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These are the user uploaded subtitles that are being translated: 1 00:00:12,400 --> 00:00:15,700 [MORSE CODE BEEPING] 2 00:00:24,200 --> 00:00:28,400 [PIANO PLAYS] 3 00:01:50,800 --> 00:01:54,900 ♪ I'M NOT THE SAME AT ALL AND I CAN BLAME IT ALL ♪ 4 00:01:54,900 --> 00:01:57,700 ♪ I THOUGHT THAT LOVE WAS A LARK ♪ 5 00:01:57,700 --> 00:01:59,300 ♪ THERE'S SOMETHING STRANGE IN ME ♪ 6 00:01:59,400 --> 00:02:01,800 ♪ THE SUDDEN CHANGE IN ME ♪ 7 00:02:01,800 --> 00:02:05,000 ♪ I WALK AROUND IN THE DARK ♪ 8 00:02:05,000 --> 00:02:10,100 ♪ SUDDENLY I FOUND A STAR ♪ 9 00:02:10,100 --> 00:02:14,100 ♪ YOU'VE OPENED MY EYES ♪ 10 00:02:14,100 --> 00:02:16,000 ♪ YOU MADE ME SEE THE LIGHT ♪ 11 00:02:16,100 --> 00:02:18,600 ♪ THE BEAUTY OF THE NIGHT ♪ 12 00:02:18,700 --> 00:02:22,700 ♪ YOU'VE OPENED MY EYES ♪ 13 00:02:22,700 --> 00:02:26,800 ♪ YOU TAUGHT ME TO SEE ♪ 14 00:02:26,800 --> 00:02:29,000 ♪ THE SUNNY SIDE OF THINGS ♪ 15 00:02:29,000 --> 00:02:31,300 ♪ THE HEART WITHIN ME SINGS ♪ 16 00:02:31,300 --> 00:02:35,700 ♪ YOU BROUGHT THIS TO ME ♪ 17 00:02:35,800 --> 00:02:40,100 ♪ I USED TO THINK THAT LOVE WAS FANCY AND IMPASSIVE ♪ 18 00:02:40,100 --> 00:02:41,700 LOOKS LIKE A HIT TO ME, MARTIN. 19 00:02:41,700 --> 00:02:43,400 WIRE ALL THE OFFICES. 20 00:02:43,400 --> 00:02:45,200 DROP EVERYTHING AND PLUG "YOU OPENED MY EYES." 21 00:02:45,300 --> 00:02:46,500 SEE THAT IT'S FEATURED 22 00:02:46,500 --> 00:02:48,500 ON EVERY IMPORTANT RADIO PROGRAM. 23 00:02:48,600 --> 00:02:50,500 GET A PUBLICITY TIE-UP WITH ALL DEPARTMENT 24 00:02:50,500 --> 00:02:52,100 AND MUSIC STORES. 25 00:02:52,100 --> 00:02:53,200 THAT'S ALL. 26 00:02:53,300 --> 00:02:56,400 ♪ YOU OPENED MY EYES ♪ 27 00:02:56,500 --> 00:02:58,200 ♪ I WAKEN FROM A TRANCE ♪ 28 00:02:58,200 --> 00:03:00,500 ♪ AND YOU'RE IN EVERY GLANCE ♪ 29 00:03:00,500 --> 00:03:07,400 Man: ♪ YOU'RE ALWAYS THERE BEFORE ME ♪ 30 00:03:07,400 --> 00:03:17,900 ♪ YOU'VE OPENED MY EYES ♪ 31 00:03:28,800 --> 00:03:32,200 YOU KNOW, MARY'S THE ONLY GIRL WHO EVER OPENED MY EYES. 32 00:03:32,200 --> 00:03:34,700 WHEN I GET FINISHED WITH THIS INVENTION, IT'LL OPEN YOUR MOUTH. 33 00:03:34,800 --> 00:03:36,600 IT'S THE GREATEST IDEA I'VE EVER HAD, AND, BOY, 34 00:03:36,600 --> 00:03:38,400 YOU KNOW I'VE HAD A LOT OF THEM. 35 00:03:38,500 --> 00:03:40,600 YEAH, BUT NONE OF THEM EVER WORKED. 36 00:03:40,700 --> 00:03:43,000 A MERE COINCIDENCE. 37 00:03:46,200 --> 00:03:48,400 [MACHINE BUZZES] 38 00:03:48,600 --> 00:03:52,200 IT WORKS! IT WORKS! 39 00:03:52,200 --> 00:03:55,400 YEAH, BUT HOW YOU EVER GONNA GET A MOUSE TO RUN WAY UP THERE? 40 00:03:55,500 --> 00:03:59,100 LISTEN, NITWIT, IT'S NOT A MOUSETRAP; IT'S A MAN TRAP. 41 00:03:59,100 --> 00:04:01,700 FOR INSTANCE, IF YOU COMMITTED A CRIME AND LIED ABOUT IT, 42 00:04:01,800 --> 00:04:03,700 THAT MACHINE WOULD MAKE YOU TELL THE TRUTH. 43 00:04:03,800 --> 00:04:05,800 IN OTHER WORDS, IT'LL MAKE YOU SAY THE FIRST THING 44 00:04:05,800 --> 00:04:07,300 THAT COMES INTO YOUR HEAD. 45 00:04:07,300 --> 00:04:09,200 NOW FOR THE GREAT EXPERIMENT. 46 00:04:09,300 --> 00:04:12,100 UM--NOW, WAIT--YOU KNOW, I DON'T LIKE THIS. 47 00:04:12,100 --> 00:04:14,700 IT'S VERY SIMPLE. ALL I DO IS THROW ON THE SWITCH, 48 00:04:14,700 --> 00:04:16,800 AND YOU SAY THE FIRST THING THAT ENTERS YOUR HEAD. 49 00:04:16,800 --> 00:04:18,700 SUPPOSING I GET A SHOCK? 50 00:04:18,700 --> 00:04:21,700 HA! IF THERE'S ANYTHING IN THAT HEAD OF YOURS, I'LL GET THE SHOCK. 51 00:04:21,700 --> 00:04:23,800 NOW TO SEE WHAT'S ON YOUR MIND. 52 00:04:23,800 --> 00:04:25,300 [MACHINE BUZZES] 53 00:04:25,300 --> 00:04:27,000 GAH! I LOVE MARY! 54 00:04:27,100 --> 00:04:28,700 I LOVE MARY! 55 00:04:28,700 --> 00:04:31,100 I LOVE MARY! 56 00:04:31,100 --> 00:04:33,200 MY BOY, WE'RE MADE. IT WORKS. 57 00:04:33,200 --> 00:04:34,700 AH! 58 00:04:34,700 --> 00:04:37,600 IT'S EASY FOR THAT THING TO MAKE ME SAY WHAT'S ON MY MIND, 59 00:04:37,600 --> 00:04:39,700 BECAUSE MARY'S ALL I'M EVER THINKING OF. 60 00:04:39,700 --> 00:04:42,700 THE MACHINE IS NEVER WRONG, POSITIVELY NEVER WRONG. 61 00:04:44,500 --> 00:04:45,600 GOOD MORNING, MARY. 62 00:04:45,600 --> 00:04:46,800 GOOD MORNING, MR. LAKE. 63 00:04:46,800 --> 00:04:48,400 ANYTHING IMPORTANT IN THE MAIL? 64 00:04:48,500 --> 00:04:50,400 THE PRESS AND PRODUCTIONS ARE COMPLAINING 65 00:04:50,400 --> 00:04:53,700 BECAUSE THEY HAVEN'T RECEIVED THE MURDER SONG THEY ORDERED FOR THEIR NEW SHOW. 66 00:04:53,700 --> 00:04:56,200 WITH 4,000 DAFFY SONGWRITERS ON MY HEELS ALL DAY, 67 00:04:56,300 --> 00:04:58,500 I CAN'T GET A SPECIAL SONG WHEN I WANT IT! 68 00:04:58,500 --> 00:04:59,900 CALL MISS WATSON. 69 00:04:59,900 --> 00:05:02,100 HELLO? 70 00:05:03,800 --> 00:05:05,500 Mary: PLEASE DON'T DO THAT. 71 00:05:08,400 --> 00:05:10,400 HOW DO YOU DO, MRS. LAKE? 72 00:05:10,400 --> 00:05:12,400 GOOD MORNING. 73 00:05:16,200 --> 00:05:20,800 UH, THAT'S ALL, MISS ROBERTS. 74 00:05:20,800 --> 00:05:22,900 WHY, WHAT'S THE MATTER, ALICE? YOU SEEM UPSET. 75 00:05:22,900 --> 00:05:25,500 THERE'S A REASON, WINNY; I'M TERRIBLY UPSET. 76 00:05:25,500 --> 00:05:28,600 LOOK. ANOTHER ONE. 77 00:05:28,700 --> 00:05:32,200 IT CAME THIS MORNING-- THAT'S THE FOURTH ONE. 78 00:05:48,500 --> 00:05:50,800 THIS BUSINESS IS GETTING ON MY NERVES. 79 00:05:50,800 --> 00:05:52,300 WELL, I'M GETTING PANICKY, WINNY. 80 00:05:52,400 --> 00:05:54,000 WE'VE GOT TO DO SOMETHING ABOUT IT. 81 00:05:54,000 --> 00:05:56,100 I THINK YOU'D BETTER GIVE THEM THE MONEY. 82 00:05:56,100 --> 00:05:58,300 WHY SHOULD THE BLACK WIDOW PICK ON ME? 83 00:05:58,400 --> 00:06:00,600 ANYWAY, IT'S PROBABLY SOME DOPE'S IDEA OF A JOKE... 84 00:06:00,700 --> 00:06:03,700 AND IF IT ISN'T, I'D BE FOOLISH TO NOTIFY THE POLICE. 85 00:06:03,700 --> 00:06:06,300 NO, NO, NO, WE-- WE'VE JUST GOT TO WAIT DEVELOPMENTS. 86 00:06:06,300 --> 00:06:08,700 WHILE WE'RE WAITING, THESE NOTES CONTINUE. 87 00:06:08,700 --> 00:06:11,200 WE'RE GOING TO ENGAGE A PRIVATE DETECTIVE. 88 00:06:11,300 --> 00:06:14,100 WELL, THAT'S ALL RIGHT...ANYONE BUT WILLIAM DARRELL. 89 00:06:14,200 --> 00:06:16,700 HE DID A FINE JOB WITH THAT CLEVELAND CASE FOR YOU. 90 00:06:16,800 --> 00:06:18,200 WELL, I'M NOT QUESTIONING THAT-- 91 00:06:18,200 --> 00:06:20,200 HE'S A GREAT DETECTIVE, THE BEST-- 92 00:06:20,200 --> 00:06:22,700 BUT I CAN'T AFFORD TO PAY A RETAINER LIKE THAT AGAIN. 93 00:06:22,700 --> 00:06:24,800 THIS IS NO TIME TO THINK OF MONEY. 94 00:06:24,800 --> 00:06:27,300 WE'RE GOING TO DARRELL. HE'LL GIVE YOU REAL PROTECTION, 95 00:06:27,300 --> 00:06:30,500 THAT'S THE ONLY THING THAT MATTERS AT A TIME LIKE THIS. 96 00:06:30,500 --> 00:06:32,800 WELL, IF IT'LL EASE YOUR MIND, DEAR, I'LL-- 97 00:06:32,800 --> 00:06:35,500 I'LL CALL HIM AND MAKE AN APPOINTMENT. 98 00:06:42,000 --> 00:06:45,100 [RATTLING] 99 00:06:46,500 --> 00:06:49,000 [RATTLING] 100 00:06:53,200 --> 00:06:55,400 BOSS, COULD I BOTHER YOU FOR A PACKAGE OF SNUFF? 101 00:06:55,400 --> 00:06:56,900 SNUFF? CERTAINLY. 102 00:06:56,900 --> 00:06:59,800 WHAT KIND OF SNUFF YOU WANT, THE LEFT-HANDED OR THE RIGHT-HANDED KIND? 103 00:06:59,800 --> 00:07:01,400 I WANT THE SNIFFING KIND. 104 00:07:01,500 --> 00:07:04,500 HEH HEH! "SNIFFING KIND"-- THAT'S GOOD. 105 00:07:04,600 --> 00:07:07,100 WHOO! MISSISSIPPI MARBLES. 106 00:07:07,200 --> 00:07:09,100 BOSS, WHAT'S THE OBJECT OF THIS GAME? 107 00:07:09,100 --> 00:07:11,400 THE IDEA OF THIS LITTLE GAME IS THAT YOU SELECT A NUMBER. 108 00:07:11,400 --> 00:07:13,000 NOW, YOU TAKE A NUMBER. 109 00:07:13,000 --> 00:07:14,400 I'LL TAKE 23. 110 00:07:14,500 --> 00:07:17,400 OH, YOU GOT TWO NUMBERS. YOU HAVE TO TAKE ONE AT A TIME. 111 00:07:17,400 --> 00:07:19,500 WILL YOU TAKE ACES? 112 00:07:19,600 --> 00:07:22,300 OH, NO. THEM SNAKE EYES. 113 00:07:22,400 --> 00:07:23,800 I'LL TAKE 5s. 114 00:07:23,800 --> 00:07:25,900 FIVES YOU GOT. 115 00:07:25,900 --> 00:07:28,300 [DICE RATTLE] 116 00:07:32,100 --> 00:07:34,700 WHOO! LOOK AT THE 5s. 117 00:07:34,800 --> 00:07:36,800 YOU LOOK AT THEM. I'M SICK. 118 00:07:36,800 --> 00:07:38,200 OH. 119 00:07:39,200 --> 00:07:41,200 [DICE RATTLE] 120 00:07:46,500 --> 00:07:48,000 THERE'S ONE 2 IN THERE! 121 00:07:48,100 --> 00:07:51,500 HEH HEH! YEAH, I WONDER HOW THAT HAPPENED. 122 00:07:51,500 --> 00:07:53,600 I DON'T KNOW. 123 00:07:58,600 --> 00:08:00,300 JOHNNY? 124 00:08:00,400 --> 00:08:01,900 HEH! MARY! 125 00:08:02,000 --> 00:08:05,100 LISTEN, HONEY, MR. LAKE IS IN AN AWFUL SPOT. 126 00:08:05,100 --> 00:08:06,800 HE NEEDS A MURDER SONG. 127 00:08:06,800 --> 00:08:09,300 SO FAR, NO ONE HAS TURNED IN A SUITABLE IDEA, 128 00:08:09,300 --> 00:08:11,800 AND THIS IS YOUR CHANCE TO WRITE ONE FOR HIM! 129 00:08:11,900 --> 00:08:13,500 IT'S THE CHANCE OF A LIFETIME. 130 00:08:13,500 --> 00:08:15,000 I'LL WRITE IT... 131 00:08:15,000 --> 00:08:17,000 AND WHAT'S MORE, I'LL SELL IT TO LAKE. 132 00:08:17,100 --> 00:08:19,600 I KNOW YOU CAN DO IT, JOHNNY! 133 00:08:19,600 --> 00:08:22,200 I MUST RUN ALONG NOW BEFORE MR. LAKE MISSES ME. 134 00:08:22,300 --> 00:08:23,600 OH, WAIT A MINUTE. 135 00:08:23,600 --> 00:08:27,100 HOW ABOUT TAKING ONE PUNCH FOR OUR WEDDING RING, HUH? 136 00:08:29,900 --> 00:08:31,800 ALL RIGHT. 137 00:08:31,900 --> 00:08:34,600 YOU KNOW, MARY, EVERY TIME I THINK 138 00:08:34,600 --> 00:08:36,700 OF YOU WORKING FOR THAT GUY LAKE, 139 00:08:36,700 --> 00:08:38,800 IT JUST MAKES MY BLOOD BOIL. 140 00:08:38,800 --> 00:08:42,500 NOW, REMEMBER, JOHNNY, YOU MAY HAVE TO SELL THAT SONG TO HIM. 141 00:08:42,500 --> 00:08:46,000 WELL, I GUESS IT'S NOT OUR LUCKY DAY. 142 00:08:46,100 --> 00:08:49,400 Man: ♪ MOST EVERYBODY LIKES MUSIC ♪ 143 00:08:49,500 --> 00:08:52,600 ♪ SONGS ARE THE LANGUAGE OF LOVE ♪ 144 00:08:52,700 --> 00:08:56,100 [JOHNNY WHISTLES] 145 00:08:59,200 --> 00:09:02,500 ♪ SOMETHING TELLS ME THAT I'M FALLING ♪ 146 00:09:02,500 --> 00:09:06,400 ♪ HERE'S WHAT I'VE GOT PLENTY OF ♪ 147 00:09:06,400 --> 00:09:09,300 ♪ MUSIC IN MY HEART ♪ 148 00:09:09,400 --> 00:09:11,300 [PIANO PLAYS] 149 00:09:11,300 --> 00:09:13,600 ♪ FROM THE VERY START ♪ 150 00:09:13,600 --> 00:09:15,600 [PIANO PLAYS] 151 00:09:15,700 --> 00:09:18,700 ♪ YOU STRUCK A NOTE THAT WROTE ♪ 152 00:09:18,800 --> 00:09:23,400 ♪ THE MUSIC IN MY HEART ♪ 153 00:09:23,500 --> 00:09:27,600 ♪ LIFE BECAME A SONG ♪ 154 00:09:27,600 --> 00:09:32,100 ♪ WHEN YOU CAME ALONG ♪ 155 00:09:32,200 --> 00:09:35,800 ♪ YOU ARE THE WORDS THAT FIT ♪ 156 00:09:35,800 --> 00:09:39,600 ♪ THE MUSIC IN MY HEART ♪ 157 00:09:39,700 --> 00:09:41,400 [BELLS RING] 158 00:09:41,400 --> 00:09:44,300 ♪ WEDDING BELLS ARE PLAYING ♪ 159 00:09:44,300 --> 00:09:48,100 ♪ I HEAR THEM, DON'T YOU? ♪ 160 00:09:48,200 --> 00:09:51,300 ♪ SEEMS TO ME THEY'RE SAYING ♪ 161 00:09:51,400 --> 00:09:56,800 ♪ I LOVE YOU, I DO ♪ 162 00:09:56,800 --> 00:10:00,800 ♪ MUSIC IN MY HEART ♪ 163 00:10:00,800 --> 00:10:05,200 ♪ IF WE EVER PART ♪ 164 00:10:05,200 --> 00:10:08,700 ♪ I'D GET THE BLUES AND LOSE ♪ 165 00:10:08,700 --> 00:10:13,700 ♪ THE MUSIC IN MY HEART ♪ 166 00:10:13,800 --> 00:10:17,900 ♪ MUSIC IN MY HEART, LA-DA-DA-DA-DA ♪ 167 00:10:17,900 --> 00:10:21,600 ♪ FROM THE VERY START, LA-DA-DA-DA ♪ 168 00:10:21,600 --> 00:10:24,400 ♪ YOU STRUCK A NOTE THAT WROTE ♪ 169 00:10:24,500 --> 00:10:28,500 ♪ THE MUSIC IN MY HEART ♪ 170 00:10:28,600 --> 00:10:32,900 ♪ LIFE BECAME A SONG, LA-DA-DA-DA-DA ♪ 171 00:10:32,900 --> 00:10:36,700 ♪ WHEN YOU CAME ALONG, LA-DA-DA-DA ♪ 172 00:10:36,700 --> 00:10:39,500 ♪ YOU ARE THE WORDS THAT FIT ♪ 173 00:10:39,500 --> 00:10:44,000 ♪ THE MUSIC IN MY HEART ♪ 174 00:10:44,100 --> 00:10:47,600 ♪ WEDDING BELLS ARE PLAYING ♪ 175 00:10:47,600 --> 00:10:51,600 ♪ I HEAR THEM, DON'T YOU? ♪ 176 00:10:51,600 --> 00:10:55,200 ♪ SEEMS TO ME THEY'RE SAYIN' ♪ 177 00:10:55,300 --> 00:10:59,200 ♪ I LOVE YOU, I DO ♪ 178 00:10:59,300 --> 00:11:03,000 ♪ MUSIC IN MY HEART, LA-DA-DA-DA-DA ♪ 179 00:11:03,000 --> 00:11:06,900 ♪ IF WE EVER PART, LA-DA-DA-DA ♪ 180 00:11:06,900 --> 00:11:09,600 Both: ♪ I'D GET THE BLUES AND LOSE ♪ 181 00:11:09,700 --> 00:11:14,800 ♪ THE MUSIC IN MY HEART 182 00:11:14,800 --> 00:11:18,000 [MUSIC CONTINUES] 183 00:11:48,000 --> 00:11:49,500 [MUSIC ENDS] 184 00:12:01,200 --> 00:12:02,800 WAIT A MINUTE. 185 00:12:02,900 --> 00:12:05,400 GAME CALLED ON ACCOUNT OF DARKNESS. 186 00:12:05,400 --> 00:12:07,000 OH. 187 00:12:14,500 --> 00:12:16,600 THAT DIDN'T TAKE ME LONG, DID IT? 188 00:12:16,600 --> 00:12:18,600 BOY, YOU MUST'VE DRUNK RIGHT OUT OF THE BOTTLE. 189 00:12:18,600 --> 00:12:20,100 YOU KNOW WHAT MARY SAID? 190 00:12:20,100 --> 00:12:22,600 SHE SAID THAT WE SHOULD WRITE A SONG ABOUT A MURDER. 191 00:12:22,700 --> 00:12:24,700 YOU MUST'VE DRUNK THE BOTTLE, TOO. 192 00:12:24,700 --> 00:12:26,300 NO, I--I'M NOT KIDDING! 193 00:12:26,300 --> 00:12:28,200 LAKE IS IN THE MARKET FOR A MURDER SONG. 194 00:12:28,200 --> 00:12:30,700 YEAH? OH, WELL, THEN JUST LEAVE IT TO ME. 195 00:12:30,800 --> 00:12:32,900 NOW, THE FIRST THING WE GOT TO DO IS TO GET A TITLE. 196 00:12:33,000 --> 00:12:35,700 HOW'S THIS: "ALWAYS BE GOOD TO YOUR MURDER"? 197 00:12:35,800 --> 00:12:37,400 NO, THAT'S NO GOOD. 198 00:12:37,400 --> 00:12:40,500 HOW ABOUT "I'LL KILL HIM WITH KINDNESS"? 199 00:12:40,600 --> 00:12:42,700 NO, NO, THAT'S NOT BRUTAL ENOUGH. 200 00:12:42,800 --> 00:12:45,100 Paperboy: EXTREE! READ ALL ABOUT THE BLACK WIDOW! 201 00:12:45,100 --> 00:12:48,000 CITIZENS THREATENED WITH MURDER! EXTREE! 202 00:12:48,000 --> 00:12:49,700 THERE'S YOUR IDEA FOR A SONG! 203 00:12:49,800 --> 00:12:51,200 YES, AND IT'S TOPICAL, TOO! 204 00:12:51,300 --> 00:12:53,300 I'LL GIVE YOU A TITLE FOR IT RIGHT NOW: 205 00:12:53,300 --> 00:12:55,300 "BLACK WIDOW, I LOVE YA." 206 00:12:55,400 --> 00:12:57,200 NO, THAT'S TOO ROMANTIC. 207 00:12:57,200 --> 00:13:00,000 WE'VE GOT TO GET SOMETHING, YOU KNOW, A LITTLE MORE MYSTERIOUS. 208 00:13:00,100 --> 00:13:01,700 OH, HOW'S THIS: 209 00:13:01,700 --> 00:13:04,300 "THE BLACK WIDOW'S GONNA GETCHA IF YOU DON'T WATCH OUT"? 210 00:13:04,300 --> 00:13:07,300 Man: THE BLACK WIDOW DONE GOT ME. 211 00:13:09,700 --> 00:13:11,200 SAY, WHAT'S HE DOING WITH OUR STUFF? 212 00:13:11,200 --> 00:13:12,900 "OUR STUFF"? YOU MEAN "HIS STUFF." 213 00:13:12,900 --> 00:13:14,500 HE WON IT ON THE DICE GAME. 214 00:13:14,500 --> 00:13:16,700 BOY, I NEVER SAW SO MANY 5s IN ALL OF MY LIFE. 215 00:13:16,900 --> 00:13:18,200 HOW'D HE DO IT? 216 00:13:18,300 --> 00:13:19,900 THAT'S WHAT I'D LIKE TO KNOW. 217 00:13:19,900 --> 00:13:21,200 [MACHINE BUZZES] 218 00:13:21,300 --> 00:13:22,800 I CHEATED THE DICE! 219 00:13:22,900 --> 00:13:24,400 I CHEATED THE DICE! 220 00:13:24,400 --> 00:13:26,700 I CHEATED THE DICE! 221 00:13:29,800 --> 00:13:31,600 OHH! OHH! 222 00:13:31,600 --> 00:13:32,900 LET HIM GO! 223 00:13:32,900 --> 00:13:35,300 WE MAY GET A SET OF GOLF CLUBS. 224 00:13:36,700 --> 00:13:38,700 OHH! 225 00:13:41,900 --> 00:13:44,000 MR. DARRELL, I HAVEN'T FORGOTTEN HOW WELL YOU HANDLED 226 00:13:44,000 --> 00:13:46,500 THAT CLEVELAND CASE FOR ME--THAT'S THE REASON I CALLED YOU. 227 00:13:46,500 --> 00:13:48,700 I WANT YOUR ADVICE AND PROTECTION. 228 00:13:48,700 --> 00:13:50,600 I'M GLAD YOU DID. 229 00:13:50,700 --> 00:13:54,000 THIS, TO ME, IS QUITE GENUINE AND EQUALLY SERIOUS. 230 00:13:54,000 --> 00:13:56,600 THERE'S A DANGEROUS MANIAC LOOSE IN TOWN, 231 00:13:56,700 --> 00:13:59,400 AND NOBODY IS SAFE UNTIL HE'S APPREHENDED. 232 00:13:59,400 --> 00:14:02,100 YOU SEE, WINFIELD? IT WASN'T A HOAX. 233 00:14:02,200 --> 00:14:04,700 YOU WILL TAKE THE CASE, WON'T YOU, MR. DARRELL? 234 00:14:04,700 --> 00:14:06,100 I SHOULD BE VERY GLAD TO ASSIGN 235 00:14:06,100 --> 00:14:07,400 ONE OF MY BEST OPERATIVES 236 00:14:07,500 --> 00:14:09,400 TO ACCOMPANY MR. LAKE WHEREVER HE GOES. 237 00:14:09,500 --> 00:14:11,500 NO, NO, NO, I DON'T WANT ANY UNDERLING 238 00:14:11,500 --> 00:14:14,000 TO WATCH OUT FOR MY LIFE; I WANT YOU. 239 00:14:14,000 --> 00:14:16,600 I HAVE A LARGE ORGANIZATION, MR. LAKE. 240 00:14:16,700 --> 00:14:18,600 I'M SORRY, BUT MY PRESENCE IS REQUIRED 241 00:14:18,600 --> 00:14:21,100 HERE IN AN EXECUTIVE CAPACITY. 242 00:14:21,100 --> 00:14:24,700 WE DON'T CARE WHAT YOUR PRICE IS, JUST SO LONG AS YOU GUARD MR. LAKE. 243 00:14:24,800 --> 00:14:27,900 YOU MAKE A SLIGHT TACTICAL ERROR IN SUGGESTING THAT I-- 244 00:14:27,900 --> 00:14:30,900 WELL, THAT I ACT AS MR. LAKE'S BODYGUARD. 245 00:14:30,900 --> 00:14:32,800 BUT THIS IS A VERY SERIOUS SITUATION, 246 00:14:32,800 --> 00:14:34,400 AND I SHOULDN'T FEEL SAFE UNLESS YOU WERE WITH ME 247 00:14:34,500 --> 00:14:36,400 UNTIL THIS THING CLEARED UP. 248 00:14:36,500 --> 00:14:38,200 BESIDES, I'M WILLING TO PAY-- 249 00:14:38,200 --> 00:14:40,400 YOUR SECOND ERROR IS IN YOUR APPROACH. 250 00:14:40,500 --> 00:14:42,900 NOW, IF YOU CAME TO ME AS A SPORTSMAN AND ASKED ME 251 00:14:42,900 --> 00:14:44,700 TO INDULGE IN MY FAVORITE PASTIME, 252 00:14:44,800 --> 00:14:46,700 HUNTING AND TRAPPING, 253 00:14:46,700 --> 00:14:48,600 THEN I MIGHT BE INTERESTED. 254 00:14:48,700 --> 00:14:50,700 THEN YOU WILL HELP ME? 255 00:14:50,700 --> 00:14:52,400 I WILL, MR. LAKE. 256 00:14:52,400 --> 00:14:55,300 THANK YOU. WE'LL BE REALLY GRATEFUL. 257 00:15:16,400 --> 00:15:17,400 [SNAP] 258 00:15:17,500 --> 00:15:19,100 OUCH! OW! 259 00:15:21,900 --> 00:15:24,700 HEH. HELLO, MARY! 260 00:15:24,700 --> 00:15:27,600 I'M SORRY, JOHNNY. 261 00:15:27,600 --> 00:15:30,400 OH, THAT'S ALL RIGHT. 262 00:15:32,000 --> 00:15:33,500 I DIDN'T EVEN FEEL IT. 263 00:15:33,500 --> 00:15:35,400 ANY LUCK? 264 00:15:35,400 --> 00:15:37,800 NOPE. I JUST CAN'T SEEM TO WIN THAT RING. 265 00:15:37,800 --> 00:15:40,100 OH, I MEAN ABOUT WRITING THAT MURDER SONG. 266 00:15:40,200 --> 00:15:42,700 OH, YEAH, I STAYED UP AND WROTE IT LAST NIGHT. 267 00:15:42,700 --> 00:15:45,200 NEWT'S HOME NOW PUTTING ON SOME FINISHING TOUCHES. 268 00:15:45,200 --> 00:15:48,100 OH, I HOPE IT'S THE BIGGEST HIT EVER WRITTEN! 269 00:15:48,100 --> 00:15:50,800 IF IT IS, WE'RE GONNA GET MARRIED. 270 00:15:50,800 --> 00:15:53,900 AND WE'RE GONNA HAVE OUR OWN LITTLE HOME 271 00:15:54,000 --> 00:15:58,200 AND, UH, OUR OWN LITTLE CAR 272 00:15:58,200 --> 00:16:02,100 AND, UH, OUR OWN LITTLE CHILDREN. 273 00:16:02,100 --> 00:16:05,400 LET'S PUNCH FOR THE RING. 274 00:16:09,000 --> 00:16:11,600 950. YOU WIN SOMETHING, ALL RIGHT. 275 00:16:11,600 --> 00:16:13,600 HEH! 276 00:16:15,300 --> 00:16:16,900 LOOK. IT'S A REVOLVER. 277 00:16:16,900 --> 00:16:19,400 I DON'T WANT A REVOLVER; I'M SCARED TO DEATH OF THEM! 278 00:16:19,500 --> 00:16:22,100 THERE'S NOTHING TO BE AFRAID OF. LOOK. IT'S EMPTY. 279 00:16:22,100 --> 00:16:24,600 IT'S ALWAYS THE EMPTY ONE THAT KILLS SOMEONE. 280 00:16:26,700 --> 00:16:28,100 HERE COMES LAKE. 281 00:16:28,100 --> 00:16:30,400 UH-OH! I'M LATE! 282 00:16:30,400 --> 00:16:32,500 BYE. 283 00:16:36,700 --> 00:16:38,500 HERE, TAKE THIS! IT'S YOUR SONG! 284 00:16:38,500 --> 00:16:40,500 NOW'S THE CHANCE TO SELL IT TO LAKE! 285 00:16:42,900 --> 00:16:44,800 I CAN'T. I FEEL LIKE I GOT 3 TONGUES. 286 00:16:44,800 --> 00:16:46,500 WELL, SING WITH THE MIDDLE ONE. 287 00:16:46,500 --> 00:16:48,300 I DON'T KNOW WHICH IS WHICH. 288 00:16:48,300 --> 00:16:50,500 GIVE ME THAT THING! I'LL SELL IT TO HIM... 289 00:16:50,500 --> 00:16:52,400 AND I'LL PUT SOME FEELING IN IT, TOO! 290 00:16:52,500 --> 00:16:54,200 OH, MR. LAKE? 291 00:16:54,200 --> 00:16:56,300 I HAVE SOMETHING FOR YOU: 292 00:16:56,300 --> 00:16:57,900 "THE BLACK WIDOW'S GOING TO GETCHA." 293 00:16:58,000 --> 00:16:59,900 "THE BLACK WIDOW'S GOING TO GETCHA 294 00:16:59,900 --> 00:17:01,800 IF YOU DON'T WATCH OUT." 295 00:17:03,500 --> 00:17:06,600 "THE BLACK WIDOW'S GOING TO GETCHA... 296 00:17:06,600 --> 00:17:09,600 IF YOU DON'T WATCH OUT." 297 00:17:09,600 --> 00:17:13,100 I DON'T KNOW WHAT YOU MEAN ABOUT THE BLACK WIDOW! 298 00:17:13,100 --> 00:17:16,200 LISTEN. ♪ ME-ME-ME-ME 299 00:17:16,200 --> 00:17:18,600 [MUSIC PLAYS] 300 00:17:18,700 --> 00:17:20,200 AT NIGHT WHEN YOU ARE SLEEPING, 301 00:17:20,300 --> 00:17:22,700 IN YOUR ROOM SHE COMES A-CREEPING. 302 00:17:22,700 --> 00:17:25,300 YOU'LL NEVER KNOW WHAT IT'S ALL ABOUT. 303 00:17:25,300 --> 00:17:28,100 FIRST, YOU GET A WARNING, A SCARY LITTLE NOTE, 304 00:17:28,100 --> 00:17:30,700 AND THEN YOU GET A CHOKING, A CHOKING IN YOUR THROAT. 305 00:17:30,700 --> 00:17:32,500 YOU FIGHT AND THEN YOU STRUGGLE 306 00:17:32,600 --> 00:17:34,100 FOR HOURS AND HOURS AND HOURS... 307 00:17:34,100 --> 00:17:37,900 ♪ NEXT DAY, YOUR FRIENDS ALL SEND FLOWERS ♪ 308 00:17:38,000 --> 00:17:40,600 ♪ I DON'T MIND THE BLACK WIDOW ♪ 309 00:17:40,600 --> 00:17:43,300 ♪ FRIEND, I'M NOT SCARED ♪ 310 00:17:43,300 --> 00:17:45,100 ♪ WE'RE GONNA BURY HIM ♪ 311 00:17:45,100 --> 00:17:48,000 ♪ WHERE WE FIND HIS HEAD ♪ 312 00:17:48,000 --> 00:17:50,000 IF YOU'RE YOUNG OR OLD OR HANDSOME, 313 00:17:50,000 --> 00:17:52,100 YOU HAD BETTER PAY THE RANSOM... 314 00:17:52,200 --> 00:17:54,200 ♪ 'CAUSE THE WIDOW'S GOIN' TO GETCHA ♪ 315 00:17:54,200 --> 00:17:56,500 ♪ IF YOU DON'T WATCH OUT ♪ 316 00:17:56,600 --> 00:17:58,400 ♪ WHAT I MEAN IS 317 00:17:58,500 --> 00:18:00,400 ♪ THE WIDOW'S GONNA GET YOU ♪ 318 00:18:00,400 --> 00:18:03,500 ♪ IF YOU DON'T WATCH OUT ♪♪ 319 00:18:03,500 --> 00:18:05,700 [MUSIC ENDS] 320 00:18:11,000 --> 00:18:13,000 DARRELL, WHY DON'T YOU DO SOMETHING? 321 00:18:13,100 --> 00:18:14,500 DON'T YOU GET IT, MR. LAKE? 322 00:18:14,500 --> 00:18:16,000 HE'S SELLING YOU A SONG... 323 00:18:16,000 --> 00:18:18,200 "PLUGGING," I BELIEVE YOU CALL IT. 324 00:18:18,200 --> 00:18:20,700 OH. SO THAT'S WHAT IT IS? 325 00:18:20,700 --> 00:18:22,600 I'VE GOT AN OFFICE FOR THOSE THINGS. 326 00:18:22,600 --> 00:18:25,000 YOU'VE GOT MORE GALL THAN ANY MAN I EVER MET, 327 00:18:25,000 --> 00:18:26,900 AND IF YOU EVER TRY A THING LIKE THAT AGAIN, 328 00:18:26,900 --> 00:18:28,800 I'LL HAVE YOU THROWN OUT OF THE BUILDING! 329 00:18:28,800 --> 00:18:31,100 DO YOU GET ME?! 330 00:18:36,800 --> 00:18:38,800 I GUESS HE DOESN'T CRAVE THE BLACK WIDOW. 331 00:18:38,800 --> 00:18:40,800 YEAH, HE WALKED OUT ON US. 332 00:18:40,800 --> 00:18:43,600 REMIND ME TO HATE HIM, WILL YOU? 333 00:18:46,800 --> 00:18:49,000 FOR A MOMENT, THOSE TWO BOYS HAD ME WORRIED. 334 00:18:49,000 --> 00:18:51,900 WELL, WHEN YOU'RE DEALING WITH ASPIRING SONGWRITERS, ANYTHING CAN HAPPEN. 335 00:18:51,900 --> 00:18:53,700 NOW, THIS IS THE HOME OFFICE AND HEADQUARTERS. 336 00:18:53,800 --> 00:18:55,400 YOU OCCUPY THE ENTIRE BUILDING? 337 00:18:55,500 --> 00:18:57,600 OH, NO. UPSTAIRS IS A COSTUME RENTAL COMPANY. 338 00:18:57,600 --> 00:19:00,300 OH, AND BY THE WAY, IF ANYONE QUESTIONS YOUR PRESENCE HERE... 339 00:19:00,300 --> 00:19:02,100 YEAH--I'M A SONGWRITER. 340 00:19:02,200 --> 00:19:04,100 WELL, THAT'S GOOD ENOUGH FOR ME. 341 00:19:05,300 --> 00:19:07,600 MAKE YOURSELF AT HOME, DARRELL. 342 00:19:10,800 --> 00:19:12,400 GOOD MORNING. 343 00:19:12,500 --> 00:19:15,000 OH. COME IN, CLARK. 344 00:19:19,600 --> 00:19:22,500 WHAT'S HIS IDEA OF PULLING THAT "GOOD MORNING" LINE? 345 00:19:22,600 --> 00:19:25,200 I USED THAT IN A SONG TWO YEARS AGO. 346 00:19:25,300 --> 00:19:28,800 HE STOLE THAT FROM ME. 347 00:19:30,000 --> 00:19:31,900 LOOK HERE, LAKE. 348 00:19:32,000 --> 00:19:34,600 I'VE BEEN CHECKING UP AND I'M GETTING CHEATED AROUND HERE. 349 00:19:34,600 --> 00:19:37,400 THE TRADE PAPERS SAY THAT MY SONG'S LEADING THE COUNTRY. 350 00:19:37,400 --> 00:19:41,700 WELL, I'M PAYING OFF ON MY BOOKS, NOT ON YOUR CHECKUP! 351 00:19:41,700 --> 00:19:45,800 WELL, BOOKS CAN BE WRONG ACCIDENTALLY OR ON PURPOSE, 352 00:19:45,800 --> 00:19:48,000 AND YOU'RE NOT GONNA GET AWAY WITH THIS! 353 00:19:48,000 --> 00:19:51,700 I'VE BEEN THREATENED BY MORE IMPORTANT PEOPLE THAN YOU ARE. 354 00:19:51,800 --> 00:19:53,600 LURCH, COME IN HERE! 355 00:19:53,600 --> 00:19:55,100 YES, SIR. 356 00:19:55,100 --> 00:19:57,500 Mr. Lake: AND BRING THE COMPLETE FOLDER ON "YOU OPENED MY EYES"! 357 00:19:57,500 --> 00:19:59,700 YES, SIR. 358 00:20:24,300 --> 00:20:25,600 HERE YOU ARE, HAL. 359 00:20:25,600 --> 00:20:27,400 I'LL TAKE IT DOWN TO JOHNNY. 360 00:20:27,400 --> 00:20:29,400 HOW DO YOU KNOW IT'S GOING TO HIM? 361 00:20:29,500 --> 00:20:34,100 OH, I ALWAYS KNOW WHERE TO TAKE YOUR NOTES WHEN YOU WRITE WITH A SMILE. 362 00:20:39,000 --> 00:20:41,200 I DON'T UNDERSTAND WHY A SONG WHICH IS SWEEPING THE COUNTRY 363 00:20:41,200 --> 00:20:43,700 SHOWS A SALE OF ONLY 15,000 COPIES. 364 00:20:43,800 --> 00:20:47,200 WELL, THE, UH, THE PACIFIC COAST HASN'T REPORTED YET. 365 00:20:47,200 --> 00:20:50,200 YES, THIS MIGHT BE A CLERICAL ERROR. 366 00:20:50,200 --> 00:20:52,100 LURCH, UNLESS YOU FIND OUT 367 00:20:52,200 --> 00:20:53,800 WHERE THAT SLIP-UP IS, 368 00:20:53,800 --> 00:20:56,200 I'M GOING TO CALL IN OUTSIDE AUDITORS. 369 00:20:56,200 --> 00:20:58,200 THAT'S ALL. 370 00:21:07,300 --> 00:21:10,000 YOU KNOW, I THINK YOU'RE PUTTING ON AN ACT... 371 00:21:10,000 --> 00:21:12,100 BUT I'M GONNA GET WHAT'S COMING TO ME, 372 00:21:12,200 --> 00:21:15,600 OR SOMEBODY'S GONNA GET WHAT'S COMING TO HIM! 373 00:21:22,800 --> 00:21:24,700 GOOD DAY. 374 00:21:24,700 --> 00:21:27,900 DID YOU HEAR THAT? "GOOD DAY." 375 00:21:28,000 --> 00:21:30,800 HE SWITCHED MY "GOOD MORNING" LINE. 376 00:21:30,800 --> 00:21:33,000 MR. LAKE WILL SEE YOU NOW. 377 00:21:33,000 --> 00:21:36,200 THANKS. THANKS VERY MUCH. 378 00:21:43,800 --> 00:21:45,200 NOW, LOOK HERE, HAZEL. 379 00:21:45,300 --> 00:21:47,200 I'VE WASTED A LOT OF TIME WITH YOU, 380 00:21:47,300 --> 00:21:49,200 AND I'M VERY BUSY. 381 00:21:49,300 --> 00:21:50,700 POSSIBLY YOU NEED AN ASSISTANT... 382 00:21:50,700 --> 00:21:53,200 I DO EXECUTIVE WORK, TOO. 383 00:21:53,200 --> 00:21:56,700 I CAN ONLY TELL YOU WHAT I TOLD YOU YESTERDAY AND EVERY DAY BEFORE: 384 00:21:56,700 --> 00:22:01,000 THERE IS A MARKET FOR A COMEDY SONG LIKE "YES! WE HAVE NO BANANAS." 385 00:22:01,000 --> 00:22:04,000 I HAVE IT. I WROTE A SONG ON THAT ORDER. 386 00:22:04,100 --> 00:22:05,200 WHAT'S YOUR TITLE? 387 00:22:05,200 --> 00:22:07,800 "YES! WE HAVE NO ORANGES." 388 00:22:09,400 --> 00:22:11,600 WELL, LET ME HEAR YOUR FIRST CHORUS. 389 00:22:11,600 --> 00:22:14,600 YES, WE HAVE NO ORANGES... 390 00:22:14,600 --> 00:22:16,800 COME ON! LET ME HAVE THE REST OF IT! 391 00:22:16,800 --> 00:22:18,100 THAT'S AS FAR AS I GOT. 392 00:22:18,200 --> 00:22:21,200 I--I CAN'T FIND A WORD TO RHYME WITH "ORANGES." 393 00:22:21,200 --> 00:22:24,400 NOW, LISTEN. YOU GET OUT OF HERE AND DON'T COME BACK. 394 00:22:26,000 --> 00:22:27,800 HERE'S A NOTE FOR YOU, JOHNNY. 395 00:22:27,900 --> 00:22:30,100 THANKS, HAL. 396 00:22:44,200 --> 00:22:46,100 I'M GOING UPSTAIRS TO SEE MARY. 397 00:22:46,100 --> 00:22:47,900 WHEN YOU SEE HER, TELL HER YOU SAW ME WHEN YOU SEE HER. 398 00:22:48,000 --> 00:22:49,600 WHAT? 399 00:22:49,600 --> 00:22:52,100 WHEN I SEE HER, I'LL TELL HER I SAW YOU WHEN I SEE ME. 400 00:22:52,200 --> 00:22:55,300 WHEN YOU SEE ME, YOU TELL ME I SAW YOU WHEN I SEE ME. 401 00:22:55,300 --> 00:22:57,500 WHEN I SEE HER, YOU TELL ME I SAW YOU WHEN I SEE HER! 402 00:22:57,500 --> 00:22:58,900 WHAT ARE YOU TALKING ABOUT? 403 00:22:58,900 --> 00:23:02,000 WHEN I SEE ME, I'LL TELL HER I SAW YOU WHEN I SEE ME. 404 00:23:02,000 --> 00:23:03,900 WHAT KIND OF LANGUAGE IS THAT? 405 00:23:03,900 --> 00:23:05,500 WHERE YOU GOING WHEN YOU LEAVE HERE? 406 00:23:05,500 --> 00:23:06,600 I'M GOING UPSTAIRS. 407 00:23:06,600 --> 00:23:07,900 WHO YOU GONNA SEE? MARY. 408 00:23:07,900 --> 00:23:09,200 WHO YOU LOOKING AT NOW? YOU. 409 00:23:09,200 --> 00:23:11,800 WELL, TELL HER THAT! 410 00:23:15,000 --> 00:23:18,500 I'M GONNA KILL TWO BIRDS WITH ONE STONE. 411 00:23:29,100 --> 00:23:31,000 WHOA-OH! 412 00:23:31,100 --> 00:23:33,000 HEY, WAIT A MINUTE! 413 00:23:33,000 --> 00:23:35,400 HEY, WAIT A MINUTE! 414 00:23:35,400 --> 00:23:36,800 HEY! 415 00:23:56,700 --> 00:24:01,000 I'M AWFULLY SORRY, OLD CHAP. IT WAS CARELESS OF ME. 416 00:24:01,100 --> 00:24:03,600 HEY, HELP ME GET OUT OF THIS THING, WILL YOU? 417 00:24:03,600 --> 00:24:05,900 THERE'S A MURDER ABOUT TO BE COMMITTED AND I'VE GOT TO STOP IT! 418 00:24:05,900 --> 00:24:08,800 A MURDER? YES, A MURDER! 419 00:24:16,500 --> 00:24:19,000 AND WHY DON'T YOU REMEMBER YOU'RE A MARRIED MAN? 420 00:24:19,000 --> 00:24:22,200 AND IF I WEREN'T, WOULD IT MAKE ANY DIFFERENCE? 421 00:24:28,400 --> 00:24:30,000 GET YOUR HAT AND COAT ON, MARY. 422 00:24:30,100 --> 00:24:32,200 YOU'RE THROUGH WORKING FOR THIS GUY. MEET ME DOWNSTAIRS. 423 00:24:32,200 --> 00:24:34,300 NOW, WAIT A MINUTE, SON. 424 00:24:34,300 --> 00:24:36,000 YOU KNOW WHAT I OUGHT TO DO TO YOU? 425 00:24:36,100 --> 00:24:38,200 YOU KNOW, I'VE BEEN THINKING ABOUT YOUR SONG. 426 00:24:38,300 --> 00:24:40,000 I THINK IT'S GREAT. 427 00:24:40,100 --> 00:24:42,200 BOY, I COULD GIVE YOU-- 428 00:24:42,200 --> 00:24:44,400 YOU'VE GOT ME ALL WRONG! 429 00:24:44,400 --> 00:24:46,400 OH, I HAVEN'T GOTTEN YOU ALL WRONG. 430 00:24:46,500 --> 00:24:49,900 DO YOU THINK FOR A MINUTE THAT YOU CAN BRIBE ME BY TRYING TO BUY MY SONG? 431 00:24:50,000 --> 00:24:53,200 MARY'S THROUGH WORKING FOR YOU OR ANYBODY LIKE IT... 432 00:24:53,200 --> 00:24:57,900 AND I WOULDN'T SELL YOU MY SONG IF YOU WERE THE LAST PUBLISHER IN TOWN! 433 00:24:59,900 --> 00:25:03,900 AND ANOTHER THING: YOU CAN BUY YOUR CIGARS SOMEWHERE ELSE! 434 00:26:08,100 --> 00:26:11,700 [BUZZER RINGS CONTINUOUSLY] 435 00:26:14,900 --> 00:26:16,800 I-- 436 00:26:18,700 --> 00:26:20,300 WHOA-OH! 437 00:26:21,900 --> 00:26:25,200 [BUZZER RINGS CONTINUOUSLY] 438 00:26:35,700 --> 00:26:37,700 [CRASH] 439 00:26:51,100 --> 00:26:55,600 [BUZZER RINGS CONTINUOUSLY] 440 00:27:01,900 --> 00:27:03,200 OH, HOW DO YOU DO, MRS. LAKE? 441 00:27:03,300 --> 00:27:05,000 HOW DO YOU DO, MR. DARRELL? 442 00:27:05,000 --> 00:27:07,800 IT GIVES ME A GREAT DEAL OF COMFORT TO SEE YOU'RE WATCHING OUT FOR MY HUSBAND. 443 00:27:07,800 --> 00:27:09,700 WELL, I APPRECIATE YOUR CONFIDENCE IN ME, 444 00:27:09,700 --> 00:27:11,300 AND I PROMISE TO DO EVERYTHING IN MY POWER 445 00:27:11,300 --> 00:27:13,500 TO SEE THAT NO HARM COMES TO HIM. 446 00:27:24,700 --> 00:27:28,600 OPERATOR? GIVE ME THE POLICE DEPARTMENT. 447 00:27:28,600 --> 00:27:31,500 MY DEAR SIR, I AM SO SORRY. 448 00:27:31,600 --> 00:27:34,200 THAT'S ALL RIGHT. 449 00:27:38,500 --> 00:27:39,900 HAS MISS ROBERTS COME DOWN YET? 450 00:27:39,900 --> 00:27:41,700 NO, SIR. 451 00:27:47,300 --> 00:27:48,700 DID YOU DO THAT TO LAKE? 452 00:27:48,800 --> 00:27:51,600 I CERTAINLY DID. HE HAD IT COMING TO HIM. 453 00:27:51,600 --> 00:27:53,800 I'VE BEEN WANTING TO DO THAT FOR A LONG TIME! 454 00:27:53,800 --> 00:27:55,400 DID ANYBODY SEE YOU DO IT? 455 00:27:55,400 --> 00:27:57,000 ONLY MARY. 456 00:27:57,000 --> 00:27:59,200 I FIXED THAT GUY SO HE WON'T BOTHER HER ANYMORE! 457 00:27:59,300 --> 00:28:01,400 SHH! 458 00:28:01,400 --> 00:28:04,400 YOU CERTAINLY DID, BUT I'LL STICK WITH YOU, PAL. 459 00:28:04,500 --> 00:28:06,400 THE COPS WILL NEVER GETCHA. 460 00:28:06,400 --> 00:28:09,400 I'D JUST LOVE TO SEE THE POLICE TRY TO TAKE YOU. 461 00:28:11,900 --> 00:28:14,500 NOW, THAT'S WHAT I CALL SERVICE. 462 00:28:16,500 --> 00:28:18,100 HERE. TAKE HIM UPSTAIRS! QUICK! 463 00:28:18,100 --> 00:28:20,100 WHAT'S THE IDEA? 464 00:28:31,500 --> 00:28:33,400 HEY, WHAT FLOOR IS WINFIELD LAKE ON? 465 00:28:33,500 --> 00:28:34,600 LAKE? LAKE? 466 00:28:34,700 --> 00:28:36,300 WHY, WE HAVEN'T HAD A LAKE IN THIS BUILDING 467 00:28:36,300 --> 00:28:37,400 SINCE THEY FIXED THE ROOF. 468 00:28:37,400 --> 00:28:38,900 LAKE IS THE HEAD OF THE PUBLISHING COMPANY! 469 00:28:38,900 --> 00:28:40,400 COME ON, YOU MUST KNOW HIM! 470 00:28:40,400 --> 00:28:42,200 OH, YOU MEAN THE BIG FELLA WITH A BIG, ROUND FACE? 471 00:28:42,200 --> 00:28:43,200 YEAH. 472 00:28:43,200 --> 00:28:44,700 GRAY HAIR, A LITTLE MOUSTACHE? 473 00:28:44,700 --> 00:28:45,700 THAT'S RIGHT. 474 00:28:45,700 --> 00:28:47,000 BROWN SUIT AND A TAN OVERCOAT? 475 00:28:47,000 --> 00:28:48,000 RIGHT. 476 00:28:48,000 --> 00:28:49,100 DRIVES A BIG LINCOLN CAR? 477 00:28:49,200 --> 00:28:50,100 THAT'S THE FELLA. 478 00:28:50,200 --> 00:28:51,300 NO, I DON'T KNOW HIM. 479 00:28:51,300 --> 00:28:52,900 LAKE PUBLISHING COMPANY ON THE FIFTH FLOOR. 480 00:28:53,000 --> 00:28:54,500 RIGHT. 481 00:28:54,500 --> 00:28:55,800 HEH. YOU CAN'T GO UPSTAIRS; 482 00:28:55,900 --> 00:28:58,300 THE ELEVATOR'S OUT OF ORDER. 483 00:28:58,300 --> 00:29:00,000 COME ON, BOYS. 484 00:29:02,900 --> 00:29:04,000 Johnny: SAY, LISTEN-- 485 00:29:04,100 --> 00:29:05,800 Newt: GET BACK-- HA HA! 486 00:29:05,900 --> 00:29:07,800 AHEM. THEY FIXED IT. 487 00:29:07,800 --> 00:29:10,600 SAY, WHAT'S THE IDEA OF SENDING ME UPSTAIRS? 488 00:29:10,600 --> 00:29:12,800 THE ELEVATOR'S OUT OF ORDER, HUH? 489 00:29:12,800 --> 00:29:15,600 RILEY, KEEP YOUR EYE ON HIM. STAY HERE. 490 00:29:15,700 --> 00:29:17,800 COME ON, BOYS. 491 00:29:23,900 --> 00:29:25,800 WHERE DO YOU THINK YOU'RE GOING? 492 00:29:25,800 --> 00:29:27,600 I THOUGHT I WAS GOING OUT, BUT I GUESS I'M NOT. 493 00:29:27,600 --> 00:29:29,600 YEAH. 494 00:29:45,000 --> 00:29:47,600 [POCKET WATCH RINGS] 495 00:29:49,000 --> 00:29:50,500 [RINGING STOPS] 496 00:29:50,600 --> 00:29:52,200 WELL, LET'S SEE THAT. 497 00:30:04,900 --> 00:30:07,600 [POCKET WATCH RINGS, STOPS] 498 00:30:18,800 --> 00:30:22,100 [POCKET WATCH RINGS] 499 00:30:22,200 --> 00:30:25,600 THAT'S QUITE A NOVELTY. 500 00:30:27,600 --> 00:30:32,500 [BUZZER RINGS CONTINUOUSLY] 501 00:30:51,300 --> 00:30:53,200 [DOORKNOB TURNS] 502 00:31:02,600 --> 00:31:04,000 HELLO, DARRELL. 503 00:31:04,100 --> 00:31:05,200 HELLO, JENNINGS. WHAT ARE YOU DOING HERE? 504 00:31:05,300 --> 00:31:06,300 DEATH INVESTIGATION. 505 00:31:06,400 --> 00:31:07,500 YEAH? WHO'S THE DECEASED? 506 00:31:07,600 --> 00:31:08,700 WINFIELD LAKE HAS BEEN MURDERED. 507 00:31:08,700 --> 00:31:10,500 OH, OH, MY HUSBAND! 508 00:31:10,600 --> 00:31:12,300 LAKE MURDERED? WHAT DO YOU MEAN? HOW? 509 00:31:12,300 --> 00:31:16,400 WELL, SEEING AS YOU'RE HERE, DARRELL, I THOUGHT MAYBE YOU COULD TELL ME. 510 00:31:29,500 --> 00:31:30,400 WELL, WHERE IS HE? 511 00:31:30,500 --> 00:31:31,400 HE'S IN THERE. 512 00:31:31,500 --> 00:31:32,700 STAY HERE. COME ON, BOYS. 513 00:31:42,700 --> 00:31:44,400 WELL, IT'S A CASE FOR THE CORONER, ALL RIGHT. 514 00:31:44,500 --> 00:31:45,900 HE'S ON HIS WAY. 515 00:31:45,900 --> 00:31:47,000 WHO CALLED THE POLICE? 516 00:31:47,000 --> 00:31:48,000 I DID, SIR. 517 00:31:48,100 --> 00:31:49,100 DID YOU FIND THE BODY? 518 00:31:49,100 --> 00:31:50,200 YES, SIR. 519 00:31:50,200 --> 00:31:51,400 HOW'D YOU HAPPEN TO DISCOVER MR. LAKE? 520 00:31:51,400 --> 00:31:52,600 WHY, THE BUZZER FROM HIS OFFICE WAS RINGING. 521 00:31:52,600 --> 00:31:54,900 I DIDN'T SEE HIS SECRETARY, SO I TOOK THE CALL. 522 00:31:55,000 --> 00:31:57,100 Darrell: JENNINGS, WHAT DO YOU MAKE OF THIS? 523 00:31:57,200 --> 00:31:59,100 A BLACK WIDOW, EH? 524 00:31:59,200 --> 00:32:03,100 LAKE RECEIVED AND IGNORED SOME THREATENING MESSAGES FROM THE BLACK WIDOW. 525 00:32:03,100 --> 00:32:06,200 HE SHOWED ME ONE IN MY OFFICE YESTERDAY WHEN HE ENGAGED ME. 526 00:32:06,300 --> 00:32:09,600 SO THE BLACK WIDOW FINALLY STRUCK, HUH? 527 00:32:40,100 --> 00:32:43,200 [WHISPERING] I'M GOING TO FAINT. 528 00:32:43,300 --> 00:32:44,800 [GROANING] 529 00:32:44,800 --> 00:32:46,800 OOH! LOOK! HE'S FAINTED! 530 00:32:46,900 --> 00:32:50,000 WELL, WHAT ARE YOU STANDING THERE FOR?! WHY DON'T YOU DO SOMETHING?! 531 00:32:56,600 --> 00:32:58,600 THAT'S ALL RIGHT, OFFICER. DON'T MIND ME. 532 00:32:58,600 --> 00:33:00,700 I'M SUBJECT TO THESE FAINTING SPELLS. 533 00:33:00,700 --> 00:33:03,200 WERE YOU TRYING TO PULL A FAST ONE ON ME? 534 00:33:03,200 --> 00:33:05,000 WHO? ME? 535 00:33:27,100 --> 00:33:29,400 WILL YOU GET OUT OF HERE? 536 00:33:29,500 --> 00:33:32,100 YEAH, THAT'S A GOOD IDEA! 537 00:33:32,100 --> 00:33:36,300 NO. I'M NOT GONNA LEAVE MY PAL. 538 00:33:43,000 --> 00:33:46,000 IF HE STAYS, I STAY. 539 00:33:47,500 --> 00:33:50,300 JOHNNY, YOU'VE GOT THE BRAIN OF A 6-YEAR-OLD BOY... 540 00:33:50,300 --> 00:33:53,500 AND I'LL BET EVEN HE WAS GLAD TO GET RID OF IT. 541 00:33:54,700 --> 00:33:56,300 WAIT A MINUTE. 542 00:33:56,300 --> 00:33:59,000 OH, MY HUSBAND! MY HUSBAND! 543 00:33:59,100 --> 00:34:01,500 [MRS. LAKE CRIES] 544 00:34:01,500 --> 00:34:03,000 TAKE IT EASY, MRS. LAKE. 545 00:34:03,100 --> 00:34:05,600 WAIT HERE. COME ON. 546 00:34:07,600 --> 00:34:09,600 JENNINGS, IT'S QUITE POSSIBLE THAT SOMEBODY 547 00:34:09,600 --> 00:34:12,100 KNOWING ABOUT THE BLACK WIDOW'S THREAT TO LAKE 548 00:34:12,100 --> 00:34:14,200 USED THIS MEANS OF KILLING HIM AS A COVER-UP. 549 00:34:14,200 --> 00:34:16,400 YEAH, THAT'S QUITE POSSIBLE. 550 00:34:16,400 --> 00:34:18,200 DID YOU HEAR ANY VOICES COMING FROM THIS OFFICE? 551 00:34:18,200 --> 00:34:19,500 ANY SCUFFLING OR LOUD NOISES? 552 00:34:19,500 --> 00:34:21,300 NO, SIR. 553 00:34:21,300 --> 00:34:23,200 WHAT DO YOU DO HERE, ANYWAY? 554 00:34:23,200 --> 00:34:24,700 I'M THE HEAD AUDITOR, SIR. 555 00:34:24,700 --> 00:34:26,600 DO YOU KNOW OF ANY DISPUTES OR ARGUMENTS THAT LAKE HAD 556 00:34:26,600 --> 00:34:28,500 WITH ANY DISGRUNTLED BUSINESS ASSOCIATES? 557 00:34:28,500 --> 00:34:30,300 THERE WAS A QUARREL THIS MORNING, BUT IT WAS NOTHING. 558 00:34:30,300 --> 00:34:32,100 I'LL BE THE JUDGE OF THAT! 559 00:34:32,100 --> 00:34:33,900 WHAT WAS THE QUARREL ABOUT AND WITH WHOM? 560 00:34:33,900 --> 00:34:36,400 SOME SONGWRITER ACCUSED MR. LAKE OF NOT GIVING HIM HIS JUST ROYALTIES. 561 00:34:36,400 --> 00:34:37,800 AND THEY HAD AN ARGUMENT, HUH? 562 00:34:37,800 --> 00:34:39,000 YES, SIR. 563 00:34:39,100 --> 00:34:41,000 WAS IT A VERY STORMY SESSION? 564 00:34:41,100 --> 00:34:42,900 WELL, UH-- OH, COME ON, COME ON! 565 00:34:42,900 --> 00:34:44,400 WERE THERE ANY THREATS HURLED? 566 00:34:44,400 --> 00:34:46,100 YES; BY CLARK. 567 00:34:46,200 --> 00:34:47,500 CLARK? WHAT'S HIS FULL NAME? 568 00:34:47,600 --> 00:34:48,700 GEORGE CLARK. 569 00:34:48,800 --> 00:34:49,900 YOU KNOW WHERE HE LIVES? 570 00:34:49,900 --> 00:34:51,300 I HAVE HIS ADDRESS IN MY FILES. 571 00:34:51,300 --> 00:34:52,700 GOOD. EDDIE? 572 00:34:52,700 --> 00:34:54,700 GET THAT ADDRESS AND PICK HIM UP RIGHT AWAY. 573 00:34:54,700 --> 00:34:56,100 ANYBODY ELSE HERE? 574 00:34:56,100 --> 00:34:57,700 JOHNNY, THE BOY ON THE NEWSSTAND DOWNSTAIRS. 575 00:34:57,700 --> 00:34:59,600 PICK HIM UP, TOO. WHO ELSE? 576 00:34:59,600 --> 00:35:01,500 A PERSON BY THE NAME OF HAZEL. 577 00:35:01,500 --> 00:35:02,900 "HAZEL"? 578 00:35:02,900 --> 00:35:05,700 OH, A HARMLESS OLD CHAP, NOT A TROUBLEMAKER. 579 00:35:05,700 --> 00:35:08,100 IN LESS TURBULENT TIMES, HE'D HAVE AMUSED ME. 580 00:35:08,100 --> 00:35:10,700 CHARLIE, ROUND HIM UP ANYWAY. 581 00:36:11,500 --> 00:36:13,600 PICK IT UP! 582 00:36:25,200 --> 00:36:26,800 NO, YOU DON'T! 583 00:36:26,900 --> 00:36:29,700 RUN FOR IT! RUN FOR IT! 584 00:36:33,400 --> 00:36:37,400 ANOTHER MOVE LIKE THAT AND I'M LIABLE TO TAKE A SHOT AT YOU! 585 00:36:37,400 --> 00:36:39,300 GIVE ME THAT HAND. 586 00:36:40,700 --> 00:36:43,400 YOU'RE GONNA STAY RIGHT HERE UNTIL I GET READY TO GO. 587 00:36:43,500 --> 00:36:46,900 HEH. THAT SUITS ME. MY CONSCIENCE IS CLEAR. 588 00:36:52,400 --> 00:36:53,900 HERE'S YOUR CAP, OFFICER. 589 00:36:54,000 --> 00:36:55,500 THANKS, MY BOY! YOU'RE ALL RIGHT! 590 00:36:55,600 --> 00:36:58,200 WHEW! WAIT HERE. 591 00:36:58,300 --> 00:37:00,300 RILEY, HAVE YOU SEEN THE FELLA THAT RUNS THE CIGAR STAND? 592 00:37:00,300 --> 00:37:01,700 HIS NAME IS JOHNNY. 593 00:37:01,700 --> 00:37:03,500 NO, NO, NO, HE'S NOT AROUND. HE'S NOT AROUND. 594 00:37:03,500 --> 00:37:06,000 HE MEANS ME. I'M JOHNNY. 595 00:37:06,000 --> 00:37:07,500 OH, ARE YOU JOHNNY? 596 00:37:07,500 --> 00:37:09,800 COME ON. 597 00:37:09,800 --> 00:37:11,200 I'LL BE RIGHT BACK. 598 00:37:11,200 --> 00:37:14,600 YEAH...IN ABOUT 20 YEARS. 599 00:37:17,400 --> 00:37:19,400 HEY, WAIT A MINUTE! I DID IT! 600 00:37:19,400 --> 00:37:23,000 OH, NO, YOU DON'T. YOU'RE STAYING RIGHT HERE. 601 00:37:40,100 --> 00:37:43,700 MRS. LAKE, WERE YOUR RELATIONS WITH YOUR HUSBAND HARMONIOUS? 602 00:37:43,800 --> 00:37:45,600 WHY, WHAT DO YOU MEAN-- 603 00:37:45,600 --> 00:37:48,800 NOW, PLEASE, MRS. LAKE. THIS IS A POLICE INVESTIGATION. 604 00:37:48,900 --> 00:37:51,800 I'D APPRECIATE IT IF YOU'D ANSWER MY QUESTION. 605 00:37:51,900 --> 00:37:54,000 WE LOVED EACH OTHER DEARLY. 606 00:37:54,000 --> 00:37:56,200 WHEN DID YOU LAST SEE HIM? 607 00:37:56,200 --> 00:37:58,300 IN THIS OFFICE THIS MORNING. 608 00:37:58,300 --> 00:38:00,500 WAS THERE ANYONE WITH HIM WHEN YOU CAME IN? 609 00:38:00,500 --> 00:38:02,600 JUST HIS SECRETARY. 610 00:38:02,600 --> 00:38:05,600 I SAW HER AS I WENT OUT TO TALK TO MR. DARRELL. 611 00:38:05,600 --> 00:38:08,600 WHERE IS THE SECRETARY? 612 00:38:08,600 --> 00:38:12,600 YES, WHERE IS MY HUSBAND'S CHARMING SECRETARY? 613 00:38:14,200 --> 00:38:15,900 YOU SAY THAT THE BUZZER WAS RINGING 614 00:38:15,900 --> 00:38:17,700 WHEN YOU CAME IN AND FOUND LAKE DEAD? 615 00:38:17,700 --> 00:38:19,300 YES, SIR. 616 00:38:19,300 --> 00:38:21,200 WELL, IF HE WAS DEAD, WHO WAS RINGING THE BUZZER? 617 00:38:21,200 --> 00:38:22,800 HIS LEFT HAND WAS RESTING ON IT. 618 00:38:22,900 --> 00:38:25,600 HIS RIGHT HAND LOOKED TO ME LIKE HE WAS REACHING FOR THE GUN. 619 00:38:25,600 --> 00:38:27,300 WHAT GUN? 620 00:38:27,400 --> 00:38:29,400 WHY, THE GUN THAT WAS THERE. 621 00:38:29,400 --> 00:38:31,400 I DON'T RECALL SEEING IT SINCE I PHONED FOR THE POLICE. 622 00:38:31,400 --> 00:38:33,100 SAY, WHERE'S THAT GUN? 623 00:38:33,100 --> 00:38:37,600 MY GUESS IS IF YOU FIND HIS SECRETARY, YOU'LL FIND THE GUN. 624 00:38:45,600 --> 00:38:48,100 HEY, WAIT A MINUTE! STOP HIM! 625 00:38:49,900 --> 00:38:52,300 "OH, THERE HASN'T BEEN NO CHANGES; 626 00:38:52,300 --> 00:38:56,100 WE STILL HAVE NO ORANGES." 627 00:38:56,200 --> 00:38:58,400 SAY, WHAT IS THIS? 628 00:38:58,500 --> 00:39:02,600 "THERE HASN'T BEEN NO CHANGES; WE STILL HAVE NO O-RANGES." 629 00:39:02,700 --> 00:39:06,000 SECOND VERSE... SNAPPY, ISN'T IT? 630 00:39:07,800 --> 00:39:12,100 THAT'S THE HARMLESS OLD FELLOW I TOLD YOU ABOUT. 631 00:39:12,100 --> 00:39:13,600 KEEP YOUR EYE ON HIM. 632 00:39:13,700 --> 00:39:16,500 THAT TITLE WAS USED IN 1924. 633 00:39:16,500 --> 00:39:18,500 YOU-- 634 00:39:32,000 --> 00:39:34,300 COME IN, MISS. 635 00:39:47,500 --> 00:39:49,100 HERE'S THE GUN. 636 00:39:49,100 --> 00:39:50,600 WHAT'S YOUR NAME? 637 00:39:50,700 --> 00:39:51,900 MARY ROBERTS. 638 00:39:51,900 --> 00:39:53,200 WHAT DO YOU DO? 639 00:39:53,300 --> 00:39:56,000 I'M--I WAS MR. LAKE'S SECRETARY. 640 00:39:56,100 --> 00:39:58,000 WHERE'D YOU GET THIS GUN? 641 00:39:58,000 --> 00:40:00,700 WHY, SHE WON IT ON MY PUNCHBOARD THIS MORNING. 642 00:40:00,700 --> 00:40:02,900 Jennings: OH, REALLY? 643 00:40:03,000 --> 00:40:07,000 WELL, YOUNG LADY, WHAT HAVE YOU GOT TO SAY FOR YOURSELF? 644 00:40:07,000 --> 00:40:09,600 NOTHING. NOPE. 645 00:40:09,600 --> 00:40:13,500 THERE ISN'T VERY MUCH YOU CAN SAY, IS THERE? 646 00:40:15,600 --> 00:40:19,200 SWELL STUFF, BUDDY. YOU PUT THE ROPE RIGHT AROUND THAT GAL'S NECK. 647 00:40:19,200 --> 00:40:21,200 WHAT DO YOU MEAN? 648 00:40:21,200 --> 00:40:22,800 HEY, LET ME SEE YOU GET OUT OF THOSE THINGS AGAIN. 649 00:40:22,900 --> 00:40:24,100 NO. I DON'T WANT TO. 650 00:40:24,100 --> 00:40:26,100 OH, COME ON, PALSIE. BE A SPORT. 651 00:40:26,100 --> 00:40:27,500 UH-UH. I DON'T WANT TO. 652 00:40:27,600 --> 00:40:29,000 OH, PLEASE. 653 00:40:29,100 --> 00:40:31,000 WELL, LOOK, THE WAY I DO IT, IT'S A SECRET. 654 00:40:31,000 --> 00:40:32,600 SO IF YOU'LL PROMISE NOT TO TELL... 655 00:40:32,600 --> 00:40:34,100 OH, I'LL NEVER TELL. 656 00:40:34,200 --> 00:40:35,700 WELL, HERE'S THE WAY YOU DO IT. 657 00:40:35,700 --> 00:40:38,200 YOU SQUEEZE THE HAND TOGETHER WITH THE THUMB BENEATH, 658 00:40:38,300 --> 00:40:41,100 AND THEN YOU PULL. 659 00:40:47,600 --> 00:40:49,300 THERE YOU ARE. IT'S EASY. 660 00:40:49,300 --> 00:40:50,900 THAT LOOKS LIKE A CINCH. 661 00:40:50,900 --> 00:40:53,200 EVEN YOU COULD DO IT. OH, CAN I? 662 00:40:53,200 --> 00:40:55,000 SURE, YOU CAN DO IT! 663 00:40:55,100 --> 00:40:58,800 LOOK. PUT YOUR HAND THROUGH THERE. 664 00:41:01,000 --> 00:41:03,100 [HANDCUFF CLASPS] 665 00:41:06,700 --> 00:41:08,500 [HANDCUFF CLASPS] 666 00:41:08,500 --> 00:41:11,600 NOW, PUT YOUR-- PUT YOUR FINGERS RIGHT TOGETHER. 667 00:41:11,700 --> 00:41:13,100 THUMB BENEATH. THUMB BENEATH. 668 00:41:13,200 --> 00:41:15,800 NOW YOU PULL. 669 00:41:18,000 --> 00:41:19,600 WHY, IT DON'T WORK. I'M STUCK. 670 00:41:19,600 --> 00:41:21,500 YOU'RE STUCK? 671 00:41:23,500 --> 00:41:25,500 SILLY, ISN'T IT? I--I CAN'T GET THEM OFF. 672 00:41:25,500 --> 00:41:28,300 YOU CAN'T GET THEM OFF? NO. 673 00:41:28,300 --> 00:41:30,400 THAT'S ALL I WANT TO KNOW. 674 00:41:30,400 --> 00:41:32,400 HEY, COME BACK WITH THAT KEY! 675 00:41:32,400 --> 00:41:35,100 [CRASH] 676 00:41:46,900 --> 00:41:48,500 I'M SORRY. 677 00:41:48,500 --> 00:41:50,800 YOU'RE SORRY? 678 00:41:50,800 --> 00:41:52,800 HEY, DON'T DO THAT! 679 00:41:56,200 --> 00:41:59,000 WHAT A SERVE! WHAT A SERVE! 680 00:42:00,100 --> 00:42:01,700 UGH! 681 00:42:05,400 --> 00:42:07,600 HEY, HEY! 682 00:42:11,900 --> 00:42:13,800 YOU OUGHT TO BE ASHAMED OF YOURSELF: 683 00:42:13,900 --> 00:42:15,700 PLAYING TENNIS IN AN OFFICE BUILDING. 684 00:42:15,700 --> 00:42:17,600 NAY, MY DEAR CONSTABLE-- 685 00:42:17,700 --> 00:42:19,200 QUIET! 686 00:42:19,300 --> 00:42:23,000 RILEY, WHAT'S THE IDEA OF LETTING HIM GET AWAY WITH THIS? 687 00:42:24,600 --> 00:42:27,800 RILEY, STAND UP ON YOUR FEET AND ANSWER ME. 688 00:42:33,500 --> 00:42:36,500 [MUMBLES INDISTINCTLY] 689 00:42:44,900 --> 00:42:46,500 THAT'S ALL, MRS. LAKE. YOU CAN GO. 690 00:42:46,500 --> 00:42:48,000 THANK YOU, CAPTAIN JENNINGS. 691 00:42:48,000 --> 00:42:49,100 THAT'S ALL, LURCH. 692 00:42:49,100 --> 00:42:50,500 YES, SIR. 693 00:42:50,600 --> 00:42:52,600 ALL RIGHT, EDDIE, TAKE HER AWAY. 694 00:42:54,300 --> 00:42:56,600 CAPTAIN? 695 00:42:56,700 --> 00:42:58,800 SHE'S TAKING THE RAP FOR THE ONE WHO DID THE KILLING: 696 00:42:58,900 --> 00:43:00,500 ME, AND I'M GONNA CONFESS. 697 00:43:00,600 --> 00:43:01,600 WHAT'S THAT? 698 00:43:02,800 --> 00:43:05,600 OH, LET HER GO. CAN'T YOU SEE SHE'S INNOCENT? 699 00:43:05,700 --> 00:43:08,700 I KILLED THE OLD-- I KILLED MR. LAKE! 700 00:43:08,800 --> 00:43:10,000 YOU DID WHAT? 701 00:43:10,000 --> 00:43:12,300 Johnny: I KILLED LAKE! Jennings: WHY? 702 00:43:12,300 --> 00:43:15,400 Johnny: I JUST THOUGHT HE NEEDED KILLING. 703 00:43:17,600 --> 00:43:19,100 PARDON ME, STRANGER. 704 00:43:19,100 --> 00:43:21,000 COULD YOU TELL ME WHERE I CAN FIND A POLICEMAN? 705 00:43:21,000 --> 00:43:22,900 WHY? WHAT'S HAPPENED? I JUST KILLED A MAN. 706 00:43:23,000 --> 00:43:24,300 ANOTHER KILLING? WHO? 707 00:43:24,400 --> 00:43:25,900 WINFIELD LAKE. 708 00:43:26,000 --> 00:43:27,700 YOU KILLED WINFIELD LAKE? 709 00:43:27,700 --> 00:43:29,800 YES. I--I LOST MY HEAD. 710 00:43:29,800 --> 00:43:32,000 WHY, WINFIELD LAKE WAS KILLED OVER AN HOUR AGO. 711 00:43:32,000 --> 00:43:33,900 WELL, I JUST FOUND MY HEAD. 712 00:43:34,000 --> 00:43:36,100 NOW, LISTEN, YOUNG FELLA, IF THIS IS YOUR IDEA OF A JOKE, 713 00:43:36,100 --> 00:43:38,100 YOU CAN GET YOURSELF INTO AN AWFUL LOT OF TROUBLE! 714 00:43:38,200 --> 00:43:39,900 DON'T PAY ANY ATTENTION TO HIM, CAPTAIN. 715 00:43:40,000 --> 00:43:41,800 HE'S JUST ACTING. 716 00:43:41,800 --> 00:43:44,000 YOU SAY THAT YOU KILLED WINFIELD LAKE? 717 00:43:44,000 --> 00:43:46,000 YES! I'LL TEACH HIM TO PULL A KNIFE ON ME! 718 00:43:46,000 --> 00:43:48,200 I CUT HIS EAR FROM THROAT TO THROAT. 719 00:43:48,200 --> 00:43:49,800 YOU MEAN YOU SHOT HIM IN SELF-DEFENSE. 720 00:43:49,900 --> 00:43:51,300 NO, I SHOT HIM THROUGH THE HEART. 721 00:43:51,400 --> 00:43:53,200 WINFIELD LAKE WAS SHOT IN THE HEAD! 722 00:43:53,300 --> 00:43:55,500 WELL, HIS HEART WAS IN HIS MOUTH. 723 00:43:55,500 --> 00:43:57,200 I REITERATE! SO DO I! 724 00:43:57,200 --> 00:43:58,600 I REITERATE! 725 00:43:58,700 --> 00:44:00,400 CAPTAIN, ARE YOU GONNA LET HIM GET AWAY WITH THAT? 726 00:44:00,400 --> 00:44:02,100 I REITERATED FIRST! 727 00:44:02,200 --> 00:44:04,300 I'M TELLING YA I'M THE ONE THAT KILLED HIM, 728 00:44:04,400 --> 00:44:05,900 AND I SHOT HIM WITH THAT GUN. 729 00:44:05,900 --> 00:44:07,600 JENNINGS? 730 00:44:07,700 --> 00:44:09,900 MAY I SEE THAT GUN? 731 00:44:09,900 --> 00:44:12,200 WELL, SURE. 732 00:44:13,600 --> 00:44:15,700 I'D ALMOST BELIEVE HIM IF HE HADN'T OVERLOOKED 733 00:44:15,700 --> 00:44:17,600 ONE VERY IMPORTANT DETAIL: 734 00:44:17,700 --> 00:44:21,000 THEY DON'T HAVE LOADED GUNS IN PUNCHBOARDS. 735 00:44:21,100 --> 00:44:23,700 DARRELL, YOU'RE RIGHT. 736 00:44:23,800 --> 00:44:25,900 I THINK YOU'RE LYING! 737 00:44:25,900 --> 00:44:28,900 WE'RE BOTH LYING: THE MAN WAS DROWNED. 738 00:44:30,300 --> 00:44:32,100 SOMEBODY MUST'VE LOADED THAT GUN! 739 00:44:32,200 --> 00:44:34,200 THAT'S A VERY CLEVER DEDUCTION, YOUNG MAN. 740 00:44:34,200 --> 00:44:36,200 SHE LOADED IT, AND SHE KILLED LAKE. 741 00:44:36,200 --> 00:44:38,300 COME ON, MISS ROBERTS. YOU'LL HAVE TO GO ALONG WITH US. 742 00:44:38,300 --> 00:44:39,800 I REMEMBER NOW! 743 00:44:39,800 --> 00:44:41,500 I PLACED THE GUN ON THAT DESK! 744 00:44:41,600 --> 00:44:43,500 NOW, WAIT A MINUTE. YOU TWO, GET OUT OF HERE. 745 00:44:43,600 --> 00:44:44,900 GO ON, GET OUT OF HERE! 746 00:44:44,900 --> 00:44:46,100 I DON'T KNOW WHAT YOUR RACKET IS, 747 00:44:46,100 --> 00:44:47,400 PUBLICITY OR WHAT, 748 00:44:47,400 --> 00:44:48,700 BUT IF I EVER CATCH YOU AROUND HERE AGAIN, 749 00:44:48,700 --> 00:44:50,600 I'LL LOCK YOU UP... AND IT WON'T BE FOR MURDER! 750 00:44:50,600 --> 00:44:52,200 YOU CAN'T ORDER US OFF THE PREMISES! 751 00:44:52,300 --> 00:44:54,100 OH, I CAN'T, EH? 752 00:44:54,100 --> 00:44:56,100 NOW, GET OUT OF HERE AND STAY OUT! 753 00:44:56,100 --> 00:44:57,700 ARE YOU GONNA LET HIM GET AWAY WITH THAT? 754 00:44:57,800 --> 00:44:59,800 I'M NOT GONNA LEAVE WITHOUT MARY! 755 00:45:01,600 --> 00:45:03,400 HEY, LISTEN, YOU. 756 00:45:03,400 --> 00:45:05,700 IF YOU DON'T GET OUT OF HERE AND STAY OUT OF HERE, 757 00:45:05,700 --> 00:45:08,300 I'M GONNA JAM THIS THING RIGHT DOWN YOUR THROAT! 758 00:45:08,400 --> 00:45:11,000 OH, NO, YOU WON'T. 759 00:45:13,700 --> 00:45:16,400 OH, YES, I WILL! 760 00:45:16,400 --> 00:45:23,000 OH, NO, YOU WON'T. 761 00:45:23,000 --> 00:45:26,100 OH, YES, I WILL! 762 00:45:26,100 --> 00:45:28,300 I'D LIKE TO SEE YOU DO IT. 763 00:45:28,400 --> 00:45:29,800 YAA! 764 00:45:34,300 --> 00:45:36,000 NO, I DIDN'T DO THAT! 765 00:45:36,000 --> 00:45:38,200 OH, CHIEF, I'M SORRY. NO, NO, I DIDN'T MEAN THAT FOR YOU; 766 00:45:38,300 --> 00:45:39,700 I MEANT IT FOR THIS NITWIT! 767 00:45:39,700 --> 00:45:41,200 OH, PLEASE DON'T. 768 00:45:41,200 --> 00:45:42,800 WHAT HAPPENED? HIT HIM ON THE BACK! 769 00:45:42,800 --> 00:45:45,200 HOLD STILL, CAPTAIN! GET HIM A GLASS OF WATER! 770 00:45:45,200 --> 00:45:47,200 HE'S CHOKING! HE'S CHOKING! 771 00:45:47,200 --> 00:45:51,000 HOLD HIM! HOLD STILL, CAPTAIN! WAIT A MINUTE! 772 00:45:55,500 --> 00:45:57,700 COME ON, JOHNNY. SNAP OUT OF IT. 773 00:45:57,700 --> 00:46:00,300 THROW YOUR HEAD BACK AND SMILE AT THE WORLD. 774 00:46:00,300 --> 00:46:03,200 YEAH, BUT FAIR MARY IS LOCKED UP ALL BY HERSELF, 775 00:46:03,200 --> 00:46:05,900 AND THAT CAPTAIN JENNINGS WON'T EVEN LET ME IN HIS OWN JAIL. 776 00:46:05,900 --> 00:46:08,000 YEAH, HE'S MAD AT US, AND I KNOW WHY. 777 00:46:08,000 --> 00:46:09,600 WHY? 778 00:46:09,600 --> 00:46:12,600 HE HAD TO SWALLOW THAT TENNIS BALL TO GET IT OUT OF HIS MOUTH. 779 00:46:12,600 --> 00:46:14,300 HA HA! 780 00:46:14,400 --> 00:46:18,200 BUT WITH THIS IDEA OF MINE, YOU'LL BE ABLE TO SEE MARY. 781 00:46:22,900 --> 00:46:24,800 HELLO, FELLA. 782 00:46:41,200 --> 00:46:43,600 [DING DONG] 783 00:46:43,600 --> 00:46:45,700 ♪ MUSIC IN MY HEART ♪ 784 00:46:45,800 --> 00:46:47,800 ♪ LOVE'S WHAT BRUNG ME HERE ♪ 785 00:46:47,800 --> 00:46:50,000 ♪ FROM THE VERY START ♪ 786 00:46:50,000 --> 00:46:52,300 ♪ FOR EVERY KISS A YEAR ♪ 787 00:46:52,400 --> 00:46:55,300 ♪ YOU STRUCK A NOTE THAT WROTE ♪ 788 00:46:55,300 --> 00:46:59,000 ♪ THE MUSIC IN MY HEART ♪ 789 00:46:59,100 --> 00:47:00,800 [PIANO KEYS PLAY] 790 00:47:00,800 --> 00:47:02,600 ♪ LIFE BECAME A SONG ♪ 791 00:47:02,600 --> 00:47:04,800 ♪ YEAH, BARS THAT NEVER END ♪ 792 00:47:04,900 --> 00:47:07,000 ♪ WHEN YOU CAME ALONG ♪ 793 00:47:07,100 --> 00:47:09,300 ♪ HAS SHE GOT A FRIEND? ♪ 794 00:47:09,300 --> 00:47:12,400 ♪ YOU ARE THE WORDS THAT FIT ♪ 795 00:47:12,400 --> 00:47:16,700 ♪ THE MUSIC IN MY HEART ♪ 796 00:47:18,100 --> 00:47:21,200 Prisoners: ♪ WEDDING BELLS ARE PLAYING ♪ 797 00:47:21,200 --> 00:47:25,200 ♪ I HEAR THEM, DON'T YOU? ♪ 798 00:47:25,300 --> 00:47:28,500 ♪ SEEMS TO ME THEY'RE SAYING ♪ 799 00:47:28,600 --> 00:47:32,600 ♪ I LOVE YOU, I DO ♪ 800 00:47:32,600 --> 00:47:36,100 ♪ MUSIC IN MY HEART, LA-DA-DI-DI-DO ♪ 801 00:47:36,100 --> 00:47:40,000 ♪ IF WE EVER PART, LA-DA-DA-DA-DA ♪ 802 00:47:40,100 --> 00:47:43,000 ♪ I'D GET THE BLUES AND LOSE ♪ 803 00:47:43,000 --> 00:47:47,900 ♪ THE MUSIC IN MY HEART ♪♪ 804 00:47:47,900 --> 00:47:49,700 JOHNNY! MARY! 805 00:47:49,800 --> 00:47:51,100 GIVE ME A BOOST. 806 00:47:51,200 --> 00:47:52,600 YOU'RE A NICE FELLOW AND I 807 00:47:52,700 --> 00:47:53,900 RECOMMEND YOU HIGHLY. 808 00:47:53,900 --> 00:47:55,900 NO, I MEAN UP. OH. 809 00:47:59,700 --> 00:48:01,600 GEE, I'M GLAD TO SEE YOU! 810 00:48:01,600 --> 00:48:04,300 MAYBE I'M NOT GLAD TO SEE YOU. 811 00:48:05,900 --> 00:48:07,800 WE'VE COME TO RESCUE YOU. 812 00:48:07,900 --> 00:48:09,800 I WISH SOMEBODY WOULD RESCUE ME. 813 00:48:09,900 --> 00:48:12,600 IT WOULDN'T DO ANY GOOD; I'D ONLY BE ARRESTED AGAIN. 814 00:48:12,600 --> 00:48:14,800 BUT YOU CAN'T STAY IN JAIL. 815 00:48:14,800 --> 00:48:17,100 JOHNNY, DO YOU KNOW WHO'S AT THE BOTTOM OF ALL THIS? 816 00:48:17,100 --> 00:48:19,600 YEAH: ME! 817 00:48:24,400 --> 00:48:27,600 LISTEN, WHEN I WAS HIDING, I SAW LURCH... 818 00:48:27,600 --> 00:48:29,000 KILL LAKE? 819 00:48:29,000 --> 00:48:31,300 NO. BUT HE WAS TRYING TO GET INTO MR. LAKE'S DESK 820 00:48:31,300 --> 00:48:33,100 AND SOMETHING FRIGHTENED HIM OUT. 821 00:48:33,200 --> 00:48:35,000 BUT WHAT WOULD LURCH WANT IN LAKE'S DESK? 822 00:48:35,000 --> 00:48:37,900 I DON'T KNOW. BUT IF YOU CAN FIND OUT WHAT HE WAS AFTER... 823 00:48:37,900 --> 00:48:40,700 WE'LL RUSH OVER AND SOLVE THE MYSTERY AND BE RIGHT BACK! 824 00:48:40,800 --> 00:48:42,500 DON'T LET THE POLICE SEE YOU. 825 00:48:42,500 --> 00:48:45,300 THE POLICE DON'T BELIEVE A WORD WE TELL THEM. 826 00:48:46,300 --> 00:48:48,100 WELL, I'M OFF. 827 00:48:49,400 --> 00:48:50,900 WHOA! 828 00:49:23,300 --> 00:49:24,700 HOW DO YOU DO, MRS. LAKE? 829 00:49:24,700 --> 00:49:27,000 WE'VE BEEN EXPECTING YOU. 830 00:49:27,000 --> 00:49:29,500 MR. DARRELL, I RECEIVED ANOTHER OF THOSE NOTES 831 00:49:29,600 --> 00:49:31,700 FROM THE SAME PERSON WHO KILLED MY HUSBAND. 832 00:49:31,700 --> 00:49:33,600 MRS. LAKE, YOU'RE NOT THE ONLY ONE... 833 00:49:33,600 --> 00:49:35,600 OTHERS HAVE BEEN THREATENED. 834 00:49:35,600 --> 00:49:37,400 IT DEMANDS MONEY AND I'M GOING TO PAY. 835 00:49:37,500 --> 00:49:39,200 WELL, THAT SEEMS TO ME TO BE 836 00:49:39,300 --> 00:49:41,100 THE ONLY PRACTICAL THING TO DO. 837 00:49:41,100 --> 00:49:42,600 HOWEVER, CAPTAIN JENNINGS 838 00:49:42,700 --> 00:49:44,000 WILL BE HERE IN A SHORT TIME, 839 00:49:44,000 --> 00:49:46,100 SO LET'S LEAVE THE FINAL DECISION UP TO HIM. 840 00:49:46,100 --> 00:49:47,500 OH, HELLO THERE. 841 00:49:47,500 --> 00:49:49,300 HELLO, DARRELL. 842 00:49:49,300 --> 00:49:51,200 WELL, WHAT'S ON YOUR MIND? 843 00:49:51,200 --> 00:49:53,300 FRANKLY, I FIND MYSELF IN A VERY PECULIAR POSITION. 844 00:49:53,300 --> 00:49:54,600 YEAH? 845 00:49:54,700 --> 00:49:56,000 FOR THE FIRST TIME IN MY LIFE, 846 00:49:56,000 --> 00:49:57,600 I'VE RAISED THE WHITE FLAG TO A CRIMINAL. 847 00:49:57,600 --> 00:50:00,000 I'VE ADVISED MY CLIENTS TO PAY THE EXTORTION MONEY. 848 00:50:00,000 --> 00:50:02,800 WELL, THERE'S AN AWFUL LOT OF MONEY INVOLVED-- TO SAY NOTHING OF THE LIVES-- 849 00:50:02,900 --> 00:50:06,000 AND THIS UNFORTUNATE MURDER OF LAKE'S HAS CONVINCED ME 850 00:50:06,000 --> 00:50:08,900 WE'RE DEALING WITH A PRETTY DESPERATE CRIMINAL. 851 00:50:08,900 --> 00:50:12,100 I SHOULD VERY MUCH LIKE YOUR APPROVAL OF MY ADVICE. 852 00:50:12,100 --> 00:50:15,000 IT'S A PRETTY GOOD IDEA, DARRELL. 853 00:50:15,000 --> 00:50:18,600 HAVE ALL YOU PEOPLE RECEIVED DEMANDS TO PUT THE MONEY IN THE SAME PLACE? 854 00:50:18,600 --> 00:50:20,100 YES. RIGHT. 855 00:50:20,100 --> 00:50:21,900 YES, IN THE BASEMENT VENTILATOR OF THE LAKE BUILDING 856 00:50:22,000 --> 00:50:23,300 AT 12:00. 857 00:50:23,300 --> 00:50:25,200 I GOTCHA. 858 00:50:25,200 --> 00:50:27,600 IF THE SINISTER CRIMINAL WILL TRY AND PICK UP THAT MONEY HIMSELF, 859 00:50:27,700 --> 00:50:30,200 AND WHEN HE DOES, HE'S GONNA FIND IT PRETTY HARD TO GET OUT OF THAT NEIGHBORHOOD, 860 00:50:30,200 --> 00:50:34,300 BECAUSE I'LL HAVE A TRAP AROUND THAT BUILDING EVEN A MOUSE COULDN'T GET OUT OF. 861 00:50:34,300 --> 00:50:36,500 SPLENDID. ALL RIGHT, DARRELL. 862 00:50:36,500 --> 00:50:40,500 GOOD-BYE, AND THANK YOU FOR YOUR COOPERATION. 863 00:50:40,500 --> 00:50:42,100 VICK, YOU STAY CLOSE TO THE PHONE. 864 00:50:42,100 --> 00:50:43,400 THE POLICE ARE STAKING OUT 865 00:50:43,400 --> 00:50:45,000 THE LAKE BUILDING TONIGHT AND THEY MAY NEED YOU BOYS. 866 00:50:45,000 --> 00:50:46,900 OK, CHIEF. 867 00:50:47,900 --> 00:50:52,700 [BELL TOLLS] 868 00:51:27,100 --> 00:51:28,800 I THINK I HEARD SOMETHING. 869 00:51:28,800 --> 00:51:30,600 SHUT UP. 870 00:51:34,400 --> 00:51:37,100 SEE? DUCK. 871 00:51:41,400 --> 00:51:43,500 [RAIN FALLS] 872 00:51:43,600 --> 00:51:46,300 WELL? WHAT ARE THE PLANS? 873 00:51:46,400 --> 00:51:49,200 FIRST THING WE'RE GONNA DO IS TO GET MY INVENTION, TAKE IT UPSTAIRS, 874 00:51:49,200 --> 00:51:50,700 AND PUT IT ON LURCH'S CHAIR. 875 00:51:50,700 --> 00:51:52,700 THEN WE'LL OPEN MR. LAKE'S DESK 876 00:51:52,700 --> 00:51:54,700 AND FIND OUT WHAT LURCH WAS AFTER. 877 00:51:54,800 --> 00:51:57,500 YEAH, BUT SUPPOSING LURCH COMES IN IN THE MORNING, 878 00:51:57,600 --> 00:52:00,700 SITS IN THE CHAIR, AND CONFESSES BEFORE WE ARRIVE? 879 00:52:00,800 --> 00:52:02,100 HOW WILL WE KNOW? 880 00:52:02,200 --> 00:52:03,800 WE'LL STAY THERE AND WAIT FOR HIM. 881 00:52:03,800 --> 00:52:06,300 YOU KNOW, A MURDERER ALWAYS RETURNS TO THE SCENE OF HIS CRIME. 882 00:52:06,300 --> 00:52:09,000 YOU'RE RIGHT. IT'S A GOOD THING WE'RE ON THE JOB. 883 00:52:09,000 --> 00:52:10,600 IF IT WAS UP TO THAT FLATFOOT JENNINGS, 884 00:52:10,700 --> 00:52:12,200 MARY WOULD NEVER GET OUT. 885 00:52:12,200 --> 00:52:14,300 BOY, YOU SAID IT. "FLATFOOT" IS RIGHT. 886 00:52:14,300 --> 00:52:15,500 COME ON. 887 00:52:22,500 --> 00:52:25,100 Jennings: GET HIM, BOYS! 888 00:52:25,100 --> 00:52:27,100 RILEY, TURN ON THE LIGHTS! 889 00:52:28,200 --> 00:52:29,600 [MACHINE BUZZES] 890 00:52:29,700 --> 00:52:31,900 WHOA-OH! WHOA! 891 00:52:32,000 --> 00:52:34,700 JENNINGS IS A FLATFOOT! JENNINGS IS A FLATFOOT! 892 00:52:34,800 --> 00:52:36,700 JENNINGS IS A FLATFOOT! 893 00:52:36,700 --> 00:52:37,900 WHOA-OH! 894 00:52:38,000 --> 00:52:41,300 YOU'RE A FLATFOOT... BOTH OF THEM ARE FLAT! 895 00:52:41,300 --> 00:52:42,500 [BUZZING STOPS] 896 00:52:42,500 --> 00:52:44,500 SHUT THAT THING OFF! 897 00:52:46,600 --> 00:52:48,800 HEH. HOW ARE YOU? 898 00:52:48,800 --> 00:52:52,100 HA HA! CAPTAIN JENNINGS. HA HA! 899 00:52:52,100 --> 00:52:54,000 CAPTAIN JENNINGS. 900 00:52:54,000 --> 00:52:55,800 THAT'S A FUNNY THING. 901 00:52:55,900 --> 00:52:58,900 SPEAK OF THE DEVIL, AND HOW HAVE YOU BEEN? 902 00:52:58,900 --> 00:53:00,700 YOU NIPPERS, WHAT DID I TELL YOU ABOUT 903 00:53:00,700 --> 00:53:01,900 INTERFERING WITH THE LAW? 904 00:53:02,000 --> 00:53:03,400 ISN'T IT FUNNY? 905 00:53:03,500 --> 00:53:05,600 WE WERE JUST TALKING ABOUT YOU, CAPTAIN! 906 00:53:05,600 --> 00:53:07,200 WEREN'T WE, NEWT? YEAH. 907 00:53:07,300 --> 00:53:09,600 WE WERE JUST SAYING WHAT A NICE GUY YOU ARE. 908 00:53:09,600 --> 00:53:11,000 WHAT DO YOU WANT HERE, ANYWAY? 909 00:53:11,100 --> 00:53:12,400 WHY, WE CAME TO GET THIS THING. 910 00:53:12,500 --> 00:53:14,400 WHAT'S THAT FOR? YOU'LL FIND OUT. 911 00:53:14,400 --> 00:53:15,900 YEAH? WELL, YOU'LL FIND OUT 912 00:53:16,000 --> 00:53:17,300 THAT YOU CAN'T INTERFERE WITH ME 913 00:53:17,300 --> 00:53:18,400 AND GET AWAY WITH IT. 914 00:53:18,500 --> 00:53:19,900 GO ON, GET OUT OF HERE! 915 00:53:19,900 --> 00:53:22,100 OH, NOW, CAPTAIN JENNINGS, WE'VE GOT TO GET IN THE BUILDING. 916 00:53:22,100 --> 00:53:24,100 NOBODY GETS IN THIS BUILDING. GET OUT OF HERE. 917 00:53:24,100 --> 00:53:26,200 IF I EVER SEE YOU AROUND HERE AGAIN, I'LL LOCK YOU UP. 918 00:53:26,200 --> 00:53:27,500 YOU MEAN THAT? YES! 919 00:53:27,600 --> 00:53:29,100 ALL RIGHT. 920 00:53:30,400 --> 00:53:32,500 WHAT NEWT SAYS ABOUT YOU GOES DOUBLE. 921 00:53:32,500 --> 00:53:33,500 COME ON! 922 00:53:33,500 --> 00:53:34,900 Johnny: COME ON, NEWT! 923 00:53:34,900 --> 00:53:37,300 Jennings: GET OUT, AND STAY OUT! 924 00:53:55,100 --> 00:53:57,300 [POLICEMAN GROANS] 925 00:54:06,500 --> 00:54:09,200 [CAT SHRIEKS] 926 00:54:10,600 --> 00:54:12,800 UH-OH. WHAT WAS THAT? 927 00:54:12,900 --> 00:54:14,700 WHATEVER IT WAS, IT WASN'T HUMAN. 928 00:54:14,800 --> 00:54:16,700 COME ON, LET'S GET OUT OF HERE. 929 00:54:34,700 --> 00:54:36,300 [SNICKERING] 930 00:54:36,300 --> 00:54:39,600 CAN YOU IMAGINE JENNINGS THINKING HE CAN KEEP US OUT OF THIS BUILDING? 931 00:54:39,600 --> 00:54:41,700 YEAH, WELL, HE'S DONE ONE BIG FAVOR FOR US. 932 00:54:41,800 --> 00:54:44,600 HE'S FIXED IT SO NOBODY'S GONNA COME IN TO ANNOY US WITH OUR WORK. 933 00:54:44,600 --> 00:54:46,700 WE'VE GOT THE ENTIRE BUILDING TO OURSELF. 934 00:54:46,800 --> 00:54:48,900 WELL, COME ON. LET'S GO UPSTAIRS AND GET STARTED. 935 00:54:48,900 --> 00:54:50,700 GOOD. 936 00:55:23,200 --> 00:55:25,500 YOU KNOW, WE BEING IN THIS BIG BUILDING ALL BY OURSELVES 937 00:55:25,600 --> 00:55:27,600 MAKES ME FEEL KIND OF SPOOKY. 938 00:55:27,700 --> 00:55:30,000 I THINK I'LL FIND A SWITCH AND PUT THE LIGHTS ON. 939 00:55:30,000 --> 00:55:32,000 YEAH, WELL, IF YOU DO, I'LL PUT YOURS OUT. 940 00:55:32,100 --> 00:55:33,800 PLUG THAT IN. 941 00:55:33,800 --> 00:55:36,800 WHAT DO YOU WANT TO DO? BRING JENNINGS AND HIS MEN UP HERE? 942 00:55:36,800 --> 00:55:39,000 WHAT ARE YOU WORRYING ABOUT, ANYWAY? 943 00:56:57,100 --> 00:56:59,200 COME IN. 944 00:56:59,200 --> 00:57:01,200 WHAT ARE YOU ALL DOING HERE THIS TIME OF NIGHT? 945 00:57:01,300 --> 00:57:03,700 LISTEN, SLEEPY, THE COPS DONE RAIDED THE POOL HALL 946 00:57:03,700 --> 00:57:05,100 WHERE WE WERE SHOOTING DICE. 947 00:57:05,100 --> 00:57:06,600 WE'VE BEEN RUNNING AND RUNNING AND RUNNING... 948 00:57:06,600 --> 00:57:08,300 YEAH, WE IS. 949 00:57:08,300 --> 00:57:11,000 HOW COME WE CAN'T FINISH THE GAME HERE WHERE IT'S NICE AND QUIET? 950 00:57:11,100 --> 00:57:13,200 YES, AIN'T NO COPS TO BOTHER YOU HERE. 951 00:57:13,300 --> 00:57:18,500 YOU CAN JUST SHOOT, SHOOT, SHOOT, SHOOT. 952 00:57:44,300 --> 00:57:46,800 HEH! YOU KNOW, I'M JUST DYING TO SEE THE EXPRESSION 953 00:57:46,800 --> 00:57:49,100 ON LURCH'S FACE WHEN HE SITS IN THAT CHAIR. 954 00:57:49,100 --> 00:57:51,800 WHEN HE SITS IN THERE, WE'LL GET MORE THAN HIS EXPRESSION; 955 00:57:51,900 --> 00:57:53,900 WE'LL GET THE TRUTH. 956 00:57:54,000 --> 00:57:55,900 [MACHINE BUZZES] 957 00:57:55,900 --> 00:57:58,600 PERFECT, PERFECT. COME ON. 958 00:57:59,600 --> 00:58:01,500 [DESK DRAWER JOSTLES] 959 00:58:10,800 --> 00:58:12,500 I HOPE NOBODY FINDS US OUT. 960 00:58:12,500 --> 00:58:14,400 I HOPE NOBODY FINDS US IN. 961 00:58:17,900 --> 00:58:21,000 [DESK DRAWER JOSTLES] 962 00:58:22,700 --> 00:58:24,300 HAVE YOU GOT A KNIFE? 963 00:58:29,800 --> 00:58:31,600 THANKS. 964 00:58:39,100 --> 00:58:40,800 WHAT'S THAT? 965 00:58:40,800 --> 00:58:43,700 I DON'T KNOW WHAT IT IS, BUT IF IT'S THE MURDERER, LET'S GIVE HIM... 966 00:58:43,800 --> 00:58:44,900 LET'S GIVE HIM WHAT? 967 00:58:44,900 --> 00:58:47,200 LET'S GIVE HIM PLENTY OF ROOM. 968 00:58:56,800 --> 00:58:58,600 WHAT DO YOU WANT HERE? 969 00:58:58,700 --> 00:59:01,500 I'M TRYING TO FIND A RHYME. 970 00:59:01,500 --> 00:59:03,600 WHAT GOES WITH "ORANGES"? 971 00:59:03,600 --> 00:59:05,100 GIN. 972 00:59:05,200 --> 00:59:07,500 THE BLACK WIDOW! LET'S GET HIM! 973 00:59:07,500 --> 00:59:09,100 Newt: YEAH! GET HIM! 974 00:59:21,700 --> 00:59:23,300 HEY, WAIT A MINUTE! 975 00:59:26,900 --> 00:59:28,900 DON'T THINK YOU CAN GET AWAY WITH IT WITH US! 976 00:59:28,900 --> 00:59:30,400 Newt: COME ON, CONFESS. Johnny: WE GOT YOU! 977 00:59:30,400 --> 00:59:33,000 WAIT A MINUTE! IT'S MR. DARRELL. 978 00:59:33,000 --> 00:59:35,800 GEE, MR. DARRELL, WE WOULDN'T HAVE HAD THAT HAPPEN FOR THE WORLD. 979 00:59:35,800 --> 00:59:37,200 I SHOULD SAY NOT. 980 00:59:37,200 --> 00:59:38,900 YEAH, WELL, FORGET IT, BOYS. FORGET IT. 981 00:59:38,900 --> 00:59:40,000 WHAT ARE YOU DOING HERE? 982 00:59:40,100 --> 00:59:41,300 WHAT ARE YOU DOING HERE? 983 00:59:41,300 --> 00:59:43,700 WELL, THAT'S NOT FAIR; I ASKED YOU FIRST. 984 00:59:43,800 --> 00:59:46,200 BOYS, I'VE GOT TO SOLVE THIS CASE. 985 00:59:46,200 --> 00:59:48,400 MY WHOLE PROFESSIONAL REPUTATION'S AT STAKE. 986 00:59:48,400 --> 00:59:51,700 BUT I THINK I STUMBLED ACROSS SOMETHING TONIGHT THAT OFFERS A SOLUTION. 987 00:59:51,700 --> 00:59:53,700 THEN YOU CAN PROVE THAT MARY'S INNOCENT? 988 00:59:53,700 --> 00:59:55,700 I THINK SO. WHERE'S THE PHONE? 989 00:59:55,800 --> 00:59:57,300 IN THE OFFICE, DOWNSTAIRS. 990 00:59:57,300 --> 01:00:00,600 ANYTHING YOU DO FOR MARY, YOU'RE DOING FOR ME, MR. DARRELL. 991 01:00:15,100 --> 01:00:17,200 [BOP] 992 01:00:37,100 --> 01:00:39,400 I'M GOING TO PHONE MY OFFICE FOR A COUPLE OF THE MEN 993 01:00:39,400 --> 01:00:40,900 TO COME UP HERE AND HELP ME REENACT THE CRIME. 994 01:00:41,000 --> 01:00:42,400 YOU CAN'T; THE COPS WON'T LET THEM IN. 995 01:00:42,400 --> 01:00:44,400 WHY SEND OUT FOR MEN? WE'RE HERE ON THE JOB. 996 01:00:44,400 --> 01:00:46,600 WE'RE A COUPLE OF REENACTING FOOLS. 997 01:00:46,600 --> 01:00:48,600 NOT AT ALL A BAD IDEA. 998 01:00:48,600 --> 01:00:51,200 IT SAVES TIME, AND FURTHERMORE, WHATEVER WE HAVE TO DO, WE HAVE TO DO QUICKLY. 999 01:00:51,200 --> 01:00:53,300 OK. WHAT DO WE DO? 1000 01:00:53,300 --> 01:00:56,700 NOW, I WANT EVERYTHING IN THESE OFFICES PRECISELY AS IT WAS BEFORE LAKE WAS MURDERED. 1001 01:00:56,700 --> 01:00:59,000 NOW, YOU, JOHNNY, I WANT YOU TO BE THE SECRETARY. 1002 01:00:59,000 --> 01:01:00,400 YOU GO IN THE OTHER OFFICE. 1003 01:01:00,400 --> 01:01:02,300 AND YOU, I WANT YOU TO BE LAKE. 1004 01:01:02,400 --> 01:01:06,100 I WANT YOU TO SIT IN THE SAME POSITION THAT LAKE WAS IN WHEN HE WAS MURDERED. 1005 01:01:06,200 --> 01:01:09,400 AHEM. YEAH. WELL, UH, I THINK I BETTER PLAY MARY. 1006 01:01:09,400 --> 01:01:10,700 YOU PLAY LAKE. 1007 01:01:10,700 --> 01:01:12,100 NO, YOU PLAY LAKE. 1008 01:01:12,100 --> 01:01:13,500 NO, YOU MAKE A GOOD LAKE... 1009 01:01:13,600 --> 01:01:15,400 ALREADY YOU GOT WATER ON THE BRAIN. 1010 01:01:15,400 --> 01:01:17,900 AND I'LL BE LURCH, THE BOOKKEEPER. 1011 01:01:17,900 --> 01:01:19,900 ALL RIGHT, BOYS, TAKE YOUR PLACES. 1012 01:01:20,000 --> 01:01:22,100 OH, I WANT TO GET STRAIGHTENED OUT 1013 01:01:22,100 --> 01:01:23,900 THE ONE THING: WHO AM I? 1014 01:01:23,900 --> 01:01:25,700 YOU'RE MARY, AND I'M LAKE. 1015 01:01:25,700 --> 01:01:28,200 THAT'S RIGHT: YOU'RE MARY, HE'S LAKE, AND I-- 1016 01:01:28,200 --> 01:01:30,900 I'M THE BLACK WIDOW! I'M THE BLACK WIDOW! 1017 01:01:30,900 --> 01:01:33,100 WHAT THE-- 1018 01:01:33,100 --> 01:01:34,900 SAY, WHAT IS THIS THING? 1019 01:01:34,900 --> 01:01:36,200 AHEM. 1020 01:01:36,300 --> 01:01:38,500 GEE, I'M SORRY IT SHOCKED YOU, MR. DARRELL. 1021 01:01:38,500 --> 01:01:40,200 IT'S JUST A LITTLE INVENTION OF MINE. 1022 01:01:40,300 --> 01:01:42,300 AND YOU SAID IT NEVER FAILED TO MAKE YOU TELL THE TRUTH. 1023 01:01:42,400 --> 01:01:44,800 WELL, IT'S--IT'S ACTED BEAUTIFULLY UP 'TIL NOW, 1024 01:01:44,900 --> 01:01:46,500 BUT IT'S THE FIRST TIME IT FAILED. 1025 01:01:46,500 --> 01:01:48,100 WHAT DO YOU MEAN? 1026 01:01:48,100 --> 01:01:49,800 WELL, YOU SAID THAT YOU WERE THE BLACK WIDOW 1027 01:01:49,800 --> 01:01:51,400 WHEN WHAT YOU REALLY WANTED TO SAY WAS 1028 01:01:51,400 --> 01:01:53,300 THAT YOU WERE LURCH, THE BOOKKEEPER. 1029 01:01:53,300 --> 01:01:55,700 YEAH. YEAH, THAT'S RIGHT. 1030 01:01:55,700 --> 01:01:57,000 WELL, SHUT THAT THING OFF. 1031 01:01:57,000 --> 01:01:58,400 IT'S OFF. 1032 01:01:58,400 --> 01:01:59,900 ALL RIGHT, BOYS, GO BACK TO YOUR POSITIONS... 1033 01:02:00,000 --> 01:02:01,600 AND NO MORE INTERRUPTIONS. 1034 01:02:01,600 --> 01:02:03,500 CAN YOU IMAGINE THAT DARN MACHINE? 1035 01:02:03,500 --> 01:02:06,000 Johnny: AFTER ALL YOUR HARD WORK, TOO. 1036 01:02:12,300 --> 01:02:14,200 HELLO, VICTOR? GET OVER HERE QUICKLY. 1037 01:02:14,200 --> 01:02:15,900 YEAH, THAT'S ALL. 1038 01:02:15,900 --> 01:02:18,000 NOW, YOU GO ON INTO MARY'S OFFICE 1039 01:02:18,000 --> 01:02:20,000 AND STAY THERE UNTIL I CALL YOU. 1040 01:02:20,100 --> 01:02:21,700 BUT SAY SOMETHING ONCE IN A WHILE... 1041 01:02:21,700 --> 01:02:23,100 I WANT TO KNOW THAT YOU'RE ALL RIGHT. 1042 01:02:23,100 --> 01:02:24,400 LET ME SEE, NOW. I'M MARY? 1043 01:02:24,400 --> 01:02:26,500 THAT'S RIGHT. 1044 01:02:59,400 --> 01:03:01,900 GO AWAY, WILL YOU? GO AWAY! 1045 01:03:10,700 --> 01:03:13,400 PLACE IS FULL OF COCKROACHES. 1046 01:03:41,600 --> 01:03:42,600 BOO! 1047 01:03:44,800 --> 01:03:46,700 WHAT'S THE IDEA OF SCARING ME LIKE THAT? 1048 01:03:46,800 --> 01:03:48,600 I JUST WANTED YOU TO KNOW I'M ALL RIGHT. 1049 01:03:48,600 --> 01:03:50,800 WELL, I JUST WANT YOU TO KNOW THAT I AM NOT. 1050 01:03:50,900 --> 01:03:52,600 NOW, GO BACK AND TRY IT OVER AGAIN, 1051 01:03:52,600 --> 01:03:54,600 AND STAY THERE UNTIL I CALL YOU. 1052 01:03:58,700 --> 01:04:00,200 OH, MARY? 1053 01:04:02,800 --> 01:04:04,100 WHERE IS SHE? 1054 01:04:04,100 --> 01:04:06,000 WHERE IS WHO? 1055 01:04:07,100 --> 01:04:09,000 MARY--HOW'D SHE GET OUT? 1056 01:04:09,100 --> 01:04:11,900 WE'RE REENACTING! 1057 01:04:11,900 --> 01:04:14,000 NOW, GO BACK AND TRY IT AGAIN, WILL YOU? 1058 01:04:15,700 --> 01:04:18,600 OH, NO, NO. I'M NOT GOING OUT THERE AGAIN ALL BY MYSELF. 1059 01:04:18,700 --> 01:04:20,000 IT'S TOO DARK. 1060 01:04:20,100 --> 01:04:21,600 YOU'VE GOT TO GO AND STAY IN THAT OFFICE... 1061 01:04:21,600 --> 01:04:22,900 THAT'S YOUR PRIVATE OFFICE. 1062 01:04:23,000 --> 01:04:25,800 EVERY SECRETARY HAS GOT TO HAVE A PRIVATE OFFICE. 1063 01:04:30,000 --> 01:04:32,400 ALL RIGHT, I'LL MAKE MY OWN OFFICE. 1064 01:04:41,300 --> 01:04:43,300 WHOA-OH! 1065 01:04:45,300 --> 01:04:46,700 DID YOU SAY SOMETHING? 1066 01:04:46,700 --> 01:04:48,900 A GENTLEMAN TO SEE YOU. 1067 01:04:51,900 --> 01:04:53,800 OOH! 1068 01:04:56,200 --> 01:04:58,800 JUST A MOMENT, PLEASE. 1069 01:04:58,800 --> 01:05:01,200 IT'S A GOOD THING HE SAID "PLEASE." 1070 01:05:01,200 --> 01:05:02,800 YOU KILLED LAKE! 1071 01:05:02,900 --> 01:05:04,000 WHAT? 1072 01:05:04,000 --> 01:05:05,500 YOU HEARD WHAT HE SAID! 1073 01:05:05,600 --> 01:05:08,400 HE SAID, "YOU KILLED LAKE." 1074 01:05:08,400 --> 01:05:10,100 PUT YOUR HANDS IN THE AIR. 1075 01:05:10,100 --> 01:05:12,900 FACE THAT DOOR. 1076 01:05:14,800 --> 01:05:16,900 JUST STAY THERE. 1077 01:05:30,700 --> 01:05:32,900 I'M SHOT, BUT IT DON'T HURT. 1078 01:05:33,000 --> 01:05:36,000 HE MUST'VE HIT YOU IN THE HEAD. 1079 01:05:37,800 --> 01:05:41,000 LOOK! HE'S FAINTED! 1080 01:05:41,000 --> 01:05:44,500 NO, HE WAS SHOT! THAT'S THE WAY THEY GOT LAKE! 1081 01:05:50,600 --> 01:05:52,500 GET IT! 1082 01:05:53,500 --> 01:05:55,400 [GUNSHOT] 1083 01:06:15,500 --> 01:06:17,700 Newt: WHOA-OH! 1084 01:06:32,600 --> 01:06:35,800 [BAGPIPES BLOW] 1085 01:06:35,900 --> 01:06:37,800 WHAT IS IT?! WHAT IS IT?! WHERE-- 1086 01:06:37,800 --> 01:06:40,300 HEY, I DON'T KNOW, BUT TURN ON THE LIGHTS! 1087 01:06:41,300 --> 01:06:42,700 [NICKELODEON PLAYS] 1088 01:06:42,700 --> 01:06:44,400 OH, WHAT'S THAT? 1089 01:06:44,500 --> 01:06:46,500 GET OUT! 1090 01:06:50,500 --> 01:06:52,800 COME ON, LET'S GET OUT OF HERE! 1091 01:06:58,400 --> 01:07:00,400 UH-OH! 1092 01:07:00,400 --> 01:07:03,200 OH! HA HA HA! IT'S MR. DARRELL! 1093 01:07:03,200 --> 01:07:04,900 OH, GOSH, ARE WE GLAD TO SEE YOU! 1094 01:07:04,900 --> 01:07:06,100 YEAH! 1095 01:07:06,100 --> 01:07:07,300 PHEW, DID YOU SCARE ME. 1096 01:07:07,400 --> 01:07:08,600 DID YOU KNOW WE SOLVED THE MURDER? 1097 01:07:08,700 --> 01:07:10,000 WHAT'S THAT? 1098 01:07:10,000 --> 01:07:11,900 YEAH, SURE! WE'VE BEEN LOOKING ALL OVER FOR YOU. 1099 01:07:12,000 --> 01:07:13,600 THE MURDERER'S UPSTAIRS. 1100 01:07:13,600 --> 01:07:16,000 YEAH, LOOK. WE FIXED IT SO HE CAN'T GET HIS GUN BACK. 1101 01:07:16,100 --> 01:07:18,800 HA HA HA! ARE WE GOOD OR NOT, HUH? 1102 01:07:18,900 --> 01:07:20,600 GREAT WORK, BOYS. YEAH. 1103 01:07:20,600 --> 01:07:22,100 LET'S GO UPSTAIRS AND GET HIM. 1104 01:07:22,100 --> 01:07:23,800 DON'T YOU THINK WE BETTER CALL THE COPS? 1105 01:07:23,900 --> 01:07:25,800 WHY GIVE THEM THE REWARD? 1106 01:07:25,800 --> 01:07:28,100 YOU'RE RIGHT, MR. DARRELL. YOU'RE RIGHT. 1107 01:07:28,100 --> 01:07:29,900 WE'LL TAKE THE CREDIT... 1108 01:07:29,900 --> 01:07:32,000 AND WE'LL TAKE CARE OF YOU, TOO, MR. DARRELL. 1109 01:07:32,000 --> 01:07:34,200 YEAH, BECAUSE WE KNOW YOU'RE GONNA TAKE CARE OF US. 1110 01:07:34,300 --> 01:07:38,300 I INTEND TO TAKE CARE OF YOU, BOYS... BOTH OF YOU. 1111 01:07:46,600 --> 01:07:47,900 I CHECKED WITH THE NOVELTY COMPANY, 1112 01:07:48,000 --> 01:07:49,900 AND HERE'S THE NUMBER OF THE GUN ON THE PUNCHBOARD. 1113 01:07:50,000 --> 01:07:51,300 OH, YES. 1114 01:07:51,300 --> 01:07:53,800 65427, EH? 1115 01:07:55,100 --> 01:07:58,400 THIS IS 618--NAH. JUST AS I THOUGHT. 1116 01:07:58,400 --> 01:08:00,400 THIS IS NOT THE GUN ON THE PUNCHBOARD. 1117 01:08:00,500 --> 01:08:03,600 MISS ROBERTS, I HAVE DISCOVERED SOME NEW EVIDENCE THAT REQUIRED YOUR PRESENCE HERE. 1118 01:08:03,600 --> 01:08:06,000 I'LL DO ANYTHING YOU WANT ME TO, CAPTAIN JENNINGS. 1119 01:08:06,000 --> 01:08:08,600 THAT'S THE GIRL. YOU BOYS STAY HERE AND WATCH THE DOOR. 1120 01:08:08,600 --> 01:08:10,800 WE'RE GOING UP TO LAKE'S OFFICE. 1121 01:08:14,700 --> 01:08:16,300 WAIT A MINUTE, BOYS. 1122 01:08:16,300 --> 01:08:18,800 BETTER LET ME GO IN FIRST TO MAKE SURE THAT EVERYTHING'S ALL RIGHT. 1123 01:08:18,800 --> 01:08:21,500 AFTER ALL, YOU'RE VOLUNTEERS. 1124 01:08:21,500 --> 01:08:23,400 GEE, HE'S A REGULAR GUY. 1125 01:08:23,500 --> 01:08:25,400 WELL, THAT'S THE WAY IT GOES: 1126 01:08:25,500 --> 01:08:28,300 THE REGULARS FIRST, THEN THE VOLUNTEERS. 1127 01:08:29,600 --> 01:08:31,600 [MALLET SCRAPES] 1128 01:08:34,100 --> 01:08:36,800 ALL RIGHT, BOYS. WAIT. 1129 01:08:36,900 --> 01:08:39,700 A SOUND HEAD SHOULD LEAD. 1130 01:08:41,300 --> 01:08:43,400 [BOP] 1131 01:08:45,900 --> 01:08:48,000 [BOP] 1132 01:08:54,800 --> 01:08:58,000 [FAINT VOICES] 1133 01:09:03,200 --> 01:09:05,800 5! OOH, BOY! 1134 01:09:08,000 --> 01:09:11,000 Man: $2.00 A HIT. 1135 01:09:26,300 --> 01:09:27,700 YOU TAKE A SHOT AT THAT. 1136 01:09:27,700 --> 01:09:29,300 DON'T DO NO SMALL FAVORS FOR ME 1137 01:09:29,300 --> 01:09:30,900 BUYING ME NO CHITLINS. 1138 01:09:30,900 --> 01:09:32,600 WELL, I DON'T KNOW WHERE YOU GETTIN' IT, 1139 01:09:32,700 --> 01:09:34,600 BUT IT LOOKS LIKE REAL MONEY. 1140 01:09:34,600 --> 01:09:37,400 Second man: AND AGAIN. 1141 01:09:45,900 --> 01:09:48,000 IN THE POT. 1142 01:10:02,000 --> 01:10:04,100 MISS ROBERTS, YOU SAID THAT YOU SAW LURCH 1143 01:10:04,200 --> 01:10:06,100 TRYING TO FORCE OPEN A DRAWER OF LAKE'S DESK 1144 01:10:06,200 --> 01:10:07,400 AFTER HE WAS SHOT? 1145 01:10:07,400 --> 01:10:08,700 YES. 1146 01:10:08,700 --> 01:10:10,300 WILL YOU SHOW ME EXACTLY HOW YOU HAPPENED 1147 01:10:10,300 --> 01:10:12,000 TO DISCOVER THAT MR. LAKE WAS DEAD? 1148 01:10:12,000 --> 01:10:14,600 WELL, I CAME BACK INTO THIS OFFICE WITH MY HAT AND COAT. 1149 01:10:14,600 --> 01:10:16,500 I WAS GOING TO TELL HIM THAT I WAS THROUGH 1150 01:10:16,600 --> 01:10:18,300 WHEN I HEARD THE BUZZER. 1151 01:10:18,300 --> 01:10:20,700 [BUZZER RINGS] 1152 01:10:20,800 --> 01:10:23,300 [BUZZER RINGS REPEATEDLY] 1153 01:10:28,400 --> 01:10:30,000 AAH! 1154 01:10:30,000 --> 01:10:31,900 WHY, IT'S LURCH! 1155 01:10:31,900 --> 01:10:33,600 HE'S DEAD! 1156 01:10:33,600 --> 01:10:35,100 AND HE'S BEEN SHOT 1157 01:10:35,100 --> 01:10:37,800 IN THE SAME MANNER THAT LAKE WAS! 1158 01:10:39,900 --> 01:10:41,500 WELL. 1159 01:10:41,500 --> 01:10:43,200 WHO ARE YOU AND WHAT ARE YOU DOING HERE? 1160 01:10:43,300 --> 01:10:44,600 MY NAME'S CLARK. 1161 01:10:44,600 --> 01:10:46,100 CLARK, EH? I GOT A WARRANT OUT FOR YOU! 1162 01:10:46,200 --> 01:10:47,500 WHAT DO YOU KNOW ABOUT ALL THIS? 1163 01:10:47,500 --> 01:10:49,100 NOTHING. I FOUND OUT THAT 1164 01:10:49,200 --> 01:10:51,400 I WASN'T GETTING A SQUARE DEAL ON MY SONG, 1165 01:10:51,500 --> 01:10:53,600 SO I CAME UP HERE TO CHECK THE BOOKS MYSELF. 1166 01:10:53,700 --> 01:10:57,000 SOMETHING HIT ME ON THE HEAD, AND THAT'S ALL I REMEMBER. 1167 01:10:57,000 --> 01:10:59,100 THAT'S ALL YOU REMEMBER, HUH? 1168 01:10:59,100 --> 01:11:03,800 LAKE AND THIS MAN WERE BOTH KILLED BY SOMEBODY ON THE INSIDE. 1169 01:11:05,300 --> 01:11:08,700 RILEY, GET HIM OUT OF THERE AND YOU SIT DOWN IN THAT CHAIR. 1170 01:11:08,800 --> 01:11:10,300 ME? 1171 01:11:10,400 --> 01:11:13,200 YES. I'M GONNA GET TO THE BOTTOM OF THIS. 1172 01:11:17,000 --> 01:11:18,600 WHAT HAPPENED? WHAT HAPPENED? 1173 01:11:18,700 --> 01:11:19,900 I'VE BEEN UNCONSCIOUS. 1174 01:11:19,900 --> 01:11:22,500 I'VE KNOWN THAT FOR YEARS. 1175 01:11:22,500 --> 01:11:24,900 POOR MR. DARRELL. 1176 01:11:24,900 --> 01:11:26,800 UGH! 1177 01:11:26,800 --> 01:11:28,800 THE BLACK WIDOW GOT HIM! 1178 01:11:28,800 --> 01:11:30,500 NOW WHAT? 1179 01:11:30,500 --> 01:11:32,700 LET'S CALL THE COPS. 1180 01:11:34,400 --> 01:11:36,300 HELLO? HELLO? 1181 01:11:36,300 --> 01:11:38,400 HELLO? HELLO? 1182 01:11:38,400 --> 01:11:40,500 HELLO? HELLO? 1183 01:11:40,500 --> 01:11:42,800 HELLO? HELLO? 1184 01:11:42,900 --> 01:11:44,300 HELLO? 1185 01:11:44,400 --> 01:11:46,100 HELLO? HELLO? POLICE DEPARTMENT. 1186 01:11:46,200 --> 01:11:47,800 GOOD. COMING RIGHT UP. 1187 01:11:47,900 --> 01:11:49,300 BOY, I FIXED THAT, ALL RIGHT. 1188 01:11:49,300 --> 01:11:50,700 SAY, THESE PHONES DON'T WORK. 1189 01:11:50,700 --> 01:11:53,700 WELL, PHONE THE TELEPHONE COMPANY AND REPORT IT. GIVE ME THIS. 1190 01:11:56,000 --> 01:11:57,700 HELLO? 1191 01:11:57,800 --> 01:11:59,600 HELLO, TROUBLE? 1192 01:12:13,400 --> 01:12:15,700 STOP IT. STOP. NO, THAT'S MINE-- 1193 01:12:17,700 --> 01:12:19,600 [SHRIEKING] 1194 01:12:22,100 --> 01:12:23,900 [SHRIEKING] 1195 01:12:24,000 --> 01:12:27,000 AAH! AAH! AAH! 1196 01:12:27,100 --> 01:12:28,800 [SHRIEKING] 1197 01:12:28,800 --> 01:12:32,300 FEE-FI-FO-FUM! FEE-FI! 1198 01:12:42,500 --> 01:12:44,200 WHO DID YOU SAY TO CALL? 1199 01:12:44,300 --> 01:12:47,300 CALL AN AMBULANCE; I THINK I'M CRAZY. 1200 01:12:49,400 --> 01:12:52,900 I'LL CALL TWO OF 'EM; I THINK WE'RE BOTH CRAZY. 1201 01:13:05,200 --> 01:13:07,300 WHOA-OH! 1202 01:13:11,300 --> 01:13:14,900 LOOK. MR. LAKE IS BACK. 1203 01:13:15,000 --> 01:13:18,300 HE CERTAINLY LOST A LOT OF WEIGHT. 1204 01:13:22,100 --> 01:13:24,100 SAY, DO YOU KNOW WHO THAT IS? 1205 01:13:24,100 --> 01:13:25,800 SURE: IT'S DEATH TAKING A HOLIDAY. 1206 01:13:25,900 --> 01:13:28,600 NO, IT'S THE BLACK WIDOW, AND THIS IS THE PAYOFF MONEY. 1207 01:13:28,600 --> 01:13:30,700 IF WE CAN GET THE REST OF IT, WE CAN CLEAR MARY. 1208 01:13:30,800 --> 01:13:33,400 YEAH, WELL, YOU GO AND GET IT. SHE'S YOUR GIRL. 1209 01:13:36,300 --> 01:13:39,000 UH-OH! HE'S IN AGAIN! WHOA! 1210 01:13:46,200 --> 01:13:48,900 [BANGING ON GLASS] 1211 01:14:04,500 --> 01:14:07,700 SAY, WHY NOT LET THAT GUY IN AND HAMMER A CONFESSION OUT OF HIM? 1212 01:14:07,700 --> 01:14:11,100 THAT OUGHT TO BE EASY. IT'S TWO AGAINST ONE... 1213 01:14:12,700 --> 01:14:14,900 BUT, OH, THAT ONE! 1214 01:14:35,000 --> 01:14:37,200 [CLANG] 1215 01:14:41,100 --> 01:14:43,200 OOH! 1216 01:14:53,900 --> 01:14:55,700 NO! 1217 01:14:57,600 --> 01:14:58,800 OOH! 1218 01:14:58,900 --> 01:15:00,300 WAIT A MINUTE! WAIT A MINUTE! 1219 01:15:00,300 --> 01:15:01,800 THOSE MONKEY'S HAVE THE MONEY. 1220 01:15:01,800 --> 01:15:03,400 NOW, DON'T LET ANYBODY OUT OF HERE 'TIL WE GET IT. 1221 01:15:03,500 --> 01:15:05,300 OK, BOSS. 1222 01:15:09,500 --> 01:15:11,600 OH! WHOA-OH! 1223 01:15:15,500 --> 01:15:17,200 UH-OH! 1224 01:15:21,700 --> 01:15:24,100 WAIT A MINUTE, BOYS! THIS IS THE BOSS! 1225 01:15:32,400 --> 01:15:34,100 NO! 1226 01:15:34,100 --> 01:15:35,800 NO! 1227 01:15:35,900 --> 01:15:37,600 NO! 1228 01:15:37,600 --> 01:15:39,500 OH! 1229 01:15:51,200 --> 01:15:53,500 [SMASH] 1230 01:15:58,700 --> 01:16:00,400 UGH! 1231 01:16:10,700 --> 01:16:13,600 [SHOUTING] 1232 01:16:25,300 --> 01:16:27,300 BAD MAN! BAD MAN! 1233 01:17:11,800 --> 01:17:13,700 AAH! 1234 01:17:35,900 --> 01:17:37,700 HERE! HERE! 1235 01:17:45,700 --> 01:17:47,400 OHH! 1236 01:17:48,700 --> 01:17:51,700 OH! OH! MY NECK! 1237 01:18:03,300 --> 01:18:05,400 AAH! AAH! 1238 01:19:01,700 --> 01:19:04,400 AND THEY COULD'VE GOT HIM FROM HERE, COULDN'T THEY? 1239 01:19:04,500 --> 01:19:07,600 YEAH, YEAH, THAT'S-- WELL, TO SAY IT'S POSSIBLE. 1240 01:19:07,600 --> 01:19:09,900 Jennings: NOW, LET'S SEE. I WONDER IF-- 1241 01:19:12,800 --> 01:19:15,000 [BOP] 1242 01:19:16,300 --> 01:19:19,600 WHAT-- HERE. 1243 01:19:19,600 --> 01:19:21,900 "654." 1244 01:19:21,900 --> 01:19:24,700 WHY, THIS IS THE GUN FROM THE PUNCHBOARD. 1245 01:19:24,800 --> 01:19:27,900 THERE'S ONLY ONE MAN WHO COULD'VE SWITCHED THEM. 1246 01:19:28,000 --> 01:19:29,500 COME ON. 1247 01:20:02,200 --> 01:20:03,700 WAIT HERE. 1248 01:20:05,600 --> 01:20:08,000 [LOUD SMASH] 1249 01:20:11,900 --> 01:20:15,100 WHO THREW THAT?! THREW THIS THING AT-- 1250 01:20:15,200 --> 01:20:17,500 OH, WHO THREW THIS THING?! 1251 01:20:18,500 --> 01:20:20,500 CAPTAIN! WE DIDN'T KNOW IT WAS YOU! 1252 01:20:20,500 --> 01:20:22,700 WAIT 'TIL I GET MY HANDS ON YOU! 1253 01:20:22,700 --> 01:20:24,400 LOOK! 1254 01:20:25,500 --> 01:20:27,000 GET HIM! 1255 01:20:32,300 --> 01:20:33,600 WELL. 1256 01:20:33,700 --> 01:20:35,800 MR. WILLIAM DARRELL, ALIAS THE BLACK WIDOW, EH? 1257 01:20:35,800 --> 01:20:37,000 YOU'RE MAKING A MISTAKE. 1258 01:20:37,100 --> 01:20:38,800 OH, NO, BUT YOU MADE THE MISTAKE 1259 01:20:38,800 --> 01:20:41,100 WHEN YOU TOOK THAT GUN FROM THE GIRL AND SUBSTITUTED YOUR OWN OUT ON THE BALCONY. 1260 01:20:41,200 --> 01:20:43,800 VERY CLEVER, CAPTAIN JENNINGS. GREAT POLICE WORK. 1261 01:20:43,900 --> 01:20:46,400 BUT IT TOOK THOSE TWO NITWITS TO CATCH ME. 1262 01:20:46,400 --> 01:20:48,700 YEAH, WELL, WE HAD THE FINGER ON YOU RIGHT FROM THE BEGINNING. 1263 01:20:48,700 --> 01:20:51,100 HERE YOU ARE, CHIEF. TAKE HIM AWAY, MEN. 1264 01:20:51,100 --> 01:20:53,000 YEAH. 1265 01:20:55,200 --> 01:20:58,600 LET'S YOU AND I GO DOWNSTAIRS AND PUNCH FOR OUR WEDDING RING. 1266 01:20:58,700 --> 01:21:01,200 TOO LATE. I'VE ALREADY WON IT FOR YOU. 1267 01:21:01,200 --> 01:21:02,600 BUT HOW? 1268 01:21:02,700 --> 01:21:05,000 I PUNCHED OUT EVERY NUMBER ON THE BOARD. 1269 01:21:05,100 --> 01:21:07,900 DO YOU KNOW WHAT THIS MEANS? 1270 01:21:07,900 --> 01:21:11,300 IT MEANS WE CAN HAVE OUR OWN LITTLE HOME 1271 01:21:11,400 --> 01:21:14,500 AND OUR OWN LITTLE CAR... 1272 01:21:14,600 --> 01:21:18,100 AND OUR OWN LITTLE CHILDREN. 1273 01:21:18,100 --> 01:21:21,200 HOW MANY OF THESE LITTLE BLESSED EVENTS DO YOU EXPECT TO HAVE? 1274 01:21:21,200 --> 01:21:24,300 OH, ONE OR TWO, BUT NO MORE THAN... 1275 01:21:24,400 --> 01:21:29,400 3, 4, 5, 6, 7, 8... 1276 01:21:29,600 --> 01:21:31,900 HEAR, HEAR! NOW, SHUT THAT THING OFF! 91979