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1
00:00:03,554 --> 00:00:07,222
[ Lorne ]HEY, UH, WHO WANTS SOME MU SHU?I GOT BEAUCOUP MU SHU HERE.
2
00:00:07,291 --> 00:00:10,125
[ Fred ]I'LL TAKE SOME. THANKS.
3
00:00:10,193 --> 00:00:12,694
ANGEL, THIS LITTLE PICNICWAS SUCH A GOOD IDEA.
4
00:00:12,763 --> 00:00:14,779
[ Gunn ]YEAH, MAN. WHY HAVEN'T WEDONE THIS BEFORE?
5
00:00:14,848 --> 00:00:17,182
[ Angel ]
OH, YOU KNOW, YOU'VE ALL
BEEN WORKING SO HARD.
6
00:00:17,251 --> 00:00:19,751
[ Wesley ] HAS ANYONE
SEEN THE PLUM SAUCE?
[ Device Whirring ]
7
00:00:19,820 --> 00:00:23,722
WE'RE CLEAN.
NOBODY'S LISTENING.
8
00:00:23,790 --> 00:00:27,259
- YOU WERE LATE.
- I THOUGHT
I WAS BEING FOLLOWED.
9
00:00:27,327 --> 00:00:29,594
[ Gunn ]I GET THAT WE HAVE TO BECAREFUL, BUT IT FEELS WEIRD...
10
00:00:29,663 --> 00:00:31,579
HIDING FROM THE COMPANY
WE'RE SUPPOSED TO BE RUNNING.
11
00:00:31,649 --> 00:00:33,581
WE'RE NOT HIDING. WE'RE BEING SAFE.
12
00:00:33,651 --> 00:00:35,851
THERE ARE FACTIONS AT
WOLFRAM AND HART, PEOPLE WHO
WANT TO SEE US DESTROYED.
13
00:00:35,919 --> 00:00:40,872
BUT STILL, IT'S NOT LIKE
EVERYONE THERE IS EVIL. I MEAN,
WE WORK WITH THESE PEOPLE.
14
00:00:40,941 --> 00:00:43,891
SOME OF THEM I SEE
MORE THAN I SEE YOU GUYS,
AT LEAST LATELY ANYWAY.
15
00:00:43,960 --> 00:00:46,378
AND YOU THINK
YOU CAN TRUST HIM?
16
00:00:46,447 --> 00:00:50,932
- THEM.
- WHAT?
17
00:00:51,001 --> 00:00:54,569
THESE PEOPLE.
THE ONES YOU'RE SPENDING
SO MUCH TIME WITH LATELY.
18
00:00:56,106 --> 00:00:57,856
KNOX, FOR EXAMPLE.
19
00:00:59,026 --> 00:01:02,627
UM, WE'RE, YOU KNOW--
[ Nervous Laugh ]
20
00:01:02,696 --> 00:01:05,847
FRIENDLY, BUT
HE'S UNDER ME.
21
00:01:05,916 --> 00:01:09,785
OR, I'M ON TOP OF HIM--
PROFESSIONALLY.
22
00:01:09,854 --> 00:01:12,754
ALL I'M SAYING IS
HE'S NOT EVIL.
23
00:01:12,823 --> 00:01:15,524
I THINK WE'RE ALL AGREED THAT
THE SENIOR PARTNERS ARE.
24
00:01:15,592 --> 00:01:20,478
THEY PUT US IN CHARGE FOR A REASON. WHAT WE NEED TO KNOW IS-- WHY?
25
00:01:20,547 --> 00:01:22,547
ONLY BEEN THERE A MONTH.
26
00:01:22,616 --> 00:01:26,885
TURNS OUT RUNNING A COMPANY
DOESN'T LEAVE A LOT OF TIME
FOR, YOU KNOW, COVERT OPS.
27
00:01:26,954 --> 00:01:31,389
YEAH, I'M UP TO MY HORNSSCHMOOZING STARLETSAND BOOZING HIPSTERS, ANGEL.
28
00:01:31,458 --> 00:01:34,092
WHAT ABOUT GUNN?
29
00:01:34,161 --> 00:01:38,313
- WHAT ABOUT GUNN?
- IT'S, WELL,
30
00:01:38,382 --> 00:01:43,418
WHAT THEY PUT IN YOUR HEAD
AND ALL THAT LAW KNOWLEDGE
AND WHATEVER.
31
00:01:44,704 --> 00:01:48,206
MAYBE YOU KNOW SOMETHING
MORE THAN THE REST OF US.
32
00:01:48,275 --> 00:01:51,944
- THE ALTERATION TO
YOUR MENTAL CAPACITY--
- MY CAPACITY'S THE SAME.
33
00:01:52,012 --> 00:01:55,597
THE GOOD DOCTOR
JUST REVVED UP SOME IDLING
BRAIN CELLS, SET 'EM IN MOTION.
34
00:01:55,665 --> 00:01:58,166
IT'S A LEGITIMATE CONCERN. YOU GAVE THEM ACCESS TO--
35
00:01:58,235 --> 00:02:02,637
I MADE A DEAL. WE ALL DID.
SEEMS LIKE I'M THE ONLY ONE
WHO'S WILLING TO ACCEPT THAT.
36
00:02:04,207 --> 00:02:05,974
EVERYBODY HERE GOT SOMETHING
OUT OF THIS.
37
00:02:06,043 --> 00:02:08,476
FEAR, MISTRUST,
A GREAT MOTOR POOL.
38
00:02:08,545 --> 00:02:11,479
I GOT THE NANCY SINATRA
COLLECTION. ORIGINAL 45s.
39
00:02:11,548 --> 00:02:15,050
I DID GET A RATHER NICE PEN.
40
00:02:15,118 --> 00:02:20,855
STERLING. HAS MY NAME ON IT,
WHICH IS NOT THE POINT AT ALL.
41
00:02:20,924 --> 00:02:23,158
NO, THE POINT IS WHAT?
THAT I'M SOME SPY FOR
THE SENIOR PARTNERS?
42
00:02:23,227 --> 00:02:25,627
- NOBODY'S SAYING THAT.
- JUST THINKING IT.
43
00:02:25,695 --> 00:02:30,365
- NO. CHARLES--
- THE POINT IS THAT THE SENIOR PARTNERS HAVE A PLAN FOR US.
44
00:02:30,434 --> 00:02:33,952
- AND IF WE'RE NOT PREPARED--
- ANGEL, IT'S NOT LIKE
WE DON'T WANNA BE READY.
45
00:02:34,021 --> 00:02:39,124
WE JUST HAVE, YOU KNOW, PLATES.
BIG, HEAPING FULL PLATES.
46
00:02:39,192 --> 00:02:42,494
BETWEEN RUNNING OUR DEPARTMENTS,
HANDLING CLIENTS,
DEALING WITH SPIKE--
47
00:02:42,562 --> 00:02:46,648
SPIKE IS A DISTRACTION.
AS SOON AS HE'S RELEASED FROM
HIS TIES FROM WOLFRAM AND HART--
48
00:02:46,716 --> 00:02:49,884
- THAT COULD TAKE YEARS.
- USING THE AMULET TO DESTROY
THE HELLMOUTH,
49
00:02:49,954 --> 00:02:53,572
- IT TURNED SPIKE INTO--
- A SPOOK?
50
00:02:53,641 --> 00:02:56,157
WELL, HE'S MORE THAN A GHOST.
51
00:02:56,226 --> 00:02:59,027
HE'S SOMETHING UNIQUE.
52
00:02:59,096 --> 00:03:01,997
[ Wesley ]REGARDLESS, WHATEVER BINDS HIM--
CAN I BORROW YOUR PEN?
53
00:03:03,551 --> 00:03:05,533
SURE.
54
00:03:06,720 --> 00:03:11,022
[ Gasping ]
[ Creature Roaring ]
55
00:03:18,465 --> 00:03:23,668
- [ Whimpering ]
- [ Ferocious Growling ]
56
00:03:23,737 --> 00:03:25,737
[ Screaming ]
57
00:04:20,627 --> 00:04:22,828
[ Growling ]
58
00:04:54,527 --> 00:04:57,478
[ Vehicle Door Opens, Closes ] [ Engine Starts ]
59
00:04:58,982 --> 00:05:02,033
[ Tires Screech ]
DAMN IT.
60
00:05:02,102 --> 00:05:05,087
SHE WAS BITTEN.
I SMELLED HER BLOOD ON HIM.
61
00:05:05,155 --> 00:05:09,157
TONIGHT'S THE SECOND NIGHT OF
THE FULL MOON-- TWO MORE NIGHTS
FOR HER TO GO ALL DOG-GIRL.
62
00:05:09,226 --> 00:05:12,227
TWELVE HOURS TILL MOONRISE
AND THEN-- IF SHE HURTS ANYONE--
SHE WON'T. WE'LL FIND HER.
63
00:05:12,296 --> 00:05:14,229
WE BETTER.
SHE WON'T EVEN KNOW
WHAT'S HAPPENING TO HER.
64
00:05:14,298 --> 00:05:16,465
SHE'LL FIGURE IT OUT
SOON ENOUGH. McMANUS DID.
THE GUY YOU--
65
00:05:16,533 --> 00:05:18,483
KILLED.
66
00:05:18,552 --> 00:05:22,220
I PULLED HIS CREDIT CARD
RECORDS, CROSS-CHECKED THEM
WITH POLICE REPORTS.
67
00:05:22,288 --> 00:05:24,455
HE LEFT HIS WIFE AND KIDS
A COUPLE YEARS AGO.
68
00:05:24,525 --> 00:05:27,191
KEPT MOVING, STAYING IN
THE MIDDLE OF NOWHERE
MOST OF THE TIME.
69
00:05:27,260 --> 00:05:29,928
FIRST YEAR OR SO, A FEW
MANGLED BODIES SHOWED UP
HERE AND THERE.
70
00:05:29,997 --> 00:05:33,498
BUT THE LAST SIX MONTHS,
GUY WAS LEAVING CORPSES
LIKE BREAD CRUMBS.
71
00:05:33,567 --> 00:05:36,401
PROBABLY TRIED TO
CONTROL 'EM FOR A WHILE,
THEN JUST GAVE UP.
72
00:05:36,469 --> 00:05:39,971
THOUGHT HE HAD TO FIGHT IT
ALONE AND ENDED UP WITH
NOTHING WORTH FIGHTING FOR.
73
00:05:40,040 --> 00:05:43,024
BUT THIS GIRL, SHE'S NOT ALONE.
SHE'S GOT US.
74
00:05:53,103 --> 00:05:56,605
WELL, AREN'T WE
THE BUSY LITTLE BEAVER.
HI, SPIKE.
75
00:05:56,673 --> 00:06:00,241
I, UH, DON'T SUPPOSE
ALL THIS BUGABOO'S
ABOUT YOURS GHOSTLY.
76
00:06:00,310 --> 00:06:03,344
WHAT? NO, NOT YOU.
IT'S--
WEREWOLF GIRL.
77
00:06:03,413 --> 00:06:07,265
RIGHT. HEARD ABOUT THAT.
78
00:06:07,333 --> 00:06:09,984
BLOODY SHAME ABOUT
THE POOR LITTLE MISS. BUT--
79
00:06:10,053 --> 00:06:13,021
SPIKE, I'M SORRY,
BUT I'M KIND OF BUSY RIGHT NOW
WITH THE SITUATION.
80
00:06:13,090 --> 00:06:17,542
HEY. I'M A SITUATION, REMEMBER?
I'M A BLOODY PHANTOM.
81
00:06:17,610 --> 00:06:21,112
AND YOU AND YOUR SERIOUS-GIRL
SPECTACLES WERE GONNA HELP ME
WITH MY BLOODY LITTLE PROBLEM.
82
00:06:21,181 --> 00:06:25,751
I KNOW AND I BLOODY WILL.
I HAD SOME IDEAS.
83
00:06:25,819 --> 00:06:28,436
- REALLY? WHAT? WHAT IDEAS?
- THEY'RE GONNA HAVE TO
WAIT TILL--
84
00:06:28,505 --> 00:06:31,939
LATER? THERE MAY NOT BE
A LATER, LOVE.
IT'S GETTING WORSE.
85
00:06:34,478 --> 00:06:36,777
WORSE? YOU MEAN, YOU'RE--
86
00:06:36,846 --> 00:06:38,779
AM I WINKING OUT OF EXISTENCE?
YEAH.
87
00:06:38,849 --> 00:06:42,783
AND I'M NOT TALKING ABOUT
QUICK POPS TO THE NETHERWORLD.
THEY'RE LASTING LONGER NOW.
88
00:06:42,852 --> 00:06:46,354
- HOW LONG?
- FEELS LIKE FOREVER.
89
00:06:47,790 --> 00:06:52,377
LOOK, SOMETHING'S TRYING TO
HOLD ON TO ME ON THE OTHER SIDE.
90
00:06:53,780 --> 00:06:55,947
IF YOU DON'T DO SOMETHING SOON,
ONE OF THESE TIMES,
91
00:06:56,015 --> 00:06:58,400
I MAY NOT COME BACK.
92
00:06:58,468 --> 00:07:01,319
- WESLEY MIGHT BE ABLE TO--
- NO.
93
00:07:01,387 --> 00:07:04,789
- HE-HE KNOWS MORE ABOUT
THE MYSTICAL--
- I CAN'T.
94
00:07:07,177 --> 00:07:09,777
WE GOT A HISTORY, HIM AND ME.
95
00:07:09,846 --> 00:07:12,647
WHAT?
96
00:07:12,716 --> 00:07:15,883
IT WAS A LONG TIME AGO.
97
00:07:15,952 --> 00:07:20,071
HE WAS A YOUNG WATCHER,
FRESH OUT OF THE ACADEMY,
WHEN WE CROSSED PATHS.
98
00:07:22,825 --> 00:07:26,178
IT WAS A, WHAT YOU CALL,
BATTLE OF WILLS.
99
00:07:27,714 --> 00:07:32,184
BLOOD WAS SPILLED.
VENDETTAS WERE SWORN.
IT WAS A WHOLE--
100
00:07:32,252 --> 00:07:34,102
MY GOD.
101
00:07:34,171 --> 00:07:38,256
- YOU'RE SO FULL OF CRAP.
- YEAH, OKAY.
102
00:07:38,324 --> 00:07:41,926
TRUTH IS, I JUST DON'T WANT
ANYONE ELSE KNOWING ABOUT
MY CONDITION, RIGHT?
103
00:07:41,995 --> 00:07:45,329
LAST THING I NEED IS
THIS GETTING BACK TO ANGEL.
I APPRECIATE YOUR CONDITION,
104
00:07:45,398 --> 00:07:49,634
BUT RIGHT NOW WE HAVE
A MORE PRESSING PRIORITY, LIKE
FINDING AND HELPING THIS GIRL.
105
00:07:49,702 --> 00:07:52,520
AND ME, I'M JUST LEFT
TO FADE INTO NOTHINGNESS.
106
00:07:52,589 --> 00:07:55,156
THERE'S NO NEED
TO BE DRAMATIC.
107
00:07:55,225 --> 00:08:00,828
LOOK, JUST TRY NOT TO DISAPPEAR, AND WE'LL FIGURE IT OUT EVENTUALLY.
108
00:08:00,898 --> 00:08:04,949
THIS PLACE,
WE HAVE ACCESS TO EVERYTHING.
109
00:08:07,020 --> 00:08:10,021
WE'RE USELESS. IS THAT
WHAT YOU'RE TRYING TO TELL ME?
ALL THESE RESOURCES--
110
00:08:10,090 --> 00:08:12,256
WE'RE DOING EVERYTHING WE CAN.
TWO YEARS OF HISTORY
ON THE DEAD GUY,
111
00:08:12,325 --> 00:08:14,493
AND WE CAN'T GET ONE LEAD
ON A LIVING, BREATHING GIRL.
112
00:08:14,561 --> 00:08:16,978
FINGERPRINTS.
HAVE HIS, DON'T HAVE HERS.
113
00:08:17,047 --> 00:08:19,847
THERE MUST BE SOMETHING
AT THE ATTACK SCENE.
114
00:08:19,916 --> 00:08:22,683
SO FAR, NOT EVEN AN EARRING.
115
00:08:22,752 --> 00:08:25,853
[ Spike ]BLOODY SHAME, LETTING THE GIRLRUN OFF LIKE THAT.
116
00:08:25,922 --> 00:08:28,990
SOMEBODY'S SLIPPING.
117
00:08:29,059 --> 00:08:31,492
I WANT PEOPLE ON THE STREET
WITH THIS IN 15 MINUTES.
118
00:08:31,561 --> 00:08:34,695
YOU FIND ANYBODY WHO'S SEEN HER,
YOU LET ME KNOW.
119
00:08:34,764 --> 00:08:38,266
- WHAT ABOUT TIRE PRINTS?
- I'M WORKING ON IT.
IT TAKES TIME, ANGEL.
120
00:08:38,335 --> 00:08:41,002
PSYCHICS ARE WORKING ON
TRACES OF THE GIRL'S BLOOD.
121
00:08:41,070 --> 00:08:44,655
THEY PICK UP IMAGES, IMPRINTS.
122
00:08:44,724 --> 00:08:47,592
MUST BE HER BEDROOM.
CAN THEY MAKE IT CLEARER?
MAYBE THEY COULD--
123
00:08:47,661 --> 00:08:50,478
- IT'S NOT LIKE A PHOTOGRAPH.
- [ Camera Shutter Clicking ]
124
00:08:51,614 --> 00:08:53,548
PRETTY RARE BREED
YOU'VE GOT HERE.
125
00:08:53,617 --> 00:08:56,067
[ Wesley ]DR. ROYCE ISA CRYPTOZOOLOGIST ON MY STAFF.
126
00:08:56,136 --> 00:08:59,520
I BROUGHT HIM IN TO TELL USWHAT WE'LL BE DEALING WITHWHEN WE FIND THE GIRL.
127
00:08:59,589 --> 00:09:04,743
LYCANTHROPUS EXTERUS.
UNDOCUMENTED IN NORTH AMERICA...
TILL NOW, OBVIOUSLY.
128
00:09:04,811 --> 00:09:07,195
HOW IS IT DIFFERENT FROM
A STANDARD WEREWOLF?
129
00:09:07,264 --> 00:09:11,416
BIPED, FOR ONE THING.
WALKS UPRIGHT. CANINES ARE
A BIT LONGER THAN NORMAL.
130
00:09:11,484 --> 00:09:13,335
ARM SPAN IS--
I DON'T CARE
ABOUT THAT.
131
00:09:13,403 --> 00:09:16,721
ALL I CARE ABOUT
IS THE GIRL.
THAT'S ROUGH.
132
00:09:16,789 --> 00:09:20,191
'CAUSE HERE ON OUT,
SHE'S IN THE KILL
OR BE KILLED CLUB.
133
00:09:20,260 --> 00:09:21,927
HERE ON OUT,
SHE'S UNDER MY PROTECTION.
134
00:09:21,995 --> 00:09:24,078
IF YOU FIND HER
BEFORE SHE TURNS.
135
00:09:24,147 --> 00:09:30,034
CATCH HER AFTER SHE GOESALL GROWLY, WON'T BE EASYTAKING HER OUT.
136
00:09:30,103 --> 00:09:32,437
I HAD A WEE SPAT WITH
A WEREWOLF MYSELF ONCE.
137
00:09:32,505 --> 00:09:36,775
FOUGHT FOR OVER AN HOUR.
BRUTAL. VICIOUS.
ALMOST LOST MY--
138
00:09:36,843 --> 00:09:38,960
ANGEL KILLED HIM WITH A PEN.
139
00:09:45,568 --> 00:09:49,237
[ Grunting Softly ]
140
00:09:51,741 --> 00:09:53,908
OH. OH.
141
00:10:09,309 --> 00:10:13,144
[ Child Laughing ]
142
00:10:22,305 --> 00:10:24,472
[ Erratic Breathing ]
143
00:10:26,476 --> 00:10:30,311
- CAREFUL WITH THE KNIFE.
- IT'S NOT EVEN SHARP.
144
00:10:30,380 --> 00:10:34,715
IT'S SHARP ENOUGH.
HEY, LOOK WHO'S UP.
145
00:10:34,784 --> 00:10:37,118
HOW LONG WAS
I OUT FOR?
ALL DAY.
146
00:10:37,187 --> 00:10:39,704
I FIGURED YOU MUST BE SICK.
147
00:10:39,773 --> 00:10:43,274
ZACK CALLED.
HE SAID HE MISSED YOU
IN LIFE DRAWING.
148
00:10:43,342 --> 00:10:46,661
- THAT'S NICE.
- [ Loud Buzzing ]
149
00:10:47,831 --> 00:10:51,349
- WHY IS YOUR NECK PURPLE?
- I DON'T KNOW.
150
00:11:06,699 --> 00:11:09,801
IS THERE SOMETHING
YOU WANNA TELL ME?
151
00:11:09,869 --> 00:11:12,186
NO. I--
152
00:11:12,255 --> 00:11:14,973
I MUST HAVE
TRIPPED ON MY RUN.
153
00:11:17,644 --> 00:11:20,912
- DON'T OVERCOOK THE MEAT.
- OOH, CAN I FLIP?
154
00:11:20,981 --> 00:11:23,064
ASK AUNTIE NINA TO HELP.
155
00:11:27,954 --> 00:11:31,022
HEY, ARE YOU SUREYOU'RE UP FORWATCHING AMANDA TONIGHT?
156
00:11:32,492 --> 00:11:35,143
I COULD TRY TOCHANGE SHIFTS.
157
00:11:36,663 --> 00:11:39,998
NO, I--
I JUST NEEDED TO--
158
00:11:40,066 --> 00:11:44,002
- AUNT NINA?
- [ Gasps ]
159
00:11:44,070 --> 00:11:45,770
ARE YOU OKAY?
160
00:11:47,424 --> 00:11:51,559
I'M FINE.
I'M FINE.
161
00:11:51,628 --> 00:11:54,962
THOSE FINE LINES?
BAD FOR THE CAR, GOOD FOR US.
162
00:11:55,031 --> 00:11:57,698
APPARENTLY, THEY MEAN
OLD TIRES, AT LEAST FIVE YEARS.
163
00:11:57,767 --> 00:12:00,768
THANK YOU. NICE SKETCH. SOMEBODY
SAW YOUR GIRL LAST NIGHT.
EAST HOLLYWOOD.
164
00:12:00,837 --> 00:12:03,338
ALL RIGHT, SO WE'RE LOOKING FOR
A MIDSIZE SEDAN,
AT LEAST FIVE YEARS OLD,
165
00:12:03,406 --> 00:12:05,807
- SOMEWHERE IN
THE HOLLYWOOD AREA.
- TICK-TOCK. TICK-TOCK.
166
00:12:05,875 --> 00:12:07,908
AND THE MOON'S ARISIN',
LADIES AND GENTS.
167
00:12:07,977 --> 00:12:12,330
I'M IN THE D.M.V. DATABASE, BUT THERE ARE THOUSANDS OF POSSIBLE MATCHES.
168
00:12:12,399 --> 00:12:17,168
COLOR ME CLEVER. SISTER GETSSLAMMED AROUND BY A WEREWOLF,SHE'S PUTTING PEDAL TO METAL.
169
00:12:17,237 --> 00:12:19,687
I MEAN, RED LIGHT,
GREEN LIGHT, SAME DIFF.
170
00:12:19,756 --> 00:12:22,089
- TRAFFIC CAMERAS.
WE NETWORKED?
- YEP.
171
00:12:22,159 --> 00:12:25,326
I'M LOOKING AT THE CAMERAS.
YOU GET SET TO RUN WITH IT
IF I FIND A MATCH.
172
00:12:25,395 --> 00:12:29,897
COURSE, I MIGHT LEAK THE INFO
TO THE SENIOR PARTNERS,
'CAUSE WE'RE TIGHT.
173
00:12:29,966 --> 00:12:32,800
JUST DO IT.
IS THE VAN READY?
174
00:12:32,869 --> 00:12:37,771
- YEP, I TRIPLE-CHECKED.
- GOOD. 'CAUSE WE GOT LESS THAN AN HOUR.
175
00:12:37,840 --> 00:12:43,377
LOT OF FUSS OVER ONE GIRL.
OTHER THINGS TO DO AROUND HERE.
IMPORTANT THINGS.
176
00:12:43,446 --> 00:12:47,265
YOU KNOW THAT "WHOOSH" THING
THAT YOU DO WHEN YOU'RE
SUDDENLY NOT THERE ANYMORE?
177
00:12:47,333 --> 00:12:51,169
- I LOVE THAT.
- 10:19 LAST NIGHT.
178
00:12:51,238 --> 00:12:54,572
1992 HONDA CIVIC
RAN A RED LIGHT
AT WESTERN AND FRANKLIN.
179
00:12:54,641 --> 00:12:56,574
BLONDE WOMAN.
THAT'S HER.
180
00:12:56,643 --> 00:12:59,310
LICENSE NUMBER
2ABM543.
181
00:13:01,114 --> 00:13:06,017
ADDRESS: 2315 HARVARD.
NAME: NINA ASH.
182
00:13:06,086 --> 00:13:08,319
HOW'S THAT?
183
00:13:09,489 --> 00:13:12,440
DOES THIS LOOK BETTER?
[ Laughs ]
184
00:13:12,508 --> 00:13:15,309
YEAH. DO THAT.
NAH, YOU WANT
SOMETHING NICE.
185
00:13:17,414 --> 00:13:21,649
♪♪ [ Humming ]
186
00:13:21,718 --> 00:13:25,786
- [ Loud Scratching Sound ] - ♪♪ [ Humming Continues ]
187
00:13:29,208 --> 00:13:33,294
- WHAT'S WRONG?
- I'M GONNA...
188
00:13:34,347 --> 00:13:37,182
LIE DOWN.
MM-HMM.
189
00:13:53,967 --> 00:13:56,451
[ Gasps ]
190
00:14:18,491 --> 00:14:20,658
AUNT NINA?
191
00:14:28,668 --> 00:14:31,452
AUNT NINA?
[ Loud Grunts ]
192
00:14:50,122 --> 00:14:53,791
[ Erratic Breathing ]
193
00:14:53,859 --> 00:14:55,526
AUNT NINA?
194
00:14:55,595 --> 00:14:59,246
- CAN I COME IN?
- [ Heavy Breathing ]
195
00:15:05,155 --> 00:15:08,139
- CAN I COME IN?
- [ Low Growling ]
196
00:15:09,292 --> 00:15:11,191
AUNT NINA?
197
00:15:11,260 --> 00:15:13,895
ARE YOU OKAY?[ Growling ]
198
00:15:15,181 --> 00:15:17,714
HEY, DOGGIE.COME AND GET IT.
199
00:15:30,863 --> 00:15:32,747
NICE SHOT.
200
00:15:34,684 --> 00:15:37,685
[ Vehicle Driving Away ]
201
00:16:03,713 --> 00:16:05,713
OH, GOD.
202
00:16:19,962 --> 00:16:23,030
WHO ARE YOU?
IT'S OKAY.
203
00:16:23,099 --> 00:16:25,032
[ Lock Clicks ]
204
00:16:26,703 --> 00:16:29,804
MY NAME'S ANGEL.
YOU'RE SAFE NOW.
205
00:16:29,872 --> 00:16:32,223
SAFE?
206
00:16:33,593 --> 00:16:36,427
OH--
[ Sniffles ]
207
00:16:36,496 --> 00:16:40,681
WELL, GREAT. THAT'S--
208
00:16:40,750 --> 00:16:43,484
GET OFF ME!
LET GO OF ME!
209
00:16:43,569 --> 00:16:46,537
HELP ME, SOMEBODY!
WHAT I'M TRYING TO
DO, NINA, IS HELP YOU.
210
00:16:46,605 --> 00:16:51,625
SAID THE PSYCHO RAPIST.
HOW DO YOU KNOW MY NAME?
211
00:16:51,694 --> 00:16:55,729
WHAT DO YOU WANT WITH ME?
JUST WANT YOU
TO SEE SOMETHING.
212
00:17:00,136 --> 00:17:04,154
I DON'T--
WHAT AM I
SUPPOSED TO BE LOOKING--
213
00:17:07,877 --> 00:17:11,062
GOD, WHAT IS THAT?
YOU DON'T REMEMBER?
214
00:17:11,130 --> 00:17:14,798
REMEMBER?
TWO NIGHTS AGO.
215
00:17:14,868 --> 00:17:19,020
YOU WERE ATTACKED IN THE WOODS.
YOU WERE JOGGING.
216
00:17:19,088 --> 00:17:24,442
JOGGING. WAIT, YEAH.
I REMEMBER THAT I--
217
00:17:29,765 --> 00:17:34,535
THAT... THING
ATTACKED ME.
218
00:17:34,604 --> 00:17:36,570
NOT EXACTLY.
219
00:17:38,792 --> 00:17:42,693
I WAS IN THE AREA.I HEARD SCREAMS, BUTBY THE TIME I GOT THERE--
220
00:17:42,762 --> 00:17:46,697
THAT WAS YOU.
YEAH. I REMEMBER.
YOU-YOU SAVED ME.
221
00:17:46,765 --> 00:17:49,200
I WAS TOO LATE.
222
00:18:06,669 --> 00:18:09,770
OH, MY GOD.
223
00:18:09,839 --> 00:18:12,139
IT WAS A WEREWOLF, NINA,
224
00:18:13,309 --> 00:18:15,309
AND YOU WERE BITTEN.
225
00:18:17,313 --> 00:18:22,149
NO.
THIS IS INSANE.
226
00:18:22,218 --> 00:18:26,721
THE BITE ALREADY STARTED
A PROCESS. YOU MAY HAVE ALREADY
STARTED TO FEEL THE EFFECTS.
227
00:18:26,789 --> 00:18:30,791
DISTORTED VISION.
HEIGHTENED SENSES.
228
00:18:30,860 --> 00:18:35,196
BLOOD. JILL, MY SISTER,
SHE WAS COOKING MEAT.
229
00:18:35,264 --> 00:18:40,601
OH, MY GOD. I-I SMELLEDTHE BLOOD. IT WAS MAKING ME--
230
00:18:42,338 --> 00:18:44,471
OH, GOD. AMANDA.
MY NIECE.
231
00:18:44,540 --> 00:18:46,791
- SHE'S OKAY,
AND SO IS YOUR SISTER.
- NO, YOU DON'T GET IT.
232
00:18:46,860 --> 00:18:48,776
- NINA, IT'S OKAY.
- NO, IT'S NOT.
233
00:18:48,845 --> 00:18:51,178
YOU DIDN'T--
I WANTED TO
RIP HER THROAT OUT.
234
00:18:56,735 --> 00:18:59,804
IT WASN'T YOU.
IT WAS THAT THING INSIDE.
235
00:18:59,873 --> 00:19:02,707
OH, LIKE THERE'S A DIFFERENCE?
THERE IS. A BIG ONE.
236
00:19:02,775 --> 00:19:05,609
I KNOW THIS IS A LOT--
DON'T TELL ME
WHAT YOU KNOW.
237
00:19:05,678 --> 00:19:09,847
YOU DIDN'T WAKE UP
AND FIND OUT
YOU'RE A... MONSTER.
238
00:19:09,915 --> 00:19:13,250
YOU DON'T KNOW ANYTHING.
239
00:19:13,319 --> 00:19:16,320
I-I'M NOT
A WEREWOLF... LIKE YOU.
240
00:19:16,389 --> 00:19:19,372
BUT-BUT I KNOW
WHAT IT'S LIKE.
241
00:19:21,544 --> 00:19:24,161
I'M A MONSTER TOO.
242
00:19:25,931 --> 00:19:29,483
SO, WHAT,
YOU'RE LIKE A FRANKENSTEIN?
243
00:19:29,552 --> 00:19:32,119
WHAT? NO.
244
00:19:36,142 --> 00:19:38,409
UM, I'M-I'M A VAMPIRE.
245
00:19:38,478 --> 00:19:42,963
- VAMPIRE.
- BUT I HAVE A SOUL.
246
00:19:43,032 --> 00:19:44,832
I'M NOT EVIL,
AND NEITHER ARE YOU.
247
00:19:44,901 --> 00:19:47,818
BUT VAMPIRES KILL PEOPLE
AND THEY--
CAN CONTROL THEMSELVES...
248
00:19:47,887 --> 00:19:50,221
IF THEY WANT TO.
249
00:19:50,289 --> 00:19:52,973
I DO IT EVERY DAY
AND SO CAN YOU.
250
00:19:59,282 --> 00:20:01,715
I'LL HELP.
251
00:20:01,784 --> 00:20:05,769
CAN YOU... CURE ME?
252
00:20:06,823 --> 00:20:10,858
NO. BUT I CAN
KEEP YOU SAFE.
253
00:20:15,882 --> 00:20:17,815
HOW IS SHE DOING?
254
00:20:17,884 --> 00:20:21,218
OH, AGREED TO STAY IN
THE HOLDING CELL TONIGHT,
BUT SHE'S PRETTY SCARED.
255
00:20:21,287 --> 00:20:23,955
SO, WHAT DO WE DO NOW?
256
00:20:24,023 --> 00:20:27,357
[ Spike ] WE WAIT FOR THE SHOW. SHOULD BE A GOOD ONE.
257
00:20:27,426 --> 00:20:31,562
EVERYONE ON PINS AND NEEDLES,
DREADING THE MOONRISE.
THEN POP GOES THE WEREWOLF.
258
00:20:31,630 --> 00:20:35,132
I CAN'T STOP WHAT'S
GONNA HAPPEN, BUT I CAN
KEEP HER FROM GETTING HURT.
259
00:20:35,201 --> 00:20:37,868
THESE FIRST FEW
TRANSFORMATIONS
ARE THE WORST.
260
00:20:37,937 --> 00:20:41,072
THE WEREWOLF'S STRENGTH
COMBINED WITH...
261
00:20:41,140 --> 00:20:43,975
THE DISORIENTATION
AND FEAR.
262
00:20:44,043 --> 00:20:46,027
YOU MEAN
SHE COULD HURT HERSELF?
263
00:20:46,095 --> 00:20:49,696
OH, I'VE SEEN THEM BANG
THEIR HEADS AGAINST WALLS,
CLAW AT THEIR OWN SKIN.
264
00:20:49,765 --> 00:20:51,999
WE'LL JUST HAVE TO TRANQ HER,
LET HER SLEEP THROUGH IT.
265
00:20:52,068 --> 00:20:56,404
WELL, THAT COULD WORK
FOR TONIGHT, BUT OVER
THE LONG HAUL, A BAD IDEA.
266
00:20:56,472 --> 00:20:59,140
WELL,
THERE HAS TO BE SOMETHING.
267
00:20:59,208 --> 00:21:01,708
THEY LIKE FAMILIAR SCENTS,
IMAGES.
268
00:21:01,777 --> 00:21:05,746
MAYBE IF YOU TOOK HER HOME
LET HER GET A FEW THINGS, UH,
COULD HAVE A CALMING EFFECT.
269
00:21:05,814 --> 00:21:08,732
FETCHING A BLANKIE'S
NOT GOING TO MAKE
A BLOODY BIT OF DIFFERENCE.
270
00:21:08,801 --> 00:21:12,452
- SPIKE, REALLY NOT HELPING.
- I'M JUST SAYING--
THE GIRL'S A KILLER.
271
00:21:12,521 --> 00:21:16,256
MAYBE NOT TONIGHT,
OR TOMORROW, BUT SHE WILL
GET OUT OF THAT CAGE.
272
00:21:16,325 --> 00:21:19,343
NOT IF SHE DOESN'T
WANT TO.
OH, SHE'LL WANT TO.
273
00:21:19,412 --> 00:21:21,945
IT'S UNFORTUNATE, BUT--
AND WHEN IT'S NOT THAT TIME OF MONTH?
274
00:21:22,014 --> 00:21:25,065
SHE'LL BE WRACKED BY
THE GUILTIES. WHAT WITH
A SOUL AND ALL.
275
00:21:25,134 --> 00:21:29,253
- DIDN'T SEEM TO BOTHER YOU.
- OH, IT'S BEEN NOTHING BUT
A PAIN IN MY--
276
00:21:29,321 --> 00:21:32,657
FINALLY. I'LL TAKE NINA
BY HER HOUSE.
277
00:21:32,725 --> 00:21:36,394
ANGEL, IT'S THE MIDDLE OF
THE DAY, UNLESS YOU PLAN ON
WAITING IN THE CAR.
278
00:21:36,462 --> 00:21:39,413
TAKE SECURITY, IN CASE
SHE CHANGES HER MIND.
279
00:21:47,089 --> 00:21:51,258
SO, THE ENTOURAGE.
ALL THIS FOR ME?
280
00:21:51,326 --> 00:21:56,347
UM, NO-- WELL,
YEAH, KIND OF.
281
00:21:56,415 --> 00:21:59,233
I MEAN, IT'S JUST
IN CASE YOU, YOU KNOW.
282
00:21:59,302 --> 00:22:02,152
- RUN AWAY?
- IT'S-IT'S NOT LIKE
YOU'RE A PRISONER.
283
00:22:02,221 --> 00:22:05,772
YOU'RE TOTALLY NOT.
IT'S JUST-- [ Exhales ]
284
00:22:05,841 --> 00:22:08,292
REALLY IMPORTANT THAT
YOU STAY WITH US TONIGHT.
285
00:22:11,280 --> 00:22:14,281
THIS IS JUST SO--
[ Scoffs ]
286
00:22:14,349 --> 00:22:19,003
I SHOULD BE IN
CERAMICS CLASS RIGHT NOW.
WE'RE LEARNING RAKU.
287
00:22:21,424 --> 00:22:23,556
SEEMS LIKE
SOMEBODY ELSE'S LIFE.
288
00:22:23,625 --> 00:22:28,462
NINA, IT'S JUST
THREE NIGHTS A MONTH,
NOT EVEN DAYS.
289
00:22:28,531 --> 00:22:31,732
YOUR LIFE DOESN'T
HAVE TO CHANGE... MUCH.
290
00:22:31,801 --> 00:22:34,734
HOW WOULD YOU--
YOU'RE NOT
A MONSTER TOO, ARE YOU?
291
00:22:34,803 --> 00:22:38,305
NOPE. STANDARD ISSUE
SCIENCE NERD.
292
00:22:38,373 --> 00:22:42,709
I DID SPEND FIVE YEARS
IN A DEMON DIMENSION...
TILL ANGEL SAVED ME.
293
00:22:44,380 --> 00:22:46,880
I GUESS HE SAVES
A LOT OF GIRLS, HUH?
294
00:22:46,949 --> 00:22:50,800
GIRLS, GUYS, PUPPIES.
295
00:22:50,869 --> 00:22:53,771
HE'S PRETTY MUCH
AN EQUAL OPPORTUNITY SAVER.
296
00:22:53,840 --> 00:22:57,174
SO YOU TWO ARE,
LIKE, A COUPLE?
297
00:22:57,242 --> 00:22:59,360
ME AND ANGEL?
298
00:22:59,428 --> 00:23:02,329
OH, GOD, NO. HE--
299
00:23:02,397 --> 00:23:06,033
HE WAS SEEING SOMEONE,
SORT OF.
300
00:23:06,101 --> 00:23:11,288
BUT, SHE-- ANGEL DOESN'TDATE MUCH,
301
00:23:11,357 --> 00:23:14,791
AT ALL...
'CAUSE OF HIS CIRCUMSTANCES.
302
00:23:14,860 --> 00:23:18,028
- 'CAUSE HE'S A VAMPIRE.
- KIND OF.
303
00:23:18,097 --> 00:23:23,551
THAT DOESN'T MEAN THAT--
HIS SITUATION'S
JUST COMPLICATED.
304
00:23:25,221 --> 00:23:27,421
MUST BE LONELY.
305
00:23:27,490 --> 00:23:30,991
SOMETIMES, MAYBE.
306
00:23:31,059 --> 00:23:34,928
BUT, IT'S NOT LIKE
HE DOESN'T HAVE ANYONE.
307
00:23:34,997 --> 00:23:36,897
WE ALL--
308
00:23:36,966 --> 00:23:40,217
WE TRY TO BE THERE
FOR EACH OTHER.
309
00:23:40,286 --> 00:23:43,620
- LIKE A FAMILY.
- YEAH.
310
00:23:43,689 --> 00:23:46,773
A DEMON-HUNTING,
HELPLESS-HELPING,
311
00:23:46,842 --> 00:23:50,393
DYSFUNCTIONAL FAMILY.
312
00:23:53,281 --> 00:23:56,967
YOU SIGN THIS, WE'RE ALL SETTO TURN McMANUS'S BODYOVER TO HIS FAMILY.
313
00:23:58,971 --> 00:24:01,438
THEY MADE ARRANGEMENTS TO
TRANSPORT HIS BODY BACK TO...
314
00:24:01,506 --> 00:24:05,008
[ Sighs ]
THE NORTH POLE.
315
00:24:05,077 --> 00:24:07,928
TURNS OUT HE HAD
A CLOSE, PERSONAL
RELATIONSHIP WITH SANTA.
316
00:24:09,865 --> 00:24:11,848
ANGEL?
317
00:24:14,169 --> 00:24:16,687
WHAT? OH, I'M WITH YOU.
318
00:24:16,755 --> 00:24:19,806
TURNING OVER THE--
SANTA?
319
00:24:19,875 --> 00:24:23,543
ANGEL, YOU SAVED
THAT GIRL'S LIFE.
320
00:24:23,612 --> 00:24:26,280
- IF YOU HADN'T GOTTEN THERE
WHEN YOU DID--
- WEREWOLF WOULD'VE KILLED HER.
321
00:24:26,348 --> 00:24:30,483
I KNOW. DOESN'T CHANGE
WHAT SHE'S GONNA HAVE TO
GO THROUGH.
322
00:24:30,552 --> 00:24:34,688
WELL, THAT PART SUCKS,
NO DOUBT, BUT YOU DID
EVERYTHING YOU COULD.
323
00:24:34,757 --> 00:24:39,560
YOU KNOW WHAT, GUNN?
DON'T NEED A PEP TALK RIGHT NOW.
JUST DO YOUR JOB.
324
00:24:42,114 --> 00:24:47,167
RIGHT. I'LL JUST GO DO THAT
SOMEPLACE ELSE.
325
00:24:49,789 --> 00:24:55,625
WHOA, WATCH IT THERE.JUST PASSIN' BY AND GOTSPLASHED WITH A HEAP OF GROUCHY.
326
00:24:55,694 --> 00:24:59,629
GOTTA TELL YA, ANGELKINS,
THAT EXTRA WEIGHT IS NOT
LOOKING SO GOOD ON YOU.
327
00:24:59,698 --> 00:25:02,182
I'M TALKING ABOUT
PSYCHIC POUNDS, PUMPKIN.
328
00:25:02,251 --> 00:25:05,385
WHY DON'T YOU CONSIDER ME
THE JENNY CRAIG FOR
THE SOUL, HUH?
329
00:25:06,722 --> 00:25:09,806
- SO LET'S HEAR IT.
- I'M NOT GONNA SING.
330
00:25:09,875 --> 00:25:14,311
COULDN'T BEAR IT IF YOU DID.
NO, IT'S TALKING YOU NEED.
OR MAYBE A SHOULDER--
331
00:25:14,379 --> 00:25:17,531
- I'M NOT GONNA CRY EITHER.
- I WAS GOING TO
A LEANING PLACE.
332
00:25:17,600 --> 00:25:21,118
OKAY, ATLAS, HOW ABOUT A SHRUG?
333
00:25:21,187 --> 00:25:24,521
LOOK, SO YOU'VE GOT
THE WEIGHT OF THE WORLD.
[ Chuckles ]
334
00:25:24,590 --> 00:25:26,706
A BURDEN SURE,
BUT BREAKING NEWS IT AIN'T.
335
00:25:26,775 --> 00:25:30,427
- LISTEN, LORNE,
THIS ISN'T A GOOD TIME.
- NO. NO, IT NEVER IS.
336
00:25:30,496 --> 00:25:33,263
SPIKE SHOWING UP
YOUR FIRST DAY IN
THE WOLFRAM AND HART SADDLE?
337
00:25:33,332 --> 00:25:35,516
TOOK THE JOLLY
RIGHT OUT OF THE RANCHER.
338
00:25:35,584 --> 00:25:38,151
WE'VE BEEN FEELING IT
EVER SINCE THEN, ANGELCAKES.
339
00:25:38,220 --> 00:25:41,372
OKAY, SO IT'S NO SECRET.
I DON'T LIKE THE GUY.
340
00:25:41,440 --> 00:25:43,723
LIKE HIM, DON'T LIKE HIM.
THAT'S UP TO YOU.
341
00:25:43,793 --> 00:25:47,027
YOU'RE FIGHTING SO MANY ENEMIESAROUND YOU, ANGEL, YOUR PUNCHESARE GETTING SLOPPY.
342
00:25:47,096 --> 00:25:50,364
AND WE'VE GOT
THE BRUISES TO PROVE IT.
343
00:25:50,433 --> 00:25:52,783
WE'RE OPERATING INUNFRIENDLY TERRITORY, CHAMP.
344
00:25:52,851 --> 00:25:57,170
I DON'T WANT YOU TO
FORGET ABOUT THE PEOPLE
COVERING YOUR BACK.
345
00:26:08,851 --> 00:26:11,518
I CHANGED MY MIND.
346
00:26:11,587 --> 00:26:14,421
I COULD GO IN FIRST,
EXPLAIN--
347
00:26:14,490 --> 00:26:17,324
NO, LET'S JUST--
HEY. I KNOW
YOU'RE SCARED,
348
00:26:17,393 --> 00:26:20,961
BUT RUNNING AWAY'S
NOT GONNA HELP.
[ Sighs ]
349
00:26:22,464 --> 00:26:24,631
WHAT ABOUT FLEEING?
CAN I FLEE?
350
00:26:24,699 --> 00:26:28,201
MAYBE THEY'RE NOT
EVEN HERE.
351
00:26:28,270 --> 00:26:31,104
WHAT THE HELLHAPPENED TO YOU?
352
00:26:31,173 --> 00:26:33,907
I'VE BEEN WORRIED--
WHO ARE YOU?
353
00:26:33,975 --> 00:26:38,445
- I'M FRED. IT'S NICE--
- I COME HOME,
AND YOU'RE JUST GONE.
354
00:26:38,514 --> 00:26:40,781
AMANDA WAS TERRIFIED.
JILL, I'M SORRY.
355
00:26:40,850 --> 00:26:44,985
WHO LEAVES THE HOUSE WITHOUT
THEIR PURSE OR KEYS? WHAT'D
YOU DO, JUMP OUT THE WINDOW?
356
00:26:45,054 --> 00:26:48,405
I THOUGHT AMANDA
HEARD ME SAY I WAS LEAVING.
OH, THAT'S GREAT.
357
00:26:48,474 --> 00:26:51,574
BLAME IT ON A NINE-YEAR-OLD.
IT'S MY FAULT.
358
00:26:51,643 --> 00:26:54,945
I CALLED NINA, LIKE, TOTALLY
SUICIDAL 'CAUSE THIS GUY IN
OUR CERAMICS CLASS DUMPED ME.
359
00:26:55,013 --> 00:26:58,248
A-AND THEN MY CAR GOT TOWED
AND SHE WANTED TO CALL,
BUT MY CELL PHONE BATTERY--
360
00:26:58,316 --> 00:27:02,269
DO YOU MIND, WHOEVER YOU ARE?
THIS HAS NOTHING TO DO WITH YOU.
361
00:27:02,338 --> 00:27:05,155
LEAVE HER ALONE.
OH, LIKE YOU LEFT
MANDY ALONE?
362
00:27:05,223 --> 00:27:08,292
IN THE HOUSE? AT NIGHT?DO YOU KNOW SHE DIDN'T WANT TOGO TO SCHOOL TODAY?
363
00:27:08,360 --> 00:27:11,778
I HAD TO LIE.
TELL HER I'D HEARD FROM YOU.
SHUT UP. JUST SHUT UP.
364
00:27:11,847 --> 00:27:15,648
I CALLED THE POLICE.
I THOUGHT--
365
00:27:15,717 --> 00:27:19,803
YOU SLEEP ALL DAY.
YOU'VE GOT BRUISES
YOU DON'T REMEMBER GETTING.
366
00:27:19,872 --> 00:27:24,041
JUST TELL ME.
WHAT'S GOING ON?
367
00:27:26,361 --> 00:27:29,028
I'M SORRY ABOUT LAST NIGHT,
368
00:27:29,098 --> 00:27:32,332
BUT YOU CAN'T COUNT ON ME
ALL THE TIME.
369
00:27:32,401 --> 00:27:34,534
SINCE WHEN?
370
00:27:34,603 --> 00:27:38,438
JUST... FIND
ANOTHER BABYSITTER.
371
00:27:44,796 --> 00:27:47,464
I'LL JUST--
IF THAT'S OKAY.
372
00:27:47,533 --> 00:27:52,302
AND, MAYBE.
SHE'S, UH,
SHE'LL BE OKAY.
373
00:27:54,306 --> 00:27:57,957
SO SHE WAS YELLING
AND FURIOUS, BUT THAT'S GOOD.
374
00:27:58,026 --> 00:28:00,360
IT MEANS, YOU KNOW,
SHE CARES.
375
00:28:00,429 --> 00:28:02,596
IF SOMETHING HAPPENED
TO AMANDA--
BUT IT DIDN'T...
376
00:28:02,665 --> 00:28:04,665
AND IT'S NOT
GOING TO.
YOU DON'T KNOW THAT.
377
00:28:04,733 --> 00:28:07,417
ANGEL--
THAT'S WEIRD.
378
00:28:14,576 --> 00:28:18,929
AND REALLY NOT GOOD.
RUN!
379
00:28:20,916 --> 00:28:22,766
[ Nina Screaming ]
380
00:28:30,826 --> 00:28:32,675
[ Nina Groans ][ Cell Phone Rings ]
381
00:28:32,745 --> 00:28:37,731
- WE GOT THE PACKAGE.
- BRING IT AROUND BACK.
I JUST HAD THE FLOORS DONE.
382
00:28:45,641 --> 00:28:49,793
NO! LET ME GO!
NO, DON'T.
383
00:28:49,862 --> 00:28:54,247
WHAT ARE YOU DOING?
LET ME GO!
384
00:28:54,316 --> 00:28:57,417
YOU HAVE TO LET ME GO.
385
00:29:01,373 --> 00:29:04,024
PLEASE.
386
00:29:16,154 --> 00:29:17,887
[ Crying ]
387
00:29:22,677 --> 00:29:25,012
[ Gasping ]
388
00:29:27,949 --> 00:29:31,234
♪ AND SHE'S LOVING HIM WITH
THAT BODY, I JUST KNOW IT ♪
389
00:29:31,303 --> 00:29:34,805
♪ AND HE'S HOLDING HER IN
HIS ARMS LATE, LATE AT NIGHT ♪
390
00:29:34,873 --> 00:29:38,708
♪ YOU KNOW I WISH THAT
I HAD JESSIE'S GIRL ♪
391
00:29:38,777 --> 00:29:42,278
♪ OH, I WANT JESSIE'S GIRL ♪
392
00:29:42,347 --> 00:29:46,182
♪ OH, JESSIE'S GIRL ♪
393
00:29:46,251 --> 00:29:50,069
♪ YES, I WANT JESSIE'S GIRL ♪♪[ Wesley ] LORNE'S READ THEENTIRE SECURITY TEAM ALREADY.
394
00:29:50,138 --> 00:29:53,139
AND THE LAB STAFF, AS WELL AS
HALF OF MY DEPARTMENT.
395
00:29:53,208 --> 00:29:56,776
IF THE KIDNAPPERS HAD SOMEONEINSIDE AT WOLFRAM AND HART,LORNE'LL KNOW.
396
00:29:56,845 --> 00:30:00,697
WHAT IF SHE WAS
DETECTED SOMEHOW,
BEFORE WE FOUND HER?
397
00:30:00,765 --> 00:30:04,117
- YEAH, BUT BY WHO?
- THE SCARIEST THING WAS
HOW ORGANIZED THEY WERE.
398
00:30:04,185 --> 00:30:06,203
ALMOST MILITARY.
399
00:30:06,272 --> 00:30:09,689
AN UNDERGROUND,
MONSTER-HUNTING
MILITARY ORGANIZATION.
400
00:30:09,758 --> 00:30:15,094
- IT'S HAPPENED BEFORE.
- IT'S ALL MY FAULT.
401
00:30:15,163 --> 00:30:18,798
- I'M STUPID.
- ANYTHING HAPPENS TO NINA,
IT'S ON ME.
402
00:30:18,867 --> 00:30:22,219
"HMM, THAT'S WEIRD.
WHY DON'T I JUST APPROACH
THE MYSTERIOUSLY AJAR DOOR?"
403
00:30:22,287 --> 00:30:25,772
STOP WITH THE MOCKING.
GET ENOUGH OF THAT
FROM BLONDIE BEAR.
404
00:30:25,840 --> 00:30:30,510
- SPIKE. HAS ANYONE SEEN HIM--
- SINCE HE WENT POOF? NO.
405
00:30:32,847 --> 00:30:35,348
BUT IT'S BEEN HOURS.
ANGEL--
406
00:30:37,319 --> 00:30:40,487
WHAT DO YOU GOT?
USUAL SUSPECTS.
407
00:30:40,556 --> 00:30:44,708
THERE'S THE SACRIFICERS.
WACKOS WHO WANNA RID
THE WORLD OF ABOMINATIONS.
408
00:30:44,776 --> 00:30:46,893
AND WEREWOLF PACKSLOOKING FOR NEW RECRUITS.
409
00:30:46,962 --> 00:30:50,564
THEN THERE'S THE PARANORMALSPORTING GROUPS.
410
00:30:50,633 --> 00:30:54,234
I-- I'LL BE--
VAMPIRE HUNTING
IN EASTERN EUROPE.
411
00:30:54,302 --> 00:30:56,469
- THAT KIND OF THING.
- SPIKE.
412
00:30:58,307 --> 00:31:00,239
HEY, SPIKE.
413
00:31:02,744 --> 00:31:06,078
SPIKE. STOP.
414
00:31:12,721 --> 00:31:15,321
SPIKE? SPIKE, WAIT.
415
00:31:16,608 --> 00:31:19,192
SPIKE, WAIT!
[ Groans ]
416
00:31:19,260 --> 00:31:24,514
DAMN. LIKE HE CAN'T HEAR ME.
JUST WHOOT! RIGHT THROUGH THE--
417
00:31:26,951 --> 00:31:30,436
- WERE YOU LOOKING FOR ME?
- OH, IS THIS YOUR OFFICE?
418
00:31:30,505 --> 00:31:34,358
I'M SO SORRY.
I WAS FOLLOWING SPIKE,
419
00:31:34,426 --> 00:31:36,760
AND I-I KIND OF
MADE A MESS.
420
00:31:36,828 --> 00:31:40,112
HE JUST WENT RIGHT THROUGH
THE WALL. IT'S SO ANNOYING
WHEN HE DOES THAT,
421
00:31:40,181 --> 00:31:43,567
'CAUSE THERE'S NOTHING
YOU CAN DO TO...
422
00:31:43,636 --> 00:31:45,235
STOP HIM.
423
00:31:48,056 --> 00:31:51,908
YOU'RE RIGHT. IT'S CALENDULA.
HE MUST'VE KNOWN WE'D
HAVE HIM SING FOR LORNE.
424
00:31:51,976 --> 00:31:54,644
SO HE CAME PREPARED
TO BLOCK THE READING.
425
00:31:54,712 --> 00:31:57,547
IT'S LIKE TAKING A VALIUM
TO PASS A POLYGRAPH TEST.
426
00:31:57,615 --> 00:32:00,283
I KNEW AS SOON AS I SAW
THE VIAL IN THE TRASH CAN.
427
00:32:00,352 --> 00:32:02,352
HOW'D YOU END UP GOING THROUGH
ROYCE'S TRASH ANYWAY?
428
00:32:02,421 --> 00:32:05,688
IT WAS, WELL, SPIKE.
429
00:32:05,757 --> 00:32:08,925
HE LED ME IN HERE.
YO, HERE WE GO.
430
00:32:08,994 --> 00:32:11,295
WE GOT OURSELVES
A SECRET PANEL.
431
00:32:11,363 --> 00:32:13,580
WHERE IS SHE?
I DON'T KNOW
WHAT YOU'RE--
432
00:32:13,649 --> 00:32:17,250
- WRONG ANSWER.
- BUT IT'S A SECRET.
433
00:32:17,319 --> 00:32:21,338
IF I TELL YOU, THIS MAN, HE'S NOT LIKE YOU. YOU'RE A GOOD GUY.
434
00:32:21,407 --> 00:32:24,674
BUT HE'S A--
WELL, NO OFFENSE,
BUT HE'S SCARIER THAN YOU.
435
00:32:24,743 --> 00:32:26,960
WANNA BET?
436
00:32:27,029 --> 00:32:29,629
ARE THEY--
[ Disgusted Sound ]
437
00:32:29,697 --> 00:32:34,034
WE'LL JUST, YEAH, BURNING.
BURNING WOULD BE GOOD FOR THESE.
438
00:32:34,102 --> 00:32:36,602
NOT EXACTLY
AN AUTOPSY KNIFE.
439
00:32:36,671 --> 00:32:38,838
YOU'RE NOT GONNA
BELIEVE THIS.
440
00:32:40,942 --> 00:32:42,776
OH, GOD.
441
00:32:48,801 --> 00:32:52,635
I KNOW WHERE SHE IS.
ANGEL, WE FOUND--
442
00:32:52,704 --> 00:32:56,539
IT'S WHAT THEY PLAN TO
DO TO HER.
IT'S A MENU.
443
00:32:59,194 --> 00:33:04,197
[ Creaking ][ Murmuring ]
444
00:33:04,266 --> 00:33:07,768
[ Scattered Applause ]
445
00:33:09,938 --> 00:33:13,273
[ Whimpering ]
446
00:33:18,747 --> 00:33:23,750
LADIES AND GENTLEMEN,
THANK YOU FOR COMING TOGETHER
ON SUCH SHORT NOTICE.
447
00:33:23,818 --> 00:33:27,303
WE HAVE A VERY RARE AND SPECIAL TREAT FOR YOU TONIGHT.
448
00:33:27,372 --> 00:33:31,708
MOONRISE IS IN 15 MINUTES.
449
00:33:32,878 --> 00:33:35,212
SHORTLY THEREAFTER,
450
00:33:36,465 --> 00:33:39,249
DINNER WILL BE SERVED.
451
00:33:45,908 --> 00:33:47,924
WHEN I DINED ON WEREWOLFIN SEVILLE,
452
00:33:47,992 --> 00:33:53,263
THE COCINERA USEDAN UNDERSTATED MOLE SAUCE TOBRING OUT THE MEAT'S TANGINESS.
453
00:33:53,332 --> 00:33:56,999
I'VE NEVER FORGOTTEN
THAT EXQUISITE BURST
OF TASTE.
454
00:33:57,068 --> 00:34:00,069
BUT CHEF RENAULT SWEARS
SERVING IT ANAISE...
455
00:34:00,138 --> 00:34:04,524
WITH A LIGHT DRIZZLE
OF WHITE TRUFFLE OIL
WILL BE QUIETLY SURPRISING.
456
00:34:06,211 --> 00:34:08,178
[ Knocking ]
457
00:34:18,190 --> 00:34:21,691
I'M ALL UP IN THE LAW NOW,
BUT DAMN IT FEELS GOOD
TO GET MY VIOLENCE ON.
458
00:34:21,759 --> 00:34:24,594
CRANE'S NOT GONNA LIKE THIS.
IF I WERE YOU, I'D JUST
BE HOPING THE GIRL'S ALIVE.
459
00:34:24,662 --> 00:34:28,731
SHE HAS TO BE, AT LEAST THROUGH
DINNER. ONCE A WEREWOLF DIES,
IT REVERTS TO ITS HUMAN STATE.
460
00:34:28,800 --> 00:34:32,251
YOU MEAN, TO EAT WEREWOLF
THEY GOTTA EAT HER ALIVE?
461
00:34:32,320 --> 00:34:35,288
EVAN. YOU'VE BROUGHT GUESTS.
462
00:34:35,357 --> 00:34:37,923
- WE'RE JUST HERE
TO PICK UP A FRIEND.
- [ Cocks Gun ]
463
00:34:37,992 --> 00:34:40,026
- [ Woman ] WATCH IT. - [ Woman Screams ]
464
00:34:43,048 --> 00:34:45,364
GEEZ, THEY GARNISHED YOU?
NO, GET AWAY.
465
00:34:45,433 --> 00:34:48,418
JUST LET THEM CHOKE ON ME.
466
00:34:48,487 --> 00:34:51,220
LISTEN TO ME.
TOMORROW YOU'RE GONNA BE HOME.
467
00:34:51,289 --> 00:34:55,959
THIS IS WHAT I AM.
I CAN'T GO BACK THERE, EVER.
468
00:34:56,027 --> 00:35:00,247
- THIS IS BETTER.
- NOTHING BETTER ABOUT ENDING UP
IN A DOGGIE BAG.
469
00:35:00,315 --> 00:35:03,333
[ Clattering ]
WHAT, NO LEPRECHAUN SOUFFLÉ?
470
00:35:03,401 --> 00:35:05,718
THERE'S NO SUCH THING
AS LEPRECHAUNS.
471
00:35:10,458 --> 00:35:14,895
- WE'VE HIT A SNAG.
- WE'RE NOT LEAVING
WITHOUT THE GIRL.
472
00:35:16,415 --> 00:35:19,799
I'M WILLING TO
LET MY MEN DIE.
CAN YOU SAY THE SAME?
473
00:35:19,868 --> 00:35:24,454
I GO,
YOU'RE GOING WITH ME.
IT'S A RISK. WHAT CAN I SAY?
474
00:35:24,523 --> 00:35:26,789
YOU PROBABLY SHOULD'VE
TOLD ME TO DROP THIS.
475
00:35:43,275 --> 00:35:46,192
[ Relieved Sigh ]
476
00:35:46,261 --> 00:35:49,946
THIS IS THE PART WHERE
WE TAKE OUR FRIEND AND GO.
I'M AFRAID NOT.
477
00:35:50,015 --> 00:35:52,682
TONIGHT
MAY NOT BE SALVAGEABLE,
478
00:35:52,750 --> 00:35:57,503
BUT MY GUESTS HAVE PAID
A HIGH PRICE,
SOME HIGHER THAN OTHERS.
479
00:35:57,572 --> 00:36:00,773
AND I PROMISED THEMA WEREWOLF.
480
00:36:00,842 --> 00:36:03,360
- [ Growls ]
- [ Screams ]
481
00:36:05,680 --> 00:36:09,866
[ Royce Groaning ]
AND A MONTH FROM NOW
YOU'LL HAVE ONE.
482
00:36:13,855 --> 00:36:16,873
NO. NO.
483
00:36:16,942 --> 00:36:21,061
MR. CRANE, PLEASE.
OH, NO. NO, PLEASE.
484
00:36:21,129 --> 00:36:24,146
DON'T DO THIS TO ME,MR. CRANE. I'M SORRY.
485
00:36:24,215 --> 00:36:27,717
[ Whimpering ]
MR. CRANE, I'M SORRY.
486
00:36:27,786 --> 00:36:30,703
NO. OH! OH!
487
00:36:30,772 --> 00:36:34,474
MR. CRANE,
I'M BEGGING YOU. NO.
488
00:36:51,793 --> 00:36:53,376
[ Gasps ]
489
00:36:53,445 --> 00:36:56,696
[ Exhales ]
SPIKE.
490
00:37:02,104 --> 00:37:04,353
I'VE BEEN LOOKING FOR YOU.
491
00:37:09,310 --> 00:37:13,145
YOU WERE THERE AGAIN.
492
00:37:13,214 --> 00:37:16,882
WHERE YOU GO
WHEN YOU'RE NOT...
493
00:37:16,951 --> 00:37:19,452
HERE.
494
00:37:22,124 --> 00:37:24,790
THERE.
495
00:37:24,859 --> 00:37:27,126
NOWHERE.
496
00:37:28,963 --> 00:37:33,617
[ Forced Chuckle ]
I DIDN'T THINK
I WAS COMING BACK.
497
00:37:35,270 --> 00:37:39,272
BUT YOU DID... MOSTLY.
498
00:37:41,293 --> 00:37:44,610
AND YOU LED ME TO
DR. ROYCE'S OFFICE, WHICH WAS...
499
00:37:47,282 --> 00:37:50,734
COMPLETELY NOT ON PURPOSE,
WAS IT?
500
00:37:52,537 --> 00:37:57,106
BUT, STILL,
YOU'RE HERE.
501
00:37:58,777 --> 00:38:04,413
LAST GASP BEFORE ETERNAL FIRE
AND BRIMSTONE. LET'S PARTY.
502
00:38:04,482 --> 00:38:06,650
WE HAVE TO TELL ANGEL.
503
00:38:06,718 --> 00:38:08,501
NO.
BUT HE COULD DO SOMETHING.
504
00:38:08,570 --> 00:38:12,155
- TALK TO THE SENIOR PARTNERS.
- I SAID NO.
505
00:38:12,223 --> 00:38:16,542
OKAY, THEN I'M GOING TO
HELP YOU. WELL,
I DON'T KNOW EXACTLY,
506
00:38:16,611 --> 00:38:18,912
BUT I AM GOING TO
FIND A WAY TO BRING YOU BACK.
507
00:38:18,980 --> 00:38:23,649
REALLY BRING YOU BACK. I PROMISE.
508
00:38:25,486 --> 00:38:27,120
WELL, ALL RIGHT, THEN.
509
00:38:28,640 --> 00:38:30,640
NO NEED TO GET DRAMATIC.
510
00:38:44,138 --> 00:38:48,058
♪ THIS OLD MAN
HE PLAYED SIX ♪
511
00:38:50,061 --> 00:38:51,995
THIS IS IT.
512
00:38:53,531 --> 00:38:55,865
SHE'S A REALLY GOOD ARTIST.
513
00:38:55,933 --> 00:38:59,402
OH, OUR REFRIGERATOR'S
ALWAYS AVAILABLE IF
SHE'S LOOKING TO SHOW.
514
00:39:02,390 --> 00:39:05,224
HOW DO YOU LIVE WITH IT?
515
00:39:05,293 --> 00:39:09,329
KNOWING THAT YOU'VE
KILLED PEOPLE?
516
00:39:09,397 --> 00:39:12,348
NINA, THEY WERE GOING TO
EAT YOU FOR DINNER.
517
00:39:14,686 --> 00:39:18,187
I JUST WANNA WAKE UP, YOU KNOW?
518
00:39:18,256 --> 00:39:21,407
AT SOME POINT, YOU'LL BE AT THE GROCERY STORE OR WITH AMANDA,
519
00:39:21,476 --> 00:39:26,813
AND, THE WHOLE WEREWOLF THING,
IT'LL JUST BE A PART
OF WHO YOU ARE.
520
00:39:26,881 --> 00:39:31,568
NEXT YOU'RE GONNA
TELL ME YOU ACTUALLY
LIKE BEING A VAMPIRE.
521
00:39:33,054 --> 00:39:36,389
WELL, BEING NEARLY
INDESTRUCTIBLE'S COOL.
522
00:39:39,578 --> 00:39:41,727
I CAN'T TELL THEM.
523
00:39:41,796 --> 00:39:44,063
MAYBE, MAYBE NOT.
524
00:39:44,132 --> 00:39:46,799
THAT PART'S NOT COVERED
IN THE MANUAL.
525
00:39:49,303 --> 00:39:51,671
THEY'RE WAITING FOR YOU.
526
00:39:54,176 --> 00:39:57,677
YOU DON'T EVER THINK ABOUT
LETTING GO?
527
00:39:57,745 --> 00:40:00,212
DISAPPEARING SOMEWHERE?
528
00:40:03,068 --> 00:40:06,785
LOOK, IF YOU SEPARATE YOURSELF
FROM THE ONES YOU LOVE,
THE MONSTER WINS.
529
00:40:06,854 --> 00:40:10,707
- YOU MAKE IT SOUND SIMPLE.
- IT'S NOT.
530
00:40:14,212 --> 00:40:16,212
SEE YOU NEXT MONTH.
531
00:40:21,986 --> 00:40:23,736
[ Car Door Closes ]
532
00:40:29,444 --> 00:40:33,730
♪ NOW, I'LL HOLD YOU CLOSE IN THE BACK OF MY MIND ♪
533
00:40:36,735 --> 00:40:41,838
♪ FEELS SO GOOD DAMN, IT MAKES ME HURT ♪
534
00:40:43,992 --> 00:40:49,962
- ♪ I'M TOO SCARED TO KNOW I FEEL ABOUT YOU NOW ♪♪
- [ Engine Starts ]
535
00:40:53,351 --> 00:40:56,352
[ Lorne ]MMM. TALK ABOUT A ROOMWITH A VIEW.
536
00:40:56,421 --> 00:40:59,255
[ Fred ] WOW, IS THAT THE HOTEL?[ Wesley ] WHERE?
537
00:40:59,324 --> 00:41:02,826
NO, I THINK THAT'S
THE CENTER FOR SCIENTOLOGY.
OH. RIGHT.
538
00:41:02,894 --> 00:41:05,061
THEY LOOK, UM,
NOTHING ALIKE AT ALL.
539
00:41:05,130 --> 00:41:07,797
I WAS STARTING TO THINK
WE WERE NEVER GONNA
SEE THE INSIDE OF THIS PLACE.
540
00:41:07,866 --> 00:41:10,033
I'M SORRY. I PROBABLY
SHOULD'VE HAD YOU GUYS
OVER SOONER,
541
00:41:10,101 --> 00:41:12,435
BUT I'M TRYING TO GET
USED TO THE PLACE MYSELF.
542
00:41:12,503 --> 00:41:15,338
LOOK AT THIS.
543
00:41:15,406 --> 00:41:18,574
I'M HOME.
HEY, COSMOS ALL AROUND?
544
00:41:18,643 --> 00:41:21,311
[ Fred ]SOUNDS GOOD.
QUITE LUXURIOUS.
545
00:41:21,379 --> 00:41:22,979
IT'S NOT BAD.
546
00:41:23,048 --> 00:41:26,049
DON'T MEAN TO TALK SHOP, BUT
CRANE'S BISTRO OF THE BIZARRE?
OUT OF BUSINESS.
547
00:41:26,117 --> 00:41:28,617
PERMANENTLY.
WHAT IF I HAVE A CRAVING
FOR SASQUATCH SOUP?
548
00:41:28,686 --> 00:41:30,854
IS THAT SOMETHING
YOU ENGLISH EAT
WITH YOUR BEANS ON TOAST?
549
00:41:30,922 --> 00:41:34,924
MMM, YOU GUYS
ARE MAKING ME HUNGRY.
WHO WANTS CHINESE?
550
00:41:34,993 --> 00:41:37,493
AS LONG AS NOTHING
COMES TARTARE, I'M IN.
551
00:41:37,562 --> 00:41:42,065
NO, I'M TOO TIRED
TO MAKE ANY DECISIONS.
JUST ORDER THE USUAL, FREDIKINS.
552
00:41:42,133 --> 00:41:46,736
I'M BUYING.
LADIES AND GENTLEMEN,
HELL JUST FROZE OVER.
553
00:41:46,804 --> 00:41:49,188
SO, WEREWOLF GIRL.
THINK YOU GOT A SHOT?
554
00:41:49,257 --> 00:41:52,125
SHE GAVE ME A LOOK.
[ Wesley ] REALLY?
555
00:41:52,193 --> 00:41:55,128
A LOOK?
556
00:41:56,614 --> 00:41:59,615
WE MOVED, ACTUALLY, TO A LAW FIRM.
557
00:41:59,684 --> 00:42:03,686
UH-HUH. DIFFERENT.
NO. NICE.
558
00:42:03,755 --> 00:42:08,357
OKAY. UM, ONE MU SHU CHICKEN.
TWO BEEF AND BROCCOLIS.
559
00:42:08,426 --> 00:42:13,429
ONE CASHEW SHRIMP.UM, MAYBE SOME LETTUCE WRAPS.
560
00:42:45,696 --> 00:42:48,113
GRR! ARRGH!
64551
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