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Here in the UK,
we do love a period property.
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00:00:05,080 --> 00:00:07,240
I never dreamt I would own a castle.
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00:00:07,280 --> 00:00:09,880
For me, it looks like
a typical doll's house.
4
00:00:09,920 --> 00:00:11,680
From countryside houses...
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00:00:11,720 --> 00:00:14,600
It was everything you could
dream of. It was a palace.
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00:00:14,640 --> 00:00:16,840
..to timeless terraces.
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00:00:16,880 --> 00:00:20,800
I turned up and I thought,
"Whoa, this is pretty cute."
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00:00:20,840 --> 00:00:23,040
But beneath the grand facades...
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00:00:23,080 --> 00:00:25,680
Hopefully, the house won't
fall down. We'll see, will we?!
10
00:00:25,720 --> 00:00:28,760
..these historical homes
are falling to bits.
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00:00:28,800 --> 00:00:30,640
Everyone told us
to tear this building down.
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00:00:30,680 --> 00:00:33,640
All over the country,
an army of renovators
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00:00:33,680 --> 00:00:36,320
are snapping them up
at knockdown prices...
14
00:00:36,360 --> 00:00:39,680
I think we should leave it
like this. It looks old-timely.
15
00:00:39,720 --> 00:00:42,880
..then facing challenges
of epic proportions.
16
00:00:44,360 --> 00:00:46,480
I said all along
to get a new-build.
17
00:00:46,520 --> 00:00:49,760
This series, we meet
the brave new renovators...
18
00:00:49,800 --> 00:00:52,040
We were looking for a bungalow
with a shed.
19
00:00:52,080 --> 00:00:56,000
..and return to our familiar band
of determined dreamers...
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Who else has got a chapel
in their house?!
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00:00:58,440 --> 00:01:00,520
..all risking everything...
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I thought I had a good idea of what
was needed. I was quite wrong.
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People think renovation is lovely,
don't they?
HE LAUGHS
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00:01:07,440 --> 00:01:09,440
Oh, God. I'm trembling.
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00:01:09,480 --> 00:01:12,160
..to create the forever home
of their dreams...
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00:01:12,200 --> 00:01:14,440
Oh, my God, it's so nice!
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..brick by brick...
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Whoa! This is amazing.
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..room by room.
I still have my pinch-me moments.
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We're nowhere near finished,
but it feels like a house now.
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We are a renovation nation.
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Today in Kent...
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I am actually really, really nervous
about this.
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00:01:36,680 --> 00:01:38,480
..wallpapering the attic...
35
00:01:38,520 --> 00:01:41,160
5-2-2. 5-2-2.
36
00:01:41,200 --> 00:01:43,920
..tests Ian and Miranda's
maths skills.
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Need some time to think about this.
Completely flummoxed by it all.
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In Cornwall, unlocking the past...
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It's not every, um,
house that you buy
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00:01:53,920 --> 00:01:57,120
has got a safe of this size
and age in one of the bedrooms.
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00:01:57,160 --> 00:01:59,840
..proves harder than expected.
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00:01:59,880 --> 00:02:02,880
Hopefully we can see
what's inside today, huh?
43
00:02:02,920 --> 00:02:04,960
That's the objective. OK.
44
00:02:06,280 --> 00:02:10,240
And on the Wirral, the drive
to complete a shower room...
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Stop making excuses.
46
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Just get on with it.
I'm doing my best. Yeah.
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..needs all hands to the pumps.
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00:02:17,880 --> 00:02:19,200
Time is money.
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00:02:24,440 --> 00:02:28,560
In the Kent countryside, near
the chalk hills of the North Downs,
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00:02:28,600 --> 00:02:31,400
lies this Victorian rectory.
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00:02:31,440 --> 00:02:34,040
Once the residence
of clerical dignitaries,
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00:02:34,080 --> 00:02:36,520
it fell into steep decline
in the '80s
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00:02:36,560 --> 00:02:39,760
and remained unoccupied
for over ten years
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00:02:39,800 --> 00:02:42,800
until Sydney entrepreneurs
Ian and Miranda
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saw beyond its crumbling facade
and looked to begin a new life here.
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00:02:48,080 --> 00:02:52,080
We took the plunge and decided
to come over to the UK.
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00:02:52,120 --> 00:02:54,280
This house for us
is a house of hopes,
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00:02:54,320 --> 00:02:56,680
it's a house of dreams
and we're building it
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00:02:56,720 --> 00:02:59,400
and we're pouring, you know,
love, sweat,
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00:02:59,440 --> 00:03:03,000
lots of tears, uh,
into this property...
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00:03:03,040 --> 00:03:06,080
SHE LAUGHS
..for it to be our forever home.
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00:03:07,320 --> 00:03:10,200
The 19-roomed house
and nine-acre grounds
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00:03:10,240 --> 00:03:12,840
cost the couple just over £1 million,
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00:03:12,880 --> 00:03:16,720
a price that reflected the scale
of the renovation required.
65
00:03:16,760 --> 00:03:17,760
HE GASPS
66
00:03:17,800 --> 00:03:21,320
Earlier this week, we saw Ian
and Miranda turn an attic space
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00:03:21,360 --> 00:03:24,720
into a stunning movie room
to spend time as a family.
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00:03:24,760 --> 00:03:28,440
Now work is starting on the rest
of the rooms on the top floor.
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00:03:28,480 --> 00:03:32,480
So here we are
in the servants' quarters.
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00:03:32,520 --> 00:03:36,240
This part of the house
was definitely stuck in time,
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00:03:36,280 --> 00:03:38,600
but effectively, it's a really nice
self-contained area
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00:03:38,640 --> 00:03:40,520
where guests could come and stay.
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00:03:40,560 --> 00:03:44,480
They hope to create a bedroom,
bathroom and studio kitchen.
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00:03:44,520 --> 00:03:46,800
We need to install the kitchen.
75
00:03:46,840 --> 00:03:50,280
This will be sort of like a small
dining table and a couch in here.
76
00:03:50,320 --> 00:03:53,160
It's basically decorating,
putting the kitchen in
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00:03:53,200 --> 00:03:55,960
and then just putting in
the light fittings.
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00:03:56,000 --> 00:03:58,920
This makes such a cute,
cosy guest bedroom.
79
00:03:58,960 --> 00:04:02,040
Yeah, it's lovely.
I love the slanted ceilings.
80
00:04:02,080 --> 00:04:04,160
Do you know what I like about it?
What's that?
81
00:04:04,200 --> 00:04:06,200
I never have to use a ladder
up here.
82
00:04:07,680 --> 00:04:10,480
Ian and Miranda also plan
to bring their opulent style
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00:04:10,520 --> 00:04:12,960
to the smallest room in the house -
84
00:04:13,000 --> 00:04:16,760
this bathroom area, which sits
across the landing from the bedroom.
85
00:04:16,800 --> 00:04:20,080
So it's quite a small bathroom,
86
00:04:20,120 --> 00:04:22,880
but it's a nice little shape
and a nice size.
87
00:04:22,920 --> 00:04:27,160
With the plastering already done,
it's ready for papering,
88
00:04:27,200 --> 00:04:30,960
but this space brings
some interesting challenges.
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The trick will be... Yep.
..trying to get the wallpaper
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to go from the floor,
up the walls...
91
00:04:36,640 --> 00:04:39,480
Yep. ..cross the ceiling... Yep.
..back down the other side.
92
00:04:39,520 --> 00:04:41,160
Yeah.
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00:04:41,200 --> 00:04:44,640
It is skill level ten.
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00:04:44,680 --> 00:04:47,880
I've only been trained
to skill level one so far,
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00:04:47,920 --> 00:04:52,560
so I've got a big jump to make
in trying to pull this one off.
96
00:04:52,600 --> 00:04:55,600
If anyone can, you can, Miranda.
97
00:04:55,640 --> 00:04:57,720
Darcy, you're always in the way.
98
00:04:57,760 --> 00:05:00,680
A few days later, having laid
some tiles on the floor,
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the papering can begin.
100
00:05:03,000 --> 00:05:05,960
So first things first, we'll measure
up the space, then mark it all out,
101
00:05:06,000 --> 00:05:08,120
so where all the wallpaper is
going to go and draw all the lines.
102
00:05:08,160 --> 00:05:10,280
Because the last thing you want
is the wallpaper coming off
103
00:05:10,320 --> 00:05:12,400
at some sort of weird angle.
So it's got to be straight.
104
00:05:12,440 --> 00:05:15,040
And then we're going to use
the...the laser line.
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Thank you, Ian,
my gorgeous assistant here.
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52...
107
00:05:19,320 --> 00:05:21,280
Ian measures the wallpaper width
108
00:05:21,320 --> 00:05:23,960
so they know how far apart
to mark lines on the wall.
109
00:05:24,000 --> 00:05:26,320
5-2-2. 5-2-2.
110
00:05:26,360 --> 00:05:29,280
So if I line the laser level
up with these marks,
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00:05:29,320 --> 00:05:32,000
then that will give me
my lines across.
112
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There you go.
113
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Look how flat the roof is.
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As Miranda begins to paste the walls,
reno-fear sets in.
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00:05:45,520 --> 00:05:50,440
I am actually really, really nervous
about this.
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It has all the hallmarkings
of going completely wrong
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and looking terrible
118
00:05:55,640 --> 00:05:58,640
because of how the pattern's
going to match or not match.
119
00:05:58,680 --> 00:06:01,320
That's for just cutting. Oh, OK.
Then there's another one of these.
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00:06:01,360 --> 00:06:04,120
Can you take a bit of slack? Yeah.
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00:06:06,000 --> 00:06:09,720
Line that up that way. Yeah,
and then work my way up the wall.
122
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You want to go to the walls
or the line?
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It's got to go to the line because
can't do anything about the wall.
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00:06:21,120 --> 00:06:23,800
There we go.
Looks good though, doesn't it?
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00:06:23,840 --> 00:06:26,080
Just need to push it
into the corner.
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00:06:28,920 --> 00:06:30,920
With the first length up...
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00:06:30,960 --> 00:06:34,200
What do you think, Darce? Good?
Darcy gives the seal of approval.
128
00:06:34,240 --> 00:06:36,840
..the second proves a little trickier
to position.
129
00:06:36,880 --> 00:06:38,840
Sorry, boss.
Got to get back to work, mate.
130
00:06:38,880 --> 00:06:42,280
It's all over the shop.
Yeah, because the wall's curved.
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It's all about angles.
132
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Miranda has chosen to paper a room
where it's almost impossible
133
00:06:47,840 --> 00:06:50,880
to make a wallpaper repeat pattern
line up properly.
134
00:06:50,920 --> 00:06:52,920
Not only are the walls wonky,
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00:06:52,960 --> 00:06:56,040
the sloping roof makes
it a hundred times harder.
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00:06:56,080 --> 00:06:59,000
I just need some time
to think about this.
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I'm completely flummoxed by it all.
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00:07:07,040 --> 00:07:10,000
280 miles west in Cornwall,
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00:07:10,040 --> 00:07:13,960
in the cathedral city of Truro,
lies Castle Lodge,
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00:07:14,000 --> 00:07:17,840
a 200-year-old Grade II listed
Georgian end terrace
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00:07:17,880 --> 00:07:20,720
purchased for £450,000
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00:07:20,760 --> 00:07:25,480
by fashion and interior designer Drew
and his partner Stu, a gardener.
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00:07:25,520 --> 00:07:28,280
Earlier this week,
we saw them complete
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00:07:28,320 --> 00:07:31,600
their stunning
sitting-room-cum-dining-space
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00:07:31,640 --> 00:07:34,840
as well as their striking cloakroom
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and elegant hallway.
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00:07:38,280 --> 00:07:40,840
Today, designer Drew is pushing ahead
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with a room he's already
made progress on.
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Empty and unloved
when he bought the house,
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00:07:46,440 --> 00:07:49,120
Drew began with a coat
of rich coral paint
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00:07:49,160 --> 00:07:53,080
and is now in the middle of
a typically dramatic transformation,
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using fabric to create
a tented effect.
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With their goal to eventually let out
the house to holidaymakers,
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this space will be a child's bedroom
to let their imagination run wild.
155
00:08:05,960 --> 00:08:09,000
I love working with, um,
with fabrics.
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00:08:09,040 --> 00:08:12,240
It's, um, really quite soothing
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and, um, the stripe, I think,
just works brilliantly,
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particularly when you're stretching
on a ceiling.
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00:08:19,600 --> 00:08:23,440
So you can see that the ceiling is
sloped in this part of the building,
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um, which was kind of the
inspiration to canopy over the bed.
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And of course, with me,
one idea leads to another
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and the entire room is now tented.
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And, um, I've got some of
this sort of fake bamboo,
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19th-century French furniture
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00:08:39,080 --> 00:08:42,720
and I think it lends itself
to, um, to the tented room
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and gives that little
extra excitement perhaps
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for, um, for the children
when they come in.
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But this whimsical design
includes practical choices
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to fit both the space
and its future guests.
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Going with this, um, quite saturated
colour scheme in here,
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purely and simply because there
isn't a lot of light to go around
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and it just gives
an element of practicality,
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I suppose, if there's children
with dirty hands,
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running fingers
all over the woodwork.
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And then, of course,
we're going to have this trim
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and this trim
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will run
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over the edges just to tidy up
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and you don't see
all the staple-gunning going on.
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Drew's love of working with fabric
in his career as a fashion designer
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00:09:31,560 --> 00:09:35,280
is perfectly placed to give
the tenting a professional finish.
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When you start to slash the linens
and the fabrics,
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you know, you're at the point
of no return. Ha!
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So you'd better hope that all
your stretching and gathering
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has been put into the right place.
186
00:09:48,800 --> 00:09:51,640
But of course,
this has to come down.
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Corners are a little bit trickier,
obviously,
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00:09:54,520 --> 00:09:56,760
to get your scissors around,
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but that gets rid of the excess.
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But the plans for battle
in the tented bedroom
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will have to wait for now...
192
00:10:06,920 --> 00:10:09,680
..because, in one of the other
upstairs bedrooms,
193
00:10:09,720 --> 00:10:13,120
though it's had a new wall
of cabinetry built and a paint job,
194
00:10:13,160 --> 00:10:16,480
Drew is having a spot of bother
with a large historical feature
195
00:10:16,520 --> 00:10:18,400
which came with the house.
196
00:10:18,440 --> 00:10:19,840
Hmm.
197
00:10:21,320 --> 00:10:24,240
It's not every, um, house
that you buy
198
00:10:24,280 --> 00:10:27,440
has got a safe of this size and age
in one of the bedrooms,
199
00:10:27,480 --> 00:10:29,600
but, of course,
as a commercial building,
200
00:10:29,640 --> 00:10:31,960
this was probably offices
at some point.
201
00:10:32,000 --> 00:10:34,520
So we'd better get this baby open
at least
202
00:10:34,560 --> 00:10:37,720
and, um, see what treasures
might be inside, huh?
203
00:10:37,760 --> 00:10:40,880
Today is the day
that the safecracker is in town,
204
00:10:40,920 --> 00:10:45,840
so I'm hoping he can do something
with the snapped off key
205
00:10:45,880 --> 00:10:48,120
and we can actually see
what's in here.
206
00:10:48,160 --> 00:10:51,800
Drew doesn't have too long to wait
to find out what mysteries
207
00:10:51,840 --> 00:10:53,760
this old safe might hold.
208
00:10:53,800 --> 00:10:56,920
Drew? Hello there.
Hello. Tom, locksmith.
209
00:10:56,960 --> 00:10:59,640
Ahh, safecracker, you mean?
Hopefully.
210
00:10:59,680 --> 00:11:02,960
Right, which way? Welcome, Tom.
Let's go up. Thank you.
211
00:11:03,000 --> 00:11:05,640
So I'm not sure about
the age of the safe,
212
00:11:05,680 --> 00:11:08,120
but it sure as hell looks old to me.
213
00:11:08,160 --> 00:11:11,120
OK. It's in one of
the back bedrooms here.
214
00:11:11,160 --> 00:11:14,280
There she is.
Okey doke. Let's see what we can do.
215
00:11:19,000 --> 00:11:22,640
What do you think?
It's certainly quite old.
216
00:11:22,680 --> 00:11:26,120
But hopefully, we can see
what's inside today, huh?
217
00:11:26,160 --> 00:11:28,160
That's the objective. OK.
218
00:11:28,200 --> 00:11:29,640
DRILL WHIRS
219
00:11:29,680 --> 00:11:34,200
Tom the safecracker sets to work
using every tool in his arsenal.
220
00:11:36,520 --> 00:11:40,000
It's one very thick
and very tough safe.
221
00:11:41,160 --> 00:11:43,280
What I'm trying to do...
222
00:11:43,320 --> 00:11:45,320
There is the remains of a key
in there.
223
00:11:45,360 --> 00:11:48,080
Uh-huh. So what I'm trying to do
is just cut round it
224
00:11:48,120 --> 00:11:51,000
so that we can see if we can get
some purchase on it. Right.
225
00:11:51,040 --> 00:11:53,560
Because obviously,
if there is a key in there...
226
00:11:53,600 --> 00:11:55,880
Then it can open the lock.
Hopefully. Yeah.
227
00:11:57,120 --> 00:11:59,760
Locksmith Tom has his work cut out.
228
00:11:59,800 --> 00:12:05,320
It seems this safe isn't ready to
give up its secrets quite so easily.
229
00:12:06,520 --> 00:12:10,640
Coming up - Sally and Steve
delve into the past...
230
00:12:10,680 --> 00:12:13,200
So this is the building plan
for your house.
231
00:12:13,240 --> 00:12:16,240
Oh, my... So it's 1900.
232
00:12:16,280 --> 00:12:19,320
..to trace their home's path
through history...
233
00:12:19,360 --> 00:12:22,960
That facade has not changed...
Right. ..in all that time.
234
00:12:23,000 --> 00:12:25,240
So we just rescued it in time,
I think.
235
00:12:25,280 --> 00:12:28,040
..and Ian and Miranda
get competitive.
236
00:12:28,080 --> 00:12:30,960
I'm more than halfway done and
you're not even one quarter done.
237
00:12:31,000 --> 00:12:33,600
..as they bring their attic bedroom
to life.
238
00:12:33,640 --> 00:12:36,480
If only we could be as good
as you, Ian. It's not as good as me.
239
00:12:36,520 --> 00:12:40,560
It's just, you know, focused
on the task at hand or something.
240
00:12:48,000 --> 00:12:50,480
In North West England on the Wirral
241
00:12:50,520 --> 00:12:54,040
lies Clifton,
a grand Victorian villa.
242
00:12:55,240 --> 00:12:57,720
The eight-bed,
three-reception property
243
00:12:57,760 --> 00:13:01,000
had fallen into
a desperate state of repair,
244
00:13:01,040 --> 00:13:04,360
in dire need
of life-saving restoration.
245
00:13:04,400 --> 00:13:09,080
It was snapped up
for the remarkable price of £250,000
246
00:13:09,120 --> 00:13:11,800
by builder Steve and teacher Sally.
247
00:13:11,840 --> 00:13:15,800
A master tradesman, Steve's
already single-handedly transformed
248
00:13:15,840 --> 00:13:20,720
a number of the rooms since
they bought the house in 2018.
249
00:13:20,760 --> 00:13:23,560
Earlier this week,
we saw Steve and Sally
250
00:13:23,600 --> 00:13:26,440
painstakingly renovate
their butler's pantry,
251
00:13:26,480 --> 00:13:31,080
stripping back decades of paint
and building an upcycled sink unit.
252
00:13:32,600 --> 00:13:35,520
Today, on the ground floor
in one of the smallest rooms,
253
00:13:35,560 --> 00:13:38,840
Sally and Steve are building
a shower room.
254
00:13:38,880 --> 00:13:41,000
Right, this bathroom.
255
00:13:43,720 --> 00:13:47,000
This, probably out of
all the rooms in the house,
256
00:13:47,040 --> 00:13:51,160
this was probably the one
that was in the worst condition.
257
00:13:51,200 --> 00:13:53,200
But you've replastered it all,
haven't you? Yeah.
258
00:13:53,240 --> 00:13:56,360
So all replastered, new ceiling,
new insulation,
259
00:13:56,400 --> 00:13:58,440
new everything, new lighting.
260
00:13:58,480 --> 00:14:00,560
So it'd be great
to get it finished now.
261
00:14:00,600 --> 00:14:04,120
Tiling floor,
tiling shower cubicle...
262
00:14:04,160 --> 00:14:06,480
Yep. ..and then painting.
263
00:14:06,520 --> 00:14:08,880
The bulk's done, isn't it?
Sand this door.
264
00:14:08,920 --> 00:14:11,200
That sounds like a job for me.
No, no, no.
265
00:14:11,240 --> 00:14:14,640
So we've got everything we need.
Yeah. Stop making excuses.
266
00:14:14,680 --> 00:14:17,360
Just get on with it.
I'm doing my best. Yeah.
267
00:14:17,400 --> 00:14:20,720
Someone has to keep the troops
motivated.
268
00:14:20,760 --> 00:14:23,200
The couple love having family
to stay,
269
00:14:23,240 --> 00:14:27,560
especially during the reno,
as extra hands equal extra help.
270
00:14:27,600 --> 00:14:31,320
My grandchildren here,
Albert and Bella Florence,
271
00:14:31,360 --> 00:14:33,640
who will be joining us in a second.
272
00:14:33,680 --> 00:14:36,480
Have you come for a mask fitting?
Oh, OK.
273
00:14:36,520 --> 00:14:40,320
What size are you? Extra small?
Yeah, I thought so.
274
00:14:40,360 --> 00:14:42,240
It's really good
you're helping out today
275
00:14:42,280 --> 00:14:45,400
because we've got some extra hands
all rubbing down.
276
00:14:45,440 --> 00:14:47,880
All right, carry on.
277
00:14:47,920 --> 00:14:49,480
Time is money.
278
00:14:53,720 --> 00:14:55,920
By sanding the finished plasterwork,
279
00:14:55,960 --> 00:14:59,320
the surface will become smooth
enough to allow tiles to be fitted.
280
00:15:00,880 --> 00:15:03,640
OK, you guys, it looks like
it's tea-break time.
281
00:15:03,680 --> 00:15:05,640
Do you want a break now?
282
00:15:05,680 --> 00:15:07,960
It's lovely when you get to work
on the house,
283
00:15:08,000 --> 00:15:10,800
you get time to think about
284
00:15:10,840 --> 00:15:13,720
who was working on it before.
285
00:15:13,760 --> 00:15:18,800
When you look back to the
Victorian stuff, it surprises me.
286
00:15:18,840 --> 00:15:21,760
As I open things and move things,
287
00:15:21,800 --> 00:15:24,400
there's more evidence of the past,
which is great.
288
00:15:29,600 --> 00:15:35,000
Intrigued by that past, Sally
and Steve are keen to delve further.
289
00:15:35,040 --> 00:15:37,160
Originally built in 1901,
290
00:15:37,200 --> 00:15:41,520
several families have
called Clifton home over the years.
291
00:15:41,560 --> 00:15:45,480
Today, Sally and Steve have
come along to the Wirral archives
292
00:15:45,520 --> 00:15:49,680
in the hope that details of those who
lived there before them still exist.
293
00:15:49,720 --> 00:15:51,760
Hi there, nice to meet you.
294
00:15:54,000 --> 00:15:59,160
So Wirral in the early 19th century,
erm, wasn't very built up.
295
00:15:59,200 --> 00:16:01,960
People from Liverpool were well off,
296
00:16:02,000 --> 00:16:06,160
erm, they looked over the
River Mersey at the unspoilt Wirral
297
00:16:06,200 --> 00:16:09,080
and decided to build
large villa-style houses there.
298
00:16:09,120 --> 00:16:12,560
And this is one of those. So this is
the building plan for your house.
299
00:16:12,600 --> 00:16:14,520
Oh, my...
300
00:16:14,560 --> 00:16:17,080
So it's 1900. Oh, my goodness me.
301
00:16:17,120 --> 00:16:18,920
Isn't that interesting?
302
00:16:18,960 --> 00:16:22,680
So that's the dining room.
That's...that's the butler's pantry.
303
00:16:22,720 --> 00:16:24,840
And how many servants
would they have had? In this period,
304
00:16:24,880 --> 00:16:28,440
every middle-class family would've
aimed to have at least one servant.
305
00:16:28,480 --> 00:16:30,480
Right. One live-in servant. OK.
306
00:16:30,520 --> 00:16:34,320
I can't believe that's the original
plans. Isn't that amazing?
307
00:16:34,360 --> 00:16:38,400
OK, so we've got some photographs
and this one shows your house,
308
00:16:38,440 --> 00:16:41,640
which is there. Oh, my goodness me.
309
00:16:41,680 --> 00:16:44,360
So that's 1910.
SHE CHUCKLES
310
00:16:44,400 --> 00:16:48,360
Do you know... For me, what blows me
away is that it has that face,
311
00:16:48,400 --> 00:16:51,560
that facade has not changed...
Right. ..in all that time.
312
00:16:51,600 --> 00:16:55,440
But what we're currently trying to
do is to bring it back to its glory.
313
00:16:55,480 --> 00:16:58,880
So we just rescued it in time,
I think.
314
00:16:58,920 --> 00:17:02,840
The first person who built the house
was John William Holmes.
315
00:17:02,880 --> 00:17:06,880
He was a captain, a sea captain
from...originally from Nova Scotia.
316
00:17:06,920 --> 00:17:11,840
He...he lived there with his family
until, erm, until about 1908.
317
00:17:11,880 --> 00:17:15,240
The next person to own the house
was Alexander Smith
318
00:17:15,280 --> 00:17:18,200
and he was an engineer.
319
00:17:18,240 --> 00:17:21,960
Him and his family lived there
until round about 1930
320
00:17:22,000 --> 00:17:26,200
and after that, it was bought by the
trustees of St Columba's Church
321
00:17:26,240 --> 00:17:29,280
and became a vicarage
and that was until 1971.
322
00:17:29,320 --> 00:17:32,760
Isn't that fabulous?
It's incredible. Incredible.
323
00:17:32,800 --> 00:17:34,800
I've loved every moment
of being here
324
00:17:34,840 --> 00:17:40,000
and we can only be grateful
that this all still exists.
325
00:17:42,240 --> 00:17:44,240
So what was your blown-away moment?
326
00:17:44,280 --> 00:17:48,920
When we saw the...the full-size
architect's drawing on the table,
327
00:17:48,960 --> 00:17:51,240
for me, that was just
a wonderful moment
328
00:17:51,280 --> 00:17:54,680
because I thought it wouldn't exist.
How colourful and detailed as well.
329
00:17:54,720 --> 00:17:56,600
Yeah, in colour. How fab.
330
00:17:56,640 --> 00:17:59,760
From 1901 until today,
331
00:17:59,800 --> 00:18:02,800
we know exactly
who's lived in the house
332
00:18:02,840 --> 00:18:05,200
and that's such a wonderful feeling.
333
00:18:05,240 --> 00:18:07,240
And now look at us.
334
00:18:07,280 --> 00:18:11,080
We're sitting on top of this,
uh, seems like a treasure trove.
335
00:18:11,120 --> 00:18:13,440
The house that keeps on giving.
It does.
336
00:18:13,480 --> 00:18:16,720
Sally and Steve have plenty
to give the house in return
337
00:18:16,760 --> 00:18:19,560
as, back at home,
with tiles yet to go up
338
00:18:19,600 --> 00:18:24,520
and a suite to fit, their shower room
is still far from complete.
339
00:18:29,760 --> 00:18:33,360
260 miles south
in the Kent countryside,
340
00:18:33,400 --> 00:18:38,200
renovations at the old Victorian
rectory roll ever onwards.
341
00:18:38,240 --> 00:18:41,600
See that? That dodgy painting.
See, I wouldn't have done that.
342
00:18:41,640 --> 00:18:44,920
Ian and Miranda are up
on the top floor of the property
343
00:18:44,960 --> 00:18:48,000
in what was originally
the servants' quarters,
344
00:18:48,040 --> 00:18:51,320
partway through their mission
to create a suite of guest rooms,
345
00:18:51,360 --> 00:18:54,840
including a bedroom, kitchen
346
00:18:54,880 --> 00:18:56,720
and bathroom.
347
00:18:56,760 --> 00:19:00,320
The new attic bathroom
has already tested their DIY skills
348
00:19:00,360 --> 00:19:04,000
with the wonky angled walls
proving tricky to paper.
349
00:19:04,040 --> 00:19:07,840
We've been renovating this house
for about just over two years now.
350
00:19:07,880 --> 00:19:10,000
Most days I wake up now
and I do just think,
351
00:19:10,040 --> 00:19:13,280
"God, we've just bitten off way more
than we can handle."
352
00:19:13,320 --> 00:19:15,480
Like, "This project
is too big for us."
353
00:19:15,520 --> 00:19:18,760
The papering of the bathroom
has been a big frustration,
354
00:19:18,800 --> 00:19:22,240
but with Miranda and Ian
bringing their geometry A game,
355
00:19:22,280 --> 00:19:24,720
it's helped them work out
just how to conquer
356
00:19:24,760 --> 00:19:26,760
the angles of the sloped roof.
357
00:19:26,800 --> 00:19:31,640
But the last few pieces to go up
present another dilemma.
358
00:19:31,680 --> 00:19:36,720
The pressure is on to get these cuts
correct and not mess it up
359
00:19:36,760 --> 00:19:40,280
because we only have
two more rolls left. 210, my friend.
360
00:19:40,320 --> 00:19:42,720
Yeah, we've been measuring,
checking everything three times
361
00:19:42,760 --> 00:19:46,560
instead of just the once,
just to make sure.
362
00:19:46,600 --> 00:19:50,200
My measurements are always correct.
What's your special saying?
363
00:19:50,240 --> 00:19:53,160
Measure twice, cut once.
I don't think that's my saying.
364
00:19:53,200 --> 00:19:55,120
Measure twice, cut once -
365
00:19:55,160 --> 00:19:57,960
the mantra of renovators
across the land.
366
00:19:58,000 --> 00:20:00,480
I think it's going to make
a real wow factor to this room.
367
00:20:00,520 --> 00:20:04,440
People are going to walk in and be
like, "Oh, my God, it's amazing."
368
00:20:04,480 --> 00:20:07,560
We knew it would look amazing. We
did it the other day and it was...
369
00:20:07,600 --> 00:20:10,560
Even in all that, like,
it not working right,
370
00:20:10,600 --> 00:20:13,040
we knew it was going to look great.
371
00:20:13,080 --> 00:20:15,080
Yeah.
That's why we continued to do it.
372
00:20:15,120 --> 00:20:16,960
Yeah. Otherwise you'd stop.
373
00:20:19,320 --> 00:20:22,840
Sticking the last remaining strips
of paper up onto the wall,
374
00:20:22,880 --> 00:20:26,400
Ian and Miranda are keen to get their
bathroom furniture into the space
375
00:20:26,440 --> 00:20:29,080
to see how it will all tie together.
376
00:20:29,120 --> 00:20:32,080
Ready? Yep. Got it. Great.
377
00:20:32,120 --> 00:20:34,360
All right, now go to your...
Yep. You're going to go that way.
378
00:20:34,400 --> 00:20:36,800
You all right? Yep. Wow. I'm good.
379
00:20:36,840 --> 00:20:39,560
All right.
380
00:20:39,600 --> 00:20:42,360
All right, so you have to...
Going to put my one down.
381
00:20:42,400 --> 00:20:44,760
Yeah, I'll put my one down.
That's your one down, yeah? Yeah.
382
00:20:48,600 --> 00:20:50,680
This is...
383
00:20:50,720 --> 00:20:52,840
..way down.
384
00:20:52,880 --> 00:20:56,080
Look out on the view, relax...
385
00:20:56,120 --> 00:20:59,080
Ahh... Look at the ceiling.
386
00:20:59,120 --> 00:21:01,920
Lovely ferns.
I think it looks really good.
387
00:21:01,960 --> 00:21:04,320
I think it's definitely becoming
a lot more finished.
388
00:21:04,360 --> 00:21:06,400
It's bringing it all to life.
389
00:21:07,440 --> 00:21:09,280
Just great.
390
00:21:09,320 --> 00:21:11,960
And there's your throne, Ian.
391
00:21:12,000 --> 00:21:15,760
Fitting for the king and queen
of wallpapering.
392
00:21:15,800 --> 00:21:18,280
It's quite comfortable, you know?
I've been sitting on it
393
00:21:18,320 --> 00:21:21,280
while I was doing the kitchen
because you can sit back here.
394
00:21:21,320 --> 00:21:24,320
Oh, yeah. Look at trees.
395
00:21:24,360 --> 00:21:26,480
Nice.
396
00:21:26,520 --> 00:21:29,040
Across the landing from the bathroom,
397
00:21:29,080 --> 00:21:31,400
we move from restroom to guest room,
398
00:21:31,440 --> 00:21:34,600
offering the sleeping quarters
in their new apartment
399
00:21:34,640 --> 00:21:36,520
for visiting guests from Australia.
400
00:21:36,560 --> 00:21:38,800
Currently a blank canvas,
401
00:21:38,840 --> 00:21:42,160
the bedroom needs a lick of paint
and new flooring.
402
00:21:42,200 --> 00:21:45,240
Ian has a very particular system
when it comes to painting.
403
00:21:45,280 --> 00:21:47,320
So the first job
is all the cutting in
404
00:21:47,360 --> 00:21:50,520
and then you're allowed to roller,
much to my frustration.
405
00:21:50,560 --> 00:21:53,240
I'm like, "Are we ready to paint
yet? Can we just paint the room?"
406
00:21:53,280 --> 00:21:56,320
"Can we finish this room?
Let's get on with it."
407
00:21:56,360 --> 00:22:00,160
It's interesting. I normally find
that the cutting in is much slower
408
00:22:00,200 --> 00:22:02,880
than the rolling, right?
But if I look at it now,
409
00:22:02,920 --> 00:22:06,400
like, I'm more than halfway done and
you're not even one quarter done.
410
00:22:06,440 --> 00:22:10,560
Like, just... Oh, if only we could
be as good as you, Ian.
411
00:22:10,600 --> 00:22:13,360
It's not as good as me.
It's just, you know,
412
00:22:13,400 --> 00:22:16,120
focused on the task at hand
or something.
413
00:22:22,840 --> 00:22:24,840
I think she's doing a wonderful job.
414
00:22:24,880 --> 00:22:26,960
Mostly I think that because
it's quite dark in this room,
415
00:22:27,000 --> 00:22:30,440
so you can't actually see.
You can't see the end result.
416
00:22:30,480 --> 00:22:33,680
So beige number three.
SHE LAUGHS
417
00:22:33,720 --> 00:22:38,560
As boring as it sounds,
it really does nicely with, um,
418
00:22:38,600 --> 00:22:42,840
not being too warm or too cool,
too dark or too light.
419
00:22:42,880 --> 00:22:46,440
I think it accentuates really nicely
with what we have going on outside,
420
00:22:46,480 --> 00:22:48,520
which is just loads of greenery.
421
00:22:48,560 --> 00:22:51,160
I think you're overthinking it.
I'm not overthinking it.
422
00:22:51,200 --> 00:22:53,240
In different light,
it changes colour,
423
00:22:53,280 --> 00:22:55,320
so the morning light,
afternoon light,
424
00:22:55,360 --> 00:22:57,880
different light bulbs
will bring out different hues in it.
425
00:22:57,920 --> 00:23:00,720
So it's quite, you know,
it's a little bit chameleon-esque
426
00:23:00,760 --> 00:23:05,080
in that it's always sort of changing
its tone-age.
427
00:23:05,120 --> 00:23:07,240
OK. Lovely.
428
00:23:07,280 --> 00:23:09,480
Well done.
429
00:23:09,520 --> 00:23:11,440
Cool.
430
00:23:11,480 --> 00:23:13,560
Next job.
431
00:23:13,600 --> 00:23:16,040
Does look good, though, doesn't it?
Does look good.
432
00:23:16,080 --> 00:23:18,760
Mm. Makes the room look finished.
Yeah.
433
00:23:18,800 --> 00:23:20,720
It's definitely progress.
434
00:23:20,760 --> 00:23:23,960
But with a kitchen still to fit
and a bedroom to complete,
435
00:23:24,000 --> 00:23:28,440
this guest suite isn't ready
for friends and family just yet.
436
00:23:28,480 --> 00:23:31,280
Coming up -
437
00:23:31,320 --> 00:23:34,160
a new friend takes Drew
on a journey through time...
438
00:23:34,200 --> 00:23:36,440
Good to meet you. Finally.
Great to meet you.
439
00:23:36,480 --> 00:23:41,080
..to understand the man who designed
both Drew's house and much of Truro.
440
00:23:41,120 --> 00:23:43,000
What an instigator. Yeah.
441
00:23:43,040 --> 00:23:44,800
Where's the monument
to Philip Sambell?
442
00:23:44,840 --> 00:23:46,880
Well, I suppose we're sitting in it.
443
00:23:46,920 --> 00:23:50,680
And Steve deploys
a tried and trusted companion...
444
00:23:50,720 --> 00:23:54,560
It might be old, but it's paid for.
That's the way I see it.
445
00:23:54,600 --> 00:23:57,000
..to tackle some troublesome tiles.
446
00:23:59,000 --> 00:24:01,200
Little bit of a jack up there.
447
00:24:08,280 --> 00:24:11,800
Back in South West England,
in the city of Truro,
448
00:24:11,840 --> 00:24:15,440
interior designer Drew
and his partner Stu, a gardener,
449
00:24:15,480 --> 00:24:18,200
are lovingly renovating Castle Lodge,
450
00:24:18,240 --> 00:24:20,960
the Grade II listed
Georgian end terrace
451
00:24:21,000 --> 00:24:25,040
designed by renowned
local architect Philip Sambell.
452
00:24:26,840 --> 00:24:31,840
Today, while Stu is spending time
tending to the garden,
453
00:24:31,880 --> 00:24:35,720
upstairs, Drew is with
local locksmith Tom,
454
00:24:35,760 --> 00:24:40,560
who continues to try and access
the mysteriously locked safe.
455
00:24:40,600 --> 00:24:42,480
It's a good safe.
It's extremely old,
456
00:24:42,520 --> 00:24:46,440
but it's been extremely well made
and it is extremely tough.
457
00:24:46,480 --> 00:24:48,680
Well, it's kind of getting there.
I mean,
458
00:24:48,720 --> 00:24:51,960
with another couple of hours
of drilling through solid steel,
459
00:24:52,000 --> 00:24:54,160
it might just happen.
460
00:24:55,840 --> 00:24:59,240
Leaving Tom to persevere,
Drew and George the joiner
461
00:24:59,280 --> 00:25:03,640
continue work on the tented bedroom,
a fun space for younger guests
462
00:25:03,680 --> 00:25:06,840
when the house eventually becomes
a holiday rental.
463
00:25:08,240 --> 00:25:10,840
Now we are, um...
DRILL WHINES
464
00:25:10,880 --> 00:25:13,000
..sort of constructing the bed.
465
00:25:13,040 --> 00:25:16,640
George is putting in the sidebars,
466
00:25:16,680 --> 00:25:19,720
which will then hold up the struts.
467
00:25:19,760 --> 00:25:24,360
It has to be very, very bounce-proof
for the pillow fights
468
00:25:24,400 --> 00:25:26,720
and fun that hopefully
will be had in this room.
469
00:25:26,760 --> 00:25:30,480
With this renovation,
Drew is very mindful
470
00:25:30,520 --> 00:25:33,640
of the story of Castle Lodge
and it's important to him
471
00:25:33,680 --> 00:25:37,040
that he is faithful
to its original design aesthetic.
472
00:25:37,080 --> 00:25:39,120
We're very much custodians.
473
00:25:39,160 --> 00:25:42,640
I think everybody is custodian
of a heritage building.
474
00:25:42,680 --> 00:25:45,920
Therefore why would you alter
too much about it?
475
00:25:45,960 --> 00:25:48,440
And why would you create additions
476
00:25:48,480 --> 00:25:51,600
that don't speak the same language
perhaps?
477
00:25:51,640 --> 00:25:54,600
I think the bones of the building
have to speak of when it was built
478
00:25:54,640 --> 00:25:59,280
and any additions then can be
decorative or can create atmosphere.
479
00:26:02,680 --> 00:26:05,560
Drew's keen to delve deeper
into the history of the house
480
00:26:05,600 --> 00:26:07,480
to understand the inspirations
481
00:26:07,560 --> 00:26:10,160
that the architect Philip Sambell
drew from.
482
00:26:11,240 --> 00:26:13,880
Sambell is responsible
for many of the buildings
483
00:26:13,920 --> 00:26:16,080
in Truro's Georgian quarter,
484
00:26:16,120 --> 00:26:19,200
including this substantial
Methodist church
485
00:26:19,240 --> 00:26:22,080
where today Drew is meeting
a local historian
486
00:26:22,120 --> 00:26:25,280
who also happens to be
one of Sambell's descendants
487
00:26:25,320 --> 00:26:27,880
and also called Philip.
488
00:26:27,920 --> 00:26:29,760
Drew. Phil.
489
00:26:29,800 --> 00:26:32,280
Good to meet you. Finally.
Great to meet you.
490
00:26:32,320 --> 00:26:35,080
Though a distant relative
of the architect,
491
00:26:35,120 --> 00:26:38,840
Phil is on a journey to find out
more about his family legacy.
492
00:26:38,880 --> 00:26:42,240
It definitely has a wow factor.
I love the simplicity.
493
00:26:42,280 --> 00:26:45,960
What impresses me is
it's the...it's the repeat patterns.
494
00:26:46,000 --> 00:26:49,160
I tell you what, why don't
we just go upstairs and have a look?
495
00:26:51,280 --> 00:26:54,800
I was intrigued to see
the correlation
496
00:26:54,840 --> 00:26:57,800
between, erm, my house,
Castle Lodge,
497
00:26:57,840 --> 00:27:00,200
and his civic buildings here.
498
00:27:00,240 --> 00:27:03,360
I can already see
his embellishment is similar,
499
00:27:03,400 --> 00:27:05,520
but on a much bigger scale.
500
00:27:05,560 --> 00:27:07,600
When you look at the age
of the building
501
00:27:07,640 --> 00:27:10,840
and indeed the age
of Castle Lodge... Mm-hm.
502
00:27:10,880 --> 00:27:14,760
..and the fact they're still so
sharp and fine buildings today
503
00:27:14,800 --> 00:27:18,480
compared to many buildings
that have been built since.
504
00:27:18,520 --> 00:27:20,480
What an instigator. Yeah.
505
00:27:20,520 --> 00:27:23,000
I mean, where's the monument
to Philip Sambell?
506
00:27:23,040 --> 00:27:25,000
Well, I suppose we're sitting in it.
507
00:27:25,040 --> 00:27:27,160
Well, yeah, his buildings,
his buildings.
508
00:27:27,200 --> 00:27:30,600
While Drew soaks up the history
of Philip Sambell's Truro,
509
00:27:30,640 --> 00:27:32,440
back at Castle Lodge...
510
00:27:32,480 --> 00:27:34,360
DRILL WHIRS
511
00:27:34,400 --> 00:27:39,200
..locksmith Tom is still drilling
away at Drew's locked safe.
512
00:27:39,240 --> 00:27:41,080
How goes it, Tom? Not good.
513
00:27:41,120 --> 00:27:43,360
But you can solve it, right? No.
514
00:27:43,400 --> 00:27:47,000
Oh, no, really? No, I think we're
going to have to admit defeat.
515
00:27:47,040 --> 00:27:49,760
I think I've got through three
drill bits and I haven't made any...
516
00:27:49,800 --> 00:27:53,120
I haven't got a millimetre deeper.
OK, I can swallow that.
517
00:27:53,160 --> 00:27:55,880
You've been incredibly patient.
You've spent hours.
518
00:27:55,920 --> 00:27:59,680
Thank you so much. You've really
done your best. Thank you.
519
00:27:59,720 --> 00:28:01,760
If Tom can't do it, nobody can!
520
00:28:01,800 --> 00:28:04,840
I'm sure there are people with
the skill set to be able to do it...
521
00:28:04,880 --> 00:28:07,280
Right. ..but this one's defeated me,
I'm afraid.
522
00:28:07,320 --> 00:28:10,360
They're probably on the run in
South America right now, are they?
523
00:28:10,400 --> 00:28:11,720
THEY LAUGH
524
00:28:11,760 --> 00:28:15,760
For now, the secrets
inside this safe remain a mystery.
525
00:28:21,840 --> 00:28:25,200
350 miles north in New Brighton,
526
00:28:25,240 --> 00:28:28,000
Steve and Sally are renovating
a downstairs space
527
00:28:28,040 --> 00:28:29,960
to turn into a shower room.
528
00:28:31,320 --> 00:28:33,680
It's been a week since the walls
were sanded
529
00:28:33,720 --> 00:28:36,080
and Steve's been anything but idle.
530
00:28:36,120 --> 00:28:39,040
This is the area
that we're attacking next.
531
00:28:39,080 --> 00:28:42,680
He has waterproofed the shower
and applied latex leveller
532
00:28:42,720 --> 00:28:45,840
to even out the floor
to prepare for tiling.
533
00:28:45,880 --> 00:28:49,520
It's about halfway through
in all respects.
534
00:28:49,560 --> 00:28:52,440
Steve will be laying
travertine tiles,
535
00:28:52,480 --> 00:28:55,480
a type of limestone
made from natural springs.
536
00:28:55,520 --> 00:28:58,960
No two tiles are the same
due to their unique swirls.
537
00:28:59,000 --> 00:29:03,280
They're a bit grubby, so I think
we're going to clean up a few,
538
00:29:03,320 --> 00:29:06,360
make sure that they clean up
before we go any further.
539
00:29:06,400 --> 00:29:08,600
Ever-thrifty Steve
got the leftover tiles
540
00:29:08,640 --> 00:29:11,880
from a building job he did
about five years ago.
541
00:29:11,920 --> 00:29:14,360
Because of the raging budget here,
542
00:29:14,400 --> 00:29:17,440
we have to duck and move
on everything we buy
543
00:29:17,480 --> 00:29:20,280
because, you know,
what you don't spend here
544
00:29:20,320 --> 00:29:23,600
helps you spend over there kind of
thing on a different project.
545
00:29:26,200 --> 00:29:28,240
With Sally on cleaning duty...
546
00:29:28,280 --> 00:29:31,560
I think there's 100 of them to
clean. ..and checking for cracks...
547
00:29:31,600 --> 00:29:35,640
We don't want them perfect, that's
why we like the natural stone.
548
00:29:35,680 --> 00:29:37,680
But some of them have knocks
in the corners,
549
00:29:37,720 --> 00:29:39,800
but they're the ones
that Steve'll just half cut
550
00:29:39,840 --> 00:29:41,960
because we've got to lay it out yet.
551
00:29:42,000 --> 00:29:44,480
..Steve starts bringing in
the clean tiles.
552
00:29:44,520 --> 00:29:46,880
We're just getting
a few of the tiles in now
553
00:29:46,920 --> 00:29:49,960
so that we can have a look at
554
00:29:50,000 --> 00:29:53,120
how they look when they're down.
555
00:29:57,000 --> 00:29:59,400
The tiles will also stretch out
to an area
556
00:29:59,440 --> 00:30:02,360
between the bathroom
and utility room.
557
00:30:02,400 --> 00:30:04,080
This is the pre-bathroom.
558
00:30:04,120 --> 00:30:06,560
This'll still be a nice area
to move around in.
559
00:30:06,600 --> 00:30:09,840
Sally takes a quick break
to see what the tiles will look like.
560
00:30:09,880 --> 00:30:12,360
Looks good though. I think so.
561
00:30:14,400 --> 00:30:17,800
Steve now needs to get down
to cutting some of the tiles
562
00:30:17,840 --> 00:30:19,680
to fit the space.
563
00:30:19,720 --> 00:30:21,800
There's our tile...
564
00:30:21,840 --> 00:30:24,520
I won't say "lovely tile machine"
because it's not very lovely.
565
00:30:24,560 --> 00:30:27,360
It might be old, but it's paid for.
566
00:30:27,400 --> 00:30:29,400
That's the way I see it.
567
00:30:30,720 --> 00:30:33,440
Let's see how it copes.
568
00:30:33,480 --> 00:30:38,480
He's hoping the diamond blade
on this 15-year-old wet-tile cutter
569
00:30:38,520 --> 00:30:42,440
will still be able to cut through
the tough travertine material.
570
00:30:42,480 --> 00:30:44,480
GRATING
571
00:30:44,520 --> 00:30:46,680
Little bit of a jack up there.
572
00:30:48,240 --> 00:30:51,360
OK, so this really isn't happy.
573
00:30:52,680 --> 00:30:55,080
OK, so we know that
that's just not coping.
574
00:30:55,120 --> 00:30:59,000
Steve's tile cutter has clearly cut
one tile too many.
575
00:30:59,040 --> 00:31:01,800
That's a bit tiresome.
So it's plan B.
576
00:31:01,840 --> 00:31:05,120
Look, we won't dwell on that too
much. So I'm off to get a grinder
577
00:31:05,160 --> 00:31:08,240
and the...see how that works.
578
00:31:11,040 --> 00:31:15,440
Of course, Steve has one to hand
in his toolbox.
579
00:31:15,480 --> 00:31:19,600
Yeah, it will work, yeah. Because
this'll pretty much cut anything.
580
00:31:19,640 --> 00:31:23,080
Um, so it looks like
I'll be free-handing the cut.
581
00:31:23,120 --> 00:31:26,120
Although an angle grinder
is not as straightforward to use,
582
00:31:26,160 --> 00:31:28,720
experienced builder Steve
isn't phased.
583
00:31:28,760 --> 00:31:31,160
So as long as I start off
with a straightedge,
584
00:31:31,200 --> 00:31:35,640
I'll then turn the saw on and just
lightly go along the straightedge,
585
00:31:35,680 --> 00:31:37,880
take the straightedge away,
just follow that line
586
00:31:37,920 --> 00:31:40,480
and you do that two or three times
and it'll just...
587
00:31:40,520 --> 00:31:43,800
..it'll fall in half
or cut straight through it.
588
00:31:43,840 --> 00:31:46,680
It still means I don't have to
buy a machine
589
00:31:46,720 --> 00:31:50,080
which...which I didn't want to
and now I don't have to.
590
00:31:52,400 --> 00:31:55,280
Just one week later, Steve and Sally
591
00:31:55,320 --> 00:31:57,520
have laid the travertine tiles
on the floor
592
00:31:57,560 --> 00:32:01,800
and also attached cream mosaic tiles
to the walls and shower surround.
593
00:32:01,840 --> 00:32:03,800
I just didn't think
this was saveable
594
00:32:03,840 --> 00:32:05,880
because it was in such a poor state
595
00:32:05,920 --> 00:32:08,800
because this is the area
that was suffering from the leaks,
596
00:32:08,840 --> 00:32:10,800
so it had loads of problems.
597
00:32:10,840 --> 00:32:13,720
After tearing out
the dated '70s bathroom
598
00:32:13,760 --> 00:32:16,480
with cracked tiles
and poor drainage...
599
00:32:18,680 --> 00:32:20,680
..the space is now well on the way
600
00:32:20,720 --> 00:32:23,040
to becoming a bright
and welcoming bathroom.
601
00:32:26,240 --> 00:32:28,960
Though there's still the grouting,
tray edging to do
602
00:32:29,000 --> 00:32:31,680
and a shower head, sink
and toilet to be plumbed in,
603
00:32:31,720 --> 00:32:34,720
their tranquil shower room
is almost finished.
604
00:32:34,760 --> 00:32:37,280
I like the choice of the tiles
that we've chosen
605
00:32:37,320 --> 00:32:39,320
because we've had so many
tiles to buy.
606
00:32:39,360 --> 00:32:41,320
We go and find the tiles
that we like,
607
00:32:41,360 --> 00:32:43,520
but they're normally
in the budget...
608
00:32:43,560 --> 00:32:45,720
They're, like,
the end-of-line things.
609
00:32:45,760 --> 00:32:48,040
So we get some really good deals.
610
00:32:48,080 --> 00:32:52,120
So I think that's being savvy
with the money in here is a joy.
611
00:32:52,160 --> 00:32:54,960
And it's not just unused
and end-of-line tiles
612
00:32:55,000 --> 00:32:57,160
that are being repurposed in here.
613
00:32:57,200 --> 00:33:00,640
That was the original materials
from the old bathroom.
614
00:33:00,680 --> 00:33:03,920
Yeah, this red Perspex
was part of the old bathroom,
615
00:33:03,960 --> 00:33:07,920
but I like to have...leave something
behind that was original.
616
00:33:07,960 --> 00:33:11,240
So it's only a quirky thing, but...
Yeah, that's great.
617
00:33:11,280 --> 00:33:13,160
Rome wasn't built in a day
618
00:33:13,200 --> 00:33:15,480
and neither was
Steve and Sally's shower room.
619
00:33:15,520 --> 00:33:18,080
When you've got your little
mats down, little soaps
620
00:33:18,120 --> 00:33:21,640
and all your shampoos... You see,
I like the bit... That's my bit,
621
00:33:21,680 --> 00:33:23,680
I like dressing it,
so it'll be nice to dress it.
622
00:33:23,720 --> 00:33:25,840
Yeah. It's all to come.
623
00:33:25,880 --> 00:33:29,760
With this hard working duo,
it's only a matter of time.
624
00:33:29,800 --> 00:33:31,880
Proud of you, love.
625
00:33:31,920 --> 00:33:34,160
Thank you. Thank you, my girl.
626
00:33:34,200 --> 00:33:36,360
It's all right. But, yeah, if you
could finish it... Yeah, yeah,
627
00:33:36,400 --> 00:33:38,920
I'll get on with it.
I'll start now, shall I? Yeah?
628
00:33:38,960 --> 00:33:42,480
What time is it? No, no,
but it is gorgeous, babe, I love it.
629
00:33:44,720 --> 00:33:46,520
Coming up -
630
00:33:46,560 --> 00:33:48,920
Drew invites a VIP...
631
00:33:48,960 --> 00:33:52,160
Good to see you again. Thank you
so much for coming. It's a pleasure.
632
00:33:52,200 --> 00:33:56,240
..to give a very special seal
of approval on his completed rooms.
633
00:33:56,280 --> 00:33:58,480
It would've been lovely
to see if, you know,
634
00:33:58,520 --> 00:34:00,320
he could've seen this today.
635
00:34:00,360 --> 00:34:04,080
And for Ian and Miranda,
it's time to reflect...
636
00:34:04,120 --> 00:34:06,520
I would never advise
wallpapering a room like this
637
00:34:06,560 --> 00:34:08,880
to anybody ever again.
638
00:34:08,920 --> 00:34:11,880
..over a hectic but rewarding
few months.
639
00:34:11,920 --> 00:34:13,880
We put all this time and effort in,
640
00:34:13,920 --> 00:34:16,520
you know, we've got to
celebrate our wins
641
00:34:16,560 --> 00:34:18,880
and...and try and enjoy the journey.
642
00:34:25,440 --> 00:34:28,240
In Truro, at the Regency Villa
643
00:34:28,280 --> 00:34:30,640
Drew and Stu are turning
into a holiday let,
644
00:34:30,680 --> 00:34:32,760
in the kids' bedroom,
645
00:34:32,800 --> 00:34:37,240
Drew is attaching a scalloped edge
trim around the edge of the ceiling.
646
00:34:37,280 --> 00:34:39,720
I think the kids
are going to love it.
647
00:34:41,200 --> 00:34:45,120
The only thing left to do
in this room is pop a mattress in
648
00:34:45,160 --> 00:34:48,880
and then there's a pendant light
that needs to go up as well.
649
00:34:48,920 --> 00:34:53,960
And I've got plenty more scallop
edging, which I'm going to trim,
650
00:34:54,000 --> 00:34:57,200
fill the gaps and then this room
is complete.
651
00:34:57,240 --> 00:34:59,960
Across the landing,
after Tom the locksmith
652
00:35:00,000 --> 00:35:03,000
was unable to open the safe
in the twin bedroom,
653
00:35:03,040 --> 00:35:06,440
Drew made an unexpected discovery.
654
00:35:06,480 --> 00:35:09,200
The good chap not only did that,
655
00:35:09,240 --> 00:35:13,480
but he also angle-grinded
around the edge.
656
00:35:13,520 --> 00:35:16,880
And when I sort of,
657
00:35:16,920 --> 00:35:19,080
um, was preparing to paint it,
658
00:35:19,120 --> 00:35:23,800
I was mucking around
and I just happened to do this
659
00:35:23,840 --> 00:35:26,240
and. lo and behold,
660
00:35:26,280 --> 00:35:28,120
the safe opened.
661
00:35:28,160 --> 00:35:32,920
But it looks like all it needed
was a chip away around the edge.
662
00:35:32,960 --> 00:35:36,520
The safe, alas, was empty,
but at least the mystery is solved.
663
00:35:36,560 --> 00:35:38,520
It's a beauty.
664
00:35:38,560 --> 00:35:41,440
It's George VI, racing green.
665
00:35:41,480 --> 00:35:43,840
We have a safe that opens.
666
00:35:46,520 --> 00:35:50,760
Six months ago, these upstairs
bedrooms were dumping grounds.
667
00:35:50,800 --> 00:35:53,000
Used as commercial premises
for many years,
668
00:35:53,040 --> 00:35:56,840
it was a long time since they'd had
love and attention.
669
00:35:56,880 --> 00:36:01,560
Once again, Drew had a vision
and a theme emerged for each room.
670
00:36:04,600 --> 00:36:06,760
In the tented children's room,
671
00:36:06,800 --> 00:36:09,080
the bold stripes
of the fabric-lined walls
672
00:36:09,120 --> 00:36:12,840
carry you away to Arabian Nights
sleeping under the stars
673
00:36:12,880 --> 00:36:16,440
and the 19th-century
French faux-bamboo furniture
674
00:36:16,480 --> 00:36:19,560
helps add to the fairy-tale
atmosphere.
675
00:36:19,600 --> 00:36:22,360
Back in the day,
when you were on campaign,
676
00:36:22,400 --> 00:36:24,480
the tents inside for the officers
677
00:36:24,520 --> 00:36:26,680
were really kind of
quite magnificent.
678
00:36:27,720 --> 00:36:30,680
And of course,
when you've got a small space,
679
00:36:30,720 --> 00:36:34,560
by tenting it and making it
feel like some other world
680
00:36:34,600 --> 00:36:37,200
or just a slightly different
atmosphere,
681
00:36:37,240 --> 00:36:39,600
um, hopefully, the kids all
really enjoy
682
00:36:39,640 --> 00:36:42,600
this "camping in a townhouse" vibe!
683
00:36:43,760 --> 00:36:47,120
By contrast,
the twin room is a haven.
684
00:36:47,160 --> 00:36:51,200
Relaxing colours and tones
ensure a restful night's sleep.
685
00:36:54,400 --> 00:36:56,800
Taking centre stage, the safe -
686
00:36:56,840 --> 00:37:01,160
now painted and dressed
with a decorative embellishment.
687
00:37:01,200 --> 00:37:04,640
I'm really happy with the way
the twin room has worked out.
688
00:37:04,680 --> 00:37:08,320
It gives you that mid-century
Italian coastal vibe,
689
00:37:08,360 --> 00:37:13,720
hence the blues with the little
plaster, um, shell sconces as well.
690
00:37:13,760 --> 00:37:16,160
You know, just driving
that coastal message.
691
00:37:16,200 --> 00:37:18,280
I mean, I'd love to wake up here
in the morning.
692
00:37:18,320 --> 00:37:20,360
Well, of course,
with your sea colours,
693
00:37:20,400 --> 00:37:22,400
you need a little sunshine, right?
694
00:37:22,440 --> 00:37:26,760
So, um, we've thrown in a little bit
of mustard yellow, sunshine yellow
695
00:37:26,800 --> 00:37:29,440
to brighten you up in the morning,
but at the end of the day,
696
00:37:29,480 --> 00:37:31,480
you're in Cornwall and it feels like
697
00:37:31,520 --> 00:37:34,400
a really nice part
of the Cornish coast.
698
00:37:34,440 --> 00:37:37,040
And the colour combination
just makes you feel like
699
00:37:37,080 --> 00:37:39,080
you're on holiday.
700
00:37:39,120 --> 00:37:41,280
With many of the rooms now complete,
701
00:37:41,320 --> 00:37:44,880
Drew's invited his new acquaintance
Phil to look around
702
00:37:44,920 --> 00:37:48,640
and see what he thinks his ancestor,
who designed Castle Lodge,
703
00:37:48,680 --> 00:37:50,640
would make of the transformation.
704
00:37:50,680 --> 00:37:54,640
Good to see you again. Thank you so
much for coming. It's a pleasure.
705
00:37:54,680 --> 00:37:58,160
The villa is sort of modelled
on Italian villas, I suppose,
706
00:37:58,200 --> 00:37:59,600
of the time.
707
00:37:59,640 --> 00:38:03,960
So we've run with that through here,
given that sort of palazzo vibe.
708
00:38:04,000 --> 00:38:06,000
And through here to the dining room.
709
00:38:06,040 --> 00:38:09,320
And this apparently is quite rare
plaster moulding.
710
00:38:09,360 --> 00:38:11,880
Yeah, but this is quite...
Yeah, this is...
711
00:38:11,920 --> 00:38:14,440
A lot more intricate than I had
expected, to be honest with you.
712
00:38:14,480 --> 00:38:16,760
But it's interesting the different
cornices in the different rooms.
713
00:38:16,800 --> 00:38:18,760
Well, as the show house,
714
00:38:18,800 --> 00:38:22,400
apparently, potential buyers
would come room to room
715
00:38:22,440 --> 00:38:24,600
and choose their plaster work
and finishes.
716
00:38:24,640 --> 00:38:28,080
Yeah, just a fabulous,
fabulous setting. Thank you.
717
00:38:28,120 --> 00:38:30,840
It's all been beautifully done.
Yeah, a little broken pediment.
718
00:38:30,880 --> 00:38:34,800
It's just running with that whole
theme of your ancestor, really,
719
00:38:34,840 --> 00:38:37,800
as an architect. Didn't want
to step too far out of that.
720
00:38:37,840 --> 00:38:41,680
It would've been lovely to see, if
he could've seen this today and...
721
00:38:41,720 --> 00:38:43,720
Ahh... Of course, he couldn't
tell you what he thought,
722
00:38:43,760 --> 00:38:47,160
but he would've written it down.
I'm sure he would let me know!
723
00:38:47,200 --> 00:38:49,400
And I'm sure he'd have been pleased.
I hope so.
724
00:38:49,440 --> 00:38:53,560
That's the aim, is to do
the building proud. Absolutely.
725
00:38:55,160 --> 00:38:57,160
Drew's definitely achieved that.
726
00:38:57,200 --> 00:38:59,080
And Phil's quick to agree.
727
00:38:59,120 --> 00:39:01,760
If I get the family approval,
then I'm even happier.
728
00:39:01,800 --> 00:39:04,000
Approves for me. Thanks, man.
Fabulous.
729
00:39:05,760 --> 00:39:09,280
Drew's just done a fabulous job
and it's just, uh,
730
00:39:09,320 --> 00:39:12,120
yeah, tasteful.
Tasteful and delightful.
731
00:39:12,160 --> 00:39:14,120
And it's a pleasure
to wander around today.
732
00:39:14,160 --> 00:39:19,080
And later this week, we'll wander
around with Drew for the final time
733
00:39:19,120 --> 00:39:23,720
as he finishes his last bedroom
and throws a party to celebrate.
734
00:39:27,160 --> 00:39:31,120
280 miles east in Kent,
at the old rectory...
735
00:39:31,160 --> 00:39:34,840
OK, cool. So do you want to...
Can you help me line this up?
736
00:39:34,880 --> 00:39:37,520
..work continues
in the three attic rooms
737
00:39:37,560 --> 00:39:40,240
in what were
the old servants' quarters.
738
00:39:40,280 --> 00:39:42,800
You good? Yeah, I'm good.
Yeah? OK, cool.
739
00:39:44,280 --> 00:39:47,240
In this, the third and final
of the rooms,
740
00:39:47,280 --> 00:39:51,320
Ian and Miranda's
kitchen-lounge-diner is taking shape.
741
00:39:51,360 --> 00:39:54,640
The couple have built a neat kitchen
area for their Aussie guests to use
742
00:39:54,680 --> 00:39:57,840
when they come to stay
and it's nearly finished.
743
00:39:57,880 --> 00:40:00,600
Now, the test.
744
00:40:05,440 --> 00:40:07,720
Looks great.
Looks like a real kitchen.
745
00:40:07,760 --> 00:40:09,760
DRILL WHIRS
746
00:40:09,800 --> 00:40:12,000
Always a horrible feeling when
you screw into something like this
747
00:40:12,040 --> 00:40:14,400
because you always think,
"Jeez, I hope it doesn't
748
00:40:14,440 --> 00:40:16,520
"go all the way through."
749
00:40:16,560 --> 00:40:18,760
Go on, Ian, give it some.
750
00:40:23,440 --> 00:40:27,600
There you go. Right. All done.
Done. Onto the next job. Yep.
751
00:40:27,640 --> 00:40:29,640
And with just some lighting to fit,
752
00:40:29,680 --> 00:40:33,200
it won't be long before
this kitchenette is ready to fire up.
753
00:40:35,240 --> 00:40:38,600
It's another month before
Ian and Miranda can down tools,
754
00:40:38,640 --> 00:40:42,680
with their attic guest rooms
now completely transformed.
755
00:40:42,720 --> 00:40:46,320
The real showstopper of the suite
is the bathroom...
756
00:40:47,840 --> 00:40:51,240
..Miranda's charcoal and green
fern wallpaper
757
00:40:51,280 --> 00:40:53,680
adding a fabulous botanical flourish.
758
00:40:54,960 --> 00:40:57,560
This was a labour of love, wasn't
it? Every time I walk in here,
759
00:40:57,600 --> 00:41:01,880
I just think it looks great.
Yeah, but, Jeez, it was difficult.
760
00:41:01,920 --> 00:41:03,200
Yeah.
761
00:41:03,240 --> 00:41:05,800
I would never advise wallpapering
a room like this
762
00:41:05,840 --> 00:41:08,120
to anybody ever again.
763
00:41:08,160 --> 00:41:10,120
It's a definite no.
764
00:41:10,160 --> 00:41:14,120
But despite the challenges,
the finish is stunning.
765
00:41:14,160 --> 00:41:16,960
I love the fact it's on the ceiling.
In such a small room,
766
00:41:17,000 --> 00:41:20,240
it makes it really cosy, like
it's giving you a great big hug.
767
00:41:20,280 --> 00:41:22,400
This room actually makes me
feel quite happy.
768
00:41:22,440 --> 00:41:25,040
I like that it blends
with being a little bit funky,
769
00:41:25,080 --> 00:41:27,840
a little bit different, but being
conservative and traditional too.
770
00:41:27,880 --> 00:41:29,920
But I think that's the thing we're
going for in the whole house, right?
771
00:41:29,960 --> 00:41:31,880
There's just a mixture
of everything. That's the vibe.
772
00:41:31,920 --> 00:41:34,960
There's no trend... The colour
scheme is all sort of blending in
773
00:41:35,000 --> 00:41:37,800
and so on and so forth.
It's the vibe. The vibe. The vibe.
774
00:41:39,160 --> 00:41:41,400
And alongside
the magnificent bathroom,
775
00:41:41,440 --> 00:41:45,080
the other rooms in this guest suite
are now complete.
776
00:41:46,600 --> 00:41:49,240
The bedroom is calm and soothing,
777
00:41:49,280 --> 00:41:53,600
pale tones and gentle decor
ensuring a satisfying night's sleep.
778
00:41:53,640 --> 00:41:57,600
Ahh! Serenity.
This is a nice, peaceful room.
779
00:41:57,640 --> 00:42:00,080
I mean, we use our standard
beige number three,
780
00:42:00,120 --> 00:42:02,080
which we used everywhere
in the house,
781
00:42:02,120 --> 00:42:05,760
so it has this nice uniformed effect
and it's just a really simple room.
782
00:42:05,800 --> 00:42:07,600
I do like to have guests come round,
783
00:42:07,640 --> 00:42:09,840
especially if they are coming
from overseas, from Australia.
784
00:42:09,880 --> 00:42:12,440
We want them to feel comfortable
in the space that they're in
785
00:42:12,480 --> 00:42:16,720
and so we try to make it as nice
as possible for when they're here.
786
00:42:16,760 --> 00:42:19,760
This functional home from home
is finished off
787
00:42:19,800 --> 00:42:22,920
with an elegant sitting, dining
and kitchen space.
788
00:42:22,960 --> 00:42:25,360
We've renovated a small apartment,
haven't we?
789
00:42:25,400 --> 00:42:27,480
Yeah. I mean, probably
quite a decent sized apartment.
790
00:42:27,520 --> 00:42:29,400
Yeah. You know, like,
when you think about it,
791
00:42:29,440 --> 00:42:31,400
the whole size of the space
you've got here.
792
00:42:31,440 --> 00:42:35,000
But now it's a whole self-contained
studio for when guests come,
793
00:42:35,040 --> 00:42:38,600
so if they want tea and coffee, help
themselves to whatever they need.
794
00:42:38,640 --> 00:42:41,600
It's lovely up here. You know,
this is... If this was an apartment,
795
00:42:41,640 --> 00:42:44,880
you'd be like, "Fantastic." I'm
thinking about moving here myself.
796
00:42:44,920 --> 00:42:48,200
I'm going to lock everybody out
and this will just be my apartment.
797
00:42:48,240 --> 00:42:51,840
Just you. Yeah. Right. OK.
798
00:42:51,880 --> 00:42:55,840
It's no wonder Miranda fancies
a little me time.
799
00:42:55,880 --> 00:42:58,960
The couple have achieved
great things in the last few months,
800
00:42:59,000 --> 00:43:02,720
bringing the old rectory back to life
a room at a time.
801
00:43:02,760 --> 00:43:05,880
I'm very pleased with what we've
achieved over the last six months.
802
00:43:05,920 --> 00:43:08,720
I think that we have completed
a huge amount.
803
00:43:08,760 --> 00:43:11,880
It's just, when you're
on the journey up the mountain,
804
00:43:11,920 --> 00:43:13,920
you're always just looking
to the top,
805
00:43:13,960 --> 00:43:15,880
as in the whole finish point
for the house. Yeah.
806
00:43:15,920 --> 00:43:17,960
So we never take stock
to look behind us
807
00:43:18,000 --> 00:43:20,960
and see what we've achieved. Yeah.
808
00:43:21,000 --> 00:43:25,600
I think the problem is is that you
don't feel fully satisfied... Yep.
809
00:43:25,640 --> 00:43:27,640
..because the project is so vast,
810
00:43:27,680 --> 00:43:30,160
there's so much more to complete.
Yep.
811
00:43:30,200 --> 00:43:32,720
One of the issues in a house
that's just so big, you know,
812
00:43:32,760 --> 00:43:34,840
you can't just fix one thing
because as soon as you do that,
813
00:43:34,880 --> 00:43:38,760
it's like 50 other jobs then come
with being able to do that one job.
814
00:43:38,800 --> 00:43:42,160
You have to just be dynamic and you
have to think outside of the square.
815
00:43:42,200 --> 00:43:44,480
I think it's really important to
take time out to enjoy the spaces.
816
00:43:44,520 --> 00:43:46,800
I mean, we put all this time
and effort in, you know,
817
00:43:46,840 --> 00:43:51,640
we've got to celebrate our wins
and...and try and enjoy the journey.
818
00:43:54,320 --> 00:43:56,320
We can't wait to have friends
around and come and watch a movie
819
00:43:56,360 --> 00:43:59,920
and the kids can come and play.
We want to share it with everybody
820
00:43:59,960 --> 00:44:03,360
and enjoy all these spaces
and have some fun.
821
00:44:05,520 --> 00:44:08,560
Next time - in Warwickshire...
822
00:44:10,520 --> 00:44:12,880
..ceilings are down
and floorboards up
823
00:44:12,920 --> 00:44:17,160
as Andrew and Mandy uncover
hidden treasure from the past.
824
00:44:17,200 --> 00:44:19,680
SHE GASPS
It's there! Look!
825
00:44:19,720 --> 00:44:21,680
Uh, speechless, actually.
826
00:44:21,720 --> 00:44:25,600
In New Brighton... You're going
to put your end down now.
827
00:44:25,640 --> 00:44:28,040
..Sally and Steve
bring the indoors outside
828
00:44:28,080 --> 00:44:30,160
as they build a cosy garden room.
829
00:44:30,200 --> 00:44:33,200
It's like a little house.
It's just going to look fab.
830
00:44:33,240 --> 00:44:35,000
And in Truro...
831
00:44:35,040 --> 00:44:38,440
It feels a bit cashmere-y and it
throws the light back really nicely.
832
00:44:38,480 --> 00:44:40,480
..Drew gets creative with textiles
833
00:44:40,520 --> 00:44:43,640
to create a comfy window seat
for his guest bedroom.
834
00:44:43,680 --> 00:44:47,360
Every couple of centimetres,
just pop your staple gun there.
835
00:44:50,680 --> 00:44:52,680
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