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1
00:00:01,267 --> 00:00:03,734
[birds chirping]
2
00:00:03,802 --> 00:00:05,470
(Chris)
WHY DID YOU DO THAT? NO.
3
00:00:05,537 --> 00:00:08,173
[panting]
WAIT. WHAT, WHAT...
4
00:00:08,240 --> 00:00:09,707
UH, UH...
5
00:00:09,775 --> 00:00:11,042
THINGS THAT FLY.
6
00:00:11,110 --> 00:00:13,144
UH... HMM...
7
00:00:13,212 --> 00:00:15,080
UH, THINGS THAT JUMP.
8
00:00:15,147 --> 00:00:17,249
UH, THINGS THAT
PLAY THE HARMONICA.
9
00:00:17,316 --> 00:00:19,717
UH, UH, COME ON, COME ON.
10
00:00:19,785 --> 00:00:21,852
UH, MY CELEBRITY STINKS.
11
00:00:21,920 --> 00:00:23,321
SHE'S GIVING ME LOUSY CLUES...
12
00:00:23,389 --> 00:00:24,522
[alarm buzzing]
13
00:00:24,590 --> 00:00:25,856
[gasping]
14
00:00:26,993 --> 00:00:28,193
[sighs]
15
00:00:28,560 --> 00:00:29,527
OH.
16
00:00:29,595 --> 00:00:30,996
[sighing]
17
00:00:33,865 --> 00:00:35,366
WHAT A NIGHTMARE!
18
00:00:35,434 --> 00:00:36,634
THAT'S THE LAST TIME
19
00:00:36,702 --> 00:00:39,770
I EAT A WHOLE BOX OF STEAK-UMS
RIGHT BEFORE BED.
20
00:00:39,838 --> 00:00:41,339
[grunting]
21
00:00:41,407 --> 00:00:42,707
[sniffing]
22
00:00:42,774 --> 00:00:43,874
[switch clicks]
23
00:00:43,942 --> 00:00:47,045
�[Living In Americaby James Brown playing]
24
00:00:50,983 --> 00:00:52,384
[groaning]
25
00:00:52,451 --> 00:00:54,152
OK, YOU'RE BAD.
26
00:00:54,220 --> 00:00:56,454
ALL RIGHT.
YOU'RE LOOKIN' GOOD.
27
00:00:56,522 --> 00:00:57,589
[gasping]
28
00:00:57,656 --> 00:00:59,156
YOU'RE A CORPORATE ANIMAL.
29
00:00:59,224 --> 00:01:00,825
[barking]
30
00:01:00,893 --> 00:01:02,227
[grunting]
31
00:01:04,930 --> 00:01:07,331
OH, DAMN.
I MISSED FRAGGLE ROCK.
32
00:01:08,533 --> 00:01:10,635
� ON THE TRANSCONTINENTAL
33
00:01:10,703 --> 00:01:12,237
� OVERLOAD
34
00:01:12,304 --> 00:01:14,706
� JUST SLIDE BEHIND THE WHEEL �
35
00:01:14,774 --> 00:01:16,307
� HOW DOES IT FEEL
36
00:01:16,375 --> 00:01:18,576
� WHEN THERE'S NO DESTINATION �
37
00:01:18,644 --> 00:01:20,511
� THAT'S TOO FAR
38
00:01:20,579 --> 00:01:22,447
� AND SOMEWHERE ON THE WAY
39
00:01:22,514 --> 00:01:23,982
� YOU MIGHT FIND OUTWHO YOU ARE �
40
00:01:24,050 --> 00:01:25,350
OH, MISS HANNAH,
41
00:01:25,418 --> 00:01:28,953
WHY DON'T YOU JUST FALL
RIGHT INTO
MY BURNING RING OF FIRE?
42
00:01:29,021 --> 00:01:30,021
� EYE TO EYE
43
00:01:31,023 --> 00:01:32,923
� STATION TO STATION
44
00:01:32,991 --> 00:01:35,526
� LIVING IN AMERICA
45
00:01:37,063 --> 00:01:38,863
� HAND IN HAND
46
00:01:38,930 --> 00:01:41,099
� ACROSS THE NATION
47
00:01:41,167 --> 00:01:43,601
� LIVING IN AMERICA
48
00:01:45,237 --> 00:01:47,738
� GOT TO HAVE A CELEBRATION
49
00:01:47,806 --> 00:01:50,726
HEY, MOM, DAD.
WHAT ARE YOU GUYS
DOING UP SO EARLY?
50
00:01:50,742 --> 00:01:54,011
I THOUGHT, UH, RETIRED PEOPLE
WERE SUPPOSED TO GET
AS MUCH SLEEP AS POSSIBLE.
51
00:01:54,080 --> 00:01:56,247
YOU KNOW, TO REST UP
FOR ALL THE CLAPPING
YOU GOTTA DO
52
00:01:56,315 --> 00:01:59,550
TO TURN THE LIGHTS ON AND OFF.
53
00:01:59,618 --> 00:02:01,486
GLADYS, WERE YOU
SMOKING HEAVILY
54
00:02:01,553 --> 00:02:03,288
WHEN YOU WERE PREGNANT
WITH CHRIS?
55
00:02:03,355 --> 00:02:05,390
CHRIS, YOUR FATHER
HAS SOMETHING VERY IMPORTANT
56
00:02:05,457 --> 00:02:06,892
HE WANTS
TO TALK TO YOU ABOUT.
57
00:02:06,959 --> 00:02:08,927
WELL, SURE, DAD,
BUT I CAN'T BE LATE FOR WORK.
58
00:02:08,995 --> 00:02:11,915
THAT'S EXACTLY
WHAT I WANT TO
TALK TO YOU ABOUT.
59
00:02:11,964 --> 00:02:13,397
YOU KNOW, SON,
A COUPLE OF YEARS AGO
60
00:02:13,466 --> 00:02:15,567
WHEN YOU MOVED
OUT OF THE HOUSE
INTO THE GARAGE,
61
00:02:15,634 --> 00:02:18,102
THAT WAS A STEP
IN THE RIGHT DIRECTION.
62
00:02:18,170 --> 00:02:21,873
BUT NOW,
YOUR MOTHER AND I FEEL LIKE
MAYBE YOU'RE IN A RUT.
63
00:02:21,940 --> 00:02:24,476
WE DON'T THINK
YOU'RE REALLY HAPPY
64
00:02:24,543 --> 00:02:26,944
AND WE DON'T WANT TO SEE YOU
TURN INTO SOME KIND OF
65
00:02:27,012 --> 00:02:28,880
LOST SOUL.
66
00:02:28,947 --> 00:02:30,815
WELL, GOSH, MA,
YOU MAKE IT SOUND
67
00:02:30,883 --> 00:02:33,317
LIKE I AM GONNA START
SENDING FLOWERS
TO JODIE FOSTER OR SOMETHING.
68
00:02:33,385 --> 00:02:36,254
NOT JODIE FOSTER.
DARYL HANNAH.
69
00:02:36,322 --> 00:02:37,655
ALL RIGHT,
NOW WAIT A SECOND.
70
00:02:37,723 --> 00:02:40,057
I AM NOT OBSESSED
WITH DARYL HANNAH, OK?
71
00:02:40,125 --> 00:02:42,126
I JUST, HAPPEN TO BELIEVE
THAT SHE MAY VERY WELL
72
00:02:42,194 --> 00:02:46,364
BE ONE OF THE GREATEST
AMERICAN ACTRESSES
SINCE LILLIAN GISH.
73
00:02:46,432 --> 00:02:49,333
LOOK, MOM, DAD. JOURNALISM,
IT'S IN MY BLOOD, I...
74
00:02:49,401 --> 00:02:53,270
I LOVE THE THRILL OF IT,
THE EXCITEMENT OF IT,
THE... THE SMELL OF IT.
75
00:02:53,338 --> 00:02:57,374
THE DOWN AND DIRTY, STAGNANT,
STINKING, STENCH OF IT ALL.
76
00:02:59,745 --> 00:03:02,013
WELL, I CAN TELL
YOU TWO UNDERSTAND.
77
00:03:02,080 --> 00:03:04,148
HAVE A GOOD DAY AT WORK, SON.
78
00:03:04,216 --> 00:03:07,218
MOTHER, FATHER, I AM OFF.
79
00:03:08,387 --> 00:03:10,288
[door closes]
80
00:03:10,356 --> 00:03:12,256
LOOK ON THE BRIGHT SIDE,
GLADYS.
81
00:03:12,325 --> 00:03:15,292
HIS BOSS SAYS
HE'S THE BEST MAN
FOR THE JOB.
82
00:03:15,360 --> 00:03:17,394
�[Stand by R.E.M playing]
83
00:03:22,301 --> 00:03:23,968
[bicycle bell ringing]
84
00:03:24,036 --> 00:03:27,038
� STAND IN THE PLACEWHERE YOU LIVE �
85
00:03:27,106 --> 00:03:28,473
� NOW FACE NORTH
86
00:03:28,541 --> 00:03:30,074
� THINK ABOUT DIRECTION
87
00:03:30,142 --> 00:03:32,510
� WONDER WHY YOU HAVEN'T
88
00:03:32,578 --> 00:03:35,747
� NOW STAND IN THE PLACEWHERE YOU WORK �
89
00:03:35,814 --> 00:03:37,248
� NOW FACE WEST
90
00:03:37,315 --> 00:03:39,484
� THINK ABOUT THE PLACEWHERE YOU LIVE �
91
00:03:39,552 --> 00:03:41,486
� WONDER WHYYOU HAVEN'T BEFORE �
92
00:03:41,554 --> 00:03:44,555
� STAND IN THE PLACEWHERE YOU LIVE �
93
00:03:44,623 --> 00:03:45,957
� NOW FACE NORTH
94
00:03:46,025 --> 00:03:47,492
� THINK ABOUT DIRECTION
95
00:03:47,560 --> 00:03:49,794
� WONDER WHY YOU HAVEN'T
96
00:03:49,861 --> 00:03:53,298
� NOW STAND IN THE PLACEWHERE YOU WORK �
97
00:03:53,365 --> 00:03:54,666
� NOW FACE WEST
98
00:03:54,800 --> 00:03:56,767
� THINK ABOUT THE PLACEWHERE YOU LIVE �
99
00:03:56,835 --> 00:03:59,104
� WONDER WHYYOU HAVEN'T BEFORE �
100
00:03:59,171 --> 00:04:02,907
� STAND IN THE PLACEWHERE YOU ARE �
101
00:04:02,975 --> 00:04:06,244
� SO STAND
102
00:04:17,856 --> 00:04:19,457
[birds chirping]
103
00:04:35,874 --> 00:04:37,342
[dog barking]
104
00:04:41,947 --> 00:04:43,114
LARRY.
105
00:04:44,783 --> 00:04:45,883
LARRY?
106
00:04:48,020 --> 00:04:49,053
LARRY.
107
00:04:49,121 --> 00:04:50,254
WHO'S THAT?
108
00:04:50,323 --> 00:04:51,923
CHRIS, WHAT ARE
YOU DOIN' HERE?
109
00:04:51,990 --> 00:04:54,659
LARRY, I'VE COME TO RESCUE YOU
FROM A GRUELING DAY
AT THE OFFICE,
110
00:04:54,727 --> 00:04:57,361
AND TAKE YOU OUT
ON A FUN-FILLED ADVENTURE.
111
00:04:57,429 --> 00:04:59,731
HEY, WHAT A GREAT IDEA!
GET OUT.
112
00:05:00,733 --> 00:05:02,773
LARRY, I AM DOING THIS
FOR YOU, PAL.
113
00:05:02,835 --> 00:05:04,802
THE RAT RACE, IT'S EATING
YOU UP ALIVE, BUDDY.
114
00:05:04,870 --> 00:05:08,640
CHRIS, WHAT DO YOU KNOW
ABOUT THE RAT RACE?
YOU'RE A PAPERBOY.
115
00:05:08,708 --> 00:05:12,143
HEY, I'M HEAD PAPERBOY, OK?
116
00:05:12,210 --> 00:05:13,812
I GOT 5 GUYS UNDER ME,
ALL RIGHT?
117
00:05:13,879 --> 00:05:15,913
AND WHEN THINGS GET TIGHT,
I CAN DO OTHER JOBS.
118
00:05:15,981 --> 00:05:17,816
LARRY, LOOK, THE POINT IS
119
00:05:17,883 --> 00:05:19,417
THERE'S NOTHING
MORE IMPORTANT IN LIFE
THAN FREE TIME.
120
00:05:19,484 --> 00:05:22,353
FORGET IT. LISTEN.
121
00:05:22,421 --> 00:05:26,890
THE LAST TIME WE WENT ON
ONE OF YOUR LITTLE ADVENTURES,
WE RAN OVER A PIG.
122
00:05:26,958 --> 00:05:29,527
NO. NO.
LARRY, THAT WAS AN ACCIDENT.
123
00:05:29,594 --> 00:05:31,930
AND IT WAS NOT A PIG.
IT WAS A BAG OF GARBAGE.
124
00:05:31,997 --> 00:05:33,030
IT WAS A PIG! A PIG!
125
00:05:33,098 --> 00:05:34,131
SHH!
126
00:05:34,199 --> 00:05:35,280
LARRY.
127
00:05:35,300 --> 00:05:37,168
LARRY, ARE YOU...
ARE YOU TALKING TO ME?
128
00:05:37,235 --> 00:05:38,903
[deep voice] UH, NO.
129
00:05:38,971 --> 00:05:41,171
UH, I'M FROM
THE WATER COMPANY, MA'AM.
UH...
130
00:05:41,239 --> 00:05:44,442
WE, UH, RELEASED
SOME MUSTARD SULFIDES
INTO THE WATER AND, UH,
131
00:05:44,510 --> 00:05:47,412
YOU KNOW, NOW WE'RE
WARNING PEOPLE NOT TO BATHE,
OTHERWISE, YOU KNOW,
132
00:05:47,479 --> 00:05:49,580
THEY'RE GOING TO
SMELL LIKE MUSTARD.
133
00:05:49,648 --> 00:05:51,215
HOW INTERESTING!
134
00:05:51,283 --> 00:05:54,452
LARRY, WHAT IS CHRIS PETERSON
DOING HERE?
135
00:05:54,520 --> 00:05:56,354
HE DELIVERED
OUR PAPER, HONEY.
136
00:05:56,422 --> 00:05:58,789
LOOK, HE IS NOT REQUIRED
TO DELIVER IT
INTO MY BEDROOM.
137
00:05:58,857 --> 00:06:00,225
[sighs]
138
00:06:00,292 --> 00:06:02,393
WELL, THAT'S NOT WHAT YOU TOLD
THE DOMINO'S BOY LAST WEEK.
139
00:06:02,461 --> 00:06:03,528
[yelling]
140
00:06:03,595 --> 00:06:04,929
I SAID OUT!
141
00:06:04,996 --> 00:06:07,398
IT'S A JOKE.
WHAT DID I SAY? IT'S A JOKE.
142
00:06:07,466 --> 00:06:09,199
PETERSON,
YOU ARE SUCH A BRAT.
143
00:06:09,267 --> 00:06:10,268
YES.
144
00:06:10,336 --> 00:06:12,416
AND WHAT ARE YOU DOING
HERE ANYWAY?
145
00:06:12,438 --> 00:06:16,341
SHOULDN'T YOU BE OUT
SELLING SEEDS WITH
THE BOY SCOUTS OR SOMETHING?
146
00:06:16,408 --> 00:06:19,109
OH, OUCH, WHAT A ZINGER!
147
00:06:19,177 --> 00:06:20,912
OW! OW!
148
00:06:20,979 --> 00:06:24,081
WHAT AN INCREDIBLY SARCASTIC
AND RIGHT-TO-THE-HEART COMMENT
ABOUT MY LIFE.
149
00:06:24,150 --> 00:06:27,719
SHARON, YOU'VE OPENED MY EYES,
YOU'VE MATURED ME INSTANTLY.
150
00:06:27,786 --> 00:06:29,387
HEY, YOU GOT A NINTENDO.
151
00:06:29,455 --> 00:06:30,855
YEAH. THE POWER GLOVE TOO.
152
00:06:30,989 --> 00:06:35,026
LAWRENCE CANNOT
PLAY WITH YOU
RIGHT NOW, CHRIS.
153
00:06:35,094 --> 00:06:38,496
LARRY HAS A REAL JOB
HE'S GOT TO GET READY FOR.
154
00:06:38,564 --> 00:06:40,631
RIGHT, LAWRENCE?
155
00:06:40,699 --> 00:06:41,832
OH, SURE, I UNDERSTAND.
156
00:06:41,900 --> 00:06:42,940
[mimicking whip cracking]
157
00:06:43,002 --> 00:06:45,103
HEY, LISTEN, UH, SHARON.
158
00:06:45,171 --> 00:06:47,438
I BROUGHT YOU SOMETHING.
UH, AHEM, A LITTLE GIFT.
159
00:06:47,506 --> 00:06:49,673
THIS IS THE NEW
VICTORIA'S SECRET CATALOG.
160
00:06:49,741 --> 00:06:51,008
UH, I'M DONE WITH IT.
161
00:06:51,076 --> 00:06:53,357
BUT I WENT AHEAD
AND I CIRCLED SOME ITEMS
IN HERE THAT, UH,
162
00:06:53,411 --> 00:06:55,079
WELL, MAYBE
YOU SHOULD TAKE A LOOK AT.
163
00:06:55,146 --> 00:06:58,015
UNLESS OF COURSE,
YOU ARE MORE COMFORTABLE
WITH THE BURLAP-BAG LOOK.
164
00:06:58,083 --> 00:07:01,151
AND DON'T GET ME WRONG,
I REALLY THINK IT LOOKS
TERRIFIC ON YOU, BUT...
165
00:07:01,219 --> 00:07:02,259
CHRIS!
166
00:07:02,288 --> 00:07:03,654
MAYBE YOU SHOULD...
167
00:07:03,722 --> 00:07:05,890
LET ME JUST SAY THIS
AS PRECISELY
AS I POSSIBLY CAN.
168
00:07:05,957 --> 00:07:06,991
OK.
169
00:07:07,059 --> 00:07:08,058
YOU'RE 30 YEARS OLD.
170
00:07:08,126 --> 00:07:09,126
YES.
171
00:07:09,194 --> 00:07:11,228
YOU STILL LIVE
WITH YOUR PARENTS.
172
00:07:11,296 --> 00:07:13,965
YOU'RE LOSING YOUR HAIR.
173
00:07:14,033 --> 00:07:15,666
AND YOU'RE STUPID.
174
00:07:17,836 --> 00:07:20,772
YEAH. YOU KNOW, I THINK
THAT JUST ABOUT COVERS IT.
175
00:07:20,839 --> 00:07:22,240
[gasping]
176
00:07:22,307 --> 00:07:25,176
NOW I'M GOING DOWNSTAIRS
TO MAKE SOME COFFEE
177
00:07:25,243 --> 00:07:26,577
FOR LARRY.
178
00:07:34,552 --> 00:07:36,587
LARRY, I LOVE HER.
179
00:07:36,655 --> 00:07:38,189
SHE'S A DREAM.
180
00:07:38,257 --> 00:07:40,958
IF YOU EVER DIVORCE HER,
CAN YOU PLEASE LET ME KNOW,
BECAUSE I'D LIKE TO
181
00:07:41,026 --> 00:07:42,994
OK. YEAH, FINE. FINE.
GET IN THERE IF I COULD.
182
00:07:43,062 --> 00:07:44,495
CHRIS, COULD YOU
PLEASE TELL ME
183
00:07:44,562 --> 00:07:46,363
WHY YOU AND SHARON
HAVE TO FIGHT ALL THE TIME?
184
00:07:46,431 --> 00:07:47,965
GEE, I DON'T KNOW.
185
00:07:48,033 --> 00:07:50,501
MAYBE WE'RE FRUSTRATED
BECAUSE WE'RE SECRETLY
IN LOVE WITH EACH OTHER.
186
00:07:50,536 --> 00:07:52,637
[falsetto]
BUT I DOUBT IT, LARRY.
I REALLY DOUBT IT.
187
00:07:52,705 --> 00:07:53,704
COME ON, LET'S GO.
188
00:07:53,772 --> 00:07:55,272
FORGET IT!
I CAN'T TAKE THE DAY OFF.
189
00:07:55,340 --> 00:07:57,274
THINGS ARE CRAZY
DOWN AT BUSHMAN AND SIMON.
190
00:07:57,342 --> 00:08:00,578
AND EVER SINCE OLD MAN SIMON,
GOT DRUNK AND RODE HIS HORSE
INTO THE MALL,
191
00:08:00,646 --> 00:08:03,581
WE'VE BEEN LOSING CUSTOMERS
RIGHT AND LEFT.
192
00:08:03,583 --> 00:08:06,483
NOW WE'RE UNDER THE GUN
TO COME UP WITH NEW CLIENTS
OR ELSE.
193
00:08:06,551 --> 00:08:08,219
I CAN'T JUST LIVE LIKE YOU
194
00:08:08,287 --> 00:08:11,689
AND HANG OUT
WITH WALLY AND THE BEAV
AND BUG MR. WILSON.
195
00:08:11,757 --> 00:08:12,890
OK, LARRY.
196
00:08:12,958 --> 00:08:14,391
BUT I JUST HAPPEN TO HAVE
2 TICKETS
197
00:08:14,459 --> 00:08:16,393
TO THE FUNLAND
AMUSEMENT PARK, LARRY.
198
00:08:16,461 --> 00:08:18,830
AND, WELL,
THEY'RE UNVEILING TODAY
FOR THE FIRST TIME
199
00:08:18,897 --> 00:08:22,767
THE FIRST 360 DEGREE
SUPER ROLLERCOASTER
IN MINNESOTA, LARRY.
200
00:08:22,835 --> 00:08:25,269
LARRY,
IT'S THE HELL LOOP 2000.
201
00:08:26,805 --> 00:08:28,840
THE HELL LOOP 2000?
I HEARD ABOUT THAT.
202
00:08:28,907 --> 00:08:30,141
MMM-HMM.
203
00:08:30,876 --> 00:08:32,042
NO.
204
00:08:32,110 --> 00:08:34,278
NO WAY.
205
00:08:34,345 --> 00:08:38,082
I CAN'T JUST SKIP OFF
ON A WHIM WHENEVER I WANT,
I'VE GOT RESPONSIBILITIES.
206
00:08:38,150 --> 00:08:41,019
IT REALLY DOES
A COMPLETE LOOP?
207
00:08:41,053 --> 00:08:42,486
(both) UNCLE CHRIS!
208
00:08:42,554 --> 00:08:43,887
WRESTLE MANIA!
209
00:08:43,955 --> 00:08:45,223
(Chris) WRESTLE MANIA.
210
00:08:45,290 --> 00:08:47,058
[grunting]
211
00:08:47,126 --> 00:08:49,493
OH, HI, DADDY.
I DIDN'T EVEN NOTICE
YOU WERE THERE.
212
00:08:49,561 --> 00:08:51,995
BOBBY AND I ARE GOING TO PLAY
WITH YOUR POWER GLOVE, OK?
213
00:08:52,063 --> 00:08:53,797
OK. FINE.
214
00:08:53,865 --> 00:08:55,999
"OK, FINE"?
WHAT AM I SAYING?
NO, IT'S NOT "OK, FINE."
215
00:08:56,067 --> 00:08:59,837
THIS IS MY NINTENDO!
UNDERSTAND ME?
MINE, MINE, MINE!
216
00:08:59,904 --> 00:09:02,307
GOSH, DAD,
DON'T BUST A BLOOD VESSEL
OVER IT.
217
00:09:02,374 --> 00:09:03,908
COME ON, BOBBY.
218
00:09:11,083 --> 00:09:14,018
OK, MAYBE I HAVE BEEN
A LITTLE TENSE LATELY.
AT LEAST WITH THE KIDS.
219
00:09:14,085 --> 00:09:17,165
LARRY, YOU'RE EXACTLY
THE PERSON THEY BUILT
THE HELL LOOP 2000 FOR.
220
00:09:17,222 --> 00:09:18,489
CHRIS, I CAN'T GO.
221
00:09:18,557 --> 00:09:20,858
EVEN IF I WANTED TO,
I CAN'T GET OUT OF WORK
ON SUCH SHORT NOTICE.
222
00:09:20,926 --> 00:09:23,406
OK, LEAVE THAT TO ME.
I'LL CALL YOUR OFFICE
AND PRETEND I'M YOU.
223
00:09:23,462 --> 00:09:25,563
ARE YOU CRAZY?
224
00:09:25,631 --> 00:09:27,665
NOW RELAX. LISTEN,
I'M A MASTER AT MIMICRY,
I'VE GOT YOU DOWN PERFECTLY.
225
00:09:27,733 --> 00:09:29,033
YEAH. HOW YOU DOIN'?
226
00:09:29,100 --> 00:09:31,536
[deep voice]
THIS IS
LAWRENCE T. POTTER III.
227
00:09:31,603 --> 00:09:33,438
YEAH, WHO YOU BE?
LORRAINE?
228
00:09:33,505 --> 00:09:35,506
OH.
229
00:09:35,574 --> 00:09:38,442
YEAH, ALL RIGHT.
WELL, LORRAINE YOU DIG THIS.
I GOTS A COLD, SEE?
230
00:09:38,509 --> 00:09:40,945
AND, UH,
AND MY UNCLE, HE DIED.
231
00:09:42,214 --> 00:09:44,514
YEAH. SO I GOTS TO
GO TO THE FUNERAL, YOU DIG?
232
00:09:44,582 --> 00:09:48,786
YEAH. SO I AIN'T GONNA
BE DRAGGIN' MY SORRY OLD BUTT
IN THERE TODAY.
233
00:09:48,854 --> 00:09:51,054
YEAH, YOU PASS THAT ON.
ALL RIGHT, BABY,
LATER FOR YOU.
234
00:09:51,122 --> 00:09:52,156
THERE IT'S DONE.
235
00:09:52,224 --> 00:09:53,624
YOU JUST GOT ME FIRED,
YOU IDIOT.
236
00:09:53,692 --> 00:09:55,526
WILL YOU RELAX?
YOUR VOICE IS VERY GUTTURAL.
237
00:09:55,594 --> 00:09:57,662
AND I THINK,
I CAPTURED THAT QUALITY
MARVELOUSLY.
238
00:09:57,729 --> 00:09:59,297
YOU'RE A FREE MAN.
COME ON, LET'S GO.
239
00:09:59,364 --> 00:10:00,831
I AM NOT GOING.
240
00:10:00,899 --> 00:10:02,366
CHRIS, LOOK,
YOU'LL ALWAYS BE
MY BEST FRIEND.
241
00:10:02,434 --> 00:10:04,102
BUT WE'RE NOT CHILDREN
ANYMORE.
242
00:10:04,169 --> 00:10:06,404
AND YOU CAN'T MANIPULATE ME
LIKE YOU USED TO.
243
00:10:06,472 --> 00:10:08,305
OK. I UNDERSTAND,
YOU'RE CHICKEN.
244
00:10:08,373 --> 00:10:10,207
ALL RIGHT. THAT'S IT.
I'M IN. LET'S GO.
245
00:10:10,275 --> 00:10:13,077
�[Head Over Heelsby The Go-Go's playing]
246
00:10:18,083 --> 00:10:20,852
� BEEN RUNNING SO HARD
247
00:10:20,919 --> 00:10:23,854
� WHEN WHAT I NEEDIS TO UNWIND �
248
00:10:23,922 --> 00:10:26,791
� THE VOICE OF REASON
249
00:10:26,859 --> 00:10:29,827
� IS ONE I LEFT SO FAR BEHIND �
250
00:10:29,895 --> 00:10:33,363
� I'VE WAITED SO LONG
251
00:10:33,431 --> 00:10:35,800
� SO LONG TO PLAY THIS PART
252
00:10:35,867 --> 00:10:38,736
� AND JUST REMEMBERED
253
00:10:38,804 --> 00:10:41,939
� THAT I'D FORGOTTENABOUT MY HEART �
254
00:10:43,141 --> 00:10:44,775
� HEAD OVER HEELS
255
00:10:44,843 --> 00:10:46,077
� WHERE SHOULD I GO?
256
00:10:46,144 --> 00:10:47,477
� CAN'T STOP MYSELF
257
00:10:47,545 --> 00:10:49,046
� OUTTA CONTROL
258
00:10:49,114 --> 00:10:50,515
� HEAD OVER HEELS
259
00:10:50,582 --> 00:10:52,049
� NO TIME TO THINK
260
00:10:52,117 --> 00:10:55,286
� LOOKS LIKE THE WHOLE WORLD'SOUT OF SYNC �
261
00:10:57,956 --> 00:10:59,523
� HEAD OVER HEELS
262
00:10:59,590 --> 00:11:00,858
� WHERE SHOULD I GO?
263
00:11:00,926 --> 00:11:02,359
� CAN'T STOP MYSELF
264
00:11:02,427 --> 00:11:04,028
� OUTTA CONTROL
265
00:11:04,096 --> 00:11:05,462
� HEAD OVER HEELS
266
00:11:05,530 --> 00:11:06,964
� NO TIME TO THINK
267
00:11:07,032 --> 00:11:10,568
� LOOKS LIKE THE WHOLE WORLD'SOUT OF SYNC �
268
00:11:12,037 --> 00:11:13,537
[both whooping]
269
00:11:15,173 --> 00:11:16,674
[both laughing]
270
00:11:16,742 --> 00:11:19,343
HEY, THE RIDE'S OVER,
FELLAS.
271
00:11:19,410 --> 00:11:22,680
OH, WELL, WE APOLOGIZE
FOR OUR ENTHUSIASTIC
WOOING, SIR.
272
00:11:22,748 --> 00:11:25,950
BUT AS YOU CAN TELL
YOUR RIDE BRINGS US GREAT JOY.
273
00:11:26,017 --> 00:11:29,787
YOU'VE BEEN ON THIS THING
5 TIMES. YOU GETTIN' OFF?
274
00:11:29,855 --> 00:11:33,323
JUST WHAT THE HELL
DOES THAT MEAN, YOU FILTH?
275
00:11:33,391 --> 00:11:34,925
CHRIS, HE'S ASKING
IF WE'RE DONE.
276
00:11:34,993 --> 00:11:36,493
IF WE'RE
GETTING OFF THE RIDE.
277
00:11:36,561 --> 00:11:39,564
OH. OH, PARDON ME.
278
00:11:39,631 --> 00:11:42,499
I'M SORRY. I... I THOUGHT THAT
YOU THOUGHT THAT,
279
00:11:42,567 --> 00:11:45,970
WELL, LARRY AND I, WERE...
WERE LOVERS OR SOMETHING.
280
00:11:48,807 --> 00:11:51,509
NOW WHY WOULD I THINK
A THING LIKE THAT?
281
00:11:53,111 --> 00:11:55,913
WELL,
2 MEN ON A ROLLERCOASTER,
GIGGLING LIKE SCHOOLGIRLS,
282
00:11:55,980 --> 00:11:58,582
YOU COULD EASILY
GET THE WRONG IMPRESSION,
I GUESS.
283
00:11:58,650 --> 00:12:00,451
[laughing]
284
00:12:00,519 --> 00:12:03,421
YEAH, RIGHT, WE ARE
GOING TO GO ONE MORE TIME.
SO, UH, LET HER RIP.
285
00:12:03,488 --> 00:12:05,356
ACTUALLY, CHRIS,
YOU KNOW, IT'S GETTING LATE.
286
00:12:05,424 --> 00:12:06,724
BUT YOU WERE
RIGHT ABOUT TODAY.
287
00:12:06,791 --> 00:12:08,092
I FEEL A LOT LESS TENSE.
THANKS.
288
00:12:08,160 --> 00:12:09,760
WELL, LARRY,
THE ONLY WAY TO THANK ME
289
00:12:09,828 --> 00:12:11,261
IS TO RIDE THE LOOP
ONE MORE TIME.
290
00:12:11,330 --> 00:12:12,930
COME ON, ONE MORE TIME,
ONE MORE TIME.
291
00:12:12,997 --> 00:12:15,132
ALL RIGHT, ONE MORE TIME
AND THAT'S IT.
292
00:12:15,199 --> 00:12:16,666
ALL RIGHT. LET HER GO.
293
00:12:16,734 --> 00:12:18,268
[both whooping]
294
00:12:18,870 --> 00:12:20,604
[engine revving]
295
00:12:20,671 --> 00:12:21,906
WEENIES.
296
00:12:24,742 --> 00:12:27,544
(Chris)
OK, HERE WE GO. HERE WE GO,
THROUGH THE LOOP.
297
00:12:27,613 --> 00:12:28,645
[Larry hooting]
298
00:12:28,713 --> 00:12:30,074
HERE WE COME,
YOU BLOODY BASTARD!
299
00:12:30,115 --> 00:12:32,316
[metal screeching]
300
00:12:32,384 --> 00:12:36,553
UH, LARRY, ARE WE MOVING
THROUGH THE LOOP
A LOT SLOWER THIS TIME?
301
00:12:36,621 --> 00:12:38,655
IT'S PROBABLY JUST
A TEMPORARY MALFUNCTION.
302
00:12:38,723 --> 00:12:40,757
I BET WE'LL BE MOVING
IN NO MORE THAN 2 SECONDS.
303
00:12:40,825 --> 00:12:42,927
I BET YOU'RE RIGHT.
304
00:12:42,994 --> 00:12:44,462
LARRY, WE'RE STUCK.
305
00:12:44,529 --> 00:12:46,129
[both screaming]
306
00:12:51,937 --> 00:12:53,537
[both screaming]
307
00:12:55,606 --> 00:12:56,640
[clicking]
308
00:12:56,707 --> 00:12:57,908
IT'S JAMMED.
309
00:12:57,976 --> 00:12:59,610
OH, NO, I'LL BE BACK
DIPPIN' FUNNEL CAKES
310
00:12:59,678 --> 00:13:01,545
IN THE DEEP FRY
BY TOMORROW.
311
00:13:01,613 --> 00:13:03,214
WE'LL HAVE YOU DOWN
IN NO TIME!
312
00:13:03,281 --> 00:13:05,115
HOLD ON TO YOUR PANTS!
313
00:13:05,183 --> 00:13:09,119
DID HE JUST ASK US
WHERE WE BOUGHT OUR PANTS
AT A TIME LIKE THIS?
314
00:13:09,188 --> 00:13:12,990
THE GAP, YOU IDIOT!
NOW GET US DOWN!
315
00:13:13,057 --> 00:13:16,093
CHRIS, TODAY WAS SUPPOSED
TO BE RELAXING.
IT WAS SUPPOSED TO BE FUN.
316
00:13:16,160 --> 00:13:18,128
INSTEAD I'M STUCK
IN A BAD IRWIN ALLEN MOVIE
317
00:13:18,196 --> 00:13:19,530
WITH AN AGING
DENNIS THE MENACE.
318
00:13:19,598 --> 00:13:21,064
ALL RIGHT. JUST RELAX, OK?
319
00:13:21,132 --> 00:13:22,772
I KNOW YOU'RE FRIGHTENED,
LARRY.
320
00:13:22,801 --> 00:13:24,602
BUT I PROMISE YOU,
I WILL GET US
THROUGH THIS THING.
321
00:13:24,669 --> 00:13:25,969
OK? JUST RELAX.
322
00:13:26,037 --> 00:13:27,337
[sighs]
323
00:13:27,405 --> 00:13:28,605
[panting]
324
00:13:28,673 --> 00:13:32,743
� THERE'S GOT TO BE
A MORNING AFTER �
325
00:13:35,113 --> 00:13:38,715
� AH, IT'S WAITING
RIGHT OUTSIDE THE DOOR �
326
00:13:38,783 --> 00:13:40,684
� AH, AH, AH
327
00:13:40,752 --> 00:13:42,119
� WATERGATE WAS REALLY BAD
328
00:13:42,187 --> 00:13:44,054
� THE MOVIE, BRIAN'S SONG
WAS KIND OF SAD �
329
00:13:44,122 --> 00:13:45,789
� PLAYING PAC-MAN
AT THE MALL �
330
00:13:45,858 --> 00:13:47,358
� CHINA UNDER MARSHAL LAW
331
00:13:47,426 --> 00:13:50,561
� GORBACHEV COMES TO TOWN,
CHRIS AND LARRY UPSIDE DOWN �
332
00:13:50,629 --> 00:13:52,396
� WE DIDN'T START THE FIRE
333
00:13:52,464 --> 00:13:53,664
� IT WAS ALWAYS
334
00:13:53,731 --> 00:13:55,566
SHUT UP.
I CAN'T TAKE IT ANYMORE.
335
00:13:55,633 --> 00:13:58,369
I'M GONNA RIP OUT
YOUR VOCAL CHORDS
AND STUFF 'EM IN YOU EAR.
336
00:13:58,437 --> 00:13:59,736
ARE YOU GETTING
A LITTLE CRANKY?
337
00:13:59,804 --> 00:14:02,673
YES, I'M GETTING CRANKY.
WE'VE BEEN UPSIDE DOWN
FOR 2 HOURS ALREADY.
338
00:14:02,741 --> 00:14:04,909
YEAH, AND THAT KIND OF
BRINGS UP
AN INTERESTING POINT.
339
00:14:04,976 --> 00:14:06,310
I WONDER
HOW LONG IT TAKES
340
00:14:06,377 --> 00:14:07,878
BEFORE ALL THE BLOOD
RUSHES TO YOUR BRAIN
341
00:14:07,946 --> 00:14:10,248
AND YOUR HEAD EXPLODES?
342
00:14:10,315 --> 00:14:12,149
BUT WHY
IS THIS TAKING SO LONG?
343
00:14:12,217 --> 00:14:14,252
DON'T THEY REALIZE
THIS THING COULD FALL
AT ANY SECOND?
344
00:14:14,319 --> 00:14:17,480
LARRY, DON'T BE RIDICULOUS.
THIS IS A STATE-OF-THE-ART
ROLLERCOASTER.
345
00:14:17,522 --> 00:14:19,590
IT'S BEEN TESTED,
DOUBLE-TESTED
AND TRIPLE-TESTED.
346
00:14:19,658 --> 00:14:20,891
WE'RE PERFECTLY SAFE.
347
00:14:20,893 --> 00:14:21,893
WELL, IN RETROSPECT,
348
00:14:21,960 --> 00:14:24,080
WHAT WE SHOULD HAVE DONE
IS TESTED THIS THING.
349
00:14:24,095 --> 00:14:26,697
OBVIOUSLY THAT CAR
COULD FALL OFF THE TRACK
ANY SECOND NOW.
350
00:14:26,765 --> 00:14:28,098
WE'LL HAVE TO ACT FAST.
351
00:14:28,166 --> 00:14:30,133
HENDERSON, CALL THRILLWORLD.
352
00:14:30,201 --> 00:14:32,703
FIND OUT
HOW THEY HANDLE THEIR DEAD.
353
00:14:34,373 --> 00:14:36,374
(Larry) I JUST WANT TO GO HOME.
354
00:14:36,441 --> 00:14:39,976
HOME TO MY KIDS
AND MY DEAR SWEET WIFE.
355
00:14:40,044 --> 00:14:42,179
"DEAR SWEET WIFE"? PHEW!
356
00:14:42,246 --> 00:14:44,414
HEY, PAL, I DON'T KNOW
WHAT YOU'RE SMOKIN'
OVER THERE,
357
00:14:44,483 --> 00:14:47,084
BUT I THINK IT'S DISTORTIN'
YOUR SENSE OF REALITY.
358
00:14:47,151 --> 00:14:49,820
YOU SHUT UP.
YOU'RE SUCH AN IDIOT.
359
00:14:49,887 --> 00:14:51,589
YEAH. WELL,
HAS IT EVER OCCURRED TO YOU
360
00:14:51,656 --> 00:14:54,725
THAT I'M HAPPY
BEING AN IDIOT,
MR. 9-TO-1.
361
00:14:54,793 --> 00:14:58,396
CHRIS, IT'S 9-TO-5,
NOT 9-TO-1.
362
00:14:58,463 --> 00:15:00,831
WOW! YOU REALLY PUT IN
THE HOURS THERE, DON'T YOU?
363
00:15:00,899 --> 00:15:02,333
[metal creaking]
364
00:15:02,400 --> 00:15:03,867
[all gasping]
365
00:15:04,769 --> 00:15:06,703
WAIT. WHAT WAS THAT?
366
00:15:06,771 --> 00:15:09,073
[sighing]
OH, WE'RE GONNA DIE UP HERE,
WE'RE GONNA DIE.
367
00:15:09,141 --> 00:15:11,641
NO. DON'T SAY THAT, LARRY.
DON'T SAY THAT.
ALL RIGHT, LISTEN.
368
00:15:11,709 --> 00:15:13,743
WE NEED TO KEEP OUR STRENGTH.
LET'S... LET'S EAT.
369
00:15:13,811 --> 00:15:17,381
WE NEED TO RATION
WHAT LITTLE FOOD WE HAVE.
HERE...
370
00:15:17,448 --> 00:15:18,749
WOULD YOU LIKE
SOME DORITOS?
371
00:15:18,817 --> 00:15:21,351
CRUNCH ALL YOU WANT.
WE'LL MAKE MORE.
372
00:15:23,121 --> 00:15:24,454
[exclaims]
373
00:15:29,094 --> 00:15:30,928
THAT IS SO COOL.
374
00:15:31,729 --> 00:15:33,164
ALL FIXED.
375
00:15:36,101 --> 00:15:40,237
IT'S SCREWED UP AGAIN.
YOU IDIOTS! YOU MORONS!
376
00:15:43,508 --> 00:15:44,608
UH-OH.
377
00:15:44,676 --> 00:15:46,444
WHAT ARE THEY YELLING AT US?
378
00:15:46,511 --> 00:15:47,945
OH, WELL,
THEY'RE JUST SHOUTING,
379
00:15:48,012 --> 00:15:49,680
YOU KNOW,
WORDS OF ENCOURAGEMENT,
380
00:15:49,748 --> 00:15:51,915
BEST WISHES AND SO FORTH.
THAT SORT OF THING.
381
00:15:51,983 --> 00:15:53,350
[metal squeaks]
382
00:15:55,052 --> 00:15:56,487
[thudding]
383
00:15:56,554 --> 00:15:58,923
NOW, THAT'S KIND OF ODD.
384
00:15:58,990 --> 00:16:02,259
CHRIS,
I MUST BE HALLUCINATING.
385
00:16:02,327 --> 00:16:03,994
I THINK I SEE AN ANGEL.
386
00:16:04,061 --> 00:16:06,764
THAT'S NO ANGEL, LARRY.
THAT'S CONNIE BRISTOL,
FROM W.R.X.T. T.V.
387
00:16:06,831 --> 00:16:08,165
WE'RE SAVED, LARRY,
WE'RE SAVED.
388
00:16:08,233 --> 00:16:09,266
THANK GOD.
389
00:16:09,333 --> 00:16:10,701
WAIT A SECOND,
T.V.? WE CAN'T...
390
00:16:10,769 --> 00:16:12,502
WE'RE NOT GOING BE ON T.V.
ARE WE?
391
00:16:12,504 --> 00:16:15,305
WELL, SURE. WE'RE KIND OF
LIKE THOSE WHALES
THAT WERE STUCK IN THE ICE.
392
00:16:15,373 --> 00:16:16,607
BUT WHAT IF
SOMEBODY SEES ME?
393
00:16:16,675 --> 00:16:18,409
EVERYBODY AT WORK
THINKS I'M AT A FUNERAL.
394
00:16:18,477 --> 00:16:20,310
OH, YEAH.
WELL, QUICK HIDE.
395
00:16:20,379 --> 00:16:22,145
WHERE THE HELL
AM I SUPPOSED TO HIDE?
396
00:16:22,213 --> 00:16:23,714
WOULD YOU TWO IDIOTS
PLEASE SHUT UP?
397
00:16:23,782 --> 00:16:25,348
WE'RE ABOUT TO GO ON THE AIR.
398
00:16:25,416 --> 00:16:29,019
HELLO, I'M CONNIE BRISTOL
REPORTING FROM
FUNLAND AMUSEMENT PARK.
399
00:16:29,087 --> 00:16:31,455
AND SUSPENDED
UPSIDE-DOWN BEHIND ME
400
00:16:31,523 --> 00:16:35,426
ARE 2 VERY BRAVE MEN,
WHOSE LIVES MAY END
AT ANY MOMENT.
401
00:16:35,493 --> 00:16:37,427
HI, GUYS, YOU WANT TO TELL US
YOUR NAMES?
402
00:16:37,496 --> 00:16:38,862
CONNIE, DO YOU THINK
403
00:16:38,930 --> 00:16:40,664
MAYBE WE
COULD DO THE INTERVIEW
DOWN ON THE GROUND?
404
00:16:40,732 --> 00:16:42,465
I ASKED YOUR NAMES?
405
00:16:44,335 --> 00:16:46,036
HEY, MOM, LOOK!
406
00:16:46,104 --> 00:16:49,206
UNCLE CHRIS AND DADDY
ON T.V.! COOL!
407
00:16:49,274 --> 00:16:52,976
WELL, I'M CHRIS PETERSONAND THIS IS MY FRIEND,LARRY POTTER.
408
00:16:54,246 --> 00:16:55,245
[thudding]
409
00:16:55,313 --> 00:16:56,980
LADIES AND GENTLEMEN,
410
00:16:57,048 --> 00:16:59,383
IT APPEARS
AS THOUGH THE ROLLERCOASTER
IS ABOUT TO TEAR OFF THE TRACK
411
00:16:59,451 --> 00:17:01,184
AND PLUMMET
TO THE HARD CONCRETE BELOW
412
00:17:01,252 --> 00:17:03,787
RIGHT NOW
DURING MY EXCLUSIVE REPORT.
413
00:17:07,091 --> 00:17:08,259
WELL, I GUESS NOT.
414
00:17:08,326 --> 00:17:09,326
[sighs]
415
00:17:09,394 --> 00:17:11,027
AND NOW LET'S GO BACK
TO OUR STUDIOS
416
00:17:11,095 --> 00:17:12,963
WHERE DR.CHARLES FRIEDMAN
WILL TELL US
417
00:17:13,030 --> 00:17:16,967
HOW LONG
A PERSON CAN HANG UPSIDE-DOWN
BEFORE THEIR HEAD EXPLODES.
418
00:17:17,034 --> 00:17:18,235
CONNIE. HONEY, DON'T GO.
419
00:17:18,303 --> 00:17:20,203
YOU CAN USE YOUR CRANE THING
TO GET US DOWN.
420
00:17:20,271 --> 00:17:22,231
SORRY, REPORTERS
HAVE TO STAY OBJECTIVE.
421
00:17:22,240 --> 00:17:25,108
WE JUST CAN'T GET INVOLVED
WITH OUR STORIES. BYE.
422
00:17:25,176 --> 00:17:27,544
COME BACK. COME BACK.
423
00:17:27,612 --> 00:17:30,381
COME BACK,
YOU RATINGS-GRABBING WHORE.
SLUT!
424
00:17:30,448 --> 00:17:32,716
LARRY, LARRY. GET A GRIP
ON YOURSELF, LARRY.
425
00:17:32,784 --> 00:17:35,552
I'M THINKING CLEARER NOW
THAN I'VE EVER THOUGHT
BEFORE IN MY LIFE,
426
00:17:35,620 --> 00:17:37,421
AND YOU KNOW WHAT?
IT'S SO SIMPLE.
427
00:17:37,489 --> 00:17:39,490
ALL WE HAVE TO DO
IS UNSTRAP OURSELVES,
428
00:17:39,557 --> 00:17:41,024
GET OUT OF THE CAR,
429
00:17:41,093 --> 00:17:43,160
AND CLIMB DOWN THE TRACK,
RUNG BY RUNG, HAND OVER HAND.
430
00:17:43,228 --> 00:17:44,728
YOU'RE INSANE.
THAT'LL NEVER WORK.
431
00:17:44,796 --> 00:17:46,463
WHERE'S THAT SLUT?
THAT WHORE!
432
00:17:46,531 --> 00:17:48,399
LARRY, PLEASE.
LISTEN, I WOULDN'T TRY THIS
433
00:17:48,466 --> 00:17:50,200
UNLESS I WAS IN
PEAK PHYSICAL CONDITION.
434
00:17:50,335 --> 00:17:52,436
BUT, YOU KNOW,
IF YOU DON'T FEEL
LIKE YOU'RE UP TO IT,
435
00:17:52,503 --> 00:17:55,372
THEN JUST GRAB AHOLD
OF MY LOVE HANDLES,
AND I'LL CARRY YOU DOWN.
436
00:17:55,440 --> 00:17:56,373
[belt clicking]
437
00:17:56,441 --> 00:17:57,808
[screaming]
438
00:17:58,443 --> 00:18:00,010
HELP! HELP!
439
00:18:01,012 --> 00:18:02,812
[panting] LARRY.
440
00:18:02,880 --> 00:18:04,381
LARRY, I THINK
I MISCALCULATED.
441
00:18:04,449 --> 00:18:05,849
[metal clanging]
442
00:18:05,916 --> 00:18:07,551
[creaking]
LARRY,
WE ARE GOING TO DIE.
443
00:18:07,618 --> 00:18:09,519
GOODBYE, CHRIS.
444
00:18:09,587 --> 00:18:11,855
LARRY, I LOVE YOU.
445
00:18:11,922 --> 00:18:14,324
NOT, YOU KNOW,
IN A STRANGE WAY.
446
00:18:14,392 --> 00:18:16,025
MORE LIKE A BROTHER.
447
00:18:16,093 --> 00:18:19,429
ALTHOUGH, YOU KNOW,
AT THIS POINT WHY SHOULD
WE RULE ANYTHING OUT?
448
00:18:19,497 --> 00:18:20,597
[grunting]
449
00:18:20,665 --> 00:18:23,100
GOODBYE, MY FRIEND, GOODBYE.
450
00:18:23,168 --> 00:18:24,535
[metal squeaking]
451
00:18:24,537 --> 00:18:28,105
WAIT, CHRIS, WE'RE MOVING.
WE'RE MOVING. DON'T LET GO.
452
00:18:28,172 --> 00:18:29,572
[panting] OH, PRAISE THE LORD.
453
00:18:29,640 --> 00:18:31,341
PRAISE THE LORD. HERE WE GO.
454
00:18:31,409 --> 00:18:33,277
(Chris)
THROUGH THE LOOP,
THROUGH THE LOOP.
455
00:18:33,344 --> 00:18:34,945
[Chris whooping]
456
00:18:35,747 --> 00:18:37,380
[people clapping]
457
00:18:38,816 --> 00:18:40,116
[continues whooping]
458
00:18:40,184 --> 00:18:43,053
ALL RIGHT, IT'S FIXED.
ONE MORE TIME,
ONE MORE TIME.
459
00:18:43,121 --> 00:18:45,256
GET OUTTA THERE,
YOU WIENERS.
460
00:18:50,928 --> 00:18:52,228
THAT'S ODD.
461
00:18:52,296 --> 00:18:53,597
[gasping]
462
00:18:53,665 --> 00:18:54,464
[sighs]
463
00:18:54,532 --> 00:18:58,235
I'M DEAD. THERE'S MY BOSS,
MR. SIMON.
464
00:18:58,303 --> 00:19:00,144
OK. DON'T WORRY.
HE'S JUST HERE WITH HIS KID.
465
00:19:00,205 --> 00:19:03,040
HE DIDN'T SEE US.
LET'S GO THIS WAY, LARRY.
466
00:19:04,142 --> 00:19:06,243
[inaudible]
467
00:19:06,311 --> 00:19:08,078
OK. THAT'S NOT GONNA
TO BE GOOD EITHER.
468
00:19:08,145 --> 00:19:10,046
POTTER, WHAT ARE
YOU DOING HERE?
469
00:19:10,114 --> 00:19:13,049
I THOUGHT YOU HAD A COLD
AND A FUNERAL
TO GO TO TODAY?
470
00:19:13,117 --> 00:19:15,686
UH, WELL, YES, SIR.
UH, AFTER THE FUNERAL
I CAME HERE
471
00:19:15,753 --> 00:19:18,455
TO THE AMUSEMENT PARK
TO, UH, TO BUY SOME DRISTAN.
472
00:19:18,523 --> 00:19:20,824
UH-HUH. POTTER, YOU'RE FIRED.
473
00:19:20,892 --> 00:19:23,493
[Southern accent]
NOW HOLD ON
JUST A DOGGONE SECOND HERE.
474
00:19:23,561 --> 00:19:24,728
WHO'S THIS JERK?
475
00:19:24,796 --> 00:19:26,697
WELL, I AM
A SOUTHERN MULTIBILLIONAIRE,
476
00:19:26,765 --> 00:19:29,266
AND YOU SEE, THIS FELLA HERE
WAS JUST TRYING TO CONVINCE ME
477
00:19:29,334 --> 00:19:31,615
TO BRING MY LITTLE COMPANY
TO YOUR ACCOUNTING FIRM AND...
478
00:19:31,670 --> 00:19:35,505
OH, SHUT UP.
WHAT DO YOU TAKE ME FOR,
AN IMBECILE?
479
00:19:35,573 --> 00:19:37,907
WELL, ACTUALLY, YES, SIR.
I DO TAKE YOU
FOR AN IMBECILE.
480
00:19:37,975 --> 00:19:39,543
I'M SORRY,
BUT THAT'S JUST A PROBLEM
481
00:19:39,611 --> 00:19:41,311
I'M GOING TO HAVE TO
WORK OUT ON MY OWN.
482
00:19:41,379 --> 00:19:43,447
BUT IF I COULD JUST HAVE
A SECOND OF YOUR TIME.
483
00:19:43,514 --> 00:19:45,048
EVERYBODY, LISTEN UP HERE.
484
00:19:45,115 --> 00:19:46,916
CONNIE, COME OVER HERE,
I WANT YOU TO HEAR THIS TOO.
485
00:19:46,984 --> 00:19:50,220
MY FRIEND, LARRY POTTER
486
00:19:50,288 --> 00:19:52,423
HAS JUST BEEN FIRED
487
00:19:52,490 --> 00:19:53,890
BY THIS MAN.
488
00:19:55,826 --> 00:19:57,561
BUT I SUGGEST TO ALL OF YOU
489
00:19:57,629 --> 00:20:00,697
THAT, PERHAPS
HE DESERVES A SECOND CHANCE?
490
00:20:00,765 --> 00:20:03,333
WHO AMONG US
HASN'T BEEN GIVEN
A SECOND CHANCE
491
00:20:03,401 --> 00:20:05,269
JUST ONCE
IN THERE MISERABLE LIVES?
492
00:20:05,336 --> 00:20:06,803
[crowd agreeing]
493
00:20:06,871 --> 00:20:08,572
WELL, I KNOW SOMEONE
WHO WAS GIVEN
A SECOND CHANCE,
494
00:20:08,640 --> 00:20:11,374
AN OVERWORKED PRESIDENT
OF A MAJOR ACCOUNTING FIRM,
495
00:20:11,443 --> 00:20:14,345
WHO HAD A LITTLE TOO MUCH
JIM BEAM ONE NIGHT,
496
00:20:14,412 --> 00:20:18,148
AND DECIDED TO TAKE A JOYRIDE
THROUGH J.C. PENNEY'S
ON MISTER ED.
497
00:20:20,718 --> 00:20:22,419
IT TOOK SEVERAL MONTHS,
498
00:20:22,487 --> 00:20:25,055
BUT EVENTUALLY,
WE ALL STOPPED SNICKERING
BEHIND HIS BACK.
499
00:20:25,122 --> 00:20:28,325
AND SO IF WE CAN FORGIVE
THE LOVABLE TOWN LUSH,
500
00:20:28,393 --> 00:20:30,560
CAN'T WE FORGIVE
ONE OF HIS UNDERLINGS?
501
00:20:30,628 --> 00:20:32,862
WHO, AFTER ALL,
WAS MERELY TRYING TO RELIEVE
502
00:20:32,930 --> 00:20:35,399
SOME OF
THE INCREDIBLE PRESSURE
IN HIS LIFE,
503
00:20:35,466 --> 00:20:39,203
SO THAT TOMORROW,
HE COULD DO HIS JOB
THAT MUCH BETTER?
504
00:20:39,270 --> 00:20:40,937
[crowd applauding]
505
00:20:42,573 --> 00:20:43,773
POTTER!
506
00:20:44,542 --> 00:20:45,742
POTTER!
507
00:20:47,912 --> 00:20:51,281
IF YOU EVER
PULL A STUNT LIKE THIS AGAIN,
508
00:20:51,349 --> 00:20:53,983
YOU'LL BE OUT
LIKE YESTERDAY'S GARBAGE.
509
00:20:54,051 --> 00:20:55,419
[crowd laughing]
510
00:20:55,486 --> 00:20:57,554
I'LL SEE YOU IN THE MORNING.
511
00:21:01,793 --> 00:21:04,495
WELL, LARRY,
ALL IN ALL KIND OF
512
00:21:04,562 --> 00:21:06,029
A FUN DAY, HUH?
513
00:21:06,898 --> 00:21:08,632
OH, BOYS.
514
00:21:09,100 --> 00:21:10,701
OH, NO.
515
00:21:10,769 --> 00:21:12,435
SHE'S REALLY MAD
I CAN TELL. I'M DEAD.
516
00:21:12,503 --> 00:21:14,238
ALL RIGHT, ALL RIGHT.
DON'T WORRY, LARRY.
517
00:21:14,305 --> 00:21:16,606
I KNOW
JUST HOW TO SWEET-TALK SHARON.
YOU LEAVE THIS TO ME.
518
00:21:16,674 --> 00:21:18,542
SHARON, HI. HOW ARE YA?
519
00:21:18,609 --> 00:21:21,077
HEY, LISTEN, UM,
JUST A LITTLE
CONSTRUCTIVE CRITICISM.
520
00:21:21,145 --> 00:21:23,179
MAYBE BEFORE YOU LEAVE
THE HOUSE IN THE MORNING,
521
00:21:23,248 --> 00:21:25,982
YOU SHOULD TRY DABBIN' ON
A LITTLE MAKE-UP.
MAYBE THAT WOULD HELP.
522
00:21:26,051 --> 00:21:27,150
CHRIS.
YEAH.
523
00:21:27,218 --> 00:21:29,085
DO YOU REALIZE
I'M IN POSITION
524
00:21:29,153 --> 00:21:32,556
TO THRUST MY KNEE UPWARD
WITH GREAT PASSION
AND VELOCITY?
525
00:21:34,759 --> 00:21:36,393
LET ME GET THIS STRAIGHT,
SHARON.
526
00:21:36,461 --> 00:21:39,996
YOU'RE COMING ON TO ME
WITH YOUR HUSBAND
STANDING RIGHT OVER THERE?
527
00:21:41,633 --> 00:21:44,267
COME ALONG HOME,
NOW, LAWRENCE.
528
00:21:44,335 --> 00:21:46,770
WE HAVE A BUSY EVENING
AHEAD OF US.
529
00:21:47,706 --> 00:21:49,707
YES, DEAR.
530
00:21:49,774 --> 00:21:51,775
IF YOU DON'T HEAR FROM ME
IN A COUPLE DAYS,
531
00:21:51,843 --> 00:21:53,810
CALL ROBERT STACK
OVER AT UNSOLVED MYSTERIES.
532
00:21:53,878 --> 00:21:54,911
YEAH, SURE.
533
00:21:54,979 --> 00:21:56,847
[mimicking whip cracking]
534
00:21:56,914 --> 00:21:59,415
HEY, GREAT,
THERE'S STILL NO LINE
FOR THIS THING.
535
00:21:59,483 --> 00:22:01,451
OK, ONE MORE TIME, CHIEF.
THROUGH THE LOOP.
536
00:22:01,518 --> 00:22:02,886
LET'S GO. LET HER RIP.
537
00:22:02,954 --> 00:22:03,954
[whooping]
538
00:22:07,192 --> 00:22:08,958
OH, HI, MA. HI, DAD.
539
00:22:09,026 --> 00:22:10,994
SO, HOW WAS YOUR DAY?
540
00:22:11,061 --> 00:22:12,829
I GUESS IT WAS OK.
541
00:22:12,897 --> 00:22:17,134
I WAS HANGIN' UPSIDE-DOWN
ON A ROLLERCOASTER
FOR ABOUT 8 HOURS.
542
00:22:17,202 --> 00:22:19,803
CLAP OFF THE LIGHTS
BEFORE YOU GO TO BED.
WILL YOU, SON?
543
00:22:19,871 --> 00:22:23,873
GLADYS, I WAS READING
AN INTERESTING ARTICLE
ON CHROMOSOME DAMAGE.
544
00:22:28,980 --> 00:22:31,014
(Chris) THAT IS SO COOL!40927
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