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I must be
in heaven, man.
2
00:00:20,730 --> 00:00:22,856
'Cause I get to introduce
3
00:00:22,857 --> 00:00:26,109
Little Steven
and the Disciples of Soul!
4
00:00:26,110 --> 00:00:32,158
Little Steven
and the Disciples of Soul.
5
00:00:53,429 --> 00:00:56,598
♪ Can you hear me? ♪
6
00:00:56,599 --> 00:00:58,392
♪ Wake up ♪
7
00:00:58,393 --> 00:01:02,355
♪ Where's the voice
Of America? ♪
8
00:01:04,023 --> 00:01:06,900
♪ Can you hear me? ♪
9
00:01:06,901 --> 00:01:08,568
♪ Wake up ♪
10
00:01:08,569 --> 00:01:11,863
♪ Where's the voice
Of America? ♪
11
00:01:11,864 --> 00:01:13,491
Listen!
12
00:01:14,075 --> 00:01:15,617
♪ I know that we knew ♪
13
00:01:15,618 --> 00:01:19,789
♪ Right from wrong
Once upon a time ♪
14
00:01:20,748 --> 00:01:24,710
♪ Everything we stood for
Has been compromised ♪
15
00:01:24,711 --> 00:01:26,920
♪ I been quiet ♪
16
00:01:26,921 --> 00:01:29,048
♪ Too quiet ♪
17
00:01:29,590 --> 00:01:34,219
♪ While across
Our borderline ♪
18
00:01:34,220 --> 00:01:37,724
♪ My people lie ♪
19
00:01:39,934 --> 00:01:42,310
♪ Can you hear me? ♪
20
00:01:42,311 --> 00:01:44,021
♪ I said wake up ♪
21
00:01:44,439 --> 00:01:48,443
♪ We are the voice
Of America ♪
22
00:01:49,944 --> 00:01:52,946
♪ Can you hear me? ♪
23
00:01:52,947 --> 00:01:54,573
♪ Wake up ♪
24
00:01:54,574 --> 00:01:58,745
♪ We're the voice
Of America ♪
25
00:01:59,746 --> 00:02:03,750
♪ We're the voice
Of America ♪
26
00:02:04,542 --> 00:02:09,047
♪ We're the voice
Of America ♪
27
00:02:09,672 --> 00:02:15,177
♪ We're the voice
Of America ♪
28
00:02:15,178 --> 00:02:17,305
All right.
29
00:02:36,157 --> 00:02:39,952
♪ After the wind
Dried my eyes ♪
30
00:02:40,620 --> 00:02:42,370
It was a time
when there were clubs
31
00:02:42,371 --> 00:02:44,122
all over for teenagers.
32
00:02:44,123 --> 00:02:46,041
On a Friday
or Saturday night,
33
00:02:46,042 --> 00:02:47,376
you had your choice
34
00:02:47,377 --> 00:02:49,252
of a dozen places to go
35
00:02:49,253 --> 00:02:50,796
to hear live music.
36
00:02:50,797 --> 00:02:53,465
We just had
a million places to play.
37
00:02:53,466 --> 00:02:55,384
Beach clubs and VFW halls
38
00:02:55,385 --> 00:02:57,636
and-and-and
high school dances,
39
00:02:57,637 --> 00:03:00,680
and there were clubs
built for teenagers.
40
00:03:00,681 --> 00:03:03,016
♪ And jump for joy
And Xanadu ♪
41
00:03:03,017 --> 00:03:06,561
♪ It's Hullabaloo ♪
42
00:03:06,562 --> 00:03:10,315
The Hullabaloo clubs
were a franchise
43
00:03:10,316 --> 00:03:12,193
from the television show.
44
00:03:12,527 --> 00:03:13,985
For one reason or another,
45
00:03:13,986 --> 00:03:17,364
I was going to the one
in Middletown one weekend.
46
00:03:17,365 --> 00:03:18,783
I walk in, and...
47
00:03:19,200 --> 00:03:22,661
uh, there was,
uh, a band playing,
48
00:03:22,662 --> 00:03:25,414
sounded really good.
Stevie was fronting.
49
00:03:25,415 --> 00:03:27,165
My recollection is,
I always say
50
00:03:27,166 --> 00:03:29,376
he had on a huge paisley tie
51
00:03:29,377 --> 00:03:31,503
that caught my attention,
52
00:03:31,504 --> 00:03:34,548
- and it was funny.
- Bruce had a band,
53
00:03:34,549 --> 00:03:36,675
The Castiles,
it was one of those bands.
54
00:03:36,676 --> 00:03:38,009
My band was the Source.
55
00:03:38,010 --> 00:03:40,722
Our two bands were the only
bands that had managers.
56
00:03:41,013 --> 00:03:44,642
He had this crazy character
named Tex, you know,
57
00:03:44,851 --> 00:03:46,393
and I had Big Mama McEvilly,
58
00:03:46,394 --> 00:03:48,687
who was the drummer's,
my drummer's mother.
59
00:03:48,688 --> 00:03:51,314
And I don't know if we
exchanged some information.
60
00:03:51,315 --> 00:03:52,733
I didn't have a phone.
61
00:03:52,734 --> 00:03:56,236
There was just some
mystical thing in the air
62
00:03:56,237 --> 00:03:58,906
that happens when
you meet somebody
63
00:03:59,407 --> 00:04:03,161
who feels about
something the same way
64
00:04:03,536 --> 00:04:06,539
with the kind of intensity
that you feel about it.
65
00:04:06,914 --> 00:04:08,206
So he just became
66
00:04:08,207 --> 00:04:11,043
my rock and roll brother
instantly, you know?
67
00:04:11,044 --> 00:04:12,753
Now tonight, the whole country
68
00:04:12,754 --> 00:04:15,548
is waiting to hear
England's Beatles.
69
00:04:16,049 --> 00:04:18,300
February 8th, 1964,
70
00:04:18,301 --> 00:04:19,926
there were no bands
in America.
71
00:04:19,927 --> 00:04:22,721
February 9th they play
The Ed Sullivan Show,
72
00:04:22,722 --> 00:04:25,599
February 10th, everybody
had a band in their garage.
73
00:04:25,600 --> 00:04:29,186
It was revealing this
extraordinary new world,
74
00:04:29,187 --> 00:04:31,314
especially for those of us
75
00:04:31,689 --> 00:04:34,691
who were misfits, freaks,
and outcasts, you know.
76
00:04:34,692 --> 00:04:39,279
We're not relating to anything
that society was offering us.
77
00:04:39,280 --> 00:04:40,447
But they were so good,
78
00:04:40,448 --> 00:04:42,282
you couldn't
picture doing it.
79
00:04:42,283 --> 00:04:43,909
What nobody knew
80
00:04:43,910 --> 00:04:47,329
is that we'd been
rehearsing and practicing
81
00:04:47,330 --> 00:04:50,499
in Britain, in Europe,
in Hamburg,
82
00:04:50,500 --> 00:04:52,793
and we'd put in
a lot of hours, you know.
83
00:04:52,794 --> 00:04:56,213
It's Malcolm Gladwell's
10,000 hours.
84
00:04:56,214 --> 00:04:59,508
Um, so by the time
we reached America,
85
00:04:59,509 --> 00:05:02,135
we were a fully formed beast.
86
00:05:02,136 --> 00:05:03,387
But you couldn't imagine
87
00:05:03,388 --> 00:05:05,640
how you get into
that world, you know?
88
00:05:06,182 --> 00:05:07,432
Four months later,
89
00:05:07,433 --> 00:05:09,976
lucky for us,
the Rolling Stones come.
90
00:05:09,977 --> 00:05:12,521
You know, they made it look
easier than it was.
91
00:05:12,522 --> 00:05:15,107
They wore different things,
they had no harmony,
92
00:05:15,108 --> 00:05:17,150
you know, it was
the first punk band.
93
00:05:17,151 --> 00:05:19,153
You've gotta
keep things simple.
94
00:05:19,487 --> 00:05:20,695
That's the great thing.
95
00:05:20,696 --> 00:05:22,823
If you listen
to any great records,
96
00:05:22,824 --> 00:05:24,074
they're so simple.
97
00:05:24,075 --> 00:05:26,243
The fact that Mick Jagger
98
00:05:26,244 --> 00:05:27,661
did not smile.
99
00:05:27,662 --> 00:05:29,621
That to me meant this is not
100
00:05:29,622 --> 00:05:31,832
show business anymore,
this is a lifestyle.
101
00:05:31,833 --> 00:05:34,419
I was like,
"I want to do that."
102
00:05:37,296 --> 00:05:40,173
We would put together
one band after another,
103
00:05:40,174 --> 00:05:41,967
and we couldn't
get work, really.
104
00:05:41,968 --> 00:05:43,927
Nobody wanted to hire bands
105
00:05:43,928 --> 00:05:46,221
that were playing
any original music.
106
00:05:46,222 --> 00:05:47,514
I go see Bruce,
107
00:05:47,515 --> 00:05:49,307
he said there's
this new place called
108
00:05:49,308 --> 00:05:50,726
Upstage at Asbury Park.
109
00:05:50,727 --> 00:05:53,270
There was this
crazy idea for a club,
110
00:05:53,271 --> 00:05:55,021
just for kids, no booze,
111
00:05:55,022 --> 00:05:57,483
open from 8:00 at night
till 5:00 in the morning.
112
00:05:57,859 --> 00:06:00,360
And if you were good,
you would lead the jams.
113
00:06:00,361 --> 00:06:02,446
Stevie Van Zandt,
he's my baby,
114
00:06:02,447 --> 00:06:03,697
you know?
115
00:06:03,698 --> 00:06:05,866
The fact that he
played bass, keyboard.
116
00:06:05,867 --> 00:06:07,075
Of course, Steven excels
117
00:06:07,076 --> 00:06:08,869
with his guitar
and his voice.
118
00:06:08,870 --> 00:06:11,163
He and Bruce made
a great combination.
119
00:06:11,164 --> 00:06:12,748
Totally different
guitar players,
120
00:06:12,749 --> 00:06:15,542
and constantly
on the stage together.
121
00:06:15,543 --> 00:06:17,044
They would sweep the floor,
122
00:06:17,045 --> 00:06:19,546
they loaded soda machines,
they did everything.
123
00:06:19,547 --> 00:06:21,882
And Upstage
became the place
124
00:06:21,883 --> 00:06:24,551
where we met everybody.
Southside Johnny,
125
00:06:24,552 --> 00:06:26,470
Garry Tallent, Vini Lopez,
126
00:06:26,471 --> 00:06:28,388
uh, Danny Federici, everybody.
127
00:06:28,389 --> 00:06:31,475
And one day I came,
and there's this guy
128
00:06:31,476 --> 00:06:33,393
with long bushy hair
on stage,
129
00:06:33,394 --> 00:06:34,603
he was doing
a Yardbirds song,
130
00:06:34,604 --> 00:06:36,354
and he was killing it.
131
00:06:36,355 --> 00:06:38,774
I mean, the passion
was so much there.
132
00:06:38,775 --> 00:06:40,567
The guitar playing was great.
133
00:06:40,568 --> 00:06:42,903
He was killing the singing,
I just, I went,
134
00:06:42,904 --> 00:06:44,237
"Who's this guy?
135
00:06:44,238 --> 00:06:47,408
I don't need the competition.
I'm the singer here."
136
00:06:47,950 --> 00:06:51,119
But I figured I could either
make friends or kill him,
137
00:06:51,120 --> 00:06:52,746
so I went back
and made friends.
138
00:06:52,747 --> 00:06:55,665
And it was really the start
of a great friendship.
139
00:06:55,666 --> 00:06:57,751
You'd be in
one guy's band one week,
140
00:06:57,752 --> 00:06:59,252
another guy's band
another week,
141
00:06:59,253 --> 00:07:01,713
'cause they're putting
bands together, trying things.
142
00:07:01,714 --> 00:07:03,757
We did a duet thing one time,
143
00:07:03,758 --> 00:07:05,927
just guitar and harmonica.
144
00:07:06,427 --> 00:07:07,761
It was very fluid back then.
145
00:07:07,762 --> 00:07:09,596
And we were
rooting for each other,
146
00:07:09,597 --> 00:07:11,890
you know, we were
mildly competitive.
147
00:07:11,891 --> 00:07:14,434
But I think the love
we had for each other
148
00:07:14,435 --> 00:07:15,894
overwhelmed everything.
149
00:07:15,895 --> 00:07:18,522
He was one of those
guys I met, like Bruce,
150
00:07:18,523 --> 00:07:20,982
who said flat out at 17,
151
00:07:20,983 --> 00:07:22,609
"I'm gonna be a musician."
152
00:07:22,610 --> 00:07:25,445
We didn't think
"I should prepare to be...
153
00:07:25,446 --> 00:07:27,823
maybe I should
study up and do," no.
154
00:07:27,824 --> 00:07:29,783
It was all or nothing
at all, you know?
155
00:07:29,784 --> 00:07:32,786
Bruce was the first
really to get out.
156
00:07:32,787 --> 00:07:36,540
I mean, he-he actually
got an album made,
157
00:07:36,541 --> 00:07:38,834
and was playing around
the country a little bit.
158
00:07:38,835 --> 00:07:40,627
Bruce and I had a bunch
159
00:07:40,628 --> 00:07:42,003
of different bands together,
160
00:07:42,004 --> 00:07:45,049
but he actually got signed
as a folk singer.
161
00:07:45,633 --> 00:07:49,052
Unfortunately,
Bruce had to say, uh,
162
00:07:49,053 --> 00:07:51,763
you know, "Now that
I'm signed as a folk singer,
163
00:07:51,764 --> 00:07:54,684
I'm not a folk singer,"
you know.
164
00:07:55,143 --> 00:07:56,476
"I got a band."
165
00:07:56,477 --> 00:07:58,645
And so the record
company's pissed.
166
00:07:58,646 --> 00:08:00,564
I was one guitar too many.
167
00:08:00,565 --> 00:08:02,482
At that point, you know,
168
00:08:02,483 --> 00:08:03,650
I said, "You know what?
169
00:08:03,651 --> 00:08:05,485
I think we missed
the boat anyway."
170
00:08:05,486 --> 00:08:07,363
So I quit entirely,
171
00:08:07,822 --> 00:08:10,699
and, um, I started
working construction.
172
00:08:10,700 --> 00:08:12,743
Steven lived
with my wife and I.
173
00:08:12,744 --> 00:08:15,663
He was working a jackhammer
on the parkway.
174
00:08:15,997 --> 00:08:18,331
He would come home
literally covered in tar,
175
00:08:18,332 --> 00:08:19,875
his hands would be like this.
176
00:08:19,876 --> 00:08:23,003
I'm saying, "You're a guitar
player, you can't do this,"
177
00:08:23,004 --> 00:08:25,630
and finally he got a gig
with The Dovells,
178
00:08:25,631 --> 00:08:27,675
uh, and did
the oldies circuit.
179
00:08:30,803 --> 00:08:33,889
Uh, the Dovells made a couple
fantastic records,
180
00:08:33,890 --> 00:08:36,058
"Bristol Stomp"
and "You Can't Sit Down,"
181
00:08:36,059 --> 00:08:39,771
and along the oldies circuit,
you're also gonna play Vegas.
182
00:08:40,521 --> 00:08:41,939
Now, I'm a big...
183
00:08:42,690 --> 00:08:44,817
gambler as a kid
at that point.
184
00:08:45,193 --> 00:08:48,361
I'm also a bit of a Mob
aficionado, you know?
185
00:08:48,362 --> 00:08:51,114
So I'm all in, okay,
um, you know,
186
00:08:51,115 --> 00:08:53,575
and, um, and that begins
187
00:08:53,576 --> 00:08:55,995
a very big chapter
in my education.
188
00:08:58,706 --> 00:09:02,042
Back in the '50s,
we were really segregated.
189
00:09:02,043 --> 00:09:05,754
The white DJs were supposed
to play their white artists
190
00:09:05,755 --> 00:09:07,297
for their white audiences,
191
00:09:07,298 --> 00:09:10,927
the Black DJs were supposed
to do the same thing.
192
00:09:11,344 --> 00:09:14,972
There was Little Richard,
Bo Diddley, and Chuck Berry.
193
00:09:15,431 --> 00:09:17,641
When courageous DJs
like Alan Freed
194
00:09:17,642 --> 00:09:19,559
started playing
those Black records
195
00:09:19,560 --> 00:09:21,061
for their white audiences,
196
00:09:21,062 --> 00:09:23,814
that's when rock and roll
went to another dimension.
197
00:09:23,815 --> 00:09:25,065
Popular music became
198
00:09:25,066 --> 00:09:26,900
an instrument
for social change,
199
00:09:26,901 --> 00:09:28,902
and launched
a cultural phenomenon
200
00:09:28,903 --> 00:09:31,072
known as
the British Invasion.
201
00:09:31,572 --> 00:09:33,490
Ironically,
the British Invasion
202
00:09:33,491 --> 00:09:35,742
had the unintended
consequence
203
00:09:35,743 --> 00:09:38,954
of putting all those
pioneers out of work.
204
00:09:38,955 --> 00:09:41,415
If you had two hits
when the Beatles came,
205
00:09:41,416 --> 00:09:43,375
you were gonna
play those two hits
206
00:09:43,376 --> 00:09:44,751
the rest of your life.
207
00:09:44,752 --> 00:09:46,336
I get on this oldies tour,
208
00:09:46,337 --> 00:09:48,964
and all of these guys
have been put out to pasture
209
00:09:48,965 --> 00:09:51,133
in their thirties
and early forties.
210
00:09:51,134 --> 00:09:53,760
I mean, they are in
the prime of their lives.
211
00:09:53,761 --> 00:09:55,637
So they're all pissed off.
212
00:09:55,638 --> 00:09:56,763
All of 'em.
213
00:09:56,764 --> 00:09:59,182
They hate being
called oldies.
214
00:09:59,183 --> 00:10:00,392
They're not old.
215
00:10:00,393 --> 00:10:02,102
I'm the only one
having a great time.
216
00:10:02,103 --> 00:10:04,981
You know, I'm meeting
all these amazing people.
217
00:10:05,481 --> 00:10:08,650
Stevie would hang with us
on the tours we were doing.
218
00:10:08,651 --> 00:10:10,110
He always had a little hat,
219
00:10:10,111 --> 00:10:13,029
a little cap or beanie
or something on.
220
00:10:13,030 --> 00:10:17,200
And he always wore, like,
a purple jacket, brown pants.
221
00:10:17,201 --> 00:10:20,204
You never knew where
the style was going to go.
222
00:10:20,621 --> 00:10:22,164
The first time I met Steven,
223
00:10:22,165 --> 00:10:24,541
I was doing a show
for Dick Clark
224
00:10:24,542 --> 00:10:26,877
at the Flamingo Hotel.
225
00:10:26,878 --> 00:10:28,837
So I guess he's
up in the balcony,
226
00:10:28,838 --> 00:10:31,424
I'm doing a sound check,
and I start doing...
227
00:10:31,883 --> 00:10:34,052
Robert Johnson songs.
228
00:10:34,677 --> 00:10:38,096
He was a great
blues writer and singer.
229
00:10:38,097 --> 00:10:40,516
A lot of people
don't know who he is.
230
00:10:41,017 --> 00:10:43,894
And I'm like,
"Am I hallucinating or what?"
231
00:10:43,895 --> 00:10:46,813
It turns out he's into,
you know, Robert Johnson,
232
00:10:46,814 --> 00:10:49,901
he's into Hank Williams,
he's into things, you know,
233
00:10:50,651 --> 00:10:52,486
that were just
fascinating to me.
234
00:10:52,487 --> 00:10:55,822
After we met at the Flamingo
Hotel, he joined my band.
235
00:10:55,823 --> 00:10:58,366
He says,
"We got a couple gigs left,"
236
00:10:58,367 --> 00:11:00,494
this oldies circuit thing
237
00:11:00,495 --> 00:11:02,204
was gonna end in Miami,
238
00:11:02,205 --> 00:11:04,498
and I come back to
Asbury Park January 2nd,
239
00:11:04,499 --> 00:11:07,876
and I'm still wearing
a flowered short-sleeved shirt,
240
00:11:07,877 --> 00:11:10,712
and the Frank Sinatra,
Sam Snead hat,
241
00:11:10,713 --> 00:11:14,466
and I'm like,
"Fuck winter, okay? I'm done.
242
00:11:14,467 --> 00:11:16,468
I'm tropical from now on."
243
00:11:16,469 --> 00:11:19,221
I'm carrying it with me, okay?
244
00:11:19,222 --> 00:11:22,015
And that's how Bruce starts
calling me "Miami Steve."
245
00:11:22,016 --> 00:11:23,975
♪ You're sweeter
Than the honey ♪
246
00:11:23,976 --> 00:11:26,019
♪ That the bees make ♪
247
00:11:26,020 --> 00:11:27,230
♪ Soul sister... ♪
248
00:11:27,688 --> 00:11:30,232
I got back,
me, Johnny, Bruce,
249
00:11:30,233 --> 00:11:33,610
and I think Gary,
went to see Sam and Dave,
250
00:11:33,611 --> 00:11:35,195
and they inspired us to start
251
00:11:35,196 --> 00:11:37,781
Southside Johnny
& the Asbury Jukes,
252
00:11:37,782 --> 00:11:40,034
combining rock and soul.
253
00:11:44,163 --> 00:11:46,540
I was
not only leading the band,
254
00:11:46,541 --> 00:11:47,916
you know,
but also managing it
255
00:11:47,917 --> 00:11:49,668
and doing all the business.
256
00:11:49,669 --> 00:11:53,297
We just kind of organically
built a band to do
257
00:11:53,673 --> 00:11:55,215
lots of different
types of music.
258
00:11:55,216 --> 00:11:56,591
I always wanted horns.
259
00:11:56,592 --> 00:11:58,468
'Cause Count Basie
and Duke Ellington,
260
00:11:58,469 --> 00:12:00,554
that's what I grew up
listening to, but more.
261
00:12:00,555 --> 00:12:04,349
The horns are on those old
Atlantic records, Stax-Volt.
262
00:12:04,350 --> 00:12:05,809
Steven really wanted them too.
263
00:12:05,810 --> 00:12:07,352
That's where
we had a mutuality.
264
00:12:07,353 --> 00:12:10,398
We both wanted to hear
this horn section go "Ba-da!"
265
00:12:25,663 --> 00:12:27,080
The scene revitalized
266
00:12:27,081 --> 00:12:29,416
when, uh, we put
the Jukes together.
267
00:12:29,417 --> 00:12:30,709
We just went into a bar
268
00:12:30,710 --> 00:12:32,961
that was about
to go out of business.
269
00:12:32,962 --> 00:12:35,047
There had been
a hurricane or something,
270
00:12:35,048 --> 00:12:36,548
the roof was falling in.
271
00:12:36,549 --> 00:12:38,050
It was called The Stone Pony.
272
00:12:38,051 --> 00:12:40,177
We said, "Look,
we'll play for the door,
273
00:12:40,178 --> 00:12:42,847
you have nothing to lose,
we play what we want."
274
00:12:56,194 --> 00:12:58,320
They started
lining up in the rain
275
00:12:58,321 --> 00:13:00,322
outside The Stone Pony
in Asbury Park
276
00:13:00,323 --> 00:13:03,658
six hours before
the 10:00 p.m. kickoff
277
00:13:03,659 --> 00:13:05,243
of the biggest night
in the lives
278
00:13:05,244 --> 00:13:08,122
of Southside Johnny
& the Asbury Jukes.
279
00:13:10,166 --> 00:13:12,584
You hear that?
Say that louder.
280
00:13:12,585 --> 00:13:13,627
That's the greatest.
281
00:13:13,628 --> 00:13:15,504
I've come to see
them 120 times.
282
00:13:15,505 --> 00:13:17,130
120 times!
283
00:13:17,131 --> 00:13:19,216
Who goes to see
anyone 120 times?
284
00:13:19,217 --> 00:13:21,468
Kids would
huddle on the boardwalk
285
00:13:21,469 --> 00:13:22,803
with transistor radios,
286
00:13:22,804 --> 00:13:25,013
listening along
with their friends at home,
287
00:13:25,014 --> 00:13:27,058
and in bars along
the Jersey Shore,
288
00:13:27,475 --> 00:13:29,935
to the first live
concert broadcast
289
00:13:29,936 --> 00:13:32,105
in the history
of Asbury Park.
290
00:13:34,440 --> 00:13:38,110
Tonight may be Memorial Day
in the rest of America,
291
00:13:38,111 --> 00:13:40,738
but it's New Year's Eve
in Asbury Park.
292
00:13:41,114 --> 00:13:42,906
- All we wanna know...
- Yeah?
293
00:13:42,907 --> 00:13:45,284
...is what are you people
doing in my town?
294
00:13:49,831 --> 00:13:52,833
I... I consider myself
very fortunate
295
00:13:52,834 --> 00:13:56,211
that I got to see
a bit of that part
296
00:13:56,212 --> 00:13:57,921
of Asbury Park.
297
00:13:57,922 --> 00:14:00,340
The boardwalk,
the club scene,
298
00:14:00,341 --> 00:14:04,720
Steven trying to create
an original sound
299
00:14:04,721 --> 00:14:08,348
out of classic dirt, grit,
300
00:14:08,349 --> 00:14:10,600
mud, heart, soul.
301
00:14:10,601 --> 00:14:12,060
Seeing them in this bar,
302
00:14:12,061 --> 00:14:15,814
you know, they were
just so powerful, you know?
303
00:14:15,815 --> 00:14:17,149
But you know, I always joke
304
00:14:17,150 --> 00:14:19,401
that we were probably
Southside fans
305
00:14:19,402 --> 00:14:22,321
before we were E Street Band
and Bruce fans.
306
00:14:23,531 --> 00:14:25,199
I don't know about you...
307
00:14:27,160 --> 00:14:30,121
♪ We're having a party ♪
308
00:14:30,997 --> 00:14:33,374
♪ Everybody's swinging ♪
309
00:14:34,333 --> 00:14:35,959
♪ Dancing to the music... ♪
310
00:14:35,960 --> 00:14:38,045
So Bruce had done
the showcase clubs.
311
00:14:38,046 --> 00:14:41,214
You know, each stage,
the rules change.
312
00:14:41,215 --> 00:14:43,091
Once you're in that stage,
313
00:14:43,092 --> 00:14:44,926
and the records
weren't selling,
314
00:14:44,927 --> 00:14:47,012
and you know, he wasn't
gonna graduate
315
00:14:47,013 --> 00:14:48,972
to, uh, anywhere past that,
316
00:14:48,973 --> 00:14:51,767
so you know, he's coming down,
hanging out with us.
317
00:14:51,768 --> 00:14:55,103
♪ Dancing with my baby ♪
318
00:14:55,104 --> 00:14:57,940
♪ We're having a party ♪
319
00:14:59,150 --> 00:15:02,194
♪ Everybody's swinging ♪
320
00:15:02,195 --> 00:15:04,947
♪ Dancing to the music ♪
321
00:15:05,740 --> 00:15:07,783
♪ On the radio ♪
322
00:15:07,784 --> 00:15:09,242
♪ Oh yeah ♪
323
00:15:09,243 --> 00:15:11,286
♪ So listen, Mr. DJ... ♪
324
00:15:11,287 --> 00:15:13,163
He created extra interest.
325
00:15:13,164 --> 00:15:14,414
People started coming
326
00:15:14,415 --> 00:15:16,416
from North Jersey
and Philadelphia,
327
00:15:16,417 --> 00:15:19,044
and we started to really
build up an audience,
328
00:15:19,045 --> 00:15:21,421
and we go to a second night,
and a third.
329
00:15:21,422 --> 00:15:22,881
One more time!
330
00:15:22,882 --> 00:15:25,092
♪ We're having a party... ♪
331
00:15:25,093 --> 00:15:27,302
That is what made
332
00:15:27,303 --> 00:15:29,721
that scene become
even more special.
333
00:15:29,722 --> 00:15:32,474
♪ Dancing to the music ♪
334
00:15:32,475 --> 00:15:35,103
♪ On the radio ♪
335
00:15:36,104 --> 00:15:39,272
♪ So listen, Mr. DJ ♪
336
00:15:39,273 --> 00:15:42,068
♪ Keep those
Records playing ♪
337
00:15:42,443 --> 00:15:45,862
♪ 'Cause I'm having
Such a good time ♪
338
00:15:45,863 --> 00:15:49,534
♪ Dancing ♪
339
00:15:50,952 --> 00:15:52,577
♪ With my ♪
340
00:15:52,578 --> 00:15:57,625
♪ Baby ♪
341
00:16:07,093 --> 00:16:09,469
I think I really met
Steve for the first time
342
00:16:09,470 --> 00:16:12,180
when he came in
and saved our asses
343
00:16:12,181 --> 00:16:14,267
on "Tenth Avenue
Freeze-Out."
344
00:16:14,559 --> 00:16:17,185
We just knew
we hadn't fully realized
345
00:16:17,186 --> 00:16:19,187
the potential of the song.
346
00:16:19,188 --> 00:16:21,148
So Bruce calls Steve,
347
00:16:21,149 --> 00:16:23,066
who comes barreling in.
348
00:16:23,067 --> 00:16:25,652
And I have no knowledge,
349
00:16:25,653 --> 00:16:28,029
or particular diplomacy,
350
00:16:28,030 --> 00:16:30,198
or, you know, sophistication
351
00:16:30,199 --> 00:16:32,617
about the music business
at that point,
352
00:16:32,618 --> 00:16:35,078
and these guys are fucking up
my friend's record.
353
00:16:35,079 --> 00:16:37,038
And Bruce, you know,
354
00:16:37,039 --> 00:16:38,915
says, "Hey,
what do you think?"
355
00:16:38,916 --> 00:16:40,376
You know.
356
00:16:40,960 --> 00:16:42,378
Big mistake.
357
00:16:42,712 --> 00:16:44,422
And I was like...
358
00:16:44,922 --> 00:16:46,256
"This sucks."
359
00:16:46,257 --> 00:16:48,842
He kind of laughs it away,
and says, "All right,
360
00:16:48,843 --> 00:16:51,178
then go in there
and fix it then."
361
00:16:51,179 --> 00:16:54,556
Then he says, "Everybody,
362
00:16:54,557 --> 00:16:57,518
take that paper you're
looking at, throw it away."
363
00:17:01,814 --> 00:17:03,607
"You, this is
what you're playing.
364
00:17:03,608 --> 00:17:04,858
You, play this.
365
00:17:04,859 --> 00:17:07,027
Now I want it
to sound real guttural,
366
00:17:07,028 --> 00:17:09,029
I want it to sound funky.
367
00:17:09,030 --> 00:17:11,156
Okay? I don't want
it to sound smooth.
368
00:17:11,157 --> 00:17:14,159
I want it to sound like soul."
369
00:17:14,160 --> 00:17:15,952
♪ I was standing
In the jungle ♪
370
00:17:15,953 --> 00:17:19,707
♪ Trying to take in all
The heat that was given... ♪
371
00:17:22,168 --> 00:17:24,002
All of a sudden,
it was electric.
372
00:17:24,003 --> 00:17:25,253
You know, it was great.
373
00:17:25,254 --> 00:17:27,130
It only took 20 minutes.
374
00:17:27,131 --> 00:17:29,716
This guy is somebody
to deal with.
375
00:17:29,717 --> 00:17:31,635
It was just a grand slam.
376
00:17:31,636 --> 00:17:33,095
I had met another character,
377
00:17:33,096 --> 00:17:35,389
which I should mention...
378
00:17:35,390 --> 00:17:37,849
...uh, named Jimmy Iovine,
379
00:17:37,850 --> 00:17:40,228
who was the engineer
on Born to Run.
380
00:17:40,728 --> 00:17:44,398
Uh, Jimmy says, um, "I know
you got this band, the Jukes,
381
00:17:44,399 --> 00:17:46,442
I got the key to the studio.
382
00:17:47,568 --> 00:17:50,404
We'll sneak them in after
hours and do a demo."
383
00:17:50,405 --> 00:17:52,239
I don't remember
the exact hustle,
384
00:17:52,240 --> 00:17:54,282
but I'm sure there
was a hustle involved.
385
00:17:54,283 --> 00:17:57,119
I got busy inside.
You got me doing this shit.
386
00:17:57,120 --> 00:17:58,870
Get Steve Van Zandt out here.
387
00:17:58,871 --> 00:18:00,539
He'll talk to you
all you want.
388
00:18:00,540 --> 00:18:01,791
He's better looking.
389
00:18:02,125 --> 00:18:03,417
Later.
390
00:18:03,418 --> 00:18:05,460
We were doing
everything we could
391
00:18:05,461 --> 00:18:08,714
to help Steve and Southside
get the record done.
392
00:18:08,715 --> 00:18:12,092
Bruce suggests I see this guy
Steve Popovich,
393
00:18:12,093 --> 00:18:14,428
I give Steve the demo,
he loves it,
394
00:18:14,429 --> 00:18:17,431
and starts the process
of signing the band.
395
00:18:17,432 --> 00:18:20,934
And Steve Popovich,
in his insanity,
396
00:18:20,935 --> 00:18:24,354
sends the demo to Kid Leo,
397
00:18:24,355 --> 00:18:26,940
the most popular DJ
398
00:18:26,941 --> 00:18:29,025
at the most popular station,
399
00:18:29,026 --> 00:18:30,777
uh, in Cleveland.
400
00:18:30,778 --> 00:18:32,613
So Popovich is like...
401
00:18:33,156 --> 00:18:34,948
"We better start
making this record.
402
00:18:34,949 --> 00:18:36,158
It's already getting airplay."
403
00:18:36,159 --> 00:18:38,452
♪ Baby ♪
404
00:18:38,453 --> 00:18:41,247
♪ This time
It's for real... ♪
405
00:18:42,457 --> 00:18:44,667
You have the bootleg
Southside Johnny?
406
00:18:45,710 --> 00:18:48,003
We started
paying for the record,
407
00:18:48,004 --> 00:18:49,463
we happened
to have a good year
408
00:18:49,464 --> 00:18:51,256
at the track that summer.
409
00:18:51,257 --> 00:18:54,302
And, uh, which, uh...
410
00:18:54,761 --> 00:18:56,803
makes me curious as to
411
00:18:56,804 --> 00:18:58,221
why we've never received
412
00:18:58,222 --> 00:19:00,724
one single penny in royalties.
413
00:19:00,725 --> 00:19:04,811
He gave me my first
royalty point on an album,
414
00:19:04,812 --> 00:19:07,606
which was Southside Johnny
& the Asbury Jukes.
415
00:19:07,607 --> 00:19:10,400
I'm not sure if
I ever got the royalty,
416
00:19:10,401 --> 00:19:11,860
but he gave it to me.
417
00:19:11,861 --> 00:19:14,363
I ought to call him
about that.
418
00:19:15,615 --> 00:19:17,199
♪ Baby ♪
419
00:19:17,200 --> 00:19:20,286
♪ This time
It's for real... ♪
420
00:19:20,953 --> 00:19:22,830
We still owe
money probably too.
421
00:19:23,331 --> 00:19:24,831
And that's kind of
how it went, you know?
422
00:19:24,832 --> 00:19:29,002
Uh, we'd had a handshake
agreement with Steve Popovich.
423
00:19:29,003 --> 00:19:32,714
I can safely say
nobody in the record industry
424
00:19:32,715 --> 00:19:35,802
would have, uh,
the same personality,
425
00:19:36,219 --> 00:19:37,928
uh, and been so encouraging,
426
00:19:37,929 --> 00:19:40,347
because we had a lot of
crazy ideas for the Jukes.
427
00:19:40,348 --> 00:19:42,307
I wanted to bring
Ronnie Spector
428
00:19:42,308 --> 00:19:44,351
and Lee Dorsey in
on the first record.
429
00:19:44,352 --> 00:19:47,521
We wanted to bring in
the Drifters and Coasters,
430
00:19:47,522 --> 00:19:49,940
and the Five Satins
on the second record,
431
00:19:49,941 --> 00:19:51,525
uh, reuniting them.
432
00:19:51,526 --> 00:19:53,693
Uh, these were not
commercial ideas.
433
00:19:53,694 --> 00:19:56,154
I remember
doing Southside Johnny,
434
00:19:56,155 --> 00:19:57,739
he brought in Lee Dorsey.
435
00:19:57,740 --> 00:20:00,242
I was like,
"What are you talking about?"
436
00:20:00,243 --> 00:20:02,411
He said, "Shut up,
you don't understand."
437
00:20:02,412 --> 00:20:05,414
I said, "You're
right, I don't understand."
438
00:20:05,415 --> 00:20:07,791
I don't understand
how it all went together.
439
00:20:07,792 --> 00:20:11,169
I learned a lot from Steve
and Bruce both on soul music.
440
00:20:11,170 --> 00:20:12,964
I don't wanna go home.
441
00:20:19,345 --> 00:20:20,679
He knew what he wanted
442
00:20:20,680 --> 00:20:23,390
that band to sound like.
His arrangement power,
443
00:20:23,391 --> 00:20:26,978
his commitment
to authentic music.
444
00:20:28,855 --> 00:20:31,398
♪ I know that
It's getting late ♪
445
00:20:31,399 --> 00:20:34,569
♪ But I don't
Want to go home ♪
446
00:20:35,945 --> 00:20:39,281
♪ I am in no hurry
Baby, time can wait ♪
447
00:20:39,282 --> 00:20:42,660
♪ I don't want
To go home... ♪
448
00:20:43,494 --> 00:20:46,747
You know, I had been
writing for years, really,
449
00:20:46,748 --> 00:20:48,665
and I never liked
anything I wrote.
450
00:20:48,666 --> 00:20:50,500
I just couldn't relate to it.
451
00:20:50,501 --> 00:20:52,335
I decide, "You know what?
I gotta go to school.
452
00:20:52,336 --> 00:20:55,297
I'm gonna go to school
my own way."
453
00:20:55,298 --> 00:20:59,593
Well, I decide it begins
with Leiber and Stoller.
454
00:20:59,594 --> 00:21:01,261
Jerry Leiber and Mike Stoller
455
00:21:01,262 --> 00:21:03,430
were the first
songwriter-producers
456
00:21:03,431 --> 00:21:06,266
that set the template
for everybody who followed.
457
00:21:06,267 --> 00:21:08,060
I decide,
"Okay, I'm gonna write
458
00:21:08,061 --> 00:21:09,770
a Leiber and Stoller song
459
00:21:09,771 --> 00:21:11,897
for Ben E. King
and the Drifters.
460
00:21:11,898 --> 00:21:13,607
That's gonna be my mission."
461
00:21:13,608 --> 00:21:15,984
And I write
"I Don't Want to Go Home,"
462
00:21:15,985 --> 00:21:19,029
which was the first song
I ever liked that I wrote.
463
00:21:19,030 --> 00:21:21,907
I didn't have the courage
to give it to Ben E. King.
464
00:21:21,908 --> 00:21:25,077
♪ Look at all
The people staying ♪
465
00:21:25,078 --> 00:21:27,412
♪ I don't want to go home ♪
466
00:21:27,413 --> 00:21:29,039
That's because...
467
00:21:29,040 --> 00:21:32,250
♪ In their minds
They've all been there ♪
468
00:21:32,251 --> 00:21:36,254
♪ And I don't wanna go home ♪
469
00:21:36,255 --> 00:21:38,215
♪ I know the words ♪
470
00:21:38,216 --> 00:21:40,342
♪ I know
They've got to be real ♪
471
00:21:40,343 --> 00:21:42,887
♪ Because
I don't wanna go home ♪
472
00:21:43,554 --> 00:21:48,141
♪ Baby, it's talking about
The way I feel ♪
473
00:21:48,142 --> 00:21:50,227
♪ And I don't wanna go home ♪
474
00:21:50,228 --> 00:21:54,523
♪ Baby, I know
We had to try ♪
475
00:21:54,524 --> 00:21:57,943
♪ To reach up
And touch the sky... ♪
476
00:21:57,944 --> 00:21:59,319
It was perfect.
477
00:21:59,320 --> 00:22:01,321
The arrangement,
and the chart,
478
00:22:01,322 --> 00:22:04,866
the whole thing sounded
pretty much in the bag
479
00:22:04,867 --> 00:22:07,578
that, of the stuff
that we were doing.
480
00:22:08,287 --> 00:22:11,164
The song itself
I thought was wonderful,
481
00:22:11,165 --> 00:22:13,625
because it's so insistent.
482
00:22:13,626 --> 00:22:16,169
When he's like,
"I don't wanna go home,"
483
00:22:16,170 --> 00:22:18,880
it lends itself
to being repeated,
484
00:22:18,881 --> 00:22:21,509
and it's very touching.
485
00:22:21,926 --> 00:22:24,429
I think Ben E. King
would have loved it.
486
00:22:25,179 --> 00:22:27,598
♪ Sweeter than honey ♪
487
00:22:28,015 --> 00:22:29,182
♪ Believe it... ♪
488
00:22:29,183 --> 00:22:31,351
Back then,
everybody had a turntable,
489
00:22:31,352 --> 00:22:34,020
they brought their vinyl,
everybody's listening.
490
00:22:34,021 --> 00:22:36,314
I walked into a friend's room,
491
00:22:36,315 --> 00:22:39,943
and the first Southside
Johnny album was playing
492
00:22:39,944 --> 00:22:41,445
"I Don't Want to Go Home,"
493
00:22:41,446 --> 00:22:42,904
I'm like, "What's this?"
494
00:22:42,905 --> 00:22:45,574
"This is great. I've never
heard anything like this."
495
00:22:45,575 --> 00:22:48,326
And I looked, and it was
Steven Van Zandt.
496
00:22:48,327 --> 00:22:50,662
♪ Or a picture book ♪
497
00:22:50,663 --> 00:22:54,332
♪ I'm talking about
Love, love, love ♪
498
00:22:54,333 --> 00:22:57,961
♪ Ain't nothing
But love, love, love... ♪
499
00:22:57,962 --> 00:22:59,963
When you're a kid and have
a record in your hand,
500
00:22:59,964 --> 00:23:02,549
you're always reading who did
what, who wrote what,
501
00:23:02,550 --> 00:23:04,384
who produced what,
this and that,
502
00:23:04,385 --> 00:23:06,344
so Steve was that.
503
00:23:06,345 --> 00:23:10,348
♪ And that kind of love
Don't come easy ♪
504
00:23:10,349 --> 00:23:14,227
♪ Baby, ain't much of it
In the world around you... ♪
505
00:23:14,228 --> 00:23:17,272
Steve and Southside were
a very powerful team together,
506
00:23:17,273 --> 00:23:20,609
and they made
really good records.
507
00:23:20,610 --> 00:23:21,943
I used to say, "Steven,
508
00:23:21,944 --> 00:23:23,904
maybe you should
sing your stuff yourself."
509
00:23:23,905 --> 00:23:26,865
He wasn't ready to be
the front man at the time,
510
00:23:26,866 --> 00:23:29,868
which was the right decision
for him at that moment,
511
00:23:29,869 --> 00:23:32,287
because the records
he made with Southside's,
512
00:23:32,288 --> 00:23:34,664
uh, fabulous voice, and,
513
00:23:34,665 --> 00:23:37,626
and did great justice
to Stevie's material.
514
00:23:37,627 --> 00:23:40,588
What's gonna happen with
Steven? He gonna come out?
515
00:23:43,591 --> 00:23:46,051
Steven had already thought
he was gonna go with Bruce,
516
00:23:46,052 --> 00:23:47,761
even at the beginning
of the first record.
517
00:23:47,762 --> 00:23:49,679
We convinced
the record company
518
00:23:49,680 --> 00:23:51,264
it would be okay without me
519
00:23:51,265 --> 00:23:53,600
and I'd still
be there producing.
520
00:23:53,601 --> 00:23:55,727
And I was basically
gonna join up
521
00:23:55,728 --> 00:23:57,230
with Bruce for a minute.
522
00:23:57,855 --> 00:24:00,440
I went for seven gigs,
and I stayed seven years.
523
00:24:00,441 --> 00:24:02,943
♪ Rosalita
Jump a little higher ♪
524
00:24:02,944 --> 00:24:05,822
♪ Señorita
Come sit by my fire... ♪
525
00:24:06,739 --> 00:24:08,490
The friendship
was so intense,
526
00:24:08,491 --> 00:24:10,659
and I needed
another sounding board,
527
00:24:10,660 --> 00:24:13,286
and somebody
with Stevie's creativity,
528
00:24:13,287 --> 00:24:15,038
and things were going good.
529
00:24:15,039 --> 00:24:16,415
It was just a no-brainer.
530
00:24:16,416 --> 00:24:18,250
You know, we were so close
531
00:24:18,251 --> 00:24:20,293
that I just wanted
him near me,
532
00:24:20,294 --> 00:24:22,046
I wanted him at my side.
533
00:24:22,505 --> 00:24:23,880
I heard that
when he was
534
00:24:23,881 --> 00:24:25,799
in the E Street Band
on those great tours,
535
00:24:25,800 --> 00:24:27,926
that he was managing
Southside Johnny,
536
00:24:27,927 --> 00:24:30,303
making payphone calls
before cell phones,
537
00:24:30,304 --> 00:24:33,473
and dealing with the Southside
Johnny Asbury Jukes stuff.
538
00:24:33,474 --> 00:24:35,225
I know that.
539
00:24:35,226 --> 00:24:36,935
Don't you think I know that?
540
00:24:36,936 --> 00:24:38,062
I know that.
541
00:24:39,939 --> 00:24:41,065
On the piano,
542
00:24:41,566 --> 00:24:43,109
Professor Roy Bittan!
543
00:24:48,948 --> 00:24:51,408
On the bass guitar,
Garry W. Tallent.
544
00:24:51,409 --> 00:24:53,577
The names,
the nicknames, you know,
545
00:24:53,578 --> 00:24:55,787
the Big Mick,
Miami Steve,
546
00:24:55,788 --> 00:24:57,664
the Mighty Maxim, it's like...
547
00:24:57,665 --> 00:24:59,833
On the guitar, Miami Steve.
548
00:24:59,834 --> 00:25:02,002
It was
traditional rock and roll
549
00:25:02,003 --> 00:25:04,421
done in a very powerful
and new way.
550
00:25:04,422 --> 00:25:06,841
On the drums, the Mighty Max.
551
00:25:08,676 --> 00:25:12,304
It was new, but it was old.
It was both.
552
00:25:12,305 --> 00:25:14,640
On the organ, Dan Federici.
553
00:25:18,519 --> 00:25:22,023
On the saxophone,
Clarence Clemons.
554
00:25:23,441 --> 00:25:24,775
The E Street Band,
555
00:25:24,776 --> 00:25:27,779
you know, you got
guys from Jersey.
556
00:25:28,404 --> 00:25:30,072
Loads of things
make a good band.
557
00:25:30,073 --> 00:25:32,657
I think one of
the important things
558
00:25:32,658 --> 00:25:35,453
is if you're all from
the kind of same area,
559
00:25:35,870 --> 00:25:38,288
if you all relate
to the same sort of stuff.
560
00:25:38,289 --> 00:25:42,292
Everyone working
toward the exact same goal,
561
00:25:42,293 --> 00:25:43,752
in the same direction,
562
00:25:43,753 --> 00:25:45,379
from the same neighborhood,
563
00:25:45,380 --> 00:25:47,381
at the same time in history,
564
00:25:47,382 --> 00:25:49,634
with the same
record collections,
565
00:25:50,051 --> 00:25:52,052
that's what makes
a band great.
566
00:25:52,053 --> 00:25:54,721
People talk about
the Liverpool sound.
567
00:25:54,722 --> 00:25:56,264
"Oh, The Beatles
put that on the map."
568
00:25:56,265 --> 00:25:59,226
It's the same thing that
these guys did for Jersey.
569
00:25:59,227 --> 00:26:02,270
Bruce, Steven, Southside
570
00:26:02,271 --> 00:26:05,066
put Asbury Park on the map.
571
00:26:18,746 --> 00:26:21,289
You know, back in the day,
there wasn't, um,
572
00:26:21,290 --> 00:26:23,125
there wasn't really videos.
573
00:26:23,126 --> 00:26:25,627
You didn't see too many clips.
You saw pictures.
574
00:26:25,628 --> 00:26:27,629
When I saw pictures
of these guys,
575
00:26:27,630 --> 00:26:29,423
or even pictures
of them playing live,
576
00:26:29,424 --> 00:26:32,551
Little Steven had these
three-piece suits and hats,
577
00:26:32,552 --> 00:26:33,802
and he'd come and sing
578
00:26:33,803 --> 00:26:35,512
these crazy
background vocals,
579
00:26:35,513 --> 00:26:36,930
and play guitar,
580
00:26:36,931 --> 00:26:38,598
and they were such a gang,
581
00:26:38,599 --> 00:26:42,060
a group of men
to be reckoned with.
582
00:26:42,061 --> 00:26:43,311
They scared me.
583
00:26:43,312 --> 00:26:46,356
Most groups, whether
it was the Sex Pistols,
584
00:26:46,357 --> 00:26:48,275
or early
Red Hot Chili Peppers,
585
00:26:48,276 --> 00:26:49,776
they scared you.
586
00:26:49,777 --> 00:26:52,071
Ramones, they were scary.
587
00:26:52,572 --> 00:26:54,030
The E Street Band
was the same.
588
00:26:54,031 --> 00:26:57,284
Some pictures from The River,
all dressed in black,
589
00:26:57,285 --> 00:26:58,827
looked like they
maybe dressed up
590
00:26:58,828 --> 00:27:00,538
for a wedding, but...
591
00:27:01,205 --> 00:27:03,708
the way they were dressed,
maybe gonna be a funeral.
592
00:27:09,756 --> 00:27:11,423
You couldn't tell
who was playing
593
00:27:11,424 --> 00:27:12,841
what guitar on the records.
594
00:27:12,842 --> 00:27:15,469
You'd try to figure that
out when you were listening.
595
00:27:15,470 --> 00:27:18,680
But you could hear those
distinctive background vocals.
596
00:27:18,681 --> 00:27:20,140
He's just all over it.
597
00:27:20,141 --> 00:27:22,976
♪ Ooh, girl
I got a crush on you ♪
598
00:27:22,977 --> 00:27:26,188
♪ I said ooh, girl
I got a crush on you... ♪
599
00:27:26,189 --> 00:27:28,441
I was like,
"Wow, this is rock and roll."
600
00:27:28,858 --> 00:27:30,150
This is that camaraderie
601
00:27:30,151 --> 00:27:32,820
that, like, gang thing
that I look for,
602
00:27:33,237 --> 00:27:35,947
and seeing that these guys
had this connection.
603
00:27:35,948 --> 00:27:37,574
They could be
running down the street,
604
00:27:37,575 --> 00:27:38,950
a certain kind of
brotherhood,
605
00:27:38,951 --> 00:27:40,660
and I spotted
that right away,
606
00:27:40,661 --> 00:27:43,705
that Mick and Keith
thing with him and Bruce.
607
00:27:43,706 --> 00:27:45,332
All right.
608
00:27:45,333 --> 00:27:47,667
♪ I got some beer ♪
609
00:27:47,668 --> 00:27:49,795
♪ And the highway's free ♪
610
00:27:49,796 --> 00:27:51,588
♪ And I got you ♪
611
00:27:51,589 --> 00:27:54,133
♪ And baby you got me ♪
612
00:27:55,176 --> 00:27:57,053
Get down, chico.
613
00:28:01,891 --> 00:28:04,018
Of course, Barry.
614
00:28:11,150 --> 00:28:13,819
Born to Run and
Darkness on the Edge of Town
615
00:28:13,820 --> 00:28:16,114
were two very tough
records to make.
616
00:28:18,366 --> 00:28:21,368
When it came time for
The River, I was like,
617
00:28:21,369 --> 00:28:24,204
Bruce, I love you, but I can't
go through this again.
618
00:28:24,205 --> 00:28:26,374
It's too much torture.
619
00:28:27,041 --> 00:28:30,128
He was like, "No, you gotta
produce this one with me."
620
00:28:30,545 --> 00:28:31,795
Bruce, he says, "You know,
621
00:28:31,796 --> 00:28:34,047
we got this amazing
reputation live,
622
00:28:34,048 --> 00:28:37,634
but you know, we can't get it
on record, you know?
623
00:28:37,635 --> 00:28:39,720
So you're a band guy,
I want you
624
00:28:39,721 --> 00:28:41,304
to produce
the record with me,
625
00:28:41,305 --> 00:28:45,393
and let's get the band sound
on the record, you know?"
626
00:28:45,810 --> 00:28:47,644
The River
is a classic example
627
00:28:47,645 --> 00:28:49,938
of Steve's influence
on my music,
628
00:28:49,939 --> 00:28:53,024
and him bringing
his best to the table,
629
00:28:53,025 --> 00:28:55,193
and creating something
that really was
630
00:28:55,194 --> 00:28:58,114
a creation
of the two of us, you know?
631
00:28:58,531 --> 00:29:01,742
I had two strong
sounding boards.
632
00:29:01,743 --> 00:29:03,910
I had Jon and I had Steve,
633
00:29:03,911 --> 00:29:06,538
and they did not have
the same vision
634
00:29:06,539 --> 00:29:08,206
for the music
we were making.
635
00:29:08,207 --> 00:29:09,207
It sounds great.
636
00:29:09,208 --> 00:29:11,209
Their visions were
not incompatible,
637
00:29:11,210 --> 00:29:14,881
but significantly off-center
with each other.
638
00:29:15,465 --> 00:29:17,924
Steve and I would agree
about many things
639
00:29:17,925 --> 00:29:19,342
in the studio.
640
00:29:19,343 --> 00:29:21,136
We also disagreed
about many things.
641
00:29:21,137 --> 00:29:22,763
That was good for me,
642
00:29:22,764 --> 00:29:24,556
because I was
trying to suss out
643
00:29:24,557 --> 00:29:26,016
where I wanted to go,
644
00:29:26,017 --> 00:29:28,393
and I got the benefit
of all those different ideas,
645
00:29:28,394 --> 00:29:30,771
and was able to decide
on which way to go
646
00:29:30,772 --> 00:29:32,689
on any particular project.
647
00:29:32,690 --> 00:29:34,274
We were there
for the same reason,
648
00:29:34,275 --> 00:29:36,777
which was to make
what we were working on
649
00:29:36,778 --> 00:29:38,487
the best it could be.
650
00:29:38,488 --> 00:29:40,447
It was a lot of fun
651
00:29:40,448 --> 00:29:41,699
some of the time.
652
00:29:43,117 --> 00:29:45,952
♪ Well I wish that
I could have myself ♪
653
00:29:45,953 --> 00:29:48,038
♪ A seven day weekend ♪
654
00:29:48,039 --> 00:29:50,624
You know, I was
a huge Gary U.S. Bonds fan,
655
00:29:50,625 --> 00:29:52,084
so I came
and saw him at a club
656
00:29:52,085 --> 00:29:53,752
here in New Jersey one night,
657
00:29:53,753 --> 00:29:55,128
ended up talking to him,
658
00:29:55,129 --> 00:29:56,963
I said, "Gee, I don't know,
659
00:29:56,964 --> 00:29:59,341
I'd love to produce something
for you, you know?
660
00:29:59,342 --> 00:30:01,676
It'd be fun if Stevie and I
did it together."
661
00:30:01,677 --> 00:30:04,389
He came in
and said, "Look, let's, uh...
662
00:30:05,014 --> 00:30:06,765
why don't we
record some stuff?"
663
00:30:06,766 --> 00:30:08,225
And I said, "Sure."
664
00:30:08,226 --> 00:30:11,270
And unbelievably,
we have a hit single.
665
00:30:15,274 --> 00:30:17,025
You're on the top
of the charts.
666
00:30:17,026 --> 00:30:18,568
Yeah, I like it, man.
667
00:30:18,569 --> 00:30:21,029
Bruce Springsteen,
did he produce this album?
668
00:30:21,030 --> 00:30:22,864
Yep, and Miami Steve.
669
00:30:22,865 --> 00:30:25,159
- Miami Steve Van Zandt.
- That's it.
670
00:30:25,701 --> 00:30:27,119
I-I don't know
how Bruce knew it,
671
00:30:27,120 --> 00:30:29,704
but as one song
led to the other,
672
00:30:29,705 --> 00:30:31,081
I started to realize
673
00:30:31,082 --> 00:30:33,834
Gary is one of great
soul singers of all time.
674
00:30:33,835 --> 00:30:35,669
We'd like to do a song for you
675
00:30:35,670 --> 00:30:37,880
that was written
by Miami Steve Van Zandt.
676
00:30:40,341 --> 00:30:45,179
♪ It's been a long
Long time for us ♪
677
00:30:46,681 --> 00:30:48,348
♪ I need to talk ♪
678
00:30:48,349 --> 00:30:51,184
♪ But I'm not
Strong enough... ♪
679
00:30:51,185 --> 00:30:52,769
"Daddy's Come Home,"
680
00:30:52,770 --> 00:30:54,771
which is still
my favorite song,
681
00:30:54,772 --> 00:30:56,022
and it's a ballad.
682
00:30:56,023 --> 00:30:58,817
He likes to get into
all the goody-goody,
683
00:30:58,818 --> 00:31:01,571
the kissy-kissy,
the huggy-huggy stuff too.
684
00:31:02,029 --> 00:31:04,614
Steven writes
emotional songs.
685
00:31:04,615 --> 00:31:06,658
He writes songs
from the heart.
686
00:31:06,659 --> 00:31:08,577
He's got a way
of turning a phrase,
687
00:31:08,578 --> 00:31:10,328
like Richard Thompson does,
688
00:31:10,329 --> 00:31:13,749
uh, Tom Waits, Bruce,
they all have that way of...
689
00:31:13,750 --> 00:31:15,375
You always go, "God damn,
690
00:31:15,376 --> 00:31:17,210
I wish I had
written that line."
691
00:31:17,211 --> 00:31:22,967
♪ Daddy's come home ♪
692
00:31:24,677 --> 00:31:29,390
♪ Daddy's come home ♪
693
00:31:30,683 --> 00:31:35,479
♪ Back where he belongs... ♪
694
00:31:35,480 --> 00:31:38,232
He hears
a lot of stuff. It's amazing.
695
00:31:38,941 --> 00:31:40,901
He can hear horn lines,
696
00:31:40,902 --> 00:31:42,569
and he can hear guitar lines.
697
00:31:42,570 --> 00:31:46,074
You know, there are a lot
of cats, they don't hear it.
698
00:31:47,116 --> 00:31:51,454
♪ Daddy's come home ♪
699
00:32:04,884 --> 00:32:08,095
This is one of my favorite
songs of Steve's,
700
00:32:08,096 --> 00:32:09,931
called "Love Again."
701
00:32:10,390 --> 00:32:12,974
♪ I've been to
The Statue of Liberty ♪
702
00:32:12,975 --> 00:32:15,060
♪ So fine and full of grace ♪
703
00:32:15,061 --> 00:32:17,020
♪ Lately every girl I meet ♪
704
00:32:17,021 --> 00:32:19,606
♪ Has that lady's look
On their face ♪
705
00:32:19,607 --> 00:32:21,817
♪ I'm not a man
For one night stands ♪
706
00:32:21,818 --> 00:32:23,443
♪ That's never been
Where it's at ♪
707
00:32:23,444 --> 00:32:25,362
♪ Maybe I'm
A little old fashioned ♪
708
00:32:25,363 --> 00:32:27,990
♪ But what's
So wrong with that? ♪
709
00:32:29,242 --> 00:32:31,576
Being in the studio
with Stevie Van Zandt
710
00:32:31,577 --> 00:32:34,663
was mind-blowing,
the things he came up with.
711
00:32:34,664 --> 00:32:36,790
The music that's in his head,
712
00:32:36,791 --> 00:32:38,333
different things he tried.
713
00:32:38,334 --> 00:32:40,544
Steve was
an incredible arranger.
714
00:32:40,545 --> 00:32:43,964
It's knowing how to take
a particular piece of music
715
00:32:43,965 --> 00:32:46,133
and get the best out of it.
716
00:32:46,134 --> 00:32:48,802
Arrangement to me
is all about that,
717
00:32:48,803 --> 00:32:51,431
enhancing the song.
718
00:32:51,973 --> 00:32:55,225
The track in general
is there to support
719
00:32:55,226 --> 00:32:57,978
that song being sung
by that artist.
720
00:32:57,979 --> 00:33:00,105
The key, really,
to a successful arrangement
721
00:33:00,106 --> 00:33:02,023
is nothing conflicting.
722
00:33:02,024 --> 00:33:03,775
Everything's adding.
723
00:33:03,776 --> 00:33:05,528
Here's the horns.
724
00:33:07,196 --> 00:33:09,990
- The backing vocals.
725
00:33:09,991 --> 00:33:11,617
See how they
go back and forth?
726
00:33:13,494 --> 00:33:14,661
They answer each other.
727
00:33:14,662 --> 00:33:17,456
♪ Ah ah ah ♪
728
00:33:17,457 --> 00:33:19,541
♪ Ah ah ah ♪
729
00:33:19,542 --> 00:33:22,627
See, the backing vocals
just doing "ah's,"
730
00:33:22,628 --> 00:33:25,255
but the horns are actually
playing a lick.
731
00:33:25,256 --> 00:33:28,216
And then they...
then they all got kind of...
732
00:33:28,217 --> 00:33:30,470
do a, like, a pad together.
733
00:33:32,346 --> 00:33:35,224
That's one of the kinds
of things he does.
734
00:33:36,476 --> 00:33:40,271
And the piano is just doing
part of the rhythm section.
735
00:33:41,314 --> 00:33:44,566
Steve is very specific
about balances.
736
00:33:44,567 --> 00:33:46,693
The fifth bar,
the second trumpet
737
00:33:46,694 --> 00:33:48,153
sticking out too much,
738
00:33:48,154 --> 00:33:50,030
he hears all
that in his head.
739
00:33:50,031 --> 00:33:53,200
He's a pretty formidable
talent, I'd have to say.
740
00:33:53,201 --> 00:33:54,826
- Hello?
741
00:33:54,827 --> 00:33:57,120
I was completely
taken and enamored
742
00:33:57,121 --> 00:33:59,289
by everything
that Steven touched.
743
00:33:59,290 --> 00:34:00,791
Finally, I said to him,
744
00:34:00,792 --> 00:34:03,460
when we started this record
company, EMI America,
745
00:34:03,461 --> 00:34:05,754
I said, you know,
"You need to make a record."
746
00:34:05,755 --> 00:34:10,258
Nobody's gonna need a love
song sung by a side man.
747
00:34:10,259 --> 00:34:12,719
I'm like, "No, no,
you need to do this."
748
00:34:12,720 --> 00:34:16,056
You're one of the greatest
songwriters of our day.
749
00:34:16,057 --> 00:34:19,559
You're as good a producer
as anybody I know,
750
00:34:19,560 --> 00:34:23,064
and, um, you need
to make a record.
751
00:34:23,731 --> 00:34:26,692
Steven, I'm going to kill you
if you don't do this.
752
00:34:29,153 --> 00:34:31,279
If I'm gonna do
a solo record at that point,
753
00:34:31,280 --> 00:34:34,866
um, I needed
to find an identity.
754
00:34:34,867 --> 00:34:36,660
You know, Miami Steve,
755
00:34:36,661 --> 00:34:38,161
the fun guy in the band,
756
00:34:38,162 --> 00:34:40,247
we were like
the rock and roll Rat Pack,
757
00:34:40,248 --> 00:34:42,249
and I was
the Dean Martin character.
758
00:34:42,250 --> 00:34:44,000
Uh, Bruce is Frank,
759
00:34:44,001 --> 00:34:46,586
and Clarence
is Sammy on steroids.
760
00:34:46,587 --> 00:34:49,965
I was the first guy you call
if you're gonna have a party.
761
00:34:49,966 --> 00:34:52,384
I thought, "I better kind of
introduce myself
762
00:34:52,385 --> 00:34:54,261
or reintroduce myself,"
you know?
763
00:34:54,262 --> 00:34:56,805
As this new character,
Little Steven.
764
00:34:56,806 --> 00:34:58,640
When I first
became aware of you,
765
00:34:58,641 --> 00:35:02,060
you were, uh,
Miami Steve Van Zandt.
766
00:35:02,061 --> 00:35:03,770
Yeah, that's right!
767
00:35:03,771 --> 00:35:06,440
Now, uh,
and now you're Little Steven.
768
00:35:06,441 --> 00:35:08,942
I'm still
gonna keep a nickname,
769
00:35:08,943 --> 00:35:10,318
because nicknames suggest
770
00:35:10,319 --> 00:35:12,320
not taking
yourself too seriously,
771
00:35:12,321 --> 00:35:15,490
but I wanted to be able
to take the work seriously.
772
00:35:15,491 --> 00:35:18,285
I said I'm gonna
open the first album
773
00:35:18,286 --> 00:35:21,121
with a song that's gonna
explain the rest of my career.
774
00:35:21,122 --> 00:35:23,039
You know, very political.
775
00:35:23,040 --> 00:35:24,291
Ask the question,
776
00:35:24,292 --> 00:35:26,960
"What happened
to all our '60s ideals?
777
00:35:26,961 --> 00:35:28,463
Where did they go?"
778
00:35:34,969 --> 00:35:37,221
♪ Come on, baby ♪
779
00:35:38,347 --> 00:35:42,310
♪ Come on, sing with me now ♪
780
00:35:45,438 --> 00:35:47,773
If there
is any such thing
781
00:35:47,774 --> 00:35:49,733
as an Asbury Park sound,
782
00:35:49,734 --> 00:35:51,401
then one of the guys
most responsible
783
00:35:51,402 --> 00:35:53,112
is Steve Van Zandt.
784
00:35:53,488 --> 00:35:54,654
Miami Steve is best known
785
00:35:54,655 --> 00:35:56,323
as Bruce Springsteen's
guitarist,
786
00:35:56,324 --> 00:35:58,867
but he's also
a respected songwriter,
787
00:35:58,868 --> 00:36:00,285
arranger, and producer.
788
00:36:00,286 --> 00:36:03,371
Now he's taking
that one final step.
789
00:36:03,372 --> 00:36:05,290
He's fronting his own band,
790
00:36:05,291 --> 00:36:08,086
Little Steven
and the Disciples of Soul.
791
00:36:22,725 --> 00:36:24,518
When he made
the first album,
792
00:36:24,519 --> 00:36:26,812
that was his
step away from Bruce.
793
00:36:26,813 --> 00:36:28,271
Those guys love one another.
794
00:36:28,272 --> 00:36:30,148
It's not the big brother
795
00:36:30,149 --> 00:36:32,109
that you're
stepping away from.
796
00:36:32,110 --> 00:36:34,861
It's trying to not feel like
797
00:36:34,862 --> 00:36:36,655
the little brother anymore.
798
00:36:36,656 --> 00:36:39,283
And when Steve made
Men Without Women...
799
00:36:39,700 --> 00:36:42,578
...that's not
a little brother's record.
800
00:36:43,287 --> 00:36:45,872
♪ We always stood
On the same block ♪
801
00:36:45,873 --> 00:36:47,667
♪ Way back then ♪
802
00:36:48,960 --> 00:36:50,210
♪ Waiting to find out ♪
803
00:36:50,211 --> 00:36:52,880
♪ Where in the world
We fit in ♪
804
00:36:54,215 --> 00:36:55,882
♪ Then something
On the radio ♪
805
00:36:55,883 --> 00:36:58,678
♪ Changed everything
We'd been ♪
806
00:36:59,512 --> 00:37:01,888
♪ And now I need it, baby ♪
807
00:37:01,889 --> 00:37:04,142
♪ Over and over again ♪
808
00:37:04,809 --> 00:37:09,646
♪ Where it comes from
Baby, I don't know ♪
809
00:37:09,647 --> 00:37:14,568
♪ That same old something
Just won't let me go ♪
810
00:37:14,569 --> 00:37:17,612
♪ Oh it's too late, baby ♪
811
00:37:17,613 --> 00:37:21,032
♪ It's been too long ♪
812
00:37:21,033 --> 00:37:22,701
♪ Don't try to stop me ♪
813
00:37:22,702 --> 00:37:25,621
♪ Till the good is gone ♪
814
00:37:26,748 --> 00:37:28,540
♪ It seems like
Only yesterday ♪
815
00:37:28,541 --> 00:37:30,542
♪ I could hear
Big Mama call... ♪
816
00:37:30,543 --> 00:37:32,210
Men Without Women came out.
817
00:37:32,211 --> 00:37:35,338
It was basically
the Southside sound,
818
00:37:35,339 --> 00:37:37,090
but taken to another level.
819
00:37:37,091 --> 00:37:39,051
♪ One more time
Say yeah ♪
820
00:37:39,052 --> 00:37:41,928
♪ Yeah, yeah... ♪
821
00:37:41,929 --> 00:37:43,305
I was coming into it
822
00:37:43,306 --> 00:37:45,390
with quite
a lot of knowledge,
823
00:37:45,391 --> 00:37:47,517
but also a lot of expectation.
824
00:37:47,518 --> 00:37:49,394
It feels very organic,
825
00:37:49,395 --> 00:37:50,938
and personal.
826
00:37:51,397 --> 00:37:53,273
I fell in love
with those songs.
827
00:37:53,274 --> 00:37:55,525
I met Steven
when I was an intern
828
00:37:55,526 --> 00:37:57,402
at Power Station studios.
829
00:37:57,403 --> 00:37:58,737
And this was at a time
830
00:37:58,738 --> 00:38:00,572
when he was
starting his solo album,
831
00:38:00,573 --> 00:38:02,324
but he was looking
for a specific sound
832
00:38:02,325 --> 00:38:04,076
on a song.
833
00:38:04,077 --> 00:38:06,244
And, uh, Ben Newberry,
834
00:38:06,245 --> 00:38:08,580
his guitar tech,
said, "Zoe plays oboe,
835
00:38:08,581 --> 00:38:10,665
is that the sound
you're looking for?"
836
00:38:10,666 --> 00:38:11,834
He said, "Yes."
837
00:38:25,306 --> 00:38:26,640
When we finished the record,
838
00:38:26,641 --> 00:38:28,810
he said, "Do you
wanna go on tour?"
839
00:38:47,829 --> 00:38:50,497
When he was working
on his albums in New York,
840
00:38:50,498 --> 00:38:51,748
we'd meet every Friday
841
00:38:51,749 --> 00:38:54,167
at this little
Mexican restaurant,
842
00:38:54,168 --> 00:38:55,460
and then go see a movie.
843
00:38:55,461 --> 00:38:56,962
It was like being a teenager
844
00:38:56,963 --> 00:38:59,715
when you'd get off early
on Friday. It was so much fun.
845
00:38:59,716 --> 00:39:02,008
I think I met Jay Cocks
846
00:39:02,009 --> 00:39:04,010
through Marty Scorsese.
847
00:39:04,011 --> 00:39:06,763
And because Marty and Jay
were very close,
848
00:39:06,764 --> 00:39:10,183
um, Marty had shown me
and Bruce Mean Streets.
849
00:39:10,184 --> 00:39:11,560
We were talking about
850
00:39:11,561 --> 00:39:12,978
making a film
about the songs.
851
00:39:12,979 --> 00:39:15,397
That's when I introduced
him to John Cassavetes,
852
00:39:15,398 --> 00:39:18,608
who could light
anybody up with the idea,
853
00:39:18,609 --> 00:39:20,527
"You can do this,
you can make a movie."
854
00:39:20,528 --> 00:39:24,030
These two guys
were kindred spirits.
855
00:39:24,031 --> 00:39:26,324
I see at some
Santa Monica cinema
856
00:39:26,325 --> 00:39:27,659
that doesn't exist anymore
857
00:39:27,660 --> 00:39:29,995
there's a one week
run of the film,
858
00:39:29,996 --> 00:39:31,580
Men Without Women.
859
00:39:31,581 --> 00:39:33,457
I'm like, "I gotta see
this fucking thing.
860
00:39:33,458 --> 00:39:36,044
Steve made a movie?"
861
00:39:36,419 --> 00:39:38,045
Uh, so I go,
862
00:39:38,046 --> 00:39:40,630
and it's a rough cut,
it's like a lost movie.
863
00:39:40,631 --> 00:39:44,801
I've spoken to Steven since,
and I think it's gone.
864
00:39:44,802 --> 00:39:48,221
Let's ask him for the great
undiscovered secret,
865
00:39:48,222 --> 00:39:51,141
like the lost footage from
The Magnificent Ambersons.
866
00:39:51,142 --> 00:39:52,684
I remember it.
867
00:39:52,685 --> 00:39:55,645
I remember it from...
I saw it when it came out.
868
00:39:55,646 --> 00:39:58,273
I haven't seen it since,
so that's, I don't know,
869
00:39:58,274 --> 00:40:00,067
30 or 35 years ago,
870
00:40:00,068 --> 00:40:01,903
or whenever it was, you know?
871
00:40:19,003 --> 00:40:21,922
Van Zandt says the film
is not a documentary,
872
00:40:21,923 --> 00:40:24,801
although the storyline does
parallel his own life.
873
00:40:25,301 --> 00:40:27,052
That's Maureen
"Knuckles" Santoro,
874
00:40:27,053 --> 00:40:29,555
who married Van Zandt
earlier this year.
875
00:40:31,641 --> 00:40:34,101
Back in '75,
at one of those showcase gigs
876
00:40:34,102 --> 00:40:36,938
I was playing with Bruce
and the E Street Band,
877
00:40:37,647 --> 00:40:40,190
it is at that Bottom Line gig
878
00:40:40,191 --> 00:40:42,485
where I first met Maureen.
879
00:40:43,611 --> 00:40:45,278
And I see this girl,
880
00:40:45,279 --> 00:40:46,988
and I just go nuts, you know?
881
00:40:46,989 --> 00:40:48,115
I'm like, "Wow,
882
00:40:48,116 --> 00:40:50,575
this is the Brigitte Bardot
of New Jersey."
883
00:40:50,576 --> 00:40:52,619
And we talked
a little bit afterwards,
884
00:40:52,620 --> 00:40:54,914
and-and that was it.
885
00:40:56,749 --> 00:40:58,667
I talked her
into going out with me
886
00:40:58,668 --> 00:41:01,170
like a year later.
It took me, like, a year.
887
00:41:01,504 --> 00:41:04,297
Once Steve met Maureen,
that was it, you know?
888
00:41:04,298 --> 00:41:06,050
Simple as that, that was it.
889
00:41:09,679 --> 00:41:11,388
I was
one of those guys,
890
00:41:11,389 --> 00:41:12,973
never gonna get married.
891
00:41:12,974 --> 00:41:15,350
She was just into
all kinds of things,
892
00:41:15,351 --> 00:41:16,852
literature and ballet.
893
00:41:16,853 --> 00:41:20,021
She was way above
my level of sophistication.
894
00:41:20,022 --> 00:41:22,649
She turned me
on to all of that,
895
00:41:22,650 --> 00:41:25,193
expanded my consciousness
tremendously.
896
00:41:25,194 --> 00:41:29,282
She really just, you know,
rocked my world, as they say.
897
00:41:29,824 --> 00:41:32,326
You know, I'm very
grateful to her for that.
898
00:41:33,119 --> 00:41:36,121
Men Without Women
was written when we met.
899
00:41:36,122 --> 00:41:39,040
You feel like someone
is opening a window
900
00:41:39,041 --> 00:41:42,462
onto a private thing,
your relationship.
901
00:41:49,552 --> 00:41:52,262
On the other hand,
it's a really beautiful thing,
902
00:41:52,263 --> 00:41:55,641
and it's what any rock
and roll girl would dream of.
903
00:42:02,690 --> 00:42:05,192
He says
he's getting married, great,
904
00:42:05,193 --> 00:42:07,028
I'm his best man.
905
00:42:07,528 --> 00:42:09,613
Little Richard's
gonna marry him.
906
00:42:09,614 --> 00:42:11,866
Why not?
907
00:42:14,368 --> 00:42:17,496
I don't know who came up
with the Little Richard idea.
908
00:42:17,497 --> 00:42:19,873
I know I was completely
in agreement with it.
909
00:42:19,874 --> 00:42:22,125
Didn't think it would happen,
and it did happen.
910
00:42:22,126 --> 00:42:24,378
We sat down
with Little Richard,
911
00:42:24,379 --> 00:42:25,754
tried to explain to him
912
00:42:25,755 --> 00:42:27,548
the kind of service
we wanted.
913
00:42:27,882 --> 00:42:30,259
We don't want too much
of the Jesus thing.
914
00:42:31,010 --> 00:42:33,721
"Oh, yes, absolutely,
absolutely."
915
00:42:34,055 --> 00:42:36,014
At the ceremony,
he disregarded
916
00:42:36,015 --> 00:42:37,182
everything we said.
917
00:42:37,183 --> 00:42:39,226
First thing, he's going
"Jesus!"
918
00:42:39,227 --> 00:42:41,603
But together
you can daily offer
919
00:42:41,604 --> 00:42:43,063
your prayers to God,
920
00:42:43,064 --> 00:42:46,817
and as your love for him grows
stronger and stronger,
921
00:42:46,818 --> 00:42:51,239
your love for each other will
be purified and strengthened.
922
00:42:54,242 --> 00:42:56,952
It was a classic
Steven production.
923
00:42:56,953 --> 00:43:00,414
He had Percy Sledge singing
"When a Man Loves a Woman."
924
00:43:00,415 --> 00:43:02,208
Ladies and gentlemen,
925
00:43:03,751 --> 00:43:07,839
Mr. and Mrs. Van Zandt.
Meet them.
926
00:43:10,591 --> 00:43:16,848
♪ When a man loves a woman ♪
927
00:43:18,433 --> 00:43:20,435
It was way out there.
928
00:43:20,810 --> 00:43:23,145
I was an usher.
I'm glad to see that my job,
929
00:43:23,146 --> 00:43:25,313
I did a good job
and it worked, right?
930
00:43:25,314 --> 00:43:26,941
That had something
to do with it.
931
00:43:31,904 --> 00:43:33,947
I remember
when we were kids,
932
00:43:33,948 --> 00:43:35,824
and we heard
Little Steven got married,
933
00:43:35,825 --> 00:43:37,659
and Bruce was the best man.
934
00:43:37,660 --> 00:43:39,077
My best man right here.
935
00:43:39,078 --> 00:43:42,165
And it was the wedding band
from The Godfather.
936
00:43:43,291 --> 00:43:47,295
♪ But it really isn't
What I need... ♪
937
00:43:47,962 --> 00:43:51,924
And, uh, I heard
it was really great.
938
00:43:52,258 --> 00:43:53,800
I don't remember a thing,
939
00:43:53,801 --> 00:43:55,678
but that's what I heard.
940
00:43:59,640 --> 00:44:03,311
Do you feel like
Steven Van Zandt is
941
00:44:03,644 --> 00:44:07,690
living out your fantasy
or your dream?
942
00:44:08,149 --> 00:44:09,317
Absolutely.
943
00:44:09,984 --> 00:44:12,487
Seems like yesterday,
listening to the radio,
944
00:44:13,196 --> 00:44:15,698
and saying,
"Jeez, I'd like to do that."
945
00:44:16,824 --> 00:44:18,116
And then you are,
946
00:44:18,117 --> 00:44:19,534
and that's-that's great.
947
00:44:19,535 --> 00:44:20,995
I feel very lucky about that.
948
00:44:25,083 --> 00:44:27,084
Little Steven
and the Disciples of Soul,
949
00:44:27,085 --> 00:44:29,503
- how are you doing?
- Hello, Peter, how are you?
950
00:44:29,504 --> 00:44:31,171
What are you doing
in your show now?
951
00:44:31,172 --> 00:44:33,925
It's basically
rock and roll, um...
952
00:44:34,675 --> 00:44:36,052
with horns, you know?
953
00:44:39,347 --> 00:44:41,932
♪ Ain't it hard
To see through it ♪
954
00:44:41,933 --> 00:44:44,726
♪ Don't it hurt your eyes
To try ♪
955
00:44:44,727 --> 00:44:47,604
♪ It was so much easier
Yesterday ♪
956
00:44:47,605 --> 00:44:50,607
♪ When all we had to do
Was survive ♪
957
00:44:50,608 --> 00:44:53,026
In my so-called career,
958
00:44:53,027 --> 00:44:56,197
I met the coolest,
most important cats.
959
00:44:56,614 --> 00:44:57,781
Frankie Barsalona,
960
00:44:57,782 --> 00:44:59,783
he was the last
of the great agents.
961
00:44:59,784 --> 00:45:03,078
The old, uh, promoters
were all basically thieves,
962
00:45:03,079 --> 00:45:05,747
and he decided to put
his own people in place
963
00:45:05,748 --> 00:45:07,290
the same way that Maranzano
964
00:45:07,291 --> 00:45:10,335
and then Luciano divided
the Mob up into regions,
965
00:45:10,336 --> 00:45:13,171
introducing the concept
of longevity.
966
00:45:13,172 --> 00:45:16,216
By telling these promoters,
"Look, you're gonna lose money
967
00:45:16,217 --> 00:45:19,720
the first-first tour,
maybe the second,
968
00:45:19,721 --> 00:45:22,013
you break even on the third,
maybe fourth.
969
00:45:22,014 --> 00:45:24,057
From then on, you make money
the rest of your life."
970
00:45:24,058 --> 00:45:26,560
This was a radical concept.
971
00:45:26,561 --> 00:45:28,729
He created an industry
972
00:45:28,730 --> 00:45:30,897
that, you know,
now could relax
973
00:45:30,898 --> 00:45:33,568
and people could develop.
974
00:45:33,985 --> 00:45:35,652
Because greatness
is not born,
975
00:45:35,653 --> 00:45:37,154
greatness is developed,
976
00:45:37,155 --> 00:45:39,573
and I want Bruce
to be with Frank.
977
00:45:39,574 --> 00:45:40,949
Frank's the best.
978
00:45:40,950 --> 00:45:42,702
I want Bruce
to be with the best.
979
00:45:44,787 --> 00:45:46,329
It was important
for Steven that
980
00:45:46,330 --> 00:45:48,206
the E Street Band
followed the plan
981
00:45:48,207 --> 00:45:50,250
that Frank had
worked out for them.
982
00:45:50,251 --> 00:45:52,919
So from 1975 to 1980,
983
00:45:52,920 --> 00:45:54,546
the E Street Band
basically followed
984
00:45:54,547 --> 00:45:56,465
that Frank Barsalona formula.
985
00:45:56,466 --> 00:45:59,342
You know, they went from
small clubs, then theaters,
986
00:45:59,343 --> 00:46:01,887
then to bigger
places like arenas,
987
00:46:01,888 --> 00:46:03,930
and eventually to stadiums.
988
00:46:03,931 --> 00:46:06,391
By the time they went in
to record Born in the USA,
989
00:46:06,392 --> 00:46:07,809
they were poised to become
990
00:46:07,810 --> 00:46:09,145
the biggest band
in the world.
991
00:46:13,775 --> 00:46:15,400
On Born in the USA,
992
00:46:15,401 --> 00:46:19,280
Bruce started turning a little
more in my direction,
993
00:46:20,531 --> 00:46:24,159
and Stevie wanted to be heard,
994
00:46:24,160 --> 00:46:27,330
and if anything, he wanted
to be heard more.
995
00:46:28,414 --> 00:46:31,833
And so that arrangement
996
00:46:31,834 --> 00:46:34,252
that worked well on The River
997
00:46:34,253 --> 00:46:37,756
started to become a little
dysfunctional for Stevie.
998
00:46:37,757 --> 00:46:39,007
He just was not happy.
999
00:46:39,008 --> 00:46:40,926
Part of the rationalization
1000
00:46:40,927 --> 00:46:42,761
and satisfaction
of being a boss
1001
00:46:42,762 --> 00:46:44,388
working for another boss
1002
00:46:44,389 --> 00:46:47,642
was the ability to offer
suggestions and advice.
1003
00:46:48,059 --> 00:46:49,768
I liked being the underboss
1004
00:46:49,769 --> 00:46:52,270
in the E Street Band,
the consigliere.
1005
00:46:52,271 --> 00:46:54,648
Kept me out of the spotlight,
but allowed me to make
1006
00:46:54,649 --> 00:46:56,525
a significant enough
contribution
1007
00:46:56,526 --> 00:46:59,654
to justify my own existence
in my own mind.
1008
00:47:00,029 --> 00:47:03,949
And there was a balance
between me, Bruce, and Jon.
1009
00:47:03,950 --> 00:47:05,659
But somewhere in '83,
1010
00:47:05,660 --> 00:47:08,871
it started to feel like
Bruce had stopped listening.
1011
00:47:09,539 --> 00:47:11,040
Fifteen years,
1012
00:47:11,499 --> 00:47:14,460
we finally made it,
and I quit...
1013
00:47:15,169 --> 00:47:16,629
the night before payday.
1014
00:47:17,463 --> 00:47:20,216
It was fucking with
destiny big time.
1015
00:47:20,800 --> 00:47:22,510
Or was it fulfilling it?
1016
00:47:23,469 --> 00:47:25,387
I think the initial intent
1017
00:47:25,388 --> 00:47:27,681
was not to leave
the E Street Band,
1018
00:47:27,682 --> 00:47:30,308
but to just
do his own project,
1019
00:47:30,309 --> 00:47:32,811
but then I think
it became apparent
1020
00:47:32,812 --> 00:47:34,855
that he needed to...
1021
00:47:34,856 --> 00:47:36,148
to go out and do this.
1022
00:47:36,149 --> 00:47:38,442
We had heard he was
going back and forth
1023
00:47:38,443 --> 00:47:40,402
in and out of the studio,
and got tunes,
1024
00:47:40,403 --> 00:47:42,946
and some of them are done,
some of them aren't.
1025
00:47:42,947 --> 00:47:45,157
And maybe there'll
be four or five more,
1026
00:47:45,158 --> 00:47:47,492
and you're not gonna
be playing on them?
1027
00:47:47,493 --> 00:47:48,827
We talked about it,
1028
00:47:48,828 --> 00:47:50,996
and-and Bruce may have to
1029
00:47:50,997 --> 00:47:52,914
finish it without me,
you know?
1030
00:47:52,915 --> 00:47:55,042
At the time,
I thought he was nuts.
1031
00:47:55,043 --> 00:47:57,002
I didn't understand it
one bit.
1032
00:47:57,003 --> 00:47:58,754
Uh, I told him so.
1033
00:47:58,755 --> 00:48:01,381
He felt he had to give it
his whole 100%,
1034
00:48:01,382 --> 00:48:02,632
do it, you know.
1035
00:48:02,633 --> 00:48:05,177
But, um... hey,
1036
00:48:05,178 --> 00:48:07,721
you gotta follow your dream,
your conviction.
1037
00:48:07,722 --> 00:48:10,057
If you don't,
what are you following?
1038
00:48:10,058 --> 00:48:13,227
I thought, you know,
"You're in a band that's...
1039
00:48:13,770 --> 00:48:15,562
doing phenomenally well,
1040
00:48:15,563 --> 00:48:17,105
having a great time,
1041
00:48:17,106 --> 00:48:19,734
you know, you're working
with your best friend.
1042
00:48:20,068 --> 00:48:22,862
Do you wanna
risk losing that?"
1043
00:48:23,738 --> 00:48:26,490
Though I started
recording solo albums,
1044
00:48:26,491 --> 00:48:28,742
technically I was still
producer on the album,
1045
00:48:28,743 --> 00:48:30,577
and still involved in it.
1046
00:48:30,578 --> 00:48:33,747
"Dancing in the Dark"
was way till the end.
1047
00:48:33,748 --> 00:48:35,248
They had the record together,
1048
00:48:35,249 --> 00:48:37,125
Jon Landau, the manager,
was saying,
1049
00:48:37,126 --> 00:48:38,585
"We're missing one more song,
1050
00:48:38,586 --> 00:48:42,298
we need one more
verifiable hit," or something,
1051
00:48:42,673 --> 00:48:44,257
and so Bruce kept trying
1052
00:48:44,258 --> 00:48:46,469
and kept trying,
until Steven said,
1053
00:48:46,928 --> 00:48:49,388
"I think I put out
two solo records
1054
00:48:49,389 --> 00:48:52,850
in the time it took you
to write that one song."
1055
00:48:53,518 --> 00:48:56,270
"You're right. I remember."
1056
00:48:58,106 --> 00:49:00,107
He plays me
"Dancing in the Dark"
1057
00:49:00,108 --> 00:49:02,109
and "No Surrender."
1058
00:49:02,110 --> 00:49:04,653
Says, "'Dancing in the Dark'
is gonna be on the record,
1059
00:49:04,654 --> 00:49:08,616
and 'No Surrender' is gonna be
an outtake, like a B-side."
1060
00:49:09,951 --> 00:49:13,830
And I'm like,
"Uh, Bruce, I gotta tell ya,
1061
00:49:14,247 --> 00:49:15,665
you got it backwards.
1062
00:49:15,998 --> 00:49:18,041
I don't know about
'Dancing in the Dark,'
1063
00:49:18,042 --> 00:49:19,793
but this 'No Surrender,'
1064
00:49:19,794 --> 00:49:21,337
this is what it's all about."
1065
00:49:21,796 --> 00:49:23,130
This is for, uh...
1066
00:49:23,131 --> 00:49:25,298
This is for
Little Steven. He's...
1067
00:49:25,299 --> 00:49:27,635
- He's got...
1068
00:49:30,179 --> 00:49:33,057
He's got a record out
called Voice of America now.
1069
00:49:33,433 --> 00:49:36,143
"No Surrender" was something
I was going to take off,
1070
00:49:36,144 --> 00:49:38,813
but he said, "No,
you've got to keep it on."
1071
00:49:39,397 --> 00:49:41,815
And I was afraid it was
too one-dimensional,
1072
00:49:41,816 --> 00:49:44,902
or-or... but he-he really...
1073
00:49:45,278 --> 00:49:47,989
when he came in at the end
and said, "No, that's...
1074
00:49:48,448 --> 00:49:50,031
that's gotta be
on the record,
1075
00:49:50,032 --> 00:49:52,492
man, that's what it's
all about, you know?"
1076
00:49:52,493 --> 00:49:54,786
It's funny he did that,
'cause it's a song
1077
00:49:54,787 --> 00:49:56,580
that speaks
more to who Stevie is
1078
00:49:56,581 --> 00:49:58,165
than maybe to who I am,
1079
00:49:58,166 --> 00:50:00,918
but it said something
about us also together.
1080
00:50:07,508 --> 00:50:09,176
Making a decision to leave
1081
00:50:09,177 --> 00:50:11,678
an iconic band
like the E Street Band
1082
00:50:11,679 --> 00:50:13,347
had to be...
1083
00:50:14,182 --> 00:50:16,016
probably one
of the most significant
1084
00:50:16,017 --> 00:50:17,518
decisions in his life.
1085
00:50:18,978 --> 00:50:20,771
That album featured two songs
1086
00:50:20,772 --> 00:50:23,815
that seemed to be about Bruce
and Steven's relationship.
1087
00:50:23,816 --> 00:50:25,192
"Bobby Jean,"
1088
00:50:25,193 --> 00:50:27,527
where one of the friends
goes out on their own,
1089
00:50:27,528 --> 00:50:30,155
and "No Surrender,"
which seems to be about
1090
00:50:30,156 --> 00:50:32,532
their promises
to each other over time.
1091
00:50:32,533 --> 00:50:34,993
Only Bruce and Steven
know if those songs
1092
00:50:34,994 --> 00:50:36,453
reveal something
they could never
1093
00:50:36,454 --> 00:50:39,206
bring themselves to say
to each other in person.
1094
00:50:39,207 --> 00:50:42,542
♪ Then we busted
Out of class ♪
1095
00:50:42,543 --> 00:50:46,130
♪ Had to get away
From those fools ♪
1096
00:50:46,506 --> 00:50:50,509
♪ We learned more from
A three-minute record, baby ♪
1097
00:50:50,510 --> 00:50:53,678
♪ Than we ever
Learned in school... ♪
1098
00:50:53,679 --> 00:50:56,391
He did need
to take a shot at that point.
1099
00:50:56,724 --> 00:50:59,142
The night we talked
about him leaving was,
1100
00:50:59,143 --> 00:51:01,269
we talked,
"Let's not throw the baby out
1101
00:51:01,270 --> 00:51:03,063
with the bath water.
1102
00:51:03,064 --> 00:51:04,689
You know, I think that,
1103
00:51:04,690 --> 00:51:07,443
all I know is you're
one of my deepest friends.
1104
00:51:07,735 --> 00:51:09,737
I need that relationship.
1105
00:51:10,113 --> 00:51:12,031
I don't want
that to disappear."
1106
00:51:12,407 --> 00:51:15,659
♪ Well we made a promise ♪
1107
00:51:15,660 --> 00:51:19,956
♪ We swore
We'd always remember ♪
1108
00:51:20,415 --> 00:51:23,250
♪ No retreat, baby ♪
1109
00:51:23,251 --> 00:51:27,087
♪ No surrender ♪
1110
00:51:27,088 --> 00:51:29,673
I think he just needed
his independence,
1111
00:51:29,674 --> 00:51:31,759
and, uh, um...
1112
00:51:32,468 --> 00:51:35,178
so I was as
supportive as I could be,
1113
00:51:35,179 --> 00:51:38,766
but I felt badly about him
not being in the band.
1114
00:51:41,436 --> 00:51:44,020
It was difficult and painful,
1115
00:51:44,021 --> 00:51:46,982
and, uh, not
my favorite chapter
1116
00:51:46,983 --> 00:51:48,943
in what we've done,
you know?
1117
00:52:11,340 --> 00:52:13,341
Politics in rock began
1118
00:52:13,342 --> 00:52:15,093
with the first two sentences
1119
00:52:15,094 --> 00:52:17,679
of Bob Dylan's "Subterranean
Homesick Blues."
1120
00:52:17,680 --> 00:52:20,265
"Johnny's in the basement
mixing up the medicine,
1121
00:52:20,266 --> 00:52:21,391
I'm on the pavement
1122
00:52:21,392 --> 00:52:22,893
thinking about
the government."
1123
00:52:22,894 --> 00:52:24,812
Thinking about the government?
1124
00:52:25,980 --> 00:52:28,483
Well, why would you do that?
1125
00:52:38,284 --> 00:52:40,285
We're on our first
European tour, man,
1126
00:52:40,286 --> 00:52:42,622
we're breaking,
we've broken through.
1127
00:52:43,998 --> 00:52:48,168
He and I went
to East Berlin in 1980,
1128
00:52:48,169 --> 00:52:49,878
just the two of us,
one afternoon.
1129
00:52:49,879 --> 00:52:52,839
You know, they confiscated
your reading material.
1130
00:52:52,840 --> 00:52:54,091
You could go over there,
1131
00:52:54,092 --> 00:52:57,011
but it was a very, very
oppressed society.
1132
00:52:58,054 --> 00:53:01,181
And I believe that that was
part of the beginning
1133
00:53:01,182 --> 00:53:03,892
of his awakening to...
1134
00:53:03,893 --> 00:53:05,519
political ideas,
1135
00:53:05,520 --> 00:53:08,773
and wanting to
include it in his music.
1136
00:53:10,191 --> 00:53:15,237
♪ Checkpoint Charlie ♪
1137
00:53:15,238 --> 00:53:20,867
♪ Walls so wide,
Can't get around it ♪
1138
00:53:20,868 --> 00:53:22,953
I'm just walking to a park,
1139
00:53:22,954 --> 00:53:25,747
in Munich, I think it was,
somewhere in Germany.
1140
00:53:25,748 --> 00:53:27,040
Some kid asked me,
1141
00:53:27,041 --> 00:53:29,084
why am I putting
missiles in his country?
1142
00:53:29,085 --> 00:53:31,169
"No, there's a guitar
in that case, kid.
1143
00:53:31,170 --> 00:53:32,421
There's no missiles.
1144
00:53:32,422 --> 00:53:34,047
What are you talking about?"
1145
00:53:34,048 --> 00:53:36,509
And it just would not
leave my head.
1146
00:53:37,552 --> 00:53:39,678
It finally occurred to me,
"Oh my God,
1147
00:53:39,679 --> 00:53:41,888
this kid isn't looking at me
like a rock star,
1148
00:53:41,889 --> 00:53:45,142
or a Democrat, or Republican,
or anything else.
1149
00:53:45,143 --> 00:53:47,018
He's looking at me
as an American."
1150
00:53:47,019 --> 00:53:48,312
And I'm like...
1151
00:53:48,646 --> 00:53:51,773
"I never thought of myself
as an American.
1152
00:53:51,774 --> 00:53:53,359
I'm from New Jersey."
1153
00:53:58,448 --> 00:54:00,907
What part of New
Jersey did you grow up in?
1154
00:54:00,908 --> 00:54:03,494
Did I grow up? I guess I did.
1155
00:54:03,953 --> 00:54:06,079
Middletown, New Jersey.
1156
00:54:06,080 --> 00:54:07,582
Right in the middle.
1157
00:54:10,043 --> 00:54:12,878
So Middletown was
a very conservative town.
1158
00:54:12,879 --> 00:54:15,756
All the dads went to work,
the moms stayed home.
1159
00:54:15,757 --> 00:54:18,842
It was that
Leave it to Beaver existence.
1160
00:54:18,843 --> 00:54:20,093
But it was the '60s,
1161
00:54:20,094 --> 00:54:23,180
so the kids
were not like that,
1162
00:54:23,181 --> 00:54:25,807
and perfect example
was Steven.
1163
00:54:25,808 --> 00:54:28,852
My very Catholic
mother divorced my father
1164
00:54:28,853 --> 00:54:30,854
when I was two
or three years old,
1165
00:54:30,855 --> 00:54:33,315
which was quite
unusual in the '50s.
1166
00:54:33,316 --> 00:54:35,902
Virtually unheard of
in the Catholic religion.
1167
00:54:36,277 --> 00:54:38,780
I spent most of my time
with Nana Lento,
1168
00:54:39,113 --> 00:54:40,989
the matriarch of the family,
1169
00:54:40,990 --> 00:54:44,868
who, if there is any trace
of show business in my DNA,
1170
00:54:44,869 --> 00:54:47,537
it all would have had
to have come from her.
1171
00:54:47,538 --> 00:54:50,165
One of my earliest memories
is her dancing around
1172
00:54:50,166 --> 00:54:51,792
to Elvis Presley records.
1173
00:54:51,793 --> 00:54:54,586
Until my mother remarried
when I was around seven,
1174
00:54:54,587 --> 00:54:57,381
I was brought up
by two very strong women.
1175
00:54:57,382 --> 00:54:59,174
How old are you?
1176
00:54:59,175 --> 00:55:00,425
Eight years old.
1177
00:55:00,426 --> 00:55:01,802
You have any other relatives?
1178
00:55:01,803 --> 00:55:04,305
Yeah,
I have over 80 of them.
1179
00:55:04,639 --> 00:55:07,224
Steven always talks about
being a band guy,
1180
00:55:07,225 --> 00:55:10,143
and I-I think that comes from
1181
00:55:10,144 --> 00:55:11,520
the big family he grew up in.
1182
00:55:11,521 --> 00:55:13,313
We're a very close
Italian family,
1183
00:55:13,314 --> 00:55:15,148
and first five years
of his life,
1184
00:55:15,149 --> 00:55:16,983
he was living
with Nana and Grandpa
1185
00:55:16,984 --> 00:55:18,318
and the aunts and uncles.
1186
00:55:18,319 --> 00:55:20,405
So he's used to having that.
1187
00:55:20,988 --> 00:55:23,824
My grandparents
lived five minutes away,
1188
00:55:23,825 --> 00:55:25,992
so we would
go there every Sunday,
1189
00:55:25,993 --> 00:55:27,494
and everybody would be there,
1190
00:55:27,495 --> 00:55:29,872
all the cousins,
aunts, and uncles.
1191
00:55:30,998 --> 00:55:34,085
My grandfather spoke
with a heavy accent.
1192
00:55:34,419 --> 00:55:36,461
He spent a lot of time
with the grandkids.
1193
00:55:36,462 --> 00:55:39,339
He taught Steven how to play
the mandolin and guitar.
1194
00:55:39,340 --> 00:55:41,633
And I think
he started the whole...
1195
00:55:41,634 --> 00:55:43,593
the whole love
of music for Steven.
1196
00:55:43,594 --> 00:55:45,178
Steven Van Zandt
is your real name?
1197
00:55:45,179 --> 00:55:46,346
Yes.
1198
00:55:46,347 --> 00:55:48,598
Do you have
Dutch ancestors, or...
1199
00:55:48,599 --> 00:55:51,101
No, I was adopted
when I was young.
1200
00:55:51,102 --> 00:55:53,812
I'm a-I actually
have Italian blood.
1201
00:55:53,813 --> 00:55:56,481
How about singing
a little song for us?
1202
00:55:56,482 --> 00:55:58,233
♪ Oh ♪
1203
00:55:58,234 --> 00:56:00,527
♪ Goodbye, my Coney Island ♪
1204
00:56:00,528 --> 00:56:01,903
♪ Baby... ♪
1205
00:56:01,904 --> 00:56:04,072
My brother and sister are
1206
00:56:04,073 --> 00:56:05,699
much younger
than me, you know,
1207
00:56:05,700 --> 00:56:08,536
seven years younger
and 11 years younger.
1208
00:56:09,036 --> 00:56:11,580
And unfortunately, I feel
really bad about it now.
1209
00:56:11,581 --> 00:56:13,248
I never spent
much time with them.
1210
00:56:13,249 --> 00:56:16,626
I have one fabulous memory,
1211
00:56:16,627 --> 00:56:18,713
um, with my brother...
1212
00:56:19,714 --> 00:56:21,965
that I, among all
the other gratitude
1213
00:56:21,966 --> 00:56:23,383
I have for the Beatles.
1214
00:56:23,384 --> 00:56:24,927
We had, um,
1215
00:56:25,219 --> 00:56:26,636
these transistor radios.
1216
00:56:26,637 --> 00:56:28,388
At night, you go to bed,
1217
00:56:28,389 --> 00:56:29,890
and under the covers,
you know,
1218
00:56:29,891 --> 00:56:31,892
you put the radio on
and listen to it.
1219
00:56:31,893 --> 00:56:34,020
My brother
was in the next bed,
1220
00:56:34,562 --> 00:56:35,896
and so he could hear,
1221
00:56:35,897 --> 00:56:39,399
and, uh, on comes,
uh, the Beatles,
1222
00:56:39,400 --> 00:56:41,234
finally getting
airplay in America
1223
00:56:41,235 --> 00:56:42,402
on their fifth single,
1224
00:56:42,403 --> 00:56:44,614
with "I Wanna
Hold Your Hand,"
1225
00:56:45,198 --> 00:56:46,324
and, um...
1226
00:56:46,783 --> 00:56:48,659
when they get
to the high part...
1227
00:56:49,243 --> 00:56:51,078
"I wanna hold your hand,"
1228
00:56:51,079 --> 00:56:52,412
uh, me and my brother
1229
00:56:52,413 --> 00:56:54,998
just spontaneously
burst out laughing.
1230
00:56:54,999 --> 00:56:56,209
You know?
1231
00:56:56,959 --> 00:56:58,878
We didn't have
much in common,
1232
00:56:59,420 --> 00:57:01,338
but we had that in common.
1233
00:57:01,339 --> 00:57:03,382
That's how profound
1234
00:57:03,383 --> 00:57:06,676
and how amazing
the Beatles music was,
1235
00:57:06,677 --> 00:57:09,096
to cover that big a gap
1236
00:57:09,097 --> 00:57:12,265
with what they were
communicating at that moment,
1237
00:57:12,266 --> 00:57:14,101
which you have to define
1238
00:57:14,102 --> 00:57:17,062
as simply unbridled joy.
1239
00:57:17,063 --> 00:57:18,647
When I get this thing going,
1240
00:57:18,648 --> 00:57:20,733
what do you
want me to talk about?
1241
00:57:21,150 --> 00:57:22,401
The Beatles.
1242
00:57:22,402 --> 00:57:24,403
Which one
do you like best?
1243
00:57:24,404 --> 00:57:25,904
Paul and George.
1244
00:57:25,905 --> 00:57:27,948
Paul and George?Yeah.
1245
00:57:27,949 --> 00:57:30,200
You like Ringo?Yes.
1246
00:57:30,201 --> 00:57:31,743
What song you like best?
1247
00:57:31,744 --> 00:57:33,495
"I Saw
Her Standing There."
1248
00:57:33,496 --> 00:57:35,288
How does that go?
1249
00:57:35,289 --> 00:57:36,623
I don't know.
1250
00:57:36,624 --> 00:57:38,917
Well,
you're the Beatle expert.
1251
00:57:38,918 --> 00:57:41,420
We were all raised
in the Baptist church,
1252
00:57:41,421 --> 00:57:43,171
but it was
a pretty serious church.
1253
00:57:43,172 --> 00:57:44,756
Like, your job was to go out
1254
00:57:44,757 --> 00:57:46,383
and witness to other people,
1255
00:57:46,384 --> 00:57:48,260
meaning to bring
them into the church.
1256
00:57:48,261 --> 00:57:50,804
I think Steven is as fervent
1257
00:57:50,805 --> 00:57:53,014
and passionate
about rock and roll
1258
00:57:53,015 --> 00:57:56,686
as those people in the church
were about their religion.
1259
00:57:59,689 --> 00:58:01,983
Out in the darkness...
1260
00:58:04,026 --> 00:58:06,111
there's a voice
trying to make sense
1261
00:58:06,112 --> 00:58:09,031
out of a world
that's losing its soul.
1262
00:58:09,490 --> 00:58:12,160
A voice that's been
silent too long.
1263
00:58:14,704 --> 00:58:16,788
Can't miss out.
Best show of the year.
1264
00:58:16,789 --> 00:58:18,541
Ace show.
1265
00:58:20,001 --> 00:58:23,171
♪ There's a sadness
All around us ♪
1266
00:58:23,713 --> 00:58:27,090
♪ There are words
We're too afraid to say ♪
1267
00:58:27,091 --> 00:58:31,678
♪ The things that I thought
Would last forever ♪
1268
00:58:31,679 --> 00:58:33,805
♪ Are changing every day ♪
1269
00:58:33,806 --> 00:58:36,475
There were great
moments we played Italy,
1270
00:58:36,476 --> 00:58:38,560
he was like a superstar there.
1271
00:58:38,561 --> 00:58:40,062
We played this one show,
1272
00:58:40,063 --> 00:58:43,356
and the girls are trying
to rip our clothes off,
1273
00:58:43,357 --> 00:58:45,484
and we played in Verona,
1274
00:58:45,485 --> 00:58:48,195
and as we're pulling up
in the cars to the gig,
1275
00:58:48,196 --> 00:58:49,529
the kids are piling on
1276
00:58:49,530 --> 00:58:51,698
and banging our windows
and all this stuff,
1277
00:58:51,699 --> 00:58:54,117
so he was getting
some of that love too,
1278
00:58:54,118 --> 00:58:56,287
and realized
this is what it could be.
1279
00:59:02,877 --> 00:59:05,254
- Okay, you're great.
1280
00:59:05,797 --> 00:59:07,506
At the time we were touring
1281
00:59:07,507 --> 00:59:08,965
on Voice of America,
1282
00:59:08,966 --> 00:59:10,842
Born in the USA had exploded.
1283
00:59:10,843 --> 00:59:13,720
- ♪ The years gone by... ♪Bruce hit the road,
1284
00:59:13,721 --> 00:59:16,056
it was a slightly different
E Street Band.
1285
00:59:16,057 --> 00:59:18,433
Patti Scialfa was
on background vocals,
1286
00:59:18,434 --> 00:59:20,769
Nils Lofgren handled guitar.
1287
00:59:20,770 --> 00:59:23,146
I fucking love Nils Lofgren,
1288
00:59:23,147 --> 00:59:26,108
but when Little Steven
wasn't there,
1289
00:59:26,109 --> 00:59:29,237
and Nils was, that was
like having a stepdad.
1290
00:59:29,904 --> 00:59:31,613
Took me a while
to get used to him
1291
00:59:31,614 --> 00:59:33,199
being in the house and...
1292
00:59:33,491 --> 00:59:34,867
fucking my mom.
1293
00:59:36,744 --> 00:59:39,371
And that record
Steven co-produced
1294
00:59:39,372 --> 00:59:41,248
had seven Top Ten singles,
1295
00:59:41,249 --> 00:59:43,417
and at that time,
I believe it was tied
1296
00:59:43,418 --> 00:59:45,670
for the most of all time.
1297
00:59:46,087 --> 00:59:47,088
Woo!
1298
00:59:47,463 --> 00:59:49,089
Well, that was a tough period.
1299
00:59:49,090 --> 00:59:51,466
It was very strange,
because on one hand,
1300
00:59:51,467 --> 00:59:53,427
it was kind of...
we were having
1301
00:59:53,428 --> 00:59:55,388
all of this
tremendous success,
1302
00:59:56,139 --> 00:59:57,264
and at the time,
1303
00:59:57,265 --> 00:59:59,850
I couldn't share it with
Steve, he wasn't there.
1304
00:59:59,851 --> 01:00:02,812
So I think it... I think
that would have been...
1305
01:00:03,438 --> 01:00:05,605
It would have been nice
at that moment.
1306
01:00:05,606 --> 01:00:09,484
I can imagine that affected
Steven somewhat,
1307
01:00:09,485 --> 01:00:13,489
but I can say he was super
focused on what he was doing.
1308
01:00:14,115 --> 01:00:17,743
It was a crazy tour.
It changed the band a bit.
1309
01:00:17,744 --> 01:00:19,953
What was the reason
for dropping the horns?
1310
01:00:19,954 --> 01:00:22,289
As I began
to write for the new album,
1311
01:00:22,290 --> 01:00:25,418
I realized I wasn't really
writing for horns anymore.
1312
01:00:26,502 --> 01:00:28,295
And you know,
I may change every year.
1313
01:00:28,296 --> 01:00:31,382
♪ What people need
What people want ♪
1314
01:00:31,841 --> 01:00:35,094
♪ When are we gonna start
Talking about that? ♪
1315
01:00:36,679 --> 01:00:38,513
At the point
I was touring with him,
1316
01:00:38,514 --> 01:00:42,727
it was about
full-on rock stuff.
1317
01:00:43,728 --> 01:00:46,272
♪ No more party ♪
1318
01:00:47,565 --> 01:00:50,443
♪ No more party ♪
1319
01:00:51,027 --> 01:00:53,821
♪ No more party ♪
1320
01:00:55,448 --> 01:00:57,657
♪ No more party ♪
1321
01:00:57,658 --> 01:01:00,952
♪ Got my own
Party right here ♪
1322
01:01:00,953 --> 01:01:02,662
Have you found it a problem
1323
01:01:02,663 --> 01:01:04,831
that to be in radio,
1324
01:01:04,832 --> 01:01:07,667
radio locked up because
of rock music being white,
1325
01:01:07,668 --> 01:01:09,628
and your band
is not exactly white,
1326
01:01:09,629 --> 01:01:11,463
it's in between
the soul, the Black,
1327
01:01:11,464 --> 01:01:12,672
where do you fit in?
1328
01:01:12,673 --> 01:01:15,300
- We don't.
Yeah.
1329
01:01:15,301 --> 01:01:16,426
Uh, so far.
1330
01:01:16,427 --> 01:01:18,011
Has that
been a problem?
1331
01:01:18,012 --> 01:01:20,430
It is, yeah, it's a problem
for everybody
1332
01:01:20,431 --> 01:01:22,599
who cannot be
categorized exactly.
1333
01:01:22,600 --> 01:01:24,727
You know, that's been
a problem in radio.
1334
01:01:25,520 --> 01:01:29,272
The look of that band
obviously is his creation,
1335
01:01:29,273 --> 01:01:30,774
but not many bands had
1336
01:01:30,775 --> 01:01:33,528
multiracial men
and women in it.
1337
01:01:34,028 --> 01:01:37,365
To have brought together
a drummer from the Rascals,
1338
01:01:37,907 --> 01:01:39,992
and a bass player
from the Plasmatics.
1339
01:01:40,410 --> 01:01:42,995
They should have never met,
those two guys.
1340
01:01:43,579 --> 01:01:46,957
I think Steven's philosophy
about a band is it's a club.
1341
01:01:46,958 --> 01:01:49,209
And, you know,
we had these long coats
1342
01:01:49,210 --> 01:01:51,586
that he made for
everyone in the band,
1343
01:01:51,587 --> 01:01:53,880
and those were
like our colors.
1344
01:01:53,881 --> 01:01:55,841
I mean, I remember
running around Liverpool
1345
01:01:55,842 --> 01:01:57,718
with Maureen
with our dusters.
1346
01:01:57,719 --> 01:01:59,177
I mean, we had to represent.
1347
01:01:59,178 --> 01:02:01,138
Steven brought them
on David Letterman
1348
01:02:01,139 --> 01:02:03,223
and had the Late Night
band wearing them.
1349
01:02:03,224 --> 01:02:05,058
Did you actually
bring the clothes
1350
01:02:05,059 --> 01:02:06,727
for the gentlemen
in the band?
1351
01:02:06,728 --> 01:02:08,895
- No, I'll tell you the truth.
1352
01:02:08,896 --> 01:02:11,064
I went in the dressing room,
brought extra things,
1353
01:02:11,065 --> 01:02:12,775
I go in there, they're gone.
1354
01:02:21,451 --> 01:02:24,035
This is our third trip back
to Europe in a year,
1355
01:02:24,036 --> 01:02:26,830
which is unusual, especially
for an American band.
1356
01:02:26,831 --> 01:02:28,039
I like it in Europe,
1357
01:02:28,040 --> 01:02:29,875
because I can see
America's place
1358
01:02:29,876 --> 01:02:31,794
in the world more clearly.
1359
01:02:32,128 --> 01:02:33,962
We're like ambassadors
over here.
1360
01:02:33,963 --> 01:02:35,465
We represent America.
1361
01:02:37,175 --> 01:02:39,427
I feel it's necessary to...
1362
01:02:40,261 --> 01:02:41,554
apologize
1363
01:02:42,221 --> 01:02:44,389
for my government's arrogance,
1364
01:02:44,390 --> 01:02:46,767
- and my people's ignorance...
1365
01:02:46,768 --> 01:02:49,436
...and I hope you don't
judge us too harshly.
1366
01:02:49,437 --> 01:02:51,021
There's voices that do not
1367
01:02:51,022 --> 01:02:53,191
wanna put missiles
in your country.
1368
01:02:54,025 --> 01:02:56,986
We need solidarity
right now, uh...
1369
01:02:58,404 --> 01:03:00,406
before, uh, it's too late.
1370
01:03:01,074 --> 01:03:04,576
♪ Where have you gone
Desaparecido ♪
1371
01:03:04,577 --> 01:03:08,789
♪ I taste your blood
In the roots of this land ♪
1372
01:03:08,790 --> 01:03:12,042
♪ Where have you gone
Desaparecido ♪
1373
01:03:12,043 --> 01:03:14,252
♪ Mi querido ♪
1374
01:03:14,253 --> 01:03:18,216
♪ Only yesterday
I held your hand... ♪
1375
01:03:38,945 --> 01:03:42,322
Stevie is an
all-or-nothing person.
1376
01:03:42,323 --> 01:03:45,659
He's all in,
or he's not in.
1377
01:03:45,660 --> 01:03:48,203
And when we first started out,
1378
01:03:48,204 --> 01:03:51,206
Stevie was,
"No politics, no politics.
1379
01:03:51,207 --> 01:03:54,793
That's not the way to go
about it, that's wrong."
1380
01:03:54,794 --> 01:03:57,504
Then he became all politics.
1381
01:03:57,505 --> 01:03:58,880
It's all politics.
1382
01:03:58,881 --> 01:04:02,175
♪ Where have you gone
Desaparecido ♪
1383
01:04:02,176 --> 01:04:06,012
♪ How can they just turn
Their backs to our shame ♪
1384
01:04:06,013 --> 01:04:10,143
♪ Where have you gone
Desaparecido... ♪
1385
01:04:10,768 --> 01:04:12,436
I felt
if I could shine a light
1386
01:04:12,437 --> 01:04:13,687
on some of these things,
1387
01:04:13,688 --> 01:04:15,856
maybe I could,
you know, stimulate
1388
01:04:15,857 --> 01:04:17,941
some thought,
1389
01:04:17,942 --> 01:04:20,068
which would stimulate
some conversation,
1390
01:04:20,069 --> 01:04:21,653
which would
stimulate some action.
1391
01:04:21,654 --> 01:04:24,990
We're supposed to be heroes
of democracy and freedom,
1392
01:04:24,991 --> 01:04:26,409
and we weren't.
1393
01:04:30,955 --> 01:04:35,667
♪ I was standing in Pretoria ♪
1394
01:04:35,668 --> 01:04:39,589
♪ Waiting for the sky to fall ♪
1395
01:04:50,141 --> 01:04:54,978
♪ Impilo Geyethu
Thina Sigidela Phambili ♪
1396
01:04:54,979 --> 01:04:56,897
Overseas, the violence
in South Africa
1397
01:04:56,898 --> 01:04:58,774
is becoming even
more commonplace.
1398
01:04:58,775 --> 01:05:00,567
It has returned to Soweto,
1399
01:05:00,568 --> 01:05:03,445
the giant Black township
outside Johannesburg.
1400
01:05:03,446 --> 01:05:06,448
Last night in South Africa,
three Blacks were killed
1401
01:05:06,449 --> 01:05:09,076
while they were protesting
the country's race laws.
1402
01:05:09,077 --> 01:05:12,204
We don't believe,
for instance, in the so-called
1403
01:05:12,205 --> 01:05:14,206
guarantees
for minority rights,
1404
01:05:14,207 --> 01:05:16,166
because guaranteeing
minority rights
1405
01:05:16,167 --> 01:05:17,501
implies the recognition
1406
01:05:17,502 --> 01:05:20,420
of portions of the community
on a race basis.
1407
01:05:20,421 --> 01:05:22,923
We believe in our country,
there shall be no minority,
1408
01:05:22,924 --> 01:05:25,093
no majorities, just be people.
1409
01:05:25,760 --> 01:05:29,054
I didn't know what
was going on in South Africa.
1410
01:05:29,055 --> 01:05:32,225
I hear this song "Biko,"
by a guy named Peter Gabriel.
1411
01:05:34,977 --> 01:05:39,941
♪ Biko, because Biko ♪
1412
01:05:40,525 --> 01:05:43,068
But man,
the song was amazing.
1413
01:05:43,069 --> 01:05:45,570
It really led
to my engagement
1414
01:05:45,571 --> 01:05:47,197
with activism in general,
1415
01:05:47,198 --> 01:05:49,408
and specifically,
the apartheid regime
1416
01:05:49,409 --> 01:05:50,701
of South Africa.
1417
01:05:51,119 --> 01:05:54,247
Political songs
were not my genre,
1418
01:05:54,831 --> 01:05:56,123
but in South Africa,
1419
01:05:56,124 --> 01:05:58,083
which had racism enshrined
1420
01:05:58,084 --> 01:06:00,502
in its constitution,
in apartheid,
1421
01:06:00,503 --> 01:06:03,130
that was a struggle
that connected with me.
1422
01:06:03,131 --> 01:06:05,298
And with Biko's arrest,
1423
01:06:05,299 --> 01:06:07,259
I'm not sure they
meant to kill him.
1424
01:06:07,260 --> 01:06:10,137
I'm sure they meant to torture
the hell out of him.
1425
01:06:10,138 --> 01:06:12,764
So it was a shock
when his death was announced.
1426
01:06:12,765 --> 01:06:14,725
Sunday, September 25th,
1427
01:06:14,726 --> 01:06:16,727
20,000 Black South Africans
1428
01:06:16,728 --> 01:06:18,270
came to mourn Steve Biko,
1429
01:06:18,271 --> 01:06:19,855
the non-violent
but militant
1430
01:06:19,856 --> 01:06:21,314
Black radical leader
1431
01:06:21,315 --> 01:06:23,358
who died mysteriously
in police custody.
1432
01:06:23,359 --> 01:06:25,402
I couldn't find out
much about South Africa,
1433
01:06:25,403 --> 01:06:27,821
it was just
very, very mysterious,
1434
01:06:27,822 --> 01:06:29,323
and I had to
see it firsthand.
1435
01:06:38,124 --> 01:06:40,167
I think on my second trip,
1436
01:06:40,168 --> 01:06:43,045
I'm in a taxi,
I'm going down the street,
1437
01:06:43,046 --> 01:06:46,507
and-and a Black guy
steps off the curb,
1438
01:06:47,258 --> 01:06:50,052
and the cab driver swerved
to try and hit him.
1439
01:06:50,053 --> 01:06:53,221
I was literally in shock.
1440
01:06:53,222 --> 01:06:57,476
I was like, "Man, let me out
the next corner," you know.
1441
01:06:57,477 --> 01:06:59,936
I gotta think about
what I just witnessed.
1442
01:06:59,937 --> 01:07:02,272
And at that moment, really,
1443
01:07:02,273 --> 01:07:06,526
um, I went from artist
to activist.
1444
01:07:06,527 --> 01:07:09,529
So I'm meeting now with the
Azanian People's Organization
1445
01:07:09,530 --> 01:07:13,366
in Soweto and had to sneak in
in the back seat of a car,
1446
01:07:13,367 --> 01:07:16,162
because there was a military
blockade at the time.
1447
01:07:16,704 --> 01:07:19,123
So they're burning,
like, coal fires,
1448
01:07:19,665 --> 01:07:23,752
and there's, uh, like,
three feet of, like, fog
1449
01:07:23,753 --> 01:07:25,421
as far as the eye could see.
1450
01:07:25,922 --> 01:07:27,214
And we get to this house,
1451
01:07:27,215 --> 01:07:29,800
and, um, a cat comes out,
1452
01:07:29,801 --> 01:07:31,218
you know, they got machetes,
1453
01:07:31,219 --> 01:07:32,969
and they're
the tough guys.
1454
01:07:32,970 --> 01:07:34,513
They're on the front lines,
1455
01:07:34,514 --> 01:07:36,390
they're blowing up
radio stations,
1456
01:07:36,391 --> 01:07:39,018
they're killing people,
they're the real thing.
1457
01:07:39,268 --> 01:07:41,269
And they're very,
very adversarial.
1458
01:07:41,270 --> 01:07:42,771
They don't
like that I'm there.
1459
01:07:42,772 --> 01:07:44,981
As far as they're concerned,
I'm violating the boycott
1460
01:07:44,982 --> 01:07:46,609
by being there, you know?
1461
01:07:47,402 --> 01:07:49,737
I have to explain to him,
I say, "Listen,
1462
01:07:50,196 --> 01:07:51,321
I'm on your side."
1463
01:07:51,322 --> 01:07:53,073
I don't think
they were pretending.
1464
01:07:53,074 --> 01:07:55,243
They were thinking
about killing me.
1465
01:07:56,285 --> 01:07:59,037
But at that point,
I was completely fearless.
1466
01:07:59,038 --> 01:08:04,000
I had lost all-all of, uh,
my fear of everything
1467
01:08:04,001 --> 01:08:06,170
on the flight
down to South Africa.
1468
01:08:06,587 --> 01:08:10,717
Uh, it occurred to me that
I had blown my life, you know?
1469
01:08:11,092 --> 01:08:14,261
Um, 15 years of work
with the E Street Band,
1470
01:08:14,262 --> 01:08:16,221
and I quit, and you know,
1471
01:08:16,222 --> 01:08:17,973
I didn't care about anything,
1472
01:08:17,974 --> 01:08:19,808
you know, at that point.
1473
01:08:19,809 --> 01:08:23,311
Uh, so that helped me, uh,
you know, stand up to them,
1474
01:08:23,312 --> 01:08:26,315
'cause they were really,
you know, you know...
1475
01:08:27,108 --> 01:08:28,275
fingering their machetes
1476
01:08:28,276 --> 01:08:30,110
as they're talking to me,
you know?
1477
01:08:30,111 --> 01:08:33,321
I said to them,
"You're not gonna win this war
1478
01:08:33,322 --> 01:08:36,616
blowing shit up, okay?
And shooting people."
1479
01:08:36,617 --> 01:08:38,118
And they were like,
1480
01:08:38,119 --> 01:08:40,120
"We're not gonna
win the war that way?
1481
01:08:40,121 --> 01:08:41,538
How are we gonna win?"
1482
01:08:41,539 --> 01:08:43,541
I said, "I'm gonna
win the war on TV."
1483
01:08:54,385 --> 01:08:56,928
I got home and started
spreading the word.
1484
01:08:56,929 --> 01:08:58,181
I needed help.
1485
01:08:58,598 --> 01:09:01,224
Steven called and said
"I gotta get this idea down,
1486
01:09:01,225 --> 01:09:04,144
so he came to Ben
and my apartment
1487
01:09:04,145 --> 01:09:08,732
and we recorded
the "Sun City," uh, demo
1488
01:09:08,733 --> 01:09:10,484
on a four-track recorder.
1489
01:09:10,485 --> 01:09:12,319
This is, uh, Danny Schechter
1490
01:09:12,320 --> 01:09:14,488
of GlobalVision
and the Media Channel.
1491
01:09:14,489 --> 01:09:17,491
There was four of us,
equally important.
1492
01:09:17,492 --> 01:09:20,327
Danny Schechter,
who had been a real, um,
1493
01:09:20,328 --> 01:09:21,703
rabble-rouser from way back,
1494
01:09:21,704 --> 01:09:24,206
came from Boston,
and had been involved
1495
01:09:24,207 --> 01:09:26,458
with that issue
years before me.
1496
01:09:26,459 --> 01:09:30,505
He was the reason why
it was publicized at all.
1497
01:09:31,047 --> 01:09:33,090
Arthur Baker
offered his studio,
1498
01:09:33,091 --> 01:09:35,175
and his engineers,
and his musicians,
1499
01:09:35,176 --> 01:09:36,844
and the record
as his phone book.
1500
01:09:37,678 --> 01:09:39,513
When Steve told me
about the record,
1501
01:09:39,514 --> 01:09:42,391
I decided I wanted
to get involved.
1502
01:09:42,392 --> 01:09:44,227
Hart Perry filmed it.
1503
01:09:44,769 --> 01:09:47,354
If he hadn't filmed, no one
would have heard of it,
1504
01:09:47,355 --> 01:09:49,439
because American
radio wouldn't play it.
1505
01:09:49,440 --> 01:09:51,274
It was too Black
for white radio,
1506
01:09:51,275 --> 01:09:52,860
too white for Black radio.
1507
01:09:53,528 --> 01:09:56,363
Any one of those four guys
were not involved,
1508
01:09:56,364 --> 01:09:57,697
it wouldn't have happened.
1509
01:09:57,698 --> 01:10:00,325
I said, "Steven,
we should do something."
1510
01:10:00,326 --> 01:10:02,787
He said,
"I've already written a song."
1511
01:10:03,204 --> 01:10:04,788
The track was really catchy.
1512
01:10:04,789 --> 01:10:07,332
And then we started
just sort of brainstorming
1513
01:10:07,333 --> 01:10:09,209
who could be on the record.
1514
01:10:09,210 --> 01:10:13,171
And we get together
at this, uh, Sunrise Diner
1515
01:10:13,172 --> 01:10:14,548
right on 57th Street.
1516
01:10:14,549 --> 01:10:16,341
We go in there,
we'd make a list,
1517
01:10:16,342 --> 01:10:18,761
and we'd draw it
on the placemat.
1518
01:10:19,345 --> 01:10:22,806
Sun City is
a resort like Las Vegas
1519
01:10:22,807 --> 01:10:25,517
in the middle of what
they call homelands.
1520
01:10:25,518 --> 01:10:28,478
The homelands are where
the South African government
1521
01:10:28,479 --> 01:10:31,064
is relocating all
the South African Blacks
1522
01:10:31,065 --> 01:10:32,733
against their will.
1523
01:10:32,734 --> 01:10:35,026
So what happens is
they pay a lot of money
1524
01:10:35,027 --> 01:10:36,403
for people to come down.
1525
01:10:36,404 --> 01:10:38,405
Every time somebody
goes down and plays,
1526
01:10:38,406 --> 01:10:39,740
they are justifying
1527
01:10:39,741 --> 01:10:42,033
South Africa's
relocation policy.
1528
01:10:42,034 --> 01:10:45,912
♪ We're rockers and rappers
United and strong ♪
1529
01:10:45,913 --> 01:10:48,290
♪ We're here to talk
About South Africa ♪
1530
01:10:48,291 --> 01:10:50,125
♪ We don't like
What's going on ♪
1531
01:10:50,126 --> 01:10:52,586
- ♪ Tell it ♪
- ♪ Time for some justice ♪
1532
01:10:52,587 --> 01:10:54,588
- ♪ It's time for the truth ♪
- ♪ Speak it ♪
1533
01:10:54,589 --> 01:10:56,256
♪ We've realized ♪
1534
01:10:56,257 --> 01:10:58,467
♪ There's only one thing
We can do ♪
1535
01:10:58,468 --> 01:10:59,593
♪ We gotta say I... ♪
1536
01:10:59,594 --> 01:11:01,178
There was nothing like it.
1537
01:11:01,179 --> 01:11:02,679
Steven got together
1538
01:11:02,680 --> 01:11:04,556
with different
genres of music.
1539
01:11:04,557 --> 01:11:07,100
Rockers, punk rockers,
1540
01:11:07,101 --> 01:11:09,270
rappers, R&B stars.
1541
01:11:09,645 --> 01:11:12,230
And the amount of artists
that were involved.
1542
01:11:12,231 --> 01:11:13,899
I was an early
Midnight Oil fan.
1543
01:11:13,900 --> 01:11:17,569
You know, Peter Garrett
to Peter Gabriel to Bono.
1544
01:11:17,570 --> 01:11:20,030
God almighty, you got
two of the Temptations,
1545
01:11:20,031 --> 01:11:21,782
Eddie Kendricks,
David Ruffin.
1546
01:11:21,783 --> 01:11:23,909
I was always big
on the Temptations,
1547
01:11:23,910 --> 01:11:26,787
so just seeing them
is like seeing God.
1548
01:11:26,788 --> 01:11:29,247
I remembered
Lou Reed's in the thing.
1549
01:11:29,248 --> 01:11:31,458
People will get
the word eventually, but...
1550
01:11:31,459 --> 01:11:33,460
It seeps in like osmosis.
1551
01:11:33,461 --> 01:11:36,880
You could tell it was gonna be
something monumental,
1552
01:11:36,881 --> 01:11:38,256
because of who was there,
1553
01:11:38,257 --> 01:11:40,384
and the main thing,
why they was there,
1554
01:11:40,385 --> 01:11:42,052
and everybody's passion
1555
01:11:42,053 --> 01:11:44,179
for what the project
stood for.
1556
01:11:44,180 --> 01:11:46,556
We should impose sanctions.
1557
01:11:46,557 --> 01:11:49,351
The only sanction
a rock performer can impose
1558
01:11:49,352 --> 01:11:51,603
is to say, "We're not
gonna come and play
1559
01:11:51,604 --> 01:11:53,481
until you do things right."
1560
01:11:53,940 --> 01:11:57,067
This country prides itself
in being the land of the free.
1561
01:11:57,068 --> 01:11:58,443
We should
be able to understand
1562
01:11:58,444 --> 01:11:59,986
most people who
want to be free,
1563
01:11:59,987 --> 01:12:01,154
and support them.
1564
01:12:01,155 --> 01:12:02,697
This is a continuation
1565
01:12:02,698 --> 01:12:06,201
of what I've preached
all my life about Apartheid.
1566
01:12:06,202 --> 01:12:09,121
It fills me full
of joy to participate.
1567
01:12:09,122 --> 01:12:11,498
I had a call from
Steven, he said,
1568
01:12:11,499 --> 01:12:13,458
"This is how I heard about
1569
01:12:13,459 --> 01:12:15,001
what was going on
in South Africa."
1570
01:12:15,002 --> 01:12:17,629
It wasn't "Let's all
hold hands, drink Coca-Cola
1571
01:12:17,630 --> 01:12:19,256
and say the word peace."
1572
01:12:19,257 --> 01:12:21,925
It was about actually
there's something wrong
1573
01:12:21,926 --> 01:12:23,593
that we need to fix.
1574
01:12:23,594 --> 01:12:25,554
Rage is at the heart
of rock and roll,
1575
01:12:25,555 --> 01:12:27,514
and you can
direct it at the people
1576
01:12:27,515 --> 01:12:29,141
who are oppressing you,
1577
01:12:29,142 --> 01:12:30,767
or you can direct it at people
1578
01:12:30,768 --> 01:12:32,895
who are oppressing
other people,
1579
01:12:33,479 --> 01:12:35,898
who can live in far-off lands.
1580
01:12:36,399 --> 01:12:38,984
As a Black South African,
I cannot vote.
1581
01:12:38,985 --> 01:12:42,279
And as a Black South African,
I cannot own land.
1582
01:12:42,280 --> 01:12:44,698
As a Black South African,
1583
01:12:44,699 --> 01:12:47,200
I am not allowed
to get married
1584
01:12:47,201 --> 01:12:49,370
to someone from another city.
1585
01:12:49,704 --> 01:12:52,414
So, you know,
from the cradle to the grave,
1586
01:12:52,415 --> 01:12:54,040
if you're Black
in South Africa,
1587
01:12:54,041 --> 01:12:56,335
you need government
permission to exist.
1588
01:12:57,211 --> 01:12:59,671
I think
people will sit and listen.
1589
01:12:59,672 --> 01:13:02,007
Nobody is really aware
1590
01:13:02,008 --> 01:13:04,426
of everything that's
going on in South Africa,
1591
01:13:04,427 --> 01:13:07,095
and I think this will make
people really aware.
1592
01:13:07,096 --> 01:13:08,722
It wasn't about
egos or anything.
1593
01:13:08,723 --> 01:13:10,640
We were just
all happy to do it.
1594
01:13:10,641 --> 01:13:12,309
With everybody on that album,
1595
01:13:12,310 --> 01:13:13,894
it's completely
different voices,
1596
01:13:13,895 --> 01:13:17,064
and different temperaments,
and everybody fit in.
1597
01:13:17,065 --> 01:13:19,566
♪ Relocation ♪
1598
01:13:19,567 --> 01:13:21,568
♪ To phony homelands ♪
1599
01:13:21,569 --> 01:13:25,281
♪ Separation of families
I can't understand ♪
1600
01:13:25,865 --> 01:13:29,701
♪ 23 million can't vote
Because they're Black ♪
1601
01:13:29,702 --> 01:13:33,580
♪ We're stabbing our brothers
And sisters in the back ♪
1602
01:13:33,581 --> 01:13:34,956
♪ We're gonna say I ♪
1603
01:13:34,957 --> 01:13:36,958
♪ I, I, I, I ♪
1604
01:13:36,959 --> 01:13:40,755
♪ Ain't gonna play
Sun City... ♪
1605
01:13:41,339 --> 01:13:42,464
I'll try and cue you.
1606
01:13:42,465 --> 01:13:44,341
There's a part
where there's na-na's.
1607
01:13:44,342 --> 01:13:45,759
Na-na.
1608
01:13:45,760 --> 01:13:47,594
♪ Na-na na-na-na na ♪
1609
01:13:47,595 --> 01:13:49,514
♪ Na-na-na, yeah ♪
1610
01:13:49,847 --> 01:13:52,015
♪ Well this quiet diplomacy ♪
1611
01:13:52,016 --> 01:13:55,436
♪ Ain't nothing but a joke
I'm gonna say ♪
1612
01:13:56,187 --> 01:13:58,605
The ability to get
all those artists on board,
1613
01:13:58,606 --> 01:14:00,732
something that was political,
1614
01:14:00,733 --> 01:14:03,360
was quite a feat of,
amongst many other things,
1615
01:14:03,361 --> 01:14:04,861
salesmanship.
1616
01:14:04,862 --> 01:14:07,406
Which Steve
is pretty good at.
1617
01:14:07,407 --> 01:14:08,782
- All this...
- Thank you.
1618
01:14:08,783 --> 01:14:11,201
...is a Little Steven
production.
1619
01:14:11,202 --> 01:14:12,744
I'm still impressed
how he gathered
1620
01:14:12,745 --> 01:14:14,788
all of these different
people together,
1621
01:14:14,789 --> 01:14:17,791
and everybody at that time
was in their prime.
1622
01:14:17,792 --> 01:14:21,044
On the day that
we recorded Miles Davis,
1623
01:14:21,045 --> 01:14:23,922
we were not sure
that he was even coming.
1624
01:14:23,923 --> 01:14:26,341
And we were all
on pins and needles,
1625
01:14:26,342 --> 01:14:27,677
and then I get the call.
1626
01:14:28,052 --> 01:14:30,220
One of those
magical times in the studio
1627
01:14:30,221 --> 01:14:31,639
that become part of your life.
1628
01:14:37,311 --> 01:14:39,354
This, I'm jumping
at the chance
1629
01:14:39,355 --> 01:14:41,065
to do this, this one.
1630
01:14:41,357 --> 01:14:43,316
South Africa makes me ill,
1631
01:14:43,317 --> 01:14:46,528
sick all over, everything.
1632
01:14:46,529 --> 01:14:48,655
When I think about it,
I can't do nothing.
1633
01:14:48,656 --> 01:14:50,324
I can't even play.
1634
01:14:59,876 --> 01:15:02,461
There will be a lot
of different versions
1635
01:15:02,462 --> 01:15:04,046
on the, uh, on the record.
1636
01:15:04,047 --> 01:15:07,007
It could be either
five or six versions.
1637
01:15:07,008 --> 01:15:08,842
The more great
performances we get,
1638
01:15:08,843 --> 01:15:10,510
the more versions.
1639
01:15:10,511 --> 01:15:11,720
And it turned out
1640
01:15:11,721 --> 01:15:13,889
that six versions
of "Sun City"
1641
01:15:13,890 --> 01:15:17,934
were produced simply
out of the creative process.
1642
01:15:17,935 --> 01:15:20,937
And then Bono
flew in from Africa,
1643
01:15:20,938 --> 01:15:24,274
and Keith Richards
was around, Ron Wood,
1644
01:15:24,275 --> 01:15:25,567
and their last song,
1645
01:15:25,568 --> 01:15:27,987
called "Silver and Gold,"
was created.
1646
01:15:28,404 --> 01:15:31,073
You know, the dirty
little secret here
1647
01:15:31,074 --> 01:15:35,494
is none of us wants
to get that call,
1648
01:15:35,495 --> 01:15:38,538
where the other artist
is going to ask you
1649
01:15:38,539 --> 01:15:40,373
to put down
what you were doing
1650
01:15:40,374 --> 01:15:42,334
to take up their cross,
1651
01:15:42,335 --> 01:15:45,379
to follow them
on some mission.
1652
01:15:45,380 --> 01:15:48,049
He corralled all of us.
1653
01:15:48,508 --> 01:15:50,967
Steven understood
that perhaps
1654
01:15:50,968 --> 01:15:54,639
that rock 'n' roll owed a debt
to the continent of Africa.
1655
01:16:03,523 --> 01:16:05,107
The Malopoets,
1656
01:16:05,108 --> 01:16:06,733
uh, have some members
1657
01:16:06,734 --> 01:16:08,568
that still live
in South Africa,
1658
01:16:08,569 --> 01:16:10,070
and I asked them, uh...
1659
01:16:10,071 --> 01:16:12,989
It could be dangerous
to be on this record.
1660
01:16:12,990 --> 01:16:15,534
Who knows what
reprisals may happen.
1661
01:16:15,535 --> 01:16:18,329
They told me, "We have
to be on this record."
1662
01:16:18,913 --> 01:16:20,831
Somebody tells you
they're ready to die
1663
01:16:20,832 --> 01:16:22,792
to be on a record, you know...
1664
01:16:23,793 --> 01:16:24,919
that's commitment.
1665
01:16:25,253 --> 01:16:28,714
Though the Black South African
suffering is horrifying,
1666
01:16:28,715 --> 01:16:31,217
they do not
ask us for our pity.
1667
01:16:31,926 --> 01:16:35,638
All they ask us is that we
look at them and see them,
1668
01:16:36,013 --> 01:16:38,765
because by seeing them,
we see ourselves.
1669
01:16:38,766 --> 01:16:41,435
Okay, well you should
come in on the first "I."
1670
01:16:41,436 --> 01:16:44,354
Jonathan Demme,
who shot the thing,
1671
01:16:44,355 --> 01:16:47,023
was just the A-1 cat.
1672
01:16:47,024 --> 01:16:49,443
Shooting on
the video is happening
1673
01:16:49,444 --> 01:16:51,236
in two countries at once,
1674
01:16:51,237 --> 01:16:53,697
um, England and America,
and on two coasts,
1675
01:16:53,698 --> 01:16:55,867
New York and California.
1676
01:16:56,284 --> 01:16:57,576
It was planned to bring
1677
01:16:57,577 --> 01:16:59,578
this huge number
of artists into town,
1678
01:16:59,579 --> 01:17:01,788
and to gather them together
some way or other
1679
01:17:01,789 --> 01:17:03,957
to, um, do a-a unity,
1680
01:17:03,958 --> 01:17:06,251
a unified image
of everybody singing together.
1681
01:17:06,252 --> 01:17:09,171
And, um, the night
before we had to shoot,
1682
01:17:09,172 --> 01:17:10,922
Little Steven had
the great idea
1683
01:17:10,923 --> 01:17:12,966
of doing it
in Washington Square.
1684
01:17:12,967 --> 01:17:15,385
All this was happening
at once. On one day,
1685
01:17:15,386 --> 01:17:16,887
Godley and Creme
were shooting
1686
01:17:16,888 --> 01:17:18,805
Ringo and Zak Starr
in London,
1687
01:17:18,806 --> 01:17:20,849
while we were
shooting Eddie Kendrick,
1688
01:17:20,850 --> 01:17:23,518
and Lou Reed, and Rubén
Blades, in New York.
1689
01:17:23,519 --> 01:17:25,687
And then the next day,
1690
01:17:25,688 --> 01:17:27,105
Hart Perry went out
to Los Angeles
1691
01:17:27,106 --> 01:17:29,775
to get Bob Dylan
and Jackson Browne.
1692
01:17:29,776 --> 01:17:32,069
- ♪ Relocation ♪
- ♪ Relocation ♪
1693
01:17:32,070 --> 01:17:34,362
- ♪ To phony homelands ♪
- ♪ Phony homelands... ♪
1694
01:17:34,363 --> 01:17:35,489
George Clinton,
1695
01:17:35,490 --> 01:17:36,656
who's incredible
in the piece.
1696
01:17:36,657 --> 01:17:38,658
I'm glad it's
becoming more clear
1697
01:17:38,659 --> 01:17:39,993
what's going on over there.
1698
01:17:39,994 --> 01:17:41,828
So maybe
the awareness will help
1699
01:17:41,829 --> 01:17:44,039
make a change there,
I'm quite sure it will.
1700
01:17:44,040 --> 01:17:48,085
Actually, I was making
music videos at the time,
1701
01:17:48,086 --> 01:17:50,170
and I figured,
"Wow, you know, uh,
1702
01:17:50,171 --> 01:17:53,048
this is like
a music documentary.
1703
01:17:53,049 --> 01:17:56,219
I'll take my camera
and just start shooting."
1704
01:17:57,136 --> 01:17:59,346
Steve says,
"Here comes Bruce now."
1705
01:17:59,347 --> 01:18:00,847
So now
I'm expecting to see
1706
01:18:00,848 --> 01:18:03,517
like, a whole entourage,
1707
01:18:03,518 --> 01:18:04,893
and bodyguards,
1708
01:18:04,894 --> 01:18:06,812
and he came around the corner
1709
01:18:06,813 --> 01:18:09,106
by himself,
hands in his pocket.
1710
01:18:09,107 --> 01:18:11,650
I was like, "Wow,
that's big right there."
1711
01:18:11,651 --> 01:18:14,027
And he was hot as
a firecracker, you know?
1712
01:18:14,028 --> 01:18:16,947
It wasn't glossy,
it wasn't showbiz-y.
1713
01:18:16,948 --> 01:18:18,865
He really consciously kept it
1714
01:18:18,866 --> 01:18:22,160
with "We don't need
this to go to Hollywood,"
1715
01:18:22,161 --> 01:18:24,663
'cause we go Hollywood,
you miss the point.
1716
01:18:24,664 --> 01:18:27,541
So when you edit
like Harlem streets,
1717
01:18:27,542 --> 01:18:30,627
and then you go and edit
some of the African streets,
1718
01:18:30,628 --> 01:18:34,381
it almost match, you know,
with that same type of vibe
1719
01:18:34,382 --> 01:18:36,216
and that grittiness.
1720
01:18:36,217 --> 01:18:39,720
You know, back in the days,
like, if you go to school,
1721
01:18:39,721 --> 01:18:41,596
and somebody
call you an African,
1722
01:18:41,597 --> 01:18:43,515
you would be ready
to fight them.
1723
01:18:43,516 --> 01:18:45,058
Because what
they had put in all
1724
01:18:45,059 --> 01:18:46,685
the history books and stuff,
1725
01:18:46,686 --> 01:18:48,895
they made all Africans
look like savages.
1726
01:18:48,896 --> 01:18:50,981
So if somebody say,
"Yo, you an African,"
1727
01:18:50,982 --> 01:18:53,567
it was like somebody
talking about your mother.
1728
01:18:53,568 --> 01:18:55,068
That's the race thing.
1729
01:18:55,069 --> 01:18:57,863
It's like a con job,
but they made Black people
1730
01:18:57,864 --> 01:19:00,574
the main focus of what
the con is, you know?
1731
01:19:00,575 --> 01:19:02,284
'Cause for me,
I believe in my heart
1732
01:19:02,285 --> 01:19:04,953
there's really only one race,
it's the human race.
1733
01:19:04,954 --> 01:19:06,913
Everything else
is like a con game,
1734
01:19:06,914 --> 01:19:09,291
and they,
and it works perfectly.
1735
01:19:09,292 --> 01:19:12,753
But, uh, if you're-if you're
at the bottom of the con,
1736
01:19:12,754 --> 01:19:15,923
I mean...
It's not all that great.
1737
01:19:16,799 --> 01:19:19,259
MTV was pretty segregated.
1738
01:19:19,260 --> 01:19:21,178
You didn't see
R&B artists on there.
1739
01:19:21,179 --> 01:19:23,055
You didn't see
rap artists on there.
1740
01:19:23,056 --> 01:19:25,098
And when Steven
pulled this together,
1741
01:19:25,099 --> 01:19:26,850
it was really
ahead of the curve.
1742
01:19:26,851 --> 01:19:29,102
He was just
including everyone.
1743
01:19:29,103 --> 01:19:30,937
Hip hop would be over here,
1744
01:19:30,938 --> 01:19:33,148
you know, rock and roll
would be over there.
1745
01:19:33,149 --> 01:19:35,609
Hip hop was more this
like the bastard music
1746
01:19:35,610 --> 01:19:37,027
of all the genres.
1747
01:19:37,028 --> 01:19:38,945
We all know what
each other's doing,
1748
01:19:38,946 --> 01:19:40,363
but we looking
at each other,
1749
01:19:40,364 --> 01:19:42,741
'cause we come from
different walks of life.
1750
01:19:42,742 --> 01:19:44,242
Whenever
they do these things,
1751
01:19:44,243 --> 01:19:47,162
and this happens
unfortunately very frequently,
1752
01:19:47,163 --> 01:19:51,250
they're doing a project that
has an international impact,
1753
01:19:51,626 --> 01:19:53,294
they don't call
Latin artists.
1754
01:19:53,878 --> 01:19:55,463
"We Are the World."
1755
01:19:56,214 --> 01:19:59,049
You know, "We are
the world, except you."
1756
01:19:59,050 --> 01:20:01,051
We all have
to be represented.
1757
01:20:01,052 --> 01:20:02,886
Whatever problem exists,
1758
01:20:02,887 --> 01:20:05,514
it's not just one
nationality's problem.
1759
01:20:05,515 --> 01:20:06,973
It's everyone's problem.
1760
01:20:06,974 --> 01:20:08,725
It's a good moment for us
1761
01:20:08,726 --> 01:20:09,935
to look at the racism
1762
01:20:09,936 --> 01:20:11,978
and the prejudice
that still exists
1763
01:20:11,979 --> 01:20:13,271
in our own backyard.
1764
01:20:13,272 --> 01:20:15,524
It's a moment
we should reinvestigate
1765
01:20:15,525 --> 01:20:17,067
our own racial problems.
1766
01:20:17,068 --> 01:20:19,444
People try to put it across
as propaganda,
1767
01:20:19,445 --> 01:20:22,239
that it's the left or right.
This is apolitical.
1768
01:20:22,240 --> 01:20:24,449
Doesn't matter what side.
It's common sense.
1769
01:20:24,450 --> 01:20:28,413
It was like the whole music
industry came together.
1770
01:20:28,871 --> 01:20:30,997
It was almost like
you felt you belonged.
1771
01:20:30,998 --> 01:20:33,500
♪ Oh whoa whoa whoa ♪
1772
01:20:33,501 --> 01:20:36,169
♪ Na-na na-na-na ♪
1773
01:20:36,170 --> 01:20:39,172
♪ Na-na-na yeah ♪
1774
01:20:39,173 --> 01:20:41,717
The whole band, you know,
the E Street Band,
1775
01:20:41,718 --> 01:20:43,301
he felt that all these people
1776
01:20:43,302 --> 01:20:45,637
would be on the right
side of history.
1777
01:20:45,638 --> 01:20:47,264
What separated Little Steven
1778
01:20:47,265 --> 01:20:50,226
was some kind of
righteous anger.
1779
01:20:50,727 --> 01:20:52,227
Steven was
really informed
1780
01:20:52,228 --> 01:20:54,896
and very outspoken
about apartheid.
1781
01:20:54,897 --> 01:20:56,398
He spoke
at the United Nations,
1782
01:20:56,399 --> 01:20:59,318
and I remember him going
on the Donahue show.
1783
01:20:59,944 --> 01:21:02,195
We're in New York City
talking about "Sun City,"
1784
01:21:02,196 --> 01:21:05,157
the most politically
aggressive maneuver
1785
01:21:05,158 --> 01:21:07,159
in the history
of rock 'n' roll.
1786
01:21:07,160 --> 01:21:10,537
That video is totally
misrepresentative
1787
01:21:10,538 --> 01:21:11,830
of the true facts.
1788
01:21:11,831 --> 01:21:14,791
Why should Sun City
then be linked
1789
01:21:14,792 --> 01:21:17,044
with what you saw up there?
1790
01:21:17,045 --> 01:21:19,838
Let's get to the truth now.
We wanna talk about truth.
1791
01:21:19,839 --> 01:21:21,966
Uh, this is the truth.
1792
01:21:22,717 --> 01:21:24,593
It's not Sun City itself,
1793
01:21:24,594 --> 01:21:27,262
the entertainment complex
that's the problem.
1794
01:21:27,263 --> 01:21:29,723
It's where it is,
and where it is
1795
01:21:29,724 --> 01:21:32,059
is where people are not free
1796
01:21:32,060 --> 01:21:33,685
to go where they want to go.
1797
01:21:33,686 --> 01:21:34,895
They're there because
1798
01:21:34,896 --> 01:21:36,521
they have been
relocated forcibly.
1799
01:21:36,522 --> 01:21:37,898
They've been put on a truck,
1800
01:21:37,899 --> 01:21:40,067
and taken hundreds
of miles from their home,
1801
01:21:40,068 --> 01:21:43,403
and dropped in this area,
and they cannot leave.
1802
01:21:43,404 --> 01:21:45,322
They cannot get
visas or passports,
1803
01:21:45,323 --> 01:21:46,907
their citizenship
has been stripped.
1804
01:21:46,908 --> 01:21:48,450
And no one in the world
1805
01:21:48,451 --> 01:21:50,535
recognizes this as
an independent country,
1806
01:21:50,536 --> 01:21:52,913
except for the South African
government.
1807
01:21:52,914 --> 01:21:54,581
The single has sold well
1808
01:21:54,582 --> 01:21:56,166
since its release yesterday,
1809
01:21:56,167 --> 01:21:58,085
and is getting
a lot of radio play.
1810
01:21:58,086 --> 01:21:59,961
We asked the people
at Tower Records
1811
01:21:59,962 --> 01:22:02,589
to play "Sun City."
Customers listen to lyrics
1812
01:22:02,590 --> 01:22:06,301
such as "23 million can't
vote because they're Black,
1813
01:22:06,302 --> 01:22:09,137
we're stabbing our brothers
and sisters in the back."
1814
01:22:09,138 --> 01:22:11,181
Some of the lyrics
are a little critical,
1815
01:22:11,182 --> 01:22:13,725
and when you're
dealing with the public,
1816
01:22:13,726 --> 01:22:15,143
you have to be careful.
1817
01:22:15,144 --> 01:22:17,605
- Would you buy this song?
- Yes, I would.
1818
01:22:18,398 --> 01:22:21,400
♪ Quiet diplomacy
Ain't nothing but a joke ♪
1819
01:22:21,401 --> 01:22:25,195
- ♪ We're gonna say ♪
- ♪ I, I, I, I ♪
1820
01:22:25,196 --> 01:22:27,948
♪ Ain't gonna play Sun City ♪
1821
01:22:27,949 --> 01:22:30,951
♪ Hey, hey, hey, hey, I... ♪
1822
01:22:30,952 --> 01:22:33,245
The system of apartheid,
it's not recognized
1823
01:22:33,246 --> 01:22:35,038
by any government
in the world,
1824
01:22:35,039 --> 01:22:36,540
except South Africa.
1825
01:22:36,541 --> 01:22:37,625
It's like Nazism.
1826
01:22:38,668 --> 01:22:40,795
The song, "Sun City"
1827
01:22:41,129 --> 01:22:42,796
is an affirmation
of the resolve
1828
01:22:42,797 --> 01:22:44,548
of the community of artists
1829
01:22:44,549 --> 01:22:46,174
to contribute to awakening
1830
01:22:46,175 --> 01:22:48,677
the public's
social consciousness,
1831
01:22:48,678 --> 01:22:50,429
to put an end to this inhuman
1832
01:22:50,430 --> 01:22:54,100
and totally
unacceptable policy.
1833
01:22:54,934 --> 01:22:57,018
It was an incredible creation.
1834
01:22:57,019 --> 01:22:59,521
In my opinion, it's a very
historic piece of music
1835
01:22:59,522 --> 01:23:02,107
that really, I think,
had an effect on apartheid,
1836
01:23:02,108 --> 01:23:04,151
and the way it was seen
around the world.
1837
01:23:04,152 --> 01:23:06,528
We have Band Aid,
we've had USA For Africa,
1838
01:23:06,529 --> 01:23:07,487
we had Live Aid,
1839
01:23:07,488 --> 01:23:08,989
Artists United
Against Apartheid,
1840
01:23:08,990 --> 01:23:10,449
Farm Aid, Fashion Aid.
1841
01:23:10,450 --> 01:23:11,742
You think there might be
1842
01:23:11,743 --> 01:23:13,201
too many aid records?
1843
01:23:13,202 --> 01:23:15,662
No, I think-I think, um,
1844
01:23:15,663 --> 01:23:17,164
as long as there's injustice
1845
01:23:17,165 --> 01:23:20,709
and problems in the world,
we should talk about them,
1846
01:23:20,710 --> 01:23:23,504
and rock and roll is the best
communication we have.
1847
01:23:28,217 --> 01:23:30,343
Ronnie Reagan
can't hear that, come on.
1848
01:23:30,344 --> 01:23:32,054
There's a political element
1849
01:23:32,055 --> 01:23:33,555
in rock and roll anyway.
1850
01:23:33,556 --> 01:23:34,848
It is you saying,
1851
01:23:34,849 --> 01:23:36,183
"I'm doing this
1852
01:23:36,184 --> 01:23:37,559
no matter what people think."
1853
01:23:37,560 --> 01:23:40,020
But when he started
to actually do things,
1854
01:23:40,021 --> 01:23:42,856
and say things
about politics,
1855
01:23:42,857 --> 01:23:44,691
he politicized rock and roll.
1856
01:23:44,692 --> 01:23:46,652
We've been quiet too long.
1857
01:23:47,278 --> 01:23:49,447
We've been patient too long.
1858
01:23:53,409 --> 01:23:56,036
We the people
will no longer tolerate
1859
01:23:56,037 --> 01:23:57,496
the terrorism
1860
01:23:57,497 --> 01:24:00,416
of the government
of South Africa.
1861
01:24:00,833 --> 01:24:02,335
Tell 'em, Steve.
1862
01:24:05,254 --> 01:24:06,923
We'll no longer do business
1863
01:24:07,382 --> 01:24:08,632
with those who do business
1864
01:24:08,633 --> 01:24:11,134
with the terrorist government
of South Africa.
1865
01:24:11,135 --> 01:24:13,470
The fact he's
partially responsible for
1866
01:24:13,471 --> 01:24:15,389
bringing down a government
is extraordinary.
1867
01:24:15,390 --> 01:24:18,434
I don't know if anybody
talks about that anymore.
1868
01:24:18,810 --> 01:24:21,646
We the people demand
1869
01:24:22,063 --> 01:24:24,899
the unconditional release
of Nelson Mandela.
1870
01:24:27,735 --> 01:24:31,697
We always knew
he had a kind of feistiness.
1871
01:24:32,407 --> 01:24:34,617
The surprise was
how organized he was.
1872
01:24:37,662 --> 01:24:39,788
♪ Na-na na-na-na ♪
1873
01:24:39,789 --> 01:24:41,915
♪ Na-na-na yeah ♪
1874
01:24:41,916 --> 01:24:45,043
♪ Yeah yeah yeah ♪
1875
01:24:45,044 --> 01:24:47,003
♪ Na-na na-na-na ♪
1876
01:24:47,004 --> 01:24:49,924
♪ Na-na-na yeah ♪
1877
01:24:56,097 --> 01:25:00,434
Keep the pressure on!
1878
01:25:00,435 --> 01:25:03,270
And I didn't know about
apartheid, I was 12, 13,
1879
01:25:03,271 --> 01:25:06,315
and I learned about it
because I saw that video.
1880
01:25:07,191 --> 01:25:09,234
There was a bill passed
1881
01:25:09,235 --> 01:25:11,319
um, in the Congress,
1882
01:25:11,320 --> 01:25:13,280
the Anti-Apartheid Act,
1883
01:25:13,281 --> 01:25:16,032
and it was essentially
economic sanctions
1884
01:25:16,033 --> 01:25:17,909
against South Africa,
1885
01:25:17,910 --> 01:25:20,579
until they ended apartheid,
1886
01:25:20,580 --> 01:25:23,081
and it was vetoed
by Ronald Reagan.
1887
01:25:23,082 --> 01:25:24,374
Steve called me,
1888
01:25:24,375 --> 01:25:26,460
and he knew
what the situation was.
1889
01:25:26,461 --> 01:25:28,962
The Congress
was now gonna vote
1890
01:25:28,963 --> 01:25:31,298
to override the veto, or not.
1891
01:25:31,299 --> 01:25:34,092
To override
one of his vetoes was,
1892
01:25:34,093 --> 01:25:36,386
uh, quite a,
quite a challenge.
1893
01:25:36,387 --> 01:25:37,637
He stepped forward, said,
1894
01:25:37,638 --> 01:25:39,473
"I'm gonna be part
of that process,"
1895
01:25:39,474 --> 01:25:42,142
and he came down,
and made persuasive cases
1896
01:25:42,143 --> 01:25:43,477
to a number of senators,
1897
01:25:43,478 --> 01:25:46,521
and it's very impressive
we succeeded.
1898
01:25:46,522 --> 01:25:49,484
We overrode
the president's veto.
1899
01:25:49,901 --> 01:25:52,903
And that was the end.
Once the banks cut them off,
1900
01:25:52,904 --> 01:25:54,864
they had to let
Mandela out of jail.
1901
01:25:57,658 --> 01:26:00,327
There's Mr. Nelson Mandela,
1902
01:26:00,328 --> 01:26:04,082
a free man,
taking his first steps
1903
01:26:04,499 --> 01:26:06,584
into a new South Africa.
1904
01:26:09,128 --> 01:26:11,046
It was the most
thrilling moment of my life.
1905
01:26:11,047 --> 01:26:12,631
Mandela came here.
1906
01:26:12,632 --> 01:26:15,342
There was a whole celebration
for Nelson Mandela
1907
01:26:15,343 --> 01:26:16,927
at the Tribeca Grill.
1908
01:26:16,928 --> 01:26:20,013
So Robert De Niro was there,
like everybody was there.
1909
01:26:20,014 --> 01:26:23,976
Steven is really
the-the, uh...
1910
01:26:24,852 --> 01:26:28,355
the person who started this,
the whole thing here,
1911
01:26:28,356 --> 01:26:30,941
and I thank him,
and we all thank him.
1912
01:26:30,942 --> 01:26:32,985
And we can tell
1913
01:26:33,361 --> 01:26:35,530
the movie companies
we work for
1914
01:26:35,905 --> 01:26:39,200
we do not want our films to be
distributed in South Africa.
1915
01:26:40,576 --> 01:26:44,663
We can... we can tell
the record companies
1916
01:26:44,664 --> 01:26:46,665
we don't want
our records to be sold.
1917
01:26:46,666 --> 01:26:50,460
We have power, and we
have to take advantage of it.
1918
01:26:50,461 --> 01:26:52,714
Little Steven,
ladies and gentlemen.
1919
01:26:59,429 --> 01:27:01,388
Ladies and gentlemen,
Deputy President
1920
01:27:01,389 --> 01:27:03,558
of the African
National Congress,
1921
01:27:03,933 --> 01:27:04,976
Nelson Mandela.
1922
01:27:09,230 --> 01:27:10,605
I never felt that before.
1923
01:27:10,606 --> 01:27:14,736
You know, like, he had,
like, an aura, you know?
1924
01:27:15,069 --> 01:27:18,823
Of-of a... of spirituality.
1925
01:27:19,532 --> 01:27:22,284
My mother and I got
to meet him. Wonderful man,
1926
01:27:22,285 --> 01:27:25,538
who said, "You must be
very proud of your brother."
1927
01:27:27,498 --> 01:27:29,708
And now I'm gonna cry.
1928
01:27:29,709 --> 01:27:32,544
That's impressive.
Politicians can't do that,
1929
01:27:32,545 --> 01:27:34,087
presidents can't do that.
1930
01:27:34,088 --> 01:27:37,257
But he did pull
all those people together
1931
01:27:37,258 --> 01:27:40,093
and made a change
in the world.
1932
01:27:40,094 --> 01:27:41,678
That is the way to go.
1933
01:27:41,679 --> 01:27:44,890
Indeed, years later, that's
exactly the way I went.
1934
01:27:44,891 --> 01:27:49,227
I followed him right down
those marbled halls
1935
01:27:49,228 --> 01:27:51,855
and through those oak doors,
1936
01:27:51,856 --> 01:27:54,107
and made my own case,
1937
01:27:54,108 --> 01:27:56,193
um, against extreme poverty.
1938
01:27:56,194 --> 01:27:57,779
But I followed his example.
1939
01:27:58,154 --> 01:28:00,113
A lot of people,
especially once we did
1940
01:28:00,114 --> 01:28:01,239
the "Sun City" thing,
1941
01:28:01,240 --> 01:28:03,575
you know, started to connect,
1942
01:28:03,576 --> 01:28:07,037
you know, the whole
rock music to politics.
1943
01:28:07,038 --> 01:28:08,538
It was starting
to reach people
1944
01:28:08,539 --> 01:28:10,833
in the way I was
hoping to reach them.
1945
01:28:11,209 --> 01:28:14,211
The song itself
was an irrefutable jam
1946
01:28:14,212 --> 01:28:15,712
that featured perhaps the most
1947
01:28:15,713 --> 01:28:18,048
revolutionary gathering
of musicians
1948
01:28:18,049 --> 01:28:20,092
ever heard on a recording.
1949
01:28:20,093 --> 01:28:21,843
It was an inspired song,
1950
01:28:21,844 --> 01:28:23,303
an inspired video,
1951
01:28:23,304 --> 01:28:25,222
and it inspired American youth
1952
01:28:25,223 --> 01:28:26,973
who were part
of the global movement,
1953
01:28:26,974 --> 01:28:30,018
which eventually pressured
apartheid out of existence.
1954
01:28:30,019 --> 01:28:32,062
For me and most people I know,
1955
01:28:32,063 --> 01:28:33,480
music did that.
1956
01:28:33,481 --> 01:28:35,065
You know, we came up in a time
1957
01:28:35,066 --> 01:28:37,984
of the Live Aid concerts,
the Amnesty International,
1958
01:28:37,985 --> 01:28:40,320
and I know there were
predecessors to that.
1959
01:28:40,321 --> 01:28:43,073
Whether it be George Harrison
or Pete Seeger,
1960
01:28:43,074 --> 01:28:44,574
this was a formative time,
1961
01:28:44,575 --> 01:28:46,702
and it had
a huge impact on me.
1962
01:28:48,663 --> 01:28:50,497
We got something
going on in America
1963
01:28:50,498 --> 01:28:52,375
that they're calling...
1964
01:28:53,167 --> 01:28:55,086
"New Patriotism," you know?
1965
01:28:56,254 --> 01:28:57,880
But, uh...
1966
01:28:58,631 --> 01:29:01,258
It don't look like
no new patriotism to me.
1967
01:29:01,259 --> 01:29:04,137
It looks like blind
nationalism, you know?
1968
01:29:06,013 --> 01:29:09,474
That ain't right. That ain't
what patriotism is all about.
1969
01:29:09,475 --> 01:29:12,394
My friend had a copy,
on one of those Beta tapes,
1970
01:29:12,395 --> 01:29:14,104
of a performance they did
1971
01:29:14,105 --> 01:29:16,524
on a German show
called Rock Palace.
1972
01:29:17,567 --> 01:29:18,859
And I remember it
1973
01:29:18,860 --> 01:29:21,111
because he did
a great introduction
1974
01:29:21,112 --> 01:29:22,654
to the song "I'm a Patriot,"
1975
01:29:22,655 --> 01:29:26,116
where he talked about
early onset nationalism
1976
01:29:26,117 --> 01:29:27,702
back in the States.
1977
01:29:28,369 --> 01:29:30,328
Being a good patriot
means you question
1978
01:29:30,329 --> 01:29:33,750
every motherfucker
everywhere every time.
1979
01:29:35,918 --> 01:29:37,961
It sure ain't about parties,
you know?
1980
01:29:37,962 --> 01:29:41,174
Loyalty to the party instead
of loyalty to the truth.
1981
01:29:42,717 --> 01:29:46,428
He understands
the need to utilize
1982
01:29:46,429 --> 01:29:49,973
music not just as
a means for escape reality,
1983
01:29:49,974 --> 01:29:53,560
but to document it,
and/or confront it.
1984
01:29:53,561 --> 01:29:55,562
Especially Steven,
at a time when,
1985
01:29:55,563 --> 01:29:58,273
you know, Reagan and all that
stuff was in America,
1986
01:29:58,274 --> 01:30:00,442
like to go to that
direction, it's brave.
1987
01:30:00,443 --> 01:30:03,236
♪ Listen
I ain't no communist ♪
1988
01:30:03,237 --> 01:30:04,529
♪ Yeah ♪
1989
01:30:04,530 --> 01:30:06,364
♪ I ain't no capitalist ♪
1990
01:30:06,365 --> 01:30:07,491
♪ Yeah ♪
1991
01:30:07,492 --> 01:30:08,950
♪ I ain't no socialist ♪
1992
01:30:08,951 --> 01:30:09,993
♪ Yeah ♪
1993
01:30:09,994 --> 01:30:12,079
♪ I sure ain't
No imperialist ♪
1994
01:30:12,080 --> 01:30:13,246
♪ Yeah ♪
1995
01:30:13,247 --> 01:30:14,790
♪ I ain't no Democrat ♪
1996
01:30:14,791 --> 01:30:15,916
♪ Yeah ♪
1997
01:30:15,917 --> 01:30:18,461
♪ I sure ain't no
Fucking Republican ♪
1998
01:30:18,836 --> 01:30:21,254
♪ I only know one party ♪
1999
01:30:21,255 --> 01:30:24,091
♪ Its name is freedom ♪
2000
01:30:24,092 --> 01:30:26,510
♪ Say it, I am ♪
2001
01:30:26,511 --> 01:30:30,263
♪ I am, I am ♪
2002
01:30:30,264 --> 01:30:33,141
♪ I am a patriot ♪
2003
01:30:33,142 --> 01:30:36,770
I used to be part of
little benefits in San Diego,
2004
01:30:36,771 --> 01:30:39,689
I was working a midnight
shift security job,
2005
01:30:39,690 --> 01:30:43,611
and that was one of the songs
that really could connect.
2006
01:30:44,028 --> 01:30:46,863
♪ And the river shall open
For the righteous ♪
2007
01:30:46,864 --> 01:30:49,741
♪ And the river shall open
For the righteous... ♪
2008
01:30:49,742 --> 01:30:52,119
So I kind of
dissected the song
2009
01:30:52,120 --> 01:30:54,704
and made a version of it.
2010
01:30:54,705 --> 01:30:57,457
♪ I was walking ♪
2011
01:30:57,458 --> 01:31:00,210
♪ With my brother ♪
2012
01:31:00,211 --> 01:31:03,171
♪ And he wondered ♪
2013
01:31:03,172 --> 01:31:05,799
♪ Oh, how I am ♪
2014
01:31:05,800 --> 01:31:07,509
I'm gonna leave
you with this song.
2015
01:31:07,510 --> 01:31:09,469
This is about
my favorite song,
2016
01:31:09,470 --> 01:31:10,971
written by Little Steven.
2017
01:31:10,972 --> 01:31:13,640
I think it was '86,
Amnesty International,
2018
01:31:13,641 --> 01:31:16,476
I saw Jackson Browne
play a version,
2019
01:31:16,477 --> 01:31:18,270
and that was really exciting.
2020
01:31:18,271 --> 01:31:20,898
♪ I am a patriot... ♪
2021
01:31:23,526 --> 01:31:26,069
Stevie was
a huge influence on me
2022
01:31:26,070 --> 01:31:28,280
at a time when
I was trying to write
2023
01:31:28,281 --> 01:31:30,282
songs about
what I cared about.
2024
01:31:30,283 --> 01:31:32,534
And that I hadn't
even dared to try
2025
01:31:32,535 --> 01:31:34,578
to talk about it in a song.
2026
01:31:34,579 --> 01:31:37,873
♪ She said, "I want
To run like the lion ♪
2027
01:31:37,874 --> 01:31:40,584
♪ Released
From the cages..." ♪
2028
01:31:40,585 --> 01:31:42,669
I would say that probably
2029
01:31:42,670 --> 01:31:44,671
most people
who come to my concerts
2030
01:31:44,672 --> 01:31:46,340
think that that's my song.
2031
01:31:46,758 --> 01:31:49,342
I take the trouble to tell
them whose song it is.
2032
01:31:49,343 --> 01:31:50,927
I've told him,
I said, "Steve,
2033
01:31:50,928 --> 01:31:54,390
I'm sure a lot of people
think I wrote this, you know."
2034
01:31:54,724 --> 01:31:56,141
Usually, as a writer,
2035
01:31:56,142 --> 01:32:00,063
you're more concerned with
saying too much, you know?
2036
01:32:00,438 --> 01:32:02,482
I was concerned
with not saying enough.
2037
01:32:02,857 --> 01:32:05,859
And Jackson Browne doing
one of your songs is wild,
2038
01:32:05,860 --> 01:32:07,861
and then Eddie Vedder
also would do it.
2039
01:32:07,862 --> 01:32:11,615
Such an endorsement,
you know, such a-such a, uh,
2040
01:32:11,616 --> 01:32:13,325
such a wonderful validation
2041
01:32:13,326 --> 01:32:14,785
of what you're doing,
you know?
2042
01:32:14,786 --> 01:32:16,787
We still play it this day.
2043
01:32:16,788 --> 01:32:18,955
We've played it fast,
we've played it slow.
2044
01:32:18,956 --> 01:32:21,750
You can take that-that
car of a song,
2045
01:32:21,751 --> 01:32:24,002
get in a demolition derby,
and you will win.
2046
01:32:24,003 --> 01:32:29,592
♪ And the river shall
Open for the righteous ♪
2047
01:32:30,218 --> 01:32:33,178
♪ And the river shall
Open for the righteous ♪
2048
01:32:33,179 --> 01:32:34,471
♪ Someday ♪
2049
01:32:34,472 --> 01:32:36,891
♪ I'm a patriot... ♪
2050
01:32:37,308 --> 01:32:40,894
You know, whatever,
whatever side of the fence,
2051
01:32:40,895 --> 01:32:44,148
or if they're
leaning on it, um...
2052
01:32:45,024 --> 01:32:46,066
it transmits.
2053
01:32:46,067 --> 01:32:47,735
♪ Sanctuary... ♪
2054
01:32:53,741 --> 01:32:55,368
♪ Sanctuary... ♪
2055
01:32:59,705 --> 01:33:01,832
His solo records
were just filled
2056
01:33:01,833 --> 01:33:03,959
with in-depth
political thought.
2057
01:33:03,960 --> 01:33:06,628
There's some
kind of adrenaline rush
2058
01:33:06,629 --> 01:33:10,507
that takes place
when you start to realize
2059
01:33:10,508 --> 01:33:12,719
why you're on this planet.
2060
01:33:13,428 --> 01:33:16,806
This combination of artist
and journalist thing
2061
01:33:17,265 --> 01:33:19,307
where I'm going places,
doing research,
2062
01:33:19,308 --> 01:33:22,060
and checking things out,
turning it into stories.
2063
01:33:22,061 --> 01:33:25,063
I'm doing something
that feels important.
2064
01:33:25,064 --> 01:33:28,775
♪ America's on trial... ♪
2065
01:33:28,776 --> 01:33:31,695
I was terrified, because
he went into situations
2066
01:33:31,696 --> 01:33:33,613
that I later found out
2067
01:33:33,614 --> 01:33:36,159
were really, really dangerous.
2068
01:33:36,701 --> 01:33:38,118
I thought, "What happened?"
2069
01:33:38,119 --> 01:33:41,121
You know, I marry
this fun rock and roll guy,
2070
01:33:41,122 --> 01:33:43,248
and we're going
all over the world,
2071
01:33:43,249 --> 01:33:44,708
we're having a great life,
2072
01:33:44,709 --> 01:33:46,960
and all of a sudden,
he's in South Africa
2073
01:33:46,961 --> 01:33:48,128
being smuggled
2074
01:33:48,129 --> 01:33:50,630
into some dangerous area
under a blanket.
2075
01:33:50,631 --> 01:33:51,882
I didn't know that then.
2076
01:33:51,883 --> 01:33:54,301
While I admired
what he was doing,
2077
01:33:54,302 --> 01:33:56,136
I think I really resented it,
2078
01:33:56,137 --> 01:33:58,805
because I felt it was putting
everything at risk.
2079
01:33:58,806 --> 01:34:01,641
His life, our relationship,
2080
01:34:01,642 --> 01:34:03,602
even his musical life.
2081
01:34:03,603 --> 01:34:06,480
Out of all the disturbing...
2082
01:34:06,481 --> 01:34:10,109
situations around
the world, um...
2083
01:34:10,860 --> 01:34:13,613
the single most disturbing
was right here,
2084
01:34:14,030 --> 01:34:16,074
with the treatment
of Native Americans.
2085
01:34:20,411 --> 01:34:24,539
♪ Love's been sacrificed ♪
2086
01:34:24,540 --> 01:34:26,833
♪ Promises buried beneath ♪
2087
01:34:26,834 --> 01:34:30,421
♪ The trail
Of broken treaties ♪
2088
01:34:35,927 --> 01:34:37,845
We celebrated 200 years...
2089
01:34:38,262 --> 01:34:40,138
of our Constitution
the other day.
2090
01:34:40,139 --> 01:34:42,642
That's something we should
be happy about,
2091
01:34:43,184 --> 01:34:46,269
but until we start honoring
Indian treaties,
2092
01:34:46,270 --> 01:34:48,272
the Constitution is a lie.
2093
01:34:48,564 --> 01:34:53,610
♪ Sing it, I ♪
2094
01:34:53,611 --> 01:35:00,367
♪ I am Native American... ♪
2095
01:35:00,368 --> 01:35:02,869
On the Freedom -
No Compromise album,
2096
01:35:02,870 --> 01:35:04,996
the concept was the state.
2097
01:35:04,997 --> 01:35:08,125
Uh, I decided
to do three sub-themes.
2098
01:35:08,126 --> 01:35:10,252
There's South Africa,
Native America,
2099
01:35:10,253 --> 01:35:12,046
and Latin America.
2100
01:35:13,047 --> 01:35:15,048
Stevie was
like a bow and arrow,
2101
01:35:15,049 --> 01:35:17,927
a very well dressed,
you know, archer,
2102
01:35:18,386 --> 01:35:21,847
and was shooting those arrows
exactly where he aimed them.
2103
01:35:21,848 --> 01:35:24,224
Now, if they
hit the right target,
2104
01:35:24,225 --> 01:35:26,810
you're in trouble.
He shook people up.
2105
01:35:26,811 --> 01:35:28,186
If you have that in you,
2106
01:35:28,187 --> 01:35:30,815
you were a threat
to corporate structures.
2107
01:35:34,193 --> 01:35:37,905
He's such
a galvanic humanist,
2108
01:35:38,489 --> 01:35:40,282
that you kind of
have to make
2109
01:35:40,283 --> 01:35:43,201
that kind of progression
into politics.
2110
01:35:43,202 --> 01:35:45,996
It was political,
but it was more
2111
01:35:45,997 --> 01:35:48,790
generally humanistic
than that.
2112
01:35:48,791 --> 01:35:51,418
No party line, all compassion,
2113
01:35:51,419 --> 01:35:52,837
all empathy.
2114
01:35:57,425 --> 01:35:59,176
I went to Nicaragua once,
2115
01:35:59,177 --> 01:36:00,927
and then Steve
decided to come.
2116
01:36:00,928 --> 01:36:02,971
I mean, he was
amazing on this trip.
2117
01:36:02,972 --> 01:36:06,183
He brought nothing but, like,
Gatorade and Marlboros.
2118
01:36:06,184 --> 01:36:09,936
And here's this guy
who is so well-read,
2119
01:36:09,937 --> 01:36:11,772
and so politically astute,
2120
01:36:11,773 --> 01:36:14,775
but dressed like, you know,
like a rock and roll,
2121
01:36:14,776 --> 01:36:17,695
you know, like
a dervish or a pirate.
2122
01:36:18,196 --> 01:36:21,740
♪ Someday we'll reap
What we have sown ♪
2123
01:36:21,741 --> 01:36:25,620
♪ I don't look east
I don't look west ♪
2124
01:36:26,079 --> 01:36:29,248
♪ I don't understand
Their accents ♪
2125
01:36:29,749 --> 01:36:35,253
♪ I will gather no more
Of your bitter fruit... ♪
2126
01:36:35,254 --> 01:36:38,548
What Stevie
did meant something.
2127
01:36:38,549 --> 01:36:40,092
This particular song
2128
01:36:40,093 --> 01:36:43,220
had to do with an injustice,
2129
01:36:43,221 --> 01:36:46,474
and that's a good thing that
Stevie is teaching people.
2130
01:36:46,724 --> 01:36:48,851
They don't know
these stories,
2131
01:36:49,519 --> 01:36:52,563
and it was built
with integrity.
2132
01:36:53,106 --> 01:36:55,525
I have the honor
and the privilege
2133
01:36:55,983 --> 01:36:57,776
to introduce somebody
2134
01:36:57,777 --> 01:37:01,863
who is not only
one of the greatest forces
2135
01:37:01,864 --> 01:37:04,491
in rock and roll
on this planet,
2136
01:37:04,492 --> 01:37:06,493
but one of the greatest forces
2137
01:37:06,494 --> 01:37:09,037
for justice and human rights
on this planet,
2138
01:37:09,038 --> 01:37:10,873
and that's Little Steven!
2139
01:37:17,922 --> 01:37:19,339
The whole '80s
for me,
2140
01:37:19,340 --> 01:37:21,842
I was completely
obsessed with politics,
2141
01:37:21,843 --> 01:37:24,344
against all rational
thought, you know,
2142
01:37:24,345 --> 01:37:26,723
beginning with leaving
the E Street Band.
2143
01:37:27,140 --> 01:37:28,808
But it was more than that.
2144
01:37:29,267 --> 01:37:31,017
Every album had
a different theme,
2145
01:37:31,018 --> 01:37:33,311
a different soundtrack,
2146
01:37:33,312 --> 01:37:37,190
which was part of my,
uh, problem commercially,
2147
01:37:37,191 --> 01:37:41,278
and part of my
artistic, uh, success.
2148
01:37:41,279 --> 01:37:43,947
♪ Keep the people divided ♪
2149
01:37:43,948 --> 01:37:46,199
♪ Keep the energy spent ♪
2150
01:37:46,200 --> 01:37:48,368
♪ Keep the people divided ♪
2151
01:37:48,369 --> 01:37:50,829
♪ So they don't think
About the government ♪
2152
01:37:50,830 --> 01:37:53,707
♪ Look at all
The pretty children ♪
2153
01:37:53,708 --> 01:37:55,917
♪ They all look the same ♪
2154
01:37:55,918 --> 01:37:58,211
♪ They don't want
Your anger ♪
2155
01:37:58,212 --> 01:38:00,548
♪ They don't
Share your pain... ♪
2156
01:38:00,798 --> 01:38:02,382
I'm writing this in 1989.
2157
01:38:02,383 --> 01:38:05,802
The alienation between
the workforce and labor
2158
01:38:05,803 --> 01:38:08,388
started to now
become contagious,
2159
01:38:08,389 --> 01:38:10,223
and I thought
the alienation had now
2160
01:38:10,224 --> 01:38:12,225
moved into the institutions.
2161
01:38:12,226 --> 01:38:14,936
No longer trusted the Church,
the government,
2162
01:38:14,937 --> 01:38:16,438
no longer trusted
our schools,
2163
01:38:16,439 --> 01:38:19,357
and as now,
spreading to the alienation
2164
01:38:19,358 --> 01:38:22,360
from our very life support
systems, the environment.
2165
01:38:22,361 --> 01:38:25,280
It's a bit more powerful,
more beefy with the sounds
2166
01:38:25,281 --> 01:38:27,699
than a typical
dance record, but, um,
2167
01:38:27,700 --> 01:38:29,576
it wasn't anything
to do with rock.
2168
01:38:29,577 --> 01:38:31,578
Anyway, uh, that, that...
2169
01:38:31,579 --> 01:38:33,246
uh, confused people
2170
01:38:33,247 --> 01:38:36,250
pretty, pretty, uh, consistently.
2171
01:38:36,751 --> 01:38:39,586
He had the most
resolute agenda.
2172
01:38:39,587 --> 01:38:41,004
He had it kind of mapped out
2173
01:38:41,005 --> 01:38:43,048
where he was gonna go
with these songs,
2174
01:38:43,049 --> 01:38:45,342
three or four albums deep,
2175
01:38:45,343 --> 01:38:48,304
because he is nothing
less than revolutionary.
2176
01:38:48,888 --> 01:38:51,182
This is for, uh, Leonard...
2177
01:38:51,641 --> 01:38:53,518
in Leavenworth Prison.
2178
01:38:54,143 --> 01:38:56,687
I was focused on
the international situation.
2179
01:38:57,438 --> 01:38:59,231
But of course,
as it turns out,
2180
01:38:59,232 --> 01:39:02,776
in a way, the Native American
situation is international,
2181
01:39:02,777 --> 01:39:05,613
because they are
sovereign nations.
2182
01:39:06,280 --> 01:39:08,698
I read
In the Spirit of Crazy Horse.
2183
01:39:08,699 --> 01:39:10,033
It was very striking to me
2184
01:39:10,034 --> 01:39:11,785
that Steven would
write this song,
2185
01:39:11,786 --> 01:39:13,286
"Justice for Leonard Peltier,"
2186
01:39:13,287 --> 01:39:15,831
and try to give him
the kind of attention
2187
01:39:15,832 --> 01:39:17,374
and regard that he did.
2188
01:39:17,375 --> 01:39:20,378
♪ He should say
What he wants to say ♪
2189
01:39:20,920 --> 01:39:23,715
♪ It's time we listen ♪
2190
01:39:24,298 --> 01:39:27,259
♪ He should pray
Where he wants to pray ♪
2191
01:39:27,260 --> 01:39:30,595
♪ Without asking permission ♪
2192
01:39:30,596 --> 01:39:32,305
♪ Leonard Peltier ♪
2193
01:39:32,306 --> 01:39:34,349
Everything
that he's gone after
2194
01:39:34,350 --> 01:39:37,269
has been a really noble
or meaningful thing,
2195
01:39:37,270 --> 01:39:41,314
so in the end, how could
you not support that?
2196
01:39:41,315 --> 01:39:43,400
It might scare you,
make you upset,
2197
01:39:43,401 --> 01:39:46,278
but you cannot say,
"You shouldn't do this."
2198
01:39:46,279 --> 01:39:48,489
We dedicate this show today
2199
01:39:48,990 --> 01:39:50,825
to the students in China.
2200
01:39:51,701 --> 01:39:53,619
Solidarity with them.
2201
01:39:55,037 --> 01:39:56,705
Finally, I peaked,
2202
01:39:56,706 --> 01:39:59,125
you know, in Rome, 1989.
2203
01:39:59,500 --> 01:40:02,335
We did a concert
for Tiananmen Square.
2204
01:40:02,336 --> 01:40:05,088
I couldn't see the end
of the crowd, like Woodstock.
2205
01:40:05,089 --> 01:40:08,051
This is where my political
trip has been leading,
2206
01:40:08,468 --> 01:40:09,635
and I realized
2207
01:40:10,178 --> 01:40:11,804
I don't wanna
be a politician.
2208
01:40:12,346 --> 01:40:13,805
I said what I wanted to say,
2209
01:40:13,806 --> 01:40:15,557
learned what
I wanted to learn.
2210
01:40:15,558 --> 01:40:17,643
I said, "Man, that's it.
2211
01:40:18,227 --> 01:40:20,146
I'm done. I'm done."
2212
01:40:45,213 --> 01:40:48,090
♪ The war stopped
For a moment ♪
2213
01:40:48,091 --> 01:40:51,676
♪ We held our breaths,
My brothers and I ♪
2214
01:40:51,677 --> 01:40:54,388
♪ The poisoned sky
Stopped crying ♪
2215
01:40:54,389 --> 01:40:57,391
♪ The red sun tried to shine ♪
2216
01:40:57,392 --> 01:41:00,394
♪ We looked down
From the mountain top ♪
2217
01:41:00,395 --> 01:41:03,897
♪ And felt so alone ♪
2218
01:41:03,898 --> 01:41:06,400
♪ This once was paradise ♪
2219
01:41:06,401 --> 01:41:10,446
♪ This wasteland
Once was home ♪
2220
01:41:13,324 --> 01:41:16,285
♪ Oh... ♪
2221
01:41:21,749 --> 01:41:24,918
I had a trip planned
for my next album,
2222
01:41:24,919 --> 01:41:26,503
to do research in Algeria,
2223
01:41:26,504 --> 01:41:28,422
and so I came home from that,
2224
01:41:28,423 --> 01:41:31,425
I recorded my fifth album,
Born Again Savage,
2225
01:41:31,426 --> 01:41:33,761
but I wasn't
gonna tour with it.
2226
01:41:34,637 --> 01:41:36,972
No record company
wanted to sign me anymore.
2227
01:41:36,973 --> 01:41:38,433
I was done.
2228
01:41:51,446 --> 01:41:54,823
The weight, I think,
began to put the brakes
2229
01:41:54,824 --> 01:41:57,242
on Steve's freedom
2230
01:41:57,243 --> 01:41:59,786
to let his imagination
go where he wanted.
2231
01:41:59,787 --> 01:42:02,748
And the outlets seemed
like they had been
2232
01:42:02,749 --> 01:42:04,624
turned off like water taps.
2233
01:42:04,625 --> 01:42:06,960
I was
spiritually exhausted,
2234
01:42:06,961 --> 01:42:08,796
mentally, physically.
2235
01:42:09,297 --> 01:42:12,132
I went out to the wilderness,
man, you know?
2236
01:42:12,133 --> 01:42:13,843
And walked my dog
for seven years.
2237
01:42:19,682 --> 01:42:24,312
♪ Don't ever say
it was all in vain ♪
2238
01:42:26,647 --> 01:42:28,315
♪ Yeah, don't tell me... ♪
2239
01:42:28,316 --> 01:42:30,693
So there I was, uh...
2240
01:42:31,152 --> 01:42:34,654
no more record deal,
no more job opportunities,
2241
01:42:34,655 --> 01:42:36,031
no more offers, really,
2242
01:42:36,032 --> 01:42:38,868
and, uh, no particular
ambition either.
2243
01:42:39,285 --> 01:42:42,621
♪ Yeah, I know
It still remains ♪
2244
01:42:42,622 --> 01:42:45,499
♪ Because
I'm still the same... ♪
2245
01:42:45,500 --> 01:42:48,418
Certainly, it mystified me,
2246
01:42:48,419 --> 01:42:51,798
why someone of his caliber
2247
01:42:52,298 --> 01:42:55,092
would have trouble
getting record deals,
2248
01:42:55,093 --> 01:42:56,176
or holding onto one,
2249
01:42:56,177 --> 01:42:58,970
but knowing what I do
2250
01:42:58,971 --> 01:43:00,848
about record companies,
2251
01:43:01,599 --> 01:43:04,769
you know, it was...
it wasn't hard to see why.
2252
01:43:06,562 --> 01:43:08,980
The idea of writing directly,
2253
01:43:08,981 --> 01:43:10,941
addressing directly an issue,
2254
01:43:10,942 --> 01:43:13,902
is not commercially kosher.
2255
01:43:13,903 --> 01:43:16,405
Promoters don't
wanna hire you.
2256
01:43:16,406 --> 01:43:18,490
The radios will not play you.
2257
01:43:18,491 --> 01:43:19,991
When you're
dealing with issues
2258
01:43:19,992 --> 01:43:24,038
that have to do with feeding
yourself and your family,
2259
01:43:24,455 --> 01:43:25,580
then the question is
2260
01:43:25,581 --> 01:43:28,501
how far are you willing to go
2261
01:43:29,210 --> 01:43:30,961
to support your idea?
2262
01:43:30,962 --> 01:43:33,130
You could feed
people in Africa,
2263
01:43:33,131 --> 01:43:34,381
they're okay with that,
2264
01:43:34,382 --> 01:43:36,299
but start bringing down
governments,
2265
01:43:36,300 --> 01:43:38,343
they start getting
a little nervous.
2266
01:43:38,344 --> 01:43:40,846
You know, like, uh...
2267
01:43:40,847 --> 01:43:43,057
"Maybe we're next," you know?
2268
01:44:08,082 --> 01:44:10,834
I met him at a time
when he was
2269
01:44:10,835 --> 01:44:13,212
not having success.
2270
01:44:13,588 --> 01:44:16,131
He couldn't get good music
2271
01:44:16,132 --> 01:44:18,426
released by anybody.
2272
01:44:19,427 --> 01:44:21,303
Painful as it is, you know,
2273
01:44:21,304 --> 01:44:22,971
I think it's a quite
good experience
2274
01:44:22,972 --> 01:44:24,389
for artists, you know.
2275
01:44:24,390 --> 01:44:26,516
You learn more
from failures in life
2276
01:44:26,517 --> 01:44:28,435
than you do from
successes, I think.
2277
01:44:28,436 --> 01:44:29,853
They're better teachers.
2278
01:44:29,854 --> 01:44:32,272
Bruce had disbanded
the E Street Band,
2279
01:44:32,273 --> 01:44:34,524
and was moving on
to other things.
2280
01:44:34,525 --> 01:44:37,569
During the time that Bruce
had disbanded the band,
2281
01:44:37,570 --> 01:44:40,405
was also a time
for reflection for Steven.
2282
01:44:40,406 --> 01:44:43,450
I thought about being
a professional producer.
2283
01:44:43,451 --> 01:44:46,203
You know, I liked
producing records,
2284
01:44:46,204 --> 01:44:48,538
but I only did it
for my friends, really.
2285
01:44:48,539 --> 01:44:50,332
I ended up producing
a couple records.
2286
01:44:50,333 --> 01:44:51,917
I did the Arc Angels,
and, uh,
2287
01:44:51,918 --> 01:44:55,212
a Nigerian cat named
Majek Fashek, Lone Justice,
2288
01:44:55,213 --> 01:44:56,713
and then I did
a reunion record
2289
01:44:56,714 --> 01:44:59,591
with Southside Johnny
& the Asbury Jukes.
2290
01:44:59,592 --> 01:45:02,344
♪ It's been a long time ♪
2291
01:45:02,345 --> 01:45:04,471
♪ Since we've
Laughed together ♪
2292
01:45:04,472 --> 01:45:08,475
♪ It's been a long time
Since we cried... ♪
2293
01:45:08,476 --> 01:45:10,602
Greetings from Asbury Park.
2294
01:45:10,603 --> 01:45:12,687
On the stage
of the fabled Stone Pony,
2295
01:45:12,688 --> 01:45:15,440
the three guys who put
the place on the rock map,
2296
01:45:15,441 --> 01:45:18,026
Little Steven Van Zandt,
Bruce Springsteen,
2297
01:45:18,027 --> 01:45:19,653
and Southside Johnny Lyon.
2298
01:45:19,654 --> 01:45:21,321
It felt like we should
2299
01:45:21,322 --> 01:45:22,656
be working together again.
2300
01:45:22,657 --> 01:45:25,158
We laugh, have fun,
tell lots of stories,
2301
01:45:25,159 --> 01:45:27,160
we had-we listened
to a lot of music.
2302
01:45:27,161 --> 01:45:28,578
We sat down and wrote things,
2303
01:45:28,579 --> 01:45:31,164
it felt like it did
when we first started out.
2304
01:45:31,165 --> 01:45:32,582
The forthcoming LP
2305
01:45:32,583 --> 01:45:35,001
by Southside Johnny
& the Asbury Jukes,
2306
01:45:35,002 --> 01:45:36,503
entitled Better Days,
2307
01:45:36,504 --> 01:45:38,171
resurrects the horn-enriched sound
2308
01:45:38,172 --> 01:45:41,299
that was a musical trademark
of the band in the late '70s.
2309
01:45:41,300 --> 01:45:43,552
The album is produced
and arranged
2310
01:45:43,553 --> 01:45:46,430
by former Juke and good
friend, Little Steven.
2311
01:45:46,431 --> 01:45:50,184
I just try to keep it human,
and simple, and...
2312
01:45:51,227 --> 01:45:52,686
live as possible.
2313
01:45:52,687 --> 01:45:55,021
That's the way we always
did it, the way I still do.
2314
01:45:55,022 --> 01:45:57,691
I haven't really changed
since I started, really.
2315
01:45:57,692 --> 01:45:59,401
Do the same
thing long enough,
2316
01:45:59,402 --> 01:46:02,904
eventually it becomes
fashionable.
2317
01:46:02,905 --> 01:46:05,782
I don't remember it
was any much that different,
2318
01:46:05,783 --> 01:46:08,368
but when we got into
the studio for Better Days,
2319
01:46:08,369 --> 01:46:10,370
we both were relaxed enough
2320
01:46:10,371 --> 01:46:12,915
that we could let things
happen, it was great.
2321
01:46:13,916 --> 01:46:16,501
You go back to Asbury,
there's Southside,
2322
01:46:16,502 --> 01:46:18,378
there's Steve, there's me.
2323
01:46:18,379 --> 01:46:19,588
Just those three guys.
2324
01:46:19,589 --> 01:46:21,048
That's not gonna
happen again.
2325
01:46:21,049 --> 01:46:23,383
Those are the people
you were there with.
2326
01:46:23,384 --> 01:46:25,386
Those times are gone,
2327
01:46:25,803 --> 01:46:28,305
but those feelings,
the feeling remains.
2328
01:46:28,306 --> 01:46:30,223
The soul,
2329
01:46:30,224 --> 01:46:33,853
and the love,
and the feelings,
2330
01:46:34,437 --> 01:46:36,898
we still keep
a great faith with.
2331
01:46:37,273 --> 01:46:39,107
♪ We lived in a time ♪
2332
01:46:39,108 --> 01:46:41,277
♪ In a world of our own ♪
2333
01:46:41,819 --> 01:46:45,781
♪ Making up the rules
As we went along ♪
2334
01:46:45,782 --> 01:46:47,824
♪ Just one coat between us ♪
2335
01:46:47,825 --> 01:46:50,410
♪ And we never felt cold ♪
2336
01:46:50,411 --> 01:46:54,332
♪ We were never
Gonna get old ♪
2337
01:46:54,916 --> 01:46:56,792
♪ It's been a long time ♪
2338
01:46:56,793 --> 01:46:59,253
♪ Since we laughed together ♪
2339
01:46:59,670 --> 01:47:03,715
♪ It's been a long time
Since we cried... ♪
2340
01:47:03,716 --> 01:47:06,259
Luckily, Lance Freed,
2341
01:47:06,260 --> 01:47:08,303
a music publisher
who happened to be
2342
01:47:08,304 --> 01:47:11,264
the son of the legendary
DJ Alan Freed,
2343
01:47:11,265 --> 01:47:12,974
heard the Southside
Johnny album.
2344
01:47:12,975 --> 01:47:15,894
Said, "I haven't heard writing
like this in a long time,"
2345
01:47:15,895 --> 01:47:18,563
and offered me
a publishing deal,
2346
01:47:18,564 --> 01:47:20,358
which saved my life.
2347
01:47:20,775 --> 01:47:24,277
There were decades of success
2348
01:47:24,278 --> 01:47:25,737
in the past.
2349
01:47:25,738 --> 01:47:29,116
I didn't feel
that his-his writing
2350
01:47:29,117 --> 01:47:30,992
had-had diminished at all.
2351
01:47:30,993 --> 01:47:34,454
I felt like it was every bit
as good as it had ever been.
2352
01:47:34,455 --> 01:47:38,668
And eventually, you know,
things come around.
2353
01:47:39,293 --> 01:47:40,794
At the time it was
a lot of money,
2354
01:47:40,795 --> 01:47:42,713
and paid my bills for years.
2355
01:47:42,714 --> 01:47:44,548
Lance, if you're out there,
2356
01:47:44,549 --> 01:47:45,967
I love you, baby.
2357
01:47:55,268 --> 01:47:58,478
My relationship with Steven
started with Home Alone 2.
2358
01:47:58,479 --> 01:48:00,772
We were looking for a song
2359
01:48:00,773 --> 01:48:03,275
that would cover a montage.
2360
01:48:03,276 --> 01:48:04,943
I said, "Let's think
about this.
2361
01:48:04,944 --> 01:48:07,779
What you need to do
is call Stevie Van Zandt."
2362
01:48:07,780 --> 01:48:09,656
♪ The cold wind's blowing ♪
2363
01:48:09,657 --> 01:48:11,658
♪ And the streets
Are getting dark ♪
2364
01:48:11,659 --> 01:48:13,827
♪ I'm writing you a letter ♪
2365
01:48:13,828 --> 01:48:15,829
♪ And I don't know
Where to start ♪
2366
01:48:15,830 --> 01:48:17,539
♪ The bells will be ringing ♪
2367
01:48:17,540 --> 01:48:19,708
♪ Saint John, the Divine ♪
2368
01:48:19,709 --> 01:48:21,418
♪ I get a little lonely ♪
2369
01:48:21,419 --> 01:48:23,420
♪ Every year
Around this time... ♪
2370
01:48:23,421 --> 01:48:26,631
I said, "I don't know
what the song exactly is,
2371
01:48:26,632 --> 01:48:28,925
but it has to feel
like some of the stuff
2372
01:48:28,926 --> 01:48:32,345
you had just done on
the latest Southside album,"
2373
01:48:32,346 --> 01:48:33,847
which was Better Days.
2374
01:48:33,848 --> 01:48:36,308
Steve says, "I'm gonna
get the E Street Band
2375
01:48:36,309 --> 01:48:38,268
to come in to be
backing musicians."
2376
01:48:38,269 --> 01:48:40,562
Wow! Okay, all right.
2377
01:48:40,563 --> 01:48:43,106
I'm coming to that recording
session.
2378
01:48:43,107 --> 01:48:46,735
And I thought, "My world
has finally connected
2379
01:48:46,736 --> 01:48:48,904
with my dream world."
2380
01:48:48,905 --> 01:48:50,864
I think Steven,
with that particular song,
2381
01:48:50,865 --> 01:48:53,825
wrote one of the great
Christmas songs.
2382
01:48:53,826 --> 01:48:57,245
In my mind, I felt that
if there was ever a situation
2383
01:48:57,246 --> 01:48:59,623
where I needed
a song in a film,
2384
01:48:59,624 --> 01:49:00,957
I would call Steven.
2385
01:49:00,958 --> 01:49:05,963
♪ This is the time
Of your life ♪
2386
01:49:06,547 --> 01:49:09,008
♪ Whatcha gonna do with it ♪
2387
01:49:10,009 --> 01:49:12,886
♪ Don't fool with it... ♪
2388
01:49:12,887 --> 01:49:14,805
I needed a song
for the end credits
2389
01:49:14,806 --> 01:49:17,599
that celebrated
the way I was feeling
2390
01:49:17,600 --> 01:49:19,893
about being a young father
for the first time,
2391
01:49:19,894 --> 01:49:22,897
and he comes back
with "Time of Your Life."
2392
01:49:23,564 --> 01:49:26,066
♪ Don't think
About the future ♪
2393
01:49:26,067 --> 01:49:29,903
♪ Don't think
About the past ♪
2394
01:49:29,904 --> 01:49:32,656
♪ There's just this moment ♪
2395
01:49:32,657 --> 01:49:36,493
♪ You better
Make it last... ♪
2396
01:49:36,494 --> 01:49:39,246
It's an intensely
personal song.
2397
01:49:39,247 --> 01:49:40,580
I don't really...
2398
01:49:40,581 --> 01:49:43,083
think he's written a song
quite like it since.
2399
01:49:43,084 --> 01:49:45,752
Well, most people
who get into a band,
2400
01:49:45,753 --> 01:49:48,463
you don't do it
to-to win accolades.
2401
01:49:48,464 --> 01:49:50,006
You do it because
you love music,
2402
01:49:50,007 --> 01:49:51,925
you wanna be
on stage and share it.
2403
01:49:51,926 --> 01:49:53,927
Gold records, winning awards,
2404
01:49:53,928 --> 01:49:57,013
those things definitely
are meaningful,
2405
01:49:57,014 --> 01:49:59,850
but they're definitely
not the reason you do it.
2406
01:49:59,851 --> 01:50:02,145
♪ Whatcha gonna do with it ♪
2407
01:50:08,776 --> 01:50:10,861
He was trying
to get the Rascals
2408
01:50:10,862 --> 01:50:12,112
up and running again,
2409
01:50:12,113 --> 01:50:14,656
and they had been
feuding for decades,
2410
01:50:14,657 --> 01:50:17,284
and they were a personal
favorite of Stevie's.
2411
01:50:17,285 --> 01:50:19,995
And to induct them
into the Hall of Fame,
2412
01:50:19,996 --> 01:50:22,789
he came out wearing those
outfits they used to wear
2413
01:50:22,790 --> 01:50:26,377
in the very beginning,
like little schoolboy outfits.
2414
01:50:26,753 --> 01:50:28,754
Some people
may not realize it,
2415
01:50:28,755 --> 01:50:32,633
but the Rascals were the first
rock band in the world.
2416
01:50:34,969 --> 01:50:39,097
In the center of the universe,
New Jersey,
2417
01:50:39,098 --> 01:50:41,476
the Rascals
were the first band.
2418
01:50:41,934 --> 01:50:44,603
And who knew
that sitting in New Jersey,
2419
01:50:44,604 --> 01:50:47,815
watching on TV,
was this guy David Chase,
2420
01:50:48,524 --> 01:50:52,528
saying, "You know, that guy
2421
01:50:53,112 --> 01:50:55,698
could be good
for my new TV show."
2422
01:50:56,115 --> 01:50:59,493
You know, their stage garb
was a little, uh, bizarre.
2423
01:50:59,494 --> 01:51:01,578
Uh, what I'm trying to say
2424
01:51:01,579 --> 01:51:03,915
is people think
they dress funny.
2425
01:51:04,832 --> 01:51:06,793
Now, this is a subject
I know something about.
2426
01:51:10,004 --> 01:51:12,339
And I just, you know,
for the record tonight,
2427
01:51:12,340 --> 01:51:16,010
I wanna say that there was
absolutely nothing
2428
01:51:16,302 --> 01:51:19,305
unusual about the way
the Rascals dressed.
2429
01:51:22,183 --> 01:51:23,351
I...
2430
01:51:29,065 --> 01:51:30,775
Nothing strange about that.
2431
01:51:31,192 --> 01:51:33,318
I used to buy
Springsteen albums,
2432
01:51:33,319 --> 01:51:34,569
back to the days of vinyl.
2433
01:51:34,570 --> 01:51:36,405
I used to read the album
over and over,
2434
01:51:36,406 --> 01:51:37,447
stare at it.
2435
01:51:37,448 --> 01:51:38,865
And I saw this guy,
2436
01:51:38,866 --> 01:51:40,200
every album, there he was.
2437
01:51:40,201 --> 01:51:42,702
And he looked Italian to me.
I'm Italian.
2438
01:51:42,703 --> 01:51:47,041
So you know,
it-it pricked my attention.
2439
01:51:47,375 --> 01:51:48,709
And he was very funny,
2440
01:51:48,710 --> 01:51:51,169
glued me to the TV,
just really charismatic,
2441
01:51:51,170 --> 01:51:53,672
and I said, "That guy's
gotta be in the show."
2442
01:51:53,673 --> 01:51:55,716
We were
having dinner one night,
2443
01:51:55,717 --> 01:51:58,719
he goes, "You know,
this guy, David Chase,
2444
01:51:58,720 --> 01:52:00,178
he saw me speak
2445
01:52:00,179 --> 01:52:02,889
at the Rock and Roll
Hall of Fame induction dinner,
2446
01:52:02,890 --> 01:52:06,519
and he wants me
to try a part for HBO."
2447
01:52:07,019 --> 01:52:09,689
And I said, "Steven,
you can't fucking do that.
2448
01:52:10,148 --> 01:52:12,357
You can't be in television.
2449
01:52:12,358 --> 01:52:15,193
I mean,
think of Donny & Marie.
2450
01:52:15,194 --> 01:52:17,612
Are you
the Partridge Family? No.
2451
01:52:17,613 --> 01:52:19,072
You're Stevie Van Zandt,
2452
01:52:19,073 --> 01:52:21,700
you're a fucking
rock and roll idol.
2453
01:52:21,701 --> 01:52:23,076
You can't do this.
2454
01:52:23,077 --> 01:52:25,495
You're gonna
ruin everything."
2455
01:52:25,496 --> 01:52:28,750
And he goes,
"Well, I'm also broke."
2456
01:52:52,106 --> 01:52:55,776
Steven goes, "I did
this pilot for this TV show,
2457
01:52:55,777 --> 01:52:59,029
about a Mob family
in New Jersey,
2458
01:52:59,030 --> 01:53:00,655
I don't know if it's
the right thing."
2459
01:53:00,656 --> 01:53:02,199
I said, "What do you mean?"
2460
01:53:02,200 --> 01:53:04,868
He goes, "Rock 'n' rollers
shouldn't be on TV."
2461
01:53:04,869 --> 01:53:08,873
I said, "Well, look, Steven,
TV has no memory."
2462
01:53:09,248 --> 01:53:11,792
He goes, "What do you mean,
has no memory?"
2463
01:53:11,793 --> 01:53:14,127
I said, "Do you know
2464
01:53:14,128 --> 01:53:18,299
that Henry Fonda
had a TV series?"
2465
01:53:20,635 --> 01:53:22,887
He goes, "He did?"
2466
01:53:23,346 --> 01:53:24,429
I said, "Yeah.
2467
01:53:24,430 --> 01:53:26,808
Do you know Jimmy Stewart
had a TV series?"
2468
01:53:29,435 --> 01:53:31,311
He goes, "He did?"
2469
01:53:31,312 --> 01:53:32,979
I says, "Yeah."
2470
01:53:32,980 --> 01:53:36,024
He said, "I don't remember."
I said, "That's my point.
2471
01:53:36,025 --> 01:53:39,152
If the thing is great, great.
2472
01:53:39,153 --> 01:53:41,947
If the thing is bad,
they'll forget about it."
2473
01:53:41,948 --> 01:53:43,574
If he's right, he's right.
2474
01:53:44,117 --> 01:53:45,826
What the fuck are you doing?
2475
01:53:45,827 --> 01:53:47,577
Sil, take it easy.
2476
01:53:47,578 --> 01:53:49,037
I'm losing my balls over here!
2477
01:53:49,038 --> 01:53:50,831
This fucking moron
is playing Hazel?
2478
01:53:50,832 --> 01:53:52,666
Get the fuck outta here!
2479
01:53:52,667 --> 01:53:54,334
I was trying
to sweep the cheese--
2480
01:53:54,335 --> 01:53:56,169
Why? Why now?
2481
01:53:56,170 --> 01:53:57,587
Leave it there.
2482
01:53:57,588 --> 01:53:59,590
- I don't know, I was just--
- What?
2483
01:54:00,508 --> 01:54:03,009
Where do you get
these fucking idiots? Where?
2484
01:54:03,010 --> 01:54:05,762
He's sweeping the cheese
while I'm trying to get...
2485
01:54:05,763 --> 01:54:07,639
Leave the fucking
cheese there!
2486
01:54:07,640 --> 01:54:09,182
I love cheese on my feet.
2487
01:54:09,183 --> 01:54:12,018
I stick mother fucking
provolone in my socks at night
2488
01:54:12,019 --> 01:54:14,187
so they smell like
your sister's crotch.
2489
01:54:14,188 --> 01:54:17,232
All right? So leave
the cock sucking cheese
2490
01:54:17,233 --> 01:54:18,901
where it is!
2491
01:54:19,777 --> 01:54:21,695
What stunned people
2492
01:54:21,696 --> 01:54:23,655
was the breadth and range
2493
01:54:23,656 --> 01:54:26,116
and authenticity of this cast,
2494
01:54:26,117 --> 01:54:29,244
the surprise of this cast.
2495
01:54:29,245 --> 01:54:33,415
And Steve Van Zandt was
the personification
2496
01:54:33,416 --> 01:54:35,250
of that surprise,
2497
01:54:35,251 --> 01:54:37,377
because he wasn't
a professional actor.
2498
01:54:37,378 --> 01:54:42,549
And you could see that
he was made to do this.
2499
01:54:42,550 --> 01:54:44,302
He was built to do this.
2500
01:54:47,138 --> 01:54:48,764
He said
he didn't wanna take
2501
01:54:48,765 --> 01:54:50,140
a job from an actor.
2502
01:54:50,141 --> 01:54:52,268
We were auditioning
all kinds of actors.
2503
01:54:52,727 --> 01:54:56,563
So I said, "Well, we'll
create a character for you,"
2504
01:54:56,564 --> 01:54:57,731
which we did.
2505
01:54:57,732 --> 01:54:59,191
And it was based
on a character
2506
01:54:59,192 --> 01:55:01,693
that he had invented,
named Silvio Dante.
2507
01:55:01,694 --> 01:55:03,070
His club was gonna
be traditional,
2508
01:55:03,071 --> 01:55:04,863
with maybe '40s music,
2509
01:55:04,864 --> 01:55:07,115
and I said, "That'd be great
for the show."
2510
01:55:07,116 --> 01:55:09,242
Well, what it wound up as
was a strip club.
2511
01:55:09,243 --> 01:55:11,578
I wrote a whole
biography about him.
2512
01:55:11,579 --> 01:55:14,498
He grew up with Tony Soprano,
he was his best friend,
2513
01:55:14,499 --> 01:55:17,627
and I kind of used
my relationship with Bruce.
2514
01:55:30,348 --> 01:55:32,349
We were driving
on the North End,
2515
01:55:32,350 --> 01:55:35,060
which is kind of like
Mulberry Street, New York.
2516
01:55:35,061 --> 01:55:38,230
It's a real old school
Italian district.
2517
01:55:38,231 --> 01:55:39,981
"Silvio's here
on the North End!"
2518
01:55:39,982 --> 01:55:41,942
Owners of the restaurant
come out,
2519
01:55:41,943 --> 01:55:44,027
they're bringing him
out meatballs.
2520
01:55:44,028 --> 01:55:47,115
We gotta keep him in the van
because it's Beatlemania.
2521
01:55:48,658 --> 01:55:51,701
From the Sopranos soundtrack,
our thanks to Little Steven.
2522
01:55:51,702 --> 01:55:53,620
♪ Even if it's all over ♪
2523
01:55:53,621 --> 01:55:56,957
♪ Don't ever say it was
All in vain... ♪
2524
01:55:56,958 --> 01:55:58,458
What was interesting
2525
01:55:58,459 --> 01:56:01,586
in the music that David Chase
chose for the show
2526
01:56:01,587 --> 01:56:04,005
was that it was exposing
Little Steven songs,
2527
01:56:04,006 --> 01:56:06,091
and even unreleased
Little Steven songs,
2528
01:56:06,092 --> 01:56:07,968
to a brand new audience.
2529
01:56:07,969 --> 01:56:09,803
I loved
picking out the music,
2530
01:56:09,804 --> 01:56:11,263
and thinking about songs,
2531
01:56:11,264 --> 01:56:14,182
and some of them I'd had
in my head for 30 years.
2532
01:56:14,183 --> 01:56:16,143
It was my favorite
part of the show.
2533
01:56:16,144 --> 01:56:20,314
But it was never me trying
to, like, introduce, um...
2534
01:56:20,815 --> 01:56:22,232
the world to any music,
2535
01:56:22,233 --> 01:56:25,527
it was just what was right
for that dramatic piece.
2536
01:56:25,528 --> 01:56:27,988
When I came in
to open up one morning,
2537
01:56:27,989 --> 01:56:30,407
there you were,
your head half in the toilet.
2538
01:56:30,408 --> 01:56:33,785
Your hair was in
the toilet water. Disgusting.
2539
01:56:33,786 --> 01:56:35,078
I told you I had the flu.
2540
01:56:35,079 --> 01:56:36,997
I said my piece, Chrissy.
2541
01:56:36,998 --> 01:56:38,665
He was almost unrecognizable.
2542
01:56:38,666 --> 01:56:40,125
If you see him in the band,
2543
01:56:40,126 --> 01:56:42,169
then when you see him
in The Sopranos.
2544
01:56:42,170 --> 01:56:44,963
Uh, I was just deathly afraid
of people saying "Hey,
2545
01:56:44,964 --> 01:56:47,257
I just saw you
play in Cleveland.
2546
01:56:47,258 --> 01:56:49,926
What are you doing trying
to be a mobster," you know?
2547
01:56:49,927 --> 01:56:51,344
I was deathly afraid of that.
2548
01:56:51,345 --> 01:56:53,346
That's why I gained,
I went in the gym,
2549
01:56:53,347 --> 01:56:56,767
I gained, like,
30, 40, 50 pounds right away.
2550
01:56:56,768 --> 01:56:58,852
Uh, and muscle, you know,
2551
01:56:58,853 --> 01:57:01,063
I really, you know,
tried to, bulked up,
2552
01:57:01,064 --> 01:57:04,357
and I wanted to be
as different as I could be,
2553
01:57:04,358 --> 01:57:06,568
thinking I'm never
going back to music.
2554
01:57:06,569 --> 01:57:07,986
You know...
2555
01:57:07,987 --> 01:57:09,529
I was in one trailer,
2556
01:57:09,530 --> 01:57:11,531
and Stevie was
right next to me,
2557
01:57:11,532 --> 01:57:14,409
and I used to play
a lot of Bruce and Southside.
2558
01:57:14,410 --> 01:57:16,745
Steven comes by,
I had the door open,
2559
01:57:16,746 --> 01:57:19,832
and he says, "I figured
you'd be playing Sinatra,"
2560
01:57:20,208 --> 01:57:23,043
and I says, "No, man,
this is Southside."
2561
01:57:23,044 --> 01:57:24,461
He said, "I know who it is."
2562
01:57:24,462 --> 01:57:26,213
"You know I wrote
all those songs?"
2563
01:57:26,214 --> 01:57:27,881
I says, "I didn't know that."
2564
01:57:27,882 --> 01:57:29,883
and I took the CD out,
said Van Zandt,
2565
01:57:29,884 --> 01:57:31,343
I says, "I didn't know that."
2566
01:57:31,344 --> 01:57:34,554
He's clearly
fabricating a persona,
2567
01:57:34,555 --> 01:57:38,475
but you smell enough
of Steven in the character,
2568
01:57:38,476 --> 01:57:41,604
that-that it's totally
believable.
2569
01:57:42,980 --> 01:57:46,358
Without Frank, none of youse
would be in this room tonight.
2570
01:57:46,359 --> 01:57:48,902
I was talking
to the guitar tech,
2571
01:57:48,903 --> 01:57:50,612
and he said,
"Every once in a while,
2572
01:57:50,613 --> 01:57:52,656
he'd be waiting too long
for his guitar,
2573
01:57:52,657 --> 01:57:55,200
he'd turn around
and turn into Silvio."
2574
01:57:55,201 --> 01:57:56,910
"What the fuck, give me my...
2575
01:57:56,911 --> 01:58:00,164
My fucking guitar."
2576
01:58:01,916 --> 01:58:03,793
It was probably
always in there,
2577
01:58:04,293 --> 01:58:06,878
but now it became unleashed.
2578
01:58:06,879 --> 01:58:07,921
Hey, Sil.
2579
01:58:07,922 --> 01:58:09,589
- What?
-"What?"
2580
01:58:09,590 --> 01:58:12,427
I've been gone a long time.
Let me hear it.
2581
01:58:14,762 --> 01:58:17,097
Just when they
thought I was out,
2582
01:58:17,098 --> 01:58:19,142
they pull me back in.
2583
01:58:20,393 --> 01:58:22,520
All right, get
the fuck out of here.
2584
01:58:22,812 --> 01:58:25,439
I was not fooling around.
I came out of that trailer
2585
01:58:25,440 --> 01:58:28,275
as Silvio Dante,
and I was really him.
2586
01:58:28,276 --> 01:58:31,361
You know, I didn't...
I didn't take that lightly.
2587
01:58:31,362 --> 01:58:33,780
When you're connected
with Gandolfini,
2588
01:58:33,781 --> 01:58:35,115
you just gotta get better,
2589
01:58:35,116 --> 01:58:38,160
and Steven and Jimmy
got along so good.
2590
01:58:38,161 --> 01:58:39,953
He learned a lot from Jimmy.
2591
01:58:39,954 --> 01:58:41,872
He'd always say,
"Look in the mirror.
2592
01:58:41,873 --> 01:58:43,415
Look at this face, you know?
2593
01:58:43,416 --> 01:58:46,126
You believe they cast me
as the lead in this show?"
2594
01:58:46,127 --> 01:58:48,170
He meant it, you know?
2595
01:58:48,171 --> 01:58:50,589
Just being in
a scene with him,
2596
01:58:50,590 --> 01:58:52,257
you walked away
a better actor.
2597
01:58:52,258 --> 01:58:53,800
You just couldn't help it.
2598
01:58:53,801 --> 01:58:54,968
He was that good.
2599
01:58:54,969 --> 01:58:56,386
What the fuck do you know
2600
01:58:56,387 --> 01:58:57,679
what goes on in my head?
2601
01:58:57,680 --> 01:59:00,016
I've known you since
you were a kid, Ton'.
2602
01:59:00,433 --> 01:59:04,353
Frankly... you've got
a problem with authority.
2603
01:59:05,605 --> 01:59:07,397
I knew exactly those dynamics.
2604
01:59:07,398 --> 01:59:09,649
I know what it's like
to be the only guy
2605
01:59:09,650 --> 01:59:10,942
bringing the bad news.
2606
01:59:10,943 --> 01:59:12,110
That's the job.
2607
01:59:12,111 --> 01:59:13,945
You wanna be
somebody's best friend?
2608
01:59:13,946 --> 01:59:15,113
Be a real friend?
2609
01:59:15,114 --> 01:59:17,282
You wanna be a consigliere?
2610
01:59:17,283 --> 01:59:18,867
You've gotta take that heat.
2611
01:59:18,868 --> 01:59:20,494
And you gotta stand up to it,
2612
01:59:20,495 --> 01:59:22,329
because that's the job, man.
2613
01:59:22,330 --> 01:59:24,247
'Cause everybody else
is too afraid to do it.
2614
01:59:24,248 --> 01:59:26,833
You know, it might cost you
your friendship,
2615
01:59:26,834 --> 01:59:30,212
or in this case, in Sopranos,
it might cost your life,
2616
01:59:30,213 --> 01:59:32,172
you know, but you gotta do it.
2617
01:59:32,173 --> 01:59:33,465
That's the gig.
2618
01:59:33,466 --> 01:59:36,176
So I was comfortable
with those dynamics,
2619
01:59:36,177 --> 01:59:38,053
and, uh, I think it helped me
2620
01:59:38,054 --> 01:59:39,679
as a first-time actor.
2621
01:59:39,680 --> 01:59:41,932
All his experience
through his career,
2622
01:59:41,933 --> 01:59:43,350
with Bruce, and other ways,
2623
01:59:43,351 --> 01:59:46,019
he gave me tips, um,
2624
01:59:46,020 --> 01:59:47,521
which were really valuable.
2625
01:59:47,522 --> 01:59:50,482
He took on more
thematic responsibility too
2626
01:59:50,483 --> 01:59:52,192
as he became a consigliere.
2627
01:59:52,193 --> 01:59:54,278
That's what he's like
as a person.
2628
01:59:54,821 --> 01:59:56,446
He was always
that way with me.
2629
01:59:56,447 --> 01:59:58,698
"Don't do this,
don't do this," you know?
2630
01:59:58,699 --> 02:00:00,117
That was the big time.
2631
02:00:00,118 --> 02:00:02,327
He'd been in the big time
for a long time.
2632
02:00:02,328 --> 02:00:05,373
I'm gonna tell you something
I never told anybody.
2633
02:00:06,249 --> 02:00:07,749
Back when Jackie
was at the end,
2634
02:00:07,750 --> 02:00:09,209
they floated the idea
2635
02:00:09,210 --> 02:00:11,003
of me stepping up
to the big seat.
2636
02:00:11,713 --> 02:00:13,380
Not Tony, me.
2637
02:00:13,381 --> 02:00:14,923
- Really?
- Yeah.
2638
02:00:14,924 --> 02:00:17,300
But I thought,
"It's not for me."
2639
02:00:17,301 --> 02:00:19,302
Still, you wouldn't
sneeze at it.
2640
02:00:19,303 --> 02:00:22,055
I never saw myself
as that kind of guy.
2641
02:00:22,056 --> 02:00:23,890
I'm more behind the scenes.
2642
02:00:23,891 --> 02:00:27,061
Advice... strategy.
2643
02:00:28,771 --> 02:00:30,815
And here you are, Sil.
2644
02:00:31,399 --> 02:00:33,442
The times make the man, honey,
2645
02:00:33,443 --> 02:00:35,695
not the other way around.
2646
02:00:39,699 --> 02:00:41,409
Come on, Stevie!
2647
02:00:41,868 --> 02:00:43,286
Once more.
2648
02:00:44,579 --> 02:00:46,372
One, two!
2649
02:00:53,171 --> 02:00:57,799
♪ Once I spent my time
Playing tough-guy scenes ♪
2650
02:00:57,800 --> 02:00:59,384
♪ Yeah ♪
2651
02:00:59,385 --> 02:01:03,848
♪ I was living in a world
Of childish dreams... ♪
2652
02:01:04,807 --> 02:01:06,184
Here's two friends
2653
02:01:06,601 --> 02:01:09,561
that I'm so happy they're
getting back together again,
2654
02:01:09,562 --> 02:01:11,605
and that's how
I felt about that.
2655
02:01:11,606 --> 02:01:14,691
Those guys have a connection,
and it's fucking awesome.
2656
02:01:14,692 --> 02:01:16,985
They're laughing,
they're like two kids.
2657
02:01:16,986 --> 02:01:18,403
That's the relationship.
2658
02:01:18,404 --> 02:01:20,615
♪ I believe in the end ♪
2659
02:01:20,990 --> 02:01:24,285
♪ Two hearts
Are better than one ♪
2660
02:01:24,702 --> 02:01:27,829
♪ Two hearts
Girl, get the job done ♪
2661
02:01:27,830 --> 02:01:31,583
♪ Two hearts
Are better than one... ♪
2662
02:01:31,584 --> 02:01:33,210
Being in a band is like
2663
02:01:33,211 --> 02:01:36,338
being in the priesthood
or the Mob.
2664
02:01:36,339 --> 02:01:39,008
These are organizations
you can't leave.
2665
02:01:39,467 --> 02:01:40,801
Unless you're dead.
2666
02:01:40,802 --> 02:01:43,805
The whole mythology
of the band of brothers.
2667
02:01:45,973 --> 02:01:47,933
♪ My special one ♪
2668
02:01:47,934 --> 02:01:51,062
♪ Two hearts
Are better than one ♪
2669
02:01:51,479 --> 02:01:54,357
♪ Two hearts
Girl, get the job done ♪
2670
02:01:54,816 --> 02:01:57,442
♪ Two hearts
Are better than one ♪
2671
02:01:57,443 --> 02:01:58,902
- Steve!
- Yeah, Boss?
2672
02:01:58,903 --> 02:02:01,405
How the hell
is this guy gonna be doing
2673
02:02:01,406 --> 02:02:02,864
a rock show the night before,
2674
02:02:02,865 --> 02:02:05,742
and had a 6:00 a.m. call
the next day in New York?
2675
02:02:05,743 --> 02:02:08,120
We used to wait and say,
"Is he gonna make it?"
2676
02:02:08,121 --> 02:02:09,788
Boom, he shows up,
comes out
2677
02:02:09,789 --> 02:02:10,831
looking like Silvio,
2678
02:02:10,832 --> 02:02:12,666
- and we go to work.
- Let's go act.
2679
02:02:12,667 --> 02:02:15,210
Van Zandt
is creatively restless,
2680
02:02:15,211 --> 02:02:17,504
says his wife,
Maureen, who also plays
2681
02:02:17,505 --> 02:02:19,840
his TV wife in The Sopranos.
2682
02:02:19,841 --> 02:02:22,300
You know, that's
what's interesting about him,
2683
02:02:22,301 --> 02:02:25,303
that he's a... he's a real
Renaissance man.
2684
02:02:25,304 --> 02:02:27,473
I know that sounds
very cliche, but he is.
2685
02:02:32,145 --> 02:02:33,562
People ask me, uh,
2686
02:02:33,563 --> 02:02:35,647
"What have you been doing
these last 20 years?"
2687
02:02:35,648 --> 02:02:39,818
And I say to them, "I've been
putting all of my energy
2688
02:02:39,819 --> 02:02:42,404
into preserving this thing
we call rock and roll."
2689
02:02:42,405 --> 02:02:44,656
And they said
it wouldn't last.
2690
02:02:44,657 --> 02:02:46,408
The Underground Garage
this week
2691
02:02:46,409 --> 02:02:47,868
begins its fifth year.
2692
02:02:47,869 --> 02:02:50,871
It started with
his syndicated radio show
2693
02:02:50,872 --> 02:02:53,373
Little Steven's
Underground Garage,
2694
02:02:53,374 --> 02:02:55,417
now heard on 200 stations.
2695
02:02:55,418 --> 02:02:58,545
He said, "I started going,
city by city,
2696
02:02:58,546 --> 02:03:00,505
I would get a dinner
2697
02:03:00,506 --> 02:03:02,507
with the head
of the radio station,
2698
02:03:02,508 --> 02:03:05,719
and then we'd talk
Sopranos for an hour,"
2699
02:03:05,720 --> 02:03:07,596
he'd say "What's your
slowest night?"
2700
02:03:07,597 --> 02:03:12,017
He wheeled and dealed
to get this golden music
2701
02:03:12,018 --> 02:03:13,644
into the people's ears.
2702
02:03:14,020 --> 02:03:15,729
I remember being
on the West Coast
2703
02:03:15,730 --> 02:03:17,606
listening to
Underground Garage,
2704
02:03:17,607 --> 02:03:20,484
like, "These are the coolest
bands I've ever heard."
2705
02:03:20,485 --> 02:03:23,654
My only desire was to be
on that station as a band.
2706
02:03:24,655 --> 02:03:27,449
Your radio show, Little
Steven's Underground Garage--
2707
02:03:27,450 --> 02:03:30,077
Yes, we are the only
radio show with dancers.
2708
02:03:30,078 --> 02:03:31,871
Yeah, I noticed.
2709
02:03:32,872 --> 02:03:35,165
You know, it goes
from punk rock, to surf,
2710
02:03:35,166 --> 02:03:37,167
to doo-wop, to psychedelic,
2711
02:03:37,168 --> 02:03:40,003
to, you know, modern garage
stuff to old garage stuff,
2712
02:03:40,004 --> 02:03:43,382
and glam, and a bunch
more I'm forgetting.
2713
02:03:43,383 --> 02:03:44,716
There's even reggae in there.
2714
02:03:44,717 --> 02:03:47,469
You think of all those
bands that got played,
2715
02:03:47,470 --> 02:03:48,678
he was the first guy
2716
02:03:48,679 --> 02:03:50,889
to turn anybody
on to the White Stripes.
2717
02:03:50,890 --> 02:03:52,183
I mean, that was him.
2718
02:03:52,558 --> 02:03:55,269
And it just steamrolled
into this monster,
2719
02:03:55,561 --> 02:03:57,688
you know,
groundbreaking thing.
2720
02:04:01,109 --> 02:04:03,693
Underground Garage
gave Steven his freedom
2721
02:04:03,694 --> 02:04:05,445
to play whatever he wanted.
2722
02:04:05,446 --> 02:04:07,406
I can't say the name
of the track,
2723
02:04:07,407 --> 02:04:09,699
because it's got
a horrible word in it.
2724
02:04:09,700 --> 02:04:12,285
It's my station, we can do
whatever the fuck we want.
2725
02:04:12,286 --> 02:04:13,578
Well, there you go.
2726
02:04:13,579 --> 02:04:15,288
I ask people, "How do
you know my music?"
2727
02:04:15,289 --> 02:04:18,250
They say Underground Garage.
I get that all the time.
2728
02:04:18,251 --> 02:04:20,293
It wasn't just the past.
2729
02:04:20,294 --> 02:04:22,963
It was like, "Here's the past,
2730
02:04:22,964 --> 02:04:24,589
and here's the future."
2731
02:04:24,590 --> 02:04:26,967
♪ When you're walking in LA ♪
2732
02:04:26,968 --> 02:04:29,052
♪ Everybody knows
That you're down... ♪
2733
02:04:29,053 --> 02:04:31,471
He thought there
was country music
2734
02:04:31,472 --> 02:04:32,597
being unrepresented,
2735
02:04:32,598 --> 02:04:33,974
and said
"I got a second idea,
2736
02:04:33,975 --> 02:04:36,059
I wanna do this thing
called Outlaw Country.
2737
02:04:36,060 --> 02:04:39,229
So Outlaw Country comes.
Guy's got another channel.
2738
02:04:39,230 --> 02:04:40,981
You wanna make
those connections.
2739
02:04:40,982 --> 02:04:42,607
You wanna connect dots,
2740
02:04:42,608 --> 02:04:43,900
like you do in music,
2741
02:04:43,901 --> 02:04:46,320
Like, how is Robert Johnson
the same as
2742
02:04:46,821 --> 02:04:48,488
the White Stripes, or whoever?
2743
02:04:48,489 --> 02:04:49,865
I think he realizes that if
2744
02:04:49,866 --> 02:04:51,950
somebody doesn't
keep this going,
2745
02:04:51,951 --> 02:04:53,076
it may die.
2746
02:04:53,077 --> 02:04:56,580
♪ Who will save
Rock and roll... ♪
2747
02:04:56,581 --> 02:04:58,999
From his
New York office, Van Zandt
2748
02:04:59,000 --> 02:05:01,668
also books underground
garage concerts.
2749
02:05:01,669 --> 02:05:03,754
He was trying
to save CBGB's.
2750
02:05:03,755 --> 02:05:05,505
He reunited some great bands
2751
02:05:05,506 --> 02:05:07,884
for the Garage Rock Festival.
2752
02:05:09,469 --> 02:05:10,844
And for all these events,
2753
02:05:10,845 --> 02:05:13,180
he'd bring friends
from E Street and Sopranos.
2754
02:05:13,181 --> 02:05:15,307
I hope youse
having a great time
2755
02:05:15,308 --> 02:05:17,727
listening to all
this garage trash today.
2756
02:05:18,311 --> 02:05:19,644
I know I'm trying.
2757
02:05:19,645 --> 02:05:23,273
Steven has this...
sheet of paper
2758
02:05:23,274 --> 02:05:25,192
with all of the things
2759
02:05:25,193 --> 02:05:26,818
that he wants to do.
2760
02:05:26,819 --> 02:05:29,696
I'm pretty sure
he's done them all.
2761
02:05:29,697 --> 02:05:31,114
Like, it's just mind-blowing,
2762
02:05:31,115 --> 02:05:34,326
but I think he has
kind of checked a box
2763
02:05:34,327 --> 02:05:36,328
on every one
of those branches.
2764
02:05:36,329 --> 02:05:37,954
Steven's second act,
2765
02:05:37,955 --> 02:05:40,291
it's amazing how much
he's accomplished.
2766
02:05:42,585 --> 02:05:44,629
Is that the teachers?
2767
02:05:46,255 --> 02:05:49,049
All of a sudden,
he's involved in TV, radio,
2768
02:05:49,050 --> 02:05:52,095
education, he's building
a record label.
2769
02:05:52,512 --> 02:05:54,638
Steven showed up to our gig,
2770
02:05:54,639 --> 02:05:56,264
he's like,
"I want that record."
2771
02:05:56,265 --> 02:05:57,766
You can have that record.
2772
02:05:57,767 --> 02:05:59,434
It's all about music for him.
2773
02:05:59,435 --> 02:06:01,603
There's just a lot
of bands these days,
2774
02:06:01,604 --> 02:06:03,563
and a lot of the bands
came to us saying
2775
02:06:03,564 --> 02:06:04,773
"We need more help."
2776
02:06:04,774 --> 02:06:06,400
That was gonna be successful,
2777
02:06:06,401 --> 02:06:07,901
because people love rock.
2778
02:06:07,902 --> 02:06:10,154
♪ One, two three
Good love ♪
2779
02:06:11,197 --> 02:06:12,239
♪ Good love ♪
2780
02:06:12,240 --> 02:06:14,324
He was on fire
2781
02:06:14,325 --> 02:06:16,034
about this Rascals thing.
2782
02:06:16,035 --> 02:06:19,037
The next thing I know,
it's on Broadway,
2783
02:06:19,038 --> 02:06:21,207
which is tremendous.
2784
02:06:21,582 --> 02:06:23,583
He sees it historically,
2785
02:06:23,584 --> 02:06:25,544
'cause he is a historian.
2786
02:06:25,545 --> 02:06:28,588
He probably knows more
about my music than I do.
2787
02:06:28,589 --> 02:06:31,425
It's every performer's dream
to play Broadway.
2788
02:06:31,426 --> 02:06:33,261
That dream came true for me
2789
02:06:33,761 --> 02:06:36,596
when I wrote and co-directed
Once Upon a Dream,
2790
02:06:36,597 --> 02:06:38,223
reuniting The Rascals.
2791
02:06:38,224 --> 02:06:42,186
♪ How can I be sure ♪
2792
02:06:42,937 --> 02:06:47,108
♪ I'll be sure ♪
2793
02:06:47,608 --> 02:06:51,112
♪ With you ♪
2794
02:06:52,238 --> 02:06:54,406
One of the police officers
who was helping us
2795
02:06:54,407 --> 02:06:56,409
when we'd come out
of the stage door,
2796
02:06:57,326 --> 02:06:58,577
pulls me aside and says,
2797
02:06:58,578 --> 02:07:00,746
"I've been working
Broadway for 20 years,
2798
02:07:00,747 --> 02:07:02,914
and I have never
seen an audience
2799
02:07:02,915 --> 02:07:06,210
come out
of a show like this.
2800
02:07:06,586 --> 02:07:08,462
Cheering, singing,
2801
02:07:08,463 --> 02:07:10,297
smiles, happiness."
2802
02:07:10,298 --> 02:07:13,300
It took people to a place,
in the audience,
2803
02:07:13,301 --> 02:07:16,386
that they never thought
in their wildest dreams
2804
02:07:16,387 --> 02:07:18,306
they would ever get back to.
2805
02:07:18,765 --> 02:07:22,643
Musicians are very theatrical.
2806
02:07:22,935 --> 02:07:25,854
They become
different people, you know.
2807
02:07:25,855 --> 02:07:29,483
When I stood on the stage
of Carnegie Hall,
2808
02:07:29,484 --> 02:07:33,029
and announced Stevie's name,
2809
02:07:33,488 --> 02:07:34,947
I just felt so cool.
2810
02:07:35,239 --> 02:07:37,657
I mean, I just felt
like my world went...
2811
02:07:37,658 --> 02:07:41,162
And I could be...
2812
02:07:41,954 --> 02:07:43,456
anything I wanted to be.
2813
02:07:49,253 --> 02:07:51,839
Now, this could only happen
2814
02:07:52,340 --> 02:07:54,092
to a guy like me.
2815
02:07:55,927 --> 02:07:59,888
And only happened
in a town like this.
2816
02:07:59,889 --> 02:08:01,807
- Am I right?
2817
02:08:01,808 --> 02:08:04,935
♪ This is ♪
2818
02:08:04,936 --> 02:08:09,022
♪ My kind of town ♪
2819
02:08:09,023 --> 02:08:10,482
♪ Lilyhammer is... ♪
2820
02:08:10,483 --> 02:08:12,192
I started a record label,
2821
02:08:12,193 --> 02:08:15,028
and I start signing a bunch
of Norwegian bands.
2822
02:08:15,029 --> 02:08:18,031
I'm producing one of them
in Bergen, Norway.
2823
02:08:18,032 --> 02:08:20,492
The assistant engineer
says, "There's a couple
2824
02:08:20,493 --> 02:08:22,495
in the lobby,
they wanna say hello."
2825
02:08:22,954 --> 02:08:25,372
It's Eilif Skodvin
and Anne Bjornstad,
2826
02:08:25,373 --> 02:08:27,624
and they say to me,
"We're TV writers,
2827
02:08:27,625 --> 02:08:29,544
and we wrote
a TV show for you."
2828
02:08:29,961 --> 02:08:32,838
Well,
2829
02:08:32,839 --> 02:08:34,881
you don't hear that every day.
2830
02:08:34,882 --> 02:08:36,091
Kind of out of the blue,
2831
02:08:36,092 --> 02:08:37,884
I get a call
from Stevie's agent,
2832
02:08:37,885 --> 02:08:40,512
saying, "Will you take a call
with Stevie Van Zandt?"
2833
02:08:40,513 --> 02:08:43,515
And I said, "Would I?
Anyone ever say no to that?"
2834
02:08:43,516 --> 02:08:46,560
Very excited. No idea what
they're gonna talk about.
2835
02:08:46,561 --> 02:08:48,687
I'm thinking "Lilyhammer."
2836
02:08:48,688 --> 02:08:51,607
Three episodes were complete,
and I loved it.
2837
02:08:51,983 --> 02:08:55,152
Really what that was,
like the first Netflix show.
2838
02:08:55,153 --> 02:08:57,904
I think that
that digital world,
2839
02:08:57,905 --> 02:09:00,116
for a guy who is as off-beat
2840
02:09:00,700 --> 02:09:02,409
as, uh, Steve is,
2841
02:09:02,410 --> 02:09:04,536
will create opportunities.
2842
02:09:04,537 --> 02:09:07,748
The sheep head,
it's my dinner.
2843
02:09:07,749 --> 02:09:09,624
I thought I was gonna
have to give
2844
02:09:09,625 --> 02:09:11,377
Johnny Fontaine a movie part.
2845
02:09:13,838 --> 02:09:15,380
It's Gary U.S. Bonds!
2846
02:09:15,381 --> 02:09:18,925
♪ Should auld acquaintance
Be forgot... ♪
2847
02:09:18,926 --> 02:09:21,136
- I'm impressed.
- Yeah!
2848
02:09:21,137 --> 02:09:23,263
I got to direct
the final episode,
2849
02:09:23,264 --> 02:09:24,514
of Lilyhammer,
2850
02:09:24,515 --> 02:09:26,391
and that was one of
my scripts,
2851
02:09:26,392 --> 02:09:27,852
uh, and, uh...
2852
02:09:28,603 --> 02:09:32,231
you know, I had been talking
to Bruce about, uh...
2853
02:09:33,357 --> 02:09:34,608
getting in somewhere.
2854
02:09:34,609 --> 02:09:36,527
We had been talking
since Sopranos.
2855
02:09:37,528 --> 02:09:39,447
Angelina, Anthony.
2856
02:09:39,697 --> 02:09:40,947
What brings you here?
2857
02:09:40,948 --> 02:09:44,034
It's our brother, like always.
2858
02:09:44,035 --> 02:09:46,286
I was thrilled that he
did it, because, uh,
2859
02:09:46,287 --> 02:09:49,623
people have been trying to
get him to act for 30 years.
2860
02:09:49,624 --> 02:09:51,917
You know, I'm proud of that.
2861
02:09:51,918 --> 02:09:53,710
We've been
friends a long time,
2862
02:09:53,711 --> 02:09:56,255
still, you know,
he trusted me.
2863
02:09:57,173 --> 02:09:59,466
No Child
Left Behind legislation
2864
02:09:59,467 --> 02:10:02,469
had devastated all
the arts classes in America,
2865
02:10:02,470 --> 02:10:04,388
So I said how about we do
2866
02:10:04,389 --> 02:10:06,390
a music history
curriculum instead.
2867
02:10:06,391 --> 02:10:09,226
Teacher asks the kid,
"What are you listening to?"
2868
02:10:09,227 --> 02:10:11,812
And whatever they answer,
you trace it back.
2869
02:10:11,813 --> 02:10:13,647
And he's not kidding.
2870
02:10:13,648 --> 02:10:15,982
He wants rock and roll
taught in school.
2871
02:10:15,983 --> 02:10:18,068
You mustn't lose
the history of music,
2872
02:10:18,069 --> 02:10:19,986
the history of anything.
2873
02:10:19,987 --> 02:10:22,989
Rock and roll is
important, it's great to have
2874
02:10:22,990 --> 02:10:25,867
Steven out there
making sure people know
2875
02:10:25,868 --> 02:10:27,744
how important it is,
what it means,
2876
02:10:27,745 --> 02:10:29,622
and what a lifeline it can be.
2877
02:10:30,039 --> 02:10:32,082
He's almost like
John the Baptist.
2878
02:10:32,083 --> 02:10:34,876
He's out there screaming
there's a sacredness,
2879
02:10:34,877 --> 02:10:36,378
there's a holiness to rock.
2880
02:10:36,379 --> 02:10:39,047
This guy is doing
40 things at once,
2881
02:10:39,048 --> 02:10:40,757
and they're all complicated.
2882
02:10:40,758 --> 02:10:42,427
And they're all good.
2883
02:10:51,394 --> 02:10:53,979
He's a writer,
he's a director,
2884
02:10:53,980 --> 02:10:56,398
he's a musician,
he's a producer,
2885
02:10:56,399 --> 02:10:59,192
he's a businessman,
he's a philanthropist,
2886
02:10:59,193 --> 02:11:01,194
and now he wrote
an entire book
2887
02:11:01,195 --> 02:11:03,364
in prose, and it's very good.
2888
02:11:03,906 --> 02:11:05,323
The book has it all.
2889
02:11:05,324 --> 02:11:08,326
Sex, drugs, rock and roll
in unequal measure,
2890
02:11:08,327 --> 02:11:11,289
and the true story
behind the bandana.
2891
02:11:11,831 --> 02:11:14,125
♪ Could have been
A politician ♪
2892
02:11:14,542 --> 02:11:17,879
♪ In a bulletproof
Limousine ♪
2893
02:11:18,546 --> 02:11:22,425
♪ Could have made
A lot of promises... ♪
2894
02:11:23,384 --> 02:11:25,552
I did invite Stevie
to my 80th.
2895
02:11:25,553 --> 02:11:28,722
Bill Wyman invited us
to his 80th birthday party.
2896
02:11:28,723 --> 02:11:30,640
Leo Green,
his crazy promoter,
2897
02:11:30,641 --> 02:11:33,561
he says, "That's the same
week as my blues festival.
2898
02:11:34,312 --> 02:11:36,063
Why don't you
throw a band together
2899
02:11:36,064 --> 02:11:37,606
and headline one night?"
2900
02:11:37,607 --> 02:11:38,940
It sounded like fun.
2901
02:11:38,941 --> 02:11:41,234
I thought maybe
I'll bring the horns back,
2902
02:11:41,235 --> 02:11:45,697
I'll do a handful of my own
songs from the old days.
2903
02:11:45,698 --> 02:11:47,074
For almost 30 years,
2904
02:11:47,075 --> 02:11:49,326
Steven did not
perform his own music.
2905
02:11:49,327 --> 02:11:51,411
He acted, he was
performing with Bruce,
2906
02:11:51,412 --> 02:11:53,872
he was involved
in a lot of different things,
2907
02:11:53,873 --> 02:11:55,916
but he didn't play
any of his own songs
2908
02:11:55,917 --> 02:11:57,585
for a very long time.
2909
02:11:57,919 --> 02:12:00,088
♪ Could have been a lawyer ♪
2910
02:12:00,588 --> 02:12:04,092
♪ But my daddy taught me
Right from wrong ♪
2911
02:12:04,967 --> 02:12:07,637
♪ That could have been
The reason ♪
2912
02:12:08,179 --> 02:12:11,015
♪ Everything takes too long ♪
2913
02:12:11,516 --> 02:12:15,310
♪ I could have hung out
In Hollywood ♪
2914
02:12:15,311 --> 02:12:18,773
♪ I could have
Been a millionaire ♪
2915
02:12:19,232 --> 02:12:20,899
♪ Could have been big... ♪
2916
02:12:20,900 --> 02:12:23,151
As I'm-as I'm going
through my old songs,
2917
02:12:23,152 --> 02:12:25,613
I couldn't get through
them at first.
2918
02:12:26,280 --> 02:12:28,281
And my-my throat
was tightening up,
2919
02:12:28,282 --> 02:12:30,534
I-I... I started to tear up.
2920
02:12:30,535 --> 02:12:32,828
And I went to Bruce,
I said, "Bruce,
2921
02:12:32,829 --> 02:12:35,164
has anything like this
happened to you?"
2922
02:12:35,706 --> 02:12:39,334
And he's like,
"Yeah, I know why,
2923
02:12:39,335 --> 02:12:42,422
because you abandoned
your children for 30 years."
2924
02:12:43,464 --> 02:12:45,841
It reminded me
these songs have value.
2925
02:12:45,842 --> 02:12:47,551
I really shouldn't have
abandoned them.
2926
02:12:47,552 --> 02:12:50,471
I was like, "Dude, yeah,
2927
02:12:50,930 --> 02:12:52,515
you should be doing this."
2928
02:12:53,349 --> 02:12:55,767
But, you know, who knew he was
2929
02:12:55,768 --> 02:12:58,311
gonna pile it on top
of everything else he's doing?
2930
02:12:58,312 --> 02:13:01,690
I was overjoyed. He should
have been on the road anyway,
2931
02:13:01,691 --> 02:13:03,108
'cause he loves the road.
2932
02:13:03,109 --> 02:13:04,693
He stays in the fine hotels,
2933
02:13:04,694 --> 02:13:07,447
and, you know, drinks
that fine wine and all that.
2934
02:13:15,955 --> 02:13:17,456
My first manager over here.
2935
02:13:17,457 --> 02:13:20,500
Nobody messes with Big Mama.
You're my baby.
2936
02:13:20,501 --> 02:13:23,628
Without you,
I don't know where I'd be.
2937
02:13:23,629 --> 02:13:25,173
Oh, Stevie.
2938
02:13:25,506 --> 02:13:28,801
♪ Stop the world
For a minute ♪
2939
02:13:29,802 --> 02:13:33,722
♪ Is that a tear
I see in your eye? ♪
2940
02:13:33,723 --> 02:13:38,061
♪ This is your chance
This is your moment, baby ♪
2941
02:13:38,394 --> 02:13:41,271
♪ Spread your wings
It's time to fly... ♪
2942
02:13:41,272 --> 02:13:43,190
He's a great performer,
2943
02:13:43,191 --> 02:13:44,691
great songwriter,
2944
02:13:44,692 --> 02:13:46,568
great producer,
great arranger,
2945
02:13:46,569 --> 02:13:48,905
and made a couple
of great records
2946
02:13:49,238 --> 02:13:50,906
that ought to be out there.
2947
02:13:50,907 --> 02:13:53,492
He had gone
quite a-quite a period
2948
02:13:53,493 --> 02:13:56,787
without using some
of his greatest abilities.
2949
02:13:56,788 --> 02:13:58,413
Stevie called me up and said,
2950
02:13:58,414 --> 02:14:00,832
"I wanna get back
into doing this."
2951
02:14:00,833 --> 02:14:02,960
I said, "Of course, man."
2952
02:14:03,836 --> 02:14:07,214
That was just one of
the sweet things about Steve.
2953
02:14:07,215 --> 02:14:09,467
Is that he
would think, "Can I?"
2954
02:14:10,385 --> 02:14:12,260
That he would think
to make that call.
2955
02:14:12,261 --> 02:14:15,013
I don't think that would
happen in other bands.
2956
02:14:15,014 --> 02:14:18,183
♪ Lighting the soulfire ♪
2957
02:14:18,184 --> 02:14:20,227
♪ Lighting the soulfire... ♪
2958
02:14:20,228 --> 02:14:22,312
I saw them
in downtown LA.
2959
02:14:22,313 --> 02:14:24,981
Mike Stoller was the emcee,
2960
02:14:24,982 --> 02:14:26,858
which blew my mind.
2961
02:14:26,859 --> 02:14:31,906
Here they are, Little Steven
and the Disciples of Soul.
2962
02:14:36,828 --> 02:14:39,288
♪ Ah yeah ♪
2963
02:14:51,843 --> 02:14:53,093
When I put on "Soulfire"
2964
02:14:53,094 --> 02:14:54,219
for the first time,
2965
02:14:54,220 --> 02:14:55,429
I have to be honest,
2966
02:14:55,430 --> 02:14:57,305
I had tears running
down my face,
2967
02:14:57,306 --> 02:14:59,266
because it picked me up
2968
02:14:59,267 --> 02:15:01,602
and threw me back into 1977.
2969
02:15:18,828 --> 02:15:19,911
♪ Hey hey hey... ♪
2970
02:15:19,912 --> 02:15:21,455
He gets on with it.
2971
02:15:21,456 --> 02:15:24,792
Who goes on the road
with 14 musicians?
2972
02:15:27,837 --> 02:15:29,504
Steven asked me,
2973
02:15:29,505 --> 02:15:32,007
"Can you find out
how big the stage is
2974
02:15:32,008 --> 02:15:33,800
at the Cavern Club
in Liverpool?"
2975
02:15:33,801 --> 02:15:36,344
And I went, "Uh, yeah, why?"
2976
02:15:36,345 --> 02:15:38,388
And he goes,
"I wanna play there."
2977
02:15:38,389 --> 02:15:40,850
You are eternally part
2978
02:15:41,726 --> 02:15:42,976
of our wall of fame.
2979
02:15:42,977 --> 02:15:44,394
- Thank you.
2980
02:15:44,395 --> 02:15:45,563
It's your turn.
2981
02:15:49,776 --> 02:15:51,526
I love his enthusiasm,
2982
02:15:51,527 --> 02:15:54,988
and his passion
for what we both love.
2983
02:15:54,989 --> 02:15:57,365
He lives it
and he promotes it,
2984
02:15:57,366 --> 02:15:59,201
you know,
with his radio station.
2985
02:15:59,202 --> 02:16:02,205
♪ Well, she was just 17 ♪
2986
02:16:02,663 --> 02:16:05,374
♪ If you know what I mean ♪
2987
02:16:06,209 --> 02:16:07,667
♪ And the way she looked... ♪
2988
02:16:07,668 --> 02:16:09,336
The thing
I see with Stevie,
2989
02:16:09,337 --> 02:16:11,129
I think he's just
following threads
2990
02:16:11,130 --> 02:16:12,965
that he really likes.
2991
02:16:13,424 --> 02:16:15,884
♪ So how could I dance ♪
2992
02:16:15,885 --> 02:16:18,178
♪ With another ♪
2993
02:16:18,179 --> 02:16:19,679
♪ Woo ♪
2994
02:16:19,680 --> 02:16:23,934
♪ I saw her
Standing there... ♪
2995
02:16:23,935 --> 02:16:27,271
What he's doing, the tradition
he's carrying on,
2996
02:16:27,688 --> 02:16:29,564
rock and soul,
from Sam and Dave
2997
02:16:29,565 --> 02:16:32,067
to the Dave Clark Five
to the Stones,
2998
02:16:32,068 --> 02:16:33,528
he's a witness.
2999
02:16:39,909 --> 02:16:42,035
♪ Well, we made a promise ♪
3000
02:16:42,036 --> 02:16:45,414
♪ We swore we'd
Always remember ♪
3001
02:16:45,415 --> 02:16:47,541
♪ No retreat, baby ♪
3002
02:16:47,542 --> 02:16:50,128
♪ No surrender... ♪
3003
02:16:50,712 --> 02:16:53,380
It is 20 years now
since we've been back.
3004
02:16:53,381 --> 02:16:55,132
It's crazy.
3005
02:16:55,133 --> 02:16:57,009
You know, it's, uh,
3006
02:16:57,343 --> 02:16:59,302
it feels like it's
the way it ought to be.
3007
02:16:59,303 --> 02:17:02,848
♪ Baby, no surrender ♪
3008
02:17:02,849 --> 02:17:04,266
Come on, kid!
3009
02:17:04,267 --> 02:17:06,768
♪ No retreat, baby ♪
3010
02:17:06,769 --> 02:17:12,150
♪ No ♪
3011
02:17:12,400 --> 02:17:14,234
♪ Surrender ♪
3012
02:17:14,235 --> 02:17:15,820
Whoo!
3013
02:17:16,279 --> 02:17:18,156
Things have a way
of coming around,
3014
02:17:18,573 --> 02:17:20,408
and working themselves out.
3015
02:17:20,825 --> 02:17:22,869
If people
have the faith in...
3016
02:17:23,536 --> 02:17:25,912
in each other,
it'll allow that to happen,
3017
02:17:25,913 --> 02:17:27,707
and the love, you know?
3018
02:17:38,468 --> 02:17:39,969
This is for Maureen.
3019
02:17:42,847 --> 02:17:44,181
She's been there
3020
02:17:44,182 --> 02:17:46,517
through the thick
and the thin,
3021
02:17:46,934 --> 02:17:50,020
and that's pretty darn rare.
3022
02:17:50,021 --> 02:17:52,230
♪ I wanna protect you ♪
3023
02:17:52,231 --> 02:17:54,274
♪ I wanna connect with you ♪
3024
02:17:54,275 --> 02:17:57,110
♪ I wanna affect you ♪
3025
02:17:57,111 --> 02:17:58,653
♪ I wanna reflect you ♪
3026
02:17:58,654 --> 02:18:01,282
♪ I wanna be your happy end ♪
3027
02:18:01,657 --> 02:18:03,784
♪ We start all over again ♪
3028
02:18:03,785 --> 02:18:05,952
♪ I wanna feel
The same pain you do ♪
3029
02:18:05,953 --> 02:18:08,455
♪ Dancing in the rain
With you ♪
3030
02:18:08,456 --> 02:18:11,876
The two of them, they're both
really lucky, you know?
3031
02:18:12,418 --> 02:18:14,003
And so is the dog.
3032
02:18:30,019 --> 02:18:33,563
And now he's back, there's
no politics.
3033
02:18:33,564 --> 02:18:35,983
For the moment, you know?
3034
02:18:36,734 --> 02:18:38,485
I mean,
he's still an activist.
3035
02:18:38,486 --> 02:18:40,695
It comes through
in the spirit of the music,
3036
02:18:40,696 --> 02:18:42,824
and in the way
that he plays it.
3037
02:18:44,659 --> 02:18:46,701
♪ Take it easy ♪
3038
02:18:46,702 --> 02:18:49,663
♪ Yeah yeah yeah... ♪
3039
02:18:49,664 --> 02:18:52,499
You know, Stevie
told me many years ago
3040
02:18:52,500 --> 02:18:55,460
rock and roll kept him alive,
3041
02:18:55,461 --> 02:18:59,381
and I really do believe
it's his religion.
3042
02:18:59,382 --> 02:19:02,509
♪ I don't know
If you realize it or not ♪
3043
02:19:02,510 --> 02:19:06,179
♪ Yeah yeah yeah ♪
3044
02:19:06,180 --> 02:19:09,517
♪ I don't know if you have
Cable TV or not ♪
3045
02:19:11,018 --> 02:19:14,020
♪ But outside
These walls right here ♪
3046
02:19:14,021 --> 02:19:16,148
♪ Yeah yeah yeah ♪
3047
02:19:16,149 --> 02:19:19,110
♪ The world is going
Fucking crazy... ♪
3048
02:19:21,821 --> 02:19:24,490
♪ And we're here tonight ♪
3049
02:19:25,575 --> 02:19:26,868
♪ For sanctuary ♪
3050
02:19:29,620 --> 02:19:31,621
♪ We're here tonight ♪
3051
02:19:31,622 --> 02:19:34,876
♪ For some
Spiritual nourishment ♪
3052
02:19:36,127 --> 02:19:37,544
That's right.
3053
02:19:37,545 --> 02:19:39,756
We come to this cathedral
3054
02:19:41,466 --> 02:19:43,718
for spiritual nourishment.
3055
02:19:45,053 --> 02:19:48,222
And there ain't no
spiritual nourishment
3056
02:19:48,681 --> 02:19:51,225
like real live music.
3057
02:19:55,271 --> 02:19:57,064
He has this passion
3058
02:19:57,065 --> 02:19:59,108
for rock and roll,
3059
02:20:00,943 --> 02:20:02,779
but Stevie goes beyond.
3060
02:20:03,905 --> 02:20:05,947
♪ It makes you
Wanna say yeah ♪
3061
02:20:05,948 --> 02:20:07,491
- ♪ Yeah ♪
- ♪ Yeah... ♪
3062
02:20:07,492 --> 02:20:09,242
A whole sort of
3063
02:20:09,243 --> 02:20:12,121
encyclopedic knowledge
of music.
3064
02:20:12,580 --> 02:20:15,583
You know, um,
I'd say I know quite a bit,
3065
02:20:16,084 --> 02:20:17,459
but he knows more.
3066
02:20:17,460 --> 02:20:19,586
♪ Something like that
Uh-huh ♪
3067
02:20:19,587 --> 02:20:22,464
- ♪ Yeah yeah ♪
- ♪ Uh, huh ♪
3068
02:20:22,465 --> 02:20:24,341
- ♪ Yeah ♪
- ♪ Yeah ♪
3069
02:20:24,342 --> 02:20:25,592
- ♪ Yeah ♪
- ♪ Yeah... ♪
3070
02:20:25,593 --> 02:20:27,260
The world
isn't going to get
3071
02:20:27,261 --> 02:20:28,637
everything you do.
3072
02:20:28,638 --> 02:20:31,431
The success to me is
that you had that vision,
3073
02:20:31,432 --> 02:20:32,933
and you followed through on it
3074
02:20:32,934 --> 02:20:34,893
and you went
all the way with it.
3075
02:20:34,894 --> 02:20:38,230
♪ Yeah give me some drums
Give me some drums ♪
3076
02:20:38,231 --> 02:20:39,606
- ♪ Yeah ♪
- ♪ Yeah ♪
3077
02:20:39,607 --> 02:20:41,109
- ♪ Yeah yeah ♪
- ♪ Yeah ♪
3078
02:20:41,526 --> 02:20:43,485
♪ A little bit louder now ♪
3079
02:20:43,486 --> 02:20:44,820
- ♪ Yeah ♪
- ♪ Yeah ♪
3080
02:20:44,821 --> 02:20:46,405
- ♪ Yeah ♪
- ♪ Oh yeah ♪
3081
02:20:46,406 --> 02:20:49,366
♪ Yeah a little bit
Louder, baby ♪
3082
02:20:49,367 --> 02:20:50,617
- ♪ Yeah ♪
- ♪ Oh yeah ♪
3083
02:20:50,618 --> 02:20:52,160
- ♪ Oh yeah ♪
- ♪ Yeah ♪
3084
02:20:52,161 --> 02:20:54,121
♪ Everybody sing now ♪
3085
02:20:54,122 --> 02:20:57,332
♪ Yeah yeah yeah ♪
3086
02:20:57,333 --> 02:20:59,292
♪ Everybody sing now ♪
3087
02:20:59,293 --> 02:21:00,585
♪ Yeah... ♪
3088
02:21:00,586 --> 02:21:02,254
The fact
that he manages
3089
02:21:02,255 --> 02:21:03,755
to put these things together,
3090
02:21:03,756 --> 02:21:05,757
and then the impact
that they have,
3091
02:21:05,758 --> 02:21:09,095
is a credit to his
belief in what he does.
3092
02:21:09,679 --> 02:21:12,222
♪ Yeah yeah yeah ♪
3093
02:21:12,223 --> 02:21:16,476
♪ Oooh... ♪
3094
02:21:16,477 --> 02:21:19,980
At the end of the day,
Steve's a true believer.
3095
02:21:19,981 --> 02:21:22,316
♪ Oh yeah ♪
3096
02:22:19,957 --> 02:22:23,210
♪ The old men make excuses ♪
3097
02:22:23,211 --> 02:22:26,880
♪ While the young men
Bring the noise ♪
3098
02:22:26,881 --> 02:22:30,467
♪ And nothing ever changes ♪
3099
02:22:30,468 --> 02:22:34,429
♪ ‘Cause boys keep being boys ♪
3100
02:22:34,430 --> 02:22:37,849
♪ And the women
Just surrendered ♪
3101
02:22:37,850 --> 02:22:41,186
♪ While Cinderella slept ♪
3102
02:22:41,187 --> 02:22:44,940
♪ Now they know they've waited
Too long ♪
3103
02:22:44,941 --> 02:22:49,570
♪ There's nothing worth
Stealing left ♪
3104
02:22:50,196 --> 02:22:54,241
♪ Under the camouflage
Of righteousness ♪
3105
02:22:54,242 --> 02:22:57,911
♪ We supply the sins
While you confess ♪
3106
02:22:57,912 --> 02:23:03,583
♪ You're seduced by
The vampires' sweet caress ♪
3107
02:23:03,584 --> 02:23:09,756
♪ Behind the camouflage
Of righteousness ♪
3108
02:23:09,757 --> 02:23:12,968
♪ We give you politicians ♪
3109
02:23:12,969 --> 02:23:16,972
♪ And you call it choice ♪
3110
02:23:16,973 --> 02:23:20,225
♪ We let you do the voting ♪
3111
02:23:20,226 --> 02:23:24,104
♪ And you think
You have a voice ♪
3112
02:23:24,105 --> 02:23:27,733
♪ We control the information ♪
3113
02:23:27,734 --> 02:23:31,486
♪ And you call yourself
Informed ♪
3114
02:23:31,487 --> 02:23:34,740
♪ We give you our religion ♪
3115
02:23:34,741 --> 02:23:39,454
♪ And you believe it's yours ♪
3116
02:23:40,121 --> 02:23:44,082
♪ Under the camouflage
Of righteousness ♪
3117
02:23:44,083 --> 02:23:47,753
♪ We supply the sins
While you confess ♪
3118
02:23:47,754 --> 02:23:53,300
♪ You're seduced by
The vampires' sweet caress ♪
3119
02:23:53,301 --> 02:24:00,183
♪ Behind the camouflage
Of righteousness ♪
3120
02:24:36,260 --> 02:24:40,889
♪ Breathe,
Life is just a dream ♪
3121
02:24:40,890 --> 02:24:44,811
♪ Reach out and touch
The screen ♪
3122
02:24:45,561 --> 02:24:48,981
♪ We're here to soothe you ♪
3123
02:24:50,817 --> 02:24:52,109
♪ Relax ♪
3124
02:24:52,110 --> 02:24:55,279
♪ It's better
If you don't fight ♪
3125
02:24:55,988 --> 02:24:58,990
♪ Believe in the
Flickering light ♪
3126
02:24:58,991 --> 02:25:03,162
♪ We can't afford to lose you ♪
3127
02:25:19,887 --> 02:25:22,848
♪ We offer you diversion ♪
3128
02:25:22,849 --> 02:25:26,309
♪ On any channel you choose ♪
3129
02:25:26,310 --> 02:25:29,855
♪ We give you bread
And circus ♪
3130
02:25:29,856 --> 02:25:33,734
♪ And you still call it news ♪
3131
02:25:33,735 --> 02:25:37,237
♪ We orchestrate your hatred ♪
3132
02:25:37,238 --> 02:25:40,907
♪ It's as clear as white
And black ♪
3133
02:25:40,908 --> 02:25:44,244
♪ We select your history ♪
3134
02:25:44,245 --> 02:25:48,916
♪ And you believe it's fact ♪
3135
02:25:49,625 --> 02:25:53,754
♪ Under the camouflage
Of righteousness ♪
3136
02:25:53,755 --> 02:25:57,257
♪ We supply the sins
While you confess ♪
3137
02:25:57,258 --> 02:26:02,805
♪ You're seduced by
The vampires' sweet caress ♪
3138
02:26:03,347 --> 02:26:14,274
♪ Behind the camouflage
Of righteousness ♪
3139
02:26:14,275 --> 02:26:20,323
♪ Behind the camouflage... ♪
248844
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