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1
00:00:09,333 --> 00:00:12,099
(woman) ? WHAT IS THIS THING ?
2
00:00:12,103 --> 00:00:15,768
? CALLED LOVE? ?
3
00:00:15,774 --> 00:00:18,307
? THIS FUNNY THING ?
4
00:00:18,311 --> 00:00:21,910
? CALLED LOVE ?
5
00:00:21,915 --> 00:00:24,214
? JUST WHO CAN SOLVE ?
6
00:00:24,217 --> 00:00:28,049
? ITS MYSTERY? ?
7
00:00:28,055 --> 00:00:31,087
? WHY SHOULD IT MAKE ?
8
00:00:31,091 --> 00:00:35,024
? A FOOL OF ME? ?
9
00:00:35,030 --> 00:00:37,129
? I SAW YOU THERE ?
10
00:00:37,133 --> 00:00:41,098
? THAT WONDERFUL DAY ?
11
00:00:41,103 --> 00:00:43,169
? YOU TOOK MY LOVE ?
12
00:00:43,173 --> 00:00:46,872
? AND THREW IT AWAY ?
13
00:00:46,877 --> 00:00:49,842
? AND SO I ASK THE LORD ?
14
00:00:49,846 --> 00:00:53,246
? IN HEAVEN ABOVE ?
15
00:00:53,251 --> 00:00:56,250
? WHAT IS THIS THING ?
16
00:00:56,255 --> 00:01:01,422
? CALLED LOVE? ?
17
00:01:02,761 --> 00:01:07,962
? CALLED LOVE ?
18
00:01:15,811 --> 00:01:17,977
(man) IT'S 105
IN THE L.A. BASIN,
19
00:01:17,980 --> 00:01:21,013
AND THOSE SUMMER TEMPERATURES
JUST KEEP KICKING ASS.
20
00:01:24,754 --> 00:01:28,387
(objects clatter)
21
00:01:28,392 --> 00:01:30,291
(sighs)
22
00:01:30,295 --> 00:01:31,893
HOT.
23
00:01:31,896 --> 00:01:33,162
A.C.'s BUSTED.
24
00:01:33,164 --> 00:01:35,130
GONNA RAISE ME?
25
00:01:35,133 --> 00:01:36,933
I'LL RAISE YOU...
26
00:01:39,271 --> 00:01:42,004
$20, AND I'LL SEE YOU.
27
00:01:42,008 --> 00:01:44,307
(moans)
28
00:01:44,311 --> 00:01:46,544
YOU WANNA SEE ME?
29
00:01:48,849 --> 00:01:51,549
OKAY.
30
00:01:52,920 --> 00:01:55,153
TWO PAIR?
31
00:01:55,157 --> 00:01:58,023
I MEAN, ALL I GOT ARE...
32
00:01:58,027 --> 00:01:59,493
(sighs)
33
00:01:59,496 --> 00:02:01,194
TRIP QUEENS.
34
00:02:01,197 --> 00:02:02,829
YOU LOSE.
35
00:02:02,832 --> 00:02:04,366
TAKE IT OFF.
36
00:02:06,137 --> 00:02:07,537
AHH.
37
00:02:09,040 --> 00:02:11,439
MMM.
38
00:02:11,443 --> 00:02:12,841
YEP.
39
00:02:12,843 --> 00:02:14,511
(whispers) ALL RIGHT.
40
00:02:16,181 --> 00:02:18,447
(normal voice)
SHALL I SHUFFLE?
41
00:02:18,451 --> 00:02:20,817
UNH-UNH.
42
00:02:31,132 --> 00:02:35,031
(both moaning)
43
00:02:35,036 --> 00:02:36,236
(clatter)
44
00:02:41,311 --> 00:02:42,510
(moans)
45
00:02:42,512 --> 00:02:44,446
(chuckles)
46
00:02:49,187 --> 00:02:51,052
AH.
AH!
47
00:02:51,055 --> 00:02:54,656
(both moaning)
48
00:02:57,963 --> 00:03:01,162
OH! OH! (gasps)
49
00:03:01,167 --> 00:03:03,567
(grunting)
50
00:03:03,571 --> 00:03:07,370
(gasping)
51
00:03:14,282 --> 00:03:17,316
(both grunting)
52
00:03:23,694 --> 00:03:25,392
OHH.
53
00:03:25,395 --> 00:03:27,128
(chuckles)
AHH.
54
00:03:27,131 --> 00:03:32,263
(panting)
55
00:03:32,270 --> 00:03:34,136
YOU WANNA DO ANOTHER ONE,
MISTER?
56
00:03:34,140 --> 00:03:37,072
(groans) I CAN'T.
57
00:03:37,076 --> 00:03:38,475
I HAVE TO GO HOME.
58
00:03:38,478 --> 00:03:40,277
I STILL HAVE TO PREP
FOR A HEARING FOR TOMORROW.
59
00:03:40,280 --> 00:03:41,546
OH.
60
00:03:41,548 --> 00:03:43,247
AH, THE LIFE OF
A RE-EMPLOYED LAWYER.
61
00:03:43,250 --> 00:03:44,616
OH.
(chips clatter)
62
00:03:44,619 --> 00:03:47,217
HEY, UH, MEET ME FOR LUNCH
ON WEDNESDAY.
63
00:03:47,221 --> 00:03:51,087
WAIT. UH, MAKE IT TUESDAY.
OLD BOYFRIEND COMING TO TOWN.
64
00:03:51,092 --> 00:03:52,458
WHAT?
65
00:03:52,461 --> 00:03:54,627
(chips clatter)
66
00:03:54,631 --> 00:03:56,396
I'M NOT THE ONLY GUY
YOU'VE EVER BEEN WITH?
67
00:03:56,399 --> 00:03:57,698
(laughs)
68
00:03:57,700 --> 00:03:59,299
HE'S HERE
FOR A COUPLE OF DAYS.
69
00:03:59,302 --> 00:04:00,601
NAME'S HIGHWAY.
70
00:04:00,604 --> 00:04:02,903
HIGHWAY?
MM-HMM.
71
00:04:02,906 --> 00:04:06,405
MUST BE ONE OF THOSE...
RESTLESS MEN.
72
00:04:06,410 --> 00:04:08,109
THAT'S HIM.
73
00:04:08,112 --> 00:04:11,044
DID YOU LOVE HIM?
74
00:04:11,049 --> 00:04:13,015
HE LOVED ME.
75
00:04:13,018 --> 00:04:15,651
THAT WAS MORE IMPORTANT.
76
00:04:15,655 --> 00:04:17,320
WELL, ANOTHER SHATTERED HEART
77
00:04:17,323 --> 00:04:19,355
ON THE LIST
OF MEN YOU'VE SET ADRIFT.
78
00:04:19,358 --> 00:04:21,624
ACTUALLY, HE WENT TO JAIL.
79
00:04:21,628 --> 00:04:24,160
DEALT DOPE TO SUPPORT
HIS SINGING CAREER.
80
00:04:24,164 --> 00:04:26,130
MM. (chuckles)
OPERA?
81
00:04:26,133 --> 00:04:29,465
COUNTRY,
BUT A LOT OF LITTLE STUFF.
82
00:04:29,470 --> 00:04:31,969
HAD A LOCAL HIT IN MEMPHIS.
83
00:04:31,973 --> 00:04:33,506
"SHOT THE MAN."
84
00:04:33,509 --> 00:04:37,708
? SHOT THE MAN
WHO STOLE YOUR HEART ?
85
00:04:37,714 --> 00:04:41,012
? KILLED THE MAN,
NOW WE'LL NEVER BE APART ?
86
00:04:41,017 --> 00:04:43,217
HE SOUNDS CLINGY.
HE'S SWEET.
87
00:04:43,220 --> 00:04:46,152
HE BOUGHT ME AN I.D. BRACELET
FROM THE MONEY HE MADE
88
00:04:46,157 --> 00:04:48,489
FROM A SHIPMENT
OF JAMAICAN WEED.
89
00:04:48,493 --> 00:04:50,259
HAD IT ENGRAVED.
90
00:04:50,262 --> 00:04:52,528
I'M WAITING.
IS THERE ANOTHER MURDER LYRIC?
91
00:04:52,531 --> 00:04:55,530
IT SAID,
92
00:04:55,535 --> 00:04:58,334
"BABY,
YOU'RE A ROCKET TO MARS."
93
00:04:58,338 --> 00:05:00,337
WELL...
94
00:05:00,340 --> 00:05:02,272
MAYBE HE GOT
INTO HIS OWN STASH.
95
00:05:02,276 --> 00:05:05,642
(chuckles)
96
00:05:05,647 --> 00:05:07,279
YOU KNOW, I HAVE
A POKER CHIP SOMEWHERE
97
00:05:07,282 --> 00:05:09,481
WHERE IT ISN'T SUPPOSED TO BE.
98
00:05:09,484 --> 00:05:11,650
AH. (whispers) OH.
99
00:05:11,654 --> 00:05:13,586
(normal voice) MAYBE...
100
00:05:13,589 --> 00:05:17,154
I CAN DO A CAVITY SEARCH.
101
00:05:17,159 --> 00:05:19,125
MM.
I THOUGHT YOU'D NEVER ASK.
102
00:05:19,128 --> 00:05:20,628
(grunts)
OKAY.
103
00:05:20,631 --> 00:05:22,229
OH, I'M GONNA FIND IT!
OH.
104
00:05:22,232 --> 00:05:24,531
WHERE IS IT? IN HERE?
MM. IS IT A $25 OR A $100?
105
00:05:24,535 --> 00:05:28,334
I DON'T KNOW. I'LL FIND IT.
HEY! NO. NO. UNH-UNH.
106
00:05:28,339 --> 00:05:30,238
(both moaning)
107
00:05:30,241 --> 00:05:33,040
OH. YOU WANNA GO BACK
TO THE BEDROOM? (groans)
108
00:05:33,045 --> 00:05:35,211
YES, BUT I ALSO HAVE TO WORK.
109
00:05:35,214 --> 00:05:37,513
(groans)
110
00:05:37,517 --> 00:05:39,449
AH, EX-BOYFRIENDS.
111
00:05:39,452 --> 00:05:41,818
SOMETIMES YOU JUST HAVE TO SAY
TA-TA.
112
00:05:41,822 --> 00:05:44,054
LIKE WHEN I SPENT MY JUNIOR YEAR
AT BARNARD ABROAD
113
00:05:44,058 --> 00:05:45,624
AND I MET FABRICE.
114
00:05:45,626 --> 00:05:48,358
ONE EXQUISITE AFTERNOON,
WE WENT ALOFT
115
00:05:48,363 --> 00:05:51,162
IN A HOT AIR BALLOON
OVER BORDEAUX.
116
00:05:51,166 --> 00:05:53,832
SUDDENLY, THUNDER POUNDED.
IT BEGAN TO POUR.
117
00:05:53,836 --> 00:05:57,135
THE BALLOON WAS SWEPT SIDEWAYS
AND COULDN'T BE CONTROLLED.
118
00:05:57,140 --> 00:05:59,806
I'VE NEVER BEEN SO SCARED
IN MY LIFE.
119
00:05:59,810 --> 00:06:01,142
BUT HERE'S THE GOOD PART--
120
00:06:01,145 --> 00:06:03,544
THE STORM STOPPED, AS THEY DO,
121
00:06:03,547 --> 00:06:05,179
AND WE WERE SAVED.
122
00:06:05,182 --> 00:06:07,048
AND A RAINBOW APPEARED.
123
00:06:07,051 --> 00:06:08,417
THEY USUALLY DO,
124
00:06:08,420 --> 00:06:10,218
BUT AS SOON AS WE LANDED,
125
00:06:10,221 --> 00:06:13,521
I SAID, "AU REVOIR, FABRICE.
IT'S BEEN FUN,
126
00:06:13,526 --> 00:06:17,125
BUT I CAN'T FORGIVE
YOUR WEEPING IN THE STORM."
127
00:06:20,802 --> 00:06:23,734
YOU HAVE A MAGNIFICENT FOOT.
128
00:06:23,738 --> 00:06:26,670
WELL, NOT TO GO ON ABOUT IT,
BUT I WAS VOTED
129
00:06:26,674 --> 00:06:30,440
MOST LIKELY IN MY LAW CLASS
TO BECOME A FOOT MODEL.
130
00:06:30,446 --> 00:06:32,645
WELL, AT BENTON FOGG LEATHERS,
131
00:06:32,648 --> 00:06:34,714
WE DON'T OFTEN GET TO SEE
THE CALIBER OF FOOT
132
00:06:34,718 --> 00:06:36,883
THAT OUR CUSTOM SHOES DESERVE.
133
00:06:36,886 --> 00:06:39,552
TOO OFTEN, WE SEE
THE IMPOVERISHED ARCH...
134
00:06:39,556 --> 00:06:42,121
MM.
THE MISSHAPEN TOENAILS.
135
00:06:42,125 --> 00:06:43,725
HMM.
HEARTBREAKING.
136
00:06:43,728 --> 00:06:45,693
BUT YOUR FOOT...
137
00:06:45,697 --> 00:06:47,396
WELL, TO BE CANDID,
138
00:06:47,399 --> 00:06:49,531
I'VE NEVER SEEN ANYTHING LIKE IT
IN MY CAREER.
139
00:06:49,534 --> 00:06:51,533
WELL, THANK YOU, HEATHER.
140
00:06:51,536 --> 00:06:55,302
AND I APPRECIATE YOUR FLYING IN
FROM LONDON FOR THE FITTING.
141
00:06:55,308 --> 00:06:58,240
OH. I ASSURE YOU,
THE PLEASURE'S ALL MINE.
142
00:06:58,244 --> 00:06:59,543
MM.
143
00:06:59,546 --> 00:07:01,779
YOU SHOULD PICK
WHICH BOOT YOU PREFER.
144
00:07:01,782 --> 00:07:03,247
BUT I'LL TELL YOU THIS.
145
00:07:03,250 --> 00:07:04,516
YOU CAN'T GO WRONG.
146
00:07:04,519 --> 00:07:07,518
FEET LIKES YOURS ARE A GIFT.
147
00:07:07,522 --> 00:07:10,488
AHH. HEY, LUTHER, I--UH... OH.
148
00:07:10,493 --> 00:07:11,792
SORRY. I'LL COME BACK.
149
00:07:11,794 --> 00:07:13,493
OH, NO, NO.
COME IN. COME IN.
150
00:07:13,496 --> 00:07:17,695
MICHAEL, MEET HEATHER CROWLEY
151
00:07:17,701 --> 00:07:20,600
OF THE FINE
CUSTOM SHOEMAKING HOUSE
152
00:07:20,604 --> 00:07:22,436
BENTON FOGG OF LONDON.
153
00:07:22,440 --> 00:07:23,774
HELLO.
PLEASURE.
154
00:07:25,276 --> 00:07:28,175
13... D.
155
00:07:28,179 --> 00:07:29,912
UH, CORRECT.
156
00:07:29,915 --> 00:07:33,180
HMM.
YOU ARE MENTALLY UNDRESSING MY FEET.
157
00:07:33,185 --> 00:07:34,885
SO I AM. (chuckles)
158
00:07:34,888 --> 00:07:37,553
LUTHER, WHAT'S THIS ALL ABOUT?
159
00:07:37,557 --> 00:07:40,189
I'M HAVING RIDING BOOTS MADE.
160
00:07:40,193 --> 00:07:41,459
FOR WHAT? YOU DON'T RIDE.
161
00:07:41,462 --> 00:07:43,327
SO WHAT?
162
00:07:43,330 --> 00:07:45,696
I'M PLANNING
TO WEAR THEM WITH SHORTS.
163
00:07:45,700 --> 00:07:47,332
(chuckles)
164
00:07:47,335 --> 00:07:49,335
HEATHER, WOULD YOU GIVE US
A MOMENT? OH.
165
00:07:58,816 --> 00:08:00,848
TAINTED TUSH HAS GONE PUBLIC.
166
00:08:00,852 --> 00:08:03,217
WE ARE GOING TO BE RICH BEYOND
OUR WILDEST DREAMS.
167
00:08:03,220 --> 00:08:05,186
$50 MILLION BETWEEN US!
168
00:08:05,190 --> 00:08:06,889
$50 MILLION ON PAPER, LUTHER.
169
00:08:06,892 --> 00:08:09,524
IT'S--IT'S DATED STOCK.
WE CAN'T SELL IT FOR SIX MONTHS.
170
00:08:09,528 --> 00:08:10,761
GOOD. IT'LL BE WORTH
EVEN MORE BY THEN.
171
00:08:10,763 --> 00:08:12,395
THINK ABOUT IT, MICHAEL.
172
00:08:12,398 --> 00:08:14,363
WE NEVER HAVE TO GROW UP!
173
00:08:14,366 --> 00:08:16,299
OH! THEN THE PRESSURE'S OFF
FOR YOU.
174
00:08:16,303 --> 00:08:18,302
PEOPLE ONLY GROW UP
AND GET THEIR AT TOGETHER
175
00:08:18,305 --> 00:08:19,804
SO THEY CAN MAKE A LIVING.
176
00:08:19,807 --> 00:08:21,306
WE DON'T HAVE TO DO THAT
ANYMORE.
177
00:08:21,308 --> 00:08:23,207
WE CAN DO
WHATEVER THE FUCK WE WANT!
178
00:08:23,211 --> 00:08:25,710
LUTHER--
I AM GOING TO PROPOSE TO SHERYL CROW.
179
00:08:25,714 --> 00:08:27,713
WHAT?
THIS IS MY TIME, MICHAEL.
180
00:08:27,716 --> 00:08:29,648
I'M GONNA JOIN
CIRQUE du SOLEIL!
181
00:08:29,651 --> 00:08:31,317
LOOK, LUTHER, YOU'RE
GETTING AHEAD OF YOURSELF.
182
00:08:31,320 --> 00:08:32,853
NO, I'M FINALLY IN SYNC
WITH MYSELF.
183
00:08:32,856 --> 00:08:34,588
I'M FREE! (laughs)
OKAY.
184
00:08:34,591 --> 00:08:36,523
FROM THIS MOMENT FORWARD,
185
00:08:36,526 --> 00:08:39,258
I DROP ALL PRETENSE,
I SHED MY FACADE.
186
00:08:39,262 --> 00:08:41,895
I AM GOING TO BE THE ME
I'VE ALWAYS WANTED TO BE!
187
00:08:41,900 --> 00:08:43,599
THE REAL ME!
188
00:08:43,602 --> 00:08:47,367
AND I'M GOING TO STOP SHAVING
MY ASS. (laughs)
189
00:08:47,372 --> 00:08:50,371
THAT IS GENUINELY REVOLTING.
190
00:08:50,375 --> 00:08:52,641
(knock on door)
(laughing)
191
00:08:52,645 --> 00:08:56,078
MICHAEL, I NEED YOU
FOR A MOMENT.
192
00:08:56,083 --> 00:08:59,414
LUTHER, WHY ARE YOU JUMPING
ON THE COUCH?
193
00:08:59,419 --> 00:09:01,952
BECAUSE I AM ALIVE!
194
00:09:01,956 --> 00:09:03,488
WHERE ARE YOUR SHOES?
195
00:09:03,491 --> 00:09:05,357
(sighs deeply)
196
00:09:05,360 --> 00:09:08,292
HOW CONVENTIONAL OF YOU TO
BE ALARMED BY MISSING FOOTWEAR
197
00:09:08,296 --> 00:09:12,695
WHEN YOUR VERY ESSENCE HAS BEEN
STOLEN BY CORPORATE INANITY.
198
00:09:12,702 --> 00:09:14,535
NEVER THOUGHT OF IT THAT WAY.
199
00:09:14,538 --> 00:09:16,937
THIS, ARTHUR,
200
00:09:16,941 --> 00:09:20,840
IS WHAT REAL TRUE FREEDOM
LOOKS LIKE.
201
00:09:20,845 --> 00:09:24,377
NO MORE SELLING OUT
FOR ME. NO.
202
00:09:24,382 --> 00:09:26,648
THIS, MY FRIEND...
203
00:09:26,652 --> 00:09:27,884
(chuckles)
204
00:09:27,886 --> 00:09:29,785
IS THE REAL ME!
205
00:09:29,789 --> 00:09:31,788
HA! (laughs)
206
00:09:31,791 --> 00:09:35,590
WELL, CARRY ON, YOU.
207
00:09:35,595 --> 00:09:37,460
A SMALL SUGGESTION--YOU MIGHT
WANT TO PULL UP YOUR TROUSERS.
208
00:09:37,464 --> 00:09:38,897
I CAN SEE YOUR CHUBBER.
209
00:09:38,899 --> 00:09:41,431
MICHAEL.
YEAH.
210
00:09:41,435 --> 00:09:43,569
(clears throat)
211
00:09:45,807 --> 00:09:47,707
(exhales deeply)
212
00:10:01,426 --> 00:10:03,359
(sighs)
213
00:10:05,363 --> 00:10:06,629
HI, MICHAEL.
214
00:10:06,632 --> 00:10:08,431
JOCE.
215
00:10:08,434 --> 00:10:11,766
WHAT A POTENTIALLY PAINFUL
SURPRISE.
216
00:10:11,771 --> 00:10:13,470
LAST TIME WE SPOKE,
217
00:10:13,473 --> 00:10:16,039
YOU WERE WITH
YOUR NEW PAL CASEY IN KAUAI.
218
00:10:16,043 --> 00:10:18,442
HOW ARE THE BEACHES,
THE WATERFALLS,
219
00:10:18,446 --> 00:10:19,712
THE CUNNILINGUS?
220
00:10:19,714 --> 00:10:22,913
I DIDN'T LEAVE YOU
FOR A WOMAN.
221
00:10:22,918 --> 00:10:24,550
SHE LOOKED LIKE A WOMAN.
222
00:10:24,553 --> 00:10:26,452
AM I MISSING SOMETHING?
223
00:10:26,455 --> 00:10:28,787
SO MUCH, MICHAEL.
224
00:10:28,791 --> 00:10:32,457
CASEY IS ONLY PART OF IT.
225
00:10:32,462 --> 00:10:34,828
THERE'S...
226
00:10:34,832 --> 00:10:36,831
ALSO HAL.
227
00:10:36,834 --> 00:10:39,633
HAL?
228
00:10:39,637 --> 00:10:41,036
THAT SOUNDS LIKE A MAN'S NAME.
229
00:10:41,039 --> 00:10:43,171
YOU KNOW, SOMEONE WHO OWNS
AND OPERATES A PENIS.
230
00:10:43,174 --> 00:10:44,773
(sighs) YOU'D LIKE HIM.
231
00:10:44,776 --> 00:10:46,942
I ALREADY DON'T.
HE LIKES YOU.
232
00:10:46,946 --> 00:10:48,678
I TOLD HIM ALL ABOUT YOU.
233
00:10:48,681 --> 00:10:49,880
NO, YOU DIDN'T.
TELL ME YOU DIDN'T DO THAT.
234
00:10:49,882 --> 00:10:51,714
I TOLD HIM I LOVE YOU,
235
00:10:51,717 --> 00:10:55,017
AND NOW HE LOVES YOU.
236
00:10:55,022 --> 00:10:57,954
I DON'T WANT HAL TO LOVE ME.
MAKE HIM STOP.
237
00:10:57,959 --> 00:10:59,524
(chuckles)
238
00:10:59,527 --> 00:11:01,926
YOU CAN'T STOP LOVE, MICHAEL.
239
00:11:01,929 --> 00:11:06,195
HAVE YOU EVER HEARD OF...
240
00:11:06,201 --> 00:11:08,000
POLYAMORY?
241
00:11:08,003 --> 00:11:10,202
IT THAT THE LESBO RESORT YOU
STAYED WHEN YOU WERE IN HAWAII?
242
00:11:10,206 --> 00:11:13,005
IT'S THE NEW INTIMACY.
243
00:11:13,009 --> 00:11:17,941
OPENING YOURSELF UP TO LOVING
MORE THAN JUST ONE PERSON.
244
00:11:17,948 --> 00:11:19,747
AS DAVID CROSBY SANG
245
00:11:19,750 --> 00:11:23,482
IN HIS POIGNANT BALLAD
"TRIAD,"
246
00:11:23,488 --> 00:11:26,721
"WHY CAN'T WE GO ON AS THREE?"
247
00:11:26,725 --> 00:11:27,957
MM.
248
00:11:27,960 --> 00:11:31,160
OR MAYBE EVEN...
249
00:11:31,165 --> 00:11:33,530
FOUR?
250
00:11:33,533 --> 00:11:35,899
(clears throat) DOES HAL LOOK
A LOT LIKE DAVID CROSBY?
251
00:11:35,903 --> 00:11:37,902
NO.
252
00:11:37,905 --> 00:11:40,637
AH. DAVID CROSBY DONATES SPERM
TO LESBIANS.
253
00:11:40,642 --> 00:11:41,941
IS THAT HOW YOU KNOW HIM?
254
00:11:41,943 --> 00:11:43,842
I DON'T KNOW HIM, MICHAEL.
255
00:11:43,845 --> 00:11:46,610
I'M JUST REFERENCING
AN OLD SONG.
256
00:11:46,615 --> 00:11:49,082
LOOK...
257
00:11:49,086 --> 00:11:50,517
I WANT YOU TO MEET THEM.
258
00:11:50,519 --> 00:11:52,552
NO.
259
00:11:52,556 --> 00:11:56,255
IT WOULD REPRESENT COMPLETION
OF THE CIRCLE FOR ME, MICHAEL.
260
00:11:56,260 --> 00:11:57,759
THINK OF IT.
261
00:11:57,762 --> 00:12:00,228
MY NEW LIFE WITH CASEY AND HAL,
262
00:12:00,232 --> 00:12:02,064
MY WORK ON THE CANTONI ACCOUNT.
263
00:12:02,067 --> 00:12:05,632
IT'S ALL COMING MY WAY.
264
00:12:05,637 --> 00:12:08,636
(sighs)
265
00:12:08,640 --> 00:12:10,539
CAN WE COME OVER
FOR ONE DRINK?
266
00:12:10,543 --> 00:12:12,542
NO!
267
00:12:12,545 --> 00:12:14,145
PLEASE?
268
00:12:14,148 --> 00:12:16,847
FINE. I'VE RETHOUGHT IT.
269
00:12:16,851 --> 00:12:18,084
NO.
270
00:12:19,653 --> 00:12:22,086
I LOVE YOU, MICHAEL.
271
00:12:22,090 --> 00:12:24,655
YOU ARE IMPORTANT TO ME,
272
00:12:24,659 --> 00:12:28,892
AND NOW SO IS CASEY AND HAL.
273
00:12:28,898 --> 00:12:31,663
THEY'VE CHANGED ME,
274
00:12:31,667 --> 00:12:34,700
AND I NEED YOU TO MEET THEM.
275
00:12:34,705 --> 00:12:36,871
NO STRINGS ATTACHED.
276
00:12:36,874 --> 00:12:40,639
WHAT ABOUT ROPES? YOU DIDN'T
SAY ANYTHING ABOUT ROPES.
277
00:12:40,645 --> 00:12:42,145
IS HAL
ONE OF THOSE BONDAGE KINGS?
278
00:12:42,148 --> 00:12:45,213
IS HE GONNA STRING ME UP
AND DRIP HOT WAX ON MY NUTS?
279
00:12:45,217 --> 00:12:46,616
YOU'VE GOT IT ALL WRONG,
MICHAEL.
280
00:12:46,619 --> 00:12:49,819
THIS IS ABOUT EMOTIONS,
NOT SEX.
281
00:12:51,091 --> 00:12:52,923
PLEASE DO THIS FOR ME.
282
00:12:52,926 --> 00:12:55,792
(scoffs) HMM.
283
00:12:55,797 --> 00:12:58,196
DO I HAVE TO HUG HIM?
NO.
284
00:12:58,199 --> 00:12:59,631
IS HE GONNA TRY AND BLOW ME?
285
00:12:59,634 --> 00:13:01,666
(chuckles) NO.
286
00:13:01,669 --> 00:13:04,635
IS HE EXPECTING ME
TO BLOW HIM? NO.
287
00:13:04,640 --> 00:13:06,840
ONE DRINK. ONE.
288
00:13:14,819 --> 00:13:16,751
(laughs) WHAT IS THIS,
LUTHER?
289
00:13:16,754 --> 00:13:19,086
I TOLD YOU, IT'S A SURPRISE.
290
00:13:19,090 --> 00:13:21,923
COME ON! TELL ME!
BE PATIENT.
291
00:13:21,927 --> 00:13:25,760
(giggling)
292
00:13:26,833 --> 00:13:28,199
VOILA.
293
00:13:28,201 --> 00:13:29,799
WELL...
294
00:13:29,802 --> 00:13:32,634
WHO IS HE AND WHAT IS HE DOING
IN MY BED?
295
00:13:32,639 --> 00:13:34,272
IT'S MARCELLO.
296
00:13:34,275 --> 00:13:37,107
SAY HELLO, MARCELLO. (chuckles)
297
00:13:37,111 --> 00:13:38,810
(male voice)
BUON SERA, PEMMIE.
298
00:13:38,813 --> 00:13:40,146
(laughs)
299
00:13:40,148 --> 00:13:42,646
DITTO, MARCELLO.
300
00:13:42,650 --> 00:13:44,649
HMM. A THREE-WAY.
301
00:13:44,653 --> 00:13:47,853
YOU ARE A BAD BOY, LUTHER.
302
00:13:47,857 --> 00:13:49,189
WELL, I TRY.
303
00:13:49,192 --> 00:13:50,958
AHH.
COME TO ME, PEMMIE.
304
00:13:50,961 --> 00:13:53,993
(laughs) OH, GOD.
305
00:13:53,998 --> 00:13:56,231
THANK GOD JOCE IS IN LISBON.
306
00:13:56,234 --> 00:13:57,765
(chuckles)
307
00:13:57,768 --> 00:13:59,934
OH, GOD. YOU ARE CRAZY.
308
00:13:59,938 --> 00:14:01,670
MMM.
309
00:14:01,673 --> 00:14:03,772
(gasping) OH, MY GOD!
310
00:14:03,775 --> 00:14:05,875
THIS THING'S SO FUCKING SICK!
311
00:14:05,879 --> 00:14:07,944
IT GETS BETTER.
PULL THE COVERS DOWN.
312
00:14:07,947 --> 00:14:09,213
(laughing)
313
00:14:09,215 --> 00:14:12,281
OH! HOLY SHIT.
314
00:14:12,286 --> 00:14:15,718
(laughing) OH, MY GOD!
315
00:14:15,723 --> 00:14:18,422
MARCELLO IS A STATE-OF-THE-ART
REAL DOLL.
316
00:14:18,426 --> 00:14:19,858
IT WAS A GIFT GIVEN TO ME
317
00:14:19,861 --> 00:14:21,827
BY MY GOOD FRIENDS...
MMM!
318
00:14:21,830 --> 00:14:24,729
AT ABYSS CREATIONS.
CARE TO TAKE IT FOR A SPIN?
319
00:14:24,734 --> 00:14:27,367
OHH, GOD,
THAT IS ONE AMAZING COCK.
320
00:14:27,371 --> 00:14:29,170
OH, I ALMOST FORGOT.
321
00:14:31,141 --> 00:14:34,873
(imitates rifle click
and rapid gunfire)
322
00:14:34,878 --> 00:14:36,844
(laughing)
HA HA! (blows air)
323
00:14:36,848 --> 00:14:38,147
OH!
TASTER'S CHOICE.
324
00:14:38,149 --> 00:14:39,748
HOLY SHIT.
325
00:14:39,751 --> 00:14:41,384
ALL RIGHT, I'LL TAKE IT
FROM HERE, LUTHER.
326
00:14:41,387 --> 00:14:44,386
AHH.
327
00:14:44,391 --> 00:14:46,023
HELLO, MARCELLO.
328
00:14:46,026 --> 00:14:47,724
(speaks indistinctly)
329
00:14:47,726 --> 00:14:49,293
THIS IS KIND OF WEIRD,
YOU LITTLE NAUGHTY BOY.
330
00:14:49,296 --> 00:14:52,727
YES, YOU LIKE THAT, MARCELLO,
YOU LITTLE BITCH?
331
00:14:52,732 --> 00:14:54,865
(gasps) BOING!
332
00:14:54,869 --> 00:14:56,402
YES, MARCELLO!
333
00:14:56,405 --> 00:14:58,504
OH, YEAH, YOU LIKE IT LIKE THAT,
YOU LITTLE BITCH?
334
00:14:58,507 --> 00:15:01,873
(moaning)
335
00:15:04,280 --> 00:15:07,079
WHAT IS THAT SMELL, LUTHER?
I CAN SMELL YOU FROM HERE.
336
00:15:07,083 --> 00:15:09,349
(inhales deeply)
THAT, MY DEAREST PEMBERG,
337
00:15:09,353 --> 00:15:11,785
IS THE SMELL OF FREEDOM!
338
00:15:11,789 --> 00:15:12,988
(laughs)
339
00:15:12,990 --> 00:15:14,956
YOU REEK LIKE AN ANIMAL.
340
00:15:14,959 --> 00:15:18,258
YES.
GET IN HERE WITH US AND GRAB THAT BIG DICK ON THE WAY.
341
00:15:18,263 --> 00:15:19,728
OH, YES, BABY.
342
00:15:19,731 --> 00:15:21,097
(grunting)
343
00:15:21,100 --> 00:15:23,399
HA HA!
AAH!
344
00:15:23,402 --> 00:15:27,934
YES! MARCELLO, YOU KNOW YOU WANT
THIS ONE ON YOU, RIGHT?
345
00:15:27,941 --> 00:15:29,873
OH! (laughs)
346
00:15:29,876 --> 00:15:33,309
?
347
00:15:33,314 --> 00:15:34,946
(door opens)
348
00:15:34,949 --> 00:15:36,349
(stops playing)
349
00:15:36,351 --> 00:15:38,084
AH.
(closes door)
350
00:15:39,821 --> 00:15:41,320
HOWDY.
351
00:15:41,323 --> 00:15:43,956
HIGHWAY, RIGHT?
352
00:15:46,529 --> 00:15:49,161
WELL... (chuckles)
353
00:15:49,165 --> 00:15:51,231
YOU GOTTA BE MICHAEL.
354
00:15:51,235 --> 00:15:53,800
RIGHT? (grunts)
355
00:15:53,804 --> 00:15:55,137
(laughs)
356
00:15:55,139 --> 00:15:56,904
LIZ'S FRIEND, RIGHT?
357
00:15:56,907 --> 00:15:59,374
YEAH, LIZ'S... FRIEND.
358
00:15:59,378 --> 00:16:01,276
HEY, NO OFFENSE.
359
00:16:01,280 --> 00:16:03,946
NO, NONE TAKEN. IT'S JUST THAT
WE'VE GONE WAY PAST FRIENDSHIP.
360
00:16:03,950 --> 00:16:07,216
HARD NOT TO WITH LIZZIE.
361
00:16:07,220 --> 00:16:11,052
LIZ TELLS ME YOU'RE SOME KIND
OF A COWBOY... TROUBADOUR.
362
00:16:11,058 --> 00:16:13,790
YEAH, SOME COWBOY.
I'M FROM PITTSBURGH. (laughs)
363
00:16:13,794 --> 00:16:16,260
OH, PITTSBURGH.
I SPENT A WEEK THERE ONE NIGHT.
364
00:16:16,264 --> 00:16:18,563
OH, YEAH?
(chuckles)
365
00:16:18,567 --> 00:16:20,500
I DON'T KNOW WHY I DID THAT
366
00:16:20,503 --> 00:16:22,435
WHEN I DON'T THINK WHITE GUYS
SHOULD BE HIGH-FIVING ANYBODY.
367
00:16:22,438 --> 00:16:24,270
OR CALLING EACH OTHER
"BROTHER."
368
00:16:24,273 --> 00:16:26,472
EXACTLY.
369
00:16:26,476 --> 00:16:28,442
HIGH FIVE, MY BROTHER.
370
00:16:28,445 --> 00:16:31,578
(laughing)
(chuckles)
371
00:16:34,352 --> 00:16:35,885
(chuckles)
372
00:16:37,356 --> 00:16:40,088
SO, UH...
HOW'D YOU GET THAT NAME?
373
00:16:40,092 --> 00:16:43,158
HIGHWAY? OH, I GOT THAT
IN THE CLUB SCENE.
374
00:16:43,163 --> 00:16:45,062
A DRUMMER BUDDY OF MINE
GAVE IT TO ME
375
00:16:45,065 --> 00:16:47,997
'CAUSE I COULDN'T STAY ANYWHERE
FOR TOO LONG.
376
00:16:48,001 --> 00:16:50,467
THAT'S HOW I LANDED IN JOLIET
FOR TWO YEARS, ANYWAY.
377
00:16:50,471 --> 00:16:52,236
OH, YEAH.
LIZ TOLD ME ABOUT THAT.
378
00:16:52,239 --> 00:16:54,005
ANYWAY...
379
00:16:54,008 --> 00:16:56,507
GAVE ME AN OPPORTUNITY
TO WRITE A COUPLE COUNTRY HITS
380
00:16:56,511 --> 00:17:00,110
WHEN I WAS ON THE INSIDE.
I SOCKED SOME MONEY AWAY, TOO.
381
00:17:00,115 --> 00:17:02,814
WHO WAS YOUR INSPIRATION?
382
00:17:02,819 --> 00:17:04,418
HANK WILLIAMS? MERLE HAGGARD?
383
00:17:04,420 --> 00:17:06,219
WILLIAM BLAKE.
384
00:17:06,222 --> 00:17:09,154
THE ENGLISH POET?
NOT JUST "THE ENGLISH POET."
385
00:17:09,159 --> 00:17:11,225
HE WAS
THE MAJOR POET AND PAINTER
386
00:17:11,228 --> 00:17:13,893
OF THE ROMANTIC MOVEMENT.
A REVOLUTIONARY.
387
00:17:13,897 --> 00:17:15,863
SUPPORTER OF WOMEN'S RIGHTS.
388
00:17:15,867 --> 00:17:19,200
DID YOU KNOW
THAT ON HIS DEATHBED,
389
00:17:19,205 --> 00:17:23,237
HE TURNS TO HIS WIFE,
TAKES HER HAND, AND HE SAYS,
390
00:17:23,242 --> 00:17:25,974
"STAY, KATE!
391
00:17:25,979 --> 00:17:27,312
"KEEP JUST AS YOU ARE.
392
00:17:27,314 --> 00:17:28,613
"I WILL DRAW YOUR PORTRAIT,
393
00:17:28,616 --> 00:17:31,081
FOR YOU HAVE EVER BEEN
AN ANGEL TO ME"?
394
00:17:31,085 --> 00:17:32,851
HE DRAWS HER PORTRAIT,
395
00:17:32,854 --> 00:17:35,420
STARTS TO SING...
396
00:17:35,424 --> 00:17:37,256
BOOM.
397
00:17:37,259 --> 00:17:38,658
AND DIES.
398
00:17:38,660 --> 00:17:40,659
(laughs)
399
00:17:40,663 --> 00:17:42,262
NOW THAT'S MY INSPIRATION.
400
00:17:42,265 --> 00:17:44,531
AH. THAT'S A PRETTY TOUGH ACT
TO FOLLOW.
401
00:17:44,534 --> 00:17:47,133
YEAH, NO DOUBT. HE MADE IT HARD
FOR THE REST OF US.
402
00:17:47,137 --> 00:17:50,636
OH. ARE YOU DOING
THAT WILLIAM BLAKE SHIT AGAIN?
403
00:17:50,641 --> 00:17:53,273
(laughs) HEY.
404
00:17:53,278 --> 00:17:55,444
(laughs) HEY, IT'S THE MAN!
405
00:17:55,447 --> 00:17:57,379
(chuckles)
406
00:17:57,382 --> 00:17:59,214
(growls)
(giggles) MM.
407
00:17:59,217 --> 00:18:01,450
NEVER THOUGHT I'D BE HAPPY
TO SEE A COP AGAIN.
408
00:18:01,454 --> 00:18:02,952
(laughs) OH, YEAH?
409
00:18:02,955 --> 00:18:06,522
OF COURSE, I MISS SEEING YOU
IN THAT OUTFIT. MMM.
410
00:18:06,527 --> 00:18:08,125
I GOT A PRESENT FOR YOU.
411
00:18:08,128 --> 00:18:10,195
OH, YEAH?
MM-HMM.
412
00:18:15,136 --> 00:18:17,969
LITTLE SOMETHING I WROTE
ON THE INSIDE.
413
00:18:19,608 --> 00:18:27,541
? I'VE BEEN LOOKING FOR YOU
FOR SO DAMN LONG ?
414
00:18:27,552 --> 00:18:30,317
? SEARCHING UNTIL I... ?
415
00:18:30,321 --> 00:18:37,087
? I DON'T KNOW IF COULD LIVE
ANOTHER DAY WITHOUT YOU ?
416
00:18:39,465 --> 00:18:44,031
? NOT A DAY GOES BY... ?
(sings indistinctly)
417
00:18:44,037 --> 00:18:48,370
? WHEN I LOOK INTO YOUR EYES ?
418
00:18:50,477 --> 00:18:52,211
IT'S BEAUTIFUL.
419
00:18:54,416 --> 00:18:56,582
IT'S CALLED
"NOT A DAY GOES BY."
420
00:18:56,586 --> 00:18:58,151
(chuckles)
421
00:18:58,153 --> 00:18:59,519
YOU KNOW WHY?
WHY?
422
00:18:59,522 --> 00:19:01,321
'CAUSE NOT A DAY GOES BY
423
00:19:01,324 --> 00:19:02,922
I HAVEN'T THOUGHT
ABOUT YOU, HONEY.
424
00:19:02,925 --> 00:19:04,558
OH.
425
00:19:04,561 --> 00:19:07,660
THOUGHT ABOUT US,
426
00:19:07,665 --> 00:19:09,164
ABOUT OUR FUTURE.
427
00:19:09,166 --> 00:19:11,232
YOUR WHAT?
428
00:19:11,236 --> 00:19:12,502
OUR FUTURE.
429
00:19:14,105 --> 00:19:16,338
(chuckles) AHEM.
430
00:19:16,342 --> 00:19:19,140
YOU'RE ALL I THOUGHT ABOUT
EVERY MINUTE I WAS IN PRISON.
431
00:19:19,144 --> 00:19:22,644
AND I VOWED,
AS SOON AS I GOT OUT,
432
00:19:22,649 --> 00:19:25,381
I WAS GONNA TRACK YOU DOWN,
HONEY.
433
00:19:25,385 --> 00:19:27,184
AND I WAS GONNA COME HERE
434
00:19:27,187 --> 00:19:30,052
AND I WAS GONNA TELL YOU
THAT ONE LITTLE THING.
435
00:19:30,057 --> 00:19:33,357
I WANT YOU TO BE WITH ME.
436
00:19:33,362 --> 00:19:35,027
(chuckles)
437
00:19:35,030 --> 00:19:36,330
FOREVER.
438
00:19:38,267 --> 00:19:40,266
(sighs)
439
00:19:40,270 --> 00:19:42,369
AND I KNOW THAT'S A LOT
TO TAKE IN.
440
00:19:42,372 --> 00:19:44,104
(chuckles) NO KIDDING.
441
00:19:44,107 --> 00:19:45,640
LOOK, I'M NOT ASKING
442
00:19:45,643 --> 00:19:48,508
FOR YOU TO GIVE ME AN ANSWER
RIGHT THIS SECOND.
443
00:19:48,512 --> 00:19:50,378
(whispers) I WANT YOU
TO THINK ABOUT IT, OKAY?
444
00:19:50,382 --> 00:19:52,648
I WILL.
445
00:19:52,651 --> 00:19:54,383
MMM.
446
00:19:54,386 --> 00:19:55,685
(kissing)
447
00:19:55,688 --> 00:19:57,487
MM.
448
00:19:57,490 --> 00:19:59,056
MMM.
449
00:20:01,060 --> 00:20:03,460
I'LL BE BACK.
450
00:20:06,199 --> 00:20:08,800
AND YOU...
451
00:20:10,772 --> 00:20:12,804
YOU ARE MY WITNESS, BROTHER.
452
00:20:12,808 --> 00:20:14,274
(laughs)
453
00:20:15,511 --> 00:20:17,343
YOU'RE GOOD PEOPLE.
454
00:20:17,346 --> 00:20:20,279
(laughs)
455
00:20:28,759 --> 00:20:30,725
WHAT WAS THAT?
456
00:20:30,729 --> 00:20:33,629
THAT WAS HIGHWAY
BEING HIGHWAY.
457
00:20:37,804 --> 00:20:40,302
AND WHY DIDN'T YOU TELL HIM
I WAS YOUR BOYFRIEND?
458
00:20:40,306 --> 00:20:44,339
BECAUSE I DIDN'T THINK
THAT'S WHAT YOU ARE.
459
00:20:44,345 --> 00:20:46,210
AND ANYWAY,
IT WOULDN'T MATTER TO HIGHWAY.
460
00:20:46,213 --> 00:20:49,312
HIGHWAY DOES
WHAT HIGHWAY WANTS.
461
00:20:49,316 --> 00:20:52,382
AND WHAT THE FUCK
DO YOU THINK I WANT?
462
00:20:52,387 --> 00:20:55,820
HELP ME UNDERSTAND WHAT'S
GOING ON BETWEEN YOU AND ME.
463
00:20:55,825 --> 00:20:57,757
WHERE IS THIS COMING FROM?
464
00:20:57,760 --> 00:21:00,659
IS IT BECAUSE YOUR GIRLFRIEND
LEFT YOU? HER NAME IS JOCELYN.
465
00:21:00,664 --> 00:21:02,730
I DON'T GIVE A FUCK
WHAT HER NAME IS! SHE'S GONE!
466
00:21:02,733 --> 00:21:04,732
WELL, THANK YOU.
THANK YOU FOR THAT.
467
00:21:04,735 --> 00:21:06,200
YOU JUST--YOU DON'T GET ME.
468
00:21:06,203 --> 00:21:08,202
OH. OH, NO, YOU'RE WRONG.
469
00:21:08,206 --> 00:21:10,605
HERE'S HOW YOU AND I GET
EACH OTHER.
470
00:21:10,608 --> 00:21:11,841
LET'S FUCK.
471
00:21:11,844 --> 00:21:13,909
JUST LIKE THAT?
JUST LIKE THAT!
472
00:21:13,912 --> 00:21:15,378
AND SUDDENLY
YOU JUST WANNA FUCK? YES!
473
00:21:15,381 --> 00:21:16,713
IS THAT WHAT YOU WANT?
YOU WANT THIS?
474
00:21:16,716 --> 00:21:18,315
(grunts)
HMM? HMM?
475
00:21:18,317 --> 00:21:21,316
(moaning)
HMM? HMM? HMM?
476
00:21:21,321 --> 00:21:24,320
HMM? IS IT WHAT YOU WANT?
(panting)
477
00:21:24,324 --> 00:21:26,223
YOU WANNA FUCK? HUH?
MM-HMM. (grunts)
478
00:21:26,227 --> 00:21:29,860
(gasping)
479
00:21:29,865 --> 00:21:31,498
GET THOSE PANTS OFF.
480
00:21:36,271 --> 00:21:38,470
(gasps) FUCK ME.
481
00:21:38,474 --> 00:21:42,274
(both moaning and grunting)
482
00:21:43,981 --> 00:21:45,546
YOU WANNA FUCK?
483
00:21:45,549 --> 00:21:48,682
(grunting)
YES! AH!
484
00:21:55,561 --> 00:21:57,928
OH!
485
00:22:02,269 --> 00:22:06,902
(grunting)
486
00:22:06,908 --> 00:22:09,406
(panting)
487
00:22:09,410 --> 00:22:11,576
(moans)
(gasps)
488
00:22:11,580 --> 00:22:15,380
(both panting)
489
00:22:34,674 --> 00:22:39,773
THE PRACTICE OF LAW
IS OFTEN FULL-FRONTAL WARFARE.
490
00:22:39,780 --> 00:22:41,946
EVERY MAN NEEDS AN ADVANTAGE,
491
00:22:41,949 --> 00:22:44,048
AND YOU, LADIES,
ARE OBVIOUSLY AWARE
492
00:22:44,052 --> 00:22:47,951
THAT ANATOMY IS
THAT ADVANTAGE.
493
00:22:47,956 --> 00:22:50,055
THE POINT IS, THOUGH SMALL,
494
00:22:50,059 --> 00:22:53,357
I AM A LARGE MAN.
495
00:22:53,362 --> 00:22:55,394
I'M AVAILABLE
FOR LATE-NIGHT CONSULTATIONS,
496
00:22:55,397 --> 00:22:58,630
CASUAL WEEKENDS,
AND SUPERFICIAL DINNERS.
497
00:22:58,635 --> 00:23:00,868
HEY, EVERYONE.
498
00:23:00,871 --> 00:23:03,903
UH, LUTHER, WHAT'S GOING ON?
YOU LOOK TERRIBLE.
499
00:23:03,908 --> 00:23:05,507
I'M EXPRESSING MYSELF.
500
00:23:05,510 --> 00:23:07,308
YOU'RE... EXUDING YOURSELF.
501
00:23:07,311 --> 00:23:08,544
YOU NEED TO BE FUMIGATED.
502
00:23:08,546 --> 00:23:09,845
NONSENSE. I'M IN THE MOMENT.
503
00:23:09,848 --> 00:23:11,881
I'M SO RICH,
I MAY NEVER BATHE AGAIN.
504
00:23:11,884 --> 00:23:13,516
I TOLD YOU
WE'RE NOT THERE YET.
505
00:23:13,519 --> 00:23:14,885
WE HAVE NUMBERED STOCK,
NOT CASH IN HAND.
506
00:23:14,888 --> 00:23:16,486
(sighs) PISH POSH.
507
00:23:16,489 --> 00:23:18,522
(mouth full) SO, GUYS,
508
00:23:18,525 --> 00:23:20,924
LET'S CUT TO THE CHASE,
OKAY?
509
00:23:20,928 --> 00:23:22,660
(normal voice)
YOU'RE BUSY. I'M BUSY.
510
00:23:22,663 --> 00:23:25,062
BLAH, BLAH, BLAH, WHATEVER.
WHO GIVES A FUCK?
511
00:23:25,066 --> 00:23:26,799
I'M ONLY INTERESTED
IN BUYING YOU OUT.
512
00:23:28,403 --> 00:23:30,836
OKAY, $5 MILLION
FOR YOUR SHARES IN TAINTED TUSH.
513
00:23:30,839 --> 00:23:33,971
THAT'S $5 MILLION GUARANTEED
514
00:23:33,976 --> 00:23:35,875
FROM ME, DEZ BAMMER.
515
00:23:35,878 --> 00:23:38,477
TODAY. WHAT SAY YOU?
516
00:23:38,481 --> 00:23:39,847
INTERESTING, DEZ.
517
00:23:39,850 --> 00:23:43,116
WOULD YOU...
CARE TO HEAR MY THOUGHTS?
518
00:23:43,121 --> 00:23:44,586
ABSOLUTELY, LUTHER.
519
00:23:44,588 --> 00:23:48,453
FUCK OFF, YOU FAT FUCK.
520
00:23:48,459 --> 00:23:50,126
UH...
521
00:23:50,129 --> 00:23:53,028
I'M SURE LUTHER DID NOT MEAN
TO SAY IT QUITE THAT WAY.
522
00:23:53,032 --> 00:23:54,730
YOU THINK I'M FAT?
523
00:23:54,733 --> 00:23:57,099
I THINK
YOU'RE A REPUGNANT BLIMP.
524
00:23:57,103 --> 00:23:59,136
OKAY. $6 MILLION.
525
00:23:59,140 --> 00:24:00,705
$6 MILLION?!
BLOW ME.
526
00:24:00,707 --> 00:24:03,506
ALL RIGHT. $6.5 MILLION.
527
00:24:03,511 --> 00:24:06,577
(mouth full) HERE, WIRED TODAY.
528
00:24:06,581 --> 00:24:09,013
(normal voice) OKAY, YOU GOT
30 SECONDS TO RESPOND
529
00:24:09,017 --> 00:24:10,683
OR THE DEAL GOES BYE-BYE.
530
00:24:10,686 --> 00:24:12,551
THE STOCK IS WORTH
$50 MILLION.
531
00:24:12,554 --> 00:24:15,820
(laughs) ON PAPER.
YOU CAN WIPE YOUR ASS WITH THAT.
532
00:24:15,825 --> 00:24:17,457
PASS, ELEPHANT MAN.
533
00:24:17,460 --> 00:24:19,693
WELL, YOUR TIME'S UP ANYWAY.
534
00:24:19,697 --> 00:24:21,896
ALL RIGHT,
LET'S MOVE IT OUT, GIRLS.
535
00:24:21,899 --> 00:24:24,864
APPARENTLY NO ONE HERE
WANTS TO GET RICH TODAY.
536
00:24:24,869 --> 00:24:26,368
OH, BY THE WAY,
I LIKE YOUR STYLE.
537
00:24:26,370 --> 00:24:29,670
MM. (chuckles)
HE LIKES MY STYLE.
538
00:24:31,877 --> 00:24:33,810
THAT'S BECAUSE
YOU DON'T HAVE ANY, LUTHER.
539
00:24:33,813 --> 00:24:37,046
CONGRATULATIONS. I THINK
YOU JUST MADE A HUGE MISTAKE.
540
00:24:40,053 --> 00:24:41,620
MM.
541
00:24:44,626 --> 00:24:47,458
(mutters) $6.5 MILLION.
542
00:24:47,462 --> 00:24:49,561
FUCK.
(telephone rings)
543
00:24:49,564 --> 00:24:51,896
(sighs)
(ring)
544
00:24:51,900 --> 00:24:53,133
(ring)
545
00:24:53,136 --> 00:24:55,002
(beep)
YEAH?
546
00:24:55,005 --> 00:24:56,470
WHAT, HERE?
547
00:24:56,473 --> 00:24:58,706
UH, SURE.
548
00:25:04,548 --> 00:25:06,015
HEY.
549
00:25:06,018 --> 00:25:07,550
HEY.
550
00:25:09,655 --> 00:25:11,920
YOU COME BY
NOT TO TALK AGAIN?
551
00:25:11,924 --> 00:25:13,723
DON'T MAKE A JOKE.
552
00:25:13,726 --> 00:25:15,926
I'M NOT.
553
00:25:21,402 --> 00:25:23,501
MICHAEL,
554
00:25:23,504 --> 00:25:26,670
I'VE BEEN PUTTING THINGS OFF
FOR TOO LONG.
555
00:25:26,675 --> 00:25:28,207
I'M NOT GONNA LIKE THIS,
AM I?
556
00:25:28,210 --> 00:25:29,942
YOU AND ME,
557
00:25:29,945 --> 00:25:31,511
WE'RE GREAT AT RUBBING UP
AGAINST EACH OTHER
558
00:25:31,514 --> 00:25:33,147
AND STARTING BIG FIRES,
559
00:25:33,149 --> 00:25:37,480
BUT THERE'S NEVER SIMPLE
AND EASY WITH US, MICHAEL.
560
00:25:37,487 --> 00:25:39,553
I THOUGHT THAT WAS THE APPEAL.
561
00:25:39,556 --> 00:25:40,822
THAT WAS THEN.
562
00:25:40,824 --> 00:25:43,523
THEN?
563
00:25:43,528 --> 00:25:45,660
AT WHAT POINT
DID WE BECOME "THEN?"
564
00:25:45,663 --> 00:25:48,096
THE NIGHT WE MET.
565
00:25:48,100 --> 00:25:50,465
IT'S A LOT OF THINGS.
566
00:25:50,469 --> 00:25:54,002
CAPTAIN DECKER IS TALKING
ABOUT PROMOTING ME.
567
00:25:54,007 --> 00:25:56,106
HEY! YOU KIDDING?
568
00:25:56,109 --> 00:25:59,541
WELL, YOU KNOW,
YOU'RE RECKLESS AND...
569
00:25:59,546 --> 00:26:02,512
YOU NEVER KNOW WHEN TO STOP,
AND YOUR ATTITUDE SUCKS.
570
00:26:04,119 --> 00:26:07,918
YEAN, HE SAYS
I'M PERFECT DETECTIVE MATERIAL.
571
00:26:07,923 --> 00:26:10,122
(chuckles)
THERE'S A LOT OF THINGS.
572
00:26:10,126 --> 00:26:13,025
MY FOLKS--THEY HAD
THIS CRAZY THING,
573
00:26:13,029 --> 00:26:15,928
AND IT RIPPED THEM APART.
574
00:26:15,933 --> 00:26:18,865
I SWORE I'D NEVER DO THAT.
575
00:26:18,869 --> 00:26:20,501
WELL, YOU'RE NOT THEM.
576
00:26:20,504 --> 00:26:23,470
(scoffs) CLOSE ENOUGH.
577
00:26:23,474 --> 00:26:26,040
YOU KNOW WHAT I THINK?
578
00:26:26,044 --> 00:26:28,709
JOCE HAS MOVED ON,
579
00:26:28,713 --> 00:26:30,512
AND I'M AVAILABLE NOW,
580
00:26:30,516 --> 00:26:32,882
AND THAT SCARES THE SHIT
OUT OF YOU.
581
00:26:32,885 --> 00:26:36,218
YEAH, YOU'RE RIGHT.
582
00:26:36,223 --> 00:26:38,155
IT DOES.
583
00:26:38,159 --> 00:26:42,025
JUST--IT'S JUST TOO MUCH
OF US, MICHAEL.
584
00:26:43,664 --> 00:26:47,663
NEITHER OF US HAS EVER HAD
WHAT WE HAVE TOGETHER.
585
00:26:47,669 --> 00:26:50,602
CHEMISTRY'S NOT ENOUGH.
586
00:26:50,606 --> 00:26:54,273
YOU CAN'T BUILD A LIFE ON THAT,
AND I WANT ONE.
587
00:27:04,222 --> 00:27:06,222
I'M MOVING IN WITH HIGHWAY.
588
00:27:12,522 --> 00:27:31,588
(door closes)
589
00:27:31,638 --> 00:27:36,188
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