Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,636 --> 00:00:06,004
�[scatting]
2
00:00:11,310 --> 00:00:12,544
WHAT'S WITH HIM?
3
00:00:12,611 --> 00:00:15,051
I HAVEN'T SEEN HIM THIS HAPPY
SINCE HE HAD HIS PICTURE TAKEN
4
00:00:15,081 --> 00:00:16,881
AT THE AUTO SHOW
WITH ADAM WEST.
5
00:00:19,385 --> 00:00:20,518
SON, IS EVERYTHING
ALL RIGHT?
6
00:00:20,586 --> 00:00:23,021
DID YOU MAKE A NEW FRIEND
ON THE TEEN CHAT LINE?
7
00:00:23,089 --> 00:00:25,123
NO, ITS NOTHING LIKE THAT.
8
00:00:25,190 --> 00:00:27,992
MOM, DAD,
I'VE GOTTA LITTLE SURPRISE
FOR THE 2 OF YOU.
9
00:00:28,060 --> 00:00:29,861
I THINK I MIGHT JUST BUY YOU
10
00:00:29,928 --> 00:00:32,330
A 30-ROOM MANSION
IN BEVERLY HILLS, CALIFORNIA
11
00:00:32,398 --> 00:00:33,999
COMPLETE WITH
PUSH BUTTON PHONES.
12
00:00:34,066 --> 00:00:36,234
DID YOU WIN THAT RAFFLE
AT THE PAINT STORE?
13
00:00:36,236 --> 00:00:38,336
NO, MOM,
I WON THE GENETIC RAFFLE.
14
00:00:38,404 --> 00:00:40,538
LOOK AT THIS FACE.
WHAT DO YOU SEE?
15
00:00:40,606 --> 00:00:42,507
LOOK AT IT, DAD.
WHAT DO YOU SEE?
16
00:00:42,575 --> 00:00:44,709
WHAT DO YOU SEE?
SAY IT, SAY IT.
17
00:00:44,777 --> 00:00:46,545
UH, IT... IT'S A FACE.
18
00:00:46,612 --> 00:00:48,279
YEAH, BUT WHAT KIND OF FACE?
19
00:00:48,347 --> 00:00:51,983
UH, PALE, PASTY, PSYCHOTIC.
20
00:00:52,051 --> 00:00:53,618
NO, DAD.
21
00:00:53,686 --> 00:00:56,588
IT'S A NEATLY CHISELED,
WELL-GROOMED,
DROP-DEAD HANDSOME FACE.
22
00:00:56,656 --> 00:01:00,992
CHRIS, HAVE YOU BEEN USING
POLYURETHANE IN AN
UNVENTILATED ROOM AGAIN?
23
00:01:01,060 --> 00:01:03,627
NO, NOW BRACE YOURSELVES,
YOU TWO.
24
00:01:03,695 --> 00:01:06,397
I'M GONNA BECOME A MALE MODEL.
25
00:01:08,367 --> 00:01:11,736
YOU'RE ALWAYS SAYING I CAN
DO ANYTHING I WANT TO DO,
IF I PUT MY MIND TO IT.
26
00:01:11,804 --> 00:01:14,606
THIS IS SOMETHING I CAN DO
WITHOUT PUTTING MY MIND
TO IT AT ALL.
27
00:01:14,673 --> 00:01:17,208
YEAH, BUT CHRIS,
YOU CAN'T JUST WALK
INTO THE GLAMOROUS,
28
00:01:17,276 --> 00:01:19,356
HIGH-PAYING WORLD
OF MALE MODELING.
29
00:01:19,378 --> 00:01:22,413
IT... IT TAKES HARD WORK,
IT TAKES DEDICATION AND...
30
00:01:22,481 --> 00:01:25,583
AND A SEMI-MODERATE
AMOUNT OF ATTRACTIVENESS.
31
00:01:25,585 --> 00:01:27,219
MA, DON'T YOU THINK
I KNOW THAT?
32
00:01:27,286 --> 00:01:30,855
I'M LIKE A ROUGH DIAMOND
THAT JUST NEEDS A LITTLE
POLISHING, THAT'S ALL.
33
00:01:30,923 --> 00:01:34,091
AND THAT'S EXACTLY WHAT
HANDSOME BOY MODELING
SCHOOL'S GONNA DO FOR ME.
34
00:01:34,159 --> 00:01:36,894
LOOK AT THIS AD I FOUND
IN THE PENNY SAVER TODAY.
35
00:01:36,962 --> 00:01:39,697
"HANDSOME BOY MODELING
SCHOOL WANTS HANDSOME FELLOWS
36
00:01:39,765 --> 00:01:42,567
"TO TRAIN TO BECOME
SUCCESSFUL MALE MODELS.
37
00:01:42,635 --> 00:01:46,103
"BRING YOUR BEAUTIFUL FACE
AND A CHECK FOR $60
38
00:01:46,171 --> 00:01:49,241
"DOWN TO OUR SWANK OFFICES
LOCATED OFF ROUTE 9,
39
00:01:49,308 --> 00:01:50,742
BEHIND THE CARPET WAREHOUSE."
40
00:01:50,810 --> 00:01:53,678
SON, MAYBE YOU OUGHT TO
THINK ABOUT THIS
A LITTLE MORE?
41
00:01:53,746 --> 00:01:55,847
DAD, I CAN'T,
I'M NOT GETTING ANY YOUNGER.
42
00:01:55,915 --> 00:01:58,983
THESE ARE THE PRETTIEST YEARS
OF MY LIFE.
43
00:01:59,051 --> 00:02:01,786
OK, I'M LATE
FOR MY PERSONAL INTERVIEW.
44
00:02:01,854 --> 00:02:04,055
NOW, WHEN I WALK OUT
THIS DOOR HERE,
45
00:02:04,123 --> 00:02:05,790
IT WOULD BE NICE
IF KNEW IN MY HEART
46
00:02:05,858 --> 00:02:09,060
THAT I HAVE YOUR BLESSINGS,
YOUR BEST WISHES,
AND YOUR FULL SUPPORT.
47
00:02:09,228 --> 00:02:10,294
WELL, YOU DON'T.
48
00:02:13,732 --> 00:02:15,833
�[Stand by R.E.M. playing]
49
00:02:20,105 --> 00:02:21,606
[bicycle bell ringing]
50
00:02:21,674 --> 00:02:24,876
� STAND IN THE PLACEWHERE YOU LIVE �
51
00:02:24,943 --> 00:02:26,444
� NOW FACE NORTH
52
00:02:26,512 --> 00:02:27,779
� THINK ABOUT DIRECTION
53
00:02:27,846 --> 00:02:30,247
� WONDER WHY YOU HAVEN'T
54
00:02:30,315 --> 00:02:33,618
� NOW STAND IN THE PLACEWHERE YOU WORK �
55
00:02:33,686 --> 00:02:35,320
� NOW FACE WEST
56
00:02:35,388 --> 00:02:37,154
� THINK ABOUT THE PLACEWHERE YOU LIVE �
57
00:02:37,222 --> 00:02:39,524
� WONDER WHYYOU HAVEN'T BEFORE �
58
00:02:39,592 --> 00:02:42,427
� STAND IN THE PLACEWHERE YOU LIVE �
59
00:02:42,495 --> 00:02:43,861
� NOW FACE NORTH
60
00:02:43,929 --> 00:02:45,296
� THINK ABOUT DIRECTION
61
00:02:45,364 --> 00:02:48,065
� WONDER WHY YOU HAVEN'T
62
00:02:48,133 --> 00:02:51,068
� NOW STAND IN THE PLACEWHERE YOU WORK �
63
00:02:51,136 --> 00:02:52,403
� NOW FACE WEST
64
00:02:52,471 --> 00:02:54,706
� THINK ABOUT THE PLACEWHERE YOU LIVE �
65
00:02:54,774 --> 00:02:56,534
� WONDER WHYYOU HAVEN'T BEFORE �
66
00:02:56,542 --> 00:02:59,844
� STAND IN THE PLACEWHERE YOU ARE �
67
00:03:00,545 --> 00:03:04,081
� SO STAND
68
00:03:04,950 --> 00:03:06,584
[birds chirping]
69
00:03:06,652 --> 00:03:09,955
THAT'S GREAT HONEY.
IT MUST BE BEGINNER'S LUCK.
70
00:03:10,022 --> 00:03:11,623
HI, I'M HERE
FOR THE INTERVIEW.
71
00:03:11,691 --> 00:03:13,224
OH, SORRY,
I'LL BE RIGHT WITH YOU.
72
00:03:13,292 --> 00:03:15,493
HEY, YOU DIDN'T PARK
IN THE CARPET STORE, DID YOU?
73
00:03:15,561 --> 00:03:18,963
BECAUSE, THEY'LL TOW YOU.
THEY'RE BASTARDS.
74
00:03:18,965 --> 00:03:21,266
HONEY, MY 10:00 IS HERE,
I GOTTA GO.
75
00:03:21,334 --> 00:03:23,335
YEAH, WELL, JUST... JUST
KEEP IT IN THE TRUNK,
76
00:03:23,402 --> 00:03:25,203
AND I'LL TAKE CARE
OF IT WHEN I GET HOME.
77
00:03:25,271 --> 00:03:27,739
I LOVE YOU, TOO.
78
00:03:27,806 --> 00:03:30,241
HOW ABOUT THAT?
MY WIFE JUST BAGGED
HER FIRST DEER.
79
00:03:30,309 --> 00:03:32,510
WOW, SHE SOUNDS LIKE
A WONDERFUL WOMAN.
80
00:03:32,578 --> 00:03:34,211
SHE IS.
81
00:03:34,279 --> 00:03:37,014
UH, NOT MUCH IN
THE FACE DEPARTMENT,
BUT SHE'S GOTTA HEART OF GOLD.
82
00:03:37,082 --> 00:03:38,416
SO I'M TED BAINS,
83
00:03:38,484 --> 00:03:40,618
PRESIDENT OF HANDSOME BOY
MODELING SCHOOL.
84
00:03:40,686 --> 00:03:42,654
WELCOME TO OUR SWANK OFFICES.
85
00:03:42,722 --> 00:03:44,489
YOU HAVE THE $60?
86
00:03:44,557 --> 00:03:47,225
UH, WELL, MR. BAINS,
WHY DON'T YOU FIRST TELL ME
87
00:03:47,292 --> 00:03:49,560
A LITTLE BIT ABOUT
THE HANDSOME BOY
CURRICULUM, HMM?
88
00:03:49,628 --> 00:03:51,629
LOOK, SON,
89
00:03:51,697 --> 00:03:53,998
WE RUN A VERY INTENSIVE
ONE-WEEK PROGRAM HERE.
90
00:03:54,066 --> 00:03:56,167
IT'S NOT FOR EVERYBODY.
91
00:03:56,234 --> 00:04:00,104
IF YOU QUALIFY,
YOU'LL BE TAUGHT ALL THE INS
AND OUTS OF MALE MODELING.
92
00:04:00,172 --> 00:04:01,506
BUT...
93
00:04:01,574 --> 00:04:04,675
EXCUSE ME, ARE THOSE...
ARE THOSE CHEEK IMPLANTS?
94
00:04:04,743 --> 00:04:07,245
UH, NO,
NOT THAT I KNOW OF.
95
00:04:08,347 --> 00:04:10,715
WELL, THEN YOU GOT
SOME GREAT CHEEKBONES.
96
00:04:10,782 --> 00:04:12,650
WOW, WELL, THANK YOU.
97
00:04:12,718 --> 00:04:14,685
I ALWAYS THOUGHT
MY NOSE WAS MY BEST FEATURE.
98
00:04:14,754 --> 00:04:16,120
CAN YOU SEE IT? TAKE A LOOK.
99
00:04:16,188 --> 00:04:17,588
YEAH, GOOD NOSE.
100
00:04:17,656 --> 00:04:20,058
IT'S A ROMAN PUG,
WHICH IS VERY RARE.
101
00:04:21,026 --> 00:04:22,927
YOU'RE VERY LUCKY.
102
00:04:22,995 --> 00:04:24,595
SO, LET'S ANSWER
A FEW QUESTIONS HERE
TO SEE IF YOU QUALIFY.
103
00:04:24,663 --> 00:04:27,031
NAME?
UH, CHRIS PETERSON.
104
00:04:27,099 --> 00:04:29,333
OK, OCCUPATION?
UH, PAPERBOY.
105
00:04:30,669 --> 00:04:33,138
AND YOU'RE GIVING THAT UP
TO BECOME A MALE MODEL?
106
00:04:33,705 --> 00:04:35,840
THAT'S GUTSY, KID.
107
00:04:35,907 --> 00:04:37,947
YOU GOT SOMETHING
DOWN BELOW, HUH?
108
00:04:39,544 --> 00:04:41,545
ALL RIGHT NOW,
WOULD YOU CONSIDER YOUR BUILD
109
00:04:41,613 --> 00:04:43,948
TO BE MUSCULAR, ATHLETIC,
110
00:04:44,016 --> 00:04:45,750
TRIM OR LEAN?
111
00:04:45,818 --> 00:04:49,220
UH, WELL, ACTUALLY IT'S... IT'S
MORE LIKE SOFT DOUGH.
112
00:04:50,389 --> 00:04:51,689
THAT'S GOOD.
113
00:04:52,524 --> 00:04:54,592
ALL RIGHT AND LASTLY,
114
00:04:56,127 --> 00:04:58,529
ARE YOU OR ANY MEMBER
OF YOUR FAMILY AFFILIATED
115
00:04:58,597 --> 00:05:00,865
WITH THE TELEVISION PROGRAM
60 MINUTES?
116
00:05:02,134 --> 00:05:06,036
UH, NO, OCCASIONALLY I ENJOY
ANDY ROONEY, BUT THAT'S...
117
00:05:06,104 --> 00:05:08,184
THAT'S OK.
I LIKE HIM, TOO.
118
00:05:08,240 --> 00:05:11,376
ALL RIGHT,
LET'S ADD UP YOUR SCORE
AND SEE IF YOU QUALIFY THEN.
119
00:05:11,443 --> 00:05:14,479
YEP, JUST AS I FIGURED,
YOU QUALIFY.
120
00:05:14,547 --> 00:05:16,047
YOU GOT THE $60?
YES, I DO.
121
00:05:17,383 --> 00:05:20,251
THEN YOU JUST SIGN HERE
AND YOU ARE NOW OFFICIALLY
122
00:05:20,319 --> 00:05:22,387
A MALE MODEL IN TRAINING.
123
00:05:22,454 --> 00:05:23,988
GREAT.
124
00:05:24,055 --> 00:05:25,390
HERE'S YOUR TRAINEE CAP.
125
00:05:25,457 --> 00:05:26,390
WOW.
126
00:05:28,760 --> 00:05:30,595
YOUR FIRST CLASS IS TONIGHT.
127
00:05:30,662 --> 00:05:34,164
YOU'LL BE INSTRUCTED BY
AN INTERNATIONALLY FAMOUS
MALE MODEL. GOOD LUCK.
128
00:05:34,232 --> 00:05:36,868
THANKS, MR. BAINS.
I WON'T LET YOU DOWN,
I PROMISE.
129
00:05:36,936 --> 00:05:40,177
WELL, AS LONG AS
THIS CHECK CLEARS,
YOU'RE ACES WITH ME.
130
00:05:42,040 --> 00:05:43,607
[men chattering]
131
00:05:43,743 --> 00:05:45,344
[whispers] WOW.
132
00:05:51,250 --> 00:05:52,249
HI.
133
00:05:53,852 --> 00:05:56,153
UH, EXCUSE ME,
IS THIS SEAT TAKEN?
134
00:05:56,221 --> 00:05:58,355
ACTUALLY, IT'S RESERVED
FOR A MODEL IN TRAINING,
135
00:05:58,424 --> 00:06:00,858
NOT FOR MEMBERS
OF THE CUSTODIAL STAFF.
136
00:06:00,926 --> 00:06:04,061
OH, MY, SOUNDS LIKE SOMEONE'S
DRAWING BATTLE LINES.
137
00:06:04,129 --> 00:06:06,831
[clearing throat]
WELL, LET ME TELL
YOU SOMETHING, PAL.
138
00:06:06,898 --> 00:06:09,701
WHAT YOU'RE GOING
THROUGH RIGHT NOW IS CALLED
AN AWKWARD STAGE, OK?
139
00:06:09,768 --> 00:06:10,735
YOU'LL GROW OUT OF IT.
140
00:06:10,803 --> 00:06:12,369
I WAS AN UGLY
DUCKLING ONCE, TOO.
141
00:06:12,437 --> 00:06:14,672
NOW LOOK AT ME,
I'M A BEAUTIFUL SWAN.
142
00:06:16,408 --> 00:06:19,277
LET'S GET SOMETHING STRAIGHT,
YOU LITTLE TROLL.
143
00:06:20,346 --> 00:06:21,586
YOU CAN SIT THERE,
144
00:06:21,613 --> 00:06:23,894
BUT I DON'T HAVE TIME
FOR YOUR INANE SQUAWKINGS.
145
00:06:23,949 --> 00:06:25,783
I'M GONNA GRADUATE
HEAD OF THE CLASS.
146
00:06:25,850 --> 00:06:27,351
I'M GONNA MAKE
SO MUCH MONEY,
147
00:06:27,419 --> 00:06:30,288
I'LL BE ABLE TO BUY MY OWN
ISLAND IN THE CARRIBEAN.
148
00:06:30,356 --> 00:06:32,256
HOW EXCITING.
149
00:06:32,324 --> 00:06:33,591
CAN I JUST SAY ONE THING?
150
00:06:33,659 --> 00:06:35,859
YOU'RE NUTS.
YOU'RE LIVING IN
A FANTASY WORLD.
151
00:06:35,927 --> 00:06:39,296
STAY OUT OF MY WAY,
UNDERSTAND?
152
00:06:39,365 --> 00:06:41,366
BECAUSE THIS ROCKET'S
HEADED FOR THE STARS,
153
00:06:41,433 --> 00:06:43,801
AND THERE ISN'T ENOUGH OXYGEN
UP THERE FOR THE TWO OF US.
154
00:06:43,869 --> 00:06:47,204
I'M SORRY, WHAT DID YOU SAY?
YOU HAD A BUTT LIFT?
155
00:06:47,272 --> 00:06:49,006
HOW EMBARRASING.
156
00:06:52,144 --> 00:06:54,211
ALL STUDENTS,
PLEASE TAKE YOUR SEATS.
157
00:06:54,279 --> 00:06:56,047
LET'S BEGIN.
158
00:06:56,115 --> 00:06:58,883
I'M TED BAINS,
PRESIDENT OF HANDSOME BOY,
159
00:06:58,951 --> 00:07:00,885
AND I AM YOUR
MODELING INSTRUCTOR.
160
00:07:00,953 --> 00:07:02,420
UH, EXCUSE ME,
161
00:07:02,487 --> 00:07:05,523
YOU'RE THE INTERNATIONALLY
FAMOUS MALE MODEL?
162
00:07:05,591 --> 00:07:08,092
WELL, SORT OF.
I USED TO APPEAR
AT HOME IMPROVEMENT SHOWS
163
00:07:08,159 --> 00:07:09,560
AS KING PLYWOOD.
164
00:07:11,863 --> 00:07:15,700
I WILL BE INSTRUCTING YOU
IN ALL AREAS
OF FASHION MODELING.
165
00:07:15,767 --> 00:07:17,935
YOU'LL LEARN
ALL THE BASIC POSES.
166
00:07:18,003 --> 00:07:19,069
SUCH AS,
167
00:07:20,105 --> 00:07:22,673
THE "GEE, I WONDER
WHAT TIME IT IS" POSE.
168
00:07:24,810 --> 00:07:29,379
AND THE "WHAT'S OFF
IN THE DISTANCE WHILE
I'M BEING HANDSOME" POSE.
169
00:07:31,816 --> 00:07:33,885
AND OF COURSE,
THE EVER POPULAR,
170
00:07:33,952 --> 00:07:36,854
"COULD I HAVE A SIDE ORDER OF
BACON WITH THAT PLEASE?" POSE.
171
00:07:39,124 --> 00:07:42,293
UH, EXCUSE ME, I CAN DO
THOSE POSES IN MY SLEEP.
172
00:07:42,360 --> 00:07:44,829
AM I GONNA BE ABLE
TO MOVE AT MY OWN SPEED
IN THIS CLASS,
173
00:07:44,897 --> 00:07:49,400
OR... OR AM I GONNA
HAVE TO KEEP PACE
WITH THE REST OF THESE SNAILS?
174
00:07:49,468 --> 00:07:53,404
IS IT POSSIBLE FOR YOU
TO GO 5 MINUTES WITHOUT
SAYING SOMETHING STUPID?
175
00:07:53,472 --> 00:07:56,007
ACTUALLY NO,
I THINK 30 SECONDS
IS MY LIMIT. SORRY.
176
00:07:59,578 --> 00:08:01,445
WHAT ARE YOU DOING?
I'M NOT DOING ANYTHING.
177
00:08:01,513 --> 00:08:03,581
THIS IS JUST THE WAY
MY BODY IS
AND WHERE MY HAND IS.
178
00:08:03,648 --> 00:08:06,317
I'M IN MY OWN SPACE,
THERE'S ABSOLUTELY NOTHING
ILLEGAL ABOUT IT.
179
00:08:06,385 --> 00:08:07,785
AND YOU CAN'T DO
A THING ABOUT IT.
180
00:08:07,852 --> 00:08:09,653
YES, THERE IS.
I CAN SLAP YOUR HAND AWAY.
181
00:08:09,721 --> 00:08:12,790
OK,
THAT'S ASSAULT AND BATTERY.
NOW I CAN SUE YOUR ASS.
182
00:08:12,857 --> 00:08:15,727
HEY, COME ON, YOU TWO,
NO CAT FIGHTS IN MY CLASSROOM.
183
00:08:16,494 --> 00:08:17,729
UH, WHAT'S YOUR NAME, SON?
184
00:08:17,796 --> 00:08:19,597
I AM SAPPHIRE.
185
00:08:19,664 --> 00:08:22,399
GREAT NAME,
VERY CLASSY, I LIKE THAT.
186
00:08:22,535 --> 00:08:24,235
AND WHAT'S YOUR NAME AGAIN?
187
00:08:24,302 --> 00:08:26,637
UH, I AM SPARKLES.
188
00:08:29,507 --> 00:08:31,142
INTERESTING.
189
00:08:31,210 --> 00:08:34,945
WELL, SAPPHIRE,
SPARKLES, ALL OF YOU.
190
00:08:35,013 --> 00:08:38,182
THIS NEXT WEEK WILL
BE FULL OF A LOT OF PAIN,
191
00:08:38,184 --> 00:08:40,151
AND A LOT OF SWEAT.
192
00:08:40,218 --> 00:08:41,585
IT WON'T BE EASY.
193
00:08:42,955 --> 00:08:44,756
SOME OF YOU WON'T MAKE IT.
194
00:08:46,725 --> 00:08:50,661
THOSE OF YOU WHO DO MAY
ACHIEVE THE ULTIMATE PINNACLE
195
00:08:50,728 --> 00:08:53,164
OF THIS GLORIOUS OCCUPATION.
196
00:08:54,733 --> 00:08:57,801
A RUNWAY SHOW
AT A LOCAL DEPARTMENT STORE.
197
00:08:58,603 --> 00:09:00,838
[all exclaiming]
198
00:09:00,905 --> 00:09:05,676
GOD, HOW I PRAY YOU ALL
HAVE THAT EXPERIENCE
JUST ONCE IN YOUR LIFE.
199
00:09:07,846 --> 00:09:12,383
AND NOW, GENTLEMEN,
LET'S MAKE MODELS.
200
00:09:12,451 --> 00:09:15,553
�[Pretty Womanby Roy Orbison playing]
201
00:09:15,620 --> 00:09:19,423
RIGHT, THE ATTITUDE
IS LIKE SAYING, "SCUM.
202
00:09:20,925 --> 00:09:24,795
"YOU'RE ALL SCUM. I'M BETTER.
203
00:09:24,863 --> 00:09:26,764
AND YOU'RE ALL SCUM."
204
00:09:26,831 --> 00:09:28,699
� PRETTY WOMAN
205
00:09:28,767 --> 00:09:30,501
� WALKING DOWN THE STREET
206
00:09:30,569 --> 00:09:32,170
� PRETTY WOMAN
207
00:09:32,237 --> 00:09:34,238
� THE KIND I LIKE TO MEET
208
00:09:34,306 --> 00:09:37,041
� PRETTY WOMAN
209
00:09:37,109 --> 00:09:39,210
� I DON'T BELIEVE YOU
210
00:09:39,278 --> 00:09:41,112
� YOU'RE NOT THE TRUTH
211
00:09:41,180 --> 00:09:45,216
� NO ONE COULD LOOKAS GOOD AS YOU �
212
00:09:47,452 --> 00:09:49,153
� MERCY
213
00:09:51,222 --> 00:09:52,890
� PRETTY WOMAN
214
00:09:52,958 --> 00:09:54,826
� WON'T YOU PARDON ME?
215
00:09:54,893 --> 00:09:56,694
� PRETTY WOMAN
216
00:09:56,762 --> 00:09:58,930
� I COULDN'T HELP BUT SEE
217
00:09:58,964 --> 00:10:01,265
� PRETTY WOMAN
218
00:10:01,332 --> 00:10:03,500
� THAT YOU LOOK LOVELY
219
00:10:03,569 --> 00:10:05,736
� AS CAN BE
220
00:10:05,804 --> 00:10:09,907
� ARE YOU LONELYJUST LIKE ME? �
221
00:10:11,977 --> 00:10:14,411
[growling]
222
00:10:14,479 --> 00:10:18,015
� PRETTY WOMANYEAH, YEAH, YEAH �
223
00:10:18,082 --> 00:10:21,652
� PRETTY WOMAN, LOOK MY WAY
224
00:10:21,720 --> 00:10:23,654
� PRETTY WOMAN
225
00:10:23,722 --> 00:10:25,523
STUDENTS, STAND UP.
226
00:10:25,591 --> 00:10:28,393
� WITH ME
227
00:10:28,527 --> 00:10:30,227
(all) I PROMISE TO UPHOLD
228
00:10:30,295 --> 00:10:33,731
THE HIGH STANDARDS OF
THE MALE MODELING PROFESSION,
229
00:10:33,799 --> 00:10:37,602
TO GIVE 100% AT
EVERY PHOTO SESSION,
230
00:10:37,669 --> 00:10:40,471
TO BE PUNCTUAL AND RELIABLE,
231
00:10:40,539 --> 00:10:44,108
AND NOT TO THROW
TOO MANY HISSY FITS.
232
00:10:44,176 --> 00:10:46,544
MODELS, SIT DOWN.
233
00:10:54,252 --> 00:10:58,689
� IS SHE WALKING BACK TO ME?
234
00:10:58,756 --> 00:11:03,695
� YEAH, SHE'S WALKINGBACK TO ME �
235
00:11:06,498 --> 00:11:11,335
� OH, OH, PRETTY WOMAN
236
00:11:21,513 --> 00:11:23,780
CHRIS, WHAT ARE YOU
WALKING LIKE THAT FOR?
237
00:11:23,848 --> 00:11:25,917
DID YOU DISLOCATE YOUR HIP?
238
00:11:25,984 --> 00:11:28,753
DAD, I'M PACING
AND THAT'S MY MODEL WALK,
239
00:11:28,821 --> 00:11:32,223
AND FOR THE LAST TIME,
MY NAME IS NOT CHRIS,
I'M SPARKLES.
240
00:11:32,291 --> 00:11:34,525
CHRIS IS DEAD
AND HE'S NEVER COMING BACK.
241
00:11:36,361 --> 00:11:38,396
IT'S BEEN A WEEK
SINCE I GRADUATED
HANDSOME BOY.
242
00:11:38,463 --> 00:11:40,598
HOW COME NOBODY'S CALLED
WITH ANY WORK FOR ME?
243
00:11:40,665 --> 00:11:41,932
I DON'T KNOW.
244
00:11:42,000 --> 00:11:44,368
ABOUT AN HOUR AGO,
I ACCIDENTALLY KNOCKED
THE PHONE OFF THE HOOK
245
00:11:44,436 --> 00:11:47,557
FOR 3 SECONDS.
MAYBE EVERYONE TRIED
TO CALL YOU THEN.
246
00:11:47,639 --> 00:11:50,607
DAD, HOW CAN YOU BE
SO CLUMSY AT A TIME LIKE THIS?
247
00:11:50,675 --> 00:11:53,244
IF THEY CAN'T REACH ME,
THEY'LL GIVE ALL MY JOBS
TO SAPPHIRE.
248
00:11:53,311 --> 00:11:54,278
WHO'S SHE?
249
00:11:54,280 --> 00:11:55,445
[phone ringing]
250
00:11:55,513 --> 00:11:59,350
I'LL GET IT. I'LL GET IT.
HELLO, HELLO?
251
00:11:59,418 --> 00:12:02,119
YES,
THIS IS SPARKLES PETERSON.
252
00:12:02,187 --> 00:12:04,855
OH, HELLO, MR. BAINS.
253
00:12:04,923 --> 00:12:06,324
YES, I'M AVAILABLE.
254
00:12:06,391 --> 00:12:09,460
4... OH, WELL, FANTASTICO.
255
00:12:09,528 --> 00:12:11,529
YES, I'LL BE THERE
WITH BELLS ON.
256
00:12:11,596 --> 00:12:13,797
OK, BYE-BYE.
257
00:12:13,932 --> 00:12:17,901
WELL, MR. NAYSAYER,
I'M GOING OFF ON MY FIRST
PROFESSIONAL MODELING GIG.
258
00:12:17,969 --> 00:12:19,336
WHO'S IT FOR, DEAR?
259
00:12:19,404 --> 00:12:20,871
YOU KNOW, MA, I FORGOT TO ASK.
260
00:12:20,939 --> 00:12:22,740
I ONLY KNOW IT
PUTS ME ONE STEP CLOSER
261
00:12:22,808 --> 00:12:25,543
TO THE ULTIMATE PINNACLE
OF SUCCESS IN MY FIELD,
262
00:12:25,611 --> 00:12:27,411
A RUNWAY SHOW.
263
00:12:27,479 --> 00:12:29,714
YOU KNOW, CHRIS,
I'M GONNA BE HONEST WITH YOU.
264
00:12:29,781 --> 00:12:33,517
I WAS A LITTLE DUBIOUS
WHEN THIS WHOLE THING
FIRST BEGAN,
265
00:12:33,584 --> 00:12:36,087
BUT NOW I GOTTA TELL YOU,
I'M... I'M REALLY IMPRESSED.
266
00:12:36,154 --> 00:12:38,756
GO GET 'EM, SPECKLES.
267
00:12:38,823 --> 00:12:41,058
THANK YOU, IT'S SPARKLES,
BUT THANK YOU.
268
00:12:44,329 --> 00:12:47,131
SO, ARE WE GONNA FINISH UP
THE AD FOR MUSCLE QUICK TODAY?
269
00:12:47,198 --> 00:12:50,467
YEAH, WE GOT THE AFTER SHOT.
NOW WE GOTTA DO THE BEFORE.
270
00:12:50,535 --> 00:12:53,971
SOME FAT GUY'S COMIN' IN.
WE'RE GONNA TAKE HIS PICTURE
IN THE SAME POSE
271
00:12:54,039 --> 00:12:57,141
AND THEN WE SLAP ON
MUSCLEMAN'S FACE.
YOU KNOW THAT OLD SCAM.
272
00:12:57,208 --> 00:12:58,242
OH.
273
00:12:58,310 --> 00:13:00,111
WOW.
274
00:13:00,178 --> 00:13:02,446
THERE'S MR. MUSCLELESS NOW.
275
00:13:02,513 --> 00:13:04,548
GREAT, HE'S A REAL BLOB.
276
00:13:04,615 --> 00:13:08,152
HI, SPARKLES,
PROFESSIONAL MALE MODEL.
277
00:13:08,219 --> 00:13:10,955
SPARKLES, HUH?
YOU, LIKE, WORK FOR
THE CIRCUS OR SOMETHING?
278
00:13:11,023 --> 00:13:13,624
YOU KNOW, I NEVER HAVE.
BUT THAT WOULD BE A CHALLENGE.
279
00:13:13,692 --> 00:13:16,460
THOSE PEOPLE PUT
IN INCREDIBLE HOURS.
280
00:13:16,528 --> 00:13:18,262
SO, UH,
WHERE DO I GET MADE-UP?
281
00:13:18,330 --> 00:13:20,331
UH, WELL, YOU DON'T NEED
ANY MAKE-UP FOR THIS.
282
00:13:20,398 --> 00:13:21,966
OH, YOU KNOW,
YOU'RE PROBABLY RIGHT.
283
00:13:22,034 --> 00:13:24,401
I HAVE WHAT'S CALLED
COMBINATION SKIN,
284
00:13:24,469 --> 00:13:27,104
AND THAT SEEMS
TO HAVE A GLOW OF
ITS OWN UNDER THE LIGHTS.
285
00:13:27,172 --> 00:13:28,539
EXACTLY.
286
00:13:28,606 --> 00:13:30,926
WHY, UH... WHY DON'T YOU...
WHY DON'T YOU MOVE OVER HERE...
287
00:13:30,943 --> 00:13:32,410
RIGHT OVER HERE?
288
00:13:32,477 --> 00:13:34,045
AND WE'LL LINE UP
THE SHOT, ALL RIGHT?
GREAT.
289
00:13:34,112 --> 00:13:35,079
AH.
OK.
290
00:13:35,147 --> 00:13:36,914
SO, WHAT'S THE SHOT FOR
ANYWAY?
291
00:13:38,050 --> 00:13:39,290
YOU DON'T KNOW?
292
00:13:39,351 --> 00:13:41,251
NO, THEY JUST SAID
IT WAS A RUSH JOB.
293
00:13:41,319 --> 00:13:42,253
[clearing throat]
294
00:13:42,320 --> 00:13:44,822
YOU MUST BE ANOTHER
HANDSOME BOY GRADUATE.
295
00:13:44,824 --> 00:13:46,390
YES, I AM.
296
00:13:46,457 --> 00:13:50,294
WELL, ACTUALLY THIS AN AD
FOR A NEW, UH, HEALTH DRINK.
297
00:13:50,362 --> 00:13:55,365
OH, WELL, FABULOUS.
THAT'S WONDERFUL.
I WISH YOU MUCH LUCK WITH IT.
298
00:13:55,433 --> 00:13:59,970
SO, UH, DOES THIS MEAN
THEY'LL BE A, UH, FREE CRATE
OF THE STUFF FOR MOI?
299
00:14:02,474 --> 00:14:05,843
YOU KNOW,
BECAUSE I'VE HEARD
ABOUT THOSE KIND OF PERKS.
300
00:14:05,977 --> 00:14:08,612
WHY DON'T WE GET STARTED?
SURE.
301
00:14:08,680 --> 00:14:11,215
OH, NICE.
WHAT IS THAT?
A LITTLE REGGAE?
302
00:14:11,283 --> 00:14:14,552
YEAH, THAT'S NICE.
THAT OUGHT TO LOOSEN
ME UP A LITTLE.
303
00:14:14,619 --> 00:14:16,053
OK, READY?
SOMETHING LIKE THIS?
304
00:14:16,121 --> 00:14:17,921
GREAT.
OK.
305
00:14:19,424 --> 00:14:20,791
UNBELIEVABLE.
306
00:14:21,893 --> 00:14:25,129
THIS?
GOOD, GOOD.
307
00:14:25,196 --> 00:14:27,531
YOU KNOW WHAT?
LET'S... LET'S TRY
SOME CRAZIER STUFF.
308
00:14:27,598 --> 00:14:30,319
OK? WHY DON'T YOU, UH,
WHY DON'T YOU TAKE
YOUR JACKET OFF?
309
00:14:30,368 --> 00:14:32,669
GREAT IDEA.
I SHOULD HAVE THOUGHT
OF THAT MYSELF.
310
00:14:32,737 --> 00:14:34,171
TERRIFIC IDEA.
311
00:14:35,273 --> 00:14:37,474
OK, SOMETHING LIKE THIS?
312
00:14:37,542 --> 00:14:40,110
GOOD, GOOD.
OK.
313
00:14:40,178 --> 00:14:42,546
OK.
THAT'S INCREDIBLE.
314
00:14:42,714 --> 00:14:44,615
OK, THIS IS SO WONDERFUL.
315
00:14:44,683 --> 00:14:47,051
I CAN'T BELIEVE
I'M ACTUALLY MODELING.
316
00:14:47,119 --> 00:14:49,387
AND I'M REALLY
GOOD AT IT, TOO, AREN'T I?
317
00:14:49,454 --> 00:14:50,421
YOU KNOW WHAT?
YEAH.
318
00:14:50,488 --> 00:14:52,023
WHY DON'T WE
TAKE THE TIE OFF,
319
00:14:52,090 --> 00:14:54,125
THROW IT IN THE AIR.
GO NUTS FOR ME.
320
00:14:54,192 --> 00:14:55,959
YEAH, GREAT,
TERRIFIC IDEA.
321
00:14:56,028 --> 00:14:58,929
I SHOULD HAVE THOUGHT...
I'M NEW AT THIS, BUT... OH!
322
00:15:01,499 --> 00:15:02,866
[snickering]
323
00:15:02,934 --> 00:15:04,601
YOU'RE A NATURAL.
324
00:15:04,669 --> 00:15:07,271
AND THE POSES, ARE JUST...
THEY ARE KIND OF, LIKE,
POURING OUT OF ME.
325
00:15:07,338 --> 00:15:09,273
OK, TAKE YOUR SHIRT OFF,
ALL RIGHT?
326
00:15:11,109 --> 00:15:12,209
DO WHAT?
327
00:15:12,277 --> 00:15:14,077
TAKE YOUR SHIRT OFF.
328
00:15:14,346 --> 00:15:15,879
YOU SAID YOU WERE
A PROFESSIONAL MODEL.
329
00:15:15,948 --> 00:15:17,381
NOW WE GOTTA HAVE
THIS FOR THE AD.
330
00:15:17,449 --> 00:15:19,569
WELL, NOBODY SAID ANYTHING
ABOUT TAKING THE SHIRT OFF.
331
00:15:19,617 --> 00:15:21,619
DON'T WORRY ABOUT IT,
YOU'RE DOING FANTASTIC.
332
00:15:21,753 --> 00:15:23,020
I DON'T KNOW WHAT I'M DOING.
333
00:15:23,087 --> 00:15:26,824
(photographer)
THERE IT IS, YEAH.
WELL, THAT'S FANTASTIC.
334
00:15:26,892 --> 00:15:28,526
IS THIS WHAT
YOU'RE TALKING ABOUT?
335
00:15:28,593 --> 00:15:30,795
BEAUTIFUL, BEAUTIFUL,
BEAUTIFUL.
336
00:15:32,464 --> 00:15:35,832
THAT'S IT.
YEAH, SOME MORE OF THAT.
337
00:15:40,372 --> 00:15:42,506
NO. THAT'S IT!
338
00:15:42,574 --> 00:15:44,675
I'M NOT MODELING ANYMORE
FOR THE TWO OF YOU.
339
00:15:44,742 --> 00:15:48,546
WELL, I GUESS I JUST HAD
MY FIRST TASTE OF THE
FILTHY SIDE OF THIS BUSINESS.
340
00:15:48,613 --> 00:15:50,948
MAY I REMIND YOU, SIRS,
341
00:15:51,015 --> 00:15:54,217
I AM A MALE MODEL
NOT A MALE PROSTITUTE.
342
00:15:55,921 --> 00:15:57,287
UGH!
343
00:15:57,355 --> 00:15:59,256
I'M GOING HOME NOW
344
00:15:59,324 --> 00:16:00,957
TO VOMIT.
345
00:16:02,493 --> 00:16:04,828
IT TURNED OUT TO BE
A LOVELY DAY, DIDN'T IT?
346
00:16:12,837 --> 00:16:14,105
ARE WE ALMOST DONE,
SWEETHEART?
347
00:16:14,172 --> 00:16:15,606
MY LEGS ARE GETTING
A LITTLE NUMB.
348
00:16:15,673 --> 00:16:17,174
JUST SHIFT YOUR WEIGHT, HONEY.
349
00:16:17,241 --> 00:16:19,176
I GAVE YOU A BREAK
AN HOUR AGO.
350
00:16:19,244 --> 00:16:22,413
OK. BUT IT LOOKS LIKE BOBBY'S
GETTING READY TO FAINT AGAIN.
351
00:16:23,080 --> 00:16:26,049
[whimpering]
352
00:16:28,653 --> 00:16:29,920
[grunting]
353
00:16:31,323 --> 00:16:33,156
FRESH AIR.
354
00:16:33,224 --> 00:16:36,226
AMY AND BOBBY
YOU GET BACK HERE,
I'M NOT DONE YET.
355
00:16:36,294 --> 00:16:38,061
[door closing]
356
00:16:38,129 --> 00:16:41,732
OH, LARRY, LARRY,
YOU'RE NOT GOINNA BELIEVE
WHAT I'VE BEEN THROUGH TODAY.
357
00:16:41,799 --> 00:16:43,167
CHRIS.
HUH?
358
00:16:43,235 --> 00:16:45,001
YOU DO NOT LIVE IN THIS HOUSE.
UH-HUH.
359
00:16:45,069 --> 00:16:46,903
IF YOU WANT TO COME OVER,
CALL FIRST.
360
00:16:46,971 --> 00:16:51,041
THIS WILL GIVE US AMPLE TIME
TO GET IN THE CAR
AND DRIVE AWAY.
361
00:16:51,109 --> 00:16:54,077
THAT'S VERY NICE, SHARON,
JUST STAMP ON MY HEART
IN MY TIME OF NEED.
362
00:16:54,145 --> 00:16:56,380
LARRY, I JUST CAME
FROM MY FIRST MODELING GIG.
363
00:16:56,448 --> 00:16:58,049
IT WAS A TOTAL DISASTER.
364
00:16:58,116 --> 00:17:00,351
WHO WOULD HAVE GUESSED?
365
00:17:00,419 --> 00:17:04,055
LARRY, IT WAS AWFUL.
THEY TREATED ME
LIKE I WAS MARILYN CHAMBERS.
366
00:17:04,122 --> 00:17:06,023
THEY MADE ME TAKE OFF MY TOP.
367
00:17:06,091 --> 00:17:09,059
THANK YOU FOR PUTTING
THAT IMAGE IN MY MIND.
368
00:17:09,126 --> 00:17:11,996
DON'T YOU UNDERSTAND?
THOSE PHOTOS COULD
WIND UP ANYWHERE.
369
00:17:12,063 --> 00:17:13,930
OH, MODELING JUST SUCKS.
370
00:17:13,999 --> 00:17:16,466
I'M COMPLETELY REVOLTED
AND DISENCHANTED.
371
00:17:16,534 --> 00:17:19,736
PRETTY MUCH THE WAY
YOU PROBABLY FELT
ON YOUR HONEYMOON.
372
00:17:19,804 --> 00:17:22,773
CHRIS. CHRIS, IT'S REAL SIMPLE
WHAT HAPPENED HERE.
373
00:17:22,841 --> 00:17:24,674
YOU WANTED
TO BE A MALE MODEL.
374
00:17:24,742 --> 00:17:26,410
BUT YOU CAN'T BE,
375
00:17:26,477 --> 00:17:30,881
AND AS USUAL,
YOU ARE THE LAST ONE ON
THE PLANET TO FIGURE THAT OUT.
376
00:17:30,949 --> 00:17:33,551
YOU KNOW, SHARON,
FOR ONCE IN YOUR LIFE,
YOU MIGHT BE RIGHT.
377
00:17:33,618 --> 00:17:37,220
I GUESS, I JUST COULDN'T
SEE BEYOND THE BRIM OF
MY HANDSOME BOY TRAINEE CAP.
378
00:17:37,288 --> 00:17:38,956
I'M A FAILURE AS A MODEL.
379
00:17:39,024 --> 00:17:40,557
THAT'S NOT EXACTLY TRUE.
380
00:17:40,625 --> 00:17:42,860
YOU'RE A FAILURE
AT MANY THINGS.
381
00:17:42,927 --> 00:17:45,029
ALL I'LL EVER GET ARE
CHEAP, SLEAZY ADS
382
00:17:45,096 --> 00:17:48,465
WHILE GUYS WITH HALF
MY LOOKS WILL BE PRANCING
UP AND DOWN THE RUNWAY
383
00:17:48,533 --> 00:17:51,835
AT DREXLER'S DEPARTMENT STORE
MAKING EVERYONE IN
THE AUDIENCE FEEL LIKE DIRT.
384
00:17:51,902 --> 00:17:53,403
DAMN, WHY CAN'T THAT BE ME?
385
00:17:54,739 --> 00:17:57,607
WAIT A SECOND, IT CAN BE ME.
386
00:17:58,543 --> 00:17:59,643
IT CAN.
387
00:17:59,711 --> 00:18:01,211
YOU KNOW WHAT I'M GONNA DO?
388
00:18:01,279 --> 00:18:05,115
I'M GONNA GO DOWN
TO DREXLER'S AND
I'M GONNA LIVE MY DREAM.
389
00:18:05,183 --> 00:18:06,583
ONE WAY OR ANOTHER,
390
00:18:06,651 --> 00:18:08,685
I'M GONNA BE
IN A RUNWAY SHOW.
391
00:18:16,127 --> 00:18:18,295
HI, HOW YOU DOING?
392
00:18:18,363 --> 00:18:20,630
[people chattering]
393
00:18:20,698 --> 00:18:23,567
OH, MY GOD,
THEY'RE GORGEOUS.
394
00:18:32,043 --> 00:18:36,280
THIS IS THE MOST
BEAUTIFUL PIECE OF CLOTHING
I'VE EVER PUT ON MY BODY.
395
00:18:36,347 --> 00:18:38,948
OK, THIS IS IT FOLKS,
LINE UP.
396
00:18:43,121 --> 00:18:44,655
MY FIRST RUNWAY SHOW,
397
00:18:44,722 --> 00:18:46,623
AND I'M ONLY 30.
398
00:18:47,192 --> 00:18:48,492
SAPPHIRE.
399
00:18:48,559 --> 00:18:50,861
SPARKLES?
WHAT ARE YOU DOING HERE?
400
00:18:50,928 --> 00:18:54,531
I'M IN THE SHOW, HONEY.
WHAT ARE YOU DOING HERE?
401
00:18:54,599 --> 00:18:57,568
YOU'RE IN THE SHOW?
WHO DID YOU SLEEP WITH?
402
00:18:57,636 --> 00:19:00,537
I GOT MY JOB THROUGH
THE FORD AGENCY, SWEET CAKES.
403
00:19:00,605 --> 00:19:02,906
WHAT AGENCY
COULD YOU POSSIBLY BE WITH?
404
00:19:02,974 --> 00:19:05,414
OH WELL, I'M ACTUALLY WITH THE
"I'M BETTER THAN YOU" AGENCY.
405
00:19:05,477 --> 00:19:08,679
IT'S AFFILIATED WITH THE
"I HATE YOUR GUTS" AGENCY.
406
00:19:08,813 --> 00:19:10,814
WAIT A SECOND,
I KNOW WHAT YOU'RE DOING.
407
00:19:10,881 --> 00:19:14,017
YOU'RE CRASHING
THE RUNWAY SHOW,
YOU PATHETIC LITTLE TITMOUSE.
408
00:19:14,084 --> 00:19:17,121
YEAH, THAT'S RIGHT PAL,
AND NOBODY'S GONNA STOP
THIS LITTLE PATHETIC
409
00:19:17,188 --> 00:19:20,891
MOUSE TIT OR WHATEVER
THE HELL YOU JUST CALLED ME.
COME ON, MOVE IT OUT.
410
00:19:20,958 --> 00:19:23,293
OH, JEEZ.
UGH.
411
00:19:23,360 --> 00:19:25,496
OH.
WHO'S THE LITTLE TITMOUSE NOW?
412
00:19:25,563 --> 00:19:27,964
OW, STOP, I BRUISE EASILY.
413
00:19:28,032 --> 00:19:31,368
(female announcer)THIS YEAR MISHA YAKAKIRAFLATTERS THE BUTTOCKS
414
00:19:31,435 --> 00:19:33,103
WITH BOLD BLACKS,
415
00:19:33,171 --> 00:19:35,852
WHILE DELICATELY HIGHLIGHTINGTHE GROIN AREAWITH DOUBLE PLEATS
416
00:19:35,907 --> 00:19:38,776
AND AVOIDING THEACCENTUATED SHOULDERSOF THE 80s.
417
00:19:38,843 --> 00:19:41,044
[both grunting]
418
00:19:42,347 --> 00:19:44,915
THE OVERALL SILHOUETTECOMMANDS ATTENTION
419
00:19:44,983 --> 00:19:47,484
WHILE GENTLY GUIDINGTHE EYE TO THE GROIN AREA
420
00:19:47,552 --> 00:19:51,589
WITHOUT BETRAYINGTHE MUTED BEAUTYOF THE BUTTOCKS REGION.
421
00:19:51,656 --> 00:19:54,891
ALL RIGHT SAPPHIRE,
I GIVE UP. YOU WIN.
422
00:19:54,959 --> 00:19:56,360
GOOD.
423
00:19:57,996 --> 00:20:01,364
OH, MY GOD.
IT'S MISHA YAKAKIRA,
IN PERSON.
424
00:20:01,432 --> 00:20:03,300
OH, THAT'S HIM, HUH?
UH-HUH.
425
00:20:03,367 --> 00:20:05,635
HUH, WHAT WAS THAT, SAPPHIRE?
426
00:20:05,703 --> 00:20:10,740
YOU'RE GONNA GO OUT THERE
AND STICK YOUR BACKSIDE OUT
IN AN UNFLATTERING WAY?
427
00:20:10,808 --> 00:20:13,476
BETRAYING THE MUTED BEAUTY
OF THE BUTTOCKS?
428
00:20:13,545 --> 00:20:17,347
BUT THAT WOULD GO AGAINST
EVERYTHING MR. YAKAKIRA'S
TRYING TO ACHIEVE THIS SPRING.
429
00:20:17,414 --> 00:20:19,215
SHUT UP, IT ISN'T TRUE.
430
00:20:19,384 --> 00:20:22,719
NO, NO, STOP. I WOULD NEVER
BETRAY THE MUTED BEAUTY
OF THE BUTTOCKS REGION.
431
00:20:22,787 --> 00:20:27,057
HE'S AN IMPOSTER.
HE BARELY GRADUATED
HANDSOME BOY. LET ME GO!
432
00:20:27,124 --> 00:20:30,093
OH MY, THAT'S SAD, ISN'T IT?
433
00:20:30,161 --> 00:20:34,197
WELL, I HAVE TO GO
MODEL MR. YAKAKIRA'S
NEW SPRING LINE NOW.
434
00:20:34,265 --> 00:20:35,832
PROPERLY. EXCUSE ME.
435
00:20:41,939 --> 00:20:44,174
(Chris) I HAD FINALLY MADE IT.
436
00:20:44,241 --> 00:20:46,944
IT WAS A DREAM COME TRUE.
437
00:20:48,913 --> 00:20:52,449
EVERY PENNY OF THE $60I PAID HANDSOME BOY
438
00:20:52,516 --> 00:20:54,852
WAS UP THERE ON THAT RUNWAY.
439
00:20:57,221 --> 00:21:01,058
THE CROWD LOOKED ONWITH A COMBINATION OF AWE,
440
00:21:01,125 --> 00:21:03,660
LOVE AND ADMIRATION.
441
00:21:05,797 --> 00:21:08,665
AND I COULD TELLBY THE FACESOF MY FELLOW MODELS
442
00:21:08,733 --> 00:21:11,768
THAT I WAS DOINGEVERYTHING JUST RIGHT.
443
00:21:16,541 --> 00:21:19,810
I EVEN CAUGHT A GLIMPSE OFMY OLD INSTRUCTOR TED BAINS,
444
00:21:19,877 --> 00:21:22,246
AND I COULD TELLHE HAD NEVER BEEN PROUDER.
445
00:21:26,518 --> 00:21:28,351
EVERYTHING HADCOME FULL CIRCLE.
446
00:21:28,419 --> 00:21:30,620
I COULD NOWRETIRE WITH DIGNITY.
447
00:21:30,689 --> 00:21:33,190
BUT FOR A FEW MOMENTS,I WAS A STAR.
448
00:21:33,257 --> 00:21:36,159
I FELT LIKE A CROSSBETWEEN SAMSON, VALENTINO,
449
00:21:36,227 --> 00:21:39,029
AND FOR SOME REASON,NANCY REAGAN.
450
00:21:39,097 --> 00:21:42,399
IT WAS THE SINGLEMOST BEAUTIFUL EXPERIENCEOF MY YOUNG LIFE,
451
00:21:42,401 --> 00:21:44,321
WITH THE EXCEPTIONOF THE MOMENT WHEN
452
00:21:44,402 --> 00:21:47,638
SOME FAT GUY THREW HIS SNEAKERAT ME FOR NO APPARENT REASON.
453
00:21:53,678 --> 00:21:56,880
BEFORE I KNEW IT,SECURITY FORCES RUSHEDTHE STAGE
454
00:21:56,948 --> 00:22:01,184
TO PROTECT MEFROM MY ADORING FANS.
455
00:22:01,186 --> 00:22:04,354
SOMEONE ONCE SAID,"THE WORST THINGABOUT CLIMBING A MOUNTAIN
456
00:22:04,422 --> 00:22:07,824
IS THAT ONCEYOU'VE REACHED THE TOP,THERE'S NOWHERE ELSE TO GO."
457
00:22:07,892 --> 00:22:09,993
WELL, I DON'T KNOWWHAT THE HELL THAT MEANS.
458
00:22:10,061 --> 00:22:12,181
I THINK IT HAS SOMETHINGTO DO WITH CAMPING.
459
00:22:12,196 --> 00:22:15,532
BUT ONE THINGI DO KNOW IS THATFOR A SINGLE FLEETING MOMENT,
460
00:22:15,600 --> 00:22:18,469
I HAD PEAKED. I WAS A WINNER.
461
00:22:18,536 --> 00:22:20,704
I FELT LIKE SECRETARIAT,
462
00:22:20,771 --> 00:22:23,807
THE NIGHT HE WON THE INDY 500.36582
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese