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[Music]
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[Music]
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ever since a british secret agent named
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bond
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james bond embarked on his first mission
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a large global corporation has been
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keeping tabs on his every move
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[Music]
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there's such a lot of bond to see isn't
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that is there no end now after more than
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60 years of tracking 007 in print and on
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screen
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we open up the bbc vaults to reveal the
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forgotten files on the world's most
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celebrated secret agent the world's most
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famous hero assumes a natural position
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he's tall
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and he's dark through candid
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interrogations
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how much of that action do you enjoy
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i enjoy all of it i particularly love
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scenes
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[Music]
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technical briefings
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but this slides away to
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let the missile come out of the volcano
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and foreign assignments we assess bonds
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ability to survive in a changing world
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the bond move is generally a simply a
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licence to print money his
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transgressions
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his victories
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and his innermost secrets explored this
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is the sort of question
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that you should not be asking this is a
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license to view james bond unguarded
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unrestricted and unseen
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[Music]
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in 1964 the bbc filed a report from the
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united states gold bullion depository at
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fort knox
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and their man on the ground bore more
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than a passing resemblance to the spy
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himself
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incidentally that's not fort knox it's a
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film set here goldfinger and
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buckinghamshire pinewood
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i'm not james bond he's a fictitious
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character
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sean connery had taken a break from
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filming goldfinger to reveal for the bbc
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for the very first time the true
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identity of bond's armorer
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queue
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my name is audroid jeffrey boltroyd
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certain inaccuracies in the book made me
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write to fleming and say that
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i didn't think bond was going to last
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very long if he used a 2-5 beretta
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pistol which is a ladies gun i'm not a
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very nice lady at that
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well this is the gun boothroyd objected
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to bond's favorite beretta bond was
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using the shoulder holster at the time
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but his favorite holster was uh shammy
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leather because you see it didn't spoil
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the line of the jacket
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i take you over now to a film clip you
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see here where major boothroad is
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convincing 07
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in the company of m
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um of fleming's mistake so now on you
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carry a different gun show you mama
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valtter ppk 7.65 mill with a delivery
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like a brick through a plate glass
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window
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takes a brush silencer with very little
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reduction in muzzle velocity the
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american cia swear by them thank you
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major brother
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[Music]
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having exposed queue's real identity the
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bbc sought to uncover the model for bond
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himself but his creator proved evasive
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people do connect me with james bond
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because i happen to like some of the
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things that james bond does but he's the
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sort of mixture of commandos and secret
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service agents that i met during war
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but of course entirely fictionalized so
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i certainly haven't got his guts now his
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uh very lively appetite
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however his close friend and neighbor in
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jamaica was far less guarded
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i think the james bond
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was ian's dream fantasy of what
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he would like to be you know
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ruthless and dashing and
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it's got
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as ian had a schoolboy quality
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and further revelations came from a
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certain flirtatious secretary
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the first meeting with ian was
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at a reception after we'd finished from
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russia with love
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and suddenly he said money penny i want
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to thank you because when i first wrote
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about uh miss moneypenny i described her
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as a tall elegant woman
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with the most kissable lips in the world
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and he said you are so perfect and he
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was coming closer and closer to me much
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to my delight
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and when he was about this far away
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i said
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what do you want me to say prunes or
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cheese and he said
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prunes and just as he was about to kiss
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me his wife said oh ian
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bedford wants to speak to you
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[Music]
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money penny may have been smitten but
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there were those who did not warm to
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fleming at all as bbc viewers found out
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when malcolm muggeridge quizzed a former
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mi6 agent turned spy novelist
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i'm not sure that bond is a spy seems to
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me that he's more some kind of
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international gangster with as i said a
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license to kill
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he's a man with unlimited movement but
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he's a man entirely out of the political
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context it's of no interest to bond who
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for instance is president of the united
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states
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but these highfalutin intellectuals had
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failed to notice
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that it was actually the president
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himself who had brought bond to the
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world's attention
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in an article for life magazine in march
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1961
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john f kennedy had included from russia
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with love in a list of his 10 favorite
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books and this was just the break that
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two movie moguls needed
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american cubby broccoli and canadian
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harry saltzman
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had already bought the options on
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fleming's novels
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and with paperback sales rocketing after
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kennedy's endorsement they flew to new
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york to secure the deal with united
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artists that would put james bond on
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screen
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normally the question from the
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distributor is who is going to play in
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it cary grant or
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or james mason or someone and when you
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surprise him by telling him you don't
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want uh a known name and then you want
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an unknown he's further confused and
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it's a little more difficult to get the
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financing
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but under pressure to cast a leading man
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the producers stood their ground for a
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little-known scottish actor called sean
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connery who they believed best displayed
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the degree of masculine virility that
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bond demanded
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cubby and i went through i would say 200
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actors
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i like the way he moved
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and the fact that he had a lot of acting
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experience
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but he moves extremely well there's only
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one other actor who's about to see this
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albert finish
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he moves like cats
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very delicious we're a big man to be
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light on his feet most unusual
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however fleming remained equivocal
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thinking connery to be an over-developed
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stuntman without the social graces to
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play his hero
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but his opinion was swayed when female
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friends of his pronounced connery as
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most definitely having it i met fleming
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two three times and uh
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we were
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going on very very well i liked him
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enormously he had such curiosity and his
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knowledge was
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oh
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so wide terrible snob but terrific
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companion
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um but i think in the main he wanted
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somebody unknown
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uh
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so
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that they would not overshadow the
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character of james bond
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to the british public james bond
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perfectly caught the mood of the times
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and brought a sense of reassurance to a
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country in the grip of cold war spy
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mania
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if there was a third man were you in
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fact the third man no i was not
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well
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he's uh a free agent as i said at the
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present time to go as he pleases
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dr no released on the same day as the
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beatles first single introduced a new
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emblem for a modern britain
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and when bond's silhouette or rather
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that of stuntman bob simmons
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came sauntering across cinema screens
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audiences broke into spontaneous
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applause
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it was with goldfinger the third film in
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the series that the producers served up
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their winning cocktail and the pre-title
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sequence is a stimulating aperitif of
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its own with all the bond ingredients
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beginning with a typically witty gadget
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the sequence combined sleek interior
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sets
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stylish posturing
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[Music]
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flagrant seduction of a dispensable fam
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fertile
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all culminating in a perfectly delivered
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throwaway line positively shocking
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and a door slam to cue a knockout song
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[Music]
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[Music]
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as both an establishment figure and icon
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of pop culture james bond was an easy
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target during what was the satire boom
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of the early
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[Music]
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[Applause]
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[Music]
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doesn't think much of you 1960s a start
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i mean she says you've got a cold finger
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gold finger
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[Music]
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how she ever found that out i don't know
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but that's herpes
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casino royale and diamonds are forever
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from russia with sex
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fish
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[Music]
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for your thighs only doctor in the know
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carry on spy moon finger and mutt
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breaker
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[Music]
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oh well there goes cuba there's such a
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lot of bond to see isn't there is there
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no end we're proud to present tonight
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bye bye bondi the latest indeed one
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might almost say the last episode in 007
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it was a black letter day of a bond he
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received someone and lost no time
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against the office of m his chief when
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bond entered m was inscrutable as always
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david frost's co-host double m melissa
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martin would spoof bond on her own show
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and her choice of guest star would prove
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prophetically
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perhaps this year would like to take
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drinks on salvation
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yes
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that's quite a nice little casino
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it was almost as if he was auditioning
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for the part a decade early
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a nice secluded corner over there mr
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bomb
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yes well i uh am on holiday
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thank you yes mr smith
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[Music]
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oh oh yes and i'm 07 as if you didn't
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know
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james bond what are you doing at my
286
00:12:33,839 --> 00:12:35,920
hotel and what may i ask is sonya
287
00:12:35,920 --> 00:12:39,120
slickova russia's master
288
00:12:41,100 --> 00:12:44,279
[Music]
289
00:12:48,800 --> 00:12:51,920
by 1965 nothing it seemed could match
290
00:12:51,920 --> 00:12:53,040
bond
291
00:12:53,040 --> 00:12:55,120
not even the beatles
292
00:12:55,120 --> 00:12:57,600
the soundtrack to goldfinger outsold the
293
00:12:57,600 --> 00:13:00,399
mop tops
294
00:13:00,959 --> 00:13:02,800
and during the filming of thunderball in
295
00:13:02,800 --> 00:13:04,480
the bahamas
296
00:13:04,480 --> 00:13:07,680
bond mania reached new heights or rather
297
00:13:07,680 --> 00:13:09,190
further depths
298
00:13:09,190 --> 00:13:12,000
[Music]
299
00:13:12,000 --> 00:13:14,000
a press release given to the bbc on
300
00:13:14,000 --> 00:13:15,279
location
301
00:13:15,279 --> 00:13:18,560
described the hysteria around connery
302
00:13:18,560 --> 00:13:20,720
when a group of american students swam
303
00:13:20,720 --> 00:13:23,120
out to his filming boat
304
00:13:23,120 --> 00:13:25,440
speak to us one of them called to him
305
00:13:25,440 --> 00:13:28,000
you are our leader and we are your
306
00:13:28,000 --> 00:13:31,000
people
307
00:13:34,720 --> 00:13:36,639
the globetrotting spy was now a
308
00:13:36,639 --> 00:13:39,519
trend-setting brand whose personality
309
00:13:39,519 --> 00:13:44,090
and paraphernalia saturated public life
310
00:13:44,090 --> 00:13:45,680
[Music]
311
00:13:45,680 --> 00:13:48,399
the bond films set a complete style and
312
00:13:48,399 --> 00:13:51,279
had a tremendous influence on design and
313
00:13:51,279 --> 00:13:53,920
throughout the whole range of the visual
314
00:13:53,920 --> 00:13:56,240
arts did it come as a surprise to that
315
00:13:56,240 --> 00:13:59,440
in fact um the population took up many
316
00:13:59,440 --> 00:14:01,600
of the sort of bond images and carried
317
00:14:01,600 --> 00:14:04,720
them we never expected that tremendous
318
00:14:04,720 --> 00:14:07,120
success but after the first we saw there
319
00:14:07,120 --> 00:14:09,360
was a market the second we very
320
00:14:09,360 --> 00:14:12,079
carefully accentuated the
321
00:14:12,079 --> 00:14:13,360
successful parts
322
00:14:13,360 --> 00:14:15,279
[Music]
323
00:14:15,279 --> 00:14:17,680
bond's iconic car from goldfinger the
324
00:14:17,680 --> 00:14:20,079
aston martin db5
325
00:14:20,079 --> 00:14:23,040
proved a gift for merchandisers
326
00:14:23,040 --> 00:14:24,880
and corgi's miniature version would go
327
00:14:24,880 --> 00:14:27,839
on to sell in its millions
328
00:14:27,839 --> 00:14:30,399
whoops hello there now this is the star
329
00:14:30,399 --> 00:14:31,920
of the show i think because this is the
330
00:14:31,920 --> 00:14:34,160
model of the car that was made for james
331
00:14:34,160 --> 00:14:36,639
bond in goldfinch you press that knob
332
00:14:36,639 --> 00:14:37,680
there
333
00:14:37,680 --> 00:14:39,839
out come the two overriders and the
334
00:14:39,839 --> 00:14:42,240
machine guns now you've got somebody
335
00:14:42,240 --> 00:14:44,079
sitting next to you in the car and you
336
00:14:44,079 --> 00:14:46,639
don't like him just watch the roof wait
337
00:14:46,639 --> 00:14:48,959
how she comes there goes odd job
338
00:14:48,959 --> 00:14:51,120
now every child could have their very
339
00:14:51,120 --> 00:14:52,880
own bond gadget
340
00:14:52,880 --> 00:14:54,720
or if you have the clout you could just
341
00:14:54,720 --> 00:14:56,800
pop along to the factory and pick up a
342
00:14:56,800 --> 00:14:59,000
scale model for your son
343
00:14:59,000 --> 00:15:02,149
[Music]
344
00:15:02,399 --> 00:15:04,560
but some bbc pundits were worried that
345
00:15:04,560 --> 00:15:07,199
bond as a commodity was just a smoke
346
00:15:07,199 --> 00:15:09,600
screen for a character with very little
347
00:15:09,600 --> 00:15:10,800
depth
348
00:15:10,800 --> 00:15:13,600
there's no mystery about james bond it's
349
00:15:13,600 --> 00:15:16,720
too easy you see with all this
350
00:15:16,720 --> 00:15:19,440
imitation equipment that the man himself
351
00:15:19,440 --> 00:15:22,399
is nothing but you respect mr conrad
352
00:15:22,399 --> 00:15:25,040
personally i have never been uh
353
00:15:25,040 --> 00:15:26,800
able to collapse into the arms of mr
354
00:15:26,800 --> 00:15:30,399
bond i see a a sort of uh new hero
355
00:15:30,399 --> 00:15:33,040
emerging now and the new one on the way
356
00:15:33,040 --> 00:15:33,880
is the
357
00:15:33,880 --> 00:15:35,570
transvestite like
358
00:15:35,570 --> 00:15:37,199
[Laughter]
359
00:15:37,199 --> 00:15:39,760
a damning rule would make a
360
00:15:39,760 --> 00:15:41,790
[Laughter]
361
00:15:41,790 --> 00:15:46,720
[Music]
362
00:15:46,720 --> 00:15:48,560
as production began on the next bond
363
00:15:48,560 --> 00:15:51,279
bonanza and amidst rumors that connery
364
00:15:51,279 --> 00:15:53,440
was getting itchy feet in the role the
365
00:15:53,440 --> 00:15:55,440
bbc undertook a more probing
366
00:15:55,440 --> 00:15:57,519
investigation into the current state of
367
00:15:57,519 --> 00:15:59,920
double 07 and for such a special
368
00:15:59,920 --> 00:16:04,959
assignment they sent in their top man
369
00:16:05,759 --> 00:16:08,560
japan pinewood style and the first day's
370
00:16:08,560 --> 00:16:10,079
shooting on the fifth film in the
371
00:16:10,079 --> 00:16:12,639
cinema's most spectacular saga they're
372
00:16:12,639 --> 00:16:14,959
spending three million pounds on you
373
00:16:14,959 --> 00:16:17,519
only live twice but it'll probably earn
374
00:16:17,519 --> 00:16:20,959
ten times that around the world
375
00:16:20,959 --> 00:16:22,639
to write the script which involved an
376
00:16:22,639 --> 00:16:24,800
entirely different plot to the book the
377
00:16:24,800 --> 00:16:26,959
producers had drafted in an old charm of
378
00:16:26,959 --> 00:16:29,120
ian flemings but for the author of
379
00:16:29,120 --> 00:16:30,959
charlie and the chocolate factory
380
00:16:30,959 --> 00:16:32,880
writing a bond film would be a very
381
00:16:32,880 --> 00:16:34,839
different
382
00:16:34,839 --> 00:16:37,600
confection did you have a certain number
383
00:16:37,600 --> 00:16:39,120
of things that you had to do for example
384
00:16:39,120 --> 00:16:41,199
bomb normally goes through women in the
385
00:16:41,199 --> 00:16:42,959
film doesn't he know what you mean by
386
00:16:42,959 --> 00:16:44,720
going through them well he disposes of
387
00:16:44,720 --> 00:16:46,480
them they get killed they sacrifice
388
00:16:46,480 --> 00:16:49,519
themselves you know are you yes um
389
00:16:49,519 --> 00:16:51,440
there's there's no question that you
390
00:16:51,440 --> 00:16:54,000
must you must stick to that sort of
391
00:16:54,000 --> 00:16:55,120
formula
392
00:16:55,120 --> 00:16:57,279
i think because i asked that that uh
393
00:16:57,279 --> 00:16:59,440
when i went in first
394
00:16:59,440 --> 00:17:00,320
uh
395
00:17:00,320 --> 00:17:02,000
they said oh yes
396
00:17:02,000 --> 00:17:02,959
uh
397
00:17:02,959 --> 00:17:05,679
i said he wants a woman doesn't need to
398
00:17:05,679 --> 00:17:07,919
chase around and fall in love with
399
00:17:07,919 --> 00:17:10,400
and uh they said well three would be
400
00:17:10,400 --> 00:17:12,799
better
401
00:17:12,959 --> 00:17:14,720
wicker was on hand to watch the
402
00:17:14,720 --> 00:17:19,119
pre-title sequence being shot better huh
403
00:17:19,119 --> 00:17:20,640
no i'm just different
404
00:17:20,640 --> 00:17:23,359
like king duck is different from catcher
405
00:17:23,359 --> 00:17:25,839
a clever tease in which dahl flips bonds
406
00:17:25,839 --> 00:17:29,120
weakness for women into his undoing
407
00:17:29,120 --> 00:17:31,760
darling i give you very best duck well
408
00:17:31,760 --> 00:17:34,080
that'd be lovely
409
00:17:34,080 --> 00:17:35,440
we've had some interesting times
410
00:17:35,440 --> 00:17:36,720
together ling
411
00:17:36,720 --> 00:17:40,440
i'd be sorry to go
412
00:17:41,900 --> 00:17:46,179
[Music]
413
00:17:50,160 --> 00:17:52,400
so james bond's been shot where it hurts
414
00:17:52,400 --> 00:17:54,320
most in bed
415
00:17:54,320 --> 00:17:56,320
as wicker slipped deeper under the
416
00:17:56,320 --> 00:17:58,720
covers test three take one you are a
417
00:17:58,720 --> 00:18:01,039
slippery customer aren't you
418
00:18:01,039 --> 00:18:03,200
he turned his beady eye onto a bevy of
419
00:18:03,200 --> 00:18:05,039
girls submitting themselves to the
420
00:18:05,039 --> 00:18:06,960
casting session
421
00:18:06,960 --> 00:18:09,679
bonds birds seldom last more than 10
422
00:18:09,679 --> 00:18:11,280
minutes before something frightful
423
00:18:11,280 --> 00:18:13,280
happens to them but during their brief
424
00:18:13,280 --> 00:18:15,840
passionate posturing they brave piranhas
425
00:18:15,840 --> 00:18:17,600
and death rays for the pleasure of
426
00:18:17,600 --> 00:18:19,679
sharing his bedroom and his vodka
427
00:18:19,679 --> 00:18:20,960
martinis
428
00:18:20,960 --> 00:18:22,640
what's a nice girl like you doing in a
429
00:18:22,640 --> 00:18:25,280
place like this
430
00:18:25,440 --> 00:18:27,960
you're a handsome looking root
431
00:18:27,960 --> 00:18:30,960
[Music]
432
00:18:30,960 --> 00:18:33,679
eager to surrender their cinematic all
433
00:18:33,679 --> 00:18:35,760
they're screen tested they're still not
434
00:18:35,760 --> 00:18:38,559
exposed to the real james bond they have
435
00:18:38,559 --> 00:18:42,440
to make love to his substitute
436
00:18:43,360 --> 00:18:45,440
and to better understand the bond girl
437
00:18:45,440 --> 00:18:47,760
vetting process wicker sounded out the
438
00:18:47,760 --> 00:18:50,400
film's director louis gilbert
439
00:18:50,400 --> 00:18:52,160
well you know there's a sort of classic
440
00:18:52,160 --> 00:18:55,039
tradition of bond girls but uh this one
441
00:18:55,039 --> 00:18:58,080
is a german or swedish girl yeah but uh
442
00:18:58,080 --> 00:18:59,760
obviously she must be pretty glamorous
443
00:18:59,760 --> 00:19:01,039
but we are trying to do something
444
00:19:01,039 --> 00:19:02,559
different for the bongo this time we'd
445
00:19:02,559 --> 00:19:04,000
like to try and find somebody who can
446
00:19:04,000 --> 00:19:06,000
act so what's a nice girl like you're
447
00:19:06,000 --> 00:19:09,250
doing in a place like this
448
00:19:09,250 --> 00:19:13,120
[Music]
449
00:19:13,120 --> 00:19:14,720
is it a bit too disfiguring when she
450
00:19:14,720 --> 00:19:16,799
goes very hard in
451
00:19:16,799 --> 00:19:18,080
yeah yeah
452
00:19:18,080 --> 00:19:21,200
just let him have his main speed
453
00:19:22,640 --> 00:19:24,320
butters wicker found out when he
454
00:19:24,320 --> 00:19:26,320
followed the production to japan
455
00:19:26,320 --> 00:19:28,640
wherever in the world bond went there
456
00:19:28,640 --> 00:19:31,120
was an expectation to conform to his
457
00:19:31,120 --> 00:19:33,600
values
458
00:19:33,600 --> 00:19:35,679
the armored pearl diving girls went on
459
00:19:35,679 --> 00:19:38,320
strike frightened of overexposure
460
00:19:38,320 --> 00:19:40,559
they're actually starlets and models
461
00:19:40,559 --> 00:19:42,559
there's even a lift girl from the tokyo
462
00:19:42,559 --> 00:19:44,880
hilton but east is east and none of
463
00:19:44,880 --> 00:19:47,039
these big city pearl divers wanted to be
464
00:19:47,039 --> 00:19:49,280
photographed in a bikini they resisted
465
00:19:49,280 --> 00:19:51,360
the american public relations man who
466
00:19:51,360 --> 00:19:54,000
was after some japanese cheesecake mike
467
00:19:54,000 --> 00:19:55,760
let me explain what i'm impressed i i
468
00:19:55,760 --> 00:19:57,840
understand i don't understand what i
469
00:19:57,840 --> 00:20:00,160
want to get all of them lined up right
470
00:20:00,160 --> 00:20:01,840
in modern bathing costumes right and
471
00:20:01,840 --> 00:20:03,360
they don't want to take them off
472
00:20:03,360 --> 00:20:06,559
yes no they don't want them i don't care
473
00:20:06,559 --> 00:20:08,400
what they want yeah i know what's the
474
00:20:08,400 --> 00:20:10,240
trouble guppy what what doesn't happen
475
00:20:10,240 --> 00:20:12,559
oh uh it's not really serious there's
476
00:20:12,559 --> 00:20:14,240
that we have uh
477
00:20:14,240 --> 00:20:16,720
we have uh eight armor girls or girls
478
00:20:16,720 --> 00:20:18,159
who are supposed to be on the girls
479
00:20:18,159 --> 00:20:21,120
they're japanese types
480
00:20:21,120 --> 00:20:23,120
and uh the production department is
481
00:20:23,120 --> 00:20:26,080
having a difficult time getting them to
482
00:20:26,080 --> 00:20:28,480
remove their not their brazilians or
483
00:20:28,480 --> 00:20:31,200
anything just their outer garment
484
00:20:31,200 --> 00:20:34,240
they feel that they're they uh you know
485
00:20:34,240 --> 00:20:35,760
they're not accustomed to walking around
486
00:20:35,760 --> 00:20:37,840
in bikinis
487
00:20:37,840 --> 00:20:39,440
not until broccoli got there they
488
00:20:39,440 --> 00:20:41,679
weren't
489
00:20:44,799 --> 00:20:46,559
but there was further trouble in
490
00:20:46,559 --> 00:20:48,799
paradise and wicker's cameras were there
491
00:20:48,799 --> 00:20:51,120
to capture the bondwagon slowly coming
492
00:20:51,120 --> 00:20:53,280
off the rails now he's an actor he's
493
00:20:53,280 --> 00:20:55,600
here to do a job he's not just a
494
00:20:55,600 --> 00:20:56,880
publicity
495
00:20:56,880 --> 00:20:58,640
uh idol
496
00:20:58,640 --> 00:20:59,919
for that
497
00:20:59,919 --> 00:21:02,080
now he's here and he has not been given
498
00:21:02,080 --> 00:21:03,360
the privilege
499
00:21:03,360 --> 00:21:05,120
and respect of japan for a certain
500
00:21:05,120 --> 00:21:06,300
amount of privacy
501
00:21:06,300 --> 00:21:07,520
[Music]
502
00:21:07,520 --> 00:21:09,440
connery felt he was no longer a human
503
00:21:09,440 --> 00:21:11,840
being but a public institution
504
00:21:11,840 --> 00:21:15,520
and not so much an actor as a commodity
505
00:21:15,520 --> 00:21:17,679
with fears of becoming typecast of being
506
00:21:17,679 --> 00:21:20,000
overshadowed by gadgets and a gargantuan
507
00:21:20,000 --> 00:21:21,679
man-made volcano
508
00:21:21,679 --> 00:21:23,600
connery thought it was time to hang up
509
00:21:23,600 --> 00:21:26,240
his holster i'm very tired because i've
510
00:21:26,240 --> 00:21:27,280
been
511
00:21:27,280 --> 00:21:31,360
take a long uphill grind i'm
512
00:21:31,360 --> 00:21:33,280
i've had
513
00:21:33,280 --> 00:21:35,840
a long sort of images of one and a very
514
00:21:35,840 --> 00:21:38,000
intense innings and i want to
515
00:21:38,000 --> 00:21:40,480
change direction now take another breath
516
00:21:40,480 --> 00:21:42,080
and do something
517
00:21:42,080 --> 00:21:46,799
else so this is your last bond film yes
518
00:21:47,600 --> 00:21:50,240
with sean connery's departure the bond
519
00:21:50,240 --> 00:21:53,280
franchise faced its first crisis
520
00:21:53,280 --> 00:21:55,600
connery had owned the part completely
521
00:21:55,600 --> 00:21:58,240
and a replacement seemed unthinkable
522
00:21:58,240 --> 00:22:00,080
although cubby broccoli remained
523
00:22:00,080 --> 00:22:00,880
optimistic
524
00:22:00,880 --> 00:22:02,159
[Music]
525
00:22:02,159 --> 00:22:03,679
this won't stop us from making another
526
00:22:03,679 --> 00:22:05,120
bond because an audience out there want
527
00:22:05,120 --> 00:22:07,679
to see it we present what we have for
528
00:22:07,679 --> 00:22:09,440
the approval you'd have a headache
529
00:22:09,440 --> 00:22:10,960
breaking in a new bond actually wouldn't
530
00:22:10,960 --> 00:22:12,960
you after five
531
00:22:12,960 --> 00:22:15,919
everything is a headache
532
00:22:17,120 --> 00:22:19,840
in early 1968 the hunt was on for an
533
00:22:19,840 --> 00:22:22,400
actor to fill connery's shoes
534
00:22:22,400 --> 00:22:25,520
when a 29 year old australian model and
535
00:22:25,520 --> 00:22:28,799
used car salesman called george lazenby
536
00:22:28,799 --> 00:22:30,799
suddenly swaggered into broccoli and
537
00:22:30,799 --> 00:22:33,280
saltsman's office
538
00:22:33,280 --> 00:22:35,520
i was standing there in a conery suit a
539
00:22:35,520 --> 00:22:38,080
countering haircut rolex watch crossed
540
00:22:38,080 --> 00:22:39,679
arms saying i heard you're looking for
541
00:22:39,679 --> 00:22:41,280
james bond
542
00:22:41,280 --> 00:22:43,200
broccoli had deep reservations about
543
00:22:43,200 --> 00:22:45,919
hiring a clothespeg as he referred to
544
00:22:45,919 --> 00:22:47,039
lazenby
545
00:22:47,039 --> 00:22:49,280
so over four months they tested him
546
00:22:49,280 --> 00:22:51,440
against the rest of the cast until
547
00:22:51,440 --> 00:22:53,440
finally harry saltzman said he wanted to
548
00:22:53,440 --> 00:22:56,559
see lazenby in a fight scene
549
00:22:56,559 --> 00:22:58,559
they got this big russian guy well i
550
00:22:58,559 --> 00:23:00,400
knocked him on his butt because i didn't
551
00:23:00,400 --> 00:23:02,240
know how to miss and i said oh my god
552
00:23:02,240 --> 00:23:03,600
when this guy gets up he's going to kill
553
00:23:03,600 --> 00:23:05,600
me he's a real russian wrestler you know
554
00:23:05,600 --> 00:23:07,520
but he was okay and harry stepped over
555
00:23:07,520 --> 00:23:11,360
him and says we're going with you
556
00:23:14,670 --> 00:23:17,039
[Music]
557
00:23:17,039 --> 00:23:19,120
aside from the small matter of finding a
558
00:23:19,120 --> 00:23:21,840
new bond on her majesty's secret service
559
00:23:21,840 --> 00:23:23,840
would see him get hitched and in
560
00:23:23,840 --> 00:23:25,760
choosing an actress of diana rigg's
561
00:23:25,760 --> 00:23:28,080
caliber the producers hoped to increase
562
00:23:28,080 --> 00:23:30,720
the power of the film's romantic scenes
563
00:23:30,720 --> 00:23:33,039
the bbc caught up with rig on location
564
00:23:33,039 --> 00:23:35,440
in portugal to ask her what she felt the
565
00:23:35,440 --> 00:23:38,720
issues were for women in bond's world
566
00:23:38,720 --> 00:23:40,480
from the woman's point of view mainly
567
00:23:40,480 --> 00:23:42,960
the fact that the women are victims
568
00:23:42,960 --> 00:23:45,120
and um in our society at the moment
569
00:23:45,120 --> 00:23:47,039
women are being very busy trying to
570
00:23:47,039 --> 00:23:48,720
prove that they aren't victims but
571
00:23:48,720 --> 00:23:50,960
inflaming definitely definitely puts
572
00:23:50,960 --> 00:23:53,840
them in sort of subsidiary position and
573
00:23:53,840 --> 00:23:56,240
bond uses them they are vessels either
574
00:23:56,240 --> 00:23:57,679
for his lust
575
00:23:57,679 --> 00:23:59,279
or to uh
576
00:23:59,279 --> 00:24:02,400
uh get to the big bad boss or something
577
00:24:02,400 --> 00:24:04,880
you know they're they're cyphers they're
578
00:24:04,880 --> 00:24:07,679
not real people
579
00:24:07,760 --> 00:24:10,240
alongside rigg these ciphers come in the
580
00:24:10,240 --> 00:24:12,559
form of a deadly harem under the control
581
00:24:12,559 --> 00:24:15,360
of the arch villain blowfelt but in this
582
00:24:15,360 --> 00:24:17,760
story fleming at last allows bond to
583
00:24:17,760 --> 00:24:20,240
fall in love
584
00:24:20,240 --> 00:24:22,000
in a sense it's a game but also it's
585
00:24:22,000 --> 00:24:24,640
quite quite a clever trick because the
586
00:24:24,640 --> 00:24:27,440
man who heretofore has been absolutely
587
00:24:27,440 --> 00:24:28,720
unobtainable
588
00:24:28,720 --> 00:24:30,080
suddenly
589
00:24:30,080 --> 00:24:31,600
decides
590
00:24:31,600 --> 00:24:34,240
through love or whatever to to marry
591
00:24:34,240 --> 00:24:35,440
this girl
592
00:24:35,440 --> 00:24:39,200
and um and and he subscribes
593
00:24:39,200 --> 00:24:41,360
but ian fleming only allows him to
594
00:24:41,360 --> 00:24:44,320
subscribe for an hour after his wedding
595
00:24:44,320 --> 00:24:46,400
and then i i get a bullet through one
596
00:24:46,400 --> 00:24:47,279
ear
597
00:24:47,279 --> 00:24:50,480
and out the other
598
00:24:54,799 --> 00:24:57,760
it's gloved
599
00:24:58,000 --> 00:25:01,480
it's blow though
600
00:25:04,320 --> 00:25:06,080
you know it's quite quite a good trick
601
00:25:06,080 --> 00:25:08,159
because it means that he has all the
602
00:25:08,159 --> 00:25:09,039
right
603
00:25:09,039 --> 00:25:11,360
um uh motives
604
00:25:11,360 --> 00:25:13,440
deep down underneath in other words he
605
00:25:13,440 --> 00:25:15,360
is prepared to get married if he loves
606
00:25:15,360 --> 00:25:18,559
the girl but then by some terrible trick
607
00:25:18,559 --> 00:25:21,360
of fate she's taken away from him and
608
00:25:21,360 --> 00:25:22,720
he's suddenly available for all those
609
00:25:22,720 --> 00:25:24,080
females again
610
00:25:24,080 --> 00:25:26,880
slightly embittered you know
611
00:25:26,880 --> 00:25:29,200
but becoming bond was to leave lazenby
612
00:25:29,200 --> 00:25:30,720
embittered too
613
00:25:30,720 --> 00:25:32,480
reports had circulated that he was
614
00:25:32,480 --> 00:25:35,200
awkward and arrogant on set overwhelmed
615
00:25:35,200 --> 00:25:37,840
by the responsibility of the role
616
00:25:37,840 --> 00:25:40,240
the critics rather brutally pounded him
617
00:25:40,240 --> 00:25:42,559
with such comments as his lines carry
618
00:25:42,559 --> 00:25:44,080
about as much conviction as an
619
00:25:44,080 --> 00:25:46,480
insecticide salesman at a fleet circus
620
00:25:46,480 --> 00:25:48,559
but in spite of the critics mr lazenby
621
00:25:48,559 --> 00:25:50,480
appears to know his own mind and has
622
00:25:50,480 --> 00:25:51,840
maintained a stubborn sense of
623
00:25:51,840 --> 00:25:54,000
individuality he grew a beard for
624
00:25:54,000 --> 00:25:55,520
instance and refused to shave it off for
625
00:25:55,520 --> 00:25:58,000
the film premiere
626
00:25:58,000 --> 00:26:00,080
and i said well anyone anyone can
627
00:26:00,080 --> 00:26:01,919
understand that james bond isn't a real
628
00:26:01,919 --> 00:26:02,880
person
629
00:26:02,880 --> 00:26:04,960
and then i don't mind the fact that i i
630
00:26:04,960 --> 00:26:07,039
haven't had a shave for a month
631
00:26:07,039 --> 00:26:08,880
everyone knows that james bond must have
632
00:26:08,880 --> 00:26:10,159
a beard even though you never see it in
633
00:26:10,159 --> 00:26:12,400
the film what about the reports that you
634
00:26:12,400 --> 00:26:14,799
were deliberately awkward and hostile
635
00:26:14,799 --> 00:26:16,320
yeah well they were true in a way
636
00:26:16,320 --> 00:26:17,600
because
637
00:26:17,600 --> 00:26:20,240
i was very uptight lots of lots of the
638
00:26:20,240 --> 00:26:21,600
times because i didn't understand
639
00:26:21,600 --> 00:26:23,600
exactly what was going on
640
00:26:23,600 --> 00:26:26,400
and the only person you could ask
641
00:26:26,400 --> 00:26:27,760
the only person who knew what was going
642
00:26:27,760 --> 00:26:30,159
on was the director and he didn't really
643
00:26:30,159 --> 00:26:31,600
feel that
644
00:26:31,600 --> 00:26:34,720
an actor was important in the role he
645
00:26:34,720 --> 00:26:36,320
felt that you could get any guy i'd put
646
00:26:36,320 --> 00:26:38,400
him in that part and make him james bond
647
00:26:38,400 --> 00:26:41,120
providing he looked similar to
648
00:26:41,120 --> 00:26:42,799
what the public feel james bond looks
649
00:26:42,799 --> 00:26:44,080
like
650
00:26:44,080 --> 00:26:46,400
and and this came that vibration came
651
00:26:46,400 --> 00:26:50,679
off the director onto me all the time
652
00:26:52,559 --> 00:26:54,400
lazenby had begun to feel that bond
653
00:26:54,400 --> 00:26:56,640
wasn't quite as far out as he could be
654
00:26:56,640 --> 00:26:59,919
in 1969 this was now the era of peace
655
00:26:59,919 --> 00:27:03,360
not war he thought
656
00:27:03,360 --> 00:27:04,960
well how about the director did he agree
657
00:27:04,960 --> 00:27:06,880
with your idea of one
658
00:27:06,880 --> 00:27:08,640
well no they they had a set formula
659
00:27:08,640 --> 00:27:11,440
which was a winner uh previous and you
660
00:27:11,440 --> 00:27:13,200
can't blame them for not agreeing with
661
00:27:13,200 --> 00:27:15,840
me because i was a learner i i felt
662
00:27:15,840 --> 00:27:17,679
quite confident that if they did change
663
00:27:17,679 --> 00:27:19,279
it you know like putting pop music
664
00:27:19,279 --> 00:27:21,120
behind it and uh
665
00:27:21,120 --> 00:27:22,799
rather than
666
00:27:22,799 --> 00:27:23,840
uh
667
00:27:23,840 --> 00:27:26,480
the sort of light music they have
668
00:27:26,480 --> 00:27:28,240
and uh things like that would have
669
00:27:28,240 --> 00:27:30,960
lifted the whole thing up again into an
670
00:27:30,960 --> 00:27:33,120
another
671
00:27:33,120 --> 00:27:36,720
decayed 1970.
672
00:27:38,399 --> 00:27:40,880
lazenby feeling that bond had no place
673
00:27:40,880 --> 00:27:43,120
in the emerging counter-culture kept the
674
00:27:43,120 --> 00:27:47,399
beard and hit the road
675
00:27:53,200 --> 00:27:55,679
with lazenby gone a plan was hatched to
676
00:27:55,679 --> 00:27:58,640
lure back sean connery who was only too
677
00:27:58,640 --> 00:28:00,399
aware of the strong bargaining position
678
00:28:00,399 --> 00:28:03,039
he now found himself in as he candidly
679
00:28:03,039 --> 00:28:05,120
let slip to the bbc
680
00:28:05,120 --> 00:28:07,679
having been away for four years i think
681
00:28:07,679 --> 00:28:09,760
one had made the point too with the lack
682
00:28:09,760 --> 00:28:12,240
of success of the one previous one that
683
00:28:12,240 --> 00:28:14,480
i wasn't in anywhere
684
00:28:14,480 --> 00:28:15,440
and
685
00:28:15,440 --> 00:28:17,600
coming back in to do this one
686
00:28:17,600 --> 00:28:18,559
uh
687
00:28:18,559 --> 00:28:20,320
the wicket was better
688
00:28:20,320 --> 00:28:21,440
for me
689
00:28:21,440 --> 00:28:23,200
to make the conditions
690
00:28:23,200 --> 00:28:25,600
of not being so much a pawn in the
691
00:28:25,600 --> 00:28:28,399
circumstances
692
00:28:28,399 --> 00:28:30,960
also i didn't think i got a fair piece
693
00:28:30,960 --> 00:28:32,559
of the cake
694
00:28:32,559 --> 00:28:35,919
you mean financially yes
695
00:28:35,919 --> 00:28:37,919
connery had been tempted back not only
696
00:28:37,919 --> 00:28:40,080
with the promise of a tremendous fee
697
00:28:40,080 --> 00:28:42,640
but also by the quality of the script
698
00:28:42,640 --> 00:28:44,960
drafted by a young american screenwriter
699
00:28:44,960 --> 00:28:46,960
called tom mankowitz
700
00:28:46,960 --> 00:28:49,039
i hope that uh guy hamilton the director
701
00:28:49,039 --> 00:28:51,039
and myself and
702
00:28:51,039 --> 00:28:52,559
with the assistance of tom mankovic
703
00:28:52,559 --> 00:28:53,840
who's written the screenplay
704
00:28:53,840 --> 00:28:55,679
relationship incidentally i think is
705
00:28:55,679 --> 00:28:57,520
probably the best one they've had
706
00:28:57,520 --> 00:28:58,880
certainly
707
00:28:58,880 --> 00:29:00,559
construction-wise for a beginning and
708
00:29:00,559 --> 00:29:02,320
middle and end of the story it's very
709
00:29:02,320 --> 00:29:05,919
good it's a very good script
710
00:29:06,080 --> 00:29:08,559
i hope it's
711
00:29:08,559 --> 00:29:09,679
got enough
712
00:29:09,679 --> 00:29:10,960
i think that there's
713
00:29:10,960 --> 00:29:13,279
the humor in it and for this moment in a
714
00:29:13,279 --> 00:29:15,760
las vegas casino connery and mankowitz
715
00:29:15,760 --> 00:29:18,000
shared the writing honours
716
00:29:18,000 --> 00:29:20,159
hi i'm plenty
717
00:29:20,159 --> 00:29:24,000
but of course you are plenty of tool
718
00:29:24,000 --> 00:29:25,679
named after your father perhaps would
719
00:29:25,679 --> 00:29:27,200
you like some help
720
00:29:27,200 --> 00:29:29,039
on the craps i mean
721
00:29:29,039 --> 00:29:31,279
it's very kind of you
722
00:29:31,279 --> 00:29:33,440
the camp and breezy tone of diamonds are
723
00:29:33,440 --> 00:29:35,679
forever with its liberal use of smutty
724
00:29:35,679 --> 00:29:37,919
humor was a new throw of the dice for
725
00:29:37,919 --> 00:29:41,480
the bond franchise
726
00:29:45,679 --> 00:29:47,600
to see if this gamble was paying off the
727
00:29:47,600 --> 00:29:49,600
bbc dispatched one of its top
728
00:29:49,600 --> 00:29:53,279
entertainers to sin city
729
00:29:53,279 --> 00:29:55,520
derek nimmo arrived just as connery was
730
00:29:55,520 --> 00:29:58,550
shooting his first scenes
731
00:29:58,550 --> 00:30:01,740
[Applause]
732
00:30:02,399 --> 00:30:04,640
a frenetic car chase on the downtown
733
00:30:04,640 --> 00:30:06,960
strip
734
00:30:07,039 --> 00:30:09,760
involving real pedestrians and you
735
00:30:09,760 --> 00:30:11,520
couldn't get much closer to the action
736
00:30:11,520 --> 00:30:14,000
than nemo did
737
00:30:14,000 --> 00:30:18,080
as he almost found out to his peril
738
00:30:20,640 --> 00:30:23,679
what the hell are you doing
739
00:30:24,000 --> 00:30:25,200
sure
740
00:30:25,200 --> 00:30:26,640
how are you doing here
741
00:30:26,640 --> 00:30:29,200
derrick nimmo i'm terribly sorry
742
00:30:29,200 --> 00:30:31,440
why are you driving on the pavement i'm
743
00:30:31,440 --> 00:30:34,640
making diamonds up for evan
744
00:30:34,720 --> 00:30:36,960
it's a film well
745
00:30:36,960 --> 00:30:39,360
oh i see you're not in trouble then
746
00:30:39,360 --> 00:30:41,360
matter of fact i rather am in trouble
747
00:30:41,360 --> 00:30:42,960
which i was here for the gambling and
748
00:30:42,960 --> 00:30:43,679
i've
749
00:30:43,679 --> 00:30:45,919
i've won quite a lot really but i'm down
750
00:30:45,919 --> 00:30:47,760
now it's about seventeen hundred dollars
751
00:30:47,760 --> 00:30:49,679
they quite know what to do right well if
752
00:30:49,679 --> 00:30:53,360
i were you i'd get the hell out of it
753
00:30:53,440 --> 00:30:55,760
connery's swift exit after diamonds are
754
00:30:55,760 --> 00:30:57,519
forever would cause the producers to
755
00:30:57,519 --> 00:30:59,120
begin their hunt for what would be the
756
00:30:59,120 --> 00:31:01,519
third different bond in less than four
757
00:31:01,519 --> 00:31:02,559
years
758
00:31:02,559 --> 00:31:04,960
but many including connery were feeling
759
00:31:04,960 --> 00:31:07,600
the series may have run its course
760
00:31:07,600 --> 00:31:09,519
i i came back for the one that was the
761
00:31:09,519 --> 00:31:12,960
understanding and i do the one and
762
00:31:12,960 --> 00:31:14,320
i've got other
763
00:31:14,320 --> 00:31:16,080
things i want to do i mean it's
764
00:31:16,080 --> 00:31:18,080
perfectly possible that the cycle has
765
00:31:18,080 --> 00:31:20,159
ended
766
00:31:20,159 --> 00:31:22,240
but far from ending the cycle it was
767
00:31:22,240 --> 00:31:24,799
mankowitz's sparkling one-liners and
768
00:31:24,799 --> 00:31:26,960
connery's tongue-in-cheek approach that
769
00:31:26,960 --> 00:31:31,360
would set the tone for the coming films
770
00:31:31,600 --> 00:31:33,600
sean connery was the first screen bond
771
00:31:33,600 --> 00:31:35,200
but now that he no longer plays the role
772
00:31:35,200 --> 00:31:37,200
united artists have laid him to rest
773
00:31:37,200 --> 00:31:39,519
sean who they say no no there's only one
774
00:31:39,519 --> 00:31:41,440
james bond and that's roger moore who of
775
00:31:41,440 --> 00:31:44,559
course just happens to be the latest
776
00:31:44,559 --> 00:31:47,279
lowering his gun and raising his eyebrow
777
00:31:47,279 --> 00:31:49,120
roger moore seemed to continue from
778
00:31:49,120 --> 00:31:50,799
where he'd left off on the militant
779
00:31:50,799 --> 00:31:54,000
martin show back in 1964. black queen on
780
00:31:54,000 --> 00:31:55,279
the red king
781
00:31:55,279 --> 00:31:57,519
miss
782
00:31:57,519 --> 00:31:58,960
solitaire
783
00:31:58,960 --> 00:32:01,840
my name's bob
784
00:32:02,159 --> 00:32:03,760
james
785
00:32:03,760 --> 00:32:05,600
i know who you are
786
00:32:05,600 --> 00:32:08,320
what you are and why you will come
787
00:32:08,320 --> 00:32:10,399
you have made a mistake
788
00:32:10,399 --> 00:32:13,279
you will not succeed
789
00:32:13,279 --> 00:32:16,110
did solitaire know something we didn't
790
00:32:16,110 --> 00:32:19,180
[Music]
791
00:32:19,840 --> 00:32:21,679
more determined to play the role for
792
00:32:21,679 --> 00:32:24,159
loves
793
00:32:25,600 --> 00:32:28,000
but there were concerns as to whether he
794
00:32:28,000 --> 00:32:31,600
could really cut it as james bond
795
00:32:31,600 --> 00:32:34,559
when you took over from sean connery uh
796
00:32:34,559 --> 00:32:36,080
because it was new and because it was
797
00:32:36,080 --> 00:32:38,399
different people all said oh well roger
798
00:32:38,399 --> 00:32:40,799
moore is not my idea of
799
00:32:40,799 --> 00:32:43,840
double a7
800
00:32:44,799 --> 00:32:46,480
and he's not like sean connery and it's
801
00:32:46,480 --> 00:32:48,480
all great failure i mean do you mind
802
00:32:48,480 --> 00:32:50,880
that kind of hammering
803
00:32:50,880 --> 00:32:52,240
uh
804
00:32:52,240 --> 00:32:53,919
no not really because i say it before
805
00:32:53,919 --> 00:32:55,600
they do
806
00:32:55,600 --> 00:32:58,080
i think the first time they went to see
807
00:32:58,080 --> 00:33:00,240
uh live and let die
808
00:33:00,240 --> 00:33:02,000
was just to see if i was going to be as
809
00:33:02,000 --> 00:33:04,680
bad as they thought i would be
810
00:33:04,680 --> 00:33:08,240
[Music]
811
00:33:08,240 --> 00:33:10,640
with the uncertainty of a new bond the
812
00:33:10,640 --> 00:33:13,039
producers had felt panicked into chasing
813
00:33:13,039 --> 00:33:15,039
current cinema trends
814
00:33:15,039 --> 00:33:17,679
but james bond sat uncomfortably in both
815
00:33:17,679 --> 00:33:20,399
a blaxploitation media and a kung fu
816
00:33:20,399 --> 00:33:23,240
craze stand back girls
817
00:33:23,240 --> 00:33:26,470
[Music]
818
00:33:26,880 --> 00:33:30,000
in 1975 harry swordsman beset by
819
00:33:30,000 --> 00:33:32,159
financial difficulties was forced to
820
00:33:32,159 --> 00:33:34,320
sell his share in the bond franchise to
821
00:33:34,320 --> 00:33:36,159
united artists
822
00:33:36,159 --> 00:33:38,000
the breakup of his winning partnership
823
00:33:38,000 --> 00:33:40,080
with cubby broccoli together with the
824
00:33:40,080 --> 00:33:41,840
lukewarm reception for the man with the
825
00:33:41,840 --> 00:33:44,720
golden gun couldn't have come at a worse
826
00:33:44,720 --> 00:33:45,919
time
827
00:33:45,919 --> 00:33:48,240
by the mid 1970s film production in
828
00:33:48,240 --> 00:33:50,480
britain was in harsh decline but
829
00:33:50,480 --> 00:33:52,799
undeterred broccoli resolved to go for
830
00:33:52,799 --> 00:33:54,880
broke with his next venture the spy who
831
00:33:54,880 --> 00:33:57,600
loved me determined that bond would keep
832
00:33:57,600 --> 00:33:58,860
the british end up
833
00:33:58,860 --> 00:34:01,600
[Music]
834
00:34:01,600 --> 00:34:03,440
obviously we do make the picture for
835
00:34:03,440 --> 00:34:05,360
worldwide market and i think that's the
836
00:34:05,360 --> 00:34:07,360
hope of the british industry we feel we
837
00:34:07,360 --> 00:34:09,440
have to do something more outrageous
838
00:34:09,440 --> 00:34:10,879
more bizarre
839
00:34:10,879 --> 00:34:11,918
and
840
00:34:11,918 --> 00:34:14,079
more unique
841
00:34:14,079 --> 00:34:16,879
for broccoli and the bond franchise this
842
00:34:16,879 --> 00:34:21,839
would be a very symbolic leap of faith
843
00:34:24,960 --> 00:34:27,280
the film's audacious opening stunt was
844
00:34:27,280 --> 00:34:29,520
filmed from multiple angles but they
845
00:34:29,520 --> 00:34:31,918
went with a single shot and the whole
846
00:34:31,918 --> 00:34:35,838
world held its breath
847
00:34:36,690 --> 00:34:39,829
[Music]
848
00:34:42,800 --> 00:34:44,719
such was the confidence in the spy who
849
00:34:44,719 --> 00:34:46,399
loved me and the feeling that it might
850
00:34:46,399 --> 00:34:48,159
just prove the saviour of the british
851
00:34:48,159 --> 00:34:49,520
film industry
852
00:34:49,520 --> 00:34:51,679
that the bbc in collaboration with the
853
00:34:51,679 --> 00:34:54,960
open university secured unique access to
854
00:34:54,960 --> 00:34:57,680
the film's production as the basis for a
855
00:34:57,680 --> 00:35:00,839
course on promisingly entitled mass
856
00:35:00,839 --> 00:35:04,960
communications and society
857
00:35:11,119 --> 00:35:13,280
my name is bond
858
00:35:13,280 --> 00:35:15,119
james bond
859
00:35:15,119 --> 00:35:17,359
the resulting eight-part series examined
860
00:35:17,359 --> 00:35:19,760
all aspects of bondiana
861
00:35:19,760 --> 00:35:21,680
from giving bond a new soundtrack for
862
00:35:21,680 --> 00:35:23,280
the 1970s
863
00:35:23,280 --> 00:35:25,680
i was very anxious to write a song that
864
00:35:25,680 --> 00:35:26,960
i thought was
865
00:35:26,960 --> 00:35:28,240
completely different than any of the
866
00:35:28,240 --> 00:35:29,599
songs i'd ever written for the blonde
867
00:35:29,599 --> 00:35:30,480
films
868
00:35:30,480 --> 00:35:32,640
and i also didn't want them to quite be
869
00:35:32,640 --> 00:35:34,800
about the villain i wanted a song
870
00:35:34,800 --> 00:35:36,800
written about bond i thought it was time
871
00:35:36,800 --> 00:35:38,160
that he'd be
872
00:35:38,160 --> 00:35:39,760
pretentious enough and vain enough in
873
00:35:39,760 --> 00:35:42,839
fact to have a song written about
874
00:35:42,839 --> 00:35:46,079
him the usual pressures of being a bond
875
00:35:46,079 --> 00:35:46,960
girl
876
00:35:46,960 --> 00:35:48,880
the one thing that sometimes i don't
877
00:35:48,880 --> 00:35:50,400
particularly like
878
00:35:50,400 --> 00:35:51,280
is
879
00:35:51,280 --> 00:35:53,520
the
880
00:35:53,599 --> 00:35:55,440
let's say the
881
00:35:55,440 --> 00:35:57,680
the sex symbol part of it as most of the
882
00:35:57,680 --> 00:36:00,240
bond girls have been because that is not
883
00:36:00,240 --> 00:36:01,760
at all
884
00:36:01,760 --> 00:36:04,320
my scene and camera's eavesdropped as
885
00:36:04,320 --> 00:36:06,640
set designer ken adam explained his
886
00:36:06,640 --> 00:36:08,640
concept for the film's centerpiece to
887
00:36:08,640 --> 00:36:11,599
director lewis gilbert my feeling is as
888
00:36:11,599 --> 00:36:14,079
the submarine goes in into darkness yeah
889
00:36:14,079 --> 00:36:16,240
into darkness and you know with the high
890
00:36:16,240 --> 00:36:18,240
fin and the hunting power i think
891
00:36:18,240 --> 00:36:20,160
that'll give you a very good because i
892
00:36:20,160 --> 00:36:21,920
discussed with claude yesterday actually
893
00:36:21,920 --> 00:36:23,280
that i thought the best way of showing
894
00:36:23,280 --> 00:36:26,240
the set was to suddenly switch on all
895
00:36:26,240 --> 00:36:28,880
the lights yeah
896
00:36:33,440 --> 00:36:36,560
the 380 foot long set is a life-size
897
00:36:36,560 --> 00:36:39,599
mock-up of the interior of a 600 000 ton
898
00:36:39,599 --> 00:36:42,880
super tanker containing three submarines
899
00:36:42,880 --> 00:36:46,160
floating in 1.2 million gallons of water
900
00:36:46,160 --> 00:36:48,400
as if that wasn't enough to keep the 400
901
00:36:48,400 --> 00:36:51,040
guests wondering girls from the cast
902
00:36:51,040 --> 00:36:53,200
stripped off their minks in sub-zero
903
00:36:53,200 --> 00:36:55,280
temperatures all in the name of
904
00:36:55,280 --> 00:36:56,800
publicity
905
00:36:56,800 --> 00:36:58,880
the film is costing over six million
906
00:36:58,880 --> 00:37:02,000
pounds and this set alone one million
907
00:37:02,000 --> 00:37:05,119
appropriately double 07 himself arrived
908
00:37:05,119 --> 00:37:06,839
in futuristic
909
00:37:06,839 --> 00:37:09,760
style and then with his adversary a
910
00:37:09,760 --> 00:37:12,480
female russian super spy accompanied the
911
00:37:12,480 --> 00:37:14,480
ex-prime minister around the world's
912
00:37:14,480 --> 00:37:17,760
largest film stage
913
00:37:18,240 --> 00:37:20,400
believing they had a hit on their hands
914
00:37:20,400 --> 00:37:23,200
united artists spent a record 4.4
915
00:37:23,200 --> 00:37:26,240
million dollars on worldwide publicity
916
00:37:26,240 --> 00:37:28,640
and who better to front it than the man
917
00:37:28,640 --> 00:37:29,120
himself
918
00:37:29,120 --> 00:37:32,880
[Music]
919
00:37:32,880 --> 00:37:34,960
my name's bond james bond and i'm
920
00:37:34,960 --> 00:37:36,400
licensed to kill
921
00:37:36,400 --> 00:37:38,400
there's a royal premier tonight it's the
922
00:37:38,400 --> 00:37:40,720
latest bond the spy who loved me it has
923
00:37:40,720 --> 00:37:43,200
women action and me
924
00:37:43,200 --> 00:37:45,359
so have you tonight on nationwide at 6
925
00:37:45,359 --> 00:37:46,320
20
926
00:37:46,320 --> 00:37:48,400
i'm roger moore so watch the spy who
927
00:37:48,400 --> 00:37:52,720
loved me and you'll love james bond
928
00:37:52,960 --> 00:37:56,480
it still works on the third take
929
00:37:57,200 --> 00:37:59,280
roger you do spoof the part of it don't
930
00:37:59,280 --> 00:38:01,680
you you think it's funny in a way
931
00:38:01,680 --> 00:38:02,839
well of
932
00:38:02,839 --> 00:38:05,680
course the whole thing is that you must
933
00:38:05,680 --> 00:38:06,640
not
934
00:38:06,640 --> 00:38:09,119
laugh at it you must let the audience
935
00:38:09,119 --> 00:38:11,359
know that they're invited to laugh with
936
00:38:11,359 --> 00:38:12,160
you
937
00:38:12,160 --> 00:38:15,599
and so it's it's all a spoof it's fun
938
00:38:15,599 --> 00:38:17,920
the film's most topical gag came in the
939
00:38:17,920 --> 00:38:20,400
form of its larger-than-life villain
940
00:38:20,400 --> 00:38:22,640
jaws
941
00:38:22,640 --> 00:38:27,040
von's most formidable foe since odd job
942
00:38:27,040 --> 00:38:28,640
this marvelous man
943
00:38:28,640 --> 00:38:31,440
who plays jaws he's seven foot two when
944
00:38:31,440 --> 00:38:33,040
he was grappling with you in the in the
945
00:38:33,040 --> 00:38:35,440
railway carriage what was it like was he
946
00:38:35,440 --> 00:38:36,880
is he was
947
00:38:36,880 --> 00:38:39,599
he he is a very gentle man and very nice
948
00:38:39,599 --> 00:38:41,280
but he's very heavy
949
00:38:41,280 --> 00:38:43,119
when he had me squashed up against that
950
00:38:43,119 --> 00:38:46,320
wall there were like 20 stone pushing
951
00:38:46,320 --> 00:38:48,720
this bone here right through to the back
952
00:38:48,720 --> 00:38:50,960
yes
953
00:38:52,640 --> 00:38:54,240
bond's highly choreographed
954
00:38:54,240 --> 00:38:56,400
confrontations with jaws were a large
955
00:38:56,400 --> 00:39:01,079
part of the film's phenomenal success
956
00:39:01,800 --> 00:39:06,829
[Music]
957
00:39:14,200 --> 00:39:16,880
[Music]
958
00:39:16,880 --> 00:39:19,200
and so popular was this mighty mouthed
959
00:39:19,200 --> 00:39:21,040
adversary that when the production
960
00:39:21,040 --> 00:39:22,960
jetted off to rio de janeiro for the
961
00:39:22,960 --> 00:39:28,119
next movie they did the unthinkable
962
00:39:30,800 --> 00:39:32,000
we've done something in this film that's
963
00:39:32,000 --> 00:39:34,160
never been done in any bomb film we've
964
00:39:34,160 --> 00:39:36,880
had to um bring him back and really
965
00:39:36,880 --> 00:39:39,119
that's partly because so many people
966
00:39:39,119 --> 00:39:41,119
around the world vote in saying is he
967
00:39:41,119 --> 00:39:42,800
going to come back you know and that's
968
00:39:42,800 --> 00:39:46,640
so we had to bow to that kind of thing
969
00:39:48,079 --> 00:39:50,960
he should stop all together at one point
970
00:39:50,960 --> 00:39:53,599
and be suspended and be looking ahead
971
00:39:53,599 --> 00:39:55,760
where you you know the other cable car
972
00:39:55,760 --> 00:39:58,400
card over there
973
00:39:58,800 --> 00:40:01,359
from high jinks over rio to laser
974
00:40:01,359 --> 00:40:03,200
battles in outer space
975
00:40:03,200 --> 00:40:05,680
moonraker was quite simply out of this
976
00:40:05,680 --> 00:40:06,560
world
977
00:40:06,560 --> 00:40:08,640
but james bond would come hurtling back
978
00:40:08,640 --> 00:40:11,119
to earth for an unusually close
979
00:40:11,119 --> 00:40:12,880
encounter
980
00:40:12,880 --> 00:40:14,319
it is being said at the moment that
981
00:40:14,319 --> 00:40:16,319
another rival james bond film is going
982
00:40:16,319 --> 00:40:18,000
to be set up with your own original
983
00:40:18,000 --> 00:40:20,480
james bond sean connery playing the part
984
00:40:20,480 --> 00:40:22,640
does that worry you at all
985
00:40:22,640 --> 00:40:25,440
well that's uh that's a legal thing it's
986
00:40:25,440 --> 00:40:28,319
i'm not going to get into any legal uh
987
00:40:28,319 --> 00:40:30,160
discussions about it
988
00:40:30,160 --> 00:40:32,400
but would it worry you if if such a film
989
00:40:32,400 --> 00:40:34,480
works nothing worries me if i'm making a
990
00:40:34,480 --> 00:40:35,839
good film
991
00:40:35,839 --> 00:40:37,440
broccoli may have brushed off the
992
00:40:37,440 --> 00:40:39,680
question but barry norman was on to
993
00:40:39,680 --> 00:40:43,200
something and by the summer of 1983
994
00:40:43,200 --> 00:40:46,079
look who was back
995
00:40:46,800 --> 00:40:48,800
connery was in production on the aptly
996
00:40:48,800 --> 00:40:51,200
titled never say never again
997
00:40:51,200 --> 00:40:53,680
a remake of thunderball the film rights
998
00:40:53,680 --> 00:40:55,599
of which resided with an independent
999
00:40:55,599 --> 00:40:57,760
producer it seemed a bit quite a good
1000
00:40:57,760 --> 00:40:59,599
idea after all these years and the
1001
00:40:59,599 --> 00:41:02,400
moment i said yeah okay i'll do it there
1002
00:41:02,400 --> 00:41:04,240
was a terrific for all
1003
00:41:04,240 --> 00:41:06,319
with roger moore then in production on
1004
00:41:06,319 --> 00:41:08,800
octopussy the press looked to stoke up a
1005
00:41:08,800 --> 00:41:10,319
bitter rivalry
1006
00:41:10,319 --> 00:41:12,160
but the double o's were having none of
1007
00:41:12,160 --> 00:41:13,280
it
1008
00:41:13,280 --> 00:41:15,680
i um made it
1009
00:41:15,680 --> 00:41:17,680
quite clear at the outset that i was not
1010
00:41:17,680 --> 00:41:19,520
in any way going to get involved in any
1011
00:41:19,520 --> 00:41:21,599
silly race in terms of rivalry or
1012
00:41:21,599 --> 00:41:23,359
whatever as you well know i've known
1013
00:41:23,359 --> 00:41:25,680
roger 20 years or so and i did say to
1014
00:41:25,680 --> 00:41:27,119
him you know they're going to try and
1015
00:41:27,119 --> 00:41:28,880
play a sort of
1016
00:41:28,880 --> 00:41:30,640
hype business but you shouldn't really
1017
00:41:30,640 --> 00:41:34,800
pay any attention to it and um we didn't
1018
00:41:34,800 --> 00:41:37,119
however the bbc hardly remained
1019
00:41:37,119 --> 00:41:39,119
impartial themselves
1020
00:41:39,119 --> 00:41:40,720
good evening from the warner theatre in
1021
00:41:40,720 --> 00:41:42,319
leicester square where the crowds are
1022
00:41:42,319 --> 00:41:44,240
already beginning to gather because
1023
00:41:44,240 --> 00:41:47,520
james bond is back the real james bond
1024
00:41:47,520 --> 00:41:49,359
at least the real one in many people's
1025
00:41:49,359 --> 00:41:52,240
eyes not roger moore the pretender who
1026
00:41:52,240 --> 00:41:54,000
has usurped the role for the last 12
1027
00:41:54,000 --> 00:41:56,400
years but the original sean connery
1028
00:41:56,400 --> 00:41:58,960
welcome back james as it were i must put
1029
00:41:58,960 --> 00:42:00,400
it to you this is rather unfair but i
1030
00:42:00,400 --> 00:42:02,400
was looking up the double o uh
1031
00:42:02,400 --> 00:42:04,240
rule book and it turns out that it's
1032
00:42:04,240 --> 00:42:06,560
automatic retirement at 45. did you know
1033
00:42:06,560 --> 00:42:10,480
that yeah well i've got two years yet
1034
00:42:12,640 --> 00:42:15,280
by the mid-1980s james bond had become
1035
00:42:15,280 --> 00:42:17,839
something of a middle-aged man's fantasy
1036
00:42:17,839 --> 00:42:19,839
do you hear the muttering do you listen
1037
00:42:19,839 --> 00:42:21,280
out for what people are saying about the
1038
00:42:21,280 --> 00:42:23,520
movie or about you specifically oh it's
1039
00:42:23,520 --> 00:42:26,240
old more again they say
1040
00:42:26,240 --> 00:42:28,160
oh raj
1041
00:42:28,160 --> 00:42:30,319
roger moore seemed to be a long way from
1042
00:42:30,319 --> 00:42:32,880
leaping over crocodiles approaching 60
1043
00:42:32,880 --> 00:42:35,520
he now jogged about in a suede blue zone
1044
00:42:35,520 --> 00:42:36,800
what was it you were just running away
1045
00:42:36,800 --> 00:42:37,920
from then
1046
00:42:37,920 --> 00:42:39,680
a bad cigar
1047
00:42:39,680 --> 00:42:43,280
38 and in rather less exotic locations
1048
00:42:43,280 --> 00:42:45,440
we're in the amberly chalk pits museum
1049
00:42:45,440 --> 00:42:48,240
in sussex it's a gold mine
1050
00:42:48,240 --> 00:42:50,400
uh presumably in san francisco or near
1051
00:42:50,400 --> 00:42:52,160
san francisco
1052
00:42:52,160 --> 00:42:53,920
and uh
1053
00:42:53,920 --> 00:42:55,920
the mines are about to be blown up
1054
00:42:55,920 --> 00:42:58,960
to flood silicon valley because zarin
1055
00:42:58,960 --> 00:43:00,640
christopher waltham
1056
00:43:00,640 --> 00:43:02,000
is going to take over the world
1057
00:43:02,000 --> 00:43:04,560
production of microchips
1058
00:43:04,560 --> 00:43:06,560
but when the action itself involves the
1059
00:43:06,560 --> 00:43:09,680
chief villain a peroxide walken escaping
1060
00:43:09,680 --> 00:43:13,599
at five miles per hour in a mine cart
1061
00:43:13,599 --> 00:43:17,520
a damsel in little distress
1062
00:43:17,920 --> 00:43:21,680
and a blow up grace jones
1063
00:43:24,079 --> 00:43:27,119
the writing seemed to be on the wall
1064
00:43:27,119 --> 00:43:29,200
a view to a kill was to be roger moore's
1065
00:43:29,200 --> 00:43:30,880
farewell to the character he had
1066
00:43:30,880 --> 00:43:33,920
inhabited since 1973.
1067
00:43:33,920 --> 00:43:35,920
having led the field bond was now in
1068
00:43:35,920 --> 00:43:38,240
danger of being eclipsed by a new breed
1069
00:43:38,240 --> 00:43:42,000
of imitator the all-american action hero
1070
00:43:42,000 --> 00:43:45,200
but you can't keep a good man down
1071
00:43:45,200 --> 00:43:46,880
a new man is about to take on the
1072
00:43:46,880 --> 00:43:48,560
villains who want to cause mischief
1073
00:43:48,560 --> 00:43:50,960
around the world we have a new james
1074
00:43:50,960 --> 00:43:54,400
bond after connory lazenby and more now
1075
00:43:54,400 --> 00:43:57,599
it's dalton timothy dalton a welsh actor
1076
00:43:57,599 --> 00:43:59,280
who's more used to playing shakespeare
1077
00:43:59,280 --> 00:44:00,850
than secret agent
1078
00:44:00,850 --> 00:44:05,920
[Music]
1079
00:44:05,920 --> 00:44:08,800
and it was to be a stagey entrance
1080
00:44:08,800 --> 00:44:10,319
in the pre-title for the living
1081
00:44:10,319 --> 00:44:12,720
daylights not one but three double-o
1082
00:44:12,720 --> 00:44:15,200
agents are presented to us in a training
1083
00:44:15,200 --> 00:44:19,119
exercise on the rock of gibraltar
1084
00:44:20,640 --> 00:44:22,319
but it's only when one of them falls to
1085
00:44:22,319 --> 00:44:24,800
his death that we first catch sight of a
1086
00:44:24,800 --> 00:44:27,599
new hard-edged james bond
1087
00:44:27,599 --> 00:44:28,960
both brooding
1088
00:44:28,960 --> 00:44:31,839
and byronic
1089
00:44:31,920 --> 00:44:35,599
and inevitably the comparison game began
1090
00:44:35,599 --> 00:44:37,520
well now how will the new james bond
1091
00:44:37,520 --> 00:44:39,839
differ from his various predecessors
1092
00:44:39,839 --> 00:44:42,400
i don't make those comparisons
1093
00:44:42,400 --> 00:44:44,160
i have a
1094
00:44:44,160 --> 00:44:45,760
script called the living daylights a
1095
00:44:45,760 --> 00:44:49,359
character called james bond and
1096
00:44:49,359 --> 00:44:52,640
i do my best to make it as well as i can
1097
00:44:52,640 --> 00:44:56,240
i don't i can't think of uh
1098
00:44:56,240 --> 00:44:59,040
copying or being different to i'm trying
1099
00:44:59,040 --> 00:45:01,599
to be original i stood at the books and
1100
00:45:01,599 --> 00:45:04,720
tried to bring that bond into
1101
00:45:04,720 --> 00:45:07,200
this film
1102
00:45:13,599 --> 00:45:15,359
how much of the stunt work does timothy
1103
00:45:15,359 --> 00:45:17,359
dalton do himself
1104
00:45:17,359 --> 00:45:19,359
this is the sort of question
1105
00:45:19,359 --> 00:45:22,240
that you should not be asking cinema is
1106
00:45:22,240 --> 00:45:24,000
magic
1107
00:45:24,000 --> 00:45:25,520
when people pay their money and don't
1108
00:45:25,520 --> 00:45:29,119
sit inside a cinema they must believe
1109
00:45:29,119 --> 00:45:33,119
and programs like this i mean uh betray
1110
00:45:33,119 --> 00:45:34,960
all our tricks you wouldn't expect a
1111
00:45:34,960 --> 00:45:37,440
conjurer or a magician to give his
1112
00:45:37,440 --> 00:45:39,680
tricks away now the truth of the matter
1113
00:45:39,680 --> 00:45:44,000
is that i do as much action as i can
1114
00:45:45,680 --> 00:45:47,599
that is until it came to the bedroom
1115
00:45:47,599 --> 00:45:49,680
action which would see dalton's bond
1116
00:45:49,680 --> 00:45:52,480
forego the usual casual liaisons for a
1117
00:45:52,480 --> 00:45:56,079
hitchcockian love story
1118
00:45:57,440 --> 00:45:59,680
take me on the wheel
1119
00:45:59,680 --> 00:46:01,440
i think this film it's not just an
1120
00:46:01,440 --> 00:46:02,800
action adventure film it's the first
1121
00:46:02,800 --> 00:46:04,640
time you've seen what could be called a
1122
00:46:04,640 --> 00:46:06,079
romantic
1123
00:46:06,079 --> 00:46:08,880
mystery thriller
1124
00:46:08,880 --> 00:46:10,560
there's an honest and good relationship
1125
00:46:10,560 --> 00:46:12,640
with the leading lady
1126
00:46:12,640 --> 00:46:14,319
however the press were keen to make
1127
00:46:14,319 --> 00:46:16,240
bonds monogamy more topical than the
1128
00:46:16,240 --> 00:46:18,480
producers had perhaps intended with
1129
00:46:18,480 --> 00:46:21,200
headlines that this was a safe sex bond
1130
00:46:21,200 --> 00:46:22,960
for the aids era
1131
00:46:22,960 --> 00:46:25,359
but a more likely explanation is that it
1132
00:46:25,359 --> 00:46:27,359
was all part of dalton's aim to return
1133
00:46:27,359 --> 00:46:30,000
to ian fleming's bond who was far from
1134
00:46:30,000 --> 00:46:32,079
being the kind of casanova that everyone
1135
00:46:32,079 --> 00:46:33,920
imagined
1136
00:46:33,920 --> 00:46:37,280
he has one girl per book approximately
1137
00:46:37,280 --> 00:46:39,599
and and that's one a year i think that's
1138
00:46:39,599 --> 00:46:41,119
he's a bachelor
1139
00:46:41,119 --> 00:46:42,720
and he moves around the world pretty
1140
00:46:42,720 --> 00:46:44,480
rapidly and
1141
00:46:44,480 --> 00:46:45,920
i didn't see any great harm in that
1142
00:46:45,920 --> 00:46:47,440
myself
1143
00:46:47,440 --> 00:46:50,560
fleming's bond was
1144
00:46:50,640 --> 00:46:52,000
a man who
1145
00:46:52,000 --> 00:46:54,800
often was extremely vulnerable you read
1146
00:46:54,800 --> 00:46:56,560
passage after passage after passage
1147
00:46:56,560 --> 00:46:58,560
throughout the books where
1148
00:46:58,560 --> 00:47:01,200
his insides were taught and wrenching
1149
00:47:01,200 --> 00:47:02,960
with nerves
1150
00:47:02,960 --> 00:47:04,400
where you don't have to have a drink or
1151
00:47:04,400 --> 00:47:07,680
a pill just to stay calm in order to do
1152
00:47:07,680 --> 00:47:10,319
the job he had to do
1153
00:47:10,319 --> 00:47:11,920
coming hard on the heels of roger
1154
00:47:11,920 --> 00:47:14,800
moore's long and light-hearted reign the
1155
00:47:14,800 --> 00:47:16,880
world was not quite ready for dalton's
1156
00:47:16,880 --> 00:47:20,240
tort and unsmiling secret agent
1157
00:47:20,240 --> 00:47:23,040
his second outing licence to kill still
1158
00:47:23,040 --> 00:47:25,599
rated the most violent bond film to date
1159
00:47:25,599 --> 00:47:27,359
would be his last
1160
00:47:27,359 --> 00:47:29,920
and by the early 1990s the franchise was
1161
00:47:29,920 --> 00:47:32,559
in jeopardy plagued by a series of legal
1162
00:47:32,559 --> 00:47:35,040
disputes over copyright
1163
00:47:35,040 --> 00:47:37,119
this was a time of dramatic political
1164
00:47:37,119 --> 00:47:39,440
shifts in europe and 007 the
1165
00:47:39,440 --> 00:47:42,160
quintessential cold war hero suddenly
1166
00:47:42,160 --> 00:47:44,360
seemed obsolete
1167
00:47:44,360 --> 00:47:46,160
[Music]
1168
00:47:46,160 --> 00:47:48,319
it was to be the longest hiatus in
1169
00:47:48,319 --> 00:47:50,160
bond's film history
1170
00:47:50,160 --> 00:47:54,800
but in 1994 he was back
1171
00:47:54,800 --> 00:47:56,880
pierce brosnan the new bond unveiled a
1172
00:47:56,880 --> 00:47:58,800
few minutes ago made his name as an
1173
00:47:58,800 --> 00:48:01,200
action man in the ustv series remington
1174
00:48:01,200 --> 00:48:03,440
steel now he has to prove the bond
1175
00:48:03,440 --> 00:48:05,839
formula and the character can still work
1176
00:48:05,839 --> 00:48:07,839
in the 90s
1177
00:48:07,839 --> 00:48:09,839
it was a shaky start though as shown
1178
00:48:09,839 --> 00:48:13,040
when the bbc caught brosnan off guard
1179
00:48:13,040 --> 00:48:14,720
well now i'm joined from central london
1180
00:48:14,720 --> 00:48:17,200
by the new double 07 pierce brosnan
1181
00:48:17,200 --> 00:48:19,119
pierce brosnan congratulations are you
1182
00:48:19,119 --> 00:48:20,559
going to be bringing anything new to
1183
00:48:20,559 --> 00:48:22,079
this role
1184
00:48:22,079 --> 00:48:24,319
uh myself i'm new
1185
00:48:24,319 --> 00:48:27,359
um yes but what's going to be different
1186
00:48:27,359 --> 00:48:29,760
well i think we we have a
1187
00:48:29,760 --> 00:48:31,520
with the story outline we've got now we
1188
00:48:31,520 --> 00:48:33,520
have
1189
00:48:33,520 --> 00:48:36,319
he hadn't a clue but by the time cameras
1190
00:48:36,319 --> 00:48:38,160
caught up with him on location he was
1191
00:48:38,160 --> 00:48:40,640
the model bond
1192
00:48:40,640 --> 00:48:42,640
the main task at hand is really getting
1193
00:48:42,640 --> 00:48:43,839
this film
1194
00:48:43,839 --> 00:48:45,760
and telling the story
1195
00:48:45,760 --> 00:48:47,280
and we are doing that we have a
1196
00:48:47,280 --> 00:48:50,319
wonderful director martin campbell
1197
00:48:50,319 --> 00:48:52,400
who's very hungry for this and likewise
1198
00:48:52,400 --> 00:48:54,800
myself and wanted to get it right
1199
00:48:54,800 --> 00:48:57,359
for a new bond and a new director it was
1200
00:48:57,359 --> 00:49:00,559
a daunting task
1201
00:49:01,280 --> 00:49:03,680
now what we're filming today is uh the
1202
00:49:03,680 --> 00:49:04,960
streets of saint petersburg we've built
1203
00:49:04,960 --> 00:49:07,040
the set here at leighton as you can see
1204
00:49:07,040 --> 00:49:09,200
of an 18-week shoot i've got four units
1205
00:49:09,200 --> 00:49:10,880
at any one time
1206
00:49:10,880 --> 00:49:12,160
right you can hear them all yelling and
1207
00:49:12,160 --> 00:49:13,440
screaming around the corner probably
1208
00:49:13,440 --> 00:49:15,280
want me to get around there on the day
1209
00:49:15,280 --> 00:49:17,359
we turned up on set brosnan was
1210
00:49:17,359 --> 00:49:19,359
concerned that we weren't seeing bond in
1211
00:49:19,359 --> 00:49:21,359
quite the right light
1212
00:49:21,359 --> 00:49:23,280
i'm going to be doing action tomorrow
1213
00:49:23,280 --> 00:49:24,480
i i will be
1214
00:49:24,480 --> 00:49:26,319
more bond tomorrow i promise you barry
1215
00:49:26,319 --> 00:49:31,400
i'm sorry bit boring today and it's
1216
00:49:38,800 --> 00:49:41,359
[Music]
1217
00:49:41,359 --> 00:49:43,040
the next day he swapped his russian
1218
00:49:43,040 --> 00:49:45,680
runaround for something a bit bigger in
1219
00:49:45,680 --> 00:49:48,550
a scene that took six weeks to film
1220
00:49:48,550 --> 00:49:55,449
[Music]
1221
00:49:58,620 --> 00:50:06,390
[Music]
1222
00:50:18,480 --> 00:50:20,800
as well as witty action scenes director
1223
00:50:20,800 --> 00:50:22,400
martin campbell together with his
1224
00:50:22,400 --> 00:50:24,559
screenwriters set about bringing back
1225
00:50:24,559 --> 00:50:27,040
the familiar such as bond's old aston
1226
00:50:27,040 --> 00:50:29,070
martin db5
1227
00:50:29,070 --> 00:50:31,440
[Music]
1228
00:50:31,440 --> 00:50:33,200
but there was nothing predictable about
1229
00:50:33,200 --> 00:50:36,000
their recasting of m
1230
00:50:36,000 --> 00:50:37,920
and in handing her the line that had
1231
00:50:37,920 --> 00:50:39,920
been coming to bond for more than 30
1232
00:50:39,920 --> 00:50:41,119
years
1233
00:50:41,119 --> 00:50:42,880
i think you're a sexist misogynist
1234
00:50:42,880 --> 00:50:45,920
dinosaur a relic of the cold war
1235
00:50:45,920 --> 00:50:48,000
whose boyish charms they wasted on me
1236
00:50:48,000 --> 00:50:49,359
obviously appeal to that young woman i
1237
00:50:49,359 --> 00:50:51,680
sent out to evaluate you
1238
00:50:51,680 --> 00:50:53,359
point taken
1239
00:50:53,359 --> 00:50:55,280
stellar rimington the director general
1240
00:50:55,280 --> 00:50:57,839
of mi5 at the time was convinced that
1241
00:50:57,839 --> 00:50:59,920
they had merged fact and fiction in
1242
00:50:59,920 --> 00:51:02,480
casting judi dench
1243
00:51:02,480 --> 00:51:04,720
i can't imagine that had my appointment
1244
00:51:04,720 --> 00:51:06,559
not been publicly announced the
1245
00:51:06,559 --> 00:51:08,319
producers of the james bond film would
1246
00:51:08,319 --> 00:51:11,440
ever have thought of making em a woman i
1247
00:51:11,440 --> 00:51:13,200
was quite taken aback actually because
1248
00:51:13,200 --> 00:51:15,599
she did look quite like i looked in
1249
00:51:15,599 --> 00:51:17,680
those days i had a jacket without a
1250
00:51:17,680 --> 00:51:19,440
collar and a sort of three quarter
1251
00:51:19,440 --> 00:51:21,040
length which is exactly what she was
1252
00:51:21,040 --> 00:51:22,270
wearing
1253
00:51:22,270 --> 00:51:23,080
[Music]
1254
00:51:23,080 --> 00:51:24,400
[Applause]
1255
00:51:24,400 --> 00:51:26,640
but despite their similarities the true
1256
00:51:26,640 --> 00:51:29,119
inspiration for a female m was revealed
1257
00:51:29,119 --> 00:51:31,440
on pebble mill by no less than the
1258
00:51:31,440 --> 00:51:34,640
former miss money penny herself
1259
00:51:34,640 --> 00:51:36,559
cubby broccoli called me to say that
1260
00:51:36,559 --> 00:51:38,480
they wouldn't be using me and i said
1261
00:51:38,480 --> 00:51:40,000
well that's all right because i want to
1262
00:51:40,000 --> 00:51:41,520
play m
1263
00:51:41,520 --> 00:51:44,079
so all those years ago i had given them
1264
00:51:44,079 --> 00:51:46,160
the idea that there would be a
1265
00:51:46,160 --> 00:51:48,960
tremendous element of surprise if the
1266
00:51:48,960 --> 00:51:52,400
new bond walked into m's office
1267
00:51:52,400 --> 00:51:55,040
the chair swiveled around
1268
00:51:55,040 --> 00:51:57,520
and there was money penny and she never
1269
00:51:57,520 --> 00:51:59,599
called him james again because she was
1270
00:51:59,599 --> 00:52:01,040
the boss did i see the other day that
1271
00:52:01,040 --> 00:52:02,960
the judy dench has been cast in that yes
1272
00:52:02,960 --> 00:52:06,720
and i feel rather betrayed actually yes
1273
00:52:06,720 --> 00:52:09,200
so because it should have been me and
1274
00:52:09,200 --> 00:52:11,680
even if i mean she's a lovely actress
1275
00:52:11,680 --> 00:52:15,040
but it just should have been me
1276
00:52:15,680 --> 00:52:17,839
across four films pierce brosnan
1277
00:52:17,839 --> 00:52:21,119
successfully reinvigorated the franchise
1278
00:52:21,119 --> 00:52:23,760
and turned bond once again into a major
1279
00:52:23,760 --> 00:52:26,960
box office attraction
1280
00:52:30,800 --> 00:52:33,520
but with 2002's die another day they
1281
00:52:33,520 --> 00:52:37,040
stretched believability beyond the limit
1282
00:52:37,040 --> 00:52:40,240
james bond was now at the mercy of cgi
1283
00:52:40,240 --> 00:52:43,040
be it an invisible car or even kite
1284
00:52:43,040 --> 00:52:46,370
surfing a tsunami
1285
00:52:46,370 --> 00:52:47,680
[Music]
1286
00:52:47,680 --> 00:52:49,200
the last seven years have gone very
1287
00:52:49,200 --> 00:52:51,680
quickly you you know there's a certain
1288
00:52:51,680 --> 00:52:53,440
obviously maturity and just as you're
1289
00:52:53,440 --> 00:52:54,640
getting the hang of it they're talking
1290
00:52:54,640 --> 00:52:56,480
about someone else coming along
1291
00:52:56,480 --> 00:52:58,400
show business it's always been like this
1292
00:52:58,400 --> 00:53:00,240
i remember when connery stepped down it
1293
00:53:00,240 --> 00:53:02,079
was like who's going to be the next guy
1294
00:53:02,079 --> 00:53:04,000
so it's the big circus and the family
1295
00:53:04,000 --> 00:53:05,520
the broccoli family have always done it
1296
00:53:05,520 --> 00:53:07,920
really well sure enough two years later
1297
00:53:07,920 --> 00:53:10,240
with talk of his fifth bond film brosnan
1298
00:53:10,240 --> 00:53:11,920
learned that he would no longer be the
1299
00:53:11,920 --> 00:53:13,280
main attraction
1300
00:53:13,280 --> 00:53:15,760
the circus was moving on and its ring
1301
00:53:15,760 --> 00:53:17,920
masters were now scouting for a new and
1302
00:53:17,920 --> 00:53:19,990
younger man to top the bill
1303
00:53:19,990 --> 00:53:22,720
[Music]
1304
00:53:22,720 --> 00:53:26,000
we have decided after the last film to
1305
00:53:26,000 --> 00:53:29,520
go back to more realistic bond so to go
1306
00:53:29,520 --> 00:53:31,200
back to basics
1307
00:53:31,200 --> 00:53:34,079
go back to the classic bond and
1308
00:53:34,079 --> 00:53:35,599
and we hope that that's something the
1309
00:53:35,599 --> 00:53:37,680
audience will appreciate i think people
1310
00:53:37,680 --> 00:53:39,200
are looking for something a little less
1311
00:53:39,200 --> 00:53:40,800
frivolous today
1312
00:53:40,800 --> 00:53:42,880
the world's changed a lot
1313
00:53:42,880 --> 00:53:46,559
and bond always changes with the world
1314
00:53:46,559 --> 00:53:50,880
but the world was in for a shock
1315
00:53:50,960 --> 00:53:53,359
finally the name's craig daniel craig
1316
00:53:53,359 --> 00:53:55,359
after months of speculation the coveted
1317
00:53:55,359 --> 00:53:57,280
job of being the next double 07 has been
1318
00:53:57,280 --> 00:53:59,839
landed by the 37 year old english actor
1319
00:53:59,839 --> 00:54:02,160
but after four decades of tall dark and
1320
00:54:02,160 --> 00:54:04,160
handsome are we ready for the first
1321
00:54:04,160 --> 00:54:06,160
blonde bond i want to make the best film
1322
00:54:06,160 --> 00:54:08,640
we can the most entertaining film we can
1323
00:54:08,640 --> 00:54:10,960
and it's not a question of redefining
1324
00:54:10,960 --> 00:54:12,559
but it's a question of taking it
1325
00:54:12,559 --> 00:54:14,319
somewhere maybe where it's never gone
1326
00:54:14,319 --> 00:54:15,680
before
1327
00:54:15,680 --> 00:54:18,319
craig had noble intentions but for the
1328
00:54:18,319 --> 00:54:20,880
man with the golden hair the backlash
1329
00:54:20,880 --> 00:54:23,440
would be vindictive
1330
00:54:23,440 --> 00:54:25,440
websites were set up saying he was too
1331
00:54:25,440 --> 00:54:28,800
ugly too scrawny too blond but any
1332
00:54:28,800 --> 00:54:31,040
doubts the world had disappeared within
1333
00:54:31,040 --> 00:54:33,599
minutes of casino royale's first major
1334
00:54:33,599 --> 00:54:36,640
action set piece
1335
00:54:37,440 --> 00:54:39,599
and jonathan ross was on hand to talk to
1336
00:54:39,599 --> 00:54:41,440
the principal players on location in the
1337
00:54:41,440 --> 00:54:43,359
bahamas
1338
00:54:43,359 --> 00:54:44,559
how's it working out with the crazy
1339
00:54:44,559 --> 00:54:45,839
frenchman you've got this frenchman who
1340
00:54:45,839 --> 00:54:47,599
jumps off buildings for fun i believe
1341
00:54:47,599 --> 00:54:49,200
yeah he's got a quite a big part at the
1342
00:54:49,200 --> 00:54:51,359
beginning of the movie he's i think the
1343
00:54:51,359 --> 00:54:53,040
world's best free runner so we're
1344
00:54:53,040 --> 00:54:54,640
including him in the action sequence
1345
00:54:54,640 --> 00:54:56,720
right at the beginning of the uh at the
1346
00:54:56,720 --> 00:54:58,480
movie and it's tough it's a very tough
1347
00:54:58,480 --> 00:55:00,720
sequence
1348
00:55:00,720 --> 00:55:03,359
so i have to climb on the platform
1349
00:55:03,359 --> 00:55:06,799
and after i climb under the girder
1350
00:55:06,799 --> 00:55:09,680
on on the top and on top i have to jump
1351
00:55:09,680 --> 00:55:11,839
to the crane and to the crane i have a
1352
00:55:11,839 --> 00:55:14,720
fight with bomb
1353
00:55:15,760 --> 00:55:17,440
you know we're not relying on a lot of
1354
00:55:17,440 --> 00:55:20,000
cgi for this i will be doing stuff and
1355
00:55:20,000 --> 00:55:21,440
some of it will be me and some of it
1356
00:55:21,440 --> 00:55:23,119
won't be me for obvious reasons but can
1357
00:55:23,119 --> 00:55:24,079
i stop you are you going to be doing the
1358
00:55:24,079 --> 00:55:25,119
free running because i know there's that
1359
00:55:25,119 --> 00:55:26,720
character earlier some of it yeah how's
1360
00:55:26,720 --> 00:55:27,680
that
1361
00:55:27,680 --> 00:55:30,319
good terrifying no it's it's yeah you
1362
00:55:30,319 --> 00:55:31,440
know what i've had to sort of knuckle
1363
00:55:31,440 --> 00:55:33,040
down and get over a few things i'm kind
1364
00:55:33,040 --> 00:55:34,480
of approaching every day as it comes
1365
00:55:34,480 --> 00:55:36,079
really and i get on set and i'm suddenly
1366
00:55:36,079 --> 00:55:37,680
200 feet up in the air and i go okay
1367
00:55:37,680 --> 00:55:38,720
well
1368
00:55:38,720 --> 00:55:41,359
you signed up
1369
00:55:41,359 --> 00:55:43,280
as well as being truthful to the action
1370
00:55:43,280 --> 00:55:45,440
scenes craig was keen to be faithful to
1371
00:55:45,440 --> 00:55:47,680
the spirit of the book and to show the
1372
00:55:47,680 --> 00:55:50,640
raw vulnerability of 007
1373
00:55:50,640 --> 00:55:52,400
he's not infallible i just wanted to
1374
00:55:52,400 --> 00:55:54,480
sort of see him make a few mistakes
1375
00:55:54,480 --> 00:55:56,000
because then i think the drama of it is
1376
00:55:56,000 --> 00:55:57,599
sort of better when he gets it right i
1377
00:55:57,599 --> 00:55:59,200
want to make the audience sort of go oh
1378
00:55:59,200 --> 00:56:01,119
my god it's all going to go wrong
1379
00:56:01,119 --> 00:56:02,400
believe that it's going to go wrong and
1380
00:56:02,400 --> 00:56:03,680
then when it goes right it's much more
1381
00:56:03,680 --> 00:56:05,119
exciting
1382
00:56:05,119 --> 00:56:06,880
and it's his tangled relationship with
1383
00:56:06,880 --> 00:56:09,040
the enigmatic vesper lind
1384
00:56:09,040 --> 00:56:12,400
that causes bond to bear his soul
1385
00:56:12,400 --> 00:56:14,240
my character is not like a classic bond
1386
00:56:14,240 --> 00:56:16,079
girl she's more like a character from
1387
00:56:16,079 --> 00:56:19,119
the 40s movies you know quite dark very
1388
00:56:19,119 --> 00:56:21,599
complex many layers
1389
00:56:21,599 --> 00:56:23,119
you know she's an equal match to bond
1390
00:56:23,119 --> 00:56:25,440
she's you know very mysterious and the
1391
00:56:25,440 --> 00:56:27,119
relationship that they have is very
1392
00:56:27,119 --> 00:56:31,040
unusual and it's a love story
1393
00:56:31,040 --> 00:56:34,400
it's like there's blood on my hands
1394
00:56:37,920 --> 00:56:40,000
this was a romance not seen since the
1395
00:56:40,000 --> 00:56:43,440
days of dalton and lazenby
1396
00:56:43,440 --> 00:56:45,760
but for all the new intensity in craig's
1397
00:56:45,760 --> 00:56:47,599
interpretation of the character
1398
00:56:47,599 --> 00:56:49,760
there was still one bond convention that
1399
00:56:49,760 --> 00:56:51,920
was inescapable
1400
00:56:51,920 --> 00:56:53,680
have you said the line yeah do you have
1401
00:56:53,680 --> 00:56:55,920
was it okay
1402
00:56:55,920 --> 00:56:58,400
yeah how many takes we did a few we did
1403
00:56:58,400 --> 00:56:59,680
a few and it wasn't much of that we were
1404
00:56:59,680 --> 00:57:01,760
outside there was a lot of wind um that
1405
00:57:01,760 --> 00:57:03,200
must have been quite nice anyway though
1406
00:57:03,200 --> 00:57:04,400
it was nice to get it out of the way
1407
00:57:04,400 --> 00:57:06,960
yeah um i was i didn't think about it i
1408
00:57:06,960 --> 00:57:08,160
didn't think about it until the moment
1409
00:57:08,160 --> 00:57:09,200
and we did it
1410
00:57:09,200 --> 00:57:10,799
you know is it a very key moment in the
1411
00:57:10,799 --> 00:57:12,319
movie as well which is
1412
00:57:12,319 --> 00:57:14,000
hopefully gonna you know it's gonna hit
1413
00:57:14,000 --> 00:57:14,880
home
1414
00:57:14,880 --> 00:57:17,040
the name's bond
1415
00:57:17,040 --> 00:57:18,330
james bond
1416
00:57:18,330 --> 00:57:22,969
[Music]
1417
00:57:23,200 --> 00:57:25,440
the resounding success of daniel craig's
1418
00:57:25,440 --> 00:57:28,160
07 and of james bond as a british
1419
00:57:28,160 --> 00:57:32,240
cultural icon was celebrated in 2012 as
1420
00:57:32,240 --> 00:57:34,319
part of the london olympics opening
1421
00:57:34,319 --> 00:57:35,520
ceremony
1422
00:57:35,520 --> 00:57:37,839
but james i need you
1423
00:57:37,839 --> 00:57:38,839
so does
1424
00:57:38,839 --> 00:57:42,559
england in a sequence filmed in secret
1425
00:57:42,559 --> 00:57:45,200
the world's most famous spy
1426
00:57:45,200 --> 00:57:47,760
having given 50 years of dedicated
1427
00:57:47,760 --> 00:57:49,920
service to his country all the things i
1428
00:57:49,920 --> 00:57:51,839
do for england
1429
00:57:51,839 --> 00:57:53,920
with his own brand of unbending
1430
00:57:53,920 --> 00:57:55,760
patriotism what do i do to blow up the
1431
00:57:55,760 --> 00:57:59,599
room muscle god save the queen
1432
00:57:59,599 --> 00:58:03,359
and loyalty to his monarch
1433
00:58:03,839 --> 00:58:05,200
i'm having it patched directly to
1434
00:58:05,200 --> 00:58:07,359
buckingham palace well i'm sure her
1435
00:58:07,359 --> 00:58:10,880
majesty will be fascinated
1436
00:58:13,119 --> 00:58:15,680
james bond was finally granted an
1437
00:58:15,680 --> 00:58:19,330
audience with the queen
1438
00:58:19,330 --> 00:58:28,000
[Music]
1439
00:58:30,640 --> 00:58:31,839
reckon you've got what it takes to be
1440
00:58:31,839 --> 00:58:34,559
the next bond take the test online with
1441
00:58:34,559 --> 00:58:36,720
bbc i wonder now
1442
00:58:36,720 --> 00:58:38,559
here on bbc4 though what's it like to be
1443
00:58:38,559 --> 00:58:41,119
the girl in the band kate mossman finds
1444
00:58:41,119 --> 00:58:44,610
out next
1445
00:58:44,610 --> 00:58:56,240
[Music]
1446
00:58:56,240 --> 00:58:59,200
you've been together
95520
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