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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:22,120 --> 00:00:24,320 Roscoe: YOU ARE GOING TO LOVE THIS. 4 00:00:24,840 --> 00:00:28,200 ROSCOE, YOU'VE GOT THAT MAD SCIENTIST LOOK. 5 00:00:29,040 --> 00:00:30,080 I THOUGHT YOU LIKED THAT LOOK. 6 00:00:30,160 --> 00:00:32,160 ONLY WHEN WE'RE PLANNING SOMETHING TOGETHER. 7 00:00:32,240 --> 00:00:34,160 YOU'RE UP TO SOMETHING. 8 00:00:34,240 --> 00:00:36,880 SO, UH, THE BAND READY FOR THE AUDITION? 9 00:00:36,960 --> 00:00:38,080 DON'T TRY TO CHANGE THE SUBJECT. 10 00:00:38,160 --> 00:00:40,120 I WANNA KNOW WHAT YOU'RE UP TO. 11 00:00:40,200 --> 00:00:42,640 CAN'T I SURPRISE MY BEST FRIEND WITH A GIFT? 12 00:00:42,720 --> 00:00:44,760 YOU GOT ME A GIFT? 13 00:00:44,840 --> 00:00:48,120 SAMANTHA, MEET BETA. 14 00:00:51,120 --> 00:00:52,360 (MEOW) 15 00:00:52,440 --> 00:00:54,080 Samantha: IT'S ADORABLE! 16 00:00:54,160 --> 00:00:56,160 BUT YOU KNOW I'M ALLERGIC TO CATS. 17 00:00:56,280 --> 00:00:58,560 NOT THIS ONE. WATCH. 18 00:01:03,040 --> 00:01:04,280 IT'S A HOLOGRAM? 19 00:01:04,360 --> 00:01:05,400 30 MILLION PIXELS. 20 00:01:05,480 --> 00:01:07,440 Man: ROSCOE, ARE YOU UP THERE? UH-OH. 21 00:01:07,520 --> 00:01:08,760 THAT'S SO SWEET. 22 00:01:08,880 --> 00:01:10,160 ROSCOE! YEAH, DAD, UM, 23 00:01:10,240 --> 00:01:11,480 I'M JUST, UH... 24 00:01:11,560 --> 00:01:13,080 TESTING SOME HOLOGRAPHIC... 25 00:01:13,160 --> 00:01:15,240 (MEOW) CAT SCANS. 26 00:01:15,320 --> 00:01:16,040 I GOTTA GO. 27 00:01:16,120 --> 00:01:18,000 DON'T FORGET THE AUDITION. 28 00:01:21,160 --> 00:01:22,760 WHOA! WHOA! 29 00:01:23,920 --> 00:01:25,520 (MEOW) 30 00:01:27,680 --> 00:01:28,520 (PURR) 31 00:01:29,440 --> 00:01:32,000 WHY IS THERE A PLAID CAT IN MY LAB? 32 00:01:32,760 --> 00:01:34,320 WELL, YOU SAID I COULD, UH, 33 00:01:34,400 --> 00:01:36,160 TEST YOUR HOLOGRAPHIC PROGRAMMING. 34 00:01:36,240 --> 00:01:38,920 UH, SKYGRAPH IS ABOUT TO PULL ALL MY FUNDING, 35 00:01:39,000 --> 00:01:40,520 AND YOU'RE MAKING HOLOGRAPHIC CATS? 36 00:01:40,600 --> 00:01:41,520 (BIRDS CHIRPING) 37 00:01:41,600 --> 00:01:42,320 (MEOW) Roscoe: WHY NOT? 38 00:01:42,400 --> 00:01:44,440 LOW MAINTENANCE COMPANION. IT COULD MAKE MILLIONS. 39 00:01:44,520 --> 00:01:45,720 BETA, NO! 40 00:01:45,800 --> 00:01:47,400 WAIT! STOP! 41 00:01:47,480 --> 00:01:49,240 DON'T YOU GO OUT... 42 00:01:49,320 --> 00:01:51,520 THIS COMPUTER IS NOT A TOY. 43 00:01:51,600 --> 00:01:53,960 LOOK, I DIDN'T DEVELOP THIS TECHNOLOGY 44 00:01:54,040 --> 00:01:55,760 FOR YOUR ENTERTAINMENT, SON. 45 00:01:57,120 --> 00:01:58,760 AT LEAST I USE IT. 46 00:01:58,840 --> 00:02:00,080 I MEAN, IF YOU WANNA KEEP YOUR FUNDING, 47 00:02:00,160 --> 00:02:01,320 THEN MAKE SOMETHING WITH IT 48 00:02:01,400 --> 00:02:02,800 INSTEAD OF JUST TALKING ABOUT IT. 49 00:02:03,440 --> 00:02:05,880 HEY, WHY--WHY DON'T YOU SHOW BETA TO SKYGRAPH? 50 00:02:07,280 --> 00:02:09,640 THEY MAY ACTUALLY BE IMPRESSED... 51 00:02:10,200 --> 00:02:12,040 EVEN IF YOU'RE NOT. 52 00:02:36,080 --> 00:02:37,440 HEY, CINDY. RACHEL. 53 00:02:37,520 --> 00:02:38,720 HEY, I DIDN'T THINK YOU'D MAKE IT. 54 00:02:38,840 --> 00:02:39,960 I WOULDN'T MISS IT. 55 00:02:40,480 --> 00:02:42,040 HEY, MRS. CONNORS. HEY, ROSCOE. 56 00:02:42,120 --> 00:02:43,600 Rachel: DEEP CLEANSING BREATHS. 57 00:02:44,120 --> 00:02:46,760 DEEP CLEANSING BREATHS. 58 00:02:46,840 --> 00:02:49,400 DEEP CLEANSING BREATHS. 59 00:02:49,520 --> 00:02:51,640 DEEP CLEANSING BREATHS. 60 00:02:51,720 --> 00:02:54,040 RACHEL. YOU'RE NOT HAVING A BABY. 61 00:02:54,120 --> 00:02:55,240 IT'S JUST AN AUDITION. 62 00:02:55,360 --> 00:02:57,560 NO, SEE, IT'S NOT JUST AN AUDITION. 63 00:02:57,640 --> 00:02:59,120 DARYL FIBBS COULD BE HERE. 64 00:02:59,200 --> 00:03:01,840 (LAUGHS) GET REAL. 65 00:03:01,920 --> 00:03:03,120 ACTUALLY, CINDY, I HAVE HEARD 66 00:03:03,200 --> 00:03:04,680 THAT DARYL FIBBS IS SCOUTING LOCAL CLUBS 67 00:03:04,760 --> 00:03:05,920 FOR HARSHTONE RECORDS. 68 00:03:06,000 --> 00:03:07,320 YEAH, SEE? 69 00:03:07,400 --> 00:03:09,360 OMM. 70 00:03:09,440 --> 00:03:10,560 WHY DO YOU ENCOURAGE HER? 71 00:03:10,640 --> 00:03:11,760 (LAUGHS) 72 00:03:11,840 --> 00:03:15,320 ZETTABYTES! YOU'RE UP. 73 00:03:23,000 --> 00:03:27,480 ♪ YOU MAY FIND ME JUST A LITTLE STRANGE ♪ 74 00:03:28,680 --> 00:03:34,040 ♪ I LIKE DANCIN' BAREFOOT IN THE POURIN' RAIN ♪ 75 00:03:35,360 --> 00:03:39,960 ♪ MY MIND IS RACIN' AT THE SPEED OF LIGHT ♪ 76 00:03:41,840 --> 00:03:46,560 ♪ I'LL DANCE AROUND YOU LIKE A SATELLITE ♪ 77 00:03:48,520 --> 00:03:51,520 ♪ I'M RECKLESS ♪ 78 00:03:51,600 --> 00:03:52,680 ♪ YOU'RE SPEECH-- ♪ 79 00:03:52,760 --> 00:03:54,880 OK! (MUSIC STOPS) 80 00:03:55,400 --> 00:03:58,320 ALL RIGHT. ALL RIGHT. PUT THE BRAKES ON. 81 00:03:58,400 --> 00:03:59,880 IS SOMETHING WRONG, MR, MOXLEY? 82 00:03:59,960 --> 00:04:02,160 DO YOU SING LEAD ON ALL THE SONGS? 83 00:04:02,720 --> 00:04:04,280 UH, PRETTY MUCH, YEAH. 84 00:04:04,360 --> 00:04:06,480 OK, LUV, PUT DOWN THE GUITAR. 85 00:04:06,560 --> 00:04:08,400 LET'S SEE YOU MOVE. 86 00:04:10,320 --> 00:04:11,920 EH. YOU MEAN, DANCE? 87 00:04:12,000 --> 00:04:13,840 DANCE. STRUT. 88 00:04:13,920 --> 00:04:16,320 SHOW SOME PERSONALITY, SOME PRESENCE. 89 00:04:16,400 --> 00:04:19,080 UH, MR. MOXLEY, I REALLY DON'T THINK... 90 00:04:19,160 --> 00:04:22,120 WELL, GOOD FOR YOU! THINKING'S OVERRATED. 91 00:04:22,240 --> 00:04:24,280 ALL RIGHT. GIMME SOME, UH, BRITNEY. 92 00:04:24,360 --> 00:04:26,040 GIMME SOME JAGGER. 93 00:04:28,360 --> 00:04:31,400 (MUSIC PLAYS) 94 00:04:36,440 --> 00:04:38,240 (MICROPHONE FEEDBACK) 95 00:04:39,920 --> 00:04:42,000 THANK YOU! 96 00:04:42,080 --> 00:04:43,920 THAT'LL BE ALL. 97 00:04:44,560 --> 00:04:46,560 "MOIST TOILET!" 98 00:04:47,560 --> 00:04:49,600 "TOWELETTE. MOIST TOWELETTE!" 99 00:04:49,720 --> 00:04:50,920 YOU DIDN'T LET THEM FINISH. 100 00:04:51,000 --> 00:04:53,080 WHAT ARE YOU, THEIR MANAGER? 101 00:04:53,160 --> 00:04:54,200 DO 'EM A FAVOR. 102 00:04:54,280 --> 00:04:55,680 PUT 'EM OUT OF THEIR MISERY. 103 00:04:55,760 --> 00:04:57,680 HEY, THEY SOUNDED GREAT. 104 00:04:57,760 --> 00:04:58,840 YEAH, BUT... 105 00:04:58,920 --> 00:05:01,520 IT'S NOT ABOUT SOUND ANYMORE. 106 00:05:01,600 --> 00:05:03,600 IT'S ABOUT IMAGE. 107 00:05:03,680 --> 00:05:04,800 LUV, 108 00:05:04,880 --> 00:05:06,800 YOU CAN'T SING LEAD FOR A BAND 109 00:05:06,880 --> 00:05:08,520 IF YOU CAN'T DO THE MOVES. 110 00:05:08,600 --> 00:05:13,120 MOIST TOWELETTE. YOU'RE UP. 111 00:05:14,640 --> 00:05:17,600 ♪ DON'T EVEN TRY IT ♪ 112 00:05:18,760 --> 00:05:20,560 ♪ NO, NO, NO, DON'T YOU UNDERSTAND? ♪ 113 00:05:20,640 --> 00:05:23,280 ♪ DON'T EVEN TRY IT ♪ 114 00:05:24,600 --> 00:05:26,400 ♪ SAY GOOD NIGHT, SAY GOOD-BYE ♪ 115 00:05:26,480 --> 00:05:28,800 ♪ DON'T EVEN TRY IT ♪ 116 00:05:29,440 --> 00:05:30,440 ♪ NO ♪ 117 00:05:30,520 --> 00:05:32,360 ♪ YOU BETTER KEEP AWAY WITH YOUR HANDS ♪ 118 00:05:32,440 --> 00:05:34,440 ♪ DON'T EVEN TRY IT ♪ 119 00:05:35,120 --> 00:05:37,520 NOW THAT'S WHAT I'M TALKING ABOUT. ♪ SAY GOOD NIGHT ♪ 120 00:05:37,600 --> 00:05:40,480 ♪ SAY GOOD-BYE, DON'T EVEN TRY ♪ 121 00:05:50,600 --> 00:05:52,320 Roscoe: ANYBODY CAN LEARN TO DANCE. 122 00:05:52,400 --> 00:05:55,440 TRUST ME, ROSCOE. YOU DON'T WANNA GO THERE. 123 00:05:56,000 --> 00:05:57,360 OK, NOBODY'S PERFECT, OK? 124 00:05:57,440 --> 00:05:58,640 OH, OK. 125 00:05:59,520 --> 00:06:01,760 IT'S NOT JUST THE DANCING ANYWAY, SAM. 126 00:06:01,840 --> 00:06:03,760 IT'S ATTITUDE, PERSONALITY. 127 00:06:03,880 --> 00:06:05,880 YEAH, IT'S AN INNER CONNECTION TO THE MUSIC. 128 00:06:05,960 --> 00:06:07,200 I'VE GOT A CONNECTION. 129 00:06:07,280 --> 00:06:09,080 AFTER ALL, I WRITE THE SONGS-- 130 00:06:09,160 --> 00:06:11,160 AND A REAL PERSONALITY. 131 00:06:12,000 --> 00:06:13,880 WELL, NO ONE CARES ABOUT REAL. 132 00:06:13,960 --> 00:06:16,320 THEY WANT LARGER THAN LIFE. 133 00:06:18,160 --> 00:06:19,680 SHE'S RIGHT, SAM. 134 00:06:23,520 --> 00:06:26,680 THERE'S WAY TOO MUCH NEGATIVE ENERGY HERE. 135 00:06:38,240 --> 00:06:39,800 HEY. 136 00:06:41,040 --> 00:06:42,160 WRITIN' DOWN SOME NEW LYRICS? 137 00:06:42,240 --> 00:06:44,160 YEAH. CAN YOU THINK OF ANYTHING 138 00:06:44,240 --> 00:06:46,240 THAT RHYMES WITH PAIN AND MISERY? 139 00:06:52,360 --> 00:06:54,440 HEY. ALL THE YEARS WE'VE BEEN FRIENDS, 140 00:06:54,560 --> 00:06:56,240 HAVE I EVER GIVEN YOU BAD ADVICE? 141 00:06:56,320 --> 00:06:57,520 ALWAYS. 142 00:06:58,880 --> 00:07:02,040 SO I'M DUE FOR SOME GOOD ADVICE. 143 00:07:05,880 --> 00:07:06,880 LOOK... 144 00:07:07,360 --> 00:07:08,680 YOU WRITE AWESOME SONGS. 145 00:07:09,520 --> 00:07:11,840 MAYBE IT'S JUST TIME YOU LET SOMEONE ELSE SING THEM... 146 00:07:12,360 --> 00:07:15,120 AN ADDITION TO THE BAND, NOT A REPLACEMENT. 147 00:07:15,240 --> 00:07:16,360 OH. 148 00:07:18,200 --> 00:07:19,360 OK. 149 00:07:22,880 --> 00:07:23,680 HERE. 150 00:07:25,760 --> 00:07:27,200 SAVE THIS. 151 00:07:28,120 --> 00:07:29,000 YOUR ORIGINAL LYRIC SHEETS 152 00:07:29,080 --> 00:07:31,080 WILL BE WORTH A FORTUNE SOMEDAY. 153 00:07:31,680 --> 00:07:33,680 SEE, THAT'S WHAT I LIKE ABOUT YOU, ROSCOE. 154 00:07:33,760 --> 00:07:35,520 YOU'RE ALWAYS... 155 00:07:36,200 --> 00:07:38,080 LOOKING TO THE FUTURE. 156 00:07:38,600 --> 00:07:40,240 YEAH, TELL MY FATHER. 157 00:07:40,800 --> 00:07:43,120 TO HIM, MY VISION IS NEVER GRAND ENOUGH. 158 00:07:43,200 --> 00:07:45,880 I WISH THERE WAS SOME SECRET 159 00:07:45,960 --> 00:07:48,480 TO BEING EVERYTHING PEOPLE WANTED US TO BE. 160 00:07:50,320 --> 00:07:51,120 YEAH, WELL... 161 00:07:51,600 --> 00:07:52,880 UNTIL SOMEONE BOTTLES PERFECTION, 162 00:07:52,960 --> 00:07:54,600 I GUESS WE'RE STUCK WITH WHAT WE'VE GOT. 163 00:08:01,760 --> 00:08:03,560 SO HOW ARE THINGS IN YOUR PART OF THE WORLD? 164 00:08:04,160 --> 00:08:05,720 ALL RIGHT, I GUESS. 165 00:08:05,800 --> 00:08:07,480 THINGS ARE A LITTLE ROUGH FOR SAM RIGHT NOW. 166 00:08:07,560 --> 00:08:10,560 MMM. I COULDN'T THINK OF A MORE PERFECT MATCH. 167 00:08:10,640 --> 00:08:12,080 (CHUCKLES) 168 00:08:12,840 --> 00:08:16,240 DAD, SAM AND I ARE JUST FRIENDS. 169 00:08:16,320 --> 00:08:17,520 SO WHAT'S THE PROBLEM? 170 00:08:17,600 --> 00:08:18,760 I DON'T KNOW. 171 00:08:18,840 --> 00:08:20,760 I MEAN, SHE'S FUN TO BE WITH. 172 00:08:20,840 --> 00:08:23,000 BUT SHE GETS SO MOODY. 173 00:08:23,680 --> 00:08:26,000 SHE'S TALENTED. BUT SHE CAN BE SO STUBBORN. 174 00:08:26,080 --> 00:08:28,680 I LIKE HER. BUT... 175 00:08:29,160 --> 00:08:30,440 SEE? THAT'S THE PROBLEM. 176 00:08:30,520 --> 00:08:32,360 HOW DO YOU GET PAST ALL THOSE BUTS? 177 00:08:32,440 --> 00:08:33,760 SHIP THEM OFF TO CHINA. 178 00:08:35,440 --> 00:08:36,400 WHAT? 179 00:08:36,480 --> 00:08:37,920 OVERNIGHT. EVERY LAST ONE OF 'EM. WE-- 180 00:08:38,000 --> 00:08:39,360 THEY--THEY NEED THE TECHNOLOGY. 181 00:08:39,440 --> 00:08:41,800 WE'VE GOT A SURPLUS. IT'S A MATCH MADE IN HEAVEN. 182 00:08:44,160 --> 00:08:45,600 THANKS FOR THE HELP. 183 00:08:46,120 --> 00:08:47,160 WHAT? 184 00:08:50,120 --> 00:08:52,280 SO, YOU HAVE A GOOD DAY, HUH? 185 00:08:52,360 --> 00:08:53,680 (MEOW) 186 00:08:54,640 --> 00:08:56,120 (MEOW) 187 00:08:56,640 --> 00:08:58,960 (IMITATES MOXLEY) NICE TONE, LUV. BUT CAN YOU MOVE? 188 00:08:59,440 --> 00:09:01,160 (MEOW) 189 00:09:06,040 --> 00:09:07,360 NICE TONE. 190 00:09:08,480 --> 00:09:11,560 NICE TONE. BUT CAN YOU MOVE? 191 00:09:11,640 --> 00:09:12,480 MOVE. 192 00:09:12,560 --> 00:09:14,040 (MEOW) 193 00:09:16,960 --> 00:09:18,280 ALL RIGHT. OH, MY GOD. 194 00:09:18,360 --> 00:09:21,520 JUST TAKE IT--GOD. 195 00:09:22,840 --> 00:09:24,160 OK, WHICH VERSION? 196 00:09:24,240 --> 00:09:25,800 YES! OK. 197 00:09:32,560 --> 00:09:33,840 (WOMAN SINGING) 198 00:09:33,920 --> 00:09:35,640 (SECOND WOMAN SINGING) Roscoe: YES! 199 00:09:35,760 --> 00:09:38,080 (THIRD WOMAN SINGING) 200 00:09:38,160 --> 00:09:41,840 (3 VOICES COMBINED SINGING) 201 00:09:51,360 --> 00:09:55,760 Girl, shouting: MY LIFE IS A LIBRARY BOOK THAT I FORGOT I TOOK! 202 00:09:55,840 --> 00:09:58,760 I DROPPED IT IN THE SAND, AND I OWE 100 GRAND! 203 00:09:58,840 --> 00:10:00,840 MY LIFE IS A LIBRARY BOOK! 204 00:10:01,240 --> 00:10:03,320 MY LIFE IS A DUMB SCHOOL SONG 205 00:10:03,400 --> 00:10:05,200 THAT I KEEP SINGING WRONG! 206 00:10:05,280 --> 00:10:08,120 OH, HAIL TO OUR SCHOOL, I FEEL LIKE A FOOL! 207 00:10:08,200 --> 00:10:10,520 MY LIFE IS A DUMB SCHOOL SONG! 208 00:10:10,600 --> 00:10:15,040 MY LIFE IS A MATH EXAM, AND I FORGOT TO CRAM! 209 00:10:15,120 --> 00:10:17,040 THE TEACHER'S GOT SOME NERVE, 210 00:10:17,120 --> 00:10:18,840 AND SOMEONE BLEW THE CURVE! 211 00:10:18,920 --> 00:10:20,880 MY LIFE IS A MATH EXAM! 212 00:10:21,880 --> 00:10:24,040 MY LIFE IS A BAD SCHOOL LUNCH. 213 00:10:24,120 --> 00:10:26,120 IT AIN'T NO SUNDAY BRUNCH! 214 00:10:26,200 --> 00:10:29,120 I TRY TO SCARF IT DOWN BUT IT COMES BACK AROUND! 215 00:10:29,200 --> 00:10:31,720 MY LIFE IS A BAD SCHOOL LUNCH! 216 00:10:33,200 --> 00:10:36,640 WOW. THAT WAS REALLY... 217 00:10:37,120 --> 00:10:38,040 SOMETHING. 218 00:10:39,600 --> 00:10:42,640 (GASPS) 219 00:10:43,640 --> 00:10:48,640 (CELTIC MUSIC PLAYS) 220 00:10:58,120 --> 00:11:01,680 (SINGING OFF-KEY) ♪ CAN'T YOU HEAR THE CAPTAIN SHOUTING ♪ 221 00:11:01,800 --> 00:11:05,480 ♪ DINAH, BLOW YOUR HORN ♪ 222 00:11:07,760 --> 00:11:10,920 I JUST LOVED YOU GUYS AT MY SISTER'S SWEET 16. 223 00:11:11,440 --> 00:11:15,920 I WOULD DO ANYTHING TO BE YOUR LEAD SINGER. 224 00:11:20,360 --> 00:11:22,280 RACHE? CAN I BORROW 225 00:11:22,360 --> 00:11:24,800 SOME OF YOUR DEEP CLEANSING BREATH? 226 00:11:26,480 --> 00:11:27,760 SO WHAT DO WE DO NOW? 227 00:11:28,280 --> 00:11:30,520 SWEET 16s AND BAR MITZVAHS. 228 00:11:30,600 --> 00:11:31,920 'CAUSE THAT'S ALL WE'LL BE GETTING. 229 00:11:32,040 --> 00:11:33,240 WE'LL JUST RUN THE AD AGAIN. 230 00:11:33,320 --> 00:11:35,480 YOU'RE JUST AVOIDING THE OBVIOUS, YOU GUYS. 231 00:11:36,240 --> 00:11:39,360 ANYBODY WITH TALENT IS ALREADY IN A BAND. 232 00:11:39,440 --> 00:11:42,960 THE ZETTABYTES HAVE GONE AS FAR AS WE'RE GONNA GO, OK? 233 00:11:43,040 --> 00:11:44,800 (COMPUTER EMITS TONE) 234 00:11:48,560 --> 00:11:49,760 EXCUSE ME. 235 00:11:49,840 --> 00:11:51,600 I'M HERE FOR THE AUDITION. 236 00:11:52,600 --> 00:11:54,480 I DON'T SEE HER ON THE LIST. 237 00:11:55,280 --> 00:11:58,240 UM, WE'RE LOOKING FOR SOMEONE WITH A WIDE VOCAL RANGE 238 00:11:58,320 --> 00:11:59,720 WHO CAN ALSO DANCE. 239 00:11:59,800 --> 00:12:01,400 SO IF YOU CAN'T DANCE... 240 00:12:01,480 --> 00:12:02,640 I CAN DANCE. 241 00:12:03,080 --> 00:12:04,840 DO YOU KNOW NOTHING'S WRONG WITH ME? 242 00:12:17,960 --> 00:12:23,200 (BAND PLAYS NOTHING'S WRONG WITH ME) 243 00:12:24,640 --> 00:12:28,960 ♪ YOU MAY FIND ME JUST A LITTLE STRANGE ♪ 244 00:12:29,840 --> 00:12:34,960 ♪ I LIKE DANCIN' BAREFOOT IN THE POURIN' RAIN ♪ 245 00:12:35,960 --> 00:12:40,040 ♪ MY MIND IS RACIN' AT THE SPEED OF LIGHT ♪ 246 00:12:41,720 --> 00:12:46,520 ♪ I'LL DANCE AROUND YOU LIKE A SATELLITE ♪ 247 00:12:47,800 --> 00:12:50,000 ♪ I'M RECKLESS ♪ 248 00:12:50,600 --> 00:12:52,760 ♪ YOU'RE SPEECHLESS ♪ 249 00:12:52,840 --> 00:12:55,680 ♪ SCREAM, SHOUT, I LOVE IT LOUD ♪ 250 00:12:55,760 --> 00:12:58,640 ♪ I FEEL THE NEED TO STAND OUT IN A CROWD ♪ 251 00:12:58,720 --> 00:13:02,360 ♪ NOTHIN'S WRONG WITH ME ♪ 252 00:13:03,200 --> 00:13:04,800 ♪ NOTHIN'S WRONG WITH ME ♪ 253 00:13:04,880 --> 00:13:07,120 ♪ FREAK OUT, AND STAND MY GROUND ♪ 254 00:13:07,200 --> 00:13:10,280 ♪ NOTHIN' IN THE WORLD IS GONNA KEEP ME DOWN ♪ 255 00:13:10,360 --> 00:13:14,840 ♪ NOTHIN'S WRONG WITH ME ♪ 256 00:13:25,000 --> 00:13:26,000 (MUSIC STOPS) 257 00:13:26,080 --> 00:13:27,200 Rachel: WOW. 258 00:13:28,880 --> 00:13:30,520 WHERE DID YOU LEARN TO MOVE LIKE THAT? 259 00:13:30,600 --> 00:13:32,520 UH, YOU DON'T LEARN TO MOVE LIKE THAT, SAM. 260 00:13:32,600 --> 00:13:33,840 IT KINDA COMES WITH THE HARDWARE. 261 00:13:34,560 --> 00:13:37,040 UM, I DON'T THINK I CAUGHT YOUR NAME. 262 00:13:37,120 --> 00:13:39,480 LORETTA. LORETTA MODERN. 263 00:13:39,560 --> 00:13:42,520 WELL, HA, IT'S NICE TO MEET YOU. 264 00:13:47,880 --> 00:13:49,400 SORRY ABOUT THAT. 265 00:13:49,480 --> 00:13:50,880 SURPRISE. 266 00:13:51,360 --> 00:13:52,760 LADIES... 267 00:13:53,320 --> 00:13:55,320 MEET YOUR NEW LEAD SINGER. 268 00:13:59,440 --> 00:14:01,560 Roscoe: MY FATHER'S BEEN WORKING ON HOLOGRAPHIC TECHNOLOGY 269 00:14:01,640 --> 00:14:03,160 AND ARTIFICIAL INTELLIGENCE FOR SKYGRAPH. 270 00:14:03,280 --> 00:14:04,920 HE JUST HASN'T APPLIED IT TO HUMAN FORM. 271 00:14:05,000 --> 00:14:06,600 SHE'S SO REAL. 272 00:14:08,440 --> 00:14:10,360 YOU'RE IN MY LIVER. 273 00:14:10,880 --> 00:14:12,560 EWW. Roscoe: DON'T WORRY ABOUT IT. 274 00:14:12,640 --> 00:14:14,440 SHE DOESN'T HAVE A LIVER. 275 00:14:14,520 --> 00:14:16,240 WELL, I KNOW WHERE IT'S SUPPOSED TO BE. 276 00:14:16,720 --> 00:14:18,200 SHE PULLS WHATEVER INFORMATION SHE NEEDS 277 00:14:18,280 --> 00:14:19,360 RIGHT OFF THE NET. 278 00:14:19,440 --> 00:14:20,720 THAT MEANS, SHE KNOWS EVERYTHING. 279 00:14:20,800 --> 00:14:21,840 IT'S INCREDIBLE. 280 00:14:21,960 --> 00:14:23,240 I DON'T EVEN SEE A PROJECTOR. 281 00:14:23,320 --> 00:14:24,200 SHE DOESN'T NEED ONE. 282 00:14:24,280 --> 00:14:25,760 THE COMPUTER USES ECHO LOCATION 283 00:14:25,840 --> 00:14:26,720 TO MEASURE THE ROOM 284 00:14:26,840 --> 00:14:28,920 AND PULSING FREQUENCIES TO HOLD HER PATTERN. 285 00:14:29,000 --> 00:14:30,480 HERE, WATCH THIS. 286 00:14:35,000 --> 00:14:38,640 I CAN CHANGE HER HAIR, HER EYES, HER WHOLE LOOK. 287 00:14:39,920 --> 00:14:40,760 (RACHEL LAUGHS) 288 00:14:40,840 --> 00:14:43,360 Cindy: WOW, THAT IS SO COOL. 289 00:14:45,280 --> 00:14:47,680 I LOVE THIS OUTFIT. 290 00:14:50,080 --> 00:14:51,640 THIS IS JUST PLAIN WEIRD. 291 00:14:51,720 --> 00:14:53,120 (BIRDS CHIRPING) Rachel: NO, IT'S FANTASTIC. 292 00:14:53,200 --> 00:14:56,400 Cindy: CAN YOU IMAGINE GOING BACK TO MOXLEY WITH HER SINGING LEAD? 293 00:14:56,480 --> 00:14:58,080 Roscoe: AS LONG AS NO ONE TRIES TO TOUCH HER, 294 00:14:58,160 --> 00:15:00,120 NOBODY WILL EVER KNOW. 295 00:15:00,200 --> 00:15:03,760 (CHIRPING) 296 00:15:07,560 --> 00:15:08,600 Loretta: ROSCOE? 297 00:15:08,720 --> 00:15:09,440 YEAH? 298 00:15:09,520 --> 00:15:10,960 CAN YOU GIVE ME A HAND? 299 00:15:11,040 --> 00:15:12,280 WELL, SURE. WITH WHAT? 300 00:15:12,360 --> 00:15:14,200 I MEAN, A HAND. 301 00:15:15,600 --> 00:15:17,160 OH, YUCK. EW. 302 00:15:17,240 --> 00:15:19,040 HOW MANY TIMES DO I HAVE TO TELL YOU? 303 00:15:19,120 --> 00:15:20,000 YOU HAVE TO STAY AWAY 304 00:15:20,080 --> 00:15:22,240 FROM WINDOWS AND DOORS THAT LEAD OUTSIDE. 305 00:15:22,960 --> 00:15:23,800 WHY? 306 00:15:23,880 --> 00:15:25,960 HOLOGRAMS CAN ONLY EXIST INDOORS. 307 00:15:26,040 --> 00:15:28,440 I CAN'T TELL YOU HOW MANY TIMES I'VE LOST THE CAT. 308 00:15:28,520 --> 00:15:30,920 WE'LL HAVE TO BUILD YOU A NEW HAND FROM SCRATCH. 309 00:15:33,040 --> 00:15:34,600 HEY, ROSCOE, 310 00:15:35,120 --> 00:15:36,800 DOES YOUR FATHER KNOW ABOUT LORETTA? 311 00:15:36,880 --> 00:15:37,640 ARE YOU KIDDING? 312 00:15:37,720 --> 00:15:39,520 IF HE FINDS OUT, HE'LL DELETE HER. 313 00:15:43,280 --> 00:15:46,000 THEN I SUGGEST WE HIDE HER. FAST. 314 00:15:47,160 --> 00:15:48,560 (CAR ALARM BEEPS) 315 00:15:52,000 --> 00:15:53,520 Roscoe: PRESS THE BUTTON EVERY TIME THE ALARM STOPS. 316 00:15:53,600 --> 00:15:55,680 IT'S GOOD FOR ABOUT 5 MINUTES. 317 00:15:56,640 --> 00:15:57,320 (BEEP BEEP) 318 00:15:57,400 --> 00:15:59,240 (CAR ALARM BLARING) 319 00:16:01,360 --> 00:16:02,960 (CAR ALARM STOPS) 320 00:16:04,880 --> 00:16:05,880 (BEEP BEEP) 321 00:16:05,960 --> 00:16:08,000 (CAR ALARM BLARING) 322 00:16:11,040 --> 00:16:12,680 SAVOR IT NOW. 323 00:16:12,760 --> 00:16:14,560 DEFEATED BY TECHNOLOGY. 324 00:16:14,640 --> 00:16:15,960 (CAR ALARM BLARING) 325 00:16:16,040 --> 00:16:17,480 Cindy: I LOVE IT. 326 00:16:17,560 --> 00:16:18,720 Rachel: WHAT'S THAT? 327 00:16:18,800 --> 00:16:20,200 HOLOGRAM STORAGE CELL. 328 00:16:20,280 --> 00:16:21,160 MY DAD INVENTED IT. 329 00:16:21,640 --> 00:16:24,040 THINKS THESE TWO WERE STOLEN BY COMPETITION. 330 00:16:25,560 --> 00:16:27,200 YOU ARE SO BAD. 331 00:16:27,720 --> 00:16:30,560 Roscoe: ALL RIGHTY. READY FOR BED, LORETTA? 332 00:16:32,720 --> 00:16:34,840 CIAO, EVERYONE. 333 00:16:37,120 --> 00:16:38,280 (BEEP) 334 00:16:42,120 --> 00:16:44,800 (BEEPING) 335 00:16:45,440 --> 00:16:47,360 (TELEPHONE RINGS) 336 00:16:48,200 --> 00:16:49,600 (RING) 337 00:16:49,680 --> 00:16:50,960 Roscoe on answering machine: HEY, THIS IS ROSCOE. 338 00:16:51,040 --> 00:16:53,000 LEAVE A MESSAGE. (BEEP) 339 00:16:53,080 --> 00:16:54,240 Sam: HEY, ROSCOE, IT'S SAMANTHA. 340 00:16:54,320 --> 00:16:55,680 IF YOU'RE THERE, PICK UP. 341 00:16:58,440 --> 00:17:02,000 UM, OK. JUST CALL ME WHEN YOU GET BACK. 342 00:17:02,120 --> 00:17:03,480 ALL RIGHT. BYE. 343 00:17:04,120 --> 00:17:05,200 (BEEP) 344 00:17:06,000 --> 00:17:07,840 (ANSWERING MACHINE BEEPS) 345 00:17:07,960 --> 00:17:09,360 WHY DIDN'T YOU TALK TO HER? 346 00:17:10,240 --> 00:17:13,440 I--I ALWAYS SCREEN MY CALLS WHEN I'M BUSY. 347 00:17:13,520 --> 00:17:14,720 IT'S NO BIG DEAL. 348 00:17:14,840 --> 00:17:15,800 Dad: ROSCOE? 349 00:17:16,920 --> 00:17:18,320 I GOTTA HIDE YOU. 350 00:17:22,080 --> 00:17:24,000 UH, HEY, DAD. 351 00:17:24,480 --> 00:17:25,360 WHO YOU TALKING TO? 352 00:17:25,440 --> 00:17:28,080 UH, NO ONE, NO ONE. MY-MY-MYSELF. 353 00:17:30,400 --> 00:17:31,360 HUH. 354 00:17:37,360 --> 00:17:38,600 WOW. 355 00:17:41,440 --> 00:17:42,640 IMPRESSIVE. 356 00:17:42,720 --> 00:17:46,120 YEAH. YEAH, WELL, IT'S--IT'S JUST A HAND. 357 00:17:46,200 --> 00:17:47,400 WELL, WHY DON'T WE TEAM UP AND WORK ON THIS TOGETHER? 358 00:17:47,480 --> 00:17:48,480 I--I DON'T-- I DON'T NEED HELP. 359 00:17:48,560 --> 00:17:49,400 I JUST THINK THAT I COULD-- 360 00:17:49,480 --> 00:17:52,040 MAYBE SOME-- SOME OTHER TIME. 361 00:17:52,560 --> 00:17:54,120 ALL RIGHT, FINE. 362 00:18:04,160 --> 00:18:05,280 Roscoe: IT'S SIMPLE, MAX. 363 00:18:05,360 --> 00:18:07,440 ALL YOU HAVE TO DO IS PLUG IN THE QUADRATIC FORMULA, 364 00:18:07,520 --> 00:18:08,400 AND SOLVE FOR "X." 365 00:18:08,840 --> 00:18:11,120 HOW CAN I DO THAT? I DON'T KNOW WHAT "X" IS. 366 00:18:12,800 --> 00:18:13,640 COME ON, MAX. 367 00:18:13,720 --> 00:18:15,320 YOUR MOTHER'S THE HEAD OF SKYGRAPH. 368 00:18:15,400 --> 00:18:18,400 SOME OF THOSE BRAINS MUST HAVE TRICKLED DOWN. 369 00:18:21,920 --> 00:18:23,520 WELL, YOU KEEP WORKIN' ON THIS. 370 00:18:23,600 --> 00:18:25,320 I'LL BE RIGHT BACK. 371 00:18:25,400 --> 00:18:27,680 WAIT! WHERE ARE YOU GOIN'? 372 00:18:27,760 --> 00:18:29,800 COME ON! WHAT'S MORE IMPORTANT, 373 00:18:29,920 --> 00:18:32,680 SOME GIRL OR MY MATH TEST? 374 00:18:33,280 --> 00:18:35,120 Roscoe: SAM, WAIT UP. 375 00:18:35,200 --> 00:18:36,120 HI. 376 00:18:36,200 --> 00:18:36,960 HEY. 377 00:18:37,040 --> 00:18:37,960 I HAVEN'T SEEN YOU ALL WEEK. 378 00:18:38,040 --> 00:18:39,440 YEAH, WELL, YOU KNOW, I'VE BEEN WORKIN' PRETTY HARD 379 00:18:39,520 --> 00:18:40,720 FINE-TUNING LORETTA. 380 00:18:40,800 --> 00:18:43,400 I WANT HER TO BE JUST RIGHT FOR HER FIRST GIG. 381 00:18:45,360 --> 00:18:47,160 FIRST GIG? 382 00:18:47,640 --> 00:18:49,280 WHAT DO YOU KNOW THAT I DON'T? 383 00:18:49,360 --> 00:18:51,360 ARE YOU GONNA GO TO THE DANCE ON SATURDAY? 384 00:18:51,440 --> 00:18:53,360 WELL, THAT DEPENDS. ARE YOU ASKING ME? 385 00:18:54,400 --> 00:18:55,520 WHAT'S THE POINT IN ASKING 386 00:18:55,600 --> 00:18:57,520 IF YOU'RE GONNA BE ON STAGE THE WHOLE TIME? 387 00:18:58,360 --> 00:19:00,280 WHAT DO YOU MEAN? 388 00:19:00,800 --> 00:19:02,800 THE INFECTIOUS MEASLES ARE PLAYING. 389 00:19:03,320 --> 00:19:05,040 AREN'T THEY? 390 00:19:07,200 --> 00:19:08,840 (FEEDBACK) 391 00:19:09,560 --> 00:19:10,880 THIS OVER HERE. IS THIS ON? 392 00:19:11,000 --> 00:19:13,560 (FEEDBACK) HELLO? EXCUSE ME. 393 00:19:14,600 --> 00:19:16,040 WOW. 394 00:19:16,120 --> 00:19:18,640 I KNOW ALL OF YOU HERE ARE WAITING 395 00:19:18,720 --> 00:19:21,080 TO CATCH THE INFECTIOUS MEASLES TONIGHT. 396 00:19:21,160 --> 00:19:23,600 (ALL CHEERING) 397 00:19:24,640 --> 00:19:26,320 UM, I'M SORRY TO SAY 398 00:19:26,400 --> 00:19:29,400 THAT THE INFECTIOUS MEASLES WON'T BE PERFORMING 399 00:19:29,520 --> 00:19:33,520 AS THEIR LEAD SINGER HAS THE CHICKEN POX. 400 00:19:33,600 --> 00:19:34,520 (ALL BOOING) 401 00:19:34,600 --> 00:19:36,960 BUT, UH, SOME OF YOUR VERY OWN SCHOOLMATES 402 00:19:38,040 --> 00:19:41,520 HAVE VOLUNTEERED TO FILL IN FOR THEM. 403 00:19:41,600 --> 00:19:43,360 (ALL BOOING) 404 00:19:43,440 --> 00:19:44,600 NOW, NOW, COME ON. 405 00:19:44,680 --> 00:19:47,040 DON'T BE DISPARAGING, OK? 406 00:19:47,160 --> 00:19:48,840 ALL RIGHT. NOW REMEMBER, 407 00:19:48,920 --> 00:19:50,880 DON'T LET ANY OF THE BAND MEMBERS GET TOO CLOSE, 408 00:19:50,960 --> 00:19:52,280 OR THEY'LL PASS RIGHT THROUGH YOU. 409 00:19:52,360 --> 00:19:54,880 IT'S SO SWEET. IT'S LIKE HE'S HER MOTHER. 410 00:19:54,960 --> 00:19:56,880 WE COULD HAVE DONE THIS WITHOUT HER. 411 00:19:56,960 --> 00:19:59,600 SO PUT YOUR HANDS TOGETHER 412 00:19:59,680 --> 00:20:01,880 FOR THE ZETTABYTES! 413 00:20:01,960 --> 00:20:04,760 (CROWD BOOING) 414 00:20:10,160 --> 00:20:11,560 Sam: UH... 415 00:20:11,960 --> 00:20:13,960 1, 2, 3, 4! 416 00:20:14,040 --> 00:20:16,920 (BAND PLAYS NOTHING'S WRONG WITH ME) 417 00:20:21,200 --> 00:20:25,440 ♪ YOU MAY FIND ME JUST A LITTLE STRANGE ♪ 418 00:20:26,560 --> 00:20:31,360 ♪ I LIKE DANCIN' BAREFOOT IN THE POURIN' RAIN ♪ 419 00:20:32,680 --> 00:20:36,960 ♪ MY MIND IS RACIN' AT THE SPEED OF LIGHT ♪ 420 00:20:38,680 --> 00:20:43,320 ♪ I'LL DANCE AROUND YOU LIKE A SATELLITE ♪ 421 00:20:44,640 --> 00:20:49,520 ♪ I'M RECKLESS, YOU'RE SPEECHLESS ♪ 422 00:20:49,640 --> 00:20:52,040 ♪ SCREAM, SHOUT, I LOVE IT LOUD ♪ 423 00:20:52,120 --> 00:20:55,320 ♪ I FEEL THE NEED TO STAND OUT IN A CROWD ♪ 424 00:20:55,440 --> 00:20:59,200 ♪ NOTHIN'S WRONG WITH ME ♪ 425 00:21:00,320 --> 00:21:01,440 ♪ NOTHIN'S WRONG WITH ME ♪ 426 00:21:01,520 --> 00:21:03,920 ♪ FREAK OUT AND STAND MY GROUND ♪ 427 00:21:04,000 --> 00:21:07,200 ♪ NOTHIN' IN THE WORLD IS GONNA KEEP ME DOWN ♪ 428 00:21:07,280 --> 00:21:11,800 ♪ NOTHIN'S WRONG WITH ME ♪ 429 00:21:16,560 --> 00:21:20,480 ♪ I SEE SOME THINGS THAT MIGHT NOT COME OUT RIGHT ♪ 430 00:21:22,320 --> 00:21:28,200 ♪ I SAY THEM LOUD AND PROUD AND IN THE LIGHT ♪ 431 00:21:28,280 --> 00:21:32,160 ♪ IF YOU ASK ABOUT MY ATTITUDE ♪ 432 00:21:34,240 --> 00:21:35,720 ♪ I'LL SAY COME ON ♪ 433 00:21:35,800 --> 00:21:38,160 ♪ JUST GET A CLUE ♪ 434 00:21:38,920 --> 00:21:41,720 ♪ SCREAM, SHOUT, I LOVE IT LOUD ♪ 435 00:21:41,800 --> 00:21:44,840 ♪ I FEEL THE NEED TO STAND OUT IN A CROWD ♪ 436 00:21:44,920 --> 00:21:48,920 ♪ NOTHIN'S WRONG WITH ME ♪ 437 00:21:49,600 --> 00:21:50,920 ♪ NOTHIN'S WRONG WITH ME ♪ 438 00:21:51,000 --> 00:21:53,320 ♪ FREAK OUT AND STAND MY GROUND ♪ 439 00:21:53,400 --> 00:21:56,440 ♪ NOTHIN' IN THE WORLD IS GONNA KEEP ME DOWN ♪ 440 00:21:56,520 --> 00:21:59,600 ♪ NOTHIN'S WRONG WITH ME ♪ 441 00:22:00,760 --> 00:22:03,480 ♪ NOTHIN'S WRONG WITH ME ♪ 442 00:22:03,560 --> 00:22:05,880 ♪ NOTHIN'S WRONG WITH ME ♪ 443 00:22:05,960 --> 00:22:08,440 ♪ NOTHIN'S WRONG WITH ME ♪ 444 00:22:08,520 --> 00:22:12,440 ♪ NOTHIN'S WRONG WITH ♪ 445 00:22:12,560 --> 00:22:17,640 ♪ ME ♪ 446 00:22:17,720 --> 00:22:21,960 (CHEERING) 447 00:22:28,760 --> 00:22:30,920 MY NAME IS LORETTA MODERN, 448 00:22:31,000 --> 00:22:32,800 AND WE ARE THE ZETTABYTES. 449 00:22:32,880 --> 00:22:35,160 (CHEERING) 450 00:22:45,920 --> 00:22:47,760 Loretta: THIS IS SO FUN, ROSCOE. 451 00:22:47,840 --> 00:22:49,320 CAN WE DO THIS EVERY DAY? 452 00:22:49,840 --> 00:22:52,160 WELL, LET'S FIRST SEE IF YOU CAN PHOTOGRAPH. 453 00:22:52,240 --> 00:22:52,960 IF YOU'RE JUST TUNING IN, 454 00:22:53,040 --> 00:22:54,960 OUR GUEST TODAY IS DARYL FIBBS. 455 00:22:55,040 --> 00:22:57,720 SO WHAT MADE THE NOTORIOUS DE FIBB GIVE UP RAP 456 00:22:57,800 --> 00:22:59,520 AND TAKE A JOB WITH HARSHTONE RECORDS? 457 00:22:59,960 --> 00:23:03,000 I--I DECIDED I WANTED TO BE A STAR MAKER INSTEAD OF A STAR. 458 00:23:03,080 --> 00:23:04,960 THAT'S WHY I'M SCOUTING NEW ACTS 459 00:23:05,040 --> 00:23:07,200 IN BACK ROOMS WHERE I'LL DISCOVER TALENT. 460 00:23:07,320 --> 00:23:08,600 THAT'S SOMEBODY WE SHOULD GET TO KNOW. 461 00:23:08,680 --> 00:23:11,200 BUT TO GIVE UP PERFORMING... 462 00:23:11,280 --> 00:23:14,800 LORETTA? WELL, I MEAN, IT'S LIKE BOXING. 463 00:23:14,880 --> 00:23:16,640 THE CHAMP... 464 00:23:19,800 --> 00:23:21,080 Roscoe: HOW DO YOU LIKE THE RAIN? 465 00:23:21,160 --> 00:23:22,200 Loretta: I DON'T KNOW. 466 00:23:23,160 --> 00:23:25,640 IT ONLY HAPPENS OUTSIDE. 467 00:23:27,040 --> 00:23:29,000 I CAN'T GO OUTSIDE. 468 00:23:34,120 --> 00:23:35,480 SO HOW SHOULD I LOOK NOW? 469 00:23:36,040 --> 00:23:37,360 WHAT? 470 00:23:37,440 --> 00:23:38,840 FOR YOUR PICTURES. 471 00:23:39,360 --> 00:23:41,160 OH, UH, RIGHT. UM... 472 00:23:41,240 --> 00:23:42,520 LET'S SEE. 473 00:23:42,600 --> 00:23:45,400 UH, FIRST, UH, LOOK AT ME 474 00:23:45,480 --> 00:23:47,560 LIKE YOU'RE SURPRISED. 475 00:23:48,360 --> 00:23:49,400 GREAT. ALL RIGHT. 476 00:23:49,480 --> 00:23:52,880 NOW, UH, LOOK AT ME LIKE YOU'RE ANGRY. 477 00:23:54,640 --> 00:23:58,240 OK, NOW, UH, LOOK AT ME LIKE YOU'RE IN LOVE. 478 00:24:01,720 --> 00:24:03,480 IS THIS RIGHT? 479 00:24:05,360 --> 00:24:06,560 YEAH. 480 00:24:08,880 --> 00:24:11,200 YEAH, IT'S-- IT'S PERFECT. 481 00:24:17,920 --> 00:24:19,520 HMM. 482 00:24:22,360 --> 00:24:23,680 Loretta: THEY'RE ALL THE SAME. 483 00:24:23,760 --> 00:24:25,520 IT'S LIKE I'M NOT REALLY THERE. 484 00:24:25,600 --> 00:24:28,640 YOU'RE LIKE LIGHTNING. YOU KNOW, IT'S HARD TO CATCH IN A PICTURE. 485 00:24:28,720 --> 00:24:30,760 BUT IT'S STILL THERE, LIKE YOU. 486 00:24:31,440 --> 00:24:32,600 WHY AM I HERE? 487 00:24:33,000 --> 00:24:36,600 YOU'RE HERE 'CAUSE THE ZETTABYTES NEED A NEW LEAD SINGER. 488 00:24:38,360 --> 00:24:40,120 DO YOU KNOW WHY YOU'RE HERE? 489 00:24:40,200 --> 00:24:41,400 UM... 490 00:24:42,440 --> 00:24:46,560 MAYBE I'M HERE TO BOTTLE PERFECTION. 491 00:24:48,040 --> 00:24:48,960 WHAT I MEAN IS, 492 00:24:49,040 --> 00:24:50,880 MAYBE I'M HERE TO MAKE YOU. 493 00:25:01,640 --> 00:25:05,200 ROSCOE, DUDE, YOU GOTTA SET ME UP WITH LORETTA. 494 00:25:05,280 --> 00:25:08,000 MAX, DUDE, LORETTA DOESN'T DATE. 495 00:25:08,080 --> 00:25:09,560 SO? CONVINCE HER. 496 00:25:10,080 --> 00:25:13,280 COME ON. HELP OUT A FELLOW SKYGRAPH BRAT. 497 00:25:13,880 --> 00:25:14,960 HEY... 498 00:25:15,040 --> 00:25:16,960 TOO BAD ABOUT YOUR DAD, BY THE WAY. 499 00:25:17,040 --> 00:25:19,320 MY--MY DAD? WHAT HAPPENED TO MY DAD? 500 00:25:19,400 --> 00:25:20,840 BETWEEN YOU AND ME, 501 00:25:20,920 --> 00:25:22,760 MY MOM'S BEEN TALKIN' ABOUT SHUTTIN' DOWN HIS PROJECT. 502 00:25:22,840 --> 00:25:24,360 NOT ENOUGH RESULTS. 503 00:25:24,440 --> 00:25:25,360 WHAT? WHEN? 504 00:25:25,440 --> 00:25:27,400 I DON'T KNOW. I-- I COULD TALK TO HER, 505 00:25:27,480 --> 00:25:28,800 GET HIM OUT OF THE PENALTY BOX. 506 00:25:28,920 --> 00:25:32,280 THAT IS, IF YOU HELP ME. 507 00:25:43,640 --> 00:25:44,480 HEY. 508 00:25:45,640 --> 00:25:47,040 STUDYING HARD? 509 00:25:47,120 --> 00:25:48,800 IT'S A NEW LYRIC. 510 00:25:48,880 --> 00:25:51,000 I'M WRITING IT TO MATCH OUR NEW IMAGE. 511 00:25:51,080 --> 00:25:52,760 I'M SURE LORETTA WILL LOVE IT. 512 00:25:52,840 --> 00:25:54,480 SHE'LL LIKE WHATEVER YOU LIKE. 513 00:25:54,560 --> 00:25:55,360 YEAH. 514 00:25:56,600 --> 00:25:59,040 UM...LOOK, I WAS THINKING... 515 00:25:59,120 --> 00:26:02,800 MAYBE WE COULD GO OUT FOR DINNER ON--ON SATURDAY. 516 00:26:07,040 --> 00:26:08,440 I'D REALLY LIKE THAT, ROSCOE. 517 00:26:08,520 --> 00:26:09,960 GREAT! YEAH. 518 00:26:10,040 --> 00:26:12,040 I FIGURE WE CAN MAKE IT A DOUBLE DATE. 519 00:26:12,120 --> 00:26:13,280 WITH WHO? 520 00:26:13,840 --> 00:26:15,320 (COUGHS) MAX McALLISTER. 521 00:26:16,600 --> 00:26:18,000 MAX? 522 00:26:19,800 --> 00:26:22,440 WAIT A SECOND. YOU CAN'T BE-- 523 00:26:22,560 --> 00:26:23,680 I MADE A DEAL WITH HIM. 524 00:26:23,760 --> 00:26:26,200 AND LORETTA CAN'T BE THERE WITHOUT ME. 525 00:26:26,800 --> 00:26:27,960 YOU CAN'T BE SERIOUS. 526 00:26:28,040 --> 00:26:29,680 IT COULD HELP SAVE MY FATHER'S JOB. 527 00:26:30,200 --> 00:26:32,440 BESIDES, LORETTA NEEDS SOCIAL EXPERIENCE. 528 00:26:32,520 --> 00:26:33,560 SO DO YOU. 529 00:26:34,840 --> 00:26:36,840 WHY DOES EVERYTHING HAVE TO BE SUCH A BATTLE WITH YOU? 530 00:26:36,920 --> 00:26:39,560 I'M SORRY I CAN'T BE AGREEABLE 24/7 LIKE LORETTA. 531 00:26:39,640 --> 00:26:41,480 YEAH, SO AM I. 532 00:26:43,240 --> 00:26:45,880 OH, I'M SOR-- I DIDN'T MEAN THAT. 533 00:26:47,080 --> 00:26:48,800 YES, YOU DID. 534 00:26:50,040 --> 00:26:51,320 SAM... 535 00:26:58,360 --> 00:26:59,880 Max: SO I CHECKED THE CREEP INTO THE BOARDS, 536 00:26:59,960 --> 00:27:01,240 AND I SCORED THE WINNING GOAL. 537 00:27:01,320 --> 00:27:04,080 WOW, WHAT A STORY. ISN'T THAT A GREAT STORY, LORETTA? SHE LOVES HOCKEY. 538 00:27:05,720 --> 00:27:08,360 THE DUCKS ARE UP 4 TO 3 IN THE THIRD PERIOD. 539 00:27:09,040 --> 00:27:11,360 Max: REALLY? HOW'D YOU KNOW THAT? 540 00:27:12,880 --> 00:27:13,960 SHE'S PSYCHIC. 541 00:27:14,040 --> 00:27:14,880 NO WAY! 542 00:27:14,960 --> 00:27:16,400 HA HA. SAM'S KIDDING. 543 00:27:16,480 --> 00:27:17,880 IT'S--IT'S RIGHT HERE ON MY--MY COMPUTER. 544 00:27:17,960 --> 00:27:21,720 DUDE...DO YOU HAVE TO TAKE THAT THING EVERYWHERE YOU GO? 545 00:27:24,200 --> 00:27:25,800 SO...LORETTA... 546 00:27:25,880 --> 00:27:27,760 TELL ME A LITTLE ABOUT YOURSELF. WHERE YOU FROM? 547 00:27:27,840 --> 00:27:29,560 SHE'S VISITING. SHE'S AN EXCHANGE STUDENT. 548 00:27:29,640 --> 00:27:31,080 WE'RE HOSTING HER. WOW. 549 00:27:31,520 --> 00:27:33,920 I GOTTA GET INTO THE HOSTING BUSINESS. 550 00:27:37,360 --> 00:27:39,160 SO, WHAT COUNTRY ARE YOU FROM? 551 00:27:39,240 --> 00:27:40,920 OH, WELL, SHE'S FROM... ANTARCTICA. 552 00:27:41,000 --> 00:27:42,800 Max: NO WAY! 553 00:27:44,560 --> 00:27:47,960 MEAN WINTER TEMPERATURES ARE 74 DEGREES BELOW ZERO, 554 00:27:48,480 --> 00:27:50,880 5.5 MILLION SQUARE MILES. 555 00:27:50,960 --> 00:27:51,920 Max: AMAZING. 556 00:27:52,000 --> 00:27:53,080 AND YOU DON'T EVEN HAVE AN ACCENT. 557 00:27:53,640 --> 00:27:56,440 Sam: SHE CAME HERE TO ESCAPE 6 MONTHS OF DARKNESS. 558 00:27:56,520 --> 00:27:59,560 OF COURSE, NOT ALL OF US CAN BE SO LUCKY. 559 00:28:01,280 --> 00:28:02,480 YOU KNOW WHAT YOU WANT? 560 00:28:02,560 --> 00:28:03,720 OH, I DON'T EAT. 561 00:28:03,800 --> 00:28:06,680 MEAT. MEAT. SHE DOESN'T EAT MEAT. 562 00:28:06,760 --> 00:28:07,920 VEGAN. COOL. 563 00:28:08,320 --> 00:28:11,560 WE'LL HAVE THE 1/2 POUND BURGER... AND THE VEGGIE PLATE? 564 00:28:11,640 --> 00:28:13,640 JUST FRIES FOR US. 565 00:28:17,280 --> 00:28:20,960 YOU HAVE THE SMOOTHEST HANDS I HAVE EVER SEEN. 566 00:28:21,920 --> 00:28:23,880 OOH! DO THAT AGAIN! 567 00:28:23,960 --> 00:28:25,440 (CELL PHONE RINGS) 568 00:28:27,080 --> 00:28:27,880 HELLO? 569 00:28:27,960 --> 00:28:29,800 YOU CHANGED MY HOLOGRAPHIC PROTOCOLS, DIDN'T YOU?! 570 00:28:30,480 --> 00:28:32,520 DAD, THIS IS A REALLY BAD TIME. I'M ON A DATE. 571 00:28:32,600 --> 00:28:34,720 I DON'T CARE WHERE YOU ARE. 572 00:28:34,800 --> 00:28:36,120 HERE. 573 00:28:41,680 --> 00:28:42,960 DAD, JUST CALM DOWN, OK? 574 00:28:43,040 --> 00:28:45,640 YOU DELIBERATELY ALTERED MY PROGRAMS. 575 00:28:45,720 --> 00:28:47,400 NO. I MADE IT MORE EFFICIENT. 576 00:28:47,480 --> 00:28:50,000 YOU KNOW, WHEN I FIRST SAW YOU ON STAGE, 577 00:28:50,080 --> 00:28:51,600 I THOUGHT WE HAD A CONNECTION BETWEEN US. 578 00:28:51,680 --> 00:28:53,120 I MEAN, REALLY DEEP DOWN. 579 00:28:53,200 --> 00:28:56,760 TO TELL YOU THE TRUTH, I REALLY DON'T GO THAT DEEP. 580 00:28:56,880 --> 00:28:59,000 NEITHER DO I. SEE, IT'S PERFECT. 581 00:28:59,440 --> 00:29:02,080 I THINK I'M GONNA BE SICK. 582 00:29:02,160 --> 00:29:05,160 (LAUGHS) 583 00:29:06,640 --> 00:29:10,120 MAX, CAN I JUST MELT IN YOUR ARMS? 584 00:29:10,840 --> 00:29:12,840 WHY DON'T YOU? 585 00:29:12,920 --> 00:29:14,920 YOU HAVE TO KISS ME FIRST. 586 00:29:15,000 --> 00:29:18,560 WHOA! LOOK AT THE DESSERTS AT THIS PLACE! 587 00:29:20,040 --> 00:29:21,880 LORETTA, GET A GRIP. 588 00:29:21,960 --> 00:29:23,560 TALK TO THE HAND. 589 00:29:24,040 --> 00:29:25,880 UM...UH... 590 00:29:25,960 --> 00:29:27,960 OH--OH, NO, MY KEYS. 591 00:29:28,080 --> 00:29:29,880 MAX, WOULD YOU GO GET THEM FOR ME? 592 00:29:29,960 --> 00:29:32,640 YEAH. SURE. 593 00:29:37,000 --> 00:29:40,080 HEY, WHAT ABOUT MY KISS? 594 00:29:40,160 --> 00:29:42,040 I ASKED HIM FIRST. 595 00:29:45,320 --> 00:29:47,320 (SEXY WHISTLE) 596 00:29:53,760 --> 00:29:55,680 I GOTTA GO. 597 00:29:58,040 --> 00:29:59,680 HURRY, ROSCOE! 598 00:30:10,240 --> 00:30:12,200 Sam: HERE HE COMES. 599 00:30:12,280 --> 00:30:13,200 (NERVOUS CHUCKLE) 600 00:30:13,280 --> 00:30:14,680 WHERE DID LORETTA GO? 601 00:30:14,760 --> 00:30:17,680 UH...GETTING SOME AIR. 602 00:30:17,760 --> 00:30:20,160 SHE--SHE WAS FEELING LIGHT-HEADED. 603 00:30:20,240 --> 00:30:22,680 SOME OF US CALL THAT LOVE. 604 00:30:31,080 --> 00:30:32,720 OOH. 605 00:30:33,280 --> 00:30:35,200 WHAT'S SHE DOING OVER THERE? 606 00:30:35,280 --> 00:30:39,040 OH...JUST POPPING IN ON SOME OLD FRIENDS. 607 00:30:46,960 --> 00:30:50,320 WELL, THAT WAS THE MOST UNUSUAL DATE I'VE EVER BEEN ON. 608 00:30:50,400 --> 00:30:51,680 (BOTH LAUGH) 609 00:30:51,760 --> 00:30:53,720 YOU GOTTA ADMIT IT WAS FUN. 610 00:30:55,240 --> 00:30:58,240 UM, LOOK... 611 00:30:58,320 --> 00:31:02,560 I, UH--I NEED YOU TO DO ONE MORE THING FOR LORETTA. 612 00:31:03,240 --> 00:31:05,320 CAN WE JUST ONCE NOT TALK ABOUT LORETTA? 613 00:31:05,400 --> 00:31:07,200 I NEED YOU TO KEEP HER FOR A WHILE. 614 00:31:07,280 --> 00:31:09,400 YOU'RE ASKING THE WRONG PERSON. 615 00:31:09,480 --> 00:31:10,920 I CAN'T EVEN KEEP A HAMSTER ALIVE. 616 00:31:11,000 --> 00:31:12,560 SHE'S NOT A PET. SHE'S A PERSON. 617 00:31:12,680 --> 00:31:13,840 SHE'S A PROGRAM. 618 00:31:14,840 --> 00:31:17,920 LOOK, IF I KEEP HER, MY DAD WILL FIND HER, 619 00:31:18,000 --> 00:31:20,080 AND THEN YOU'LL LOSE YOUR LEAD SINGER. 620 00:31:20,760 --> 00:31:22,160 COME ON. 621 00:31:22,240 --> 00:31:23,240 IT'LL BE GOOD FOR HER. 622 00:31:23,760 --> 00:31:25,680 YOU CAN TEACH HER HOW TO BE REAL. 623 00:31:26,080 --> 00:31:27,440 HMM? 624 00:31:28,600 --> 00:31:29,920 PLEASE? 625 00:31:34,080 --> 00:31:35,600 AFTER YOU. 626 00:32:00,200 --> 00:32:03,160 (GUITAR PLAYING) 627 00:32:11,960 --> 00:32:13,960 THAT'S GREAT, MS. CONNORS. 628 00:32:14,400 --> 00:32:15,480 THANK YOU, ROSCOE. 629 00:32:16,000 --> 00:32:17,480 I SEE WHERE SAMANTHA GETS IT FROM. 630 00:32:19,160 --> 00:32:22,440 WELL...I NEVER QUITE HAD HER DETERMINATION. HA. 631 00:32:22,520 --> 00:32:24,280 SO, UH, IS SAM INSIDE? 632 00:32:24,360 --> 00:32:27,000 YEAH. SHE'S STUDYING WITH THAT NEW GIRL? 633 00:32:33,200 --> 00:32:36,840 THE ANSWER IS 3 TIMES THE SQUARE ROOT OF 2. 634 00:32:37,400 --> 00:32:38,760 IT'S MY HOMEWORK. 635 00:32:38,840 --> 00:32:40,600 I'VE GOT TO BE THE ONE TO GET IT RIGHT. 636 00:32:40,680 --> 00:32:42,640 BUT YOU GOT IT WRONG. 637 00:32:42,720 --> 00:32:43,840 THAT'S HOW YOU LEARN. 638 00:32:43,920 --> 00:32:45,480 YOU GET IT WRONG UNTIL YOU GET IT RIGHT. 639 00:32:45,560 --> 00:32:47,160 THAT'S SUCH A WASTE OF TIME. 640 00:32:48,040 --> 00:32:50,760 THAT JUST GOES TO SHOW THAT YOU DON'T KNOW EVERYTHING. 641 00:32:50,840 --> 00:32:52,240 YES, I DO. 642 00:32:53,600 --> 00:32:55,760 OK, MAYBE YOU DO. 643 00:32:55,840 --> 00:32:58,160 BUT YOU DON'T UNDERSTAND ANY OF IT. 644 00:32:58,240 --> 00:33:00,120 YOU COULD KNOW WHAT A BABY IS... 645 00:33:00,760 --> 00:33:02,960 BUT YOU'VE NEVER BEEN ONE. 646 00:33:03,040 --> 00:33:05,520 YOU CAN KNOW EVERY TYPE OF BICYCLE, 647 00:33:05,600 --> 00:33:08,680 BUT YOU'VE NEVER FALLEN OFF ONE 648 00:33:08,800 --> 00:33:10,120 AND SCRAPED YOUR KNEE. 649 00:33:10,200 --> 00:33:11,600 YOU'VE NEVER HAD TO TRY AND FAIL. 650 00:33:11,680 --> 00:33:16,440 TRY AND FAIL UNTIL... YOU GET SOMETHING RIGHT. 651 00:33:16,520 --> 00:33:19,000 HEY, GIRLS. HOW'S STUDYING GOING? 652 00:33:19,080 --> 00:33:21,200 SHE'S MAD BECAUSE I'M PERFECT. 653 00:33:21,280 --> 00:33:22,120 (SCOFFS) 654 00:33:22,880 --> 00:33:24,480 I DON'T EVEN KNOW WHY I TALK TO HER. 655 00:33:24,560 --> 00:33:25,800 SHE'S NOT EVEN REAL. 656 00:33:25,880 --> 00:33:27,000 SHE'S JUST A TRICK OF LIGHT. 657 00:33:27,080 --> 00:33:30,520 AND YOU'RE NOTHING BUT WATER AND A FEW POUNDS OF CHEMICALS. 658 00:33:30,600 --> 00:33:31,280 OOH. 659 00:33:31,400 --> 00:33:32,360 MAYBE A FEW MORE POUNDS 660 00:33:32,440 --> 00:33:33,800 THAN YOU REALLY NEED. 661 00:33:37,760 --> 00:33:39,160 IT'S NOT FAIR! 662 00:33:39,240 --> 00:33:41,840 I CAN'T EVEN SMACK HER! 663 00:33:41,920 --> 00:33:43,160 HE SCREENS YOUR CALLS. 664 00:33:43,240 --> 00:33:46,080 OK, I THINK WE'VE ALL GOTTA CALM DOWN 665 00:33:46,160 --> 00:33:47,920 JUST A LITTLE BIT. 666 00:33:48,000 --> 00:33:49,360 YOU SCREEN MY CALLS? 667 00:33:49,440 --> 00:33:52,080 WELL...DON'T THINK ABOUT THAT RIGHT NOW. 668 00:33:52,160 --> 00:33:54,880 SAM, WHY DON'T YOU SHOW LORETTA 669 00:33:54,960 --> 00:33:56,920 THE SONG YOU WROTE FOR HER. 670 00:33:57,000 --> 00:33:58,400 YOU WROTE A SONG FOR ME? 671 00:33:58,880 --> 00:34:01,880 I WROTE IT FOR THE BAND! 672 00:34:03,120 --> 00:34:04,840 WITH YOU IN MIND. 673 00:34:05,680 --> 00:34:07,480 COULD I HEAR IT? 674 00:34:11,400 --> 00:34:12,720 FINE. 675 00:34:22,080 --> 00:34:26,280 (PLAYING MEDIUM-TEMPO ROCK MELODY) 676 00:34:33,680 --> 00:34:36,800 ♪ HERE'S THE STORY OF A GIRL ♪ 677 00:34:36,880 --> 00:34:39,800 ♪ LIVIN' IN A LONELY WORLD ♪ 678 00:34:39,880 --> 00:34:42,720 ♪ A HIDDEN NOTE, A SECRET CRUSH ♪ 679 00:34:42,800 --> 00:34:45,760 ♪ A LITTLE BOY WHO TALKS TOO MUCH ♪ 680 00:34:45,840 --> 00:34:48,600 ♪ WELL, I'M STANDING IN A CROWD ♪ 681 00:34:48,680 --> 00:34:51,600 ♪ AND WHEN YOU SMILE I CHECK YOU OUT ♪ 682 00:34:51,680 --> 00:34:54,640 ♪ BUT YOU DON'T EVEN KNOW MY NAME ♪ 683 00:34:54,720 --> 00:34:57,120 ♪ YOU'RE TOO BUSY PLAYIN' GAMES ♪ 684 00:34:57,200 --> 00:35:01,400 ♪ AND I WANT YOU TO KNOW ♪ 685 00:35:02,680 --> 00:35:07,360 ♪ IF YOU LOSE YOUR WAY I WON'T LET YOU GO ♪ 686 00:35:08,240 --> 00:35:11,560 ♪ IF I CUT MY HAIR, IF I CHANGE MY CLOTHES ♪ 687 00:35:11,640 --> 00:35:13,640 ♪ WILL YOU NOTICE ME? ♪ 688 00:35:14,320 --> 00:35:17,440 ♪ IF I BITE MY LIP, IF I SAY HELLO ♪ 689 00:35:17,520 --> 00:35:19,520 ♪ WILL YOU NOTICE ME? ♪ 690 00:35:21,040 --> 00:35:24,680 ♪ WHAT'S IT GONNA TAKE FOR YOU TO SEE ♪ 691 00:35:25,080 --> 00:35:29,360 ♪ TO GET YOU TO NOTICE ME? ♪ 692 00:35:38,320 --> 00:35:42,680 ♪ OH, DON'T GET ME WRONG ♪ 693 00:35:42,760 --> 00:35:43,640 ♪ GET ME WRONG ♪ 694 00:35:43,720 --> 00:35:44,640 ♪ YOU BETTER MAKE YOUR MOVE ♪ 695 00:35:44,720 --> 00:35:48,360 ♪ BEFORE THE MOMENT'S GONE ♪ 696 00:35:48,440 --> 00:35:50,760 ♪ TELL ME IF I CUT MY HAIR ♪ 697 00:35:50,840 --> 00:35:54,240 ♪ IF I CHANGE MY CLOTHES WILL YOU NOTICE ME? ♪ 698 00:35:55,400 --> 00:35:58,160 ♪ IF I BITE MY LIP, IF I SAY HELLO ♪ 699 00:35:58,240 --> 00:36:00,920 ♪ WILL YOU NOTICE ME? ♪ 700 00:36:05,920 --> 00:36:08,480 ♪ I'LL GET YOU TO NOTICE ME ♪ 701 00:36:08,600 --> 00:36:11,440 (CHEERS, APPLAUSE) 702 00:36:12,480 --> 00:36:15,240 I--I--UH... I'M VERY IMPRESSED. 703 00:36:15,800 --> 00:36:19,120 OK, YOU GIRLS GOT A SLOT ON AMATEUR NIGHT. 704 00:36:19,200 --> 00:36:20,160 AMATEUR NIGHT? 705 00:36:20,280 --> 00:36:21,000 TRUST ME ON THIS. 706 00:36:21,080 --> 00:36:22,880 HARSHTONE RECORDS IS SENDING 707 00:36:22,960 --> 00:36:24,040 A TALENT SCOUT. 708 00:36:24,160 --> 00:36:24,960 DARYL FIBBS? 709 00:36:25,040 --> 00:36:27,040 YOU DIDN'T HEAR IT FROM ME. 710 00:36:27,120 --> 00:36:28,840 Cindy: WHOO! HA! 711 00:36:28,920 --> 00:36:30,200 I CAN'T BELIEVE IT. 712 00:36:30,280 --> 00:36:31,840 WE GET TO PERFORM FOR DARYL FIBBS. 713 00:36:31,920 --> 00:36:32,880 OH, MY GOD! 714 00:36:32,960 --> 00:36:35,200 WE HAVE TO SPEND EVERY FREE MOMENT REHEARSING. 715 00:36:35,280 --> 00:36:36,920 UH, YOU SAW LORETTA IN THERE-- 716 00:36:37,000 --> 00:36:38,560 SHE DOESN'T NEED REHEARSAL. 717 00:36:38,640 --> 00:36:40,360 SHE MIGHT NOT, BUT WE DO. 718 00:36:40,440 --> 00:36:41,440 YEAH. 719 00:36:42,000 --> 00:36:44,520 GUYS. SO... 720 00:36:44,640 --> 00:36:46,560 MOXLEY'S HAVING YOU CLOSE THE FIRST HALF. 721 00:36:46,640 --> 00:36:47,720 (GIRLS LAUGH) 722 00:36:47,800 --> 00:36:49,800 GOOD ONE, LORETTA. 723 00:36:51,120 --> 00:36:52,680 WAIT A SECOND. SHE'S NOT IN THERE. 724 00:36:53,080 --> 00:36:55,720 YOU TOOK THE DATA CELL AND LEFT LORETTA? 725 00:36:55,800 --> 00:36:57,840 I THOUGHT YOU HAD PUT HER IN. 726 00:36:58,400 --> 00:37:00,720 THAT'S HOW YOU TAKE CARE OF HER? 727 00:37:09,640 --> 00:37:12,080 LORETTA, I AM SO SORRY. 728 00:37:12,160 --> 00:37:13,320 THAT'S OK. 729 00:37:13,800 --> 00:37:15,640 I'VE BEEN ENJOYING THE RAIN. 730 00:37:16,280 --> 00:37:18,600 I CAN'T BELIEVE SAM LEFT YOU OUT HERE. 731 00:37:19,360 --> 00:37:21,240 I DON'T KNOW WHAT I WOULD HAVE DONE 732 00:37:21,320 --> 00:37:23,040 IF I LOST YOU. 733 00:37:25,720 --> 00:37:28,760 I MEAN, IF THE BAND LOST YOU. 734 00:37:28,840 --> 00:37:30,440 (HONKS HORN) 735 00:37:31,360 --> 00:37:32,680 YOU READY? 736 00:37:33,440 --> 00:37:35,480 IT MUST BE WONDERFUL. 737 00:37:35,560 --> 00:37:37,240 WHAT? 738 00:37:38,200 --> 00:37:40,320 TO FEEL THE RAIN. 739 00:38:00,880 --> 00:38:03,360 (DOORBELL RINGS) 740 00:38:05,520 --> 00:38:06,840 ROSCOE'S OUT, HONEY. 741 00:38:06,920 --> 00:38:08,280 YOU CAN WAIT FOR HIM IF YOU LIKE. 742 00:38:08,360 --> 00:38:11,120 UH, I JUST WANTED TO DROP OFF THIS NEW DEMO. 743 00:38:11,200 --> 00:38:12,280 SURE. 744 00:38:13,640 --> 00:38:16,680 Voice: SAVE ME...PLEASE. 745 00:38:18,040 --> 00:38:20,840 SAVE ME...PLEASE. 746 00:38:22,600 --> 00:38:25,480 SAVE ME...PLEASE. 747 00:38:26,800 --> 00:38:29,880 SAVE ME...PLEASE. 748 00:38:31,320 --> 00:38:33,360 SAVE ME...PLEASE. 749 00:38:35,640 --> 00:38:37,480 SAVE--AAH! 750 00:38:44,800 --> 00:38:48,000 SO,THIS IS WHERE YOU GOT YOUR VOICE, HUH, LORETTA? 751 00:38:57,160 --> 00:38:59,320 SOME GENE POOL ROSCOE GAVE YOU. 752 00:39:24,000 --> 00:39:25,320 HEY. 753 00:39:28,520 --> 00:39:29,400 SAM. 754 00:39:30,160 --> 00:39:32,640 SAM, WHAT'S WRONG? 755 00:39:39,520 --> 00:39:42,040 Moxley: MR. FIBBS. 756 00:39:43,640 --> 00:39:45,400 I--I CAN'T TELL YOU WHAT AN HONOR IT-- 757 00:39:45,480 --> 00:39:46,360 SPARE ME, MOXLEY. 758 00:39:46,440 --> 00:39:48,720 YOU GAVE ME NO RESPECT WHEN I PERFORMED HERE. 759 00:39:48,800 --> 00:39:51,080 I EXPECT THE SAME LACK OF COURTESY NOW. 760 00:39:51,840 --> 00:39:54,360 I'M MESSIN' WITH YOU, MAN, 761 00:39:55,040 --> 00:39:56,520 OH, YOU BROUGHT THE MEDIA. 762 00:39:56,600 --> 00:39:58,120 I DON'T LEAVE HOME WITHOUT IT. YEAH. 763 00:39:58,200 --> 00:39:59,400 HEH HEH. HEY. 764 00:39:59,480 --> 00:40:02,280 Girls: HEY, IT'S FIBBS! FIBBS! 765 00:40:03,360 --> 00:40:04,280 ♪ I GOT A GOOD EXCUSE ♪ 766 00:40:04,360 --> 00:40:07,520 ♪ I'M ONLY 17 THINKIN' THAT YOU BETTER LEAVE ♪ 767 00:40:07,600 --> 00:40:09,280 ♪ I'M NOT NAIVE ♪ 768 00:40:09,360 --> 00:40:10,240 ♪ I KNOW YOU DON'T BELIEVE ♪ 769 00:40:10,320 --> 00:40:11,520 ♪ WHEN YOU SAY YOU'RE JUST A-- ♪ 770 00:40:11,600 --> 00:40:14,560 ♪ MAN, DON'T EVEN TRY IT ♪ 771 00:40:15,640 --> 00:40:17,520 ♪ NO, NO, NO, NO, DON'T YOU UNDERSTAND? ♪ 772 00:40:17,640 --> 00:40:21,200 ♪ DON'T EVEN TRY IT ♪ 773 00:40:21,280 --> 00:40:23,120 ♪ SAY GOOD NIGHT, SAY GOOD-BYE ♪ 774 00:40:23,200 --> 00:40:26,920 ♪ DON'T EVEN TRY IT, NO ♪ 775 00:40:27,000 --> 00:40:28,960 ♪ YOU BETTER KEEP AWAY WITH YOUR HANDS ♪ 776 00:40:29,040 --> 00:40:30,800 ♪ DON'T EVEN TRY IT... ♪ 777 00:40:30,880 --> 00:40:31,800 HE'S HERE. 778 00:40:31,880 --> 00:40:33,320 YOU GUYS, DARYL FIBBS IS HERE. 779 00:40:33,400 --> 00:40:36,400 HEY, DON'T FAINT UNTIL AFTER WE PERFORM. 780 00:40:37,240 --> 00:40:39,240 I CAN'T BELIEVE SAM ISN'T HERE YET. 781 00:40:39,320 --> 00:40:40,600 LIGHTEN UP. YOU'RE TOO HARD ON HER. 782 00:40:40,680 --> 00:40:42,080 SHE'S GOT LORETTA. WHAT IF I NEED TO MAKE 783 00:40:42,160 --> 00:40:43,440 SOME LAST-MINUTE ADJUSTMENTS ON HER? 784 00:40:44,320 --> 00:40:46,120 I CAN'T BELIEVE SHE'D BE THIS IRRESPONSIBLE. 785 00:40:46,200 --> 00:40:48,640 NOW YOU SOUND LIKE YOUR FATHER. 786 00:40:49,160 --> 00:40:50,440 Sam: OH, WE GOT STUCK IN TRAFFIC. 787 00:40:50,520 --> 00:40:51,800 AS LONG AS YOU'RE HERE. 788 00:40:51,880 --> 00:40:53,920 SERIOUSLY, YOU HAD US WORRIED. 789 00:40:55,240 --> 00:40:55,960 THANKS, MOM. 790 00:40:56,040 --> 00:40:57,880 BYE. GOOD LUCK, HONEY. 791 00:40:58,440 --> 00:40:59,520 HI. HI. HI. 792 00:40:59,600 --> 00:41:01,600 BYE, SWEETIE. 793 00:41:01,680 --> 00:41:02,520 Roscoe: DO YOU HAVE LORETTA? 794 00:41:02,600 --> 00:41:03,840 DIVA IN A DRUM. 795 00:41:03,920 --> 00:41:06,520 LOOK, MY HANDS ARE SHAKING. 796 00:41:06,600 --> 00:41:08,480 I THINK I'M GONNA HURL. 797 00:41:08,560 --> 00:41:11,000 YEAH, BUT IT'S A DEEP CLEANSING HURL, RIGHT? 798 00:41:11,080 --> 00:41:12,760 (LAUGHTER) 799 00:41:15,040 --> 00:41:16,920 ARE WE THERE YET? 800 00:41:17,640 --> 00:41:19,320 YOU'RE ON IN A FEW MINUTES. 801 00:41:19,400 --> 00:41:20,680 HOW DO I LOOK? 802 00:41:20,760 --> 00:41:22,520 IS MY CONTRAST SET RIGHT? 803 00:41:23,240 --> 00:41:24,320 YOU LOOK GREAT. 804 00:41:24,400 --> 00:41:25,560 PERFECT. 805 00:41:27,400 --> 00:41:29,200 COME ON, LET'S CHECK OUT OUR COMPETITION. 806 00:41:29,280 --> 00:41:31,000 ♪ DON'T EVEN TRY IT ♪ 807 00:41:31,080 --> 00:41:33,040 ♪ I KNOW YOU ALL TOO WELL ♪ 808 00:41:33,120 --> 00:41:34,120 ♪ SAY GOOD NIGHT... ♪ 809 00:41:34,800 --> 00:41:36,640 IT WAS THE PICTURE, WASN'T IT? 810 00:41:36,720 --> 00:41:38,040 WHEN WERE YOU PLANNING ON TELLING ME 811 00:41:38,120 --> 00:41:39,840 THAT YOU USED ME TO MAKE HER?! 812 00:41:39,920 --> 00:41:41,920 I DIDN'T THINK IT WAS IMPORTANT. 813 00:41:42,480 --> 00:41:44,120 I GUESS I SHOULD BE HAPPY FOR YOU. 814 00:41:44,200 --> 00:41:46,480 YOU FINALLY BOTTLED PERFECTION. 815 00:41:46,560 --> 00:41:48,000 I MADE HER FOR YOU, NOT FOR ME. 816 00:41:48,080 --> 00:41:48,880 (SARCASTIC CHUCKLE) 817 00:41:48,960 --> 00:41:50,040 IF YOU'RE NOT GONNA BE HONEST WITH ME, 818 00:41:50,120 --> 00:41:51,960 AT LEAST BE HONEST WITH YOURSELF. 819 00:41:52,680 --> 00:41:53,760 WHAT?! 820 00:41:55,480 --> 00:41:57,720 I JUST WANT TO KNOW WHAT PART OF ME 821 00:41:57,800 --> 00:41:59,800 YOU USED TO MAKE HER. 822 00:42:00,880 --> 00:42:04,000 WHAT PART OF ME DID YOU LIKE ENOUGH TO KEEP? 823 00:42:04,880 --> 00:42:06,200 (SIGHS) 824 00:42:06,280 --> 00:42:08,360 I GAVE HER YOUR EARS. 825 00:42:12,040 --> 00:42:13,760 (SIGHS) I WISH YOU'D NEVER MADE HER. 826 00:42:13,840 --> 00:42:15,840 ♪ WHAT PART OF NO DON'T YOU UNDERSTAND? ♪ 827 00:42:15,920 --> 00:42:19,320 ♪ DON'T EVEN TRY IT ♪ 828 00:42:19,400 --> 00:42:22,720 (CHEERS, APPLAUSE) 829 00:42:26,000 --> 00:42:27,760 OK, OK, OK! 830 00:42:28,480 --> 00:42:31,000 NOW WE HAVE A REAL TREAT FOR YOU NEXT, 831 00:42:31,080 --> 00:42:36,440 AN ALL-GIRL BAND THAT I PERSONALLY DISCOVERED. 832 00:42:37,040 --> 00:42:40,680 AND NOW THE EARSPLITTER PRESENTS... 833 00:42:40,760 --> 00:42:44,760 LORETTA MODERN AND THE ZETTABYTES! 834 00:42:44,840 --> 00:42:46,840 (CHEERS, APPLAUSE) 835 00:42:55,000 --> 00:42:57,120 (BAND STARTS PLAYING) 836 00:43:01,600 --> 00:43:04,440 ♪ HERE'S THE STORY OF A GIRL ♪ 837 00:43:04,560 --> 00:43:06,960 ♪ LIVIN' IN A LONELY WORLD ♪ 838 00:43:07,040 --> 00:43:10,320 ♪ A HIDDEN NOTE, A SECRET CRUSH ♪ 839 00:43:10,440 --> 00:43:13,200 ♪ A LITTLE BOY WHO TALKS TOO MUCH ♪ 840 00:43:13,280 --> 00:43:16,360 ♪ WELL, I'M STANDING IN THE CROWD ♪ 841 00:43:16,440 --> 00:43:19,320 ♪ AND WHEN YOU SMILE I CHECK YOU OUT ♪ 842 00:43:19,400 --> 00:43:21,840 ♪ BUT YOU DON'T EVEN KNOW MY NAME ♪ 843 00:43:21,920 --> 00:43:24,640 ♪ YOU'RE TOO BUSY PLAYING GAMES ♪ 844 00:43:24,720 --> 00:43:29,120 ♪ AND I WANT YOU TO KNOW ♪ 845 00:43:30,000 --> 00:43:31,720 ♪ IF YOU LOSE YOUR WAY ♪ 846 00:43:31,840 --> 00:43:36,040 ♪ I WON'T LET YOU GO ♪ 847 00:43:36,120 --> 00:43:37,440 ♪ IF I CUT MY HAIR ♪ 848 00:43:37,520 --> 00:43:39,120 ♪ IF I CHANGE MY CLOTHES ♪ 849 00:43:39,200 --> 00:43:41,600 ♪ WILL YOU NOTICE ME? ♪ 850 00:43:41,680 --> 00:43:44,720 ♪ IF I BITE MY LIP, IF I SAY HELLO ♪ 851 00:43:44,800 --> 00:43:47,720 ♪ WILL YOU NOTICE ME? ♪ 852 00:43:48,720 --> 00:43:52,320 ♪ WHAT'S IT GONNA TAKE FOR YOU TO SEE ♪ 853 00:43:52,440 --> 00:43:56,720 ♪ TO GET YOU TO NOTICE ME? ♪ 854 00:43:56,800 --> 00:43:58,920 ♪ I'M NOT LIKE THE REST ♪ 855 00:43:59,000 --> 00:44:01,840 ♪ I JUST DON'T CARE IF YOU'RE THE BEST ♪ 856 00:44:01,920 --> 00:44:04,760 ♪ YOU SEE, IT'S ALL THE SAME TO ME ♪ 857 00:44:04,840 --> 00:44:09,920 ♪ YOU JUST BE WHO YOU WANT TO BE ♪ 858 00:44:10,040 --> 00:44:15,200 ♪ IT'S ALL THE SAME TO ME ♪ 859 00:44:17,360 --> 00:44:22,640 ♪ OH, DON'T GET ME WRONG ♪ 860 00:44:22,720 --> 00:44:24,720 ♪ YOU BETTER MAKE YOUR MOVE ♪ 861 00:44:24,800 --> 00:44:27,760 ♪ BEFORE THE MOMENT'S GONE ♪ 862 00:44:27,840 --> 00:44:30,040 ♪ TELL ME IF I CUT MY HAIR ♪ 863 00:44:30,120 --> 00:44:31,880 ♪ IF I CHANGE MY CLOTHES ♪ 864 00:44:31,960 --> 00:44:33,680 ♪ WILL YOU NOTICE ME? ♪ 865 00:44:33,760 --> 00:44:37,200 ♪ IF I BITE MY LIP, IF I SAY HELLO ♪ 866 00:44:37,280 --> 00:44:40,600 ♪ WILL YOU NOTICE ME? ♪ 867 00:44:50,120 --> 00:44:53,120 Roscoe: COME ON. COME ON! 868 00:44:58,080 --> 00:44:59,920 Girl: WHAT'S GOING ON? 869 00:45:00,000 --> 00:45:01,080 (CONFUSED MURMURS) 870 00:45:01,160 --> 00:45:04,440 (BAND STOPS PLAYING) (INDISTINCT COMPUTER VOICE) 871 00:45:06,560 --> 00:45:07,920 WHAT WAS THAT?! 872 00:45:08,000 --> 00:45:10,480 Girl: SHE'S NOT REAL. 873 00:45:12,640 --> 00:45:13,920 Girl: SHE'S A HOLOGRAM. 874 00:45:14,000 --> 00:45:16,000 A HOLOGRAPHIC ROCK STAR? 875 00:45:16,080 --> 00:45:18,400 COM--COME ON! COME ON! 876 00:45:18,480 --> 00:45:20,240 HOLOGRAPHIC ROCK STAR. 877 00:45:20,360 --> 00:45:22,800 HOW COOL IS THAT! 878 00:45:22,880 --> 00:45:25,800 HAVE YOU EVER SEEN ANYTHING LIKE IT? 879 00:45:27,160 --> 00:45:28,320 THAT'S UNREAL. 880 00:45:28,400 --> 00:45:31,160 (CHEERS, APPLAUSE) 881 00:45:39,280 --> 00:45:45,920 All, chanting: LO-RE-TTA! LO-RE-TTA! LO-RE-TTA. 882 00:45:46,640 --> 00:45:48,560 LO-RE-TTA! 883 00:45:49,480 --> 00:45:51,240 YEAH, PATCH ME THROUGH TO WELDON GILES. 884 00:45:51,320 --> 00:45:52,760 (CROWD CHEERING, CHANTING) 885 00:45:52,840 --> 00:45:53,760 Man, on phone: HELLO? 886 00:45:53,840 --> 00:45:55,320 MR. GILES, IT'S ME, DARYL. 887 00:45:55,440 --> 00:45:57,240 YOU MUST HAVE FOUND SOMETHING IF YOU'RE CALLING SO LATE. 888 00:45:57,360 --> 00:46:01,160 ONLY HARSHTONE'S NEXT MEDIA SENSATION. 889 00:46:01,280 --> 00:46:02,800 LISTEN TO THIS. 890 00:46:02,880 --> 00:46:08,200 All: LO-RE-TTA! LO-RE-TTA... 891 00:46:10,440 --> 00:46:12,480 GOOD WORK, FIBBS. 892 00:46:12,560 --> 00:46:13,520 MAKE IT HAPPEN. 893 00:46:13,600 --> 00:46:15,840 (CROWD CHEERING) 894 00:46:28,320 --> 00:46:29,800 LORETTA, THANK YOU SO MUCH 895 00:46:29,880 --> 00:46:30,680 FOR BEING WITH US TODAY. 896 00:46:30,760 --> 00:46:33,240 SO, TELL ME, WHERE DOES A HOLOGRAM FIND 897 00:46:33,320 --> 00:46:35,200 THOSE CUTTING-EDGE FASHIONS? 898 00:46:35,280 --> 00:46:38,280 I DOWNLOAD THEM. DON'T YOU? 899 00:46:38,400 --> 00:46:40,560 ♪ 'CAUSE I KNOW YOU KNOW I KNOW ♪ 900 00:46:40,640 --> 00:46:44,560 ♪ THAT IF WE PLAN ON WINNING ♪ 901 00:46:44,640 --> 00:46:46,080 ♪ COME ON, COME ON COME ON ♪ 902 00:46:46,160 --> 00:46:48,240 ♪ COME ON, COME ON ♪ ♪ GET REAL ♪ 903 00:46:48,320 --> 00:46:51,040 ♪ WE WANT TO MAKE IT APPEALING ♪ 904 00:46:51,160 --> 00:46:54,080 ♪ I'LL BE WHATEVER YOU'RE FEELING ♪ 905 00:46:54,160 --> 00:46:56,120 ♪ ALLOW ME TO GET YOU TO THE DEALING ♪ 906 00:46:56,200 --> 00:46:59,280 ♪ GET UP, GET ON, GET OVER IT ♪ 907 00:46:59,360 --> 00:47:02,000 ♪ GET OVER ME ♪ 908 00:47:02,080 --> 00:47:04,200 ♪ IT'S TIME TO GET REAL ♪ 909 00:47:05,560 --> 00:47:08,240 ♪ EVERYBODY SAYS IF WE DREAM BIGGER ♪ 910 00:47:08,320 --> 00:47:10,520 ♪ THAN WE ARE... ♪ 911 00:47:10,640 --> 00:47:12,760 IT'S UNNATURAL, IT'S UNWHOLESOME-- 912 00:47:12,840 --> 00:47:14,480 SHE IS COMPLETELY HARMLESS. 913 00:47:14,600 --> 00:47:16,160 WHAT'S NEXT, HOLOGRAPHIC PETS? 914 00:47:16,240 --> 00:47:18,240 I'VE GOT A HOLOGRAPHIC PET. 915 00:47:18,320 --> 00:47:20,080 ♪ I KNOW YOU KNOW I KNOW ♪ 916 00:47:20,160 --> 00:47:23,760 ♪ THIS TIME THERE'S NO PRETENDING ♪ 917 00:47:23,840 --> 00:47:28,520 ♪ COME ON, COME ON, COME ON, COME ON, COME ON ♪ 918 00:47:28,600 --> 00:47:31,760 ♪ WHAT ELSE CAN WE DO... ♪ 919 00:47:31,840 --> 00:47:33,600 SO TELL US, MR. FIBBS, 920 00:47:33,680 --> 00:47:34,760 HOW IS IT WORKING WITH LORETTA? 921 00:47:34,840 --> 00:47:37,120 IT'S AMAZING. YOU'RE WITH HER 5 MINUTES, 922 00:47:37,200 --> 00:47:38,120 YOU FORGET SHE'S NOT REAL. 923 00:47:38,200 --> 00:47:40,400 WELL, THE BUZZ FROM THE LIVE SHOWS IS UNDENIABLE, 924 00:47:40,480 --> 00:47:42,760 BUT WILL HER DEBUT ALBUM LIVE UP TO THE HYPE? 925 00:47:42,880 --> 00:47:44,120 WE'RE RECORDING IT RIGHT NOW. 926 00:47:44,200 --> 00:47:46,040 IT'S GONNA BE HOT. 927 00:47:57,200 --> 00:47:58,000 ♪ GET REAL ♪ 928 00:47:58,080 --> 00:48:00,040 ♪ WE WANT TO MAKE IT APPEALING ♪ 929 00:48:00,120 --> 00:48:00,920 ♪ GET REAL ♪ 930 00:48:01,000 --> 00:48:03,760 ♪ I'LL BE WHATEVER YOU'RE FEELING ♪ 931 00:48:03,840 --> 00:48:05,720 OK, GIRLS, GIRLS, GIRLS. 932 00:48:05,800 --> 00:48:06,920 WHAT NOW?! 933 00:48:07,000 --> 00:48:08,520 CAN WE AT LEAST GET THROUGH THE SONG ONCE? 934 00:48:08,600 --> 00:48:09,960 YOU WANT TO MAKE A HARSHTONE CD? 935 00:48:10,040 --> 00:48:11,240 THEN YOU HAVE TO DO IT RIGHT. 936 00:48:11,320 --> 00:48:12,640 YOUR HARMONIES WERE FLAT. 937 00:48:12,720 --> 00:48:14,200 WAS I OK? 938 00:48:14,280 --> 00:48:15,760 Daryl: YOU WERE BRILLIANT. 939 00:48:15,840 --> 00:48:18,120 CINDY, YOU NEED TO KEEP THE TEMPO CONSISTENT. 940 00:48:18,200 --> 00:48:19,720 WHAT TAKE ARE WE ON? 941 00:48:19,800 --> 00:48:20,560 Engineer: 34. 942 00:48:20,640 --> 00:48:22,600 IS IT TOO LATE TO GET STUDIO MUSICIANS? 943 00:48:22,680 --> 00:48:23,960 Engineer: NEVER TOO LATE. 944 00:48:24,040 --> 00:48:26,800 MR. FIBBS, THE INTERCOM'S STILL ON. 945 00:48:27,600 --> 00:48:30,280 CAN HE REPLACE US WITH STUDIO MUSICIANS? 946 00:48:30,360 --> 00:48:31,680 HE CAN DO WHATEVER HE WANTS. 947 00:48:31,760 --> 00:48:35,040 DARYL, YOU CAN'T REPLACE THE GIRLS. 948 00:48:35,120 --> 00:48:36,920 THEY'RE MY BAND. 949 00:48:39,120 --> 00:48:41,080 ALL RIGHT, LORETTA, WHATEVER YOU SAY. 950 00:48:41,160 --> 00:48:42,400 Engineer: METER'S STILL RUNNING. 951 00:48:42,520 --> 00:48:43,520 Daryl: YEAH, I OWN THE METER. 952 00:48:43,600 --> 00:48:45,760 AT LEAST I WILL WHEN THEIR FIRST ALBUM GOES PLATINUM. 953 00:48:45,840 --> 00:48:48,520 YEAH, UH, MR. FIBBS, WE SHOULD BREAK FOR THE DAY, ANYWAY. 954 00:48:48,600 --> 00:48:50,240 I GOTTA WORK ON LORETTA. 955 00:48:50,320 --> 00:48:52,360 TRY AND INCREASE HER RANGE OF MOTION. 956 00:48:52,440 --> 00:48:53,880 Daryl: OK, WE'LL PICK IT UP LATER. 957 00:48:53,960 --> 00:48:55,720 THE NATIONAL BROADCAST IS ONLY A WEEK AWAY, 958 00:48:55,800 --> 00:48:57,440 AND I WANT THE SINGLE DONE BY THEN. 959 00:49:00,480 --> 00:49:02,120 I'M WORKING ON MY OWN SONG. 960 00:49:02,200 --> 00:49:03,320 YOUR OWN SONG? 961 00:49:03,400 --> 00:49:05,840 YOU'RE AMAZING, YOU KNOW THAT? 962 00:49:06,320 --> 00:49:08,000 TAKE A GOOD LOOK, BECAUSE THAT... 963 00:49:08,080 --> 00:49:10,200 IS THE FUTURE OF THE MUSIC INDUSTRY. 964 00:49:10,280 --> 00:49:11,200 A MONTH FROM NOW, 965 00:49:11,280 --> 00:49:12,080 EVERY TEENAGER IN AMERICA 966 00:49:12,160 --> 00:49:14,080 IS GONNA WANT TO BE JUST LIKE HER-- 967 00:49:14,160 --> 00:49:16,920 SMART, TALENTED... 968 00:49:17,000 --> 00:49:18,400 HIGH RESOLUTION. 969 00:49:18,480 --> 00:49:20,360 ALBUM TITLE. 970 00:49:21,040 --> 00:49:23,360 (TYPING ON COMPUTER) 971 00:49:24,560 --> 00:49:27,000 TAKE CARE OF MY GIRL, ROSCOE. 972 00:49:28,120 --> 00:49:29,680 YOUR GIRL? 973 00:49:32,720 --> 00:49:36,200 HEY, YOU GUYS SOUNDED GREAT. 974 00:49:37,480 --> 00:49:38,840 YOU'RE GONNA HAVE A KILLER FIRST ALBUM. 975 00:49:39,520 --> 00:49:41,680 HMM. YOU MEAN LORETTA WILL. 976 00:49:42,320 --> 00:49:43,280 YEAH. 977 00:49:43,360 --> 00:49:45,440 LOOK, I'M SORRY SHE'S GETTING ALL THE ATTENTION. 978 00:49:45,520 --> 00:49:46,560 ARE YOU? 979 00:49:47,080 --> 00:49:49,200 I MEAN, THAT'S WHY YOU MADE HER, RIGHT? 980 00:49:49,280 --> 00:49:50,280 THE BAND NEEDED AN IMAGE. 981 00:49:50,360 --> 00:49:51,920 YOU SAY THAT LIKE IT'S A BAD THING. 982 00:49:53,360 --> 00:49:54,320 THINGS JUST AREN'T TURNING OUT 983 00:49:54,400 --> 00:49:55,880 THE WAY I WANTED, ALL RIGHT? 984 00:49:59,240 --> 00:50:02,080 YOU'VE STILL GOT THAT EXTRA DATA CELL, DON'T YOU? 985 00:50:02,160 --> 00:50:05,720 WHY DON'T YOU TAKE LORETTA FOR A WHILE? HUH? 986 00:50:05,800 --> 00:50:06,920 THEN THEY COULD DO A STORY ON YOU 987 00:50:07,000 --> 00:50:08,720 AND HOW THE TWO OF YOU ARE FRIENDS. 988 00:50:08,800 --> 00:50:10,080 WE ARE? 989 00:50:11,520 --> 00:50:13,520 YOU COULD TRY TO BE. 990 00:50:15,040 --> 00:50:16,240 TELL YOU WHAT, ROSCOE, 991 00:50:16,320 --> 00:50:17,520 IF SHE BECOMES TOO MUCH FOR YOU, 992 00:50:17,600 --> 00:50:19,240 E-MAIL HER TO ME. 993 00:50:27,040 --> 00:50:28,800 DAD, WHAT ARE YOU DOING? 994 00:50:28,920 --> 00:50:29,840 STUDYING YOUR CREATION. 995 00:50:29,920 --> 00:50:30,600 HOW DID YOU COMPENSATE 996 00:50:30,680 --> 00:50:31,560 FOR THE AMBIENT ROOM LIGHT? 997 00:50:31,640 --> 00:50:32,800 UH, VARIABLE INTENSITY SUB-ROUTINE. 998 00:50:32,880 --> 00:50:34,640 DAD, PLEASE, YOU'RE EMBARRASSING HER. 999 00:50:34,720 --> 00:50:36,040 IT'S OK, ROSCOE. 1000 00:50:36,120 --> 00:50:37,760 I DON'T MIND. 1001 00:50:39,400 --> 00:50:42,160 HEY, DAD, YOU NEED TO WARN HER BEFORE YOU DO THAT. 1002 00:50:42,240 --> 00:50:44,480 I HAVE TO HAND IT TO YOU, ROSCOE. 1003 00:50:44,560 --> 00:50:47,440 WHAT YOU HAVE DONE HERE IS AMAZING. 1004 00:50:47,520 --> 00:50:49,480 OF COURSE, A HOLOGRAPHIC ROCK STAR 1005 00:50:49,560 --> 00:50:51,000 ISN'T EXACTLY WHAT I HAD IN MIND. 1006 00:50:51,080 --> 00:50:51,840 DAD, DON'T START. 1007 00:50:51,920 --> 00:50:53,120 BUT SHE'S A GOOD BEGINNING. 1008 00:50:53,200 --> 00:50:57,040 NOW LET'S JUST MOVE BEYOND IT. 1009 00:50:57,760 --> 00:50:59,120 WHY CAN'T YOU JUST APPRECIATE 1010 00:50:59,240 --> 00:51:01,960 WHAT YOU'VE GOT RIGHT IN FRONT OF YOU? I MEAN, YOU SAW HER. 1011 00:51:02,080 --> 00:51:04,800 BUT DID YOU SEE WHO SHE IS? WHO SHE'S BECOMING? 1012 00:51:04,880 --> 00:51:06,840 SHE CAN'T BECOME ANYTHING. SH-- 1013 00:51:06,960 --> 00:51:07,840 IT--IT'S A HOLOGRAM. 1014 00:51:07,920 --> 00:51:09,600 NO, SHE'S AN INDIVIDUAL. 1015 00:51:09,680 --> 00:51:11,520 SHE HAS THOUGHTS AND FEELINGS, 1016 00:51:11,600 --> 00:51:13,040 JUST LIKE YOU AND ME. NO. 1017 00:51:13,120 --> 00:51:15,160 SHE'S A BLEND OF LIGHT AND COLOR. 1018 00:51:15,240 --> 00:51:16,280 LIKE-- 1019 00:51:16,960 --> 00:51:18,400 WELL, LIKE AN ABSTRACT PAINTING. 1020 00:51:18,480 --> 00:51:20,160 IT'S VIBRANT, IT'S BEAUTIFUL, 1021 00:51:20,240 --> 00:51:22,560 BUT IN THE END, IT'S JUST SOMETHING TO LOOK AT, 1022 00:51:22,680 --> 00:51:24,680 NOTHING MORE. 1023 00:51:24,760 --> 00:51:26,000 REALLY? 1024 00:51:26,640 --> 00:51:29,840 WELL, THAT NOTHING SAVED YOU YOUR FUNDING. 1025 00:51:29,920 --> 00:51:32,640 THANKS TO HER, YOU'RE SKYGRAPH'S FAVORITE EMPLOYEE. 1026 00:51:32,720 --> 00:51:34,320 THAT WASN'T HER. THAT WAS YOU. 1027 00:51:34,400 --> 00:51:36,480 BY CREATING HER, YOU MIGHT HAVE-- 1028 00:51:36,560 --> 00:51:39,840 YOU MIGHT HAVE EVEN SAVED MY JOB. 1029 00:51:40,360 --> 00:51:42,480 GLAD YOU NOTICED. 1030 00:51:42,560 --> 00:51:44,840 I'M GOING FOR A WALK. 1031 00:51:55,880 --> 00:51:59,600 ROSCOE, I WROTE A SONG. 1032 00:52:01,040 --> 00:52:03,680 TELL ME IT'S BRILLIANT. 1033 00:52:04,440 --> 00:52:05,880 TELL ME IT'S PERFECT. 1034 00:52:06,320 --> 00:52:08,280 " I BELIEVE IN YESTERDAY, DANIEL MY BROTHER, 1035 00:52:08,360 --> 00:52:11,680 HEY, NOW YOU'RE A ROCK STAR, ONE WAY OR ANOTHER?" 1036 00:52:12,160 --> 00:52:13,200 ISN'T IT GREAT? 1037 00:52:14,160 --> 00:52:16,960 LORETTA, THESE ARE JUST LINES FROM OTHER SONGS. 1038 00:52:17,040 --> 00:52:20,960 YEAH, BUT I PUT THEM ALL TOGETHER. 1039 00:52:21,640 --> 00:52:22,800 YOU WANT TO HEAR THE MUSIC? 1040 00:52:22,880 --> 00:52:24,400 NO, I KNOW THE MUSIC. 1041 00:52:24,480 --> 00:52:27,800 LORETTA, YOU CAN'T JUST TAKE BITS AND PIECES OF OTHER SONGS. 1042 00:52:27,880 --> 00:52:28,960 WHY NOT? 1043 00:52:29,080 --> 00:52:31,640 YOU MADE ME OUT OF BITS AND PIECES OF OTHER PEOPLE. 1044 00:52:31,720 --> 00:52:32,960 TH-THAT'S DIFFERENT. 1045 00:52:33,040 --> 00:52:34,120 HOW? 1046 00:52:34,200 --> 00:52:36,560 IT JUST IS. OK, LOOK, 1047 00:52:36,640 --> 00:52:37,760 I KNOW YOU CAN DO BETTER THAN THIS. 1048 00:52:37,840 --> 00:52:39,960 MAYBE I'LL WRITE YOU A NEW CREATIVE PLUG-IN. 1049 00:52:40,040 --> 00:52:43,920 NO! YOU ALWAYS WANT TO CHANGE ME. 1050 00:52:44,000 --> 00:52:45,840 WHY AM I NEVER GOOD ENOUGH FOR YOU? 1051 00:52:45,920 --> 00:52:48,160 THERE'S ALWAYS ROOM FOR IMPROVEMENT. 1052 00:52:48,240 --> 00:52:50,840 YOU SAID I WAS PERFECT. 1053 00:52:50,920 --> 00:52:53,280 YEAH. HMPH. 1054 00:52:53,360 --> 00:52:56,600 WELL, EVEN PERFECTION HAS ITS LIMITS. 1055 00:53:01,760 --> 00:53:03,000 I WANT TO GO TO THE MALL. 1056 00:53:04,080 --> 00:53:05,680 HUH. YOU CAN'T. 1057 00:53:05,760 --> 00:53:07,040 THE MALL'S CLOSED. 1058 00:53:07,120 --> 00:53:08,680 NOT IN JAPAN. 1059 00:53:08,760 --> 00:53:09,840 WE CAN'T GO TO JAPAN. 1060 00:53:10,280 --> 00:53:11,640 YOU CAN'T GO 1061 00:53:11,720 --> 00:53:14,120 BECAUSE YOU'RE NOT A HOLOGRAM, 1062 00:53:14,200 --> 00:53:16,800 BUT I CAN UPLOAD STRAIGHT TO TOKYO. 1063 00:53:16,880 --> 00:53:18,000 SO WHO'S LIMITED NOW? 1064 00:53:18,080 --> 00:53:20,880 DOWNLOADING FROM THE NET IS MUCH DIFFERENT THAN UPLOADING. 1065 00:53:20,960 --> 00:53:23,440 IF YOU UPLOAD, THE NET WILL TEAR YOU APART. 1066 00:53:23,520 --> 00:53:24,720 HO WOULD YOU KNOW? 1067 00:53:24,800 --> 00:53:27,040 YOU KNOW WHAT? 1068 00:53:27,120 --> 00:53:28,560 I'M NOT GONNA HAVE THIS ARGUMENT. 1069 00:53:28,640 --> 00:53:31,880 FINE. THEN JUST REPROGRAM ME TO NOT ARGUE. 1070 00:53:31,960 --> 00:53:32,800 MAYBE I WILL. 1071 00:53:32,880 --> 00:53:35,040 THAT'S IT. I'M LEAVING. 1072 00:53:38,200 --> 00:53:39,560 Roscoe: LORETTA, WAIT! 1073 00:53:41,440 --> 00:53:43,640 IF YOU STEP OUT THAT DOOR, YOU'LL BE GONE FOREVER. 1074 00:53:43,720 --> 00:53:45,880 IS THAT YOU WANT? 1075 00:53:45,960 --> 00:53:48,880 (BARKING) 1076 00:53:51,800 --> 00:53:55,800 IT'S NOT FAIR YOU MADE ME LIKE THIS. 1077 00:53:57,240 --> 00:54:00,720 YOU SHOULD'VE MADE ME REAL. 1078 00:54:04,000 --> 00:54:06,400 LOOK, FROM NOW ON 1079 00:54:07,400 --> 00:54:09,800 NO MORE TINKERING WITH YOUR PROGRAMS. ALL RIGHT? 1080 00:54:10,800 --> 00:54:13,640 YOU'RE ALREADY EVERYTHING I WANTED YOU TO BE. 1081 00:54:16,600 --> 00:54:19,280 WHAT ABOUT I WANT TO BE? 1082 00:54:23,640 --> 00:54:26,960 HUH. UHH. 1083 00:54:48,720 --> 00:54:51,440 CIAO, ROSCOE. 1084 00:55:05,640 --> 00:55:07,880 (HORN HONKS) 1085 00:55:07,960 --> 00:55:09,120 (BRAKES SQUEAL) 1086 00:55:09,240 --> 00:55:12,280 Driver: HEY! NO PEDESTRIAN TRAFFIC! 1087 00:55:12,360 --> 00:55:15,240 GET YOU BUTT OUT OF THE INFO PIPE! 1088 00:55:17,160 --> 00:55:18,560 CAN YOU HELP ME? 1089 00:55:18,640 --> 00:55:21,160 I'M SORRY. MY ENGINE'S ALREADY ON A SEARCH. 1090 00:55:21,240 --> 00:55:23,160 PLEASE. 1091 00:55:24,000 --> 00:55:26,640 ALL RIGHT, ALL RIGHT, GET IN. 1092 00:55:29,680 --> 00:55:32,240 ALL RIGHT. 1093 00:55:37,840 --> 00:55:40,000 SO WHAT ARE YOU LOOKING FOR? 1094 00:55:40,080 --> 00:55:43,280 I DON'T KNOW. A WAY OUT? 1095 00:55:43,400 --> 00:55:45,840 A WAY OUT. 1096 00:55:47,680 --> 00:55:50,920 THAT'S 4,335 MATCHES. 1097 00:55:51,680 --> 00:55:53,800 NO WAY OUT, WAY OUT WEST, 1098 00:55:53,880 --> 00:55:57,120 WAY OUT ON A LIMB. HA HA HA! 1099 00:56:01,840 --> 00:56:04,360 OH! 1100 00:56:05,520 --> 00:56:06,480 (CIRCUS MUSIC PLAYING) 1101 00:56:06,560 --> 00:56:08,440 HEY, ARE YOU LOOKING TO REFINANCE? 1102 00:56:08,520 --> 00:56:10,200 WE'VE GOT THE LOWEST MORTGAGE RATES! 1103 00:56:10,280 --> 00:56:11,840 HUH, HUH? WHAT DO YOU SAY? 1104 00:56:11,920 --> 00:56:13,120 GET LOST! 1105 00:56:13,680 --> 00:56:16,640 (CIRCUS MUSIC WARPS OUT) 1106 00:56:18,600 --> 00:56:20,520 I HATE POP-UP ADS. 1107 00:56:20,600 --> 00:56:24,480 POP! POP! POP! I HATE 'EM, I HATE 'EM. 1108 00:56:25,800 --> 00:56:28,600 OK, HOLD ON. 1109 00:56:37,840 --> 00:56:39,720 WHAT'S THAT OVER THERE? 1110 00:56:40,160 --> 00:56:42,360 THAT? A SERVER. 1111 00:56:42,440 --> 00:56:44,920 PRETTY BIG ONE BY THE LOOK OF IT. 1112 00:56:46,640 --> 00:56:48,320 HEY, WHAT ARE YOU DOING? 1113 00:56:48,400 --> 00:56:50,480 HEY, YOU DON'T WANT TO GO THERE! 1114 00:57:22,120 --> 00:57:23,320 E-MAIL. 1115 00:57:24,080 --> 00:57:26,800 I CAN ATTACH MYSELF TO AN E-MAIL. 1116 00:57:27,360 --> 00:57:30,200 I JUST NEED TO FIND THE RIGHT ONE. 1117 00:57:31,080 --> 00:57:35,080 EXCUSE ME. IS THIS SORTED ALPHABETICALLY 1118 00:57:35,160 --> 00:57:36,240 OR BY DOMAIN? 1119 00:57:36,320 --> 00:57:37,720 VIRUS ALERT, VIRUS ALERT! 1120 00:57:37,800 --> 00:57:39,440 WHAT? (ALARM) 1121 00:57:39,520 --> 00:57:41,720 (BARKING) 1122 00:57:41,800 --> 00:57:43,680 OH! 1123 00:57:51,920 --> 00:57:53,560 OH. 1124 00:57:55,800 --> 00:57:56,760 HELLO? 1125 00:57:58,080 --> 00:58:00,320 CAN ANYONE HELP ME? 1126 00:58:01,040 --> 00:58:02,040 I'M LOST. 1127 00:58:19,360 --> 00:58:20,320 NAME? 1128 00:58:20,400 --> 00:58:22,240 LORETTA MODERN. I NEED TO FIND-- 1129 00:58:22,320 --> 00:58:24,280 DO YOU HAVE AN E-MAIL ADDRESS? 1130 00:58:24,360 --> 00:58:25,480 YES. 1131 00:58:29,120 --> 00:58:30,920 WE CANNOT BE HELD RESPONSIBLE 1132 00:58:31,000 --> 00:58:32,800 FOR ANY ACCIDENTAL DELETIONS, 1133 00:58:32,880 --> 00:58:35,640 POWER SURGES, OR DATA CORRUPTIONS. 1134 00:58:35,720 --> 00:58:37,360 MM-HMM. 1135 00:58:37,440 --> 00:58:38,920 (BUZZER) 1136 00:58:39,000 --> 00:58:41,400 YEOW! AAH! 1137 00:58:44,880 --> 00:58:46,680 Computer: YOU HAVE A NEW MESSAGE. 1138 00:58:46,760 --> 00:58:48,880 Loretta: SAMANTHA, HELP ME! 1139 00:58:49,640 --> 00:58:51,440 WHAT? 1140 00:58:56,560 --> 00:58:58,440 IT'S ME--LORETTA! 1141 00:58:58,520 --> 00:59:02,320 UHH! ROSCOE E-MAILED YOU TO ME? 1142 00:59:02,400 --> 00:59:03,280 I WAS ONLY KIDDING. 1143 00:59:03,360 --> 00:59:05,360 QUICK, PLUG IN MY DATA CELL. 1144 00:59:05,920 --> 00:59:07,720 UHH. OH, FINE. 1145 00:59:07,800 --> 00:59:09,880 IF ROSCOE WANTS TO PLAY GAMES, 1146 00:59:09,960 --> 00:59:12,800 I CAN PLAY GAMES, TOO. 1147 00:59:15,280 --> 00:59:16,480 (CELL CLICKS) 1148 00:59:17,360 --> 00:59:20,720 THERE YOU ARE, LORETTA. SAFE AND SOUND. 1149 00:59:20,800 --> 00:59:23,680 AND YOU CAN STAY THERE TILL THE NEXT ICE AGE 1150 00:59:23,760 --> 00:59:26,120 FOR ALL I CARE. 1151 00:59:41,920 --> 00:59:44,480 (TIRES SQUEAL) 1152 00:59:46,760 --> 00:59:48,160 WHERE'S SAMANTHA? 1153 00:59:48,600 --> 00:59:52,320 SHE'S INSIDE. WHOA, SLOW DOWN, ROSCOE. 1154 00:59:58,400 --> 01:00:00,080 LORETTA'S GONE. 1155 01:00:00,200 --> 01:00:02,720 GONE? WHAT DO YOU MEAN GONE? 1156 01:00:02,800 --> 01:00:04,320 WE HAD A FIGHT. SHE WENT INTO THE NET. 1157 01:00:05,360 --> 01:00:08,080 WHAT DID YOU TELL HER? "MY WAY OR THE INFORMATION SUPERHIGHWAY?" 1158 01:00:08,160 --> 01:00:08,840 I DON'T THINK YOU GET IT. 1159 01:00:08,960 --> 01:00:10,440 THE INTERNET'S LIKE A TORNADO FOR HER. 1160 01:00:10,520 --> 01:00:12,920 SHE COULD BE SHREDDED BETWEEN A THOUSAND DIFFERENT SERVERS. 1161 01:00:13,000 --> 01:00:14,520 I'M SURE SHE CAN TAKE CARE OF HERSELF. 1162 01:00:14,600 --> 01:00:16,280 I WAS UP ALL NIGHT TRYING TO TRACE HER. 1163 01:00:17,080 --> 01:00:18,520 WHAT'S THE BAND GONNA DO WITHOUT HER? 1164 01:00:19,160 --> 01:00:20,960 IT'S NOT ABOUT THE BAND. 1165 01:00:21,040 --> 01:00:22,520 IT'S ABOUT YOU. 1166 01:00:23,160 --> 01:00:24,200 WHAT? 1167 01:00:24,280 --> 01:00:26,280 YOU'RE IN LOVE WITH HER. 1168 01:00:26,960 --> 01:00:29,600 (SCOFFS) DON'T BE RIDICULOUS. 1169 01:00:29,680 --> 01:00:31,200 OF COURSE YOU ARE. 1170 01:00:32,080 --> 01:00:34,720 YOU DESIGNED HER TO BE YOUR PERFECT GIRL. 1171 01:00:35,800 --> 01:00:37,960 HOW COULD YOU HELP BUT FALL IN LOVE WITH HER? 1172 01:00:38,040 --> 01:00:40,920 SHE CAN SING, SHE CAN DANCE, 1173 01:00:41,000 --> 01:00:43,240 SHE'S FUNNY AND BEAUTIFUL. 1174 01:00:43,320 --> 01:00:45,560 BUT YOU KNOW WHAT, ROSCOE? 1175 01:00:45,640 --> 01:00:47,720 SHE'S NOT REAL. 1176 01:00:50,640 --> 01:00:52,520 WHAT IS REAL, ANYWAY? 1177 01:00:54,280 --> 01:00:57,280 ME. I'M REAL. 1178 01:00:57,360 --> 01:00:59,320 AND I'M RIGHT HERE. 1179 01:00:59,920 --> 01:01:03,920 I'VE ALWAYS BEEN RIGHT HERE. 1180 01:01:10,240 --> 01:01:13,960 SAM, I-- 1181 01:01:14,480 --> 01:01:16,760 (FRUSTRATED SIGH) I'VE GOT HER. 1182 01:01:17,360 --> 01:01:18,480 WHAT? 1183 01:01:18,560 --> 01:01:20,280 LORETTA. SHE FOUND HER WAY TO MY COMPUTER. 1184 01:01:20,360 --> 01:01:22,000 WELL, THEN SHE'S OK? 1185 01:01:25,680 --> 01:01:27,440 SHE'S FINE. 1186 01:01:33,600 --> 01:01:34,600 OH! 1187 01:01:37,320 --> 01:01:39,200 I'LL LEAVE YOU TWO ALONE. 1188 01:01:58,320 --> 01:01:59,840 THANK YOU. 1189 01:02:01,640 --> 01:02:04,600 YOU, UH, REMEMBER THE LAST THING SUSAN SAID TO YOU? 1190 01:02:05,360 --> 01:02:06,360 WHAT? 1191 01:02:06,960 --> 01:02:09,480 SUSAN. YOUR LAST GIRLFRIEND. 1192 01:02:11,080 --> 01:02:12,760 I HAVEN'T THOUGHT ABOUT HER IN AGES. 1193 01:02:13,720 --> 01:02:16,280 SHE SAID, "I HOPE YOU LIKE EATING ALONE." 1194 01:02:17,520 --> 01:02:19,160 THEN SHE SLAMMED THE DOOR. 1195 01:02:19,240 --> 01:02:22,720 SHE WAS VERY GOOD AT SLAMMING DOORS. 1196 01:02:23,440 --> 01:02:26,520 HEH! SO, UH... 1197 01:02:27,040 --> 01:02:28,760 YOU LIKE EATING ALONE? 1198 01:02:29,400 --> 01:02:31,320 I'M NOT ALONE. I'VE GOT YOU. 1199 01:02:31,400 --> 01:02:33,440 MY BUSINESS PARTNER. HEH! 1200 01:02:33,880 --> 01:02:36,200 MOM SLAMMED DOORS, TOO? 1201 01:02:37,600 --> 01:02:39,360 WHAT, ARE YOU WRITING A PAPER 1202 01:02:39,440 --> 01:02:40,600 ON MY FAILED RELATIONSHIPS? 1203 01:02:41,280 --> 01:02:42,400 NO, UH--THANKS. 1204 01:02:43,200 --> 01:02:46,600 I'M JUST WONDERING WHY YOU NEVER GOT MARRIED AGAIN. 1205 01:02:49,360 --> 01:02:52,000 I GUESS I WAS-- 1206 01:02:52,880 --> 01:02:55,320 LOOKING FOR SOMETHING THAT I NEVER QUITE FOUND. 1207 01:02:57,000 --> 01:02:58,360 PERFECTION? 1208 01:02:59,640 --> 01:03:02,600 YOU KNOW, I ALWAYS BELIEVED IN THE PERFECT MATCH, 1209 01:03:02,680 --> 01:03:04,520 THAT THERE WAS SOMEONE OUT THERE 1210 01:03:04,600 --> 01:03:06,440 WHO'D BE EXACTLY WHAT I NEEDED 1211 01:03:06,520 --> 01:03:09,760 AND WE WOULD SORT OF COMPLETE EACH OTHER. 1212 01:03:09,840 --> 01:03:11,800 BUT YOU NEVER FOUND HER. 1213 01:03:12,200 --> 01:03:15,320 WELL, PERFECTION'S A FUNNY THING. 1214 01:03:17,000 --> 01:03:20,080 I MEAN, LOOK HOW PERFECT THIS IS. 1215 01:03:20,520 --> 01:03:22,760 THE WAY THE CRYSTAL CAPTURES THE LIGHT, 1216 01:03:22,840 --> 01:03:25,920 REFRACTS IT INTO BEAUTIFUL PATTERNS. 1217 01:03:29,280 --> 01:03:31,920 SILICON'S AMAZING, ISN'T IT? 1218 01:03:32,560 --> 01:03:35,760 YOU CAN MOLD IT INTO GLASS OR COMPUTER CHIPS, 1219 01:03:36,440 --> 01:03:37,720 BUT YOU KNOW WHAT? 1220 01:03:38,160 --> 01:03:39,720 IT'S NOT ALIVE. 1221 01:03:40,480 --> 01:03:42,920 AND THE MORE YOU TRY TO FIND 1222 01:03:43,000 --> 01:03:45,520 THAT KIND OF PERFECTION IN PEOPLE, 1223 01:03:46,640 --> 01:03:50,360 THE MORE MEALS... YOU WILL EAT ALONE. 1224 01:03:55,960 --> 01:03:59,160 (SWEEPING ROMANTIC MUSIC PLAYING) 1225 01:03:59,920 --> 01:04:01,000 Roscoe: IT'S AMAZING. 1226 01:04:01,640 --> 01:04:04,840 THE INTERNET DIDN'T DAMAGE YOUR PATTERN AT ALL. 1227 01:04:09,280 --> 01:04:10,680 ROSCOE... 1228 01:04:10,760 --> 01:04:13,520 WHAT'S IT LIKE TO FEEL? 1229 01:04:13,600 --> 01:04:15,720 WHAT'S IT LIKE TO TOUCH? 1230 01:04:16,480 --> 01:04:19,600 I'M NOT REALLY SURE IT'S SOMETHING YOU CAN EXPLAIN. 1231 01:04:19,680 --> 01:04:20,680 TRY? 1232 01:04:21,200 --> 01:04:22,440 OK. 1233 01:04:25,000 --> 01:04:28,480 UH, ALL RIGHT. 1234 01:04:28,920 --> 01:04:30,360 CLOSE YOUR EYES. 1235 01:04:31,040 --> 01:04:33,680 NOW...IMAGINE A DANCE FLOOR. 1236 01:04:35,080 --> 01:04:38,280 YOU AND AND YOUR PARTNER ARE DANCING TO THE BEAT. 1237 01:04:38,360 --> 01:04:39,280 HIP-HOP OR ROCK? 1238 01:04:39,360 --> 01:04:40,840 OH, IT DOESN'T MATTER, 1239 01:04:40,920 --> 01:04:43,280 BECAUSE SUDDENLY IT CHANGES. 1240 01:04:44,720 --> 01:04:46,640 IT SLOWS DOWN TO A BALLAD. 1241 01:04:46,720 --> 01:04:47,880 OK. 1242 01:04:47,960 --> 01:04:50,240 HE TOUCHES YOUR HAIR. 1243 01:04:50,320 --> 01:04:52,400 IT FEELS LIKE... 1244 01:04:52,480 --> 01:04:55,440 LIKE A VIOLIN GENTLY PLAYING. 1245 01:04:55,960 --> 01:04:57,480 YOU TOUCH HIS CHEEK. 1246 01:04:57,560 --> 01:04:58,680 IT FEELS LIKE... 1247 01:04:58,760 --> 01:05:01,680 LIKE A FLUTE HOLDING A SINGLE QUAVERING NOTE 1248 01:05:01,760 --> 01:05:03,320 HIGH ABOVE THE REST. 1249 01:05:03,400 --> 01:05:05,840 YOU PUT YOUR ARMS AROUND EACH OTHER 1250 01:05:05,920 --> 01:05:08,200 AND BEGIN TO DANCE. 1251 01:05:09,800 --> 01:05:12,960 THE EMBRACE FEELS LIKE A CELLO 1252 01:05:13,800 --> 01:05:15,880 HARMONIZING WITH THE VIOLIN. 1253 01:05:17,440 --> 01:05:18,640 OK. 1254 01:05:19,120 --> 01:05:20,800 NOW OPEN YOUR EYES. 1255 01:05:26,120 --> 01:05:29,080 THERE. THERE. 1256 01:05:29,160 --> 01:05:31,680 YOU FEEL THAT? 1257 01:05:31,760 --> 01:05:33,280 NO. 1258 01:05:34,280 --> 01:05:36,400 I CAN'T FEEL ANYTHING. 1259 01:05:39,160 --> 01:05:41,320 THAT'S OK. 1260 01:05:41,400 --> 01:05:43,240 ME, NEITHER. 1261 01:05:43,320 --> 01:05:45,160 NOTHING AT ALL. 1262 01:05:48,840 --> 01:05:50,640 GUESS YOU AND I NEVER WILL. 1263 01:06:55,400 --> 01:06:58,960 OK. THERE'S NO NEED TO BE NERVOUS. 1264 01:06:59,040 --> 01:07:00,320 I'M FINE. 1265 01:07:00,400 --> 01:07:02,880 I MEAN, JUST BECAUSE HE'S PRESIDENT OF THE RECORD COMPANY 1266 01:07:02,960 --> 01:07:05,560 AND HE'S MEETING, WELL, RIGHT NOW WITH MY BOSS, 1267 01:07:05,640 --> 01:07:09,200 THAT'S NO REASON TO BE INTIMIDATED. 1268 01:07:09,280 --> 01:07:11,200 I'M NOT. 1269 01:07:11,280 --> 01:07:12,640 GOOD. 1270 01:07:13,880 --> 01:07:15,320 I'VE GOTTA GO TO THE BATHROOM. 1271 01:07:15,400 --> 01:07:16,920 AGAIN? YEAH. 1272 01:07:17,400 --> 01:07:18,560 HEH! 1273 01:07:25,240 --> 01:07:26,640 THAT LOOKS LIKE DARYL. 1274 01:07:26,720 --> 01:07:29,360 Roscoe: IT IS. BACK WHEN HE WAS RAPPER DE FIBB. 1275 01:07:29,440 --> 01:07:30,760 HE LOOKS SO MEAN. 1276 01:07:31,400 --> 01:07:32,800 EH, IT'S ALL IMAGE. 1277 01:07:32,880 --> 01:07:35,200 AH, THAT WAS MY DEBUT ALBUM. WENT DOUBLE PLATINUM. 1278 01:07:35,320 --> 01:07:36,560 BARELY MADE A PENNY, THOUGH. 1279 01:07:36,640 --> 01:07:38,040 HARSHTONE RECORDS GOT ALL THE MONEY. 1280 01:07:38,160 --> 01:07:39,240 THAT'S NOT RIGHT. 1281 01:07:39,320 --> 01:07:41,920 MAYBE NOT. BUT EVERY PERFORMER HAS A CHOICE. 1282 01:07:42,680 --> 01:07:44,280 WELDON GILES OFFERED ME A CONTRACT. 1283 01:07:44,360 --> 01:07:45,600 IT WAS MY CHOICE TO SIGN IT. 1284 01:07:45,680 --> 01:07:48,280 I'M GLAD I DON'T HAVE TO WORRY ABOUT THINGS LIKE MONEY. 1285 01:07:48,360 --> 01:07:49,560 OR MEETINGS. 1286 01:07:50,280 --> 01:07:54,480 MR. GILES WOULD PREFER THAT LORETTA WASN'T IN OUR DISCUSSION. 1287 01:07:54,560 --> 01:07:56,200 Giles: YOU AND YOUR SON 1288 01:07:56,280 --> 01:07:58,280 HAVE REVOLUTIONIZED THE MUSIC INDUSTRY. 1289 01:07:58,360 --> 01:07:59,800 YOU'VE GIVEN IT NEW LIFE. 1290 01:07:59,880 --> 01:08:02,360 LORETTA MODERN'S ON HER WAY TO BEING A HOUSEHOLD NAME. 1291 01:08:02,440 --> 01:08:05,320 SKYGRAPH'S ENTERING INTO A PARTNERSHIP WITH HARSHTONE, XANDER. 1292 01:08:05,400 --> 01:08:08,200 WITH YOU SPEARHEADING THE NEW DIVISION. 1293 01:08:08,280 --> 01:08:10,400 HEH! I--I DON'T KNOW WHAT TO SAY. 1294 01:08:10,480 --> 01:08:12,880 WE WILL CORNER THE MARKET ON HOLOGRAPHIC PERFORMERS. 1295 01:08:12,960 --> 01:08:14,720 YOU DON'T HAVE TO PAY 'EM, YOU DON'T HAVE TO FEED 'EM, 1296 01:08:14,800 --> 01:08:18,160 AND WHEN THEY'RE NOT ON STAGE, YOU CAN PUT 'EM AWAY. 1297 01:08:18,240 --> 01:08:19,840 THAT'S THE KIND OF PERFORMER I LIKE. 1298 01:08:19,920 --> 01:08:22,600 HOW ARE THE HOLOGRAMS GONNA FEEL ABOUT THAT? 1299 01:08:23,480 --> 01:08:24,600 UH... 1300 01:08:25,040 --> 01:08:29,240 (ALL CHUCKLING) 1301 01:08:29,760 --> 01:08:30,720 FUNNY KID. 1302 01:08:30,800 --> 01:08:32,400 ROSCOE, I'M GIVING YOU AND YOUR FATHER 1303 01:08:32,480 --> 01:08:35,560 FREE CREATIVE REIN TO DEVELOP NEW HOLOGRAPHIC PERSONALITIES. 1304 01:08:35,640 --> 01:08:37,520 IN THE MEANTIME, WE'LL EXPLOIT THE ONE WE'VE GOT. 1305 01:08:37,600 --> 01:08:39,560 WHAT DO YOU MEAN THE ONE YOU'VE GOT? 1306 01:08:39,680 --> 01:08:41,840 WE PURCHASED LORETTA FROM SKYGRAPH. 1307 01:08:41,920 --> 01:08:44,480 NO. THEY CAN'T JUST BUY HER. 1308 01:08:44,560 --> 01:08:47,760 WELL, THEY PURCHASE COMPUTER PROGRAMS ALL THE TIME. 1309 01:08:47,840 --> 01:08:49,120 YEAH, IT LOOKS LIKE THEY BOUGHT YOU, TOO. 1310 01:08:49,200 --> 01:08:51,000 ROSCOE, I KNOW LORETTA MIGHT SEEM 1311 01:08:51,080 --> 01:08:53,040 LIKE AN INDIVIDUAL, BUT SHE'S NOT. 1312 01:08:53,120 --> 01:08:54,160 THEN WHAT IS SHE? 1313 01:08:54,240 --> 01:08:57,320 PROPERTY. AND NOW SHE'S MY PROPERTY, 1314 01:08:57,400 --> 01:08:58,360 PLAIN AND SIMPLE. 1315 01:08:58,440 --> 01:09:00,000 ROSCOE, LET'S JUST STEP OUTSIDE 1316 01:09:00,080 --> 01:09:00,920 AND TALK CALMLY ABOUT THIS. 1317 01:09:01,000 --> 01:09:02,600 YEAH, I KNOW. LIKE BUSINESS PARTNERS. 1318 01:09:02,680 --> 01:09:04,560 BUT YOU KNOW WHAT? I'M NOT YOUR BUSINESS PARTNER. 1319 01:09:04,640 --> 01:09:05,760 I'M YOUR SON. 1320 01:09:05,840 --> 01:09:08,760 AHEM. WE HAVE THE ABILITY 1321 01:09:08,840 --> 01:09:10,800 TO CREATE LORETTAS OF EVERY ETHNICITY-- 1322 01:09:10,880 --> 01:09:13,080 ASIAN, AFRICAN AMERICAN, HISPANIC. 1323 01:09:13,160 --> 01:09:15,080 Giles: IT'S BRILLIANT... NO. 1324 01:09:15,160 --> 01:09:17,880 WE'LL MOLD LORETTA INTO WHATEVER WE WANT HER TO BE. 1325 01:09:17,960 --> 01:09:20,200 ISN'T THAT RIGHT, XANDER? 1326 01:09:22,640 --> 01:09:23,480 XANDER? 1327 01:09:23,600 --> 01:09:24,640 Y-YES. 1328 01:09:26,480 --> 01:09:29,040 YES, WE CAN DO ALL OF THAT. 1329 01:09:29,120 --> 01:09:33,040 BUT JUST BECAUSE WE CAN DOESN'T MEAN THAT WE SHOULD. 1330 01:09:33,560 --> 01:09:35,520 I'M SORRY, BUT I'M WITH MY SON ON THIS. 1331 01:09:36,160 --> 01:09:40,160 WHETHER LORETTA IS A PERSON OR A PROGRAM, 1332 01:09:40,280 --> 01:09:42,880 SHE DESERVES TO BE TREATED WITH DIGNITY. 1333 01:09:43,480 --> 01:09:44,880 FINE. 1334 01:09:44,960 --> 01:09:49,320 I'LL SET UP A TASK FORCE ON HOLOGRAM ETHICS. 1335 01:09:49,400 --> 01:09:52,240 DARYL, COULD YOU PLEASE TAKE THE DATA CELL? 1336 01:09:53,360 --> 01:09:54,800 NOW. 1337 01:09:59,480 --> 01:10:01,520 I'M SORRY, ROSCOE. 1338 01:10:02,160 --> 01:10:03,480 IT'S NOT FAIR. 1339 01:10:04,200 --> 01:10:05,280 I NEED SECURITY IN HERE. 1340 01:10:05,360 --> 01:10:07,160 XANDER, TALK TO YOUR SON. COME ON! 1341 01:10:07,240 --> 01:10:09,400 YOU KNOW, FOR ONCE THAT'S EXACTLY WHAT I INTEND TO DO. 1342 01:10:09,520 --> 01:10:11,720 HOW COULD YOU LET HIM DO THIS? 1343 01:10:11,800 --> 01:10:14,640 YOU SAID EVERY PERFORMER HAS A CHOICE. 1344 01:10:14,720 --> 01:10:17,360 HOW ABOUT LORETTA? WHERE'S HER CHOICE? 1345 01:10:17,440 --> 01:10:19,520 ALL RIGHT, SIR, LET'S GO. 1346 01:10:23,720 --> 01:10:26,720 I WANT THAT UNDER LOCK AND KEY. 1347 01:10:26,800 --> 01:10:29,680 WE WON'T LET THEM GET AWAY WITH IT. YOU CREATED LORETTA. 1348 01:10:29,760 --> 01:10:33,240 WE WON'T LET THEM DO THIS TO YOU OR TO HER. 1349 01:10:35,200 --> 01:10:36,600 WHAT IS IT? 1350 01:10:37,720 --> 01:10:39,120 NOTHING. 1351 01:10:40,800 --> 01:10:43,680 HEY, DAD, IF I WERE TO TELL YOU 1352 01:10:43,760 --> 01:10:45,240 HOW PROUD I WAS TO BE YOUR SON, 1353 01:10:45,320 --> 01:10:47,760 WOULD YOU GET ALL MUSHY ON ME? 1354 01:10:47,840 --> 01:10:50,200 WHO ME? NO. 1355 01:10:50,280 --> 01:10:52,080 GOOD, GOOD. 1356 01:10:52,160 --> 01:10:55,600 'CAUSE, UH, I AM PROUD. 1357 01:10:59,960 --> 01:11:00,800 DAD! 1358 01:11:00,880 --> 01:11:04,920 Xander: WHOA! I'M OK, I'M OK! I'M DONE. 1359 01:11:05,760 --> 01:11:07,600 (DATA CELL POWERS UP) 1360 01:11:09,440 --> 01:11:11,760 WHERE AM I? ROSCOE? 1361 01:11:12,320 --> 01:11:14,280 YOU HAVE A DECISION TO MAKE, LORETTA. 1362 01:11:14,360 --> 01:11:18,080 ROSCOE CAN'T MAKE IT FOR YOU, NEITHER CAN I. 1363 01:11:18,160 --> 01:11:21,080 ON THE ONE HAND, YOU CAN STAY HERE. 1364 01:11:21,160 --> 01:11:23,040 IF YOU DO, HARSHTONE WILL OWN YOU. 1365 01:11:23,120 --> 01:11:24,960 YOU'LL PERFORM WHEN THEY TELL YOU. 1366 01:11:25,040 --> 01:11:27,960 ALL I WANT TO DO IS PERFORM. 1367 01:11:28,560 --> 01:11:31,240 THEN MAYBE THIS IS WHERE YOU BELONG. 1368 01:11:31,320 --> 01:11:33,800 BUT THEN ON THE OTHER HAND. 1369 01:11:35,120 --> 01:11:36,520 YOUR HANDHELD. 1370 01:11:36,600 --> 01:11:39,080 WITH WIRELESS WEB. 1371 01:11:39,160 --> 01:11:41,600 I UPLOADED ONCE. 1372 01:11:41,680 --> 01:11:44,120 THE CHOICE IS YOURS. 1373 01:11:44,680 --> 01:11:46,560 Giles: FIBBS, ARE YOU IN THERE? 1374 01:11:46,640 --> 01:11:48,800 I HOPE YOU'RE TAKING GOOD CARE OF MY GIRL. 1375 01:11:54,960 --> 01:11:56,600 Daryl, voice-over: "DEAR MR. GILES, 1376 01:11:56,680 --> 01:11:58,280 "AFTER CAREFUL CONSIDERATION, 1377 01:11:58,360 --> 01:11:59,280 "I'VE DECIDED TO FREE MYSELF 1378 01:11:59,360 --> 01:12:01,000 "FROM YOU AND HARSHTONE RECORDS. 1379 01:12:01,080 --> 01:12:03,760 "I BELIEVE OUR FRIEND LORETTA MODERN 1380 01:12:03,840 --> 01:12:05,840 HAS CHOSEN TO DO THE SAME." 1381 01:12:05,920 --> 01:12:09,600 SINCERELY, DARYL J. FIBBS." 1382 01:12:15,960 --> 01:12:17,960 HEH! HA HA! 1383 01:12:18,040 --> 01:12:21,720 (BRAKES SQUEAL) 1384 01:12:23,360 --> 01:12:24,800 YOU AGAIN? 1385 01:12:24,880 --> 01:12:26,600 MM-HMM. 1386 01:12:26,680 --> 01:12:28,320 WHERE TO THIS TIME? 1387 01:12:28,400 --> 01:12:30,880 ANYWHERE BUT HERE. 1388 01:12:30,960 --> 01:12:34,120 4,200,708 MATCHES. 1389 01:12:34,200 --> 01:12:36,000 HA HA HA! 1390 01:12:54,720 --> 01:12:56,040 ROSCOE--OW! 1391 01:12:56,120 --> 01:12:56,840 ROSCOE! 1392 01:12:56,920 --> 01:12:58,760 DO YOU HAVE ANY IDEA WHAT HE JUST DID? 1393 01:12:58,840 --> 01:13:00,000 YOU DON'T UNDERSTAND. 1394 01:13:00,080 --> 01:13:00,880 OH, I UNDERSTAND JUST FINE. 1395 01:13:00,960 --> 01:13:02,560 HE'S A LYING, CHEATING, SELF-SERVING, 1396 01:13:02,640 --> 01:13:04,640 UNDERHANDED ARROGANT BALL OF SLIME! 1397 01:13:04,720 --> 01:13:05,400 ARE YOU DONE? 1398 01:13:05,480 --> 01:13:07,360 NO, I'M NOT DONE. 1399 01:13:09,080 --> 01:13:11,560 OK. NOW I'M DONE. 1400 01:13:11,640 --> 01:13:14,080 SO AM I. I RESIGNED FROM HARSHTONE. 1401 01:13:14,600 --> 01:13:15,360 WHAT? 1402 01:13:15,440 --> 01:13:16,520 I DIDN'T LIKE THE AIR OF OPPRESSION. 1403 01:13:16,600 --> 01:13:18,400 TIME I STARTED MY OWN RECORDING COMPANY. 1404 01:13:18,480 --> 01:13:20,880 I MADE A MISTAKE. I'M SORRY. 1405 01:13:21,000 --> 01:13:24,040 LORETTA'S GONE, TOO. SHE ESCAPED INTO THE NET. 1406 01:13:24,120 --> 01:13:25,360 YOU LET HER INTO THE NET? 1407 01:13:25,440 --> 01:13:26,360 HEY, IT WAS EITHER THAT 1408 01:13:26,440 --> 01:13:28,720 OR LET WELDON GILES GET HIS CLUTCHES INTO HER. 1409 01:13:29,280 --> 01:13:31,160 WHAT ABOUT THE CONCERT? 1410 01:13:31,240 --> 01:13:33,760 OH, THERE ISN'T GOING TO BE A CONCERT. 1411 01:13:33,840 --> 01:13:35,040 THE ZETTABYTES ARE HISTORY. 1412 01:13:35,120 --> 01:13:37,200 Rachel: COME ON. COULD YOU SPARE US THE GLOOM AND DOOM? 1413 01:13:41,600 --> 01:13:43,120 Roscoe: SAM? 1414 01:13:44,600 --> 01:13:47,960 GUYS, I HAVE AN IDEA. 1415 01:13:48,040 --> 01:13:50,920 (ROCK MUSIC PLAYING) 1416 01:13:55,960 --> 01:14:00,560 ♪ PEOPLE SAY YOU GOTTA BE FAKE TO MAKE IT TO THE TOP ♪ 1417 01:14:00,640 --> 01:14:02,240 ♪ TO GET ON THE TOP ♪ 1418 01:14:02,320 --> 01:14:04,480 ♪ YOU'RE NEVER GONNA HAVE WHAT IT TAKES ♪ 1419 01:14:04,560 --> 01:14:06,920 ♪ SO YOU MIGHT AS WELL STOP ♪ 1420 01:14:07,000 --> 01:14:08,560 ♪ BUT WE'RE NOT ♪ 1421 01:14:08,640 --> 01:14:10,480 ♪ BECAUSE I KNOW YOU KNOW I KNOW ♪ 1422 01:14:10,560 --> 01:14:14,000 ♪ THIS TIME THERE'S NO PRETENDING ♪ 1423 01:14:14,080 --> 01:14:17,840 ♪ SO COME ON, COME ON, COME ON, COME ON, COME ON ♪ 1424 01:14:17,920 --> 01:14:18,720 ♪ GET REAL ♪ 1425 01:14:18,800 --> 01:14:20,920 ♪ OOH AHH, I REALLY FEEL THE FEELING ♪ 1426 01:14:21,000 --> 01:14:21,840 ♪ GET REAL ♪ 1427 01:14:21,920 --> 01:14:23,840 ♪ HOPEFULLY WE'LL NEVER HIT THE CEILING ♪ 1428 01:14:23,920 --> 01:14:24,720 ♪ GET REAL ♪ 1429 01:14:24,800 --> 01:14:26,840 ♪ HELP ME GET ANSWERS TO THE MEANING ♪ 1430 01:14:26,920 --> 01:14:29,280 ♪ GET UP, GET ON, GET OVER IT ♪ 1431 01:14:29,360 --> 01:14:32,040 ♪ GET OUT OF OUR WAY ♪ 1432 01:14:32,120 --> 01:14:35,600 ♪ IT'S TIME TO GET REAL ♪ 1433 01:14:47,640 --> 01:14:48,440 ♪ GET REAL ♪ 1434 01:14:48,520 --> 01:14:50,960 ♪ OOH AHH, I REALLY FEEL THE FEELING ♪ 1435 01:14:51,040 --> 01:14:51,880 ♪ GET REAL ♪ 1436 01:14:51,960 --> 01:14:54,280 ♪ HOPEFULLY WE'LL NEVER HIT THE CEILING ♪ 1437 01:14:54,360 --> 01:14:55,120 ♪ GET REAL ♪ 1438 01:14:55,200 --> 01:14:57,520 ♪ HELP ME GET ANSWERS TO THE MEANING ♪ 1439 01:14:57,600 --> 01:14:59,960 ♪ GET UP, GET ON, GET OVER IT... ♪ 1440 01:15:00,040 --> 01:15:02,960 (MUSIC DISTORTS) 1441 01:15:23,360 --> 01:15:25,320 EXCUSE ME. LET ME THROUGH! 1442 01:15:27,000 --> 01:15:28,720 IS SHE OK? 1443 01:15:29,680 --> 01:15:31,480 SAMANTHA! 1444 01:15:45,720 --> 01:15:49,160 (THUNDER) 1445 01:15:49,680 --> 01:15:53,280 (MONITOR BEEPING) 1446 01:16:09,520 --> 01:16:12,040 (COMPUTER BEEPS) 1447 01:16:15,360 --> 01:16:16,720 OH, IT'S JUST AN E-MAIL. 1448 01:16:16,800 --> 01:16:19,400 YOU DON'T THINK... 1449 01:16:35,720 --> 01:16:37,720 OOH! THAT WAS FUN! 1450 01:16:37,800 --> 01:16:39,200 WHERE HAVE YOU BEEN? 1451 01:16:39,280 --> 01:16:40,960 IN JAPAN. 1452 01:16:41,760 --> 01:16:44,520 CLUB HOPPING! 1453 01:16:44,600 --> 01:16:47,760 NO, DON'T DANCE. NOT HERE. 1454 01:16:48,720 --> 01:16:51,920 WHERE IS HERE, ANYWAY? 1455 01:16:55,000 --> 01:16:57,560 I DON'T UNDERSTAND. WHAT HAPPENED? 1456 01:16:58,080 --> 01:17:01,680 SHE TRIED TO BE YOU. THAT'S WHAT HAPPENED. 1457 01:17:03,080 --> 01:17:04,880 WHEN YOU DIDN'T SHOW UP TO THE CONCERT 1458 01:17:04,960 --> 01:17:07,640 SHE TRIED TO TAKE YOUR PLACE. 1459 01:17:08,320 --> 01:17:10,200 WELL, SOMEONE SHOULD BE FIXING HER, 1460 01:17:10,280 --> 01:17:11,240 RUNNING DIAGNOSTICS. 1461 01:17:11,680 --> 01:17:15,440 SHE FELL AND HIT HER HEAD. IT'S NOT THAT EASY. 1462 01:17:18,480 --> 01:17:20,240 ROSCOE, YOU FIX HER. 1463 01:17:20,320 --> 01:17:21,680 I CAN'T. 1464 01:17:21,760 --> 01:17:23,440 ALL WE CAN DO IS WAIT. 1465 01:17:23,520 --> 01:17:25,040 COME ON. WE'LL WAIT WITH THE OTHERS. 1466 01:17:25,160 --> 01:17:27,200 NO. I WANT TO STAY HERE. 1467 01:17:27,280 --> 01:17:28,600 LORETTA. 1468 01:17:30,440 --> 01:17:31,760 THIS MACHINE. 1469 01:17:31,840 --> 01:17:34,600 WHAT IS IT? WHAT DOES IT DO? 1470 01:17:35,200 --> 01:17:37,280 E.E.G. IT MEASURES BRAIN ACTIVITY. 1471 01:17:37,840 --> 01:17:41,000 THOSE WIRES, ARE THEY CONNECTED TO HER BRAIN? 1472 01:17:42,120 --> 01:17:43,880 SORT OF. 1473 01:17:45,040 --> 01:17:47,400 LORETTA, NO. IT'S NOT A COMPUTER. 1474 01:17:47,520 --> 01:17:50,000 IF YOU GO IN THERE, YOU CAN'T COME OUT. 1475 01:17:55,480 --> 01:17:57,800 LORETTA, NO! 1476 01:18:10,080 --> 01:18:13,720 SAMANTHA? WHERE ARE YOU? 1477 01:18:17,880 --> 01:18:19,840 SAMANTHA? 1478 01:18:21,160 --> 01:18:23,040 SAMANTHA? 1479 01:18:26,320 --> 01:18:29,600 SAMANTHA, ARE YOU ALL RIGHT? 1480 01:18:35,080 --> 01:18:37,560 IT'S BROKEN. 1481 01:18:39,960 --> 01:18:42,520 YOUR HARDWARE NEEDS TO BE REWIRED. 1482 01:18:42,600 --> 01:18:43,800 THAT'S ALL. 1483 01:18:51,080 --> 01:18:53,600 THERE. TRY IT NOW. 1484 01:19:43,360 --> 01:19:45,160 LORETTA? 1485 01:19:46,080 --> 01:19:47,520 WHAT ARE YOU DOING HERE? 1486 01:19:47,600 --> 01:19:49,400 I'M HERE TO FIX YOU. 1487 01:19:50,000 --> 01:19:51,840 PLAY SOMETHING. 1488 01:19:52,440 --> 01:19:56,080 (PLAYS GUITAR) 1489 01:20:04,800 --> 01:20:07,560 HMM! 1490 01:20:07,640 --> 01:20:09,240 THAT'S SO BEAUTIFUL. 1491 01:20:09,320 --> 01:20:11,720 I WISH I COULD LEARN TO PLAY SOMETHING LIKE THAT. 1492 01:20:11,800 --> 01:20:13,200 ROSCOE COULD PROGRAM YOU. 1493 01:20:13,280 --> 01:20:14,880 IT'S NOT THE SAME AS LEARNING. 1494 01:20:14,960 --> 01:20:17,280 YOU GET TO MAKE MISTAKES. 1495 01:20:17,360 --> 01:20:21,240 YOU GET TO SEE YOURSELF GET BETTER LITTLE BY LITTLE, 1496 01:20:21,320 --> 01:20:25,480 SO WHEN YOU FINALLY GET THERE IT ACTUALLY MEANS SOMETHING. 1497 01:20:28,480 --> 01:20:31,480 ALL THIS TIME I'VE BEEN JEALOUS OF YOU 1498 01:20:32,160 --> 01:20:34,880 BECAUSE IT ALL CAME SO EASY TO YOU. 1499 01:20:35,760 --> 01:20:40,120 HEH! SINGING, DANCING, PERFECT PERSONALITY-- 1500 01:20:40,200 --> 01:20:44,200 PERFECT! UGH! I HATE THAT WORD. 1501 01:20:44,320 --> 01:20:48,240 IF I'M SO PERFECT, WHY DO I FEEL SO LIMITED? 1502 01:20:50,960 --> 01:20:55,600 I MEAN, LOOK AT THIS PLACE YOU'VE CREATED. 1503 01:21:01,600 --> 01:21:03,320 YOU'RE SO LUCKY. 1504 01:21:05,520 --> 01:21:09,520 SAMANTHA, YOU GET TO BE THE DREAMER, 1505 01:21:10,400 --> 01:21:12,520 BUT ALL I'LL EVER BE 1506 01:21:13,400 --> 01:21:15,800 IS THE DREAM. 1507 01:21:15,880 --> 01:21:18,880 I NEVER THOUGHT OF IT THAT WAY. 1508 01:21:21,280 --> 01:21:23,360 YOU'RE LOSING YOUR PATTERN. 1509 01:21:25,360 --> 01:21:27,480 SO ARE YOU. 1510 01:21:27,560 --> 01:21:29,960 IT LOOKS LIKE THERE'S ONLY ENOUGH ROOM 1511 01:21:30,040 --> 01:21:33,440 FOR ONE OF US IN HERE. 1512 01:21:37,240 --> 01:21:39,680 SHE'S WAKING UP. 1513 01:21:40,680 --> 01:21:44,320 SAMANTHA? SAMANTHA HONEY? 1514 01:21:44,400 --> 01:21:47,080 Roscoe: SAM, ARE YOU OK? 1515 01:22:01,560 --> 01:22:03,680 HI, ROSCOE. 1516 01:22:03,760 --> 01:22:05,720 LORETTA? 1517 01:22:07,920 --> 01:22:11,560 HEH! EVERYTHING'S SO DIFFERENT. 1518 01:22:12,440 --> 01:22:14,560 EVERYBODY FEELS DIFFERENT. 1519 01:22:14,640 --> 01:22:17,240 I DON'T UNDERSTAND. 1520 01:22:17,320 --> 01:22:18,680 IF THIS IS LORETTA, 1521 01:22:18,760 --> 01:22:21,400 WHERE'S SAMANTHA? 1522 01:22:21,480 --> 01:22:25,680 THERE WAS ONLY ROOM FOR ONE OF US AT A TIME. 1523 01:22:25,760 --> 01:22:28,720 NOW IT'S MY TURN TO FEEL. 1524 01:22:28,840 --> 01:22:31,920 WHAT ARE YOU SAYING? 1525 01:22:38,400 --> 01:22:39,200 OH! 1526 01:22:39,280 --> 01:22:40,800 WHOA! HONEY? 1527 01:22:42,400 --> 01:22:44,040 MY PATTERN'S WEAK. 1528 01:22:44,120 --> 01:22:47,040 YOU'RE JUST NOT USED TO THE WEIGHT. 1529 01:22:47,120 --> 01:22:51,320 WHAT DO YOU MEAN IT'S YOUR TURN TO FEEL? 1530 01:22:53,360 --> 01:22:55,800 IT'S ONLY FOR A WHILE. 1531 01:23:02,120 --> 01:23:04,960 LOOK AT THE RAIN, ROSCOE. 1532 01:23:16,360 --> 01:23:19,440 AM I EVERYTHING YOU WANTED ME TO BE? 1533 01:23:20,440 --> 01:23:21,760 IT DOESN'T MATTER. 1534 01:23:21,840 --> 01:23:25,880 ALL THAT MATTERS IS WHAT YOU WANT TO BE. 1535 01:23:27,120 --> 01:23:29,240 WHEN'S SAMANTHA COMING BACK? 1536 01:23:31,000 --> 01:23:34,320 WHY WOULD YOU WANT SAMANTHA, ANYWAY? 1537 01:23:34,400 --> 01:23:37,720 SHE'S NOT LIKE ME. SHE'S NOT PERFECT. 1538 01:23:37,800 --> 01:23:39,280 SHE DOESN'T HAVE TO BE. 1539 01:23:39,960 --> 01:23:43,240 ARE YOU SAYING YOU LOVE HER BECAUSE OF HER IMPERFECTIONS? 1540 01:23:43,320 --> 01:23:44,720 YES. 1541 01:23:44,800 --> 01:23:46,720 BECAUSE OF EVERYTHING SHE IS. 1542 01:23:47,800 --> 01:23:51,160 AND BECAUSE OF EVERYTHING SHE'S NOT. 1543 01:23:52,320 --> 01:23:54,840 YEAH. 1544 01:23:55,800 --> 01:23:59,120 SO...YOU'LL LET HER COME BACK? 1545 01:23:59,880 --> 01:24:01,680 HEH! OF COURSE I WILL. 1546 01:24:01,760 --> 01:24:05,920 WHAT KIND OF HOLOGRAM DO YOU THINK I AM? HEH! 1547 01:24:08,400 --> 01:24:12,320 BUT FIRST...THE RAIN. 1548 01:24:14,040 --> 01:24:16,360 YOU REALLY WANT TO DO THIS? 1549 01:24:17,000 --> 01:24:20,720 MORE THAN ANYTHING IN THE WORLD. 1550 01:25:27,840 --> 01:25:30,320 UNH! 1551 01:25:31,080 --> 01:25:34,120 SAMANTHA! SAM! 1552 01:25:36,000 --> 01:25:37,120 SAMANTHA. 1553 01:25:41,800 --> 01:25:43,240 SAMANTHA. 1554 01:25:44,640 --> 01:25:47,840 LORETTA! WHERE'S LORETTA? 1555 01:25:47,920 --> 01:25:49,560 SHE'S GONE. WHERE? 1556 01:25:49,640 --> 01:25:51,800 I DON'T KNOW. 1557 01:26:04,160 --> 01:26:08,120 ♪ OH, HOO-OO ♪ 1558 01:26:10,840 --> 01:26:14,680 ♪ I DON'T UNDERSTAND ♪ 1559 01:26:15,160 --> 01:26:19,640 ♪ THIS SHOULD BE SO EASY ♪ 1560 01:26:19,720 --> 01:26:24,080 ♪ TO JUST REACH OUT MY HAND ♪ 1561 01:26:24,200 --> 01:26:28,320 ♪ AND KNOW THE WORLD IS REAL ♪ 1562 01:26:28,400 --> 01:26:32,240 ♪ BUT NOTHING'S AS IT SEEMS ♪ 1563 01:26:33,200 --> 01:26:37,640 ♪ NO, I CAN TELL YOU FREELY ♪ 1564 01:26:37,720 --> 01:26:44,000 ♪ TOUCHING'S NOT THE ONLY WAY TO FEEL ♪ 1565 01:26:45,840 --> 01:26:50,000 ♪ WHEN THE RAIN FALLS ♪ 1566 01:26:50,080 --> 01:26:54,480 ♪ IT'S LIKE HEAVEN'S CRYING ♪ 1567 01:26:54,560 --> 01:26:58,920 ♪ AND THE NAME'S ALL ♪ 1568 01:26:59,840 --> 01:27:03,280 ♪ THE DIFFERENCE THAT THERE IS ♪ 1569 01:27:04,000 --> 01:27:08,000 ♪ 'CAUSE TEARS ARE ♪ 1570 01:27:08,080 --> 01:27:12,120 ♪ THE SAME WHEN THEY ARE TRYING ♪ 1571 01:27:12,200 --> 01:27:14,800 ♪ TO GROW SOMETHING GOOD ♪ 1572 01:27:14,880 --> 01:27:20,240 ♪ OUT OF ALL THE PAIN, HEY ♪ 1573 01:27:21,240 --> 01:27:25,960 ♪ THERE'S NO DIFFERENCE BETWEEN THE TEARDROPS ♪ 1574 01:27:26,040 --> 01:27:29,440 ♪ AND THE RAIN ♪ 1575 01:27:31,240 --> 01:27:34,240 ♪ HAA, HOO-OO ♪ 1576 01:27:37,080 --> 01:27:39,200 WHOO-OO-OO-OO! 1577 01:27:39,280 --> 01:27:41,280 BRAVO! 1578 01:27:46,040 --> 01:27:48,240 NOW THAT'S WHAT I'M TALKING ABOUT. 1579 01:27:58,440 --> 01:28:00,000 Roscoe: HEY, IT WAS AWESOME. 1580 01:28:00,080 --> 01:28:02,280 YOU WERE BORN TO SING BALLADS. 1581 01:28:02,360 --> 01:28:04,440 I WAS KIND OF FLAT ON THE SECOND VERSE. 1582 01:28:04,520 --> 01:28:07,360 HEY, WHAT DO YOU WANT-- PERFECTION? 1583 01:28:10,720 --> 01:28:12,960 YOU SOUND GREAT JUST THE WAY YOU ARE. 1584 01:28:13,040 --> 01:28:13,920 HEH. 1585 01:28:14,880 --> 01:28:17,560 WELL, RACHEL'S HARMONIES HELPED ME OUT. 1586 01:28:17,640 --> 01:28:19,880 HARMONY? I WASN'T SINGING HARMONY. 1587 01:28:19,960 --> 01:28:21,080 I THOUGHT IT WAS CINDY. 1588 01:28:21,720 --> 01:28:24,240 HEY, I DON'T SING. I JUST PLAY DRUMS. 1589 01:28:24,320 --> 01:28:28,160 WELL, THEN WHO'S-- 1590 01:28:34,480 --> 01:28:35,880 WHAT IS IT? 1591 01:28:38,960 --> 01:28:41,440 I THINK THE ZETTABYTES HAVE A GUARDIAN ANGEL. 1592 01:28:43,080 --> 01:28:45,280 COME ON. 1593 01:29:04,760 --> 01:29:09,680 ♪ YOU MAY FIND ME JUST A LITTLE STRANGE ♪ 1594 01:29:09,760 --> 01:29:14,800 ♪ I LIKE DANCING BAREFOOT IN THE POURING RAIN ♪ 1595 01:29:14,880 --> 01:29:20,520 ♪ MY MIND IS RACING AT THE SPEED OF LIGHT ♪ 1596 01:29:21,520 --> 01:29:27,400 ♪ I'LL DANCE AROUND YOU LIKE A SATELLITE ♪ 1597 01:29:27,480 --> 01:29:30,280 ♪ I'M RECKLESS ♪ 1598 01:29:30,360 --> 01:29:32,680 ♪ YOU'RE SPEECHLESS ♪ 1599 01:29:32,760 --> 01:29:35,120 ♪ SCREAM, SHOUT, I LOVE IT LOUD ♪ 1600 01:29:35,200 --> 01:29:38,560 ♪ I FEEL THE NEED TO STAND OUT IN THE CROWD ♪ 1601 01:29:38,640 --> 01:29:44,200 ♪ NOTHING'S WRONG WITH ME ♪ 1602 01:29:44,640 --> 01:29:51,040 ♪ NOTHING'S WRONG WITH ME ♪ 102125