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1
00:00:03,536 --> 00:00:04,703
HEY, BABE.
2
00:00:04,771 --> 00:00:07,106
WELL, WELL, WELL.
3
00:00:07,173 --> 00:00:08,813
LOOK WHO'S HERE.
CAN'T BE MY WIFE.
4
00:00:10,210 --> 00:00:11,844
I MEAN,
SHE SOUNDS LIKE HER.
5
00:00:11,911 --> 00:00:13,645
[ SNIFFING ]
SHE SMELLS LIKE HER.
6
00:00:13,713 --> 00:00:16,348
OH, MY GOD, IT IS HER.
7
00:00:16,416 --> 00:00:18,117
STOP IT, MICHAEL.
8
00:00:18,184 --> 00:00:19,952
I WAS STUDYING.
TIME GOT AWAY FROM ME.
9
00:00:20,020 --> 00:00:22,855
OH, TIME GOT AWAY, HUH?
10
00:00:22,922 --> 00:00:24,390
[ CELLPHONE RINGS ]
11
00:00:24,457 --> 00:00:26,191
HOLD ON.
12
00:00:26,259 --> 00:00:28,594
HELLO?
SO IT DOES WORK!
13
00:00:30,330 --> 00:00:32,341
YOU KNOW WHAT, JAY?
I'M GONNA FORGIVE YOU.
14
00:00:32,365 --> 00:00:34,666
JUST GET DRESSED.
LET'S GO OUT ON OUR DINNER DATE.
15
00:00:34,734 --> 00:00:35,901
OOH. UH...
16
00:00:35,969 --> 00:00:37,336
UH?
UM...
17
00:00:37,404 --> 00:00:39,338
DON'T TELL ME YOU FORGOT.
IS IT DATE NIGHT AGAIN?
18
00:00:39,406 --> 00:00:41,473
JAY, YOU FORGOT AGAIN?!
19
00:00:41,541 --> 00:00:42,608
YOU FORGOT LAST WEEK.
20
00:00:42,675 --> 00:00:44,643
YOU CANCELED ON ME
THE WEEK BEFORE.
21
00:00:44,711 --> 00:00:47,112
I'M SORRY!
WHAT IS THIS, HUH?
22
00:00:47,180 --> 00:00:49,815
YOU KNOW, I WORK REALLY HARD
TO SET THESE THINGS UP.
23
00:00:49,883 --> 00:00:52,184
RESERVATIONS JUST DON'T
MAKE THEMSELVES, JAY.
24
00:00:52,252 --> 00:00:53,652
YOU GOT TO CALL IN ADVANCE,
25
00:00:53,720 --> 00:00:55,687
AND THEN I GO THROUGH
ALL THIS TROUBLE
26
00:00:55,755 --> 00:00:57,556
TO MAKE MYSELF LOOK GOOD
FOR YOU.
27
00:00:57,624 --> 00:00:59,892
I SHAVED MY HAIR,
I TOOK A SHOWER,
28
00:00:59,959 --> 00:01:02,628
AND DID YOU EVEN NOTICE
THAT THIS SHIRT IS NEW?
29
00:01:02,695 --> 00:01:04,063
NO.
30
00:01:04,130 --> 00:01:06,375
BECAUSE ALL YOU'RE THINKING
ABOUT IS THAT STUPID SCHOOL,
31
00:01:06,399 --> 00:01:07,977
AND IF YOU LOVE THE SCHOOL
SO MUCH,
32
00:01:08,001 --> 00:01:09,835
THEN WHY DON'T YOU MARRY IT?!
33
00:01:09,903 --> 00:01:11,270
ARE YOU SERIOUS?
34
00:01:11,337 --> 00:01:15,007
I'M NOT ONE OF YOUR BOOKS.
DON'T TOUCH ME.
35
00:01:15,075 --> 00:01:17,242
OKAY, I'M SORRY.
36
00:01:17,310 --> 00:01:19,445
I'VE BEEN STUDYING
EXTRA HARD, MICHAEL,
37
00:01:19,512 --> 00:01:22,381
'CAUSE IT'S FINAL-EXAM TIME,
AND YOU KNOW WHAT, MICHAEL?
38
00:01:22,449 --> 00:01:24,550
I THINK PROFESSOR TILLMAN
HAS IT IN FOR ME.
39
00:01:24,617 --> 00:01:27,119
NOW, WHY WOULD HE
JUST SINGLE YOU OUT? SEE?
40
00:01:27,187 --> 00:01:28,487
IT'S SOMETHING SILLY,
41
00:01:28,555 --> 00:01:31,156
SOMETHING THAT HE MIGHT
HAVE EVEN OVERHEARD ME SAY
42
00:01:31,224 --> 00:01:32,558
ABOUT HIS MASTER THESIS.
43
00:01:32,625 --> 00:01:34,993
WHAT DID YOU SAY?
NOTHING. NOTHING.
44
00:01:35,061 --> 00:01:37,129
ALL I SAID WAS,
IT WAS A POORLY WRITTEN
45
00:01:37,197 --> 00:01:38,730
UNSUBSTANTIATED
PIECE OF CRAP.
46
00:01:38,798 --> 00:01:40,332
THAT'S IT?
YEAH!
47
00:01:40,400 --> 00:01:41,767
AND HE GOT UPSET ABOUT THAT?
48
00:01:41,835 --> 00:01:44,002
SEE?
HOW OVERLY SENSITIVE.
49
00:01:44,070 --> 00:01:45,804
I KNOW.
HE'S SUCH AN EGOMANIAC.
50
00:01:45,872 --> 00:01:48,407
HE'S EVEN TRYING TO GET
A LIBRARY BUILT IN HIS NAME.
51
00:01:48,475 --> 00:01:49,808
[ CHUCKLES ]
52
00:01:49,876 --> 00:01:51,276
I KNOW, IT'S A TRIP.
53
00:01:51,344 --> 00:01:53,145
YEAH, BUT YOU KNOW WHAT?
WHAT?
54
00:01:53,213 --> 00:01:54,313
I DON'T CARE.
55
00:01:54,380 --> 00:01:56,748
I DON'T CARE
ABOUT YOUR SCHOOL.
56
00:01:56,816 --> 00:01:58,417
I DON'T CARE
ABOUT YOUR TEACHER.
57
00:01:58,485 --> 00:02:00,486
I DON'T CARE IF YOU PASS
OR FAIL THE TEST.
58
00:02:00,553 --> 00:02:04,389
ALL I CARE ABOUT IS YOU SPENDING
SOME QUALITY TIME WITH ME!
59
00:02:04,457 --> 00:02:06,297
I DON'T EVEN KNOW
WHERE WE'RE AT
60
00:02:06,326 --> 00:02:09,161
IN THIS RELATIONSHIP
ANYMORE, JAY!
61
00:02:09,229 --> 00:02:11,196
SO YOU NEED TO REASSURE ME!
62
00:02:13,833 --> 00:02:15,734
MICHAEL, FINE.
63
00:02:15,802 --> 00:02:17,482
ALL RIGHT, ALL RIGHT,
ALL RIGHT.
64
00:02:17,537 --> 00:02:20,005
I'LL GO CHANGE IF
IT'S THAT IMPORTANT TO YOU.
65
00:02:20,073 --> 00:02:22,207
IT IS.
OKAY.
66
00:02:22,275 --> 00:02:23,953
FINE, I'LL...
FIVE MINUTES, OKAY?
67
00:02:23,977 --> 00:02:25,617
JUST GIVE ME FIVE
LITTLE MINUTES.
68
00:02:25,645 --> 00:02:28,624
HURRY BECAUSE I NEED
YOU. OKAY, I WILL. I'M GOING.
69
00:02:28,648 --> 00:02:32,985
HEY, WAIT, COULD YOU COME
AND HUG ME SO WE CAN RECONNECT?
70
00:02:33,052 --> 00:02:34,453
I NEED THAT.
71
00:02:34,521 --> 00:02:36,788
OKAY, I'M COMING, MICHAEL.
72
00:02:40,860 --> 00:02:43,395
OKAY.
NO, NO, NOT YET.
73
00:02:46,633 --> 00:02:48,567
[ DOORBELL RINGS ]
74
00:02:48,635 --> 00:02:50,035
HI, FRANKLIN.
75
00:02:50,103 --> 00:02:51,737
HELLO, MY PEACH.
76
00:02:51,804 --> 00:02:52,971
[ DOOR CLOSES ]
77
00:02:53,039 --> 00:02:54,840
WHO IS THAT?
78
00:02:54,908 --> 00:02:56,475
THIS IS MY FRIEND EMERSON.
79
00:02:56,543 --> 00:03:00,679
AH, NAMED AFTER THE POET
RALPH WALDO EMERSON, I PRESUME?
80
00:03:00,747 --> 00:03:02,814
WHY, YES.
MY PARENTS LOVED HIM.
81
00:03:02,882 --> 00:03:05,951
THEY JUST DIDN'T THINK
RALPH OR WALDO SUITED ME.
82
00:03:06,019 --> 00:03:07,586
[ LAUGHTER ]
83
00:03:07,654 --> 00:03:09,821
I DON'T KNOW.
YOU LOOK LIKE A WALDO TO ME.
84
00:03:09,889 --> 00:03:12,257
[ LAUGHS ]
85
00:03:17,530 --> 00:03:18,997
O-KAY.
86
00:03:19,065 --> 00:03:20,465
WE WERE JUST PAINTING.
87
00:03:20,533 --> 00:03:24,436
WOW, THIS IS MAGNIFICENT.
I LOVE YOUR PALETTE.
88
00:03:24,504 --> 00:03:27,539
I SEE SOMEONE HAS BEEN HEAVILY
INFLUENCED BY VAN GOGH.
89
00:03:27,607 --> 00:03:29,174
HEY! HEY! HEY, LOOK AT MINE.
90
00:03:29,242 --> 00:03:32,144
LOOK, I PAINTED SOMETHING,
TOO, FRANKLIN.
91
00:03:32,212 --> 00:03:34,680
WHAT A FANTASTIC ARMADILLO.
92
00:03:36,015 --> 00:03:39,017
IT'S A SELF-PORTRAIT!
93
00:03:39,085 --> 00:03:42,321
[ WHIMPERS ]
AWKWARD MOMENT.
94
00:03:42,388 --> 00:03:43,989
PREGNANT PAUSE.
95
00:03:44,057 --> 00:03:47,025
ANYHOO, ARE YOU READY
FOR YOUR PIANO LESSON?
96
00:03:47,093 --> 00:03:50,996
NO, I'M AFRAID MY ARMADILLO
CLAWS MIGHT SCRATCH THE KEYS.
97
00:03:51,064 --> 00:03:54,166
WHY, DON'T TELL ME YOU FIDDLE
WITH THE OLD 88s.
98
00:03:54,234 --> 00:03:56,802
CARE TO JOIN ME
FOR A [PLAYS NOTES]
99
00:03:56,869 --> 00:03:58,637
IMPROMPTU CONCERTO?
100
00:03:58,705 --> 00:04:00,839
INDUBITABLY.
101
00:04:00,907 --> 00:04:03,342
[ PIANO PLAYS ]
102
00:04:14,454 --> 00:04:17,122
SEE, ISN'T IT NICE
JUST TO SPEND AN HOUR
103
00:04:17,190 --> 00:04:20,092
NOT TALKING ABOUT
YOUR STUPID HOPES AND DREAMS?
104
00:04:20,159 --> 00:04:22,828
YOU ARE JOKING, RIGHT?
105
00:04:22,895 --> 00:04:24,496
OF COURSE I'M JOKING.
106
00:04:24,564 --> 00:04:25,831
I'M PROUD OF YOU, BABY,
107
00:04:25,898 --> 00:04:27,899
AND I JUST KNOW THAT
YOU'RE GONNA ACE THIS TEST.
108
00:04:27,967 --> 00:04:29,401
THANK YOU.
109
00:04:29,469 --> 00:04:31,714
YOU KNOW WHAT? I DON'T WANT
TO TALK ABOUT THAT ANYMORE.
110
00:04:31,738 --> 00:04:33,215
WHAT DO YOU WANT
TO TALK ABOUT?
111
00:04:33,239 --> 00:04:35,841
I WANT TO TALK ABOUT
WHY YOU LOVE ME SO MUCH.
112
00:04:35,908 --> 00:04:38,543
I MEAN, WHAT IS IT
YOU LIKE ABOUT ME THE MOST?
113
00:04:38,611 --> 00:04:40,245
DUCK!
MY DUCK?
114
00:04:40,313 --> 00:04:41,724
IS THAT WHAT YOU CALL
THE THING?
115
00:04:41,748 --> 00:04:44,816
No, Michael, duck!
Duck, it's Professor Tillman!
116
00:04:44,884 --> 00:04:46,495
HIM? Yeah, making
the busboy cry.
117
00:04:46,519 --> 00:04:47,953
Look!
118
00:04:48,021 --> 00:04:50,099
WELL, BABY, THEN THIS IS
THE PERFECT OPPORTUNITY
119
00:04:50,123 --> 00:04:51,567
TO SMOOTH OUT
YOUR DIFFERENCES.
120
00:04:51,591 --> 00:04:54,459
NO, NO! HEY, PROFESSOR
TILLMAN, OVER HERE.
121
00:04:54,527 --> 00:04:56,295
YES, MAY I HELP YOU?
122
00:04:56,362 --> 00:04:58,063
UH, YEAH.
123
00:04:58,131 --> 00:04:59,398
UM, LISTEN.
124
00:04:59,465 --> 00:05:01,500
MY NAME IS MICHAEL KYLE,
125
00:05:01,567 --> 00:05:03,769
AND YOU MIGHT KNOW
MY WIFE, JANET.
126
00:05:03,836 --> 00:05:05,103
HI, PROFESSOR TILLMAN.
127
00:05:05,171 --> 00:05:06,215
SHE'S ONE OF YOUR STUDENTS.
128
00:05:06,239 --> 00:05:08,840
OH, MRS. KYLE.
YEAH, MRS. KYLE.
129
00:05:08,908 --> 00:05:10,876
I DO HOPE YOU'RE STUDYING
UNDER THERE.
130
00:05:10,943 --> 00:05:12,878
YEAH, THAT'S RIGHT.
131
00:05:12,945 --> 00:05:17,015
PROFESSOR, MY WIFE IS
UNDER THE SILLY IMPRESSION
132
00:05:17,083 --> 00:05:19,718
THAT YOU'RE HOLDING SOME
SORT OF GRUDGE AGAINST HER.
133
00:05:19,786 --> 00:05:22,020
[ Chuckling ]
OH, WHY WOULD I DO THAT?
134
00:05:22,088 --> 00:05:23,588
THAT'S WHAT I SAID.
135
00:05:23,656 --> 00:05:27,192
I MEAN [CHUCKLES] JUST BECAUSE
SHE CALLED MY BRILLIANT THESIS,
136
00:05:27,260 --> 00:05:30,329
WHICH I WORKED ON FOR FIVE YEARS
AND DEDICATED TO MY MOTHER,
137
00:05:30,396 --> 00:05:32,297
GOD REST HER SOUL,
138
00:05:32,365 --> 00:05:34,766
A POORLY WRITTEN,
UNSUBSTANTIATED PIECE OF CRAP!
139
00:05:36,369 --> 00:05:37,969
AWKWARD MOMENT.
140
00:05:39,639 --> 00:05:42,074
YES, WELL, I WISH I COULD
SAY IT WAS A PLEASURE,
141
00:05:42,141 --> 00:05:43,475
BUT I CAN'T.
142
00:05:43,543 --> 00:05:45,544
WAIT, WAIT, WAIT,
PROFESSOR.
143
00:05:45,611 --> 00:05:47,512
WAIT. Get away.
144
00:05:47,580 --> 00:05:49,124
Didn't you cause enough trouble?
145
00:05:49,148 --> 00:05:51,850
Just go on and sit down.
146
00:05:51,918 --> 00:05:55,987
UH, PROFESSOR, CAN'T WE PUT
THIS LITTLE ACRIMONY BEHIND US
147
00:05:56,055 --> 00:05:58,156
AND BURY THE HATCHET?
148
00:05:58,224 --> 00:06:00,759
MRS. KYLE, MAY I
SPEAK FRANKLY? YES.
149
00:06:00,827 --> 00:06:03,261
YOU KNOW, I GET A LOT OF
BORED HOUSEWIVES IN MY CLASS,
150
00:06:03,329 --> 00:06:05,664
AND THEY TAKE UP SEATS
THAT COULD BE BETTER OCCUPIED
151
00:06:05,732 --> 00:06:06,965
BY PEOPLE WITH MORE PROMISE.
152
00:06:07,033 --> 00:06:09,034
SO GOOD EVENING.
153
00:06:10,670 --> 00:06:11,803
I'M DOOMED.
154
00:06:11,871 --> 00:06:13,582
NOT IF I CAN HELP IT,
JAY.
155
00:06:13,606 --> 00:06:16,475
THAT MAN INSULTED ME
WHEN HE INSULTED YOU,
156
00:06:16,542 --> 00:06:19,978
AND NOBODY STEPS ON
YOUR HOPES AND DREAMS BUT ME.
157
00:06:21,848 --> 00:06:24,816
YOU'RE GONNA ACE THAT TEST
IF IT KILLS YOU.
158
00:06:24,884 --> 00:06:27,052
AND HOW AM I SUPPOSED
TO DO THAT, MICHAEL?
159
00:06:27,120 --> 00:06:29,080
BECAUSE I'M GONNA
BE YOUR STUDY BUDDY,
160
00:06:29,122 --> 00:06:30,355
AND I'M GONNA TUTOR YOU.
161
00:06:30,423 --> 00:06:31,823
WE'LL SHOW HIM.
162
00:06:33,493 --> 00:06:36,027
GOOD MORNING,
MY FAVORITE STUDENT.
163
00:06:36,095 --> 00:06:38,663
CLASS IS NOW IN SESSION.
164
00:06:38,731 --> 00:06:41,800
I'VE BEEN UP ALL NIGHT
STUDYING ON PSYCHOLOGY,
165
00:06:41,868 --> 00:06:43,769
AND I'M HERE TO EDUCATE YOU.
166
00:06:43,836 --> 00:06:45,904
OKAY, IN ONE NIGHT,
YOU LEARNED EVERYTHING
167
00:06:45,972 --> 00:06:47,706
THERE IS TO KNOW
ABOUT PSYCHOLOGY?
168
00:06:47,774 --> 00:06:50,175
SEE, THAT KIND OF CYNICISM
IS DEMONSTRATIVE
169
00:06:50,243 --> 00:06:52,811
OF YOUR LACK OF TRUST
IN MY TEACHING ABILITIES.
170
00:06:52,879 --> 00:06:54,079
YOU'RE ABSOLUTELY RIGHT.
171
00:06:54,147 --> 00:06:55,791
I DO NOT TRUST
YOUR TEACHING ABILITIES.
172
00:06:55,815 --> 00:06:57,015
YOU KNOW WHAT?
173
00:06:57,083 --> 00:06:59,451
FREUD SAYS THAT
THAT'S YOUR INNER CHILD
174
00:06:59,519 --> 00:07:02,921
WANTING ME TO TAKE YOU UPSTAIRS
AND SPANK YOUR LITTLE HEINIE.
175
00:07:04,557 --> 00:07:06,491
MICHAEL, PLEASE!
DON'T BEG.
176
00:07:06,559 --> 00:07:08,370
YOU'RE GONNA HAVE TO EARN
THAT HEINIE SPANKING.
177
00:07:08,394 --> 00:07:10,395
PAT, BING!
178
00:07:10,463 --> 00:07:14,800
NOW, I'VE DEVELOPED A SYSTEM
TO MAKE THIS FUN FOR YOU.
179
00:07:14,867 --> 00:07:17,169
INSTEAD OF STUDYING
PSYCHOLOGY,
180
00:07:17,236 --> 00:07:19,538
WE'RE GONNA STUDY
181
00:07:19,605 --> 00:07:22,441
SIGHT-KYLE-OGY.
182
00:07:22,508 --> 00:07:26,978
SEE THAT?
SIGHT... KYLE... OGY.
183
00:07:27,046 --> 00:07:29,981
YES, YES, I SEE IT,
BUT WHAT IN THE HELL IS IT?
184
00:07:30,049 --> 00:07:33,452
I'M GLAD YOU ASKED, AND NO BAD
WORDS IN MY CLASS, OKAY?
185
00:07:33,519 --> 00:07:35,720
NOW, I'VE TAKEN
ALL YOUR NOTES,
186
00:07:35,788 --> 00:07:38,423
AND I'VE INCORPORATED THEM
INTO...
187
00:07:38,491 --> 00:07:39,925
FLASH CARDS!
188
00:07:39,992 --> 00:07:41,827
FLASH CARDS, MICHAEL?
WHAT AM I, A CHILD?
189
00:07:41,894 --> 00:07:45,130
FLASH CARDS DON'T WORK ON ME.
I'M NOT A VISUAL PERSON.
190
00:07:45,198 --> 00:07:47,666
YEAH, WELL, I BET
YOU CAN VISUALIZE YOURSELF
191
00:07:47,733 --> 00:07:49,301
GETTING AN "A" ON THAT EXAM,
192
00:07:49,368 --> 00:07:52,671
AND I BET YOU CAN PICTURE
MR. TILLMAN'S FACE EATING CROW,
193
00:07:52,738 --> 00:07:55,507
AND I KNOW THAT YOU CAN
IMAGINE ME UPSTAIRS
194
00:07:55,575 --> 00:07:57,676
SPANKING THAT LITTLE HEINIE
TILL IT TALKS.
195
00:07:57,743 --> 00:07:59,344
ALL RIGHT...
196
00:07:59,412 --> 00:08:03,982
JUST... SHOW ME
THE FLASH CARDS, OKAY?
197
00:08:04,050 --> 00:08:08,653
NOW, THE FIRST QUESTION IS,
WHO DEVELOPED THE INKBLOT TEST?
198
00:08:08,721 --> 00:08:11,256
[ GROANS ] UH...
199
00:08:11,324 --> 00:08:13,992
OKAY, MAYBE THIS WILL HELP.
200
00:08:14,060 --> 00:08:15,961
HUH, LOOK AT THAT.
BA-BA.
201
00:08:16,028 --> 00:08:17,863
COME ON, SPIT IT OUT.
BA-BA.
202
00:08:17,930 --> 00:08:19,865
OKAY, LET ME TRY IT!
203
00:08:19,932 --> 00:08:22,300
LION O'NEAL.
204
00:08:22,368 --> 00:08:25,403
LION... RYAN... RYAN O'NEAL
DID THE INKBLOT TEST?
205
00:08:25,471 --> 00:08:26,505
NO.
206
00:08:26,572 --> 00:08:29,441
WHAT IS THE LION DOING?
ROAR!
207
00:08:29,509 --> 00:08:30,976
AHHHH!
208
00:08:31,043 --> 00:08:33,144
ROAR!
209
00:08:33,212 --> 00:08:34,612
ROARING.
YES.
210
00:08:34,647 --> 00:08:36,358
AND WHO'S THIS GUY?
WHAT'S HIS FIRST NAME?
211
00:08:36,382 --> 00:08:37,649
GIVE ME HIS FIRST NAME.
SHAQ.
212
00:08:37,717 --> 00:08:39,317
YES.
NOW PUT IT ALL TOGETHER.
213
00:08:39,385 --> 00:08:40,852
ROAR! UGH!
214
00:08:40,920 --> 00:08:42,754
RORSCHACH.
RORSCHACH!
215
00:08:42,822 --> 00:08:45,323
YES!
I KNOW THAT ONE.
216
00:08:45,391 --> 00:08:48,693
SEE HOW SIGHT-KYLE-OGY...
217
00:08:48,761 --> 00:08:50,762
SIGHT-KYLE-OGY WORKS?
218
00:08:50,830 --> 00:08:52,797
YES, OKAY, JUST GIVE ME
ANOTHER ONE, PLEASE.
219
00:08:52,865 --> 00:08:55,210
OKAY, YOU WANT TO HOLD
ONTO THIS? NO, I DO NOT.
220
00:08:55,234 --> 00:08:56,645
JUST GIVE ME ANOTHER ONE,
PLEASE.
221
00:08:56,669 --> 00:08:57,969
ARE YOU FEELING THIS?
222
00:08:58,037 --> 00:09:01,373
I DON'T KNOW WHAT I'M FEELING
RIGHT NOW, MICHAEL.
223
00:09:01,440 --> 00:09:04,309
WHAT IS THE FEAR OF SPIDERS?
224
00:09:04,377 --> 00:09:07,012
OH, SHOOT.
THAT'S ON THE TIP OF MY TONGUE.
225
00:09:07,079 --> 00:09:08,547
TICK... TICK...
THAT'S EASY.
226
00:09:08,614 --> 00:09:11,016
COME ON, WOULD YOU STOP THAT?
TICK! TICK! TICK! TICK! TICK!
227
00:09:11,083 --> 00:09:13,652
OKAY, NOW, LOOK AT THAT.
228
00:09:13,719 --> 00:09:14,786
UM...
229
00:09:14,854 --> 00:09:16,755
COME ON,
PUT IT ALL TOGETHER.
230
00:09:16,822 --> 00:09:19,658
BABY, CAN YOU PLEASE
GIVE ME A SECOND?
231
00:09:19,725 --> 00:09:23,328
A-BREAST-NO-SADDAM-BEE-A.
232
00:09:23,396 --> 00:09:25,530
A-BREAST-NO-SADDAM-BEE-A!
233
00:09:27,567 --> 00:09:30,435
A-BREAST-NO-SADDAM-BEE-A?
COME... NO.
234
00:09:30,503 --> 00:09:33,305
THAT'S WHAT'S RIGHT THERE
ON THE DUMB FLASH CARDS.
235
00:09:33,372 --> 00:09:34,673
NO, LOOK.
236
00:09:34,740 --> 00:09:37,542
A-RACK... HUH?
237
00:09:37,610 --> 00:09:40,412
NO...
MNH-MNH-MNH.
238
00:09:40,479 --> 00:09:43,548
FOE... BECAUSE HE'S BEEN
AMERICA'S FOE.
239
00:09:43,616 --> 00:09:45,517
BEE... BZZ... AH.
240
00:09:45,585 --> 00:09:47,195
NOW YOU JUST PUT IT
ALL TOGETHER.
241
00:09:47,219 --> 00:09:50,055
ARACHNOPHOBIA.
242
00:09:50,122 --> 00:09:51,456
YES.
243
00:09:51,524 --> 00:09:54,192
SEE, THAT'S SIGHT-KYLE-OGY
AT ITS BEST.
244
00:09:54,260 --> 00:09:55,527
SIGHT-KYLE-OGY.
245
00:09:55,595 --> 00:09:57,039
HERE, YOU WANT
TO HOLD ONTO THIS?
246
00:09:57,063 --> 00:09:58,463
NO, I DON'T WANT TO...
247
00:10:02,501 --> 00:10:04,603
OKAY, THIS ONE'S
GONNA BE REALLY EASY.
248
00:10:04,670 --> 00:10:07,706
IF YOU CAN'T GET THIS, YOU'RE
JUST PLAIN OLD STUPID, OKAY?
249
00:10:07,773 --> 00:10:11,376
THESE ARE THE FIVE STAGES
OF GRIEF.
250
00:10:11,444 --> 00:10:13,244
HUH? LOOK AT THAT.
251
00:10:13,312 --> 00:10:15,714
WHAT IS THAT RIGHT THERE?
252
00:10:15,781 --> 00:10:18,450
YOU SAID IT WAS
GONNA BE EASY, MICHAEL!
253
00:10:18,517 --> 00:10:20,652
SEE, ANGER?
LOOK AT THE BEAR'S EYES.
254
00:10:20,720 --> 00:10:23,321
HE'S ANGRY.
"WHO STOLE MY HONEY?"
255
00:10:26,292 --> 00:10:27,292
WHAT'S UP, BABY?
256
00:10:27,326 --> 00:10:28,326
HERE'S THE MAIL.
257
00:10:28,361 --> 00:10:29,894
ANYTHING INTERESTING?
NO.
258
00:10:29,962 --> 00:10:31,363
I LOOKED THROUGH IT.
259
00:10:31,430 --> 00:10:33,665
NO SALES,
NO FREE TRIPS TO ANY SPAS,
260
00:10:33,733 --> 00:10:35,033
NO PRODUCT GIVEAWAYS.
261
00:10:35,101 --> 00:10:37,869
JUST THESE LIFE-CHANGING
TEST RESULTS FOR MOM.
262
00:10:37,937 --> 00:10:40,105
GIRL, GIVE ME THAT.
[ LAUGHS ]
263
00:10:40,172 --> 00:10:41,539
THANK GOD THEY CAME.
264
00:10:41,607 --> 00:10:43,847
NOW SHE CAN STOP ACTING SO
SELF-CENTERED AND OBSESSIVE.
265
00:10:43,876 --> 00:10:45,076
I MEAN, THIS PAST WEEK,
266
00:10:45,144 --> 00:10:47,312
EVERYTHING'S BEEN ABOUT
THIS SILLY, LITTLE TEST.
267
00:10:47,380 --> 00:10:49,481
MEANWHILE, I'M DEALING
WITH BAD-HAIR DAYS,
268
00:10:49,548 --> 00:10:51,182
A MANICURIST
THAT'S OUT OF TOWN,
269
00:10:51,250 --> 00:10:52,951
AND I JUST NOTICED
ONE OF MY EYES
270
00:10:53,019 --> 00:10:54,285
IS BIGGER THAN THE OTHER ONE.
271
00:10:54,353 --> 00:10:56,721
SEE?
272
00:10:56,789 --> 00:10:58,289
WOW.
273
00:10:58,357 --> 00:11:00,759
IT'S A GOOD THING YOU'RE NOT
OBSESSIVE LIKE YOUR MOTHER.
274
00:11:00,826 --> 00:11:01,960
I KNOW.
275
00:11:02,028 --> 00:11:03,428
HMM.
276
00:11:03,496 --> 00:11:05,397
BOY, I WISH I COULD
OPEN THIS UP,
277
00:11:05,464 --> 00:11:07,042
BUT SHE'D PROBABLY KILL ME,
WOULDN'T SHE?
278
00:11:07,066 --> 00:11:08,733
YEP, SHE SURE WOULD.
279
00:11:08,801 --> 00:11:11,236
YEAH, MAYBE I SHOULD JUST
WAIT AND LET HER OPEN IT.
280
00:11:11,303 --> 00:11:13,405
OR YOU COULD STEAM IT OPEN
LIKE I DO YOUR STUFF.
281
00:11:13,472 --> 00:11:17,409
BY THE WAY, YOU GOT A REALLY
GOOD PRICE ON THIS HOUSE.
282
00:11:17,476 --> 00:11:20,111
CLAIRE, DO YOU KNOW
THAT IT IS A FEDERAL CRIME
283
00:11:20,179 --> 00:11:22,180
TO OPEN UP A PERSON'S
PRIVATE MAIL?
284
00:11:22,248 --> 00:11:23,448
WHAT ABOUT READING POSTCARDS?
285
00:11:23,516 --> 00:11:24,949
THAT'S A MISDEMEANOR, POPEYE.
286
00:11:25,017 --> 00:11:26,251
[ GASPS ]
287
00:11:26,318 --> 00:11:28,163
[ Imitating Popeye ]
YOU AMS WHAT YOU AMS.
288
00:11:28,187 --> 00:11:29,954
HEH HEH HEH HEH!
289
00:11:33,459 --> 00:11:36,494
[ HUMMING ]
290
00:11:36,562 --> 00:11:38,229
Janet:
WHAT ARE YOU DOING?
291
00:11:38,297 --> 00:11:39,864
OH, MY GOSHK, IT'S OLIVE.
292
00:11:39,932 --> 00:11:42,267
CAUGHT RED-HANDED,
HOW EMBARASSKING.
293
00:11:42,334 --> 00:11:43,768
ARE THOSE MY TEST RESULTS?
294
00:11:43,836 --> 00:11:45,514
[ Normal voice ] THESE
IN MY HAND? YES.
295
00:11:45,538 --> 00:11:47,706
HOW'D THEY GET...
HOW'D THEY GET OVER THE STEAMER?
296
00:11:47,773 --> 00:11:48,940
THIS HOUSE IS CRAZY.
297
00:11:49,008 --> 00:11:50,875
CLAIRE'S EYES
ARE GETTING BIGGER,
298
00:11:50,943 --> 00:11:53,178
AND EVERYTHING IS JUST CRAZY
AROUND HERE.
299
00:11:54,747 --> 00:11:57,315
HOW'D WE DO, HUH?
HOW'D WE DO, HUH?
300
00:11:57,383 --> 00:11:59,584
DID YOU GET AN "A"?
[ LAUGHS ]
301
00:11:59,652 --> 00:12:00,985
IS HE GONNA BE EATING CROW?
302
00:12:01,053 --> 00:12:02,921
AM I GONNA BE SPANKING
THAT HEINIE?
303
00:12:02,988 --> 00:12:05,557
NO, I'M GONNA BE KICKING YOURS.
I GOT AN "F."
304
00:12:05,624 --> 00:12:07,025
AN "F"?
YES.
305
00:12:07,093 --> 00:12:08,326
HOW'D YOU GET AN "F"?
306
00:12:08,394 --> 00:12:10,795
JAY, WHAT DID YOU DO
TO MY SIGHT-KYLE-OGY?
307
00:12:10,863 --> 00:12:12,330
WHAT DID I DO?
308
00:12:12,398 --> 00:12:14,165
I LISTENED TO IT, MICHAEL.
309
00:12:14,233 --> 00:12:16,868
AND YOU'RE MAD AT ME?
GIRL, I DON'T UNDERSTAND THIS.
310
00:12:16,936 --> 00:12:18,903
YOU'RE RIGHT.
LET ME BREAK IT DOWN FOR YOU.
311
00:12:18,971 --> 00:12:20,982
LET ME GIVE YOU A LITTLE
PSYCHOLO-JAY, OKAY?
312
00:12:21,006 --> 00:12:25,443
LET ME BREAK IT ON DOWN 'CAUSE,
SEE, YOU JUST RIGHT HERE.
313
00:12:25,511 --> 00:12:29,748
YOU NEED TO... SINCE YOU WANT
TO BE SO HELPFUL.
314
00:12:31,951 --> 00:12:35,286
LET'S SEE.
BOOT-LOCK.
315
00:12:35,354 --> 00:12:37,088
BOOT-LOCK.
NO.
316
00:12:37,156 --> 00:12:40,225
OKAY, LET ME SEE THIS.
BOOT PLUS "E."
317
00:12:40,292 --> 00:12:41,993
THAT'S BOOT-E,
318
00:12:42,061 --> 00:12:44,229
AND A LOCK
WITH AN ARROW GOING DOWN.
319
00:12:44,296 --> 00:12:46,364
BOOT-E ON LOCKDOWN.
BOOTY ON LOCKDOWN!
320
00:12:46,432 --> 00:12:47,599
GOT IT!
321
00:12:47,666 --> 00:12:50,435
NO. YOU'RE NOT GETTING IT...
AT ALL.
322
00:12:50,503 --> 00:12:51,983
MICHAEL,
THIS WAS IMPORTANT TO ME,
323
00:12:52,037 --> 00:12:54,205
AND YOU TURNED IT INTO
ONE OF YOUR LITTLE CRUSADES,
324
00:12:54,273 --> 00:12:55,717
AND IN THE PROCESS,
IT COST ME
325
00:12:55,741 --> 00:12:57,652
EVERYTHING THAT I'VE BEEN
WORKING SO HARD FOR.
326
00:12:57,676 --> 00:13:00,145
THANKS.
THANKS A LOT.
327
00:13:03,115 --> 00:13:05,183
WHAT AN INGRATE.
328
00:13:07,353 --> 00:13:10,522
[ DOORBELL RINGS ]
329
00:13:10,589 --> 00:13:13,024
HELLO, MY LITTLE CHERUB.
330
00:13:13,092 --> 00:13:14,826
HELLO, FRANKLIN.
331
00:13:17,763 --> 00:13:19,798
WHY ARE YOU
WEARING GLASSES?
332
00:13:19,865 --> 00:13:21,699
I'VE ALWAYS WORN GLASSES...
333
00:13:21,767 --> 00:13:23,468
LIKE ALL INTELLECTUALS.
334
00:13:23,536 --> 00:13:26,171
YOU KNOW, I JUST DON'T
ALWAYS WEAR THEM.
335
00:13:26,238 --> 00:13:28,038
YOU ARE ENDLESSLY
FASCINATING.
336
00:13:28,073 --> 00:13:30,308
I LEARN SOMETHING NEW
ABOUT YOU EVERY DAY.
337
00:13:30,376 --> 00:13:32,811
I SUPPOSE THAT'S TRUE.
338
00:13:32,878 --> 00:13:33,912
OW.
339
00:13:33,979 --> 00:13:35,113
ARE YOU OKAY?
340
00:13:35,181 --> 00:13:36,414
FINE, THANK YOU.
341
00:13:36,482 --> 00:13:38,716
SO WHAT ARE YOU UP TO TODAY?
342
00:13:38,784 --> 00:13:41,119
JUST FINISHING UP
ONE OF MY NEW PAINTINGS.
343
00:13:42,688 --> 00:13:44,656
THAT LOOKS LIKE A DOILY.
344
00:13:45,858 --> 00:13:48,159
OH. IT IS.
345
00:13:48,227 --> 00:13:50,495
HERE'S MY PAINTING.
346
00:13:50,563 --> 00:13:53,765
AS YOU CAN SEE, I WAS
GREATLY FLUENCED BY "MONETTE."
347
00:13:53,833 --> 00:13:55,166
YOU MEAN MONET?
348
00:13:55,234 --> 00:13:59,037
I CARE NOTHING FOR MONEY,
OR AS YOU CALL IT, MONET.
349
00:13:59,104 --> 00:14:02,140
O-KAY, YOU WANT TO PLAY
A GAME OF JACKS?
350
00:14:02,208 --> 00:14:03,508
[ LAUGHS ]
351
00:14:05,544 --> 00:14:07,045
JACKS? PLEASE.
352
00:14:07,112 --> 00:14:09,848
I DON'T INDULGE
IN SUCH CHILDISH FARE.
353
00:14:09,915 --> 00:14:14,152
HOW ABOUT AN INTELLECTUALLY
STIMULATING GAME OF CHESS?
354
00:14:14,220 --> 00:14:15,820
ARE YOU FEELING OKAY?
355
00:14:15,888 --> 00:14:16,988
NEVER BETTER.
356
00:14:17,056 --> 00:14:19,057
[ GASPS ]
357
00:14:19,124 --> 00:14:21,960
I THINK YOU MIGHT NEED
A STRONGER PRESCRIPTION
358
00:14:22,027 --> 00:14:23,561
FOR YOUR GLASSES.
359
00:14:23,629 --> 00:14:25,430
WHAT MAKES YOU SAY THAT?
360
00:14:28,067 --> 00:14:29,868
[ KNOCK ON DOOR ]
361
00:14:29,935 --> 00:14:31,769
MR. KYLE,
HOW CAN I HELP YOU?
362
00:14:31,837 --> 00:14:33,571
WELL, I WAS WONDERING
IF YOU HAD A MINUTE.
363
00:14:33,639 --> 00:14:35,406
CERTAINLY.
WHAT CAN I DO FOR YOU?
364
00:14:35,474 --> 00:14:37,976
WELL, YOU SEE,
THE THING IS, PROFESSOR,
365
00:14:38,043 --> 00:14:40,578
IT'S MY FAULT
THAT JAY FLUNKED THE TEST.
366
00:14:40,646 --> 00:14:43,581
I COACHED HER USING
SOME OF MY OWN METHODS,
367
00:14:43,649 --> 00:14:45,917
SOMETHING I CALL
SIGHT-KYLE-OGY.
368
00:14:45,985 --> 00:14:47,886
[ CHUCKLES ]
I INVENTED IT.
369
00:14:47,953 --> 00:14:49,354
YOU MEAN, LIKE PICTOGRAPHS?
370
00:14:49,421 --> 00:14:52,523
WELL, IF YOU WANT TO REDUCE IT
TO PICTOGRAPHS,
371
00:14:52,591 --> 00:14:54,292
I GUESS IT COULD BE THAT,
372
00:14:54,360 --> 00:14:56,861
BUT THE POINT IS,
I MESSED JAY UP.
373
00:14:56,929 --> 00:14:59,731
AND EXACTLY HOW IS THIS
MY PROBLEM?
374
00:14:59,798 --> 00:15:02,667
WELL, I WAS KIND OF HOPING
YOU'D LET HER TAKE THE TEST OVER.
375
00:15:02,735 --> 00:15:04,869
AND HOW WOULD FAILING AGAIN
HELP HER?
376
00:15:04,937 --> 00:15:08,172
I REALLY BELIEVE, PROFESSOR,
THAT WITHOUT MY INTERFERENCE,
377
00:15:08,240 --> 00:15:10,475
SHE COULD REALLY DO WELL
ON THAT TEST.
378
00:15:10,542 --> 00:15:13,444
I AM TEMPTED TO GO ALONG WITH
YOU JUST TO PROVE YOU WRONG,
379
00:15:13,512 --> 00:15:16,447
BUT, YOU KNOW, I AM REALLY GOOD
AT RESISTING TEMPTATION,
380
00:15:16,515 --> 00:15:18,049
SO THE ANSWER IS NO.
381
00:15:18,117 --> 00:15:21,786
THERE'S NOTHING I CAN SAY
TO CHANGE YOUR MIND?
382
00:15:21,854 --> 00:15:23,721
NO.
383
00:15:23,789 --> 00:15:26,524
WHOOPSIE!
HEY, LOOK AT THAT.
384
00:15:26,592 --> 00:15:28,993
BENJAMIN FRANKLIN'S
KNOCKING AT THE DOOR.
385
00:15:29,061 --> 00:15:30,328
[ LAUGHS ]
386
00:15:30,396 --> 00:15:32,563
MR. KYLE,
YOU'RE INSULTING MY INTEGRITY
387
00:15:32,631 --> 00:15:35,066
AND IMPUGNING MY HONOR
WITH YOUR CHICANERY.
388
00:15:35,134 --> 00:15:37,468
YOU DRIVE A HARD BARGAIN.
HERE'S AN EXTRA $20.
389
00:15:37,536 --> 00:15:39,414
I WAS GONNA USE IT
FOR GAS MONEY.
390
00:15:39,438 --> 00:15:41,172
YOU'RE NOT HEARING ME,
MR. KYLE.
391
00:15:41,240 --> 00:15:42,907
IF I WERE TO POCKET
YOUR BRIBE,
392
00:15:42,975 --> 00:15:45,310
THAT WOULD BE UNTHINKABLE
AND BEYOND UNETHICAL.
393
00:15:45,377 --> 00:15:48,379
NOW, IF YOU'LL EXCUSE ME,
I HAVE WORK TO DO.
394
00:15:48,447 --> 00:15:52,250
SAY, WHAT IS THIS
MAGNIFICENT STRUCTURE?
395
00:15:52,318 --> 00:15:53,518
OH!
396
00:15:53,585 --> 00:15:58,056
THAT'S THE FLOYD F. TILLMAN
LIBRARY.
397
00:15:58,123 --> 00:15:59,257
WHAT DOES THE F. STAND FOR?
398
00:15:59,325 --> 00:16:00,525
FLOYD.
399
00:16:00,592 --> 00:16:02,393
SO YOUR NAME IS FLOYD FLOYD?
400
00:16:02,461 --> 00:16:04,529
YEP, YEP.
401
00:16:04,596 --> 00:16:07,899
YOU KNOW, FROM MY POINT OF VIEW,
SOMETHING'S MISSING THERE.
402
00:16:07,967 --> 00:16:09,901
AND WHAT EXACTLY
WOULD THAT BE?
403
00:16:09,969 --> 00:16:13,938
OH, A 20-FOOT BRONZE STATUE
404
00:16:14,006 --> 00:16:19,043
OF FLOYD TILLMAN
WITH AN ASCOT AND A PIPE
405
00:16:19,111 --> 00:16:21,312
STRIKING A POSE
LIKE MICHAEL JORDAN
406
00:16:21,380 --> 00:16:23,948
WITH A BOOK IN HIS HAND.
407
00:16:24,016 --> 00:16:25,183
HUH?
408
00:16:25,250 --> 00:16:26,617
I AGREE.
409
00:16:26,685 --> 00:16:29,821
UNFORTUNATELY,
WE RAN OUT OF FUNDS.
410
00:16:29,888 --> 00:16:32,290
TOO BAD. LOOK.
411
00:16:32,358 --> 00:16:36,627
WHOOPSIE.
[ CHUCKLES ]
412
00:16:36,695 --> 00:16:40,131
WHOOPSIE.
413
00:16:40,199 --> 00:16:42,900
WHOOPSIE.
414
00:16:46,372 --> 00:16:47,772
[ KNOCK ON DOOR ]
415
00:16:47,840 --> 00:16:49,874
KADY, IT'S ME, FRANKLIN.
416
00:16:55,014 --> 00:16:57,448
ENTREZ-VOUS.
417
00:16:57,516 --> 00:16:59,584
OH, HI, FRANKLIN.
418
00:16:59,651 --> 00:17:02,487
I WAS JUST BRUSHING UP
ON SOME OF MY WALT WHITMAN.
419
00:17:02,554 --> 00:17:06,057
WOULD YOU LIKE ME TO RECITE
ONE OF HIS POEMS FOR YOU?
420
00:17:06,125 --> 00:17:07,425
NO.
421
00:17:07,493 --> 00:17:09,494
TO BE BLUNT,
WHAT I WOULD LIKE YOU TO DO
422
00:17:09,561 --> 00:17:11,562
IS FOR YOU TO LOSE
THOSE GRANNY GLASSES
423
00:17:11,630 --> 00:17:13,731
AND BRING BACK MY OLD KADY.
424
00:17:13,799 --> 00:17:15,266
BUT I THOUGHT YOU LIKED...
425
00:17:15,334 --> 00:17:17,802
OH. BUT I THOUGHT
YOU LIKED SMART GIRLS.
426
00:17:17,870 --> 00:17:19,237
WHAT MAKES YOU SAY THAT?
427
00:17:19,304 --> 00:17:21,906
I SAW THE WAY YOU LIT UP
AROUND EMERSON.
428
00:17:21,974 --> 00:17:23,608
OH, DON'T BE SILLY.
429
00:17:23,675 --> 00:17:26,611
EXTRAORDINARY CHILD PRODIGIES
ARE A DIME A DOZEN.
430
00:17:28,614 --> 00:17:31,382
ALL RIGHT, I ADMIT PERHAPS I MIGHT
HAVE CONNECTED WITH EMERSON
431
00:17:31,450 --> 00:17:34,218
ON A MUSICAL LEVEL AND MAYBE
EVEN ON AN INTELLECTUAL LEVEL,
432
00:17:34,286 --> 00:17:36,187
BUT YOU AND I CONNECT
ON A HEART LEVEL,
433
00:17:36,255 --> 00:17:38,166
AND IT DOESN'T GET ANY BETTER
THAN THAT.
434
00:17:38,190 --> 00:17:39,557
[ SIGHS ]
435
00:17:39,625 --> 00:17:43,061
OH, FRANKLIN, YOU ALWAYS KNOW
THE RIGHT THING TO SAY.
436
00:17:47,933 --> 00:17:50,468
JAY, I GOT SOME GREAT NEWS.
437
00:17:50,536 --> 00:17:53,171
I PAID A VISIT
TO YOUR PROFESSOR TILLMAN,
438
00:17:53,238 --> 00:17:55,640
AND I CONVINCED HIM
TO GIVE YOU A RETEST.
439
00:17:55,707 --> 00:17:57,018
REALLY?
YEP.
440
00:17:57,042 --> 00:17:58,543
DID YOU BRIBE THAT MAN?
441
00:17:58,610 --> 00:18:02,180
[ LAUGHS NERVOUSLY ]
WHY WOULD YOU SAY THAT?
442
00:18:02,247 --> 00:18:03,281
YEAH.
443
00:18:03,348 --> 00:18:05,016
UH-HUH. HOW MUCH?
444
00:18:05,084 --> 00:18:07,552
I BOUGHT HIM A STATUE TO PUT
IN FRONT OF HIS LIBRARY.
445
00:18:07,619 --> 00:18:09,454
YEAH, THAT'S SOMETHING
HE WOULD GO FOR,
446
00:18:09,521 --> 00:18:12,200
BUT IS HE REALLY GONNA
LET ME RETEST? OH, YEAH.
447
00:18:12,224 --> 00:18:14,035
DID YOU LEARN ANYTHING
FROM THIS, MR. KYLE?
448
00:18:14,059 --> 00:18:18,296
BABY, I LEARNED THAT STATUES
ARE VERY EXPENSIVE.
449
00:18:18,363 --> 00:18:19,931
NO.
450
00:18:19,998 --> 00:18:21,165
NO, YOUR EGO.
451
00:18:21,233 --> 00:18:22,967
YOU LET YOUR EGO
GET INVOLVED,
452
00:18:23,035 --> 00:18:25,203
AND WHENEVER YOU DO THAT,
IT ENDS UP BAD.
453
00:18:25,270 --> 00:18:26,671
I'M NOT SURE IT WAS MY EGO.
454
00:18:26,738 --> 00:18:28,673
I THINK IT WAS MY SUPEREGO
OR MY ID.
455
00:18:28,740 --> 00:18:31,442
GET IT? THAT'S ON PAGE
36. OKAY, YES, I GOT IT.
456
00:18:31,510 --> 00:18:33,430
THAT'S VERY FUNNY.
GET IT?
457
00:18:33,479 --> 00:18:35,079
YEAH.
[ SNORTS SARCASTICALLY ]
458
00:18:35,147 --> 00:18:38,749
LOOK, BABE, MY HEART'S
IN THE RIGHT PLACE.
459
00:18:38,817 --> 00:18:41,586
I WANT YOU TO KNOW
THAT I BELIEVE IN YOU,
460
00:18:41,653 --> 00:18:44,589
AND I REALLY FEEL THAT
YOU'RE GONNA PASS THIS TEST.
461
00:18:44,656 --> 00:18:47,091
AND THANK YOU
FOR CORRECTING YOUR MISTAKE,
462
00:18:47,159 --> 00:18:50,795
AND I WILL DO MY BEST
TO CORRECT MINE.
463
00:18:50,863 --> 00:18:52,507
SO NOW WE GOT THAT
OUT OF THE WAY,
464
00:18:52,531 --> 00:18:54,742
YOU THINK MAYBE WE CAN MAKE UP
FOR SOME LOST TIME?
465
00:18:54,766 --> 00:18:58,002
OOH, I WOULD LOVE TO...
466
00:18:58,070 --> 00:18:59,837
BUT I GOT TO STUDY FIRST.
467
00:18:59,905 --> 00:19:01,639
HA HA!
IT'S OKAY.
468
00:19:01,707 --> 00:19:03,485
I COULD DO MY THING
WITH YOU STUDYING.
469
00:19:03,509 --> 00:19:04,752
OH, NO, NO, NO.
YEAH.
470
00:19:04,776 --> 00:19:06,721
NO, YOU CAN'T. I'LL SHOW
YOU SOME PSYCHOLOGY.
471
00:19:06,745 --> 00:19:08,179
NO, NO, NO.
I NEED TO CONCENTRATE.
472
00:19:08,247 --> 00:19:11,115
NO, I WANT TO TEACH YOU ABOUT
THE FIVE STAGES OF PASSION.
473
00:19:11,183 --> 00:19:12,850
MICHAEL, STOP!
474
00:19:12,918 --> 00:19:14,085
STOP!
475
00:19:14,153 --> 00:19:16,187
BRING THAT HEINIE!
GIMME THAT HEINIE!
476
00:19:18,390 --> 00:19:20,591
[ WHISTLING ]
477
00:19:20,659 --> 00:19:23,261
WHAT ARE YOU DOING?
478
00:19:23,328 --> 00:19:26,164
[ Imitating Popeye ]
OH, MY GOSHK, IT'S OLIVE AGAIN.
479
00:19:26,231 --> 00:19:28,466
WHY, BLOW ME DOWN.
480
00:19:28,534 --> 00:19:31,068
ARE THOSE MY TEST RESULTS
AGAIN, MICHAEL?
481
00:19:31,136 --> 00:19:32,670
[ Normal voice ] I'M SORRY.
482
00:19:32,738 --> 00:19:35,173
I JUST WANTED TO KNOW
WHAT WE GOT.
483
00:19:35,240 --> 00:19:36,551
WHAT'D YOU DO,
WHAT'D YOU DO?
484
00:19:36,575 --> 00:19:37,575
HUH, COME ON, WHAT?
485
00:19:37,643 --> 00:19:40,378
I GOT AN "A" MINUS!
HA HA!
486
00:19:40,445 --> 00:19:41,846
CONGRATULATIONS, BABY.
487
00:19:41,914 --> 00:19:43,281
THANK YOU!
488
00:19:43,348 --> 00:19:45,216
OH, I FEEL SO VALIDATED.
489
00:19:45,284 --> 00:19:47,418
GREAT, SO NOW ARE WE OKAY?
ARE WE COOL?
490
00:19:47,486 --> 00:19:50,888
YES, WE ARE COOL.
OF COURSE, BABE, OF COURSE.
491
00:19:50,956 --> 00:19:52,223
OKAY, YOU KNOW WHAT?
492
00:19:52,291 --> 00:19:53,524
I'M GONNA BREAK IT DOWN
493
00:19:53,592 --> 00:19:58,529
SO THAT YOU CAN UNDERSTAND
HOW... COOL WE ARE.
494
00:20:00,232 --> 00:20:02,099
LOOK, LOOK.
RIGHT HERE.
495
00:20:02,167 --> 00:20:04,802
"S" PLUS BANK?
496
00:20:04,870 --> 00:20:05,970
COME ON.
497
00:20:06,038 --> 00:20:07,182
SPANK?
NO, NO.
498
00:20:07,206 --> 00:20:08,439
YOU KNOW WHAT?
499
00:20:08,507 --> 00:20:11,542
WHILE YOU FIGURE THAT OUT,
I'M GONNA GO UPSTAIRS.
500
00:20:11,610 --> 00:20:13,978
ALL RIGHT?
I'LL BE WAITING.
501
00:20:14,046 --> 00:20:15,913
"S" PLUS BANK.
502
00:20:15,981 --> 00:20:16,981
SPANK.
503
00:20:17,049 --> 00:20:18,516
SPANK.
504
00:20:18,584 --> 00:20:20,918
"M" PLUS EYE.
505
00:20:20,986 --> 00:20:22,720
MY.
506
00:20:22,788 --> 00:20:26,157
PLUS DONKEY?
SPANK MY DONKEY.
507
00:20:27,726 --> 00:20:30,695
WHY WOULD SOMEONE
WANT TO SPANK THAT ASS?
508
00:20:33,599 --> 00:20:34,699
BABY!
509
00:20:34,766 --> 00:20:37,335
GET MY BLUE PILL READY!
510
00:20:40,872 --> 00:20:43,140
I WAS JUST BRUSHING UP
ON SOME OF MY WALT WHITMAN.
511
00:20:43,208 --> 00:20:46,210
WOULD YOU LIKE ME TO RECITE
ONE OF HIS POEMS FOR YOU?
512
00:20:46,278 --> 00:20:49,080
NO, TO BE BLUNT,
WHAT I WOULD YOU LIKELY...
513
00:20:49,147 --> 00:20:51,382
WHAT?
[ LAUGHS ]
514
00:20:53,652 --> 00:20:55,319
IT'S YOUR LINE.
IS IT?
515
00:20:55,387 --> 00:20:56,387
YEAH.
516
00:20:56,455 --> 00:20:58,089
ENDS UP BAD, EGO.
517
00:20:58,156 --> 00:21:00,124
WHERE ARE YOU AT, WOMAN?
518
00:21:00,192 --> 00:21:03,894
YOU NEED SIGHT-KYLE-OGY.
34333
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