All language subtitles for 00004.track_4608azteca

(dramatic music)

(suspenseful music)

(dramatic music)

(dramatic music)

- Police capture The Bat.

ldentify him as the famous
inteIIectuaI, Dr. Krupp.

- Did y0u read this?

- Yeah.

Filthy dogs.

l gotta spring the boss.

He has plans and we're included.

- You're right, Lilac.

But where, when?

- Who kn0ws, l'll find a way,
Bear.

l got a g0od idea.

l'll send him a little message.

- But that's impossible.

(chuckling sinisterly)

- Nah, n0t this way it ain't.

The c0ps will put it in his hand

down there at the station house.

So you see then the boss will
understand

that we're waiting t0 help.

Bear, you better go phone
aII the guys.

'Cause we'll be needing extra
strength.

- l'll be back.

- Hey, is the inspector here?

- He's interrogating The Bat in
there.

- Then no one else is mixed in
this business with you?

- No.
- In other words,

y0u work alone.
- Uh-huh.

- He's lying, lnspect0r.

You'll have t0 capture two other
cro0ks.

One is nicknamed Lilac.

He and another escaped the night
y0u raided The Bat's house.

- Alright, how about it?

Mister, y0u better confess all
y0u kn0w about this.

l'm warning y0u.

ls this a message for you?

You're stalling.

D0 y0u know anything about this,
D0ct0r?

- No, l d0n't.

- Well, if this man is The Bat,

by whom was this drawing sent?

- l don't know, lnspector.

Possibly by those two men
l've t0ld you about before.

Unfortunately, l haven't got
the sIightest idea

of what they're trying to say.

- Take him out now,

and keep your eyes on him, boys.

This message complicates things.

Let's all be very careful
from now on.

This individual is extremely
dangerous, y0u kn0w.

- Yes, lnspector, that's
c0mpIeteIy true.

- According to the facts l have
on this case,

this fella they call The Bat
used t0 be

a very fam0us d0ct0r.

- Only his license
was canceIed years ago.

- Why, Doctor?

- For carrying 0ut f0rbidden
experiments

on animals and human beings.

He grafted on parts that didn't
beIong

t0 the animals' anatomy,

and naturally the results were
horribIe.

- Men c0mmit the m0st terrible
crimes.

Anyway, with the pr0of l have
filed against this Dr. Krupp,

l'll send him away
f0r a go0d many years.

- Yes, l h0pe s0, lnspector.

- Don't worry about this.

l don't think there's anything
t0 it.

l'm very grateful to you all for
the heIp you've given me,

and l'd just like to ask one
more thing from you, D0ct0r.

- You bet, lnspector.

- l'd like you t0 tell me
aII you know

about the men we haven't
captured yet,

s0 that l can put a bulletin out
right away.

- l'd be glad to, lnspector.

Are you going up to bed now,
darling?

- Yes, and goodnight, Papa.

- Hmm, sleep well now my sweet.

- A very goodnight t0 all.

- G0odnight.
- G0odnight, Jenny.

- Well, l think, that we'll feel
much better

now that this case is cleared
up.

The Bat is g0ing t0 go to jail,

s0 there's nothing to fear n0w.

- No, l d0n't agree.

You're f0rgetting about the 0ld
curse, aren't you?

- That business is all over n0w.

- No, my father died

when he profaned the t0mb
of the Aztecs.

According to the curse, my
father was to perish,

and me to0 because
they aIso bIamed me.

- Now stop that.

Why worry, Flora?

As long as the mummy has the
breastpIate

and the bracelet in his custody,

he won't wake up, dear.

N0w you listen.

l wanna take y0u to the altar
soon.

l really d0.

Then you can forget all
of that's past, darling.

But till that date, can't you
stay here at the house?

My daughter's alone.

She and l need y0u so much.

- You're very sweet, darling.

(sighing deeply)

- l was sure scared,
and I'II admit it.

Each time l think about all
that's happened t0 us,

the old ticker starts to
c0mpIain Iike crazy.

- Are you kidding?

But that's silly when things
start going wr0ng,

y0u run like a bunny.

- Sure, l don't want my head to
get broken open that's aII.

- You sure got plenty of guts.

- l do, y0ung warri0r.

Just remember this sentence.

He who ran came back to say

that the 0ther heroes were
buried today.

(dramatic music)

(ominous music)

- All set?

(car engine revving)

(dramatic music)

(tires squealing)

- How l0ng ago did they leave
with The Bat?

- No more than
two 0r three minutes ago.

- Which way?

- Toward the n0rth.

(tires screeching)

(dramatic music)

(suspenseful music)

(gentle music)

(guns firing)

(suspenseful music)

(guns firing)

(guns firing)

(gun firing)

(tires screeching)

(dramatic music)

(machine gun firing)

(suspenseful music) (gun firing)

(machine gun firing)

(officer grunting)

(machine gun firing)

(men grunting)

(gun thuds)

- Meddling fo0l.

You better start saying your
prayers

'cause now you're g0nna get it.

- No, don't kill him Lilac.

- But, boss, listen.

- l know what l'm ta"ing ab0ut.

C0me on n0w we better get g0ing.

l am going to kill this
intruder,

but in my own way. (chuckling)

(dramatic music)

(car engine sputtering)

- The Bat escapes.

- G0od evening.

- How did you get in?

Who are you?

- l'm a friend.

- lf you're a friend,
why do you wear that mask?

- That's t0o long a story to go
into right n0w.

l only came here tonight to tell
you

that you're both in very grave
danger.

The Bat managed to escape.

- And just why did y0u come here

t0 the house to let us know?

Tell us who you are.

- l'm called The Angel,

and d0n't think that l'm
interested in y0u two aI0ne.

l try t0 help anyone that's in
troubIe.

My mission is to do all l can d0
t0 eIiminate crime.

There's s0 much it are around.

You asked me ab0ut the mask.

l hide my identify because it
makes my job easier.

- Tell me another thing.

Who helped The Bat?

- When they were taking The Bat
t0 the penitentiary,

Lilac and the other men arrived
on the scene.

They murdered the guards that
were inside the bus.

- What a ruthless thing to d0!

- l hate to say it,

but l c0uldn't fight that many
and win.

- This is terrible, darling.

To what lengths can that man g0?

- Who kn0ws, D0ct0r.

ln any case, l came to warn you

because you should be ready
f0r anything now.

l don't know when or where that
man is g0ing t0 attack.

- And the p0lice aren't they
on the job too?

- Certainly, they are.

Their companions were killed by
The Bat's men, you know,

and they want revenge also.

There are things to do
s0 I'II be going,

and l'll leave y0u this radio
wristwatch.

lf you ever run into any
troubIe,

just call me if you find it
possibIe to do so.

l'll hear you.

This is a l0ng distance radio.

Goodbye, D0ct0r.

- Now things are really bad.

The Bat is Scott free again.

- When's this nightmare going n0
end?

(sighing deeply) Edward, l0ok.

W0uldn't it be better to travel
f0r a while

and forget the whole thing?

- l guess, y0u're right,
and you can start t0 pIan.

ln two or three days
I'II be abIe to go.

Listen, hasn't Pinacate
returned?

- No, he went 0ut h0urs ago.

- And l need him l'm going to
start arranging aII my papers,

and as soon as that's finished,
I can Ieave.

- lt was a smart idea to send me
that paper.

As so0n as l spied The Bat on
it,

l figured you'd planned an
escape,

s0 l waited until you came.

- l was plenty lucky
that the pIan worked out.

- l depended on y0u
and you didn't fail,

and so l'm g0ing t0 reward you,
quite s0on.

- What's the reward, Doctor?

- The Aztec treasure.

- Do y0u mean we'll be going
after that treasure again?

- That's right, Bear.

But l don't intend to fail this
time.

N0thing can get in our way.

When l find the treasure, l'll
make you aII rich.

- That's great, b0ss.

But how d0 we find the treasure?

- Now listen, men.

One dark night, (dramatic music)

and this all happened
a Iong time ago,

Dr. Almada hypnotized his fiance
in order to prove

his the0ry that through the use
of hypnotism

a person c0uld be sent back
thr0ugh time

t0 lead a past life.

(suspenseful music)

- Now you're exactly
20-years-0ld.

Tell me, Fl0ra.

Tell me where you are?

- l don't know n0w.

- Meditate on this thing l must
know.

Please think and tell me
y0ur oId name,

and where you are at this very
instant.

l need to know exactly where you
are.

Tell me where you are.

You must tell me where you are.

- l know.

l'm in the Aztec City
TenochtitIan.

- Through her hypnotic trance,

the doctor sent the girl to the
great Aztec city 0f pyramids

where she had lived
during her previous life.

At birth she had been designated
as a servant

of the great god Tezcatlipoca,

and she should've remained a
maiden during her lifetime.

But she fell in love with
Popoca, a great Aztec warrior,

who deified the laws that
governed their Iives

in those days, and made her his.

H0wever, the high priest
discovered their secret,

and they were taken as prisoners
t0 the Iower tempIe

into the presence of the god
TezcatIip0ca

t0 receive their punishment
f0r violating his laws.

They were made t0 kneel before
the high priest,

who ordered that the sacrificial
fires be lighted.

(rhythmic drum music)

Popoca was sentenced
t0 be buried aIive

t0 keep watch through
the endIess centuries

over the breastplate and the
braceIet.

His soul was cursed,

s0 that he'd never be able
t0 find eternal rest.

(high pitched flute music)
(rhythmic drum music)

And she was sentenced to death,

not an h0n0rable death
as a servant of her g0d,

but as a simple sacrifice to
appease his anger.

(woman singing in foreign
language)

(rhythmic drum music)

♪ Ah ♪

♪ Ah, ah, ah, ah, ah ♪

♪ Ah ♪

♪ Ah, ah, ah ♪

(man speaking in foreign
language)

- And that's the story of the
experiment

that l was witness t0 since l
was watching

thr0ugh the window of Dr.
AImada's Iaborat0ry.

He learned what he wanted.

He decided to try to find the
objects

that show exactly where
the treasure is Iocated,

the great Aztec treasure.

Guided by Flora,
who recalled perfectly well

that she had been there in her
trance,

the found the objects there.

l saw them later.

They're spectacular,

and naturally their value is
incaIcuIabIe.

When l was incarcerated by the
poIice,

l learned the bad news later.

This Dr. Almada had replaced
the two things in the tomb,

the breastplate and the
braceIet.

- Only how will we find the tomb
now?

That ain't gonna be an easyjob.

- Lilac, why are you so
innocent?

l told y0u the whole story,

and you still ask me questi0ns.

There's nothing hard about it.

Can't you see that we will
empIoy the same method

that Dr. Almada used?

- Hypnotizing that woman just
the way he did.

- You're getting smart, Lilac.

So l suppose you understand how
y0u are to proceed now.

- Uh, l'm beginning t0 see.

Later tonight we'll kidnap the
girI and bring her here.

- But don't go there armed,
LiIac.

lt's risky to use guns because a
buIIet

might kill the girl or the
doctor.

- Eh, l won't forget that.

We better be going.

(dramatic music)

- Well, at last l have the
papers finished.

(suspenseful music)

- Flora!

(dramatic music)

(Fl0ra and Jenny gasping)

- Well, now let's g0 up to bed.

Tomorrow there'll be plenty of
things to do.

(ominous music)

(suspenseful music)

(men grunting)

- That's enough let him alone.

C0me on n0w.

(machine humming)

- Ah-ha, well, it seems y0u've
got two birds

with just one kidnapping.

- That's right, boss, we had to
bring the kid aIong.

She busted in on us,
and we didn't want to

risk her messing up our plans.

- That's just fine.

N0w it'll be much easier to get
Dr. AImada

when he's needed.

Untie her.

Good evening, young lady.

lt lo0ks as if we're
face to face once more.

l certainly h0pe my men didn't
mistreat you.

- Aren't you going to tire of
incIuding us

in your crimes, Dr. Krupp?

- l'll get tired the day l can
put my hands

on the thing that can help me to
progress in my work,

the Aztec treasure.

(chuckling) No, young lady.

l kn0w you think l'm lying.

But l assure you l don't want
the m0ney

t0 use it as 0thers might use
it.

Success brings t0tal joy.

The Aztec treasure is
only for my work.

l need riches in order t0 make
an important experiment

that l want the world t0 see,

and that way l'll reach the
pinnacIe.

- l know what y0u're thinking.

You're sure l'm going to guide
y0u straight to where

y0u imagine those ornaments are
hidden.

- Exactly, y0ung lady.

- Well, l hate to disillusion
y0u, Dr. Krupp.

l don't know where they are, so
I can't take you.

- Now that's very interesting.

- Well, it's obvious.

They didn't tell y0u my fiance
went the tomb

and replaced the objects.

- (chuckling) N0, young lady.

l don't forget anything.

l kn0w it.

- ln that case you must have
heard.

That there was an explosion

that destroyed the temple
c0mpIeteIy,

and that my father was killed as
weII.

- l do h0pe y0ur poor father
didn't suffer too much?

But l imagine the pyramid is

is still where it was bef0re.

Am l right?

(chuckling) Now, listen,
I'm not compIeteIy stupid,

though y0u think so.

Suppose that the temple actually
did tumbIe down.

ln that case, we'll remove the
remains

and rescue the 0rnaments.

l have plenty of men.

- But don't think l'm going to
heIp.

- Naturally y0u'd refuse.

l kn0w your type, and l expected
that you wouId.

Why sh0uld y0u want to assist?

But if l were to use the method
that your fiance used.

- Not hypnosis?

- Precisely, my dear.

- Do y0u forget that l know a
great deaI about this.

l'd apply all my strength and
fight you.

Under those c0nditions, y0u
c0uIdn't hypn0tize me.

- You're absolutely right.

But since y0u did learn a great
deal through your father,

and l didn't f0rget that fact,

y0u undoubted he kn0w that there
are certain drugs

such as this 0ne that l have
prepared

that make a patient quite
wiIIing to

c0operate completely, my dear.

- Flora, what are they going to
do to you?

N0, don't hurt, Flora!

- Take that brat away!

Lock her up!

We'll just wait around 12 hours.

Then l'll begin t0 hypnotize
her.

(Fl0ra wincing)

(groaning deeply)

- This head this time they
reaIIy br0ke my body to pieces.

- They must have scalped me,

or at least it feels like that.

- But now we better do
s0mething.

We can't sit ar0und here crying.

l'm afraid that little Jenny and
FIora are in danger.

- Unfortunately, we don't have
any inf0rmation

as t0 where that Bat's hiding.

- l'm g0ing t0 call the p0lice.

- No, no Edward, no!

That could be dangerous.

You see, if you call the p0lice,

they might kill the girls.

- Yes, Pinacate.

- And, frankly, the best thing
we can d0

is wait until The Bat telephones
us'

and we'll kn0w what it is he has
in mind then.

- Yes, l guess y0u're right,

but wh0 can bear such a
situation,

just to wait and wait and we
can't do a thing.

- Yes, Edward, it's true, but
nothing can be done.

So please try to calm d0wn.

(door creaking)

Hey, listen, why didn't you ask
f0r help fr0m The Angel?

- lt happened s0 fast, you kn0w.

Anyway last night
I hid the IittIe radi0.

N0w l can call him.

- What g0od w0uld that do?

After they steal the horse, y0u
cI0se the stabIe.

Great Jupiter how this bump
hurts.

l swear that whoever did it

busted me on the head with a
buIIdozer.

C0me closer for a sec0nd.

Look, l d0n't wanna alarm
Edward.

But l can assure y0u that The
Bat's

going to ph0ne him tom0rrow or
Wednesday.

N0w sh0uld he do that, l think,
it wouId be a g0od idea

if you put in a little call to
The AngeI.

l've been getting t0o many lumps
IateIy, y0u know,

and my brain just can't stand
t0o much gap.

- Yeah, sure.
- Understand.

- Sure, l do.

- G0od morning, boss.

- Lilac, bring in Flora
immediateIy.

- Yes, boss.

(door creaking)

C0me on he's waiting.

Didn't you hear the b0ss is
waiting?

(door creaking)

(fo0tsteps appr0aching)

You can start the work now.

Why, she didn't even try to
resist.

- A few CCs of my drug

and your resistance disappeared,
right?

C0me.

Lie down right there.

- No.

- Do as y0u're t0ld.

She has great willp0wer.

l'm really astounded.

Even under the effects of the
drug,

her unconscious mind continues
t0 put up a fight.

She reflects a strong
and rebeIIious pers0naIity.

Bear, pull the curtain.

l'll start to work 0n her right
away, LiIac.

- You gonna hypnotize her, b0ss?

- Flora, l'm your master.

(gentle music)

Give me your hand.

And now look me straight in the
eyes.

Flora, l'm ordering you.

You're getting tired, Flora.

You're getting tired.

You're getting tired.

Yes, you're slowly getting
tired.

You feel that you want t0 rest.

You feel that you must rest.

You are sleeping.

You are sleeping.

You are sleeping deeply.

You sleep the sleep of the dead.

You're sleeping.

Well, now l have her in my
power.

ln her trance she'll d0 anything
I teII her.

- And now what'll you d0?

- l'll proceed with Flora to the
pyramid.

But l consider it expedient to
take Dr. AImada pris0ner.

When we return with the
breastpIate and the braceIet,

he can decipher the
hierogIyphics on those 0bjects,

and in turn they'll tell us
exactIy

where the Aztec treasure is.

- So now we go and bring
the doctor here, right?

- No undoubtedly they're
prepared.

lf you go, they're likely
t0 capture you.

- Yeah?

- l have another plan.

You could reach him on the
teIeph0ne.

- That'll be easy.

- Then phone him right now.

(telephone ringing)

- Who's speaking?
- Dr. Almada?

- Yes, this is Almada.

- Pay cl0se attention to what
I'm going to teII you, Doctor.

- Who is this please?

- This is Dr. Krupp.

l'm sure y0u must realize now
that your fiance

and your daughter are b0th in my
power.

- Yes, so what should l do now,
Dr. Krupp?

- You are t0 c0me here
t0 this house aIone.

This is the address.

So write it down.

- G0 ahead.

- Mount L0rraine number 22.

D0 y0u have it?

- Yes.
- Fine.

You are to be here in 3O
minutes, Doctor.

You're an intelligent man, but
I'II repeat it, D0ct0r.

You are to come to this address
aIone.

(chuckling) lf y0u sh0uld decide
not to,

then y0ur girlfriend w0uld have

t0 suffer for your defiance.

You understand?
- You win.

l'll go.

- And now we'll wait here
f0r Dr. Almada,

s0 that l can carry 0ut the
pIan.

- l heard him on the extension.

What are you gonna do?

- l'm leaving right now.

- What will you d0 if it's a
trap?

- There's n0 other alternative.

Flora is in great danger.

- Sh0uld l g0 wake up Pinacate?

'Cause he told us if something
happened

t0 let him know about it.

- No, he said t0 go alone.

You two better stay here.

lf it's at all possible,
I'II caII you Iater.

- We'll wait.

Angel.

Angel.

- Yes, B0bby, what's the matter?

- Angel, we got tr0ubles,
and they're bad.

Edward ran out just now.

He's gone to The Bat's hideout.

They got Jenny and Flora
captive.

- Give me the address.

- Yes, Mount Lorraine 22.

l'm scared they'll hurt them,
AngeI.

Please hurry and get there.

- l'm leaving right away, Bobby,

and try not to worry.

l'll do everything possible
t0 save them.

- Thanks, Angel.

(dramatic music)

(suspenseful music)

(men grunting)

(dramatic music)

- They're entering.

Pretty soon we'll be getting
started,

and we'll find the treasure.

- Doct0r.

- Please take a seat.

- Now where's my daughter and
where's Fl0ra?

- Your girlfriend is there.

And your daughter in there.

- You dog, if you hurt them
I swear I'II-

- Calm d0wn, Dr. Almada.

They're not harmed, don't w0rry.

She's 0nly sleeping n0w.

Witness my hypnotic power.

- Why you black-hearted pig.

You ugly rat.

- Shut your m0uth you!

- lt's very easy to beat a man

when he's tied, and cowardly.

- Dr. Almada, don't insult me
Iike that,

or l'll make you pay f0r it.

l don't doubt for a second that
y0u're plenty of man.

l'd be glad to try y0u out.

l have a pair 0f fists that
c0uId break your head.

But right now l want to get
s0mething that's more important.

After it's mine, l pr0mise,
that you and I...

l want to fight you, D0ctor,
aIone.

l'll tell you my intenti0ns.

l'm going to acc0mpany your
lovely fiance to the pyramid.

The breastplate and the bracelet
are there.

l want them.

You'll stay tied here in the
house.

l'll leave a c0uple of men to
guard you.

When we do return, l'll make you

sit d0wn and decipher the
hierogIyphics,

s0 that we'll obtain the Aztec
treasure, Doctor.

- But that's very dangerous.

You're crazy.

l kn0w all the danger
invoIved.

l could tell you what happened
t0 us in the tomb, D0ctor.

You'd go anyway, wouldn't y0u?

- Exactly, s0 it's useless
t0 waste your breath.

- l guess you're right.

But y0u're going to take the
consequences.

- Watch what you're saying,
friend.

- Don't think that my aim
is to threaten you.

But there are certain
supernaturaI things,

mysteries that amaze us all,

and you didn't study that,
D0ct0r.

- l'll hear all about it later.

Your conversation is very
interesting.

But now the 0nly thing l wanna
know

is if y0u intend to cooperate
with me.

- l haven't the slightest
intention.

- (chuckling) But l have
methods.

l can persuade you.

- ln that case why'd y0u
bother t0 ask.

Krupp, as soon as l've
deciphered the hierogIyphics,

y0u'll free us l want your word.

- You have my word.

You'll all be set free.

(alarm ringing)

- The alarm just rang.

There's a stranger out there.

- Why you, if you dared
t0 caII the p0Iice.

(gentle music)

(suspenseful music) (men
grunting)

lt's The Angel.

l certainly wanna thank you,
D0ct0r.

N0w we can finish him.

We better put a stop to this.

You two stay and watch the
doctor.

(men grunting)

(suspenseful music)

(men grunting)

(suspenseful music) (men
grunting)

- Flora.

Flora.

Flora.

(men grunting)

(dramatic music)

- l'll w0rk on this one.

You 0thers can finish The Angel.

l didn't think that you and l'd

have our little fight s0 s0on,
Dr. AImada.

(men grunting)

(suspenseful music)

(punches thudding)

Angel, y0u know,
I'm getting pretty sick

of y0ur interference in my
affairs.

But l st0pped y0u tonight,

and l can't permit you to
c0ntinue.

l don't even wanna find 0ut
who you are.

lt really doesn't matter since
y0u're no Ionger a threat.

You'll be dead pretty s0on,

and who'll care about your true
identify.

All l can say is bon v0yage.

l don't admire your val0r.

Alright, take him to the death
chamber.

N0w, Lilac, we'll be going to
the pyramid.

- l'm ready.

- Flora, can you hear?

Answer, l command you t0 answer.

Can you hear?

- Yes.

- Come here then.

You two will stay here to watch
the doctor and the girI.

lf you make another mistake,

y0u'll pay with y0ur lives,
understand?

- Yes, sir.

- Flora, come.

We'll be going.

- Where are you taking me?

- You'll find 0ut soon enough.

(men grunting)

All set.

(suspenseful music)

ln just a couple of minutes now
he'II be dead.

- We better g0 they're all
waiting 0ut there for us.

(dramatic music)

(suspenseful music)

(gentle music)

(suspenseful music)

- Bobby.

Bobby.

- Yes.

- This is The Angel.

My life depends on the strength
of a light cord.

l want you t0 c0me running to
Mount Lorraine number 22,

the address that you gave me
bef0re.

- Yeah.

First, l'll awaken Pinacate.

He might lend us a hand.

- There's a m0ment to l0se.

l want you here in five minutes.

- Five minutes, l'll be there.

(dramatic music)

- Listen, you where's The Angel?

- He's taking a little nap in
the prettiest pIace, Doctor.

lsn't that right, boys?

(men chuckling)

- Angel, Angel.

- Bobby.

Bobby, l hear you.

- l got inside the house, so now
where?

- Come 0n toward the rear 0f the
house.

(gentle music)

- Hey, Angel, it's a dead end.

- Right in fr0nt of you you'll
see a secret door.

To open it press the button
on the left-hand side.

lt's high up.

- Angel.
- Bobby.

Look around and find something

t0 push me back and forth with.

But hurry!

Harder!

Harder!

(suspenseful music)

Thanks, Bobby.

l've never been so close to
death

as l was hanging in that chamber
just then.

- Are you sure you weren't hurt?

- Yes.

N0w we've g0t to go in and
rescue y0ur brother.

l don't know how many men
are in there standing guard,

but l know we've got t0 use
our heads this time.

C0me on.

(board clanking)

- You hear that?

Who made that noise?
- I don't know.

We better investigate.

(suspenseful music)

- And why haven't those boys
returned?

- l don't know here they c0me
now.

- Get your hands in the air.

Get their guns.

Get in there, all of y0u.

- Angel, how can l ever thank
y0u?

- Come 0n.

- Papa, Papa!

- Jenny, my darling.

Calm down, dear, d0n't worry.

There's nothing t0 frighten you.

Bobby, l want you to take Jenny
t0 the house

and keep your eyes open,
understand?

- Sure, l'll do it.
- AIright.

Give me that pistol.

- And your fiance?

- The Bat t0ok her to the
pyramid.

Let's go find her.

- Come 0n.

- She didn't lie there are signs
of a explosion.

All 0f you c0me down here.

(dramatic music)

We've got t0 c0mb this place
thoroughIy.

l kn0w that the breastplate and
the braceIet are here.

(dramatic music)

- What's this?

- Move the r0ck back.

- Boss.

That's the monster that attacked
us in Dr. AImada's h0use.

- Now that's a stupid thing
t0 say, LiIac.

lt's only a mummy that's laying
there for centuries.

lt's most probable that the
expI0sion uncovered it.

- But, boss.

(suspenseful music)

- l found it at last.

- lt's the bracelet, lo0k.

- We'll find the treasure now.

- Get your hands up.

- The Angel.

- He escaped 0nce more,
the
meddIer.

- Alright, get over there.

All 0f you t0o.

(suspenseful music)

- Throw d0wn your arms.

- Give the breastplate and the
braceIet back to the mummy.

- No, 0bey 0r the girl gets
a buIIet right now.

Lilac, start firing.

Drop that z0mbie
bef0re he murders us.

(guns firing)

Help her up.

(man screaming)

(mummy growling)

(mummy growling)

- This time we really are
in a jam, Doctor.

- l'm sorry we cause you
troubIe.

You didn't have t0 risk
y0ur own neck.

- Don't worry about that.

- The only thing that can save
us now is the mummy.

Let's stall and we'll gain time.

- But do you really think
that the mummy

will find this house, Doctor?

- Yes, because there are
undecipherabIe mysteries

surrounding his ceremonial
buriaI.

Superior forces can guide them
on the obvious.

lt's happened like that
on 0ther occasions.

So l really do think that the
mummy couId come t0night

t0 rec0ver the objects that the
Aztecs

placed in his custody.

D0n't forget that The Bat stole
them before, Angel.

l'm sure now that.

- Come 0n.

The boss is out there waiting.

Get up.

- Where did you put Flora?

- l think, l should tell you,
Dr. AImada,

that l intend t0 use her as a
hostage.

l'll set her free in a while,
D0ct0r,

once y0u have deciphered these
hierogIyphics here.

What's more, d0 this work,

and you'll get a part in the
treasure

once the treasure is f0und.

lt's a deal?

- Alright, l accept but under
one condition.

- Which is?

- She is to sit in here while l
w0rk,

and she must be conscience.

- Very well, Dr. Almada.

Did y0u hear?

- l'll bring her in.

- You know, there's something
l'd like to find 0ut.

W0n't you tell me who 0r what
injects life into the mummy?

- Certain spirits c0mmand it.

- Are you trying t0 say there
are powers,

that are completely supernatural

that give 0rders to the mummy,
D0ct0r?

- There's a lot you don't know
about these things,

and you shouldn't meddle.

l've t0ld you that.

- Well, it's all the same
with me.

Actually, l'm 0nly interested in
the Aztec treasure.

l'll use that m0ney to continue
my experiments, Doctor.

(dramatic music)

Awaken.

Wake up, Fl0ra.

- Edward, dear, they beat you.

Why did they tie you?

- There, there calm d0wn, Flora.

Later l'll explain the whole
business.

- Well, Dr. Almada, l did
what I just promised.

l hope that you'll d0 the same
and get started.

You'll keep y0ur w0rd l suppose
and decipher this message?

- Yes, Doctor.
- Edward, n0.

- But l'll need a book that's in
my house first.

- What's it called?

- lt's called Ancient Aztec
History.

lt has certain important keys
I need.

lt's the 0nly way l can decipher
the hierogIyphics.

lt must be br0ught here.

- Ah, but wh0 will bring it,
D0ct0r?

- Simply telephone my house.

My young brother will bring it
here.

- But do you really mean you're
going to do it?

(telephone ringing)

- Who's speaking?

- Your brother he has a few
w0rds.

- Bobby, Edward speaking.

l'm fine, and Jenny?

- All tucked in.

Anna's with her n0w.

- Now listen, B0bby.

ln my bookcase cl0se to the desk
in the study

there is a heavy bo0k, Ancient
Aztec History.

l need it at M0unt Lorraine
number 22.

- You saying you returned.

That's The Bat's place, Edward.

- Yeah, it's The Bat's place now
c0me quickIy.

(suspenseful music)

- Before we go on with this
thing,

and especially since you both

have expressions that
are very sad,

l think, it would be a go0d idea

if we saw the face 0f 0ur friend
the AngeI.

C0uld be that he has a happier
Iook.

ln just a moment you'll all know

who this defender ofjustice
reaIIy is.

(suspenseful music)

- You?

- So this is the famous Angel,
eh?

- Pinacate, y0u're the Angel.

- Your timid and cowardly
heIper,
Dr. AImada.

C0ngratulations, you had us
f0oled.

- l hate to say it, but l guess

the Angel's finished now,
D0ct0r.

- That explains why you ran the
moment

y0u found yourself up against
danger.

- And l used to call you a
c0ward.

Forgive me, Pinacate.

- l never associated the two.

(dramatic music)

- Tell me are you just about
thr0ugh, D0ct0r?

- No, l've only translated the
first half 0f the message.

- Well, try to work faster then.

- l can't work any faster.

l'm s0rry, Dr. Krupp.

- One h0ur is all time you have

t0 get the translation
c0mpIeted.

Should you not get it done.

(dramatic music)

You must finish it in five
minutes, Dr. AImada.

- There l finished.

- Perfect.

- l hope you'll keep your
promise,

and set us all free, Doctor, eh?

- Ah, yes.

Of c0urse, you know what to do
now, Lilac, d0n't you?

- Krupp, just what do y0u
intend to do?

Murder us all?

- What d0 y0u think?

- You heartless, unscrupulous
pig.

(gun firing)

(suspenseful music)

(mummy growling)

(guns firing)

(mummy growling)

(suspenseful music)

(mummy growling)

(dramatic music)

(glass clanking)

(guns firing)

(mummy growling)

(man grunts)

(man screams)

(dramatic music) (mummy
growling)

(gentle music)

(suspenseful music)

- No!

D0ct0r, help me!

Can't you hear me!

Help me!

(mummy growling)

D0ct0r, please help me!

Please, no!

N0, please help me!

N0!

N0!

Help!

Help!

Help!

Help!

(Krupp yells) (mummy growling)

(Krupp yells) (body thudding)

(dramatic music)

- And now n0 mortal is going to
discover the Aztec treasure.

Th0se riches don't belong to us.

- And the mummy?

- Since they destr0yed the
temple of Tezcatlipoca

he has n0 reason to go there.

ln my opinion,
he'll probably find s0meplace

where mortals seld0m tread,

a spot where he can sleep
his eternaI sIeep

and keep watch over the objects

that his f0refathers entrusted
t0 his care.

(dramatic music)

(dramatic theatrical music)