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- [Man] John Farrow
was a very rare example
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of an Australian who went to
the very top in Hollywood
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at a time when that
was extremely uncommon.
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To have an Australian become
a first ranking director
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00:00:53,887 --> 00:00:54,755
was startling.
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He made one picture after another,
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many of which were box 0ffice hits.
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- [Lady] John Farrow had
one of the most col0rful
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and interesting backgrounds
of any filmmaker of his time.
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He ran away to sea, he
claimed to have fought
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in various revolutions.
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He eventually wound up in
Los Angeles in the late 1920s
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and started writing for silent movies
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and then of course,
graduated to directing.
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It sounds like the kind of biography
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that was sort of concocted
by studi0 publicity machines
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but I guess it has a kind of
a print the legend quality.
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- [Man] He was a man
without a past in a sense.
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He'd left many pasts behind by
the time he left to HOIlyw00d
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00:02:03,156 --> 00:02:04,424
and made films.
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- [Lady] He was a very
col0rful kind of person
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and he came from an era where colorful
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was almost part of a
directorís job description.
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These were very mach0
men who had really rough
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and tumble lives and
lived a lot of experiences
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before they ever stood behind a camera.
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The films that you get
from someone like that
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00:02:27,981 --> 00:02:30,317
are not the same kind
of films you might get
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00:02:30,317 --> 00:02:32,753
from someone who spent a lot
of time in screening rooms
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00:02:32,753 --> 00:02:35,756
becoming acquainted with world cinema.
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They have a different perspective
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and I think you can see
that in John Farrow's films.
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{\an8}- I'm John Farrow Jr., son of John Farrow
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{\an8}and I'm his third child.
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He told us and many people
that we were directly related
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to the kings of England
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00:03:02,716 --> 00:03:05,585
and that indeed it was
important to people of that age
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00:03:05,619 --> 00:03:10,457
and in his profession to
have a polished side to them,
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00:03:10,490 --> 00:03:13,326
the raw and the rough of Australia
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00:03:13,326 --> 00:03:15,696
wasn't in style at that time.
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00:03:20,634 --> 00:03:24,938
- He was born in Marrickville,
Sydney, New South Wales
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{\an8}on the 10th of February 1904.
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His father was Joseph Farrow.
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He was a tailors trimmer
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00:03:35,415 --> 00:03:38,418
and his mother was Lucy Savage
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and Lucy was a dressmaker.
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On his birth certificate,
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he was born at Hazeldene,
Meade Street, Marrickville.
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00:03:50,864 --> 00:03:55,302
Lucy died three years after John was born.
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00:03:57,871 --> 00:04:01,775
But unfortunately, she
died in Callan Park Asylum.
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00:04:04,478 --> 00:04:07,614
And in my 0pinion, she
may have been suffering
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00:04:07,614 --> 00:04:09,149
from postnatal depression.
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00:04:10,016 --> 00:04:12,085
And if you was in a depressive state,
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they take the baby away.
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It didn't do her condition any Gd
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00:04:17,758 --> 00:04:22,763
and she died in 1907, aged
26 when John was three,
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00:04:23,430 --> 00:04:25,398
a very, very sad story.
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00:04:34,841 --> 00:04:36,877
I think Lucy was 0stracized
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because she's not in the family grave.
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00:04:41,214 --> 00:04:44,451
And I think they may have been a stigma
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of being in Callan Park
that they did not bury her
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in the family plot.
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00:04:53,026 --> 00:04:58,031
And when she died, he
was raised by an aunt,
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a spinster, aunt Eliza.
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00:05:04,538 --> 00:05:08,141
- This little boy down here
was John Farrowís father.
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My father, George Martin Farrow
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00:05:12,879 --> 00:05:15,949
is John Farrow's first cousin
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00:05:15,982 --> 00:05:18,585
{\an8}and tells me various little
stories about the family
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00:05:20,153 --> 00:05:22,522
{\an8}particularly the one about Eliza.
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00:05:23,490 --> 00:05:25,826
When John's mother died,
she looked after him.
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00:05:27,027 --> 00:05:32,032
- When he was 10, he was writing
an essay for a competition
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00:05:34,401 --> 00:05:38,071
and he started off with,
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00:05:38,104 --> 00:05:41,608
"Bang, crash, the aeroplane hit the deck."
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00:05:42,843 --> 00:05:47,214
And his teacher, Mr.
M00dy, was so impressed
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00:05:47,214 --> 00:05:51,251
by this unusual beginning
that he prophesied
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00:05:51,284 --> 00:05:53,019
John would be a writer.
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He wasn't far wrong.
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He used to elaborate on his
deeds and even make up stories.
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00:06:02,395 --> 00:06:05,699
One of the things he bragged
about, was his education,
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00:06:05,732 --> 00:06:07,367
about going to Newington COIlege.
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00:06:08,335 --> 00:06:10,136
But he didn't go to Newington COIlege,
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he just lived near there,
he had to walk past it
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to go to school.
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00:06:15,342 --> 00:06:18,311
He used to, when he was about 16,
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walk around with a
stethoscope around his neck
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00:06:21,848 --> 00:06:24,484
and whether he was pretending
to be a doctor or what
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but this was his style.
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00:06:26,353 --> 00:06:31,124
We regarded him as a
rascal or a scallywag.
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00:06:38,598 --> 00:06:43,603
- My father in 1915,
he joined up as a private
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00:06:43,803 --> 00:06:45,472
and was sent to Gallipoli
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00:06:46,706 --> 00:06:50,810
and there was a dump
equipment that blew up.
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00:06:52,112 --> 00:06:56,883
And that's where he was
wounded and lost both his legs.
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So that was the end of the war for him.
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00:07:03,957 --> 00:07:06,026
As a young boy, John used to come
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00:07:06,059 --> 00:07:08,962
and they used to talk about
all kinds of things apparently
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00:07:08,995 --> 00:07:11,731
and they enjoyed one another's company.
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00:07:11,765 --> 00:07:14,067
It was about nine years
difference between two of them
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and I think John would
have probably been around
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00:07:18,805 --> 00:07:21,975
about maybe 14 or something like that.
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- George being George,
he would take the time
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to talk to a younger cousin,
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{\an8}be some sort of mentor or I suppose
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{\an8}someone that would listen to them
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{\an8}and probably give them encouragement
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{\an8}in what they want to do.
106
00:07:37,357 --> 00:07:40,360
{\an8}If John had shown any
interest at all in Iiterature,
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00:07:40,360 --> 00:07:43,563
George would have taken
the time to help him
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00:07:43,596 --> 00:07:47,033
or to inspire him to follow that career.
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00:07:47,067 --> 00:07:50,570
- And maybe a young man or perhaps a life
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00:07:50,603 --> 00:07:54,708
that was not so, wasn't
terribly very exciting.
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00:07:55,775 --> 00:07:57,911
He thought all these
stories are so wonderful,
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00:07:57,911 --> 00:08:00,013
I have to do this kind of thing myself
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00:08:00,046 --> 00:08:02,682
as my cousin George has done.
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00:08:02,682 --> 00:08:05,986
And that's what I'd like
to be able to do 2000s.
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00:08:06,019 --> 00:08:07,821
And what am I doing here?
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00:08:07,854 --> 00:08:10,423
(smooth music)
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00:08:19,799 --> 00:08:22,569
- When they had the Spanish flu epidemic
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00:08:22,602 --> 00:08:25,372
just after World War One, they had set up
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00:08:25,405 --> 00:08:28,808
mass treatment areas at
the Sydney showground.
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00:08:29,743 --> 00:08:32,112
And John Farrow was a
young man wh0'd gone out
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00:08:32,145 --> 00:08:36,950
masquerading as a doctor and
had treated patients and so on.
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00:08:36,950 --> 00:08:41,955
Now, somewhere along the
line, when he was found out,
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00:08:42,355 --> 00:08:46,159
the shame of this, of doing such a thing
124
00:08:46,192 --> 00:08:50,397
was such the family encouraged
or possibly even paid
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00:08:50,397 --> 00:08:52,265
for him to leave the country
126
00:08:52,298 --> 00:08:55,502
and maybe immigrate somewhere else.
127
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- But he was only 15 and nine months.
128
00:09:00,006 --> 00:09:04,978
He went down to the merchant ships
129
00:09:05,245 --> 00:09:09,849
and he got 0nt0 the Royal
Mail steamer, Makura,
130
00:09:10,717 --> 00:09:14,054
which was a New Zealand trading vessel.
131
00:09:14,087 --> 00:09:17,824
And the ship left Sydney in November 1919
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00:09:17,824 --> 00:09:20,493
And arrived in Honolulu in December.
133
00:09:21,361 --> 00:09:25,999
- If he had been involved in
sailing ships and had signed on
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00:09:26,032 --> 00:09:27,867
as a merchant, it seems very likely
135
00:09:27,901 --> 00:09:30,670
that he would have I00ked
to the American west coast
136
00:09:30,670 --> 00:09:33,606
because through the Pacific,
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00:09:33,640 --> 00:09:37,877
it's the next link after Australia.
138
00:09:37,877 --> 00:09:40,380
But also, America I
think to a lot of people
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00:09:40,380 --> 00:09:44,851
that were innovative and broadminded
140
00:09:46,252 --> 00:09:48,021
would be a much more
attractive place than say,
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00:09:48,054 --> 00:09:50,056
Europe and the old world of England.
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00:10:59,559 --> 00:11:03,329
- He jumped ship
basically in San Francisco
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00:11:03,329 --> 00:11:05,231
as a illegal immigrant.
144
00:11:06,733 --> 00:11:10,803
He got married and it ended in a divorce.
145
00:11:10,803 --> 00:11:12,772
The last name was Levin I believe,
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00:11:12,805 --> 00:11:17,577
I don't know 2000s much about
her or the circumstance
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because it was all kept from us.
148
00:11:21,614 --> 00:11:25,585
There was a few arrests that
were in the scandal papers
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00:11:25,618 --> 00:11:28,755
having to do with him
carrying a diplomatic passport
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00:11:28,788 --> 00:11:31,224
from I believe, Romania.
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00:11:41,668 --> 00:11:45,705
And at an early age, he came
down to LA and started in
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as an actor, then a
writer and then a producer
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00:11:49,509 --> 00:11:50,476
and a director.
154
00:11:54,547 --> 00:11:56,449
- I think Farrow sort of
entered the film industry
155
00:11:56,482 --> 00:11:59,419
because of his naval experience
and he was asked to work
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on naval pictures and write
captions and intertitles
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00:12:03,223 --> 00:12:05,892
and then started writing dialogue.
158
00:12:05,925 --> 00:12:10,563
I think that was a point of
entry for foreigners in a way
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if they had a specialist interest.
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00:12:12,232 --> 00:12:15,101
Say, if you landed in L.A
and you're a rode0 rider
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00:12:15,134 --> 00:12:17,637
or a great horseman, you could get a gig
162
00:12:17,670 --> 00:12:19,939
on pictures doing stunts
and things like that
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{\an8}and gradually work up to
being a second unit director
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00:12:22,909 --> 00:12:23,810
and so forth.
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00:12:23,843 --> 00:12:28,414
{\an8}I think Farrow worked his
way through silent movies
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00:12:28,448 --> 00:12:31,718
and little pictures until
his work was appreciated
167
00:12:31,718 --> 00:12:33,987
and then on The Capture of Tarzan
168
00:12:34,020 --> 00:12:36,122
which became Tarzan Escapes.
169
00:12:38,491 --> 00:12:40,493
- [Narrator] Into the heart
of darkest Africa comes-
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00:12:40,493 --> 00:12:44,631
- He got his first c0-writing
screen feature credit
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00:12:44,664 --> 00:12:46,366
on The Capture of Tarzan.
172
00:12:46,366 --> 00:12:48,835
And most importantly, he met,
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00:12:48,868 --> 00:12:51,671
W00ed and won Maureen O'Sullivan
who he married in 1936.
174
00:12:54,040 --> 00:12:54,974
- Jane, sorry.
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00:12:55,975 --> 00:12:59,345
- I've never been so
happy in my whole life.
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00:12:59,379 --> 00:13:02,615
- The actress, Maureen
O'Sullivan, was playing Jane
177
00:13:02,649 --> 00:13:05,585
and they subsequently had
seven children together
178
00:13:05,618 --> 00:13:10,056
including the well-known
star actress, Mia Farrow.
179
00:13:11,391 --> 00:13:14,394
And Maureen 0'Sullivan
interestingly enough,
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00:13:14,427 --> 00:13:16,429
her career was really major.
181
00:13:16,429 --> 00:13:20,333
{\an8}She was discovered in
lreland by Frank Borzage
182
00:13:20,366 --> 00:13:22,735
{\an8}when he was over there sh00ting a movie,
183
00:13:22,735 --> 00:13:25,972
came to the States, became
a major star in the 1930s.
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00:13:26,005 --> 00:13:28,875
But when she met Farrow and got married,
185
00:13:28,908 --> 00:13:32,879
she put her career kind
of on hiatus in 1942.
186
00:13:32,912 --> 00:13:35,315
So they had a kind of interesting mix
187
00:13:35,315 --> 00:13:37,750
of a HOIlyw00d star couple
188
00:13:37,750 --> 00:13:40,753
but a very traditional Catholic family.
189
00:13:41,721 --> 00:13:43,623
- She was a very beautiful lady.
190
00:13:43,623 --> 00:13:45,391
She was very funny.
191
00:13:45,391 --> 00:13:47,894
She had the Irish twinkle.
192
00:13:47,927 --> 00:13:49,962
She Ioved life, she loved people.
193
00:13:49,996 --> 00:13:52,999
She Ioved getting involved in projects
194
00:13:53,032 --> 00:13:56,569
that would consume her.
195
00:13:56,569 --> 00:13:59,272
She wasn't particularly a Gd mother
196
00:13:59,305 --> 00:14:00,707
but she was good in other ways.
197
00:14:00,740 --> 00:14:03,609
She taught us how to shop,
she taught us how to address
198
00:14:03,609 --> 00:14:07,146
the chauffeur and do all
of the proper things.
199
00:14:07,180 --> 00:14:11,984
She was product of a Irish
upper-class background
200
00:14:12,018 --> 00:14:14,854
and sent to finishing school in London
201
00:14:14,887 --> 00:14:16,422
and then a movie star.
202
00:14:18,157 --> 00:14:20,893
So her perspective on
things is very unique
203
00:14:20,893 --> 00:14:24,664
and was imparted to us,
but she was never really
204
00:14:24,664 --> 00:14:29,669
the warm motherly, making
pancakes for breakfast lady.
205
00:14:30,269 --> 00:14:32,805
She used to brag she never
made a meal in her life.
206
00:14:33,706 --> 00:14:37,810
But she was mom and many,
many people love her.
207
00:14:39,178 --> 00:14:41,547
Farrow we know was born a Protestant,
208
00:14:41,581 --> 00:14:43,383
converted to Catholicism.
209
00:14:43,383 --> 00:14:46,085
There's been a view that it happened
210
00:14:46,085 --> 00:14:47,620
during the relationship
with Maureen 0'Sullivan
211
00:14:47,653 --> 00:14:48,921
and the marriage.
212
00:14:48,955 --> 00:14:51,457
And it's the Catholicism that he followed,
213
00:14:51,457 --> 00:14:54,394
not only in his personal
life and his films
214
00:14:54,394 --> 00:14:57,296
but his books writing a
history of the Popes,
215
00:14:58,431 --> 00:15:01,634
a b00k on Damien the
leper and other things.
216
00:15:16,015 --> 00:15:17,717
- You had different rungs
217
00:15:17,750 --> 00:15:19,619
of the HOIlyw00d production ladder.
218
00:15:19,652 --> 00:15:22,021
You had the A pictures which are the 0nes
219
00:15:22,054 --> 00:15:25,458
that everybody knows don't
really needed an introduction,
220
00:15:25,458 --> 00:15:28,027
{\an8}the Gone With The Winds, et cetera.
221
00:15:28,027 --> 00:15:30,963
{\an8}And then you had the B pictures
222
00:15:30,997 --> 00:15:34,300
which usually didnít have stars
223
00:15:34,333 --> 00:15:37,203
unless it was a star
very much on the wane.
224
00:15:37,236 --> 00:15:41,641
And then inhabiting this gray
area sort of in between them,
225
00:15:41,674 --> 00:15:43,543
you had what were known as programmers,
226
00:15:43,543 --> 00:15:45,812
they could be longer than B's,
227
00:15:45,845 --> 00:15:48,614
they certainly had lower budgets than A's.
228
00:15:48,648 --> 00:15:52,084
But the idea was that a
programmer could be used
229
00:15:52,084 --> 00:15:54,720
by cinemas to fill out a bill.
230
00:15:58,758 --> 00:16:02,195
This was the sweet spot
where John Farrow was able
231
00:16:02,195 --> 00:16:05,264
to make a lot of the movies that he did
232
00:16:05,264 --> 00:16:07,633
especially in the early
part of his career.
233
00:16:15,875 --> 00:16:18,177
1939 is almost a cliche
234
00:16:18,211 --> 00:16:21,214
because we've all heard a million times,
235
00:16:21,247 --> 00:16:24,484
we've all seen the different
titles flashing by.
236
00:16:24,484 --> 00:16:27,587
The Wizard of Oz, Gone With the Wind,
237
00:16:27,620 --> 00:16:29,722
Mr. Smith Goes to Washington.
238
00:16:29,755 --> 00:16:34,093
It really was a year when
every aspect of the genius
239
00:16:34,126 --> 00:16:36,863
of the HOIlyw00d system
seemed to come together
240
00:16:36,896 --> 00:16:39,599
and just be running full throttle.
241
00:16:39,632 --> 00:16:44,604
So for cinephiles, one
of the pleasures of 1939
242
00:16:44,604 --> 00:16:47,573
is discovering how deep the bench was.
243
00:16:47,573 --> 00:16:52,578
It wasn't just the big
marquee names that were great,
244
00:16:53,379 --> 00:16:57,283
even the Iower budget
movies like Five Came Back
245
00:16:57,283 --> 00:17:01,921
were often much better than
they were in other years.
246
00:17:19,238 --> 00:17:22,742
{\an8}Five Came Back was not
a high budget movie.
247
00:17:22,775 --> 00:17:26,145
{\an8}It cost about $225,O00, I think
248
00:17:26,145 --> 00:17:29,248
{\an8}and it made like 750 ish.
249
00:17:29,282 --> 00:17:32,485
In those days, that
was a heck of a profit.
250
00:17:32,518 --> 00:17:34,787
It was very well Iiked.
251
00:17:34,820 --> 00:17:37,857
The idea being that you
take a group of people
252
00:17:37,890 --> 00:17:42,328
from all walks of life
and then you thrust them
253
00:17:42,361 --> 00:17:45,464
into some kind of life or death situation,
254
00:17:45,464 --> 00:17:49,101
an idea that might've seemed
hackneyed in the conception
255
00:17:49,135 --> 00:17:52,838
but was not at all in the execution.
256
00:17:54,540 --> 00:17:58,844
I think that John Farrow
must've known that this movie
257
00:17:58,878 --> 00:18:02,415
had the potential to be something
of a breakthrough for him.
258
00:18:02,415 --> 00:18:04,116
He must've I00ked at
the script and thought,
259
00:18:04,150 --> 00:18:07,186
"This is really Gd, I can
make something of this."
260
00:18:16,495 --> 00:18:17,296
- That's him.
261
00:18:17,330 --> 00:18:19,365
- [Lady] You do have a
beautiful tracking shot
262
00:18:19,365 --> 00:18:22,702
at the beginning of the movie
that goes down the plane
263
00:18:22,735 --> 00:18:26,272
and gracefully introduces the characters
264
00:18:26,305 --> 00:18:29,008
but in a very sm00th way.
265
00:18:29,041 --> 00:18:32,278
There's just a subtle
sense of who they are
266
00:18:32,311 --> 00:18:34,714
from what they're doing in that shot.
267
00:18:35,848 --> 00:18:37,350
- Have you got a match?
- No.
268
00:18:44,523 --> 00:18:45,625
- [Lady] Lucille Ball.
269
00:18:47,159 --> 00:18:51,330
She's playing what's pretty
obviously a prostitute
270
00:18:51,364 --> 00:18:55,635
although sheís never
completely identified as such
271
00:18:55,635 --> 00:18:57,703
but you can suss that
272
00:18:57,737 --> 00:19:00,339
from the way the other
characters treat her.
273
00:19:00,373 --> 00:19:01,173
- Your papers are in order,
274
00:19:01,173 --> 00:19:03,175
the steward will show you to your seats.
275
00:19:06,946 --> 00:19:08,547
- We like her right away.
276
00:19:08,581 --> 00:19:11,617
Sheís smart, she's witty,
277
00:19:11,617 --> 00:19:15,054
she is very practical.
278
00:19:16,622 --> 00:19:17,590
- Ready to go miss?
279
00:19:18,658 --> 00:19:20,926
- [Lady] And she's also a
Gd judge of character.
280
00:19:20,926 --> 00:19:23,796
You see her sizing everybody up
281
00:19:23,829 --> 00:19:27,667
and she has their numbers fairly early on.
282
00:19:29,769 --> 00:19:34,040
- He had a clever way
and itís very difficult,
283
00:19:34,040 --> 00:19:37,510
of staging a lot of scenes,
very complicated scenes
284
00:19:37,543 --> 00:19:40,179
in single shots which,
285
00:19:41,047 --> 00:19:43,783
{\an8}he tracked someone into the
rm, someone out of the room,
286
00:19:43,783 --> 00:19:46,852
{\an8}someone else would come, the
camera would move across.
287
00:19:46,852 --> 00:19:50,289
{\an8}To try and do that over a take
of even a couple of minutes
288
00:19:50,289 --> 00:19:53,325
is enormously difficult
and it's very very hard
289
00:19:53,359 --> 00:19:54,794
to sustain it.
290
00:19:54,827 --> 00:19:57,096
What 0ften happens when directors try it
291
00:19:57,129 --> 00:19:58,297
The editor I00ks at it and says,
292
00:19:58,297 --> 00:20:00,599
well, it's boring at
this point, we'll cut it.
293
00:20:00,633 --> 00:20:02,968
But Farrow somehow always made it work.
294
00:20:30,696 --> 00:20:32,765
I donít think I'd ever dare try and do it.
295
00:20:32,798 --> 00:20:34,433
I'd always do it in cuts.
296
00:20:50,249 --> 00:20:53,219
- Well, during the war, because
he was born in Australia,
297
00:20:53,219 --> 00:20:55,888
he was not able to join the American Navy
298
00:20:55,921 --> 00:20:59,759
so he went to Canada and he
joined the Royal Canadian Navy
299
00:20:59,792 --> 00:21:01,861
where he had a successful career
300
00:21:01,894 --> 00:21:04,663
and also nearly died of typhus.
301
00:21:04,697 --> 00:21:09,602
He wrote a mon0graph about
the Royal Canadian Navy
302
00:21:09,635 --> 00:21:14,440
which is an experience he loved,
he felt very at home in it.
303
00:21:14,440 --> 00:21:17,109
He was glad to be doing
something during the war,
304
00:21:17,143 --> 00:21:19,612
he felt that was his responsibility.
305
00:21:19,645 --> 00:21:24,617
And he I00ked upon it as an
important time in his career
306
00:21:26,018 --> 00:21:29,722
and then when he came out
of it, he made Wake Island
307
00:21:29,755 --> 00:21:32,091
so I think it's one of the
most astonishing war films
308
00:21:32,124 --> 00:21:32,925
ever made.
309
00:21:43,702 --> 00:21:48,707
Even though it was made in the
1940s at a height of passion,
310
00:21:49,208 --> 00:21:51,710
{\an8}it has no jingosim at all,
311
00:21:51,710 --> 00:21:54,213
{\an8}there are no caricatures of the Japanese.
312
00:22:04,924 --> 00:22:06,225
- Apart from the craft level,
313
00:22:06,258 --> 00:22:09,261
the sequence where the Japanese
start bombing the island
314
00:22:09,261 --> 00:22:10,796
which is without dialogue,
315
00:22:10,830 --> 00:22:13,566
I think it's one of the tour
DE forces of montage.
316
00:22:18,938 --> 00:22:21,774
It's remarkable, it's just
looking at people again
317
00:22:21,774 --> 00:22:24,877
in a difficult situation
doing their best to survive,
318
00:22:24,910 --> 00:22:26,245
an astonishing work.
319
00:22:26,245 --> 00:22:29,014
So I think that reflects
what he went through
320
00:22:29,048 --> 00:22:31,417
and felt in the Royal Canadian Navy.
321
00:22:31,417 --> 00:22:35,387
It bonded him with the men,
he understood how men bonded
322
00:22:35,387 --> 00:22:38,290
in pitholes on islands in the Pacific
323
00:22:38,324 --> 00:22:40,459
and he underst00d the
choices they had to make
324
00:22:40,459 --> 00:22:41,927
in terms of life and death.
325
00:22:43,495 --> 00:22:45,965
- What are you doing,
praying or something?
326
00:22:50,536 --> 00:22:52,838
- Yes corporal, I guess I was praying.
327
00:22:54,240 --> 00:22:55,975
- That's all right Tommy.
328
00:22:56,008 --> 00:22:58,477
There's nothing wrong with praying here.
329
00:22:58,477 --> 00:23:00,446
There are N atheists in foxholes.
330
00:23:03,115 --> 00:23:05,618
Wake Island was nominated
for best director,
331
00:23:05,651 --> 00:23:07,653
he got the Director's Guild Award.
332
00:23:07,653 --> 00:23:10,422
He got the New York Critics
Award for best director.
333
00:23:10,456 --> 00:23:13,125
He was up there with Ford who kept winning
334
00:23:13,125 --> 00:23:14,426
that award every year.
335
00:23:14,460 --> 00:23:16,595
He was there, he was set.
336
00:23:22,234 --> 00:23:25,804
{\an8}- The Hitler Gang is a fascinating picture
337
00:23:25,838 --> 00:23:28,073
{\an8}which has never really had it's due.
338
00:23:28,107 --> 00:23:32,444
It is a remarkable history
of Hitler's rise to power
339
00:23:32,444 --> 00:23:34,413
made towards the end of the war.
340
00:23:35,447 --> 00:23:40,452
{\an8}And it is a picture about
a terrifying figure.
341
00:23:42,288 --> 00:23:45,557
- There were very few movies
made incredibly enough
342
00:23:45,591 --> 00:23:48,661
about Hitler in that period.
343
00:23:48,694 --> 00:23:50,129
There was The Great Dictator,
344
00:23:50,996 --> 00:23:54,400
there was To Be Or Not To
Be, there was The Hitler Gang
345
00:23:54,400 --> 00:23:56,969
and there were a couple of
Three Stooges, shorts
346
00:23:57,002 --> 00:24:01,040
and some Bugs Bunny cartoons
of propaganda stuff.
347
00:24:01,073 --> 00:24:05,177
So the Hitler Gang was actually
historically very important,
348
00:24:05,210 --> 00:24:07,479
it's the first American film
349
00:24:07,513 --> 00:24:10,416
that tracked the rise of Hitler.
350
00:24:10,449 --> 00:24:12,017
A new Germany, shall arise.
351
00:24:12,017 --> 00:24:14,420
And you, you my comrades are the ones
352
00:24:14,420 --> 00:24:15,754
who will create it - Sieg Heil.
353
00:24:17,656 --> 00:24:21,493
- John Farrow in recreating
Hitler's history,
354
00:24:21,527 --> 00:24:24,797
did a brilliant job of recreating
big episodes of his life
355
00:24:24,797 --> 00:24:28,167
such as the Night of The Long Knives.
356
00:24:28,167 --> 00:24:29,001
- Take him away.
357
00:24:29,001 --> 00:24:29,835
Next prisoner.
358
00:24:34,206 --> 00:24:37,042
- The Burning of The Reichstag.
359
00:24:37,076 --> 00:24:40,145
Scene after scene after
scene was recreated
360
00:24:40,179 --> 00:24:42,881
very much as it must
have been at the time.
361
00:24:42,915 --> 00:24:45,451
And there had been nothing like this,
362
00:24:45,451 --> 00:24:48,020
almost a semi documentary.
363
00:24:48,053 --> 00:24:50,622
And Bobby Watson who played Hitler
364
00:24:50,622 --> 00:24:53,359
had N experience whatsoever
of this sort of thing.
365
00:24:54,560 --> 00:24:56,195
John Farrow did wonders with him
366
00:24:56,228 --> 00:24:58,797
making him seem to be Hitler.
367
00:25:04,737 --> 00:25:06,839
I mean, it was all direction.
368
00:25:06,872 --> 00:25:09,108
Of course, the actor helped a great deal,
369
00:25:09,108 --> 00:25:10,476
but John Farrow had a great deal
370
00:25:10,509 --> 00:25:12,611
to do with directing him properly.
371
00:25:14,313 --> 00:25:17,049
- Rudolf, we must prepare our blacklist.
372
00:25:17,082 --> 00:25:19,218
Anyone who resists us
shall be punished by death!
373
00:25:19,251 --> 00:25:23,055
- It's very difficult making
a movie about real people.
374
00:25:23,088 --> 00:25:25,657
And you either have to
try and get doppelgangers,
375
00:25:26,792 --> 00:25:28,727
especially if they're well known people
376
00:25:28,761 --> 00:25:30,662
or go for performance as well.
377
00:25:30,696 --> 00:25:31,964
He seemed to have gone for both.
378
00:25:31,964 --> 00:25:33,465
I mean, a lot of the people he picked,
379
00:25:33,499 --> 00:25:35,968
I think he picked because
they I00ked like them
380
00:25:36,001 --> 00:25:40,005
as 0pposed to fantastic acting ability.
381
00:25:40,005 --> 00:25:40,839
But it worked.
382
00:25:58,090 --> 00:26:03,095
Obviously he was a very
committed anti-Nazi.
383
00:26:03,929 --> 00:26:06,131
I mean, it's one thing being drafted
384
00:26:06,131 --> 00:26:07,566
and youíve got to fight and
everyone fought and everything,
385
00:26:07,599 --> 00:26:11,336
it's another thing fighting
and then making a movie
386
00:26:11,370 --> 00:26:14,373
about what a complete
lunatic Adolf Hitler was.
387
00:26:14,373 --> 00:26:16,742
Well, that's a big jump.
388
00:26:16,742 --> 00:26:20,079
There were millions of soldiers
in the second World War,
389
00:26:20,079 --> 00:26:23,115
only one of them made a
movie, The Hitler Gang.
390
00:26:23,148 --> 00:26:25,451
- And I consider the sentimental
feeling for Christianity
391
00:26:25,484 --> 00:26:27,086
a kind of sickness!
392
00:26:27,119 --> 00:26:30,222
I shall tear out the cancerous
growth of pity and brotherly love
393
00:26:30,255 --> 00:26:31,590
that eats into our manh00d!
394
00:26:31,623 --> 00:26:34,760
I shall create a master
race that 0wes allegiance
395
00:26:34,793 --> 00:26:36,161
to blood and the sword!
396
00:26:36,195 --> 00:26:38,730
I shall make Germany the
greatest power in the world!
397
00:26:38,730 --> 00:26:41,834
- So I think he was
extraordinarily consumed
398
00:26:41,867 --> 00:26:43,302
by the experience of the second World War
399
00:26:43,335 --> 00:26:44,303
and what fascism was.
400
00:26:44,336 --> 00:26:46,338
- When you attack the
Jew, you attack us all.
401
00:26:46,338 --> 00:26:49,074
- Itís a very unusual film
and a very underrated film
402
00:26:49,108 --> 00:26:51,310
as John Farrow is an underrated director.
403
00:26:52,811 --> 00:26:55,914
- And this is where the
Catholicism I think is important.
404
00:26:55,948 --> 00:26:58,484
{\an8}I think that he Iiked films
405
00:26:58,517 --> 00:27:01,954
{\an8}in which people did the honorable thing
406
00:27:03,489 --> 00:27:05,924
and he believed in it.
407
00:27:06,792 --> 00:27:10,996
And you can say that that's of the church,
408
00:27:11,029 --> 00:27:14,500
it's also of the atmosphere
of World War Two.
409
00:27:14,533 --> 00:27:18,103
And clearly he was a
person for whom the war
410
00:27:18,103 --> 00:27:20,005
was an immense experience.
411
00:27:21,573 --> 00:27:26,578
And he took that kind of
commitment very seriously
412
00:27:26,979 --> 00:27:29,815
and he made films that
were unambiguous about it.
413
00:27:47,866 --> 00:27:50,135
- We were brought up very religious.
414
00:27:50,135 --> 00:27:54,973
In the house, we used to pray every night
415
00:27:55,007 --> 00:27:58,510
and we had a shrine with a crucifix
416
00:27:58,510 --> 00:28:02,981
that was seven feet tall
of Jesus on the cross
417
00:28:03,015 --> 00:28:06,251
in the most excruciating
position you can imagine,
418
00:28:06,285 --> 00:28:08,187
it's Spanish passionate.
419
00:28:08,187 --> 00:28:11,089
So we would pray every night
420
00:28:11,123 --> 00:28:15,394
and say the rosary on the
weekends in front of candles
421
00:28:15,427 --> 00:28:18,430
and my dad would force this on us
422
00:28:18,430 --> 00:28:21,300
to be led by a different member
of the family every night
423
00:28:21,333 --> 00:28:25,204
and that was when we were
home and we were devout.
424
00:28:26,138 --> 00:28:29,474
{\an8}I know that myself, I
wanted to become a priest,
425
00:28:29,474 --> 00:28:32,144
{\an8}Prudence wanted to become a nun.
426
00:28:32,177 --> 00:28:37,182
{\an8}And we saw my father in
a role that would lead us
427
00:28:38,417 --> 00:28:41,019
in a showy way into church
428
00:28:41,053 --> 00:28:42,487
because in Beverly Hills at that time,
429
00:28:42,521 --> 00:28:45,224
there would 0ften be press taking pictures
430
00:28:45,257 --> 00:28:48,126
of who was taking people to church.
431
00:28:48,126 --> 00:28:52,097
So if my dad could get a
picture of his seven children
432
00:28:52,130 --> 00:28:56,301
dressed nicely, getting out
of the car and into church,
433
00:28:56,335 --> 00:28:58,303
it bode well for his career.
434
00:28:59,771 --> 00:29:01,340
- He was profoundly Catholic,
435
00:29:01,340 --> 00:29:04,876
he wrote a lot of books on
Catholicism, very learned b00ks,
436
00:29:04,876 --> 00:29:07,512
he was honored by the Catholic church.
437
00:29:07,546 --> 00:29:11,917
But I think he had a sort
of tolerance of humanness
438
00:29:11,950 --> 00:29:14,253
which sometimes dogma gets in the way of.
439
00:29:14,286 --> 00:29:16,054
I think Farrow is very interesting
440
00:29:16,088 --> 00:29:20,359
and I think that sort of
humanness approach to Catholicism
441
00:29:20,359 --> 00:29:23,161
informs pretty well all of his films.
442
00:29:36,942 --> 00:29:40,646
- Several of Farrow's
films have supernatural
443
00:29:40,679 --> 00:29:44,283
or spiritual elements,
chiefly Alias Nick Beal.
444
00:29:45,751 --> 00:29:48,020
{\an8}It's a version of the Faust story.
445
00:29:49,121 --> 00:29:52,291
{\an8}- [Man] And every man has an
imperfection, a fatal weakness,
446
00:29:53,258 --> 00:29:55,027
a seed of destruction.
447
00:29:55,060 --> 00:29:58,263
You discovered that Foster
when you traded principles
448
00:29:58,297 --> 00:29:59,564
for personal glory.
449
00:30:00,565 --> 00:30:03,502
When you sacrificed integrity for power.
450
00:30:03,502 --> 00:30:07,506
{\an8}- That idea of making
a deal with the devil,
451
00:30:07,539 --> 00:30:11,843
{\an8}imagining that somehow you will
be able to enjoy the rewards
452
00:30:11,843 --> 00:30:15,347
without paying the price is kind of basic
453
00:30:15,380 --> 00:30:16,982
to a lot of noir stories
454
00:30:17,015 --> 00:30:19,785
but here it's actually made explicit
455
00:30:19,785 --> 00:30:23,121
in that there really is a
character representing the devil,
456
00:30:23,155 --> 00:30:25,624
the Nick Beal character
played by Ray Milland.
457
00:30:28,527 --> 00:30:30,395
{\an8}- People want to talk
about Alias Nick Beal
458
00:30:30,429 --> 00:30:32,731
{\an8}and I say, what the devil for?
459
00:30:32,731 --> 00:30:35,200
{\an8}And that's the point of course.
460
00:30:43,542 --> 00:30:46,345
- Actually, one of the
scenes I'm fascinated by
461
00:30:46,378 --> 00:30:49,681
is the arrival of Nick Beal.
462
00:30:51,283 --> 00:30:53,051
How do you introduce the devil?
463
00:31:08,667 --> 00:31:10,902
For me, itís a very Gd example
464
00:31:10,936 --> 00:31:13,772
of Farrow's moralizing films.
465
00:31:19,144 --> 00:31:20,579
- Mr. Foster.
466
00:31:20,612 --> 00:31:22,614
- So that Thomas Mitchell,
who was interested
467
00:31:22,614 --> 00:31:24,750
in being the mayor of San Francisco.
468
00:31:24,783 --> 00:31:26,952
- You're the man that sent me the note?
469
00:31:26,985 --> 00:31:27,886
- Sit down.
470
00:31:31,223 --> 00:31:32,023
Drink?
471
00:31:32,057 --> 00:31:34,192
- He's not expecting to be tempted
472
00:31:35,060 --> 00:31:38,029
and that I think we can identify with,
473
00:31:38,063 --> 00:31:40,766
that we try to be people of integrity
474
00:31:40,766 --> 00:31:44,035
and what happens is somebody
wants to undermine us,
475
00:31:44,069 --> 00:31:48,273
Iead us astray, actually cause us to fall.
476
00:31:48,273 --> 00:31:50,342
- Do you know if it
weren't for Dr. Garfield,
477
00:31:50,342 --> 00:31:52,277
you'll be in a reform school?
478
00:31:52,277 --> 00:31:54,079
- What's the matter with reform school?
479
00:31:54,079 --> 00:31:55,380
- You want to go there?
480
00:31:55,414 --> 00:31:57,516
- Sure, this is sissy stuff.
481
00:31:57,549 --> 00:31:59,217
The guys in the block would laugh at me.
482
00:31:59,251 --> 00:32:02,020
- Do you gotta think anybody laughs at me?
483
00:32:02,020 --> 00:32:02,954
- No.
484
00:32:02,954 --> 00:32:07,959
- I remember how absolutely
charming Thomas Mitchell was.
485
00:32:09,127 --> 00:32:13,432
I remember how easy he
was to communicate with
486
00:32:13,465 --> 00:32:16,134
and how nice he was to
me as we worked together,
487
00:32:16,134 --> 00:32:19,604
I felt totally like we
were colleagues together.
488
00:32:19,638 --> 00:32:22,007
Now, I didn't always feel that way.
489
00:32:22,007 --> 00:32:23,842
- Wow, athletes!
490
00:32:23,842 --> 00:32:25,744
What are you going to
do, make me a boy scout?
491
00:32:25,744 --> 00:32:29,581
- And John Farrow, giving me very clipped,
492
00:32:31,383 --> 00:32:35,821
specific, simple, to the point directions
493
00:32:35,821 --> 00:32:37,989
as to what he wanted me to do.
494
00:32:38,023 --> 00:32:42,794
He was not, shall we say, a
Ioquacious man on the set.
495
00:32:42,828 --> 00:32:45,430
He tended to be very reserved,
496
00:32:46,498 --> 00:32:48,200
kept to himself a lot.
497
00:32:49,568 --> 00:32:51,470
When he had something to say, he said it
498
00:32:51,503 --> 00:32:52,938
and it was kind of to the point.
499
00:32:52,938 --> 00:32:55,841
I had the feeling always
from the beginning
500
00:32:55,841 --> 00:32:59,311
when I first met him that he
was a very well-educated man
501
00:32:59,344 --> 00:33:02,147
and he had that accent
which I thought was British,
502
00:33:02,147 --> 00:33:04,282
it turns out it was Australian.
503
00:33:11,456 --> 00:33:16,228
- If you're thinking about
HOIlyw00d before television,
504
00:33:16,261 --> 00:33:19,564
the director is really a hired hand
505
00:33:19,564 --> 00:33:24,569
who brings his or her
visual acumen to the party
506
00:33:25,604 --> 00:33:27,906
but is hired to yell action and cut
507
00:33:29,875 --> 00:33:33,178
within a very restricted timeframe
508
00:33:33,211 --> 00:33:36,348
and a restricted involvement.
509
00:33:36,348 --> 00:33:39,484
But back in the thirties,
forties and fifties,
510
00:33:39,518 --> 00:33:41,353
it was all controlled by the studios
511
00:33:41,386 --> 00:33:44,022
and by studio appointed producers
512
00:33:44,055 --> 00:33:46,658
and post-production supervisors.
513
00:33:46,658 --> 00:33:50,395
The director would 0ften
wake up on a Sunday morning
514
00:33:50,428 --> 00:33:55,267
and first thing you'd see on
his lawn would be the LA Times.
515
00:33:56,268 --> 00:33:59,571
And the second thing would be his script
516
00:33:59,604 --> 00:34:02,407
that he might be starting
to shoot the very next day
517
00:34:02,440 --> 00:34:06,978
or most likely, not that
Monday but the Monday after.
518
00:34:07,012 --> 00:34:10,248
He'd sh00t for 20 days, edit for a week
519
00:34:11,149 --> 00:34:12,851
and then he'd move on to another film.
520
00:34:12,851 --> 00:34:16,855
And it was this system that
enabled a guy like John Farrow
521
00:34:16,888 --> 00:34:21,893
to make up to six films in
one year whereas nowadays,
522
00:34:23,628 --> 00:34:27,699
a director is lucky to make
one film every two years.
523
00:34:30,835 --> 00:34:32,337
Big difference.
524
00:34:34,372 --> 00:34:37,442
- The studios, they put you under contract
525
00:34:37,442 --> 00:34:40,045
and they gave you everything,
you got fencing lessons,
526
00:34:40,045 --> 00:34:42,514
singing lessons, dancing
lessons, everything.
527
00:34:42,547 --> 00:34:43,648
They trained you.
528
00:34:44,482 --> 00:34:46,551
In fact, Marilyn Monroe
and I did our scenes
529
00:34:46,585 --> 00:34:48,353
every day together.
530
00:34:48,386 --> 00:34:50,288
And thatís how we became so close.
531
00:34:51,456 --> 00:34:55,060
He was a good director,
John Farrow, fantastic.
532
00:34:55,060 --> 00:34:56,661
He directed.
533
00:34:56,661 --> 00:34:58,630
You felt that you were in Gd hands.
534
00:34:59,864 --> 00:35:03,535
So many people just don't
know anything about directing.
535
00:35:03,568 --> 00:35:05,337
You have to direct yourself.
536
00:35:05,370 --> 00:35:07,305
You have to bring everything to them
537
00:35:08,640 --> 00:35:09,941
but then that's very important
538
00:35:09,975 --> 00:35:12,777
they know what you bring to them is Gd
539
00:35:12,811 --> 00:35:15,347
but you had to have
star power to begin with.
540
00:35:19,884 --> 00:35:22,253
{\an8}- Farrow was a very efficient director
541
00:35:22,287 --> 00:35:25,056
{\an8}but he had a reputation
as a tough guy on the set.
542
00:35:25,090 --> 00:35:28,059
{\an8}Now this wasn't unusual,
many directors at the time
543
00:35:28,093 --> 00:35:31,763
were hard taskmasters, Cecil
B. DeMille notoriously.
544
00:35:31,796 --> 00:35:34,065
And you have to remember
that producers, directors,
545
00:35:34,065 --> 00:35:37,435
stars even, all had to
deliver their films on time
546
00:35:37,435 --> 00:35:40,805
and on budget and the
people who ran the studios
547
00:35:40,805 --> 00:35:42,440
were very, very tough.
548
00:35:42,474 --> 00:35:44,643
If the film wasn't successfuI
549
00:35:44,676 --> 00:35:46,611
and if it wasnít delivered on time,
550
00:35:46,645 --> 00:35:48,480
then there was trouble.
551
00:35:48,513 --> 00:35:50,715
- He was an 0fficer in charge of a film.
552
00:35:50,749 --> 00:35:53,018
That's the metaphor I think.
553
00:35:53,018 --> 00:35:57,155
And he knew that making a
film was a bit like a battle.
554
00:35:57,188 --> 00:36:00,959
And when you're making
a battle, making a film,
555
00:36:00,959 --> 00:36:03,128
you don't waste time, you take a decision
556
00:36:03,128 --> 00:36:06,564
and you have the confidence
to go with your decision
557
00:36:06,564 --> 00:36:09,934
because if you delay or
question yourself to much,
558
00:36:09,968 --> 00:36:11,703
then you're going to lose.
559
00:36:11,703 --> 00:36:15,974
- I would pick up stories
about him on the grapevine.
560
00:36:16,007 --> 00:36:18,143
And I think that they were so consistent,
561
00:36:18,176 --> 00:36:20,545
one would have to believe
there was something in them,
562
00:36:20,578 --> 00:36:22,614
they were reasonably reliable,
563
00:36:22,614 --> 00:36:24,349
is that he was very sadistic,
564
00:36:24,382 --> 00:36:28,053
he was very cruel and 0verbearing,
565
00:36:28,086 --> 00:36:31,189
that he was something
of a monster in fact.
566
00:36:31,222 --> 00:36:34,693
And despite the fact that he
was converted to Catholicism,
567
00:36:34,726 --> 00:36:36,327
which one might perhaps have thought
568
00:36:36,361 --> 00:36:38,697
would render him more charitable
569
00:36:38,730 --> 00:36:40,265
and more considerate of 0thers,
570
00:36:40,298 --> 00:36:43,268
the 0pposite it is claimed was true
571
00:36:43,301 --> 00:36:46,037
that he was a terror to the
crew, terror to everyone
572
00:36:46,971 --> 00:36:49,040
including his wife, Maureen O'Sullivan.
573
00:36:50,508 --> 00:36:52,110
- He had a temper.
574
00:36:52,110 --> 00:36:55,613
He should have been taking
anger management classes
575
00:36:55,647 --> 00:37:01,052
but he used to inflict
corporal punishment.
576
00:37:02,754 --> 00:37:07,759
And we lived a little
bit in fear of his rages
577
00:37:09,627 --> 00:37:14,632
and learned very early
to avoid any of them.
578
00:37:15,633 --> 00:37:17,335
Sometimes it's a relief to go to boarding
579
00:37:17,368 --> 00:37:19,404
school, and get out of there.
580
00:37:33,885 --> 00:37:37,222
- Suspense!
(dramatic music)
581
00:37:37,222 --> 00:37:39,357
Radioís outstanding theater of thrills
582
00:37:39,390 --> 00:37:42,260
presents Ray Milland in a
preview of his forthcoming
583
00:37:42,293 --> 00:37:45,296
Paramount picture, The Big Clock.
584
00:37:45,330 --> 00:37:47,098
But first, a word from the director.
585
00:37:47,132 --> 00:37:49,434
Ladies and gentlemen, Mr. John Farrow.
586
00:37:51,469 --> 00:37:52,337
{\an8}- [Farrow] Thank you.
587
00:37:52,370 --> 00:37:55,173
{\an8}One of the most engaging forms of fiction
588
00:37:55,173 --> 00:37:58,443
{\an8}is that nail biting exercise
known as the thriller.
589
00:37:58,476 --> 00:38:00,812
And of course, the very
heart of every thriller
590
00:38:00,845 --> 00:38:02,247
is the chase.
591
00:38:02,247 --> 00:38:05,016
I wanted to make The Big
Clock because it revolves
592
00:38:05,049 --> 00:38:08,353
around the most bizarre
chase I've ever encountered.
593
00:38:08,386 --> 00:38:12,791
The Big Clock, starring Ray
Milland and Maureen O' Sullivan
594
00:38:12,791 --> 00:38:16,261
in the roles they 0riginated,
George and Georgette Stroud.
595
00:38:17,495 --> 00:38:20,865
But first of all, listen
to the other star,
596
00:38:20,865 --> 00:38:23,868
the clock itself, The Big Clock.
597
00:38:28,106 --> 00:38:33,111
(dramatic music)
- John Farrow was a craftsman.
598
00:38:35,713 --> 00:38:37,482
He was reliable.
599
00:38:40,084 --> 00:38:44,189
You always got a certain
level of craftsmanship.
600
00:38:51,196 --> 00:38:53,998
The Big Clock is my
favorite John Farrow film
601
00:38:54,032 --> 00:38:58,570
because of his Hitchcockian editing,
602
00:39:00,738 --> 00:39:04,642
the way in which he built his sequences
603
00:39:06,744 --> 00:39:11,749
and shots within the sequences to slowly,
604
00:39:13,184 --> 00:39:15,787
{\an8}ever so slowly build up the tension.
605
00:39:20,191 --> 00:39:23,027
I mean, watching The
Big clock which is set
606
00:39:23,061 --> 00:39:28,032
mainly in one building, a
newspaper publishing house,
607
00:39:31,369 --> 00:39:36,207
you start to just really sweat
608
00:39:36,207 --> 00:39:40,879
and hold your head and
you clench your fists
609
00:39:40,912 --> 00:39:45,717
as you feel the way in which
he tightens the screws.
610
00:39:55,059 --> 00:39:57,962
- Stylistically, if
Farrow had a trademark,
611
00:39:57,996 --> 00:40:01,299
it would be his elegant
long tracking shots.
612
00:40:01,332 --> 00:40:04,369
They're very interesting
because they just aren't there
613
00:40:04,369 --> 00:40:05,503
for the sake of it.
614
00:40:06,371 --> 00:40:09,374
They go from one rm to
another or from the exterior
615
00:40:09,374 --> 00:40:12,911
to the interior for a specific purpose.
616
00:40:12,944 --> 00:40:15,780
For example, the 0pening
shot begins outside
617
00:40:15,780 --> 00:40:18,449
and goes across space, through a window,
618
00:40:18,483 --> 00:40:21,252
into a building, prowls around
619
00:40:21,286 --> 00:40:24,255
and then heads up a circular staircase
620
00:40:24,289 --> 00:40:26,024
as youíre hearing this voiceover
621
00:40:26,057 --> 00:40:29,227
in a sense of d00m and intrigue,
it's an incredible shot
622
00:40:29,260 --> 00:40:32,163
because it's taking you from
one world into another world.
623
00:40:33,498 --> 00:40:34,799
- [Voiceover] That was close.
624
00:40:36,868 --> 00:40:38,269
What happens if I get inside the clock
625
00:40:38,303 --> 00:40:39,370
and the watchman's there?
626
00:40:39,404 --> 00:40:40,305
Think fast George!
627
00:40:43,741 --> 00:40:46,377
- And it's funny how he does that.
628
00:40:46,411 --> 00:40:50,248
Now, Hitchcock mightíve
turned the camera on the side.
629
00:40:51,182 --> 00:40:55,920
He might've been more expressive
630
00:40:55,920 --> 00:41:00,925
in the way that he made us feel uneasy.
631
00:41:01,025 --> 00:41:03,194
- [Voiceover] How'd I get
into this rat race anyway?
632
00:41:03,194 --> 00:41:04,696
I'm N criminal, what happened?
633
00:41:04,696 --> 00:41:05,997
When did it all start?
634
00:41:08,700 --> 00:41:11,369
Just 36 hours ago I was down there,
635
00:41:11,369 --> 00:41:12,904
crossing that a Iobby on my way to work,
636
00:41:12,904 --> 00:41:13,938
minding my own business,
637
00:41:13,972 --> 00:41:16,007
I00king forward to my
first vacation in years.
638
00:41:16,007 --> 00:41:18,910
36 hours ago I was a decent, respectable,
639
00:41:18,910 --> 00:41:22,513
Law abiding citizen with a
wife and a kid and a big job.
640
00:41:22,547 --> 00:41:26,284
- But John Farrow does it in ways
641
00:41:26,317 --> 00:41:28,519
that you can't quite put your finger on.
642
00:41:29,988 --> 00:41:32,790
Maybe that's the mark of a true artist.
643
00:41:32,824 --> 00:41:35,259
- [Voiceover] And is the most
accurate and the most unique
644
00:41:35,293 --> 00:41:36,694
privately owned clock in the world.
645
00:41:36,694 --> 00:41:39,097
- Photography was magnificent.
646
00:41:39,097 --> 00:41:43,134
The sets were extraordinary,
especially of the huge clock
647
00:41:43,134 --> 00:41:46,704
that dominated the action in
the Iobby of the great building
648
00:41:46,738 --> 00:41:49,040
- [Voiceover] All the time,
anywhere on the earth.
649
00:41:49,040 --> 00:41:51,642
London, Chicag0, Honolulu.
650
00:41:51,676 --> 00:41:53,611
- When you enter the
building for the first time,
651
00:41:53,644 --> 00:41:56,547
you go to a fl00r and then
you go to another floor
652
00:41:56,581 --> 00:41:57,715
and another floor and another fl00r
653
00:41:57,749 --> 00:41:59,083
and another fl00r in an elevator.
654
00:41:59,083 --> 00:42:03,121
And each time, there's a
different magazine revealed to you
655
00:42:03,121 --> 00:42:06,391
inside the 0ffice of a different magazine.
656
00:42:06,424 --> 00:42:08,459
It was an amazing technical feat.
657
00:42:09,293 --> 00:42:11,095
And I don't quite know how it was done
658
00:42:11,129 --> 00:42:14,966
but I think it was an
extraordinary beginning.
659
00:42:14,999 --> 00:42:19,370
And the movie had a real
sense of menace in it.
660
00:42:19,370 --> 00:42:20,571
- Excuse me.
661
00:42:20,571 --> 00:42:22,240
Do you work this shift every day?
662
00:42:24,976 --> 00:42:25,777
- Airways!
663
00:42:27,478 --> 00:42:28,880
- Might be to the reliability angle.
664
00:42:28,913 --> 00:42:30,715
You're safer in an airplane
than you are in the bathtub.
665
00:42:30,715 --> 00:42:31,582
Here's a sketch.
666
00:42:32,450 --> 00:42:34,352
- We've got nice elevators
in our building too.
667
00:42:34,385 --> 00:42:36,854
Come on over some time,
líll give you a free ride.
668
00:42:38,189 --> 00:42:38,990
- Artways!
669
00:42:39,023 --> 00:42:39,857
- Down?
- Up.
670
00:42:42,593 --> 00:42:43,528
- What's the matter?
671
00:42:43,594 --> 00:42:44,996
I got poison ivy?
672
00:42:44,996 --> 00:42:47,465
- We are not allowed to speak
to people in the elevators.
673
00:42:47,465 --> 00:42:49,367
- Mr. Janoth doesn't permit it.
674
00:42:50,635 --> 00:42:51,636
- Styleways.
675
00:42:53,071 --> 00:42:53,971
Watch your step!
676
00:42:57,975 --> 00:42:59,844
Gentlemen, watch yourselves.
677
00:43:01,846 --> 00:43:06,050
- It's a film that belongs
to a rare sub genre,
678
00:43:06,050 --> 00:43:11,055
itís a workplace noir and
it implicates these ideas
679
00:43:11,355 --> 00:43:16,094
about corporate efficiency in crime.
680
00:43:16,094 --> 00:43:20,531
And it touches on some
very contemporary issues
681
00:43:20,565 --> 00:43:25,436
of the 0bsession with
time and work life balance
682
00:43:25,470 --> 00:43:29,774
and the ubiquity of
media and surveillance.
683
00:43:29,807 --> 00:43:32,677
And it also has a lot of ironic
684
00:43:32,710 --> 00:43:36,914
and sort of absurdist elements
in that the protagonist
685
00:43:36,948 --> 00:43:41,953
winds up being assigned to
track down a mystery man
686
00:43:42,220 --> 00:43:44,455
whom he actually knows to be himself.
687
00:43:44,455 --> 00:43:46,124
- Nope, never heard of him.
688
00:43:46,157 --> 00:43:47,558
- George, I am not going to rest
689
00:43:47,592 --> 00:43:49,694
until I have exposed this scoundrel
690
00:43:49,694 --> 00:43:52,163
if I have to assign every
man in my 0rganization.
691
00:43:53,865 --> 00:43:55,867
- I'll grab the next plane, Mr. Janoth.
692
00:44:02,173 --> 00:44:03,741
- Jeff, say you love me.
693
00:44:03,774 --> 00:44:05,510
- Honey, you know it.
694
00:44:05,543 --> 00:44:08,012
- But you're bad for me.
695
00:44:08,045 --> 00:44:11,983
- Where Danger Lives, it's
a lovers on the run story.
696
00:44:12,016 --> 00:44:14,552
{\an8}The main character is
played by Robert Mitchum
697
00:44:14,585 --> 00:44:15,953
and Faith Domergue.
698
00:44:15,953 --> 00:44:20,057
{\an8}They're literally Noir's sickest couple.
699
00:44:24,862 --> 00:44:28,099
The trajectory of their
journey is so interesting
700
00:44:28,132 --> 00:44:33,137
in going from these kind of
very respectable clean settings,
701
00:44:34,805 --> 00:44:36,941
the hospital and the mansion
702
00:44:36,974 --> 00:44:41,712
and then going into
these increasingly weird
703
00:44:41,746 --> 00:44:45,249
and hellish regions of the desert
704
00:44:45,283 --> 00:44:48,019
and then this kind of crazy town.
705
00:44:48,019 --> 00:44:50,388
{\an8}- Reach for the sky pal.
- Hey, what's your name?
706
00:44:50,421 --> 00:44:52,490
{\an8}- Carter, Herbert Carter.
- We haven't done anything.
707
00:44:52,523 --> 00:44:53,925
{\an8}- You can tell that to the sheriff.
708
00:44:53,958 --> 00:44:56,260
- It's in the middle
of a wild west carnival
709
00:44:56,260 --> 00:44:59,363
and Mitchum is arrested
for not having a beard.
710
00:45:06,070 --> 00:45:09,106
- Again I say, the charge is
wearing no beard, N costume,
711
00:45:09,140 --> 00:45:11,342
driving through the streets to
Postville without due respect
712
00:45:11,375 --> 00:45:13,778
to our 0bservance of the
customs of said city.
713
00:45:15,313 --> 00:45:17,215
- The whole thing, it plays out
714
00:45:17,248 --> 00:45:20,685
as a kind of a nightmarish farce.
715
00:45:20,685 --> 00:45:22,954
Itís like a fever dream.
716
00:45:22,954 --> 00:45:24,655
- California picture just came in,
717
00:45:24,655 --> 00:45:26,424
Lannigton woman.
- Put it on the table.
718
00:45:26,457 --> 00:45:27,525
We got everything here possible
719
00:45:27,558 --> 00:45:28,960
for a complete hitching.
720
00:45:28,993 --> 00:45:30,161
Justice of the Peace.
721
00:45:30,194 --> 00:45:34,365
- With the sense that the whole
world is kind of delirious.
722
00:45:34,365 --> 00:45:35,700
- Hey, N beard!
723
00:45:36,601 --> 00:45:39,103
Everybody gotta have a beard.
724
00:45:39,136 --> 00:45:41,372
- And thereís nothing else quite like that
725
00:45:41,405 --> 00:45:44,008
in the film noir genre.
726
00:45:48,746 --> 00:45:51,015
- In a lot of the film,
Mitchum is really out of it.
727
00:45:51,048 --> 00:45:55,186
{\an8}He's just psychologically and chemically
728
00:45:56,287 --> 00:45:58,222
{\an8}not in good shape in this film.
729
00:45:58,256 --> 00:46:01,092
You're used to seeing Mitchum
being able to handle himself
730
00:46:01,125 --> 00:46:02,994
in almost any situation because of his
731
00:46:03,027 --> 00:46:06,497
"I don't give a damn attitude"
and his physical prowess.
732
00:46:07,665 --> 00:46:10,134
- I think my whole left side
is beginning to get numb.
733
00:46:10,167 --> 00:46:11,402
- I said what time is it?
734
00:46:15,106 --> 00:46:18,809
- Itís just 10 minutes since
the last time you asked.
735
00:46:18,843 --> 00:46:19,844
- After four?
- Yeah.
736
00:46:19,877 --> 00:46:23,514
- So in this film, he's mightily disturbed
737
00:46:23,547 --> 00:46:27,385
both mentally and physically
and he can't really manage.
738
00:46:27,385 --> 00:46:30,054
And so toward the end of the film,
739
00:46:30,087 --> 00:46:32,723
he and Faith Domergue
end up in this flophouse
740
00:46:32,757 --> 00:46:36,260
Mexican hotel, right on the border.
741
00:46:37,461 --> 00:46:38,296
- Jeff.
742
00:46:40,031 --> 00:46:42,066
Itís the van, the first van.
743
00:46:42,099 --> 00:46:43,968
It's passing, you hear?
744
00:46:43,968 --> 00:46:46,237
Darling, there's nothing
more to worry about.
745
00:46:49,407 --> 00:46:51,742
- We've got everything to worry about.
746
00:46:51,776 --> 00:46:56,514
- It's one of the great noir
sequences all in this one rm
747
00:46:56,514 --> 00:46:59,817
and the camera keeps shifting positions
748
00:46:59,850 --> 00:47:01,919
in really subtle ways.
749
00:47:01,919 --> 00:47:03,854
- We're on the next one
we've got to go down.
750
00:47:06,290 --> 00:47:07,091
- The first time you watch it,
751
00:47:07,124 --> 00:47:08,326
you're not really watching the camera
752
00:47:08,359 --> 00:47:11,462
'cause there's background seedy stuff
753
00:47:11,462 --> 00:47:12,997
that's right out the window.
754
00:47:13,030 --> 00:47:15,333
It's at night and Faith Domergue
755
00:47:15,333 --> 00:47:18,169
is trying to manipulate
things with Mitchum
756
00:47:18,169 --> 00:47:20,838
who can barely tell what's going on.
757
00:47:20,871 --> 00:47:23,307
And there's some physical,
really rough stuff
758
00:47:23,341 --> 00:47:25,042
going on in the scene.
759
00:47:25,042 --> 00:47:27,244
And I t00k another look at it and timed it
760
00:47:27,244 --> 00:47:29,280
and this is about a seven
and a half minute take.
761
00:47:29,313 --> 00:47:31,182
- Oh Jeff, come on,
you've only got to make it
762
00:47:31,215 --> 00:47:32,116
to the border.
763
00:47:33,284 --> 00:47:34,285
Oh N!
764
00:47:37,922 --> 00:47:39,623
- Go on Marg0.
765
00:47:39,623 --> 00:47:40,558
- Jeff, please.
766
00:47:40,591 --> 00:47:42,126
If you love me, you'll make the effort.
767
00:47:42,159 --> 00:47:44,328
- For what?
- For what?
768
00:47:44,362 --> 00:47:45,963
Then you don't love me, is that right?
769
00:47:45,996 --> 00:47:46,897
Answer me!
770
00:47:46,931 --> 00:47:48,599
- All right, you're right.
771
00:47:48,599 --> 00:47:50,968
- Even in Touch of Evil, Orson
Welles eight years later,
772
00:47:51,001 --> 00:47:53,738
the interior takes were not this long.
773
00:47:53,771 --> 00:47:57,141
And there were some famous
tableaus and setups that he did
774
00:47:57,174 --> 00:47:58,542
which were fantastic in that film.
775
00:47:58,576 --> 00:48:02,313
But eight years earlier,
with two actors on the screen
776
00:48:02,313 --> 00:48:03,614
and for almost eight minutes.
777
00:48:03,647 --> 00:48:05,049
- You won't tell either.
778
00:48:06,784 --> 00:48:07,952
Nobody pities me.
779
00:48:09,320 --> 00:48:10,154
Nobody!
780
00:48:12,490 --> 00:48:14,592
- I don't think there's
anything comparable.
781
00:48:20,998 --> 00:48:22,933
- But it's really a film that people
782
00:48:22,933 --> 00:48:24,268
should take a look at.
783
00:48:24,301 --> 00:48:27,371
And I think Farrow was perhaps
784
00:48:27,405 --> 00:48:30,674
stylistically at his most ambitious.
785
00:48:32,777 --> 00:48:33,611
- Iím coming.
786
00:48:38,282 --> 00:48:40,518
- It's a very dark movie
787
00:48:40,551 --> 00:48:43,187
with surprisingly a Gd performance
788
00:48:43,187 --> 00:48:45,523
under John Farrow's careful direction
789
00:48:45,523 --> 00:48:48,526
{\an8}of Faith Domergue who was
not as impressive elsewhere.
790
00:48:48,559 --> 00:48:51,829
{\an8}A favorite or more than
that of Howard Hughes.
791
00:48:51,862 --> 00:48:54,698
{\an8}And he wanted her to be
a big dramatic actress
792
00:48:54,698 --> 00:48:57,968
and Robert Mitchum of
course could do no wrong.
793
00:49:00,204 --> 00:49:03,073
He was very capably
handled by John Farrow.
794
00:49:12,750 --> 00:49:16,554
- Farrow was not known
as a woman's director,
795
00:49:16,587 --> 00:49:18,522
there are not a lot of his films
796
00:49:18,556 --> 00:49:22,626
that actually have a
central female protagonist.
797
00:49:32,002 --> 00:49:33,337
- [Farrow] Cut!
798
00:49:33,370 --> 00:49:34,705
- All right Mr. Farrow?
- Yes.
799
00:49:34,705 --> 00:49:35,673
- Thank you.
800
00:49:35,673 --> 00:49:39,143
- But the women play a
really important role
801
00:49:39,143 --> 00:49:41,812
in a lot of his films and
there's a lot of diversity
802
00:49:41,812 --> 00:49:43,781
in the types of women who appear,
803
00:49:43,781 --> 00:49:46,417
some of whom fall into sort of types,
804
00:49:46,450 --> 00:49:50,955
the femme fatale or the
long suffering good wife
805
00:49:50,955 --> 00:49:52,823
or the damsel in distress.
806
00:49:52,857 --> 00:49:56,660
But the most interesting, the
best of his female characters
807
00:49:56,694 --> 00:49:59,663
are very complex and they're very flawed
808
00:49:59,697 --> 00:50:01,966
and yet remain very sympathetic.
809
00:50:01,966 --> 00:50:05,903
For instance, Audrey
Totter in Alias Nick Beal.
810
00:50:05,903 --> 00:50:07,338
- I'm a heel.
- Oh no miss,
811
00:50:07,371 --> 00:50:09,740
I wouldn't say that.
- Don't argue with me!
812
00:50:09,740 --> 00:50:11,342
I'm a heel, admit it.
813
00:50:15,546 --> 00:50:17,815
He's a bigger one.
814
00:50:17,848 --> 00:50:20,150
- Rita Johnson in The Big Clock.
815
00:50:20,150 --> 00:50:22,553
- Do you always drink stingers Mr. Stroud?
816
00:50:22,586 --> 00:50:23,420
- Mhm.
817
00:50:24,522 --> 00:50:25,890
What makes you think my name is Stroud?
818
00:50:25,923 --> 00:50:27,024
- Oh, lím psychic.
819
00:50:27,057 --> 00:50:29,360
Hor0scopes, crystal balls, astrology.
820
00:50:29,393 --> 00:50:31,061
- Perhaps I should have
brought a deck of cards.
821
00:50:31,095 --> 00:50:32,696
- Your hand will do.
822
00:50:32,730 --> 00:50:35,466
- I mean, Jane Russell
I think is wonderful
823
00:50:35,466 --> 00:50:37,134
in His Kind Of Woman.
824
00:50:37,167 --> 00:50:39,169
- Yeah Buck, but what?
825
00:50:39,203 --> 00:50:41,705
Tell him about us, tell
him how this is different.
826
00:50:42,706 --> 00:50:45,576
- That's right Gerald, this is different.
827
00:50:45,609 --> 00:50:46,877
I know you won't believe me
828
00:50:46,877 --> 00:50:49,613
but then líve never been in love before.
829
00:50:50,514 --> 00:50:52,283
- What's happening here?
830
00:50:53,884 --> 00:50:56,720
Are you looking for a
settlement, is that it?
831
00:50:56,720 --> 00:50:59,189
- And Cardigan is in N
position to refuse one, is he?
832
00:50:59,223 --> 00:51:00,658
- Obviously!
833
00:51:02,126 --> 00:51:07,131
- He was clearly drawn to
these independent women
834
00:51:07,565 --> 00:51:12,536
who have a strong presence
and have a certain quality
835
00:51:12,937 --> 00:51:15,306
of sparring with the male protagonists
836
00:51:15,306 --> 00:51:17,441
or challenging them.
837
00:51:17,441 --> 00:51:20,544
However, I find it kind of disheartening
838
00:51:20,544 --> 00:51:23,948
that Farrow cast his
wife, Maureen O' Sullivan
839
00:51:23,948 --> 00:51:28,953
in two really thankless
and unappealing roles.
840
00:51:32,356 --> 00:51:33,557
{\an8}- How is he doctor?
841
00:51:33,591 --> 00:51:35,893
- Well enough to send you flowers.
842
00:51:35,893 --> 00:51:36,760
- Flowers?
843
00:51:36,760 --> 00:51:37,595
- Just one.
844
00:51:42,066 --> 00:51:43,300
- A white rose.
845
00:51:45,703 --> 00:51:47,071
Is he well enough to have visitors?
846
00:51:47,104 --> 00:51:48,205
- Just one, you.
847
00:52:01,885 --> 00:52:03,754
- In Where Danger Lives,
848
00:52:03,754 --> 00:52:06,256
her character is a little bit pathetic,
849
00:52:06,256 --> 00:52:10,928
she's the nice girlfriend
whom Robert Mitchum abandons
850
00:52:10,961 --> 00:52:13,831
for this more exciting
and dangerous woman.
851
00:52:14,898 --> 00:52:17,835
She reappears at the end to forgive him
852
00:52:17,835 --> 00:52:20,304
and nurse him back to health
853
00:52:20,304 --> 00:52:24,475
as I believe O'Sullivan nursed Farrow
854
00:52:24,475 --> 00:52:26,944
through a bout of typhus after the war.
855
00:52:29,213 --> 00:52:30,948
- [Voiceover] Now here
again are our stars,
856
00:52:30,981 --> 00:52:32,850
Ray Milland and Maureen O' Sullivan
857
00:52:32,883 --> 00:52:34,752
and screen director, John Farrow.
858
00:52:39,056 --> 00:52:40,357
- [Ray] Hi Maureen.
859
00:52:40,391 --> 00:52:42,960
How did you like your new
acquaintances with The Big Clock?
860
00:52:42,993 --> 00:52:44,428
- [Maureen] All fine Ray,
861
00:52:44,461 --> 00:52:46,964
accept that my part always
reminds me of a donut,
862
00:52:46,964 --> 00:52:48,499
I'm in there around
the edges of the story,
863
00:52:48,532 --> 00:52:50,601
but in the middle, nothing.
864
00:52:50,601 --> 00:52:52,102
- [Ray] Well Maureen, John
Farrow is the director
865
00:52:52,136 --> 00:52:53,871
of the picture, why don't
you complain to him?
866
00:52:53,904 --> 00:52:55,973
- [Farrow] Donít be ridiculous, she can't.
867
00:52:55,973 --> 00:52:57,107
- [Ray] Why not?
868
00:52:57,107 --> 00:52:58,742
- [Farrow] Well, we might have an argument
869
00:52:58,776 --> 00:53:00,444
and Maureen might get angry.
870
00:53:00,477 --> 00:53:02,646
And if she gets angry,
she might leave the studi0
871
00:53:02,680 --> 00:53:03,681
and go home.
872
00:53:03,714 --> 00:53:05,416
And do you know what you'll find at home?
873
00:53:05,416 --> 00:53:07,084
- What?
- John Farrow.
874
00:53:07,117 --> 00:53:09,687
I'm married to him!
(Iaughing)
875
00:53:09,720 --> 00:53:14,024
- It could be dangerous
to read 2000s much into this
876
00:53:14,024 --> 00:53:16,493
but it is tempting given what we know
877
00:53:16,527 --> 00:53:20,264
about their relationship,
that Farrow really refused
878
00:53:20,264 --> 00:53:22,666
to be constrained by their marriage
879
00:53:22,700 --> 00:53:26,303
and she, with seven children 0bviously,
880
00:53:26,336 --> 00:53:30,441
was represented a kind
of a domestic hearth
881
00:53:30,474 --> 00:53:33,110
and home sort of femininity.
882
00:53:33,143 --> 00:53:36,180
But she is so charming and has so much
883
00:53:36,180 --> 00:53:39,049
of a stronger personality
in some other films,
884
00:53:39,083 --> 00:53:41,985
both her earlier work
in the early thirties
885
00:53:41,985 --> 00:53:45,856
and later in something like
Budd Boetticher's The Tall Don't.
886
00:53:53,130 --> 00:53:54,064
- Did you love him?
887
00:53:55,365 --> 00:53:57,835
- I married him.
- That's not what I asked.
888
00:53:57,868 --> 00:53:58,902
Did you love him?
889
00:54:00,003 --> 00:54:00,838
- Yes.
890
00:54:01,939 --> 00:54:02,773
Yes I did.
891
00:54:02,773 --> 00:54:04,341
- Mrs. Mims, you're a liar.
892
00:54:07,177 --> 00:54:10,614
- I feel like she's a little
bit wan and diminished
893
00:54:10,614 --> 00:54:12,216
in her husband's films.
894
00:54:18,222 --> 00:54:22,192
♪ Five little miles from San Berdoo ♪
895
00:54:22,226 --> 00:54:25,395
♪ I woke up humming and thought of you ♪
896
00:54:25,429 --> 00:54:29,099
♪ I I00ked out the window, what a view ♪
897
00:54:29,133 --> 00:54:32,369
♪ Five little miles from San Berdoo ♪
898
00:54:32,402 --> 00:54:33,937
- It was made for Howard Hughes
899
00:54:33,971 --> 00:54:36,640
so there's this wacky backstory.
900
00:54:39,143 --> 00:54:40,978
And with RKO's two biggest stars,
901
00:54:41,011 --> 00:54:42,846
Robert Mitchum and Jane Russell,
902
00:54:42,880 --> 00:54:46,884
the two biggest chests in
Hollywood, male and female.
903
00:54:46,917 --> 00:54:48,418
{\an8}- How high do you like to play?
904
00:54:49,953 --> 00:54:52,356
{\an8}- If I told you, you wouldn't believe me.
905
00:54:54,792 --> 00:54:58,729
- But Mitchum and Russell were
really made for each other,
906
00:54:58,729 --> 00:54:59,963
they were like ham and eggs.
907
00:54:59,997 --> 00:55:04,535
They both had a irreverent
sense of themselves.
908
00:55:04,568 --> 00:55:06,703
They weren't full of themselves.
909
00:55:06,737 --> 00:55:09,506
- I remember the first time I
ever saw you, you were singing
910
00:55:10,674 --> 00:55:13,076
- Is this supposed to be
the last time or something?
911
00:55:13,110 --> 00:55:14,344
- Or something.
912
00:55:18,315 --> 00:55:22,719
♪ Five little miles from San Berdoo ♪
913
00:55:22,719 --> 00:55:25,956
- Howard Hughes was an anal 0bsessive.
914
00:55:25,989 --> 00:55:27,958
He'd let you make your movie.
915
00:55:27,991 --> 00:55:30,961
And then when it was done,
he would get hold of it
916
00:55:30,994 --> 00:55:34,898
and hold 0nto it forever and
want to change everything.
917
00:55:49,046 --> 00:55:51,081
- The hallmark of his filmmaking,
itís just the energy of it.
918
00:55:51,114 --> 00:55:55,018
It's a really modern energy,
nothing Iugubrious ever.
919
00:55:55,052 --> 00:55:57,554
He's got such a wonderful
way of dovetailing scenes
920
00:55:57,554 --> 00:56:00,224
where he's learnt the
econ0my of storytelling
921
00:56:00,224 --> 00:56:02,459
where within any given composition,
922
00:56:02,492 --> 00:56:03,760
if he needed something else to happen
923
00:56:03,760 --> 00:56:05,095
it'll just happen within that frame
924
00:56:05,128 --> 00:56:07,464
and then the camera will
move on and take you on.
925
00:56:19,877 --> 00:56:21,245
He does it in film after film.
926
00:56:21,278 --> 00:56:23,046
His consummate use of the camera
927
00:56:23,046 --> 00:56:25,115
and choreography of his actors.
928
00:56:26,316 --> 00:56:28,185
{\an8}But 2000s, he's learned noir language.
929
00:56:29,019 --> 00:56:30,187
It's quite beautiful.
930
00:56:30,220 --> 00:56:32,522
And it's not 0verstated noir language.
931
00:56:41,431 --> 00:56:43,100
- Yes sir.
- Ginger ale please.
932
00:56:47,804 --> 00:56:49,172
- I'm Jose Morr0.
933
00:56:49,206 --> 00:56:51,875
- The film was done
and the film wrapped up
934
00:56:51,875 --> 00:56:56,880
with a very prosaic scuffle with
Mitchum and Raymond Burr,
935
00:56:57,681 --> 00:57:00,083
his henchmen and the film was over.
936
00:57:00,117 --> 00:57:03,553
So Farrow was done, he
was done with the film,
937
00:57:03,553 --> 00:57:05,389
he'd been paid and so forth.
938
00:57:05,389 --> 00:57:08,525
So Hughes I00ked at it
and thought that, well,
939
00:57:08,525 --> 00:57:10,627
this needs a more boff0 ending.
940
00:57:10,661 --> 00:57:14,831
- Wake up little boy, wake up.
941
00:57:14,865 --> 00:57:16,233
I want you to see it coming.
942
00:57:18,702 --> 00:57:20,904
- And he calls in
director Richard Fleischer.
943
00:57:20,938 --> 00:57:22,439
- Wake up!
944
00:57:22,472 --> 00:57:23,273
- Nick.
945
00:57:23,307 --> 00:57:28,312
- So, Fleischer starts
on shooting the ending
946
00:57:28,378 --> 00:57:31,615
and then Hughes goes from
one thing to another.
947
00:57:31,615 --> 00:57:34,084
At one point, Vincent Price had a party
948
00:57:34,084 --> 00:57:37,521
because he was celebrating
his year on the picture.
949
00:57:38,522 --> 00:57:40,424
So finally, it was done.
950
00:57:40,457 --> 00:57:44,227
And you know what? It's a joyful picture.
951
00:57:44,261 --> 00:57:45,095
- Full speed ahead!
952
00:57:45,095 --> 00:57:47,197
- There aren't 2000s many
hombres in this boat signor!
953
00:57:47,230 --> 00:57:50,167
- Stop counting hombres
and start that engine!
954
00:57:50,200 --> 00:57:51,635
Full speed ahead!
955
00:57:51,668 --> 00:57:54,805
- It's a film noir but you just
can't take it 2000s seriously.
956
00:57:54,805 --> 00:57:58,275
And watching Mitchum and
Vincent Price doing a send-up
957
00:57:58,275 --> 00:58:02,779
of a wacky Errol Flynn type
actor, itís really entertaining.
958
00:58:05,248 --> 00:58:08,385
- Now that I give a
thousand furlongs of sea
959
00:58:08,418 --> 00:58:10,620
for an acre of barren ground.
960
00:58:14,491 --> 00:58:18,795
- His Kind Of Woman is
kind of like several movies
961
00:58:18,829 --> 00:58:20,397
mashed into one.
962
00:58:20,430 --> 00:58:23,433
It's like Raymond Burr is in one movie
963
00:58:23,433 --> 00:58:28,071
which is a very violent, gangster movie
964
00:58:28,071 --> 00:58:30,807
with almost sort of horror elements
965
00:58:30,807 --> 00:58:32,642
with the whole plastic surgery plot
966
00:58:32,676 --> 00:58:35,746
and he is taking
everything deadly seriously
967
00:58:35,779 --> 00:58:39,149
and giving this quite scary performance.
968
00:58:39,182 --> 00:58:41,084
- I'd know that face anywhere.
969
00:58:41,084 --> 00:58:43,220
I don't blame you for trying
to trade it in on a new one.
970
00:58:43,253 --> 00:58:45,555
- Do you judge everyone
by his face, Milner?
971
00:58:45,555 --> 00:58:47,491
- That and smell.
972
00:58:47,524 --> 00:58:49,726
What's your method?
- I have several methods.
973
00:58:49,726 --> 00:58:50,794
- And then Jane Russell
974
00:58:50,827 --> 00:58:53,530
is in this completely different movie
975
00:58:53,563 --> 00:58:56,266
which is a sort of breezy musical comedy.
976
00:58:56,299 --> 00:59:00,303
♪ Those dreams you've planned ♪
977
00:59:00,337 --> 00:59:04,107
♪ All at once will come true ♪
978
00:59:05,575 --> 00:59:07,244
- And yet there are themes
979
00:59:07,244 --> 00:59:09,546
that connect these
different parts of the movie
980
00:59:09,579 --> 00:59:12,516
which are chiefly this
idea of impersonation.
981
00:59:12,549 --> 00:59:15,619
Everyone in the movie is
sort of playing a part.
982
00:59:15,619 --> 00:59:16,653
- Hello Liz.
983
00:59:17,654 --> 00:59:19,056
Where did you come from?
984
00:59:21,091 --> 00:59:23,427
- Sorry, wrong name, wrong woman.
985
00:59:24,961 --> 00:59:28,231
- That also applies to
Vincent Price's character
986
00:59:28,231 --> 00:59:33,236
who is this movie star wh0's
caught up in his own myth.
987
00:59:33,303 --> 00:59:37,574
And even Mitchum's character
wh0's the one person
988
00:59:37,607 --> 00:59:42,612
who is not playing a part,
discovers that he has been cast
989
00:59:42,712 --> 00:59:46,149
in the role of the corpse basically,
990
00:59:46,183 --> 00:59:48,618
that he is going to be switched out
991
00:59:48,652 --> 00:59:49,753
with this other character.
992
00:59:49,786 --> 00:59:55,158
So there's this sense of
deception sort of run wild.
993
01:00:20,350 --> 01:00:22,085
- John Farrow had a very shadowy
994
01:00:22,119 --> 01:00:24,254
and contradictory personality.
995
01:00:24,254 --> 01:00:26,957
He seems to have led different lives.
996
01:00:26,990 --> 01:00:30,393
On the one hand, there was the
public life as a family man
997
01:00:30,393 --> 01:00:32,796
and the director of about 50 films.
998
01:00:32,796 --> 01:00:34,664
And then there was the acclaimed author.
999
01:00:34,698 --> 01:00:37,267
He wrote novels, poetry, biographies
1000
01:00:37,300 --> 01:00:39,703
and even religious texts.
1001
01:00:39,736 --> 01:00:41,705
And then there was the
more mysterious Farrow,
1002
01:00:41,738 --> 01:00:44,141
the man who had a life
outside the public eye,
1003
01:00:44,141 --> 01:00:47,711
the man who had an affair
with the actress and dancer,
1004
01:00:47,744 --> 01:00:49,479
Lillian Hamilton Lenorak.
1005
01:00:56,553 --> 01:00:58,255
- What happened to you?
1006
01:00:58,288 --> 01:01:02,292
{\an8}- I've got a letter there from Mia, years ago
1007
01:01:02,325 --> 01:01:06,596
when I first contacted her
and she was talking about,
1008
01:01:06,630 --> 01:01:10,066
they discovered another brother.
1009
01:01:10,100 --> 01:01:12,636
And she said, "I just
wonder how many more of us
1010
01:01:12,636 --> 01:01:14,271
are out there."
1011
01:01:14,271 --> 01:01:15,105
Yeah.
1012
01:01:16,173 --> 01:01:18,375
{\an8}- My name's Rosanna Wilson Farrow.
1013
01:01:22,312 --> 01:01:24,748
My late husband, John,
1014
01:01:25,649 --> 01:01:28,852
who used to be John Lenorak,
and we called him John I.
1015
01:01:29,719 --> 01:01:31,755
Became John Farrow when he realized
1016
01:01:31,755 --> 01:01:33,657
who his biol0gical father was.
1017
01:01:34,925 --> 01:01:38,495
He found out about that in 1975.
1018
01:01:38,495 --> 01:01:40,564
He was in a play.
1019
01:01:40,564 --> 01:01:42,332
John Ioved Tennessee Williams,
1020
01:01:42,365 --> 01:01:44,100
he's all about dysfunctional families,
1021
01:01:44,100 --> 01:01:45,669
he could really relate to that.
1022
01:01:46,670 --> 01:01:48,505
Apparently when that play was showing
1023
01:01:48,538 --> 01:01:50,674
maybe for a couple of weeks,
1024
01:01:50,707 --> 01:01:55,545
this man, Joe Barrett, just
happened to go to the play
1025
01:01:55,579 --> 01:02:00,584
and 0pened the notes and seeing
John's name on the program,
1026
01:02:02,552 --> 01:02:04,654
Lenorak, which is an unusual name.
1027
01:02:05,922 --> 01:02:09,693
And he went backstage to find John.
1028
01:02:09,693 --> 01:02:14,331
And he said, "John, your
father is probably not
1029
01:02:14,331 --> 01:02:16,533
who you think he is and your father
1030
01:02:16,533 --> 01:02:18,368
was actually named John Farrow
1031
01:02:19,269 --> 01:02:23,039
and he was a famous director and writer
1032
01:02:23,039 --> 01:02:27,110
and the father of Mia Farrow."
1033
01:02:28,245 --> 01:02:30,180
John was absolutely stunned.
1034
01:02:30,213 --> 01:02:31,715
He had never heard this of course
1035
01:02:31,715 --> 01:02:34,150
and he was 29 years old at the time.
1036
01:02:35,252 --> 01:02:36,853
{\an8}- My name is Steve Hodel.
1037
01:02:36,886 --> 01:02:39,322
{\an8}I'm a retired Los
Angeles Police Department
1038
01:02:39,356 --> 01:02:40,657
{\an8}homicide detective.
1039
01:02:41,558 --> 01:02:43,893
I'm a author, writer now.
1040
01:02:44,861 --> 01:02:49,866
My career was from 1963, I
joined LAPD as a uniform cop,
1041
01:02:50,700 --> 01:02:51,801
went through the Academy
1042
01:02:51,801 --> 01:02:55,705
and then I would spend the
next 24 years promoting up
1043
01:02:55,705 --> 01:02:58,675
and becoming a basically
homicide detective
1044
01:02:58,675 --> 01:03:00,443
in HOllywood division.
1045
01:03:00,477 --> 01:03:02,479
John Farrow was unknown to me.
1046
01:03:02,479 --> 01:03:04,147
I mean, I knew he had done films
1047
01:03:04,147 --> 01:03:06,716
back in the thirties, forties.
1048
01:03:06,716 --> 01:03:10,720
He came to my attention through
one of my prime witnesses
1049
01:03:10,720 --> 01:03:12,422
in the Black Dahlia investigation,
1050
01:03:12,455 --> 01:03:14,090
a guy by the name of Joe Barrett.
1051
01:03:15,292 --> 01:03:17,827
- Joe Barrett said to John that night,
1052
01:03:19,129 --> 01:03:21,298
"I knew your mother really really well
1053
01:03:21,331 --> 01:03:23,400
when she was pregnant with you.
1054
01:03:23,400 --> 01:03:25,568
In fact, we Iived in
the same house together
1055
01:03:25,602 --> 01:03:27,704
and we were very Gd friends."
1056
01:03:28,905 --> 01:03:30,173
- My father, George Hodel,
1057
01:03:30,206 --> 01:03:33,710
had moved into this Frank
Lloyd Wright Jr. home
1058
01:03:33,743 --> 01:03:35,345
in HOIlyw00d.
1059
01:03:35,378 --> 01:03:37,480
My two brothers and I were
the three little princes
1060
01:03:37,514 --> 01:03:40,016
running around, mom was the queen.
1061
01:03:40,050 --> 01:03:41,885
She was a screenwriter.
1062
01:03:41,885 --> 01:03:43,453
Dad was the king.
1063
01:03:43,453 --> 01:03:45,555
There was Iots of cocktail parties,
1064
01:03:46,690 --> 01:03:48,758
beautiful young actresses.
1065
01:03:49,826 --> 01:03:52,395
Well-known individuals like Man Ray
1066
01:03:52,395 --> 01:03:54,264
who was a surrealist phot0grapher.
1067
01:03:57,667 --> 01:03:59,469
All kinds of interesting people
1068
01:03:59,469 --> 01:04:00,970
that would come to the house.
1069
01:04:02,372 --> 01:04:03,807
- And then we found out more.
1070
01:04:03,840 --> 01:04:05,175
They met at the house.
1071
01:04:05,208 --> 01:04:07,544
The house that she was
living in at the time
1072
01:04:07,544 --> 01:04:09,813
was this house on Franklin street,
1073
01:04:09,846 --> 01:04:13,483
which was owned by this
doctor named George Hodel
1074
01:04:13,483 --> 01:04:16,920
who rented rooms out to
people in this house,
1075
01:04:16,953 --> 01:04:20,090
a very big house, a very
interesting Frank Lloyd Wright,
1076
01:04:20,123 --> 01:04:22,225
sort of Mayan strange house.
1077
01:04:22,225 --> 01:04:25,362
And he liked artists
types, he liked creatives.
1078
01:04:25,395 --> 01:04:28,465
So Joe was an artist and
Lillian was a dancer.
1079
01:04:30,100 --> 01:04:32,702
Joe had mentioned that there
were parties at the house
1080
01:04:32,702 --> 01:04:35,071
where other film people came.
1081
01:04:36,139 --> 01:04:39,509
I know that the director, John
Huston came to the house,
1082
01:04:39,542 --> 01:04:41,745
he was a friend of George Hodel.
1083
01:04:43,346 --> 01:04:47,283
And according to Joe,
John Farrow and Lillian,
1084
01:04:47,317 --> 01:04:48,885
they had a love affair.
1085
01:04:49,853 --> 01:04:51,921
And it wasn't just a one night stand.
1086
01:04:54,457 --> 01:04:58,128
As far as I know, that was
the end of their relationship.
1087
01:04:58,161 --> 01:05:02,432
I don't think they continued
to see each other after that.
1088
01:05:02,432 --> 01:05:04,834
This is John, this was around 10 or 11.
1089
01:05:07,771 --> 01:05:10,874
I know that John Farrow,
he didn't visit John,
1090
01:05:10,874 --> 01:05:15,378
so I don't think that he ever met John.
1091
01:05:15,412 --> 01:05:18,081
- There's been a lot of documentation
1092
01:05:18,114 --> 01:05:23,119
on some of the wildness of
the directors of the day
1093
01:05:23,787 --> 01:05:27,824
and the stars were not
really held together
1094
01:05:27,857 --> 01:05:30,326
by the the values that they professed
1095
01:05:30,326 --> 01:05:32,295
in the Catholic church and such.
1096
01:05:33,596 --> 01:05:38,401
The family grew, Maureen gave
up her career for the family
1097
01:05:38,435 --> 01:05:41,538
while he was out and perhaps womanizing
1098
01:05:41,571 --> 01:05:46,543
and she t00k that as affront
but kind of forgave him
1099
01:05:47,410 --> 01:05:52,415
she told me, for his screwing
around with all those women.
1100
01:05:53,016 --> 01:05:55,618
And apparently there were dozens.
1101
01:05:55,652 --> 01:05:59,322
- When I found out that
he had another family,
1102
01:06:02,559 --> 01:06:04,794
he had a wife and children,
Maureen O' Sullivan
1103
01:06:04,828 --> 01:06:09,032
and I don't remember how
many children he had by then
1104
01:06:09,065 --> 01:06:11,835
but it would have been a
terrible scandal in his life
1105
01:06:11,868 --> 01:06:13,870
so he probably wanted to keep it hidden,
1106
01:06:13,870 --> 01:06:15,038
that was my impression.
1107
01:06:18,141 --> 01:06:20,276
- If it bleeds, it leads.
1108
01:06:20,276 --> 01:06:22,278
You would have private investigators
1109
01:06:22,312 --> 01:06:26,182
following the A-list actors around
1110
01:06:26,216 --> 01:06:29,352
and trying to get dirt
on them, sexual affairs.
1111
01:06:29,385 --> 01:06:31,988
So a lot of these Confidential magazines
1112
01:06:32,021 --> 01:06:36,926
were basically hack writers
putting out a lot of dirt
1113
01:06:36,960 --> 01:06:40,296
if they could find it on
anybody that was anybody.
1114
01:06:41,965 --> 01:06:46,970
- By weird coincidence,
John Charles Farrow
1115
01:06:47,470 --> 01:06:52,375
and John Charles Lenorak
were born on the same day,
1116
01:06:53,343 --> 01:06:58,014
September 6, 1946, different
Los Angeles hospitals.
1117
01:07:02,986 --> 01:07:07,123
- For a lot of Catholics,
you shouldn't be weak
1118
01:07:07,156 --> 01:07:09,893
and so it's a bit of a shock
when people actually are.
1119
01:07:09,893 --> 01:07:12,295
I mean, the shock of finding out the truth
1120
01:07:12,328 --> 01:07:16,266
about John F. Kennedy after
his death was a blow I think
1121
01:07:16,299 --> 01:07:18,434
to Catholics who never dreamt
1122
01:07:18,434 --> 01:07:20,470
that he would behave like that.
1123
01:07:20,503 --> 01:07:25,508
And so I think that that's
the kind of explanation
1124
01:07:25,508 --> 01:07:28,011
that comes to my mind for Farrow.
1125
01:07:28,044 --> 01:07:31,347
Yes, weakness, passion,
1126
01:07:32,248 --> 01:07:36,753
emotions, repentance,
forgiveness, absolution
1127
01:07:36,753 --> 01:07:38,821
and that he relied on that.
1128
01:07:41,558 --> 01:07:44,594
- It was also just
ironic that p00r Lillian
1129
01:07:44,594 --> 01:07:46,362
was ultimately murdered.
1130
01:07:46,396 --> 01:07:50,099
She's approached by a young
man, pulls a rifle on her
1131
01:07:50,133 --> 01:07:52,001
and says, "Get in the car."
1132
01:07:52,035 --> 01:07:55,204
He takes her to the north
side of Palm Springs
1133
01:07:55,238 --> 01:07:59,075
and gets her out of the
car and beats her to death.
1134
01:08:00,276 --> 01:08:03,079
The case is solved within 10 days or so.
1135
01:08:03,112 --> 01:08:05,415
Sent away for life but back then,
1136
01:08:05,448 --> 01:08:06,950
life was, who knows?
1137
01:08:06,983 --> 01:08:08,585
Seven, 10 years.
1138
01:08:26,669 --> 01:08:31,307
{\an8}- By 1951, John and Maureen
had their seventh child, Tisa.
1139
01:08:31,341 --> 01:08:34,143
{\an8}Farrow began an affair with Ava Gardner.
1140
01:08:34,143 --> 01:08:36,779
He took on a number of acting roles
1141
01:08:36,813 --> 01:08:38,715
and he went from the unexpected failure
1142
01:08:38,715 --> 01:08:40,216
of a film like Botany Bay,
1143
01:08:43,252 --> 01:08:45,188
the only film he made about Australia,
1144
01:08:46,055 --> 01:08:50,159
to a return to form with
films like Plunder of The Sun
1145
01:08:50,193 --> 01:08:51,327
and Hondo.
1146
01:09:07,510 --> 01:09:09,445
- Hond0, like many John Farrow films,
1147
01:09:09,479 --> 01:09:11,681
opens with a terrific scene.
1148
01:09:11,681 --> 01:09:16,452
In this case, where John
Wayne alone with just a gun
1149
01:09:16,486 --> 01:09:20,289
and a dog, comes out of nowhere
to arrive at this homestead.
1150
01:09:21,324 --> 01:09:23,092
- But he has N horse.
1151
01:09:23,126 --> 01:09:24,027
- No talking.
1152
01:09:26,829 --> 01:09:30,299
- And Farrow films it with,
1153
01:09:30,299 --> 01:09:33,436
because it's in 3D, he has John Wayne
1154
01:09:33,469 --> 01:09:37,206
Iiterally walking into the
camera, into the audience.
1155
01:09:37,206 --> 01:09:39,942
Itís a very powerful 0pening scene.
1156
01:09:44,180 --> 01:09:47,116
{\an8}- It's a rather gentle picture.
1157
01:09:47,984 --> 01:09:50,586
{\an8}It's somewhat philos0phical.
1158
01:09:50,586 --> 01:09:54,691
It's also quite political in
that John Wayneís character
1159
01:09:54,691 --> 01:09:56,426
is half apache.
1160
01:09:56,426 --> 01:10:00,296
And the movie does muse quite a bit
1161
01:10:00,329 --> 01:10:02,732
on the treatment of the Indians.
1162
01:10:02,732 --> 01:10:05,601
- We broke that treaty, us whites.
1163
01:10:05,635 --> 01:10:08,304
There's N word in the
apache language for lie
1164
01:10:08,304 --> 01:10:09,872
and they've been lied to.
1165
01:10:09,872 --> 01:10:12,575
And if they rise, there
won't be a white left
1166
01:10:12,575 --> 01:10:15,044
in the territory.
- They won't bother me.
1167
01:10:15,044 --> 01:10:18,815
- I also like his relationship
with Geraldine Page
1168
01:10:18,848 --> 01:10:20,283
as a widow.
1169
01:10:20,316 --> 01:10:24,253
They have a romance that grows
1170
01:10:24,253 --> 01:10:29,258
in a very subtle and
companionable kind of way
1171
01:10:30,927 --> 01:10:33,563
that still feels quite romantic.
1172
01:10:33,563 --> 01:10:34,664
- Please stay.
1173
01:10:35,665 --> 01:10:37,100
I really want you to.
1174
01:10:38,134 --> 01:10:40,303
I'm sorry, I should have
realized from the beginning
1175
01:10:40,303 --> 01:10:41,604
that you were a gentleman.
1176
01:10:47,543 --> 01:10:49,412
- Wayne's playing Hond0 Lane,
1177
01:10:50,279 --> 01:10:53,116
a kind of Ione wolf.
1178
01:10:54,717 --> 01:10:55,651
- Night ma'am.
1179
01:10:56,919 --> 01:11:01,023
{\an8}- All the first scenes are rather special
1180
01:11:01,023 --> 01:11:06,028
{\an8}because they are 0pposing
Wayne and a widow,
1181
01:11:10,967 --> 01:11:14,403
that was a very, very good choice.
1182
01:11:14,403 --> 01:11:18,007
I never could figure who was
responsible for the choice,
1183
01:11:18,040 --> 01:11:22,845
I think it's more or less
Farrow who chose Geraldine Page
1184
01:11:22,879 --> 01:11:25,148
who had never acted in a movie before,
1185
01:11:25,148 --> 01:11:29,786
she was coming from stage
and she was totally perfect,
1186
01:11:29,786 --> 01:11:33,890
the widow is not so young.
1187
01:11:33,923 --> 01:11:39,629
She's not an ingenue, she's
not one of those young girl
1188
01:11:41,063 --> 01:11:44,634
or young women that you have
in most of the Westerns.
1189
01:11:44,634 --> 01:11:47,770
- I am fully aware that I
am a homely woman, Mr. Lane.
1190
01:11:47,770 --> 01:11:49,005
- Well, I didn't mean that.
1191
01:11:49,005 --> 01:11:51,207
I've got a bad habit of telling the truth
1192
01:11:51,207 --> 01:11:52,708
but being pretty isn't much.
1193
01:11:52,708 --> 01:11:54,143
- It's a beautiful performance
1194
01:11:54,143 --> 01:11:59,148
and a very interesting compliment
to John Wayne's stoicism.
1195
01:11:59,282 --> 01:12:01,818
Her warmth is a nice combination.
1196
01:12:02,785 --> 01:12:05,354
- I can smell you when lím
down wind of ya.
1197
01:12:07,757 --> 01:12:09,192
- One of the key scenes in the film
1198
01:12:09,192 --> 01:12:14,197
is where Wayne and Geraldine
Page come together.
1199
01:12:20,937 --> 01:12:24,340
- You baked today, I can
smell fresh bread on you.
1200
01:12:26,075 --> 01:12:28,945
Sometime today you c00ked with salt pork,
1201
01:12:28,945 --> 01:12:30,279
smell that on ya 2000s.
1202
01:12:31,414 --> 01:12:34,383
You smell all over like soap, took a bath.
1203
01:12:34,417 --> 01:12:37,153
And on top of that, you
smell all over like a woman.
1204
01:12:39,021 --> 01:12:41,457
I could find you in the dark Mrs. Lowe
1205
01:12:41,490 --> 01:12:43,326
and I'm only part Indian.
1206
01:12:48,397 --> 01:12:51,500
- You don't often tell a woman on screen
1207
01:12:51,534 --> 01:12:52,902
that you can smell her
1208
01:12:52,935 --> 01:12:55,671
and that you like the smell that you get.
1209
01:12:56,873 --> 01:13:01,844
And it could easily have been
almost laughably strange,
1210
01:13:03,279 --> 01:13:05,214
but the way the two actors handle it,
1211
01:13:05,248 --> 01:13:10,253
it's really erotic and quite powerful.
1212
01:13:22,131 --> 01:13:25,067
{\an8}- Directorally, it is in my 0pinion,
1213
01:13:25,101 --> 01:13:27,370
the best movie made in 3D
1214
01:13:28,471 --> 01:13:30,673
in the same league as Dial M For Murder,
1215
01:13:30,706 --> 01:13:33,209
which was Hitchcock and
both Farrow and Hitchcock
1216
01:13:33,242 --> 01:13:37,613
used the 3D very subtly
and with discretion.
1217
01:13:37,647 --> 01:13:39,916
So when that came into
play, it really worked,
1218
01:13:39,949 --> 01:13:44,053
like Hitchcock used it for the
murderer's hands coming in,
1219
01:13:44,086 --> 01:13:46,222
the rest of it was pretty straight.
1220
01:13:47,089 --> 01:13:52,094
And Farrow 2000s, I mean,
there's spectacular shots
1221
01:13:52,094 --> 01:13:57,099
of John Wayne against the landscape in 3D
1222
01:13:57,133 --> 01:13:58,701
which was startling in 3D.
1223
01:14:02,838 --> 01:14:04,440
And then a couple of times,
1224
01:14:04,473 --> 01:14:06,676
he'd succumb to the arrow coming at you.
1225
01:14:11,247 --> 01:14:16,252
But just a couple of times and
it was just a very restrained
1226
01:14:16,419 --> 01:14:19,388
artistic I'd say, use
and understanding of 3D.
1227
01:14:26,429 --> 01:14:29,298
- [Announcer] Chairman Parnell
Thomas 0pens the hearing
1228
01:14:29,332 --> 01:14:31,734
as witness, Robert
Taylor, takes the stand.
1229
01:14:31,767 --> 01:14:34,937
- I personally certainly do
believe that the communist party
1230
01:14:34,971 --> 01:14:35,805
should be 0utlawed.
1231
01:14:35,805 --> 01:14:38,507
However, I'm not an expert on politics
1232
01:14:38,541 --> 01:14:40,943
or of what the reaction would be.
1233
01:14:40,943 --> 01:14:43,946
If I had my way about it, they'd
all be sent back to Russia.
1234
01:14:45,247 --> 01:14:47,750
- Farrow's role during the McCarthy era
1235
01:14:47,783 --> 01:14:51,620
is not that well known and
it's particularly interesting
1236
01:14:51,654 --> 01:14:55,024
in that he was basically
a conservative himself
1237
01:14:55,057 --> 01:14:59,195
but someone who really
0pposed the kind of bullying
1238
01:15:00,429 --> 01:15:02,331
of the McCarthyites.
1239
01:15:02,365 --> 01:15:06,235
{\an8}- Farrow was a known conservative,
an anticommunist,
1240
01:15:06,268 --> 01:15:09,171
{\an8}he certainly wasn't on
the left of politics
1241
01:15:09,205 --> 01:15:11,941
and yet he was caught up
in the most interesting way
1242
01:15:11,974 --> 01:15:14,844
in that horrible attempt
by Cecil B DeMille
1243
01:15:14,877 --> 01:15:16,746
to undermine a far greater director
1244
01:15:16,779 --> 01:15:20,449
and Joseph L. Mankiewicz is
president of the Directors Guild
1245
01:15:20,449 --> 01:15:22,318
and have him expelled.
1246
01:15:22,318 --> 01:15:26,489
- DE Mille's campaign had real elements
1247
01:15:26,555 --> 01:15:29,492
of xenophobia and antisemitism.
1248
01:15:29,525 --> 01:15:33,596
He made a point of sort
of casting suspicion
1249
01:15:33,629 --> 01:15:37,466
on directors with foreign
names and Jewish names
1250
01:15:37,500 --> 01:15:41,704
and it really created a lot
of turmoil in that union.
1251
01:15:41,704 --> 01:15:46,042
- But Farrow learnt when a
despatch rider came to his house
1252
01:15:46,042 --> 01:15:49,678
with a notice of his secret
meeting to get rid of Mankiewicz
1253
01:15:49,678 --> 01:15:52,915
and Farrow went, "This is
not the way you do things.
1254
01:15:52,915 --> 01:15:55,818
You don't do things in the
middle of the night in secret."
1255
01:15:55,851 --> 01:15:58,554
And so he went and informed various people
1256
01:15:58,587 --> 01:16:00,756
and sort of spoiled the plot
1257
01:16:00,756 --> 01:16:04,126
that Cecil B. DeMille had in plan.
1258
01:16:04,160 --> 01:16:05,961
{\an8}- [Mankiewicz] And Kazan said to me,
1259
01:16:06,962 --> 01:16:09,532
{\an8}"Yes, it's not only true,
1260
01:16:09,532 --> 01:16:12,701
{\an8}John Farrow had just come into his house.
1261
01:16:12,735 --> 01:16:15,004
{\an8}John Farrow was very
Catholic and very right
1262
01:16:15,938 --> 01:16:20,943
{\an8}but very furious at this
attempt to quickly impeach me."
1263
01:16:22,311 --> 01:16:25,281
- Farrow was among the
directors who signed a petition
1264
01:16:25,314 --> 01:16:27,349
calling for a general membership meeting
1265
01:16:27,349 --> 01:16:30,086
so that they could head off this attempt
1266
01:16:30,119 --> 01:16:32,421
to 0ust Mankiewicz.
1267
01:16:32,455 --> 01:16:36,826
And it was at this meeting
that John Ford famously,
1268
01:16:36,826 --> 01:16:39,628
another conservative
director, kind of stood up
1269
01:16:39,662 --> 01:16:44,433
and confronted DE Mille
about what he was doing.
1270
01:16:44,467 --> 01:16:47,903
And Farrow's own role
was very similar to Ford
1271
01:16:47,937 --> 01:16:52,007
in that he really was driven by a desire
1272
01:16:52,007 --> 01:16:55,478
to protect the union from
this kind of divisiveness
1273
01:16:55,478 --> 01:16:59,281
and just to stand up
against what was really
1274
01:16:59,281 --> 01:17:04,253
undemocratic behavior on
the part of the forces
1275
01:17:04,253 --> 01:17:06,222
of the anti-communist witch hunt.
1276
01:17:07,389 --> 01:17:11,393
- Now, Farrow intervened
and annoyed prof0undly
1277
01:17:11,393 --> 01:17:13,729
a very powerful man in Cecil B. DeMille.
1278
01:17:13,762 --> 01:17:16,265
He, in a sense put his career on the line
1279
01:17:16,265 --> 01:17:17,967
to go this isn't right.
1280
01:17:17,967 --> 01:17:19,935
Then of course, John Ford stood up
1281
01:17:19,935 --> 01:17:22,171
and he was of the right to, and he said,
1282
01:17:22,204 --> 01:17:23,506
"This is not right."
1283
01:17:23,506 --> 01:17:27,910
So I think Farrow comes out
of that story incredibly well.
1284
01:17:27,910 --> 01:17:31,480
That he, in a sense, t00k a position
1285
01:17:31,480 --> 01:17:34,383
that he didn't agree with and defended it
1286
01:17:34,416 --> 01:17:36,552
to the point of putting his career at risk
1287
01:17:36,585 --> 01:17:39,488
and I think that says
volumes for him as a man.
1288
01:17:54,136 --> 01:17:56,939
{\an8}- The nominations for
Best Screenplay Adapted
1289
01:17:56,972 --> 01:18:01,944
{\an8}are James Poe, John
Farrow and SJ Perelman
1290
01:18:01,977 --> 01:18:04,647
for Around the World in 80 Days.
1291
01:18:04,647 --> 01:18:05,981
- There were a couple of
moments in the fifties
1292
01:18:05,981 --> 01:18:07,750
where it looked like Farrow might be able
1293
01:18:07,750 --> 01:18:09,919
to jump to the real big leagues
1294
01:18:09,952 --> 01:18:12,955
and join the very very top
directors in Hollyw00d.
1295
01:18:12,988 --> 01:18:14,723
And the first example of
that is Around The World
1296
01:18:14,757 --> 01:18:16,659
in 80 Days, which of course went on to win
1297
01:18:16,659 --> 01:18:19,862
best picture of the year and
was a huge success at the time.
1298
01:18:19,862 --> 01:18:20,663
- Many congratulations.
1299
01:18:20,696 --> 01:18:23,566
- Well, for John Farrow
and myself, thank you.
1300
01:18:26,101 --> 01:18:28,370
- Farrow did the script on that film
1301
01:18:28,404 --> 01:18:29,772
and I mean with some help
1302
01:18:29,805 --> 01:18:32,474
but it was the only 0scar he ever won
1303
01:18:32,474 --> 01:18:34,176
for Around the World in 80 days
1304
01:18:34,176 --> 01:18:37,179
and he was the original
director on the film.
1305
01:18:37,213 --> 01:18:40,249
And he ended up shooting just two days,
1306
01:18:40,249 --> 01:18:43,352
the first two days of filming
Mexican bullring f00tage.
1307
01:18:44,320 --> 01:18:47,923
And then he was let go by
the very powerful producer
1308
01:18:47,957 --> 01:18:50,492
who was engineering this
thing, Michael Todd,
1309
01:18:50,492 --> 01:18:54,563
who I think felt he needed a director
1310
01:18:54,563 --> 01:18:57,933
he could boss around better
1311
01:18:57,967 --> 01:18:59,568
because Farrow wasn't
going to take anything
1312
01:18:59,602 --> 01:19:01,804
from Michael Todd and it was Todd's show,
1313
01:19:01,804 --> 01:19:05,040
so Farrow was out after two days.
1314
01:19:11,547 --> 01:19:14,116
And then about three, four years later,
1315
01:19:14,116 --> 01:19:16,051
he went to work for Samuel Bronston
1316
01:19:16,085 --> 01:19:18,554
who was about to become a big deal
1317
01:19:18,554 --> 01:19:21,523
with his own studio in
Madrid and make epic films.
1318
01:19:21,523 --> 01:19:25,294
And he made John Paul Jones
directed by John Farrow.
1319
01:19:29,665 --> 01:19:32,601
- He made John Paul Jones,
that was a $4 million picture.
1320
01:19:32,635 --> 01:19:35,237
That's a big budget for those days.
1321
01:19:35,271 --> 01:19:40,242
{\an8}He was lined up to do King of Kings
1322
01:19:41,777 --> 01:19:44,913
for which you would say he would
have been very well suited.
1323
01:19:44,913 --> 01:19:48,217
I don't know what happened
but Nicholas Ray did the film.
1324
01:19:48,250 --> 01:19:53,255
But I think it's possible
that he was at a point
1325
01:19:53,355 --> 01:19:56,625
in his career where he was
gonna make some big pictures.
1326
01:19:56,625 --> 01:19:59,662
- Do you want to go deep water lad?
1327
01:19:59,662 --> 01:20:01,430
- Oh yes sir.
1328
01:20:01,463 --> 01:20:04,633
- We'll see what we can do about it.
1329
01:20:04,633 --> 01:20:07,636
- I was asked to be in
it as my sister Mia was
1330
01:20:07,670 --> 01:20:11,173
and my brother, Patrick,
we all had small parts.
1331
01:20:11,173 --> 01:20:12,675
- You've had an extraordinary life.
1332
01:20:12,708 --> 01:20:15,411
When you were a kid very, very young,
1333
01:20:15,444 --> 01:20:17,212
you started acting in a film, right?
1334
01:20:17,246 --> 01:20:18,247
- Yeah.
- What was the film?
1335
01:20:18,280 --> 01:20:20,182
- It was called John Paul Jones.
1336
01:20:20,215 --> 01:20:21,917
My dad gave me a line.
1337
01:20:21,950 --> 01:20:22,751
- Your father.
1338
01:20:22,785 --> 01:20:24,953
- My father was the director
of the movie, John Farrow.
1339
01:20:24,987 --> 01:20:27,056
It was a show business family.
1340
01:20:27,056 --> 01:20:28,657
For our birthday, we got a line, right?
1341
01:20:28,657 --> 01:20:29,825
- That's very cute.
1342
01:20:33,529 --> 01:20:34,430
- Oh my goodness.
1343
01:20:35,664 --> 01:20:36,498
That's me.
1344
01:20:38,167 --> 01:20:39,868
During the John Paul Jones filming.
1345
01:20:41,270 --> 01:20:42,838
This is my brother, Patrick,
1346
01:20:42,871 --> 01:20:46,675
smoking a cigarette
when he was 14 in Spain.
1347
01:20:46,709 --> 01:20:50,512
There's the little picture of me
1348
01:20:50,512 --> 01:20:54,149
marching around with my sword.
1349
01:20:54,183 --> 01:20:55,617
Here's Robert Stack.
1350
01:20:57,219 --> 01:20:59,388
And this of course would
have been between scenes
1351
01:20:59,421 --> 01:21:01,390
taken by that guy with the Super 8.
1352
01:21:08,931 --> 01:21:09,832
Here's my dad.
1353
01:21:15,270 --> 01:21:17,706
Getting ready for night
scenes, thatís my mother.
1354
01:21:22,678 --> 01:21:25,214
It was interesting to work with them
1355
01:21:25,247 --> 01:21:27,383
on a professional level.
1356
01:21:27,416 --> 01:21:29,518
It was terrifying as a child
1357
01:21:29,551 --> 01:21:32,354
because he's a dictator on the set.
1358
01:21:35,290 --> 01:21:40,229
The scene in which happens
to require me to hit a person
1359
01:21:40,262 --> 01:21:42,064
on a horseback with an egg.
1360
01:21:53,275 --> 01:21:57,746
And I kept missing and my
father got madder and madder
1361
01:21:59,348 --> 01:22:00,749
and I got worse and worse
1362
01:22:00,783 --> 01:22:04,086
and I started hitting people
in the crowd with the eggs.
1363
01:22:05,354 --> 01:22:07,055
For me, it was a terrifying experience
1364
01:22:07,055 --> 01:22:12,060
being the subject of all
of the crew I00king in
1365
01:22:12,094 --> 01:22:16,899
and the money being spent
and then being frozen
1366
01:22:16,899 --> 01:22:19,168
because my fatherís yelling
at me in the middle of it,
1367
01:22:19,168 --> 01:22:22,805
so I had a couple of
meltdowns in working with him
1368
01:22:22,805 --> 01:22:24,773
as a lot of people did in HOIlyw00d.
1369
01:22:26,642 --> 01:22:30,012
I became very much less interested
in acting at that point.
1370
01:22:31,980 --> 01:22:34,483
I think that that is
true with a lot of people
1371
01:22:34,483 --> 01:22:37,052
who work with a very harsh director.
1372
01:22:40,289 --> 01:22:42,191
- By all reports, the Iocation shooting
1373
01:22:42,224 --> 01:22:46,929
of John Paul Jones in Spain
had been very problematic.
1374
01:22:46,929 --> 01:22:49,164
And which tragically
became even more difficult
1375
01:22:49,198 --> 01:22:50,933
because of the death
of Farrow's eldest son,
1376
01:22:50,933 --> 01:22:55,471
Michael, aged 19, who was
killed in a light aeroplane crash
1377
01:22:55,504 --> 01:22:57,606
over the skies of Los Angeles.
1378
01:23:01,009 --> 01:23:03,545
The death caused the family
to return to the United States
1379
01:23:03,545 --> 01:23:06,849
and actually put a great
strain on the Farrow marriage.
1380
01:23:10,118 --> 01:23:13,555
- It changed my father as
it would change any person
1381
01:23:13,589 --> 01:23:15,858
and all of a sudden his
success and everything else
1382
01:23:15,891 --> 01:23:16,892
didn't mean 2000s much
1383
01:23:16,892 --> 01:23:19,628
and that's when he really turned to God.
1384
01:23:19,661 --> 01:23:22,865
And through his tears,
I could hear him praying
1385
01:23:22,865 --> 01:23:26,735
and I think that that
would happen to anybody.
1386
01:23:26,735 --> 01:23:29,538
And then everything changed.
1387
01:23:32,040 --> 01:23:35,444
He had a heart attack and in HOIlywood,
1388
01:23:35,444 --> 01:23:37,145
you cannot be a director of the film
1389
01:23:37,179 --> 01:23:38,814
if you do not pass a physical,
1390
01:23:38,847 --> 01:23:41,116
so if you have a heart attack
especially in those days
1391
01:23:41,116 --> 01:23:45,120
before stents and stuff, he
was ruled out from working,
1392
01:23:45,153 --> 01:23:46,722
except on TV and stuff.
1393
01:23:49,825 --> 01:23:53,195
- A number of big HOIlyw00d directors
1394
01:23:53,195 --> 01:23:56,198
by the end of the fifties,
especially if they've been around
1395
01:23:56,198 --> 01:24:00,235
for several decades, their
careers began winding down
1396
01:24:00,269 --> 01:24:02,404
and kind of early by
contemporary standards.
1397
01:24:02,404 --> 01:24:03,772
I mean, by our standards,
1398
01:24:03,805 --> 01:24:05,140
by the time you were in your sixties,
1399
01:24:05,140 --> 01:24:07,476
I mean, you were kind of
getting a little over the hill.
1400
01:24:07,509 --> 01:24:10,612
Now, some people stuck with
it and were able to continue
1401
01:24:10,646 --> 01:24:12,014
and never stopped.
1402
01:24:13,081 --> 01:24:15,150
Some went into television.
1403
01:24:15,150 --> 01:24:17,619
Hitchcock in the late fifties,
the beginning of the sixties
1404
01:24:17,653 --> 01:24:19,988
and Farrow was another one who,
1405
01:24:20,022 --> 01:24:21,657
right at the end of his career
1406
01:24:21,690 --> 01:24:22,925
and still, he wasn't that old
1407
01:24:22,925 --> 01:24:25,694
but after he did John Paul Jones,
1408
01:24:25,694 --> 01:24:28,964
went entirely the 0pposite
way and went into television
1409
01:24:28,997 --> 01:24:31,733
and got involved briefly
in a series called Empire.
1410
01:24:42,578 --> 01:24:46,415
- Well, John Farrow came in
and he directed three episodes
1411
01:24:46,415 --> 01:24:51,119
at Empire that starred
Richard Egan, Anne Seymour
1412
01:24:51,954 --> 01:24:56,458
and costarred Ryan O'Neal
and Charlie Bronson.
1413
01:24:56,491 --> 01:24:58,894
So it was one heck of a cast.
1414
01:25:03,165 --> 01:25:05,334
The people, actresses warned me
1415
01:25:06,234 --> 01:25:07,970
and Jane Russell told me stories,
1416
01:25:08,003 --> 01:25:09,871
Jane and I were very close.
1417
01:25:11,306 --> 01:25:14,142
So I was scared to death
when I got John Farrow
1418
01:25:14,176 --> 01:25:16,511
'cause líd heard all these stories.
1419
01:25:16,545 --> 01:25:20,215
Well, he was so nice to me.
1420
01:25:20,248 --> 01:25:22,384
He was a doll, I just Ioved him.
1421
01:25:23,318 --> 01:25:25,420
- Jimmy, this is a real honest to g00dness
1422
01:25:25,454 --> 01:25:26,822
Iogging 0peration.
1423
01:25:27,990 --> 01:25:30,592
Charlotte Robbins, I'd
like you to meet Mr. Redig0
1424
01:25:30,626 --> 01:25:32,494
and my little brother, Tal.
1425
01:25:32,527 --> 01:25:35,364
- Always cutting me down to
size, hell0 Mrs. Robbins.
1426
01:25:35,364 --> 01:25:40,102
- I find him a very kind,
knowledgeable, understanding man
1427
01:25:40,102 --> 01:25:41,870
who knew what he was doing.
1428
01:25:42,904 --> 01:25:44,673
He had experience, he knew.
1429
01:25:46,675 --> 01:25:49,211
So I was when I was going to work with him
1430
01:25:49,211 --> 01:25:51,079
and then to find him so nice.
1431
01:25:52,381 --> 01:25:56,785
I wonder if his career
was falling at that time.
1432
01:25:58,020 --> 01:26:01,957
He'd done big movies, now he
was doing a television show
1433
01:26:01,990 --> 01:26:03,992
and I think he had be nice.
1434
01:26:04,026 --> 01:26:08,463
I mean, if he got fired off
another job or anything,
1435
01:26:08,463 --> 01:26:10,265
he was through.
1436
01:26:10,265 --> 01:26:14,536
So I think that he was watching
his P's and Qís frankly.
1437
01:26:15,570 --> 01:26:17,406
And I think he learned his lesson.
1438
01:26:17,406 --> 01:26:21,610
He found out that you get
a lot more bees with honey.
1439
01:26:29,885 --> 01:26:33,722
- He was hanging around the
house a lot and rather unhappy.
1440
01:26:34,823 --> 01:26:38,960
My mother was in New York in
a successful Broadway play
1441
01:26:41,329 --> 01:26:43,699
which kind of rubbed
it in a little bit more
1442
01:26:43,732 --> 01:26:46,101
because she was enjoying big success
1443
01:26:47,369 --> 01:26:50,238
{\an8}while he was trying to get
some work going at home
1444
01:26:50,272 --> 01:26:51,106
{\an8}but couldn't.
1445
01:26:52,641 --> 01:26:55,544
- If you were a woman who had divorced
1446
01:26:55,577 --> 01:26:58,814
a powerful HOIlyw00d man, there was a lot
1447
01:26:58,814 --> 01:27:03,485
to lure you to New York.
1448
01:27:03,518 --> 01:27:05,253
If you're Maureen O' Sullivan
1449
01:27:05,253 --> 01:27:08,123
and your marriage to John Farrow,
1450
01:27:08,123 --> 01:27:10,625
by then, a fairly prominent director,
1451
01:27:10,625 --> 01:27:13,995
is not going that well,
if you stay in HOIlyw00d,
1452
01:27:13,995 --> 01:27:16,298
that name is going to follow you around.
1453
01:27:16,331 --> 01:27:20,435
And furthermore, Broadway
was also a better place
1454
01:27:20,435 --> 01:27:23,472
for an actress who was
perhaps getting 0lder.
1455
01:27:28,910 --> 01:27:30,746
- [Mia] Since the show was
clearly going to be running
1456
01:27:30,779 --> 01:27:35,784
{\an8}for a long time, mom rented
an apartment in early 1963.
1457
01:27:35,817 --> 01:27:37,986
{\an8}I pretended not to notice
that George Abbott,
1458
01:27:38,019 --> 01:27:40,222
my mother's director, seemed to be taking
1459
01:27:40,222 --> 01:27:42,557
more than a professional interest in her.
1460
01:27:42,591 --> 01:27:44,593
But when my father
phoned in the early hours
1461
01:27:44,626 --> 01:27:46,962
of a January night, I could not,
1462
01:27:46,995 --> 01:27:49,564
could not tell him where she was.
1463
01:27:49,564 --> 01:27:52,901
And later still, when the
phone rang and rang and rang,
1464
01:27:52,901 --> 01:27:55,237
I pulled the pillow tight around my ears.
1465
01:27:56,104 --> 01:27:58,140
And when in the hard light of day,
1466
01:27:58,173 --> 01:28:00,175
we learned that my father
had died that night
1467
01:28:00,208 --> 01:28:02,677
of a heart attack with
the phone in his hand,
1468
01:28:02,711 --> 01:28:05,547
winds of nothingness
blew cold across my soul.
1469
01:28:15,757 --> 01:28:18,226
- I happened to be out
that evening and came home
1470
01:28:18,226 --> 01:28:21,930
at five in the morning when
they were wheeling out his body
1471
01:28:21,963 --> 01:28:26,101
and my brothers and sisters,
Mia was back in New York.
1472
01:28:27,636 --> 01:28:31,540
I was sitting outside the
house and we lost him.
1473
01:28:32,841 --> 01:28:34,142
There was not a lot of warning,
1474
01:28:34,176 --> 01:28:36,178
there was N sickness that we saw
1475
01:28:37,012 --> 01:28:39,548
but of course, it changes everything.
1476
01:28:39,581 --> 01:28:44,219
Within a few days, I
was standing in church
1477
01:28:44,252 --> 01:28:46,988
filled with people and a lot of tears.
1478
01:28:48,690 --> 01:28:53,595
I walked up to the alter in
Beverly Hills Catholic Church
1479
01:28:53,628 --> 01:28:56,064
and we filed up and I looked inside
1480
01:28:56,064 --> 01:28:58,300
and I saw a medieval knight of Malta
1481
01:28:58,300 --> 01:29:02,537
with the sword on his
chest and knight robes.
1482
01:29:04,272 --> 01:29:06,041
Surprised the heck out of me.
1483
01:29:06,074 --> 01:29:09,911
And that's how far the
Catholicism stretched,
1484
01:29:09,945 --> 01:29:11,980
all the way to the grave.
1485
01:29:13,215 --> 01:29:15,217
I know that my mother Ioved him,
1486
01:29:15,250 --> 01:29:17,953
I know that they had a
tumultuous relationship,
1487
01:29:17,986 --> 01:29:20,555
they were both very high spirited people
1488
01:29:20,589 --> 01:29:23,525
and very driven in their own ways.
1489
01:29:23,525 --> 01:29:26,761
I don't think his death
went down easy with her
1490
01:29:26,795 --> 01:29:29,731
so I know that she did have a love,
1491
01:29:30,966 --> 01:29:33,735
even though in the last few years
1492
01:29:33,735 --> 01:29:35,904
she lived in her New York apartment
1493
01:29:35,904 --> 01:29:37,806
and he was in our Beverly Hills house
1494
01:29:37,806 --> 01:29:40,642
and they're not estranged,
but not living together.
1495
01:29:52,821 --> 01:29:55,223
- People know more about
John Farrow's children
1496
01:29:55,223 --> 01:29:57,993
than they do about John
Farrow the film director.
1497
01:29:58,026 --> 01:29:59,828
Many of us know that Mia Farrow went on
1498
01:29:59,828 --> 01:30:01,229
to marry Frank Sinatra
1499
01:30:01,263 --> 01:30:03,932
and become one of
HOIlyw00d's iconic actresses.
1500
01:30:03,965 --> 01:30:06,301
Prudence Farrow is known
to all Beatles fans
1501
01:30:06,334 --> 01:30:08,904
as the inspiration for
the song, Dear Prudence.
1502
01:30:10,472 --> 01:30:14,309
But actually, I think all the children
1503
01:30:14,342 --> 01:30:18,380
have been now eclipsed by
Farrow's grandson, Ronan Farrow,
1504
01:30:18,380 --> 01:30:20,782
who in a lot of ways has helped 0verturn
1505
01:30:20,782 --> 01:30:22,817
the old HOIlyw00d power structures
1506
01:30:22,851 --> 01:30:24,819
that Farrow was once a part of.
1507
01:30:27,789 --> 01:30:30,158
{\an8}- What an hon0r to be
here at this beautiful,
1508
01:30:30,191 --> 01:30:31,927
{\an8}historic place.
1509
01:30:31,927 --> 01:30:33,862
{\an8}I actually have Australian r00ts.
1510
01:30:33,895 --> 01:30:36,631
My grandfather, John
Farrow, was Australian.
1511
01:30:45,573 --> 01:30:46,675
- Simon Templar.
1512
01:30:48,076 --> 01:30:48,910
- The Saint?
1513
01:30:51,046 --> 01:30:52,847
- How about a lift to California?
1514
01:30:54,316 --> 01:30:55,216
- Not a chance.
1515
01:30:56,518 --> 01:30:57,585
- Hello Johnny.
1516
01:30:57,619 --> 01:30:59,087
I'm Carolyn Grant.
1517
01:30:59,120 --> 01:31:00,822
- Glad to know you.
1518
01:31:00,855 --> 01:31:01,790
You know, the first
thing we're going to do
1519
01:31:01,823 --> 01:31:02,924
is buy you a drink.
1520
01:31:05,927 --> 01:31:07,362
- Auf Wiedersehen Sydney.
1521
01:31:11,933 --> 01:31:13,101
- He was underrated.
1522
01:31:13,134 --> 01:31:18,106
He was not given a great
splashy welcome by the critics
1523
01:31:19,240 --> 01:31:22,644
as George Cukor was, as
Billy Wilder especially was,
1524
01:31:22,677 --> 01:31:24,145
as Hitchcock was.
1525
01:31:24,179 --> 01:31:28,249
He was never considered on
that level, which is a pity
1526
01:31:28,283 --> 01:31:30,919
because in fact, he was very talented.
1527
01:31:30,952 --> 01:31:33,855
But I think it's because
he was a craftsman
1528
01:31:33,855 --> 01:31:36,591
and I think because he was a hard worker
1529
01:31:36,624 --> 01:31:41,129
and didn't seek publicity,
didn't go out to create gimmicks
1530
01:31:41,129 --> 01:31:45,533
or fantastic images for himself.
1531
01:31:45,533 --> 01:31:50,405
This was a man who really
enjoyed the art of picture making
1532
01:31:50,405 --> 01:31:52,474
and I don't honestly
think that John Farrow,
1533
01:31:52,507 --> 01:31:56,077
like so many Australians,
was passionate for publicity.
1534
01:31:59,147 --> 01:32:03,184
- It's unfortunate that the
fondness of some critics
1535
01:32:03,218 --> 01:32:07,022
for categorizing and ranking directors
1536
01:32:07,055 --> 01:32:10,692
has led certain people to
kind of fall by the wayside
1537
01:32:10,692 --> 01:32:14,462
even though their films are
often among the most enjoyable
1538
01:32:14,496 --> 01:32:16,398
and the most beloved.
1539
01:32:16,431 --> 01:32:18,033
- Whenever I have nothing
to do and I can't think,
1540
01:32:18,033 --> 01:32:19,200
I always iron my money.
1541
01:32:21,036 --> 01:32:22,570
- It was a city in itself and inhabited
1542
01:32:22,604 --> 01:32:25,373
right up to the time of the
Conquistadores.
1543
01:32:25,407 --> 01:32:26,975
And here's the church
that the Spaniards built
1544
01:32:27,008 --> 01:32:28,643
when they arrived.
1545
01:32:28,643 --> 01:32:31,212
- People have a hard time
sort of putting their finger
1546
01:32:31,246 --> 01:32:33,648
on who exactly was John Farrow.
1547
01:32:38,053 --> 01:32:39,888
- Excuse me sir.
1548
01:32:39,921 --> 01:32:42,223
Here it is sir, Mr. Barrett
said itís very important.
1549
01:32:42,257 --> 01:32:45,126
- I don't think he knew
how much he was respected.
1550
01:32:45,160 --> 01:32:48,797
I don't think because
I donít think he really
1551
01:32:48,830 --> 01:32:52,434
fully esteemed himself.
1552
01:32:54,002 --> 01:32:57,105
And I don't think he was happy.
1553
01:32:58,173 --> 01:33:02,243
I don't think he Iived up
to his own expectations,
1554
01:33:02,243 --> 01:33:03,812
Ietís put it that way.
1555
01:33:03,845 --> 01:33:08,416
So consequently, he lived
sort of a successful life
1556
01:33:08,450 --> 01:33:12,120
but not on a personal basis,
not a really successful life.
1557
01:33:23,064 --> 01:33:23,898
- Paul?
1558
01:33:25,934 --> 01:33:27,669
Who are your friends?
1559
01:33:28,603 --> 01:33:31,473
- And, I think itís time
we talked of payment.
1560
01:33:31,473 --> 01:33:33,641
You're not going to be alarmed are you?
1561
01:33:33,675 --> 01:33:35,910
- That is a huge amount
of work that guy did.
1562
01:33:37,512 --> 01:33:38,413
He's a pioneer.
1563
01:33:41,182 --> 01:33:44,385
Everyone's prattling on about
the Australian film industry,
1564
01:33:44,419 --> 01:33:46,054
well, have a look at a bit of the history.
1565
01:33:51,960 --> 01:33:52,794
- Yup.
1566
01:33:53,628 --> 01:33:55,130
End of a way of life.
1567
01:33:56,131 --> 01:33:57,365
Too bad.
1568
01:33:57,365 --> 01:33:59,601
- Farrow was a philanderer
1569
01:33:59,634 --> 01:34:01,903
and kind of a wild guy around town
1570
01:34:01,936 --> 01:34:03,605
and he was also a serious scholar.
1571
01:34:05,707 --> 01:34:07,842
How do you fit all that in?
1572
01:34:07,876 --> 01:34:09,978
You need to live two or three lives
1573
01:34:10,011 --> 01:34:14,716
and sometimes guys who live
really packed lives like that
1574
01:34:14,716 --> 01:34:17,986
do die young and it
certainly was true with him.
1575
01:35:40,335 --> 01:35:41,903
- My own strange fate
1576
01:35:41,903 --> 01:35:44,439
must make you ponder for a moment.
1577
01:35:44,472 --> 01:35:48,943
Must make you realize that
there are things on Earth
1578
01:35:48,943 --> 01:35:51,346
still hidden from us.
1579
01:35:51,379 --> 01:35:52,447
Secret things.
1580
01:35:53,948 --> 01:35:55,483
Dark and mysterious.
126203
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