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These are the user uploaded subtitles that are being translated: 1 00:00:08,620 --> 00:00:17,429 [Music] 2 00:00:19,950 --> 00:00:25,599 [Music] 3 00:00:25,599 --> 00:00:27,840 ever since a british secret agent named 4 00:00:27,840 --> 00:00:28,880 bond 5 00:00:28,880 --> 00:00:32,238 james bond embarked on his first mission 6 00:00:32,238 --> 00:00:34,320 a large global corporation has been 7 00:00:34,320 --> 00:00:36,780 keeping tabs on his every move 8 00:00:36,780 --> 00:00:39,600 [Music] 9 00:00:39,600 --> 00:00:41,520 there's such a lot of bond to see isn't 10 00:00:41,520 --> 00:00:44,399 that is there no end now after more than 11 00:00:44,399 --> 00:00:48,000 60 years of tracking 007 in print and on 12 00:00:48,000 --> 00:00:50,399 screen 13 00:00:51,600 --> 00:00:54,399 we open up the bbc vaults to reveal the 14 00:00:54,399 --> 00:00:56,640 forgotten files on the world's most 15 00:00:56,640 --> 00:00:59,760 celebrated secret agent the world's most 16 00:00:59,760 --> 00:01:02,640 famous hero assumes a natural position 17 00:01:02,640 --> 00:01:04,799 he's tall 18 00:01:04,799 --> 00:01:06,799 and he's dark through candid 19 00:01:06,799 --> 00:01:08,240 interrogations 20 00:01:08,240 --> 00:01:10,640 how much of that action do you enjoy 21 00:01:10,640 --> 00:01:13,360 i enjoy all of it i particularly love 22 00:01:13,360 --> 00:01:15,680 scenes 23 00:01:17,490 --> 00:01:19,520 [Music] 24 00:01:19,520 --> 00:01:21,200 technical briefings 25 00:01:21,200 --> 00:01:23,680 but this slides away to 26 00:01:23,680 --> 00:01:27,360 let the missile come out of the volcano 27 00:01:27,360 --> 00:01:30,159 and foreign assignments we assess bonds 28 00:01:30,159 --> 00:01:33,119 ability to survive in a changing world 29 00:01:33,119 --> 00:01:34,720 the bond move is generally a simply a 30 00:01:34,720 --> 00:01:36,560 licence to print money his 31 00:01:36,560 --> 00:01:38,240 transgressions 32 00:01:38,240 --> 00:01:39,600 his victories 33 00:01:39,600 --> 00:01:42,079 and his innermost secrets explored this 34 00:01:42,079 --> 00:01:43,840 is the sort of question 35 00:01:43,840 --> 00:01:46,880 that you should not be asking this is a 36 00:01:46,880 --> 00:01:50,479 license to view james bond unguarded 37 00:01:50,479 --> 00:01:54,290 unrestricted and unseen 38 00:01:54,290 --> 00:01:59,979 [Music] 39 00:02:03,040 --> 00:02:06,479 in 1964 the bbc filed a report from the 40 00:02:06,479 --> 00:02:09,360 united states gold bullion depository at 41 00:02:09,360 --> 00:02:12,160 fort knox 42 00:02:14,080 --> 00:02:16,000 and their man on the ground bore more 43 00:02:16,000 --> 00:02:18,239 than a passing resemblance to the spy 44 00:02:18,239 --> 00:02:19,520 himself 45 00:02:19,520 --> 00:02:22,400 incidentally that's not fort knox it's a 46 00:02:22,400 --> 00:02:24,879 film set here goldfinger and 47 00:02:24,879 --> 00:02:26,720 buckinghamshire pinewood 48 00:02:26,720 --> 00:02:28,959 i'm not james bond he's a fictitious 49 00:02:28,959 --> 00:02:31,280 character 50 00:02:31,360 --> 00:02:33,200 sean connery had taken a break from 51 00:02:33,200 --> 00:02:35,920 filming goldfinger to reveal for the bbc 52 00:02:35,920 --> 00:02:38,080 for the very first time the true 53 00:02:38,080 --> 00:02:41,040 identity of bond's armorer 54 00:02:41,040 --> 00:02:42,480 queue 55 00:02:42,480 --> 00:02:45,360 my name is audroid jeffrey boltroyd 56 00:02:45,360 --> 00:02:47,920 certain inaccuracies in the book made me 57 00:02:47,920 --> 00:02:50,400 write to fleming and say that 58 00:02:50,400 --> 00:02:52,080 i didn't think bond was going to last 59 00:02:52,080 --> 00:02:54,560 very long if he used a 2-5 beretta 60 00:02:54,560 --> 00:02:56,720 pistol which is a ladies gun i'm not a 61 00:02:56,720 --> 00:02:59,760 very nice lady at that 62 00:02:59,760 --> 00:03:01,840 well this is the gun boothroyd objected 63 00:03:01,840 --> 00:03:04,959 to bond's favorite beretta bond was 64 00:03:04,959 --> 00:03:09,200 using the shoulder holster at the time 65 00:03:10,159 --> 00:03:12,319 but his favorite holster was uh shammy 66 00:03:12,319 --> 00:03:14,000 leather because you see it didn't spoil 67 00:03:14,000 --> 00:03:16,239 the line of the jacket 68 00:03:16,239 --> 00:03:18,080 i take you over now to a film clip you 69 00:03:18,080 --> 00:03:20,800 see here where major boothroad is 70 00:03:20,800 --> 00:03:23,040 convincing 07 71 00:03:23,040 --> 00:03:24,560 in the company of m 72 00:03:24,560 --> 00:03:27,040 um of fleming's mistake so now on you 73 00:03:27,040 --> 00:03:30,400 carry a different gun show you mama 74 00:03:30,400 --> 00:03:34,080 valtter ppk 7.65 mill with a delivery 75 00:03:34,080 --> 00:03:35,599 like a brick through a plate glass 76 00:03:35,599 --> 00:03:36,879 window 77 00:03:36,879 --> 00:03:38,720 takes a brush silencer with very little 78 00:03:38,720 --> 00:03:40,720 reduction in muzzle velocity the 79 00:03:40,720 --> 00:03:42,560 american cia swear by them thank you 80 00:03:42,560 --> 00:03:45,220 major brother 81 00:03:45,220 --> 00:03:47,920 [Music] 82 00:03:47,920 --> 00:03:50,879 having exposed queue's real identity the 83 00:03:50,879 --> 00:03:53,519 bbc sought to uncover the model for bond 84 00:03:53,519 --> 00:03:57,840 himself but his creator proved evasive 85 00:03:57,840 --> 00:04:00,400 people do connect me with james bond 86 00:04:00,400 --> 00:04:01,599 because i happen to like some of the 87 00:04:01,599 --> 00:04:03,519 things that james bond does but he's the 88 00:04:03,519 --> 00:04:06,400 sort of mixture of commandos and secret 89 00:04:06,400 --> 00:04:08,879 service agents that i met during war 90 00:04:08,879 --> 00:04:11,840 but of course entirely fictionalized so 91 00:04:11,840 --> 00:04:13,840 i certainly haven't got his guts now his 92 00:04:13,840 --> 00:04:16,639 uh very lively appetite 93 00:04:16,639 --> 00:04:18,880 however his close friend and neighbor in 94 00:04:18,880 --> 00:04:21,759 jamaica was far less guarded 95 00:04:21,759 --> 00:04:23,600 i think the james bond 96 00:04:23,600 --> 00:04:28,000 was ian's dream fantasy of what 97 00:04:28,000 --> 00:04:30,080 he would like to be you know 98 00:04:30,080 --> 00:04:32,800 ruthless and dashing and 99 00:04:32,800 --> 00:04:34,080 it's got 100 00:04:34,080 --> 00:04:37,840 as ian had a schoolboy quality 101 00:04:39,199 --> 00:04:41,120 and further revelations came from a 102 00:04:41,120 --> 00:04:44,800 certain flirtatious secretary 103 00:04:44,800 --> 00:04:46,880 the first meeting with ian was 104 00:04:46,880 --> 00:04:49,120 at a reception after we'd finished from 105 00:04:49,120 --> 00:04:50,639 russia with love 106 00:04:50,639 --> 00:04:53,759 and suddenly he said money penny i want 107 00:04:53,759 --> 00:04:56,240 to thank you because when i first wrote 108 00:04:56,240 --> 00:04:59,040 about uh miss moneypenny i described her 109 00:04:59,040 --> 00:05:01,840 as a tall elegant woman 110 00:05:01,840 --> 00:05:06,240 with the most kissable lips in the world 111 00:05:06,240 --> 00:05:08,560 and he said you are so perfect and he 112 00:05:08,560 --> 00:05:11,039 was coming closer and closer to me much 113 00:05:11,039 --> 00:05:12,960 to my delight 114 00:05:12,960 --> 00:05:15,520 and when he was about this far away 115 00:05:15,520 --> 00:05:16,800 i said 116 00:05:16,800 --> 00:05:19,039 what do you want me to say prunes or 117 00:05:19,039 --> 00:05:21,360 cheese and he said 118 00:05:21,360 --> 00:05:23,840 prunes and just as he was about to kiss 119 00:05:23,840 --> 00:05:26,639 me his wife said oh ian 120 00:05:26,639 --> 00:05:28,280 bedford wants to speak to you 121 00:05:28,280 --> 00:05:31,600 [Music] 122 00:05:31,600 --> 00:05:33,840 money penny may have been smitten but 123 00:05:33,840 --> 00:05:35,600 there were those who did not warm to 124 00:05:35,600 --> 00:05:38,560 fleming at all as bbc viewers found out 125 00:05:38,560 --> 00:05:40,960 when malcolm muggeridge quizzed a former 126 00:05:40,960 --> 00:05:44,800 mi6 agent turned spy novelist 127 00:05:44,800 --> 00:05:47,680 i'm not sure that bond is a spy seems to 128 00:05:47,680 --> 00:05:49,840 me that he's more some kind of 129 00:05:49,840 --> 00:05:52,560 international gangster with as i said a 130 00:05:52,560 --> 00:05:54,400 license to kill 131 00:05:54,400 --> 00:05:56,720 he's a man with unlimited movement but 132 00:05:56,720 --> 00:05:58,720 he's a man entirely out of the political 133 00:05:58,720 --> 00:06:02,000 context it's of no interest to bond who 134 00:06:02,000 --> 00:06:03,840 for instance is president of the united 135 00:06:03,840 --> 00:06:06,479 states 136 00:06:06,479 --> 00:06:08,639 but these highfalutin intellectuals had 137 00:06:08,639 --> 00:06:10,080 failed to notice 138 00:06:10,080 --> 00:06:11,680 that it was actually the president 139 00:06:11,680 --> 00:06:13,440 himself who had brought bond to the 140 00:06:13,440 --> 00:06:15,600 world's attention 141 00:06:15,600 --> 00:06:17,680 in an article for life magazine in march 142 00:06:17,680 --> 00:06:19,360 1961 143 00:06:19,360 --> 00:06:21,600 john f kennedy had included from russia 144 00:06:21,600 --> 00:06:24,240 with love in a list of his 10 favorite 145 00:06:24,240 --> 00:06:26,560 books and this was just the break that 146 00:06:26,560 --> 00:06:29,039 two movie moguls needed 147 00:06:29,039 --> 00:06:31,199 american cubby broccoli and canadian 148 00:06:31,199 --> 00:06:32,639 harry saltzman 149 00:06:32,639 --> 00:06:34,080 had already bought the options on 150 00:06:34,080 --> 00:06:35,600 fleming's novels 151 00:06:35,600 --> 00:06:38,000 and with paperback sales rocketing after 152 00:06:38,000 --> 00:06:40,319 kennedy's endorsement they flew to new 153 00:06:40,319 --> 00:06:42,400 york to secure the deal with united 154 00:06:42,400 --> 00:06:45,120 artists that would put james bond on 155 00:06:45,120 --> 00:06:46,639 screen 156 00:06:46,639 --> 00:06:47,919 normally the question from the 157 00:06:47,919 --> 00:06:49,440 distributor is who is going to play in 158 00:06:49,440 --> 00:06:50,960 it cary grant or 159 00:06:50,960 --> 00:06:53,680 or james mason or someone and when you 160 00:06:53,680 --> 00:06:55,120 surprise him by telling him you don't 161 00:06:55,120 --> 00:06:57,680 want uh a known name and then you want 162 00:06:57,680 --> 00:06:59,840 an unknown he's further confused and 163 00:06:59,840 --> 00:07:01,039 it's a little more difficult to get the 164 00:07:01,039 --> 00:07:03,840 financing 165 00:07:04,800 --> 00:07:06,800 but under pressure to cast a leading man 166 00:07:06,800 --> 00:07:08,720 the producers stood their ground for a 167 00:07:08,720 --> 00:07:10,960 little-known scottish actor called sean 168 00:07:10,960 --> 00:07:13,360 connery who they believed best displayed 169 00:07:13,360 --> 00:07:15,759 the degree of masculine virility that 170 00:07:15,759 --> 00:07:18,400 bond demanded 171 00:07:18,400 --> 00:07:20,960 cubby and i went through i would say 200 172 00:07:20,960 --> 00:07:22,800 actors 173 00:07:22,800 --> 00:07:24,880 i like the way he moved 174 00:07:24,880 --> 00:07:26,319 and the fact that he had a lot of acting 175 00:07:26,319 --> 00:07:27,919 experience 176 00:07:27,919 --> 00:07:30,560 but he moves extremely well there's only 177 00:07:30,560 --> 00:07:32,319 one other actor who's about to see this 178 00:07:32,319 --> 00:07:33,840 albert finish 179 00:07:33,840 --> 00:07:35,440 he moves like cats 180 00:07:35,440 --> 00:07:37,120 very delicious we're a big man to be 181 00:07:37,120 --> 00:07:40,639 light on his feet most unusual 182 00:07:41,360 --> 00:07:44,000 however fleming remained equivocal 183 00:07:44,000 --> 00:07:46,240 thinking connery to be an over-developed 184 00:07:46,240 --> 00:07:48,639 stuntman without the social graces to 185 00:07:48,639 --> 00:07:50,160 play his hero 186 00:07:50,160 --> 00:07:52,400 but his opinion was swayed when female 187 00:07:52,400 --> 00:07:54,240 friends of his pronounced connery as 188 00:07:54,240 --> 00:07:58,000 most definitely having it i met fleming 189 00:07:58,000 --> 00:08:00,080 two three times and uh 190 00:08:00,080 --> 00:08:01,520 we were 191 00:08:01,520 --> 00:08:03,039 going on very very well i liked him 192 00:08:03,039 --> 00:08:06,720 enormously he had such curiosity and his 193 00:08:06,720 --> 00:08:08,000 knowledge was 194 00:08:08,000 --> 00:08:08,879 oh 195 00:08:08,879 --> 00:08:12,479 so wide terrible snob but terrific 196 00:08:12,479 --> 00:08:14,160 companion 197 00:08:14,160 --> 00:08:17,599 um but i think in the main he wanted 198 00:08:17,599 --> 00:08:19,440 somebody unknown 199 00:08:19,440 --> 00:08:20,319 uh 200 00:08:20,319 --> 00:08:21,440 so 201 00:08:21,440 --> 00:08:23,599 that they would not overshadow the 202 00:08:23,599 --> 00:08:27,440 character of james bond 203 00:08:27,440 --> 00:08:29,680 to the british public james bond 204 00:08:29,680 --> 00:08:32,320 perfectly caught the mood of the times 205 00:08:32,320 --> 00:08:34,399 and brought a sense of reassurance to a 206 00:08:34,399 --> 00:08:36,880 country in the grip of cold war spy 207 00:08:36,880 --> 00:08:38,240 mania 208 00:08:38,240 --> 00:08:40,159 if there was a third man were you in 209 00:08:40,159 --> 00:08:43,519 fact the third man no i was not 210 00:08:43,519 --> 00:08:44,240 well 211 00:08:44,240 --> 00:08:46,240 he's uh a free agent as i said at the 212 00:08:46,240 --> 00:08:49,680 present time to go as he pleases 213 00:08:50,320 --> 00:08:52,720 dr no released on the same day as the 214 00:08:52,720 --> 00:08:55,519 beatles first single introduced a new 215 00:08:55,519 --> 00:08:59,040 emblem for a modern britain 216 00:08:59,839 --> 00:09:02,080 and when bond's silhouette or rather 217 00:09:02,080 --> 00:09:05,920 that of stuntman bob simmons 218 00:09:06,320 --> 00:09:08,880 came sauntering across cinema screens 219 00:09:08,880 --> 00:09:11,120 audiences broke into spontaneous 220 00:09:11,120 --> 00:09:13,680 applause 221 00:09:16,800 --> 00:09:19,040 it was with goldfinger the third film in 222 00:09:19,040 --> 00:09:21,360 the series that the producers served up 223 00:09:21,360 --> 00:09:24,000 their winning cocktail and the pre-title 224 00:09:24,000 --> 00:09:26,480 sequence is a stimulating aperitif of 225 00:09:26,480 --> 00:09:31,040 its own with all the bond ingredients 226 00:09:31,600 --> 00:09:34,480 beginning with a typically witty gadget 227 00:09:34,480 --> 00:09:36,800 the sequence combined sleek interior 228 00:09:36,800 --> 00:09:39,200 sets 229 00:09:39,360 --> 00:09:42,800 stylish posturing 230 00:09:43,200 --> 00:09:46,160 [Music] 231 00:09:46,160 --> 00:09:48,640 flagrant seduction of a dispensable fam 232 00:09:48,640 --> 00:09:51,640 fertile 233 00:09:54,560 --> 00:09:56,800 all culminating in a perfectly delivered 234 00:09:56,800 --> 00:10:00,320 throwaway line positively shocking 235 00:10:00,320 --> 00:10:03,830 and a door slam to cue a knockout song 236 00:10:03,830 --> 00:10:16,299 [Music] 237 00:10:18,370 --> 00:10:26,000 [Music] 238 00:10:26,000 --> 00:10:28,640 as both an establishment figure and icon 239 00:10:28,640 --> 00:10:31,519 of pop culture james bond was an easy 240 00:10:31,519 --> 00:10:33,839 target during what was the satire boom 241 00:10:33,839 --> 00:10:36,430 of the early 242 00:10:36,430 --> 00:10:38,640 [Music] 243 00:10:38,640 --> 00:10:40,710 [Applause] 244 00:10:40,710 --> 00:10:44,940 [Music] 245 00:10:45,120 --> 00:10:46,959 doesn't think much of you 1960s a start 246 00:10:46,959 --> 00:10:48,640 i mean she says you've got a cold finger 247 00:10:48,640 --> 00:10:49,340 gold finger 248 00:10:49,340 --> 00:10:52,000 [Music] 249 00:10:52,000 --> 00:10:53,519 how she ever found that out i don't know 250 00:10:53,519 --> 00:10:55,440 but that's herpes 251 00:10:55,440 --> 00:10:59,360 casino royale and diamonds are forever 252 00:10:59,360 --> 00:11:01,519 from russia with sex 253 00:11:01,519 --> 00:11:03,310 fish 254 00:11:03,310 --> 00:11:11,929 [Music] 255 00:11:12,000 --> 00:11:15,839 for your thighs only doctor in the know 256 00:11:15,839 --> 00:11:18,880 carry on spy moon finger and mutt 257 00:11:18,880 --> 00:11:19,430 breaker 258 00:11:19,430 --> 00:11:23,839 [Music] 259 00:11:23,839 --> 00:11:26,000 oh well there goes cuba there's such a 260 00:11:26,000 --> 00:11:28,000 lot of bond to see isn't there is there 261 00:11:28,000 --> 00:11:30,560 no end we're proud to present tonight 262 00:11:30,560 --> 00:11:33,279 bye bye bondi the latest indeed one 263 00:11:33,279 --> 00:11:37,040 might almost say the last episode in 007 264 00:11:37,040 --> 00:11:39,120 it was a black letter day of a bond he 265 00:11:39,120 --> 00:11:40,640 received someone and lost no time 266 00:11:40,640 --> 00:11:42,880 against the office of m his chief when 267 00:11:42,880 --> 00:11:47,120 bond entered m was inscrutable as always 268 00:11:47,839 --> 00:11:50,959 david frost's co-host double m melissa 269 00:11:50,959 --> 00:11:54,560 martin would spoof bond on her own show 270 00:11:54,560 --> 00:11:56,800 and her choice of guest star would prove 271 00:11:56,800 --> 00:11:58,800 prophetically 272 00:11:58,800 --> 00:12:00,480 perhaps this year would like to take 273 00:12:00,480 --> 00:12:02,639 drinks on salvation 274 00:12:02,639 --> 00:12:03,839 yes 275 00:12:03,839 --> 00:12:06,240 that's quite a nice little casino 276 00:12:06,240 --> 00:12:08,320 it was almost as if he was auditioning 277 00:12:08,320 --> 00:12:11,440 for the part a decade early 278 00:12:11,440 --> 00:12:15,120 a nice secluded corner over there mr 279 00:12:15,120 --> 00:12:16,560 bomb 280 00:12:16,560 --> 00:12:19,279 yes well i uh am on holiday 281 00:12:19,279 --> 00:12:22,680 thank you yes mr smith 282 00:12:22,680 --> 00:12:28,560 [Music] 283 00:12:28,560 --> 00:12:31,519 oh oh yes and i'm 07 as if you didn't 284 00:12:31,519 --> 00:12:32,320 know 285 00:12:32,320 --> 00:12:33,839 james bond what are you doing at my 286 00:12:33,839 --> 00:12:35,920 hotel and what may i ask is sonya 287 00:12:35,920 --> 00:12:39,120 slickova russia's master 288 00:12:41,100 --> 00:12:44,279 [Music] 289 00:12:48,800 --> 00:12:51,920 by 1965 nothing it seemed could match 290 00:12:51,920 --> 00:12:53,040 bond 291 00:12:53,040 --> 00:12:55,120 not even the beatles 292 00:12:55,120 --> 00:12:57,600 the soundtrack to goldfinger outsold the 293 00:12:57,600 --> 00:13:00,399 mop tops 294 00:13:00,959 --> 00:13:02,800 and during the filming of thunderball in 295 00:13:02,800 --> 00:13:04,480 the bahamas 296 00:13:04,480 --> 00:13:07,680 bond mania reached new heights or rather 297 00:13:07,680 --> 00:13:09,190 further depths 298 00:13:09,190 --> 00:13:12,000 [Music] 299 00:13:12,000 --> 00:13:14,000 a press release given to the bbc on 300 00:13:14,000 --> 00:13:15,279 location 301 00:13:15,279 --> 00:13:18,560 described the hysteria around connery 302 00:13:18,560 --> 00:13:20,720 when a group of american students swam 303 00:13:20,720 --> 00:13:23,120 out to his filming boat 304 00:13:23,120 --> 00:13:25,440 speak to us one of them called to him 305 00:13:25,440 --> 00:13:28,000 you are our leader and we are your 306 00:13:28,000 --> 00:13:31,000 people 307 00:13:34,720 --> 00:13:36,639 the globetrotting spy was now a 308 00:13:36,639 --> 00:13:39,519 trend-setting brand whose personality 309 00:13:39,519 --> 00:13:44,090 and paraphernalia saturated public life 310 00:13:44,090 --> 00:13:45,680 [Music] 311 00:13:45,680 --> 00:13:48,399 the bond films set a complete style and 312 00:13:48,399 --> 00:13:51,279 had a tremendous influence on design and 313 00:13:51,279 --> 00:13:53,920 throughout the whole range of the visual 314 00:13:53,920 --> 00:13:56,240 arts did it come as a surprise to that 315 00:13:56,240 --> 00:13:59,440 in fact um the population took up many 316 00:13:59,440 --> 00:14:01,600 of the sort of bond images and carried 317 00:14:01,600 --> 00:14:04,720 them we never expected that tremendous 318 00:14:04,720 --> 00:14:07,120 success but after the first we saw there 319 00:14:07,120 --> 00:14:09,360 was a market the second we very 320 00:14:09,360 --> 00:14:12,079 carefully accentuated the 321 00:14:12,079 --> 00:14:13,360 successful parts 322 00:14:13,360 --> 00:14:15,279 [Music] 323 00:14:15,279 --> 00:14:17,680 bond's iconic car from goldfinger the 324 00:14:17,680 --> 00:14:20,079 aston martin db5 325 00:14:20,079 --> 00:14:23,040 proved a gift for merchandisers 326 00:14:23,040 --> 00:14:24,880 and corgi's miniature version would go 327 00:14:24,880 --> 00:14:27,839 on to sell in its millions 328 00:14:27,839 --> 00:14:30,399 whoops hello there now this is the star 329 00:14:30,399 --> 00:14:31,920 of the show i think because this is the 330 00:14:31,920 --> 00:14:34,160 model of the car that was made for james 331 00:14:34,160 --> 00:14:36,639 bond in goldfinch you press that knob 332 00:14:36,639 --> 00:14:37,680 there 333 00:14:37,680 --> 00:14:39,839 out come the two overriders and the 334 00:14:39,839 --> 00:14:42,240 machine guns now you've got somebody 335 00:14:42,240 --> 00:14:44,079 sitting next to you in the car and you 336 00:14:44,079 --> 00:14:46,639 don't like him just watch the roof wait 337 00:14:46,639 --> 00:14:48,959 how she comes there goes odd job 338 00:14:48,959 --> 00:14:51,120 now every child could have their very 339 00:14:51,120 --> 00:14:52,880 own bond gadget 340 00:14:52,880 --> 00:14:54,720 or if you have the clout you could just 341 00:14:54,720 --> 00:14:56,800 pop along to the factory and pick up a 342 00:14:56,800 --> 00:14:59,000 scale model for your son 343 00:14:59,000 --> 00:15:02,149 [Music] 344 00:15:02,399 --> 00:15:04,560 but some bbc pundits were worried that 345 00:15:04,560 --> 00:15:07,199 bond as a commodity was just a smoke 346 00:15:07,199 --> 00:15:09,600 screen for a character with very little 347 00:15:09,600 --> 00:15:10,800 depth 348 00:15:10,800 --> 00:15:13,600 there's no mystery about james bond it's 349 00:15:13,600 --> 00:15:16,720 too easy you see with all this 350 00:15:16,720 --> 00:15:19,440 imitation equipment that the man himself 351 00:15:19,440 --> 00:15:22,399 is nothing but you respect mr conrad 352 00:15:22,399 --> 00:15:25,040 personally i have never been uh 353 00:15:25,040 --> 00:15:26,800 able to collapse into the arms of mr 354 00:15:26,800 --> 00:15:30,399 bond i see a a sort of uh new hero 355 00:15:30,399 --> 00:15:33,040 emerging now and the new one on the way 356 00:15:33,040 --> 00:15:33,880 is the 357 00:15:33,880 --> 00:15:35,570 transvestite like 358 00:15:35,570 --> 00:15:37,199 [Laughter] 359 00:15:37,199 --> 00:15:39,760 a damning rule would make a 360 00:15:39,760 --> 00:15:41,790 [Laughter] 361 00:15:41,790 --> 00:15:46,720 [Music] 362 00:15:46,720 --> 00:15:48,560 as production began on the next bond 363 00:15:48,560 --> 00:15:51,279 bonanza and amidst rumors that connery 364 00:15:51,279 --> 00:15:53,440 was getting itchy feet in the role the 365 00:15:53,440 --> 00:15:55,440 bbc undertook a more probing 366 00:15:55,440 --> 00:15:57,519 investigation into the current state of 367 00:15:57,519 --> 00:15:59,920 double 07 and for such a special 368 00:15:59,920 --> 00:16:04,959 assignment they sent in their top man 369 00:16:05,759 --> 00:16:08,560 japan pinewood style and the first day's 370 00:16:08,560 --> 00:16:10,079 shooting on the fifth film in the 371 00:16:10,079 --> 00:16:12,639 cinema's most spectacular saga they're 372 00:16:12,639 --> 00:16:14,959 spending three million pounds on you 373 00:16:14,959 --> 00:16:17,519 only live twice but it'll probably earn 374 00:16:17,519 --> 00:16:20,959 ten times that around the world 375 00:16:20,959 --> 00:16:22,639 to write the script which involved an 376 00:16:22,639 --> 00:16:24,800 entirely different plot to the book the 377 00:16:24,800 --> 00:16:26,959 producers had drafted in an old charm of 378 00:16:26,959 --> 00:16:29,120 ian flemings but for the author of 379 00:16:29,120 --> 00:16:30,959 charlie and the chocolate factory 380 00:16:30,959 --> 00:16:32,880 writing a bond film would be a very 381 00:16:32,880 --> 00:16:34,839 different 382 00:16:34,839 --> 00:16:37,600 confection did you have a certain number 383 00:16:37,600 --> 00:16:39,120 of things that you had to do for example 384 00:16:39,120 --> 00:16:41,199 bomb normally goes through women in the 385 00:16:41,199 --> 00:16:42,959 film doesn't he know what you mean by 386 00:16:42,959 --> 00:16:44,720 going through them well he disposes of 387 00:16:44,720 --> 00:16:46,480 them they get killed they sacrifice 388 00:16:46,480 --> 00:16:49,519 themselves you know are you yes um 389 00:16:49,519 --> 00:16:51,440 there's there's no question that you 390 00:16:51,440 --> 00:16:54,000 must you must stick to that sort of 391 00:16:54,000 --> 00:16:55,120 formula 392 00:16:55,120 --> 00:16:57,279 i think because i asked that that uh 393 00:16:57,279 --> 00:16:59,440 when i went in first 394 00:16:59,440 --> 00:17:00,320 uh 395 00:17:00,320 --> 00:17:02,000 they said oh yes 396 00:17:02,000 --> 00:17:02,959 uh 397 00:17:02,959 --> 00:17:05,679 i said he wants a woman doesn't need to 398 00:17:05,679 --> 00:17:07,919 chase around and fall in love with 399 00:17:07,919 --> 00:17:10,400 and uh they said well three would be 400 00:17:10,400 --> 00:17:12,799 better 401 00:17:12,959 --> 00:17:14,720 wicker was on hand to watch the 402 00:17:14,720 --> 00:17:19,119 pre-title sequence being shot better huh 403 00:17:19,119 --> 00:17:20,640 no i'm just different 404 00:17:20,640 --> 00:17:23,359 like king duck is different from catcher 405 00:17:23,359 --> 00:17:25,839 a clever tease in which dahl flips bonds 406 00:17:25,839 --> 00:17:29,120 weakness for women into his undoing 407 00:17:29,120 --> 00:17:31,760 darling i give you very best duck well 408 00:17:31,760 --> 00:17:34,080 that'd be lovely 409 00:17:34,080 --> 00:17:35,440 we've had some interesting times 410 00:17:35,440 --> 00:17:36,720 together ling 411 00:17:36,720 --> 00:17:40,440 i'd be sorry to go 412 00:17:41,900 --> 00:17:46,179 [Music] 413 00:17:50,160 --> 00:17:52,400 so james bond's been shot where it hurts 414 00:17:52,400 --> 00:17:54,320 most in bed 415 00:17:54,320 --> 00:17:56,320 as wicker slipped deeper under the 416 00:17:56,320 --> 00:17:58,720 covers test three take one you are a 417 00:17:58,720 --> 00:18:01,039 slippery customer aren't you 418 00:18:01,039 --> 00:18:03,200 he turned his beady eye onto a bevy of 419 00:18:03,200 --> 00:18:05,039 girls submitting themselves to the 420 00:18:05,039 --> 00:18:06,960 casting session 421 00:18:06,960 --> 00:18:09,679 bonds birds seldom last more than 10 422 00:18:09,679 --> 00:18:11,280 minutes before something frightful 423 00:18:11,280 --> 00:18:13,280 happens to them but during their brief 424 00:18:13,280 --> 00:18:15,840 passionate posturing they brave piranhas 425 00:18:15,840 --> 00:18:17,600 and death rays for the pleasure of 426 00:18:17,600 --> 00:18:19,679 sharing his bedroom and his vodka 427 00:18:19,679 --> 00:18:20,960 martinis 428 00:18:20,960 --> 00:18:22,640 what's a nice girl like you doing in a 429 00:18:22,640 --> 00:18:25,280 place like this 430 00:18:25,440 --> 00:18:27,960 you're a handsome looking root 431 00:18:27,960 --> 00:18:30,960 [Music] 432 00:18:30,960 --> 00:18:33,679 eager to surrender their cinematic all 433 00:18:33,679 --> 00:18:35,760 they're screen tested they're still not 434 00:18:35,760 --> 00:18:38,559 exposed to the real james bond they have 435 00:18:38,559 --> 00:18:42,440 to make love to his substitute 436 00:18:43,360 --> 00:18:45,440 and to better understand the bond girl 437 00:18:45,440 --> 00:18:47,760 vetting process wicker sounded out the 438 00:18:47,760 --> 00:18:50,400 film's director louis gilbert 439 00:18:50,400 --> 00:18:52,160 well you know there's a sort of classic 440 00:18:52,160 --> 00:18:55,039 tradition of bond girls but uh this one 441 00:18:55,039 --> 00:18:58,080 is a german or swedish girl yeah but uh 442 00:18:58,080 --> 00:18:59,760 obviously she must be pretty glamorous 443 00:18:59,760 --> 00:19:01,039 but we are trying to do something 444 00:19:01,039 --> 00:19:02,559 different for the bongo this time we'd 445 00:19:02,559 --> 00:19:04,000 like to try and find somebody who can 446 00:19:04,000 --> 00:19:06,000 act so what's a nice girl like you're 447 00:19:06,000 --> 00:19:09,250 doing in a place like this 448 00:19:09,250 --> 00:19:13,120 [Music] 449 00:19:13,120 --> 00:19:14,720 is it a bit too disfiguring when she 450 00:19:14,720 --> 00:19:16,799 goes very hard in 451 00:19:16,799 --> 00:19:18,080 yeah yeah 452 00:19:18,080 --> 00:19:21,200 just let him have his main speed 453 00:19:22,640 --> 00:19:24,320 butters wicker found out when he 454 00:19:24,320 --> 00:19:26,320 followed the production to japan 455 00:19:26,320 --> 00:19:28,640 wherever in the world bond went there 456 00:19:28,640 --> 00:19:31,120 was an expectation to conform to his 457 00:19:31,120 --> 00:19:33,600 values 458 00:19:33,600 --> 00:19:35,679 the armored pearl diving girls went on 459 00:19:35,679 --> 00:19:38,320 strike frightened of overexposure 460 00:19:38,320 --> 00:19:40,559 they're actually starlets and models 461 00:19:40,559 --> 00:19:42,559 there's even a lift girl from the tokyo 462 00:19:42,559 --> 00:19:44,880 hilton but east is east and none of 463 00:19:44,880 --> 00:19:47,039 these big city pearl divers wanted to be 464 00:19:47,039 --> 00:19:49,280 photographed in a bikini they resisted 465 00:19:49,280 --> 00:19:51,360 the american public relations man who 466 00:19:51,360 --> 00:19:54,000 was after some japanese cheesecake mike 467 00:19:54,000 --> 00:19:55,760 let me explain what i'm impressed i i 468 00:19:55,760 --> 00:19:57,840 understand i don't understand what i 469 00:19:57,840 --> 00:20:00,160 want to get all of them lined up right 470 00:20:00,160 --> 00:20:01,840 in modern bathing costumes right and 471 00:20:01,840 --> 00:20:03,360 they don't want to take them off 472 00:20:03,360 --> 00:20:06,559 yes no they don't want them i don't care 473 00:20:06,559 --> 00:20:08,400 what they want yeah i know what's the 474 00:20:08,400 --> 00:20:10,240 trouble guppy what what doesn't happen 475 00:20:10,240 --> 00:20:12,559 oh uh it's not really serious there's 476 00:20:12,559 --> 00:20:14,240 that we have uh 477 00:20:14,240 --> 00:20:16,720 we have uh eight armor girls or girls 478 00:20:16,720 --> 00:20:18,159 who are supposed to be on the girls 479 00:20:18,159 --> 00:20:21,120 they're japanese types 480 00:20:21,120 --> 00:20:23,120 and uh the production department is 481 00:20:23,120 --> 00:20:26,080 having a difficult time getting them to 482 00:20:26,080 --> 00:20:28,480 remove their not their brazilians or 483 00:20:28,480 --> 00:20:31,200 anything just their outer garment 484 00:20:31,200 --> 00:20:34,240 they feel that they're they uh you know 485 00:20:34,240 --> 00:20:35,760 they're not accustomed to walking around 486 00:20:35,760 --> 00:20:37,840 in bikinis 487 00:20:37,840 --> 00:20:39,440 not until broccoli got there they 488 00:20:39,440 --> 00:20:41,679 weren't 489 00:20:44,799 --> 00:20:46,559 but there was further trouble in 490 00:20:46,559 --> 00:20:48,799 paradise and wicker's cameras were there 491 00:20:48,799 --> 00:20:51,120 to capture the bondwagon slowly coming 492 00:20:51,120 --> 00:20:53,280 off the rails now he's an actor he's 493 00:20:53,280 --> 00:20:55,600 here to do a job he's not just a 494 00:20:55,600 --> 00:20:56,880 publicity 495 00:20:56,880 --> 00:20:58,640 uh idol 496 00:20:58,640 --> 00:20:59,919 for that 497 00:20:59,919 --> 00:21:02,080 now he's here and he has not been given 498 00:21:02,080 --> 00:21:03,360 the privilege 499 00:21:03,360 --> 00:21:05,120 and respect of japan for a certain 500 00:21:05,120 --> 00:21:06,300 amount of privacy 501 00:21:06,300 --> 00:21:07,520 [Music] 502 00:21:07,520 --> 00:21:09,440 connery felt he was no longer a human 503 00:21:09,440 --> 00:21:11,840 being but a public institution 504 00:21:11,840 --> 00:21:15,520 and not so much an actor as a commodity 505 00:21:15,520 --> 00:21:17,679 with fears of becoming typecast of being 506 00:21:17,679 --> 00:21:20,000 overshadowed by gadgets and a gargantuan 507 00:21:20,000 --> 00:21:21,679 man-made volcano 508 00:21:21,679 --> 00:21:23,600 connery thought it was time to hang up 509 00:21:23,600 --> 00:21:26,240 his holster i'm very tired because i've 510 00:21:26,240 --> 00:21:27,280 been 511 00:21:27,280 --> 00:21:31,360 take a long uphill grind i'm 512 00:21:31,360 --> 00:21:33,280 i've had 513 00:21:33,280 --> 00:21:35,840 a long sort of images of one and a very 514 00:21:35,840 --> 00:21:38,000 intense innings and i want to 515 00:21:38,000 --> 00:21:40,480 change direction now take another breath 516 00:21:40,480 --> 00:21:42,080 and do something 517 00:21:42,080 --> 00:21:46,799 else so this is your last bond film yes 518 00:21:47,600 --> 00:21:50,240 with sean connery's departure the bond 519 00:21:50,240 --> 00:21:53,280 franchise faced its first crisis 520 00:21:53,280 --> 00:21:55,600 connery had owned the part completely 521 00:21:55,600 --> 00:21:58,240 and a replacement seemed unthinkable 522 00:21:58,240 --> 00:22:00,080 although cubby broccoli remained 523 00:22:00,080 --> 00:22:00,880 optimistic 524 00:22:00,880 --> 00:22:02,159 [Music] 525 00:22:02,159 --> 00:22:03,679 this won't stop us from making another 526 00:22:03,679 --> 00:22:05,120 bond because an audience out there want 527 00:22:05,120 --> 00:22:07,679 to see it we present what we have for 528 00:22:07,679 --> 00:22:09,440 the approval you'd have a headache 529 00:22:09,440 --> 00:22:10,960 breaking in a new bond actually wouldn't 530 00:22:10,960 --> 00:22:12,960 you after five 531 00:22:12,960 --> 00:22:15,919 everything is a headache 532 00:22:17,120 --> 00:22:19,840 in early 1968 the hunt was on for an 533 00:22:19,840 --> 00:22:22,400 actor to fill connery's shoes 534 00:22:22,400 --> 00:22:25,520 when a 29 year old australian model and 535 00:22:25,520 --> 00:22:28,799 used car salesman called george lazenby 536 00:22:28,799 --> 00:22:30,799 suddenly swaggered into broccoli and 537 00:22:30,799 --> 00:22:33,280 saltsman's office 538 00:22:33,280 --> 00:22:35,520 i was standing there in a conery suit a 539 00:22:35,520 --> 00:22:38,080 countering haircut rolex watch crossed 540 00:22:38,080 --> 00:22:39,679 arms saying i heard you're looking for 541 00:22:39,679 --> 00:22:41,280 james bond 542 00:22:41,280 --> 00:22:43,200 broccoli had deep reservations about 543 00:22:43,200 --> 00:22:45,919 hiring a clothespeg as he referred to 544 00:22:45,919 --> 00:22:47,039 lazenby 545 00:22:47,039 --> 00:22:49,280 so over four months they tested him 546 00:22:49,280 --> 00:22:51,440 against the rest of the cast until 547 00:22:51,440 --> 00:22:53,440 finally harry saltzman said he wanted to 548 00:22:53,440 --> 00:22:56,559 see lazenby in a fight scene 549 00:22:56,559 --> 00:22:58,559 they got this big russian guy well i 550 00:22:58,559 --> 00:23:00,400 knocked him on his butt because i didn't 551 00:23:00,400 --> 00:23:02,240 know how to miss and i said oh my god 552 00:23:02,240 --> 00:23:03,600 when this guy gets up he's going to kill 553 00:23:03,600 --> 00:23:05,600 me he's a real russian wrestler you know 554 00:23:05,600 --> 00:23:07,520 but he was okay and harry stepped over 555 00:23:07,520 --> 00:23:11,360 him and says we're going with you 556 00:23:14,670 --> 00:23:17,039 [Music] 557 00:23:17,039 --> 00:23:19,120 aside from the small matter of finding a 558 00:23:19,120 --> 00:23:21,840 new bond on her majesty's secret service 559 00:23:21,840 --> 00:23:23,840 would see him get hitched and in 560 00:23:23,840 --> 00:23:25,760 choosing an actress of diana rigg's 561 00:23:25,760 --> 00:23:28,080 caliber the producers hoped to increase 562 00:23:28,080 --> 00:23:30,720 the power of the film's romantic scenes 563 00:23:30,720 --> 00:23:33,039 the bbc caught up with rig on location 564 00:23:33,039 --> 00:23:35,440 in portugal to ask her what she felt the 565 00:23:35,440 --> 00:23:38,720 issues were for women in bond's world 566 00:23:38,720 --> 00:23:40,480 from the woman's point of view mainly 567 00:23:40,480 --> 00:23:42,960 the fact that the women are victims 568 00:23:42,960 --> 00:23:45,120 and um in our society at the moment 569 00:23:45,120 --> 00:23:47,039 women are being very busy trying to 570 00:23:47,039 --> 00:23:48,720 prove that they aren't victims but 571 00:23:48,720 --> 00:23:50,960 inflaming definitely definitely puts 572 00:23:50,960 --> 00:23:53,840 them in sort of subsidiary position and 573 00:23:53,840 --> 00:23:56,240 bond uses them they are vessels either 574 00:23:56,240 --> 00:23:57,679 for his lust 575 00:23:57,679 --> 00:23:59,279 or to uh 576 00:23:59,279 --> 00:24:02,400 uh get to the big bad boss or something 577 00:24:02,400 --> 00:24:04,880 you know they're they're cyphers they're 578 00:24:04,880 --> 00:24:07,679 not real people 579 00:24:07,760 --> 00:24:10,240 alongside rigg these ciphers come in the 580 00:24:10,240 --> 00:24:12,559 form of a deadly harem under the control 581 00:24:12,559 --> 00:24:15,360 of the arch villain blowfelt but in this 582 00:24:15,360 --> 00:24:17,760 story fleming at last allows bond to 583 00:24:17,760 --> 00:24:20,240 fall in love 584 00:24:20,240 --> 00:24:22,000 in a sense it's a game but also it's 585 00:24:22,000 --> 00:24:24,640 quite quite a clever trick because the 586 00:24:24,640 --> 00:24:27,440 man who heretofore has been absolutely 587 00:24:27,440 --> 00:24:28,720 unobtainable 588 00:24:28,720 --> 00:24:30,080 suddenly 589 00:24:30,080 --> 00:24:31,600 decides 590 00:24:31,600 --> 00:24:34,240 through love or whatever to to marry 591 00:24:34,240 --> 00:24:35,440 this girl 592 00:24:35,440 --> 00:24:39,200 and um and and he subscribes 593 00:24:39,200 --> 00:24:41,360 but ian fleming only allows him to 594 00:24:41,360 --> 00:24:44,320 subscribe for an hour after his wedding 595 00:24:44,320 --> 00:24:46,400 and then i i get a bullet through one 596 00:24:46,400 --> 00:24:47,279 ear 597 00:24:47,279 --> 00:24:50,480 and out the other 598 00:24:54,799 --> 00:24:57,760 it's gloved 599 00:24:58,000 --> 00:25:01,480 it's blow though 600 00:25:04,320 --> 00:25:06,080 you know it's quite quite a good trick 601 00:25:06,080 --> 00:25:08,159 because it means that he has all the 602 00:25:08,159 --> 00:25:09,039 right 603 00:25:09,039 --> 00:25:11,360 um uh motives 604 00:25:11,360 --> 00:25:13,440 deep down underneath in other words he 605 00:25:13,440 --> 00:25:15,360 is prepared to get married if he loves 606 00:25:15,360 --> 00:25:18,559 the girl but then by some terrible trick 607 00:25:18,559 --> 00:25:21,360 of fate she's taken away from him and 608 00:25:21,360 --> 00:25:22,720 he's suddenly available for all those 609 00:25:22,720 --> 00:25:24,080 females again 610 00:25:24,080 --> 00:25:26,880 slightly embittered you know 611 00:25:26,880 --> 00:25:29,200 but becoming bond was to leave lazenby 612 00:25:29,200 --> 00:25:30,720 embittered too 613 00:25:30,720 --> 00:25:32,480 reports had circulated that he was 614 00:25:32,480 --> 00:25:35,200 awkward and arrogant on set overwhelmed 615 00:25:35,200 --> 00:25:37,840 by the responsibility of the role 616 00:25:37,840 --> 00:25:40,240 the critics rather brutally pounded him 617 00:25:40,240 --> 00:25:42,559 with such comments as his lines carry 618 00:25:42,559 --> 00:25:44,080 about as much conviction as an 619 00:25:44,080 --> 00:25:46,480 insecticide salesman at a fleet circus 620 00:25:46,480 --> 00:25:48,559 but in spite of the critics mr lazenby 621 00:25:48,559 --> 00:25:50,480 appears to know his own mind and has 622 00:25:50,480 --> 00:25:51,840 maintained a stubborn sense of 623 00:25:51,840 --> 00:25:54,000 individuality he grew a beard for 624 00:25:54,000 --> 00:25:55,520 instance and refused to shave it off for 625 00:25:55,520 --> 00:25:58,000 the film premiere 626 00:25:58,000 --> 00:26:00,080 and i said well anyone anyone can 627 00:26:00,080 --> 00:26:01,919 understand that james bond isn't a real 628 00:26:01,919 --> 00:26:02,880 person 629 00:26:02,880 --> 00:26:04,960 and then i don't mind the fact that i i 630 00:26:04,960 --> 00:26:07,039 haven't had a shave for a month 631 00:26:07,039 --> 00:26:08,880 everyone knows that james bond must have 632 00:26:08,880 --> 00:26:10,159 a beard even though you never see it in 633 00:26:10,159 --> 00:26:12,400 the film what about the reports that you 634 00:26:12,400 --> 00:26:14,799 were deliberately awkward and hostile 635 00:26:14,799 --> 00:26:16,320 yeah well they were true in a way 636 00:26:16,320 --> 00:26:17,600 because 637 00:26:17,600 --> 00:26:20,240 i was very uptight lots of lots of the 638 00:26:20,240 --> 00:26:21,600 times because i didn't understand 639 00:26:21,600 --> 00:26:23,600 exactly what was going on 640 00:26:23,600 --> 00:26:26,400 and the only person you could ask 641 00:26:26,400 --> 00:26:27,760 the only person who knew what was going 642 00:26:27,760 --> 00:26:30,159 on was the director and he didn't really 643 00:26:30,159 --> 00:26:31,600 feel that 644 00:26:31,600 --> 00:26:34,720 an actor was important in the role he 645 00:26:34,720 --> 00:26:36,320 felt that you could get any guy i'd put 646 00:26:36,320 --> 00:26:38,400 him in that part and make him james bond 647 00:26:38,400 --> 00:26:41,120 providing he looked similar to 648 00:26:41,120 --> 00:26:42,799 what the public feel james bond looks 649 00:26:42,799 --> 00:26:44,080 like 650 00:26:44,080 --> 00:26:46,400 and and this came that vibration came 651 00:26:46,400 --> 00:26:50,679 off the director onto me all the time 652 00:26:52,559 --> 00:26:54,400 lazenby had begun to feel that bond 653 00:26:54,400 --> 00:26:56,640 wasn't quite as far out as he could be 654 00:26:56,640 --> 00:26:59,919 in 1969 this was now the era of peace 655 00:26:59,919 --> 00:27:03,360 not war he thought 656 00:27:03,360 --> 00:27:04,960 well how about the director did he agree 657 00:27:04,960 --> 00:27:06,880 with your idea of one 658 00:27:06,880 --> 00:27:08,640 well no they they had a set formula 659 00:27:08,640 --> 00:27:11,440 which was a winner uh previous and you 660 00:27:11,440 --> 00:27:13,200 can't blame them for not agreeing with 661 00:27:13,200 --> 00:27:15,840 me because i was a learner i i felt 662 00:27:15,840 --> 00:27:17,679 quite confident that if they did change 663 00:27:17,679 --> 00:27:19,279 it you know like putting pop music 664 00:27:19,279 --> 00:27:21,120 behind it and uh 665 00:27:21,120 --> 00:27:22,799 rather than 666 00:27:22,799 --> 00:27:23,840 uh 667 00:27:23,840 --> 00:27:26,480 the sort of light music they have 668 00:27:26,480 --> 00:27:28,240 and uh things like that would have 669 00:27:28,240 --> 00:27:30,960 lifted the whole thing up again into an 670 00:27:30,960 --> 00:27:33,120 another 671 00:27:33,120 --> 00:27:36,720 decayed 1970. 672 00:27:38,399 --> 00:27:40,880 lazenby feeling that bond had no place 673 00:27:40,880 --> 00:27:43,120 in the emerging counter-culture kept the 674 00:27:43,120 --> 00:27:47,399 beard and hit the road 675 00:27:53,200 --> 00:27:55,679 with lazenby gone a plan was hatched to 676 00:27:55,679 --> 00:27:58,640 lure back sean connery who was only too 677 00:27:58,640 --> 00:28:00,399 aware of the strong bargaining position 678 00:28:00,399 --> 00:28:03,039 he now found himself in as he candidly 679 00:28:03,039 --> 00:28:05,120 let slip to the bbc 680 00:28:05,120 --> 00:28:07,679 having been away for four years i think 681 00:28:07,679 --> 00:28:09,760 one had made the point too with the lack 682 00:28:09,760 --> 00:28:12,240 of success of the one previous one that 683 00:28:12,240 --> 00:28:14,480 i wasn't in anywhere 684 00:28:14,480 --> 00:28:15,440 and 685 00:28:15,440 --> 00:28:17,600 coming back in to do this one 686 00:28:17,600 --> 00:28:18,559 uh 687 00:28:18,559 --> 00:28:20,320 the wicket was better 688 00:28:20,320 --> 00:28:21,440 for me 689 00:28:21,440 --> 00:28:23,200 to make the conditions 690 00:28:23,200 --> 00:28:25,600 of not being so much a pawn in the 691 00:28:25,600 --> 00:28:28,399 circumstances 692 00:28:28,399 --> 00:28:30,960 also i didn't think i got a fair piece 693 00:28:30,960 --> 00:28:32,559 of the cake 694 00:28:32,559 --> 00:28:35,919 you mean financially yes 695 00:28:35,919 --> 00:28:37,919 connery had been tempted back not only 696 00:28:37,919 --> 00:28:40,080 with the promise of a tremendous fee 697 00:28:40,080 --> 00:28:42,640 but also by the quality of the script 698 00:28:42,640 --> 00:28:44,960 drafted by a young american screenwriter 699 00:28:44,960 --> 00:28:46,960 called tom mankowitz 700 00:28:46,960 --> 00:28:49,039 i hope that uh guy hamilton the director 701 00:28:49,039 --> 00:28:51,039 and myself and 702 00:28:51,039 --> 00:28:52,559 with the assistance of tom mankovic 703 00:28:52,559 --> 00:28:53,840 who's written the screenplay 704 00:28:53,840 --> 00:28:55,679 relationship incidentally i think is 705 00:28:55,679 --> 00:28:57,520 probably the best one they've had 706 00:28:57,520 --> 00:28:58,880 certainly 707 00:28:58,880 --> 00:29:00,559 construction-wise for a beginning and 708 00:29:00,559 --> 00:29:02,320 middle and end of the story it's very 709 00:29:02,320 --> 00:29:05,919 good it's a very good script 710 00:29:06,080 --> 00:29:08,559 i hope it's 711 00:29:08,559 --> 00:29:09,679 got enough 712 00:29:09,679 --> 00:29:10,960 i think that there's 713 00:29:10,960 --> 00:29:13,279 the humor in it and for this moment in a 714 00:29:13,279 --> 00:29:15,760 las vegas casino connery and mankowitz 715 00:29:15,760 --> 00:29:18,000 shared the writing honours 716 00:29:18,000 --> 00:29:20,159 hi i'm plenty 717 00:29:20,159 --> 00:29:24,000 but of course you are plenty of tool 718 00:29:24,000 --> 00:29:25,679 named after your father perhaps would 719 00:29:25,679 --> 00:29:27,200 you like some help 720 00:29:27,200 --> 00:29:29,039 on the craps i mean 721 00:29:29,039 --> 00:29:31,279 it's very kind of you 722 00:29:31,279 --> 00:29:33,440 the camp and breezy tone of diamonds are 723 00:29:33,440 --> 00:29:35,679 forever with its liberal use of smutty 724 00:29:35,679 --> 00:29:37,919 humor was a new throw of the dice for 725 00:29:37,919 --> 00:29:41,480 the bond franchise 726 00:29:45,679 --> 00:29:47,600 to see if this gamble was paying off the 727 00:29:47,600 --> 00:29:49,600 bbc dispatched one of its top 728 00:29:49,600 --> 00:29:53,279 entertainers to sin city 729 00:29:53,279 --> 00:29:55,520 derek nimmo arrived just as connery was 730 00:29:55,520 --> 00:29:58,550 shooting his first scenes 731 00:29:58,550 --> 00:30:01,740 [Applause] 732 00:30:02,399 --> 00:30:04,640 a frenetic car chase on the downtown 733 00:30:04,640 --> 00:30:06,960 strip 734 00:30:07,039 --> 00:30:09,760 involving real pedestrians and you 735 00:30:09,760 --> 00:30:11,520 couldn't get much closer to the action 736 00:30:11,520 --> 00:30:14,000 than nemo did 737 00:30:14,000 --> 00:30:18,080 as he almost found out to his peril 738 00:30:20,640 --> 00:30:23,679 what the hell are you doing 739 00:30:24,000 --> 00:30:25,200 sure 740 00:30:25,200 --> 00:30:26,640 how are you doing here 741 00:30:26,640 --> 00:30:29,200 derrick nimmo i'm terribly sorry 742 00:30:29,200 --> 00:30:31,440 why are you driving on the pavement i'm 743 00:30:31,440 --> 00:30:34,640 making diamonds up for evan 744 00:30:34,720 --> 00:30:36,960 it's a film well 745 00:30:36,960 --> 00:30:39,360 oh i see you're not in trouble then 746 00:30:39,360 --> 00:30:41,360 matter of fact i rather am in trouble 747 00:30:41,360 --> 00:30:42,960 which i was here for the gambling and 748 00:30:42,960 --> 00:30:43,679 i've 749 00:30:43,679 --> 00:30:45,919 i've won quite a lot really but i'm down 750 00:30:45,919 --> 00:30:47,760 now it's about seventeen hundred dollars 751 00:30:47,760 --> 00:30:49,679 they quite know what to do right well if 752 00:30:49,679 --> 00:30:53,360 i were you i'd get the hell out of it 753 00:30:53,440 --> 00:30:55,760 connery's swift exit after diamonds are 754 00:30:55,760 --> 00:30:57,519 forever would cause the producers to 755 00:30:57,519 --> 00:30:59,120 begin their hunt for what would be the 756 00:30:59,120 --> 00:31:01,519 third different bond in less than four 757 00:31:01,519 --> 00:31:02,559 years 758 00:31:02,559 --> 00:31:04,960 but many including connery were feeling 759 00:31:04,960 --> 00:31:07,600 the series may have run its course 760 00:31:07,600 --> 00:31:09,519 i i came back for the one that was the 761 00:31:09,519 --> 00:31:12,960 understanding and i do the one and 762 00:31:12,960 --> 00:31:14,320 i've got other 763 00:31:14,320 --> 00:31:16,080 things i want to do i mean it's 764 00:31:16,080 --> 00:31:18,080 perfectly possible that the cycle has 765 00:31:18,080 --> 00:31:20,159 ended 766 00:31:20,159 --> 00:31:22,240 but far from ending the cycle it was 767 00:31:22,240 --> 00:31:24,799 mankowitz's sparkling one-liners and 768 00:31:24,799 --> 00:31:26,960 connery's tongue-in-cheek approach that 769 00:31:26,960 --> 00:31:31,360 would set the tone for the coming films 770 00:31:31,600 --> 00:31:33,600 sean connery was the first screen bond 771 00:31:33,600 --> 00:31:35,200 but now that he no longer plays the role 772 00:31:35,200 --> 00:31:37,200 united artists have laid him to rest 773 00:31:37,200 --> 00:31:39,519 sean who they say no no there's only one 774 00:31:39,519 --> 00:31:41,440 james bond and that's roger moore who of 775 00:31:41,440 --> 00:31:44,559 course just happens to be the latest 776 00:31:44,559 --> 00:31:47,279 lowering his gun and raising his eyebrow 777 00:31:47,279 --> 00:31:49,120 roger moore seemed to continue from 778 00:31:49,120 --> 00:31:50,799 where he'd left off on the militant 779 00:31:50,799 --> 00:31:54,000 martin show back in 1964. black queen on 780 00:31:54,000 --> 00:31:55,279 the red king 781 00:31:55,279 --> 00:31:57,519 miss 782 00:31:57,519 --> 00:31:58,960 solitaire 783 00:31:58,960 --> 00:32:01,840 my name's bob 784 00:32:02,159 --> 00:32:03,760 james 785 00:32:03,760 --> 00:32:05,600 i know who you are 786 00:32:05,600 --> 00:32:08,320 what you are and why you will come 787 00:32:08,320 --> 00:32:10,399 you have made a mistake 788 00:32:10,399 --> 00:32:13,279 you will not succeed 789 00:32:13,279 --> 00:32:16,110 did solitaire know something we didn't 790 00:32:16,110 --> 00:32:19,180 [Music] 791 00:32:19,840 --> 00:32:21,679 more determined to play the role for 792 00:32:21,679 --> 00:32:24,159 loves 793 00:32:25,600 --> 00:32:28,000 but there were concerns as to whether he 794 00:32:28,000 --> 00:32:31,600 could really cut it as james bond 795 00:32:31,600 --> 00:32:34,559 when you took over from sean connery uh 796 00:32:34,559 --> 00:32:36,080 because it was new and because it was 797 00:32:36,080 --> 00:32:38,399 different people all said oh well roger 798 00:32:38,399 --> 00:32:40,799 moore is not my idea of 799 00:32:40,799 --> 00:32:43,840 double a7 800 00:32:44,799 --> 00:32:46,480 and he's not like sean connery and it's 801 00:32:46,480 --> 00:32:48,480 all great failure i mean do you mind 802 00:32:48,480 --> 00:32:50,880 that kind of hammering 803 00:32:50,880 --> 00:32:52,240 uh 804 00:32:52,240 --> 00:32:53,919 no not really because i say it before 805 00:32:53,919 --> 00:32:55,600 they do 806 00:32:55,600 --> 00:32:58,080 i think the first time they went to see 807 00:32:58,080 --> 00:33:00,240 uh live and let die 808 00:33:00,240 --> 00:33:02,000 was just to see if i was going to be as 809 00:33:02,000 --> 00:33:04,680 bad as they thought i would be 810 00:33:04,680 --> 00:33:08,240 [Music] 811 00:33:08,240 --> 00:33:10,640 with the uncertainty of a new bond the 812 00:33:10,640 --> 00:33:13,039 producers had felt panicked into chasing 813 00:33:13,039 --> 00:33:15,039 current cinema trends 814 00:33:15,039 --> 00:33:17,679 but james bond sat uncomfortably in both 815 00:33:17,679 --> 00:33:20,399 a blaxploitation media and a kung fu 816 00:33:20,399 --> 00:33:23,240 craze stand back girls 817 00:33:23,240 --> 00:33:26,470 [Music] 818 00:33:26,880 --> 00:33:30,000 in 1975 harry swordsman beset by 819 00:33:30,000 --> 00:33:32,159 financial difficulties was forced to 820 00:33:32,159 --> 00:33:34,320 sell his share in the bond franchise to 821 00:33:34,320 --> 00:33:36,159 united artists 822 00:33:36,159 --> 00:33:38,000 the breakup of his winning partnership 823 00:33:38,000 --> 00:33:40,080 with cubby broccoli together with the 824 00:33:40,080 --> 00:33:41,840 lukewarm reception for the man with the 825 00:33:41,840 --> 00:33:44,720 golden gun couldn't have come at a worse 826 00:33:44,720 --> 00:33:45,919 time 827 00:33:45,919 --> 00:33:48,240 by the mid 1970s film production in 828 00:33:48,240 --> 00:33:50,480 britain was in harsh decline but 829 00:33:50,480 --> 00:33:52,799 undeterred broccoli resolved to go for 830 00:33:52,799 --> 00:33:54,880 broke with his next venture the spy who 831 00:33:54,880 --> 00:33:57,600 loved me determined that bond would keep 832 00:33:57,600 --> 00:33:58,860 the british end up 833 00:33:58,860 --> 00:34:01,600 [Music] 834 00:34:01,600 --> 00:34:03,440 obviously we do make the picture for 835 00:34:03,440 --> 00:34:05,360 worldwide market and i think that's the 836 00:34:05,360 --> 00:34:07,360 hope of the british industry we feel we 837 00:34:07,360 --> 00:34:09,440 have to do something more outrageous 838 00:34:09,440 --> 00:34:10,879 more bizarre 839 00:34:10,879 --> 00:34:11,918 and 840 00:34:11,918 --> 00:34:14,079 more unique 841 00:34:14,079 --> 00:34:16,879 for broccoli and the bond franchise this 842 00:34:16,879 --> 00:34:21,839 would be a very symbolic leap of faith 843 00:34:24,960 --> 00:34:27,280 the film's audacious opening stunt was 844 00:34:27,280 --> 00:34:29,520 filmed from multiple angles but they 845 00:34:29,520 --> 00:34:31,918 went with a single shot and the whole 846 00:34:31,918 --> 00:34:35,838 world held its breath 847 00:34:36,690 --> 00:34:39,829 [Music] 848 00:34:42,800 --> 00:34:44,719 such was the confidence in the spy who 849 00:34:44,719 --> 00:34:46,399 loved me and the feeling that it might 850 00:34:46,399 --> 00:34:48,159 just prove the saviour of the british 851 00:34:48,159 --> 00:34:49,520 film industry 852 00:34:49,520 --> 00:34:51,679 that the bbc in collaboration with the 853 00:34:51,679 --> 00:34:54,960 open university secured unique access to 854 00:34:54,960 --> 00:34:57,680 the film's production as the basis for a 855 00:34:57,680 --> 00:35:00,839 course on promisingly entitled mass 856 00:35:00,839 --> 00:35:04,960 communications and society 857 00:35:11,119 --> 00:35:13,280 my name is bond 858 00:35:13,280 --> 00:35:15,119 james bond 859 00:35:15,119 --> 00:35:17,359 the resulting eight-part series examined 860 00:35:17,359 --> 00:35:19,760 all aspects of bondiana 861 00:35:19,760 --> 00:35:21,680 from giving bond a new soundtrack for 862 00:35:21,680 --> 00:35:23,280 the 1970s 863 00:35:23,280 --> 00:35:25,680 i was very anxious to write a song that 864 00:35:25,680 --> 00:35:26,960 i thought was 865 00:35:26,960 --> 00:35:28,240 completely different than any of the 866 00:35:28,240 --> 00:35:29,599 songs i'd ever written for the blonde 867 00:35:29,599 --> 00:35:30,480 films 868 00:35:30,480 --> 00:35:32,640 and i also didn't want them to quite be 869 00:35:32,640 --> 00:35:34,800 about the villain i wanted a song 870 00:35:34,800 --> 00:35:36,800 written about bond i thought it was time 871 00:35:36,800 --> 00:35:38,160 that he'd be 872 00:35:38,160 --> 00:35:39,760 pretentious enough and vain enough in 873 00:35:39,760 --> 00:35:42,839 fact to have a song written about 874 00:35:42,839 --> 00:35:46,079 him the usual pressures of being a bond 875 00:35:46,079 --> 00:35:46,960 girl 876 00:35:46,960 --> 00:35:48,880 the one thing that sometimes i don't 877 00:35:48,880 --> 00:35:50,400 particularly like 878 00:35:50,400 --> 00:35:51,280 is 879 00:35:51,280 --> 00:35:53,520 the 880 00:35:53,599 --> 00:35:55,440 let's say the 881 00:35:55,440 --> 00:35:57,680 the sex symbol part of it as most of the 882 00:35:57,680 --> 00:36:00,240 bond girls have been because that is not 883 00:36:00,240 --> 00:36:01,760 at all 884 00:36:01,760 --> 00:36:04,320 my scene and camera's eavesdropped as 885 00:36:04,320 --> 00:36:06,640 set designer ken adam explained his 886 00:36:06,640 --> 00:36:08,640 concept for the film's centerpiece to 887 00:36:08,640 --> 00:36:11,599 director lewis gilbert my feeling is as 888 00:36:11,599 --> 00:36:14,079 the submarine goes in into darkness yeah 889 00:36:14,079 --> 00:36:16,240 into darkness and you know with the high 890 00:36:16,240 --> 00:36:18,240 fin and the hunting power i think 891 00:36:18,240 --> 00:36:20,160 that'll give you a very good because i 892 00:36:20,160 --> 00:36:21,920 discussed with claude yesterday actually 893 00:36:21,920 --> 00:36:23,280 that i thought the best way of showing 894 00:36:23,280 --> 00:36:26,240 the set was to suddenly switch on all 895 00:36:26,240 --> 00:36:28,880 the lights yeah 896 00:36:33,440 --> 00:36:36,560 the 380 foot long set is a life-size 897 00:36:36,560 --> 00:36:39,599 mock-up of the interior of a 600 000 ton 898 00:36:39,599 --> 00:36:42,880 super tanker containing three submarines 899 00:36:42,880 --> 00:36:46,160 floating in 1.2 million gallons of water 900 00:36:46,160 --> 00:36:48,400 as if that wasn't enough to keep the 400 901 00:36:48,400 --> 00:36:51,040 guests wondering girls from the cast 902 00:36:51,040 --> 00:36:53,200 stripped off their minks in sub-zero 903 00:36:53,200 --> 00:36:55,280 temperatures all in the name of 904 00:36:55,280 --> 00:36:56,800 publicity 905 00:36:56,800 --> 00:36:58,880 the film is costing over six million 906 00:36:58,880 --> 00:37:02,000 pounds and this set alone one million 907 00:37:02,000 --> 00:37:05,119 appropriately double 07 himself arrived 908 00:37:05,119 --> 00:37:06,839 in futuristic 909 00:37:06,839 --> 00:37:09,760 style and then with his adversary a 910 00:37:09,760 --> 00:37:12,480 female russian super spy accompanied the 911 00:37:12,480 --> 00:37:14,480 ex-prime minister around the world's 912 00:37:14,480 --> 00:37:17,760 largest film stage 913 00:37:18,240 --> 00:37:20,400 believing they had a hit on their hands 914 00:37:20,400 --> 00:37:23,200 united artists spent a record 4.4 915 00:37:23,200 --> 00:37:26,240 million dollars on worldwide publicity 916 00:37:26,240 --> 00:37:28,640 and who better to front it than the man 917 00:37:28,640 --> 00:37:29,120 himself 918 00:37:29,120 --> 00:37:32,880 [Music] 919 00:37:32,880 --> 00:37:34,960 my name's bond james bond and i'm 920 00:37:34,960 --> 00:37:36,400 licensed to kill 921 00:37:36,400 --> 00:37:38,400 there's a royal premier tonight it's the 922 00:37:38,400 --> 00:37:40,720 latest bond the spy who loved me it has 923 00:37:40,720 --> 00:37:43,200 women action and me 924 00:37:43,200 --> 00:37:45,359 so have you tonight on nationwide at 6 925 00:37:45,359 --> 00:37:46,320 20 926 00:37:46,320 --> 00:37:48,400 i'm roger moore so watch the spy who 927 00:37:48,400 --> 00:37:52,720 loved me and you'll love james bond 928 00:37:52,960 --> 00:37:56,480 it still works on the third take 929 00:37:57,200 --> 00:37:59,280 roger you do spoof the part of it don't 930 00:37:59,280 --> 00:38:01,680 you you think it's funny in a way 931 00:38:01,680 --> 00:38:02,839 well of 932 00:38:02,839 --> 00:38:05,680 course the whole thing is that you must 933 00:38:05,680 --> 00:38:06,640 not 934 00:38:06,640 --> 00:38:09,119 laugh at it you must let the audience 935 00:38:09,119 --> 00:38:11,359 know that they're invited to laugh with 936 00:38:11,359 --> 00:38:12,160 you 937 00:38:12,160 --> 00:38:15,599 and so it's it's all a spoof it's fun 938 00:38:15,599 --> 00:38:17,920 the film's most topical gag came in the 939 00:38:17,920 --> 00:38:20,400 form of its larger-than-life villain 940 00:38:20,400 --> 00:38:22,640 jaws 941 00:38:22,640 --> 00:38:27,040 von's most formidable foe since odd job 942 00:38:27,040 --> 00:38:28,640 this marvelous man 943 00:38:28,640 --> 00:38:31,440 who plays jaws he's seven foot two when 944 00:38:31,440 --> 00:38:33,040 he was grappling with you in the in the 945 00:38:33,040 --> 00:38:35,440 railway carriage what was it like was he 946 00:38:35,440 --> 00:38:36,880 is he was 947 00:38:36,880 --> 00:38:39,599 he he is a very gentle man and very nice 948 00:38:39,599 --> 00:38:41,280 but he's very heavy 949 00:38:41,280 --> 00:38:43,119 when he had me squashed up against that 950 00:38:43,119 --> 00:38:46,320 wall there were like 20 stone pushing 951 00:38:46,320 --> 00:38:48,720 this bone here right through to the back 952 00:38:48,720 --> 00:38:50,960 yes 953 00:38:52,640 --> 00:38:54,240 bond's highly choreographed 954 00:38:54,240 --> 00:38:56,400 confrontations with jaws were a large 955 00:38:56,400 --> 00:39:01,079 part of the film's phenomenal success 956 00:39:01,800 --> 00:39:06,829 [Music] 957 00:39:14,200 --> 00:39:16,880 [Music] 958 00:39:16,880 --> 00:39:19,200 and so popular was this mighty mouthed 959 00:39:19,200 --> 00:39:21,040 adversary that when the production 960 00:39:21,040 --> 00:39:22,960 jetted off to rio de janeiro for the 961 00:39:22,960 --> 00:39:28,119 next movie they did the unthinkable 962 00:39:30,800 --> 00:39:32,000 we've done something in this film that's 963 00:39:32,000 --> 00:39:34,160 never been done in any bomb film we've 964 00:39:34,160 --> 00:39:36,880 had to um bring him back and really 965 00:39:36,880 --> 00:39:39,119 that's partly because so many people 966 00:39:39,119 --> 00:39:41,119 around the world vote in saying is he 967 00:39:41,119 --> 00:39:42,800 going to come back you know and that's 968 00:39:42,800 --> 00:39:46,640 so we had to bow to that kind of thing 969 00:39:48,079 --> 00:39:50,960 he should stop all together at one point 970 00:39:50,960 --> 00:39:53,599 and be suspended and be looking ahead 971 00:39:53,599 --> 00:39:55,760 where you you know the other cable car 972 00:39:55,760 --> 00:39:58,400 card over there 973 00:39:58,800 --> 00:40:01,359 from high jinks over rio to laser 974 00:40:01,359 --> 00:40:03,200 battles in outer space 975 00:40:03,200 --> 00:40:05,680 moonraker was quite simply out of this 976 00:40:05,680 --> 00:40:06,560 world 977 00:40:06,560 --> 00:40:08,640 but james bond would come hurtling back 978 00:40:08,640 --> 00:40:11,119 to earth for an unusually close 979 00:40:11,119 --> 00:40:12,880 encounter 980 00:40:12,880 --> 00:40:14,319 it is being said at the moment that 981 00:40:14,319 --> 00:40:16,319 another rival james bond film is going 982 00:40:16,319 --> 00:40:18,000 to be set up with your own original 983 00:40:18,000 --> 00:40:20,480 james bond sean connery playing the part 984 00:40:20,480 --> 00:40:22,640 does that worry you at all 985 00:40:22,640 --> 00:40:25,440 well that's uh that's a legal thing it's 986 00:40:25,440 --> 00:40:28,319 i'm not going to get into any legal uh 987 00:40:28,319 --> 00:40:30,160 discussions about it 988 00:40:30,160 --> 00:40:32,400 but would it worry you if if such a film 989 00:40:32,400 --> 00:40:34,480 works nothing worries me if i'm making a 990 00:40:34,480 --> 00:40:35,839 good film 991 00:40:35,839 --> 00:40:37,440 broccoli may have brushed off the 992 00:40:37,440 --> 00:40:39,680 question but barry norman was on to 993 00:40:39,680 --> 00:40:43,200 something and by the summer of 1983 994 00:40:43,200 --> 00:40:46,079 look who was back 995 00:40:46,800 --> 00:40:48,800 connery was in production on the aptly 996 00:40:48,800 --> 00:40:51,200 titled never say never again 997 00:40:51,200 --> 00:40:53,680 a remake of thunderball the film rights 998 00:40:53,680 --> 00:40:55,599 of which resided with an independent 999 00:40:55,599 --> 00:40:57,760 producer it seemed a bit quite a good 1000 00:40:57,760 --> 00:40:59,599 idea after all these years and the 1001 00:40:59,599 --> 00:41:02,400 moment i said yeah okay i'll do it there 1002 00:41:02,400 --> 00:41:04,240 was a terrific for all 1003 00:41:04,240 --> 00:41:06,319 with roger moore then in production on 1004 00:41:06,319 --> 00:41:08,800 octopussy the press looked to stoke up a 1005 00:41:08,800 --> 00:41:10,319 bitter rivalry 1006 00:41:10,319 --> 00:41:12,160 but the double o's were having none of 1007 00:41:12,160 --> 00:41:13,280 it 1008 00:41:13,280 --> 00:41:15,680 i um made it 1009 00:41:15,680 --> 00:41:17,680 quite clear at the outset that i was not 1010 00:41:17,680 --> 00:41:19,520 in any way going to get involved in any 1011 00:41:19,520 --> 00:41:21,599 silly race in terms of rivalry or 1012 00:41:21,599 --> 00:41:23,359 whatever as you well know i've known 1013 00:41:23,359 --> 00:41:25,680 roger 20 years or so and i did say to 1014 00:41:25,680 --> 00:41:27,119 him you know they're going to try and 1015 00:41:27,119 --> 00:41:28,880 play a sort of 1016 00:41:28,880 --> 00:41:30,640 hype business but you shouldn't really 1017 00:41:30,640 --> 00:41:34,800 pay any attention to it and um we didn't 1018 00:41:34,800 --> 00:41:37,119 however the bbc hardly remained 1019 00:41:37,119 --> 00:41:39,119 impartial themselves 1020 00:41:39,119 --> 00:41:40,720 good evening from the warner theatre in 1021 00:41:40,720 --> 00:41:42,319 leicester square where the crowds are 1022 00:41:42,319 --> 00:41:44,240 already beginning to gather because 1023 00:41:44,240 --> 00:41:47,520 james bond is back the real james bond 1024 00:41:47,520 --> 00:41:49,359 at least the real one in many people's 1025 00:41:49,359 --> 00:41:52,240 eyes not roger moore the pretender who 1026 00:41:52,240 --> 00:41:54,000 has usurped the role for the last 12 1027 00:41:54,000 --> 00:41:56,400 years but the original sean connery 1028 00:41:56,400 --> 00:41:58,960 welcome back james as it were i must put 1029 00:41:58,960 --> 00:42:00,400 it to you this is rather unfair but i 1030 00:42:00,400 --> 00:42:02,400 was looking up the double o uh 1031 00:42:02,400 --> 00:42:04,240 rule book and it turns out that it's 1032 00:42:04,240 --> 00:42:06,560 automatic retirement at 45. did you know 1033 00:42:06,560 --> 00:42:10,480 that yeah well i've got two years yet 1034 00:42:12,640 --> 00:42:15,280 by the mid-1980s james bond had become 1035 00:42:15,280 --> 00:42:17,839 something of a middle-aged man's fantasy 1036 00:42:17,839 --> 00:42:19,839 do you hear the muttering do you listen 1037 00:42:19,839 --> 00:42:21,280 out for what people are saying about the 1038 00:42:21,280 --> 00:42:23,520 movie or about you specifically oh it's 1039 00:42:23,520 --> 00:42:26,240 old more again they say 1040 00:42:26,240 --> 00:42:28,160 oh raj 1041 00:42:28,160 --> 00:42:30,319 roger moore seemed to be a long way from 1042 00:42:30,319 --> 00:42:32,880 leaping over crocodiles approaching 60 1043 00:42:32,880 --> 00:42:35,520 he now jogged about in a suede blue zone 1044 00:42:35,520 --> 00:42:36,800 what was it you were just running away 1045 00:42:36,800 --> 00:42:37,920 from then 1046 00:42:37,920 --> 00:42:39,680 a bad cigar 1047 00:42:39,680 --> 00:42:43,280 38 and in rather less exotic locations 1048 00:42:43,280 --> 00:42:45,440 we're in the amberly chalk pits museum 1049 00:42:45,440 --> 00:42:48,240 in sussex it's a gold mine 1050 00:42:48,240 --> 00:42:50,400 uh presumably in san francisco or near 1051 00:42:50,400 --> 00:42:52,160 san francisco 1052 00:42:52,160 --> 00:42:53,920 and uh 1053 00:42:53,920 --> 00:42:55,920 the mines are about to be blown up 1054 00:42:55,920 --> 00:42:58,960 to flood silicon valley because zarin 1055 00:42:58,960 --> 00:43:00,640 christopher waltham 1056 00:43:00,640 --> 00:43:02,000 is going to take over the world 1057 00:43:02,000 --> 00:43:04,560 production of microchips 1058 00:43:04,560 --> 00:43:06,560 but when the action itself involves the 1059 00:43:06,560 --> 00:43:09,680 chief villain a peroxide walken escaping 1060 00:43:09,680 --> 00:43:13,599 at five miles per hour in a mine cart 1061 00:43:13,599 --> 00:43:17,520 a damsel in little distress 1062 00:43:17,920 --> 00:43:21,680 and a blow up grace jones 1063 00:43:24,079 --> 00:43:27,119 the writing seemed to be on the wall 1064 00:43:27,119 --> 00:43:29,200 a view to a kill was to be roger moore's 1065 00:43:29,200 --> 00:43:30,880 farewell to the character he had 1066 00:43:30,880 --> 00:43:33,920 inhabited since 1973. 1067 00:43:33,920 --> 00:43:35,920 having led the field bond was now in 1068 00:43:35,920 --> 00:43:38,240 danger of being eclipsed by a new breed 1069 00:43:38,240 --> 00:43:42,000 of imitator the all-american action hero 1070 00:43:42,000 --> 00:43:45,200 but you can't keep a good man down 1071 00:43:45,200 --> 00:43:46,880 a new man is about to take on the 1072 00:43:46,880 --> 00:43:48,560 villains who want to cause mischief 1073 00:43:48,560 --> 00:43:50,960 around the world we have a new james 1074 00:43:50,960 --> 00:43:54,400 bond after connory lazenby and more now 1075 00:43:54,400 --> 00:43:57,599 it's dalton timothy dalton a welsh actor 1076 00:43:57,599 --> 00:43:59,280 who's more used to playing shakespeare 1077 00:43:59,280 --> 00:44:00,850 than secret agent 1078 00:44:00,850 --> 00:44:05,920 [Music] 1079 00:44:05,920 --> 00:44:08,800 and it was to be a stagey entrance 1080 00:44:08,800 --> 00:44:10,319 in the pre-title for the living 1081 00:44:10,319 --> 00:44:12,720 daylights not one but three double-o 1082 00:44:12,720 --> 00:44:15,200 agents are presented to us in a training 1083 00:44:15,200 --> 00:44:19,119 exercise on the rock of gibraltar 1084 00:44:20,640 --> 00:44:22,319 but it's only when one of them falls to 1085 00:44:22,319 --> 00:44:24,800 his death that we first catch sight of a 1086 00:44:24,800 --> 00:44:27,599 new hard-edged james bond 1087 00:44:27,599 --> 00:44:28,960 both brooding 1088 00:44:28,960 --> 00:44:31,839 and byronic 1089 00:44:31,920 --> 00:44:35,599 and inevitably the comparison game began 1090 00:44:35,599 --> 00:44:37,520 well now how will the new james bond 1091 00:44:37,520 --> 00:44:39,839 differ from his various predecessors 1092 00:44:39,839 --> 00:44:42,400 i don't make those comparisons 1093 00:44:42,400 --> 00:44:44,160 i have a 1094 00:44:44,160 --> 00:44:45,760 script called the living daylights a 1095 00:44:45,760 --> 00:44:49,359 character called james bond and 1096 00:44:49,359 --> 00:44:52,640 i do my best to make it as well as i can 1097 00:44:52,640 --> 00:44:56,240 i don't i can't think of uh 1098 00:44:56,240 --> 00:44:59,040 copying or being different to i'm trying 1099 00:44:59,040 --> 00:45:01,599 to be original i stood at the books and 1100 00:45:01,599 --> 00:45:04,720 tried to bring that bond into 1101 00:45:04,720 --> 00:45:07,200 this film 1102 00:45:13,599 --> 00:45:15,359 how much of the stunt work does timothy 1103 00:45:15,359 --> 00:45:17,359 dalton do himself 1104 00:45:17,359 --> 00:45:19,359 this is the sort of question 1105 00:45:19,359 --> 00:45:22,240 that you should not be asking cinema is 1106 00:45:22,240 --> 00:45:24,000 magic 1107 00:45:24,000 --> 00:45:25,520 when people pay their money and don't 1108 00:45:25,520 --> 00:45:29,119 sit inside a cinema they must believe 1109 00:45:29,119 --> 00:45:33,119 and programs like this i mean uh betray 1110 00:45:33,119 --> 00:45:34,960 all our tricks you wouldn't expect a 1111 00:45:34,960 --> 00:45:37,440 conjurer or a magician to give his 1112 00:45:37,440 --> 00:45:39,680 tricks away now the truth of the matter 1113 00:45:39,680 --> 00:45:44,000 is that i do as much action as i can 1114 00:45:45,680 --> 00:45:47,599 that is until it came to the bedroom 1115 00:45:47,599 --> 00:45:49,680 action which would see dalton's bond 1116 00:45:49,680 --> 00:45:52,480 forego the usual casual liaisons for a 1117 00:45:52,480 --> 00:45:56,079 hitchcockian love story 1118 00:45:57,440 --> 00:45:59,680 take me on the wheel 1119 00:45:59,680 --> 00:46:01,440 i think this film it's not just an 1120 00:46:01,440 --> 00:46:02,800 action adventure film it's the first 1121 00:46:02,800 --> 00:46:04,640 time you've seen what could be called a 1122 00:46:04,640 --> 00:46:06,079 romantic 1123 00:46:06,079 --> 00:46:08,880 mystery thriller 1124 00:46:08,880 --> 00:46:10,560 there's an honest and good relationship 1125 00:46:10,560 --> 00:46:12,640 with the leading lady 1126 00:46:12,640 --> 00:46:14,319 however the press were keen to make 1127 00:46:14,319 --> 00:46:16,240 bonds monogamy more topical than the 1128 00:46:16,240 --> 00:46:18,480 producers had perhaps intended with 1129 00:46:18,480 --> 00:46:21,200 headlines that this was a safe sex bond 1130 00:46:21,200 --> 00:46:22,960 for the aids era 1131 00:46:22,960 --> 00:46:25,359 but a more likely explanation is that it 1132 00:46:25,359 --> 00:46:27,359 was all part of dalton's aim to return 1133 00:46:27,359 --> 00:46:30,000 to ian fleming's bond who was far from 1134 00:46:30,000 --> 00:46:32,079 being the kind of casanova that everyone 1135 00:46:32,079 --> 00:46:33,920 imagined 1136 00:46:33,920 --> 00:46:37,280 he has one girl per book approximately 1137 00:46:37,280 --> 00:46:39,599 and and that's one a year i think that's 1138 00:46:39,599 --> 00:46:41,119 he's a bachelor 1139 00:46:41,119 --> 00:46:42,720 and he moves around the world pretty 1140 00:46:42,720 --> 00:46:44,480 rapidly and 1141 00:46:44,480 --> 00:46:45,920 i didn't see any great harm in that 1142 00:46:45,920 --> 00:46:47,440 myself 1143 00:46:47,440 --> 00:46:50,560 fleming's bond was 1144 00:46:50,640 --> 00:46:52,000 a man who 1145 00:46:52,000 --> 00:46:54,800 often was extremely vulnerable you read 1146 00:46:54,800 --> 00:46:56,560 passage after passage after passage 1147 00:46:56,560 --> 00:46:58,560 throughout the books where 1148 00:46:58,560 --> 00:47:01,200 his insides were taught and wrenching 1149 00:47:01,200 --> 00:47:02,960 with nerves 1150 00:47:02,960 --> 00:47:04,400 where you don't have to have a drink or 1151 00:47:04,400 --> 00:47:07,680 a pill just to stay calm in order to do 1152 00:47:07,680 --> 00:47:10,319 the job he had to do 1153 00:47:10,319 --> 00:47:11,920 coming hard on the heels of roger 1154 00:47:11,920 --> 00:47:14,800 moore's long and light-hearted reign the 1155 00:47:14,800 --> 00:47:16,880 world was not quite ready for dalton's 1156 00:47:16,880 --> 00:47:20,240 tort and unsmiling secret agent 1157 00:47:20,240 --> 00:47:23,040 his second outing licence to kill still 1158 00:47:23,040 --> 00:47:25,599 rated the most violent bond film to date 1159 00:47:25,599 --> 00:47:27,359 would be his last 1160 00:47:27,359 --> 00:47:29,920 and by the early 1990s the franchise was 1161 00:47:29,920 --> 00:47:32,559 in jeopardy plagued by a series of legal 1162 00:47:32,559 --> 00:47:35,040 disputes over copyright 1163 00:47:35,040 --> 00:47:37,119 this was a time of dramatic political 1164 00:47:37,119 --> 00:47:39,440 shifts in europe and 007 the 1165 00:47:39,440 --> 00:47:42,160 quintessential cold war hero suddenly 1166 00:47:42,160 --> 00:47:44,360 seemed obsolete 1167 00:47:44,360 --> 00:47:46,160 [Music] 1168 00:47:46,160 --> 00:47:48,319 it was to be the longest hiatus in 1169 00:47:48,319 --> 00:47:50,160 bond's film history 1170 00:47:50,160 --> 00:47:54,800 but in 1994 he was back 1171 00:47:54,800 --> 00:47:56,880 pierce brosnan the new bond unveiled a 1172 00:47:56,880 --> 00:47:58,800 few minutes ago made his name as an 1173 00:47:58,800 --> 00:48:01,200 action man in the ustv series remington 1174 00:48:01,200 --> 00:48:03,440 steel now he has to prove the bond 1175 00:48:03,440 --> 00:48:05,839 formula and the character can still work 1176 00:48:05,839 --> 00:48:07,839 in the 90s 1177 00:48:07,839 --> 00:48:09,839 it was a shaky start though as shown 1178 00:48:09,839 --> 00:48:13,040 when the bbc caught brosnan off guard 1179 00:48:13,040 --> 00:48:14,720 well now i'm joined from central london 1180 00:48:14,720 --> 00:48:17,200 by the new double 07 pierce brosnan 1181 00:48:17,200 --> 00:48:19,119 pierce brosnan congratulations are you 1182 00:48:19,119 --> 00:48:20,559 going to be bringing anything new to 1183 00:48:20,559 --> 00:48:22,079 this role 1184 00:48:22,079 --> 00:48:24,319 uh myself i'm new 1185 00:48:24,319 --> 00:48:27,359 um yes but what's going to be different 1186 00:48:27,359 --> 00:48:29,760 well i think we we have a 1187 00:48:29,760 --> 00:48:31,520 with the story outline we've got now we 1188 00:48:31,520 --> 00:48:33,520 have 1189 00:48:33,520 --> 00:48:36,319 he hadn't a clue but by the time cameras 1190 00:48:36,319 --> 00:48:38,160 caught up with him on location he was 1191 00:48:38,160 --> 00:48:40,640 the model bond 1192 00:48:40,640 --> 00:48:42,640 the main task at hand is really getting 1193 00:48:42,640 --> 00:48:43,839 this film 1194 00:48:43,839 --> 00:48:45,760 and telling the story 1195 00:48:45,760 --> 00:48:47,280 and we are doing that we have a 1196 00:48:47,280 --> 00:48:50,319 wonderful director martin campbell 1197 00:48:50,319 --> 00:48:52,400 who's very hungry for this and likewise 1198 00:48:52,400 --> 00:48:54,800 myself and wanted to get it right 1199 00:48:54,800 --> 00:48:57,359 for a new bond and a new director it was 1200 00:48:57,359 --> 00:49:00,559 a daunting task 1201 00:49:01,280 --> 00:49:03,680 now what we're filming today is uh the 1202 00:49:03,680 --> 00:49:04,960 streets of saint petersburg we've built 1203 00:49:04,960 --> 00:49:07,040 the set here at leighton as you can see 1204 00:49:07,040 --> 00:49:09,200 of an 18-week shoot i've got four units 1205 00:49:09,200 --> 00:49:10,880 at any one time 1206 00:49:10,880 --> 00:49:12,160 right you can hear them all yelling and 1207 00:49:12,160 --> 00:49:13,440 screaming around the corner probably 1208 00:49:13,440 --> 00:49:15,280 want me to get around there on the day 1209 00:49:15,280 --> 00:49:17,359 we turned up on set brosnan was 1210 00:49:17,359 --> 00:49:19,359 concerned that we weren't seeing bond in 1211 00:49:19,359 --> 00:49:21,359 quite the right light 1212 00:49:21,359 --> 00:49:23,280 i'm going to be doing action tomorrow 1213 00:49:23,280 --> 00:49:24,480 i i will be 1214 00:49:24,480 --> 00:49:26,319 more bond tomorrow i promise you barry 1215 00:49:26,319 --> 00:49:31,400 i'm sorry bit boring today and it's 1216 00:49:38,800 --> 00:49:41,359 [Music] 1217 00:49:41,359 --> 00:49:43,040 the next day he swapped his russian 1218 00:49:43,040 --> 00:49:45,680 runaround for something a bit bigger in 1219 00:49:45,680 --> 00:49:48,550 a scene that took six weeks to film 1220 00:49:48,550 --> 00:49:55,449 [Music] 1221 00:49:58,620 --> 00:50:06,390 [Music] 1222 00:50:18,480 --> 00:50:20,800 as well as witty action scenes director 1223 00:50:20,800 --> 00:50:22,400 martin campbell together with his 1224 00:50:22,400 --> 00:50:24,559 screenwriters set about bringing back 1225 00:50:24,559 --> 00:50:27,040 the familiar such as bond's old aston 1226 00:50:27,040 --> 00:50:29,070 martin db5 1227 00:50:29,070 --> 00:50:31,440 [Music] 1228 00:50:31,440 --> 00:50:33,200 but there was nothing predictable about 1229 00:50:33,200 --> 00:50:36,000 their recasting of m 1230 00:50:36,000 --> 00:50:37,920 and in handing her the line that had 1231 00:50:37,920 --> 00:50:39,920 been coming to bond for more than 30 1232 00:50:39,920 --> 00:50:41,119 years 1233 00:50:41,119 --> 00:50:42,880 i think you're a sexist misogynist 1234 00:50:42,880 --> 00:50:45,920 dinosaur a relic of the cold war 1235 00:50:45,920 --> 00:50:48,000 whose boyish charms they wasted on me 1236 00:50:48,000 --> 00:50:49,359 obviously appeal to that young woman i 1237 00:50:49,359 --> 00:50:51,680 sent out to evaluate you 1238 00:50:51,680 --> 00:50:53,359 point taken 1239 00:50:53,359 --> 00:50:55,280 stellar rimington the director general 1240 00:50:55,280 --> 00:50:57,839 of mi5 at the time was convinced that 1241 00:50:57,839 --> 00:50:59,920 they had merged fact and fiction in 1242 00:50:59,920 --> 00:51:02,480 casting judi dench 1243 00:51:02,480 --> 00:51:04,720 i can't imagine that had my appointment 1244 00:51:04,720 --> 00:51:06,559 not been publicly announced the 1245 00:51:06,559 --> 00:51:08,319 producers of the james bond film would 1246 00:51:08,319 --> 00:51:11,440 ever have thought of making em a woman i 1247 00:51:11,440 --> 00:51:13,200 was quite taken aback actually because 1248 00:51:13,200 --> 00:51:15,599 she did look quite like i looked in 1249 00:51:15,599 --> 00:51:17,680 those days i had a jacket without a 1250 00:51:17,680 --> 00:51:19,440 collar and a sort of three quarter 1251 00:51:19,440 --> 00:51:21,040 length which is exactly what she was 1252 00:51:21,040 --> 00:51:22,270 wearing 1253 00:51:22,270 --> 00:51:23,080 [Music] 1254 00:51:23,080 --> 00:51:24,400 [Applause] 1255 00:51:24,400 --> 00:51:26,640 but despite their similarities the true 1256 00:51:26,640 --> 00:51:29,119 inspiration for a female m was revealed 1257 00:51:29,119 --> 00:51:31,440 on pebble mill by no less than the 1258 00:51:31,440 --> 00:51:34,640 former miss money penny herself 1259 00:51:34,640 --> 00:51:36,559 cubby broccoli called me to say that 1260 00:51:36,559 --> 00:51:38,480 they wouldn't be using me and i said 1261 00:51:38,480 --> 00:51:40,000 well that's all right because i want to 1262 00:51:40,000 --> 00:51:41,520 play m 1263 00:51:41,520 --> 00:51:44,079 so all those years ago i had given them 1264 00:51:44,079 --> 00:51:46,160 the idea that there would be a 1265 00:51:46,160 --> 00:51:48,960 tremendous element of surprise if the 1266 00:51:48,960 --> 00:51:52,400 new bond walked into m's office 1267 00:51:52,400 --> 00:51:55,040 the chair swiveled around 1268 00:51:55,040 --> 00:51:57,520 and there was money penny and she never 1269 00:51:57,520 --> 00:51:59,599 called him james again because she was 1270 00:51:59,599 --> 00:52:01,040 the boss did i see the other day that 1271 00:52:01,040 --> 00:52:02,960 the judy dench has been cast in that yes 1272 00:52:02,960 --> 00:52:06,720 and i feel rather betrayed actually yes 1273 00:52:06,720 --> 00:52:09,200 so because it should have been me and 1274 00:52:09,200 --> 00:52:11,680 even if i mean she's a lovely actress 1275 00:52:11,680 --> 00:52:15,040 but it just should have been me 1276 00:52:15,680 --> 00:52:17,839 across four films pierce brosnan 1277 00:52:17,839 --> 00:52:21,119 successfully reinvigorated the franchise 1278 00:52:21,119 --> 00:52:23,760 and turned bond once again into a major 1279 00:52:23,760 --> 00:52:26,960 box office attraction 1280 00:52:30,800 --> 00:52:33,520 but with 2002's die another day they 1281 00:52:33,520 --> 00:52:37,040 stretched believability beyond the limit 1282 00:52:37,040 --> 00:52:40,240 james bond was now at the mercy of cgi 1283 00:52:40,240 --> 00:52:43,040 be it an invisible car or even kite 1284 00:52:43,040 --> 00:52:46,370 surfing a tsunami 1285 00:52:46,370 --> 00:52:47,680 [Music] 1286 00:52:47,680 --> 00:52:49,200 the last seven years have gone very 1287 00:52:49,200 --> 00:52:51,680 quickly you you know there's a certain 1288 00:52:51,680 --> 00:52:53,440 obviously maturity and just as you're 1289 00:52:53,440 --> 00:52:54,640 getting the hang of it they're talking 1290 00:52:54,640 --> 00:52:56,480 about someone else coming along 1291 00:52:56,480 --> 00:52:58,400 show business it's always been like this 1292 00:52:58,400 --> 00:53:00,240 i remember when connery stepped down it 1293 00:53:00,240 --> 00:53:02,079 was like who's going to be the next guy 1294 00:53:02,079 --> 00:53:04,000 so it's the big circus and the family 1295 00:53:04,000 --> 00:53:05,520 the broccoli family have always done it 1296 00:53:05,520 --> 00:53:07,920 really well sure enough two years later 1297 00:53:07,920 --> 00:53:10,240 with talk of his fifth bond film brosnan 1298 00:53:10,240 --> 00:53:11,920 learned that he would no longer be the 1299 00:53:11,920 --> 00:53:13,280 main attraction 1300 00:53:13,280 --> 00:53:15,760 the circus was moving on and its ring 1301 00:53:15,760 --> 00:53:17,920 masters were now scouting for a new and 1302 00:53:17,920 --> 00:53:19,990 younger man to top the bill 1303 00:53:19,990 --> 00:53:22,720 [Music] 1304 00:53:22,720 --> 00:53:26,000 we have decided after the last film to 1305 00:53:26,000 --> 00:53:29,520 go back to more realistic bond so to go 1306 00:53:29,520 --> 00:53:31,200 back to basics 1307 00:53:31,200 --> 00:53:34,079 go back to the classic bond and 1308 00:53:34,079 --> 00:53:35,599 and we hope that that's something the 1309 00:53:35,599 --> 00:53:37,680 audience will appreciate i think people 1310 00:53:37,680 --> 00:53:39,200 are looking for something a little less 1311 00:53:39,200 --> 00:53:40,800 frivolous today 1312 00:53:40,800 --> 00:53:42,880 the world's changed a lot 1313 00:53:42,880 --> 00:53:46,559 and bond always changes with the world 1314 00:53:46,559 --> 00:53:50,880 but the world was in for a shock 1315 00:53:50,960 --> 00:53:53,359 finally the name's craig daniel craig 1316 00:53:53,359 --> 00:53:55,359 after months of speculation the coveted 1317 00:53:55,359 --> 00:53:57,280 job of being the next double 07 has been 1318 00:53:57,280 --> 00:53:59,839 landed by the 37 year old english actor 1319 00:53:59,839 --> 00:54:02,160 but after four decades of tall dark and 1320 00:54:02,160 --> 00:54:04,160 handsome are we ready for the first 1321 00:54:04,160 --> 00:54:06,160 blonde bond i want to make the best film 1322 00:54:06,160 --> 00:54:08,640 we can the most entertaining film we can 1323 00:54:08,640 --> 00:54:10,960 and it's not a question of redefining 1324 00:54:10,960 --> 00:54:12,559 but it's a question of taking it 1325 00:54:12,559 --> 00:54:14,319 somewhere maybe where it's never gone 1326 00:54:14,319 --> 00:54:15,680 before 1327 00:54:15,680 --> 00:54:18,319 craig had noble intentions but for the 1328 00:54:18,319 --> 00:54:20,880 man with the golden hair the backlash 1329 00:54:20,880 --> 00:54:23,440 would be vindictive 1330 00:54:23,440 --> 00:54:25,440 websites were set up saying he was too 1331 00:54:25,440 --> 00:54:28,800 ugly too scrawny too blond but any 1332 00:54:28,800 --> 00:54:31,040 doubts the world had disappeared within 1333 00:54:31,040 --> 00:54:33,599 minutes of casino royale's first major 1334 00:54:33,599 --> 00:54:36,640 action set piece 1335 00:54:37,440 --> 00:54:39,599 and jonathan ross was on hand to talk to 1336 00:54:39,599 --> 00:54:41,440 the principal players on location in the 1337 00:54:41,440 --> 00:54:43,359 bahamas 1338 00:54:43,359 --> 00:54:44,559 how's it working out with the crazy 1339 00:54:44,559 --> 00:54:45,839 frenchman you've got this frenchman who 1340 00:54:45,839 --> 00:54:47,599 jumps off buildings for fun i believe 1341 00:54:47,599 --> 00:54:49,200 yeah he's got a quite a big part at the 1342 00:54:49,200 --> 00:54:51,359 beginning of the movie he's i think the 1343 00:54:51,359 --> 00:54:53,040 world's best free runner so we're 1344 00:54:53,040 --> 00:54:54,640 including him in the action sequence 1345 00:54:54,640 --> 00:54:56,720 right at the beginning of the uh at the 1346 00:54:56,720 --> 00:54:58,480 movie and it's tough it's a very tough 1347 00:54:58,480 --> 00:55:00,720 sequence 1348 00:55:00,720 --> 00:55:03,359 so i have to climb on the platform 1349 00:55:03,359 --> 00:55:06,799 and after i climb under the girder 1350 00:55:06,799 --> 00:55:09,680 on on the top and on top i have to jump 1351 00:55:09,680 --> 00:55:11,839 to the crane and to the crane i have a 1352 00:55:11,839 --> 00:55:14,720 fight with bomb 1353 00:55:15,760 --> 00:55:17,440 you know we're not relying on a lot of 1354 00:55:17,440 --> 00:55:20,000 cgi for this i will be doing stuff and 1355 00:55:20,000 --> 00:55:21,440 some of it will be me and some of it 1356 00:55:21,440 --> 00:55:23,119 won't be me for obvious reasons but can 1357 00:55:23,119 --> 00:55:24,079 i stop you are you going to be doing the 1358 00:55:24,079 --> 00:55:25,119 free running because i know there's that 1359 00:55:25,119 --> 00:55:26,720 character earlier some of it yeah how's 1360 00:55:26,720 --> 00:55:27,680 that 1361 00:55:27,680 --> 00:55:30,319 good terrifying no it's it's yeah you 1362 00:55:30,319 --> 00:55:31,440 know what i've had to sort of knuckle 1363 00:55:31,440 --> 00:55:33,040 down and get over a few things i'm kind 1364 00:55:33,040 --> 00:55:34,480 of approaching every day as it comes 1365 00:55:34,480 --> 00:55:36,079 really and i get on set and i'm suddenly 1366 00:55:36,079 --> 00:55:37,680 200 feet up in the air and i go okay 1367 00:55:37,680 --> 00:55:38,720 well 1368 00:55:38,720 --> 00:55:41,359 you signed up 1369 00:55:41,359 --> 00:55:43,280 as well as being truthful to the action 1370 00:55:43,280 --> 00:55:45,440 scenes craig was keen to be faithful to 1371 00:55:45,440 --> 00:55:47,680 the spirit of the book and to show the 1372 00:55:47,680 --> 00:55:50,640 raw vulnerability of 007 1373 00:55:50,640 --> 00:55:52,400 he's not infallible i just wanted to 1374 00:55:52,400 --> 00:55:54,480 sort of see him make a few mistakes 1375 00:55:54,480 --> 00:55:56,000 because then i think the drama of it is 1376 00:55:56,000 --> 00:55:57,599 sort of better when he gets it right i 1377 00:55:57,599 --> 00:55:59,200 want to make the audience sort of go oh 1378 00:55:59,200 --> 00:56:01,119 my god it's all going to go wrong 1379 00:56:01,119 --> 00:56:02,400 believe that it's going to go wrong and 1380 00:56:02,400 --> 00:56:03,680 then when it goes right it's much more 1381 00:56:03,680 --> 00:56:05,119 exciting 1382 00:56:05,119 --> 00:56:06,880 and it's his tangled relationship with 1383 00:56:06,880 --> 00:56:09,040 the enigmatic vesper lind 1384 00:56:09,040 --> 00:56:12,400 that causes bond to bear his soul 1385 00:56:12,400 --> 00:56:14,240 my character is not like a classic bond 1386 00:56:14,240 --> 00:56:16,079 girl she's more like a character from 1387 00:56:16,079 --> 00:56:19,119 the 40s movies you know quite dark very 1388 00:56:19,119 --> 00:56:21,599 complex many layers 1389 00:56:21,599 --> 00:56:23,119 you know she's an equal match to bond 1390 00:56:23,119 --> 00:56:25,440 she's you know very mysterious and the 1391 00:56:25,440 --> 00:56:27,119 relationship that they have is very 1392 00:56:27,119 --> 00:56:31,040 unusual and it's a love story 1393 00:56:31,040 --> 00:56:34,400 it's like there's blood on my hands 1394 00:56:37,920 --> 00:56:40,000 this was a romance not seen since the 1395 00:56:40,000 --> 00:56:43,440 days of dalton and lazenby 1396 00:56:43,440 --> 00:56:45,760 but for all the new intensity in craig's 1397 00:56:45,760 --> 00:56:47,599 interpretation of the character 1398 00:56:47,599 --> 00:56:49,760 there was still one bond convention that 1399 00:56:49,760 --> 00:56:51,920 was inescapable 1400 00:56:51,920 --> 00:56:53,680 have you said the line yeah do you have 1401 00:56:53,680 --> 00:56:55,920 was it okay 1402 00:56:55,920 --> 00:56:58,400 yeah how many takes we did a few we did 1403 00:56:58,400 --> 00:56:59,680 a few and it wasn't much of that we were 1404 00:56:59,680 --> 00:57:01,760 outside there was a lot of wind um that 1405 00:57:01,760 --> 00:57:03,200 must have been quite nice anyway though 1406 00:57:03,200 --> 00:57:04,400 it was nice to get it out of the way 1407 00:57:04,400 --> 00:57:06,960 yeah um i was i didn't think about it i 1408 00:57:06,960 --> 00:57:08,160 didn't think about it until the moment 1409 00:57:08,160 --> 00:57:09,200 and we did it 1410 00:57:09,200 --> 00:57:10,799 you know is it a very key moment in the 1411 00:57:10,799 --> 00:57:12,319 movie as well which is 1412 00:57:12,319 --> 00:57:14,000 hopefully gonna you know it's gonna hit 1413 00:57:14,000 --> 00:57:14,880 home 1414 00:57:14,880 --> 00:57:17,040 the name's bond 1415 00:57:17,040 --> 00:57:18,330 james bond 1416 00:57:18,330 --> 00:57:22,969 [Music] 1417 00:57:23,200 --> 00:57:25,440 the resounding success of daniel craig's 1418 00:57:25,440 --> 00:57:28,160 07 and of james bond as a british 1419 00:57:28,160 --> 00:57:32,240 cultural icon was celebrated in 2012 as 1420 00:57:32,240 --> 00:57:34,319 part of the london olympics opening 1421 00:57:34,319 --> 00:57:35,520 ceremony 1422 00:57:35,520 --> 00:57:37,839 but james i need you 1423 00:57:37,839 --> 00:57:38,839 so does 1424 00:57:38,839 --> 00:57:42,559 england in a sequence filmed in secret 1425 00:57:42,559 --> 00:57:45,200 the world's most famous spy 1426 00:57:45,200 --> 00:57:47,760 having given 50 years of dedicated 1427 00:57:47,760 --> 00:57:49,920 service to his country all the things i 1428 00:57:49,920 --> 00:57:51,839 do for england 1429 00:57:51,839 --> 00:57:53,920 with his own brand of unbending 1430 00:57:53,920 --> 00:57:55,760 patriotism what do i do to blow up the 1431 00:57:55,760 --> 00:57:59,599 room muscle god save the queen 1432 00:57:59,599 --> 00:58:03,359 and loyalty to his monarch 1433 00:58:03,839 --> 00:58:05,200 i'm having it patched directly to 1434 00:58:05,200 --> 00:58:07,359 buckingham palace well i'm sure her 1435 00:58:07,359 --> 00:58:10,880 majesty will be fascinated 1436 00:58:13,119 --> 00:58:15,680 james bond was finally granted an 1437 00:58:15,680 --> 00:58:19,330 audience with the queen 1438 00:58:19,330 --> 00:58:28,000 [Music] 1439 00:58:30,640 --> 00:58:31,839 reckon you've got what it takes to be 1440 00:58:31,839 --> 00:58:34,559 the next bond take the test online with 1441 00:58:34,559 --> 00:58:36,720 bbc i wonder now 1442 00:58:36,720 --> 00:58:38,559 here on bbc4 though what's it like to be 1443 00:58:38,559 --> 00:58:41,119 the girl in the band kate mossman finds 1444 00:58:41,119 --> 00:58:44,610 out next 1445 00:58:44,610 --> 00:58:56,240 [Music] 1446 00:58:56,240 --> 00:58:59,200 you've been together 95520

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