too. What are you doing there? Come on.

Now or never, Paolo.

You know there is, that you are really two morons. I'm leaving.

I'm going home. I work tomorrow, not like you.

See you in another ten years, Gemma.

Paolè, where are you going?

And have fun with us tonight, Giulio and I have already given.

Go, he gives this away with the sling anyway.

I'm sorry.

Paolo!

Paolo, where are you going?

Survived, but go fuck yourself too, go.

But there was a normal one.

Riccardi.

Where it went?

He took a taxi and left.

I just wanted to bring some lightness,

but what's wrong with being light?

There is nothing wrong with being light.

- That's what I think too. - Here. Make a wish, right away.

(SINGING "A THOUSAND DAYS OF YOU AND ME" - CLAUDIO BAGLIONI)

Oh, stop.

I live here.

Ah.

(TURN MUSIC OFF)

I also forgot.

Do you live here now?

Yes, for three years.

(SUSPIRES)

And what's your life like? How are you?

"I went round and round without knowing where to go."

And I have so many storms that shake me inside and ...

And I'm looking for my happiness,

but I think that sooner then I find it and when I find it I hold it tight.

Gemma.

Anything you need, will you call me?

Now you have my number, please.

Thanks for the ride.

- I love you. - Me too.

(SUSPIRES)

(TURNING ON THE MACHINE)

No, huh?

(TURNING ON THE MACHINE)

(MACHINE ENGINE)

(JAZZ MUSIC)

Greetings, love.

Wishes.

Happy 2000.

But how much is missing? We are almost there?

In short, three months. Born in late March.

Male or female? From the shape it seems female.

- Tell me I guessed it. - Eh.

And the name? Have you already decided?

- Sveva. - No. Like the Angiolillo.

- Like who? - The Angiolillo!

Well, I would say to make a toast to the future dad too.

I hear great things about you, Giulio.

Your husband all envy you, huh.

Best wishes, Giulio.

Wishes.

Who was that?

I do not know. It's the first time I've seen it.

Why don't we go on a trip you and me?

Love, I'm already tired now.

After the baby is born, I want to take care of myself a little.

You think about working, that's what you do best,

then let's enjoy a little bit of everything we have, right?

Don't be dissatisfied.

Well, I'm not dissatisfied.

Giulio.

There are children who are dying of cancer.

We are lucky.

(CALL IN PROGRESS)

FABIO: "Soon?"

RICCARDO: "Is it me, is Arturo there?"

Arturo, come on, it's for you. He's your dad.

- Pope. - Hello my love. How are you?

Well.

Nothing, I wanted to know how you were. What are you doing, are you having fun?

I'm fine, but now I'm playing with a friend of mine.

And what is it called?

Luca.

Okay, then I'll let you play, my love.

- "I'll call you tomorrow maybe. Okay?" - Okay.

- "Hello my love." - Hello.

- Riccardo. - Yup?

There have been no transfers here for three months.

As soon as I can I will send you everything.

Don't make me involve a lawyer.

There will be no need. Trust me.

Yes, trust me.

Mr. Judge, I'm sorry, I never wanted to go this far,

but although I have given him a thousand possibilities,

he never respected the pacts,

he has always been an absent and completely disinterested father

of our child's problems and needs.

The judge sentenced me to pay 450,000 lire every month, ruining me forever.

Pope,

I'm back.

Do you know what I think? Maybe you're just the stereotype of an inconsistent man,

frail, unfinished, unable to build any relationship with a woman.

Do you want to spend your whole life on the run? Huh? Answer me please?

PAOLO: "On September 11th there was only one person I would have liked near me."

(SCREAM FROM THE TV)

GIULIO: "In the meantime she had arrived in our lives.

The first woman I've ever truly loved in my life. "

Let's go to the Panda. Where is the Panda? And the.

INSTRUCTOR: Go. Direct, hook, riser, go.

GIULIO: "Margherita took care of her body."

ANGELUCCI: We can't break the pacts my father made 60 years ago!

- Do you want to understand or not? - It's you who don't understand.

GIULIO: "And I from Anastasia SRL."

Either you "modernize" or you die.

But then, who is in charge of the company? Am I here or who?

You are there. I put you there, "my mortacci".

Because I'm not fine

if not with the fuck I was putting on you, do you understand it or not?

Shall we stop fighting?

We go out, give a kiss to grandpa.

Hello grandfather.

- Hello sweetheart. Do you go on horseback? - Yup.

Say hello to your father too.

Hi Dad. When are you coming to see me?

Next week I kept myself free on purpose. I promise.

- Okay. - Here we go.

- Hello. - Hello.

I have to go too.

We continue later, it goes. Hello.

Bye Bye.

RICCARDO: "We are touring Italy and wherever we go it is a tragedy,

our country, because of those who came before us,

today he is on his knees. "

Our children have no future.

RICCARDO: "The desire for real change suddenly exploded in the country."

I saw Italian families with my own eyes

going to eat at soup kitchens.

And I'm not talking about immigrants.

I'm talking about Italians like me, like you,

staring down, full of shame.

The shame we didn't deserve. The shame we don't deserve!

RICCARDO: "The Movement of Change was the movement of the people

who finally rebelled

and where I too would have made a difference. "

"We finally have the definitive results of the eighth municipality of Rome.

Let's see the screen together.

Surprisingly, the center-right candidate Boria comes first ... "

No!

JOURNALIST: "He was given at 35% compared to Morozzi,

of the Movement of Change that despite being ahead,

closes down by just one percentage point. "

I'm sorry, Riccardo, you had bad luck.

You took a real anal, Riccà.

PAOLO: So, guys, here we go, huh?

In a few days, maturity.

I am very calm. I know you will do well.

But I know you will do well for yourself.

Not to seek the approval and recognition of others, huh?

Who is a slave to the recognition of others lives under blackmail, is a victim,

because, sooner or later, there will always come a time

in which the recognition of others is no longer there.

So the easiest thing to do is blame everyone,

take it out on the whole world,

because they do not recognize what we are sure is due to us.

So, please,

look ahead and do not complain.

You are ready to take flight.

WOMAN: Good. MARGHERITA: Brava!

GIULIO: "Where he was no longer able to unite the marriage,

love for our daughter succeeded. "

(RING PHONE)

ANNA: "Yes, tell me." - Always me.

This is the third time you have called.

He's the one who doesn't want to talk to you, I told you.

RICCARDO: "Tomorrow I'll take a train and I'll come. I want to come and celebrate."

Bad idea. Don't you dare. You've never been there in his life anyway.

You took him to live in another fucking town!

Enough, you broke up.

Anna.

(SLACKS THE PHONE)

Morozzi, I'm twenty minutes late!

Today I'll sign them to you. But you wanna fucking wake up in the morning?

Get on that forklift, come on, come on. It's late.

Look, today is my son's birthday.

He doesn't live in Rome, I haven't seen him for three years.

- And what do you want? - A day off.

There are five trucks to load there.

Come on. Don't piss me off, go back to work, come on, please.

Come on, go back to work, Christ!

Morozzi, where are you going? Come back here. Fuck you, asshole, never come back!

(FATHER SPEAKS GERMAN)

- See you later. - See you later.

(FATHER SPEAKS GERMAN)

- Good morning. - Good morning.

RICCARDO: Arturo, it's me.

Happy Birthday my love. Madonna, how much have you grown.

Arturo, stop for a moment, can I talk to you?

We haven't celebrated your birthday together in three years, I'm here on purpose.

- Wait up. - Oh!

Love.

Don't believe all the things your mother told you.

You don't even have to name it.

ANNA: Oh!

What are you doing here?

Don't make a scene in front of everyone, please.

I told you not to come. Haven't I been clear enough?

You've been commanding me for ten years! Now stop.

Riccardo, go back to Rome! Call a taxi and go to the station now!

Arturo.

Get out, Riccardo!

Is this where you live? It's nice.

- Hey. - Go home, Arturo.

RICCARDO: Arturo.

Listen to me well, if you really care about him,

you make him celebrate his 16 years in peace and the party I organized for him, understand?

You haven't shown it to me in three years, always with some excuse.

Did I write jerk on my forehead?

Have you ever brought him a thought?

If you don't have a fuck to do in your life,

you can avoid coming here and poison ours.

And if you try to get in, I'll call the police too. Did you understand?

I stay here until you talk to me,

do you understand, Arturo?

Love, are you all right? Did you have fun, huh?

Arturo, where are you going?

Why are you still here?

You were taken away from me when you were four.

What was I supposed to do? Move here too?

True, I was not a father present.

And maybe I could have been closer to you even if we lived so far away.

I apologize for all the times I haven't been there.

You didn't even call me at Christmas.

I was ashamed.

I was ashamed of not being able to be a father.

Maybe someday you will understand how easy it is to make mistakes in life.

In fact, I hope you will never understand it.

Let's clear the past, start over.

Please, Arturo. I always think about you.

What do you say?

Your mother says you don't have to be here.

- We were just talking. - It's late. Go home.

Do you want to go to dinner? The two of us alone? Now?

- Look, forget it. - I asked my son.

I want him to answer me.

You better go.

It's better for everyone now.

- Hello. - Hello.

I love you, Arturo.

Love You so much.

Yes, but call me tonight, I'm at home anyway, I work late.

All right, see you later.

Giulio.

It's me.

Riccardo? It is you?

Yup.

How are you?

Were you on this train too?

Yes, where do you come from?

I went to celebrate my son,

now 16 years old.

Was Arturo 16 years old?

Do you remember what it's called?

Of course I remember his name.

We haven't been together with Anna for many years, instead.

He lives in Piacenza

and he has a new partner, in short.

He's doing pretty well too.

I'm happy for Arturo, at least he's doing well too.

What do they say in these cases?

Whoever does not die sees himself again.

And that it was better when ...

Blacks have music in their blood.

What happened to you? How long have I not seen you?

How are you? The family, your wife?

- Very well, I have a daughter. - Do you have a daughter?

- Yes, Sveva. - How old is he?

Nine years.

Nine years?

Time goes by, huh.

What do we do, we go out? Or are we going to get a pizza in Naples?

No, let's go.

And Paolo, do you still feel it?

Yes, we see each other practically always with Paolo.

Come on, what are you doing?

- Teach at Visconti now. - To the Visconti? Good boy.

- He made it. - Yup.

But what do you say if one day the three of us meet again, what do you think?

Why not? Maybe.

He'd like it too. He would never admit it, but I know it is.

Can I give you a lift?

No thanks. I've got the car right back here.

But, really, let's meet.

- Take my number. - Yup.

- 347646957. - Wait, won't you give it to me?

Slow down. 347?

- 646... - 646.

- 957. - 957.

I'll give you a ring, so ...

(MOBILE RING)

How to use.

I'm putting you under Survivor.

- I'll memorize you later. - Yup.

"I'm fine, Riccardi." - You too.

- I was glad to see you. - Me too.

I organize, huh? I organize.

- I recommend it. - To you. Hello.

DRIVER: Shall we go home, doctor?

At home, yes.

(MOBILE RING)

Sveva, love, tell me.

Where is Sveva?

- In your room, sir. - Thanks.

It's me.

(SVEVA CRIES)

Love. What happens?

Mom is still cheating on you, she never stopped seeing him.

(CRIES)

- What do you know about it? - Because I read the messages.

GEMMA: How did he do it?

Run, run, slow down, slow down.

LEONARDO: Instead he finished second.

GEMMA: I want to be Bob.

Maybe, a superhero.

Paolo.

- Hello. - Hello.

How are you?

Well, you?

Everything good. He is Leonardo. He is Paolo, a friend of mine.

- Nice to meet you, bye. - Nice to meet you Paolo.

Well? Coincidences.

I heard your voice.

Mom and I have known each other for many years, you know? We were more or less your age.

Sons? You are married? How are you? What are you doing?

No, no children, I'm not married.

I have my students.

Well, and those ...

they're important.

But I have only him, eh, Leonardo?

Next week he will leave with his father. For the first time he goes alone to the sea.

- And where are you going? - In Favignana, it is in Sicily.

You will like it so much, you will see.

I tell you something.

I took over the bar inside the Opera House.

I manage it all by myself. It's been three years now.

This is great news.

I do not know. However, they give me all the compliments.

They say I'm good, that ...

You look good.

Yup? Thanks.

However, when you want to come and see a ballet or a show, I wait for you.

I come there.

(TENOR SINGS)

(CHIRPING)

AUNT: Gemma, where are you going?

(APPLAUSE)

Why don't you tell your dad what happened at school?

You never tell him anything.

Sveva.

I have nothing to say.

Why are you doing so?

Did you hear what I said?

What can I say?

Which is my whole life with two parents

playing the part of the perfect family?

It makes me throw up your way of life.

Well now that I said how I feel

Are you better?

BAMBINO: Passala.

GIULIO: Madam? - Yup?

Excuse me.

I grew up in this house until 1986.

If I don't disturb her, can I show it to my daughter?

Dad, fuck, I asked you all the way!

- Wait a moment. - But really?

Yes, I grew up here.

Come on, come in.

- Thanks. - Come on.

- Permission. LADY: You're welcome.

- Pleasure, Ristuccia. - Adelmi.

Carlè, do you understand? This gentleman lived here before us.

- Pleasure. - Nice to meet you, Carletto. I am Giulio.

This is Sveva, my daughter.

- Pleasure. - Pleasure.

We have been here since '93.

Yes. The year my father died.

Can I show it to him?

And what should you ask me? You are welcome.

Don't get lost, huh?

This is the kitchen, which was also the living room, let's say.

This was my parents' room, over there was the bathroom.

Here my father slept and there the mother,

that then one morning we discovered it ...

died in her sleep.

And this was my bed until I was 18.

Now I sleep here.

Ah, do you sleep there? Look, this bed brings good luck, do you understand?

- Yes. - Do you understand?

- Yes. - Do you understand?

Yes. Hi, Carletto.

- Bye Bye. - Bye Bye.

Thank you very much, ma'am. Excuse the disorder.

For so little?

- Good day. - To her.

- To her. - See you later.

- Hi, Carletto. CARLETTO: Hi.

Do you know why I wanted to bring you here?

Because you think I don't know the world and that I'm spoiled.

Because this is where I come from.

It's only fair that you know who I was at your age.

Every corner of this courtyard has a story for me.

I preferred to spend the afternoons on this wall here.

In my house, things were resolved by straps.

My mother was afraid of her too.

Never compromise, Sveva, with anything or anyone.

Things have to be good for you, not for others.

You have this opportunity.

You are much luckier than you think. You understand it?

- Hi Dad'. - Hello sweetheart.

He's gone now.

Yes, I am at home.

GIULIO: Then you didn't stand me up.

Oh!

I already thought I was the only one who showed up.

And instead you found us both. But how nice that you came.

- Hi, Riccà. - Hi, Giulio.

Hi Paul.

- Then? - Are you OK.

Yes, you too. I find you fit.

Look how good it looks, all tight, huh

Look how happy Survivor is.

Of course I'm happy.

Now that we are all three together again I'm happy,

that I have to cry

- We sit down? - Come on, let's sit down. Enzuccio?

Enzo, can you bring us a bottle of good wine, please?

Do you have a Sassicaia? A Moreno ...

- A Moreno or a Montalcino. - Don't be sophisticated.

Now I'll take care of the wine.

He takes care of it.

- And in short? - Here we are.

Have you continued to see each other all these years?

Yes. We've seen a little less lately, let's say.

Survivor, it is possible that in 40 years of life one gets lost for a week.

It seems to me yesterday that we were always together,

stuck from morning to night.

To the things that make us feel good.

- Yeah. - The things that make us feel good.

- Yes. - What are you saying?

RICCARDO: I'm saying something very simple.

Did you get it? Not me.

Life expectancy has lengthened. We are fake fifties!

We are fake fifties

because our generation didn't take responsibility.

- Mah! - We act like kids.

Our generation found itself at the center

of an unprecedented socio-cultural metamorphosis.

He's right. Just think about the internet or alternative energies ...

Our generation doesn't leave a fuck behind, guys.

- What do we leave them to our children? - Go with this molasses.

This nihilistic molasses leads nowhere.

- It makes me furious. - What do I leave to my daughter?

The culture of possession, of appearance, of these fucking social networks.

But these fucking social networks have allowed a lot of people

- without voice ... - To do what?

- To give a fucking opinion. - But what opinion?

My daughter doesn't talk to me anymore, she doesn't even look me in the face anymore.

Send me the veneers.

Instead of crying, stop buying him these fucking cell phones

- when they are ten, 12 years old. - My daughter is 19.

When did you buy her first cell phone?

- Tell the truth. - 12 years old.

I agree, my wife gave it to him,

What are you doing, you isolate her from the world?

- I'm not saying that. - Come on!

And if there is one who cannot complain, it is you. You made the life you wanted.

I have led a life from which I did not have the courage to leave.

- It's different. - You led the life of a billionaire.

I too would not have the courage in your place

to walk away from this life suffocated by billions.

- Come on, down. - Please.

However Pure Pliny, 2,000 years ago, complained

of the fact that the young people of the time had no future, he saw everything black.

If Pliny had been right, humanity would have been extinct long ago.

Old people always broke the dick,

they have always spoken ill of young people

and the young people, at that point, is a wheel, they have spoken ill of the old.

But that's the truth.

Plinio tells him.

I refuse to be pessimistic.

And then I don't even have to try so hard, because I'm happy.

And I believe you.

GIULIO: I'm happy for you.

Then.

The scars are a sign that it has been tough.

The smile is the sign that we made it. The smile.

What movie is this?

- It's not a movie. - What is it?

Mother Teresa of Calcutta.

Brava.

To Mother Teresa of Calcutta, then. It's over. Enzuccio?

- Enzo? - You fell asleep?

Do the favor, get us another liter.

That we "drink it".

(They sing "LA SOCIETÀ DEI MAGNACCIONI")

(WHISTLE)

- Down. - Eh.

- There is a surprise. - What a surprise?

We cannot say, otherwise what a surprise is it?

Don't look at me, don't touch me, I swore, I can't tell you.

- Come on, what is it? RICCARDO: I can't speak.

(LAUGH)

GIULIO: Permission?

GEMMA: So it's true. All three together again?

But what wonder is this?

Giulio.

- Hello. - Hello.

How are you?

Everything good? How much time.

"Kill", here the only one who does not age is you.

- Yes. - No, he was already 20 years old.

Then it just stabilized.

Oh my God, I've got coffee on the fire. Come on, I have prepared some little thing.

PAOLO: Give me the jacket. GIULIO: Thanks.

Soon we are celebrating three years of marriage.

GEMMA: He only waited 20 years.

PAUL: They pass quickly, if you don't count them.

Bring us a drink, woman.

RICCARDO: Won't you kiss me?

So, Down?

What's up?

God, let me watch. How much time.

What have you been up to all these years?

Sorry, the sugar bowl.

What have I done?

I have thought about you a lot.

I've spent years regretting leaving you.

Yup.

Instead, I have always loved Paolo.

Even when I didn't know I loved him, I actually loved him already.

That's what happened then, right?

Here we are. We have moved.

Are we going to get drunk?

Guys, for not knowing how to read or write I have prepared two little things!

Shottini and coffee. Giulio?

PAOLO: Giulio? - Giulio, do you steal? Where are you?

(LAUGH)

GEMMA: Here you are.

What are you doing on New Year's Eve?

Because we organize a little thing on the terrace, let's see some fires.

You'll never come, will you?

Why not? I'm glad instead.

RICCARDO: Let's have another drink.

GEMMA: Love, come. - Hello to all.

RICCARDO: Hi, Leo.

- This is my son, Leonardo. - Hi, nice to meet you.

- Leonardo, nice to meet you. - Giulio.

I finally know the great Giulio, he's the one in the photo, isn't he?

Eh, it's him.

What a photo?

GIULIO: "Kill!"

GEMMA: We were all so hungry for life.

Then I wanted to show Giulio something else.

Who doesn't know I've set up a new dovecote.

GIULIO: No.

This is the garden of a small house that we took in Santa Severa.

From the bedroom you can only see the sea.

- Have you seen? - She got a certain one.

Are you sleepy?

- Here we go? - I would say, right?

Good night.

Good night.

See you on New Year's Eve.

- Gemmì, thank you. - Then we are waiting for you.

- Thanks again. - Hello.

Hello guys.

LEONARDO: Good night.

- Good night love. PAUL: Night.

Then?

What effect did it have on you?

We have been fine.

- Are you going this way too? - Yes, I have a car ...

- Me here, do you want a ride? - No thanks. I walk. Good night.

RICCARDO: Night, June.

I love you, Giuliè.

I love you too, Survivor.

Put it on the cupboard, let's go on.

Almost there, huh?

(BELL) Go, love, go open.

- Hi, Leo. LEONARDO: Welcome.

- Thanks. - How are you?

- Well, you? - Well.

- He is Arturo, my son. - Pleasure.

My pleasure. We finally know each other.

- This is our oil. Morozzi oil. - As usual.

Mom, Paolo, Riccardo is here. Look what brought us?

Morozzi oil.

RICCARDO: But most of all I brought you ...

- Arturo. - Arturino.

- Hello. - Gemma, look.

How nice you are.

I did it, huh?

My father has been talking to me about you all my life. I finally know you.

We had a head like this too, Arturo from here, Arturo from there.

Well.

- Of course you're the same. - True, huh?

- How are you Monsignor, all right? - Well.

Dad, do you like it? But Giulio? Where is my husband?

- He's out with his daughter. - Ah, thanks.

Giulio, Sveva, what are you doing out there? Come on, it's cold too. Come on.

Here we go?

Ten, nine, eight, seven,

six, five, four, three, two, one!

- Wishes. - Wishes.

- Wishes. - Happy New Year.

Greetings, Paolone.

Arturo, the barrels. Come.

But Riccardino?

Riccardino.

- Greetings, beautiful. - Greetings, Survivor.

- Come on. - Behind, behind.

Oh!

Eh!

- Certain. - Certain.

Oh!

Anger is like that,

as it comes, then it goes away.

I love you dad,

so well.

I love you so much too, Arthur.

Is this where the wine ended up?

Oh!

- Wishes. - Happy New Year.

Twist of the scene.

You weren't expecting that, huh?

We had given you up for missing.

It's half past midnight, Survivor.

- Wishes. - This is Sveva, my daughter.

- Hello everyone. - Nice to meet you, Riccardo.

GIULIO: Paolo.

- This is Gemma. - Hi, how beautiful you are.

I don't know them, best wishes to everyone. Giulio, Leonardo.

PAUL: Let's open this nectar.

RICCARDO: And Arturo. GIULIO: Arturo, how are you?

Pleased to meet you, Sveva.

I am Leonardo. Welcome.

Thanks.

What if it provides?

Well, I would say ...

TOGETHER: To the things that make us feel good.

(NOT AUDIBLE VOICES)