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ROCK MUSIC]
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[MUSIC]
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HN BJOlondie, one of the
greapop t bands of any era.
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00:00:30,664 --> 00:00:31,964
CAMILLBlonA die were
basically a newavew
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phenomenon, I think who ki
ofnd took cool underground
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music to theains mtream.
SUNTA Always creing,at
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phnever following, alwaysi se
tting trends. JOHN Theyrground
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00:00:39,874 --> 00:00:42,174
had everythi. DEngBBIE
(sings,
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on music video) Uhuh, -hmake
me tonight. WILL T perhefect
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00:00:48,816 --> 00:00:52,684
punk-pop band fronted theby
most iconic woman in mic.us
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00:00:52,720 --> 00:00:54,720
CAMILLA And you can kind o
fsee her and everyone from
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00:00:54,722 --> 00:00:54,787
like mainstream pstapors to
kind of the cooler
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00:00:56,891 --> 00:01:00,793
underground musicians.OE I J
think Blondie are a grteam
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pop band with the soun
thdat's kind of timeless.
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00:01:04,198 --> 00:01:06,732
SUNTA Yeahthey, 've released
so many sos thngat you put
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00:01:06,767 --> 00:01:10,135
in ona club and everyone
wi go llup and dance. DEBBIE
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(singson m, usic video) Oh,
your haiis br eautiful,
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oh... [MUSIC]
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JOHN bbieDe Harry came from
New Jeey. rsShe was a jazz
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fan who founhersd elf in a
folk group cald "Wleind in
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the Willows" in the late
s. B60y the very early 70s,
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she'd mod tove New York.
She'd become pt ofar the
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avant-garde scene. JOHN(CON
s.TINUED) And in 1973, 70s,
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she met Chris ein.St WILL
Chris Stein was e sothn of
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avanNew York, JewishOHN(CON
s.TINUEintellecals,tu, 70s,
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"Bohemian." He'd been in
nds,ba
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his ma clainim to fame prior
to Bloie inds that he was in
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band that ce sonupported the
Velvet Underoundgr. WILL
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(CONTINUED) So he waverys
cool. JOE Debbie was a
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00:01:56,584 --> 00:01:59,685
vo
calist in a band called,
"The Stilettos" and Chris
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jo
ined as a guitarist and
that was the beginning of
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00:02:02,356 --> 00:02:06,492
thr creieative but also
romant parictnership. DEBBIE
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(sgs, inon music video) With
myands h cuffed at my side.
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WILLhris C Stein and Debbie
Harrmet y a young drummer
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caed Clllem Burke who--very
stish.yl He was very much
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into thehole w 60s look and
he broug a ghtuy called Gary
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Valentine and ey jthust
looked great. You kn,ow
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they looked the part ando
s that's really how the band
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00:02:27,481 --> 00:02:29,448
formed. JOE And the groupbeca
me,
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ondiBle which was actually
nad afmeter what truckers
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and people used to shouts
a they drove past Debbie
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Hay. Trrhat was sort of the
cacallt they gave them and
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00:02:39,193 --> 00:02:41,727
the band tootheik r name
from that. CAL Ler,at
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the nd abadded keyboard
player,
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Jimmy Deri asts they played
around t Newhe York scene.
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E NoJOw, we see they were
pa of rta New York new wave
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punk scene athe t time but,
I mean,
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anyoneho h was ever heard
any Blone wodiuldn't really
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00:02:55,809 --> 00:02:58,577
pcall them a punk grouprut,
o even particularly a new vewa
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grou p. But they were playing
in a ll the same clubs at the
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same time. CAMILLA SCBGBo 's
was the club that evybodery
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wa
s playing at that point
and Blondie became regulars
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playing there. Theshary ed
stages with those--Patty
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Smitplayh ed there,
Television,
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Talking Heads, the Rames.on
It was all that kind ofy
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00:03:14,228 --> 00:03:16,195
scenof pe eople that
basically gr up,ew
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00:03:16,197 --> 00:03:16,261
playing aroundoget ther in
this one scene tn fohermed
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this incredible music le
gacy. DEBBIE (sings,w
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00:03:20,834 --> 00:03:23,969
on music video) u juYost had
to laugh. SUNTA Bldieon
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end upde being really
well-knownn Au istralia
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00:03:26,106 --> 00:03:28,774
befo anyrewhere else because
thisusic m TV show,
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"Countwn,"do played one of
their sos. Bngut they didn't
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play t traheck they were
supposed wch whias
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"X-Offender." They eed undp
playing the "B-side"hich w
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was "In the Flh" weshich
some say was accidt. SenUNTA
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(CONNUEDTI) Some say was on
purposbecae use "In the
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Flh" wesas a much more
mainstre,am
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commerciallykind, of
acceptable song. DEBEBI
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(singson m, usic video)
Darlin',
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rlinda', darlin'. I can't
wa to ithear you.
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00:03:54,301 --> 00:04:00,872
Rembermeing your love is
nothinwithg out you in the
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flesh. WILL They hadhis t
big--really a kind of,
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00:04:04,712 --> 00:04:07,613
u knyoow, gentle pop ballad
ich whlaunched this
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00:04:07,648 --> 00:04:10,282
ba
nd--which elsewhere, if
they were known at all were
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00:04:10,317 --> 00:04:12,751
known as onef th oe
burgeoning punk band JOEs.
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00:04:12,853 --> 00:04:15,754
The track wahuges ly
popular. Became a nuer imbn
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00:04:15,789 --> 00:04:19,024
Australia, resulted in a
nAustralian tour. JOE
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(CONNUEDTI) And the
Australian stu wasff the
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ringspboard for obviously,
thmaine stream success
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elwhersee in the world. But
itas t what one little
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00:04:25,299 --> 00:04:27,299
motive chae, sncomeone
putting on the wng trorack
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which led allto of that.
DEBBIE (sings,
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on music video) coulI dn't
resist you. I'm nodeaft ,
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dumband , blind. SUNTA
Blondie's rst fialbum which
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was self-titled wa't asn
great success. They,
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you ow, knhad obviously,
just staed ortut and they
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00:04:46,520 --> 00:04:48,654
were putng dtiown music for
the firstimet as a group,
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00:04:48,689 --> 00:04:51,456
finding their way.nd t Ahere
are some great tras onck it
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00:04:51,492 --> 00:04:54,960
but it just didn rea'tlly
work commercially welasl as
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00:04:54,962 --> 00:04:55,027
they probly bahoped it would
at the te. WimILL I think
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00:04:57,097 --> 00:04:57,162
bthe first album was very u
ch a New York album. Itlasl as
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was very much a producof
t that scene and the songs
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00:05:03,270 --> 00:05:05,637
were about things th's
at going on their life at the
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00:05:05,673 --> 00:05:08,040
time. JOAnd E the second
album from theroup g was
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"Plastic Letters" whh onicce
again is quite raw. u caYon
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hear t forhemation of the
latest snd. ouDEBBIE (sings,
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on mic vusideo) Oh, Denis
doo-beo,-d
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I'm in love with you. nisDe
latest sndoo-be-do,E (sings,
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I'
m in love with you. Denis do
o-be-do,
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00:05:23,057 --> 00:05:28,493
I'm in love withou. ySUNTA
When Blondie coved "erDenis"
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originally by ndy Ra& The
Rainbows as "Dene,is
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00:05:31,098 --> 00:05:35,500
the
y took what was like
a--qte cuiheesy doo-wop
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00:05:35,602 --> 00:05:39,137
close harmony so witngh a
man singing to a gl anird
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completely twisted it an
ddid their own thing with it.
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00:05:41,742 --> 00:05:42,874
BBIEDE (sings, on music
vide Oh,o)
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whene wa wlk it always feels
so ne. Aicnd when we talk,
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00:05:46,714 --> 00:05:49,114
it seems like paradise.
nis,De
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Denis, I'm so in love with o
u. Oh. CAMILLA The video
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00:05:54,021 --> 00:05:56,388
was absolutely brilliant.
MILLCAA (CONTINUED) I mean,
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thers soe'lo as kind of ones
to wch jatust purely because
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of Debbie Harry, cldn'out
keep your eyes off oher f in
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00:06:01,795 --> 00:06:04,529
th
at video. The band kind of in
the background it's all
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00:06:04,565 --> 00:06:07,065
about Debbie. She ealsst the
show. Very playful,
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00:06:07,134 --> 00:06:09,368
very sort ofoque cttish with
the camera. n't Cakeep your
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00:06:09,403 --> 00:06:11,336
eyes off of her. S's
he incredible. DEBBIE (sings,
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00:06:11,405 --> 00:06:13,438
on music veo) idDenis,
Denis,
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00:06:13,440 --> 00:06:13,505
avec tes yeux si ble.
ux Denis,
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Denis, moi j'ai flashe a no
us deux. WILL It launched
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00:06:19,847 --> 00:06:19,911
De
bbie Harry as pin up. Butreal
ly,
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00:06:22,716 --> 00:06:24,583
that was something thata Cho
us dris Stein had beenhed
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00:06:24,618 --> 00:06:26,585
orchestrating ywayan. It
wasn't by chance. LLWI
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00:06:26,620 --> 00:06:28,587
(CONTINUED) You know, she'
sreally beautiful and really
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00:06:28,622 --> 00:06:31,223
sexynd c aool. You know,
it's an azinamg combination.
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00:06:31,258 --> 00:06:33,992
You know, e's shthe pin-up
of the CBGB'punks cool New
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00:06:34,027 --> 00:06:37,362
York scene andudde snly
she's a--pinned-upn th oe
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00:06:37,398 --> 00:06:40,532
walls teeofnage boys the
world ov. CAerL Blondie's
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00:06:40,567 --> 00:06:43,602
fi
rst two albums were
reasedle by Private Stock
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00:06:43,637 --> 00:06:47,205
but in 1977, they were
sign by edthe record giant,
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00:06:47,241 --> 00:06:49,374
Chrysas. DliEBBIE (sings, on
music vio) Ide'm in love
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00:06:49,410 --> 00:06:51,576
with you. WILL Cysalhris
being the kind of
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00:06:51,612 --> 00:06:53,979
businessman whrealo ized
that Debbie Harry swa
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00:06:54,081 --> 00:06:58,316
extremelremay rkable as was
the bandhems telves. Part of
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00:06:58,385 --> 00:07:00,419
the de wasal that they
needed to wo witrkh a pop
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00:07:00,421 --> 00:07:00,485
producer and they nt wweith
Mike Chapman. CAL keMi
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00:07:02,689 --> 00:07:06,725
Chapman was the chapmain
n neChinn-Chap and they were a
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00:07:06,760 --> 00:07:08,960
British prodtionuc
songwriting team who'dad h
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00:07:08,962 --> 00:07:09,027
hi
ts with all sorts of
arsts tifrom Suzi Quatro to
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00:07:12,399 --> 00:07:14,266
Hot Chocolate. DEBBIE(sin
songwritigs,team who'dad h
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00:07:14,368 --> 00:07:18,537
on music veo) idDon't leave
me hanging otelen phone.
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00:07:18,639 --> 00:07:23,141
JOHN Blondie h verady much a
punk ethos to rerdincog.
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00:07:23,177 --> 00:07:26,678
Mike Chapman didn't wo
lirkke that at all. He was
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00:07:26,713 --> 00:07:31,883
extremy meelticulous. He
recorded Bndielo almost as
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00:07:31,985 --> 00:07:34,486
though they were arog prock
band. JOHN (CONTIND) BUEit
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00:07:34,521 --> 00:07:38,757
by bit, layer by layer,
buil ding up this near wall
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00:07:38,792 --> 00:07:42,627
of pop punk sod. Tunhis
caused an awful a looft
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00:07:42,696 --> 00:07:46,164
fr
iction because although
Blon die were extremely
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00:07:46,200 --> 00:07:51,336
ambitious, this waall s new
territory to them.EBBI DE
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00:07:51,371 --> 00:07:53,305
(sgs, inon music video)
Telephe. JonOHN Mike Chapman
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00:07:53,373 --> 00:07:56,174
won in thend a end the
result was "Parael Lllines"
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00:07:56,210 --> 00:08:00,111
which would go on seltol 20
million copies. DEIEBB
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00:08:00,147 --> 00:08:01,279
(sings, musonic video) It's
good to he youarr voice,
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00:08:01,281 --> 00:08:01,346
yo
u know it's been so long. If
I don't get your calls
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00:08:04,251 --> 00:08:06,618
then everything goes wng.ros
DEBBIE (CONTINUED) I wt toan
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00:08:06,653 --> 00:08:10,188
tell y somouething you've
known alalonl g. Don't leave
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00:08:10,224 --> 00:08:16,728
me hanging on the tephonlee
CAMILLA Parallel Lin ises
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00:08:16,830 --> 00:08:19,631
undoubtedly a mastpiecere.
It's a seminal recor It'd.s
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00:08:19,666 --> 00:08:22,067
a great new wave record t
bu it's also just a great kdin
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00:08:22,169 --> 00:08:24,336
of, you kn, a owgreat record
in itself at'sth gone on to
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00:08:24,371 --> 00:08:26,338
inspire so many bands.
MILLCAA (CONTINUED) It's
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00:08:26,440 --> 00:08:29,207
filled with great ngs,so
"Hanging on the Telephe."on
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00:08:29,243 --> 00:08:31,176
It's an absolutely amazi
ngsong,
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00:08:31,211 --> 00:08:32,210
"One Way Or otheAnr." You
know,
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00:08:32,312 --> 00:08:33,311
it's packed full of th
emand,
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00:08:33,313 --> 00:08:33,378
really, it's kind of a
blue print for how to make a
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00:08:35,249 --> 00:08:37,215
igreat record. JOE And ob
viously,and,
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00:08:37,251 --> 00:08:39,417
it'sn al abum that has lots
of gat treracks in it. The
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00:08:39,453 --> 00:08:43,154
big breakoutrack t for
Blondie worldwide s "Hwaeart
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00:08:43,190 --> 00:08:51,997
of Glass." [MUSIC]
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00:08:51,999 --> 00:08:52,063
DEBBIE (singson m, usic
video) Once I had lovea and
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00:08:53,734 --> 00:09:00,472
it was a gas. Soon turd
ne out had a heart of glass.
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00:09:00,507 --> 00:09:01,439
DEBBIE (CONTINUED) (ngs,si
on music video) Seemedike l
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00:09:01,475 --> 00:09:05,977
the real thing, only to fi
mundcho mistrust,
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00:09:06,013 --> 00:09:08,146
love's gone behindJOHN.
Well,
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00:09:08,181 --> 00:09:12,851
Heart of Glass w oneas of
the very last songto gs o on
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00:09:12,920 --> 00:09:16,655
Parael Lllines. It was a
fragment oan if dea that
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00:09:16,690 --> 00:09:20,058
they'd had for seval yerears
and it was based--eth
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00:09:20,093 --> 00:09:23,595
shuffle of the rthm hywas
based on Saturday Nitgh
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00:09:23,630 --> 00:09:26,698
Fevesounr dtrack which
Debbie andhris C both
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00:09:26,700 --> 00:09:26,765
adored. SUNTA It'shat t
moment when Blondie sttar
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00:09:31,605 --> 00:09:33,605
really visibly and really, b
Debviously,ris C both
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00:09:33,707 --> 00:09:36,675
dabbling in other nresge and
bringing in elemen thatst
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00:09:36,710 --> 00:09:39,210
they want and, of course
,this is the disco song. They
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00:09:39,246 --> 00:09:40,912
ev calenl it, "The Disco
Song."EBBI DE (sings,
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00:09:40,948 --> 00:09:42,047
on musicideo v) Love is so
confusing,
185
00:09:42,082 --> 00:09:44,249
the's erno peace of mind.
DEBB (COIENTINUED) (sings,
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00:09:44,284 --> 00:09:46,084
on m usic video) If I fear
I'losim ng you,
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00:09:46,119 --> 00:09:50,822
it's just no good you
asinteg like you do. WILL
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00:09:50,857 --> 00:09:52,757
This was t divheisive one.
This is the e thonat really
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00:09:52,793 --> 00:09:56,628
sort set the catmong a the
pigeons in this so of rtcool
190
00:09:56,697 --> 00:10:00,231
CB
GB's scene for whom disco wa
s a terrible thing. WILL
191
00:10:00,267 --> 00:10:01,866
(CONTINUED) It wasctua ally
influenced by Kraftwk,er
192
00:10:01,902 --> 00:10:04,603
no
t really a band that you'd as
sociate with disco. Clem
193
00:10:04,605 --> 00:10:04,669
Burke who is a big Kraftwe
farkn and he wanted to get
194
00:10:07,307 --> 00:10:11,109
no
t that 4/4 beat that Krawerkfts
socispecialize in. It sounds
195
00:10:11,144 --> 00:10:14,746
like it's a drum macne bhiut
it's not. It's Clem rkeBu
196
00:10:14,781 --> 00:10:17,182
playing very, veryell w
indeed. DEBBIE (sings,
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00:10:17,217 --> 00:10:21,620
on music video) Lostnsid ie,
adorable illusion and I
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00:10:21,655 --> 00:10:25,657
cannot hide. JOHN Th isis
also an example of howrave b
199
00:10:25,692 --> 00:10:29,628
Blondie were. Disco was se
enas the music of the enemy.
200
00:10:29,663 --> 00:10:32,897
But Blondididne 't care.
They just likeit. d SUNTA
201
00:10:32,899 --> 00:10:32,964
It's so contagious and
tchyca and so well-written,
202
00:10:36,703 --> 00:10:39,704
it's so pop. But at thsamee
time because Debbie Hayrr
203
00:10:39,740 --> 00:10:43,708
delivers it in this very
aloo f and cool way,
204
00:10:43,744 --> 00:10:46,378
it's still very credible as
well . CAMILLA And the video
205
00:10:46,413 --> 00:10:48,380
for Heart of Gss ilas
another phenomenal
206
00:10:48,382 --> 00:10:48,446
performance fromebbi De
Harry. CAMILLA (CONTUED)IN
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00:10:49,816 --> 00:10:51,683
Again, it's the Debbiearry H
aShow. You know,al
208
00:10:51,718 --> 00:10:54,386
thbande are playing but you
dot lon'ok at them,
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00:10:54,421 --> 00:10:56,921
you're looking aDebbt ie.
SUNTA The way she ngs siis
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00:10:56,957 --> 00:10:59,858
like, I don't ev carene
whether you're listeng onir
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00:10:59,893 --> 00:11:03,128
not. I'm just gonna si
ngthis. I'm not interested in
212
00:11:03,163 --> 00:11:04,963
what y're oudoing at all. I
love it,
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00:11:05,032 --> 00:11:07,165
it jus'st so cool. DEBBIE
(sings,
214
00:11:07,200 --> 00:11:12,203
on music video) On I hcead a
love and it was a s. Sgaoon
215
00:11:12,239 --> 00:11:16,574
turned out to be a paiin
n the ass. Seemed like the
216
00:11:16,610 --> 00:11:21,513
real tng, hionly to find
mucho mistru,st
217
00:11:21,581 --> 00:11:24,683
love'sone gbehind.
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00:11:27,354 --> 00:11:31,956
MUSI [C]
219
00:11:31,958 --> 00:11:32,023
DEBBIE (singson m, usic
video) When I met u inyo the
220
00:11:35,162 --> 00:11:35,226
restaurant, you could ll Ite
was no debutante. SUNTEatA
221
00:11:42,969 --> 00:11:44,803
to the Beat was the xt
ne album to follow up,
222
00:11:44,871 --> 00:11:46,204
Parael Lllines. There must
have bn a eelot a lot
223
00:11:46,239 --> 00:11:49,374
pressure on them tkindo of
replicate that sucss acend
224
00:11:49,409 --> 00:11:50,775
acallytu, they did, you
know,
225
00:11:50,811 --> 00:11:53,278
itas n wot a very successful
alm. JbuOHN They'd left the
226
00:11:53,380 --> 00:11:56,481
punk scene behd anind they
were now an estaishebld pop
227
00:11:56,583 --> 00:12:00,351
band who were a huge almt
oseverywhere in the world,
228
00:12:00,387 --> 00:12:02,320
not so much America. DBIEEB
(sings,
229
00:12:02,355 --> 00:12:06,825
on music video) eamiDrng.
WILL It was very pducerod.
230
00:12:06,860 --> 00:12:11,196
It had sou and that was--it
was--is qut'ite slick but
231
00:12:11,231 --> 00:12:13,264
still there's something
out abDebbie Harry's voice
232
00:12:13,300 --> 00:12:14,699
and shs vee'ry characterful.
DEBBIEsing (s,
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00:12:14,768 --> 00:12:20,405
on music veo) idPleasure's
real or is ifantt asy?
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00:12:20,440 --> 00:12:22,774
DEBBIE (CONTINUED) (sing
s,on music video) Reel to reel
235
00:12:22,809 --> 00:12:28,780
livising rarity. People
stop a standre at me. We
236
00:12:28,815 --> 00:12:33,918
just
walk on by. We just
ke on epdreaming. JOHN And
237
00:12:33,987 --> 00:12:38,056
this albumame cout and it
had three grt sieangles on
238
00:12:38,091 --> 00:12:40,058
itJOHN. (CONTINUED) It had
"Atoc,mi
239
00:12:40,093 --> 00:12:43,495
i
t had "Dreaming," and it
had "Union City Blue."
240
00:12:43,530 --> 00:12:46,131
[MUSIC]
241
00:12:46,233 --> 00:12:49,601
JOHN It has everythg thinat
you'd want from a Bldieon
242
00:12:49,636 --> 00:12:53,505
single. This massive echng
oi drums from Clem Burke and
243
00:12:53,540 --> 00:12:56,674
this gre bigat chorus. JOHN
(CONTINU) EvEDery member of
244
00:12:56,710 --> 00:12:59,511
ondiBle was contributing
somethg toin this song.
245
00:12:59,546 --> 00:13:01,679
DEIE (BBsings, on music
video)h, O
246
00:13:01,748 --> 00:13:09,220
oh, what are we gonndo?a
Union,
247
00:13:09,256 --> 00:13:13,825
Union, Uon Cniity blue.
CAMILLA Eat theto Beat was
248
00:13:13,860 --> 00:13:16,494
the first video album er
ev which is kind of incrediebl
249
00:13:16,530 --> 00:13:19,063
d what they did was they
made a video for each song
250
00:13:19,099 --> 00:13:21,065
ich kind of sounds funny
now. People do it all the
251
00:13:21,101 --> 00:13:23,701
ti. Bumet at that point, it
was ite qua big deal and
252
00:13:23,737 --> 00:13:26,037
eventuallyit w, as released
as well as VHS a in those
253
00:13:26,072 --> 00:13:29,874
days. DEBBIE (ngs,si on
music video) In tuuoisrqe
254
00:13:29,910 --> 00:13:36,381
Unn, Uionion, Union City
blue. LL UWInion City Blue
255
00:13:36,449 --> 00:13:39,651
was shot by Dad Mavillet and
this was an exple amagain of
256
00:13:39,686 --> 00:13:43,121
Chris Stein using s
hi image-led vision for
257
00:13:43,156 --> 00:13:45,256
Blondie. WILL (CTINUONED)
It's got this amazg aeinrial
258
00:13:45,292 --> 00:13:48,059
shs ofot North American
docklandand s it's just
259
00:13:48,161 --> 00:13:50,161
ry, vevery evocative.
Blondiweree really in this
260
00:13:50,197 --> 00:13:53,464
purple patch where they d
ha all the attitude from punk
261
00:13:53,533 --> 00:13:55,533
and they had the--a kind o
fcool,
262
00:13:55,635 --> 00:13:58,203
you know, that youthat-- you
get from growing uand p also
263
00:13:58,305 --> 00:14:00,205
coming of age in New Yor
whken it's really a tough
264
00:14:00,240 --> 00:14:02,340
city. WILL (CONTINUED) B
utthey learned sophistication
265
00:14:02,375 --> 00:14:04,642
theat same time. They
learnesongd writing. They're
266
00:14:04,644 --> 00:14:04,709
rkinwog with great producers
d I anthink Debbie Harry had
267
00:14:08,348 --> 00:14:10,849
grown into a reallyey
confarident singer as well. So
268
00:14:10,884 --> 00:14:14,085
that combination for a
fe-briw-ef few years was
269
00:14:14,120 --> 00:14:16,087
ju--itst slightly could do
no wng. ro[MUSIC]
270
00:14:16,122 --> 00:14:20,124
AL A Cutoamerican was
Blondis fie'fth album and
271
00:14:20,160 --> 00:14:22,560
once ain, gafeatured the
band experimtingen with
272
00:14:22,596 --> 00:14:25,730
genres. CAMILLA Rapte's uran
incredible track and
273
00:14:25,765 --> 00:14:27,966
actuly, alI think it's the
first ke UliS number one to
274
00:14:28,001 --> 00:14:29,601
featurrappe ing in it.
DEBBIE (raps,
275
00:14:29,636 --> 00:14:31,135
onusic m video) Fab Five
Freddyold tme everybody's
276
00:14:31,171 --> 00:14:33,471
fly. DJ's spinning I said
,my
277
00:14:33,473 --> 00:14:33,538
myDEBB. IE (CONTINUED)
(raps,
278
00:14:34,241 --> 00:14:35,106
fly.on music video) Flash is fa
st,my
279
00:14:35,175 --> 00:14:37,208
Flash is cl. Foorancois sais
pas,
280
00:14:37,244 --> 00:14:39,611
Flashe no deux. And u
yo don't stop,
281
00:14:39,646 --> 00:14:43,248
sure shot. Go out to t
heparking lot. And... CAMILLA
282
00:14:43,283 --> 00:14:45,650
Which kinisd of sad that it
wasn'tn ac atual rap group
283
00:14:45,685 --> 00:14:48,319
or hip hop gup trohat had
that first hitut B blondie
284
00:14:48,355 --> 00:14:50,321
di
d it. They took rap to a
main stream audience. JOHN
285
00:14:50,357 --> 00:14:54,225
De
bbie Harry and Chris Stein ha
d made friends with a guy
286
00:14:54,261 --> 00:14:56,861
caed Fllab Five Freddy. He
was DJ,a
287
00:14:56,897 --> 00:14:58,897
he was a graffiti artist, he
's a rapper,
288
00:14:58,932 --> 00:15:02,166
he's
everything. He took
th to emthis big rap show in
289
00:15:02,202 --> 00:15:05,837
ThBrone x. So they wanted to
doomet shing which
290
00:15:05,872 --> 00:15:07,572
inco rporated rapping. JOHN
(CTINUONED) So "Rapture"
291
00:15:07,607 --> 00:15:10,775
cos almeong. JOE I'm a hip
hop n myfaself and to see
292
00:15:10,810 --> 00:15:12,977
the moment where it comes in
to the mainstream is
293
00:15:12,979 --> 00:15:13,044
something quite special an
dactually Debbie Harry is a
294
00:15:15,682 --> 00:15:16,881
pretty good rapper. DEIEs in
to the mBBn(raps, is
295
00:15:16,917 --> 00:15:19,150
on music video) One oneto,
man to man. Dance toe to
296
00:15:19,185 --> 00:15:21,986
toe. Don't me toovo slow,
'cause the manrom fMars is
297
00:15:22,022 --> 00:15:25,490
throh wiugth cars. WILL The
Tides Hi igh is very sweet
298
00:15:25,525 --> 00:15:28,626
song and it's reggae-tinge
Itd.'s not really a reggae
299
00:15:28,662 --> 00:15:31,029
song of su. Itch's kind
of--it's almosliket it's
300
00:15:31,064 --> 00:15:33,031
sort of earlintry oduction
to reggae for oplepe who've
301
00:15:33,066 --> 00:15:35,199
neve
r heard it which is
grt. DeaEBBIE (sings,
302
00:15:35,235 --> 00:15:39,971
on mic vusideo) The tide is
high b I'mut holding on.
303
00:15:40,006 --> 00:15:42,073
DEBB IE (CONTINUED) (sings,
musonic video) I'm gonna be
304
00:15:42,108 --> 00:15:46,077
yourumbe nr one. SUNTA The
Tide iHighs is a brilliant
305
00:15:46,112 --> 00:15:49,380
pop so andng the original
which is reg agae classic is
306
00:15:49,416 --> 00:15:51,983
actually quite tonedown d
compared to their versn.io
307
00:15:52,052 --> 00:15:54,252
They really kindf up oped
the brass instrumes onnt it
308
00:15:54,287 --> 00:15:57,455
and made it sound a t
lo bigger. SUNTA (CONTINUEDI)
309
00:15:57,490 --> 00:15:59,090
think it's an soluabtely
brilliant track. WILIL
310
00:15:59,125 --> 00:16:00,925
think Blondie re vweery
clever at that. I thkin
311
00:16:00,961 --> 00:16:03,161
Blondie we verrey good and
this is someing ththat Chris
312
00:16:03,196 --> 00:16:05,997
St
ein points out that there wi
ll always into different
313
00:16:06,032 --> 00:16:07,799
kinds of music. Theyrew gup
in New York. It's a
314
00:16:07,834 --> 00:16:10,435
multi-cultur plaalce. They
weren't close-ndedmi. They
315
00:16:10,470 --> 00:16:12,503
re nweever going--just be
stightra punk rock. JOHN The
316
00:16:12,539 --> 00:16:16,107
videtoo,o that was also
slightlyistu drbed. There's
317
00:16:16,142 --> 00:16:19,010
a lot Debofbie Harry in it
too. B theutre was also this
318
00:16:19,045 --> 00:16:23,014
very curious Vad-likere
figure who seem to bspyie ng
319
00:16:23,049 --> 00:16:27,018
oner a hs her apartment
filledp wi uth water. Before
320
00:16:27,053 --> 00:16:29,187
she escaped, sheoine jd the
rest of the bandn th oe New
321
00:16:29,222 --> 00:16:31,322
rk sYotreets. JOHN
(CONTINUEDI ha) ve no idea
322
00:16:31,358 --> 00:16:37,996
what it meant but it looked
grea t. WILL They had this
323
00:16:38,031 --> 00:16:46,004
incribleed run. By 1980,
Debbie Hry waras so famous
324
00:16:46,039 --> 00:16:48,673
at sthhe was on the Muppet
Sh appowearing as an
325
00:16:48,708 --> 00:16:51,109
honorary frog out.sc WILL
(CONTINUED) You ow,kn
326
00:16:51,144 --> 00:16:54,078
this was a long y frwaom
CBGB's but at the sa timmee,
327
00:16:54,114 --> 00:16:57,215
he
r and Chris Stein had got in
to heroine. And so once
328
00:16:57,250 --> 00:16:59,751
that came , I inthink the
problems reallstary ted.
329
00:16:59,786 --> 00:17:03,154
JOHN The Hunter s thwae
Blondie album and itasn' wt
330
00:17:03,189 --> 00:17:06,958
particularly successl byfu
their previous standar andds
331
00:17:06,993 --> 00:17:10,361
this contrutedib to a lot of
the intern tenalsions that
332
00:17:10,397 --> 00:17:12,563
were goi on ngwithin the
group at theime. t DEBBIE
333
00:17:12,565 --> 00:17:12,630
(sings, on music video) InBay
lon,
334
00:17:15,135 --> 00:17:17,602
on the boulevard of brene
group at okdreams, DEBBIE
335
00:17:17,637 --> 00:17:20,938
my w ill power at the lowest
b. Oebh,
336
00:17:20,974 --> 00:17:24,642
what can do? I WILL So the
band start to edfall apart.
337
00:17:24,677 --> 00:17:26,644
d alAnso, there's a
bit--sorof at lot of very,
338
00:17:26,679 --> 00:17:29,647
ve bigry money issues. JOE
The her otmembers as well
339
00:17:29,649 --> 00:17:29,714
understandab hadly grown
kind of jealous Debofbie
340
00:17:32,085 --> 00:17:35,987
Harry's profile. She w anas
absolutely media darli.ng
341
00:17:36,022 --> 00:17:38,489
The re of stthe band
compared had aairl fy
342
00:17:38,525 --> 00:17:41,292
nondescript profile. WILL Ev
entually,
343
00:17:41,327 --> 00:17:45,129
the ba splndit up in, I
think 1982WILL. (CONTINUED)
344
00:17:45,131 --> 00:17:45,196
I me
an, Debbie Harry had
lachedun her solo career as
345
00:17:47,233 --> 00:17:49,867
well. And there's a loof
tht pressure from the record
346
00:17:49,903 --> 00:17:52,570
label to just push her.
SUA WhNTen Debbie Harry
347
00:17:52,672 --> 00:17:55,473
started her solo career,
ere thwere peaks and
348
00:17:55,508 --> 00:17:59,310
troughs. I think she's
ruggstled for a while to
349
00:17:59,345 --> 00:18:02,613
find the snd oour direction
that she wted anto be as a
350
00:18:02,649 --> 00:18:05,583
solortis at. JOE Without the
band bind ehher,
351
00:18:05,618 --> 00:18:08,719
it j ust didn't quite feel
thsamee and that's when
352
00:18:08,755 --> 00:18:11,823
none of the ackstr are
particularly memorle. abCAL
353
00:18:11,825 --> 00:18:11,889
Around this time, risCh
Stein became very ill thwi
354
00:18:15,161 --> 00:18:17,128
nthe life-threateninge
paautoulimmune disease,bCAL
355
00:18:17,230 --> 00:18:20,231
pemphigus. DEBBI(sinE gs)
Super friends. WILYou L can
356
00:18:20,266 --> 00:18:21,332
see that they have this
very ,
357
00:18:21,367 --> 00:18:24,001
very deep bond which I think
ntincoues to this day. A
358
00:18:24,037 --> 00:18:26,037
re
al respect for each other, th
ey split up,
359
00:18:26,072 --> 00:18:30,475
yo
u know, as people do. But wh
en Chris Stein got sick,
360
00:18:30,577 --> 00:18:32,844
they--by this pot, tinheir
relationship was or buvet
361
00:18:32,879 --> 00:18:37,882
she continued to look afr
te him and pretty much gavep u
362
00:18:37,917 --> 00:18:41,519
her career to look aft himer
and he got better. DEBEBI
363
00:18:41,554 --> 00:18:44,889
(s
ings) I am still in touch wi
th your presence,
364
00:18:44,991 --> 00:18:49,026
de. SUarNTA It took 17 years
foBlonr die to finally get
365
00:18:49,062 --> 00:18:51,295
back together,tart s working
together again,
366
00:18:51,397 --> 00:18:53,831
d stanart recording
together. d I Anthink at
367
00:18:53,867 --> 00:18:55,099
that time, you know,
viouobsly,
368
00:18:55,168 --> 00:18:57,869
lot a of time had passed, it
s a wachance for them almost
369
00:18:57,904 --> 00:19:00,404
to kind of revisithe
t reason why they were in a
370
00:19:00,440 --> 00:19:02,740
band together thein first
place. WILL No Et waxis the
371
00:19:02,775 --> 00:19:09,213
first post-reunion aum Ilb
suppose. And it was prtyet
372
00:19:09,249 --> 00:19:11,916
go. Itod was probably better
th mosant people would have
373
00:19:11,951 --> 00:19:14,385
expect fored a band that's
split upnd, a
374
00:19:14,420 --> 00:19:16,554
you kn, haowd been seen
because th wasat their day.
375
00:19:16,589 --> 00:19:17,722
DEBBIE (sings, on sicmu
video) Ooh,
376
00:19:17,757 --> 00:19:20,158
don't you wanntakea her?
WILL They had a ng csoalled,
377
00:19:20,160 --> 00:19:20,224
"Maria" d I anthink for the
band wasroba pbly the
378
00:19:22,962 --> 00:19:25,963
sweetest piece of succsr?
esWILthey'd ever had because by
379
00:19:25,999 --> 00:19:28,933
this point, they rea'dlly
gone for it. DEBBI(sinE gs,
380
00:19:28,968 --> 00:19:33,971
on music video) Maria,
u'veyo gotta see her. DEBBIE
381
00:19:34,307 --> 00:19:36,941
(CONNUEDTI) (sings, on music
vide Go o)insane and out of
382
00:19:36,976 --> 00:19:46,450
your min Regd.ina, Ave
Maria. SUNTA It s liwake
383
00:19:46,486 --> 00:19:53,391
Blone frdiom the 70s but
with almt wiosth more guts
384
00:19:53,426 --> 00:19:55,593
and wi morthe confidence.
SUNTA (CTINUONED) I guess
385
00:19:55,628 --> 00:19:57,728
that comes witage h and, you
know,
386
00:19:57,764 --> 00:20:00,097
with feeli liknge, they were
doing thin vergsy much on
387
00:20:00,133 --> 00:20:03,100
their own tes. JrmOHN It
went to number iBritn ain
388
00:20:03,136 --> 00:20:06,737
an
d this meant that they had nu
mber one singles in the
389
00:20:06,773 --> 00:20:10,641
70s,the 80and s,the 90s.
JOHN (CONTINUE AndD) there's
390
00:20:10,677 --> 00:20:14,612
a song, it wasure pBlondie.
DEBBIE (sings,
391
00:20:14,647 --> 00:20:19,850
on mic vusideo) Maria,
you've gottaee h ser. Go
392
00:20:19,886 --> 00:20:25,089
insane and out of your md.
in SUNTA Blondie's most recten
393
00:20:25,124 --> 00:20:28,292
albums show thathey' tre
still trying to be
394
00:20:28,328 --> 00:20:30,294
invatinove. SUNTA
(CONTINUED) ey'rThe still
395
00:20:30,330 --> 00:20:33,564
ve mucryh bringing in
differenelemt ents of genres
396
00:20:33,600 --> 00:20:35,733
and music th intaterest
them. They're stilnotl
397
00:20:35,768 --> 00:20:37,735
restinon tg heir laurels.
They're ill stmaking sure
398
00:20:37,770 --> 00:20:39,837
thathat wthey're doing is
exciti to ngthem that
399
00:20:39,872 --> 00:20:42,106
they're beincreag tive and
always strivinto dg o
400
00:20:42,141 --> 00:20:44,942
something new.MUSI [C]
401
00:20:44,978 --> 00:20:46,744
DEBBIE ings(s, on music
video) All Iant wis a room
402
00:20:46,779 --> 00:20:49,981
wi
th a view. A sight worth
eingse,
403
00:20:50,016 --> 00:20:53,584
a vision of you.OHN J
Blondie's influence is
404
00:20:53,586 --> 00:20:53,651
almost incalcuble.la Anybody
who's been a reanablsoy
405
00:20:59,892 --> 00:21:04,262
pretty singer with attite
ud owes something to Blondie.
406
00:21:04,264 --> 00:21:04,328
JO (COHNNTINUED) So if you
look aGarbt age,
407
00:21:06,666 --> 00:21:09,900
pif you look at Katy Pey,
rr if you look at Gwen Stefian
408
00:21:09,936 --> 00:21:12,637
in No Dot, yubou'll see that
these pele hopave
409
00:21:12,672 --> 00:21:16,107
incooratrped bits of Debbie
Harrs loy'ok,
410
00:21:16,142 --> 00:21:20,378
ts obif her attitude, and
heunasr hamed pop
411
00:21:20,413 --> 00:21:23,381
sensilitiby too. SUNTA
Debbie Har is ryan icon of
412
00:21:23,416 --> 00:21:27,885
our generation a shend has
managed to maintaithatn as
413
00:21:27,920 --> 00:21:30,288
wellCAMI. LLA Blondie being
hugelynflu iential and I
414
00:21:30,323 --> 00:21:32,290
think you saw rticpaularly
in the 90s,
415
00:21:32,325 --> 00:21:34,725
it w as a real research and
tereinst in their career.
416
00:21:34,794 --> 00:21:37,328
And a loof bt ands that
point we're rerencfeing
417
00:21:37,430 --> 00:21:39,463
Parallel Lines andayin sg
that was kind of onef th oe
418
00:21:39,565 --> 00:21:41,532
albums that made them wa
ntto be in a band. WILL The
419
00:21:41,567 --> 00:21:43,534
songs are just so good. u
Yo know,
420
00:21:43,569 --> 00:21:45,536
so
it's gonna be an
inflnce ueon anyone who--in
421
00:21:45,571 --> 00:21:47,505
a ba whond wants to write
great sos bengcause the
422
00:21:47,540 --> 00:21:49,106
songs are perft. SecUNTA
Blondie,
423
00:21:49,108 --> 00:21:49,173
I think are one of t moshet
important bands of this
424
00:21:51,010 --> 00:21:54,745
time. They have provedime t
and time again that th areey
425
00:21:54,781 --> 00:21:57,782
alwaystriv sing to be
creative ando ch tange
426
00:21:57,817 --> 00:22:00,418
thin. SUgsNTA (CONTINUED)
Never kintod of just settle
427
00:22:00,453 --> 00:22:03,554
for one sound d thanat's so
exciting and tt's haso
428
00:22:03,623 --> 00:22:05,856
interesting. DEBE (sBIings,
on music video) ur hYoair is
429
00:22:05,892 --> 00:22:15,466
beautiful. Oh, tonig.
ht DEBBIE (CONTINUED) (sings,
430
00:22:15,501 --> 00:22:19,403
on music videoAtom) ic. Oh,
oh,
431
00:22:19,439 --> 00:22:32,350
atomicOh, . Oh. Oh, oh,
atomic. Oh,
432
00:22:32,385 --> 00:22:35,953
oh, atomic. DEBBIE
(CONNUEDTI) Oh,
433
00:22:35,988 --> 00:22:38,122
oh.
39601
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