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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:05,040 Here in the UK, we do love a period property. 2 00:00:05,080 --> 00:00:07,240 I never dreamt I would own a castle. 3 00:00:07,280 --> 00:00:09,880 For me, it looks like a typical doll's house. 4 00:00:09,920 --> 00:00:11,680 From countryside houses... 5 00:00:11,720 --> 00:00:14,600 It was everything you could dream of. It was a palace. 6 00:00:14,640 --> 00:00:16,840 ..to timeless terraces. 7 00:00:16,880 --> 00:00:20,800 I turned up and I thought, "Whoa, this is pretty cute." 8 00:00:20,840 --> 00:00:23,040 But beneath the grand facades... 9 00:00:23,080 --> 00:00:25,680 Hopefully, the house won't fall down. We'll see, will we?! 10 00:00:25,720 --> 00:00:28,760 ..these historical homes are falling to bits. 11 00:00:28,800 --> 00:00:30,640 Everyone told us to tear this building down. 12 00:00:30,680 --> 00:00:33,640 All over the country, an army of renovators 13 00:00:33,680 --> 00:00:36,320 are snapping them up at knockdown prices... 14 00:00:36,360 --> 00:00:39,680 I think we should leave it like this. It looks old-timely. 15 00:00:39,720 --> 00:00:42,880 ..then facing challenges of epic proportions. 16 00:00:44,360 --> 00:00:46,480 I said all along to get a new-build. 17 00:00:46,520 --> 00:00:49,760 This series, we meet the brave new renovators... 18 00:00:49,800 --> 00:00:52,040 We were looking for a bungalow with a shed. 19 00:00:52,080 --> 00:00:56,000 ..and return to our familiar band of determined dreamers... 20 00:00:56,040 --> 00:00:58,400 Who else has got a chapel in their house?! 21 00:00:58,440 --> 00:01:00,520 ..all risking everything... 22 00:01:00,560 --> 00:01:04,000 I thought I had a good idea of what was needed. I was quite wrong. 23 00:01:04,040 --> 00:01:07,400 People think renovation is lovely, don't they? HE LAUGHS 24 00:01:07,440 --> 00:01:09,440 Oh, God. I'm trembling. 25 00:01:09,480 --> 00:01:12,160 ..to create the forever home of their dreams... 26 00:01:12,200 --> 00:01:14,440 Oh, my God, it's so nice! 27 00:01:14,480 --> 00:01:16,120 ..brick by brick... 28 00:01:16,160 --> 00:01:18,480 Whoa! This is amazing. 29 00:01:18,520 --> 00:01:21,520 ..room by room. I still have my pinch-me moments. 30 00:01:21,560 --> 00:01:24,280 We're nowhere near finished, but it feels like a house now. 31 00:01:24,320 --> 00:01:27,280 We are a renovation nation. 32 00:01:30,960 --> 00:01:32,520 Today in Kent... 33 00:01:32,560 --> 00:01:36,640 I am actually really, really nervous about this. 34 00:01:36,680 --> 00:01:38,480 ..wallpapering the attic... 35 00:01:38,520 --> 00:01:41,160 5-2-2. 5-2-2. 36 00:01:41,200 --> 00:01:43,920 ..tests Ian and Miranda's maths skills. 37 00:01:43,960 --> 00:01:47,720 Need some time to think about this. Completely flummoxed by it all. 38 00:01:47,760 --> 00:01:50,800 In Cornwall, unlocking the past... 39 00:01:50,840 --> 00:01:53,880 It's not every, um, house that you buy 40 00:01:53,920 --> 00:01:57,120 has got a safe of this size and age in one of the bedrooms. 41 00:01:57,160 --> 00:01:59,840 ..proves harder than expected. 42 00:01:59,880 --> 00:02:02,880 Hopefully we can see what's inside today, huh? 43 00:02:02,920 --> 00:02:04,960 That's the objective. OK. 44 00:02:06,280 --> 00:02:10,240 And on the Wirral, the drive to complete a shower room... 45 00:02:10,280 --> 00:02:12,160 Stop making excuses. 46 00:02:12,200 --> 00:02:14,960 Just get on with it. I'm doing my best. Yeah. 47 00:02:15,000 --> 00:02:17,840 ..needs all hands to the pumps. 48 00:02:17,880 --> 00:02:19,200 Time is money. 49 00:02:24,440 --> 00:02:28,560 In the Kent countryside, near the chalk hills of the North Downs, 50 00:02:28,600 --> 00:02:31,400 lies this Victorian rectory. 51 00:02:31,440 --> 00:02:34,040 Once the residence of clerical dignitaries, 52 00:02:34,080 --> 00:02:36,520 it fell into steep decline in the '80s 53 00:02:36,560 --> 00:02:39,760 and remained unoccupied for over ten years 54 00:02:39,800 --> 00:02:42,800 until Sydney entrepreneurs Ian and Miranda 55 00:02:42,840 --> 00:02:48,040 saw beyond its crumbling facade and looked to begin a new life here. 56 00:02:48,080 --> 00:02:52,080 We took the plunge and decided to come over to the UK. 57 00:02:52,120 --> 00:02:54,280 This house for us is a house of hopes, 58 00:02:54,320 --> 00:02:56,680 it's a house of dreams and we're building it 59 00:02:56,720 --> 00:02:59,400 and we're pouring, you know, love, sweat, 60 00:02:59,440 --> 00:03:03,000 lots of tears, uh, into this property... 61 00:03:03,040 --> 00:03:06,080 SHE LAUGHS ..for it to be our forever home. 62 00:03:07,320 --> 00:03:10,200 The 19-roomed house and nine-acre grounds 63 00:03:10,240 --> 00:03:12,840 cost the couple just over £1 million, 64 00:03:12,880 --> 00:03:16,720 a price that reflected the scale of the renovation required. 65 00:03:16,760 --> 00:03:17,760 HE GASPS 66 00:03:17,800 --> 00:03:21,320 Earlier this week, we saw Ian and Miranda turn an attic space 67 00:03:21,360 --> 00:03:24,720 into a stunning movie room to spend time as a family. 68 00:03:24,760 --> 00:03:28,440 Now work is starting on the rest of the rooms on the top floor. 69 00:03:28,480 --> 00:03:32,480 So here we are in the servants' quarters. 70 00:03:32,520 --> 00:03:36,240 This part of the house was definitely stuck in time, 71 00:03:36,280 --> 00:03:38,600 but effectively, it's a really nice self-contained area 72 00:03:38,640 --> 00:03:40,520 where guests could come and stay. 73 00:03:40,560 --> 00:03:44,480 They hope to create a bedroom, bathroom and studio kitchen. 74 00:03:44,520 --> 00:03:46,800 We need to install the kitchen. 75 00:03:46,840 --> 00:03:50,280 This will be sort of like a small dining table and a couch in here. 76 00:03:50,320 --> 00:03:53,160 It's basically decorating, putting the kitchen in 77 00:03:53,200 --> 00:03:55,960 and then just putting in the light fittings. 78 00:03:56,000 --> 00:03:58,920 This makes such a cute, cosy guest bedroom. 79 00:03:58,960 --> 00:04:02,040 Yeah, it's lovely. I love the slanted ceilings. 80 00:04:02,080 --> 00:04:04,160 Do you know what I like about it? What's that? 81 00:04:04,200 --> 00:04:06,200 I never have to use a ladder up here. 82 00:04:07,680 --> 00:04:10,480 Ian and Miranda also plan to bring their opulent style 83 00:04:10,520 --> 00:04:12,960 to the smallest room in the house - 84 00:04:13,000 --> 00:04:16,760 this bathroom area, which sits across the landing from the bedroom. 85 00:04:16,800 --> 00:04:20,080 So it's quite a small bathroom, 86 00:04:20,120 --> 00:04:22,880 but it's a nice little shape and a nice size. 87 00:04:22,920 --> 00:04:27,160 With the plastering already done, it's ready for papering, 88 00:04:27,200 --> 00:04:30,960 but this space brings some interesting challenges. 89 00:04:31,000 --> 00:04:33,800 The trick will be... Yep. ..trying to get the wallpaper 90 00:04:33,840 --> 00:04:36,600 to go from the floor, up the walls... 91 00:04:36,640 --> 00:04:39,480 Yep. ..cross the ceiling... Yep. ..back down the other side. 92 00:04:39,520 --> 00:04:41,160 Yeah. 93 00:04:41,200 --> 00:04:44,640 It is skill level ten. 94 00:04:44,680 --> 00:04:47,880 I've only been trained to skill level one so far, 95 00:04:47,920 --> 00:04:52,560 so I've got a big jump to make in trying to pull this one off. 96 00:04:52,600 --> 00:04:55,600 If anyone can, you can, Miranda. 97 00:04:55,640 --> 00:04:57,720 Darcy, you're always in the way. 98 00:04:57,760 --> 00:05:00,680 A few days later, having laid some tiles on the floor, 99 00:05:00,720 --> 00:05:02,960 the papering can begin. 100 00:05:03,000 --> 00:05:05,960 So first things first, we'll measure up the space, then mark it all out, 101 00:05:06,000 --> 00:05:08,120 so where all the wallpaper is going to go and draw all the lines. 102 00:05:08,160 --> 00:05:10,280 Because the last thing you want is the wallpaper coming off 103 00:05:10,320 --> 00:05:12,400 at some sort of weird angle. So it's got to be straight. 104 00:05:12,440 --> 00:05:15,040 And then we're going to use the...the laser line. 105 00:05:15,080 --> 00:05:18,200 Thank you, Ian, my gorgeous assistant here. 106 00:05:18,240 --> 00:05:19,280 52... 107 00:05:19,320 --> 00:05:21,280 Ian measures the wallpaper width 108 00:05:21,320 --> 00:05:23,960 so they know how far apart to mark lines on the wall. 109 00:05:24,000 --> 00:05:26,320 5-2-2. 5-2-2. 110 00:05:26,360 --> 00:05:29,280 So if I line the laser level up with these marks, 111 00:05:29,320 --> 00:05:32,000 then that will give me my lines across. 112 00:05:32,040 --> 00:05:33,840 There you go. 113 00:05:38,000 --> 00:05:40,960 Look how flat the roof is. 114 00:05:41,000 --> 00:05:45,480 As Miranda begins to paste the walls, reno-fear sets in. 115 00:05:45,520 --> 00:05:50,440 I am actually really, really nervous about this. 116 00:05:50,480 --> 00:05:53,640 It has all the hallmarkings of going completely wrong 117 00:05:53,680 --> 00:05:55,600 and looking terrible 118 00:05:55,640 --> 00:05:58,640 because of how the pattern's going to match or not match. 119 00:05:58,680 --> 00:06:01,320 That's for just cutting. Oh, OK. Then there's another one of these. 120 00:06:01,360 --> 00:06:04,120 Can you take a bit of slack? Yeah. 121 00:06:06,000 --> 00:06:09,720 Line that up that way. Yeah, and then work my way up the wall. 122 00:06:13,360 --> 00:06:15,400 You want to go to the walls or the line? 123 00:06:15,440 --> 00:06:19,320 It's got to go to the line because can't do anything about the wall. 124 00:06:21,120 --> 00:06:23,800 There we go. Looks good though, doesn't it? 125 00:06:23,840 --> 00:06:26,080 Just need to push it into the corner. 126 00:06:28,920 --> 00:06:30,920 With the first length up... 127 00:06:30,960 --> 00:06:34,200 What do you think, Darce? Good? Darcy gives the seal of approval. 128 00:06:34,240 --> 00:06:36,840 ..the second proves a little trickier to position. 129 00:06:36,880 --> 00:06:38,840 Sorry, boss. Got to get back to work, mate. 130 00:06:38,880 --> 00:06:42,280 It's all over the shop. Yeah, because the wall's curved. 131 00:06:42,320 --> 00:06:44,200 It's all about angles. 132 00:06:44,240 --> 00:06:47,800 Miranda has chosen to paper a room where it's almost impossible 133 00:06:47,840 --> 00:06:50,880 to make a wallpaper repeat pattern line up properly. 134 00:06:50,920 --> 00:06:52,920 Not only are the walls wonky, 135 00:06:52,960 --> 00:06:56,040 the sloping roof makes it a hundred times harder. 136 00:06:56,080 --> 00:06:59,000 I just need some time to think about this. 137 00:06:59,040 --> 00:07:01,040 I'm completely flummoxed by it all. 138 00:07:07,040 --> 00:07:10,000 280 miles west in Cornwall, 139 00:07:10,040 --> 00:07:13,960 in the cathedral city of Truro, lies Castle Lodge, 140 00:07:14,000 --> 00:07:17,840 a 200-year-old Grade II listed Georgian end terrace 141 00:07:17,880 --> 00:07:20,720 purchased for £450,000 142 00:07:20,760 --> 00:07:25,480 by fashion and interior designer Drew and his partner Stu, a gardener. 143 00:07:25,520 --> 00:07:28,280 Earlier this week, we saw them complete 144 00:07:28,320 --> 00:07:31,600 their stunning sitting-room-cum-dining-space 145 00:07:31,640 --> 00:07:34,840 as well as their striking cloakroom 146 00:07:34,880 --> 00:07:37,160 and elegant hallway. 147 00:07:38,280 --> 00:07:40,840 Today, designer Drew is pushing ahead 148 00:07:40,880 --> 00:07:44,040 with a room he's already made progress on. 149 00:07:44,080 --> 00:07:46,400 Empty and unloved when he bought the house, 150 00:07:46,440 --> 00:07:49,120 Drew began with a coat of rich coral paint 151 00:07:49,160 --> 00:07:53,080 and is now in the middle of a typically dramatic transformation, 152 00:07:53,120 --> 00:07:56,120 using fabric to create a tented effect. 153 00:07:56,160 --> 00:07:59,480 With their goal to eventually let out the house to holidaymakers, 154 00:07:59,520 --> 00:08:04,160 this space will be a child's bedroom to let their imagination run wild. 155 00:08:05,960 --> 00:08:09,000 I love working with, um, with fabrics. 156 00:08:09,040 --> 00:08:12,240 It's, um, really quite soothing 157 00:08:12,280 --> 00:08:16,400 and, um, the stripe, I think, just works brilliantly, 158 00:08:16,440 --> 00:08:19,560 particularly when you're stretching on a ceiling. 159 00:08:19,600 --> 00:08:23,440 So you can see that the ceiling is sloped in this part of the building, 160 00:08:23,480 --> 00:08:28,400 um, which was kind of the inspiration to canopy over the bed. 161 00:08:28,440 --> 00:08:30,920 And of course, with me, one idea leads to another 162 00:08:30,960 --> 00:08:33,360 and the entire room is now tented. 163 00:08:33,400 --> 00:08:37,040 And, um, I've got some of this sort of fake bamboo, 164 00:08:37,080 --> 00:08:39,080 19th-century French furniture 165 00:08:39,080 --> 00:08:42,720 and I think it lends itself to, um, to the tented room 166 00:08:42,760 --> 00:08:46,160 and gives that little extra excitement perhaps 167 00:08:46,200 --> 00:08:48,400 for, um, for the children when they come in. 168 00:08:48,440 --> 00:08:52,760 But this whimsical design includes practical choices 169 00:08:52,800 --> 00:08:56,880 to fit both the space and its future guests. 170 00:08:56,920 --> 00:09:02,120 Going with this, um, quite saturated colour scheme in here, 171 00:09:02,160 --> 00:09:06,120 purely and simply because there isn't a lot of light to go around 172 00:09:06,160 --> 00:09:09,400 and it just gives an element of practicality, 173 00:09:09,440 --> 00:09:12,360 I suppose, if there's children with dirty hands, 174 00:09:12,400 --> 00:09:15,280 running fingers all over the woodwork. 175 00:09:15,320 --> 00:09:17,440 And then, of course, we're going to have this trim 176 00:09:17,480 --> 00:09:19,280 and this trim 177 00:09:19,320 --> 00:09:21,320 will run 178 00:09:21,360 --> 00:09:24,880 over the edges just to tidy up 179 00:09:24,920 --> 00:09:27,320 and you don't see all the staple-gunning going on. 180 00:09:27,360 --> 00:09:31,520 Drew's love of working with fabric in his career as a fashion designer 181 00:09:31,560 --> 00:09:35,280 is perfectly placed to give the tenting a professional finish. 182 00:09:35,320 --> 00:09:39,920 When you start to slash the linens and the fabrics, 183 00:09:39,960 --> 00:09:42,200 you know, you're at the point of no return. Ha! 184 00:09:42,240 --> 00:09:46,280 So you'd better hope that all your stretching and gathering 185 00:09:46,320 --> 00:09:48,760 has been put into the right place. 186 00:09:48,800 --> 00:09:51,640 But of course, this has to come down. 187 00:09:51,680 --> 00:09:54,480 Corners are a little bit trickier, obviously, 188 00:09:54,520 --> 00:09:56,760 to get your scissors around, 189 00:09:56,800 --> 00:09:58,960 but that gets rid of the excess. 190 00:09:59,000 --> 00:10:01,720 But the plans for battle in the tented bedroom 191 00:10:01,760 --> 00:10:04,000 will have to wait for now... 192 00:10:06,920 --> 00:10:09,680 ..because, in one of the other upstairs bedrooms, 193 00:10:09,720 --> 00:10:13,120 though it's had a new wall of cabinetry built and a paint job, 194 00:10:13,160 --> 00:10:16,480 Drew is having a spot of bother with a large historical feature 195 00:10:16,520 --> 00:10:18,400 which came with the house. 196 00:10:18,440 --> 00:10:19,840 Hmm. 197 00:10:21,320 --> 00:10:24,240 It's not every, um, house that you buy 198 00:10:24,280 --> 00:10:27,440 has got a safe of this size and age in one of the bedrooms, 199 00:10:27,480 --> 00:10:29,600 but, of course, as a commercial building, 200 00:10:29,640 --> 00:10:31,960 this was probably offices at some point. 201 00:10:32,000 --> 00:10:34,520 So we'd better get this baby open at least 202 00:10:34,560 --> 00:10:37,720 and, um, see what treasures might be inside, huh? 203 00:10:37,760 --> 00:10:40,880 Today is the day that the safecracker is in town, 204 00:10:40,920 --> 00:10:45,840 so I'm hoping he can do something with the snapped off key 205 00:10:45,880 --> 00:10:48,120 and we can actually see what's in here. 206 00:10:48,160 --> 00:10:51,800 Drew doesn't have too long to wait to find out what mysteries 207 00:10:51,840 --> 00:10:53,760 this old safe might hold. 208 00:10:53,800 --> 00:10:56,920 Drew? Hello there. Hello. Tom, locksmith. 209 00:10:56,960 --> 00:10:59,640 Ahh, safecracker, you mean? Hopefully. 210 00:10:59,680 --> 00:11:02,960 Right, which way? Welcome, Tom. Let's go up. Thank you. 211 00:11:03,000 --> 00:11:05,640 So I'm not sure about the age of the safe, 212 00:11:05,680 --> 00:11:08,120 but it sure as hell looks old to me. 213 00:11:08,160 --> 00:11:11,120 OK. It's in one of the back bedrooms here. 214 00:11:11,160 --> 00:11:14,280 There she is. Okey doke. Let's see what we can do. 215 00:11:19,000 --> 00:11:22,640 What do you think? It's certainly quite old. 216 00:11:22,680 --> 00:11:26,120 But hopefully, we can see what's inside today, huh? 217 00:11:26,160 --> 00:11:28,160 That's the objective. OK. 218 00:11:28,200 --> 00:11:29,640 DRILL WHIRS 219 00:11:29,680 --> 00:11:34,200 Tom the safecracker sets to work using every tool in his arsenal. 220 00:11:36,520 --> 00:11:40,000 It's one very thick and very tough safe. 221 00:11:41,160 --> 00:11:43,280 What I'm trying to do... 222 00:11:43,320 --> 00:11:45,320 There is the remains of a key in there. 223 00:11:45,360 --> 00:11:48,080 Uh-huh. So what I'm trying to do is just cut round it 224 00:11:48,120 --> 00:11:51,000 so that we can see if we can get some purchase on it. Right. 225 00:11:51,040 --> 00:11:53,560 Because obviously, if there is a key in there... 226 00:11:53,600 --> 00:11:55,880 Then it can open the lock. Hopefully. Yeah. 227 00:11:57,120 --> 00:11:59,760 Locksmith Tom has his work cut out. 228 00:11:59,800 --> 00:12:05,320 It seems this safe isn't ready to give up its secrets quite so easily. 229 00:12:06,520 --> 00:12:10,640 Coming up - Sally and Steve delve into the past... 230 00:12:10,680 --> 00:12:13,200 So this is the building plan for your house. 231 00:12:13,240 --> 00:12:16,240 Oh, my... So it's 1900. 232 00:12:16,280 --> 00:12:19,320 ..to trace their home's path through history... 233 00:12:19,360 --> 00:12:22,960 That facade has not changed... Right. ..in all that time. 234 00:12:23,000 --> 00:12:25,240 So we just rescued it in time, I think. 235 00:12:25,280 --> 00:12:28,040 ..and Ian and Miranda get competitive. 236 00:12:28,080 --> 00:12:30,960 I'm more than halfway done and you're not even one quarter done. 237 00:12:31,000 --> 00:12:33,600 ..as they bring their attic bedroom to life. 238 00:12:33,640 --> 00:12:36,480 If only we could be as good as you, Ian. It's not as good as me. 239 00:12:36,520 --> 00:12:40,560 It's just, you know, focused on the task at hand or something. 240 00:12:48,000 --> 00:12:50,480 In North West England on the Wirral 241 00:12:50,520 --> 00:12:54,040 lies Clifton, a grand Victorian villa. 242 00:12:55,240 --> 00:12:57,720 The eight-bed, three-reception property 243 00:12:57,760 --> 00:13:01,000 had fallen into a desperate state of repair, 244 00:13:01,040 --> 00:13:04,360 in dire need of life-saving restoration. 245 00:13:04,400 --> 00:13:09,080 It was snapped up for the remarkable price of £250,000 246 00:13:09,120 --> 00:13:11,800 by builder Steve and teacher Sally. 247 00:13:11,840 --> 00:13:15,800 A master tradesman, Steve's already single-handedly transformed 248 00:13:15,840 --> 00:13:20,720 a number of the rooms since they bought the house in 2018. 249 00:13:20,760 --> 00:13:23,560 Earlier this week, we saw Steve and Sally 250 00:13:23,600 --> 00:13:26,440 painstakingly renovate their butler's pantry, 251 00:13:26,480 --> 00:13:31,080 stripping back decades of paint and building an upcycled sink unit. 252 00:13:32,600 --> 00:13:35,520 Today, on the ground floor in one of the smallest rooms, 253 00:13:35,560 --> 00:13:38,840 Sally and Steve are building a shower room. 254 00:13:38,880 --> 00:13:41,000 Right, this bathroom. 255 00:13:43,720 --> 00:13:47,000 This, probably out of all the rooms in the house, 256 00:13:47,040 --> 00:13:51,160 this was probably the one that was in the worst condition. 257 00:13:51,200 --> 00:13:53,200 But you've replastered it all, haven't you? Yeah. 258 00:13:53,240 --> 00:13:56,360 So all replastered, new ceiling, new insulation, 259 00:13:56,400 --> 00:13:58,440 new everything, new lighting. 260 00:13:58,480 --> 00:14:00,560 So it'd be great to get it finished now. 261 00:14:00,600 --> 00:14:04,120 Tiling floor, tiling shower cubicle... 262 00:14:04,160 --> 00:14:06,480 Yep. ..and then painting. 263 00:14:06,520 --> 00:14:08,880 The bulk's done, isn't it? Sand this door. 264 00:14:08,920 --> 00:14:11,200 That sounds like a job for me. No, no, no. 265 00:14:11,240 --> 00:14:14,640 So we've got everything we need. Yeah. Stop making excuses. 266 00:14:14,680 --> 00:14:17,360 Just get on with it. I'm doing my best. Yeah. 267 00:14:17,400 --> 00:14:20,720 Someone has to keep the troops motivated. 268 00:14:20,760 --> 00:14:23,200 The couple love having family to stay, 269 00:14:23,240 --> 00:14:27,560 especially during the reno, as extra hands equal extra help. 270 00:14:27,600 --> 00:14:31,320 My grandchildren here, Albert and Bella Florence, 271 00:14:31,360 --> 00:14:33,640 who will be joining us in a second. 272 00:14:33,680 --> 00:14:36,480 Have you come for a mask fitting? Oh, OK. 273 00:14:36,520 --> 00:14:40,320 What size are you? Extra small? Yeah, I thought so. 274 00:14:40,360 --> 00:14:42,240 It's really good you're helping out today 275 00:14:42,280 --> 00:14:45,400 because we've got some extra hands all rubbing down. 276 00:14:45,440 --> 00:14:47,880 All right, carry on. 277 00:14:47,920 --> 00:14:49,480 Time is money. 278 00:14:53,720 --> 00:14:55,920 By sanding the finished plasterwork, 279 00:14:55,960 --> 00:14:59,320 the surface will become smooth enough to allow tiles to be fitted. 280 00:15:00,880 --> 00:15:03,640 OK, you guys, it looks like it's tea-break time. 281 00:15:03,680 --> 00:15:05,640 Do you want a break now? 282 00:15:05,680 --> 00:15:07,960 It's lovely when you get to work on the house, 283 00:15:08,000 --> 00:15:10,800 you get time to think about 284 00:15:10,840 --> 00:15:13,720 who was working on it before. 285 00:15:13,760 --> 00:15:18,800 When you look back to the Victorian stuff, it surprises me. 286 00:15:18,840 --> 00:15:21,760 As I open things and move things, 287 00:15:21,800 --> 00:15:24,400 there's more evidence of the past, which is great. 288 00:15:29,600 --> 00:15:35,000 Intrigued by that past, Sally and Steve are keen to delve further. 289 00:15:35,040 --> 00:15:37,160 Originally built in 1901, 290 00:15:37,200 --> 00:15:41,520 several families have called Clifton home over the years. 291 00:15:41,560 --> 00:15:45,480 Today, Sally and Steve have come along to the Wirral archives 292 00:15:45,520 --> 00:15:49,680 in the hope that details of those who lived there before them still exist. 293 00:15:49,720 --> 00:15:51,760 Hi there, nice to meet you. 294 00:15:54,000 --> 00:15:59,160 So Wirral in the early 19th century, erm, wasn't very built up. 295 00:15:59,200 --> 00:16:01,960 People from Liverpool were well off, 296 00:16:02,000 --> 00:16:06,160 erm, they looked over the River Mersey at the unspoilt Wirral 297 00:16:06,200 --> 00:16:09,080 and decided to build large villa-style houses there. 298 00:16:09,120 --> 00:16:12,560 And this is one of those. So this is the building plan for your house. 299 00:16:12,600 --> 00:16:14,520 Oh, my... 300 00:16:14,560 --> 00:16:17,080 So it's 1900. Oh, my goodness me. 301 00:16:17,120 --> 00:16:18,920 Isn't that interesting? 302 00:16:18,960 --> 00:16:22,680 So that's the dining room. That's...that's the butler's pantry. 303 00:16:22,720 --> 00:16:24,840 And how many servants would they have had? In this period, 304 00:16:24,880 --> 00:16:28,440 every middle-class family would've aimed to have at least one servant. 305 00:16:28,480 --> 00:16:30,480 Right. One live-in servant. OK. 306 00:16:30,520 --> 00:16:34,320 I can't believe that's the original plans. Isn't that amazing? 307 00:16:34,360 --> 00:16:38,400 OK, so we've got some photographs and this one shows your house, 308 00:16:38,440 --> 00:16:41,640 which is there. Oh, my goodness me. 309 00:16:41,680 --> 00:16:44,360 So that's 1910. SHE CHUCKLES 310 00:16:44,400 --> 00:16:48,360 Do you know... For me, what blows me away is that it has that face, 311 00:16:48,400 --> 00:16:51,560 that facade has not changed... Right. ..in all that time. 312 00:16:51,600 --> 00:16:55,440 But what we're currently trying to do is to bring it back to its glory. 313 00:16:55,480 --> 00:16:58,880 So we just rescued it in time, I think. 314 00:16:58,920 --> 00:17:02,840 The first person who built the house was John William Holmes. 315 00:17:02,880 --> 00:17:06,880 He was a captain, a sea captain from...originally from Nova Scotia. 316 00:17:06,920 --> 00:17:11,840 He...he lived there with his family until, erm, until about 1908. 317 00:17:11,880 --> 00:17:15,240 The next person to own the house was Alexander Smith 318 00:17:15,280 --> 00:17:18,200 and he was an engineer. 319 00:17:18,240 --> 00:17:21,960 Him and his family lived there until round about 1930 320 00:17:22,000 --> 00:17:26,200 and after that, it was bought by the trustees of St Columba's Church 321 00:17:26,240 --> 00:17:29,280 and became a vicarage and that was until 1971. 322 00:17:29,320 --> 00:17:32,760 Isn't that fabulous? It's incredible. Incredible. 323 00:17:32,800 --> 00:17:34,800 I've loved every moment of being here 324 00:17:34,840 --> 00:17:40,000 and we can only be grateful that this all still exists. 325 00:17:42,240 --> 00:17:44,240 So what was your blown-away moment? 326 00:17:44,280 --> 00:17:48,920 When we saw the...the full-size architect's drawing on the table, 327 00:17:48,960 --> 00:17:51,240 for me, that was just a wonderful moment 328 00:17:51,280 --> 00:17:54,680 because I thought it wouldn't exist. How colourful and detailed as well. 329 00:17:54,720 --> 00:17:56,600 Yeah, in colour. How fab. 330 00:17:56,640 --> 00:17:59,760 From 1901 until today, 331 00:17:59,800 --> 00:18:02,800 we know exactly who's lived in the house 332 00:18:02,840 --> 00:18:05,200 and that's such a wonderful feeling. 333 00:18:05,240 --> 00:18:07,240 And now look at us. 334 00:18:07,280 --> 00:18:11,080 We're sitting on top of this, uh, seems like a treasure trove. 335 00:18:11,120 --> 00:18:13,440 The house that keeps on giving. It does. 336 00:18:13,480 --> 00:18:16,720 Sally and Steve have plenty to give the house in return 337 00:18:16,760 --> 00:18:19,560 as, back at home, with tiles yet to go up 338 00:18:19,600 --> 00:18:24,520 and a suite to fit, their shower room is still far from complete. 339 00:18:29,760 --> 00:18:33,360 260 miles south in the Kent countryside, 340 00:18:33,400 --> 00:18:38,200 renovations at the old Victorian rectory roll ever onwards. 341 00:18:38,240 --> 00:18:41,600 See that? That dodgy painting. See, I wouldn't have done that. 342 00:18:41,640 --> 00:18:44,920 Ian and Miranda are up on the top floor of the property 343 00:18:44,960 --> 00:18:48,000 in what was originally the servants' quarters, 344 00:18:48,040 --> 00:18:51,320 partway through their mission to create a suite of guest rooms, 345 00:18:51,360 --> 00:18:54,840 including a bedroom, kitchen 346 00:18:54,880 --> 00:18:56,720 and bathroom. 347 00:18:56,760 --> 00:19:00,320 The new attic bathroom has already tested their DIY skills 348 00:19:00,360 --> 00:19:04,000 with the wonky angled walls proving tricky to paper. 349 00:19:04,040 --> 00:19:07,840 We've been renovating this house for about just over two years now. 350 00:19:07,880 --> 00:19:10,000 Most days I wake up now and I do just think, 351 00:19:10,040 --> 00:19:13,280 "God, we've just bitten off way more than we can handle." 352 00:19:13,320 --> 00:19:15,480 Like, "This project is too big for us." 353 00:19:15,520 --> 00:19:18,760 The papering of the bathroom has been a big frustration, 354 00:19:18,800 --> 00:19:22,240 but with Miranda and Ian bringing their geometry A game, 355 00:19:22,280 --> 00:19:24,720 it's helped them work out just how to conquer 356 00:19:24,760 --> 00:19:26,760 the angles of the sloped roof. 357 00:19:26,800 --> 00:19:31,640 But the last few pieces to go up present another dilemma. 358 00:19:31,680 --> 00:19:36,720 The pressure is on to get these cuts correct and not mess it up 359 00:19:36,760 --> 00:19:40,280 because we only have two more rolls left. 210, my friend. 360 00:19:40,320 --> 00:19:42,720 Yeah, we've been measuring, checking everything three times 361 00:19:42,760 --> 00:19:46,560 instead of just the once, just to make sure. 362 00:19:46,600 --> 00:19:50,200 My measurements are always correct. What's your special saying? 363 00:19:50,240 --> 00:19:53,160 Measure twice, cut once. I don't think that's my saying. 364 00:19:53,200 --> 00:19:55,120 Measure twice, cut once - 365 00:19:55,160 --> 00:19:57,960 the mantra of renovators across the land. 366 00:19:58,000 --> 00:20:00,480 I think it's going to make a real wow factor to this room. 367 00:20:00,520 --> 00:20:04,440 People are going to walk in and be like, "Oh, my God, it's amazing." 368 00:20:04,480 --> 00:20:07,560 We knew it would look amazing. We did it the other day and it was... 369 00:20:07,600 --> 00:20:10,560 Even in all that, like, it not working right, 370 00:20:10,600 --> 00:20:13,040 we knew it was going to look great. 371 00:20:13,080 --> 00:20:15,080 Yeah. That's why we continued to do it. 372 00:20:15,120 --> 00:20:16,960 Yeah. Otherwise you'd stop. 373 00:20:19,320 --> 00:20:22,840 Sticking the last remaining strips of paper up onto the wall, 374 00:20:22,880 --> 00:20:26,400 Ian and Miranda are keen to get their bathroom furniture into the space 375 00:20:26,440 --> 00:20:29,080 to see how it will all tie together. 376 00:20:29,120 --> 00:20:32,080 Ready? Yep. Got it. Great. 377 00:20:32,120 --> 00:20:34,360 All right, now go to your... Yep. You're going to go that way. 378 00:20:34,400 --> 00:20:36,800 You all right? Yep. Wow. I'm good. 379 00:20:36,840 --> 00:20:39,560 All right. 380 00:20:39,600 --> 00:20:42,360 All right, so you have to... Going to put my one down. 381 00:20:42,400 --> 00:20:44,760 Yeah, I'll put my one down. That's your one down, yeah? Yeah. 382 00:20:48,600 --> 00:20:50,680 This is... 383 00:20:50,720 --> 00:20:52,840 ..way down. 384 00:20:52,880 --> 00:20:56,080 Look out on the view, relax... 385 00:20:56,120 --> 00:20:59,080 Ahh... Look at the ceiling. 386 00:20:59,120 --> 00:21:01,920 Lovely ferns. I think it looks really good. 387 00:21:01,960 --> 00:21:04,320 I think it's definitely becoming a lot more finished. 388 00:21:04,360 --> 00:21:06,400 It's bringing it all to life. 389 00:21:07,440 --> 00:21:09,280 Just great. 390 00:21:09,320 --> 00:21:11,960 And there's your throne, Ian. 391 00:21:12,000 --> 00:21:15,760 Fitting for the king and queen of wallpapering. 392 00:21:15,800 --> 00:21:18,280 It's quite comfortable, you know? I've been sitting on it 393 00:21:18,320 --> 00:21:21,280 while I was doing the kitchen because you can sit back here. 394 00:21:21,320 --> 00:21:24,320 Oh, yeah. Look at trees. 395 00:21:24,360 --> 00:21:26,480 Nice. 396 00:21:26,520 --> 00:21:29,040 Across the landing from the bathroom, 397 00:21:29,080 --> 00:21:31,400 we move from restroom to guest room, 398 00:21:31,440 --> 00:21:34,600 offering the sleeping quarters in their new apartment 399 00:21:34,640 --> 00:21:36,520 for visiting guests from Australia. 400 00:21:36,560 --> 00:21:38,800 Currently a blank canvas, 401 00:21:38,840 --> 00:21:42,160 the bedroom needs a lick of paint and new flooring. 402 00:21:42,200 --> 00:21:45,240 Ian has a very particular system when it comes to painting. 403 00:21:45,280 --> 00:21:47,320 So the first job is all the cutting in 404 00:21:47,360 --> 00:21:50,520 and then you're allowed to roller, much to my frustration. 405 00:21:50,560 --> 00:21:53,240 I'm like, "Are we ready to paint yet? Can we just paint the room?" 406 00:21:53,280 --> 00:21:56,320 "Can we finish this room? Let's get on with it." 407 00:21:56,360 --> 00:22:00,160 It's interesting. I normally find that the cutting in is much slower 408 00:22:00,200 --> 00:22:02,880 than the rolling, right? But if I look at it now, 409 00:22:02,920 --> 00:22:06,400 like, I'm more than halfway done and you're not even one quarter done. 410 00:22:06,440 --> 00:22:10,560 Like, just... Oh, if only we could be as good as you, Ian. 411 00:22:10,600 --> 00:22:13,360 It's not as good as me. It's just, you know, 412 00:22:13,400 --> 00:22:16,120 focused on the task at hand or something. 413 00:22:22,840 --> 00:22:24,840 I think she's doing a wonderful job. 414 00:22:24,880 --> 00:22:26,960 Mostly I think that because it's quite dark in this room, 415 00:22:27,000 --> 00:22:30,440 so you can't actually see. You can't see the end result. 416 00:22:30,480 --> 00:22:33,680 So beige number three. SHE LAUGHS 417 00:22:33,720 --> 00:22:38,560 As boring as it sounds, it really does nicely with, um, 418 00:22:38,600 --> 00:22:42,840 not being too warm or too cool, too dark or too light. 419 00:22:42,880 --> 00:22:46,440 I think it accentuates really nicely with what we have going on outside, 420 00:22:46,480 --> 00:22:48,520 which is just loads of greenery. 421 00:22:48,560 --> 00:22:51,160 I think you're overthinking it. I'm not overthinking it. 422 00:22:51,200 --> 00:22:53,240 In different light, it changes colour, 423 00:22:53,280 --> 00:22:55,320 so the morning light, afternoon light, 424 00:22:55,360 --> 00:22:57,880 different light bulbs will bring out different hues in it. 425 00:22:57,920 --> 00:23:00,720 So it's quite, you know, it's a little bit chameleon-esque 426 00:23:00,760 --> 00:23:05,080 in that it's always sort of changing its tone-age. 427 00:23:05,120 --> 00:23:07,240 OK. Lovely. 428 00:23:07,280 --> 00:23:09,480 Well done. 429 00:23:09,520 --> 00:23:11,440 Cool. 430 00:23:11,480 --> 00:23:13,560 Next job. 431 00:23:13,600 --> 00:23:16,040 Does look good, though, doesn't it? Does look good. 432 00:23:16,080 --> 00:23:18,760 Mm. Makes the room look finished. Yeah. 433 00:23:18,800 --> 00:23:20,720 It's definitely progress. 434 00:23:20,760 --> 00:23:23,960 But with a kitchen still to fit and a bedroom to complete, 435 00:23:24,000 --> 00:23:28,440 this guest suite isn't ready for friends and family just yet. 436 00:23:28,480 --> 00:23:31,280 Coming up - 437 00:23:31,320 --> 00:23:34,160 a new friend takes Drew on a journey through time... 438 00:23:34,200 --> 00:23:36,440 Good to meet you. Finally. Great to meet you. 439 00:23:36,480 --> 00:23:41,080 ..to understand the man who designed both Drew's house and much of Truro. 440 00:23:41,120 --> 00:23:43,000 What an instigator. Yeah. 441 00:23:43,040 --> 00:23:44,800 Where's the monument to Philip Sambell? 442 00:23:44,840 --> 00:23:46,880 Well, I suppose we're sitting in it. 443 00:23:46,920 --> 00:23:50,680 And Steve deploys a tried and trusted companion... 444 00:23:50,720 --> 00:23:54,560 It might be old, but it's paid for. That's the way I see it. 445 00:23:54,600 --> 00:23:57,000 ..to tackle some troublesome tiles. 446 00:23:59,000 --> 00:24:01,200 Little bit of a jack up there. 447 00:24:08,280 --> 00:24:11,800 Back in South West England, in the city of Truro, 448 00:24:11,840 --> 00:24:15,440 interior designer Drew and his partner Stu, a gardener, 449 00:24:15,480 --> 00:24:18,200 are lovingly renovating Castle Lodge, 450 00:24:18,240 --> 00:24:20,960 the Grade II listed Georgian end terrace 451 00:24:21,000 --> 00:24:25,040 designed by renowned local architect Philip Sambell. 452 00:24:26,840 --> 00:24:31,840 Today, while Stu is spending time tending to the garden, 453 00:24:31,880 --> 00:24:35,720 upstairs, Drew is with local locksmith Tom, 454 00:24:35,760 --> 00:24:40,560 who continues to try and access the mysteriously locked safe. 455 00:24:40,600 --> 00:24:42,480 It's a good safe. It's extremely old, 456 00:24:42,520 --> 00:24:46,440 but it's been extremely well made and it is extremely tough. 457 00:24:46,480 --> 00:24:48,680 Well, it's kind of getting there. I mean, 458 00:24:48,720 --> 00:24:51,960 with another couple of hours of drilling through solid steel, 459 00:24:52,000 --> 00:24:54,160 it might just happen. 460 00:24:55,840 --> 00:24:59,240 Leaving Tom to persevere, Drew and George the joiner 461 00:24:59,280 --> 00:25:03,640 continue work on the tented bedroom, a fun space for younger guests 462 00:25:03,680 --> 00:25:06,840 when the house eventually becomes a holiday rental. 463 00:25:08,240 --> 00:25:10,840 Now we are, um... DRILL WHINES 464 00:25:10,880 --> 00:25:13,000 ..sort of constructing the bed. 465 00:25:13,040 --> 00:25:16,640 George is putting in the sidebars, 466 00:25:16,680 --> 00:25:19,720 which will then hold up the struts. 467 00:25:19,760 --> 00:25:24,360 It has to be very, very bounce-proof for the pillow fights 468 00:25:24,400 --> 00:25:26,720 and fun that hopefully will be had in this room. 469 00:25:26,760 --> 00:25:30,480 With this renovation, Drew is very mindful 470 00:25:30,520 --> 00:25:33,640 of the story of Castle Lodge and it's important to him 471 00:25:33,680 --> 00:25:37,040 that he is faithful to its original design aesthetic. 472 00:25:37,080 --> 00:25:39,120 We're very much custodians. 473 00:25:39,160 --> 00:25:42,640 I think everybody is custodian of a heritage building. 474 00:25:42,680 --> 00:25:45,920 Therefore why would you alter too much about it? 475 00:25:45,960 --> 00:25:48,440 And why would you create additions 476 00:25:48,480 --> 00:25:51,600 that don't speak the same language perhaps? 477 00:25:51,640 --> 00:25:54,600 I think the bones of the building have to speak of when it was built 478 00:25:54,640 --> 00:25:59,280 and any additions then can be decorative or can create atmosphere. 479 00:26:02,680 --> 00:26:05,560 Drew's keen to delve deeper into the history of the house 480 00:26:05,600 --> 00:26:07,480 to understand the inspirations 481 00:26:07,560 --> 00:26:10,160 that the architect Philip Sambell drew from. 482 00:26:11,240 --> 00:26:13,880 Sambell is responsible for many of the buildings 483 00:26:13,920 --> 00:26:16,080 in Truro's Georgian quarter, 484 00:26:16,120 --> 00:26:19,200 including this substantial Methodist church 485 00:26:19,240 --> 00:26:22,080 where today Drew is meeting a local historian 486 00:26:22,120 --> 00:26:25,280 who also happens to be one of Sambell's descendants 487 00:26:25,320 --> 00:26:27,880 and also called Philip. 488 00:26:27,920 --> 00:26:29,760 Drew. Phil. 489 00:26:29,800 --> 00:26:32,280 Good to meet you. Finally. Great to meet you. 490 00:26:32,320 --> 00:26:35,080 Though a distant relative of the architect, 491 00:26:35,120 --> 00:26:38,840 Phil is on a journey to find out more about his family legacy. 492 00:26:38,880 --> 00:26:42,240 It definitely has a wow factor. I love the simplicity. 493 00:26:42,280 --> 00:26:45,960 What impresses me is it's the...it's the repeat patterns. 494 00:26:46,000 --> 00:26:49,160 I tell you what, why don't we just go upstairs and have a look? 495 00:26:51,280 --> 00:26:54,800 I was intrigued to see the correlation 496 00:26:54,840 --> 00:26:57,800 between, erm, my house, Castle Lodge, 497 00:26:57,840 --> 00:27:00,200 and his civic buildings here. 498 00:27:00,240 --> 00:27:03,360 I can already see his embellishment is similar, 499 00:27:03,400 --> 00:27:05,520 but on a much bigger scale. 500 00:27:05,560 --> 00:27:07,600 When you look at the age of the building 501 00:27:07,640 --> 00:27:10,840 and indeed the age of Castle Lodge... Mm-hm. 502 00:27:10,880 --> 00:27:14,760 ..and the fact they're still so sharp and fine buildings today 503 00:27:14,800 --> 00:27:18,480 compared to many buildings that have been built since. 504 00:27:18,520 --> 00:27:20,480 What an instigator. Yeah. 505 00:27:20,520 --> 00:27:23,000 I mean, where's the monument to Philip Sambell? 506 00:27:23,040 --> 00:27:25,000 Well, I suppose we're sitting in it. 507 00:27:25,040 --> 00:27:27,160 Well, yeah, his buildings, his buildings. 508 00:27:27,200 --> 00:27:30,600 While Drew soaks up the history of Philip Sambell's Truro, 509 00:27:30,640 --> 00:27:32,440 back at Castle Lodge... 510 00:27:32,480 --> 00:27:34,360 DRILL WHIRS 511 00:27:34,400 --> 00:27:39,200 ..locksmith Tom is still drilling away at Drew's locked safe. 512 00:27:39,240 --> 00:27:41,080 How goes it, Tom? Not good. 513 00:27:41,120 --> 00:27:43,360 But you can solve it, right? No. 514 00:27:43,400 --> 00:27:47,000 Oh, no, really? No, I think we're going to have to admit defeat. 515 00:27:47,040 --> 00:27:49,760 I think I've got through three drill bits and I haven't made any... 516 00:27:49,800 --> 00:27:53,120 I haven't got a millimetre deeper. OK, I can swallow that. 517 00:27:53,160 --> 00:27:55,880 You've been incredibly patient. You've spent hours. 518 00:27:55,920 --> 00:27:59,680 Thank you so much. You've really done your best. Thank you. 519 00:27:59,720 --> 00:28:01,760 If Tom can't do it, nobody can! 520 00:28:01,800 --> 00:28:04,840 I'm sure there are people with the skill set to be able to do it... 521 00:28:04,880 --> 00:28:07,280 Right. ..but this one's defeated me, I'm afraid. 522 00:28:07,320 --> 00:28:10,360 They're probably on the run in South America right now, are they? 523 00:28:10,400 --> 00:28:11,720 THEY LAUGH 524 00:28:11,760 --> 00:28:15,760 For now, the secrets inside this safe remain a mystery. 525 00:28:21,840 --> 00:28:25,200 350 miles north in New Brighton, 526 00:28:25,240 --> 00:28:28,000 Steve and Sally are renovating a downstairs space 527 00:28:28,040 --> 00:28:29,960 to turn into a shower room. 528 00:28:31,320 --> 00:28:33,680 It's been a week since the walls were sanded 529 00:28:33,720 --> 00:28:36,080 and Steve's been anything but idle. 530 00:28:36,120 --> 00:28:39,040 This is the area that we're attacking next. 531 00:28:39,080 --> 00:28:42,680 He has waterproofed the shower and applied latex leveller 532 00:28:42,720 --> 00:28:45,840 to even out the floor to prepare for tiling. 533 00:28:45,880 --> 00:28:49,520 It's about halfway through in all respects. 534 00:28:49,560 --> 00:28:52,440 Steve will be laying travertine tiles, 535 00:28:52,480 --> 00:28:55,480 a type of limestone made from natural springs. 536 00:28:55,520 --> 00:28:58,960 No two tiles are the same due to their unique swirls. 537 00:28:59,000 --> 00:29:03,280 They're a bit grubby, so I think we're going to clean up a few, 538 00:29:03,320 --> 00:29:06,360 make sure that they clean up before we go any further. 539 00:29:06,400 --> 00:29:08,600 Ever-thrifty Steve got the leftover tiles 540 00:29:08,640 --> 00:29:11,880 from a building job he did about five years ago. 541 00:29:11,920 --> 00:29:14,360 Because of the raging budget here, 542 00:29:14,400 --> 00:29:17,440 we have to duck and move on everything we buy 543 00:29:17,480 --> 00:29:20,280 because, you know, what you don't spend here 544 00:29:20,320 --> 00:29:23,600 helps you spend over there kind of thing on a different project. 545 00:29:26,200 --> 00:29:28,240 With Sally on cleaning duty... 546 00:29:28,280 --> 00:29:31,560 I think there's 100 of them to clean. ..and checking for cracks... 547 00:29:31,600 --> 00:29:35,640 We don't want them perfect, that's why we like the natural stone. 548 00:29:35,680 --> 00:29:37,680 But some of them have knocks in the corners, 549 00:29:37,720 --> 00:29:39,800 but they're the ones that Steve'll just half cut 550 00:29:39,840 --> 00:29:41,960 because we've got to lay it out yet. 551 00:29:42,000 --> 00:29:44,480 ..Steve starts bringing in the clean tiles. 552 00:29:44,520 --> 00:29:46,880 We're just getting a few of the tiles in now 553 00:29:46,920 --> 00:29:49,960 so that we can have a look at 554 00:29:50,000 --> 00:29:53,120 how they look when they're down. 555 00:29:57,000 --> 00:29:59,400 The tiles will also stretch out to an area 556 00:29:59,440 --> 00:30:02,360 between the bathroom and utility room. 557 00:30:02,400 --> 00:30:04,080 This is the pre-bathroom. 558 00:30:04,120 --> 00:30:06,560 This'll still be a nice area to move around in. 559 00:30:06,600 --> 00:30:09,840 Sally takes a quick break to see what the tiles will look like. 560 00:30:09,880 --> 00:30:12,360 Looks good though. I think so. 561 00:30:14,400 --> 00:30:17,800 Steve now needs to get down to cutting some of the tiles 562 00:30:17,840 --> 00:30:19,680 to fit the space. 563 00:30:19,720 --> 00:30:21,800 There's our tile... 564 00:30:21,840 --> 00:30:24,520 I won't say "lovely tile machine" because it's not very lovely. 565 00:30:24,560 --> 00:30:27,360 It might be old, but it's paid for. 566 00:30:27,400 --> 00:30:29,400 That's the way I see it. 567 00:30:30,720 --> 00:30:33,440 Let's see how it copes. 568 00:30:33,480 --> 00:30:38,480 He's hoping the diamond blade on this 15-year-old wet-tile cutter 569 00:30:38,520 --> 00:30:42,440 will still be able to cut through the tough travertine material. 570 00:30:42,480 --> 00:30:44,480 GRATING 571 00:30:44,520 --> 00:30:46,680 Little bit of a jack up there. 572 00:30:48,240 --> 00:30:51,360 OK, so this really isn't happy. 573 00:30:52,680 --> 00:30:55,080 OK, so we know that that's just not coping. 574 00:30:55,120 --> 00:30:59,000 Steve's tile cutter has clearly cut one tile too many. 575 00:30:59,040 --> 00:31:01,800 That's a bit tiresome. So it's plan B. 576 00:31:01,840 --> 00:31:05,120 Look, we won't dwell on that too much. So I'm off to get a grinder 577 00:31:05,160 --> 00:31:08,240 and the...see how that works. 578 00:31:11,040 --> 00:31:15,440 Of course, Steve has one to hand in his toolbox. 579 00:31:15,480 --> 00:31:19,600 Yeah, it will work, yeah. Because this'll pretty much cut anything. 580 00:31:19,640 --> 00:31:23,080 Um, so it looks like I'll be free-handing the cut. 581 00:31:23,120 --> 00:31:26,120 Although an angle grinder is not as straightforward to use, 582 00:31:26,160 --> 00:31:28,720 experienced builder Steve isn't phased. 583 00:31:28,760 --> 00:31:31,160 So as long as I start off with a straightedge, 584 00:31:31,200 --> 00:31:35,640 I'll then turn the saw on and just lightly go along the straightedge, 585 00:31:35,680 --> 00:31:37,880 take the straightedge away, just follow that line 586 00:31:37,920 --> 00:31:40,480 and you do that two or three times and it'll just... 587 00:31:40,520 --> 00:31:43,800 ..it'll fall in half or cut straight through it. 588 00:31:43,840 --> 00:31:46,680 It still means I don't have to buy a machine 589 00:31:46,720 --> 00:31:50,080 which...which I didn't want to and now I don't have to. 590 00:31:52,400 --> 00:31:55,280 Just one week later, Steve and Sally 591 00:31:55,320 --> 00:31:57,520 have laid the travertine tiles on the floor 592 00:31:57,560 --> 00:32:01,800 and also attached cream mosaic tiles to the walls and shower surround. 593 00:32:01,840 --> 00:32:03,800 I just didn't think this was saveable 594 00:32:03,840 --> 00:32:05,880 because it was in such a poor state 595 00:32:05,920 --> 00:32:08,800 because this is the area that was suffering from the leaks, 596 00:32:08,840 --> 00:32:10,800 so it had loads of problems. 597 00:32:10,840 --> 00:32:13,720 After tearing out the dated '70s bathroom 598 00:32:13,760 --> 00:32:16,480 with cracked tiles and poor drainage... 599 00:32:18,680 --> 00:32:20,680 ..the space is now well on the way 600 00:32:20,720 --> 00:32:23,040 to becoming a bright and welcoming bathroom. 601 00:32:26,240 --> 00:32:28,960 Though there's still the grouting, tray edging to do 602 00:32:29,000 --> 00:32:31,680 and a shower head, sink and toilet to be plumbed in, 603 00:32:31,720 --> 00:32:34,720 their tranquil shower room is almost finished. 604 00:32:34,760 --> 00:32:37,280 I like the choice of the tiles that we've chosen 605 00:32:37,320 --> 00:32:39,320 because we've had so many tiles to buy. 606 00:32:39,360 --> 00:32:41,320 We go and find the tiles that we like, 607 00:32:41,360 --> 00:32:43,520 but they're normally in the budget... 608 00:32:43,560 --> 00:32:45,720 They're, like, the end-of-line things. 609 00:32:45,760 --> 00:32:48,040 So we get some really good deals. 610 00:32:48,080 --> 00:32:52,120 So I think that's being savvy with the money in here is a joy. 611 00:32:52,160 --> 00:32:54,960 And it's not just unused and end-of-line tiles 612 00:32:55,000 --> 00:32:57,160 that are being repurposed in here. 613 00:32:57,200 --> 00:33:00,640 That was the original materials from the old bathroom. 614 00:33:00,680 --> 00:33:03,920 Yeah, this red Perspex was part of the old bathroom, 615 00:33:03,960 --> 00:33:07,920 but I like to have...leave something behind that was original. 616 00:33:07,960 --> 00:33:11,240 So it's only a quirky thing, but... Yeah, that's great. 617 00:33:11,280 --> 00:33:13,160 Rome wasn't built in a day 618 00:33:13,200 --> 00:33:15,480 and neither was Steve and Sally's shower room. 619 00:33:15,520 --> 00:33:18,080 When you've got your little mats down, little soaps 620 00:33:18,120 --> 00:33:21,640 and all your shampoos... You see, I like the bit... That's my bit, 621 00:33:21,680 --> 00:33:23,680 I like dressing it, so it'll be nice to dress it. 622 00:33:23,720 --> 00:33:25,840 Yeah. It's all to come. 623 00:33:25,880 --> 00:33:29,760 With this hard working duo, it's only a matter of time. 624 00:33:29,800 --> 00:33:31,880 Proud of you, love. 625 00:33:31,920 --> 00:33:34,160 Thank you. Thank you, my girl. 626 00:33:34,200 --> 00:33:36,360 It's all right. But, yeah, if you could finish it... Yeah, yeah, 627 00:33:36,400 --> 00:33:38,920 I'll get on with it. I'll start now, shall I? Yeah? 628 00:33:38,960 --> 00:33:42,480 What time is it? No, no, but it is gorgeous, babe, I love it. 629 00:33:44,720 --> 00:33:46,520 Coming up - 630 00:33:46,560 --> 00:33:48,920 Drew invites a VIP... 631 00:33:48,960 --> 00:33:52,160 Good to see you again. Thank you so much for coming. It's a pleasure. 632 00:33:52,200 --> 00:33:56,240 ..to give a very special seal of approval on his completed rooms. 633 00:33:56,280 --> 00:33:58,480 It would've been lovely to see if, you know, 634 00:33:58,520 --> 00:34:00,320 he could've seen this today. 635 00:34:00,360 --> 00:34:04,080 And for Ian and Miranda, it's time to reflect... 636 00:34:04,120 --> 00:34:06,520 I would never advise wallpapering a room like this 637 00:34:06,560 --> 00:34:08,880 to anybody ever again. 638 00:34:08,920 --> 00:34:11,880 ..over a hectic but rewarding few months. 639 00:34:11,920 --> 00:34:13,880 We put all this time and effort in, 640 00:34:13,920 --> 00:34:16,520 you know, we've got to celebrate our wins 641 00:34:16,560 --> 00:34:18,880 and...and try and enjoy the journey. 642 00:34:25,440 --> 00:34:28,240 In Truro, at the Regency Villa 643 00:34:28,280 --> 00:34:30,640 Drew and Stu are turning into a holiday let, 644 00:34:30,680 --> 00:34:32,760 in the kids' bedroom, 645 00:34:32,800 --> 00:34:37,240 Drew is attaching a scalloped edge trim around the edge of the ceiling. 646 00:34:37,280 --> 00:34:39,720 I think the kids are going to love it. 647 00:34:41,200 --> 00:34:45,120 The only thing left to do in this room is pop a mattress in 648 00:34:45,160 --> 00:34:48,880 and then there's a pendant light that needs to go up as well. 649 00:34:48,920 --> 00:34:53,960 And I've got plenty more scallop edging, which I'm going to trim, 650 00:34:54,000 --> 00:34:57,200 fill the gaps and then this room is complete. 651 00:34:57,240 --> 00:34:59,960 Across the landing, after Tom the locksmith 652 00:35:00,000 --> 00:35:03,000 was unable to open the safe in the twin bedroom, 653 00:35:03,040 --> 00:35:06,440 Drew made an unexpected discovery. 654 00:35:06,480 --> 00:35:09,200 The good chap not only did that, 655 00:35:09,240 --> 00:35:13,480 but he also angle-grinded around the edge. 656 00:35:13,520 --> 00:35:16,880 And when I sort of, 657 00:35:16,920 --> 00:35:19,080 um, was preparing to paint it, 658 00:35:19,120 --> 00:35:23,800 I was mucking around and I just happened to do this 659 00:35:23,840 --> 00:35:26,240 and. lo and behold, 660 00:35:26,280 --> 00:35:28,120 the safe opened. 661 00:35:28,160 --> 00:35:32,920 But it looks like all it needed was a chip away around the edge. 662 00:35:32,960 --> 00:35:36,520 The safe, alas, was empty, but at least the mystery is solved. 663 00:35:36,560 --> 00:35:38,520 It's a beauty. 664 00:35:38,560 --> 00:35:41,440 It's George VI, racing green. 665 00:35:41,480 --> 00:35:43,840 We have a safe that opens. 666 00:35:46,520 --> 00:35:50,760 Six months ago, these upstairs bedrooms were dumping grounds. 667 00:35:50,800 --> 00:35:53,000 Used as commercial premises for many years, 668 00:35:53,040 --> 00:35:56,840 it was a long time since they'd had love and attention. 669 00:35:56,880 --> 00:36:01,560 Once again, Drew had a vision and a theme emerged for each room. 670 00:36:04,600 --> 00:36:06,760 In the tented children's room, 671 00:36:06,800 --> 00:36:09,080 the bold stripes of the fabric-lined walls 672 00:36:09,120 --> 00:36:12,840 carry you away to Arabian Nights sleeping under the stars 673 00:36:12,880 --> 00:36:16,440 and the 19th-century French faux-bamboo furniture 674 00:36:16,480 --> 00:36:19,560 helps add to the fairy-tale atmosphere. 675 00:36:19,600 --> 00:36:22,360 Back in the day, when you were on campaign, 676 00:36:22,400 --> 00:36:24,480 the tents inside for the officers 677 00:36:24,520 --> 00:36:26,680 were really kind of quite magnificent. 678 00:36:27,720 --> 00:36:30,680 And of course, when you've got a small space, 679 00:36:30,720 --> 00:36:34,560 by tenting it and making it feel like some other world 680 00:36:34,600 --> 00:36:37,200 or just a slightly different atmosphere, 681 00:36:37,240 --> 00:36:39,600 um, hopefully, the kids all really enjoy 682 00:36:39,640 --> 00:36:42,600 this "camping in a townhouse" vibe! 683 00:36:43,760 --> 00:36:47,120 By contrast, the twin room is a haven. 684 00:36:47,160 --> 00:36:51,200 Relaxing colours and tones ensure a restful night's sleep. 685 00:36:54,400 --> 00:36:56,800 Taking centre stage, the safe - 686 00:36:56,840 --> 00:37:01,160 now painted and dressed with a decorative embellishment. 687 00:37:01,200 --> 00:37:04,640 I'm really happy with the way the twin room has worked out. 688 00:37:04,680 --> 00:37:08,320 It gives you that mid-century Italian coastal vibe, 689 00:37:08,360 --> 00:37:13,720 hence the blues with the little plaster, um, shell sconces as well. 690 00:37:13,760 --> 00:37:16,160 You know, just driving that coastal message. 691 00:37:16,200 --> 00:37:18,280 I mean, I'd love to wake up here in the morning. 692 00:37:18,320 --> 00:37:20,360 Well, of course, with your sea colours, 693 00:37:20,400 --> 00:37:22,400 you need a little sunshine, right? 694 00:37:22,440 --> 00:37:26,760 So, um, we've thrown in a little bit of mustard yellow, sunshine yellow 695 00:37:26,800 --> 00:37:29,440 to brighten you up in the morning, but at the end of the day, 696 00:37:29,480 --> 00:37:31,480 you're in Cornwall and it feels like 697 00:37:31,520 --> 00:37:34,400 a really nice part of the Cornish coast. 698 00:37:34,440 --> 00:37:37,040 And the colour combination just makes you feel like 699 00:37:37,080 --> 00:37:39,080 you're on holiday. 700 00:37:39,120 --> 00:37:41,280 With many of the rooms now complete, 701 00:37:41,320 --> 00:37:44,880 Drew's invited his new acquaintance Phil to look around 702 00:37:44,920 --> 00:37:48,640 and see what he thinks his ancestor, who designed Castle Lodge, 703 00:37:48,680 --> 00:37:50,640 would make of the transformation. 704 00:37:50,680 --> 00:37:54,640 Good to see you again. Thank you so much for coming. It's a pleasure. 705 00:37:54,680 --> 00:37:58,160 The villa is sort of modelled on Italian villas, I suppose, 706 00:37:58,200 --> 00:37:59,600 of the time. 707 00:37:59,640 --> 00:38:03,960 So we've run with that through here, given that sort of palazzo vibe. 708 00:38:04,000 --> 00:38:06,000 And through here to the dining room. 709 00:38:06,040 --> 00:38:09,320 And this apparently is quite rare plaster moulding. 710 00:38:09,360 --> 00:38:11,880 Yeah, but this is quite... Yeah, this is... 711 00:38:11,920 --> 00:38:14,440 A lot more intricate than I had expected, to be honest with you. 712 00:38:14,480 --> 00:38:16,760 But it's interesting the different cornices in the different rooms. 713 00:38:16,800 --> 00:38:18,760 Well, as the show house, 714 00:38:18,800 --> 00:38:22,400 apparently, potential buyers would come room to room 715 00:38:22,440 --> 00:38:24,600 and choose their plaster work and finishes. 716 00:38:24,640 --> 00:38:28,080 Yeah, just a fabulous, fabulous setting. Thank you. 717 00:38:28,120 --> 00:38:30,840 It's all been beautifully done. Yeah, a little broken pediment. 718 00:38:30,880 --> 00:38:34,800 It's just running with that whole theme of your ancestor, really, 719 00:38:34,840 --> 00:38:37,800 as an architect. Didn't want to step too far out of that. 720 00:38:37,840 --> 00:38:41,680 It would've been lovely to see, if he could've seen this today and... 721 00:38:41,720 --> 00:38:43,720 Ahh... Of course, he couldn't tell you what he thought, 722 00:38:43,760 --> 00:38:47,160 but he would've written it down. I'm sure he would let me know! 723 00:38:47,200 --> 00:38:49,400 And I'm sure he'd have been pleased. I hope so. 724 00:38:49,440 --> 00:38:53,560 That's the aim, is to do the building proud. Absolutely. 725 00:38:55,160 --> 00:38:57,160 Drew's definitely achieved that. 726 00:38:57,200 --> 00:38:59,080 And Phil's quick to agree. 727 00:38:59,120 --> 00:39:01,760 If I get the family approval, then I'm even happier. 728 00:39:01,800 --> 00:39:04,000 Approves for me. Thanks, man. Fabulous. 729 00:39:05,760 --> 00:39:09,280 Drew's just done a fabulous job and it's just, uh, 730 00:39:09,320 --> 00:39:12,120 yeah, tasteful. Tasteful and delightful. 731 00:39:12,160 --> 00:39:14,120 And it's a pleasure to wander around today. 732 00:39:14,160 --> 00:39:19,080 And later this week, we'll wander around with Drew for the final time 733 00:39:19,120 --> 00:39:23,720 as he finishes his last bedroom and throws a party to celebrate. 734 00:39:27,160 --> 00:39:31,120 280 miles east in Kent, at the old rectory... 735 00:39:31,160 --> 00:39:34,840 OK, cool. So do you want to... Can you help me line this up? 736 00:39:34,880 --> 00:39:37,520 ..work continues in the three attic rooms 737 00:39:37,560 --> 00:39:40,240 in what were the old servants' quarters. 738 00:39:40,280 --> 00:39:42,800 You good? Yeah, I'm good. Yeah? OK, cool. 739 00:39:44,280 --> 00:39:47,240 In this, the third and final of the rooms, 740 00:39:47,280 --> 00:39:51,320 Ian and Miranda's kitchen-lounge-diner is taking shape. 741 00:39:51,360 --> 00:39:54,640 The couple have built a neat kitchen area for their Aussie guests to use 742 00:39:54,680 --> 00:39:57,840 when they come to stay and it's nearly finished. 743 00:39:57,880 --> 00:40:00,600 Now, the test. 744 00:40:05,440 --> 00:40:07,720 Looks great. Looks like a real kitchen. 745 00:40:07,760 --> 00:40:09,760 DRILL WHIRS 746 00:40:09,800 --> 00:40:12,000 Always a horrible feeling when you screw into something like this 747 00:40:12,040 --> 00:40:14,400 because you always think, "Jeez, I hope it doesn't 748 00:40:14,440 --> 00:40:16,520 "go all the way through." 749 00:40:16,560 --> 00:40:18,760 Go on, Ian, give it some. 750 00:40:23,440 --> 00:40:27,600 There you go. Right. All done. Done. Onto the next job. Yep. 751 00:40:27,640 --> 00:40:29,640 And with just some lighting to fit, 752 00:40:29,680 --> 00:40:33,200 it won't be long before this kitchenette is ready to fire up. 753 00:40:35,240 --> 00:40:38,600 It's another month before Ian and Miranda can down tools, 754 00:40:38,640 --> 00:40:42,680 with their attic guest rooms now completely transformed. 755 00:40:42,720 --> 00:40:46,320 The real showstopper of the suite is the bathroom... 756 00:40:47,840 --> 00:40:51,240 ..Miranda's charcoal and green fern wallpaper 757 00:40:51,280 --> 00:40:53,680 adding a fabulous botanical flourish. 758 00:40:54,960 --> 00:40:57,560 This was a labour of love, wasn't it? Every time I walk in here, 759 00:40:57,600 --> 00:41:01,880 I just think it looks great. Yeah, but, Jeez, it was difficult. 760 00:41:01,920 --> 00:41:03,200 Yeah. 761 00:41:03,240 --> 00:41:05,800 I would never advise wallpapering a room like this 762 00:41:05,840 --> 00:41:08,120 to anybody ever again. 763 00:41:08,160 --> 00:41:10,120 It's a definite no. 764 00:41:10,160 --> 00:41:14,120 But despite the challenges, the finish is stunning. 765 00:41:14,160 --> 00:41:16,960 I love the fact it's on the ceiling. In such a small room, 766 00:41:17,000 --> 00:41:20,240 it makes it really cosy, like it's giving you a great big hug. 767 00:41:20,280 --> 00:41:22,400 This room actually makes me feel quite happy. 768 00:41:22,440 --> 00:41:25,040 I like that it blends with being a little bit funky, 769 00:41:25,080 --> 00:41:27,840 a little bit different, but being conservative and traditional too. 770 00:41:27,880 --> 00:41:29,920 But I think that's the thing we're going for in the whole house, right? 771 00:41:29,960 --> 00:41:31,880 There's just a mixture of everything. That's the vibe. 772 00:41:31,920 --> 00:41:34,960 There's no trend... The colour scheme is all sort of blending in 773 00:41:35,000 --> 00:41:37,800 and so on and so forth. It's the vibe. The vibe. The vibe. 774 00:41:39,160 --> 00:41:41,400 And alongside the magnificent bathroom, 775 00:41:41,440 --> 00:41:45,080 the other rooms in this guest suite are now complete. 776 00:41:46,600 --> 00:41:49,240 The bedroom is calm and soothing, 777 00:41:49,280 --> 00:41:53,600 pale tones and gentle decor ensuring a satisfying night's sleep. 778 00:41:53,640 --> 00:41:57,600 Ahh! Serenity. This is a nice, peaceful room. 779 00:41:57,640 --> 00:42:00,080 I mean, we use our standard beige number three, 780 00:42:00,120 --> 00:42:02,080 which we used everywhere in the house, 781 00:42:02,120 --> 00:42:05,760 so it has this nice uniformed effect and it's just a really simple room. 782 00:42:05,800 --> 00:42:07,600 I do like to have guests come round, 783 00:42:07,640 --> 00:42:09,840 especially if they are coming from overseas, from Australia. 784 00:42:09,880 --> 00:42:12,440 We want them to feel comfortable in the space that they're in 785 00:42:12,480 --> 00:42:16,720 and so we try to make it as nice as possible for when they're here. 786 00:42:16,760 --> 00:42:19,760 This functional home from home is finished off 787 00:42:19,800 --> 00:42:22,920 with an elegant sitting, dining and kitchen space. 788 00:42:22,960 --> 00:42:25,360 We've renovated a small apartment, haven't we? 789 00:42:25,400 --> 00:42:27,480 Yeah. I mean, probably quite a decent sized apartment. 790 00:42:27,520 --> 00:42:29,400 Yeah. You know, like, when you think about it, 791 00:42:29,440 --> 00:42:31,400 the whole size of the space you've got here. 792 00:42:31,440 --> 00:42:35,000 But now it's a whole self-contained studio for when guests come, 793 00:42:35,040 --> 00:42:38,600 so if they want tea and coffee, help themselves to whatever they need. 794 00:42:38,640 --> 00:42:41,600 It's lovely up here. You know, this is... If this was an apartment, 795 00:42:41,640 --> 00:42:44,880 you'd be like, "Fantastic." I'm thinking about moving here myself. 796 00:42:44,920 --> 00:42:48,200 I'm going to lock everybody out and this will just be my apartment. 797 00:42:48,240 --> 00:42:51,840 Just you. Yeah. Right. OK. 798 00:42:51,880 --> 00:42:55,840 It's no wonder Miranda fancies a little me time. 799 00:42:55,880 --> 00:42:58,960 The couple have achieved great things in the last few months, 800 00:42:59,000 --> 00:43:02,720 bringing the old rectory back to life a room at a time. 801 00:43:02,760 --> 00:43:05,880 I'm very pleased with what we've achieved over the last six months. 802 00:43:05,920 --> 00:43:08,720 I think that we have completed a huge amount. 803 00:43:08,760 --> 00:43:11,880 It's just, when you're on the journey up the mountain, 804 00:43:11,920 --> 00:43:13,920 you're always just looking to the top, 805 00:43:13,960 --> 00:43:15,880 as in the whole finish point for the house. Yeah. 806 00:43:15,920 --> 00:43:17,960 So we never take stock to look behind us 807 00:43:18,000 --> 00:43:20,960 and see what we've achieved. Yeah. 808 00:43:21,000 --> 00:43:25,600 I think the problem is is that you don't feel fully satisfied... Yep. 809 00:43:25,640 --> 00:43:27,640 ..because the project is so vast, 810 00:43:27,680 --> 00:43:30,160 there's so much more to complete. Yep. 811 00:43:30,200 --> 00:43:32,720 One of the issues in a house that's just so big, you know, 812 00:43:32,760 --> 00:43:34,840 you can't just fix one thing because as soon as you do that, 813 00:43:34,880 --> 00:43:38,760 it's like 50 other jobs then come with being able to do that one job. 814 00:43:38,800 --> 00:43:42,160 You have to just be dynamic and you have to think outside of the square. 815 00:43:42,200 --> 00:43:44,480 I think it's really important to take time out to enjoy the spaces. 816 00:43:44,520 --> 00:43:46,800 I mean, we put all this time and effort in, you know, 817 00:43:46,840 --> 00:43:51,640 we've got to celebrate our wins and...and try and enjoy the journey. 818 00:43:54,320 --> 00:43:56,320 We can't wait to have friends around and come and watch a movie 819 00:43:56,360 --> 00:43:59,920 and the kids can come and play. We want to share it with everybody 820 00:43:59,960 --> 00:44:03,360 and enjoy all these spaces and have some fun. 821 00:44:05,520 --> 00:44:08,560 Next time - in Warwickshire... 822 00:44:10,520 --> 00:44:12,880 ..ceilings are down and floorboards up 823 00:44:12,920 --> 00:44:17,160 as Andrew and Mandy uncover hidden treasure from the past. 824 00:44:17,200 --> 00:44:19,680 SHE GASPS It's there! Look! 825 00:44:19,720 --> 00:44:21,680 Uh, speechless, actually. 826 00:44:21,720 --> 00:44:25,600 In New Brighton... You're going to put your end down now. 827 00:44:25,640 --> 00:44:28,040 ..Sally and Steve bring the indoors outside 828 00:44:28,080 --> 00:44:30,160 as they build a cosy garden room. 829 00:44:30,200 --> 00:44:33,200 It's like a little house. It's just going to look fab. 830 00:44:33,240 --> 00:44:35,000 And in Truro... 831 00:44:35,040 --> 00:44:38,440 It feels a bit cashmere-y and it throws the light back really nicely. 832 00:44:38,480 --> 00:44:40,480 ..Drew gets creative with textiles 833 00:44:40,520 --> 00:44:43,640 to create a comfy window seat for his guest bedroom. 834 00:44:43,680 --> 00:44:47,360 Every couple of centimetres, just pop your staple gun there. 835 00:44:50,680 --> 00:44:52,680 Subtitles by Red Bee Media 68279

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