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These are the user uploaded subtitles that are being translated: 1 00:00:14,974 --> 00:00:17,643 I must be in heaven, man. 2 00:00:20,730 --> 00:00:22,856 'Cause I get to introduce 3 00:00:22,857 --> 00:00:26,109 Little Steven and the Disciples of Soul! 4 00:00:26,110 --> 00:00:32,158 Little Steven and the Disciples of Soul. 5 00:00:53,429 --> 00:00:56,598 ♪ Can you hear me? ♪ 6 00:00:56,599 --> 00:00:58,392 ♪ Wake up ♪ 7 00:00:58,393 --> 00:01:02,355 ♪ Where's the voice Of America? ♪ 8 00:01:04,023 --> 00:01:06,900 ♪ Can you hear me? ♪ 9 00:01:06,901 --> 00:01:08,568 ♪ Wake up ♪ 10 00:01:08,569 --> 00:01:11,863 ♪ Where's the voice Of America? ♪ 11 00:01:11,864 --> 00:01:13,491 Listen! 12 00:01:14,075 --> 00:01:15,617 ♪ I know that we knew ♪ 13 00:01:15,618 --> 00:01:19,789 ♪ Right from wrong Once upon a time ♪ 14 00:01:20,748 --> 00:01:24,710 ♪ Everything we stood for Has been compromised ♪ 15 00:01:24,711 --> 00:01:26,920 ♪ I been quiet ♪ 16 00:01:26,921 --> 00:01:29,048 ♪ Too quiet ♪ 17 00:01:29,590 --> 00:01:34,219 ♪ While across Our borderline ♪ 18 00:01:34,220 --> 00:01:37,724 ♪ My people lie ♪ 19 00:01:39,934 --> 00:01:42,310 ♪ Can you hear me? ♪ 20 00:01:42,311 --> 00:01:44,021 ♪ I said wake up ♪ 21 00:01:44,439 --> 00:01:48,443 ♪ We are the voice Of America ♪ 22 00:01:49,944 --> 00:01:52,946 ♪ Can you hear me? ♪ 23 00:01:52,947 --> 00:01:54,573 ♪ Wake up ♪ 24 00:01:54,574 --> 00:01:58,745 ♪ We're the voice Of America ♪ 25 00:01:59,746 --> 00:02:03,750 ♪ We're the voice Of America ♪ 26 00:02:04,542 --> 00:02:09,047 ♪ We're the voice Of America ♪ 27 00:02:09,672 --> 00:02:15,177 ♪ We're the voice Of America ♪ 28 00:02:15,178 --> 00:02:17,305 All right. 29 00:02:36,157 --> 00:02:39,952 ♪ After the wind Dried my eyes ♪ 30 00:02:40,620 --> 00:02:42,370 It was a time when there were clubs 31 00:02:42,371 --> 00:02:44,122 all over for teenagers. 32 00:02:44,123 --> 00:02:46,041 On a Friday or Saturday night, 33 00:02:46,042 --> 00:02:47,376 you had your choice 34 00:02:47,377 --> 00:02:49,252 of a dozen places to go 35 00:02:49,253 --> 00:02:50,796 to hear live music. 36 00:02:50,797 --> 00:02:53,465 We just had a million places to play. 37 00:02:53,466 --> 00:02:55,384 Beach clubs and VFW halls 38 00:02:55,385 --> 00:02:57,636 and-and-and high school dances, 39 00:02:57,637 --> 00:03:00,680 and there were clubs built for teenagers. 40 00:03:00,681 --> 00:03:03,016 ♪ And jump for joy And Xanadu ♪ 41 00:03:03,017 --> 00:03:06,561 ♪ It's Hullabaloo ♪ 42 00:03:06,562 --> 00:03:10,315 The Hullabaloo clubs were a franchise 43 00:03:10,316 --> 00:03:12,193 from the television show. 44 00:03:12,527 --> 00:03:13,985 For one reason or another, 45 00:03:13,986 --> 00:03:17,364 I was going to the one in Middletown one weekend. 46 00:03:17,365 --> 00:03:18,783 I walk in, and... 47 00:03:19,200 --> 00:03:22,661 uh, there was, uh, a band playing, 48 00:03:22,662 --> 00:03:25,414 sounded really good. Stevie was fronting. 49 00:03:25,415 --> 00:03:27,165 My recollection is, I always say 50 00:03:27,166 --> 00:03:29,376 he had on a huge paisley tie 51 00:03:29,377 --> 00:03:31,503 that caught my attention, 52 00:03:31,504 --> 00:03:34,548 - and it was funny. - Bruce had a band, 53 00:03:34,549 --> 00:03:36,675 The Castiles, it was one of those bands. 54 00:03:36,676 --> 00:03:38,009 My band was the Source. 55 00:03:38,010 --> 00:03:40,722 Our two bands were the only bands that had managers. 56 00:03:41,013 --> 00:03:44,642 He had this crazy character named Tex, you know, 57 00:03:44,851 --> 00:03:46,393 and I had Big Mama McEvilly, 58 00:03:46,394 --> 00:03:48,687 who was the drummer's, my drummer's mother. 59 00:03:48,688 --> 00:03:51,314 And I don't know if we exchanged some information. 60 00:03:51,315 --> 00:03:52,733 I didn't have a phone. 61 00:03:52,734 --> 00:03:56,236 There was just some mystical thing in the air 62 00:03:56,237 --> 00:03:58,906 that happens when you meet somebody 63 00:03:59,407 --> 00:04:03,161 who feels about something the same way 64 00:04:03,536 --> 00:04:06,539 with the kind of intensity that you feel about it. 65 00:04:06,914 --> 00:04:08,206 So he just became 66 00:04:08,207 --> 00:04:11,043 my rock and roll brother instantly, you know? 67 00:04:11,044 --> 00:04:12,753 Now tonight, the whole country 68 00:04:12,754 --> 00:04:15,548 is waiting to hear England's Beatles. 69 00:04:16,049 --> 00:04:18,300 February 8th, 1964, 70 00:04:18,301 --> 00:04:19,926 there were no bands in America. 71 00:04:19,927 --> 00:04:22,721 February 9th they play The Ed Sullivan Show, 72 00:04:22,722 --> 00:04:25,599 February 10th, everybody had a band in their garage. 73 00:04:25,600 --> 00:04:29,186 It was revealing this extraordinary new world, 74 00:04:29,187 --> 00:04:31,314 especially for those of us 75 00:04:31,689 --> 00:04:34,691 who were misfits, freaks, and outcasts, you know. 76 00:04:34,692 --> 00:04:39,279 We're not relating to anything that society was offering us. 77 00:04:39,280 --> 00:04:40,447 But they were so good, 78 00:04:40,448 --> 00:04:42,282 you couldn't picture doing it. 79 00:04:42,283 --> 00:04:43,909 What nobody knew 80 00:04:43,910 --> 00:04:47,329 is that we'd been rehearsing and practicing 81 00:04:47,330 --> 00:04:50,499 in Britain, in Europe, in Hamburg, 82 00:04:50,500 --> 00:04:52,793 and we'd put in a lot of hours, you know. 83 00:04:52,794 --> 00:04:56,213 It's Malcolm Gladwell's 10,000 hours. 84 00:04:56,214 --> 00:04:59,508 Um, so by the time we reached America, 85 00:04:59,509 --> 00:05:02,135 we were a fully formed beast. 86 00:05:02,136 --> 00:05:03,387 But you couldn't imagine 87 00:05:03,388 --> 00:05:05,640 how you get into that world, you know? 88 00:05:06,182 --> 00:05:07,432 Four months later, 89 00:05:07,433 --> 00:05:09,976 lucky for us, the Rolling Stones come. 90 00:05:09,977 --> 00:05:12,521 You know, they made it look easier than it was. 91 00:05:12,522 --> 00:05:15,107 They wore different things, they had no harmony, 92 00:05:15,108 --> 00:05:17,150 you know, it was the first punk band. 93 00:05:17,151 --> 00:05:19,153 You've gotta keep things simple. 94 00:05:19,487 --> 00:05:20,695 That's the great thing. 95 00:05:20,696 --> 00:05:22,823 If you listen to any great records, 96 00:05:22,824 --> 00:05:24,074 they're so simple. 97 00:05:24,075 --> 00:05:26,243 The fact that Mick Jagger 98 00:05:26,244 --> 00:05:27,661 did not smile. 99 00:05:27,662 --> 00:05:29,621 That to me meant this is not 100 00:05:29,622 --> 00:05:31,832 show business anymore, this is a lifestyle. 101 00:05:31,833 --> 00:05:34,419 I was like, "I want to do that." 102 00:05:37,296 --> 00:05:40,173 We would put together one band after another, 103 00:05:40,174 --> 00:05:41,967 and we couldn't get work, really. 104 00:05:41,968 --> 00:05:43,927 Nobody wanted to hire bands 105 00:05:43,928 --> 00:05:46,221 that were playing any original music. 106 00:05:46,222 --> 00:05:47,514 I go see Bruce, 107 00:05:47,515 --> 00:05:49,307 he said there's this new place called 108 00:05:49,308 --> 00:05:50,726 Upstage at Asbury Park. 109 00:05:50,727 --> 00:05:53,270 There was this crazy idea for a club, 110 00:05:53,271 --> 00:05:55,021 just for kids, no booze, 111 00:05:55,022 --> 00:05:57,483 open from 8:00 at night till 5:00 in the morning. 112 00:05:57,859 --> 00:06:00,360 And if you were good, you would lead the jams. 113 00:06:00,361 --> 00:06:02,446 Stevie Van Zandt, he's my baby, 114 00:06:02,447 --> 00:06:03,697 you know? 115 00:06:03,698 --> 00:06:05,866 The fact that he played bass, keyboard. 116 00:06:05,867 --> 00:06:07,075 Of course, Steven excels 117 00:06:07,076 --> 00:06:08,869 with his guitar and his voice. 118 00:06:08,870 --> 00:06:11,163 He and Bruce made a great combination. 119 00:06:11,164 --> 00:06:12,748 Totally different guitar players, 120 00:06:12,749 --> 00:06:15,542 and constantly on the stage together. 121 00:06:15,543 --> 00:06:17,044 They would sweep the floor, 122 00:06:17,045 --> 00:06:19,546 they loaded soda machines, they did everything. 123 00:06:19,547 --> 00:06:21,882 And Upstage became the place 124 00:06:21,883 --> 00:06:24,551 where we met everybody. Southside Johnny, 125 00:06:24,552 --> 00:06:26,470 Garry Tallent, Vini Lopez, 126 00:06:26,471 --> 00:06:28,388 uh, Danny Federici, everybody. 127 00:06:28,389 --> 00:06:31,475 And one day I came, and there's this guy 128 00:06:31,476 --> 00:06:33,393 with long bushy hair on stage, 129 00:06:33,394 --> 00:06:34,603 he was doing a Yardbirds song, 130 00:06:34,604 --> 00:06:36,354 and he was killing it. 131 00:06:36,355 --> 00:06:38,774 I mean, the passion was so much there. 132 00:06:38,775 --> 00:06:40,567 The guitar playing was great. 133 00:06:40,568 --> 00:06:42,903 He was killing the singing, I just, I went, 134 00:06:42,904 --> 00:06:44,237 "Who's this guy? 135 00:06:44,238 --> 00:06:47,408 I don't need the competition. I'm the singer here." 136 00:06:47,950 --> 00:06:51,119 But I figured I could either make friends or kill him, 137 00:06:51,120 --> 00:06:52,746 so I went back and made friends. 138 00:06:52,747 --> 00:06:55,665 And it was really the start of a great friendship. 139 00:06:55,666 --> 00:06:57,751 You'd be in one guy's band one week, 140 00:06:57,752 --> 00:06:59,252 another guy's band another week, 141 00:06:59,253 --> 00:07:01,713 'cause they're putting bands together, trying things. 142 00:07:01,714 --> 00:07:03,757 We did a duet thing one time, 143 00:07:03,758 --> 00:07:05,927 just guitar and harmonica. 144 00:07:06,427 --> 00:07:07,761 It was very fluid back then. 145 00:07:07,762 --> 00:07:09,596 And we were rooting for each other, 146 00:07:09,597 --> 00:07:11,890 you know, we were mildly competitive. 147 00:07:11,891 --> 00:07:14,434 But I think the love we had for each other 148 00:07:14,435 --> 00:07:15,894 overwhelmed everything. 149 00:07:15,895 --> 00:07:18,522 He was one of those guys I met, like Bruce, 150 00:07:18,523 --> 00:07:20,982 who said flat out at 17, 151 00:07:20,983 --> 00:07:22,609 "I'm gonna be a musician." 152 00:07:22,610 --> 00:07:25,445 We didn't think "I should prepare to be... 153 00:07:25,446 --> 00:07:27,823 maybe I should study up and do," no. 154 00:07:27,824 --> 00:07:29,783 It was all or nothing at all, you know? 155 00:07:29,784 --> 00:07:32,786 Bruce was the first really to get out. 156 00:07:32,787 --> 00:07:36,540 I mean, he-he actually got an album made, 157 00:07:36,541 --> 00:07:38,834 and was playing around the country a little bit. 158 00:07:38,835 --> 00:07:40,627 Bruce and I had a bunch 159 00:07:40,628 --> 00:07:42,003 of different bands together, 160 00:07:42,004 --> 00:07:45,049 but he actually got signed as a folk singer. 161 00:07:45,633 --> 00:07:49,052 Unfortunately, Bruce had to say, uh, 162 00:07:49,053 --> 00:07:51,763 you know, "Now that I'm signed as a folk singer, 163 00:07:51,764 --> 00:07:54,684 I'm not a folk singer," you know. 164 00:07:55,143 --> 00:07:56,476 "I got a band." 165 00:07:56,477 --> 00:07:58,645 And so the record company's pissed. 166 00:07:58,646 --> 00:08:00,564 I was one guitar too many. 167 00:08:00,565 --> 00:08:02,482 At that point, you know, 168 00:08:02,483 --> 00:08:03,650 I said, "You know what? 169 00:08:03,651 --> 00:08:05,485 I think we missed the boat anyway." 170 00:08:05,486 --> 00:08:07,363 So I quit entirely, 171 00:08:07,822 --> 00:08:10,699 and, um, I started working construction. 172 00:08:10,700 --> 00:08:12,743 Steven lived with my wife and I. 173 00:08:12,744 --> 00:08:15,663 He was working a jackhammer on the parkway. 174 00:08:15,997 --> 00:08:18,331 He would come home literally covered in tar, 175 00:08:18,332 --> 00:08:19,875 his hands would be like this. 176 00:08:19,876 --> 00:08:23,003 I'm saying, "You're a guitar player, you can't do this," 177 00:08:23,004 --> 00:08:25,630 and finally he got a gig with The Dovells, 178 00:08:25,631 --> 00:08:27,675 uh, and did the oldies circuit. 179 00:08:30,803 --> 00:08:33,889 Uh, the Dovells made a couple fantastic records, 180 00:08:33,890 --> 00:08:36,058 "Bristol Stomp" and "You Can't Sit Down," 181 00:08:36,059 --> 00:08:39,771 and along the oldies circuit, you're also gonna play Vegas. 182 00:08:40,521 --> 00:08:41,939 Now, I'm a big... 183 00:08:42,690 --> 00:08:44,817 gambler as a kid at that point. 184 00:08:45,193 --> 00:08:48,361 I'm also a bit of a Mob aficionado, you know? 185 00:08:48,362 --> 00:08:51,114 So I'm all in, okay, um, you know, 186 00:08:51,115 --> 00:08:53,575 and, um, and that begins 187 00:08:53,576 --> 00:08:55,995 a very big chapter in my education. 188 00:08:58,706 --> 00:09:02,042 Back in the '50s, we were really segregated. 189 00:09:02,043 --> 00:09:05,754 The white DJs were supposed to play their white artists 190 00:09:05,755 --> 00:09:07,297 for their white audiences, 191 00:09:07,298 --> 00:09:10,927 the Black DJs were supposed to do the same thing. 192 00:09:11,344 --> 00:09:14,972 There was Little Richard, Bo Diddley, and Chuck Berry. 193 00:09:15,431 --> 00:09:17,641 When courageous DJs like Alan Freed 194 00:09:17,642 --> 00:09:19,559 started playing those Black records 195 00:09:19,560 --> 00:09:21,061 for their white audiences, 196 00:09:21,062 --> 00:09:23,814 that's when rock and roll went to another dimension. 197 00:09:23,815 --> 00:09:25,065 Popular music became 198 00:09:25,066 --> 00:09:26,900 an instrument for social change, 199 00:09:26,901 --> 00:09:28,902 and launched a cultural phenomenon 200 00:09:28,903 --> 00:09:31,072 known as the British Invasion. 201 00:09:31,572 --> 00:09:33,490 Ironically, the British Invasion 202 00:09:33,491 --> 00:09:35,742 had the unintended consequence 203 00:09:35,743 --> 00:09:38,954 of putting all those pioneers out of work. 204 00:09:38,955 --> 00:09:41,415 If you had two hits when the Beatles came, 205 00:09:41,416 --> 00:09:43,375 you were gonna play those two hits 206 00:09:43,376 --> 00:09:44,751 the rest of your life. 207 00:09:44,752 --> 00:09:46,336 I get on this oldies tour, 208 00:09:46,337 --> 00:09:48,964 and all of these guys have been put out to pasture 209 00:09:48,965 --> 00:09:51,133 in their thirties and early forties. 210 00:09:51,134 --> 00:09:53,760 I mean, they are in the prime of their lives. 211 00:09:53,761 --> 00:09:55,637 So they're all pissed off. 212 00:09:55,638 --> 00:09:56,763 All of 'em. 213 00:09:56,764 --> 00:09:59,182 They hate being called oldies. 214 00:09:59,183 --> 00:10:00,392 They're not old. 215 00:10:00,393 --> 00:10:02,102 I'm the only one having a great time. 216 00:10:02,103 --> 00:10:04,981 You know, I'm meeting all these amazing people. 217 00:10:05,481 --> 00:10:08,650 Stevie would hang with us on the tours we were doing. 218 00:10:08,651 --> 00:10:10,110 He always had a little hat, 219 00:10:10,111 --> 00:10:13,029 a little cap or beanie or something on. 220 00:10:13,030 --> 00:10:17,200 And he always wore, like, a purple jacket, brown pants. 221 00:10:17,201 --> 00:10:20,204 You never knew where the style was going to go. 222 00:10:20,621 --> 00:10:22,164 The first time I met Steven, 223 00:10:22,165 --> 00:10:24,541 I was doing a show for Dick Clark 224 00:10:24,542 --> 00:10:26,877 at the Flamingo Hotel. 225 00:10:26,878 --> 00:10:28,837 So I guess he's up in the balcony, 226 00:10:28,838 --> 00:10:31,424 I'm doing a sound check, and I start doing... 227 00:10:31,883 --> 00:10:34,052 Robert Johnson songs. 228 00:10:34,677 --> 00:10:38,096 He was a great blues writer and singer. 229 00:10:38,097 --> 00:10:40,516 A lot of people don't know who he is. 230 00:10:41,017 --> 00:10:43,894 And I'm like, "Am I hallucinating or what?" 231 00:10:43,895 --> 00:10:46,813 It turns out he's into, you know, Robert Johnson, 232 00:10:46,814 --> 00:10:49,901 he's into Hank Williams, he's into things, you know, 233 00:10:50,651 --> 00:10:52,486 that were just fascinating to me. 234 00:10:52,487 --> 00:10:55,822 After we met at the Flamingo Hotel, he joined my band. 235 00:10:55,823 --> 00:10:58,366 He says, "We got a couple gigs left," 236 00:10:58,367 --> 00:11:00,494 this oldies circuit thing 237 00:11:00,495 --> 00:11:02,204 was gonna end in Miami, 238 00:11:02,205 --> 00:11:04,498 and I come back to Asbury Park January 2nd, 239 00:11:04,499 --> 00:11:07,876 and I'm still wearing a flowered short-sleeved shirt, 240 00:11:07,877 --> 00:11:10,712 and the Frank Sinatra, Sam Snead hat, 241 00:11:10,713 --> 00:11:14,466 and I'm like, "Fuck winter, okay? I'm done. 242 00:11:14,467 --> 00:11:16,468 I'm tropical from now on." 243 00:11:16,469 --> 00:11:19,221 I'm carrying it with me, okay? 244 00:11:19,222 --> 00:11:22,015 And that's how Bruce starts calling me "Miami Steve." 245 00:11:22,016 --> 00:11:23,975 ♪ You're sweeter Than the honey ♪ 246 00:11:23,976 --> 00:11:26,019 ♪ That the bees make ♪ 247 00:11:26,020 --> 00:11:27,230 ♪ Soul sister... ♪ 248 00:11:27,688 --> 00:11:30,232 I got back, me, Johnny, Bruce, 249 00:11:30,233 --> 00:11:33,610 and I think Gary, went to see Sam and Dave, 250 00:11:33,611 --> 00:11:35,195 and they inspired us to start 251 00:11:35,196 --> 00:11:37,781 Southside Johnny & the Asbury Jukes, 252 00:11:37,782 --> 00:11:40,034 combining rock and soul. 253 00:11:44,163 --> 00:11:46,540 I was not only leading the band, 254 00:11:46,541 --> 00:11:47,916 you know, but also managing it 255 00:11:47,917 --> 00:11:49,668 and doing all the business. 256 00:11:49,669 --> 00:11:53,297 We just kind of organically built a band to do 257 00:11:53,673 --> 00:11:55,215 lots of different types of music. 258 00:11:55,216 --> 00:11:56,591 I always wanted horns. 259 00:11:56,592 --> 00:11:58,468 'Cause Count Basie and Duke Ellington, 260 00:11:58,469 --> 00:12:00,554 that's what I grew up listening to, but more. 261 00:12:00,555 --> 00:12:04,349 The horns are on those old Atlantic records, Stax-Volt. 262 00:12:04,350 --> 00:12:05,809 Steven really wanted them too. 263 00:12:05,810 --> 00:12:07,352 That's where we had a mutuality. 264 00:12:07,353 --> 00:12:10,398 We both wanted to hear this horn section go "Ba-da!" 265 00:12:25,663 --> 00:12:27,080 The scene revitalized 266 00:12:27,081 --> 00:12:29,416 when, uh, we put the Jukes together. 267 00:12:29,417 --> 00:12:30,709 We just went into a bar 268 00:12:30,710 --> 00:12:32,961 that was about to go out of business. 269 00:12:32,962 --> 00:12:35,047 There had been a hurricane or something, 270 00:12:35,048 --> 00:12:36,548 the roof was falling in. 271 00:12:36,549 --> 00:12:38,050 It was called The Stone Pony. 272 00:12:38,051 --> 00:12:40,177 We said, "Look, we'll play for the door, 273 00:12:40,178 --> 00:12:42,847 you have nothing to lose, we play what we want." 274 00:12:56,194 --> 00:12:58,320 They started lining up in the rain 275 00:12:58,321 --> 00:13:00,322 outside The Stone Pony in Asbury Park 276 00:13:00,323 --> 00:13:03,658 six hours before the 10:00 p.m. kickoff 277 00:13:03,659 --> 00:13:05,243 of the biggest night in the lives 278 00:13:05,244 --> 00:13:08,122 of Southside Johnny & the Asbury Jukes. 279 00:13:10,166 --> 00:13:12,584 You hear that? Say that louder. 280 00:13:12,585 --> 00:13:13,627 That's the greatest. 281 00:13:13,628 --> 00:13:15,504 I've come to see them 120 times. 282 00:13:15,505 --> 00:13:17,130 120 times! 283 00:13:17,131 --> 00:13:19,216 Who goes to see anyone 120 times? 284 00:13:19,217 --> 00:13:21,468 Kids would huddle on the boardwalk 285 00:13:21,469 --> 00:13:22,803 with transistor radios, 286 00:13:22,804 --> 00:13:25,013 listening along with their friends at home, 287 00:13:25,014 --> 00:13:27,058 and in bars along the Jersey Shore, 288 00:13:27,475 --> 00:13:29,935 to the first live concert broadcast 289 00:13:29,936 --> 00:13:32,105 in the history of Asbury Park. 290 00:13:34,440 --> 00:13:38,110 Tonight may be Memorial Day in the rest of America, 291 00:13:38,111 --> 00:13:40,738 but it's New Year's Eve in Asbury Park. 292 00:13:41,114 --> 00:13:42,906 - All we wanna know... - Yeah? 293 00:13:42,907 --> 00:13:45,284 ...is what are you people doing in my town? 294 00:13:49,831 --> 00:13:52,833 I... I consider myself very fortunate 295 00:13:52,834 --> 00:13:56,211 that I got to see a bit of that part 296 00:13:56,212 --> 00:13:57,921 of Asbury Park. 297 00:13:57,922 --> 00:14:00,340 The boardwalk, the club scene, 298 00:14:00,341 --> 00:14:04,720 Steven trying to create an original sound 299 00:14:04,721 --> 00:14:08,348 out of classic dirt, grit, 300 00:14:08,349 --> 00:14:10,600 mud, heart, soul. 301 00:14:10,601 --> 00:14:12,060 Seeing them in this bar, 302 00:14:12,061 --> 00:14:15,814 you know, they were just so powerful, you know? 303 00:14:15,815 --> 00:14:17,149 But you know, I always joke 304 00:14:17,150 --> 00:14:19,401 that we were probably Southside fans 305 00:14:19,402 --> 00:14:22,321 before we were E Street Band and Bruce fans. 306 00:14:23,531 --> 00:14:25,199 I don't know about you... 307 00:14:27,160 --> 00:14:30,121 ♪ We're having a party ♪ 308 00:14:30,997 --> 00:14:33,374 ♪ Everybody's swinging ♪ 309 00:14:34,333 --> 00:14:35,959 ♪ Dancing to the music... ♪ 310 00:14:35,960 --> 00:14:38,045 So Bruce had done the showcase clubs. 311 00:14:38,046 --> 00:14:41,214 You know, each stage, the rules change. 312 00:14:41,215 --> 00:14:43,091 Once you're in that stage, 313 00:14:43,092 --> 00:14:44,926 and the records weren't selling, 314 00:14:44,927 --> 00:14:47,012 and you know, he wasn't gonna graduate 315 00:14:47,013 --> 00:14:48,972 to, uh, anywhere past that, 316 00:14:48,973 --> 00:14:51,767 so you know, he's coming down, hanging out with us. 317 00:14:51,768 --> 00:14:55,103 ♪ Dancing with my baby ♪ 318 00:14:55,104 --> 00:14:57,940 ♪ We're having a party ♪ 319 00:14:59,150 --> 00:15:02,194 ♪ Everybody's swinging ♪ 320 00:15:02,195 --> 00:15:04,947 ♪ Dancing to the music ♪ 321 00:15:05,740 --> 00:15:07,783 ♪ On the radio ♪ 322 00:15:07,784 --> 00:15:09,242 ♪ Oh yeah ♪ 323 00:15:09,243 --> 00:15:11,286 ♪ So listen, Mr. DJ... ♪ 324 00:15:11,287 --> 00:15:13,163 He created extra interest. 325 00:15:13,164 --> 00:15:14,414 People started coming 326 00:15:14,415 --> 00:15:16,416 from North Jersey and Philadelphia, 327 00:15:16,417 --> 00:15:19,044 and we started to really build up an audience, 328 00:15:19,045 --> 00:15:21,421 and we go to a second night, and a third. 329 00:15:21,422 --> 00:15:22,881 One more time! 330 00:15:22,882 --> 00:15:25,092 ♪ We're having a party... ♪ 331 00:15:25,093 --> 00:15:27,302 That is what made 332 00:15:27,303 --> 00:15:29,721 that scene become even more special. 333 00:15:29,722 --> 00:15:32,474 ♪ Dancing to the music ♪ 334 00:15:32,475 --> 00:15:35,103 ♪ On the radio ♪ 335 00:15:36,104 --> 00:15:39,272 ♪ So listen, Mr. DJ ♪ 336 00:15:39,273 --> 00:15:42,068 ♪ Keep those Records playing ♪ 337 00:15:42,443 --> 00:15:45,862 ♪ 'Cause I'm having Such a good time ♪ 338 00:15:45,863 --> 00:15:49,534 ♪ Dancing ♪ 339 00:15:50,952 --> 00:15:52,577 ♪ With my ♪ 340 00:15:52,578 --> 00:15:57,625 ♪ Baby ♪ 341 00:16:07,093 --> 00:16:09,469 I think I really met Steve for the first time 342 00:16:09,470 --> 00:16:12,180 when he came in and saved our asses 343 00:16:12,181 --> 00:16:14,267 on "Tenth Avenue Freeze-Out." 344 00:16:14,559 --> 00:16:17,185 We just knew we hadn't fully realized 345 00:16:17,186 --> 00:16:19,187 the potential of the song. 346 00:16:19,188 --> 00:16:21,148 So Bruce calls Steve, 347 00:16:21,149 --> 00:16:23,066 who comes barreling in. 348 00:16:23,067 --> 00:16:25,652 And I have no knowledge, 349 00:16:25,653 --> 00:16:28,029 or particular diplomacy, 350 00:16:28,030 --> 00:16:30,198 or, you know, sophistication 351 00:16:30,199 --> 00:16:32,617 about the music business at that point, 352 00:16:32,618 --> 00:16:35,078 and these guys are fucking up my friend's record. 353 00:16:35,079 --> 00:16:37,038 And Bruce, you know, 354 00:16:37,039 --> 00:16:38,915 says, "Hey, what do you think?" 355 00:16:38,916 --> 00:16:40,376 You know. 356 00:16:40,960 --> 00:16:42,378 Big mistake. 357 00:16:42,712 --> 00:16:44,422 And I was like... 358 00:16:44,922 --> 00:16:46,256 "This sucks." 359 00:16:46,257 --> 00:16:48,842 He kind of laughs it away, and says, "All right, 360 00:16:48,843 --> 00:16:51,178 then go in there and fix it then." 361 00:16:51,179 --> 00:16:54,556 Then he says, "Everybody, 362 00:16:54,557 --> 00:16:57,518 take that paper you're looking at, throw it away." 363 00:17:01,814 --> 00:17:03,607 "You, this is what you're playing. 364 00:17:03,608 --> 00:17:04,858 You, play this. 365 00:17:04,859 --> 00:17:07,027 Now I want it to sound real guttural, 366 00:17:07,028 --> 00:17:09,029 I want it to sound funky. 367 00:17:09,030 --> 00:17:11,156 Okay? I don't want it to sound smooth. 368 00:17:11,157 --> 00:17:14,159 I want it to sound like soul." 369 00:17:14,160 --> 00:17:15,952 ♪ I was standing In the jungle ♪ 370 00:17:15,953 --> 00:17:19,707 ♪ Trying to take in all The heat that was given... ♪ 371 00:17:22,168 --> 00:17:24,002 All of a sudden, it was electric. 372 00:17:24,003 --> 00:17:25,253 You know, it was great. 373 00:17:25,254 --> 00:17:27,130 It only took 20 minutes. 374 00:17:27,131 --> 00:17:29,716 This guy is somebody to deal with. 375 00:17:29,717 --> 00:17:31,635 It was just a grand slam. 376 00:17:31,636 --> 00:17:33,095 I had met another character, 377 00:17:33,096 --> 00:17:35,389 which I should mention... 378 00:17:35,390 --> 00:17:37,849 ...uh, named Jimmy Iovine, 379 00:17:37,850 --> 00:17:40,228 who was the engineer on Born to Run. 380 00:17:40,728 --> 00:17:44,398 Uh, Jimmy says, um, "I know you got this band, the Jukes, 381 00:17:44,399 --> 00:17:46,442 I got the key to the studio. 382 00:17:47,568 --> 00:17:50,404 We'll sneak them in after hours and do a demo." 383 00:17:50,405 --> 00:17:52,239 I don't remember the exact hustle, 384 00:17:52,240 --> 00:17:54,282 but I'm sure there was a hustle involved. 385 00:17:54,283 --> 00:17:57,119 I got busy inside. You got me doing this shit. 386 00:17:57,120 --> 00:17:58,870 Get Steve Van Zandt out here. 387 00:17:58,871 --> 00:18:00,539 He'll talk to you all you want. 388 00:18:00,540 --> 00:18:01,791 He's better looking. 389 00:18:02,125 --> 00:18:03,417 Later. 390 00:18:03,418 --> 00:18:05,460 We were doing everything we could 391 00:18:05,461 --> 00:18:08,714 to help Steve and Southside get the record done. 392 00:18:08,715 --> 00:18:12,092 Bruce suggests I see this guy Steve Popovich, 393 00:18:12,093 --> 00:18:14,428 I give Steve the demo, he loves it, 394 00:18:14,429 --> 00:18:17,431 and starts the process of signing the band. 395 00:18:17,432 --> 00:18:20,934 And Steve Popovich, in his insanity, 396 00:18:20,935 --> 00:18:24,354 sends the demo to Kid Leo, 397 00:18:24,355 --> 00:18:26,940 the most popular DJ 398 00:18:26,941 --> 00:18:29,025 at the most popular station, 399 00:18:29,026 --> 00:18:30,777 uh, in Cleveland. 400 00:18:30,778 --> 00:18:32,613 So Popovich is like... 401 00:18:33,156 --> 00:18:34,948 "We better start making this record. 402 00:18:34,949 --> 00:18:36,158 It's already getting airplay." 403 00:18:36,159 --> 00:18:38,452 ♪ Baby ♪ 404 00:18:38,453 --> 00:18:41,247 ♪ This time It's for real... ♪ 405 00:18:42,457 --> 00:18:44,667 You have the bootleg Southside Johnny? 406 00:18:45,710 --> 00:18:48,003 We started paying for the record, 407 00:18:48,004 --> 00:18:49,463 we happened to have a good year 408 00:18:49,464 --> 00:18:51,256 at the track that summer. 409 00:18:51,257 --> 00:18:54,302 And, uh, which, uh... 410 00:18:54,761 --> 00:18:56,803 makes me curious as to 411 00:18:56,804 --> 00:18:58,221 why we've never received 412 00:18:58,222 --> 00:19:00,724 one single penny in royalties. 413 00:19:00,725 --> 00:19:04,811 He gave me my first royalty point on an album, 414 00:19:04,812 --> 00:19:07,606 which was Southside Johnny & the Asbury Jukes. 415 00:19:07,607 --> 00:19:10,400 I'm not sure if I ever got the royalty, 416 00:19:10,401 --> 00:19:11,860 but he gave it to me. 417 00:19:11,861 --> 00:19:14,363 I ought to call him about that. 418 00:19:15,615 --> 00:19:17,199 ♪ Baby ♪ 419 00:19:17,200 --> 00:19:20,286 ♪ This time It's for real... ♪ 420 00:19:20,953 --> 00:19:22,830 We still owe money probably too. 421 00:19:23,331 --> 00:19:24,831 And that's kind of how it went, you know? 422 00:19:24,832 --> 00:19:29,002 Uh, we'd had a handshake agreement with Steve Popovich. 423 00:19:29,003 --> 00:19:32,714 I can safely say nobody in the record industry 424 00:19:32,715 --> 00:19:35,802 would have, uh, the same personality, 425 00:19:36,219 --> 00:19:37,928 uh, and been so encouraging, 426 00:19:37,929 --> 00:19:40,347 because we had a lot of crazy ideas for the Jukes. 427 00:19:40,348 --> 00:19:42,307 I wanted to bring Ronnie Spector 428 00:19:42,308 --> 00:19:44,351 and Lee Dorsey in on the first record. 429 00:19:44,352 --> 00:19:47,521 We wanted to bring in the Drifters and Coasters, 430 00:19:47,522 --> 00:19:49,940 and the Five Satins on the second record, 431 00:19:49,941 --> 00:19:51,525 uh, reuniting them. 432 00:19:51,526 --> 00:19:53,693 Uh, these were not commercial ideas. 433 00:19:53,694 --> 00:19:56,154 I remember doing Southside Johnny, 434 00:19:56,155 --> 00:19:57,739 he brought in Lee Dorsey. 435 00:19:57,740 --> 00:20:00,242 I was like, "What are you talking about?" 436 00:20:00,243 --> 00:20:02,411 He said, "Shut up, you don't understand." 437 00:20:02,412 --> 00:20:05,414 I said, "You're right, I don't understand." 438 00:20:05,415 --> 00:20:07,791 I don't understand how it all went together. 439 00:20:07,792 --> 00:20:11,169 I learned a lot from Steve and Bruce both on soul music. 440 00:20:11,170 --> 00:20:12,964 I don't wanna go home. 441 00:20:19,345 --> 00:20:20,679 He knew what he wanted 442 00:20:20,680 --> 00:20:23,390 that band to sound like. His arrangement power, 443 00:20:23,391 --> 00:20:26,978 his commitment to authentic music. 444 00:20:28,855 --> 00:20:31,398 ♪ I know that It's getting late ♪ 445 00:20:31,399 --> 00:20:34,569 ♪ But I don't Want to go home ♪ 446 00:20:35,945 --> 00:20:39,281 ♪ I am in no hurry Baby, time can wait ♪ 447 00:20:39,282 --> 00:20:42,660 ♪ I don't want To go home... ♪ 448 00:20:43,494 --> 00:20:46,747 You know, I had been writing for years, really, 449 00:20:46,748 --> 00:20:48,665 and I never liked anything I wrote. 450 00:20:48,666 --> 00:20:50,500 I just couldn't relate to it. 451 00:20:50,501 --> 00:20:52,335 I decide, "You know what? I gotta go to school. 452 00:20:52,336 --> 00:20:55,297 I'm gonna go to school my own way." 453 00:20:55,298 --> 00:20:59,593 Well, I decide it begins with Leiber and Stoller. 454 00:20:59,594 --> 00:21:01,261 Jerry Leiber and Mike Stoller 455 00:21:01,262 --> 00:21:03,430 were the first songwriter-producers 456 00:21:03,431 --> 00:21:06,266 that set the template for everybody who followed. 457 00:21:06,267 --> 00:21:08,060 I decide, "Okay, I'm gonna write 458 00:21:08,061 --> 00:21:09,770 a Leiber and Stoller song 459 00:21:09,771 --> 00:21:11,897 for Ben E. King and the Drifters. 460 00:21:11,898 --> 00:21:13,607 That's gonna be my mission." 461 00:21:13,608 --> 00:21:15,984 And I write "I Don't Want to Go Home," 462 00:21:15,985 --> 00:21:19,029 which was the first song I ever liked that I wrote. 463 00:21:19,030 --> 00:21:21,907 I didn't have the courage to give it to Ben E. King. 464 00:21:21,908 --> 00:21:25,077 ♪ Look at all The people staying ♪ 465 00:21:25,078 --> 00:21:27,412 ♪ I don't want to go home ♪ 466 00:21:27,413 --> 00:21:29,039 That's because... 467 00:21:29,040 --> 00:21:32,250 ♪ In their minds They've all been there ♪ 468 00:21:32,251 --> 00:21:36,254 ♪ And I don't wanna go home ♪ 469 00:21:36,255 --> 00:21:38,215 ♪ I know the words ♪ 470 00:21:38,216 --> 00:21:40,342 ♪ I know They've got to be real ♪ 471 00:21:40,343 --> 00:21:42,887 ♪ Because I don't wanna go home ♪ 472 00:21:43,554 --> 00:21:48,141 ♪ Baby, it's talking about The way I feel ♪ 473 00:21:48,142 --> 00:21:50,227 ♪ And I don't wanna go home ♪ 474 00:21:50,228 --> 00:21:54,523 ♪ Baby, I know We had to try ♪ 475 00:21:54,524 --> 00:21:57,943 ♪ To reach up And touch the sky... ♪ 476 00:21:57,944 --> 00:21:59,319 It was perfect. 477 00:21:59,320 --> 00:22:01,321 The arrangement, and the chart, 478 00:22:01,322 --> 00:22:04,866 the whole thing sounded pretty much in the bag 479 00:22:04,867 --> 00:22:07,578 that, of the stuff that we were doing. 480 00:22:08,287 --> 00:22:11,164 The song itself I thought was wonderful, 481 00:22:11,165 --> 00:22:13,625 because it's so insistent. 482 00:22:13,626 --> 00:22:16,169 When he's like, "I don't wanna go home," 483 00:22:16,170 --> 00:22:18,880 it lends itself to being repeated, 484 00:22:18,881 --> 00:22:21,509 and it's very touching. 485 00:22:21,926 --> 00:22:24,429 I think Ben E. King would have loved it. 486 00:22:25,179 --> 00:22:27,598 ♪ Sweeter than honey ♪ 487 00:22:28,015 --> 00:22:29,182 ♪ Believe it... ♪ 488 00:22:29,183 --> 00:22:31,351 Back then, everybody had a turntable, 489 00:22:31,352 --> 00:22:34,020 they brought their vinyl, everybody's listening. 490 00:22:34,021 --> 00:22:36,314 I walked into a friend's room, 491 00:22:36,315 --> 00:22:39,943 and the first Southside Johnny album was playing 492 00:22:39,944 --> 00:22:41,445 "I Don't Want to Go Home," 493 00:22:41,446 --> 00:22:42,904 I'm like, "What's this?" 494 00:22:42,905 --> 00:22:45,574 "This is great. I've never heard anything like this." 495 00:22:45,575 --> 00:22:48,326 And I looked, and it was Steven Van Zandt. 496 00:22:48,327 --> 00:22:50,662 ♪ Or a picture book ♪ 497 00:22:50,663 --> 00:22:54,332 ♪ I'm talking about Love, love, love ♪ 498 00:22:54,333 --> 00:22:57,961 ♪ Ain't nothing But love, love, love... ♪ 499 00:22:57,962 --> 00:22:59,963 When you're a kid and have a record in your hand, 500 00:22:59,964 --> 00:23:02,549 you're always reading who did what, who wrote what, 501 00:23:02,550 --> 00:23:04,384 who produced what, this and that, 502 00:23:04,385 --> 00:23:06,344 so Steve was that. 503 00:23:06,345 --> 00:23:10,348 ♪ And that kind of love Don't come easy ♪ 504 00:23:10,349 --> 00:23:14,227 ♪ Baby, ain't much of it In the world around you... ♪ 505 00:23:14,228 --> 00:23:17,272 Steve and Southside were a very powerful team together, 506 00:23:17,273 --> 00:23:20,609 and they made really good records. 507 00:23:20,610 --> 00:23:21,943 I used to say, "Steven, 508 00:23:21,944 --> 00:23:23,904 maybe you should sing your stuff yourself." 509 00:23:23,905 --> 00:23:26,865 He wasn't ready to be the front man at the time, 510 00:23:26,866 --> 00:23:29,868 which was the right decision for him at that moment, 511 00:23:29,869 --> 00:23:32,287 because the records he made with Southside's, 512 00:23:32,288 --> 00:23:34,664 uh, fabulous voice, and, 513 00:23:34,665 --> 00:23:37,626 and did great justice to Stevie's material. 514 00:23:37,627 --> 00:23:40,588 What's gonna happen with Steven? He gonna come out? 515 00:23:43,591 --> 00:23:46,051 Steven had already thought he was gonna go with Bruce, 516 00:23:46,052 --> 00:23:47,761 even at the beginning of the first record. 517 00:23:47,762 --> 00:23:49,679 We convinced the record company 518 00:23:49,680 --> 00:23:51,264 it would be okay without me 519 00:23:51,265 --> 00:23:53,600 and I'd still be there producing. 520 00:23:53,601 --> 00:23:55,727 And I was basically gonna join up 521 00:23:55,728 --> 00:23:57,230 with Bruce for a minute. 522 00:23:57,855 --> 00:24:00,440 I went for seven gigs, and I stayed seven years. 523 00:24:00,441 --> 00:24:02,943 ♪ Rosalita Jump a little higher ♪ 524 00:24:02,944 --> 00:24:05,822 ♪ Señorita Come sit by my fire... ♪ 525 00:24:06,739 --> 00:24:08,490 The friendship was so intense, 526 00:24:08,491 --> 00:24:10,659 and I needed another sounding board, 527 00:24:10,660 --> 00:24:13,286 and somebody with Stevie's creativity, 528 00:24:13,287 --> 00:24:15,038 and things were going good. 529 00:24:15,039 --> 00:24:16,415 It was just a no-brainer. 530 00:24:16,416 --> 00:24:18,250 You know, we were so close 531 00:24:18,251 --> 00:24:20,293 that I just wanted him near me, 532 00:24:20,294 --> 00:24:22,046 I wanted him at my side. 533 00:24:22,505 --> 00:24:23,880 I heard that when he was 534 00:24:23,881 --> 00:24:25,799 in the E Street Band on those great tours, 535 00:24:25,800 --> 00:24:27,926 that he was managing Southside Johnny, 536 00:24:27,927 --> 00:24:30,303 making payphone calls before cell phones, 537 00:24:30,304 --> 00:24:33,473 and dealing with the Southside Johnny Asbury Jukes stuff. 538 00:24:33,474 --> 00:24:35,225 I know that. 539 00:24:35,226 --> 00:24:36,935 Don't you think I know that? 540 00:24:36,936 --> 00:24:38,062 I know that. 541 00:24:39,939 --> 00:24:41,065 On the piano, 542 00:24:41,566 --> 00:24:43,109 Professor Roy Bittan! 543 00:24:48,948 --> 00:24:51,408 On the bass guitar, Garry W. Tallent. 544 00:24:51,409 --> 00:24:53,577 The names, the nicknames, you know, 545 00:24:53,578 --> 00:24:55,787 the Big Mick, Miami Steve, 546 00:24:55,788 --> 00:24:57,664 the Mighty Maxim, it's like... 547 00:24:57,665 --> 00:24:59,833 On the guitar, Miami Steve. 548 00:24:59,834 --> 00:25:02,002 It was traditional rock and roll 549 00:25:02,003 --> 00:25:04,421 done in a very powerful and new way. 550 00:25:04,422 --> 00:25:06,841 On the drums, the Mighty Max. 551 00:25:08,676 --> 00:25:12,304 It was new, but it was old. It was both. 552 00:25:12,305 --> 00:25:14,640 On the organ, Dan Federici. 553 00:25:18,519 --> 00:25:22,023 On the saxophone, Clarence Clemons. 554 00:25:23,441 --> 00:25:24,775 The E Street Band, 555 00:25:24,776 --> 00:25:27,779 you know, you got guys from Jersey. 556 00:25:28,404 --> 00:25:30,072 Loads of things make a good band. 557 00:25:30,073 --> 00:25:32,657 I think one of the important things 558 00:25:32,658 --> 00:25:35,453 is if you're all from the kind of same area, 559 00:25:35,870 --> 00:25:38,288 if you all relate to the same sort of stuff. 560 00:25:38,289 --> 00:25:42,292 Everyone working toward the exact same goal, 561 00:25:42,293 --> 00:25:43,752 in the same direction, 562 00:25:43,753 --> 00:25:45,379 from the same neighborhood, 563 00:25:45,380 --> 00:25:47,381 at the same time in history, 564 00:25:47,382 --> 00:25:49,634 with the same record collections, 565 00:25:50,051 --> 00:25:52,052 that's what makes a band great. 566 00:25:52,053 --> 00:25:54,721 People talk about the Liverpool sound. 567 00:25:54,722 --> 00:25:56,264 "Oh, The Beatles put that on the map." 568 00:25:56,265 --> 00:25:59,226 It's the same thing that these guys did for Jersey. 569 00:25:59,227 --> 00:26:02,270 Bruce, Steven, Southside 570 00:26:02,271 --> 00:26:05,066 put Asbury Park on the map. 571 00:26:18,746 --> 00:26:21,289 You know, back in the day, there wasn't, um, 572 00:26:21,290 --> 00:26:23,125 there wasn't really videos. 573 00:26:23,126 --> 00:26:25,627 You didn't see too many clips. You saw pictures. 574 00:26:25,628 --> 00:26:27,629 When I saw pictures of these guys, 575 00:26:27,630 --> 00:26:29,423 or even pictures of them playing live, 576 00:26:29,424 --> 00:26:32,551 Little Steven had these three-piece suits and hats, 577 00:26:32,552 --> 00:26:33,802 and he'd come and sing 578 00:26:33,803 --> 00:26:35,512 these crazy background vocals, 579 00:26:35,513 --> 00:26:36,930 and play guitar, 580 00:26:36,931 --> 00:26:38,598 and they were such a gang, 581 00:26:38,599 --> 00:26:42,060 a group of men to be reckoned with. 582 00:26:42,061 --> 00:26:43,311 They scared me. 583 00:26:43,312 --> 00:26:46,356 Most groups, whether it was the Sex Pistols, 584 00:26:46,357 --> 00:26:48,275 or early Red Hot Chili Peppers, 585 00:26:48,276 --> 00:26:49,776 they scared you. 586 00:26:49,777 --> 00:26:52,071 Ramones, they were scary. 587 00:26:52,572 --> 00:26:54,030 The E Street Band was the same. 588 00:26:54,031 --> 00:26:57,284 Some pictures from The River, all dressed in black, 589 00:26:57,285 --> 00:26:58,827 looked like they maybe dressed up 590 00:26:58,828 --> 00:27:00,538 for a wedding, but... 591 00:27:01,205 --> 00:27:03,708 the way they were dressed, maybe gonna be a funeral. 592 00:27:09,756 --> 00:27:11,423 You couldn't tell who was playing 593 00:27:11,424 --> 00:27:12,841 what guitar on the records. 594 00:27:12,842 --> 00:27:15,469 You'd try to figure that out when you were listening. 595 00:27:15,470 --> 00:27:18,680 But you could hear those distinctive background vocals. 596 00:27:18,681 --> 00:27:20,140 He's just all over it. 597 00:27:20,141 --> 00:27:22,976 ♪ Ooh, girl I got a crush on you ♪ 598 00:27:22,977 --> 00:27:26,188 ♪ I said ooh, girl I got a crush on you... ♪ 599 00:27:26,189 --> 00:27:28,441 I was like, "Wow, this is rock and roll." 600 00:27:28,858 --> 00:27:30,150 This is that camaraderie 601 00:27:30,151 --> 00:27:32,820 that, like, gang thing that I look for, 602 00:27:33,237 --> 00:27:35,947 and seeing that these guys had this connection. 603 00:27:35,948 --> 00:27:37,574 They could be running down the street, 604 00:27:37,575 --> 00:27:38,950 a certain kind of brotherhood, 605 00:27:38,951 --> 00:27:40,660 and I spotted that right away, 606 00:27:40,661 --> 00:27:43,705 that Mick and Keith thing with him and Bruce. 607 00:27:43,706 --> 00:27:45,332 All right. 608 00:27:45,333 --> 00:27:47,667 ♪ I got some beer ♪ 609 00:27:47,668 --> 00:27:49,795 ♪ And the highway's free ♪ 610 00:27:49,796 --> 00:27:51,588 ♪ And I got you ♪ 611 00:27:51,589 --> 00:27:54,133 ♪ And baby you got me ♪ 612 00:27:55,176 --> 00:27:57,053 Get down, chico. 613 00:28:01,891 --> 00:28:04,018 Of course, Barry. 614 00:28:11,150 --> 00:28:13,819 Born to Run and Darkness on the Edge of Town 615 00:28:13,820 --> 00:28:16,114 were two very tough records to make. 616 00:28:18,366 --> 00:28:21,368 When it came time for The River, I was like, 617 00:28:21,369 --> 00:28:24,204 Bruce, I love you, but I can't go through this again. 618 00:28:24,205 --> 00:28:26,374 It's too much torture. 619 00:28:27,041 --> 00:28:30,128 He was like, "No, you gotta produce this one with me." 620 00:28:30,545 --> 00:28:31,795 Bruce, he says, "You know, 621 00:28:31,796 --> 00:28:34,047 we got this amazing reputation live, 622 00:28:34,048 --> 00:28:37,634 but you know, we can't get it on record, you know? 623 00:28:37,635 --> 00:28:39,720 So you're a band guy, I want you 624 00:28:39,721 --> 00:28:41,304 to produce the record with me, 625 00:28:41,305 --> 00:28:45,393 and let's get the band sound on the record, you know?" 626 00:28:45,810 --> 00:28:47,644 The River is a classic example 627 00:28:47,645 --> 00:28:49,938 of Steve's influence on my music, 628 00:28:49,939 --> 00:28:53,024 and him bringing his best to the table, 629 00:28:53,025 --> 00:28:55,193 and creating something that really was 630 00:28:55,194 --> 00:28:58,114 a creation of the two of us, you know? 631 00:28:58,531 --> 00:29:01,742 I had two strong sounding boards. 632 00:29:01,743 --> 00:29:03,910 I had Jon and I had Steve, 633 00:29:03,911 --> 00:29:06,538 and they did not have the same vision 634 00:29:06,539 --> 00:29:08,206 for the music we were making. 635 00:29:08,207 --> 00:29:09,207 It sounds great. 636 00:29:09,208 --> 00:29:11,209 Their visions were not incompatible, 637 00:29:11,210 --> 00:29:14,881 but significantly off-center with each other. 638 00:29:15,465 --> 00:29:17,924 Steve and I would agree about many things 639 00:29:17,925 --> 00:29:19,342 in the studio. 640 00:29:19,343 --> 00:29:21,136 We also disagreed about many things. 641 00:29:21,137 --> 00:29:22,763 That was good for me, 642 00:29:22,764 --> 00:29:24,556 because I was trying to suss out 643 00:29:24,557 --> 00:29:26,016 where I wanted to go, 644 00:29:26,017 --> 00:29:28,393 and I got the benefit of all those different ideas, 645 00:29:28,394 --> 00:29:30,771 and was able to decide on which way to go 646 00:29:30,772 --> 00:29:32,689 on any particular project. 647 00:29:32,690 --> 00:29:34,274 We were there for the same reason, 648 00:29:34,275 --> 00:29:36,777 which was to make what we were working on 649 00:29:36,778 --> 00:29:38,487 the best it could be. 650 00:29:38,488 --> 00:29:40,447 It was a lot of fun 651 00:29:40,448 --> 00:29:41,699 some of the time. 652 00:29:43,117 --> 00:29:45,952 ♪ Well I wish that I could have myself ♪ 653 00:29:45,953 --> 00:29:48,038 ♪ A seven day weekend ♪ 654 00:29:48,039 --> 00:29:50,624 You know, I was a huge Gary U.S. Bonds fan, 655 00:29:50,625 --> 00:29:52,084 so I came and saw him at a club 656 00:29:52,085 --> 00:29:53,752 here in New Jersey one night, 657 00:29:53,753 --> 00:29:55,128 ended up talking to him, 658 00:29:55,129 --> 00:29:56,963 I said, "Gee, I don't know, 659 00:29:56,964 --> 00:29:59,341 I'd love to produce something for you, you know? 660 00:29:59,342 --> 00:30:01,676 It'd be fun if Stevie and I did it together." 661 00:30:01,677 --> 00:30:04,389 He came in and said, "Look, let's, uh... 662 00:30:05,014 --> 00:30:06,765 why don't we record some stuff?" 663 00:30:06,766 --> 00:30:08,225 And I said, "Sure." 664 00:30:08,226 --> 00:30:11,270 And unbelievably, we have a hit single. 665 00:30:15,274 --> 00:30:17,025 You're on the top of the charts. 666 00:30:17,026 --> 00:30:18,568 Yeah, I like it, man. 667 00:30:18,569 --> 00:30:21,029 Bruce Springsteen, did he produce this album? 668 00:30:21,030 --> 00:30:22,864 Yep, and Miami Steve. 669 00:30:22,865 --> 00:30:25,159 - Miami Steve Van Zandt. - That's it. 670 00:30:25,701 --> 00:30:27,119 I-I don't know how Bruce knew it, 671 00:30:27,120 --> 00:30:29,704 but as one song led to the other, 672 00:30:29,705 --> 00:30:31,081 I started to realize 673 00:30:31,082 --> 00:30:33,834 Gary is one of great soul singers of all time. 674 00:30:33,835 --> 00:30:35,669 We'd like to do a song for you 675 00:30:35,670 --> 00:30:37,880 that was written by Miami Steve Van Zandt. 676 00:30:40,341 --> 00:30:45,179 ♪ It's been a long Long time for us ♪ 677 00:30:46,681 --> 00:30:48,348 ♪ I need to talk ♪ 678 00:30:48,349 --> 00:30:51,184 ♪ But I'm not Strong enough... ♪ 679 00:30:51,185 --> 00:30:52,769 "Daddy's Come Home," 680 00:30:52,770 --> 00:30:54,771 which is still my favorite song, 681 00:30:54,772 --> 00:30:56,022 and it's a ballad. 682 00:30:56,023 --> 00:30:58,817 He likes to get into all the goody-goody, 683 00:30:58,818 --> 00:31:01,571 the kissy-kissy, the huggy-huggy stuff too. 684 00:31:02,029 --> 00:31:04,614 Steven writes emotional songs. 685 00:31:04,615 --> 00:31:06,658 He writes songs from the heart. 686 00:31:06,659 --> 00:31:08,577 He's got a way of turning a phrase, 687 00:31:08,578 --> 00:31:10,328 like Richard Thompson does, 688 00:31:10,329 --> 00:31:13,749 uh, Tom Waits, Bruce, they all have that way of... 689 00:31:13,750 --> 00:31:15,375 You always go, "God damn, 690 00:31:15,376 --> 00:31:17,210 I wish I had written that line." 691 00:31:17,211 --> 00:31:22,967 ♪ Daddy's come home ♪ 692 00:31:24,677 --> 00:31:29,390 ♪ Daddy's come home ♪ 693 00:31:30,683 --> 00:31:35,479 ♪ Back where he belongs... ♪ 694 00:31:35,480 --> 00:31:38,232 He hears a lot of stuff. It's amazing. 695 00:31:38,941 --> 00:31:40,901 He can hear horn lines, 696 00:31:40,902 --> 00:31:42,569 and he can hear guitar lines. 697 00:31:42,570 --> 00:31:46,074 You know, there are a lot of cats, they don't hear it. 698 00:31:47,116 --> 00:31:51,454 ♪ Daddy's come home ♪ 699 00:32:04,884 --> 00:32:08,095 This is one of my favorite songs of Steve's, 700 00:32:08,096 --> 00:32:09,931 called "Love Again." 701 00:32:10,390 --> 00:32:12,974 ♪ I've been to The Statue of Liberty ♪ 702 00:32:12,975 --> 00:32:15,060 ♪ So fine and full of grace ♪ 703 00:32:15,061 --> 00:32:17,020 ♪ Lately every girl I meet ♪ 704 00:32:17,021 --> 00:32:19,606 ♪ Has that lady's look On their face ♪ 705 00:32:19,607 --> 00:32:21,817 ♪ I'm not a man For one night stands ♪ 706 00:32:21,818 --> 00:32:23,443 ♪ That's never been Where it's at ♪ 707 00:32:23,444 --> 00:32:25,362 ♪ Maybe I'm A little old fashioned ♪ 708 00:32:25,363 --> 00:32:27,990 ♪ But what's So wrong with that? ♪ 709 00:32:29,242 --> 00:32:31,576 Being in the studio with Stevie Van Zandt 710 00:32:31,577 --> 00:32:34,663 was mind-blowing, the things he came up with. 711 00:32:34,664 --> 00:32:36,790 The music that's in his head, 712 00:32:36,791 --> 00:32:38,333 different things he tried. 713 00:32:38,334 --> 00:32:40,544 Steve was an incredible arranger. 714 00:32:40,545 --> 00:32:43,964 It's knowing how to take a particular piece of music 715 00:32:43,965 --> 00:32:46,133 and get the best out of it. 716 00:32:46,134 --> 00:32:48,802 Arrangement to me is all about that, 717 00:32:48,803 --> 00:32:51,431 enhancing the song. 718 00:32:51,973 --> 00:32:55,225 The track in general is there to support 719 00:32:55,226 --> 00:32:57,978 that song being sung by that artist. 720 00:32:57,979 --> 00:33:00,105 The key, really, to a successful arrangement 721 00:33:00,106 --> 00:33:02,023 is nothing conflicting. 722 00:33:02,024 --> 00:33:03,775 Everything's adding. 723 00:33:03,776 --> 00:33:05,528 Here's the horns. 724 00:33:07,196 --> 00:33:09,990 - The backing vocals. 725 00:33:09,991 --> 00:33:11,617 See how they go back and forth? 726 00:33:13,494 --> 00:33:14,661 They answer each other. 727 00:33:14,662 --> 00:33:17,456 ♪ Ah ah ah ♪ 728 00:33:17,457 --> 00:33:19,541 ♪ Ah ah ah ♪ 729 00:33:19,542 --> 00:33:22,627 See, the backing vocals just doing "ah's," 730 00:33:22,628 --> 00:33:25,255 but the horns are actually playing a lick. 731 00:33:25,256 --> 00:33:28,216 And then they... then they all got kind of... 732 00:33:28,217 --> 00:33:30,470 do a, like, a pad together. 733 00:33:32,346 --> 00:33:35,224 That's one of the kinds of things he does. 734 00:33:36,476 --> 00:33:40,271 And the piano is just doing part of the rhythm section. 735 00:33:41,314 --> 00:33:44,566 Steve is very specific about balances. 736 00:33:44,567 --> 00:33:46,693 The fifth bar, the second trumpet 737 00:33:46,694 --> 00:33:48,153 sticking out too much, 738 00:33:48,154 --> 00:33:50,030 he hears all that in his head. 739 00:33:50,031 --> 00:33:53,200 He's a pretty formidable talent, I'd have to say. 740 00:33:53,201 --> 00:33:54,826 - Hello? 741 00:33:54,827 --> 00:33:57,120 I was completely taken and enamored 742 00:33:57,121 --> 00:33:59,289 by everything that Steven touched. 743 00:33:59,290 --> 00:34:00,791 Finally, I said to him, 744 00:34:00,792 --> 00:34:03,460 when we started this record company, EMI America, 745 00:34:03,461 --> 00:34:05,754 I said, you know, "You need to make a record." 746 00:34:05,755 --> 00:34:10,258 Nobody's gonna need a love song sung by a side man. 747 00:34:10,259 --> 00:34:12,719 I'm like, "No, no, you need to do this." 748 00:34:12,720 --> 00:34:16,056 You're one of the greatest songwriters of our day. 749 00:34:16,057 --> 00:34:19,559 You're as good a producer as anybody I know, 750 00:34:19,560 --> 00:34:23,064 and, um, you need to make a record. 751 00:34:23,731 --> 00:34:26,692 Steven, I'm going to kill you if you don't do this. 752 00:34:29,153 --> 00:34:31,279 If I'm gonna do a solo record at that point, 753 00:34:31,280 --> 00:34:34,866 um, I needed to find an identity. 754 00:34:34,867 --> 00:34:36,660 You know, Miami Steve, 755 00:34:36,661 --> 00:34:38,161 the fun guy in the band, 756 00:34:38,162 --> 00:34:40,247 we were like the rock and roll Rat Pack, 757 00:34:40,248 --> 00:34:42,249 and I was the Dean Martin character. 758 00:34:42,250 --> 00:34:44,000 Uh, Bruce is Frank, 759 00:34:44,001 --> 00:34:46,586 and Clarence is Sammy on steroids. 760 00:34:46,587 --> 00:34:49,965 I was the first guy you call if you're gonna have a party. 761 00:34:49,966 --> 00:34:52,384 I thought, "I better kind of introduce myself 762 00:34:52,385 --> 00:34:54,261 or reintroduce myself," you know? 763 00:34:54,262 --> 00:34:56,805 As this new character, Little Steven. 764 00:34:56,806 --> 00:34:58,640 When I first became aware of you, 765 00:34:58,641 --> 00:35:02,060 you were, uh, Miami Steve Van Zandt. 766 00:35:02,061 --> 00:35:03,770 Yeah, that's right! 767 00:35:03,771 --> 00:35:06,440 Now, uh, and now you're Little Steven. 768 00:35:06,441 --> 00:35:08,942 I'm still gonna keep a nickname, 769 00:35:08,943 --> 00:35:10,318 because nicknames suggest 770 00:35:10,319 --> 00:35:12,320 not taking yourself too seriously, 771 00:35:12,321 --> 00:35:15,490 but I wanted to be able to take the work seriously. 772 00:35:15,491 --> 00:35:18,285 I said I'm gonna open the first album 773 00:35:18,286 --> 00:35:21,121 with a song that's gonna explain the rest of my career. 774 00:35:21,122 --> 00:35:23,039 You know, very political. 775 00:35:23,040 --> 00:35:24,291 Ask the question, 776 00:35:24,292 --> 00:35:26,960 "What happened to all our '60s ideals? 777 00:35:26,961 --> 00:35:28,463 Where did they go?" 778 00:35:34,969 --> 00:35:37,221 ♪ Come on, baby ♪ 779 00:35:38,347 --> 00:35:42,310 ♪ Come on, sing with me now ♪ 780 00:35:45,438 --> 00:35:47,773 If there is any such thing 781 00:35:47,774 --> 00:35:49,733 as an Asbury Park sound, 782 00:35:49,734 --> 00:35:51,401 then one of the guys most responsible 783 00:35:51,402 --> 00:35:53,112 is Steve Van Zandt. 784 00:35:53,488 --> 00:35:54,654 Miami Steve is best known 785 00:35:54,655 --> 00:35:56,323 as Bruce Springsteen's guitarist, 786 00:35:56,324 --> 00:35:58,867 but he's also a respected songwriter, 787 00:35:58,868 --> 00:36:00,285 arranger, and producer. 788 00:36:00,286 --> 00:36:03,371 Now he's taking that one final step. 789 00:36:03,372 --> 00:36:05,290 He's fronting his own band, 790 00:36:05,291 --> 00:36:08,086 Little Steven and the Disciples of Soul. 791 00:36:22,725 --> 00:36:24,518 When he made the first album, 792 00:36:24,519 --> 00:36:26,812 that was his step away from Bruce. 793 00:36:26,813 --> 00:36:28,271 Those guys love one another. 794 00:36:28,272 --> 00:36:30,148 It's not the big brother 795 00:36:30,149 --> 00:36:32,109 that you're stepping away from. 796 00:36:32,110 --> 00:36:34,861 It's trying to not feel like 797 00:36:34,862 --> 00:36:36,655 the little brother anymore. 798 00:36:36,656 --> 00:36:39,283 And when Steve made Men Without Women... 799 00:36:39,700 --> 00:36:42,578 ...that's not a little brother's record. 800 00:36:43,287 --> 00:36:45,872 ♪ We always stood On the same block ♪ 801 00:36:45,873 --> 00:36:47,667 ♪ Way back then ♪ 802 00:36:48,960 --> 00:36:50,210 ♪ Waiting to find out ♪ 803 00:36:50,211 --> 00:36:52,880 ♪ Where in the world We fit in ♪ 804 00:36:54,215 --> 00:36:55,882 ♪ Then something On the radio ♪ 805 00:36:55,883 --> 00:36:58,678 ♪ Changed everything We'd been ♪ 806 00:36:59,512 --> 00:37:01,888 ♪ And now I need it, baby ♪ 807 00:37:01,889 --> 00:37:04,142 ♪ Over and over again ♪ 808 00:37:04,809 --> 00:37:09,646 ♪ Where it comes from Baby, I don't know ♪ 809 00:37:09,647 --> 00:37:14,568 ♪ That same old something Just won't let me go ♪ 810 00:37:14,569 --> 00:37:17,612 ♪ Oh it's too late, baby ♪ 811 00:37:17,613 --> 00:37:21,032 ♪ It's been too long ♪ 812 00:37:21,033 --> 00:37:22,701 ♪ Don't try to stop me ♪ 813 00:37:22,702 --> 00:37:25,621 ♪ Till the good is gone ♪ 814 00:37:26,748 --> 00:37:28,540 ♪ It seems like Only yesterday ♪ 815 00:37:28,541 --> 00:37:30,542 ♪ I could hear Big Mama call... ♪ 816 00:37:30,543 --> 00:37:32,210 Men Without Women came out. 817 00:37:32,211 --> 00:37:35,338 It was basically the Southside sound, 818 00:37:35,339 --> 00:37:37,090 but taken to another level. 819 00:37:37,091 --> 00:37:39,051 ♪ One more time Say yeah ♪ 820 00:37:39,052 --> 00:37:41,928 ♪ Yeah, yeah... ♪ 821 00:37:41,929 --> 00:37:43,305 I was coming into it 822 00:37:43,306 --> 00:37:45,390 with quite a lot of knowledge, 823 00:37:45,391 --> 00:37:47,517 but also a lot of expectation. 824 00:37:47,518 --> 00:37:49,394 It feels very organic, 825 00:37:49,395 --> 00:37:50,938 and personal. 826 00:37:51,397 --> 00:37:53,273 I fell in love with those songs. 827 00:37:53,274 --> 00:37:55,525 I met Steven when I was an intern 828 00:37:55,526 --> 00:37:57,402 at Power Station studios. 829 00:37:57,403 --> 00:37:58,737 And this was at a time 830 00:37:58,738 --> 00:38:00,572 when he was starting his solo album, 831 00:38:00,573 --> 00:38:02,324 but he was looking for a specific sound 832 00:38:02,325 --> 00:38:04,076 on a song. 833 00:38:04,077 --> 00:38:06,244 And, uh, Ben Newberry, 834 00:38:06,245 --> 00:38:08,580 his guitar tech, said, "Zoe plays oboe, 835 00:38:08,581 --> 00:38:10,665 is that the sound you're looking for?" 836 00:38:10,666 --> 00:38:11,834 He said, "Yes." 837 00:38:25,306 --> 00:38:26,640 When we finished the record, 838 00:38:26,641 --> 00:38:28,810 he said, "Do you wanna go on tour?" 839 00:38:47,829 --> 00:38:50,497 When he was working on his albums in New York, 840 00:38:50,498 --> 00:38:51,748 we'd meet every Friday 841 00:38:51,749 --> 00:38:54,167 at this little Mexican restaurant, 842 00:38:54,168 --> 00:38:55,460 and then go see a movie. 843 00:38:55,461 --> 00:38:56,962 It was like being a teenager 844 00:38:56,963 --> 00:38:59,715 when you'd get off early on Friday. It was so much fun. 845 00:38:59,716 --> 00:39:02,008 I think I met Jay Cocks 846 00:39:02,009 --> 00:39:04,010 through Marty Scorsese. 847 00:39:04,011 --> 00:39:06,763 And because Marty and Jay were very close, 848 00:39:06,764 --> 00:39:10,183 um, Marty had shown me and Bruce Mean Streets. 849 00:39:10,184 --> 00:39:11,560 We were talking about 850 00:39:11,561 --> 00:39:12,978 making a film about the songs. 851 00:39:12,979 --> 00:39:15,397 That's when I introduced him to John Cassavetes, 852 00:39:15,398 --> 00:39:18,608 who could light anybody up with the idea, 853 00:39:18,609 --> 00:39:20,527 "You can do this, you can make a movie." 854 00:39:20,528 --> 00:39:24,030 These two guys were kindred spirits. 855 00:39:24,031 --> 00:39:26,324 I see at some Santa Monica cinema 856 00:39:26,325 --> 00:39:27,659 that doesn't exist anymore 857 00:39:27,660 --> 00:39:29,995 there's a one week run of the film, 858 00:39:29,996 --> 00:39:31,580 Men Without Women. 859 00:39:31,581 --> 00:39:33,457 I'm like, "I gotta see this fucking thing. 860 00:39:33,458 --> 00:39:36,044 Steve made a movie?" 861 00:39:36,419 --> 00:39:38,045 Uh, so I go, 862 00:39:38,046 --> 00:39:40,630 and it's a rough cut, it's like a lost movie. 863 00:39:40,631 --> 00:39:44,801 I've spoken to Steven since, and I think it's gone. 864 00:39:44,802 --> 00:39:48,221 Let's ask him for the great undiscovered secret, 865 00:39:48,222 --> 00:39:51,141 like the lost footage from The Magnificent Ambersons. 866 00:39:51,142 --> 00:39:52,684 I remember it. 867 00:39:52,685 --> 00:39:55,645 I remember it from... I saw it when it came out. 868 00:39:55,646 --> 00:39:58,273 I haven't seen it since, so that's, I don't know, 869 00:39:58,274 --> 00:40:00,067 30 or 35 years ago, 870 00:40:00,068 --> 00:40:01,903 or whenever it was, you know? 871 00:40:19,003 --> 00:40:21,922 Van Zandt says the film is not a documentary, 872 00:40:21,923 --> 00:40:24,801 although the storyline does parallel his own life. 873 00:40:25,301 --> 00:40:27,052 That's Maureen "Knuckles" Santoro, 874 00:40:27,053 --> 00:40:29,555 who married Van Zandt earlier this year. 875 00:40:31,641 --> 00:40:34,101 Back in '75, at one of those showcase gigs 876 00:40:34,102 --> 00:40:36,938 I was playing with Bruce and the E Street Band, 877 00:40:37,647 --> 00:40:40,190 it is at that Bottom Line gig 878 00:40:40,191 --> 00:40:42,485 where I first met Maureen. 879 00:40:43,611 --> 00:40:45,278 And I see this girl, 880 00:40:45,279 --> 00:40:46,988 and I just go nuts, you know? 881 00:40:46,989 --> 00:40:48,115 I'm like, "Wow, 882 00:40:48,116 --> 00:40:50,575 this is the Brigitte Bardot of New Jersey." 883 00:40:50,576 --> 00:40:52,619 And we talked a little bit afterwards, 884 00:40:52,620 --> 00:40:54,914 and-and that was it. 885 00:40:56,749 --> 00:40:58,667 I talked her into going out with me 886 00:40:58,668 --> 00:41:01,170 like a year later. It took me, like, a year. 887 00:41:01,504 --> 00:41:04,297 Once Steve met Maureen, that was it, you know? 888 00:41:04,298 --> 00:41:06,050 Simple as that, that was it. 889 00:41:09,679 --> 00:41:11,388 I was one of those guys, 890 00:41:11,389 --> 00:41:12,973 never gonna get married. 891 00:41:12,974 --> 00:41:15,350 She was just into all kinds of things, 892 00:41:15,351 --> 00:41:16,852 literature and ballet. 893 00:41:16,853 --> 00:41:20,021 She was way above my level of sophistication. 894 00:41:20,022 --> 00:41:22,649 She turned me on to all of that, 895 00:41:22,650 --> 00:41:25,193 expanded my consciousness tremendously. 896 00:41:25,194 --> 00:41:29,282 She really just, you know, rocked my world, as they say. 897 00:41:29,824 --> 00:41:32,326 You know, I'm very grateful to her for that. 898 00:41:33,119 --> 00:41:36,121 Men Without Women was written when we met. 899 00:41:36,122 --> 00:41:39,040 You feel like someone is opening a window 900 00:41:39,041 --> 00:41:42,462 onto a private thing, your relationship. 901 00:41:49,552 --> 00:41:52,262 On the other hand, it's a really beautiful thing, 902 00:41:52,263 --> 00:41:55,641 and it's what any rock and roll girl would dream of. 903 00:42:02,690 --> 00:42:05,192 He says he's getting married, great, 904 00:42:05,193 --> 00:42:07,028 I'm his best man. 905 00:42:07,528 --> 00:42:09,613 Little Richard's gonna marry him. 906 00:42:09,614 --> 00:42:11,866 Why not? 907 00:42:14,368 --> 00:42:17,496 I don't know who came up with the Little Richard idea. 908 00:42:17,497 --> 00:42:19,873 I know I was completely in agreement with it. 909 00:42:19,874 --> 00:42:22,125 Didn't think it would happen, and it did happen. 910 00:42:22,126 --> 00:42:24,378 We sat down with Little Richard, 911 00:42:24,379 --> 00:42:25,754 tried to explain to him 912 00:42:25,755 --> 00:42:27,548 the kind of service we wanted. 913 00:42:27,882 --> 00:42:30,259 We don't want too much of the Jesus thing. 914 00:42:31,010 --> 00:42:33,721 "Oh, yes, absolutely, absolutely." 915 00:42:34,055 --> 00:42:36,014 At the ceremony, he disregarded 916 00:42:36,015 --> 00:42:37,182 everything we said. 917 00:42:37,183 --> 00:42:39,226 First thing, he's going "Jesus!" 918 00:42:39,227 --> 00:42:41,603 But together you can daily offer 919 00:42:41,604 --> 00:42:43,063 your prayers to God, 920 00:42:43,064 --> 00:42:46,817 and as your love for him grows stronger and stronger, 921 00:42:46,818 --> 00:42:51,239 your love for each other will be purified and strengthened. 922 00:42:54,242 --> 00:42:56,952 It was a classic Steven production. 923 00:42:56,953 --> 00:43:00,414 He had Percy Sledge singing "When a Man Loves a Woman." 924 00:43:00,415 --> 00:43:02,208 Ladies and gentlemen, 925 00:43:03,751 --> 00:43:07,839 Mr. and Mrs. Van Zandt. Meet them. 926 00:43:10,591 --> 00:43:16,848 ♪ When a man loves a woman ♪ 927 00:43:18,433 --> 00:43:20,435 It was way out there. 928 00:43:20,810 --> 00:43:23,145 I was an usher. I'm glad to see that my job, 929 00:43:23,146 --> 00:43:25,313 I did a good job and it worked, right? 930 00:43:25,314 --> 00:43:26,941 That had something to do with it. 931 00:43:31,904 --> 00:43:33,947 I remember when we were kids, 932 00:43:33,948 --> 00:43:35,824 and we heard Little Steven got married, 933 00:43:35,825 --> 00:43:37,659 and Bruce was the best man. 934 00:43:37,660 --> 00:43:39,077 My best man right here. 935 00:43:39,078 --> 00:43:42,165 And it was the wedding band from The Godfather. 936 00:43:43,291 --> 00:43:47,295 ♪ But it really isn't What I need... ♪ 937 00:43:47,962 --> 00:43:51,924 And, uh, I heard it was really great. 938 00:43:52,258 --> 00:43:53,800 I don't remember a thing, 939 00:43:53,801 --> 00:43:55,678 but that's what I heard. 940 00:43:59,640 --> 00:44:03,311 Do you feel like Steven Van Zandt is 941 00:44:03,644 --> 00:44:07,690 living out your fantasy or your dream? 942 00:44:08,149 --> 00:44:09,317 Absolutely. 943 00:44:09,984 --> 00:44:12,487 Seems like yesterday, listening to the radio, 944 00:44:13,196 --> 00:44:15,698 and saying, "Jeez, I'd like to do that." 945 00:44:16,824 --> 00:44:18,116 And then you are, 946 00:44:18,117 --> 00:44:19,534 and that's-that's great. 947 00:44:19,535 --> 00:44:20,995 I feel very lucky about that. 948 00:44:25,083 --> 00:44:27,084 Little Steven and the Disciples of Soul, 949 00:44:27,085 --> 00:44:29,503 - how are you doing? - Hello, Peter, how are you? 950 00:44:29,504 --> 00:44:31,171 What are you doing in your show now? 951 00:44:31,172 --> 00:44:33,925 It's basically rock and roll, um... 952 00:44:34,675 --> 00:44:36,052 with horns, you know? 953 00:44:39,347 --> 00:44:41,932 ♪ Ain't it hard To see through it ♪ 954 00:44:41,933 --> 00:44:44,726 ♪ Don't it hurt your eyes To try ♪ 955 00:44:44,727 --> 00:44:47,604 ♪ It was so much easier Yesterday ♪ 956 00:44:47,605 --> 00:44:50,607 ♪ When all we had to do Was survive ♪ 957 00:44:50,608 --> 00:44:53,026 In my so-called career, 958 00:44:53,027 --> 00:44:56,197 I met the coolest, most important cats. 959 00:44:56,614 --> 00:44:57,781 Frankie Barsalona, 960 00:44:57,782 --> 00:44:59,783 he was the last of the great agents. 961 00:44:59,784 --> 00:45:03,078 The old, uh, promoters were all basically thieves, 962 00:45:03,079 --> 00:45:05,747 and he decided to put his own people in place 963 00:45:05,748 --> 00:45:07,290 the same way that Maranzano 964 00:45:07,291 --> 00:45:10,335 and then Luciano divided the Mob up into regions, 965 00:45:10,336 --> 00:45:13,171 introducing the concept of longevity. 966 00:45:13,172 --> 00:45:16,216 By telling these promoters, "Look, you're gonna lose money 967 00:45:16,217 --> 00:45:19,720 the first-first tour, maybe the second, 968 00:45:19,721 --> 00:45:22,013 you break even on the third, maybe fourth. 969 00:45:22,014 --> 00:45:24,057 From then on, you make money the rest of your life." 970 00:45:24,058 --> 00:45:26,560 This was a radical concept. 971 00:45:26,561 --> 00:45:28,729 He created an industry 972 00:45:28,730 --> 00:45:30,897 that, you know, now could relax 973 00:45:30,898 --> 00:45:33,568 and people could develop. 974 00:45:33,985 --> 00:45:35,652 Because greatness is not born, 975 00:45:35,653 --> 00:45:37,154 greatness is developed, 976 00:45:37,155 --> 00:45:39,573 and I want Bruce to be with Frank. 977 00:45:39,574 --> 00:45:40,949 Frank's the best. 978 00:45:40,950 --> 00:45:42,702 I want Bruce to be with the best. 979 00:45:44,787 --> 00:45:46,329 It was important for Steven that 980 00:45:46,330 --> 00:45:48,206 the E Street Band followed the plan 981 00:45:48,207 --> 00:45:50,250 that Frank had worked out for them. 982 00:45:50,251 --> 00:45:52,919 So from 1975 to 1980, 983 00:45:52,920 --> 00:45:54,546 the E Street Band basically followed 984 00:45:54,547 --> 00:45:56,465 that Frank Barsalona formula. 985 00:45:56,466 --> 00:45:59,342 You know, they went from small clubs, then theaters, 986 00:45:59,343 --> 00:46:01,887 then to bigger places like arenas, 987 00:46:01,888 --> 00:46:03,930 and eventually to stadiums. 988 00:46:03,931 --> 00:46:06,391 By the time they went in to record Born in the USA, 989 00:46:06,392 --> 00:46:07,809 they were poised to become 990 00:46:07,810 --> 00:46:09,145 the biggest band in the world. 991 00:46:13,775 --> 00:46:15,400 On Born in the USA, 992 00:46:15,401 --> 00:46:19,280 Bruce started turning a little more in my direction, 993 00:46:20,531 --> 00:46:24,159 and Stevie wanted to be heard, 994 00:46:24,160 --> 00:46:27,330 and if anything, he wanted to be heard more. 995 00:46:28,414 --> 00:46:31,833 And so that arrangement 996 00:46:31,834 --> 00:46:34,252 that worked well on The River 997 00:46:34,253 --> 00:46:37,756 started to become a little dysfunctional for Stevie. 998 00:46:37,757 --> 00:46:39,007 He just was not happy. 999 00:46:39,008 --> 00:46:40,926 Part of the rationalization 1000 00:46:40,927 --> 00:46:42,761 and satisfaction of being a boss 1001 00:46:42,762 --> 00:46:44,388 working for another boss 1002 00:46:44,389 --> 00:46:47,642 was the ability to offer suggestions and advice. 1003 00:46:48,059 --> 00:46:49,768 I liked being the underboss 1004 00:46:49,769 --> 00:46:52,270 in the E Street Band, the consigliere. 1005 00:46:52,271 --> 00:46:54,648 Kept me out of the spotlight, but allowed me to make 1006 00:46:54,649 --> 00:46:56,525 a significant enough contribution 1007 00:46:56,526 --> 00:46:59,654 to justify my own existence in my own mind. 1008 00:47:00,029 --> 00:47:03,949 And there was a balance between me, Bruce, and Jon. 1009 00:47:03,950 --> 00:47:05,659 But somewhere in '83, 1010 00:47:05,660 --> 00:47:08,871 it started to feel like Bruce had stopped listening. 1011 00:47:09,539 --> 00:47:11,040 Fifteen years, 1012 00:47:11,499 --> 00:47:14,460 we finally made it, and I quit... 1013 00:47:15,169 --> 00:47:16,629 the night before payday. 1014 00:47:17,463 --> 00:47:20,216 It was fucking with destiny big time. 1015 00:47:20,800 --> 00:47:22,510 Or was it fulfilling it? 1016 00:47:23,469 --> 00:47:25,387 I think the initial intent 1017 00:47:25,388 --> 00:47:27,681 was not to leave the E Street Band, 1018 00:47:27,682 --> 00:47:30,308 but to just do his own project, 1019 00:47:30,309 --> 00:47:32,811 but then I think it became apparent 1020 00:47:32,812 --> 00:47:34,855 that he needed to... 1021 00:47:34,856 --> 00:47:36,148 to go out and do this. 1022 00:47:36,149 --> 00:47:38,442 We had heard he was going back and forth 1023 00:47:38,443 --> 00:47:40,402 in and out of the studio, and got tunes, 1024 00:47:40,403 --> 00:47:42,946 and some of them are done, some of them aren't. 1025 00:47:42,947 --> 00:47:45,157 And maybe there'll be four or five more, 1026 00:47:45,158 --> 00:47:47,492 and you're not gonna be playing on them? 1027 00:47:47,493 --> 00:47:48,827 We talked about it, 1028 00:47:48,828 --> 00:47:50,996 and-and Bruce may have to 1029 00:47:50,997 --> 00:47:52,914 finish it without me, you know? 1030 00:47:52,915 --> 00:47:55,042 At the time, I thought he was nuts. 1031 00:47:55,043 --> 00:47:57,002 I didn't understand it one bit. 1032 00:47:57,003 --> 00:47:58,754 Uh, I told him so. 1033 00:47:58,755 --> 00:48:01,381 He felt he had to give it his whole 100%, 1034 00:48:01,382 --> 00:48:02,632 do it, you know. 1035 00:48:02,633 --> 00:48:05,177 But, um... hey, 1036 00:48:05,178 --> 00:48:07,721 you gotta follow your dream, your conviction. 1037 00:48:07,722 --> 00:48:10,057 If you don't, what are you following? 1038 00:48:10,058 --> 00:48:13,227 I thought, you know, "You're in a band that's... 1039 00:48:13,770 --> 00:48:15,562 doing phenomenally well, 1040 00:48:15,563 --> 00:48:17,105 having a great time, 1041 00:48:17,106 --> 00:48:19,734 you know, you're working with your best friend. 1042 00:48:20,068 --> 00:48:22,862 Do you wanna risk losing that?" 1043 00:48:23,738 --> 00:48:26,490 Though I started recording solo albums, 1044 00:48:26,491 --> 00:48:28,742 technically I was still producer on the album, 1045 00:48:28,743 --> 00:48:30,577 and still involved in it. 1046 00:48:30,578 --> 00:48:33,747 "Dancing in the Dark" was way till the end. 1047 00:48:33,748 --> 00:48:35,248 They had the record together, 1048 00:48:35,249 --> 00:48:37,125 Jon Landau, the manager, was saying, 1049 00:48:37,126 --> 00:48:38,585 "We're missing one more song, 1050 00:48:38,586 --> 00:48:42,298 we need one more verifiable hit," or something, 1051 00:48:42,673 --> 00:48:44,257 and so Bruce kept trying 1052 00:48:44,258 --> 00:48:46,469 and kept trying, until Steven said, 1053 00:48:46,928 --> 00:48:49,388 "I think I put out two solo records 1054 00:48:49,389 --> 00:48:52,850 in the time it took you to write that one song." 1055 00:48:53,518 --> 00:48:56,270 "You're right. I remember." 1056 00:48:58,106 --> 00:49:00,107 He plays me "Dancing in the Dark" 1057 00:49:00,108 --> 00:49:02,109 and "No Surrender." 1058 00:49:02,110 --> 00:49:04,653 Says, "'Dancing in the Dark' is gonna be on the record, 1059 00:49:04,654 --> 00:49:08,616 and 'No Surrender' is gonna be an outtake, like a B-side." 1060 00:49:09,951 --> 00:49:13,830 And I'm like, "Uh, Bruce, I gotta tell ya, 1061 00:49:14,247 --> 00:49:15,665 you got it backwards. 1062 00:49:15,998 --> 00:49:18,041 I don't know about 'Dancing in the Dark,' 1063 00:49:18,042 --> 00:49:19,793 but this 'No Surrender,' 1064 00:49:19,794 --> 00:49:21,337 this is what it's all about." 1065 00:49:21,796 --> 00:49:23,130 This is for, uh... 1066 00:49:23,131 --> 00:49:25,298 This is for Little Steven. He's... 1067 00:49:25,299 --> 00:49:27,635 - He's got... 1068 00:49:30,179 --> 00:49:33,057 He's got a record out called Voice of America now. 1069 00:49:33,433 --> 00:49:36,143 "No Surrender" was something I was going to take off, 1070 00:49:36,144 --> 00:49:38,813 but he said, "No, you've got to keep it on." 1071 00:49:39,397 --> 00:49:41,815 And I was afraid it was too one-dimensional, 1072 00:49:41,816 --> 00:49:44,902 or-or... but he-he really... 1073 00:49:45,278 --> 00:49:47,989 when he came in at the end and said, "No, that's... 1074 00:49:48,448 --> 00:49:50,031 that's gotta be on the record, 1075 00:49:50,032 --> 00:49:52,492 man, that's what it's all about, you know?" 1076 00:49:52,493 --> 00:49:54,786 It's funny he did that, 'cause it's a song 1077 00:49:54,787 --> 00:49:56,580 that speaks more to who Stevie is 1078 00:49:56,581 --> 00:49:58,165 than maybe to who I am, 1079 00:49:58,166 --> 00:50:00,918 but it said something about us also together. 1080 00:50:07,508 --> 00:50:09,176 Making a decision to leave 1081 00:50:09,177 --> 00:50:11,678 an iconic band like the E Street Band 1082 00:50:11,679 --> 00:50:13,347 had to be... 1083 00:50:14,182 --> 00:50:16,016 probably one of the most significant 1084 00:50:16,017 --> 00:50:17,518 decisions in his life. 1085 00:50:18,978 --> 00:50:20,771 That album featured two songs 1086 00:50:20,772 --> 00:50:23,815 that seemed to be about Bruce and Steven's relationship. 1087 00:50:23,816 --> 00:50:25,192 "Bobby Jean," 1088 00:50:25,193 --> 00:50:27,527 where one of the friends goes out on their own, 1089 00:50:27,528 --> 00:50:30,155 and "No Surrender," which seems to be about 1090 00:50:30,156 --> 00:50:32,532 their promises to each other over time. 1091 00:50:32,533 --> 00:50:34,993 Only Bruce and Steven know if those songs 1092 00:50:34,994 --> 00:50:36,453 reveal something they could never 1093 00:50:36,454 --> 00:50:39,206 bring themselves to say to each other in person. 1094 00:50:39,207 --> 00:50:42,542 ♪ Then we busted Out of class ♪ 1095 00:50:42,543 --> 00:50:46,130 ♪ Had to get away From those fools ♪ 1096 00:50:46,506 --> 00:50:50,509 ♪ We learned more from A three-minute record, baby ♪ 1097 00:50:50,510 --> 00:50:53,678 ♪ Than we ever Learned in school... ♪ 1098 00:50:53,679 --> 00:50:56,391 He did need to take a shot at that point. 1099 00:50:56,724 --> 00:50:59,142 The night we talked about him leaving was, 1100 00:50:59,143 --> 00:51:01,269 we talked, "Let's not throw the baby out 1101 00:51:01,270 --> 00:51:03,063 with the bath water. 1102 00:51:03,064 --> 00:51:04,689 You know, I think that, 1103 00:51:04,690 --> 00:51:07,443 all I know is you're one of my deepest friends. 1104 00:51:07,735 --> 00:51:09,737 I need that relationship. 1105 00:51:10,113 --> 00:51:12,031 I don't want that to disappear." 1106 00:51:12,407 --> 00:51:15,659 ♪ Well we made a promise ♪ 1107 00:51:15,660 --> 00:51:19,956 ♪ We swore We'd always remember ♪ 1108 00:51:20,415 --> 00:51:23,250 ♪ No retreat, baby ♪ 1109 00:51:23,251 --> 00:51:27,087 ♪ No surrender ♪ 1110 00:51:27,088 --> 00:51:29,673 I think he just needed his independence, 1111 00:51:29,674 --> 00:51:31,759 and, uh, um... 1112 00:51:32,468 --> 00:51:35,178 so I was as supportive as I could be, 1113 00:51:35,179 --> 00:51:38,766 but I felt badly about him not being in the band. 1114 00:51:41,436 --> 00:51:44,020 It was difficult and painful, 1115 00:51:44,021 --> 00:51:46,982 and, uh, not my favorite chapter 1116 00:51:46,983 --> 00:51:48,943 in what we've done, you know? 1117 00:52:11,340 --> 00:52:13,341 Politics in rock began 1118 00:52:13,342 --> 00:52:15,093 with the first two sentences 1119 00:52:15,094 --> 00:52:17,679 of Bob Dylan's "Subterranean Homesick Blues." 1120 00:52:17,680 --> 00:52:20,265 "Johnny's in the basement mixing up the medicine, 1121 00:52:20,266 --> 00:52:21,391 I'm on the pavement 1122 00:52:21,392 --> 00:52:22,893 thinking about the government." 1123 00:52:22,894 --> 00:52:24,812 Thinking about the government? 1124 00:52:25,980 --> 00:52:28,483 Well, why would you do that? 1125 00:52:38,284 --> 00:52:40,285 We're on our first European tour, man, 1126 00:52:40,286 --> 00:52:42,622 we're breaking, we've broken through. 1127 00:52:43,998 --> 00:52:48,168 He and I went to East Berlin in 1980, 1128 00:52:48,169 --> 00:52:49,878 just the two of us, one afternoon. 1129 00:52:49,879 --> 00:52:52,839 You know, they confiscated your reading material. 1130 00:52:52,840 --> 00:52:54,091 You could go over there, 1131 00:52:54,092 --> 00:52:57,011 but it was a very, very oppressed society. 1132 00:52:58,054 --> 00:53:01,181 And I believe that that was part of the beginning 1133 00:53:01,182 --> 00:53:03,892 of his awakening to... 1134 00:53:03,893 --> 00:53:05,519 political ideas, 1135 00:53:05,520 --> 00:53:08,773 and wanting to include it in his music. 1136 00:53:10,191 --> 00:53:15,237 ♪ Checkpoint Charlie ♪ 1137 00:53:15,238 --> 00:53:20,867 ♪ Walls so wide, Can't get around it ♪ 1138 00:53:20,868 --> 00:53:22,953 I'm just walking to a park, 1139 00:53:22,954 --> 00:53:25,747 in Munich, I think it was, somewhere in Germany. 1140 00:53:25,748 --> 00:53:27,040 Some kid asked me, 1141 00:53:27,041 --> 00:53:29,084 why am I putting missiles in his country? 1142 00:53:29,085 --> 00:53:31,169 "No, there's a guitar in that case, kid. 1143 00:53:31,170 --> 00:53:32,421 There's no missiles. 1144 00:53:32,422 --> 00:53:34,047 What are you talking about?" 1145 00:53:34,048 --> 00:53:36,509 And it just would not leave my head. 1146 00:53:37,552 --> 00:53:39,678 It finally occurred to me, "Oh my God, 1147 00:53:39,679 --> 00:53:41,888 this kid isn't looking at me like a rock star, 1148 00:53:41,889 --> 00:53:45,142 or a Democrat, or Republican, or anything else. 1149 00:53:45,143 --> 00:53:47,018 He's looking at me as an American." 1150 00:53:47,019 --> 00:53:48,312 And I'm like... 1151 00:53:48,646 --> 00:53:51,773 "I never thought of myself as an American. 1152 00:53:51,774 --> 00:53:53,359 I'm from New Jersey." 1153 00:53:58,448 --> 00:54:00,907 What part of New Jersey did you grow up in? 1154 00:54:00,908 --> 00:54:03,494 Did I grow up? I guess I did. 1155 00:54:03,953 --> 00:54:06,079 Middletown, New Jersey. 1156 00:54:06,080 --> 00:54:07,582 Right in the middle. 1157 00:54:10,043 --> 00:54:12,878 So Middletown was a very conservative town. 1158 00:54:12,879 --> 00:54:15,756 All the dads went to work, the moms stayed home. 1159 00:54:15,757 --> 00:54:18,842 It was that Leave it to Beaver existence. 1160 00:54:18,843 --> 00:54:20,093 But it was the '60s, 1161 00:54:20,094 --> 00:54:23,180 so the kids were not like that, 1162 00:54:23,181 --> 00:54:25,807 and perfect example was Steven. 1163 00:54:25,808 --> 00:54:28,852 My very Catholic mother divorced my father 1164 00:54:28,853 --> 00:54:30,854 when I was two or three years old, 1165 00:54:30,855 --> 00:54:33,315 which was quite unusual in the '50s. 1166 00:54:33,316 --> 00:54:35,902 Virtually unheard of in the Catholic religion. 1167 00:54:36,277 --> 00:54:38,780 I spent most of my time with Nana Lento, 1168 00:54:39,113 --> 00:54:40,989 the matriarch of the family, 1169 00:54:40,990 --> 00:54:44,868 who, if there is any trace of show business in my DNA, 1170 00:54:44,869 --> 00:54:47,537 it all would have had to have come from her. 1171 00:54:47,538 --> 00:54:50,165 One of my earliest memories is her dancing around 1172 00:54:50,166 --> 00:54:51,792 to Elvis Presley records. 1173 00:54:51,793 --> 00:54:54,586 Until my mother remarried when I was around seven, 1174 00:54:54,587 --> 00:54:57,381 I was brought up by two very strong women. 1175 00:54:57,382 --> 00:54:59,174 How old are you? 1176 00:54:59,175 --> 00:55:00,425 Eight years old. 1177 00:55:00,426 --> 00:55:01,802 You have any other relatives? 1178 00:55:01,803 --> 00:55:04,305 Yeah, I have over 80 of them. 1179 00:55:04,639 --> 00:55:07,224 Steven always talks about being a band guy, 1180 00:55:07,225 --> 00:55:10,143 and I-I think that comes from 1181 00:55:10,144 --> 00:55:11,520 the big family he grew up in. 1182 00:55:11,521 --> 00:55:13,313 We're a very close Italian family, 1183 00:55:13,314 --> 00:55:15,148 and first five years of his life, 1184 00:55:15,149 --> 00:55:16,983 he was living with Nana and Grandpa 1185 00:55:16,984 --> 00:55:18,318 and the aunts and uncles. 1186 00:55:18,319 --> 00:55:20,405 So he's used to having that. 1187 00:55:20,988 --> 00:55:23,824 My grandparents lived five minutes away, 1188 00:55:23,825 --> 00:55:25,992 so we would go there every Sunday, 1189 00:55:25,993 --> 00:55:27,494 and everybody would be there, 1190 00:55:27,495 --> 00:55:29,872 all the cousins, aunts, and uncles. 1191 00:55:30,998 --> 00:55:34,085 My grandfather spoke with a heavy accent. 1192 00:55:34,419 --> 00:55:36,461 He spent a lot of time with the grandkids. 1193 00:55:36,462 --> 00:55:39,339 He taught Steven how to play the mandolin and guitar. 1194 00:55:39,340 --> 00:55:41,633 And I think he started the whole... 1195 00:55:41,634 --> 00:55:43,593 the whole love of music for Steven. 1196 00:55:43,594 --> 00:55:45,178 Steven Van Zandt is your real name? 1197 00:55:45,179 --> 00:55:46,346 Yes. 1198 00:55:46,347 --> 00:55:48,598 Do you have Dutch ancestors, or... 1199 00:55:48,599 --> 00:55:51,101 No, I was adopted when I was young. 1200 00:55:51,102 --> 00:55:53,812 I'm a-I actually have Italian blood. 1201 00:55:53,813 --> 00:55:56,481 How about singing a little song for us? 1202 00:55:56,482 --> 00:55:58,233 ♪ Oh ♪ 1203 00:55:58,234 --> 00:56:00,527 ♪ Goodbye, my Coney Island ♪ 1204 00:56:00,528 --> 00:56:01,903 ♪ Baby... ♪ 1205 00:56:01,904 --> 00:56:04,072 My brother and sister are 1206 00:56:04,073 --> 00:56:05,699 much younger than me, you know, 1207 00:56:05,700 --> 00:56:08,536 seven years younger and 11 years younger. 1208 00:56:09,036 --> 00:56:11,580 And unfortunately, I feel really bad about it now. 1209 00:56:11,581 --> 00:56:13,248 I never spent much time with them. 1210 00:56:13,249 --> 00:56:16,626 I have one fabulous memory, 1211 00:56:16,627 --> 00:56:18,713 um, with my brother... 1212 00:56:19,714 --> 00:56:21,965 that I, among all the other gratitude 1213 00:56:21,966 --> 00:56:23,383 I have for the Beatles. 1214 00:56:23,384 --> 00:56:24,927 We had, um, 1215 00:56:25,219 --> 00:56:26,636 these transistor radios. 1216 00:56:26,637 --> 00:56:28,388 At night, you go to bed, 1217 00:56:28,389 --> 00:56:29,890 and under the covers, you know, 1218 00:56:29,891 --> 00:56:31,892 you put the radio on and listen to it. 1219 00:56:31,893 --> 00:56:34,020 My brother was in the next bed, 1220 00:56:34,562 --> 00:56:35,896 and so he could hear, 1221 00:56:35,897 --> 00:56:39,399 and, uh, on comes, uh, the Beatles, 1222 00:56:39,400 --> 00:56:41,234 finally getting airplay in America 1223 00:56:41,235 --> 00:56:42,402 on their fifth single, 1224 00:56:42,403 --> 00:56:44,614 with "I Wanna Hold Your Hand," 1225 00:56:45,198 --> 00:56:46,324 and, um... 1226 00:56:46,783 --> 00:56:48,659 when they get to the high part... 1227 00:56:49,243 --> 00:56:51,078 "I wanna hold your hand," 1228 00:56:51,079 --> 00:56:52,412 uh, me and my brother 1229 00:56:52,413 --> 00:56:54,998 just spontaneously burst out laughing. 1230 00:56:54,999 --> 00:56:56,209 You know? 1231 00:56:56,959 --> 00:56:58,878 We didn't have much in common, 1232 00:56:59,420 --> 00:57:01,338 but we had that in common. 1233 00:57:01,339 --> 00:57:03,382 That's how profound 1234 00:57:03,383 --> 00:57:06,676 and how amazing the Beatles music was, 1235 00:57:06,677 --> 00:57:09,096 to cover that big a gap 1236 00:57:09,097 --> 00:57:12,265 with what they were communicating at that moment, 1237 00:57:12,266 --> 00:57:14,101 which you have to define 1238 00:57:14,102 --> 00:57:17,062 as simply unbridled joy. 1239 00:57:17,063 --> 00:57:18,647 When I get this thing going, 1240 00:57:18,648 --> 00:57:20,733 what do you want me to talk about? 1241 00:57:21,150 --> 00:57:22,401 The Beatles. 1242 00:57:22,402 --> 00:57:24,403 Which one do you like best? 1243 00:57:24,404 --> 00:57:25,904 Paul and George. 1244 00:57:25,905 --> 00:57:27,948 Paul and George? Yeah. 1245 00:57:27,949 --> 00:57:30,200 You like Ringo? Yes. 1246 00:57:30,201 --> 00:57:31,743 What song you like best? 1247 00:57:31,744 --> 00:57:33,495 "I Saw Her Standing There." 1248 00:57:33,496 --> 00:57:35,288 How does that go? 1249 00:57:35,289 --> 00:57:36,623 I don't know. 1250 00:57:36,624 --> 00:57:38,917 Well, you're the Beatle expert. 1251 00:57:38,918 --> 00:57:41,420 We were all raised in the Baptist church, 1252 00:57:41,421 --> 00:57:43,171 but it was a pretty serious church. 1253 00:57:43,172 --> 00:57:44,756 Like, your job was to go out 1254 00:57:44,757 --> 00:57:46,383 and witness to other people, 1255 00:57:46,384 --> 00:57:48,260 meaning to bring them into the church. 1256 00:57:48,261 --> 00:57:50,804 I think Steven is as fervent 1257 00:57:50,805 --> 00:57:53,014 and passionate about rock and roll 1258 00:57:53,015 --> 00:57:56,686 as those people in the church were about their religion. 1259 00:57:59,689 --> 00:58:01,983 Out in the darkness... 1260 00:58:04,026 --> 00:58:06,111 there's a voice trying to make sense 1261 00:58:06,112 --> 00:58:09,031 out of a world that's losing its soul. 1262 00:58:09,490 --> 00:58:12,160 A voice that's been silent too long. 1263 00:58:14,704 --> 00:58:16,788 Can't miss out. Best show of the year. 1264 00:58:16,789 --> 00:58:18,541 Ace show. 1265 00:58:20,001 --> 00:58:23,171 ♪ There's a sadness All around us ♪ 1266 00:58:23,713 --> 00:58:27,090 ♪ There are words We're too afraid to say ♪ 1267 00:58:27,091 --> 00:58:31,678 ♪ The things that I thought Would last forever ♪ 1268 00:58:31,679 --> 00:58:33,805 ♪ Are changing every day ♪ 1269 00:58:33,806 --> 00:58:36,475 There were great moments we played Italy, 1270 00:58:36,476 --> 00:58:38,560 he was like a superstar there. 1271 00:58:38,561 --> 00:58:40,062 We played this one show, 1272 00:58:40,063 --> 00:58:43,356 and the girls are trying to rip our clothes off, 1273 00:58:43,357 --> 00:58:45,484 and we played in Verona, 1274 00:58:45,485 --> 00:58:48,195 and as we're pulling up in the cars to the gig, 1275 00:58:48,196 --> 00:58:49,529 the kids are piling on 1276 00:58:49,530 --> 00:58:51,698 and banging our windows and all this stuff, 1277 00:58:51,699 --> 00:58:54,117 so he was getting some of that love too, 1278 00:58:54,118 --> 00:58:56,287 and realized this is what it could be. 1279 00:59:02,877 --> 00:59:05,254 - Okay, you're great. 1280 00:59:05,797 --> 00:59:07,506 At the time we were touring 1281 00:59:07,507 --> 00:59:08,965 on Voice of America, 1282 00:59:08,966 --> 00:59:10,842 Born in the USA had exploded. 1283 00:59:10,843 --> 00:59:13,720 - ♪ The years gone by... ♪ Bruce hit the road, 1284 00:59:13,721 --> 00:59:16,056 it was a slightly different E Street Band. 1285 00:59:16,057 --> 00:59:18,433 Patti Scialfa was on background vocals, 1286 00:59:18,434 --> 00:59:20,769 Nils Lofgren handled guitar. 1287 00:59:20,770 --> 00:59:23,146 I fucking love Nils Lofgren, 1288 00:59:23,147 --> 00:59:26,108 but when Little Steven wasn't there, 1289 00:59:26,109 --> 00:59:29,237 and Nils was, that was like having a stepdad. 1290 00:59:29,904 --> 00:59:31,613 Took me a while to get used to him 1291 00:59:31,614 --> 00:59:33,199 being in the house and... 1292 00:59:33,491 --> 00:59:34,867 fucking my mom. 1293 00:59:36,744 --> 00:59:39,371 And that record Steven co-produced 1294 00:59:39,372 --> 00:59:41,248 had seven Top Ten singles, 1295 00:59:41,249 --> 00:59:43,417 and at that time, I believe it was tied 1296 00:59:43,418 --> 00:59:45,670 for the most of all time. 1297 00:59:46,087 --> 00:59:47,088 Woo! 1298 00:59:47,463 --> 00:59:49,089 Well, that was a tough period. 1299 00:59:49,090 --> 00:59:51,466 It was very strange, because on one hand, 1300 00:59:51,467 --> 00:59:53,427 it was kind of... we were having 1301 00:59:53,428 --> 00:59:55,388 all of this tremendous success, 1302 00:59:56,139 --> 00:59:57,264 and at the time, 1303 00:59:57,265 --> 00:59:59,850 I couldn't share it with Steve, he wasn't there. 1304 00:59:59,851 --> 01:00:02,812 So I think it... I think that would have been... 1305 01:00:03,438 --> 01:00:05,605 It would have been nice at that moment. 1306 01:00:05,606 --> 01:00:09,484 I can imagine that affected Steven somewhat, 1307 01:00:09,485 --> 01:00:13,489 but I can say he was super focused on what he was doing. 1308 01:00:14,115 --> 01:00:17,743 It was a crazy tour. It changed the band a bit. 1309 01:00:17,744 --> 01:00:19,953 What was the reason for dropping the horns? 1310 01:00:19,954 --> 01:00:22,289 As I began to write for the new album, 1311 01:00:22,290 --> 01:00:25,418 I realized I wasn't really writing for horns anymore. 1312 01:00:26,502 --> 01:00:28,295 And you know, I may change every year. 1313 01:00:28,296 --> 01:00:31,382 ♪ What people need What people want ♪ 1314 01:00:31,841 --> 01:00:35,094 ♪ When are we gonna start Talking about that? ♪ 1315 01:00:36,679 --> 01:00:38,513 At the point I was touring with him, 1316 01:00:38,514 --> 01:00:42,727 it was about full-on rock stuff. 1317 01:00:43,728 --> 01:00:46,272 ♪ No more party ♪ 1318 01:00:47,565 --> 01:00:50,443 ♪ No more party ♪ 1319 01:00:51,027 --> 01:00:53,821 ♪ No more party ♪ 1320 01:00:55,448 --> 01:00:57,657 ♪ No more party ♪ 1321 01:00:57,658 --> 01:01:00,952 ♪ Got my own Party right here ♪ 1322 01:01:00,953 --> 01:01:02,662 Have you found it a problem 1323 01:01:02,663 --> 01:01:04,831 that to be in radio, 1324 01:01:04,832 --> 01:01:07,667 radio locked up because of rock music being white, 1325 01:01:07,668 --> 01:01:09,628 and your band is not exactly white, 1326 01:01:09,629 --> 01:01:11,463 it's in between the soul, the Black, 1327 01:01:11,464 --> 01:01:12,672 where do you fit in? 1328 01:01:12,673 --> 01:01:15,300 - We don't. Yeah. 1329 01:01:15,301 --> 01:01:16,426 Uh, so far. 1330 01:01:16,427 --> 01:01:18,011 Has that been a problem? 1331 01:01:18,012 --> 01:01:20,430 It is, yeah, it's a problem for everybody 1332 01:01:20,431 --> 01:01:22,599 who cannot be categorized exactly. 1333 01:01:22,600 --> 01:01:24,727 You know, that's been a problem in radio. 1334 01:01:25,520 --> 01:01:29,272 The look of that band obviously is his creation, 1335 01:01:29,273 --> 01:01:30,774 but not many bands had 1336 01:01:30,775 --> 01:01:33,528 multiracial men and women in it. 1337 01:01:34,028 --> 01:01:37,365 To have brought together a drummer from the Rascals, 1338 01:01:37,907 --> 01:01:39,992 and a bass player from the Plasmatics. 1339 01:01:40,410 --> 01:01:42,995 They should have never met, those two guys. 1340 01:01:43,579 --> 01:01:46,957 I think Steven's philosophy about a band is it's a club. 1341 01:01:46,958 --> 01:01:49,209 And, you know, we had these long coats 1342 01:01:49,210 --> 01:01:51,586 that he made for everyone in the band, 1343 01:01:51,587 --> 01:01:53,880 and those were like our colors. 1344 01:01:53,881 --> 01:01:55,841 I mean, I remember running around Liverpool 1345 01:01:55,842 --> 01:01:57,718 with Maureen with our dusters. 1346 01:01:57,719 --> 01:01:59,177 I mean, we had to represent. 1347 01:01:59,178 --> 01:02:01,138 Steven brought them on David Letterman 1348 01:02:01,139 --> 01:02:03,223 and had the Late Night band wearing them. 1349 01:02:03,224 --> 01:02:05,058 Did you actually bring the clothes 1350 01:02:05,059 --> 01:02:06,727 for the gentlemen in the band? 1351 01:02:06,728 --> 01:02:08,895 - No, I'll tell you the truth. 1352 01:02:08,896 --> 01:02:11,064 I went in the dressing room, brought extra things, 1353 01:02:11,065 --> 01:02:12,775 I go in there, they're gone. 1354 01:02:21,451 --> 01:02:24,035 This is our third trip back to Europe in a year, 1355 01:02:24,036 --> 01:02:26,830 which is unusual, especially for an American band. 1356 01:02:26,831 --> 01:02:28,039 I like it in Europe, 1357 01:02:28,040 --> 01:02:29,875 because I can see America's place 1358 01:02:29,876 --> 01:02:31,794 in the world more clearly. 1359 01:02:32,128 --> 01:02:33,962 We're like ambassadors over here. 1360 01:02:33,963 --> 01:02:35,465 We represent America. 1361 01:02:37,175 --> 01:02:39,427 I feel it's necessary to... 1362 01:02:40,261 --> 01:02:41,554 apologize 1363 01:02:42,221 --> 01:02:44,389 for my government's arrogance, 1364 01:02:44,390 --> 01:02:46,767 - and my people's ignorance... 1365 01:02:46,768 --> 01:02:49,436 ...and I hope you don't judge us too harshly. 1366 01:02:49,437 --> 01:02:51,021 There's voices that do not 1367 01:02:51,022 --> 01:02:53,191 wanna put missiles in your country. 1368 01:02:54,025 --> 01:02:56,986 We need solidarity right now, uh... 1369 01:02:58,404 --> 01:03:00,406 before, uh, it's too late. 1370 01:03:01,074 --> 01:03:04,576 ♪ Where have you gone Desaparecido ♪ 1371 01:03:04,577 --> 01:03:08,789 ♪ I taste your blood In the roots of this land ♪ 1372 01:03:08,790 --> 01:03:12,042 ♪ Where have you gone Desaparecido ♪ 1373 01:03:12,043 --> 01:03:14,252 ♪ Mi querido ♪ 1374 01:03:14,253 --> 01:03:18,216 ♪ Only yesterday I held your hand... ♪ 1375 01:03:38,945 --> 01:03:42,322 Stevie is an all-or-nothing person. 1376 01:03:42,323 --> 01:03:45,659 He's all in, or he's not in. 1377 01:03:45,660 --> 01:03:48,203 And when we first started out, 1378 01:03:48,204 --> 01:03:51,206 Stevie was, "No politics, no politics. 1379 01:03:51,207 --> 01:03:54,793 That's not the way to go about it, that's wrong." 1380 01:03:54,794 --> 01:03:57,504 Then he became all politics. 1381 01:03:57,505 --> 01:03:58,880 It's all politics. 1382 01:03:58,881 --> 01:04:02,175 ♪ Where have you gone Desaparecido ♪ 1383 01:04:02,176 --> 01:04:06,012 ♪ How can they just turn Their backs to our shame ♪ 1384 01:04:06,013 --> 01:04:10,143 ♪ Where have you gone Desaparecido... ♪ 1385 01:04:10,768 --> 01:04:12,436 I felt if I could shine a light 1386 01:04:12,437 --> 01:04:13,687 on some of these things, 1387 01:04:13,688 --> 01:04:15,856 maybe I could, you know, stimulate 1388 01:04:15,857 --> 01:04:17,941 some thought, 1389 01:04:17,942 --> 01:04:20,068 which would stimulate some conversation, 1390 01:04:20,069 --> 01:04:21,653 which would stimulate some action. 1391 01:04:21,654 --> 01:04:24,990 We're supposed to be heroes of democracy and freedom, 1392 01:04:24,991 --> 01:04:26,409 and we weren't. 1393 01:04:30,955 --> 01:04:35,667 ♪ I was standing in Pretoria ♪ 1394 01:04:35,668 --> 01:04:39,589 ♪ Waiting for the sky to fall ♪ 1395 01:04:50,141 --> 01:04:54,978 ♪ Impilo Geyethu Thina Sigidela Phambili ♪ 1396 01:04:54,979 --> 01:04:56,897 Overseas, the violence in South Africa 1397 01:04:56,898 --> 01:04:58,774 is becoming even more commonplace. 1398 01:04:58,775 --> 01:05:00,567 It has returned to Soweto, 1399 01:05:00,568 --> 01:05:03,445 the giant Black township outside Johannesburg. 1400 01:05:03,446 --> 01:05:06,448 Last night in South Africa, three Blacks were killed 1401 01:05:06,449 --> 01:05:09,076 while they were protesting the country's race laws. 1402 01:05:09,077 --> 01:05:12,204 We don't believe, for instance, in the so-called 1403 01:05:12,205 --> 01:05:14,206 guarantees for minority rights, 1404 01:05:14,207 --> 01:05:16,166 because guaranteeing minority rights 1405 01:05:16,167 --> 01:05:17,501 implies the recognition 1406 01:05:17,502 --> 01:05:20,420 of portions of the community on a race basis. 1407 01:05:20,421 --> 01:05:22,923 We believe in our country, there shall be no minority, 1408 01:05:22,924 --> 01:05:25,093 no majorities, just be people. 1409 01:05:25,760 --> 01:05:29,054 I didn't know what was going on in South Africa. 1410 01:05:29,055 --> 01:05:32,225 I hear this song "Biko," by a guy named Peter Gabriel. 1411 01:05:34,977 --> 01:05:39,941 ♪ Biko, because Biko ♪ 1412 01:05:40,525 --> 01:05:43,068 But man, the song was amazing. 1413 01:05:43,069 --> 01:05:45,570 It really led to my engagement 1414 01:05:45,571 --> 01:05:47,197 with activism in general, 1415 01:05:47,198 --> 01:05:49,408 and specifically, the apartheid regime 1416 01:05:49,409 --> 01:05:50,701 of South Africa. 1417 01:05:51,119 --> 01:05:54,247 Political songs were not my genre, 1418 01:05:54,831 --> 01:05:56,123 but in South Africa, 1419 01:05:56,124 --> 01:05:58,083 which had racism enshrined 1420 01:05:58,084 --> 01:06:00,502 in its constitution, in apartheid, 1421 01:06:00,503 --> 01:06:03,130 that was a struggle that connected with me. 1422 01:06:03,131 --> 01:06:05,298 And with Biko's arrest, 1423 01:06:05,299 --> 01:06:07,259 I'm not sure they meant to kill him. 1424 01:06:07,260 --> 01:06:10,137 I'm sure they meant to torture the hell out of him. 1425 01:06:10,138 --> 01:06:12,764 So it was a shock when his death was announced. 1426 01:06:12,765 --> 01:06:14,725 Sunday, September 25th, 1427 01:06:14,726 --> 01:06:16,727 20,000 Black South Africans 1428 01:06:16,728 --> 01:06:18,270 came to mourn Steve Biko, 1429 01:06:18,271 --> 01:06:19,855 the non-violent but militant 1430 01:06:19,856 --> 01:06:21,314 Black radical leader 1431 01:06:21,315 --> 01:06:23,358 who died mysteriously in police custody. 1432 01:06:23,359 --> 01:06:25,402 I couldn't find out much about South Africa, 1433 01:06:25,403 --> 01:06:27,821 it was just very, very mysterious, 1434 01:06:27,822 --> 01:06:29,323 and I had to see it firsthand. 1435 01:06:38,124 --> 01:06:40,167 I think on my second trip, 1436 01:06:40,168 --> 01:06:43,045 I'm in a taxi, I'm going down the street, 1437 01:06:43,046 --> 01:06:46,507 and-and a Black guy steps off the curb, 1438 01:06:47,258 --> 01:06:50,052 and the cab driver swerved to try and hit him. 1439 01:06:50,053 --> 01:06:53,221 I was literally in shock. 1440 01:06:53,222 --> 01:06:57,476 I was like, "Man, let me out the next corner," you know. 1441 01:06:57,477 --> 01:06:59,936 I gotta think about what I just witnessed. 1442 01:06:59,937 --> 01:07:02,272 And at that moment, really, 1443 01:07:02,273 --> 01:07:06,526 um, I went from artist to activist. 1444 01:07:06,527 --> 01:07:09,529 So I'm meeting now with the Azanian People's Organization 1445 01:07:09,530 --> 01:07:13,366 in Soweto and had to sneak in in the back seat of a car, 1446 01:07:13,367 --> 01:07:16,162 because there was a military blockade at the time. 1447 01:07:16,704 --> 01:07:19,123 So they're burning, like, coal fires, 1448 01:07:19,665 --> 01:07:23,752 and there's, uh, like, three feet of, like, fog 1449 01:07:23,753 --> 01:07:25,421 as far as the eye could see. 1450 01:07:25,922 --> 01:07:27,214 And we get to this house, 1451 01:07:27,215 --> 01:07:29,800 and, um, a cat comes out, 1452 01:07:29,801 --> 01:07:31,218 you know, they got machetes, 1453 01:07:31,219 --> 01:07:32,969 and they're the tough guys. 1454 01:07:32,970 --> 01:07:34,513 They're on the front lines, 1455 01:07:34,514 --> 01:07:36,390 they're blowing up radio stations, 1456 01:07:36,391 --> 01:07:39,018 they're killing people, they're the real thing. 1457 01:07:39,268 --> 01:07:41,269 And they're very, very adversarial. 1458 01:07:41,270 --> 01:07:42,771 They don't like that I'm there. 1459 01:07:42,772 --> 01:07:44,981 As far as they're concerned, I'm violating the boycott 1460 01:07:44,982 --> 01:07:46,609 by being there, you know? 1461 01:07:47,402 --> 01:07:49,737 I have to explain to him, I say, "Listen, 1462 01:07:50,196 --> 01:07:51,321 I'm on your side." 1463 01:07:51,322 --> 01:07:53,073 I don't think they were pretending. 1464 01:07:53,074 --> 01:07:55,243 They were thinking about killing me. 1465 01:07:56,285 --> 01:07:59,037 But at that point, I was completely fearless. 1466 01:07:59,038 --> 01:08:04,000 I had lost all-all of, uh, my fear of everything 1467 01:08:04,001 --> 01:08:06,170 on the flight down to South Africa. 1468 01:08:06,587 --> 01:08:10,717 Uh, it occurred to me that I had blown my life, you know? 1469 01:08:11,092 --> 01:08:14,261 Um, 15 years of work with the E Street Band, 1470 01:08:14,262 --> 01:08:16,221 and I quit, and you know, 1471 01:08:16,222 --> 01:08:17,973 I didn't care about anything, 1472 01:08:17,974 --> 01:08:19,808 you know, at that point. 1473 01:08:19,809 --> 01:08:23,311 Uh, so that helped me, uh, you know, stand up to them, 1474 01:08:23,312 --> 01:08:26,315 'cause they were really, you know, you know... 1475 01:08:27,108 --> 01:08:28,275 fingering their machetes 1476 01:08:28,276 --> 01:08:30,110 as they're talking to me, you know? 1477 01:08:30,111 --> 01:08:33,321 I said to them, "You're not gonna win this war 1478 01:08:33,322 --> 01:08:36,616 blowing shit up, okay? And shooting people." 1479 01:08:36,617 --> 01:08:38,118 And they were like, 1480 01:08:38,119 --> 01:08:40,120 "We're not gonna win the war that way? 1481 01:08:40,121 --> 01:08:41,538 How are we gonna win?" 1482 01:08:41,539 --> 01:08:43,541 I said, "I'm gonna win the war on TV." 1483 01:08:54,385 --> 01:08:56,928 I got home and started spreading the word. 1484 01:08:56,929 --> 01:08:58,181 I needed help. 1485 01:08:58,598 --> 01:09:01,224 Steven called and said "I gotta get this idea down, 1486 01:09:01,225 --> 01:09:04,144 so he came to Ben and my apartment 1487 01:09:04,145 --> 01:09:08,732 and we recorded the "Sun City," uh, demo 1488 01:09:08,733 --> 01:09:10,484 on a four-track recorder. 1489 01:09:10,485 --> 01:09:12,319 This is, uh, Danny Schechter 1490 01:09:12,320 --> 01:09:14,488 of GlobalVision and the Media Channel. 1491 01:09:14,489 --> 01:09:17,491 There was four of us, equally important. 1492 01:09:17,492 --> 01:09:20,327 Danny Schechter, who had been a real, um, 1493 01:09:20,328 --> 01:09:21,703 rabble-rouser from way back, 1494 01:09:21,704 --> 01:09:24,206 came from Boston, and had been involved 1495 01:09:24,207 --> 01:09:26,458 with that issue years before me. 1496 01:09:26,459 --> 01:09:30,505 He was the reason why it was publicized at all. 1497 01:09:31,047 --> 01:09:33,090 Arthur Baker offered his studio, 1498 01:09:33,091 --> 01:09:35,175 and his engineers, and his musicians, 1499 01:09:35,176 --> 01:09:36,844 and the record as his phone book. 1500 01:09:37,678 --> 01:09:39,513 When Steve told me about the record, 1501 01:09:39,514 --> 01:09:42,391 I decided I wanted to get involved. 1502 01:09:42,392 --> 01:09:44,227 Hart Perry filmed it. 1503 01:09:44,769 --> 01:09:47,354 If he hadn't filmed, no one would have heard of it, 1504 01:09:47,355 --> 01:09:49,439 because American radio wouldn't play it. 1505 01:09:49,440 --> 01:09:51,274 It was too Black for white radio, 1506 01:09:51,275 --> 01:09:52,860 too white for Black radio. 1507 01:09:53,528 --> 01:09:56,363 Any one of those four guys were not involved, 1508 01:09:56,364 --> 01:09:57,697 it wouldn't have happened. 1509 01:09:57,698 --> 01:10:00,325 I said, "Steven, we should do something." 1510 01:10:00,326 --> 01:10:02,787 He said, "I've already written a song." 1511 01:10:03,204 --> 01:10:04,788 The track was really catchy. 1512 01:10:04,789 --> 01:10:07,332 And then we started just sort of brainstorming 1513 01:10:07,333 --> 01:10:09,209 who could be on the record. 1514 01:10:09,210 --> 01:10:13,171 And we get together at this, uh, Sunrise Diner 1515 01:10:13,172 --> 01:10:14,548 right on 57th Street. 1516 01:10:14,549 --> 01:10:16,341 We go in there, we'd make a list, 1517 01:10:16,342 --> 01:10:18,761 and we'd draw it on the placemat. 1518 01:10:19,345 --> 01:10:22,806 Sun City is a resort like Las Vegas 1519 01:10:22,807 --> 01:10:25,517 in the middle of what they call homelands. 1520 01:10:25,518 --> 01:10:28,478 The homelands are where the South African government 1521 01:10:28,479 --> 01:10:31,064 is relocating all the South African Blacks 1522 01:10:31,065 --> 01:10:32,733 against their will. 1523 01:10:32,734 --> 01:10:35,026 So what happens is they pay a lot of money 1524 01:10:35,027 --> 01:10:36,403 for people to come down. 1525 01:10:36,404 --> 01:10:38,405 Every time somebody goes down and plays, 1526 01:10:38,406 --> 01:10:39,740 they are justifying 1527 01:10:39,741 --> 01:10:42,033 South Africa's relocation policy. 1528 01:10:42,034 --> 01:10:45,912 ♪ We're rockers and rappers United and strong ♪ 1529 01:10:45,913 --> 01:10:48,290 ♪ We're here to talk About South Africa ♪ 1530 01:10:48,291 --> 01:10:50,125 ♪ We don't like What's going on ♪ 1531 01:10:50,126 --> 01:10:52,586 - ♪ Tell it ♪ - ♪ Time for some justice ♪ 1532 01:10:52,587 --> 01:10:54,588 - ♪ It's time for the truth ♪ - ♪ Speak it ♪ 1533 01:10:54,589 --> 01:10:56,256 ♪ We've realized ♪ 1534 01:10:56,257 --> 01:10:58,467 ♪ There's only one thing We can do ♪ 1535 01:10:58,468 --> 01:10:59,593 ♪ We gotta say I... ♪ 1536 01:10:59,594 --> 01:11:01,178 There was nothing like it. 1537 01:11:01,179 --> 01:11:02,679 Steven got together 1538 01:11:02,680 --> 01:11:04,556 with different genres of music. 1539 01:11:04,557 --> 01:11:07,100 Rockers, punk rockers, 1540 01:11:07,101 --> 01:11:09,270 rappers, R&B stars. 1541 01:11:09,645 --> 01:11:12,230 And the amount of artists that were involved. 1542 01:11:12,231 --> 01:11:13,899 I was an early Midnight Oil fan. 1543 01:11:13,900 --> 01:11:17,569 You know, Peter Garrett to Peter Gabriel to Bono. 1544 01:11:17,570 --> 01:11:20,030 God almighty, you got two of the Temptations, 1545 01:11:20,031 --> 01:11:21,782 Eddie Kendricks, David Ruffin. 1546 01:11:21,783 --> 01:11:23,909 I was always big on the Temptations, 1547 01:11:23,910 --> 01:11:26,787 so just seeing them is like seeing God. 1548 01:11:26,788 --> 01:11:29,247 I remembered Lou Reed's in the thing. 1549 01:11:29,248 --> 01:11:31,458 People will get the word eventually, but... 1550 01:11:31,459 --> 01:11:33,460 It seeps in like osmosis. 1551 01:11:33,461 --> 01:11:36,880 You could tell it was gonna be something monumental, 1552 01:11:36,881 --> 01:11:38,256 because of who was there, 1553 01:11:38,257 --> 01:11:40,384 and the main thing, why they was there, 1554 01:11:40,385 --> 01:11:42,052 and everybody's passion 1555 01:11:42,053 --> 01:11:44,179 for what the project stood for. 1556 01:11:44,180 --> 01:11:46,556 We should impose sanctions. 1557 01:11:46,557 --> 01:11:49,351 The only sanction a rock performer can impose 1558 01:11:49,352 --> 01:11:51,603 is to say, "We're not gonna come and play 1559 01:11:51,604 --> 01:11:53,481 until you do things right." 1560 01:11:53,940 --> 01:11:57,067 This country prides itself in being the land of the free. 1561 01:11:57,068 --> 01:11:58,443 We should be able to understand 1562 01:11:58,444 --> 01:11:59,986 most people who want to be free, 1563 01:11:59,987 --> 01:12:01,154 and support them. 1564 01:12:01,155 --> 01:12:02,697 This is a continuation 1565 01:12:02,698 --> 01:12:06,201 of what I've preached all my life about Apartheid. 1566 01:12:06,202 --> 01:12:09,121 It fills me full of joy to participate. 1567 01:12:09,122 --> 01:12:11,498 I had a call from Steven, he said, 1568 01:12:11,499 --> 01:12:13,458 "This is how I heard about 1569 01:12:13,459 --> 01:12:15,001 what was going on in South Africa." 1570 01:12:15,002 --> 01:12:17,629 It wasn't "Let's all hold hands, drink Coca-Cola 1571 01:12:17,630 --> 01:12:19,256 and say the word peace." 1572 01:12:19,257 --> 01:12:21,925 It was about actually there's something wrong 1573 01:12:21,926 --> 01:12:23,593 that we need to fix. 1574 01:12:23,594 --> 01:12:25,554 Rage is at the heart of rock and roll, 1575 01:12:25,555 --> 01:12:27,514 and you can direct it at the people 1576 01:12:27,515 --> 01:12:29,141 who are oppressing you, 1577 01:12:29,142 --> 01:12:30,767 or you can direct it at people 1578 01:12:30,768 --> 01:12:32,895 who are oppressing other people, 1579 01:12:33,479 --> 01:12:35,898 who can live in far-off lands. 1580 01:12:36,399 --> 01:12:38,984 As a Black South African, I cannot vote. 1581 01:12:38,985 --> 01:12:42,279 And as a Black South African, I cannot own land. 1582 01:12:42,280 --> 01:12:44,698 As a Black South African, 1583 01:12:44,699 --> 01:12:47,200 I am not allowed to get married 1584 01:12:47,201 --> 01:12:49,370 to someone from another city. 1585 01:12:49,704 --> 01:12:52,414 So, you know, from the cradle to the grave, 1586 01:12:52,415 --> 01:12:54,040 if you're Black in South Africa, 1587 01:12:54,041 --> 01:12:56,335 you need government permission to exist. 1588 01:12:57,211 --> 01:12:59,671 I think people will sit and listen. 1589 01:12:59,672 --> 01:13:02,007 Nobody is really aware 1590 01:13:02,008 --> 01:13:04,426 of everything that's going on in South Africa, 1591 01:13:04,427 --> 01:13:07,095 and I think this will make people really aware. 1592 01:13:07,096 --> 01:13:08,722 It wasn't about egos or anything. 1593 01:13:08,723 --> 01:13:10,640 We were just all happy to do it. 1594 01:13:10,641 --> 01:13:12,309 With everybody on that album, 1595 01:13:12,310 --> 01:13:13,894 it's completely different voices, 1596 01:13:13,895 --> 01:13:17,064 and different temperaments, and everybody fit in. 1597 01:13:17,065 --> 01:13:19,566 ♪ Relocation ♪ 1598 01:13:19,567 --> 01:13:21,568 ♪ To phony homelands ♪ 1599 01:13:21,569 --> 01:13:25,281 ♪ Separation of families I can't understand ♪ 1600 01:13:25,865 --> 01:13:29,701 ♪ 23 million can't vote Because they're Black ♪ 1601 01:13:29,702 --> 01:13:33,580 ♪ We're stabbing our brothers And sisters in the back ♪ 1602 01:13:33,581 --> 01:13:34,956 ♪ We're gonna say I ♪ 1603 01:13:34,957 --> 01:13:36,958 ♪ I, I, I, I ♪ 1604 01:13:36,959 --> 01:13:40,755 ♪ Ain't gonna play Sun City... ♪ 1605 01:13:41,339 --> 01:13:42,464 I'll try and cue you. 1606 01:13:42,465 --> 01:13:44,341 There's a part where there's na-na's. 1607 01:13:44,342 --> 01:13:45,759 Na-na. 1608 01:13:45,760 --> 01:13:47,594 ♪ Na-na na-na-na na ♪ 1609 01:13:47,595 --> 01:13:49,514 ♪ Na-na-na, yeah ♪ 1610 01:13:49,847 --> 01:13:52,015 ♪ Well this quiet diplomacy ♪ 1611 01:13:52,016 --> 01:13:55,436 ♪ Ain't nothing but a joke I'm gonna say ♪ 1612 01:13:56,187 --> 01:13:58,605 The ability to get all those artists on board, 1613 01:13:58,606 --> 01:14:00,732 something that was political, 1614 01:14:00,733 --> 01:14:03,360 was quite a feat of, amongst many other things, 1615 01:14:03,361 --> 01:14:04,861 salesmanship. 1616 01:14:04,862 --> 01:14:07,406 Which Steve is pretty good at. 1617 01:14:07,407 --> 01:14:08,782 - All this... - Thank you. 1618 01:14:08,783 --> 01:14:11,201 ...is a Little Steven production. 1619 01:14:11,202 --> 01:14:12,744 I'm still impressed how he gathered 1620 01:14:12,745 --> 01:14:14,788 all of these different people together, 1621 01:14:14,789 --> 01:14:17,791 and everybody at that time was in their prime. 1622 01:14:17,792 --> 01:14:21,044 On the day that we recorded Miles Davis, 1623 01:14:21,045 --> 01:14:23,922 we were not sure that he was even coming. 1624 01:14:23,923 --> 01:14:26,341 And we were all on pins and needles, 1625 01:14:26,342 --> 01:14:27,677 and then I get the call. 1626 01:14:28,052 --> 01:14:30,220 One of those magical times in the studio 1627 01:14:30,221 --> 01:14:31,639 that become part of your life. 1628 01:14:37,311 --> 01:14:39,354 This, I'm jumping at the chance 1629 01:14:39,355 --> 01:14:41,065 to do this, this one. 1630 01:14:41,357 --> 01:14:43,316 South Africa makes me ill, 1631 01:14:43,317 --> 01:14:46,528 sick all over, everything. 1632 01:14:46,529 --> 01:14:48,655 When I think about it, I can't do nothing. 1633 01:14:48,656 --> 01:14:50,324 I can't even play. 1634 01:14:59,876 --> 01:15:02,461 There will be a lot of different versions 1635 01:15:02,462 --> 01:15:04,046 on the, uh, on the record. 1636 01:15:04,047 --> 01:15:07,007 It could be either five or six versions. 1637 01:15:07,008 --> 01:15:08,842 The more great performances we get, 1638 01:15:08,843 --> 01:15:10,510 the more versions. 1639 01:15:10,511 --> 01:15:11,720 And it turned out 1640 01:15:11,721 --> 01:15:13,889 that six versions of "Sun City" 1641 01:15:13,890 --> 01:15:17,934 were produced simply out of the creative process. 1642 01:15:17,935 --> 01:15:20,937 And then Bono flew in from Africa, 1643 01:15:20,938 --> 01:15:24,274 and Keith Richards was around, Ron Wood, 1644 01:15:24,275 --> 01:15:25,567 and their last song, 1645 01:15:25,568 --> 01:15:27,987 called "Silver and Gold," was created. 1646 01:15:28,404 --> 01:15:31,073 You know, the dirty little secret here 1647 01:15:31,074 --> 01:15:35,494 is none of us wants to get that call, 1648 01:15:35,495 --> 01:15:38,538 where the other artist is going to ask you 1649 01:15:38,539 --> 01:15:40,373 to put down what you were doing 1650 01:15:40,374 --> 01:15:42,334 to take up their cross, 1651 01:15:42,335 --> 01:15:45,379 to follow them on some mission. 1652 01:15:45,380 --> 01:15:48,049 He corralled all of us. 1653 01:15:48,508 --> 01:15:50,967 Steven understood that perhaps 1654 01:15:50,968 --> 01:15:54,639 that rock 'n' roll owed a debt to the continent of Africa. 1655 01:16:03,523 --> 01:16:05,107 The Malopoets, 1656 01:16:05,108 --> 01:16:06,733 uh, have some members 1657 01:16:06,734 --> 01:16:08,568 that still live in South Africa, 1658 01:16:08,569 --> 01:16:10,070 and I asked them, uh... 1659 01:16:10,071 --> 01:16:12,989 It could be dangerous to be on this record. 1660 01:16:12,990 --> 01:16:15,534 Who knows what reprisals may happen. 1661 01:16:15,535 --> 01:16:18,329 They told me, "We have to be on this record." 1662 01:16:18,913 --> 01:16:20,831 Somebody tells you they're ready to die 1663 01:16:20,832 --> 01:16:22,792 to be on a record, you know... 1664 01:16:23,793 --> 01:16:24,919 that's commitment. 1665 01:16:25,253 --> 01:16:28,714 Though the Black South African suffering is horrifying, 1666 01:16:28,715 --> 01:16:31,217 they do not ask us for our pity. 1667 01:16:31,926 --> 01:16:35,638 All they ask us is that we look at them and see them, 1668 01:16:36,013 --> 01:16:38,765 because by seeing them, we see ourselves. 1669 01:16:38,766 --> 01:16:41,435 Okay, well you should come in on the first "I." 1670 01:16:41,436 --> 01:16:44,354 Jonathan Demme, who shot the thing, 1671 01:16:44,355 --> 01:16:47,023 was just the A-1 cat. 1672 01:16:47,024 --> 01:16:49,443 Shooting on the video is happening 1673 01:16:49,444 --> 01:16:51,236 in two countries at once, 1674 01:16:51,237 --> 01:16:53,697 um, England and America, and on two coasts, 1675 01:16:53,698 --> 01:16:55,867 New York and California. 1676 01:16:56,284 --> 01:16:57,576 It was planned to bring 1677 01:16:57,577 --> 01:16:59,578 this huge number of artists into town, 1678 01:16:59,579 --> 01:17:01,788 and to gather them together some way or other 1679 01:17:01,789 --> 01:17:03,957 to, um, do a-a unity, 1680 01:17:03,958 --> 01:17:06,251 a unified image of everybody singing together. 1681 01:17:06,252 --> 01:17:09,171 And, um, the night before we had to shoot, 1682 01:17:09,172 --> 01:17:10,922 Little Steven had the great idea 1683 01:17:10,923 --> 01:17:12,966 of doing it in Washington Square. 1684 01:17:12,967 --> 01:17:15,385 All this was happening at once. On one day, 1685 01:17:15,386 --> 01:17:16,887 Godley and Creme were shooting 1686 01:17:16,888 --> 01:17:18,805 Ringo and Zak Starr in London, 1687 01:17:18,806 --> 01:17:20,849 while we were shooting Eddie Kendrick, 1688 01:17:20,850 --> 01:17:23,518 and Lou Reed, and Rubén Blades, in New York. 1689 01:17:23,519 --> 01:17:25,687 And then the next day, 1690 01:17:25,688 --> 01:17:27,105 Hart Perry went out to Los Angeles 1691 01:17:27,106 --> 01:17:29,775 to get Bob Dylan and Jackson Browne. 1692 01:17:29,776 --> 01:17:32,069 - ♪ Relocation ♪ - ♪ Relocation ♪ 1693 01:17:32,070 --> 01:17:34,362 - ♪ To phony homelands ♪ - ♪ Phony homelands... ♪ 1694 01:17:34,363 --> 01:17:35,489 George Clinton, 1695 01:17:35,490 --> 01:17:36,656 who's incredible in the piece. 1696 01:17:36,657 --> 01:17:38,658 I'm glad it's becoming more clear 1697 01:17:38,659 --> 01:17:39,993 what's going on over there. 1698 01:17:39,994 --> 01:17:41,828 So maybe the awareness will help 1699 01:17:41,829 --> 01:17:44,039 make a change there, I'm quite sure it will. 1700 01:17:44,040 --> 01:17:48,085 Actually, I was making music videos at the time, 1701 01:17:48,086 --> 01:17:50,170 and I figured, "Wow, you know, uh, 1702 01:17:50,171 --> 01:17:53,048 this is like a music documentary. 1703 01:17:53,049 --> 01:17:56,219 I'll take my camera and just start shooting." 1704 01:17:57,136 --> 01:17:59,346 Steve says, "Here comes Bruce now." 1705 01:17:59,347 --> 01:18:00,847 So now I'm expecting to see 1706 01:18:00,848 --> 01:18:03,517 like, a whole entourage, 1707 01:18:03,518 --> 01:18:04,893 and bodyguards, 1708 01:18:04,894 --> 01:18:06,812 and he came around the corner 1709 01:18:06,813 --> 01:18:09,106 by himself, hands in his pocket. 1710 01:18:09,107 --> 01:18:11,650 I was like, "Wow, that's big right there." 1711 01:18:11,651 --> 01:18:14,027 And he was hot as a firecracker, you know? 1712 01:18:14,028 --> 01:18:16,947 It wasn't glossy, it wasn't showbiz-y. 1713 01:18:16,948 --> 01:18:18,865 He really consciously kept it 1714 01:18:18,866 --> 01:18:22,160 with "We don't need this to go to Hollywood," 1715 01:18:22,161 --> 01:18:24,663 'cause we go Hollywood, you miss the point. 1716 01:18:24,664 --> 01:18:27,541 So when you edit like Harlem streets, 1717 01:18:27,542 --> 01:18:30,627 and then you go and edit some of the African streets, 1718 01:18:30,628 --> 01:18:34,381 it almost match, you know, with that same type of vibe 1719 01:18:34,382 --> 01:18:36,216 and that grittiness. 1720 01:18:36,217 --> 01:18:39,720 You know, back in the days, like, if you go to school, 1721 01:18:39,721 --> 01:18:41,596 and somebody call you an African, 1722 01:18:41,597 --> 01:18:43,515 you would be ready to fight them. 1723 01:18:43,516 --> 01:18:45,058 Because what they had put in all 1724 01:18:45,059 --> 01:18:46,685 the history books and stuff, 1725 01:18:46,686 --> 01:18:48,895 they made all Africans look like savages. 1726 01:18:48,896 --> 01:18:50,981 So if somebody say, "Yo, you an African," 1727 01:18:50,982 --> 01:18:53,567 it was like somebody talking about your mother. 1728 01:18:53,568 --> 01:18:55,068 That's the race thing. 1729 01:18:55,069 --> 01:18:57,863 It's like a con job, but they made Black people 1730 01:18:57,864 --> 01:19:00,574 the main focus of what the con is, you know? 1731 01:19:00,575 --> 01:19:02,284 'Cause for me, I believe in my heart 1732 01:19:02,285 --> 01:19:04,953 there's really only one race, it's the human race. 1733 01:19:04,954 --> 01:19:06,913 Everything else is like a con game, 1734 01:19:06,914 --> 01:19:09,291 and they, and it works perfectly. 1735 01:19:09,292 --> 01:19:12,753 But, uh, if you're-if you're at the bottom of the con, 1736 01:19:12,754 --> 01:19:15,923 I mean... It's not all that great. 1737 01:19:16,799 --> 01:19:19,259 MTV was pretty segregated. 1738 01:19:19,260 --> 01:19:21,178 You didn't see R&B artists on there. 1739 01:19:21,179 --> 01:19:23,055 You didn't see rap artists on there. 1740 01:19:23,056 --> 01:19:25,098 And when Steven pulled this together, 1741 01:19:25,099 --> 01:19:26,850 it was really ahead of the curve. 1742 01:19:26,851 --> 01:19:29,102 He was just including everyone. 1743 01:19:29,103 --> 01:19:30,937 Hip hop would be over here, 1744 01:19:30,938 --> 01:19:33,148 you know, rock and roll would be over there. 1745 01:19:33,149 --> 01:19:35,609 Hip hop was more this like the bastard music 1746 01:19:35,610 --> 01:19:37,027 of all the genres. 1747 01:19:37,028 --> 01:19:38,945 We all know what each other's doing, 1748 01:19:38,946 --> 01:19:40,363 but we looking at each other, 1749 01:19:40,364 --> 01:19:42,741 'cause we come from different walks of life. 1750 01:19:42,742 --> 01:19:44,242 Whenever they do these things, 1751 01:19:44,243 --> 01:19:47,162 and this happens unfortunately very frequently, 1752 01:19:47,163 --> 01:19:51,250 they're doing a project that has an international impact, 1753 01:19:51,626 --> 01:19:53,294 they don't call Latin artists. 1754 01:19:53,878 --> 01:19:55,463 "We Are the World." 1755 01:19:56,214 --> 01:19:59,049 You know, "We are the world, except you." 1756 01:19:59,050 --> 01:20:01,051 We all have to be represented. 1757 01:20:01,052 --> 01:20:02,886 Whatever problem exists, 1758 01:20:02,887 --> 01:20:05,514 it's not just one nationality's problem. 1759 01:20:05,515 --> 01:20:06,973 It's everyone's problem. 1760 01:20:06,974 --> 01:20:08,725 It's a good moment for us 1761 01:20:08,726 --> 01:20:09,935 to look at the racism 1762 01:20:09,936 --> 01:20:11,978 and the prejudice that still exists 1763 01:20:11,979 --> 01:20:13,271 in our own backyard. 1764 01:20:13,272 --> 01:20:15,524 It's a moment we should reinvestigate 1765 01:20:15,525 --> 01:20:17,067 our own racial problems. 1766 01:20:17,068 --> 01:20:19,444 People try to put it across as propaganda, 1767 01:20:19,445 --> 01:20:22,239 that it's the left or right. This is apolitical. 1768 01:20:22,240 --> 01:20:24,449 Doesn't matter what side. It's common sense. 1769 01:20:24,450 --> 01:20:28,413 It was like the whole music industry came together. 1770 01:20:28,871 --> 01:20:30,997 It was almost like you felt you belonged. 1771 01:20:30,998 --> 01:20:33,500 ♪ Oh whoa whoa whoa ♪ 1772 01:20:33,501 --> 01:20:36,169 ♪ Na-na na-na-na ♪ 1773 01:20:36,170 --> 01:20:39,172 ♪ Na-na-na yeah ♪ 1774 01:20:39,173 --> 01:20:41,717 The whole band, you know, the E Street Band, 1775 01:20:41,718 --> 01:20:43,301 he felt that all these people 1776 01:20:43,302 --> 01:20:45,637 would be on the right side of history. 1777 01:20:45,638 --> 01:20:47,264 What separated Little Steven 1778 01:20:47,265 --> 01:20:50,226 was some kind of righteous anger. 1779 01:20:50,727 --> 01:20:52,227 Steven was really informed 1780 01:20:52,228 --> 01:20:54,896 and very outspoken about apartheid. 1781 01:20:54,897 --> 01:20:56,398 He spoke at the United Nations, 1782 01:20:56,399 --> 01:20:59,318 and I remember him going on the Donahue show. 1783 01:20:59,944 --> 01:21:02,195 We're in New York City talking about "Sun City," 1784 01:21:02,196 --> 01:21:05,157 the most politically aggressive maneuver 1785 01:21:05,158 --> 01:21:07,159 in the history of rock 'n' roll. 1786 01:21:07,160 --> 01:21:10,537 That video is totally misrepresentative 1787 01:21:10,538 --> 01:21:11,830 of the true facts. 1788 01:21:11,831 --> 01:21:14,791 Why should Sun City then be linked 1789 01:21:14,792 --> 01:21:17,044 with what you saw up there? 1790 01:21:17,045 --> 01:21:19,838 Let's get to the truth now. We wanna talk about truth. 1791 01:21:19,839 --> 01:21:21,966 Uh, this is the truth. 1792 01:21:22,717 --> 01:21:24,593 It's not Sun City itself, 1793 01:21:24,594 --> 01:21:27,262 the entertainment complex that's the problem. 1794 01:21:27,263 --> 01:21:29,723 It's where it is, and where it is 1795 01:21:29,724 --> 01:21:32,059 is where people are not free 1796 01:21:32,060 --> 01:21:33,685 to go where they want to go. 1797 01:21:33,686 --> 01:21:34,895 They're there because 1798 01:21:34,896 --> 01:21:36,521 they have been relocated forcibly. 1799 01:21:36,522 --> 01:21:37,898 They've been put on a truck, 1800 01:21:37,899 --> 01:21:40,067 and taken hundreds of miles from their home, 1801 01:21:40,068 --> 01:21:43,403 and dropped in this area, and they cannot leave. 1802 01:21:43,404 --> 01:21:45,322 They cannot get visas or passports, 1803 01:21:45,323 --> 01:21:46,907 their citizenship has been stripped. 1804 01:21:46,908 --> 01:21:48,450 And no one in the world 1805 01:21:48,451 --> 01:21:50,535 recognizes this as an independent country, 1806 01:21:50,536 --> 01:21:52,913 except for the South African government. 1807 01:21:52,914 --> 01:21:54,581 The single has sold well 1808 01:21:54,582 --> 01:21:56,166 since its release yesterday, 1809 01:21:56,167 --> 01:21:58,085 and is getting a lot of radio play. 1810 01:21:58,086 --> 01:21:59,961 We asked the people at Tower Records 1811 01:21:59,962 --> 01:22:02,589 to play "Sun City." Customers listen to lyrics 1812 01:22:02,590 --> 01:22:06,301 such as "23 million can't vote because they're Black, 1813 01:22:06,302 --> 01:22:09,137 we're stabbing our brothers and sisters in the back." 1814 01:22:09,138 --> 01:22:11,181 Some of the lyrics are a little critical, 1815 01:22:11,182 --> 01:22:13,725 and when you're dealing with the public, 1816 01:22:13,726 --> 01:22:15,143 you have to be careful. 1817 01:22:15,144 --> 01:22:17,605 - Would you buy this song? - Yes, I would. 1818 01:22:18,398 --> 01:22:21,400 ♪ Quiet diplomacy Ain't nothing but a joke ♪ 1819 01:22:21,401 --> 01:22:25,195 - ♪ We're gonna say ♪ - ♪ I, I, I, I ♪ 1820 01:22:25,196 --> 01:22:27,948 ♪ Ain't gonna play Sun City ♪ 1821 01:22:27,949 --> 01:22:30,951 ♪ Hey, hey, hey, hey, I... ♪ 1822 01:22:30,952 --> 01:22:33,245 The system of apartheid, it's not recognized 1823 01:22:33,246 --> 01:22:35,038 by any government in the world, 1824 01:22:35,039 --> 01:22:36,540 except South Africa. 1825 01:22:36,541 --> 01:22:37,625 It's like Nazism. 1826 01:22:38,668 --> 01:22:40,795 The song, "Sun City" 1827 01:22:41,129 --> 01:22:42,796 is an affirmation of the resolve 1828 01:22:42,797 --> 01:22:44,548 of the community of artists 1829 01:22:44,549 --> 01:22:46,174 to contribute to awakening 1830 01:22:46,175 --> 01:22:48,677 the public's social consciousness, 1831 01:22:48,678 --> 01:22:50,429 to put an end to this inhuman 1832 01:22:50,430 --> 01:22:54,100 and totally unacceptable policy. 1833 01:22:54,934 --> 01:22:57,018 It was an incredible creation. 1834 01:22:57,019 --> 01:22:59,521 In my opinion, it's a very historic piece of music 1835 01:22:59,522 --> 01:23:02,107 that really, I think, had an effect on apartheid, 1836 01:23:02,108 --> 01:23:04,151 and the way it was seen around the world. 1837 01:23:04,152 --> 01:23:06,528 We have Band Aid, we've had USA For Africa, 1838 01:23:06,529 --> 01:23:07,487 we had Live Aid, 1839 01:23:07,488 --> 01:23:08,989 Artists United Against Apartheid, 1840 01:23:08,990 --> 01:23:10,449 Farm Aid, Fashion Aid. 1841 01:23:10,450 --> 01:23:11,742 You think there might be 1842 01:23:11,743 --> 01:23:13,201 too many aid records? 1843 01:23:13,202 --> 01:23:15,662 No, I think-I think, um, 1844 01:23:15,663 --> 01:23:17,164 as long as there's injustice 1845 01:23:17,165 --> 01:23:20,709 and problems in the world, we should talk about them, 1846 01:23:20,710 --> 01:23:23,504 and rock and roll is the best communication we have. 1847 01:23:28,217 --> 01:23:30,343 Ronnie Reagan can't hear that, come on. 1848 01:23:30,344 --> 01:23:32,054 There's a political element 1849 01:23:32,055 --> 01:23:33,555 in rock and roll anyway. 1850 01:23:33,556 --> 01:23:34,848 It is you saying, 1851 01:23:34,849 --> 01:23:36,183 "I'm doing this 1852 01:23:36,184 --> 01:23:37,559 no matter what people think." 1853 01:23:37,560 --> 01:23:40,020 But when he started to actually do things, 1854 01:23:40,021 --> 01:23:42,856 and say things about politics, 1855 01:23:42,857 --> 01:23:44,691 he politicized rock and roll. 1856 01:23:44,692 --> 01:23:46,652 We've been quiet too long. 1857 01:23:47,278 --> 01:23:49,447 We've been patient too long. 1858 01:23:53,409 --> 01:23:56,036 We the people will no longer tolerate 1859 01:23:56,037 --> 01:23:57,496 the terrorism 1860 01:23:57,497 --> 01:24:00,416 of the government of South Africa. 1861 01:24:00,833 --> 01:24:02,335 Tell 'em, Steve. 1862 01:24:05,254 --> 01:24:06,923 We'll no longer do business 1863 01:24:07,382 --> 01:24:08,632 with those who do business 1864 01:24:08,633 --> 01:24:11,134 with the terrorist government of South Africa. 1865 01:24:11,135 --> 01:24:13,470 The fact he's partially responsible for 1866 01:24:13,471 --> 01:24:15,389 bringing down a government is extraordinary. 1867 01:24:15,390 --> 01:24:18,434 I don't know if anybody talks about that anymore. 1868 01:24:18,810 --> 01:24:21,646 We the people demand 1869 01:24:22,063 --> 01:24:24,899 the unconditional release of Nelson Mandela. 1870 01:24:27,735 --> 01:24:31,697 We always knew he had a kind of feistiness. 1871 01:24:32,407 --> 01:24:34,617 The surprise was how organized he was. 1872 01:24:37,662 --> 01:24:39,788 ♪ Na-na na-na-na ♪ 1873 01:24:39,789 --> 01:24:41,915 ♪ Na-na-na yeah ♪ 1874 01:24:41,916 --> 01:24:45,043 ♪ Yeah yeah yeah ♪ 1875 01:24:45,044 --> 01:24:47,003 ♪ Na-na na-na-na ♪ 1876 01:24:47,004 --> 01:24:49,924 ♪ Na-na-na yeah ♪ 1877 01:24:56,097 --> 01:25:00,434 Keep the pressure on! 1878 01:25:00,435 --> 01:25:03,270 And I didn't know about apartheid, I was 12, 13, 1879 01:25:03,271 --> 01:25:06,315 and I learned about it because I saw that video. 1880 01:25:07,191 --> 01:25:09,234 There was a bill passed 1881 01:25:09,235 --> 01:25:11,319 um, in the Congress, 1882 01:25:11,320 --> 01:25:13,280 the Anti-Apartheid Act, 1883 01:25:13,281 --> 01:25:16,032 and it was essentially economic sanctions 1884 01:25:16,033 --> 01:25:17,909 against South Africa, 1885 01:25:17,910 --> 01:25:20,579 until they ended apartheid, 1886 01:25:20,580 --> 01:25:23,081 and it was vetoed by Ronald Reagan. 1887 01:25:23,082 --> 01:25:24,374 Steve called me, 1888 01:25:24,375 --> 01:25:26,460 and he knew what the situation was. 1889 01:25:26,461 --> 01:25:28,962 The Congress was now gonna vote 1890 01:25:28,963 --> 01:25:31,298 to override the veto, or not. 1891 01:25:31,299 --> 01:25:34,092 To override one of his vetoes was, 1892 01:25:34,093 --> 01:25:36,386 uh, quite a, quite a challenge. 1893 01:25:36,387 --> 01:25:37,637 He stepped forward, said, 1894 01:25:37,638 --> 01:25:39,473 "I'm gonna be part of that process," 1895 01:25:39,474 --> 01:25:42,142 and he came down, and made persuasive cases 1896 01:25:42,143 --> 01:25:43,477 to a number of senators, 1897 01:25:43,478 --> 01:25:46,521 and it's very impressive we succeeded. 1898 01:25:46,522 --> 01:25:49,484 We overrode the president's veto. 1899 01:25:49,901 --> 01:25:52,903 And that was the end. Once the banks cut them off, 1900 01:25:52,904 --> 01:25:54,864 they had to let Mandela out of jail. 1901 01:25:57,658 --> 01:26:00,327 There's Mr. Nelson Mandela, 1902 01:26:00,328 --> 01:26:04,082 a free man, taking his first steps 1903 01:26:04,499 --> 01:26:06,584 into a new South Africa. 1904 01:26:09,128 --> 01:26:11,046 It was the most thrilling moment of my life. 1905 01:26:11,047 --> 01:26:12,631 Mandela came here. 1906 01:26:12,632 --> 01:26:15,342 There was a whole celebration for Nelson Mandela 1907 01:26:15,343 --> 01:26:16,927 at the Tribeca Grill. 1908 01:26:16,928 --> 01:26:20,013 So Robert De Niro was there, like everybody was there. 1909 01:26:20,014 --> 01:26:23,976 Steven is really the-the, uh... 1910 01:26:24,852 --> 01:26:28,355 the person who started this, the whole thing here, 1911 01:26:28,356 --> 01:26:30,941 and I thank him, and we all thank him. 1912 01:26:30,942 --> 01:26:32,985 And we can tell 1913 01:26:33,361 --> 01:26:35,530 the movie companies we work for 1914 01:26:35,905 --> 01:26:39,200 we do not want our films to be distributed in South Africa. 1915 01:26:40,576 --> 01:26:44,663 We can... we can tell the record companies 1916 01:26:44,664 --> 01:26:46,665 we don't want our records to be sold. 1917 01:26:46,666 --> 01:26:50,460 We have power, and we have to take advantage of it. 1918 01:26:50,461 --> 01:26:52,714 Little Steven, ladies and gentlemen. 1919 01:26:59,429 --> 01:27:01,388 Ladies and gentlemen, Deputy President 1920 01:27:01,389 --> 01:27:03,558 of the African National Congress, 1921 01:27:03,933 --> 01:27:04,976 Nelson Mandela. 1922 01:27:09,230 --> 01:27:10,605 I never felt that before. 1923 01:27:10,606 --> 01:27:14,736 You know, like, he had, like, an aura, you know? 1924 01:27:15,069 --> 01:27:18,823 Of-of a... of spirituality. 1925 01:27:19,532 --> 01:27:22,284 My mother and I got to meet him. Wonderful man, 1926 01:27:22,285 --> 01:27:25,538 who said, "You must be very proud of your brother." 1927 01:27:27,498 --> 01:27:29,708 And now I'm gonna cry. 1928 01:27:29,709 --> 01:27:32,544 That's impressive. Politicians can't do that, 1929 01:27:32,545 --> 01:27:34,087 presidents can't do that. 1930 01:27:34,088 --> 01:27:37,257 But he did pull all those people together 1931 01:27:37,258 --> 01:27:40,093 and made a change in the world. 1932 01:27:40,094 --> 01:27:41,678 That is the way to go. 1933 01:27:41,679 --> 01:27:44,890 Indeed, years later, that's exactly the way I went. 1934 01:27:44,891 --> 01:27:49,227 I followed him right down those marbled halls 1935 01:27:49,228 --> 01:27:51,855 and through those oak doors, 1936 01:27:51,856 --> 01:27:54,107 and made my own case, 1937 01:27:54,108 --> 01:27:56,193 um, against extreme poverty. 1938 01:27:56,194 --> 01:27:57,779 But I followed his example. 1939 01:27:58,154 --> 01:28:00,113 A lot of people, especially once we did 1940 01:28:00,114 --> 01:28:01,239 the "Sun City" thing, 1941 01:28:01,240 --> 01:28:03,575 you know, started to connect, 1942 01:28:03,576 --> 01:28:07,037 you know, the whole rock music to politics. 1943 01:28:07,038 --> 01:28:08,538 It was starting to reach people 1944 01:28:08,539 --> 01:28:10,833 in the way I was hoping to reach them. 1945 01:28:11,209 --> 01:28:14,211 The song itself was an irrefutable jam 1946 01:28:14,212 --> 01:28:15,712 that featured perhaps the most 1947 01:28:15,713 --> 01:28:18,048 revolutionary gathering of musicians 1948 01:28:18,049 --> 01:28:20,092 ever heard on a recording. 1949 01:28:20,093 --> 01:28:21,843 It was an inspired song, 1950 01:28:21,844 --> 01:28:23,303 an inspired video, 1951 01:28:23,304 --> 01:28:25,222 and it inspired American youth 1952 01:28:25,223 --> 01:28:26,973 who were part of the global movement, 1953 01:28:26,974 --> 01:28:30,018 which eventually pressured apartheid out of existence. 1954 01:28:30,019 --> 01:28:32,062 For me and most people I know, 1955 01:28:32,063 --> 01:28:33,480 music did that. 1956 01:28:33,481 --> 01:28:35,065 You know, we came up in a time 1957 01:28:35,066 --> 01:28:37,984 of the Live Aid concerts, the Amnesty International, 1958 01:28:37,985 --> 01:28:40,320 and I know there were predecessors to that. 1959 01:28:40,321 --> 01:28:43,073 Whether it be George Harrison or Pete Seeger, 1960 01:28:43,074 --> 01:28:44,574 this was a formative time, 1961 01:28:44,575 --> 01:28:46,702 and it had a huge impact on me. 1962 01:28:48,663 --> 01:28:50,497 We got something going on in America 1963 01:28:50,498 --> 01:28:52,375 that they're calling... 1964 01:28:53,167 --> 01:28:55,086 "New Patriotism," you know? 1965 01:28:56,254 --> 01:28:57,880 But, uh... 1966 01:28:58,631 --> 01:29:01,258 It don't look like no new patriotism to me. 1967 01:29:01,259 --> 01:29:04,137 It looks like blind nationalism, you know? 1968 01:29:06,013 --> 01:29:09,474 That ain't right. That ain't what patriotism is all about. 1969 01:29:09,475 --> 01:29:12,394 My friend had a copy, on one of those Beta tapes, 1970 01:29:12,395 --> 01:29:14,104 of a performance they did 1971 01:29:14,105 --> 01:29:16,524 on a German show called Rock Palace. 1972 01:29:17,567 --> 01:29:18,859 And I remember it 1973 01:29:18,860 --> 01:29:21,111 because he did a great introduction 1974 01:29:21,112 --> 01:29:22,654 to the song "I'm a Patriot," 1975 01:29:22,655 --> 01:29:26,116 where he talked about early onset nationalism 1976 01:29:26,117 --> 01:29:27,702 back in the States. 1977 01:29:28,369 --> 01:29:30,328 Being a good patriot means you question 1978 01:29:30,329 --> 01:29:33,750 every motherfucker everywhere every time. 1979 01:29:35,918 --> 01:29:37,961 It sure ain't about parties, you know? 1980 01:29:37,962 --> 01:29:41,174 Loyalty to the party instead of loyalty to the truth. 1981 01:29:42,717 --> 01:29:46,428 He understands the need to utilize 1982 01:29:46,429 --> 01:29:49,973 music not just as a means for escape reality, 1983 01:29:49,974 --> 01:29:53,560 but to document it, and/or confront it. 1984 01:29:53,561 --> 01:29:55,562 Especially Steven, at a time when, 1985 01:29:55,563 --> 01:29:58,273 you know, Reagan and all that stuff was in America, 1986 01:29:58,274 --> 01:30:00,442 like to go to that direction, it's brave. 1987 01:30:00,443 --> 01:30:03,236 ♪ Listen I ain't no communist ♪ 1988 01:30:03,237 --> 01:30:04,529 ♪ Yeah ♪ 1989 01:30:04,530 --> 01:30:06,364 ♪ I ain't no capitalist ♪ 1990 01:30:06,365 --> 01:30:07,491 ♪ Yeah ♪ 1991 01:30:07,492 --> 01:30:08,950 ♪ I ain't no socialist ♪ 1992 01:30:08,951 --> 01:30:09,993 ♪ Yeah ♪ 1993 01:30:09,994 --> 01:30:12,079 ♪ I sure ain't No imperialist ♪ 1994 01:30:12,080 --> 01:30:13,246 ♪ Yeah ♪ 1995 01:30:13,247 --> 01:30:14,790 ♪ I ain't no Democrat ♪ 1996 01:30:14,791 --> 01:30:15,916 ♪ Yeah ♪ 1997 01:30:15,917 --> 01:30:18,461 ♪ I sure ain't no Fucking Republican ♪ 1998 01:30:18,836 --> 01:30:21,254 ♪ I only know one party ♪ 1999 01:30:21,255 --> 01:30:24,091 ♪ Its name is freedom ♪ 2000 01:30:24,092 --> 01:30:26,510 ♪ Say it, I am ♪ 2001 01:30:26,511 --> 01:30:30,263 ♪ I am, I am ♪ 2002 01:30:30,264 --> 01:30:33,141 ♪ I am a patriot ♪ 2003 01:30:33,142 --> 01:30:36,770 I used to be part of little benefits in San Diego, 2004 01:30:36,771 --> 01:30:39,689 I was working a midnight shift security job, 2005 01:30:39,690 --> 01:30:43,611 and that was one of the songs that really could connect. 2006 01:30:44,028 --> 01:30:46,863 ♪ And the river shall open For the righteous ♪ 2007 01:30:46,864 --> 01:30:49,741 ♪ And the river shall open For the righteous... ♪ 2008 01:30:49,742 --> 01:30:52,119 So I kind of dissected the song 2009 01:30:52,120 --> 01:30:54,704 and made a version of it. 2010 01:30:54,705 --> 01:30:57,457 ♪ I was walking ♪ 2011 01:30:57,458 --> 01:31:00,210 ♪ With my brother ♪ 2012 01:31:00,211 --> 01:31:03,171 ♪ And he wondered ♪ 2013 01:31:03,172 --> 01:31:05,799 ♪ Oh, how I am ♪ 2014 01:31:05,800 --> 01:31:07,509 I'm gonna leave you with this song. 2015 01:31:07,510 --> 01:31:09,469 This is about my favorite song, 2016 01:31:09,470 --> 01:31:10,971 written by Little Steven. 2017 01:31:10,972 --> 01:31:13,640 I think it was '86, Amnesty International, 2018 01:31:13,641 --> 01:31:16,476 I saw Jackson Browne play a version, 2019 01:31:16,477 --> 01:31:18,270 and that was really exciting. 2020 01:31:18,271 --> 01:31:20,898 ♪ I am a patriot... ♪ 2021 01:31:23,526 --> 01:31:26,069 Stevie was a huge influence on me 2022 01:31:26,070 --> 01:31:28,280 at a time when I was trying to write 2023 01:31:28,281 --> 01:31:30,282 songs about what I cared about. 2024 01:31:30,283 --> 01:31:32,534 And that I hadn't even dared to try 2025 01:31:32,535 --> 01:31:34,578 to talk about it in a song. 2026 01:31:34,579 --> 01:31:37,873 ♪ She said, "I want To run like the lion ♪ 2027 01:31:37,874 --> 01:31:40,584 ♪ Released From the cages..." ♪ 2028 01:31:40,585 --> 01:31:42,669 I would say that probably 2029 01:31:42,670 --> 01:31:44,671 most people who come to my concerts 2030 01:31:44,672 --> 01:31:46,340 think that that's my song. 2031 01:31:46,758 --> 01:31:49,342 I take the trouble to tell them whose song it is. 2032 01:31:49,343 --> 01:31:50,927 I've told him, I said, "Steve, 2033 01:31:50,928 --> 01:31:54,390 I'm sure a lot of people think I wrote this, you know." 2034 01:31:54,724 --> 01:31:56,141 Usually, as a writer, 2035 01:31:56,142 --> 01:32:00,063 you're more concerned with saying too much, you know? 2036 01:32:00,438 --> 01:32:02,482 I was concerned with not saying enough. 2037 01:32:02,857 --> 01:32:05,859 And Jackson Browne doing one of your songs is wild, 2038 01:32:05,860 --> 01:32:07,861 and then Eddie Vedder also would do it. 2039 01:32:07,862 --> 01:32:11,615 Such an endorsement, you know, such a-such a, uh, 2040 01:32:11,616 --> 01:32:13,325 such a wonderful validation 2041 01:32:13,326 --> 01:32:14,785 of what you're doing, you know? 2042 01:32:14,786 --> 01:32:16,787 We still play it this day. 2043 01:32:16,788 --> 01:32:18,955 We've played it fast, we've played it slow. 2044 01:32:18,956 --> 01:32:21,750 You can take that-that car of a song, 2045 01:32:21,751 --> 01:32:24,002 get in a demolition derby, and you will win. 2046 01:32:24,003 --> 01:32:29,592 ♪ And the river shall Open for the righteous ♪ 2047 01:32:30,218 --> 01:32:33,178 ♪ And the river shall Open for the righteous ♪ 2048 01:32:33,179 --> 01:32:34,471 ♪ Someday ♪ 2049 01:32:34,472 --> 01:32:36,891 ♪ I'm a patriot... ♪ 2050 01:32:37,308 --> 01:32:40,894 You know, whatever, whatever side of the fence, 2051 01:32:40,895 --> 01:32:44,148 or if they're leaning on it, um... 2052 01:32:45,024 --> 01:32:46,066 it transmits. 2053 01:32:46,067 --> 01:32:47,735 ♪ Sanctuary... ♪ 2054 01:32:53,741 --> 01:32:55,368 ♪ Sanctuary... ♪ 2055 01:32:59,705 --> 01:33:01,832 His solo records were just filled 2056 01:33:01,833 --> 01:33:03,959 with in-depth political thought. 2057 01:33:03,960 --> 01:33:06,628 There's some kind of adrenaline rush 2058 01:33:06,629 --> 01:33:10,507 that takes place when you start to realize 2059 01:33:10,508 --> 01:33:12,719 why you're on this planet. 2060 01:33:13,428 --> 01:33:16,806 This combination of artist and journalist thing 2061 01:33:17,265 --> 01:33:19,307 where I'm going places, doing research, 2062 01:33:19,308 --> 01:33:22,060 and checking things out, turning it into stories. 2063 01:33:22,061 --> 01:33:25,063 I'm doing something that feels important. 2064 01:33:25,064 --> 01:33:28,775 ♪ America's on trial... ♪ 2065 01:33:28,776 --> 01:33:31,695 I was terrified, because he went into situations 2066 01:33:31,696 --> 01:33:33,613 that I later found out 2067 01:33:33,614 --> 01:33:36,159 were really, really dangerous. 2068 01:33:36,701 --> 01:33:38,118 I thought, "What happened?" 2069 01:33:38,119 --> 01:33:41,121 You know, I marry this fun rock and roll guy, 2070 01:33:41,122 --> 01:33:43,248 and we're going all over the world, 2071 01:33:43,249 --> 01:33:44,708 we're having a great life, 2072 01:33:44,709 --> 01:33:46,960 and all of a sudden, he's in South Africa 2073 01:33:46,961 --> 01:33:48,128 being smuggled 2074 01:33:48,129 --> 01:33:50,630 into some dangerous area under a blanket. 2075 01:33:50,631 --> 01:33:51,882 I didn't know that then. 2076 01:33:51,883 --> 01:33:54,301 While I admired what he was doing, 2077 01:33:54,302 --> 01:33:56,136 I think I really resented it, 2078 01:33:56,137 --> 01:33:58,805 because I felt it was putting everything at risk. 2079 01:33:58,806 --> 01:34:01,641 His life, our relationship, 2080 01:34:01,642 --> 01:34:03,602 even his musical life. 2081 01:34:03,603 --> 01:34:06,480 Out of all the disturbing... 2082 01:34:06,481 --> 01:34:10,109 situations around the world, um... 2083 01:34:10,860 --> 01:34:13,613 the single most disturbing was right here, 2084 01:34:14,030 --> 01:34:16,074 with the treatment of Native Americans. 2085 01:34:20,411 --> 01:34:24,539 ♪ Love's been sacrificed ♪ 2086 01:34:24,540 --> 01:34:26,833 ♪ Promises buried beneath ♪ 2087 01:34:26,834 --> 01:34:30,421 ♪ The trail Of broken treaties ♪ 2088 01:34:35,927 --> 01:34:37,845 We celebrated 200 years... 2089 01:34:38,262 --> 01:34:40,138 of our Constitution the other day. 2090 01:34:40,139 --> 01:34:42,642 That's something we should be happy about, 2091 01:34:43,184 --> 01:34:46,269 but until we start honoring Indian treaties, 2092 01:34:46,270 --> 01:34:48,272 the Constitution is a lie. 2093 01:34:48,564 --> 01:34:53,610 ♪ Sing it, I ♪ 2094 01:34:53,611 --> 01:35:00,367 ♪ I am Native American... ♪ 2095 01:35:00,368 --> 01:35:02,869 On the Freedom - No Compromise album, 2096 01:35:02,870 --> 01:35:04,996 the concept was the state. 2097 01:35:04,997 --> 01:35:08,125 Uh, I decided to do three sub-themes. 2098 01:35:08,126 --> 01:35:10,252 There's South Africa, Native America, 2099 01:35:10,253 --> 01:35:12,046 and Latin America. 2100 01:35:13,047 --> 01:35:15,048 Stevie was like a bow and arrow, 2101 01:35:15,049 --> 01:35:17,927 a very well dressed, you know, archer, 2102 01:35:18,386 --> 01:35:21,847 and was shooting those arrows exactly where he aimed them. 2103 01:35:21,848 --> 01:35:24,224 Now, if they hit the right target, 2104 01:35:24,225 --> 01:35:26,810 you're in trouble. He shook people up. 2105 01:35:26,811 --> 01:35:28,186 If you have that in you, 2106 01:35:28,187 --> 01:35:30,815 you were a threat to corporate structures. 2107 01:35:34,193 --> 01:35:37,905 He's such a galvanic humanist, 2108 01:35:38,489 --> 01:35:40,282 that you kind of have to make 2109 01:35:40,283 --> 01:35:43,201 that kind of progression into politics. 2110 01:35:43,202 --> 01:35:45,996 It was political, but it was more 2111 01:35:45,997 --> 01:35:48,790 generally humanistic than that. 2112 01:35:48,791 --> 01:35:51,418 No party line, all compassion, 2113 01:35:51,419 --> 01:35:52,837 all empathy. 2114 01:35:57,425 --> 01:35:59,176 I went to Nicaragua once, 2115 01:35:59,177 --> 01:36:00,927 and then Steve decided to come. 2116 01:36:00,928 --> 01:36:02,971 I mean, he was amazing on this trip. 2117 01:36:02,972 --> 01:36:06,183 He brought nothing but, like, Gatorade and Marlboros. 2118 01:36:06,184 --> 01:36:09,936 And here's this guy who is so well-read, 2119 01:36:09,937 --> 01:36:11,772 and so politically astute, 2120 01:36:11,773 --> 01:36:14,775 but dressed like, you know, like a rock and roll, 2121 01:36:14,776 --> 01:36:17,695 you know, like a dervish or a pirate. 2122 01:36:18,196 --> 01:36:21,740 ♪ Someday we'll reap What we have sown ♪ 2123 01:36:21,741 --> 01:36:25,620 ♪ I don't look east I don't look west ♪ 2124 01:36:26,079 --> 01:36:29,248 ♪ I don't understand Their accents ♪ 2125 01:36:29,749 --> 01:36:35,253 ♪ I will gather no more Of your bitter fruit... ♪ 2126 01:36:35,254 --> 01:36:38,548 What Stevie did meant something. 2127 01:36:38,549 --> 01:36:40,092 This particular song 2128 01:36:40,093 --> 01:36:43,220 had to do with an injustice, 2129 01:36:43,221 --> 01:36:46,474 and that's a good thing that Stevie is teaching people. 2130 01:36:46,724 --> 01:36:48,851 They don't know these stories, 2131 01:36:49,519 --> 01:36:52,563 and it was built with integrity. 2132 01:36:53,106 --> 01:36:55,525 I have the honor and the privilege 2133 01:36:55,983 --> 01:36:57,776 to introduce somebody 2134 01:36:57,777 --> 01:37:01,863 who is not only one of the greatest forces 2135 01:37:01,864 --> 01:37:04,491 in rock and roll on this planet, 2136 01:37:04,492 --> 01:37:06,493 but one of the greatest forces 2137 01:37:06,494 --> 01:37:09,037 for justice and human rights on this planet, 2138 01:37:09,038 --> 01:37:10,873 and that's Little Steven! 2139 01:37:17,922 --> 01:37:19,339 The whole '80s for me, 2140 01:37:19,340 --> 01:37:21,842 I was completely obsessed with politics, 2141 01:37:21,843 --> 01:37:24,344 against all rational thought, you know, 2142 01:37:24,345 --> 01:37:26,723 beginning with leaving the E Street Band. 2143 01:37:27,140 --> 01:37:28,808 But it was more than that. 2144 01:37:29,267 --> 01:37:31,017 Every album had a different theme, 2145 01:37:31,018 --> 01:37:33,311 a different soundtrack, 2146 01:37:33,312 --> 01:37:37,190 which was part of my, uh, problem commercially, 2147 01:37:37,191 --> 01:37:41,278 and part of my artistic, uh, success. 2148 01:37:41,279 --> 01:37:43,947 ♪ Keep the people divided ♪ 2149 01:37:43,948 --> 01:37:46,199 ♪ Keep the energy spent ♪ 2150 01:37:46,200 --> 01:37:48,368 ♪ Keep the people divided ♪ 2151 01:37:48,369 --> 01:37:50,829 ♪ So they don't think About the government ♪ 2152 01:37:50,830 --> 01:37:53,707 ♪ Look at all The pretty children ♪ 2153 01:37:53,708 --> 01:37:55,917 ♪ They all look the same ♪ 2154 01:37:55,918 --> 01:37:58,211 ♪ They don't want Your anger ♪ 2155 01:37:58,212 --> 01:38:00,548 ♪ They don't Share your pain... ♪ 2156 01:38:00,798 --> 01:38:02,382 I'm writing this in 1989. 2157 01:38:02,383 --> 01:38:05,802 The alienation between the workforce and labor 2158 01:38:05,803 --> 01:38:08,388 started to now become contagious, 2159 01:38:08,389 --> 01:38:10,223 and I thought the alienation had now 2160 01:38:10,224 --> 01:38:12,225 moved into the institutions. 2161 01:38:12,226 --> 01:38:14,936 No longer trusted the Church, the government, 2162 01:38:14,937 --> 01:38:16,438 no longer trusted our schools, 2163 01:38:16,439 --> 01:38:19,357 and as now, spreading to the alienation 2164 01:38:19,358 --> 01:38:22,360 from our very life support systems, the environment. 2165 01:38:22,361 --> 01:38:25,280 It's a bit more powerful, more beefy with the sounds 2166 01:38:25,281 --> 01:38:27,699 than a typical dance record, but, um, 2167 01:38:27,700 --> 01:38:29,576 it wasn't anything to do with rock. 2168 01:38:29,577 --> 01:38:31,578 Anyway, uh, that, that... 2169 01:38:31,579 --> 01:38:33,246 uh, confused people 2170 01:38:33,247 --> 01:38:36,250 pretty, pretty, uh, consistently. 2171 01:38:36,751 --> 01:38:39,586 He had the most resolute agenda. 2172 01:38:39,587 --> 01:38:41,004 He had it kind of mapped out 2173 01:38:41,005 --> 01:38:43,048 where he was gonna go with these songs, 2174 01:38:43,049 --> 01:38:45,342 three or four albums deep, 2175 01:38:45,343 --> 01:38:48,304 because he is nothing less than revolutionary. 2176 01:38:48,888 --> 01:38:51,182 This is for, uh, Leonard... 2177 01:38:51,641 --> 01:38:53,518 in Leavenworth Prison. 2178 01:38:54,143 --> 01:38:56,687 I was focused on the international situation. 2179 01:38:57,438 --> 01:38:59,231 But of course, as it turns out, 2180 01:38:59,232 --> 01:39:02,776 in a way, the Native American situation is international, 2181 01:39:02,777 --> 01:39:05,613 because they are sovereign nations. 2182 01:39:06,280 --> 01:39:08,698 I read In the Spirit of Crazy Horse. 2183 01:39:08,699 --> 01:39:10,033 It was very striking to me 2184 01:39:10,034 --> 01:39:11,785 that Steven would write this song, 2185 01:39:11,786 --> 01:39:13,286 "Justice for Leonard Peltier," 2186 01:39:13,287 --> 01:39:15,831 and try to give him the kind of attention 2187 01:39:15,832 --> 01:39:17,374 and regard that he did. 2188 01:39:17,375 --> 01:39:20,378 ♪ He should say What he wants to say ♪ 2189 01:39:20,920 --> 01:39:23,715 ♪ It's time we listen ♪ 2190 01:39:24,298 --> 01:39:27,259 ♪ He should pray Where he wants to pray ♪ 2191 01:39:27,260 --> 01:39:30,595 ♪ Without asking permission ♪ 2192 01:39:30,596 --> 01:39:32,305 ♪ Leonard Peltier ♪ 2193 01:39:32,306 --> 01:39:34,349 Everything that he's gone after 2194 01:39:34,350 --> 01:39:37,269 has been a really noble or meaningful thing, 2195 01:39:37,270 --> 01:39:41,314 so in the end, how could you not support that? 2196 01:39:41,315 --> 01:39:43,400 It might scare you, make you upset, 2197 01:39:43,401 --> 01:39:46,278 but you cannot say, "You shouldn't do this." 2198 01:39:46,279 --> 01:39:48,489 We dedicate this show today 2199 01:39:48,990 --> 01:39:50,825 to the students in China. 2200 01:39:51,701 --> 01:39:53,619 Solidarity with them. 2201 01:39:55,037 --> 01:39:56,705 Finally, I peaked, 2202 01:39:56,706 --> 01:39:59,125 you know, in Rome, 1989. 2203 01:39:59,500 --> 01:40:02,335 We did a concert for Tiananmen Square. 2204 01:40:02,336 --> 01:40:05,088 I couldn't see the end of the crowd, like Woodstock. 2205 01:40:05,089 --> 01:40:08,051 This is where my political trip has been leading, 2206 01:40:08,468 --> 01:40:09,635 and I realized 2207 01:40:10,178 --> 01:40:11,804 I don't wanna be a politician. 2208 01:40:12,346 --> 01:40:13,805 I said what I wanted to say, 2209 01:40:13,806 --> 01:40:15,557 learned what I wanted to learn. 2210 01:40:15,558 --> 01:40:17,643 I said, "Man, that's it. 2211 01:40:18,227 --> 01:40:20,146 I'm done. I'm done." 2212 01:40:45,213 --> 01:40:48,090 ♪ The war stopped For a moment ♪ 2213 01:40:48,091 --> 01:40:51,676 ♪ We held our breaths, My brothers and I ♪ 2214 01:40:51,677 --> 01:40:54,388 ♪ The poisoned sky Stopped crying ♪ 2215 01:40:54,389 --> 01:40:57,391 ♪ The red sun tried to shine ♪ 2216 01:40:57,392 --> 01:41:00,394 ♪ We looked down From the mountain top ♪ 2217 01:41:00,395 --> 01:41:03,897 ♪ And felt so alone ♪ 2218 01:41:03,898 --> 01:41:06,400 ♪ This once was paradise ♪ 2219 01:41:06,401 --> 01:41:10,446 ♪ This wasteland Once was home ♪ 2220 01:41:13,324 --> 01:41:16,285 ♪ Oh... ♪ 2221 01:41:21,749 --> 01:41:24,918 I had a trip planned for my next album, 2222 01:41:24,919 --> 01:41:26,503 to do research in Algeria, 2223 01:41:26,504 --> 01:41:28,422 and so I came home from that, 2224 01:41:28,423 --> 01:41:31,425 I recorded my fifth album, Born Again Savage, 2225 01:41:31,426 --> 01:41:33,761 but I wasn't gonna tour with it. 2226 01:41:34,637 --> 01:41:36,972 No record company wanted to sign me anymore. 2227 01:41:36,973 --> 01:41:38,433 I was done. 2228 01:41:51,446 --> 01:41:54,823 The weight, I think, began to put the brakes 2229 01:41:54,824 --> 01:41:57,242 on Steve's freedom 2230 01:41:57,243 --> 01:41:59,786 to let his imagination go where he wanted. 2231 01:41:59,787 --> 01:42:02,748 And the outlets seemed like they had been 2232 01:42:02,749 --> 01:42:04,624 turned off like water taps. 2233 01:42:04,625 --> 01:42:06,960 I was spiritually exhausted, 2234 01:42:06,961 --> 01:42:08,796 mentally, physically. 2235 01:42:09,297 --> 01:42:12,132 I went out to the wilderness, man, you know? 2236 01:42:12,133 --> 01:42:13,843 And walked my dog for seven years. 2237 01:42:19,682 --> 01:42:24,312 ♪ Don't ever say it was all in vain ♪ 2238 01:42:26,647 --> 01:42:28,315 ♪ Yeah, don't tell me... ♪ 2239 01:42:28,316 --> 01:42:30,693 So there I was, uh... 2240 01:42:31,152 --> 01:42:34,654 no more record deal, no more job opportunities, 2241 01:42:34,655 --> 01:42:36,031 no more offers, really, 2242 01:42:36,032 --> 01:42:38,868 and, uh, no particular ambition either. 2243 01:42:39,285 --> 01:42:42,621 ♪ Yeah, I know It still remains ♪ 2244 01:42:42,622 --> 01:42:45,499 ♪ Because I'm still the same... ♪ 2245 01:42:45,500 --> 01:42:48,418 Certainly, it mystified me, 2246 01:42:48,419 --> 01:42:51,798 why someone of his caliber 2247 01:42:52,298 --> 01:42:55,092 would have trouble getting record deals, 2248 01:42:55,093 --> 01:42:56,176 or holding onto one, 2249 01:42:56,177 --> 01:42:58,970 but knowing what I do 2250 01:42:58,971 --> 01:43:00,848 about record companies, 2251 01:43:01,599 --> 01:43:04,769 you know, it was... it wasn't hard to see why. 2252 01:43:06,562 --> 01:43:08,980 The idea of writing directly, 2253 01:43:08,981 --> 01:43:10,941 addressing directly an issue, 2254 01:43:10,942 --> 01:43:13,902 is not commercially kosher. 2255 01:43:13,903 --> 01:43:16,405 Promoters don't wanna hire you. 2256 01:43:16,406 --> 01:43:18,490 The radios will not play you. 2257 01:43:18,491 --> 01:43:19,991 When you're dealing with issues 2258 01:43:19,992 --> 01:43:24,038 that have to do with feeding yourself and your family, 2259 01:43:24,455 --> 01:43:25,580 then the question is 2260 01:43:25,581 --> 01:43:28,501 how far are you willing to go 2261 01:43:29,210 --> 01:43:30,961 to support your idea? 2262 01:43:30,962 --> 01:43:33,130 You could feed people in Africa, 2263 01:43:33,131 --> 01:43:34,381 they're okay with that, 2264 01:43:34,382 --> 01:43:36,299 but start bringing down governments, 2265 01:43:36,300 --> 01:43:38,343 they start getting a little nervous. 2266 01:43:38,344 --> 01:43:40,846 You know, like, uh... 2267 01:43:40,847 --> 01:43:43,057 "Maybe we're next," you know? 2268 01:44:08,082 --> 01:44:10,834 I met him at a time when he was 2269 01:44:10,835 --> 01:44:13,212 not having success. 2270 01:44:13,588 --> 01:44:16,131 He couldn't get good music 2271 01:44:16,132 --> 01:44:18,426 released by anybody. 2272 01:44:19,427 --> 01:44:21,303 Painful as it is, you know, 2273 01:44:21,304 --> 01:44:22,971 I think it's a quite good experience 2274 01:44:22,972 --> 01:44:24,389 for artists, you know. 2275 01:44:24,390 --> 01:44:26,516 You learn more from failures in life 2276 01:44:26,517 --> 01:44:28,435 than you do from successes, I think. 2277 01:44:28,436 --> 01:44:29,853 They're better teachers. 2278 01:44:29,854 --> 01:44:32,272 Bruce had disbanded the E Street Band, 2279 01:44:32,273 --> 01:44:34,524 and was moving on to other things. 2280 01:44:34,525 --> 01:44:37,569 During the time that Bruce had disbanded the band, 2281 01:44:37,570 --> 01:44:40,405 was also a time for reflection for Steven. 2282 01:44:40,406 --> 01:44:43,450 I thought about being a professional producer. 2283 01:44:43,451 --> 01:44:46,203 You know, I liked producing records, 2284 01:44:46,204 --> 01:44:48,538 but I only did it for my friends, really. 2285 01:44:48,539 --> 01:44:50,332 I ended up producing a couple records. 2286 01:44:50,333 --> 01:44:51,917 I did the Arc Angels, and, uh, 2287 01:44:51,918 --> 01:44:55,212 a Nigerian cat named Majek Fashek, Lone Justice, 2288 01:44:55,213 --> 01:44:56,713 and then I did a reunion record 2289 01:44:56,714 --> 01:44:59,591 with Southside Johnny & the Asbury Jukes. 2290 01:44:59,592 --> 01:45:02,344 ♪ It's been a long time ♪ 2291 01:45:02,345 --> 01:45:04,471 ♪ Since we've Laughed together ♪ 2292 01:45:04,472 --> 01:45:08,475 ♪ It's been a long time Since we cried... ♪ 2293 01:45:08,476 --> 01:45:10,602 Greetings from Asbury Park. 2294 01:45:10,603 --> 01:45:12,687 On the stage of the fabled Stone Pony, 2295 01:45:12,688 --> 01:45:15,440 the three guys who put the place on the rock map, 2296 01:45:15,441 --> 01:45:18,026 Little Steven Van Zandt, Bruce Springsteen, 2297 01:45:18,027 --> 01:45:19,653 and Southside Johnny Lyon. 2298 01:45:19,654 --> 01:45:21,321 It felt like we should 2299 01:45:21,322 --> 01:45:22,656 be working together again. 2300 01:45:22,657 --> 01:45:25,158 We laugh, have fun, tell lots of stories, 2301 01:45:25,159 --> 01:45:27,160 we had-we listened to a lot of music. 2302 01:45:27,161 --> 01:45:28,578 We sat down and wrote things, 2303 01:45:28,579 --> 01:45:31,164 it felt like it did when we first started out. 2304 01:45:31,165 --> 01:45:32,582 The forthcoming LP 2305 01:45:32,583 --> 01:45:35,001 by Southside Johnny & the Asbury Jukes, 2306 01:45:35,002 --> 01:45:36,503 entitled Better Days, 2307 01:45:36,504 --> 01:45:38,171 resurrects the horn-enriched sound 2308 01:45:38,172 --> 01:45:41,299 that was a musical trademark of the band in the late '70s. 2309 01:45:41,300 --> 01:45:43,552 The album is produced and arranged 2310 01:45:43,553 --> 01:45:46,430 by former Juke and good friend, Little Steven. 2311 01:45:46,431 --> 01:45:50,184 I just try to keep it human, and simple, and... 2312 01:45:51,227 --> 01:45:52,686 live as possible. 2313 01:45:52,687 --> 01:45:55,021 That's the way we always did it, the way I still do. 2314 01:45:55,022 --> 01:45:57,691 I haven't really changed since I started, really. 2315 01:45:57,692 --> 01:45:59,401 Do the same thing long enough, 2316 01:45:59,402 --> 01:46:02,904 eventually it becomes fashionable. 2317 01:46:02,905 --> 01:46:05,782 I don't remember it was any much that different, 2318 01:46:05,783 --> 01:46:08,368 but when we got into the studio for Better Days, 2319 01:46:08,369 --> 01:46:10,370 we both were relaxed enough 2320 01:46:10,371 --> 01:46:12,915 that we could let things happen, it was great. 2321 01:46:13,916 --> 01:46:16,501 You go back to Asbury, there's Southside, 2322 01:46:16,502 --> 01:46:18,378 there's Steve, there's me. 2323 01:46:18,379 --> 01:46:19,588 Just those three guys. 2324 01:46:19,589 --> 01:46:21,048 That's not gonna happen again. 2325 01:46:21,049 --> 01:46:23,383 Those are the people you were there with. 2326 01:46:23,384 --> 01:46:25,386 Those times are gone, 2327 01:46:25,803 --> 01:46:28,305 but those feelings, the feeling remains. 2328 01:46:28,306 --> 01:46:30,223 The soul, 2329 01:46:30,224 --> 01:46:33,853 and the love, and the feelings, 2330 01:46:34,437 --> 01:46:36,898 we still keep a great faith with. 2331 01:46:37,273 --> 01:46:39,107 ♪ We lived in a time ♪ 2332 01:46:39,108 --> 01:46:41,277 ♪ In a world of our own ♪ 2333 01:46:41,819 --> 01:46:45,781 ♪ Making up the rules As we went along ♪ 2334 01:46:45,782 --> 01:46:47,824 ♪ Just one coat between us ♪ 2335 01:46:47,825 --> 01:46:50,410 ♪ And we never felt cold ♪ 2336 01:46:50,411 --> 01:46:54,332 ♪ We were never Gonna get old ♪ 2337 01:46:54,916 --> 01:46:56,792 ♪ It's been a long time ♪ 2338 01:46:56,793 --> 01:46:59,253 ♪ Since we laughed together ♪ 2339 01:46:59,670 --> 01:47:03,715 ♪ It's been a long time Since we cried... ♪ 2340 01:47:03,716 --> 01:47:06,259 Luckily, Lance Freed, 2341 01:47:06,260 --> 01:47:08,303 a music publisher who happened to be 2342 01:47:08,304 --> 01:47:11,264 the son of the legendary DJ Alan Freed, 2343 01:47:11,265 --> 01:47:12,974 heard the Southside Johnny album. 2344 01:47:12,975 --> 01:47:15,894 Said, "I haven't heard writing like this in a long time," 2345 01:47:15,895 --> 01:47:18,563 and offered me a publishing deal, 2346 01:47:18,564 --> 01:47:20,358 which saved my life. 2347 01:47:20,775 --> 01:47:24,277 There were decades of success 2348 01:47:24,278 --> 01:47:25,737 in the past. 2349 01:47:25,738 --> 01:47:29,116 I didn't feel that his-his writing 2350 01:47:29,117 --> 01:47:30,992 had-had diminished at all. 2351 01:47:30,993 --> 01:47:34,454 I felt like it was every bit as good as it had ever been. 2352 01:47:34,455 --> 01:47:38,668 And eventually, you know, things come around. 2353 01:47:39,293 --> 01:47:40,794 At the time it was a lot of money, 2354 01:47:40,795 --> 01:47:42,713 and paid my bills for years. 2355 01:47:42,714 --> 01:47:44,548 Lance, if you're out there, 2356 01:47:44,549 --> 01:47:45,967 I love you, baby. 2357 01:47:55,268 --> 01:47:58,478 My relationship with Steven started with Home Alone 2. 2358 01:47:58,479 --> 01:48:00,772 We were looking for a song 2359 01:48:00,773 --> 01:48:03,275 that would cover a montage. 2360 01:48:03,276 --> 01:48:04,943 I said, "Let's think about this. 2361 01:48:04,944 --> 01:48:07,779 What you need to do is call Stevie Van Zandt." 2362 01:48:07,780 --> 01:48:09,656 ♪ The cold wind's blowing ♪ 2363 01:48:09,657 --> 01:48:11,658 ♪ And the streets Are getting dark ♪ 2364 01:48:11,659 --> 01:48:13,827 ♪ I'm writing you a letter ♪ 2365 01:48:13,828 --> 01:48:15,829 ♪ And I don't know Where to start ♪ 2366 01:48:15,830 --> 01:48:17,539 ♪ The bells will be ringing ♪ 2367 01:48:17,540 --> 01:48:19,708 ♪ Saint John, the Divine ♪ 2368 01:48:19,709 --> 01:48:21,418 ♪ I get a little lonely ♪ 2369 01:48:21,419 --> 01:48:23,420 ♪ Every year Around this time... ♪ 2370 01:48:23,421 --> 01:48:26,631 I said, "I don't know what the song exactly is, 2371 01:48:26,632 --> 01:48:28,925 but it has to feel like some of the stuff 2372 01:48:28,926 --> 01:48:32,345 you had just done on the latest Southside album," 2373 01:48:32,346 --> 01:48:33,847 which was Better Days. 2374 01:48:33,848 --> 01:48:36,308 Steve says, "I'm gonna get the E Street Band 2375 01:48:36,309 --> 01:48:38,268 to come in to be backing musicians." 2376 01:48:38,269 --> 01:48:40,562 Wow! Okay, all right. 2377 01:48:40,563 --> 01:48:43,106 I'm coming to that recording session. 2378 01:48:43,107 --> 01:48:46,735 And I thought, "My world has finally connected 2379 01:48:46,736 --> 01:48:48,904 with my dream world." 2380 01:48:48,905 --> 01:48:50,864 I think Steven, with that particular song, 2381 01:48:50,865 --> 01:48:53,825 wrote one of the great Christmas songs. 2382 01:48:53,826 --> 01:48:57,245 In my mind, I felt that if there was ever a situation 2383 01:48:57,246 --> 01:48:59,623 where I needed a song in a film, 2384 01:48:59,624 --> 01:49:00,957 I would call Steven. 2385 01:49:00,958 --> 01:49:05,963 ♪ This is the time Of your life ♪ 2386 01:49:06,547 --> 01:49:09,008 ♪ Whatcha gonna do with it ♪ 2387 01:49:10,009 --> 01:49:12,886 ♪ Don't fool with it... ♪ 2388 01:49:12,887 --> 01:49:14,805 I needed a song for the end credits 2389 01:49:14,806 --> 01:49:17,599 that celebrated the way I was feeling 2390 01:49:17,600 --> 01:49:19,893 about being a young father for the first time, 2391 01:49:19,894 --> 01:49:22,897 and he comes back with "Time of Your Life." 2392 01:49:23,564 --> 01:49:26,066 ♪ Don't think About the future ♪ 2393 01:49:26,067 --> 01:49:29,903 ♪ Don't think About the past ♪ 2394 01:49:29,904 --> 01:49:32,656 ♪ There's just this moment ♪ 2395 01:49:32,657 --> 01:49:36,493 ♪ You better Make it last... ♪ 2396 01:49:36,494 --> 01:49:39,246 It's an intensely personal song. 2397 01:49:39,247 --> 01:49:40,580 I don't really... 2398 01:49:40,581 --> 01:49:43,083 think he's written a song quite like it since. 2399 01:49:43,084 --> 01:49:45,752 Well, most people who get into a band, 2400 01:49:45,753 --> 01:49:48,463 you don't do it to-to win accolades. 2401 01:49:48,464 --> 01:49:50,006 You do it because you love music, 2402 01:49:50,007 --> 01:49:51,925 you wanna be on stage and share it. 2403 01:49:51,926 --> 01:49:53,927 Gold records, winning awards, 2404 01:49:53,928 --> 01:49:57,013 those things definitely are meaningful, 2405 01:49:57,014 --> 01:49:59,850 but they're definitely not the reason you do it. 2406 01:49:59,851 --> 01:50:02,145 ♪ Whatcha gonna do with it ♪ 2407 01:50:08,776 --> 01:50:10,861 He was trying to get the Rascals 2408 01:50:10,862 --> 01:50:12,112 up and running again, 2409 01:50:12,113 --> 01:50:14,656 and they had been feuding for decades, 2410 01:50:14,657 --> 01:50:17,284 and they were a personal favorite of Stevie's. 2411 01:50:17,285 --> 01:50:19,995 And to induct them into the Hall of Fame, 2412 01:50:19,996 --> 01:50:22,789 he came out wearing those outfits they used to wear 2413 01:50:22,790 --> 01:50:26,377 in the very beginning, like little schoolboy outfits. 2414 01:50:26,753 --> 01:50:28,754 Some people may not realize it, 2415 01:50:28,755 --> 01:50:32,633 but the Rascals were the first rock band in the world. 2416 01:50:34,969 --> 01:50:39,097 In the center of the universe, New Jersey, 2417 01:50:39,098 --> 01:50:41,476 the Rascals were the first band. 2418 01:50:41,934 --> 01:50:44,603 And who knew that sitting in New Jersey, 2419 01:50:44,604 --> 01:50:47,815 watching on TV, was this guy David Chase, 2420 01:50:48,524 --> 01:50:52,528 saying, "You know, that guy 2421 01:50:53,112 --> 01:50:55,698 could be good for my new TV show." 2422 01:50:56,115 --> 01:50:59,493 You know, their stage garb was a little, uh, bizarre. 2423 01:50:59,494 --> 01:51:01,578 Uh, what I'm trying to say 2424 01:51:01,579 --> 01:51:03,915 is people think they dress funny. 2425 01:51:04,832 --> 01:51:06,793 Now, this is a subject I know something about. 2426 01:51:10,004 --> 01:51:12,339 And I just, you know, for the record tonight, 2427 01:51:12,340 --> 01:51:16,010 I wanna say that there was absolutely nothing 2428 01:51:16,302 --> 01:51:19,305 unusual about the way the Rascals dressed. 2429 01:51:22,183 --> 01:51:23,351 I... 2430 01:51:29,065 --> 01:51:30,775 Nothing strange about that. 2431 01:51:31,192 --> 01:51:33,318 I used to buy Springsteen albums, 2432 01:51:33,319 --> 01:51:34,569 back to the days of vinyl. 2433 01:51:34,570 --> 01:51:36,405 I used to read the album over and over, 2434 01:51:36,406 --> 01:51:37,447 stare at it. 2435 01:51:37,448 --> 01:51:38,865 And I saw this guy, 2436 01:51:38,866 --> 01:51:40,200 every album, there he was. 2437 01:51:40,201 --> 01:51:42,702 And he looked Italian to me. I'm Italian. 2438 01:51:42,703 --> 01:51:47,041 So you know, it-it pricked my attention. 2439 01:51:47,375 --> 01:51:48,709 And he was very funny, 2440 01:51:48,710 --> 01:51:51,169 glued me to the TV, just really charismatic, 2441 01:51:51,170 --> 01:51:53,672 and I said, "That guy's gotta be in the show." 2442 01:51:53,673 --> 01:51:55,716 We were having dinner one night, 2443 01:51:55,717 --> 01:51:58,719 he goes, "You know, this guy, David Chase, 2444 01:51:58,720 --> 01:52:00,178 he saw me speak 2445 01:52:00,179 --> 01:52:02,889 at the Rock and Roll Hall of Fame induction dinner, 2446 01:52:02,890 --> 01:52:06,519 and he wants me to try a part for HBO." 2447 01:52:07,019 --> 01:52:09,689 And I said, "Steven, you can't fucking do that. 2448 01:52:10,148 --> 01:52:12,357 You can't be in television. 2449 01:52:12,358 --> 01:52:15,193 I mean, think of Donny & Marie. 2450 01:52:15,194 --> 01:52:17,612 Are you the Partridge Family? No. 2451 01:52:17,613 --> 01:52:19,072 You're Stevie Van Zandt, 2452 01:52:19,073 --> 01:52:21,700 you're a fucking rock and roll idol. 2453 01:52:21,701 --> 01:52:23,076 You can't do this. 2454 01:52:23,077 --> 01:52:25,495 You're gonna ruin everything." 2455 01:52:25,496 --> 01:52:28,750 And he goes, "Well, I'm also broke." 2456 01:52:52,106 --> 01:52:55,776 Steven goes, "I did this pilot for this TV show, 2457 01:52:55,777 --> 01:52:59,029 about a Mob family in New Jersey, 2458 01:52:59,030 --> 01:53:00,655 I don't know if it's the right thing." 2459 01:53:00,656 --> 01:53:02,199 I said, "What do you mean?" 2460 01:53:02,200 --> 01:53:04,868 He goes, "Rock 'n' rollers shouldn't be on TV." 2461 01:53:04,869 --> 01:53:08,873 I said, "Well, look, Steven, TV has no memory." 2462 01:53:09,248 --> 01:53:11,792 He goes, "What do you mean, has no memory?" 2463 01:53:11,793 --> 01:53:14,127 I said, "Do you know 2464 01:53:14,128 --> 01:53:18,299 that Henry Fonda had a TV series?" 2465 01:53:20,635 --> 01:53:22,887 He goes, "He did?" 2466 01:53:23,346 --> 01:53:24,429 I said, "Yeah. 2467 01:53:24,430 --> 01:53:26,808 Do you know Jimmy Stewart had a TV series?" 2468 01:53:29,435 --> 01:53:31,311 He goes, "He did?" 2469 01:53:31,312 --> 01:53:32,979 I says, "Yeah." 2470 01:53:32,980 --> 01:53:36,024 He said, "I don't remember." I said, "That's my point. 2471 01:53:36,025 --> 01:53:39,152 If the thing is great, great. 2472 01:53:39,153 --> 01:53:41,947 If the thing is bad, they'll forget about it." 2473 01:53:41,948 --> 01:53:43,574 If he's right, he's right. 2474 01:53:44,117 --> 01:53:45,826 What the fuck are you doing? 2475 01:53:45,827 --> 01:53:47,577 Sil, take it easy. 2476 01:53:47,578 --> 01:53:49,037 I'm losing my balls over here! 2477 01:53:49,038 --> 01:53:50,831 This fucking moron is playing Hazel? 2478 01:53:50,832 --> 01:53:52,666 Get the fuck outta here! 2479 01:53:52,667 --> 01:53:54,334 I was trying to sweep the cheese-- 2480 01:53:54,335 --> 01:53:56,169 Why? Why now? 2481 01:53:56,170 --> 01:53:57,587 Leave it there. 2482 01:53:57,588 --> 01:53:59,590 - I don't know, I was just-- - What? 2483 01:54:00,508 --> 01:54:03,009 Where do you get these fucking idiots? Where? 2484 01:54:03,010 --> 01:54:05,762 He's sweeping the cheese while I'm trying to get... 2485 01:54:05,763 --> 01:54:07,639 Leave the fucking cheese there! 2486 01:54:07,640 --> 01:54:09,182 I love cheese on my feet. 2487 01:54:09,183 --> 01:54:12,018 I stick mother fucking provolone in my socks at night 2488 01:54:12,019 --> 01:54:14,187 so they smell like your sister's crotch. 2489 01:54:14,188 --> 01:54:17,232 All right? So leave the cock sucking cheese 2490 01:54:17,233 --> 01:54:18,901 where it is! 2491 01:54:19,777 --> 01:54:21,695 What stunned people 2492 01:54:21,696 --> 01:54:23,655 was the breadth and range 2493 01:54:23,656 --> 01:54:26,116 and authenticity of this cast, 2494 01:54:26,117 --> 01:54:29,244 the surprise of this cast. 2495 01:54:29,245 --> 01:54:33,415 And Steve Van Zandt was the personification 2496 01:54:33,416 --> 01:54:35,250 of that surprise, 2497 01:54:35,251 --> 01:54:37,377 because he wasn't a professional actor. 2498 01:54:37,378 --> 01:54:42,549 And you could see that he was made to do this. 2499 01:54:42,550 --> 01:54:44,302 He was built to do this. 2500 01:54:47,138 --> 01:54:48,764 He said he didn't wanna take 2501 01:54:48,765 --> 01:54:50,140 a job from an actor. 2502 01:54:50,141 --> 01:54:52,268 We were auditioning all kinds of actors. 2503 01:54:52,727 --> 01:54:56,563 So I said, "Well, we'll create a character for you," 2504 01:54:56,564 --> 01:54:57,731 which we did. 2505 01:54:57,732 --> 01:54:59,191 And it was based on a character 2506 01:54:59,192 --> 01:55:01,693 that he had invented, named Silvio Dante. 2507 01:55:01,694 --> 01:55:03,070 His club was gonna be traditional, 2508 01:55:03,071 --> 01:55:04,863 with maybe '40s music, 2509 01:55:04,864 --> 01:55:07,115 and I said, "That'd be great for the show." 2510 01:55:07,116 --> 01:55:09,242 Well, what it wound up as was a strip club. 2511 01:55:09,243 --> 01:55:11,578 I wrote a whole biography about him. 2512 01:55:11,579 --> 01:55:14,498 He grew up with Tony Soprano, he was his best friend, 2513 01:55:14,499 --> 01:55:17,627 and I kind of used my relationship with Bruce. 2514 01:55:30,348 --> 01:55:32,349 We were driving on the North End, 2515 01:55:32,350 --> 01:55:35,060 which is kind of like Mulberry Street, New York. 2516 01:55:35,061 --> 01:55:38,230 It's a real old school Italian district. 2517 01:55:38,231 --> 01:55:39,981 "Silvio's here on the North End!" 2518 01:55:39,982 --> 01:55:41,942 Owners of the restaurant come out, 2519 01:55:41,943 --> 01:55:44,027 they're bringing him out meatballs. 2520 01:55:44,028 --> 01:55:47,115 We gotta keep him in the van because it's Beatlemania. 2521 01:55:48,658 --> 01:55:51,701 From the Sopranos soundtrack, our thanks to Little Steven. 2522 01:55:51,702 --> 01:55:53,620 ♪ Even if it's all over ♪ 2523 01:55:53,621 --> 01:55:56,957 ♪ Don't ever say it was All in vain... ♪ 2524 01:55:56,958 --> 01:55:58,458 What was interesting 2525 01:55:58,459 --> 01:56:01,586 in the music that David Chase chose for the show 2526 01:56:01,587 --> 01:56:04,005 was that it was exposing Little Steven songs, 2527 01:56:04,006 --> 01:56:06,091 and even unreleased Little Steven songs, 2528 01:56:06,092 --> 01:56:07,968 to a brand new audience. 2529 01:56:07,969 --> 01:56:09,803 I loved picking out the music, 2530 01:56:09,804 --> 01:56:11,263 and thinking about songs, 2531 01:56:11,264 --> 01:56:14,182 and some of them I'd had in my head for 30 years. 2532 01:56:14,183 --> 01:56:16,143 It was my favorite part of the show. 2533 01:56:16,144 --> 01:56:20,314 But it was never me trying to, like, introduce, um... 2534 01:56:20,815 --> 01:56:22,232 the world to any music, 2535 01:56:22,233 --> 01:56:25,527 it was just what was right for that dramatic piece. 2536 01:56:25,528 --> 01:56:27,988 When I came in to open up one morning, 2537 01:56:27,989 --> 01:56:30,407 there you were, your head half in the toilet. 2538 01:56:30,408 --> 01:56:33,785 Your hair was in the toilet water. Disgusting. 2539 01:56:33,786 --> 01:56:35,078 I told you I had the flu. 2540 01:56:35,079 --> 01:56:36,997 I said my piece, Chrissy. 2541 01:56:36,998 --> 01:56:38,665 He was almost unrecognizable. 2542 01:56:38,666 --> 01:56:40,125 If you see him in the band, 2543 01:56:40,126 --> 01:56:42,169 then when you see him in The Sopranos. 2544 01:56:42,170 --> 01:56:44,963 Uh, I was just deathly afraid of people saying "Hey, 2545 01:56:44,964 --> 01:56:47,257 I just saw you play in Cleveland. 2546 01:56:47,258 --> 01:56:49,926 What are you doing trying to be a mobster," you know? 2547 01:56:49,927 --> 01:56:51,344 I was deathly afraid of that. 2548 01:56:51,345 --> 01:56:53,346 That's why I gained, I went in the gym, 2549 01:56:53,347 --> 01:56:56,767 I gained, like, 30, 40, 50 pounds right away. 2550 01:56:56,768 --> 01:56:58,852 Uh, and muscle, you know, 2551 01:56:58,853 --> 01:57:01,063 I really, you know, tried to, bulked up, 2552 01:57:01,064 --> 01:57:04,357 and I wanted to be as different as I could be, 2553 01:57:04,358 --> 01:57:06,568 thinking I'm never going back to music. 2554 01:57:06,569 --> 01:57:07,986 You know... 2555 01:57:07,987 --> 01:57:09,529 I was in one trailer, 2556 01:57:09,530 --> 01:57:11,531 and Stevie was right next to me, 2557 01:57:11,532 --> 01:57:14,409 and I used to play a lot of Bruce and Southside. 2558 01:57:14,410 --> 01:57:16,745 Steven comes by, I had the door open, 2559 01:57:16,746 --> 01:57:19,832 and he says, "I figured you'd be playing Sinatra," 2560 01:57:20,208 --> 01:57:23,043 and I says, "No, man, this is Southside." 2561 01:57:23,044 --> 01:57:24,461 He said, "I know who it is." 2562 01:57:24,462 --> 01:57:26,213 "You know I wrote all those songs?" 2563 01:57:26,214 --> 01:57:27,881 I says, "I didn't know that." 2564 01:57:27,882 --> 01:57:29,883 and I took the CD out, said Van Zandt, 2565 01:57:29,884 --> 01:57:31,343 I says, "I didn't know that." 2566 01:57:31,344 --> 01:57:34,554 He's clearly fabricating a persona, 2567 01:57:34,555 --> 01:57:38,475 but you smell enough of Steven in the character, 2568 01:57:38,476 --> 01:57:41,604 that-that it's totally believable. 2569 01:57:42,980 --> 01:57:46,358 Without Frank, none of youse would be in this room tonight. 2570 01:57:46,359 --> 01:57:48,902 I was talking to the guitar tech, 2571 01:57:48,903 --> 01:57:50,612 and he said, "Every once in a while, 2572 01:57:50,613 --> 01:57:52,656 he'd be waiting too long for his guitar, 2573 01:57:52,657 --> 01:57:55,200 he'd turn around and turn into Silvio." 2574 01:57:55,201 --> 01:57:56,910 "What the fuck, give me my... 2575 01:57:56,911 --> 01:58:00,164 My fucking guitar." 2576 01:58:01,916 --> 01:58:03,793 It was probably always in there, 2577 01:58:04,293 --> 01:58:06,878 but now it became unleashed. 2578 01:58:06,879 --> 01:58:07,921 Hey, Sil. 2579 01:58:07,922 --> 01:58:09,589 - What? -"What?" 2580 01:58:09,590 --> 01:58:12,427 I've been gone a long time. Let me hear it. 2581 01:58:14,762 --> 01:58:17,097 Just when they thought I was out, 2582 01:58:17,098 --> 01:58:19,142 they pull me back in. 2583 01:58:20,393 --> 01:58:22,520 All right, get the fuck out of here. 2584 01:58:22,812 --> 01:58:25,439 I was not fooling around. I came out of that trailer 2585 01:58:25,440 --> 01:58:28,275 as Silvio Dante, and I was really him. 2586 01:58:28,276 --> 01:58:31,361 You know, I didn't... I didn't take that lightly. 2587 01:58:31,362 --> 01:58:33,780 When you're connected with Gandolfini, 2588 01:58:33,781 --> 01:58:35,115 you just gotta get better, 2589 01:58:35,116 --> 01:58:38,160 and Steven and Jimmy got along so good. 2590 01:58:38,161 --> 01:58:39,953 He learned a lot from Jimmy. 2591 01:58:39,954 --> 01:58:41,872 He'd always say, "Look in the mirror. 2592 01:58:41,873 --> 01:58:43,415 Look at this face, you know? 2593 01:58:43,416 --> 01:58:46,126 You believe they cast me as the lead in this show?" 2594 01:58:46,127 --> 01:58:48,170 He meant it, you know? 2595 01:58:48,171 --> 01:58:50,589 Just being in a scene with him, 2596 01:58:50,590 --> 01:58:52,257 you walked away a better actor. 2597 01:58:52,258 --> 01:58:53,800 You just couldn't help it. 2598 01:58:53,801 --> 01:58:54,968 He was that good. 2599 01:58:54,969 --> 01:58:56,386 What the fuck do you know 2600 01:58:56,387 --> 01:58:57,679 what goes on in my head? 2601 01:58:57,680 --> 01:59:00,016 I've known you since you were a kid, Ton'. 2602 01:59:00,433 --> 01:59:04,353 Frankly... you've got a problem with authority. 2603 01:59:05,605 --> 01:59:07,397 I knew exactly those dynamics. 2604 01:59:07,398 --> 01:59:09,649 I know what it's like to be the only guy 2605 01:59:09,650 --> 01:59:10,942 bringing the bad news. 2606 01:59:10,943 --> 01:59:12,110 That's the job. 2607 01:59:12,111 --> 01:59:13,945 You wanna be somebody's best friend? 2608 01:59:13,946 --> 01:59:15,113 Be a real friend? 2609 01:59:15,114 --> 01:59:17,282 You wanna be a consigliere? 2610 01:59:17,283 --> 01:59:18,867 You've gotta take that heat. 2611 01:59:18,868 --> 01:59:20,494 And you gotta stand up to it, 2612 01:59:20,495 --> 01:59:22,329 because that's the job, man. 2613 01:59:22,330 --> 01:59:24,247 'Cause everybody else is too afraid to do it. 2614 01:59:24,248 --> 01:59:26,833 You know, it might cost you your friendship, 2615 01:59:26,834 --> 01:59:30,212 or in this case, in Sopranos, it might cost your life, 2616 01:59:30,213 --> 01:59:32,172 you know, but you gotta do it. 2617 01:59:32,173 --> 01:59:33,465 That's the gig. 2618 01:59:33,466 --> 01:59:36,176 So I was comfortable with those dynamics, 2619 01:59:36,177 --> 01:59:38,053 and, uh, I think it helped me 2620 01:59:38,054 --> 01:59:39,679 as a first-time actor. 2621 01:59:39,680 --> 01:59:41,932 All his experience through his career, 2622 01:59:41,933 --> 01:59:43,350 with Bruce, and other ways, 2623 01:59:43,351 --> 01:59:46,019 he gave me tips, um, 2624 01:59:46,020 --> 01:59:47,521 which were really valuable. 2625 01:59:47,522 --> 01:59:50,482 He took on more thematic responsibility too 2626 01:59:50,483 --> 01:59:52,192 as he became a consigliere. 2627 01:59:52,193 --> 01:59:54,278 That's what he's like as a person. 2628 01:59:54,821 --> 01:59:56,446 He was always that way with me. 2629 01:59:56,447 --> 01:59:58,698 "Don't do this, don't do this," you know? 2630 01:59:58,699 --> 02:00:00,117 That was the big time. 2631 02:00:00,118 --> 02:00:02,327 He'd been in the big time for a long time. 2632 02:00:02,328 --> 02:00:05,373 I'm gonna tell you something I never told anybody. 2633 02:00:06,249 --> 02:00:07,749 Back when Jackie was at the end, 2634 02:00:07,750 --> 02:00:09,209 they floated the idea 2635 02:00:09,210 --> 02:00:11,003 of me stepping up to the big seat. 2636 02:00:11,713 --> 02:00:13,380 Not Tony, me. 2637 02:00:13,381 --> 02:00:14,923 - Really? - Yeah. 2638 02:00:14,924 --> 02:00:17,300 But I thought, "It's not for me." 2639 02:00:17,301 --> 02:00:19,302 Still, you wouldn't sneeze at it. 2640 02:00:19,303 --> 02:00:22,055 I never saw myself as that kind of guy. 2641 02:00:22,056 --> 02:00:23,890 I'm more behind the scenes. 2642 02:00:23,891 --> 02:00:27,061 Advice... strategy. 2643 02:00:28,771 --> 02:00:30,815 And here you are, Sil. 2644 02:00:31,399 --> 02:00:33,442 The times make the man, honey, 2645 02:00:33,443 --> 02:00:35,695 not the other way around. 2646 02:00:39,699 --> 02:00:41,409 Come on, Stevie! 2647 02:00:41,868 --> 02:00:43,286 Once more. 2648 02:00:44,579 --> 02:00:46,372 One, two! 2649 02:00:53,171 --> 02:00:57,799 ♪ Once I spent my time Playing tough-guy scenes ♪ 2650 02:00:57,800 --> 02:00:59,384 ♪ Yeah ♪ 2651 02:00:59,385 --> 02:01:03,848 ♪ I was living in a world Of childish dreams... ♪ 2652 02:01:04,807 --> 02:01:06,184 Here's two friends 2653 02:01:06,601 --> 02:01:09,561 that I'm so happy they're getting back together again, 2654 02:01:09,562 --> 02:01:11,605 and that's how I felt about that. 2655 02:01:11,606 --> 02:01:14,691 Those guys have a connection, and it's fucking awesome. 2656 02:01:14,692 --> 02:01:16,985 They're laughing, they're like two kids. 2657 02:01:16,986 --> 02:01:18,403 That's the relationship. 2658 02:01:18,404 --> 02:01:20,615 ♪ I believe in the end ♪ 2659 02:01:20,990 --> 02:01:24,285 ♪ Two hearts Are better than one ♪ 2660 02:01:24,702 --> 02:01:27,829 ♪ Two hearts Girl, get the job done ♪ 2661 02:01:27,830 --> 02:01:31,583 ♪ Two hearts Are better than one... ♪ 2662 02:01:31,584 --> 02:01:33,210 Being in a band is like 2663 02:01:33,211 --> 02:01:36,338 being in the priesthood or the Mob. 2664 02:01:36,339 --> 02:01:39,008 These are organizations you can't leave. 2665 02:01:39,467 --> 02:01:40,801 Unless you're dead. 2666 02:01:40,802 --> 02:01:43,805 The whole mythology of the band of brothers. 2667 02:01:45,973 --> 02:01:47,933 ♪ My special one ♪ 2668 02:01:47,934 --> 02:01:51,062 ♪ Two hearts Are better than one ♪ 2669 02:01:51,479 --> 02:01:54,357 ♪ Two hearts Girl, get the job done ♪ 2670 02:01:54,816 --> 02:01:57,442 ♪ Two hearts Are better than one ♪ 2671 02:01:57,443 --> 02:01:58,902 - Steve! - Yeah, Boss? 2672 02:01:58,903 --> 02:02:01,405 How the hell is this guy gonna be doing 2673 02:02:01,406 --> 02:02:02,864 a rock show the night before, 2674 02:02:02,865 --> 02:02:05,742 and had a 6:00 a.m. call the next day in New York? 2675 02:02:05,743 --> 02:02:08,120 We used to wait and say, "Is he gonna make it?" 2676 02:02:08,121 --> 02:02:09,788 Boom, he shows up, comes out 2677 02:02:09,789 --> 02:02:10,831 looking like Silvio, 2678 02:02:10,832 --> 02:02:12,666 - and we go to work. - Let's go act. 2679 02:02:12,667 --> 02:02:15,210 Van Zandt is creatively restless, 2680 02:02:15,211 --> 02:02:17,504 says his wife, Maureen, who also plays 2681 02:02:17,505 --> 02:02:19,840 his TV wife in The Sopranos. 2682 02:02:19,841 --> 02:02:22,300 You know, that's what's interesting about him, 2683 02:02:22,301 --> 02:02:25,303 that he's a... he's a real Renaissance man. 2684 02:02:25,304 --> 02:02:27,473 I know that sounds very cliche, but he is. 2685 02:02:32,145 --> 02:02:33,562 People ask me, uh, 2686 02:02:33,563 --> 02:02:35,647 "What have you been doing these last 20 years?" 2687 02:02:35,648 --> 02:02:39,818 And I say to them, "I've been putting all of my energy 2688 02:02:39,819 --> 02:02:42,404 into preserving this thing we call rock and roll." 2689 02:02:42,405 --> 02:02:44,656 And they said it wouldn't last. 2690 02:02:44,657 --> 02:02:46,408 The Underground Garage this week 2691 02:02:46,409 --> 02:02:47,868 begins its fifth year. 2692 02:02:47,869 --> 02:02:50,871 It started with his syndicated radio show 2693 02:02:50,872 --> 02:02:53,373 Little Steven's Underground Garage, 2694 02:02:53,374 --> 02:02:55,417 now heard on 200 stations. 2695 02:02:55,418 --> 02:02:58,545 He said, "I started going, city by city, 2696 02:02:58,546 --> 02:03:00,505 I would get a dinner 2697 02:03:00,506 --> 02:03:02,507 with the head of the radio station, 2698 02:03:02,508 --> 02:03:05,719 and then we'd talk Sopranos for an hour," 2699 02:03:05,720 --> 02:03:07,596 he'd say "What's your slowest night?" 2700 02:03:07,597 --> 02:03:12,017 He wheeled and dealed to get this golden music 2701 02:03:12,018 --> 02:03:13,644 into the people's ears. 2702 02:03:14,020 --> 02:03:15,729 I remember being on the West Coast 2703 02:03:15,730 --> 02:03:17,606 listening to Underground Garage, 2704 02:03:17,607 --> 02:03:20,484 like, "These are the coolest bands I've ever heard." 2705 02:03:20,485 --> 02:03:23,654 My only desire was to be on that station as a band. 2706 02:03:24,655 --> 02:03:27,449 Your radio show, Little Steven's Underground Garage-- 2707 02:03:27,450 --> 02:03:30,077 Yes, we are the only radio show with dancers. 2708 02:03:30,078 --> 02:03:31,871 Yeah, I noticed. 2709 02:03:32,872 --> 02:03:35,165 You know, it goes from punk rock, to surf, 2710 02:03:35,166 --> 02:03:37,167 to doo-wop, to psychedelic, 2711 02:03:37,168 --> 02:03:40,003 to, you know, modern garage stuff to old garage stuff, 2712 02:03:40,004 --> 02:03:43,382 and glam, and a bunch more I'm forgetting. 2713 02:03:43,383 --> 02:03:44,716 There's even reggae in there. 2714 02:03:44,717 --> 02:03:47,469 You think of all those bands that got played, 2715 02:03:47,470 --> 02:03:48,678 he was the first guy 2716 02:03:48,679 --> 02:03:50,889 to turn anybody on to the White Stripes. 2717 02:03:50,890 --> 02:03:52,183 I mean, that was him. 2718 02:03:52,558 --> 02:03:55,269 And it just steamrolled into this monster, 2719 02:03:55,561 --> 02:03:57,688 you know, groundbreaking thing. 2720 02:04:01,109 --> 02:04:03,693 Underground Garage gave Steven his freedom 2721 02:04:03,694 --> 02:04:05,445 to play whatever he wanted. 2722 02:04:05,446 --> 02:04:07,406 I can't say the name of the track, 2723 02:04:07,407 --> 02:04:09,699 because it's got a horrible word in it. 2724 02:04:09,700 --> 02:04:12,285 It's my station, we can do whatever the fuck we want. 2725 02:04:12,286 --> 02:04:13,578 Well, there you go. 2726 02:04:13,579 --> 02:04:15,288 I ask people, "How do you know my music?" 2727 02:04:15,289 --> 02:04:18,250 They say Underground Garage. I get that all the time. 2728 02:04:18,251 --> 02:04:20,293 It wasn't just the past. 2729 02:04:20,294 --> 02:04:22,963 It was like, "Here's the past, 2730 02:04:22,964 --> 02:04:24,589 and here's the future." 2731 02:04:24,590 --> 02:04:26,967 ♪ When you're walking in LA ♪ 2732 02:04:26,968 --> 02:04:29,052 ♪ Everybody knows That you're down... ♪ 2733 02:04:29,053 --> 02:04:31,471 He thought there was country music 2734 02:04:31,472 --> 02:04:32,597 being unrepresented, 2735 02:04:32,598 --> 02:04:33,974 and said "I got a second idea, 2736 02:04:33,975 --> 02:04:36,059 I wanna do this thing called Outlaw Country. 2737 02:04:36,060 --> 02:04:39,229 So Outlaw Country comes. Guy's got another channel. 2738 02:04:39,230 --> 02:04:40,981 You wanna make those connections. 2739 02:04:40,982 --> 02:04:42,607 You wanna connect dots, 2740 02:04:42,608 --> 02:04:43,900 like you do in music, 2741 02:04:43,901 --> 02:04:46,320 Like, how is Robert Johnson the same as 2742 02:04:46,821 --> 02:04:48,488 the White Stripes, or whoever? 2743 02:04:48,489 --> 02:04:49,865 I think he realizes that if 2744 02:04:49,866 --> 02:04:51,950 somebody doesn't keep this going, 2745 02:04:51,951 --> 02:04:53,076 it may die. 2746 02:04:53,077 --> 02:04:56,580 ♪ Who will save Rock and roll... ♪ 2747 02:04:56,581 --> 02:04:58,999 From his New York office, Van Zandt 2748 02:04:59,000 --> 02:05:01,668 also books underground garage concerts. 2749 02:05:01,669 --> 02:05:03,754 He was trying to save CBGB's. 2750 02:05:03,755 --> 02:05:05,505 He reunited some great bands 2751 02:05:05,506 --> 02:05:07,884 for the Garage Rock Festival. 2752 02:05:09,469 --> 02:05:10,844 And for all these events, 2753 02:05:10,845 --> 02:05:13,180 he'd bring friends from E Street and Sopranos. 2754 02:05:13,181 --> 02:05:15,307 I hope youse having a great time 2755 02:05:15,308 --> 02:05:17,727 listening to all this garage trash today. 2756 02:05:18,311 --> 02:05:19,644 I know I'm trying. 2757 02:05:19,645 --> 02:05:23,273 Steven has this... sheet of paper 2758 02:05:23,274 --> 02:05:25,192 with all of the things 2759 02:05:25,193 --> 02:05:26,818 that he wants to do. 2760 02:05:26,819 --> 02:05:29,696 I'm pretty sure he's done them all. 2761 02:05:29,697 --> 02:05:31,114 Like, it's just mind-blowing, 2762 02:05:31,115 --> 02:05:34,326 but I think he has kind of checked a box 2763 02:05:34,327 --> 02:05:36,328 on every one of those branches. 2764 02:05:36,329 --> 02:05:37,954 Steven's second act, 2765 02:05:37,955 --> 02:05:40,291 it's amazing how much he's accomplished. 2766 02:05:42,585 --> 02:05:44,629 Is that the teachers? 2767 02:05:46,255 --> 02:05:49,049 All of a sudden, he's involved in TV, radio, 2768 02:05:49,050 --> 02:05:52,095 education, he's building a record label. 2769 02:05:52,512 --> 02:05:54,638 Steven showed up to our gig, 2770 02:05:54,639 --> 02:05:56,264 he's like, "I want that record." 2771 02:05:56,265 --> 02:05:57,766 You can have that record. 2772 02:05:57,767 --> 02:05:59,434 It's all about music for him. 2773 02:05:59,435 --> 02:06:01,603 There's just a lot of bands these days, 2774 02:06:01,604 --> 02:06:03,563 and a lot of the bands came to us saying 2775 02:06:03,564 --> 02:06:04,773 "We need more help." 2776 02:06:04,774 --> 02:06:06,400 That was gonna be successful, 2777 02:06:06,401 --> 02:06:07,901 because people love rock. 2778 02:06:07,902 --> 02:06:10,154 ♪ One, two three Good love ♪ 2779 02:06:11,197 --> 02:06:12,239 ♪ Good love ♪ 2780 02:06:12,240 --> 02:06:14,324 He was on fire 2781 02:06:14,325 --> 02:06:16,034 about this Rascals thing. 2782 02:06:16,035 --> 02:06:19,037 The next thing I know, it's on Broadway, 2783 02:06:19,038 --> 02:06:21,207 which is tremendous. 2784 02:06:21,582 --> 02:06:23,583 He sees it historically, 2785 02:06:23,584 --> 02:06:25,544 'cause he is a historian. 2786 02:06:25,545 --> 02:06:28,588 He probably knows more about my music than I do. 2787 02:06:28,589 --> 02:06:31,425 It's every performer's dream to play Broadway. 2788 02:06:31,426 --> 02:06:33,261 That dream came true for me 2789 02:06:33,761 --> 02:06:36,596 when I wrote and co-directed Once Upon a Dream, 2790 02:06:36,597 --> 02:06:38,223 reuniting The Rascals. 2791 02:06:38,224 --> 02:06:42,186 ♪ How can I be sure ♪ 2792 02:06:42,937 --> 02:06:47,108 ♪ I'll be sure ♪ 2793 02:06:47,608 --> 02:06:51,112 ♪ With you ♪ 2794 02:06:52,238 --> 02:06:54,406 One of the police officers who was helping us 2795 02:06:54,407 --> 02:06:56,409 when we'd come out of the stage door, 2796 02:06:57,326 --> 02:06:58,577 pulls me aside and says, 2797 02:06:58,578 --> 02:07:00,746 "I've been working Broadway for 20 years, 2798 02:07:00,747 --> 02:07:02,914 and I have never seen an audience 2799 02:07:02,915 --> 02:07:06,210 come out of a show like this. 2800 02:07:06,586 --> 02:07:08,462 Cheering, singing, 2801 02:07:08,463 --> 02:07:10,297 smiles, happiness." 2802 02:07:10,298 --> 02:07:13,300 It took people to a place, in the audience, 2803 02:07:13,301 --> 02:07:16,386 that they never thought in their wildest dreams 2804 02:07:16,387 --> 02:07:18,306 they would ever get back to. 2805 02:07:18,765 --> 02:07:22,643 Musicians are very theatrical. 2806 02:07:22,935 --> 02:07:25,854 They become different people, you know. 2807 02:07:25,855 --> 02:07:29,483 When I stood on the stage of Carnegie Hall, 2808 02:07:29,484 --> 02:07:33,029 and announced Stevie's name, 2809 02:07:33,488 --> 02:07:34,947 I just felt so cool. 2810 02:07:35,239 --> 02:07:37,657 I mean, I just felt like my world went... 2811 02:07:37,658 --> 02:07:41,162 And I could be... 2812 02:07:41,954 --> 02:07:43,456 anything I wanted to be. 2813 02:07:49,253 --> 02:07:51,839 Now, this could only happen 2814 02:07:52,340 --> 02:07:54,092 to a guy like me. 2815 02:07:55,927 --> 02:07:59,888 And only happened in a town like this. 2816 02:07:59,889 --> 02:08:01,807 - Am I right? 2817 02:08:01,808 --> 02:08:04,935 ♪ This is ♪ 2818 02:08:04,936 --> 02:08:09,022 ♪ My kind of town ♪ 2819 02:08:09,023 --> 02:08:10,482 ♪ Lilyhammer is... ♪ 2820 02:08:10,483 --> 02:08:12,192 I started a record label, 2821 02:08:12,193 --> 02:08:15,028 and I start signing a bunch of Norwegian bands. 2822 02:08:15,029 --> 02:08:18,031 I'm producing one of them in Bergen, Norway. 2823 02:08:18,032 --> 02:08:20,492 The assistant engineer says, "There's a couple 2824 02:08:20,493 --> 02:08:22,495 in the lobby, they wanna say hello." 2825 02:08:22,954 --> 02:08:25,372 It's Eilif Skodvin and Anne Bjornstad, 2826 02:08:25,373 --> 02:08:27,624 and they say to me, "We're TV writers, 2827 02:08:27,625 --> 02:08:29,544 and we wrote a TV show for you." 2828 02:08:29,961 --> 02:08:32,838 Well, 2829 02:08:32,839 --> 02:08:34,881 you don't hear that every day. 2830 02:08:34,882 --> 02:08:36,091 Kind of out of the blue, 2831 02:08:36,092 --> 02:08:37,884 I get a call from Stevie's agent, 2832 02:08:37,885 --> 02:08:40,512 saying, "Will you take a call with Stevie Van Zandt?" 2833 02:08:40,513 --> 02:08:43,515 And I said, "Would I? Anyone ever say no to that?" 2834 02:08:43,516 --> 02:08:46,560 Very excited. No idea what they're gonna talk about. 2835 02:08:46,561 --> 02:08:48,687 I'm thinking "Lilyhammer." 2836 02:08:48,688 --> 02:08:51,607 Three episodes were complete, and I loved it. 2837 02:08:51,983 --> 02:08:55,152 Really what that was, like the first Netflix show. 2838 02:08:55,153 --> 02:08:57,904 I think that that digital world, 2839 02:08:57,905 --> 02:09:00,116 for a guy who is as off-beat 2840 02:09:00,700 --> 02:09:02,409 as, uh, Steve is, 2841 02:09:02,410 --> 02:09:04,536 will create opportunities. 2842 02:09:04,537 --> 02:09:07,748 The sheep head, it's my dinner. 2843 02:09:07,749 --> 02:09:09,624 I thought I was gonna have to give 2844 02:09:09,625 --> 02:09:11,377 Johnny Fontaine a movie part. 2845 02:09:13,838 --> 02:09:15,380 It's Gary U.S. Bonds! 2846 02:09:15,381 --> 02:09:18,925 ♪ Should auld acquaintance Be forgot... ♪ 2847 02:09:18,926 --> 02:09:21,136 - I'm impressed. - Yeah! 2848 02:09:21,137 --> 02:09:23,263 I got to direct the final episode, 2849 02:09:23,264 --> 02:09:24,514 of Lilyhammer, 2850 02:09:24,515 --> 02:09:26,391 and that was one of my scripts, 2851 02:09:26,392 --> 02:09:27,852 uh, and, uh... 2852 02:09:28,603 --> 02:09:32,231 you know, I had been talking to Bruce about, uh... 2853 02:09:33,357 --> 02:09:34,608 getting in somewhere. 2854 02:09:34,609 --> 02:09:36,527 We had been talking since Sopranos. 2855 02:09:37,528 --> 02:09:39,447 Angelina, Anthony. 2856 02:09:39,697 --> 02:09:40,947 What brings you here? 2857 02:09:40,948 --> 02:09:44,034 It's our brother, like always. 2858 02:09:44,035 --> 02:09:46,286 I was thrilled that he did it, because, uh, 2859 02:09:46,287 --> 02:09:49,623 people have been trying to get him to act for 30 years. 2860 02:09:49,624 --> 02:09:51,917 You know, I'm proud of that. 2861 02:09:51,918 --> 02:09:53,710 We've been friends a long time, 2862 02:09:53,711 --> 02:09:56,255 still, you know, he trusted me. 2863 02:09:57,173 --> 02:09:59,466 No Child Left Behind legislation 2864 02:09:59,467 --> 02:10:02,469 had devastated all the arts classes in America, 2865 02:10:02,470 --> 02:10:04,388 So I said how about we do 2866 02:10:04,389 --> 02:10:06,390 a music history curriculum instead. 2867 02:10:06,391 --> 02:10:09,226 Teacher asks the kid, "What are you listening to?" 2868 02:10:09,227 --> 02:10:11,812 And whatever they answer, you trace it back. 2869 02:10:11,813 --> 02:10:13,647 And he's not kidding. 2870 02:10:13,648 --> 02:10:15,982 He wants rock and roll taught in school. 2871 02:10:15,983 --> 02:10:18,068 You mustn't lose the history of music, 2872 02:10:18,069 --> 02:10:19,986 the history of anything. 2873 02:10:19,987 --> 02:10:22,989 Rock and roll is important, it's great to have 2874 02:10:22,990 --> 02:10:25,867 Steven out there making sure people know 2875 02:10:25,868 --> 02:10:27,744 how important it is, what it means, 2876 02:10:27,745 --> 02:10:29,622 and what a lifeline it can be. 2877 02:10:30,039 --> 02:10:32,082 He's almost like John the Baptist. 2878 02:10:32,083 --> 02:10:34,876 He's out there screaming there's a sacredness, 2879 02:10:34,877 --> 02:10:36,378 there's a holiness to rock. 2880 02:10:36,379 --> 02:10:39,047 This guy is doing 40 things at once, 2881 02:10:39,048 --> 02:10:40,757 and they're all complicated. 2882 02:10:40,758 --> 02:10:42,427 And they're all good. 2883 02:10:51,394 --> 02:10:53,979 He's a writer, he's a director, 2884 02:10:53,980 --> 02:10:56,398 he's a musician, he's a producer, 2885 02:10:56,399 --> 02:10:59,192 he's a businessman, he's a philanthropist, 2886 02:10:59,193 --> 02:11:01,194 and now he wrote an entire book 2887 02:11:01,195 --> 02:11:03,364 in prose, and it's very good. 2888 02:11:03,906 --> 02:11:05,323 The book has it all. 2889 02:11:05,324 --> 02:11:08,326 Sex, drugs, rock and roll in unequal measure, 2890 02:11:08,327 --> 02:11:11,289 and the true story behind the bandana. 2891 02:11:11,831 --> 02:11:14,125 ♪ Could have been A politician ♪ 2892 02:11:14,542 --> 02:11:17,879 ♪ In a bulletproof Limousine ♪ 2893 02:11:18,546 --> 02:11:22,425 ♪ Could have made A lot of promises... ♪ 2894 02:11:23,384 --> 02:11:25,552 I did invite Stevie to my 80th. 2895 02:11:25,553 --> 02:11:28,722 Bill Wyman invited us to his 80th birthday party. 2896 02:11:28,723 --> 02:11:30,640 Leo Green, his crazy promoter, 2897 02:11:30,641 --> 02:11:33,561 he says, "That's the same week as my blues festival. 2898 02:11:34,312 --> 02:11:36,063 Why don't you throw a band together 2899 02:11:36,064 --> 02:11:37,606 and headline one night?" 2900 02:11:37,607 --> 02:11:38,940 It sounded like fun. 2901 02:11:38,941 --> 02:11:41,234 I thought maybe I'll bring the horns back, 2902 02:11:41,235 --> 02:11:45,697 I'll do a handful of my own songs from the old days. 2903 02:11:45,698 --> 02:11:47,074 For almost 30 years, 2904 02:11:47,075 --> 02:11:49,326 Steven did not perform his own music. 2905 02:11:49,327 --> 02:11:51,411 He acted, he was performing with Bruce, 2906 02:11:51,412 --> 02:11:53,872 he was involved in a lot of different things, 2907 02:11:53,873 --> 02:11:55,916 but he didn't play any of his own songs 2908 02:11:55,917 --> 02:11:57,585 for a very long time. 2909 02:11:57,919 --> 02:12:00,088 ♪ Could have been a lawyer ♪ 2910 02:12:00,588 --> 02:12:04,092 ♪ But my daddy taught me Right from wrong ♪ 2911 02:12:04,967 --> 02:12:07,637 ♪ That could have been The reason ♪ 2912 02:12:08,179 --> 02:12:11,015 ♪ Everything takes too long ♪ 2913 02:12:11,516 --> 02:12:15,310 ♪ I could have hung out In Hollywood ♪ 2914 02:12:15,311 --> 02:12:18,773 ♪ I could have Been a millionaire ♪ 2915 02:12:19,232 --> 02:12:20,899 ♪ Could have been big... ♪ 2916 02:12:20,900 --> 02:12:23,151 As I'm-as I'm going through my old songs, 2917 02:12:23,152 --> 02:12:25,613 I couldn't get through them at first. 2918 02:12:26,280 --> 02:12:28,281 And my-my throat was tightening up, 2919 02:12:28,282 --> 02:12:30,534 I-I... I started to tear up. 2920 02:12:30,535 --> 02:12:32,828 And I went to Bruce, I said, "Bruce, 2921 02:12:32,829 --> 02:12:35,164 has anything like this happened to you?" 2922 02:12:35,706 --> 02:12:39,334 And he's like, "Yeah, I know why, 2923 02:12:39,335 --> 02:12:42,422 because you abandoned your children for 30 years." 2924 02:12:43,464 --> 02:12:45,841 It reminded me these songs have value. 2925 02:12:45,842 --> 02:12:47,551 I really shouldn't have abandoned them. 2926 02:12:47,552 --> 02:12:50,471 I was like, "Dude, yeah, 2927 02:12:50,930 --> 02:12:52,515 you should be doing this." 2928 02:12:53,349 --> 02:12:55,767 But, you know, who knew he was 2929 02:12:55,768 --> 02:12:58,311 gonna pile it on top of everything else he's doing? 2930 02:12:58,312 --> 02:13:01,690 I was overjoyed. He should have been on the road anyway, 2931 02:13:01,691 --> 02:13:03,108 'cause he loves the road. 2932 02:13:03,109 --> 02:13:04,693 He stays in the fine hotels, 2933 02:13:04,694 --> 02:13:07,447 and, you know, drinks that fine wine and all that. 2934 02:13:15,955 --> 02:13:17,456 My first manager over here. 2935 02:13:17,457 --> 02:13:20,500 Nobody messes with Big Mama. You're my baby. 2936 02:13:20,501 --> 02:13:23,628 Without you, I don't know where I'd be. 2937 02:13:23,629 --> 02:13:25,173 Oh, Stevie. 2938 02:13:25,506 --> 02:13:28,801 ♪ Stop the world For a minute ♪ 2939 02:13:29,802 --> 02:13:33,722 ♪ Is that a tear I see in your eye? ♪ 2940 02:13:33,723 --> 02:13:38,061 ♪ This is your chance This is your moment, baby ♪ 2941 02:13:38,394 --> 02:13:41,271 ♪ Spread your wings It's time to fly... ♪ 2942 02:13:41,272 --> 02:13:43,190 He's a great performer, 2943 02:13:43,191 --> 02:13:44,691 great songwriter, 2944 02:13:44,692 --> 02:13:46,568 great producer, great arranger, 2945 02:13:46,569 --> 02:13:48,905 and made a couple of great records 2946 02:13:49,238 --> 02:13:50,906 that ought to be out there. 2947 02:13:50,907 --> 02:13:53,492 He had gone quite a-quite a period 2948 02:13:53,493 --> 02:13:56,787 without using some of his greatest abilities. 2949 02:13:56,788 --> 02:13:58,413 Stevie called me up and said, 2950 02:13:58,414 --> 02:14:00,832 "I wanna get back into doing this." 2951 02:14:00,833 --> 02:14:02,960 I said, "Of course, man." 2952 02:14:03,836 --> 02:14:07,214 That was just one of the sweet things about Steve. 2953 02:14:07,215 --> 02:14:09,467 Is that he would think, "Can I?" 2954 02:14:10,385 --> 02:14:12,260 That he would think to make that call. 2955 02:14:12,261 --> 02:14:15,013 I don't think that would happen in other bands. 2956 02:14:15,014 --> 02:14:18,183 ♪ Lighting the soulfire ♪ 2957 02:14:18,184 --> 02:14:20,227 ♪ Lighting the soulfire... ♪ 2958 02:14:20,228 --> 02:14:22,312 I saw them in downtown LA. 2959 02:14:22,313 --> 02:14:24,981 Mike Stoller was the emcee, 2960 02:14:24,982 --> 02:14:26,858 which blew my mind. 2961 02:14:26,859 --> 02:14:31,906 Here they are, Little Steven and the Disciples of Soul. 2962 02:14:36,828 --> 02:14:39,288 ♪ Ah yeah ♪ 2963 02:14:51,843 --> 02:14:53,093 When I put on "Soulfire" 2964 02:14:53,094 --> 02:14:54,219 for the first time, 2965 02:14:54,220 --> 02:14:55,429 I have to be honest, 2966 02:14:55,430 --> 02:14:57,305 I had tears running down my face, 2967 02:14:57,306 --> 02:14:59,266 because it picked me up 2968 02:14:59,267 --> 02:15:01,602 and threw me back into 1977. 2969 02:15:18,828 --> 02:15:19,911 ♪ Hey hey hey... ♪ 2970 02:15:19,912 --> 02:15:21,455 He gets on with it. 2971 02:15:21,456 --> 02:15:24,792 Who goes on the road with 14 musicians? 2972 02:15:27,837 --> 02:15:29,504 Steven asked me, 2973 02:15:29,505 --> 02:15:32,007 "Can you find out how big the stage is 2974 02:15:32,008 --> 02:15:33,800 at the Cavern Club in Liverpool?" 2975 02:15:33,801 --> 02:15:36,344 And I went, "Uh, yeah, why?" 2976 02:15:36,345 --> 02:15:38,388 And he goes, "I wanna play there." 2977 02:15:38,389 --> 02:15:40,850 You are eternally part 2978 02:15:41,726 --> 02:15:42,976 of our wall of fame. 2979 02:15:42,977 --> 02:15:44,394 - Thank you. 2980 02:15:44,395 --> 02:15:45,563 It's your turn. 2981 02:15:49,776 --> 02:15:51,526 I love his enthusiasm, 2982 02:15:51,527 --> 02:15:54,988 and his passion for what we both love. 2983 02:15:54,989 --> 02:15:57,365 He lives it and he promotes it, 2984 02:15:57,366 --> 02:15:59,201 you know, with his radio station. 2985 02:15:59,202 --> 02:16:02,205 ♪ Well, she was just 17 ♪ 2986 02:16:02,663 --> 02:16:05,374 ♪ If you know what I mean ♪ 2987 02:16:06,209 --> 02:16:07,667 ♪ And the way she looked... ♪ 2988 02:16:07,668 --> 02:16:09,336 The thing I see with Stevie, 2989 02:16:09,337 --> 02:16:11,129 I think he's just following threads 2990 02:16:11,130 --> 02:16:12,965 that he really likes. 2991 02:16:13,424 --> 02:16:15,884 ♪ So how could I dance ♪ 2992 02:16:15,885 --> 02:16:18,178 ♪ With another ♪ 2993 02:16:18,179 --> 02:16:19,679 ♪ Woo ♪ 2994 02:16:19,680 --> 02:16:23,934 ♪ I saw her Standing there... ♪ 2995 02:16:23,935 --> 02:16:27,271 What he's doing, the tradition he's carrying on, 2996 02:16:27,688 --> 02:16:29,564 rock and soul, from Sam and Dave 2997 02:16:29,565 --> 02:16:32,067 to the Dave Clark Five to the Stones, 2998 02:16:32,068 --> 02:16:33,528 he's a witness. 2999 02:16:39,909 --> 02:16:42,035 ♪ Well, we made a promise ♪ 3000 02:16:42,036 --> 02:16:45,414 ♪ We swore we'd Always remember ♪ 3001 02:16:45,415 --> 02:16:47,541 ♪ No retreat, baby ♪ 3002 02:16:47,542 --> 02:16:50,128 ♪ No surrender... ♪ 3003 02:16:50,712 --> 02:16:53,380 It is 20 years now since we've been back. 3004 02:16:53,381 --> 02:16:55,132 It's crazy. 3005 02:16:55,133 --> 02:16:57,009 You know, it's, uh, 3006 02:16:57,343 --> 02:16:59,302 it feels like it's the way it ought to be. 3007 02:16:59,303 --> 02:17:02,848 ♪ Baby, no surrender ♪ 3008 02:17:02,849 --> 02:17:04,266 Come on, kid! 3009 02:17:04,267 --> 02:17:06,768 ♪ No retreat, baby ♪ 3010 02:17:06,769 --> 02:17:12,150 ♪ No ♪ 3011 02:17:12,400 --> 02:17:14,234 ♪ Surrender ♪ 3012 02:17:14,235 --> 02:17:15,820 Whoo! 3013 02:17:16,279 --> 02:17:18,156 Things have a way of coming around, 3014 02:17:18,573 --> 02:17:20,408 and working themselves out. 3015 02:17:20,825 --> 02:17:22,869 If people have the faith in... 3016 02:17:23,536 --> 02:17:25,912 in each other, it'll allow that to happen, 3017 02:17:25,913 --> 02:17:27,707 and the love, you know? 3018 02:17:38,468 --> 02:17:39,969 This is for Maureen. 3019 02:17:42,847 --> 02:17:44,181 She's been there 3020 02:17:44,182 --> 02:17:46,517 through the thick and the thin, 3021 02:17:46,934 --> 02:17:50,020 and that's pretty darn rare. 3022 02:17:50,021 --> 02:17:52,230 ♪ I wanna protect you ♪ 3023 02:17:52,231 --> 02:17:54,274 ♪ I wanna connect with you ♪ 3024 02:17:54,275 --> 02:17:57,110 ♪ I wanna affect you ♪ 3025 02:17:57,111 --> 02:17:58,653 ♪ I wanna reflect you ♪ 3026 02:17:58,654 --> 02:18:01,282 ♪ I wanna be your happy end ♪ 3027 02:18:01,657 --> 02:18:03,784 ♪ We start all over again ♪ 3028 02:18:03,785 --> 02:18:05,952 ♪ I wanna feel The same pain you do ♪ 3029 02:18:05,953 --> 02:18:08,455 ♪ Dancing in the rain With you ♪ 3030 02:18:08,456 --> 02:18:11,876 The two of them, they're both really lucky, you know? 3031 02:18:12,418 --> 02:18:14,003 And so is the dog. 3032 02:18:30,019 --> 02:18:33,563 And now he's back, there's no politics. 3033 02:18:33,564 --> 02:18:35,983 For the moment, you know? 3034 02:18:36,734 --> 02:18:38,485 I mean, he's still an activist. 3035 02:18:38,486 --> 02:18:40,695 It comes through in the spirit of the music, 3036 02:18:40,696 --> 02:18:42,824 and in the way that he plays it. 3037 02:18:44,659 --> 02:18:46,701 ♪ Take it easy ♪ 3038 02:18:46,702 --> 02:18:49,663 ♪ Yeah yeah yeah... ♪ 3039 02:18:49,664 --> 02:18:52,499 You know, Stevie told me many years ago 3040 02:18:52,500 --> 02:18:55,460 rock and roll kept him alive, 3041 02:18:55,461 --> 02:18:59,381 and I really do believe it's his religion. 3042 02:18:59,382 --> 02:19:02,509 ♪ I don't know If you realize it or not ♪ 3043 02:19:02,510 --> 02:19:06,179 ♪ Yeah yeah yeah ♪ 3044 02:19:06,180 --> 02:19:09,517 ♪ I don't know if you have Cable TV or not ♪ 3045 02:19:11,018 --> 02:19:14,020 ♪ But outside These walls right here ♪ 3046 02:19:14,021 --> 02:19:16,148 ♪ Yeah yeah yeah ♪ 3047 02:19:16,149 --> 02:19:19,110 ♪ The world is going Fucking crazy... ♪ 3048 02:19:21,821 --> 02:19:24,490 ♪ And we're here tonight ♪ 3049 02:19:25,575 --> 02:19:26,868 ♪ For sanctuary ♪ 3050 02:19:29,620 --> 02:19:31,621 ♪ We're here tonight ♪ 3051 02:19:31,622 --> 02:19:34,876 ♪ For some Spiritual nourishment ♪ 3052 02:19:36,127 --> 02:19:37,544 That's right. 3053 02:19:37,545 --> 02:19:39,756 We come to this cathedral 3054 02:19:41,466 --> 02:19:43,718 for spiritual nourishment. 3055 02:19:45,053 --> 02:19:48,222 And there ain't no spiritual nourishment 3056 02:19:48,681 --> 02:19:51,225 like real live music. 3057 02:19:55,271 --> 02:19:57,064 He has this passion 3058 02:19:57,065 --> 02:19:59,108 for rock and roll, 3059 02:20:00,943 --> 02:20:02,779 but Stevie goes beyond. 3060 02:20:03,905 --> 02:20:05,947 ♪ It makes you Wanna say yeah ♪ 3061 02:20:05,948 --> 02:20:07,491 - ♪ Yeah ♪ - ♪ Yeah... ♪ 3062 02:20:07,492 --> 02:20:09,242 A whole sort of 3063 02:20:09,243 --> 02:20:12,121 encyclopedic knowledge of music. 3064 02:20:12,580 --> 02:20:15,583 You know, um, I'd say I know quite a bit, 3065 02:20:16,084 --> 02:20:17,459 but he knows more. 3066 02:20:17,460 --> 02:20:19,586 ♪ Something like that Uh-huh ♪ 3067 02:20:19,587 --> 02:20:22,464 - ♪ Yeah yeah ♪ - ♪ Uh, huh ♪ 3068 02:20:22,465 --> 02:20:24,341 - ♪ Yeah ♪ - ♪ Yeah ♪ 3069 02:20:24,342 --> 02:20:25,592 - ♪ Yeah ♪ - ♪ Yeah... ♪ 3070 02:20:25,593 --> 02:20:27,260 The world isn't going to get 3071 02:20:27,261 --> 02:20:28,637 everything you do. 3072 02:20:28,638 --> 02:20:31,431 The success to me is that you had that vision, 3073 02:20:31,432 --> 02:20:32,933 and you followed through on it 3074 02:20:32,934 --> 02:20:34,893 and you went all the way with it. 3075 02:20:34,894 --> 02:20:38,230 ♪ Yeah give me some drums Give me some drums ♪ 3076 02:20:38,231 --> 02:20:39,606 - ♪ Yeah ♪ - ♪ Yeah ♪ 3077 02:20:39,607 --> 02:20:41,109 - ♪ Yeah yeah ♪ - ♪ Yeah ♪ 3078 02:20:41,526 --> 02:20:43,485 ♪ A little bit louder now ♪ 3079 02:20:43,486 --> 02:20:44,820 - ♪ Yeah ♪ - ♪ Yeah ♪ 3080 02:20:44,821 --> 02:20:46,405 - ♪ Yeah ♪ - ♪ Oh yeah ♪ 3081 02:20:46,406 --> 02:20:49,366 ♪ Yeah a little bit Louder, baby ♪ 3082 02:20:49,367 --> 02:20:50,617 - ♪ Yeah ♪ - ♪ Oh yeah ♪ 3083 02:20:50,618 --> 02:20:52,160 - ♪ Oh yeah ♪ - ♪ Yeah ♪ 3084 02:20:52,161 --> 02:20:54,121 ♪ Everybody sing now ♪ 3085 02:20:54,122 --> 02:20:57,332 ♪ Yeah yeah yeah ♪ 3086 02:20:57,333 --> 02:20:59,292 ♪ Everybody sing now ♪ 3087 02:20:59,293 --> 02:21:00,585 ♪ Yeah... ♪ 3088 02:21:00,586 --> 02:21:02,254 The fact that he manages 3089 02:21:02,255 --> 02:21:03,755 to put these things together, 3090 02:21:03,756 --> 02:21:05,757 and then the impact that they have, 3091 02:21:05,758 --> 02:21:09,095 is a credit to his belief in what he does. 3092 02:21:09,679 --> 02:21:12,222 ♪ Yeah yeah yeah ♪ 3093 02:21:12,223 --> 02:21:16,476 ♪ Oooh... ♪ 3094 02:21:16,477 --> 02:21:19,980 At the end of the day, Steve's a true believer. 3095 02:21:19,981 --> 02:21:22,316 ♪ Oh yeah ♪ 3096 02:22:19,957 --> 02:22:23,210 ♪ The old men make excuses ♪ 3097 02:22:23,211 --> 02:22:26,880 ♪ While the young men Bring the noise ♪ 3098 02:22:26,881 --> 02:22:30,467 ♪ And nothing ever changes ♪ 3099 02:22:30,468 --> 02:22:34,429 ♪ ‘Cause boys keep being boys ♪ 3100 02:22:34,430 --> 02:22:37,849 ♪ And the women Just surrendered ♪ 3101 02:22:37,850 --> 02:22:41,186 ♪ While Cinderella slept ♪ 3102 02:22:41,187 --> 02:22:44,940 ♪ Now they know they've waited Too long ♪ 3103 02:22:44,941 --> 02:22:49,570 ♪ There's nothing worth Stealing left ♪ 3104 02:22:50,196 --> 02:22:54,241 ♪ Under the camouflage Of righteousness ♪ 3105 02:22:54,242 --> 02:22:57,911 ♪ We supply the sins While you confess ♪ 3106 02:22:57,912 --> 02:23:03,583 ♪ You're seduced by The vampires' sweet caress ♪ 3107 02:23:03,584 --> 02:23:09,756 ♪ Behind the camouflage Of righteousness ♪ 3108 02:23:09,757 --> 02:23:12,968 ♪ We give you politicians ♪ 3109 02:23:12,969 --> 02:23:16,972 ♪ And you call it choice ♪ 3110 02:23:16,973 --> 02:23:20,225 ♪ We let you do the voting ♪ 3111 02:23:20,226 --> 02:23:24,104 ♪ And you think You have a voice ♪ 3112 02:23:24,105 --> 02:23:27,733 ♪ We control the information ♪ 3113 02:23:27,734 --> 02:23:31,486 ♪ And you call yourself Informed ♪ 3114 02:23:31,487 --> 02:23:34,740 ♪ We give you our religion ♪ 3115 02:23:34,741 --> 02:23:39,454 ♪ And you believe it's yours ♪ 3116 02:23:40,121 --> 02:23:44,082 ♪ Under the camouflage Of righteousness ♪ 3117 02:23:44,083 --> 02:23:47,753 ♪ We supply the sins While you confess ♪ 3118 02:23:47,754 --> 02:23:53,300 ♪ You're seduced by The vampires' sweet caress ♪ 3119 02:23:53,301 --> 02:24:00,183 ♪ Behind the camouflage Of righteousness ♪ 3120 02:24:36,260 --> 02:24:40,889 ♪ Breathe, Life is just a dream ♪ 3121 02:24:40,890 --> 02:24:44,811 ♪ Reach out and touch The screen ♪ 3122 02:24:45,561 --> 02:24:48,981 ♪ We're here to soothe you ♪ 3123 02:24:50,817 --> 02:24:52,109 ♪ Relax ♪ 3124 02:24:52,110 --> 02:24:55,279 ♪ It's better If you don't fight ♪ 3125 02:24:55,988 --> 02:24:58,990 ♪ Believe in the Flickering light ♪ 3126 02:24:58,991 --> 02:25:03,162 ♪ We can't afford to lose you ♪ 3127 02:25:19,887 --> 02:25:22,848 ♪ We offer you diversion ♪ 3128 02:25:22,849 --> 02:25:26,309 ♪ On any channel you choose ♪ 3129 02:25:26,310 --> 02:25:29,855 ♪ We give you bread And circus ♪ 3130 02:25:29,856 --> 02:25:33,734 ♪ And you still call it news ♪ 3131 02:25:33,735 --> 02:25:37,237 ♪ We orchestrate your hatred ♪ 3132 02:25:37,238 --> 02:25:40,907 ♪ It's as clear as white And black ♪ 3133 02:25:40,908 --> 02:25:44,244 ♪ We select your history ♪ 3134 02:25:44,245 --> 02:25:48,916 ♪ And you believe it's fact ♪ 3135 02:25:49,625 --> 02:25:53,754 ♪ Under the camouflage Of righteousness ♪ 3136 02:25:53,755 --> 02:25:57,257 ♪ We supply the sins While you confess ♪ 3137 02:25:57,258 --> 02:26:02,805 ♪ You're seduced by The vampires' sweet caress ♪ 3138 02:26:03,347 --> 02:26:14,274 ♪ Behind the camouflage Of righteousness ♪ 3139 02:26:14,275 --> 02:26:20,323 ♪ Behind the camouflage... ♪ 248844

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