All language subtitles for Hunter - S03 E15 - Double Exposure.eng

Maybe we could go to your
room to have another drink?

I don't let strange
women in my room.

Look, two weeks
ago, one of our marks

ends up in the morgue.

One thing you know about cops,
man, is that they're all ugly.

So how does it feel
to be one of the world's

most beautiful women?

Then what do I do?

What every model does...

You find work on the outside.

Why don't we go up to my room.

What do you say?

Well, it is a wee
bit crowded in here.

Way to go, Shelly.

You brought me a cop!

I think they got McCall.

Are you saving this
seat for someone?

No.

Would you mind very
much if I sit here?

No, not at all.

Thank you.

Mm-hmm.

It's not that I want
to seem too forward,

but I'm waiting for a friend.

And the men, they always
try to... how do you say,

pick up with me?

Yeah.

Well, at the risk of
being forward myself,

may I offer you a
drink while you wait?

- Scotch?
- Yes.

I'll have the same.

One scotch, Johnny.

Well, I'm here on business.

How about yourself?

I'm from Paris.

But I'm working here now.

Oh.

Well then, we're strangers
together, aren't we?

Yes.

Jacqueline Duboc.

Oui?

Telephone.

Excuse me.

I can't believe it.

My rendezvous for this
evening has been canceled.

Oh.

How disappointing for you.

Would you, uh, care to join me?

With pleasure.

Ooh.

It becomes so noisy here.

Would it look too
forward of me to ask you

if we could leave from here?

Maybe we could go to your
room to have another drink?

Jacqueline, I don't let
strange women in my room.

Oh.

I'm not so strange,
really, just in need

of a little consolation.

Well, the last one to the
elevator's a dirty duck.

Oh.

It's so beautiful here.

Well, I hadn't noticed.

Well, can I make
you that drink now?

No.

Please, let me do it.

Certainly.

Ever since I was a little girl,

I always do this for my
father and for his friends.

It makes me feel
so much at home.

We should stay with scotch, no?

Yes.

Scotch will be fine.

Never mix, never worry.

What a beautiful expression.

You Americans are so
practical and poetic.

Thank you.

The city of lights.

That's how we call Paris.

Well, as you say here,
to your health, Rick.

Cheers.

You know, in
France, it's bad luck

not to drink after a toast.

Oh, but if I drank this,
I'd have worse luck.

It's quite odorless, isn't it?

I understand it's
tasteless also.

But now I'll have to trust
the lab boys on that one.

I... I don't understand.

Oh, I think you do, honey.

Wait right there.

I want you to meet somebody.

Jacqueline Duboc,
meet Sergeant McCall.

Please put the drink
down and turn around.

You have the right
to remain silent.

Hunter.

If you give up the right to
remain silent, anything you say

can and will be used against
you in a court of law.

You have the right to
have an attorney present

now and during questioning.

If you so desire and
cannot afford one,

an attorney will be appointed
to you without charge.

Do you understand these are the
rights I've explained to you?

Yes.

Let me get this straight.

You got wrapped up
in this, Miss Duboc,

and never met anybody
except Shelly Kurtz.

Is that it?

Oui.

I was brought to Los Angeles by
the Inter-Tal Modeling Agency.

Since I've been here,
there are very few jobs.

They expect me to look
superb all the time.

But I don't have any money.

I was desperate.

Shelly's my friend.

She says she wants to help me.

She says that I can make a lot
of money if I do what she says.

She says that I can make
thousands of dollars a week.

She told me that I don't
have to sleep with anyone.

All I have to do is find a rich
man at the bar, go to his room

with him, put the
drug into his drink,

which takes effect immediately.

Then... then I take his wallet,
credit cards, and money.

That's it.

Nobody is hurt.

They told me it's
completely harmless.

Where does Shelly get the drug?

I don't know.

I got the drug only from her.

The drug you tried to give
Sergeant Hunter last night

is a controlled substance.

You could go to jail for
possession and conspiracy

to use it in a theft.

I told you.

That was only the
second time I do this.

Last week at the same
hotel, the same drug

was given to a man.

That drug doesn't mix
with certain medications.

And that man was on one of them.

The man died, Jackie.

So let me get this straight.

Thank you.

You've got a woman...

A French woman... in
protective custody.

Voluntary incarceration.

Right.

And she appears to be
involved with a operation that

was responsible for a homicide.

But she has no idea
who's running the thing?

Correct.

It's almost midnight.

I've got a meeting with Wyler
at 8 o'clock in the morning.

McCall, you talk faster.

So why don't you just
tell me what your plan is.

Well, right now, our only
link to Shelly Kurtz is

through the Inter-Tal Agency.

Jackie thinks that
Shelly gets her orders

from some top man or woman
who sets up the operation

and provides the drug.

We talked to Jackie.

We checked out her story.

And she's in no way
connected with the man

that was killed last week.

The DA says that
if she testifies,

he won't prosecute her.

So the plan is...

No plan?

Is that what the silence means?

Well.
No, Captain.

Obviously, the only way
we can get to this person

is through Shelly Kurtz.

Now, if I can get into
the Inter-Tal Agency,

I can meet her.

We've discussed this in depth.

And she will be wearing a wire.

And I'll be backing
her up all the way.

I talked to Jackie.

She told me exactly who
I have to see there,

said all I really need
is a good portfolio.

I can do that.
That's simple enough.

Don't you think they might
be wondering what happened

to their French connection.

We took care of that.

We had Jackie call
Shelly and tell her

that when it came down to
giving another guy the drug,

she just couldn't do it.

I was with Jackie when she
made the call to Shelly Kurtz.

She told her she was
getting on a plane

tonight and going back to Paris.

She sounded real upset.

I'm sure that Shelly bought it.

All right.

Arrange for the airlines to
show that she took a plane

from LAX to Paris tonight.

Done.

And you... be careful.

Hello.

My name's Patricia O'Carroll.

I've got a 10
o'clock appointment

with Cynthia Jane Bartlett.

OK.

Oh, yes, Patricia.

Would you just wait
a moment, please?

I'll let Ms. Bartlett
know you're here.

- OK, thanks.
- OK.

Mm-hmm.

Yes, Patricia O'Carroll
is here to see you.

Hello.

Patricia.

Ms. Bartlett will see you now.

Best of luck to you.

This is Patricia O'Carroll.

Patricia, how very
nice to meet you.

Hello.

I'd like you to meet my
assistant, Shelly Kurtz.

Hello.

How do you do?

Let's have a look
at your portfolio.

All right.
There you go.

Come over here and sit
down with me we, will you?

Right here.

I got the feeling
sitting out in the lobby

that there's a different
style here in America

than there is back
home in Ireland.

No need to apologize, dear.

I think you have our look.

Now, beautiful...
It's nice, nice.

OK.

Beautiful.

Could you get off the seamless?

Please?

I'm sorry.

Did I do something wrong?

No.

When Dino says it's
over, it's over.

Could you do me a favor?

Next time when you're
working on the paper,

you think maybe you can
be a little more careful.

Because you see, I'm
going to have to throw

this whole roll out now.

Sure, I'm sorry.

Right.

Isn't Dino marvelous?

Of course, he's impossible,
but what an eye.

Was I all right then?

You look great.

Of course, it's up
to Cynthia Jane now.

She'll get the proofs tomorrow.

And then I'll give you a ring.

Uh, Shelley, I hate
to be so awfully direct,

but when can I expect to
be paid for this session?

Paid?

No, no, no.

Cynthia Jane is
doing you a favor.

You won't be paid for this.

Most models would kill
for exposure like this.

Patricia, is something wrong?

The first thing you must learn
about the Inter-Tal Agency

is that we're like family.

We trust each other,
confide in one another.

You can tell me anything.

Well, to tell you the truth,
Shelly, I'm in a bit of a bind.

I've only been in the
country for a month,

and my finances are
completely exhausted.

The men at the motel
has extended me

a week's rent already.

The agency keeps several
small apartments around town.

They are usually all full.

But one of the girls had to
go back to Paris unexpectedly.

So her place is available.

I'm sure Cynthia Jane
wouldn't mind if you

stayed there for a while.

Oh, that'd be great.

But there's still the problem
of a week's back rent.

Why don't we go to the
restaurant across the street?

There is privacy, and we
can have something to eat.

Even if Cynthia Jane loves
the work that you did today,

it's going to be a
long time before you

start making any money.

Those are the facts.

I've been there.

I know.

If you're looking for
money from Cynthia Jane

to pay that motel bill, it's
just not going to happen.

Well, then, what do I do?

What every model does...

You find work on the outside.

You're really in
trouble, aren't you?

How do you feel
about doing something

that isn't exactly legal?

Oh, no.

No, Shelley.

I know other models have
done that sort of thing, but.

No, no, no, Patricia, I
would never suggest that you go

to bed with someone for money.

This is much more agreeable
and much more profitable.

You don't have to
sleep with men.

All you have to do is
know how to talk to them.

Talk to them?

Well, if it's talking you want,
you've come to the right girl.

You know, it's very
rare we Irish find

ourselves at a loss for words.

Wonderful.

You know, McCall, bowling is
more than the American pastime.

It's physics, man
rising above the laws

of gravity for a higher purpose.

Yeah.

Well, you were definitely
born to bowl, Slammer.

Slammer?

Where'd you get
this shirt, anyway?

Oh, I see.

Now that you're a
high fashion model,

bowling is beneath you, right?

Hey.

I am not living some
fast-paced, intensely glamorous

life of a high fashion model.

Not yet.
- Yeah.

Next thing, you'll be doing
those little swimsuit ads

for "Sports
Illustrated," and I'll

be looking for another partner.

Oh, give me a break.

You know, you did pick the best
place to meet today, though,

because none of my
new friends would be

caught dead in a bowling alley.

Well, who cares
about your new friends.

All I want to do is bowl.

Figures.

All right.

I told you what I have.
What do you got?

Well, after several days
of copious detective work,

I found out the Inter-Tal
Agency is clean.

What about Shelly?

Well, she's been a model for
10 years, divorced, no kids,

and she works
because she has to.

You know, Jackie might be right.

Shelly may not be
at the top, but she

has to be pretty close if she's
the one doing the recruiting.

Well, for answers
to these questions

and more, leave them to me.

I have a plan.

In the meantime, keep your Irish
eyes a'smiling, honey, and stay

away from bowling alleys.

You just... you
just wait a minute.

You are about to
witness a spare.

That's great.

Excuse
me, Mr. Mitchell?

No.

No, I'm afraid not.

Oh, sorry to disturb you.

Please, don't be sorry.

You're no disruption at all.

It's just that I'm supposed
to be meeting a man here.

I've never met him before.

And he's over an hour late.

Well, why don't you
sit down and wait?

I'll buy you a drink.
- No, no, I couldn't.

No, come on.
Come on.

Craig.
- No, no, I couldn't impose.

What'll you have?

Well, maybe a white wine then.

All right.

You know, I hope you
don't mind me saying this.

But you have a beautiful accent.

Are you English?

Good lord, no, I'm Irish.

Oh.

Oh, no, I had no idea.

I hope somehow you'll
let me make it up to you.

Oh!

Ah, I'm so sorry.

It's OK.

I guess that makes us even.

I guess so.

Listen, you didn't get a
chance to finish your wine.

And I have to change my clothes.

Why don't we go up to my room?

What do you say?

Well, it is a wee
bit crowded in here.

All right.

Craig, put these on 740 for me.

Actually, I've
found the modeling

scene here a lot slower than
I thought it was going to be.

Well, I guess with any job,
you got to take the slope times

and make them fast.

You know, McCall, this
wasn't in the script.

You don't have to get
so violent, you know?

I was just about to
invite you up anyway.

It was an accident, Harry.

Let me have the stuff.

McCall, I've always
had a thing for you.

You know, Harry,
when Hunter told me

he had something
in mind, I didn't

think he had you in mind.

I'll bet you 10-to-one
he set this up.

Don't forget the wallet.

You know, it just occurred to
me that this room's paid for.

You know, it would
be a sin to waste it.

Be a sin to break your jaw too.

Aren't we touchy this afternoon?

- Don't forget the receipt.
- Oh.

Oh yeah, the receipt.

You sure you don't want
to put that accent back on

and, uh, have a wee drink?

Harry, don't forget, you have
to stay in this room for eight

hours and don't make a sound.

Don't turn on the TV, the radio.

Don't answer the phone.

Don't use the phone.

Just sit here.

McCall, this is
the first time I've

had a legitimate excuse to be
away from my wife in years.

You want me to sit here
in this beautiful room...

Alone?

You got to be kidding.

No, Harold, I'm not kidding.

That's exactly what
I want you to do.

We are not dealing with
small time operators here.

They probably have me under
surveillance right now.

Have a good time.

Don't do anything I wouldn't do.

Hello, Shelly?

It was so easy.

You were right.

No, no, no... not a hitch.

All right.

I'll meet you there.

This is Sergeant
McCall, patch me through...

Patch me
through to L56, will you?

Hunter.

McCall, how'd it go?

It went great.

I'm going to meet her
on Hayworth, in the 1800

block in 20 minutes.

Got it.

Listen, call me when
you find out where

she gets rid of the stuff, OK?

I'll be at the apartment.

Now, listen, do me a favor.

As soon as you get back to
your car, put that wire on you

and don't take it off,
you understand me?

Hunter, look, I don't think
I really need to do that.

It might tip them off, you know?

Besides, it's not that kind of...

Just do it, you understand?

You can be so demanding.

Listen, why don't you
grab another drink, Tia.

I'll be right back.

Shelly?

She just called you, right?

Just once?
She didn't call you back?

Not a thing.

Listen, bring her to the party.

I want to talk to her.

Yeah.

I'll see you there.

Hope you can hear me, Hunter.

Here goes.

L87, you in position?

Yeah, Hunter, I got 'em.

Shelly, you were right.

It was so easy.

Now, you're sure the
poor fellow is going

to be waking up in a few hours?

And he'll never
know what hit him.

He won't even have a headache...
That is, until he goes back

to Kansas or wherever and
tries to explain to his wife

how he lost his wedding ring.

And since they don't want their
wives to know what happened,

they almost never
report it to the police.

Hm, pretty good, huh?

$800 in cash, $2,000
in traveler's checks.

Pretty good for
your first time out.

Here's $400 for you.

That ought to put a
dent in your motel bill.

Ooh.

And that's just the beginning.

With the credit cards, ring,
watch, and everything else,

you'll get another $3,000
for a half hour's work.

You do this three or
four times for us,

and you could clear 15 grand.

Good Lord.

Whoever's behind this
must be making thousands.

Don't think too much
about the people behind it.

But Shelly, it was so simple.

Do you really think we need to
be working with somebody else?

Let me have the vial.

All right.

Here you go.

This is why it's not so easy.

Without the scopolamine,
it doesn't work at all.

You can't just walk
into a pharmacy

and buy it, even
with a prescription.

You've got to have a source.

And the person that gets
it for us has a source.

Besides, you're not the
only girl working for us.

It's got to be
organized, controlled.

You got it?

I understand.

I just want you to know
that I'm available.

Sure.

And by the way, after you called
me, did you call someone else?

Yes, I did.

How in the world
did you know that?

This is big business,
honey, and risky.

The person at the top
doesn't take any chances.

What are you telling me?

That there was
somebody watching me?

Just answer the
question... who did you call?

Well, look, Shelly, I
haven't gone and joined

the nunnery now, have I?

I met a guy.

He said he wanted to take
me after to get a drink.

And I told him I
didn't know what

time I'd be getting
off work, and I'd

call him when I was free.

He's kind of cute.

Was I wrong to be
calling him from the phone

while I was there?

No, it wasn't.

But I'm sorry you did.

I was going to invite
you to a party at Malibu.

In Malibu?

Will there be
other models there?

Models?

The place will be full of VIPs,
producers, actors, con men,

you name it.

Well, that sounds
like a lot more fun.

I'll tell you what.

I'll cancel out on me date.

Are you sure?

Mm-hmm.

All right.

Let me give you the address.

I'd have you follow
me, but I have

to drop off the stuff first.

Now, listen, you'll have
no problem with this.

It's right off
the Coast Highway.

All right.

I'll go home and
change my clothes.

And I'll cancel my engagement.

I'll see you there.

L87, suspect's heading your way.

If she turns on
Wilshire, I'll take her.

I got her.

Pick her up on Santa
Monica Boulevard.

Will do.

Pick her up now.

We're coming to.

She stopped at 13578 PCH.

Go a little north of there
and throw out the anchor.

This is L56.

Operator, come in.

Go ahead, L56.

Patch me through
to 555-6861, please.

Hello?

How are you doing?

Hunter.
Where are you?

Did she drop off the stuff?
- No.

But I've got it narrowed down
to about 200 or 300 people out

on Pacific Coast Highway.

Yeah.

And I'm on the little guest
list for that clambake.

Yeah, I know that.

Do you need a date?

Yeah, you got somebody in mind
who doesn't look like a cop?

Wait a minute now.

You look more like
a cop than I do.

Hunter, if you looked
any more like a cop,

they'd give you a TV series
where you got to play one.

Excuse me.

But you have missed
the point entirely.

This is not a painting
about Vietnam.

This... this is about
the rebirth of a love

in a technological society.

I'll tell you what it's about.

It's about 60 grand.

And he bought it a few
months ago for five.

Patricia.

How wonderful.

You made it.

Thank you for inviting me.

So what do you think?

Well, it's... it's
just like home.

Have you met Matthew?

No.

This is his house.

His mother is filthy rich.

And his father owns
a movie studio.

Some people have all the luck.

Come on.

Let me introduce you.

You know, I come
here all the time.

But I haven't seen half
of these people before.

Excuse me.

Matthew, I'd like to
meet Patricia O'Carroll.

She's one of the new
girls at the agency.

How do you do?

So how does it feel
to be one of the world's

most beautiful women?

Oh.

I... I wish it were true.

Shelly, you wouldn't mind
getting me another drink,

would you?

No.

Well, you... you surely
throw a fine party.

Actually,
I had nothing to do with this.

Oh, I'm sorry.

I... I misunderstood.

I thought it was your home.

Things aren't always
what they appear, Patricia.

For instance, this
isn't my home.

This is my mother's.

She lets me use it... sometimes
for one month, sometimes

for six, depending
on how she feels

or how long it takes
the police to arrive.

You know what I mean?
- Oh, hey, man.

Watch your back.

Oh, Matthew.

I said it's sure
good to be back.

Back, Sporty?

I didn't know you left.

Sporty?

You two know each other?

Uh, no, we haven't
had the mutual pleasure.

But whenever I encounter
a rapturous beauty

of this magnitude,
getting to know

her is the first
thing on my agenda.

Patricia O'Carroll,
this is Sporty James.

He's in the
information business.

Pleasure meeting
you, Miss O'Carroll.

Matthew, I've got
to hand it to you.

You are maintaining
your usual high level

of good taste in women.

Ciao, now.

Interesting character.

Can't argue with that.

Uh, yeah, man.

Give it to me
straight, Sergeant.

When's the bus coming down?

There is no bus, Sporty,
just take it easy and relax.

OK?

Something's wrong.

There's something about this
girl that doesn't ring true.

Like what?

Everything went smooth as silk.

Oh yeah?

Well, what about
the second phone

call she made from
the hotel room?

I hit her with that.

She gave me a straight answer.

She was calling her boyfriend.

Yeah, well, you may think
that's a straight answer.

But I don't like it.

And now, she and Sporty James,
they look at each other,

and they freeze.

They know each other.

And they tried to cover it up.

You know what I think?

I think you've been
doing so much coke,

you're a little paranoid.

You're damn right I'm paranoid!

Look, two weeks ago, one of our
marks ends up in the morgue.

Now up until then, we were
only a little bit vulnerable.

But now, we are
accessories to murder.

So now, from now on,
and until I decide

to get us out of this racket,
we have to remain paranoid.

Give me that stuff.

All right.

Take this.

What's this for?

Just stay here.

I'll be right back.

So look.
Forget about this party, uh-huh?

Uh-huh.

I mean, my party is going
to be the baddest party you

ever seen.

This party here,
it ain't nothing.

This party is like
Sunday School, OK?

Not now, man.

I got to talk to you, Sporty.

Uh, can it wait?

This is business.

Oh.

Well, why didn't you say so?

Because Sporty James
Enterprises is open for business

24 hours a day.

I was hoping you'd say that.

If he moves, shoot him.

Shoot... shoot him?

Shoot me?

Are you crazy, man?

Hey.

I'm your main man,
baby, Sporty James.

Yeah.

Now, why didn't you tell
me about you and Patricia?

Come on, Sporty.

I saw you two when
I introduced you.

And then you step outside
for a little conversation.

Who is she?

Hey, man.

Look, I was trying
to hit on the broad.

And she turned me off, you know?
- Look.

Don't give me that.

Now, I want to know
who she is, because I

think I smell cop here.
- Cop!

Man, are you crazy, man?

That chick is too good
looking to be a cop, man.

Hey, look, one thing you
know about cops, man,

is that they all ugly, you know?

Hey, look, you know what?

I think you're letting that
Irish accent get you confused.

Thanks, Sporty.

You've been very helpful.

Like I was saying, if
he moves, you shoot him.

I mean it!

So you see, at the
inception of any work,

the artist must first be able
to go within himself and throw...

Excuse me, Dino.

Can I talk to you for a minute?

Sure.

You never mentioned you
were interested in art.

Well, as a matter of fact I am.

You have a fine collection.

Well, in that case, let me
show you a little something

I just picked up.

I think you'll find
it very interesting.

Shelly, what's going on?

- Hey, Matthew, I told you, man.
- Shut up.

I got all I need from you.

Shelly, I don't understand

what's happening.

What was that little encounter
you two had on the balcony?

I don't understand what
you're talking about, Matthew.

What's going on?

Well, what do you know?

You are a cop.

Way to go, Shelly.
You brought me a cop!

Police!

Get out of the way.

Sporty?

McCall...

I think they got McCall.

We're covering the airports,
the bus and train stations,

and every highway out of town.

And the Coast Guard is
covering the marina for us.

There's no way they're going
to get out of this city.

Did you get anything
from Sporty?

No.

The hospital wouldn't
let me talk to him.

Well, I'm going to
assign Causland to help

you until we find McCall.

Charlie, come on.

I'd rather do this by myself.

I don't need Causland.

All right.

Yes, I'll wait.

Thank you.

Your friend's in intensive care.

Maybe we should have
just left her there.

Maybe you shouldn't
have shot Sporty James.

For God's sakes, Matthew.

You had me pointing
a gun at him.

And he jumped me.

What the hell was
I supposed to do?

So you shot him in the chest?

If he dies, you're
going down for that one.

Not me.

I can't believe you.

I've done everything
that you've asked

since the day we started this.

I've always loved you, Matthew.

I've done anything for you...

Anything.

Yeah.

You certainly took good
care of me there, Shel.

One of our marks drops
dead in a hotel room,

and you call me paranoid.

And then you go out
and you recruit a cop...

A damn cop!

And then you lose it.

And you probably not
only kill Sporty James,

but you shoot me
while you're at it!

Matthew, please stop it!

This isn't what we planned.

We've got to give up.

Maybe if we go to
the police right now.

What?

Are you crazy?

Matthew, she's right.

Oh, is that a fact?

Why don't you tell
me about that?

If you give up
now, you will only

be looking at four
to eight years

on involuntary manslaughter
for the guy in the hotel.

You will be out in three.

Yeah.

And what about Sporty?

Now, you correct me if
I'm wrong there, Sarge.

But if we turn ourselves
in and Sporty dies,

we're looking at
the gas chamber.

He's in intensive care.

They didn't say he
was going to die.

Look, I can't take that chance.

But what are we supposed to do?

Sit around here and
just wait for the police

to come knocking at the door?

Shut up!

Shut up, both of you!

I can't take this.

I've got to think.

To tell you the truth, Sergeant,

I haven't seen
Matthew since I cut

off his allowance a year ago.

Well, could he be someplace
else like another home

in the mountains
or in Palm Springs?

No.

And his mother cut him off six
months ago when she remarried.

But she spoiled him
rotten up until then.

If you want information
about my son,

maybe you should talk to her.

Where can I find her?

They have a place
in Holmby Hills.

My secretary will
give you the address.

OK.

Thank you very much.

Hi.

May I help you, please?

Yes.

I'm looking for Mrs. Adler.

Mrs. Adler is not here.

She's gone for six months.

Do you mind if I come
in and take a look around?

OK.

Come in.

OK.

I hope that satisfies you.

Yes, it does, Lupe.

Thanks very much.

Is Matthew here?

Matthew?

You know, Matthew,
Ms. Adler's son.

Oh, no, he doesn't live here.

Well, has he come by here?

Has he shown up here before?

No, he doesn't come around here.

OK.

Well, look, take my
card and give me a call

if, in fact, you see him.

OK.

But I tell you, he doesn't
come around you at all.

I haven't seen him
since she's been gone.

Excuse me, please.

But he calls sometimes.

OK.

If he calls, should I tell
him you are looking for him?

No.

Just... just make sure you give
me a call at this phone number

right here, Lupe, OK?

Thank you.

I'll let myself out.

I'm fine.

All right.
Come on.

Let's go.

We're going to that
place at Ensenada.

Mexico?

We can't get her
across the border.

Why don't we just
leave her here?

We're not leaving her here.

We need it for insurance.

When we get to the border, we'll
figure out what to do with her.

Matthew, I don't think
that's a good idea.

You're too high.
You can't drive.

We're safe here.
- We're safe?

How long do you think
it's going to take

before they find this house?

Let's go.
Come on, let's go!

Get up!

Let's go!

Move it.

Matthew, this is insane.

Shut up.

Get in the backseat.

Let's go!

Matthew, please,
we can't do this.

Shut up!
Shut up!

This is L56.

I'm in hot pursuit
of a suspect holding

a police officer hostage.

He's headed west on Mulray
Boulevard at Beverly Glen.

Request an immediate backup.

Suspect is driving
a gray BMW, out.

Stop the car, Matthew!

Would you shut up!

I am so tired of your screaming!
Just shut up!

This is L56.

All available units,
respond immediately

to Mulray and Hilgard.

Suspect approaching at high
speed in gray BMW, out.

You're going to get
us all killed, Matthew!

Stop the car!

Dammit!

Stop the car!

I swear I'll kill
you if I have to!

Shelly, don't.

If you shoot him, we'll all die.

Don't shoot.

Go ahead, Shelly, do it!
Come on.

Go ahead, shoot!

Do it!

Where are you taking him?

County General, Sergeant.

There I was, bound and gagged
with five of the nastiest

handguns you ever
saw in your life

pointed directly at my face.

Now, I knew I had to
do something, right?

So...

So you calculated the odds.

Which were not in my favor.

And you went for the gun.

Sporty, the last time
you told the story, there

were only three guns.

Hell, three, five...

I don't know.

There could have been
seven or eight guns there.

You know, the...
The light was dark.

I... I... you don't know.

How do you do?

What room might I find
Sergeant McCall in?

Would you be
looking for Sergeant McCall?

Well, now that your
modeling days are over, maybe

we should take up acting.

What do you mean my
modeling days are over?

As far as I'm concerned,
they've just begun.

Well, I hate to be the bearer
of bad news, honey, but...

After all I did for her.

Oh, she's very
appreciative of the fact

that you busted
Matthew and Shelley.

Oh, it's for you.

Oh, you.

I know.
But don't call us.

We'll call you.

That's correct.

So in view of your
modeling demise,

I thought I'd give you a
present you might like.

You're kidding?
What is it?

You'll like it.

Welcome to the wonderful
world of bowling.

Nice.

You know, you're a
very strange man.

You're very strange.