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These are the user uploaded subtitles that are being translated: 1 00:00:00,110 --> 00:00:06,110 [Music] 2 00:00:06,240 --> 00:00:08,080 james bond bond 3 00:00:08,080 --> 00:00:10,400 james bond ian fleming's ultimate secret 4 00:00:10,400 --> 00:00:12,000 agent james bond has been featured 5 00:00:12,000 --> 00:00:14,160 consistently in films ever since dr no 6 00:00:14,160 --> 00:00:16,239 debuted in 1962 7 00:00:16,239 --> 00:00:17,680 and many facets of this character have 8 00:00:17,680 --> 00:00:19,600 remained unchanged over the years he's 9 00:00:19,600 --> 00:00:21,840 always been fast with a quip shocking 10 00:00:21,840 --> 00:00:23,039 armed with a gadget collection that 11 00:00:23,039 --> 00:00:24,960 would make sharper image blush and he's 12 00:00:24,960 --> 00:00:26,320 been remarkably consistent with his 13 00:00:26,320 --> 00:00:28,480 cocktail order lorca martini shaken 14 00:00:28,480 --> 00:00:31,119 who's turned vodka martini shaken not 15 00:00:31,119 --> 00:00:33,760 stuff vodka martini shaken not stirred 16 00:00:33,760 --> 00:00:35,040 but as with any film franchise 17 00:00:35,040 --> 00:00:36,800 stretching across multiple decades the 18 00:00:36,800 --> 00:00:38,960 bond films have changed with the times 19 00:00:38,960 --> 00:00:40,559 here's how the james bond franchise has 20 00:00:40,559 --> 00:00:42,160 evolved over the years starting with the 21 00:00:42,160 --> 00:00:43,920 sean connery era and not including 22 00:00:43,920 --> 00:00:46,480 1967's casino royale because it's not 23 00:00:46,480 --> 00:00:50,800 neon production and come on it stinks 24 00:00:50,830 --> 00:00:52,719 [Music] 25 00:00:52,719 --> 00:00:54,480 let's begin at the beginning 26 00:00:54,480 --> 00:00:56,160 sean connery was the first actor to play 27 00:00:56,160 --> 00:00:58,000 james bond on screen and was a relative 28 00:00:58,000 --> 00:00:59,920 unknown in 62 when he made his doctor no 29 00:00:59,920 --> 00:01:02,399 debut except for all you darby o'gill in 30 00:01:02,399 --> 00:01:04,080 the little people stands you're out 31 00:01:04,080 --> 00:01:07,040 there represent are you sure i am as 32 00:01:07,040 --> 00:01:08,720 such connery defined the character as we 33 00:01:08,720 --> 00:01:11,200 know him today his bond is suave sexy 34 00:01:11,200 --> 00:01:13,040 and fearless he's the perfect gentleman 35 00:01:13,040 --> 00:01:14,720 and the masculine ideal and he's 36 00:01:14,720 --> 00:01:16,799 entirely dedicated to queen and country 37 00:01:16,799 --> 00:01:18,080 never doubting the importance of his 38 00:01:18,080 --> 00:01:19,520 mission and his sacred duty to see it 39 00:01:19,520 --> 00:01:21,200 through to the end in some ways the 40 00:01:21,200 --> 00:01:23,119 performance from all future bond actors 41 00:01:23,119 --> 00:01:25,200 act as responses to the connery original 42 00:01:25,200 --> 00:01:27,040 tweaking or even upending some element 43 00:01:27,040 --> 00:01:29,040 of his classic formula to help redefine 44 00:01:29,040 --> 00:01:30,479 the character for a new generation of 45 00:01:30,479 --> 00:01:32,320 fans these early missions and the 46 00:01:32,320 --> 00:01:33,680 villains behind them also helped 47 00:01:33,680 --> 00:01:35,280 fine-tune and hone the formula and 48 00:01:35,280 --> 00:01:36,960 structure that continued to guide bond 49 00:01:36,960 --> 00:01:38,960 adventures to this day double-07 50 00:01:38,960 --> 00:01:41,119 investigates curious goings-on in exotic 51 00:01:41,119 --> 00:01:43,200 far-flung locations he discovers that 52 00:01:43,200 --> 00:01:44,640 the criminal enterprise is the work of 53 00:01:44,640 --> 00:01:46,240 an inscrutable wealthy villain with a 54 00:01:46,240 --> 00:01:48,399 layer henchmen and an over-the-top plan 55 00:01:48,399 --> 00:01:50,960 do you expect me to talk no mr bond i 56 00:01:50,960 --> 00:01:53,200 expect you to die then bond with aid 57 00:01:53,200 --> 00:01:54,799 from a local woman or member of a 58 00:01:54,799 --> 00:01:56,719 villain's inner circle infiltrates and 59 00:01:56,719 --> 00:01:58,880 ultimately destroys the entire operation 60 00:01:58,880 --> 00:02:00,320 typically in the moments before it all 61 00:02:00,320 --> 00:02:02,799 blows up 62 00:02:03,360 --> 00:02:05,600 the very first bond film dr no adheres 63 00:02:05,600 --> 00:02:07,119 closely to this formula from the very 64 00:02:07,119 --> 00:02:09,038 start it's the first time double07 65 00:02:09,038 --> 00:02:12,399 introduces himself on camera 66 00:02:13,120 --> 00:02:15,599 james bond it co-stars ursula andrus as 67 00:02:15,599 --> 00:02:18,080 the prototypical bond girl honey ryder 68 00:02:18,080 --> 00:02:19,360 setting the standard for all the 69 00:02:19,360 --> 00:02:21,440 franchises many sexual innuendo stuffed 70 00:02:21,440 --> 00:02:24,080 names to follow she's known as octopussy 71 00:02:24,080 --> 00:02:25,680 plus dr no introduces the evil 72 00:02:25,680 --> 00:02:27,599 organization spectre though only as a 73 00:02:27,599 --> 00:02:30,000 throwaway reference specter special 74 00:02:30,000 --> 00:02:32,000 executive for counterintelligence 75 00:02:32,000 --> 00:02:35,040 terrorism revenge extortion spectre gets 76 00:02:35,040 --> 00:02:36,480 a bit more screen time in the follow-up 77 00:02:36,480 --> 00:02:38,080 film from russia with love which also 78 00:02:38,080 --> 00:02:39,519 includes an offhand reference to the 79 00:02:39,519 --> 00:02:41,519 organization's leader and bond's future 80 00:02:41,519 --> 00:02:43,920 arch nemesis ernst stavro blofeld at 81 00:02:43,920 --> 00:02:45,200 first he's only referred to as number 82 00:02:45,200 --> 00:02:47,120 one number three is your section ready 83 00:02:47,120 --> 00:02:49,599 to carry out kromstein's directives yes 84 00:02:49,599 --> 00:02:51,360 number one even more spectre details 85 00:02:51,360 --> 00:02:53,200 start to get filled in by 1965's 86 00:02:53,200 --> 00:02:54,800 thunderball including the memorable 87 00:02:54,800 --> 00:02:56,080 briefing scene that was directly 88 00:02:56,080 --> 00:02:57,920 parodied in austin power's international 89 00:02:57,920 --> 00:02:59,200 man of mystery 90 00:02:59,200 --> 00:03:00,640 back in the classic connery days the 91 00:03:00,640 --> 00:03:02,080 gadgets bond would take along on these 92 00:03:02,080 --> 00:03:04,239 missions where traditional 60s spycraft 93 00:03:04,239 --> 00:03:06,000 largely playing around the idea of using 94 00:03:06,000 --> 00:03:08,000 tiny hidden or covert surveillance tools 95 00:03:08,000 --> 00:03:09,599 and weapons that an enemy can't see or 96 00:03:09,599 --> 00:03:11,680 wouldn't be expecting this was an analog 97 00:03:11,680 --> 00:03:13,519 era so the conrad's most memorable 98 00:03:13,519 --> 00:03:15,519 gadgets were purely mechanical in nature 99 00:03:15,519 --> 00:03:16,959 like the cigarette gun from you only 100 00:03:16,959 --> 00:03:18,879 lived twice 101 00:03:18,879 --> 00:03:21,360 1964's goldfinger the third film in neon 102 00:03:21,360 --> 00:03:22,800 series marked the first appearance of 103 00:03:22,800 --> 00:03:25,360 bond's aston martin db5 this vehicle 104 00:03:25,360 --> 00:03:26,799 tricked out by q with a number of 105 00:03:26,799 --> 00:03:28,400 surprises including a smoke screen 106 00:03:28,400 --> 00:03:30,560 bullet shield ejector seat it's just one 107 00:03:30,560 --> 00:03:31,840 of the many that the characters driven 108 00:03:31,840 --> 00:03:33,440 over the course of the series but easily 109 00:03:33,440 --> 00:03:35,120 the most memorable the format 110 00:03:35,120 --> 00:03:36,319 established in these early films 111 00:03:36,319 --> 00:03:38,000 continues throughout the franchise q 112 00:03:38,000 --> 00:03:39,519 shows bond how his equipment works in 113 00:03:39,519 --> 00:03:41,440 the first act then bond road tested 114 00:03:41,440 --> 00:03:42,959 against some bad guys in act two or 115 00:03:42,959 --> 00:03:44,879 three 116 00:03:44,879 --> 00:03:46,319 i believe they call that chekhov's 117 00:03:46,319 --> 00:03:48,239 exploding briefcase no surprise that the 118 00:03:48,239 --> 00:03:49,760 first entry starring connery also 119 00:03:49,760 --> 00:03:51,360 established how james bond interacted 120 00:03:51,360 --> 00:03:52,480 with the women he'd meet on his 121 00:03:52,480 --> 00:03:54,319 adventures typically the early bond 122 00:03:54,319 --> 00:03:56,319 girls fit into a few categories either 123 00:03:56,319 --> 00:03:57,920 allies who like him have a vested 124 00:03:57,920 --> 00:03:59,599 interest in bringing down the villain 125 00:03:59,599 --> 00:04:01,519 turncoats who switch to bond side from 126 00:04:01,519 --> 00:04:03,439 the villains or victims who help bond 127 00:04:03,439 --> 00:04:05,439 and then suffer a terrible fate two 128 00:04:05,439 --> 00:04:06,959 goldfinger characters in particular have 129 00:04:06,959 --> 00:04:08,560 become the prototypical examples of 130 00:04:08,560 --> 00:04:10,640 these archetypes flying ace galore 131 00:04:10,640 --> 00:04:12,400 who works as a pilot for bad guy or 132 00:04:12,400 --> 00:04:14,159 goldfinger but eventually aligns herself 133 00:04:14,159 --> 00:04:16,079 with bond and goldfinger's girlfriend 134 00:04:16,079 --> 00:04:18,000 and accomplice jill masterson who tips 135 00:04:18,000 --> 00:04:19,918 bond off to his card cheating scheme and 136 00:04:19,918 --> 00:04:21,440 pays for it by being dipped in gold 137 00:04:21,440 --> 00:04:23,360 paint and dying from skin asphyxiation 138 00:04:23,360 --> 00:04:25,120 most of the bond girls in connery films 139 00:04:25,120 --> 00:04:26,880 such as lana wood as 140 00:04:26,880 --> 00:04:29,360 plenty o'toole in diamonds are forever 141 00:04:29,360 --> 00:04:31,360 only appear very briefly and are played 142 00:04:31,360 --> 00:04:32,720 more as eye candy than fleshed out 143 00:04:32,720 --> 00:04:34,560 characters but in a departure from how 144 00:04:34,560 --> 00:04:36,560 connery's bond treats women in george 145 00:04:36,560 --> 00:04:38,240 lazenby's on her majesty's secret 146 00:04:38,240 --> 00:04:40,000 service we meet the only woman who's 147 00:04:40,000 --> 00:04:41,520 ever convinced james to settle down 148 00:04:41,520 --> 00:04:43,600 teresa draco played by diana rigg who 149 00:04:43,600 --> 00:04:45,600 would later star as lady olenna tyrell 150 00:04:45,600 --> 00:04:47,520 in game of thrones bond's marriage to 151 00:04:47,520 --> 00:04:48,880 tracy and her death at the hands of 152 00:04:48,880 --> 00:04:50,800 bloodfell subordinate irma bundt would 153 00:04:50,800 --> 00:04:52,320 become one of the few true points of 154 00:04:52,320 --> 00:04:54,000 continuity throughout the entire bond 155 00:04:54,000 --> 00:04:56,000 series until daniel craig at least the 156 00:04:56,000 --> 00:04:57,440 next movie in the series diamonds are 157 00:04:57,440 --> 00:04:59,360 forever finds bond tracking blofeld 158 00:04:59,360 --> 00:05:01,199 presumably for revenge while theresa's 159 00:05:01,199 --> 00:05:02,880 death is mentioned in the spy who love 160 00:05:02,880 --> 00:05:04,880 me for your eyes only license to kill 161 00:05:04,880 --> 00:05:08,560 goldeneye and the world is not enough 162 00:05:08,560 --> 00:05:10,720 roger moore joined the series in 1973 163 00:05:10,720 --> 00:05:12,400 for live and let die and went on to play 164 00:05:12,400 --> 00:05:13,919 bond six more times remaining in the 165 00:05:13,919 --> 00:05:16,000 role for a total of 12 years that's the 166 00:05:16,000 --> 00:05:17,680 record for the longest stint is bond in 167 00:05:17,680 --> 00:05:19,759 history he's also the oldest actor to 168 00:05:19,759 --> 00:05:21,600 ever play double 07 departing the series 169 00:05:21,600 --> 00:05:23,919 after a view to a kill at age 58. more 170 00:05:23,919 --> 00:05:25,280 introduced a more freewheeling and 171 00:05:25,280 --> 00:05:26,639 humorous bond with more of a 172 00:05:26,639 --> 00:05:28,240 tongue-in-cheek joadaviv than the 173 00:05:28,240 --> 00:05:30,400 conriera in some of the films bond even 174 00:05:30,400 --> 00:05:32,000 hints at a level of self-awareness 175 00:05:32,000 --> 00:05:33,360 making the films at times nearly a 176 00:05:33,360 --> 00:05:35,120 parody of the suave manly tough guy 177 00:05:35,120 --> 00:05:36,720 sexiness that dominated the connery 178 00:05:36,720 --> 00:05:38,479 years this trickled down even to the 179 00:05:38,479 --> 00:05:40,400 series cartoonish supporting characters 180 00:05:40,400 --> 00:05:42,160 particularly bumbling southern law man 181 00:05:42,160 --> 00:05:44,479 jw peppa who appeared in both live and 182 00:05:44,479 --> 00:05:46,160 let die and its follow-up the man with 183 00:05:46,160 --> 00:05:48,240 the golden gun the 70s bond films also 184 00:05:48,240 --> 00:05:49,840 reflected some of the popular themes and 185 00:05:49,840 --> 00:05:51,600 genres of the time live and let dye 186 00:05:51,600 --> 00:05:52,720 incorporated elements from 187 00:05:52,720 --> 00:05:54,720 blaxploitation films even casting black 188 00:05:54,720 --> 00:05:56,240 caesar and hell up and harlem star 189 00:05:56,240 --> 00:05:57,520 gloria hendry as the first 190 00:05:57,520 --> 00:05:59,919 african-american bond girl rosie carver 191 00:05:59,919 --> 00:06:01,600 moonraker bond's first adventure in 192 00:06:01,600 --> 00:06:03,360 space came out just two years after 193 00:06:03,360 --> 00:06:04,960 george lucas's star wars changed the 194 00:06:04,960 --> 00:06:06,720 face of blockbuster tentpole filmmaking 195 00:06:06,720 --> 00:06:08,800 forever morzeira also brought a certain 196 00:06:08,800 --> 00:06:11,199 vulnerability to bond 197 00:06:11,199 --> 00:06:12,560 who's functionally an unkillable 198 00:06:12,560 --> 00:06:13,759 superhero in many of his other 199 00:06:13,759 --> 00:06:16,160 incarnations octopussy famously features 200 00:06:16,160 --> 00:06:18,479 the suave secret agent in a clown outfit 201 00:06:18,479 --> 00:06:20,400 and being goofed on by local teens while 202 00:06:20,400 --> 00:06:22,319 hitchhiking while bond gets klutzy on 203 00:06:22,319 --> 00:06:24,400 skis and for your eyes only while he 204 00:06:24,400 --> 00:06:26,000 gets whirled around against his will 205 00:06:26,000 --> 00:06:28,319 spies like us style in moonraker the 206 00:06:28,319 --> 00:06:29,840 scale and size of the missions on which 207 00:06:29,840 --> 00:06:31,600 moore's bond embarks also grew with the 208 00:06:31,600 --> 00:06:33,759 times as the 1970s and 80s introduced 209 00:06:33,759 --> 00:06:35,199 new kinds of groundbreaking special 210 00:06:35,199 --> 00:06:37,120 effects technology and blockbuster films 211 00:06:37,120 --> 00:06:38,639 generally upped the ante on the kinds of 212 00:06:38,639 --> 00:06:40,800 spectacle action fans expected the bond 213 00:06:40,800 --> 00:06:43,520 films did their best to keep pace 1974's 214 00:06:43,520 --> 00:06:45,039 man with the golden gun gives em an 215 00:06:45,039 --> 00:06:46,800 impressively scaled capsized freighter 216 00:06:46,800 --> 00:06:48,560 the rms queen elizabeth as a base of 217 00:06:48,560 --> 00:06:50,479 operations and provides the villainous 218 00:06:50,479 --> 00:06:52,560 skara manga with his own car plane while 219 00:06:52,560 --> 00:06:54,160 bond drives a combo sports car and 220 00:06:54,160 --> 00:06:56,479 submarine in spy who loved me the stunt 221 00:06:56,479 --> 00:06:57,759 work also got more impressively 222 00:06:57,759 --> 00:07:00,000 elaborate the famous 3 000 foot ski jump 223 00:07:00,000 --> 00:07:01,840 from the opening to spy who loved me was 224 00:07:01,840 --> 00:07:03,360 performed by american stuntman and 225 00:07:03,360 --> 00:07:05,280 climber rick sylvester and took three 226 00:07:05,280 --> 00:07:07,120 full weeks of rehearsals in preparation 227 00:07:07,120 --> 00:07:08,880 sylvester also did the stunt work on for 228 00:07:08,880 --> 00:07:10,479 your eyes only as movies grew more 229 00:07:10,479 --> 00:07:11,919 intense and even violent over the years 230 00:07:11,919 --> 00:07:13,520 the more bond series also made the 231 00:07:13,520 --> 00:07:14,960 changeover while he's always had a 232 00:07:14,960 --> 00:07:16,800 license to kill moore's bond is at times 233 00:07:16,800 --> 00:07:18,560 remarkably efficient at doing away with 234 00:07:18,560 --> 00:07:20,240 his enemies as in this famous moment 235 00:07:20,240 --> 00:07:21,599 from the spy who loved me where he 236 00:07:21,599 --> 00:07:23,199 knocked a henchman named sandor off a 237 00:07:23,199 --> 00:07:27,199 building simply by readjusting his tie 238 00:07:28,160 --> 00:07:29,919 in terms of the gadgets the more films 239 00:07:29,919 --> 00:07:31,440 were also upgraded to keep pace with the 240 00:07:31,440 --> 00:07:33,440 times while connery's bond favored tiny 241 00:07:33,440 --> 00:07:35,680 or hidden mechanical devices moore's 07 242 00:07:35,680 --> 00:07:37,360 got some more high-tech applications 243 00:07:37,360 --> 00:07:38,800 like the safe cracking cigarette in 244 00:07:38,800 --> 00:07:40,880 moonraker which presaged a lot of modern 245 00:07:40,880 --> 00:07:43,120 hacking sequences on the bond girlfriend 246 00:07:43,120 --> 00:07:45,120 things started to change as actress maud 247 00:07:45,120 --> 00:07:46,720 adams played two bond girls both 248 00:07:46,720 --> 00:07:48,479 depicted as capable operators in their 249 00:07:48,479 --> 00:07:50,240 own right in the man with the golden gun 250 00:07:50,240 --> 00:07:52,080 she's andrea anders a mistress of 251 00:07:52,080 --> 00:07:54,000 christopher lee's villains garamonga who 252 00:07:54,000 --> 00:07:55,599 betrays him and is then killed as a 253 00:07:55,599 --> 00:07:57,360 consequence then in octopussy she's 254 00:07:57,360 --> 00:07:59,120 introduced as a powerful female villain 255 00:07:59,120 --> 00:08:00,560 the series first though this is 256 00:08:00,560 --> 00:08:02,080 ultimately undermined at the end when 257 00:08:02,080 --> 00:08:03,360 she's knocked out and kidnapped by the 258 00:08:03,360 --> 00:08:05,759 real villain louis jordan as kamal khan 259 00:08:05,759 --> 00:08:07,039 still there were a few exceptions 260 00:08:07,039 --> 00:08:08,319 throughout the more era that hinted at 261 00:08:08,319 --> 00:08:09,680 where the female roles would go in the 262 00:08:09,680 --> 00:08:11,840 future lois chile's holly goodhead in 263 00:08:11,840 --> 00:08:13,840 moonraker is both a brilliant doctor and 264 00:08:13,840 --> 00:08:16,080 a cia agent who proves herself a capable 265 00:08:16,080 --> 00:08:17,759 fighter her help is vital in stopping 266 00:08:17,759 --> 00:08:19,759 the evil drax's master plan and she 267 00:08:19,759 --> 00:08:21,199 actually gets to survive until the end 268 00:08:21,199 --> 00:08:24,080 of the movie she's got it all 269 00:08:24,080 --> 00:08:25,599 the fourth overall actor to play james 270 00:08:25,599 --> 00:08:27,199 bond timothy dalton was originally 271 00:08:27,199 --> 00:08:29,120 offered the role in 1969 but he turned 272 00:08:29,120 --> 00:08:30,479 down the chance to take over for sean 273 00:08:30,479 --> 00:08:32,240 connery after you only lived twice 274 00:08:32,240 --> 00:08:33,519 fearing that he was a bit too young for 275 00:08:33,519 --> 00:08:35,679 double 07. dalton's name came up again 276 00:08:35,679 --> 00:08:36,719 after moore announced a planned 277 00:08:36,719 --> 00:08:38,080 retirement from the bond franchise in 278 00:08:38,080 --> 00:08:40,000 1981 but when he changed his mind and 279 00:08:40,000 --> 00:08:41,679 went forward with for your eyes only 280 00:08:41,679 --> 00:08:43,679 dalton's bond career was delayed again 281 00:08:43,679 --> 00:08:45,200 he finally made his debut in the role in 282 00:08:45,200 --> 00:08:47,200 1987 with the living daylights 283 00:08:47,200 --> 00:08:48,880 interesting side note future bond pierce 284 00:08:48,880 --> 00:08:50,560 brosnan also did a screen test for this 285 00:08:50,560 --> 00:08:52,480 movie dalton's take on the character is 286 00:08:52,480 --> 00:08:54,240 a bit more serious than moore's turning 287 00:08:54,240 --> 00:08:55,600 down the camp and giving him a more 288 00:08:55,600 --> 00:08:57,519 aloof and less jokey demeanor in fact 289 00:08:57,519 --> 00:08:59,120 dalton's very first scene the intro to 290 00:08:59,120 --> 00:09:00,720 living daylights doesn't contain a 291 00:09:00,720 --> 00:09:03,440 single quip 292 00:09:04,000 --> 00:09:06,240 damn that's a hard ass bond in license 293 00:09:06,240 --> 00:09:07,920 to kill dalton's bond literally turns 294 00:09:07,920 --> 00:09:09,519 rogue and has his double-07 status 295 00:09:09,519 --> 00:09:11,600 remote our license to kill is revoked a 296 00:09:11,600 --> 00:09:13,519 first for the entire series as with his 297 00:09:13,519 --> 00:09:14,959 counterpart in the daniel craig years 298 00:09:14,959 --> 00:09:16,480 dalton's bond also maintains more 299 00:09:16,480 --> 00:09:17,920 personal relationships and connects 300 00:09:17,920 --> 00:09:19,600 emotionally with his work license to 301 00:09:19,600 --> 00:09:21,040 kill opens with bond attending the 302 00:09:21,040 --> 00:09:23,120 wedding of his friend now dea agent 303 00:09:23,120 --> 00:09:24,880 felix lighter in a rare glimpse at his 304 00:09:24,880 --> 00:09:26,560 off-duty lifestyle in keeping with 305 00:09:26,560 --> 00:09:28,240 contemporary late 1980s action 306 00:09:28,240 --> 00:09:30,080 franchises the dalton bond films turned 307 00:09:30,080 --> 00:09:32,000 the violent mayhem up to 11. check out 308 00:09:32,000 --> 00:09:33,760 the grisly death waiting for benicio del 309 00:09:33,760 --> 00:09:35,920 toro's brutal cartel henchmen dario in 310 00:09:35,920 --> 00:09:38,000 license to kill 311 00:09:38,000 --> 00:09:40,080 are you all right switch the bloody 312 00:09:40,080 --> 00:09:42,640 machine off see not even equip after a 313 00:09:42,640 --> 00:09:44,480 guy falls into a shredding machine this 314 00:09:44,480 --> 00:09:46,560 bond is all business the missions 315 00:09:46,560 --> 00:09:48,000 reflected the era as well with the 316 00:09:48,000 --> 00:09:49,600 living daylights focused on an american 317 00:09:49,600 --> 00:09:51,279 arms dealer villain and depicting an 318 00:09:51,279 --> 00:09:53,440 ongoing soviet war in afghanistan and 319 00:09:53,440 --> 00:09:55,040 licensed to kill going straight miami 320 00:09:55,040 --> 00:09:56,480 vice with a storyline centered around 321 00:09:56,480 --> 00:09:58,320 bond's pursuit of a florida drug lord 322 00:09:58,320 --> 00:09:59,760 the dalton films are also where you see 323 00:09:59,760 --> 00:10:01,440 bond's female companions begin to truly 324 00:10:01,440 --> 00:10:03,519 enter the modern era kerry lowell as pam 325 00:10:03,519 --> 00:10:05,279 bouvier in license to kill serves as a 326 00:10:05,279 --> 00:10:06,880 wholesale refutation of the classic bond 327 00:10:06,880 --> 00:10:08,640 girl archetype she calls out bonds 328 00:10:08,640 --> 00:10:10,480 womanizing challenges q's suggestion 329 00:10:10,480 --> 00:10:11,920 that seducing women is all part of the 330 00:10:11,920 --> 00:10:14,160 job saves bond from the brutal dario and 331 00:10:14,160 --> 00:10:15,600 even mocks talisa soto's more 332 00:10:15,600 --> 00:10:17,360 conventional bond girl character lupe 333 00:10:17,360 --> 00:10:19,680 lamora i love james so much when timothy 334 00:10:19,680 --> 00:10:21,120 dalton first landed the role of james 335 00:10:21,120 --> 00:10:22,720 bond filming was delayed so he could 336 00:10:22,720 --> 00:10:24,399 complete work on a big screen adaptation 337 00:10:24,399 --> 00:10:26,560 of brenda starr you all remember brenda 338 00:10:26,560 --> 00:10:28,959 starr no not at all that's not really a 339 00:10:28,959 --> 00:10:31,440 movie sure it is check it out 340 00:10:31,440 --> 00:10:32,720 anyway pierce brosnan was first 341 00:10:32,720 --> 00:10:34,320 considered to take up the mantle back at 342 00:10:34,320 --> 00:10:35,920 that time but he had to back out due to 343 00:10:35,920 --> 00:10:37,519 his pre-existing commitment to tv's 344 00:10:37,519 --> 00:10:39,440 remington steel the pieces didn't all 345 00:10:39,440 --> 00:10:40,800 come together for prostate to join the 346 00:10:40,800 --> 00:10:42,240 series until goldeneye which was 347 00:10:42,240 --> 00:10:43,920 originally conceived for timothy dalton 348 00:10:43,920 --> 00:10:46,320 but delayed by legal disputes until 1995 349 00:10:46,320 --> 00:10:47,839 long after he retired from the series 350 00:10:47,839 --> 00:10:49,760 and moved on to harassing the rocketeer 351 00:10:49,760 --> 00:10:51,600 brosnan's approach to bond functions as 352 00:10:51,600 --> 00:10:53,279 a kind of synthesis of all that has come 353 00:10:53,279 --> 00:10:55,440 before like connery he's unflappable and 354 00:10:55,440 --> 00:10:57,360 confident without being brash or smarmy 355 00:10:57,360 --> 00:10:58,800 like more he's quick with a quip and 356 00:10:58,800 --> 00:11:00,320 never too self-serious about being a 357 00:11:00,320 --> 00:11:02,079 larger-than-life kind of figure but like 358 00:11:02,079 --> 00:11:03,760 dalton he's also a man of action and the 359 00:11:03,760 --> 00:11:05,120 centerpiece for some of the series most 360 00:11:05,120 --> 00:11:06,720 grandiose action sequences though 361 00:11:06,720 --> 00:11:07,920 dalton's films had focused on 362 00:11:07,920 --> 00:11:09,920 contemporary bad guys like drug kingpins 363 00:11:09,920 --> 00:11:11,279 the brosnan bond films were the first 364 00:11:11,279 --> 00:11:13,120 ones to take place in a truly post-cold 365 00:11:13,120 --> 00:11:15,040 war reality and the missions reflected a 366 00:11:15,040 --> 00:11:16,240 world in which you couldn't just fall 367 00:11:16,240 --> 00:11:18,079 back on the soviets when you needed 368 00:11:18,079 --> 00:11:19,839 all-purpose bad guys the films came up 369 00:11:19,839 --> 00:11:21,519 with a variety of solutions goldeneye 370 00:11:21,519 --> 00:11:23,120 pit spawned against a former colleague 371 00:11:23,120 --> 00:11:25,200 sean bean as former double 06 alex 372 00:11:25,200 --> 00:11:26,720 trevelyan while tomorrow never dies 373 00:11:26,720 --> 00:11:28,480 co-stars jonathan price is a villainous 374 00:11:28,480 --> 00:11:30,480 media magnate widely read at the time as 375 00:11:30,480 --> 00:11:32,480 a send-up of ted turner bill gates or 376 00:11:32,480 --> 00:11:33,920 rupert murdoch depending on who you 377 00:11:33,920 --> 00:11:35,920 asked plus there's the extremely outside 378 00:11:35,920 --> 00:11:37,519 the box appearance-shifting north korean 379 00:11:37,519 --> 00:11:39,600 colonel tan sun moon who transforms 380 00:11:39,600 --> 00:11:41,600 himself into the european gustav graves 381 00:11:41,600 --> 00:11:44,160 via dna replacement therapy which last i 382 00:11:44,160 --> 00:11:45,839 checked is not a real thing probably the 383 00:11:45,839 --> 00:11:47,279 most significant update to the entire 384 00:11:47,279 --> 00:11:48,880 franchise in the brosnan era was another 385 00:11:48,880 --> 00:11:50,560 personnel shift the introduction in 386 00:11:50,560 --> 00:11:52,639 goldeneye of judy dench as the new m 387 00:11:52,639 --> 00:11:54,240 dench was the first woman to take on the 388 00:11:54,240 --> 00:11:55,920 role and played the first m who was kind 389 00:11:55,920 --> 00:11:57,839 of antagonistic towards bond i think 390 00:11:57,839 --> 00:12:00,720 you're a sexist misogynist dinosaur a 391 00:12:00,720 --> 00:12:02,639 relic of cold war the world is not 392 00:12:02,639 --> 00:12:04,160 enough also foreshadows the closer 393 00:12:04,160 --> 00:12:05,440 relationship the two characters would 394 00:12:05,440 --> 00:12:07,360 develop in the craig films in general 395 00:12:07,360 --> 00:12:09,040 lady characters get a lot more to do in 396 00:12:09,040 --> 00:12:10,639 the brosnan films than any other time in 397 00:12:10,639 --> 00:12:12,720 the franchise's history famke janssen's 398 00:12:12,720 --> 00:12:15,200 goldeneye henchwomen zenya onotop proves 399 00:12:15,200 --> 00:12:16,959 herself as much more than bon's equal in 400 00:12:16,959 --> 00:12:18,639 the battlefield and the bedroom in 401 00:12:18,639 --> 00:12:20,639 tamara never dies michelle yeoh plays 402 00:12:20,639 --> 00:12:22,480 wai lin an extremely capable and 403 00:12:22,480 --> 00:12:24,480 fiendishly clever chinese police officer 404 00:12:24,480 --> 00:12:26,000 who's an equal partner to bond in just 405 00:12:26,000 --> 00:12:28,079 about every way and being michelle yo 406 00:12:28,079 --> 00:12:29,920 she also dominates most of the duo's big 407 00:12:29,920 --> 00:12:32,000 action set pieces most of the brazdan 408 00:12:32,000 --> 00:12:33,440 bond girls get to have real world 409 00:12:33,440 --> 00:12:35,519 credentials elektra king is a devious 410 00:12:35,519 --> 00:12:37,600 and conniving criminal mastermind jinx 411 00:12:37,600 --> 00:12:39,920 is an elite professional assassin and dr 412 00:12:39,920 --> 00:12:42,160 christmas jones is a nuclear scientist 413 00:12:42,160 --> 00:12:45,680 named dr christmas jones 414 00:12:45,680 --> 00:12:47,279 which brings us to daniel craig in the 415 00:12:47,279 --> 00:12:49,360 current era of james bond this of course 416 00:12:49,360 --> 00:12:50,800 is the very first group of films within 417 00:12:50,800 --> 00:12:52,240 the franchise to remain entirely 418 00:12:52,240 --> 00:12:53,920 interconnected with actual linear 419 00:12:53,920 --> 00:12:55,920 continuity we follow james from earning 420 00:12:55,920 --> 00:12:57,279 his double o status at the opening of 421 00:12:57,279 --> 00:12:58,959 casino royale through his various 422 00:12:58,959 --> 00:13:00,240 assignments which have all been tied 423 00:13:00,240 --> 00:13:01,519 together through the pursuit of the evil 424 00:13:01,519 --> 00:13:03,360 organization quantum and ultimately 425 00:13:03,360 --> 00:13:04,880 spectre leading to the reveal of 426 00:13:04,880 --> 00:13:06,720 christoph waltz's blofeld the 427 00:13:06,720 --> 00:13:08,480 personality of craig's bond also breaks 428 00:13:08,480 --> 00:13:10,240 the mold in a variety of ways he's 429 00:13:10,240 --> 00:13:11,920 frequently referred to as a thug and 430 00:13:11,920 --> 00:13:13,519 struggles a bit with the suave seductive 431 00:13:13,519 --> 00:13:15,120 part of the job that came so naturally 432 00:13:15,120 --> 00:13:17,040 to connery's incarnation he's moody and 433 00:13:17,040 --> 00:13:18,720 downbeat and even his jokes tend more 434 00:13:18,720 --> 00:13:20,160 towards sardonic or world weary 435 00:13:20,160 --> 00:13:22,079 observations than zingy one-liners i'm 436 00:13:22,079 --> 00:13:24,320 afraid i'm not that cruel well perhaps 437 00:13:24,320 --> 00:13:25,760 you're just out of practice the action 438 00:13:25,760 --> 00:13:27,600 accordingly is focused more on physical 439 00:13:27,600 --> 00:13:29,760 exertion and brutality the famed parkour 440 00:13:29,760 --> 00:13:31,360 chase from casino royale is among the 441 00:13:31,360 --> 00:13:32,720 most relentless and intense from the 442 00:13:32,720 --> 00:13:34,320 entire series and showed off a new 443 00:13:34,320 --> 00:13:36,240 physicality for bond it's notable too 444 00:13:36,240 --> 00:13:37,839 that craig's bond is often visibly 445 00:13:37,839 --> 00:13:39,760 exhausted by his efforts not to mention 446 00:13:39,760 --> 00:13:41,199 sometimes seriously wounded at their 447 00:13:41,199 --> 00:13:42,959 conclusion though brosnan was the first 448 00:13:42,959 --> 00:13:44,800 bond to endure actual on-screen torture 449 00:13:44,800 --> 00:13:46,560 during the world is not enough casino 450 00:13:46,560 --> 00:13:48,560 royale's brutality ups the ante in an 451 00:13:48,560 --> 00:13:50,000 extended sequence that's almost 452 00:13:50,000 --> 00:13:51,680 unbearable to watch should you happen to 453 00:13:51,680 --> 00:13:54,399 possess a pair of testicles 454 00:13:54,399 --> 00:13:55,680 bond's missions in the craig films are 455 00:13:55,680 --> 00:13:57,600 also more ground level and realistic we 456 00:13:57,600 --> 00:13:59,120 still get wealthy european villains with 457 00:13:59,120 --> 00:14:00,959 grandiose plans but they're making less 458 00:14:00,959 --> 00:14:02,959 visible ostentatious aesthetic choices 459 00:14:02,959 --> 00:14:04,560 opting for hidden or covert layers 460 00:14:04,560 --> 00:14:06,160 instead of floating palaces at sea or 461 00:14:06,160 --> 00:14:07,839 volcano bases as well their plans are 462 00:14:07,839 --> 00:14:09,440 less maniacally over the top and more 463 00:14:09,440 --> 00:14:11,120 intricately plotted and careful 464 00:14:11,120 --> 00:14:12,880 particularly silva's devious attempt to 465 00:14:12,880 --> 00:14:14,959 take out m and skyfall which owes more 466 00:14:14,959 --> 00:14:16,160 than a little debt to the joker's 467 00:14:16,160 --> 00:14:17,760 finished game plan in the dark knight 468 00:14:17,760 --> 00:14:19,519 with its focus on gritty realism craig 469 00:14:19,519 --> 00:14:21,279 series naturally also downplays the use 470 00:14:21,279 --> 00:14:24,560 of zany gadgets a gun and a radio not 471 00:14:24,560 --> 00:14:26,399 exactly christmas is it are you 472 00:14:26,399 --> 00:14:28,480 expecting an exploding pen though there 473 00:14:28,480 --> 00:14:30,079 are a few fun moments to highlight in 474 00:14:30,079 --> 00:14:32,240 casino royale bond's car comes outfitted 475 00:14:32,240 --> 00:14:34,480 with a defibrillator which is handy i 476 00:14:34,480 --> 00:14:38,639 mean it's not zany but it's handy 477 00:14:38,639 --> 00:14:40,399 as for bond girls this time around they 478 00:14:40,399 --> 00:14:41,760 not only get their own backstories but 479 00:14:41,760 --> 00:14:42,959 their own narratives and personal 480 00:14:42,959 --> 00:14:44,399 missions these are characters whose 481 00:14:44,399 --> 00:14:45,920 journeys intersect with bond but are not 482 00:14:45,920 --> 00:14:47,279 defined by his presence or even 483 00:14:47,279 --> 00:14:48,320 dependent on him to reach their 484 00:14:48,320 --> 00:14:50,320 conclusion government accountant vesper 485 00:14:50,320 --> 00:14:51,839 lind and casino royale has her own 486 00:14:51,839 --> 00:14:53,279 agenda that we only come to understand 487 00:14:53,279 --> 00:14:54,880 by the end of quantum of solace long 488 00:14:54,880 --> 00:14:56,720 after her death the craig films also 489 00:14:56,720 --> 00:14:58,240 significantly deepened and enhances 490 00:14:58,240 --> 00:14:59,360 relationships with a number of the 491 00:14:59,360 --> 00:15:00,639 franchise best-known supporting 492 00:15:00,639 --> 00:15:02,399 characters this is particularly true of 493 00:15:02,399 --> 00:15:04,320 judy dench's m who has a lot of her 494 00:15:04,320 --> 00:15:05,839 backstory filled in and takes on an 495 00:15:05,839 --> 00:15:07,360 almost maternal role for bond by the 496 00:15:07,360 --> 00:15:08,720 conclusion of her final appearance in 497 00:15:08,720 --> 00:15:10,959 skyfall having continuity also means 498 00:15:10,959 --> 00:15:12,560 more opportunities to work in supporting 499 00:15:12,560 --> 00:15:14,000 players like jeffrey wright's felix 500 00:15:14,000 --> 00:15:15,680 lighter and also worth noting for the 501 00:15:15,680 --> 00:15:17,839 record cnn's wolf blitzer appears as 502 00:15:17,839 --> 00:15:19,519 himself in both skyfall and mission 503 00:15:19,519 --> 00:15:21,440 impossible fallout indicating that both 504 00:15:21,440 --> 00:15:23,279 franchises could in fact be taking place 505 00:15:23,279 --> 00:15:25,199 in a shared alternate reality the blitz 506 00:15:25,199 --> 00:15:27,120 reverse 507 00:15:27,120 --> 00:15:28,800 and there you have it not a small amount 508 00:15:28,800 --> 00:15:29,920 of evolving for a character that 509 00:15:29,920 --> 00:15:31,360 conventional wisdom would hold never 510 00:15:31,360 --> 00:15:33,120 actually evolves very much at all so 511 00:15:33,120 --> 00:15:34,639 enjoy watching james bond turn yet 512 00:15:34,639 --> 00:15:36,399 another corner in no time to die and 513 00:15:36,399 --> 00:15:37,759 keep it here on phantom entertainment 514 00:15:37,759 --> 00:15:38,959 for more about all your favorite 515 00:15:38,959 --> 00:15:40,480 franchises and how they're keeping up 516 00:15:40,480 --> 00:15:42,240 with the relentless march of history or 517 00:15:42,240 --> 00:15:43,279 just who's going to star in the next 518 00:15:43,279 --> 00:15:47,800 sequel whichever really it's all good 519 00:15:48,330 --> 00:16:06,750 [Music] 520 00:16:06,800 --> 00:16:08,880 you 37323

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